Additional Descriptive Information

Appendix I: Writing Credits of Philip Stevenson

• “Decision” (Metropolitan, 1922) - short story
• “Smitty Goggles & Co. (Midland, July 1925) - short story
• “In the Country” (Midland, March 1926) - short story
• “Seven Children” (American Caravan, 1927) - short novelette
• “Art in the Home” (Southwest Review, January 1928) - play
• “June Bride” (Midland, January-February 1928) - short story
• “The Joker” (Southwest Review, Autumn 1928) - short story
• “Night Cries” (in Second American Caravan, 1928) - short story
• “Prelude to Murder” (Southwest Review, Spring 1929) - short story
• “Men and Gods” (on Indians) (The Laughing Horse, Summer 1929) - article/essay
• “Fantasy from New Spain” (Southwest Review, Autumn 1929) - short story
• The Edge of the Nest (Coward McCann, 1929) - novel
• “The Shepherd” (Southwest Review, Autumn 1930) - short story
• “At the Crossroads” (Folk-Say, 1931) - short story
• “Civilization” (American Caravan IV, 1931) - short novelette
• The Gospel According to St. Luke's (Longmans, Green and Co., 1931) - novel
• “Sure Fire: Episodes in the Life of Billy the Kid” (produced 1931 and 1934) - play
• “American Revolutionaries” (Common Sense, April 1933) - reportage on a dairy farmers' strike
• “Death of a Century” (New Masses, June 1933) - short story
• “Santa Fe: A Study in Integrity” (New Mexico Quarterly, August 1933) - historical essay
• “The Blizzard” (Windsor Quarterly, Autumn 1934) - short story
• The Gentleman from Hooverville (produced 1934) - play
• “God's in His Heaven” (booklet published by New Theatre, Inc., 1934 or 1935) - play (also produced 1935)
• “The Outlook for Folk Art” (New Mexico Quarterly, February 1935) - article/essay
• “Mexican Small Town” (North American Review, December 1935 - essay
• “Day In, Day Out” (Household Magazine, 1935 - essay
• “Fire Magic” (Travel Magazine, 1935) - article on the Navajo Indian Fire Dance
• “Death of a Century (Proletarian Anthology, 1935) - short story
• “Gold Star Mother” (Esquire, 1935 or 1936) - short story
• “Maxwell Anderson: Thursday's Child” (New Theatre Magazine, September 1936) - essay
• “Art and Gert” (The New Caravan, 1936) - short novelette
• Road Closed (New Theatre League, 1936) - play
• You Can't Change Human Nature (produced 1936; published under the title of Back Where You Came From, 1936) - play
• “Wait!” (1936) - play
• “The Worm's-Eye View” (New Masses, August 31, 1937) - short story
• “Transit” (One-Act Play Magazine, October 1937) - play
• “Divide by Night” (Story Magazine, April 1938) - short story
• “Walt Whitman's Democracy” (New Masses Literary Supplement, June 1938) - critique
• “Transit” (Contemporary One-Act Plays, 1938) - play
• What It Takes (produced 1938) - play
• Counterattack (with Janet Stevenson, produced 1943) - play
• The Story of G.I. Joe (screenplay in collaboration with others, released 1945) - film
• “Back Where We Came From” - speech on the American tradition to a Conference on Thought Control in the U.S.A., July 11, 1947
• Declaration (with Janet Stevenson, produced 1948) - play
• The Girl in White (screenplay in collaboration with others, released by MGM, 1951) - film
• “To Readers and Writers” (California Quarterly, Summer 1952) - statement of policy
• “Courage Is Contagious” - pamphlet, March 1953
• Morning Noon and Night (G.P. Putnam's Sons, 1954) - novel
• “May Snow” (in The American Century, 1955) - short story
• Out of the Dust (G.P. Putnam's Sons, 1956) - novel
• “For a New Approach to Culture” (Political Affairs, published under the name of “Henry Arndt”, May 1957) - article/essay
• “Little Too Smart” (Mainstream, February 1958) - short story