Title: Nietzchka Keene Papers
Inclusive Dates: 1979-2004 (bulk 1984-2004)

Creator:

• Keene, Nietzchka, 1952-2004

Call Number: M2005-051; AE 395; AE 566-AE 567; CC 676-CC 691; CC 914-CC 919; CD 026; EA 195; GA 710; GA 809-GA 820; GA 840-GA 842; GB 049; HC 457-HC 461; HC 765-HC 806; HC 904; HD 267-HD 282; V8A 066-V8A 069; VBC 647-VBC 649; VDA 423-VDA 428; VFA 132-VFA 133; VHB 935-VHB 943; VPA 116-VPA 156

Quantity: 20.0 cubic feet (10 archives boxes, 2 records center cartons, and 8 flat boxes), 91 film reels (16 mm, 35 mm, Super 8), 59 videorecordings (8 mm videotape, Betacam, DVCam, Hi8, U-Matic, VHS), and 6 audio recordings (DVD-R)

Repository:

Housed at the Wisconsin Historical Society, Division of Library, Archives, and Museum Collections; owned by the Wisconsin Center for Film & Theater Research

Archival Locations:

Wisconsin Historical Society (Map)

COLLECTION MAY BE STORED OFF-SITE: see catalog entry to request materials and for additional information.

Abstract:

Papers documenting the film production work of Nietzchka Keene, an independent filmmaker and teacher of film and video production at the University of Wisconsin-Madison. Films documented include Hinterland (1983), The Juniper Tree (1990), Aves (1994), Heroine of Hell (1996), and the uncompleted Barefoot to Jerusalem. Papers include administrative records, production materials, personal artifacts, photographs, and original artwork. The films and videorecordings from Keene's six films, include projection prints, production footage, and soundtracks.

Note:

There is a restriction on use of this material; see the Administrative/Restriction Information portion of this finding aid for details.

Language: English

URL to cite for this finding aid: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-m2005051

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Nietzchka Keene was an independent filmmaker and professor in the Communication Arts department at the University of Wisconsin-Madison. Keene was born in Boston, Massachusetts, 1952.

Her career as a filmmaker began in the 1970s when she received her MFA in Filmmaking from the University of California-Los Angeles; while there she made three student films, eventually receiving a Fulbright scholarship for her work. After her scholarship ended, Keene completed the script to The Juniper Tree which holds the honor of being the first film to star the young Icelandic pop star Björk. The film was shot entirely in Iceland in 1987 and was eventually released to great acclaim at various film festivals in the early 1990s.

Keene continued into the 1990s with an experimental animated short film titled Aves that used collage and various hand held animation techniques to tell the story of a cloistered nun. After Aves, Keene directed a feature for PBS's independent film showcase entitled Heroine of Hell. In 1995, Keene began her tenure as a professor at the University of Wisconsin-Madison where she taught filmmaking. In the early 2000s, Keene began work on what would be her final film project, entitled Barefoot to Jerusalem which was shot in Madison, Wisconsin, and the Upper Peninsula of Michigan. She was unable to complete this project before being diagnosed with pancreatic cancer and dying in 2004 at the age of 52.

Filmography

1977	Ritual/Still: Early experimental film produced at University of California-Los Angeles.
1981	Hinterland: A young, recently orphaned girl is taken by a family friend from her home in Portland after the death of her parents, to the farm of her last living relative, her aunt. Her aunt is a reclusive and generally silent woman who lives alone on the farm, feeding a pet rabbit and tending to dry soil. When the rabbit dies unexpectedly, things take a turn for the worse.
1987	The Juniper Tree: Based on a Grimm fairy tale, a pair of sisters (Björk Guomundsdóttir and Bryndis Petra Bragadóttir) flee their home after their mother is stoned to death for witchcraft. Finding a young widower in the countryside, the older sister uses magic to force him to fall in love with her though her spells.
1994	Aves: A short, experimental animated film about the life of a cloistered nun using psychedelic visuals to express her inner turmoil.
1996	Heroine of Hell: Magda (Catherine Keener) a Miami based painter of medieval torture scenes, finds love in the arms of a dark haired lothario who is not as committed to their relationship as she would like. After trying to win him back from his new love interest with somewhat harassing phone calls, she steals his car and takes off into rural southern Florida. While on the lam, Magda watches a man burn alive in a car accident and vows to seek out his family to let them know what happened. In this process she meets Callum (Dermot Mulroney) and manages to fall in love again.
2002	Barefoot to Jerusalem: Keene's unfinished film about a woman who embarks on a journey to isolated northern Wisconsin in the wake of her lover's suicide, only to encounter a struggle with Lucifer. Filmed in 2001 in Madison, Wisconsin, and the Upper Peninsula of Michigan. The film was completed in 2008 after Keene's death.

The collection has been arranged into seven series; six of which relate to Keene's major films. The remaining series is Personal Materials collected by Keene, including unidentified or unlabeled photographs, clippings and correspondence, administrative documents related to her teaching at the University of Miami and the University of Wisconsin-Madison, film projects that did not come to fruition, personal notes, and artwork.

Use Restrictions

No duplication or public screening without consent of copyright holder.

M2005-051	Series: Aves (1994)
Box   6 Folder   1	University of Miami grants, 1992
Box   6 Folder   2	Festival brochures from the Walker Art Center, Maison des Arts, 1997-1998
Box   6 Folder   3	Press clippings, 1994
	Photographs
Box   10 Folder   14	35 mm negatives, 30-58, circa 1994
Box   10 Folder   15	35 mm negatives, unidentified; newspaper clipping collage, circa 1994
Box   10 Folder   16	35 mm negatives, 1-29, circa 1994
Box   10 Folder   17-19	35 mm negatives, circa 1994
	Cels, drawings
Box   11 Folder   1	Raw collage materials, circa 1994
Box   11 Folder   2	Raw titles, circa 1994
Box   11 Folder   3	Color palette and single cel, circa 1994
Box   11 Folder   5	Xerographic copies, circa 1994
Box   11 Folder   6	Cel and drawing, circa 1994
Box   12 Folder   1	Book of mounted photographic stills from Aves, circa 1994
	Aves production materials
Box   13 Folder   1	Cathedral, circa 1994
Box   13 Folder   2	Production stills and collage materials, circa 1994
Box   13 Folder   3	Desert bird and cloth, Tinka in cathedral (photos, animation materials), circa 1994
Box   15 Folder   1	Production stills, circa 1994
Box   15 Folder   2	Cels - Lucy, circa 1994
Box   15 Folder   3	Nun in Heaven, circa 1994
Box   15 Folder   4	Untitled - cels, circa 1994
Box   15 Folder   5	Bird cutouts, circa 1994
Box   15 Folder   6	Untitled - cels, circa 1994
Box   15 Folder   7	Cels - Contained by Birds, circa 1994
Box   15 Folder   8	Untitled - cels, circa 1994
Box   15 Folder   9	Cels - Appolothla, circa 1994
Box   15 Folder   10	Animation cels - "VMS," circa 1994
Box   15 Folder   11	"Barbara," circa 1994
Box   15 Folder   12	Animation cels - birds raw animation, circa 1994
Box   16 Folder   1-3	Production materials - untitled, circa 1994
Box   16 Folder   4	Production stills and materials - untitled, circa 1994
Box   18 Folder   1	OCN paperwork, timing sheets, 1993
Box   19 Folder   3	Production - timings, undated
Box   20 Folder   2	Production - timings, undated
Box   14 Folder   1	Animation materials - end shot, circa 1994
Box   14 Folder   2	Animation materials, 1998
Box   14 Folder   3	Large print photographs, circa 1994
Box   14 Folder   4	Photographs and animation cels, circa 1994
Box   14 Folder   5	Photographs - positives, contact sheets 1-59, circa 1994
Box   14 Folder   6	Contact sheets, circa 1994
Box   14 Folder   7	Animation cels, circa 1994
Box   14 Folder   8	Stab and drip, circa 1994
Box   14 Folder   9	Catherine, circa 1994
GA 710	Viewing Copy - 35 mm positive projection print, 1993 Physical Description: 35 mm
GA 818	Dolby A optical track, negative, 1993 Physical Description: 35 mm
GA 819	Magnetic soundtrack; 3-to-2 track folddown, 1993 Physical Description: 35 mm
GA 820	OCN, 1993 Physical Description: 35 mm
HC 803	3-track magnetic track, 1993 Physical Description: 35 mm
VFA 133	Betacam SP, color, sound, 1994 Physical Description: Betacam
VHB 937	Color, sound with note from Keene "each loop 6 1/2," 1994 Physical Description: VHS
M2005-051	Series: Barefoot to Jerusalem (2008)	⇧
Box   3 Folder   2	Grant applications and awards from University of Wisconsin-Madison and other Madison agencies, circa 2004
Box   3 Folder   3	Postcards and other memorabilia from religious shrines in Wisconsin and Upper Peninsula, circa 2004
Box   3 Folder   4	Two script variants, circa 2004
Box   3 Folder   5	Printed documents from Nietzchka Keene's hard drive, circa 2004
Box   3 Folder   6	Shooting schedule, circa 2004
Box   10 Folder   32	Photographic slides - production stills, "601.02 credit LT, 8/17/01," 2001-2002 Physical Description: 11 yellow plastic boxes of slides, two envelopes of additional slides, all stored in Ilford photographic paper box.
Box   11 Folder   7	Three photographs used by Kristin Zabawa (photographer) in gallery show, 2002
Box   18 Folder   4	Shooting schedules, contracts, location information, restaurants, 2001
Box   18 Folder   5	Character list and partial script, circa 2001
Box   18 Folder   6	Filming location releases, 2001
Box   18 Folder   7	Sound reports and logs, 2001
Box   18 Folder   8	W-4 information, 2001
Box   18 Folder   9	Production internship applications, 2001
Box   18 Folder   10	Actor photographs / curriculum vitae, cast list, payroll information, circa 2001
Box   18 Folder   11	Post production, includes CD, correspondence regarding programming, 2007-2008
Box   18 Folder   15	Music - applications, Marshall Crutcher contract, 2007
Box   18 Folder   17	Notes from editing, 2004
Box   18 Folder   18	Shooting schedule, daily call sheets, 2001
Box   18 Folder   19	Keene biography, curriculum vitae; project proposal, 2007
Box   18 Folder   20	Sound mix, includes CD, 2007-2008
Box   18 Folder   21	Screen Actors Guild agreements, 2001
Box   18 Folder   22	Narration, circa 2001
Box   18 Folder   23	Correspondence with University of Wisconsin-Madison Communication Arts Department regarding crew hiring, 2001
Box   18 Folder   24	Application for Bunting Fellowship Program, 2001
Box   18 Folder   25	Camera logs, circa 2001
Box   18 Folder   26	Deal memos, 2001 Note: Photocopied fax sheets, very faded.
Box   18 Folder   27	Equipment rental, 2001
Box   18 Folder   28	Guggenheim - John Simon Guggenheim Fellowship application, 1998
Box   18 Folder   29	Crew possibilities, 2001
Box   18 Folder   31	Keene Productions IRS documents (unemployment, tax withholding), 2002
Box   18 Folder   32	Keene Productions insurance documents, 2002
Box   18 Folder   33	Invoices for slides, black and white negatives, 2001
Box   18 Folder   34	Filming location information and correspondence, 2001
	Payroll
Box   18 Folder   35	2001
Box   18 Folder   36	2000-2001
Box   18 Folder   37	Completed cast releases, 2001
Box   18 Folder   38	Screen Actors Guild cast time reports, location information, 2001
Box   18 Folder   39	Screen Actors Guild employment releases, W-4 information, 2001
Box   18 Folder   40	Arts Institute Creative Arts Award application, 2001
Box   18 Folder   41	ZABA WA 5/24/2002 - "Lady in the Lake" negatives, contact sheet, 2002
Box   18 Folder   42	Stills, color / black and white photographic slides, 2001
Box   18 Folder   43	Black and white negatives, 2001
Box   18 Folder   46	Photographs of Wisconsin filming locations, circa 2001
Box   18 Folder   47	Photographs of production crew, circa 2001
	Exploitation
Box   19 Folder   1	Posters, undated
Box   19 Folder   2	Miscellaneous, undated
VHB 935	Rough cut in to church, then unedited confession and other selected takes; color, sound, 2002 Physical Description: VHS
VPA 116-VPA 132	17 videotapes, circa 2001 Physical Description: DVCam
VPA 133-VPA 145	13 videotapes, sound from film, circa 2001 Physical Description: DVCam
VPA 146	Rough cut #1, 2004 Physical Description: DVCam
VPA 147	Record of set on Studio D, 156f-7, Milwaukee, 2002 Physical Description: DVCam
VPA 148-VPA 154	7 videotapes, undated Physical Description: DVCam
VPA 155	Raw footage, also contains Heroine of Hell trailer, work tape found 7/18/05; color, sound, circa 2005 Physical Description: DVCam
VPA 156	Raw footage, found 7/18/05; color, sound, circa 2005 Physical Description: DVCam
M2005-051	Series: Heroine of Hell (1996)	⇧
	Research
Box   6 Folder   4	"Medieval and Hell Biblios," bibliography, circa 1996
Box   6 Folder   5	Jan Swango Emerson materials, circa 1996
Box   6 Folder   6	"Tundal" script files, circa 1996
Box   6 Folder   7	Master script, undated
Box   6 Folder   8-10	Script variant, 1993
Box   7 Folder   1	Annotated typescript and continuity, 1993
Box   7 Folder   2	Registration and related correspondence, 1993
Box   7 Folder   3	Dialogue list, undated
Box   7 Folder   4	Nietzchka Keene's hand-annotated dialogue list, undated
Box   7 Folder   5	Credit list, undated
Box   7 Folder   6	Independent Television Service, Inc. production agreement, cast and production contracts, 1992-1993
Box   7 Folder   7	Prodcution - contact list, undated
Box   7 Folder   8	Wendy Phillips film list, Art F/X W-9, 1994
Box   7 Folder   9	Contracts, release forms for locations, groups, minors, 1993-1994
	Screen Actors Guild
Box   7 Folder   10	Payroll, 1992-1995
Box   7 Folder   11	Sign-outs completed, actors' time reports, 1993-1994
Box   7 Folder   12	Pension and health care contribution report forms, 1993-1994
Box   7 Folder   13	Payroll taxes, 1994
Box   7 Folder   14	Signed Screen Actors Guild contracts, 1994
Box   7 Folder   15	Deal memos, 1994
Box   7 Folder   16	Production - location lists, location releases, 1993
Box   7 Folder   17	Clippings on the shoots on location in Astor and Deland, Florida, 1993-1994
Box   7 Folder   18	Correspondence and information about palmetto weevils, shipped to Keene and used in film?, undated
Box   8 Folder   1	Costume plots, circa 1993
Box   8 Folder   2	Camera and film stock, circa 1993
Box   8 Folder   3	Completed daily call sheets, circa 1993
Box   8 Folder   4	Daily production reports, circa 1993
Box   8 Folder   5	Video post, circa 1993
Box   8 Folder   6	Film post-production, circa 1993
Box   8 Folder   7	"Blow up" - notes and correspondence on optical effects, 1997
Box   8 Folder   8	Sound reports and digital re-recording logs, circa 1993
Box   8 Folder   9	Titles, circa 1993
Box   8 Folder   10	Insurance, circa 1993
Box   8 Folder   11	Invoices and receipts, circa 1993
Box   8 Folder   12	Petty cash records, circa 1993
Box   8 Folder   13	Grants from University of Miami, other Florida agencies, circa 1993
Box   8 Folder   14	University of Miami accounting sheets, circa 1993
Box   8 Folder   15	Invoices submitted to the University of Miami, circa 1993
Box   8 Folder   16	Shipping receipts from the University of Miami and others, circa 1993
Box   8 Folder   17	Independent television service press kit - "Break out of the Box, American Independents Show III," circa 1993
Box   8 Folder   18	Photocopies of publicity stills with captions and two heralds, circa 1993
Box   8 Folder   19	Heralds, postcards, and letters promoting Heroine of Hell, circa 1993
Box   8 Folder   20	Clippings of reviews of the film, circa 1993
Box   9 Folder   2	Production - sound mix cue sheets (FX/BG, reels 2, 3, 4, 5, and 6), circa 1993
Box   10 Folder   13	Production slides, circa 1996
	Photographs
Box   10 Folder   20	Negatives, circa 1996
Box   10 Folder   24	Contact sheet, Polaroids, positive prints (color, black and white), Patrick Quagliano headshot, undated
Box   10 Folder   25	Color positives, film locations, undated
Box   10 Folder   29	Production slides, circa 1996
Box   18 Folder   2	OCN paperwork, timing sheets, 1996
Box   18 Folder   30	Payroll, rights distribution, 2006
Box   19 Folder   4	Production sketchbook pages representing props from film, undated
Box   19 Folder   5	Burnt and torn sketchbook pages of drawings of props from film, undated
Box   19 Folder   6	Color copies of the heroine's paintings, undated
	Production
Box   19 Folder   7	Sound delux cue sheets: Reel, Fx, and Foley, 1994
Box   19 Folder   8	Soundflix cue sheets: Reel 2, Fx and Bbs, undated
	Sound mix cue sheets
Box   19 Folder   9	Reel 3, Fx, Fx (BGs), Foley, 1994
Box   19 Folder   10	Reel 4, Fx/Bbs, Fx, Foley, 1994
Box   19 Folder   11	Reel 5, Fx/Bbs, Foley, undated
Box   19 Folder   12	Reel 6, Fx/Bbs, Foley, undated
Box   19 Folder   13	Reel 1, dialog, ADR, Fx/Bb, undated
Box   19 Folder   14	Reel 2, dialog, ADR, 1994
Box   19 Folder   15	Reel 3, dialog, ADR, 1994
Box   19 Folder   16	Reel 4, dialog, ADR, 1994
Box   19 Folder   17	Sound mix cut shoots: Reel 5, dialog, 1994
Box   19 Folder   18	Sound mix cue sheet: Reel 6, dialog, ADR, 1994
AE 566-AE 567	2 reels of super 16 mm negative film - one marked "negative for low con," one marked "orig NEG," 1996 Physical Description: 16 mm
CC 676-CC 681	16 mm positive workprint; color, silent, 1996 Physical Description: 16 mm
CC 682-CC 687	16 mm magnetic track workprint, 1996 Physical Description: 16 mm
CC 914-CC 919	6 reels of super 16 mm, A-roll only cut negative, 1996 Physical Description: 16 mm
GA 817	OCN title sequence, 1996 Physical Description: 35 mm
HC 765-HC 770	6 track stereo master, 1996 Physical Description: 35 mm
HC 792-HC 797	Dolby A print master magnetic track, 1996 Physical Description: 35 mm
V8A 066	Casting, rehearsals, approximately 60 minutes, undated Physical Description: 8 mm videotape
V8A 067	Casting - Nina and Catherine Keener, Miami Rory, Tom N.; color, sound, undated Physical Description: Hi8
V8A 068	Los Angeles casting, Mark R. - Kathleen; color, sound, undated Physical Description: Hi8
V8A 069	Casting, "Hallie," undated Physical Description: Hi8
VFA 132	Betacam SP NTSC dub, length 87:06, Ch. 1 Stereo Left, Ch. 2 Stereo Right, Ch. 3 Silent, Ch. 4 Silent, 01/04/02 w/o #1201448, 2002 Physical Description: Betacam
VHB 938	VHS stereo dub of original 16 mm, 1995 Physical Description: VHS
VHB 939	Fine cut of workprint, undated Physical Description: VHS
VHB 940	Los Angeles casting, first interview with Mark Ruffalo in 1993; color, sound, 1993 Physical Description: VHS
M2005-051	Series: Hinterland (1981)	⇧
Box   9 Folder   1	Invoices, circa 1991
Box   10 Folder   31	Lab orders, 1981
CC 688-CC 690	16 mm (A-roll, negative B-roll, negative B-roll optical negative soundtrack), 1983 Physical Description: 16 mm
CC 691	Viewing Copy - 16 mm faded projection print, 1983 Physical Description: 16 mm
CD 026	Faded projection print, 1983 Physical Description: 16 mm
	Series: Ritual/Still (1979)	⇧
AE 395	Preservation Copy - 16 mm, color negative, silent, 1997 Physical Description: 16 mm
EA 195	Viewing Copy - Super 8 mm film print, 1979 Physical Description: Super 8
M2005-051	Series: The Juniper Tree (1987)	⇧
Box   4 Folder   2	Research - maps of Icelandic film locations, circa 1990
Box   4 Folder   3	Icelandic texts I, circa 1990
Box   4 Folder   4	Icelandic texts II, "Droplaugarsona saga," circa 1990
Box   4 Folder   5	Icelandic texts III, circa 1990
Box   4 Folder   6-7	Script, circa 1990
Box   4 Folder   8	Dialogue list, circa 1990
Box   4 Folder   9	"JT - translation" - script pages are in Icelandic, circa 1990
	Production
Box   4 Folder   10	Sound effects, circa 1990
Box   4 Folder   11	Sound and camera reports, circa 1990
Box   4 Folder   12	Account book, receipts, and invoices, 1986
Box   5 Folder   1	Festival screenings I, 1991-1996
Box   5 Folder   2	Festival screenings II, 1991
Box   5 Folder   3	Press kit, circa 1990
Box   5 Folder   4	Arista Films Inc. - distribution correspondence, 1991-1992
Box   5 Folder   5	Creswyn Film Distributors Ltd. - distribution, royalty reports, 1992-1995
Box   5 Folder   6	Grants and festivals, special screenings, 1990-1991
Box   5 Folder   7	Screenings, 1990-1994
Box   5 Folder   8	Clippings of reviews, special screenings, festivals, 1990-1994
Box   5 Folder   9	Clippings related to Björk Guomundsdóttir and the Sugarcubes, 1988-2000
Box   5 Folder   10	Cover proof of the Rhino Home Video DVD, circa 1990
	Photographs
Box   10 Folder   22-23	35 mm negatives, circa 1990
Box   10 Folder   26	Black and white prints, color Polaroids, printed labels, circa 1990
Box   10 Folder   27	Black and white prints, scene stills for press kit, circa 1990
Box   11 Folder   4	Contact sheets, circa 1990
Box   17 Folder   1	Cel of the title/logo; bundles of narrow sticks (clapper sticks?) with scene information for unknown films; 2 unidentified floppy discs, circa 1994
Box   18 Folder   3	A/B roll paperwork, timing sheets, 1990
Box   18 Folder   12	Film rights correspondence, 2000-2009
GA 809-GA 816	Magnetic soundtrack; final, 1990 Physical Description: 35 mm
GA 840-GA 841, HC 804-HC 805	Magnetic mono soundtrack; reels 1, 2, 4, and 5 only, 1990 Physical Description: 35 mm
GA 842	Picture and sound outs; 34 small reels of film distributed among three cans (HC 806, HC 904, GA 842), 1990 Physical Description: 35 mm
HC 457-HC 461	Screening Copy; black and white, sound, 1990 Physical Description: 35 mm
HC 771	Single reel - can is marked "orig neg for DVD," 1990 Physical Description: 35 mm
HC 772-HC 776	Domestic soundtrack negative - Dolby stereo, 1990 Physical Description: 35 mm
HC 777-HC 786	Original negative, 10 A/B rolls; black and white, silent, 1990 Physical Description: 35 mm
HC 787-HC 791	Projection print, 1990 Physical Description: 35 mm
HC 798-HC 802	Dolby A print master magnetic track, 1990 Physical Description: 35 mm
HC 806	Picture and sound outs; 34 small reels of film distributed among three cans (HC 806, HC 904, GA 842), 1990 Physical Description: 35 mm
HC 904	Picture and sound outs; 34 small reels of film distributed among three cans (HC 806, HC 904, GA 842), 1990 Physical Description: 35 mm
HD 267-HD 271	Preservation fine grain master, black and white, 2018 Physical Description: 35 mm
HD 272-HD 276	Preservation optical track negative, Dolby A, 2018 Physical Description: 35 mm
HD 277-HD 281	Preservation release print, black and white, Dolby A, 2018 Physical Description: 35 mm
HD 282	Preservation release print - extra reel one, without preservation credit Physical Description: 35 mm
GB 049	Preservation credit negative, 2018 Physical Description: 35 mm
VBC 647	3/4-inch U-Matic, black and white, R-1 with burn, undated Physical Description: U-Matic
VBC 648	3/4-inch U-Matic, black and white, R-2 with burn, undated Physical Description: U-Matic
VBC 649	3/4-inch SP film transfer, 20 minute transfer, 1988 Physical Description: U-Matic
VHB 936	Nietzchka Keene interview - Rhino Media, color, sound, 1987 Physical Description: VHS
VHB 941	Viewing Copy - VHS dub #1, 1987 Physical Description: VHS
VHB 942	Slideshow of publicity photos, DVD extras - Rhino Media, color, soundVHS, color, sound; Rhino Media, DVD extras, 1987 Physical Description: VHS
VHB 943	Trailer - Liberty Multimedia, black and white, sound, 1987 Physical Description: VHS
VDA 423	Audio, restored English mono comp, archival copy Physical Description: DVD-R
VDA 424	Audio, restored English mono comp, access copy Physical Description: DVD-R
VDA 425	Audio, transfer of unrestored English mono stems, archival copy Physical Description: DVD-R
VDA 426	Audio, transfer of unrestored English mono stems, access copy Physical Description: DVD-R
VDA 427	Audio, transfer of unrestored English 2.0 mono comp, archival copy Physical Description: DVD-R
VDA 428	Audio, transfer of unrestored English 2.0 mono comp, access copy Physical Description: DVD-R
M2005-051	Series: Personal Materials	⇧
	Subseries: Film Projects
Box   2 Folder   1	Carmilla - photocopy of Sheridan Le Fanu, Carmilla, and script notes for a film, undated
Box   2 Folder   2	Constance Kent, undated
Box   2 Folder   3	Eye of the Toad - storyboard for animated film, undated
Box   2 Folder   4	Irene - handwritten script notes, undated
Box   2 Folder   5	The Morgesons, undated
	Sleeping Beauty
Box   2 Folder   6	Scripts, contracts, budgets, 1991-1997
Box   2 Folder   7	Script printed from Word Processor document titled SPSLEEP1, 1991-1997
Box   2 Folder   8	Script by Nietzchka Keene, 1991-1997
Box   18 Folder   14	Submission to the Female Eye Film Festival, 2008
	Desert of Maine
Box   2 Folder   9	Script, 1990-1991
Box   2 Folder   10	Script notes and hand-annotated printed pages, 1990-1991
	The House in the Country
Box   2 Folder   11	Outline and untitled script, 1992-1996
Box   2 Folder   12	Writers Guild of America script registration; budget, handwritten notes, annotated printed script, 1992
Box   2 Folder   13	Barbara Comyns - correspondence, 1992
	Belle
Box   2 Folder   14	Film project based on the life of Belle Gunness; University of Miami grant application, 1993-1996
Box   3 Folder   1	Research copies and script notes, 1993-1996
	Perdita/Scrap
Box   3 Folder   7	Applications, letters of recommendation, budgets, 2001-2002
Box   4 Folder   1	Script files printed out from Keene's hard drive, 2000
	Subseries: Photographs	⇧
Box   10 Folder   1	Untitled 35 mm negatives and positives: Jerusalem and San Francisco, undated
Box   10 Folder   2	Untitled 35 mm negatives: Architecture and people, undated
	Untitled 35 mm negatives, photographic slides
Box   10 Folder   3	Architecture, wilderness, Iceland, undated
Box   10 Folder   4	Grand Canyon, undated
Box   10 Folder   5	Small seaside town, winter '92?, circa 1992
Box   10 Folder   6	Waterfalls and walkways, undated
	Untitled photographic slides
Box   10 Folder   7	Iceland, first trip, undated
Box   10 Folder   8	Home?, nature scenes, cat pictures, undated
Box   10 Folder   9	Iceland, second trip, undated
Box   10 Folder   10	Untitled 35 mm positives and negatives (wilderness, cabin, family), undated
	Untitled photographic slides
Box   10 Folder   11	Rudolph and Calumet, undated
Box   10 Folder   12	Dickeyville, undated
Box   10 Folder   21	California Country photographs, undated
Box   10 Folder   28	Nietzchka Keene name file photographs, undated
Box   10 Folder   30	Untitled miscellaneous negatives, undated
Box   18 Folder   44-45	7 small envelopes of negatives, color photographs, possibly scouting filming locations, circa 2001 Note: Handwritten notes; addresses written on back of many photographs.
Box   18 Folder   48	Small, color photographic transparencies labeled "Photos of '83 China," 1983
Box   20 Folder   3-4	Oversize photographs, undated
	Subseries: Records	⇧
Box   1 Folder   1	Original box list, prepared by J. J. Murphy, 2004
Box   1 Folder   2	Page of Old Norse calligraphy; page from sketchbook with diary entry; contents of folder "Titles, Lines, Quotes, Odd Graphics, Dreams" with handwritten notes for script and story ideas and a few clippings; handwritten accounts by Keene of her dreams, 1982-1992
Box   1 Folder   3	Clippings sent to Keene by Patrick Moyround, 1991-1992
Box   1 Folder   4	Unmailed postcards; handmade greeting cards sent by friends, undated
Box   1 Folder   5	Business cards and addresses, miscellaneous correspondence, undated
Box   1 Folder   6	Notes from a lecture course on film production, possibly by Ed Brokaw at UCLA, undated
Box   1 Folder   7	Correspondence, evaluations, and letters of recommendation relating to Keene's teaching at the University of Miami, 1992-1994
Box   1 Folder   8	Documents relating to Keene's teaching at the University of Wisconsin-Madison, 1994-1996
Box   1 Folder   9	Independent Television Service Production Handbook; Public Broadcasting Service Technical Operating Standards, 1988-1994
Box   1 Folder   10	Screening possibilities, list of German contacts, repertory cinema flyers, 1991
Box   1 Folder   11	Film ideas - handwritten script notes, undated
Box   1 Folder   12	Budgets for unidentified projects, 1992-1993
Box   18 Folder   13	Clippings regarding the future of the DVD, 2003, 2008
Box   18 Folder   16	Chicago travel details, 2009
Box   19 Folder   19	Miscellaneous postcards, Harvard Lampoon parody issue of Life magazine, 1981-1983
Box   19 Folder   20	Print of Sister Catherine Suzanne de Champagne, undated
Box   20 Folder   1	Unidentified painting, undated