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Container
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Title
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Series: Scripts
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America in Transit
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Box
8
Folder
16
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Rough Draft (annotated)
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L'Apres-Midi d'Un Pigeon
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Box
8
Folder
17
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Draft
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The Big Wind, 1933 (trilogy)
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Box
8
Folder
18
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Preliminary Pages
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Box
8
Folder
19
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Forward
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The Gentleman from Hooverville
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Box
8
Folder
19
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Two Drafts (annotated)
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God's In His Heaven
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Box
8
Folder
20
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Early and Revised Drafts (annotated)
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Road Closed
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Box
8
Folder
21
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Early and Corrected Drafts (annotated), and as published by the New Theatre League
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The Blessings of Liberty, 1936
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Box
8
Folder
22
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Synopsis, Character Descriptions, Revision Scheme, Script A (annotated)
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Box
8
Folder
23
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Script B (annotated) and Miscellaneous Pages
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Child of the Sun
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Box
8
Folder
24
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Rough Drafts (annotated), Synopsis, Prologue
: See also Box 11, Folder 6A.
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Children of the Sun (formerly “The Conquerors”)
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Box
8
Folder
25
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Rough Draft (annotated)
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Counterattack, 1942
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Box
8
Folder
26
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Early Drafts (annotated), Acts 1-3
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Box
8
Folder
27
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Script A (annotated), with revisions
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Box
8
Folder
28
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Script B (annotated)
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Box
8
Folder
29
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Script C (annotated)
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Box
9
Folder
1
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Script D (annotated)
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Box
9
Folder
2
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Script E
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Box
9
Folder
3
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Script F, post-production mimeographed copy
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Box
9
Folder
4
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Synopsis
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The Cross and the Arrow, 1959
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Box
9
Folder
5
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Notes, Rough Outlines, Revision Notes, Screen Treatments A and B
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Box
9
Folder
6
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Final Rough Treatment (annotated)
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Box
9
Folder
7
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Miscellaneous Revised Pages
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Box
9
Folder
8
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Script (annotated); Notes
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Box
9
Folder
9
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Treatment Outline, Second Joint Revision (annotated)
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Declaration, 1940-1948
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Box
9
Folder
10
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Philip Stevenson's Version of Script (annotated)
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Box
9
Folder
11
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Janet Stevenson's Version of Script “C” (annotated)
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Box
9
Folder
12
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Janet Stevenson's Revisions of Script “C” (annotated)
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Box
9
Folder
13
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Revised Pages from Rehearsal and Production of Play
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Box
9
Folder
14
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Revisions, 1948 January-February
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Box
9
Folder
15
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Version “C”, unrevised
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Box
9
Folder
16
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Next to Final Version; Newspaper Clipping
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Box
9
Folder
17
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Mimeo Copy
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Box
9
Folder
18
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Script A, Revisions for Master Copy (annotated)
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Box
9
Folder
19
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Script B, Final Master Copy; Clipping
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Box
9
Folder
20
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Master Copy Finished During Production; Two Earlier Versions; Press Quotes
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Box
9
Folder
21
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Notes on Production
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Box
9
Folder
22
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Correspondence
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Doctor Olga, 1942
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Box
9
Folder
23
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First Script (“Secret Weapon”)
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Box
9
Folder
24
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Second Script (“Secret Weapon”)
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Box
9
Folder
25
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Final Script
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Far Taiga, by Alexander Afinogenov
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Box
9
Folder
26
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Script
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Four Shock Battalions, circa 1937
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Box
9
Folder
27
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Translation of Spanish Playlet
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Fruitful Years
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Box
9
Folder
28
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Rough Drafts (annotated)
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The Girl In White, 1951
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Box
9
Folder
29
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Notes, Research
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Box
9
Folder
30
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Miscellaneous Pages from Outlines and Script
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Box
9
Folder
31
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Treatments, Outlines, Character Sketches
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Box
10
Folder
1
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Final Treatment, Version II of “Bowery to Bellevue”
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Heritage, 1945
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Box
10
Folder
2
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First Draft (incomplete), 1945 January 22
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Box
10
Folder
3
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First Draft (nearly complete), 1945 January 22
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Box
10
Folder
4
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Second Draft (annotated, incomplete)
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Box
10
Folder
5
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Second draft
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Box
10
Folder
6
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Third draft (annotated); Clipping, Script Revisions
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Box
10
Folder
7
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Rerevised Script
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Box
10
Folder
8
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Maurice Clark Script?
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Box
10
Folder
9
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Treatment
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Hollywood Writers Mobilization Scripts
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The Price of Unity
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Box
10
Folder
10
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Partial Script for Suggested Series
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The War For Health
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Box
10
Folder
10
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Outline for Screen Play
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A Woman's Place
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Box
10
Folder
10
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Radio Script (annotated)
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Home Fires
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Box
10
Folder
11
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“Skeleton” of a Story, Early Drafts (annotated), Letter from Lew Bentley, Newspaper Articles Pertaining to Bentley and Farmers, and Other Reference Material
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Land O' Goshen
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Box
10
Folder
19
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Rough Drafts, Outlines (annotated)
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The Last Day of School (Graduation Day), undated
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Box
10
Folder
12
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Treatments, Script (annotated), Script Portions
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A Leg To Stand On
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Box
10
Folder
13
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Rough Draft (annotated)
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The Lowells Talk Only to God, circa 1937
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Box
10
Folder
14
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Notes for Rewriting
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The Maginot Lie, circa 1958
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Box
10
Folder
15
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Script A, rough draft (annotated); Scripts B and C, late drafts
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The Man Who Killed the Deer, 1953
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Box
10
Folder
16
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Outline, Script
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Box
10
Folder
17
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Script Portions, Revisions
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Box
10
Folder
18
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Script, 1954 January 28
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The Naked and the Dead, 1948-1950
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Box
10
Folder
20
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Outline, Index of Characters, Montage Sequences, Notes and Revisions
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Box
10
Folder
21
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Script, Act I, “E”, 1950 February 20
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Box
10
Folder
22
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Portions of Rough Drafts of Treatments and Screenplay
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Box
10
Folder
23
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Screen Treatment, by Philip Stevenson and Josef Mischel
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The Nuremberg Egg, undated
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Box
10
Folder
24
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Analysis and Notes for Revision
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O Death!
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Box
10
Folder
25
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Rough Draft Script (annotated)
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Pepper and Sandy, circa 1946
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Box
10
Folder
26
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Script, scenes 1-4, early draft (annotated)
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Box
10
Folder
27
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Script, scenes 5-6, early draft (annotated), and scenes 3-5, late draft
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Box
10
Folder
28
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Unrevised Script, not submitted
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Box
10
Folder
29
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Revised Script (annotated)
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Box
11
Folder
1
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Revised Script
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Pilchard and Ullianov
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Box
11
Folder
5
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Rough Draft (annotated)
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Pity the Poor Police, 1935
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Box
11
Folder
6
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Outline; Script A, first draft (annotated); Script B, final draft (annotated)
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Pueblo (formerly “Child of the Sun”)
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Box
11
Folder
6A
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Early Rough Drafts (annotated)
: See also Box 8, Folder 24.
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Punch Beats the Devil, 1936
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Box
11
Folder
7
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Script A, entitled Comino Vence al Diablo, by German List Arzubide; Script B, translation and adaptation (annotated)
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Rainy Day, circa 1933
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Box
11
Folder
8
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Scripts
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The Right to Live
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Box
11
Folder
9
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Rough Draft
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Box
11
Folder
10
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Revised Draft
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Box
11
Folder
11
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Rerevised Draft
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Robin Hood, circa 1957
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“The Parisians” (also entitled “The Druids”)
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Box
11
Folder
12
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Outlines, Script A (annotated), Scripts B and C (annotated)
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“The Mind-Reader”
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Box
11
Folder
12
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Outlines
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“Gold Fever”
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Box
11
Folder
12
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Outlines
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La Rosa Blanca, 1960
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Box
11
Folder
13
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Treatment, Outlines, List of Scenes Indicated in Treatment
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Box
11
Folder
14
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Research, Revisions, Script A, first draft (annotated)
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Box
11
Folder
15
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Script B, portion of second draft (annotated), Script C, rough draft (annotated)
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Box
11
Folder
16
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Script D, rough draft (annotated)
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Box
11
Folder
17
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Screen Treatment
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Box
11
Folder
18
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Script E, revised shooting script (annotated), and late revisions
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Box
11
Folder
19
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Script F, final script
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Box
23
Folder
4
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English Script, 1960
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Box
23
Folder
5
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Spanish Script, 1960
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The Saint of Oro Grande
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Box
11
Folder
20
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Draft
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The Story of G.I. Joe, 1944-1945
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Box
11
Folder
21
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Notes, Script Portions, Partial Script A and B
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Box
11
Folder
22
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First Draft Script, 1944 July 5
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Box
11
Folder
23
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Script (not final), annotated by Ernie Pyle, 1944 September 23
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The Sun Dial of Santa Fe
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Box
11
Folder
24
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Notes, Rough Drafts (annotated)
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Sure Fire, circa 1930
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Box
23
Folder
6
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Early Drafts (annotated), and Final Draft, 1930
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Box
11
Folder
25
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Script A, early draft; Script B, revised draft (1937), and Notes for Screen Treatment
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Box
12
Folder
1
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Revision, 1937
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Box
12
Folder
2
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Television Outlines
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A Time to Remember
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Box
12
Folder
3
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Rough Draft, by Dawn Powell, annotated by Stevenson
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Transit, circa 1937
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Box
12
Folder
4
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Script A, entitled Going on Midnight, first draft (annotated); Script B, second draft (annotated)
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Box
12
Folder
5
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Script C, rehearsal script, and Revisions (annotated); Script D, final script
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Two Tickets to Havana (also called “Club Havana”)
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Box
12
Folder
6
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Draft, 1945 March 3
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Wait!
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Box
12
Folder
7
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Rough Draft (annotated), circa 1936
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The Way the Wind Blows
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Box
12
Folder
8
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Rough Draft (annotated); Revised Draft
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What It Takes, 1935-1936
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Box
12
Folder
9
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Clippings; New Theatre League Material; document on the resemblance between What It Takes and Death of a Salesman; Script A, rough draft (annotated); Script B, final version, portion of radio version; rough drafts and revisions
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Box
12
Folder
10
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Defective copy
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Box
12
Folder
11
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Radio Version with Actors' Scripts, 1961 Summer
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Widow's Mite, circa 1935
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Box
12
Folder
12
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Script A, rough draft (annotated); and Script B, final
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Words in the Night (unfinished)
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Box
12
Folder
13
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Notes and Chapters (annotated)
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The Worm's-Eye View
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Box
12
Folder
14
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Rough Drafts (annotated), 1960?
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You Can't Change Human Nature (Back Where You Came From), 1935
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Box
12
Folder
15
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Script A; Script B, first revision (1938) (annotated)
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