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Container
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Title
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M2005-051
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Series: Heroine of Hell (1996)
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Research
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Box
6
Folder
4
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"Medieval and Hell Biblios," bibliography, circa 1996
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Box
6
Folder
5
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Jan Swango Emerson materials, circa 1996
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Box
6
Folder
6
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"Tundal" script files, circa 1996
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Box
6
Folder
7
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Master script, undated
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Box
6
Folder
8-10
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Script variant, 1993
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Box
7
Folder
1
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Annotated typescript and continuity, 1993
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Box
7
Folder
2
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Registration and related correspondence, 1993
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Box
7
Folder
3
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Dialogue list, undated
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Box
7
Folder
4
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Nietzchka Keene's hand-annotated dialogue list, undated
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Box
7
Folder
5
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Credit list, undated
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Box
7
Folder
6
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Independent Television Service, Inc. production agreement, cast and production contracts, 1992-1993
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Box
7
Folder
7
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Prodcution - contact list, undated
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Box
7
Folder
8
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Wendy Phillips film list, Art F/X W-9, 1994
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Box
7
Folder
9
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Contracts, release forms for locations, groups, minors, 1993-1994
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Screen Actors Guild
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Box
7
Folder
10
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Payroll, 1992-1995
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Box
7
Folder
11
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Sign-outs completed, actors' time reports, 1993-1994
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Box
7
Folder
12
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Pension and health care contribution report forms, 1993-1994
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Box
7
Folder
13
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Payroll taxes, 1994
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Box
7
Folder
14
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Signed Screen Actors Guild contracts, 1994
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Box
7
Folder
15
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Deal memos, 1994
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Box
7
Folder
16
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Production - location lists, location releases, 1993
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Box
7
Folder
17
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Clippings on the shoots on location in Astor and Deland, Florida, 1993-1994
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Box
7
Folder
18
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Correspondence and information about palmetto weevils, shipped to Keene and used in film?, undated
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Box
8
Folder
1
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Costume plots, circa 1993
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Box
8
Folder
2
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Camera and film stock, circa 1993
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Box
8
Folder
3
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Completed daily call sheets, circa 1993
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Box
8
Folder
4
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Daily production reports, circa 1993
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Box
8
Folder
5
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Video post, circa 1993
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Box
8
Folder
6
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Film post-production, circa 1993
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Box
8
Folder
7
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"Blow up" - notes and correspondence on optical effects, 1997
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Box
8
Folder
8
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Sound reports and digital re-recording logs, circa 1993
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Box
8
Folder
9
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Titles, circa 1993
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Box
8
Folder
10
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Insurance, circa 1993
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Box
8
Folder
11
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Invoices and receipts, circa 1993
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Box
8
Folder
12
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Petty cash records, circa 1993
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Box
8
Folder
13
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Grants from University of Miami, other Florida agencies, circa 1993
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Box
8
Folder
14
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University of Miami accounting sheets, circa 1993
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Box
8
Folder
15
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Invoices submitted to the University of Miami, circa 1993
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Box
8
Folder
16
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Shipping receipts from the University of Miami and others, circa 1993
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Box
8
Folder
17
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Independent television service press kit - "Break out of the Box, American Independents Show III," circa 1993
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Box
8
Folder
18
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Photocopies of publicity stills with captions and two heralds, circa 1993
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Box
8
Folder
19
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Heralds, postcards, and letters promoting Heroine of Hell, circa 1993
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Box
8
Folder
20
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Clippings of reviews of the film, circa 1993
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Box
9
Folder
2
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Production - sound mix cue sheets (FX/BG, reels 2, 3, 4, 5, and 6), circa 1993
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Box
10
Folder
13
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Production slides, circa 1996
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Photographs
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Box
10
Folder
20
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Negatives, circa 1996
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Box
10
Folder
24
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Contact sheet, Polaroids, positive prints (color, black and white), Patrick Quagliano headshot, undated
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Box
10
Folder
25
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Color positives, film locations, undated
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Box
10
Folder
29
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Production slides, circa 1996
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Box
18
Folder
2
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OCN paperwork, timing sheets, 1996
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Box
18
Folder
30
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Payroll, rights distribution, 2006
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Box
19
Folder
4
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Production sketchbook pages representing props from film, undated
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Box
19
Folder
5
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Burnt and torn sketchbook pages of drawings of props from film, undated
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Box
19
Folder
6
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Color copies of the heroine's paintings, undated
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Production
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Box
19
Folder
7
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Sound delux cue sheets: Reel, Fx, and Foley, 1994
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Box
19
Folder
8
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Soundflix cue sheets: Reel 2, Fx and Bbs, undated
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Sound mix cue sheets
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Box
19
Folder
9
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Reel 3, Fx, Fx (BGs), Foley, 1994
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Box
19
Folder
10
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Reel 4, Fx/Bbs, Fx, Foley, 1994
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Box
19
Folder
11
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Reel 5, Fx/Bbs, Foley, undated
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Box
19
Folder
12
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Reel 6, Fx/Bbs, Foley, undated
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Box
19
Folder
13
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Reel 1, dialog, ADR, Fx/Bb, undated
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Box
19
Folder
14
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Reel 2, dialog, ADR, 1994
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Box
19
Folder
15
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Reel 3, dialog, ADR, 1994
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Box
19
Folder
16
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Reel 4, dialog, ADR, 1994
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Box
19
Folder
17
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Sound mix cut shoots: Reel 5, dialog, 1994
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Box
19
Folder
18
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Sound mix cue sheet: Reel 6, dialog, ADR, 1994
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AE 566-AE 567
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2 reels of super 16 mm negative film - one marked "negative for low con," one marked "orig NEG," 1996
16 mm
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CC 676-CC 681
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16 mm positive workprint; color, silent, 1996
16 mm
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CC 682-CC 687
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16 mm magnetic track workprint, 1996
16 mm
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CC 914-CC 919
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6 reels of super 16 mm, A-roll only cut negative, 1996
16 mm
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GA 817
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OCN title sequence, 1996
35 mm
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HC 765-HC 770
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6 track stereo master, 1996
35 mm
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HC 792-HC 797
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Dolby A print master magnetic track, 1996
35 mm
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V8A 066
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Casting, rehearsals, approximately 60 minutes, undated
8 mm videotape
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V8A 067
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Casting - Nina and Catherine Keener, Miami Rory, Tom N.; color, sound, undated
Hi8
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V8A 068
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Los Angeles casting, Mark R. - Kathleen; color, sound, undated
Hi8
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V8A 069
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Casting, "Hallie," undated
Hi8
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VFA 132
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Betacam SP NTSC dub, length 87:06, Ch. 1 Stereo Left, Ch. 2 Stereo Right, Ch. 3 Silent, Ch. 4 Silent, 01/04/02 w/o #1201448, 2002
Betacam
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VHB 938
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VHS stereo dub of original 16 mm, 1995
VHS
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VHB 939
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Fine cut of workprint, undated
VHS
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VHB 940
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Los Angeles casting, first interview with Mark Ruffalo in 1993; color, sound, 1993
VHS
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