Summary Information
Philip E. Stevenson Papers 1912-1965
- Stevenson, Philip E., 1896-1965
U.S. Mss 69AN; Audio 424A; PH 3673; PH 3674(2); PH 3675
18.0 c.f. (13 record center cartons, 12 archives boxes, and 1 flat box), 1 tape recording, and photographs
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Papers of Philip E. Stevenson, a writer and editor on social justice and labor, who was blacklisted for his refusal to testify before the House Un-American Activities Committee in 1951. The collection best illustrates Stevenson's career as a writer and his interests in the American Southwest, the labor struggles of the New Mexican coal miners, culture and aesthetic theories, and the House Un-American Activities Committee. There is little directly concerning the Hollywood Ten. The largest portion of the collection consists of drafts of five volumes comprising The Seed, which were Morning Noon and Night, Out of the Dust, Old Father Antic, The Hoax, and The Sowing. Other major works documented in the collection are the novels The Edge of the Nest, The Gospel According to St. Luke's, and “The Pig-Iron Venus” (unpublished). A small administrative file of letters, subscriptions, and draft articles submitted for publication reflects Stevenson's work as co-founder and editor of the California Quarterly. On tape is a memorial service for Stevenson. The photographs include family snapshots; albums of photos from a 1912 family European trip and from Stevenson's World War I service; and photos of Paris (1919), Saranac Lake, New York (1920), the Southwest (1930s-1950s), and the Zuni Indian Reservation (1933). English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0069an ↑ Bookmark this ↑
Biography/History
Philip Edward (Ted) Stevenson, son of Richard and Martha Stevenson, was born December 31, 1896, in New York City. He was one of five children. Despite a slight limp resulting from childhood polio, Stevenson volunteered for service and served as a naval lieutenant in World War I. He returned to Harvard after the war and received a BA degree in 1919. After graduation he began to teach in a boy's prep school in New England.
Stevenson contracted tuberculosis and spent a year at a sanitorium in Saranac, New York. He began writing during this time, and his first story, Reward of a Prodigal, was published in 1920. In 1922, Stevenson moved to New Mexico on the advice of his doctor, and continued writing there. Several one-act plays and the first two novels of a projected trilogy, The Edge of the Nest and The Gospel According to St. Luke's, were written during this period. The third book in the series “The Pig-Iron Venus” was never published. Stevenson was much attracted by the beauty of the Southwest, and by the Indian, Mexican, and other workers there. He became closely involved in the coal and hard-rock miners' struggles, which became the subjects of much of his later writing. Throughout his life Stevenson was concerned about social justice, peace, and brotherhood, which influenced the choice of subjects in his writing.
Stevenson was in sufficiently good health in the mid-1930s to return to New York, although in 1933 he spent several months as camp superintendent for a sawmill conservation camp project sponsored by the federal government on the Zuni Reservation in New Mexico. Several members of Stevenson's family, including his first wife, Gladys, and at least one of his older sons, made their permanent homes in Santa Fe, New Mexico.
At about the same time Stevenson espoused the philosophy of Marxism, and became critical of what he perceived as evils in society. In 1934 he turned to playwriting, and during the next four years wrote a number of one-act plays for the labor and progressive theater. Three of the plays, The Gentleman from Hooverville, God's in His Heaven, and Road Closed, became a trilogy on the depression, entitled Big Wind. For the next few years, in addition to writing, he worked with the New Theatre League and as a public relations man for the Playwrights' Company.
During the 1940s, Stevenson collaborated with his second wife, Janet Marshall Stevenson, on the play Counterattack, based on the Russian play “Pobyeda” (“Victory”), and concerning the war on the eastern front. The play was produced in New York and later made into a film. The Stevensons also collaborated on Declaration (1948), a play about Thomas Jefferson and the early American struggle for democracy. From 1944 until he was blacklisted in 1951, Philip Stevenson also worked in film. He was a screenwriter for The Story of G.I. Joe (nominated as Best Picture of the Year, 1954) and The Girl in White.
In 1947, during the House Un-American Activities Committee (HUAC) investigation of Communism and Hollywood personalities, Stevenson worked with the Defense Committee of the Hollywood Ten. He was one of the group which brought suit against those producers who blacklisted writers and directors as a result of the Congressional hearings. Stevenson himself was also blacklisted in 1951 for refusing to testify before HUAC. As a result, some of
his later writing was done under the pseudonyms “Lars Lawrence” and “Henry Arndt.” Stevenson also wrote anti-HUAC political pamphlets at this time, his most notable being Courage Is Contagious (1953).
In 1948 Stevenson started work on his monumental multi-volume work, The Seed, which occupied much of his time and effort until 1960. Like his earlier multi-volume project, the theme of The Seed was the biblical parable of the sower of the seed and its revolutionary significance. The works were set in the fictional company-owned Southwest community of Reata. The first volume was divided in two parts, Morning Noon and Night (published in 1954) and Out of the Dust (1956). The second part of the trilogy was similarly divided, into Old Father Antic (Falstaff's characterization of the law) and The Hoax, both published in 1960. The third volume, The Sowing, was unpublished at the time of Stevenson's death.
Stevenson was a founder and editor (1951-1956) of the magazine California Quarterly, and was a contributing editor of Masses and Mainstream. Throughout his life, Stevenson worked at other occupations to support himself and his family. Among his other activities were teaching school, private tutoring, doing manual labor, managing a public works camp on a Zuni Indian reservation, as well as working as a publicist in New York. He died in the Soviet Union, September 22, 1965, while on a tour of Europe.
Scope and Content Note
The collection best illustrates Stevenson's career as a writer and advocate of social justice and labor causes. There is very little concerning his “other” careers as teacher and publicist, and little directly concerning his involvement with the Hollywood Ten. However, the concerns which activated the members of the Ten later were themes which pervade much of Stevenson's writing, as do the effects of the blacklist. Other interests of Stevenson's included the Southwest and its Indian and Hispanic peoples. All of his interests came together in his monumental work, The Seed, and his writings on the Gallup, New Mexico labor struggles. The papers have been arranged in five series: Personal Papers and Correspondence; Articles, Essays, and Political Writings; Books; Scripts; and Stories. The Photographs are listed separately at the end of the Container List.
PERSONAL PAPERS AND CORRESPONDENCE includes biographical materials and writing credits (listed by Stevenson), tributes from Stevenson's memorial service, genealogies of the Stevenson family, and miscellaneous other papers of his relatives. Despite the presence of these documents, the precise relationships between Stevenson and members of his family are a little difficult to ascertain. There is also a folder of papers documenting his military service, address books, business papers composed of contracts and royalty statements, and diaries which he kept during a 1912 European trip and during his World War I service. Among the photographs accompanying the collection are several albums and snapshots taken during the 1912 trip and while Stevenson was stationed in Paris during the war. Other photographs were taken later in Stevenson's life; many depict Stevenson and the members of his family, and scenes of the Southwest.
Stevenson's correspondence includes both personal and business correspondence and is arranged alphabetically and chronologically. The correspondence consists mainly of letters to editors and statesmen on public issues, and concerning his writings.
Other personal papers contain a variety of materials. There are small files of contracts, organizational papers, and correspondence from the Association of Theatrical Press Agents and Managers and New York Theatrical Press Agents, documenting Stevenson's employment with those organizations. Stevenson's files concerning the California Quarterly are partially administrative files, and contain editorial letters, subscriptions, letters from readers, and drafts of articles and poems submitted for publication. (Issues of the California Quarterly are available in the University of Wisconsin Library.) Stevenson's involvement in the John Reed Club is illustrated by a history, minutes, reports, constitution, and by-laws.
In addition to files of newspaper clippings and a scrapbook of his own activities, Stevenson kept large reference files for use in his writing. Where possible, the reference materials have been filed with the writing for which they were used. In this series, however, are located those reference materials not clearly identified with a particular writing. These include writings, notes, clippings, and other items on aesthetic theory, folklore, the Haymarket Riot, Navajo Indians, and the 1919 Seattle strike and the attack on the I.W.W. Hall in Centralia, Washington. Also present are 59 small notebooks of information and memoranda compiled by Stevenson for use while writing. Most appear to pertain to The Seed.
Other materials include reviews of Stevenson's play Declaration and the film The Story of G.I. Joe. From his 1933 tenure as superintendent of Base Camp #1, on the Zuni Reservation in New Mexico, there are miscellaneous administrative memoranda pertaining to camp complaints, wage increases, orders for food and supplies, and other routine matters.
ARTICLES, ESSAYS, AND POLITICAL WRITINGS consist of published and unpublished manuscript materials on a variety of topics. The series also includes biography, book reviews, editorials, and speeches. All of these are arranged alphabetically by title, except for book reviews which are placed first in the series and arranged alphabetically by the title of the book reviewed. Stevenson's political writings chiefly concern the House Un-American Activities Committee, articles and pamphlets concerning the Gallup, New Mexico, mine workers' labor struggle, the Korean War, and cultural and artistic expression.
Within the BOOKS series are numerous drafts of Stevenson's published and unpublished novels, a travel book, and a text book, all arranged son's published and unpublished novels, a travel book, and a text book, all arranged alphabetically by title. Most voluminous are the drafts and revisions of the volumes comprising The Seed. Individual volumes are arranged under the title, The Seed, in the order in which they were written. Also present are first drafts of The Edge of the Nest; first, second and final drafts of The Gospel According to St. Luke's; drafts and notes of “The Pig-Iron Venus”; and rough and first drafts of New Mexico: An Autobiography. The published books include a number of Stevenson's full-length books in English and translated into foreign languages, and anthologies in which a piece written by Stevenson appears.
SCRIPTS contain notes, treatments, rough and final drafts of plays, and scripts for radio, television, and films. Among those included are Big Wind (1933), What It Takes (1935-1936), The Story of G.I. Joe (1944-1945), The Girl in White (1952), and La Rosa Blanca (1960). The scripts are arranged alphabetically.
The STORIES series contains the original manuscripts of published and unpublished fiction stories and novelettes, with notes and reference material, arranged alphabetically by title.
The PHOTOGRAPHS have been arranged in three photo lots. Most of the photos have been annotated or identified by Stevenson, although many of the individuals are identified only by initials. They include many portraits and snapshots of Stevenson and members of his family; albums of photos from a 1912 Stevenson family European trip and from Stevenson's World War I service; and photos of Paris (1919), of skiing, ski jumping, and Stevenson at a tuberculosis sanatorium at Saranac Lake, New York (1920), of the Southwest (1930s-1950s), and of the Zuni Indian Reservation while Stevenson was public works camp superintendent (1933).
Administrative/Restriction Information
Presented by Philip Stevenson, Venice, California, 1963; the Philip Stevenson Estate, Venice, California, 1965; Albert Maltz, Mill Valley, California, 1966; Donald Bloch, Denver, Colorado, 1967; the Philip Stevenson Estate, via Albert Maltz, Los Angeles, California, 1967, 1971, 1972, 1980; Eleanor Stevenson, New Milford, Connecticut, 1970. Accession Number: MCHC 63-052, 65-133, 66-114, 67-026, 67-151, 70-025, 71-064, 72-018, 80-070
Processed by various staff members, 1966, 1968; and by Cary Moy and Menzi Behrnd-Klodt, 1987.
Contents List
U.S. Mss 69AN
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Series: Personal Papers and Correspondence
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Box
1
Folder
1
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Biographical Materials and Writing Credits
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Box
22
Folder
1
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Autobiographical Materials
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Box
13
Folder
6
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Eulogies and Tributes from Memorial Service, 1965 October 17
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Audio 424A
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Tape Recording of Memorial Service
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U.S. Mss 69AN
Box
1
Folder
2
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Genealogy of the Stevenson Family (not written by Philip Stevenson)
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Box
1
Folder
3
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Military Service and Related Materials, 1917-1959
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Box
1
Folder
4
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Address Book
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Box
1
Folder
5
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Media Address Book
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Box
1
Folder
6
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Business Papers, 1930 November-1959 October
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|
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Diaries
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Box
14
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Volumes 1-6, Diaries Kept During World War I Service
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Box
14
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Volumes 7-9, Diaries of a Trip to Europe, 1912
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Box
22
Folder
2
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Inventory of Materials Sent to the Wisconsin Center for Film and Theater Research
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Box
1
Folder
7
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Personal Tax Returns, 1939-1964
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Box
22
Folder
3
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Publicity Stories and Who's Who
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Box
1
Folder
8
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Records of Sale of Property, 1944-1965
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Correspondence
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Box
1
Folder
9-10
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1921 May 20-1965 July 25
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|
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Correspondence Originally Restricted until 1990
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Box
15
Folder
1
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A, 1934-1963
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Box
15
Folder
2-3
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B, 1924-1963
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Box
15
Folder
4
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Bloch, Donald, 1957-1965
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Box
15
Folder
5
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C, 1921-1964
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Box
15
Folder
6
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Copyright Material, 1952-1960
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Box
15
Folder
7
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D, 1923-1963
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Box
16
Folder
1
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E, 1950-1963
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Box
16
Folder
2-3
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F, 1927-1963
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Box
16
Folder
4
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Fles, Bart, 1956-1963
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Box
16
Folder
5-6
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G, 1923-1965
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Box
17
Folder
1-2
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H, 1929-1963
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Box
17
Folder
3
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I, 1950-1963
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Box
17
Folder
4
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J, 1952-1962
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Box
17
Folder
5
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K, 1927-1963
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Box
17
Folder
6
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L, 1932-1963
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Box
17
Folder
7-8
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M, 1924-1963
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Box
18
Folder
1
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N, 1929-1963
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Box
18
Folder
2
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O, 1932-1964
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Box
18
Folder
3-4
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P, 1928-1963
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Box
18
Folder
5
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Q, 1959-1961
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Box
18
Folder
6
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R, 1927-1963
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Box
18
Folder
7-9
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S, 1927-1947, 1951-1964
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Box
18
Folder
10
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Stevenson, Gladys [Glad] (Stevenson's first wife), 1936-1938
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Stevenson, Janet (second wife)
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Box
18
Folder
11
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1938-1944
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Box
19
Folder
1-2
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1946-1962
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Box
19
Folder
3
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Stevenson, John (son), 1930-1940s
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Box
19
Folder
4
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Stevenson, David (son) and June (daughter-in-law), , 1934-1962
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Box
19
Folder
5
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Stevenson, Ann (daughter), 1932-1955
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Box
19
Folder
6
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Stevenson, Eleanor [En] (sister), 1932-1962
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Box
19
Folder
7
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Parker, Marion (sister) and Henry [Harry] (brother-in-law), 1930-1962
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Box
20
Folder
1
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Stevenson, Ruth (sister), 1946-1962
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Box
20
Folder
2
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Stevenson, Richard W. [Dick] (brother?), 1935-1962
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Box
20
Folder
3
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Stevenson, Joe H. (brother?), 1917-1950s
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Box
20
Folder
4
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Stevenson, Martha (mother), 1917-1927
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Box
20
Folder
5
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Stevenson's Mother-in-law? “Mamacita” [Attie], 1942-1962
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Box
20
Folder
6
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Stevenson's Niece, Marion, 1958
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Box
20
Folder
7
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Stevenson's Nephew (or Son?), Joe [Joseph], 1950-1962
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Box
20
Folder
8
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Stevenson's Nephew (or Son?), Ted [Edward], 1950-1962
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Box
20
Folder
9
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Stevenson's Aunt, Kate, 1917-1950, including Will, Final Accounting, and Miscellany
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Box
20
Folder
10
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Marshall, John C. [Jack] (brother-in-law or father-in-law), 1951-1960
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Box
20
Folder
11
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Relative Named Natalie (exact relationship unknown), 1959-1963
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Box
20
Folder
12
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From San Francisco Trip, Schedules, 1956
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Box
20
Folder
13
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Sketches, 1930s and 1940s
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Box
20
Folder
14
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T, 1939-1963
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Box
20
Folder
15
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U, 1934-1963
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Box
20
Folder
16
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V, 1934-1961
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Box
20
Folder
17
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W, 1932-1963
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Box
20
Folder
18
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Y-Z, and Unidentified, 1957-1958
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Correspondence Originally Restricted until 1996
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Box
21
Folder
1
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1962 January 31-1963 June 23
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Box
21
Folder
2
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1963 July 2-1964 February 28
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Box
21
Folder
3
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1964 March 3-June 30
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Box
21
Folder
4
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1964 July 2-November 24
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Box
21
Folder
5
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1964 December 3-1965 May 29
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Box
21
Folder
6
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1965 June 1-October 4
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Box
1
Folder
11
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Materials of Stevenson's Immediate Family
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Box
1
Folder
12
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Papers of Deceased Relatives, 1948-1950
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Box
1
Folder
13
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Association of Theatrical Press Agents and Managers Handbook, 1946 June; Contracts, , 1943 July, 1950 March
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|
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California Quarterly Files
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Box
1
Folder
14
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Editorial Letters, Subscriptions, Letters from Readers
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Box
1
Folder
15
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Drafts of Articles and Poems, including Dolores, by Stevenson; Editor's Notes : See also Box 4, Folder 10.
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Box
1
Folder
16
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Drafts of Articles
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Box
1
Folder
17
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Guggenheim Fellowship Material
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Box
1
Folder
18
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John Reed Club - History, Reports, Minutes
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Box
1
Folder
19
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John Reed Club of Santa Fe - Constitution, By-Laws
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Box
1
Folder
20
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New York Theatrical Press Agents - Constitution, By-Laws, Agreement
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Box
1
Folder
21
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Newspaper Clippings and Articles, 1930-1950s
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Box
1
Folder
22
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Peace Materials - Newspaper Articles
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Box
1
Folder
23
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Miscellaneous Personal Materials
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Box
24
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59 Small Notebooks (labelled volumes 1-59)
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Reference Materials
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Box
22
Folder
5
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Notes on Aesthetic Theory, based on Caudwell
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Box
1
Folder
24
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Folklore
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Box
1
Folder
25
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The Haymarket Riot
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Box
1
Folder
26
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Navajo Indians
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Box
1
Folder
27
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The Seattle Strike and the Attack on the I.W.W. Hall in Centralia, Washington, 1919
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Box
1
Folder
28
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Reviews of Declaration and The Story of G.I. Joe
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Box
25
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Scrapbook (Volume 60)
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Box
1
Folder
29
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Who's Who
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Box
22
Folder
4
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Zuni Reservation, Base Camp #1 Material, 1933 April-November
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Box
22
Folder
7
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Miscellaneous Publications
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Box
22
Folder
8
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Theses on Stevenson
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Series: Articles, Essays, and Political Writings
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|
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Book Reviews
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Box
1
Folder
30
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Advancing to Communism, Fyodor Dubkovetsky, 1952
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Box
1
Folder
30
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The Banditti of the Plains, A.S. Mercer, 1935
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Box
1
Folder
30
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Best Short Stories of 1936, O'Brien, 1936
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Box
1
Folder
30
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A Book on Contemporary Short Stories, Dorothy Brewster, undated
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Box
1
Folder
30
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The Echoing Hills (play), Lester Cole, 1956, clipping of article
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Box
1
Folder
30A
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Distant Point, Alexander Afinogenov
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Box
1
Folder
31
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Edge of Taos Desert, Mabel Dodge Luhan, undated
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Box
1
Folder
31
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In Place of Profit, Harry F. Ward, undated
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Box
1
Folder
31
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The International, Alfred Maund, 1961
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Box
1
Folder
31
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A Long Day In a Short Life, Albert Maltz, 1957
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Box
1
Folder
32
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Lorenzo in Taos, Mabel Dodge Luhan, 1932
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Box
1
Folder
32
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The Nine Guardians, Rosario Castellanos, undated
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Box
1
Folder
32
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Peanuts From the Gallery, thumbnail reviews
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Box
1
Folder
32
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Rhythm for Rain, John L. Nelson, 1937
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Box
1
Folder
33
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Spring Silkworms, Mao Tun, undated
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Box
1
Folder
33
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The Story of Archeology in the Americas, Mary Elting and Franklin Folson, 1960
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Box
1
Folder
33
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Thunderstorm, Tsao Yu, undated
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Box
1
Folder
33
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Turpentine, J.A. Smith and Peter Morell, circa1937
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Box
1
Folder
34
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Walt Whitman and the Springs of Courage, Haniel Long, undated
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Box
1
Folder
34
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Walt Whitman's Civil War, Walter Lowenfels, ed., undated
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Box
1
Folder
34
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Walt Whitman's Leaves of Grass, Malcolm Cowley, ed., undated
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Box
1
Folder
35
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When the Air is Clear, Carlos Fuentes, 1960
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Box
1
Folder
35
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Writers on the Left, Daniel Aaron, undated
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Box
1
Folder
35
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Youngblood, John O. Killens
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America is Exceptional (by Henry Arndt)
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Box
1
Folder
36
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Early Drafts, Final Draft (annotated), undated
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“American Saint” (Published in People's World, circa 1950)
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Box
1
Folder
37
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Manuscript Version, Carbon Revision
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“The Apostle of Nada: A Note on Ernest Hemingway” (Published in Monthly Review, 1962)
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Box
1
Folder
38
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Rough and Final Drafts
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Axioms
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Box
1
Folder
39
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Rough Drafts (annotated)
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Ballads
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The Blind Child, John Brown of Osawatomie
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Box
1
Folder
40
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Rough Drafts
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Regarding Stevenson's Clash With Cultural Commission
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Box
1
Folder
41
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Rough Drafts
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Congress Was That Way in 1776
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Box
22
Folder
6
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Rough Draft (annotated)
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Box
1
Folder
42
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Quotations, Research Material
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|
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Consider Culture
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Box
1
Folder
43
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Rough Drafts (annotated)
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Crap! or Loaded Dice, 1937
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Box
1
Folder
44
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Manuscript Drafts of Unpublished Article (annotated)
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Writings on Culture
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Box
1
Folder
45
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Rough Drafts of Documents by Others
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Culture: A Report and A Program
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Box
1
Folder
46
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Rough Drafts, Revised Draft (annotated)
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Box
1
Folder
47
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Reference Material, Quotes, Notes from Marxist Theorists and U.S. Critics
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Box
1
Folder
48
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Index to Sources for Works on Theory and Culture
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“Deporting Jesus” (Published in Nation, 1935)
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Box
1
Folder
49
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Early and Late Drafts
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Dynamic Symmetry
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Box
22
Folder
7
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Notes
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Encyclopedia Realistica, undated
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Box
1
Folder
50
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Manuscript of Unpublished? Article (annotated)
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Fiesta, Inc.
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Box
1
Folder
51
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Draft
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Fire Magic (Published in Travel, 1937)
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Box
1
Folder
52
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Rough Draft
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Box
1
Folder
53
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Draft
|
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Gallup, New Mexico Writings
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The Gallup Case
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Box
1
Folder
54
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Rough Draft, Final Draft
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|
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Joe Bartol of Gallup (Published in Daily Worker, 1935)
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Box
2
Folder
1
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Draft
|
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Red Detective
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Box
2
Folder
2
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Draft
|
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Box
2
Folder
3
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Three Articles and Manuscript of Unfinished Pamphlet
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Box
2
Folder
4-5
|
Reference Files
|
|
Box
22
Folder
8-10
|
Reference Files
|
|
Box
2
Folder
6
|
Scrapbook of News clippings, 1935
|
|
|
House Un-American Activities Committee Writings
|
|
Box
2
Folder
7
|
The Case of the Hollywood Ten, and its Pertinence to Academic Freedom, Religious Freedom, Scientific Freedom,circa 1951-1953 - Three Copies of Appeals for Support Directed to Those in the Above Professions
|
|
|
Courage Is Contagious, 1953
|
|
Box
2
Folder
8
|
Outlines of Pamphlet, Draft A and B
|
|
Box
2
Folder
9
|
Versions A, B, C (different from above)
|
|
Box
2
Folder
10-11
|
Unlettered Drafts
|
|
Box
2
Folder
12
|
Corrected Galley Proofs, Page Proofs, Published Pamphlet
|
|
|
I Believe, 1951
|
|
Box
2
Folder
13
|
Unpublished? Rough and Final Versions of Philip Stevenson Credo
|
|
Box
22
Folder
11
|
Draft
|
|
|
Inquisition: The Case of the Hollywood Ten, 1949
|
|
Box
2
Folder
14
|
Final Mimeographed Copy
|
|
Box
2
Folder
15
|
Letters and Miscellany
|
|
Box
2
Folder
16-18
|
Research and Work Sheets for Pamphlets
|
|
|
Smear and Run
|
|
Box
22
Folder
12
|
Rough Drafts, Final Draft (annotated)
|
|
|
The Subversives, circa1958
|
|
Box
2
Folder
19
|
Copy of Unfinished Pamphlet
|
|
|
In Praise of Standardized...!
|
|
Box
2
Folder
20
|
Draft
|
|
|
Is Correctness an Idealist Concept?
|
|
Box
2
Folder
21
|
Draft
|
|
|
It's a Cultural Problem
|
|
Box
22
Folder
13
|
Early Draft (First, annotated)
|
|
Box
2
Folder
22
|
Early Rough Draft, Final Draft (annotated)
|
|
|
Little Lefty, circa 1938, dialogue for Theatre Arts Committee Political Cabaret
|
|
Box
2
Folder
23
|
Draft
|
|
|
On the Literature of Love
|
|
Box
2
Folder
24
|
Prelude (annotated)
|
|
|
Mary Austin, Worker
|
|
Box
2
Folder
25
|
Rough Draft (annotated)
|
|
|
“Maxwell Anderson: Thursday's Child” (Published in New Theatre Magazine, circa 1937)
|
|
Box
2
Folder
26
|
Three Manuscript Drafts (annotated)
|
|
|
Mexican Small Town,
undated
|
|
Box
2
Folder
27
|
Manuscript of Unpublished Article, Final Draft
|
|
|
The Motive Power of Culture (by Henry Arndt)
|
|
Box
2
Folder
28
|
Rough Draft, Final Draft (annotated), 1960
|
|
|
Naturalism and the Progressive Worker, 1955
|
|
Box
2
Folder
29
|
Rough Draft, 1955 (annotated)
|
|
|
New Deal Essays: The Drift of the New Deal, Progress and Property, You Can't Take It!, 1934
|
|
Box
2
Folder
30
|
Unpublished? Articles : See also Box 3, Folder 11.
|
|
|
A Note on Peter Pan, Einstein, and Others
|
|
Box
2
Folder
31
|
Draft, circa 1930
|
|
|
Old Walt Has Nothing to Lose, circa 1943
|
|
Box
2
Folder
32
|
Published Article
|
|
|
On Being a Boss
|
|
Box
2
Folder
33
|
Draft
|
|
|
On the Draft Resolution
|
|
Box
2
Folder
34
|
Early Drafts, Final Draft (annotated), 1959 September
|
|
|
On the Specific Nature of Art, by I. Astakhov
|
|
Box
2
Folder
35
|
Rough Draft (annotated)
|
|
|
Questions on Culture (Published anonymously for limited circulation, undated)
|
|
Box
2
Folder
36
|
Second Draft (annotated); Third Draft
|
|
|
Reading for Workers
|
|
Box
2
Folder
37
|
Draft Articles, 1954
|
|
|
Roots of American Philistinism
|
|
Box
2
Folder
38
|
Rough Drafts (annotated)
|
|
|
A Satire on Unamericanism
|
|
Box
2
Folder
39
|
Draft
|
|
|
David Alfaro Siqueiros
|
|
Box
2
Folder
40
|
Drafts, Reference File
|
|
|
Speeches
|
|
|
“Back Where We Came From,” Speech Delivered by Stevenson to Thought Control Committee
|
|
Box
2
Folder
41
|
Early Drafts and Final Version, 1947
|
|
Box
2
Folder
42
|
“The Blacklist and Your Freedom,” by Herbert J. Biberman
|
|
Box
2
Folder
43
|
“A Booby Trap for Veterans” - Notes, Reference Material regarding Loyalty Oaths
|
|
Box
2
Folder
44
|
“For People's World Anniversary,” 1963
|
|
Box
2
Folder
45
|
On Henry Carlisle, 1962
|
|
Box
2
Folder
46
|
On Lem Ward
|
|
Box
2
Folder
47
|
“Why Do We Write and Read Novels?” - Speech and Drafts, 1963
|
|
Box
2
Folder
48
|
Sacramento, California, Speech, 1948, Delivered by Henry A. Wallace
|
|
Box
2
Folder
48
|
The U.N. and Korea, 1950, Delivered by Stevenson
|
|
Box
2
Folder
48
|
Untitled Speech for an Assemblyman
|
|
|
“To Readers and Writers” (Editorial published in California Quarterly, 1952
|
|
Box
3
Folder
1
|
Rough and Final Drafts
|
|
|
Toward a Collective of Expression
|
|
Box
3
Folder
2
|
Draft, 1936
|
|
|
Varlets Without Vocabulary
|
|
Box
3
Folder
3
|
Draft
|
|
Box
3
Folder
4
|
Verse
|
|
|
“Walt Whitman's Democracy” (Published in New Masses, circa 1953)
|
|
Box
3
Folder
5
|
Manuscript Drafts (annotated)
|
|
|
We Are Not at War, 1950
|
|
Box
3
Folder
6
|
Clippings, Outline, First Draft
|
|
Box
3
Folder
7
|
Final Draft, Revisions, unpublished
|
|
|
What and Why Is Culture?
|
|
Box
3
Folder
8
|
Drafts
|
|
|
“Where Credit is Due” (Published in The Screen Writer, circa 1950)
|
|
Box
3
Folder
9
|
Article in two parts
|
|
|
Yes, But Is It Art?,
circa 1930
|
|
Box
3
Folder
10
|
Early Draft (annotated); Final Draft of Unpublished Essay
|
|
|
You Can't Take It!
|
|
Box
3
Folder
11
|
Draft : See also Box 2, Folder 29.
|
|
|
Youth Sings Out For Freedom
|
|
Box
3
Folder
12
|
Drafts
|
|
Box
3
Folder
13
|
Unfinished Articles
|
|
|
Series: Books
|
|
|
The Edge of the Nest, 1927-1928
|
|
Box
3
Folder
14
|
First Draft Manuscript, part 1, Love
|
|
Box
3
Folder
15
|
First Draft Manuscript, part 2, Maze
|
|
Box
3
Folder
16
|
First Draft Manuscript, part 3, Drama
|
|
|
The Gospel According to St. Luke's, 1929-1930 : Published by Longmans Green, 1931
|
|
Box
3
Folder
17
|
Original Conception and Genealogies
|
|
|
First Draft Manuscript (annotated)
|
|
Box
3
Folder
18
|
Parts 1 and 2
|
|
Box
3
Folder
19
|
Part 3
|
|
Box
3
Folder
20
|
Parts 4 and 5
|
|
|
Second Draft Manuscript
|
|
Box
3
Folder
21
|
Parts 1 and 2
|
|
Box
3
Folder
22
|
Part 3
|
|
Box
3
Folder
23
|
Parts 4 and 5
|
|
|
Manuscript of Finished Copy (annotated)
|
|
Box
3
Folder
24
|
Parts 1 and 2
|
|
Box
3
Folder
25
|
Part 3
|
|
Box
3
Folder
26
|
Parts 4 and 5
|
|
|
New Mexico: An Autobiography, undated : Published textbook for New Mexican schools, written in collaboration with Maurice Garland Fulton and Paul Horgan.
|
|
Box
3
Folder
27
|
Rough Draft Manuscript
|
|
Box
3
Folder
28-29
|
First Draft Manuscript
|
|
|
The Pig-Iron Venus (Unpublished)
|
|
Box
11
Folder
2
|
Notes
|
|
Box
11
Folder
3
|
Manuscript, Parts 1-4
|
|
Box
11
Folder
4
|
Manuscript, Parts 5-9
|
|
|
The Seed
|
|
Box
3
Folder
30
|
Untitled Outline of Book or Film, reminiscent of The Seed, circa 1936
|
|
Box
3
Folder
31
|
Outlines
|
|
|
Morning Noon and Night (Part I, Volume 1 of The Seed, published by Putnam, 1954)
|
|
|
First Draft Manuscript (annotated), 1948-1950
|
|
Box
3
Folder
32-33
|
Pages 1-251
|
|
Box
4
Folder
1
|
Pages 252-393
|
|
|
Early Draft Manuscripts
|
|
Box
4
Folder
2
|
Pages 1-120
|
|
Box
4
Folder
3
|
Pages 1-120
|
|
Box
4
Folder
4
|
Parts 1-4 (previously titled “Good Ground”)
|
|
Box
4
Folder
5
|
Draft of 1954 June 16
|
|
Box
4
Folder
6-8
|
Rough Draft, pages 1-1139
|
|
Box
4
Folder
9
|
Final Draft (carbon), with revisions and annotations, pages 1-462
|
|
Box
4
Folder
10
|
Notes for Revisions, 1949 August
|
|
Box
4
Folder
11
|
“Dolores” (excerpt from MN&N, part IV, chapter 7) : See also Box 1, Folder 15.
|
|
Box
4
Folder
12
|
Correspondence, Reviews, Criticisms
|
|
|
Out of the Dust (Part I, Volume 2 of The Seed, published by Putnam, 1956)
|
|
Box
4
Folder
13-18
|
First Draft Manuscript (annotated), 1950-1952 pages 463-1029 (pages 394-462 missing)
|
|
Box
4
Folder
19-20
|
First Draft Manuscript (annotated), pages 463-1139
|
|
Box
4
Folder
21-22
|
Revised Draft (annotated), pages 463-1137
|
|
Box
5
Folder
1-2
|
Final Draft (annotated), pages 463-1137
|
|
Box
8
Folder
13A
|
Annotated Book, with Notes by Stevenson
|
|
Box
5
Folder
3
|
Review
|
|
|
Morning Noon and Night and Out of the Dust
|
|
Box
5
Folder
4-5
|
Discarded and Retyped Pages
|
|
Box
5
Folder
6
|
Omitted Pages from Early Draft
|
|
Box
5
Folder
7
|
Rough Drafts, Discards, Miscellaneous Pages
|
|
Box
5
Folder
8
|
Omitted, Rewritten, or Recopied Pages
|
|
Box
5
Folder
9
|
Notes, Cuts, and Revisions
|
|
|
Old Father Antic (Part II, Volume 1 of The Seed ; Written under pseudonym Lars Lawrence, published by John Calder, 1962)
|
|
Box
5
Folder
10-11
|
Rough Draft (annotated), pages 1-352 and later unnumbered pages
|
|
Box
5
Folder
12-13
|
First Draft (annotated), 1954-1959, pages 1-366
|
|
Box
5
Folder
14
|
Revised Draft (previously entitled “The Hoax”), pages 1-362
|
|
Box
5
Folder
15
|
Rough Draft, pages 1-362
|
|
|
Early Draft of Part III, entitled “These Nice Sharp Quillets” (previously entitled “Old Father Antic”)
|
|
Box
5
Folder
16
|
Pages 363-742
|
|
Box
6
Folder
1
|
Pages 363-589
|
|
Box
6
Folder
2-5
|
Master Copy, including Original and Corrected Pages (annotated), 1955-1960, pages 1-624
|
|
Box
6
Folder
6-7
|
Final Manuscript, pages 1-625
|
|
Box
6
Folder
8-9
|
Discarded Pages
|
|
Box
6
Folder
10
|
Draft Pages, pages 41-208 (incomplete), 1963 May
|
|
Box
6
Folder
11
|
Draft Pages, pages 348A-348E, 1965 February 12
|
|
|
The Hoax (Part II, Volume 2 of The Seed, Written under pseudonym Lars Lawrence, published by John Calder, 1962)
|
|
Box
6
Folder
12-13
|
Master Copy, including Original and Corrected Pages (annotated), 1955-1960, pages 626-1120
|
|
Box
6
Folder
14-15
|
Final Manuscript, pages 648-1120
|
|
Box
6
Folder
16-17
|
Revised Final Manuscript, pages 590-1049
|
|
Box
6
Folder
18-19
|
Discarded Pages
|
|
Box
6
Folder
20
|
Preliminary Pages of “Old Father Antic” and “The Hoax”
|
|
Box
6
Folder
21
|
Notes for “Old Father Antic” and “The Hoax”
|
|
Box
6
Folder
22
|
Correspondence and Royalties on Morning Noon and Night, Out of the Dust, Old Father Antic, and The Hoax
|
|
|
The Sowing (Part III of The Seed, unpublished)
|
|
Box
6
Folder
23
|
Rough Drafts of Several Chapters (annotated), 1963
|
|
|
Part I, “The Muffling Fog”
|
|
Box
7
Folder
1
|
Rough Drafts of Chapters 1-12 (annotated)
|
|
Box
7
Folder
2
|
Rough Draft, 1963 March-May
|
|
|
Part II, “Life By the Half Cent”
|
|
Box
7
Folder
3
|
Rough Draft, 1963 February-November
|
|
|
Part III, “Dark of the Moon”
|
|
Box
7
Folder
4
|
Rough Draft, 1963 August-November
|
|
Box
7
Folder
5
|
“B'ha-B'ha” (chapter from Part III)
|
|
|
Part IV, “Mr. Hogarth, Stand Up!”
|
|
Box
7
Folder
6
|
Rough Draft, 1964
|
|
|
Part V, “Coda”
|
|
Box
7
Folder
6
|
Rough Draft
|
|
|
Later Draft (annotated)
|
|
Box
7
Folder
7
|
Parts 1 and 2
|
|
Box
7
Folder
8
|
Part 3 (incomplete, with revised pages)
|
|
Box
7
Folder
9
|
Parts 4 and 5
|
|
Box
7
Folder
10
|
Parts 1 and 2
|
|
Box
7
Folder
11
|
Part 3
|
|
Box
7
Folder
12
|
Parts 4 and 5
|
|
Box
7
Folder
13
|
Draft, pages 754-774
|
|
Box
7
Folder
14
|
Notes
|
|
Box
22
Folder
14
|
Notes
|
|
Box
23
Folder
1
|
Notes and Reference Materials
|
|
Box
7
Folder
15
|
Reference Material
|
|
Box
7
Folder
16-17
|
Rough and Discarded Pages
|
|
|
Loose Manuscript Pages, annotated and revised
|
|
Box
7
Folder
18
|
1961
|
|
Box
7
Folder
19
|
1961-1962
|
|
Box
7
Folder
20
|
1962
|
|
Box
8
Folder
1
|
1962
|
|
Box
8
Folder
2-6
|
1962-1963
|
|
Box
8
Folder
7-8
|
1964
|
|
Box
8
Folder
9-11
|
1964-1965
|
|
Box
8
Folder
12
|
undated
|
|
Box
23
Folder
2-3
|
Work Notes and Discarded Pages
|
|
Box
8
Folder
13
|
Publicity Material
|
|
|
The Story of Santa Fe, 1933
|
|
Box
8
Folder
14
|
Unpublished First Draft Manuscript and Corrected Manuscript (annotated)
|
|
Box
8
Folder
15
|
Corrected Manuscript (annotated)
|
|
|
Published Books
|
|
Box
26
|
Amerikanische Dramen aus Funf Jahrzehnten (Berlin: Aufbau-Verlag Berlin und Weimar), containing Stevenson's “Worauf es in Leben ankommt”
|
|
Box
26
|
Aus dem Erdenstaub (German translation of Out of the Dust) (Berlin: Augbau-Verlag, 1959)
|
|
Box
26
|
Contemporary One-Act Plays, edited and selected by William Kozlenko (New York: Charles Scribner's Sons, 1938), containing Stevenson's “Transit”
|
|
Box
26
|
Den a Noc (Czechoslovakian translation of Morning Noon and Night) (Prague: Statni Nakladatelsstvi Politicke Literatury, 1961)
|
|
Box
26
|
Lang Ist Der Tag (German translation of Morning Noon and Night) (Berlin: Aufbau-Verlag, 1958)
|
|
Box
26
|
Mattino Pomeriggio e Sera (Italian translation of Morning Noon and Night) (Milan: Feltrinelli Editore, 1955)
|
|
Box
26
|
Morning Noon and Night (Berlin: Seven Seas Publishers, 1958)
|
|
Box
26
|
Morning Noon and Night (New York: G. P. Putnam's Sons, 1954) (annotated by Stevenson)
|
|
Box
26
|
[Morning Noon and Night] in Russian (Moscow, 1968)
|
|
Box
26
|
Out of the Dust (Berlin: Seven Seas Publishers, 1958)
|
|
Box
26
|
Podvod (Prague: Nakladatelstvi Politicke Literatury, 1962)
|
|
Box
26
|
Sturm in New Mexico (German translation of Morning Noon and Night) (Berlin: Aufbau-Verlag, 1970)
|
|
Box
26
|
Z Prachu Zeme (Czechoslovakian translation of Out of the Dust) (Prague: Statni Nakladatelstvi Politicke Literatury, 1961)
|
|
Box
26
|
Z Prochu Powstales (Polish translation of Out of the Dust) (Ksiazka i Wiedza, 1962)
|
|
|
Series: Scripts
|
|
|
America in Transit
|
|
Box
8
Folder
16
|
Rough Draft (annotated)
|
|
|
L'Apres-Midi d'Un Pigeon
|
|
Box
8
Folder
17
|
Draft
|
|
|
The Big Wind, 1933 (trilogy)
|
|
Box
8
Folder
18
|
Preliminary Pages
|
|
Box
8
Folder
19
|
Forward
|
|
|
The Gentleman from Hooverville
|
|
Box
8
Folder
19
|
Two Drafts (annotated)
|
|
|
God's In His Heaven
|
|
Box
8
Folder
20
|
Early and Revised Drafts (annotated)
|
|
|
Road Closed
|
|
Box
8
Folder
21
|
Early and Corrected Drafts (annotated), and as published by the New Theatre League
|
|
|
The Blessings of Liberty, 1936
|
|
Box
8
Folder
22
|
Synopsis, Character Descriptions, Revision Scheme, Script A (annotated)
|
|
Box
8
Folder
23
|
Script B (annotated) and Miscellaneous Pages
|
|
|
Child of the Sun
|
|
Box
8
Folder
24
|
Rough Drafts (annotated), Synopsis, Prologue : See also Box 11, Folder 6A.
|
|
|
Children of the Sun (formerly “The Conquerors”)
|
|
Box
8
Folder
25
|
Rough Draft (annotated)
|
|
|
Counterattack, 1942
|
|
Box
8
Folder
26
|
Early Drafts (annotated), Acts 1-3
|
|
Box
8
Folder
27
|
Script A (annotated), with revisions
|
|
Box
8
Folder
28
|
Script B (annotated)
|
|
Box
8
Folder
29
|
Script C (annotated)
|
|
Box
9
Folder
1
|
Script D (annotated)
|
|
Box
9
Folder
2
|
Script E
|
|
Box
9
Folder
3
|
Script F, post-production mimeographed copy
|
|
Box
9
Folder
4
|
Synopsis
|
|
|
The Cross and the Arrow, 1959
|
|
Box
9
Folder
5
|
Notes, Rough Outlines, Revision Notes, Screen Treatments A and B
|
|
Box
9
Folder
6
|
Final Rough Treatment (annotated)
|
|
Box
9
Folder
7
|
Miscellaneous Revised Pages
|
|
Box
9
Folder
8
|
Script (annotated); Notes
|
|
Box
9
Folder
9
|
Treatment Outline, Second Joint Revision (annotated)
|
|
|
Declaration, 1940-1948
|
|
Box
9
Folder
10
|
Philip Stevenson's Version of Script (annotated)
|
|
Box
9
Folder
11
|
Janet Stevenson's Version of Script “C” (annotated)
|
|
Box
9
Folder
12
|
Janet Stevenson's Revisions of Script “C” (annotated)
|
|
Box
9
Folder
13
|
Revised Pages from Rehearsal and Production of Play
|
|
Box
9
Folder
14
|
Revisions, 1948 January-February
|
|
Box
9
Folder
15
|
Version “C”, unrevised
|
|
Box
9
Folder
16
|
Next to Final Version; Newspaper Clipping
|
|
Box
9
Folder
17
|
Mimeo Copy
|
|
Box
9
Folder
18
|
Script A, Revisions for Master Copy (annotated)
|
|
Box
9
Folder
19
|
Script B, Final Master Copy; Clipping
|
|
Box
9
Folder
20
|
Master Copy Finished During Production; Two Earlier Versions; Press Quotes
|
|
Box
9
Folder
21
|
Notes on Production
|
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Box
9
Folder
22
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Correspondence
|
|
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Doctor Olga, 1942
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Box
9
Folder
23
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First Script (“Secret Weapon”)
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Box
9
Folder
24
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Second Script (“Secret Weapon”)
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|
Box
9
Folder
25
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Final Script
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|
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Far Taiga, by Alexander Afinogenov
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Box
9
Folder
26
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Script
|
|
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Four Shock Battalions, circa 1937
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Box
9
Folder
27
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Translation of Spanish Playlet
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|
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Fruitful Years
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|
Box
9
Folder
28
|
Rough Drafts (annotated)
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|
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The Girl In White, 1951
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|
Box
9
Folder
29
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Notes, Research
|
|
Box
9
Folder
30
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Miscellaneous Pages from Outlines and Script
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|
Box
9
Folder
31
|
Treatments, Outlines, Character Sketches
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|
Box
10
Folder
1
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Final Treatment, Version II of “Bowery to Bellevue”
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|
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Heritage, 1945
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Box
10
Folder
2
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First Draft (incomplete), 1945 January 22
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Box
10
Folder
3
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First Draft (nearly complete), 1945 January 22
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Box
10
Folder
4
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Second Draft (annotated, incomplete)
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Box
10
Folder
5
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Second draft
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Box
10
Folder
6
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Third draft (annotated); Clipping, Script Revisions
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|
Box
10
Folder
7
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Rerevised Script
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Box
10
Folder
8
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Maurice Clark Script?
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|
Box
10
Folder
9
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Treatment
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|
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Hollywood Writers Mobilization Scripts
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|
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The Price of Unity
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Box
10
Folder
10
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Partial Script for Suggested Series
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|
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The War For Health
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Box
10
Folder
10
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Outline for Screen Play
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|
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A Woman's Place
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Box
10
Folder
10
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Radio Script (annotated)
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|
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Home Fires
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Box
10
Folder
11
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“Skeleton” of a Story, Early Drafts (annotated), Letter from Lew Bentley, Newspaper Articles Pertaining to Bentley and Farmers, and Other Reference Material
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|
|
Land O' Goshen
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Box
10
Folder
19
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Rough Drafts, Outlines (annotated)
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|
|
The Last Day of School (Graduation Day), undated
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Box
10
Folder
12
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Treatments, Script (annotated), Script Portions
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|
|
A Leg To Stand On
|
|
Box
10
Folder
13
|
Rough Draft (annotated)
|
|
|
The Lowells Talk Only to God, circa 1937
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|
Box
10
Folder
14
|
Notes for Rewriting
|
|
|
The Maginot Lie, circa 1958
|
|
Box
10
Folder
15
|
Script A, rough draft (annotated); Scripts B and C, late drafts
|
|
|
The Man Who Killed the Deer, 1953
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|
Box
10
Folder
16
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Outline, Script
|
|
Box
10
Folder
17
|
Script Portions, Revisions
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|
Box
10
Folder
18
|
Script, 1954 January 28
|
|
|
The Naked and the Dead, 1948-1950
|
|
Box
10
Folder
20
|
Outline, Index of Characters, Montage Sequences, Notes and Revisions
|
|
Box
10
Folder
21
|
Script, Act I, “E”, 1950 February 20
|
|
Box
10
Folder
22
|
Portions of Rough Drafts of Treatments and Screenplay
|
|
Box
10
Folder
23
|
Screen Treatment, by Philip Stevenson and Josef Mischel
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|
|
The Nuremberg Egg, undated
|
|
Box
10
Folder
24
|
Analysis and Notes for Revision
|
|
|
O Death!
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|
Box
10
Folder
25
|
Rough Draft Script (annotated)
|
|
|
Pepper and Sandy, circa 1946
|
|
Box
10
Folder
26
|
Script, scenes 1-4, early draft (annotated)
|
|
Box
10
Folder
27
|
Script, scenes 5-6, early draft (annotated), and scenes 3-5, late draft
|
|
Box
10
Folder
28
|
Unrevised Script, not submitted
|
|
Box
10
Folder
29
|
Revised Script (annotated)
|
|
Box
11
Folder
1
|
Revised Script
|
|
|
Pilchard and Ullianov
|
|
Box
11
Folder
5
|
Rough Draft (annotated)
|
|
|
Pity the Poor Police, 1935
|
|
Box
11
Folder
6
|
Outline; Script A, first draft (annotated); Script B, final draft (annotated)
|
|
|
Pueblo (formerly “Child of the Sun”)
|
|
Box
11
Folder
6A
|
Early Rough Drafts (annotated) : See also Box 8, Folder 24.
|
|
|
Punch Beats the Devil, 1936
|
|
Box
11
Folder
7
|
Script A, entitled Comino Vence al Diablo, by German List Arzubide; Script B, translation and adaptation (annotated)
|
|
|
Rainy Day, circa 1933
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|
Box
11
Folder
8
|
Scripts
|
|
|
The Right to Live
|
|
Box
11
Folder
9
|
Rough Draft
|
|
Box
11
Folder
10
|
Revised Draft
|
|
Box
11
Folder
11
|
Rerevised Draft
|
|
|
Robin Hood, circa 1957
|
|
|
“The Parisians” (also entitled “The Druids”)
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|
Box
11
Folder
12
|
Outlines, Script A (annotated), Scripts B and C (annotated)
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|
|
“The Mind-Reader”
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|
Box
11
Folder
12
|
Outlines
|
|
|
“Gold Fever”
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|
Box
11
Folder
12
|
Outlines
|
|
|
La Rosa Blanca, 1960
|
|
Box
11
Folder
13
|
Treatment, Outlines, List of Scenes Indicated in Treatment
|
|
Box
11
Folder
14
|
Research, Revisions, Script A, first draft (annotated)
|
|
Box
11
Folder
15
|
Script B, portion of second draft (annotated), Script C, rough draft (annotated)
|
|
Box
11
Folder
16
|
Script D, rough draft (annotated)
|
|
Box
11
Folder
17
|
Screen Treatment
|
|
Box
11
Folder
18
|
Script E, revised shooting script (annotated), and late revisions
|
|
Box
11
Folder
19
|
Script F, final script
|
|
Box
23
Folder
4
|
English Script, 1960
|
|
Box
23
Folder
5
|
Spanish Script, 1960
|
|
|
The Saint of Oro Grande
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|
Box
11
Folder
20
|
Draft
|
|
|
The Story of G.I. Joe, 1944-1945
|
|
Box
11
Folder
21
|
Notes, Script Portions, Partial Script A and B
|
|
Box
11
Folder
22
|
First Draft Script, 1944 July 5
|
|
Box
11
Folder
23
|
Script (not final), annotated by Ernie Pyle, 1944 September 23
|
|
|
The Sun Dial of Santa Fe
|
|
Box
11
Folder
24
|
Notes, Rough Drafts (annotated)
|
|
|
Sure Fire, circa 1930
|
|
Box
23
Folder
6
|
Early Drafts (annotated), and Final Draft, 1930
|
|
Box
11
Folder
25
|
Script A, early draft; Script B, revised draft (1937), and Notes for Screen Treatment
|
|
Box
12
Folder
1
|
Revision, 1937
|
|
Box
12
Folder
2
|
Television Outlines
|
|
|
A Time to Remember
|
|
Box
12
Folder
3
|
Rough Draft, by Dawn Powell, annotated by Stevenson
|
|
|
Transit, circa 1937
|
|
Box
12
Folder
4
|
Script A, entitled Going on Midnight, first draft (annotated); Script B, second draft (annotated)
|
|
Box
12
Folder
5
|
Script C, rehearsal script, and Revisions (annotated); Script D, final script
|
|
|
Two Tickets to Havana (also called “Club Havana”)
|
|
Box
12
Folder
6
|
Draft, 1945 March 3
|
|
|
Wait!
|
|
Box
12
Folder
7
|
Rough Draft (annotated), circa 1936
|
|
|
The Way the Wind Blows
|
|
Box
12
Folder
8
|
Rough Draft (annotated); Revised Draft
|
|
|
What It Takes, 1935-1936
|
|
Box
12
Folder
9
|
Clippings; New Theatre League Material; document on the resemblance between What It Takes and Death of a Salesman; Script A, rough draft (annotated); Script B, final version, portion of radio version; rough drafts and revisions
|
|
Box
12
Folder
10
|
Defective copy
|
|
Box
12
Folder
11
|
Radio Version with Actors' Scripts, 1961 Summer
|
|
|
Widow's Mite, circa 1935
|
|
Box
12
Folder
12
|
Script A, rough draft (annotated); and Script B, final
|
|
|
Words in the Night (unfinished)
|
|
Box
12
Folder
13
|
Notes and Chapters (annotated)
|
|
|
The Worm's-Eye View
|
|
Box
12
Folder
14
|
Rough Drafts (annotated), 1960?
|
|
|
You Can't Change Human Nature (Back Where You Came From), 1935
|
|
Box
12
Folder
15
|
Script A; Script B, first revision (1938) (annotated)
|
|
|
Series: Stories
|
|
|
“Art and Gert,” circa 1925, published in The New Caravan, , circa 1935
|
|
Box
12
Folder
16
|
Draft
|
|
Box
12
Folder
17
|
Galley Proof, with Editor's Markings
|
|
|
“As Others See Us,” 1920
|
|
Box
12
Folder
18
|
Manuscript of Unfinished Story
|
|
Box
12
Folder
19
|
“At the Crossroads,” circa 1926, published in Folk-Say, , 1933?
|
|
|
“Birthday,” circa 1926
|
|
Box
12
Folder
19
|
First and Final Drafts, unpublished
|
|
|
“Bloodline” and “The Flea Circus”
|
|
Box
12
Folder
20
|
Notes for Stories
|
|
|
“Civilization,” circa 1927
|
|
Box
12
Folder
21
|
Two Drafts of Novelette (one incomplete), published in Caravan IV, 1931
|
|
|
“Death of a Century,” 1932-1933
|
|
Box
12
Folder
22
|
Three Drafts, published by New Masses (1934?), included in Proletarian Literature in the United States , (1936?)
|
|
|
“Divide by Night,” circa 1931
|
|
Box
12
Folder
22
|
Rough, First, and Final Drafts, published in Story, circa 1935
|
|
|
“Egg-Heads For Sale”
|
|
Box
12
Folder
23
|
Rough Draft, Final Draft (annotated)
|
|
|
“Everybody,” circa 1921
|
|
Box
12
Folder
24
|
Two Versions of Unpublished Novella
|
|
Box
12
Folder
24
|
“Fantasy From New Spain,” circa 1929, published in Southwest Review
|
|
Box
12
Folder
25
|
“Follow the Leader,” circa 1935, unpublished
|
|
Box
12
Folder
25
|
“Funeral in Walhalla,” 1939, unpublished
|
|
|
“Gold Star Mother,” 1934, published in Esquire, , 1935, and Bedside Esquire Anthology
|
|
Box
12
Folder
25
|
Two Drafts
|
|
|
“The Joker,” 1922
|
|
Box
12
Folder
25
|
Early and Corrected Manuscript, published in Southwest Review, circa 1933
|
|
|
“Juvenile Delinquent,” circa 1948
|
|
Box
12
Folder
26
|
Six Versions, also entitled “Report on Sam” : See also “Sam.”
|
|
|
“Let Me Help, Dear,” circa 1948
|
|
Box
12
Folder
27
|
Unpublished Novelette, written in collaboration with Janet Stevenson
|
|
|
“Little Too Smart” (“No Santy Claus”), circa 1936
|
|
Box
12
Folder
28
|
Two Versions, published in Masses and Mainstreams, undated; Notes
|
|
|
“The Man Who Wanted Decency,” circa 1938
|
|
Box
12
Folder
28
|
First Draft, unpublished
|
|
|
“May Snow” (“Praise God From Whom All Blessings Flow”), circa 1937
|
|
Box
12
Folder
28
|
Two Early and Two Revised Versions, published in The American Century, ed. Max Lieber, 1955
|
|
|
“Merry Chrshmsh!” , circa 1928
|
|
Box
12
Folder
29
|
Unpublished “Gift Book”
|
|
Box
12
Folder
30
|
Miscellany and Fragments
|
|
|
“Portrait of Susan,” circa 1933
|
|
Box
12
Folder
31
|
First Draft, unpublished
|
|
Box
12
Folder
31
|
“Prelude to Murder,” circa 1930, published in Southwest Review, , undated
|
|
Box
12
Folder
31
|
“Puppy Love,” circa 1927, unpublished
|
|
Box
12
Folder
31
|
“Reward of a Prodigal,” 1920 : First Written Story, published in Little Story Magazine.
|
|
|
“The Road to Paradise” (“You Have Nothing to Fear If You Tell the Truth”), circa 1957
|
|
Box
12
Folder
32
|
Various Versions, unpublished
|
|
|
“The Romantic,” undated
|
|
Box
12
Folder
33
|
First Draft, unpublished
|
|
Box
12
Folder
33
|
“Sam,” circa 1929, unpublished : See also “Juvenile Delinquent.”
|
|
|
“Seven Children,” circa 1925
|
|
Box
12
Folder
33
|
Three Versions of Novelette, published in The American Caravan, 1927
|
|
|
“Season of Celebration,” by Albert Maltz
|
|
Box
12
Folder
34
|
Draft
|
|
Box
13
Folder
1
|
“The Shepherd,” circa 1925, published in Southwest Review, , circa 1928
|
|
|
“Smitty, Goggles and Co.,” circa 1922, published in The Midland, , circa 1923
|
|
Box
13
Folder
1
|
Two Drafts
|
|
|
“Star Witness,” circa 1947, accepted by a magazine but unpublished
|
|
Box
13
Folder
1
|
Three Drafts
|
|
|
“Tides,” 1921-1922
|
|
Box
13
Folder
2
|
Original Manuscript of Unpublished Novelette
|
|
Box
13
Folder
3
|
Final Draft
|
|
Box
13
Folder
4
|
“Veni, Vidi,” circa 1920, syndicated by Doubleday Page Syndicate, , 1923 September
|
|
Box
13
Folder
4
|
“Yank,” circa 1925, accepted, but magazine discontinued publication before story was published
|
|
|
Series: Photographs
|
|
PH 3673
|
Portraits and snapshots of Philip Stevenson and members of his family, in 2 albums and loose prints. Also included are photographs of the 1912 Stevenson family European trip, Paris in 1919, Saranac Lake, New York in 1920, and the Southwest.
|
|
PH 3674 (3)
|
Stevenson's World War I photographs, in 3 albums. Many depict Stevenson and naval subjects.
|
|
PH 3675
|
Zuni Indian Reservation photographs, 1933, including photographs of workers and of public works projects underway.
|
|
Additional Descriptive Information
- “Decision” (Metropolitan, 1922) - short story
- “Smitty Goggles & Co. (Midland, July 1925) - short story
- “In the Country” (Midland, March 1926) - short story
- “Seven Children” (American Caravan, 1927) - short novelette
- “Art in the Home” (Southwest Review, January 1928) - play
- “June Bride” (Midland, January-February 1928) - short story
- “The Joker” (Southwest Review, Autumn 1928) - short story
- “Night Cries” (in Second American Caravan, 1928) - short story
- “Prelude to Murder” (Southwest Review, Spring 1929) - short story
- “Men and Gods” (on Indians) (The Laughing Horse, Summer 1929) - article/essay
- “Fantasy from New Spain” (Southwest Review, Autumn 1929) - short story
- The Edge of the Nest (Coward McCann, 1929) - novel
- “The Shepherd” (Southwest Review, Autumn 1930) - short story
- “At the Crossroads” (Folk-Say, 1931) - short story
- “Civilization” (American Caravan IV, 1931) - short novelette
- The Gospel According to St. Luke's (Longmans, Green and Co., 1931) - novel
- “Sure Fire: Episodes in the Life of Billy the Kid” (produced 1931 and 1934) - play
- “American Revolutionaries” (Common Sense, April 1933) - reportage on a dairy farmers' strike
- “Death of a Century” (New Masses, June 1933) - short story
- “Santa Fe: A Study in Integrity” (New Mexico Quarterly, August 1933) - historical essay
- “The Blizzard” (Windsor Quarterly, Autumn 1934) - short story
- The Gentleman from Hooverville (produced 1934) - play
- “God's in His Heaven” (booklet published by New Theatre, Inc., 1934 or 1935) - play (also produced 1935)
- “The Outlook for Folk Art” (New Mexico Quarterly, February 1935) - article/essay
- “Mexican Small Town” (North American Review, December 1935 - essay
- “Day In, Day Out” (Household Magazine, 1935 - essay
- “Fire Magic” (Travel Magazine, 1935) - article on the Navajo Indian Fire Dance
- “Death of a Century (Proletarian Anthology, 1935) - short story
- “Gold Star Mother” (Esquire, 1935 or 1936) - short story
- “Maxwell Anderson: Thursday's Child” (New Theatre Magazine, September 1936) - essay
- “Art and Gert” (The New Caravan, 1936) - short novelette
- Road Closed (New Theatre League, 1936) - play
- You Can't Change Human Nature (produced 1936; published under the title of Back Where You Came From, 1936) - play
- “Wait!” (1936) - play
- “The Worm's-Eye View” (New Masses, August 31, 1937) - short story
- “Transit” (One-Act Play Magazine, October 1937) - play
- “Divide by Night” (Story Magazine, April 1938) - short story
- “Walt Whitman's Democracy” (New Masses Literary Supplement, June 1938) - critique
- “Transit” (Contemporary One-Act Plays, 1938) - play
- What It Takes (produced 1938) - play
- Counterattack (with Janet Stevenson, produced 1943) - play
- The Story of G.I. Joe (screenplay in collaboration with others, released 1945) - film
- “Back Where We Came From” - speech on the American tradition to a Conference on Thought Control in the U.S.A., July 11, 1947
- Declaration (with Janet Stevenson, produced 1948) - play
- The Girl in White (screenplay in collaboration with others, released by MGM, 1951) - film
- “To Readers and Writers” (California Quarterly, Summer 1952) - statement of policy
- “Courage Is Contagious” - pamphlet, March 1953
- Morning Noon and Night (G.P. Putnam's Sons, 1954) - novel
- “May Snow” (in The American Century, 1955) - short story
- Out of the Dust (G.P. Putnam's Sons, 1956) - novel
- “For a New Approach to Culture” (Political Affairs, published under the name of “Henry Arndt”, May 1957) - article/essay
- “Little Too Smart” (Mainstream, February 1958) - short story
|