|
Container
|
Title
|
|
Subseries: Production Files
|
|
|
Project submissions
|
|
|
Correspondence
|
|
|
Box
122
Folder
1-7
|
1959-1964
|
|
|
Box
123
Folder
1-3
|
1965-1966 May
|
|
|
Box
124
Folder
1-4
|
1966 June-1970
|
|
|
Box
124
Folder
5-6
|
Correspondence including treatments, 1971-1974, undated
|
|
|
Box
124
Folder
7
|
Critiques, circa 1970-1971
|
|
|
Motion pictures
|
|
|
Miscellaneous film treatments
|
|
|
Box
125
Folder
1
|
By Itzhak Benzur, 1968-1969
|
|
|
“The Honored Ones”
|
|
|
“Interview with Ulysses Jr. in 1968”
|
|
|
“The Two of Them”
|
|
|
Box
125
Folder
2
|
By Dore Schary, 1933-1940
|
|
|
“Blue Moon Murder Case,” adapted, 1934 December 1
|
|
|
“Coming' Round the Mountain” by Vance Randolph and DS, 1933 December 5
|
|
|
“Oil Boom” / by DS and Roy Chanslor, 1934 August 30
|
|
|
“Sheila,” 1939 December 22
|
|
|
Act One, 1963
|
|
|
Box
125
Folder
3-5
|
Script (annotated) by DS, circa 1963 April 3
|
|
|
Box
125
Folder
6
|
Speech at Sardi party and miscellaneous, 1962-1963
|
|
|
American Heritage
|
|
|
Box
125
Folder
7
|
Correspondence, speech by Tom Clark, and script, 1946-1947
|
|
|
“Armistad” (unproduced)
|
|
|
Box
125
Folder
8
|
Treatment, 1971, undated
|
|
|
Bachelor and the Bobby-Soxer, 1947
|
|
|
Box
125
Folder
9
|
Clippings, preview breakdown, crewlist, 1947, undated
|
|
|
Box
125
Folder
10
|
Litigation regarding Joseph Anthony vs RKO, 1950-1954
|
|
|
HA 883-HA 887
|
Film
|
|
|
U.S. Mss 37AN
|
“The Best of Both Worlds” (unproduced)
|
|
|
Box
125
Folder
11
|
Correspondence, agreement, miscellaneous, 1969
|
|
|
Box
125
Folder
12
|
Handwritten treatment by DS, undated
|
|
|
Box
125
Folder
13
|
Typed treatment by DS, undated
|
|
|
Box
126
Folder
1
|
Treatment (annotated), 1969 June 11
|
|
|
Box
126
Folder
2
|
Treatment, circa 1969 June 13
|
|
|
“Bolivar the Liberator” (unproduced, originally “Simon Bolivar”)
|
|
|
Box
126
Folder
3
|
Notes, outlines, correspondence, 1936-1949
|
|
|
“Born Tough” (Unproduced)
|
|
|
Box
126
Folder
4
|
Story by DS, 1933 June
|
|
|
Boys Town, 1938
|
|
|
Box
126
Folder
5
|
Script by DS, 1938 March 30
|
|
|
Broadway Melody of 1939, 1937
|
|
|
Box
126
Folder
6
|
Outline by Jack MacGowan and DS, 1937 June 25
|
|
|
“A Certificate of Authority” (unproduced)
|
|
|
Box
126
Folder
7
|
Correspondence, circa 1971-1973
|
|
|
Box
126
Folder
8
|
Treatment by Zvi Kolitz, undated
|
|
|
Box
126
Folder
8
|
Script (annotated) for Act I and II, undated
|
|
|
“The Comic” (Unproduced)
|
|
|
Box
126
Folder
9
|
Legal material, 1968-1969
|
|
|
Box
126
Folder
10
|
Idea, “The Gag Factory” / by Joseph Lerner, undated
|
|
|
Box
126
Folder
11
|
Treatment, 1968 March 20
|
|
|
Box
126
Folder
12
|
Treatment with notes, 1968 May 17-28
|
|
|
Box
126
Folder
13
|
Outline and treatment, 1968 May 28-June 11
|
|
|
Box
126
Folder
14
|
Treatment (annotated), 1968 June 14
|
|
|
Box
126
Folder
15
|
Treatment (annotated) , 1968 June 14-July 1
|
|
|
Crossfire, 1947
|
|
|
Box
126
Folder
16
|
Correspondence, 1947
|
|
|
Box
126
Folder
17
|
Billing and budget information
|
|
|
Box
127
Folder
1
|
Audience surveys, reactions, preview cards, 1947
|
|
|
Box
127
Folder
2
|
Commentary article and correspondence, 1947
|
|
|
Box
127
Folder
3
|
Clippings, reviews, and articles, 1947-1948
|
|
|
“The Dead Sea Scrolls” (unproduced)
|
|
|
Box
127
Folder
4
|
Script, undated
|
|
|
“The Defiant Danes” (Unproduced)
|
|
|
Box
127
Folder
5
|
Correspondence and treatment by Jack Dunn Trop, 1963
|
|
|
“Evil Genius” (Unproduced)
|
|
|
Box
127
Folder
6
|
Correspondence, 1962-1963
|
|
|
The Farmer's Daughter, 1947
|
|
|
Box
127
Folder
7
|
Preview reports, correspondence, 1947
|
|
|
Box
127
Folder
8
|
Clippings and reviews, 1946-1947
|
|
|
“Friendship” (Unproduced)
|
|
|
Box
127
Folder
9
|
Script by Norman Panama, Melvin Frank, Don Hartman, Allen Rivkin, Armand Deutsch, 1947 October
|
|
|
I'll Be Seeing You, 1944
|
|
|
Box
127
Folder
10
|
Clippings and financial statements, 1945-1946, undated
|
|
|
Box
127
Folder
10A
|
Correspondence, 1944 April (working title Double Furlough)
|
|
|
“The Incorruptible Man”
|
|
|
Box
127
Folder
11
|
Handwritten script by DS, 1967 July 12
|
|
|
Box
127
Folder
12
|
Partial script (annotated), 1967 July 12
|
|
|
Box
127
Folder
13
|
Partial script with revisions, 1967 July 12
|
|
|
Box
127
Folder
14
|
Partial script (annotated), 1967 August 23
|
|
|
Box
127
Folder
15
|
Script, 1967 August
|
|
|
Box
127
Folder
16
|
Correspondence and revisions, 1969, undated
|
|
|
Box
128
Folder
1
|
Handwritten script by DS, 1969 January 9
|
|
|
Box
128
Folder
2
|
Typescript, 1969 February
|
|
|
Box
128
Folder
3
|
Typescript (annotated), 1969 February
|
|
|
Box
128
Folder
4
|
Mimeo script, 1969 February
|
|
|
Lonelyhearts, 1958
|
|
|
Box
128
Folder
5
|
Contracts, 1958
|
|
|
Box
128
Folder
6
|
Correspondence, 1958-1967, 1972
|
|
|
Box
128
Folder
7
|
Script (annotated, with photographs) by DS, circa 1958
|
|
|
Box
129
Folder
1
|
Script (annotated, “original work script of film editor”), post 1958 June 30
|
|
|
HA 851-HA 856
|
Film
|
|
|
U.S. Mss 37AN
|
“Love Affair” (Unproduced)
|
|
|
Box
129
Folder
2
|
Story by Leo McCarey and DS, 1938 July 20
|
|
|
Miracle of the Bells, 1948
|
|
|
Box
129
Folder
3
|
Memoranda and budget, 1947-1948
|
|
|
Mississippi, 1935
|
|
|
Box
129
Folder
4
|
Treatment, 1934 May 28
|
|
|
“The Public Must Eat” (Unproduced)
|
|
|
Box
129
Folder
5
|
Treatment by Jerry Wald and DS, 1934 April
|
|
|
Box
129
Folder
6
|
Script, 1936 February 13
|
|
|
“Red, White and Blue” (Unproduced)
|
|
|
Box
129
Folder
7
|
Story by Harold Hecht and DS, undated
|
|
|
“Sarah Bernhardt” (Unproduced)
|
|
|
Box
129
Folder
8
|
Correspondence, 1971
|
|
|
“The Sentries” (Unproduced)
|
|
|
Box
129
Folder
9
|
Handwritten script, before 1967 February 9
|
|
|
Box
129
Folder
10-12
|
Three typescripts, 1967 February 9
|
|
|
The Spiral Staircase, 1946
|
|
|
Box
129
Folder
13
|
Reviews and financial statements, 1945-1946
|
|
|
Sunrise at Campobello (WB, 1960)
|
|
|
Box
129
Folder
14
|
Correspondence, 1957-1960
|
|
|
Box
129
Folder
15
|
Estimating production budgets, 1960
|
|
|
Box
129
Folder
16
|
Legal material, 1959-1960
|
|
|
Box
130
Folder
1
|
Staff and cast lists, 1960, undated
|
|
|
Box
130
Folder
2
|
Financial records, 1960
|
|
|
Box
130
Folder
3
|
Miscellaneous, 1960
|
|
|
Box
130
Folder
4
|
Outline, undated
|
|
|
Box
130
Folder
5
|
Estimating script, 1959 December 11
|
|
|
Box
130
Folder
6
|
Final shooting script (annotated, with wardrobe plots), circa 1960 April ll
|
|
|
Box
130
Folder
7
|
Transcripts of reels 1-15, 1960
|
|
|
Sunset Boulevard, 1950
|
|
|
Box
130
Folder
8
|
Correspondence and song lyrics, 1949
|
|
|
Til the End of Time, 1946
|
|
|
Box
130
Folder
9
|
Clippings and preview reports, 1945-1946
|
|
|
FF 053-FF 055
|
Film
|
|
|
U.S. Mss 37AN
|
“Time and Again” (Unproduced)
|
|
|
Box
130
Folder
10
|
Correspondence, agreement, continuity notes, 1971-1972
|
|
|
“The Truth Seeker” (Unproduced)
|
|
|
Box
130
Folder
11
|
Correspondence, 1971-1972
|
|
|
The Unsinkable Molly Brown, 1964
|
|
|
Box
130
Folder
12
|
Financial data, 1971
|
|
|
“Why Send Your Son to College?” (Unproduced)
|
|
|
Box
130
Folder
13
|
Correspondence and contracts, 1969-1970
|
|
|
Box
130
Folder
14
|
Idea “Joy” / by David Hardy, undated
|
|
|
“Yankee Clipper” (Unproduced)
|
|
|
Box
130
Folder
15
|
Story by DS, 1957 February 14
|
|
|
Radio
|
|
|
The Eternal Light
|
|
|
Box
131
Folder
1
|
Catalog, undated
|
|
|
The Fight for Human Rights (KFWB)
|
|
|
Box
131
Folder
2
|
Script, 1950 January
|
|
|
The Jimmy Durante Show
|
|
|
Box
131
Folder
3
|
Twenty-two scripts and script fragments by DS and Don Hartman, 1934
|
|
|
Lincoln and the Theatre
|
|
|
Box
131
Folder
4
|
Correspondence, writings, miscellaneous, and speech by David Mearns, 1957, 1959
|
|
|
Television
|
|
|
“Bannion and Company” (Unproduced)
|
|
|
Box
132
Folder
1
|
Outline and questions, 1964, undated
|
|
|
Busing: Some Voices from the South (NET)
|
|
|
Box
132
Folder
2
|
Script by Paul Altmeyer, circa 1972
|
|
|
Caucus (WCAU-TV)
|
|
|
Box
132
Folder
3
|
Correspondence, 1960
|
|
|
Civil War Series (Unproduced)
|
|
|
Box
132
Folder
4-5
|
Correspondence and miscellaneous, 1958-1961
|
|
|
Box
132
Folder
6
|
Writers correspondence and miscellaneous, circa 1959-1960
|
|
|
Box
132
Folder
7
|
Legal materials, 1958-1960
|
|
|
Box
132
Folder
8
|
Civil War Centennial miscellaneous, 1958-1959
|
|
|
Box
132
Folder
9
|
Proposal, circa 1960-1961
|
|
|
Box
132
Folder
10
|
Reading list, undated
|
|
|
Box
132
Folder
11
|
Research, 1958-1961, undated
|
|
|
Box
132
Folder
12
|
Songs
|
|
|
Box
132
Folder
13
|
Background research summary, undated
|
|
|
Scripts and treatments
|
|
|
Box
132
Folder
14
|
“The Call to Arms” / treatment by Joseph Schrank, 1959 October 31
|
|
|
Box
132
Folder
15
|
“The Battery” / treatment by Irving Gaynor Neiman, 1959 October 31
|
|
|
Box
132
Folder
16
|
“The Battle of Bull Run” / treatment by Abram S. Ginnes, 1959 October 31
|
|
|
Box
133
Folder
1
|
“The Vortex” / treatment by Alfred Brenner
|
|
|
CBS Reports
|
|
|
“The Selling of the Pentagon”
|
|
|
Box
133
Folder
2
|
Transcript, correspondence, miscellaneous, 1971
|
|
|
[Commercial: Robert Kennedy TV spot]
|
|
|
Box
133
Folder
3
|
Draft and research material, 1964
|
|
|
Directions '62
: See also Biographical material, Interviews
|
|
|
“A Jewish Perspective”
|
|
|
Box
133
Folder
4
|
Correspondence and transcript, 1962-1963
|
|
|
Elliot Norton Program (WGBH-TV)
|
|
|
Box
133
Folder
5
|
Correspondence and transcript, 1959
|
|
|
The Eternal Light
|
|
|
Box
133
Folder
6
|
Catalog and lists, undated
|
|
|
Ford Startime
|
|
|
“Well, What About You?”
|
|
|
Box
133
Folder
7
|
Correspondence, 1960, 1968
|
|
|
Box
133
Folder
8
|
Financial information, 1960
|
|
|
Box
133
Folder
9
|
Outline and script “Where Are You” / by Leonard Spigelgass, undated
|
|
|
Box
133
Folder
10
|
Script (annotated) by DS, circa 1960 March 17
|
|
|
Box
133
Folder
10
|
Script, 1960 April 22
|
|
|
“Grand Deception” (Unproduced)
|
|
|
Box
133
Folder
11
|
Correspondence, 1960
|
|
|
Box
133
Folder
12
|
Series description and book reviews, undated
|
|
|
Box
133
Folder
13
|
Story ideas, undated
|
|
|
“Murphy and Sons” (Unproduced)
|
|
|
Box
133
Folder
14
|
Correspondence, 1972
|
|
|
Box
133
Folder
15
|
Handwritten script by DS, undated
|
|
|
Box
133
Folder
16
|
Typescript (annotated) by DS, undated
|
|
|
“The Name of the Game” (Unproduced)
|
|
|
Box
133
Folder
17
|
Treatment by DS (idea by Jill Schary), 1967 January 4
|
|
|
“Outline of History” (Unproduced)
|
|
|
Box
133
Folder
18
|
Correspondence and notes, 1963
|
|
|
The Peculiar Institution
|
|
|
Box
134
Folder
1
|
“The Drinking Gourd” / script by Lorraine Hansberry, 1959 September
|
|
|
“Pericles and Aspasia” (Unproduced)
|
|
|
Box
134
Folder
2
|
Correspondence and research, circa 1961 July
|
|
|
Public Hearing (WCBS-TV)
|
|
|
Box
134
Folder
3
|
“President Nixon and the Jewish Vote,” Correspondence and transcript, 1972
|
|
|
The Sound of the Sixties
|
|
|
Box
134
Folder
4
|
Script, undated
|
|
|
Box
134
Folder
5
|
Recording script, undated
|
|
|
“The Story of the Jewish People” (Unproduced)
|
|
|
Box
134
Folder
6
|
Outline and proposal, 1973
|
|
|
Sunrise at Campobello
|
|
|
DD 358-DD 359
|
Documentation regarding staging of the play aired on NBC Kaleidoscope: “Blueprint for Biography,” 1959
|
|
|
U.S. Mss 37AN
|
Today
|
|
|
Box
134
Folder
7
|
Transcript of excerpt, 1969 June 30
|
|
|
Tonight
|
|
|
Box
134
Folder
8
|
Contract, 1963 April
|
|
|
Truman (Harry) Diamond Jubilee (closed circuit TV)
|
|
|
Box
134
Folder
9
|
Correspondence, outline, and miscellaneous, 1959
|
|
|
Box
134
Folder
10
|
Scripts, 1959 April
|
|
|
“Undergraduate” (Unproduced)
|
|
|
Box
134
Folder
11
|
Ideas and treatments, 1966-1967
|
|
|
General
|
|
|
Box
135
Folder
1
|
Budget, miscellaneous, 1963 January, undated
|
|
|
Correspondence
|
|
|
Box
135
Folder
2
|
regarding unproduced productions, 1969, undated
|
|
|
Box
135
Folder
3
|
regarding résumés and applications, 1959-1960, undated
|
|
|
Box
135
Folder
4
|
Lists, 1959-1964, undated
|
|
|
Theater
|
|
|
And All Those People
|
|
|
Box
135
Folder
5
|
Correspondence and miscellaneous, 1960-1961, undated
|
|
|
Banderol, 1962
|
|
|
Box
135
Folder
6
|
Clippings, reviews, publicity and playbills, 1962
|
|
|
Box
135
Folder
7
|
Correspondence regarding casting and sets, 1962-1964, undated
|
|
|
Box
135
Folder
8
|
Correspondence and miscellaneous, 1962, undated
|
|
|
Box
135
Folder
9
|
Notes, circa 1962
|
|
|
Box
135
Folder
10
|
Speech for New York City, 1965
|
|
|
Box
135
Folder
11
|
Original story, “The Big Desk,” undated
|
|
|
Box
135
Folder
12
|
Draft script by DS, circa 1962
|
|
|
Box
135
Folder
13
|
Draft script by DS, circa 1962
|
|
|
Box
135
Folder
14
|
Typed script by DS, circa 1962
|
|
|
Box
136
Folder
1
|
Script by DS, 1962 April 18
|
|
|
Box
136
Folder
2
|
Script by DS, 1962 August 1
|
|
|
Box
136
Folder
3
|
Final rehearsal script by DS, 1962 August 20
|
|
|
Box
136
Folder
4
|
Final script by DS, 1962 August 20
|
|
|
Box
136
Folder
5
|
Final rehearsal script by DS, 1962 August 20
|
|
|
Box
136
Folder
6
|
Script fragments, circa 1962
|
|
|
“Born a Sucker” (Unproduced)
|
|
|
Box
136
Folder
7
|
Script, “Phoney” and “There's a Sucker” / by DS, 1930
|
|
|
“Bragen the Bold” (Unproduced)
|
|
|
Box
136
Folder
8
|
Treatments, 1967 May 18
|
|
|
Brightower(1970)
|
|
|
Box
136
Folder
9
|
Casting notes, lists, letters, and schedule, 1967-1970
|
|
|
Box
136
Folder
10
|
Design sketches by Tom Munn, circa 1969 June 14
|
|
|
Box
136
Folder
11
|
Financial information, contracts, investors, 1969-1970
|
|
|
Box
137
Folder
1
|
Correspondence, general, 1967-1970
|
|
|
Box
137
Folder
2
|
Guest list for opening, 1969-1970, undated
|
|
|
Box
137
Folder
3
|
Miscellaneous including script records, appointments, and playbill, 1967-1970
|
|
|
Box
137
Folder
4
|
Notes,“The Legend,” circa 1965-1970, undated
|
|
|
Box
137
Folder
5
|
Research,“The Legend,” 1965-1967
|
|
|
Box
137
Folder
6
|
Staff lists, undated
|
|
|
Box
137
Folder
7
|
Stage manager's production diary, 1969-1970
|
|
|
Box
137
Folder
8
|
Original story,“The Legend,” 1966 January 7
|
|
|
Box
137
Folder
9
|
Outline, summary, “The Legend” and “Public Figure-Private Life,” 1965-1967, undated
|
|
|
Box
137
Folder
10
|
Drafts for individual scenes, outlines, “The Inquiry” / by Samuel Gates (pseudonym), 1967
|
|
|
Box
137
Folder
11
|
Scripts (annotated) of individual acts,“The Inquiry” / by Samuel Gates, undated
|
|
|
Box
137
Folder
12
|
Script (annotated), Scene One,“The Inquiry” / by Samuel Gates, undated
|
|
|
Box
137
Folder
13
|
Script by Samuel Gates, after 1967 April 6
|
|
|
Box
137
Folder
14
|
Script (annotated), undated
|
|
|
Box
138
Folder
1
|
Script (annotated), undated
|
|
|
Box
138
Folder
2
|
Script (annotated), 1967 February 14
|
|
|
Box
138
Folder
3
|
Script, undated
|
|
|
Box
138
Folder
4
|
Script (annotated) and notes, circa 1969 June 23
|
|
|
Box
138
Folder
5
|
Script (annotated), undated
|
|
|
Box
138
Folder
6
|
Script (annotated), undated
|
|
|
Box
138
Folder
7
|
Script (annotated) , circa 1970 January 2
|
|
|
Box
138
Folder
8
|
Script, incomplete, undated
|
|
|
Box
139
Folder
1
|
Script, undated
|
|
|
Box
139
Folder
2
|
Revised pages,“The Inquiry,” 1967 March-April, undated
|
|
|
Box
139
Folder
3
|
Revised pages and outlines, 1969 August-1970 January
|
|
|
Box
139
Folder
4
|
Revised pages (annotated), undated
|
|
|
Box
139
Folder
5
|
Revised pages, undated
|
|
|
Broadway Answers Selma, 1965
|
|
|
Box
139
Folder
6
|
Correspondence, 1965
|
|
|
“Cracker Money” (Unproduced)
|
|
|
Box
139
Folder
7
|
Correspondence and miscellaneous, 1966, undated
|
|
|
Box
139
Folder
8
|
Script by Steven Gethers, undated
|
|
|
The Deputy, 1964
|
|
|
Box
139
Folder
9
|
Correspondence, bulletins, and clippings, 1963-1964
|
|
|
The Devil's Advocate, 1961
|
|
|
Box
139
Folder
10
|
Legal material, 1959-1961
|
|
|
Box
139
Folder
11
|
Miscellaneous, 1959-1961
|
|
|
Box
139
Folder
12
|
Negotiations for French production, 1973
|
|
|
Box
139
Folder
13
|
Outline by Morris L. West, circa 1959 December 17
|
|
|
Box
139
Folder
14
|
Reviews, 1961, undated
|
|
|
Box
139A
Folder
1
|
Script by DS, 1960 November 23
|
|
|
Box
139A
Folder
2
|
Script by DS, 1961 April 6
|
|
|
Box
139A
Folder
3
|
Final script and playbill, 1961
|
|
|
Box
140
Folder
1
|
Script, Spanish version, undated
|
|
|
“Diamond Orchid” (Unproduced)
|
|
|
Box
140
Folder
2
|
Correspondence and miscellaneous, 1963-1964
|
|
|
Box
140
Folder
3
|
Script by Jerome Lawrence and Robert E. Lee, 1964 February 4
|
|
|
Box
140
Folder
4
|
Script fragments, circa 1963-1964
|
|
|
“Fatty” (Unproduced)
|
|
|
Box
140
Folder
5
|
Correspondence, 1963-1965
|
|
|
Box
140
Folder
6
|
Script by Harry Essex, undated
|
|
|
“The Feather Peddlers” (Unproduced)
|
|
|
Box
140
Folder
7
|
Correspondence and miscellaneous, 1966-1967
|
|
|
Box
140
Folder
8
|
Script by Jefferson Baylay, undated
|
|
|
“The Flying Mare”(Unproduced)
|
|
|
Box
140
Folder
9
|
Script by Donald Sherry and Oscar Selin, undated
|
|
|
“The Glory Road” (Unproduced)
|
|
|
Box
140
Folder
10
|
Treatment by Bruce Catton and Philip Minis and correspondence, 1961, undated
|
|
|
“The Hero and the Whole World” (Unproduced)
|
|
|
Box
140
Folder
11
|
Correspondence and miscellaneous, 1965-1966, undated
|
|
|
Box
141
Folder
1
|
Script by Mac Benoff, undated
|
|
|
The Highest Tree, 1959
|
|
|
Box
141
Folder
2
|
Correspondence, 1959-1960, undated
|
|
|
Box
141
Folder
3
|
Legal material, 1959-1960
|
|
|
Box
141
Folder
4
|
Speech for opening night, 1959
|
|
|
Box
141
Folder
5
|
Radio reviews, 1959
|
|
|
920A/5
|
Recorded radio reviews and interview, 1959 November 4-5
: Radio reviews of this Dore Schary Broadway production including those by The Griffens (WBAI-FM), John Wingate (WOR), Ken Banghart (NBC), and Jim McKay (CBS), plus an interview with Schary.
|
|
|
U.S. Mss 37AN
Box
141
Folder
6
|
Script by DS, 1959 May 20
|
|
|
Box
141
Folder
7
|
Script by DS, including notes, plots, and lists, 1959 August 21
|
|
|
Box
141
Folder
8-10
|
Script by DS, undated
|
|
|
Box
142
Folder
1
|
Final published script, 1961
|
|
|
“Home Sweet Home” (Unproduced, See also “Wrong Way Light Bulb”)
|
|
|
Box
142
Folder
2
|
Script by Leonard Spigelgass, undated
|
|
|
Hyphen
|
|
|
Box
142
Folder
3
|
Correspondence and legal material, 1966
|
|
|
Box
142
Folder
4
|
Script by Norman Corwin, circa 1966
|
|
|
“Inka Dinka Doo” (Unproduced)
|
|
|
Box
142
Folder
5
|
Casting and technician's résumés, 1971-1972, undated
|
|
|
Box
142
Folder
6
|
Correspondence, 1971-1972
|
|
|
Box
142
Folder
7
|
Miscellaneous, circa 1971
|
|
|
Box
142
Folder
8
|
Script, draft fragment, undated
|
|
|
Box
142
Folder
9
|
Script (annotated), undated
|
|
|
“Interloper” (Unproduced)
|
|
|
Box
142
Folder
10
|
Correspondence and miscellaneous, 1966-1967, undated
|
|
|
Box
142
Folder
11
|
Script by Philippe Heriate, circa 1967 January
|
|
|
Box
143
Folder
1
|
Script with revisions, undated
|
|
|
Box
143
Folder
2
|
Script fragments, undated
|
|
|
A Joyful Noise, 1966
|
|
|
Box
143
Folder
3
|
Audition materials, 1966
|
|
|
Box
143
Folder
4
|
Cast and crew lists, 1966, undated
|
|
|
Box
143
Folder
5
|
Correspondence, 1966-1967
|
|
|
Box
143
Folder
6
|
Director's notes, 1966
|
|
|
Box
143
Folder
7
|
Miscellaneous, including reviews, 1966, undated
|
|
|
Box
143
Folder
8
|
Script by Edward Pedula, 1966 March
|
|
|
Box
143
Folder
9
|
Revised script, 1966 August 17-circa September 2
|
|
|
Box
143
Folder
10
|
Incomplete script (annotated), 1966 August 22-31
|
|
|
Box
143
Folder
11
|
Revised lyrics, 1966 August-November, undated
|
|
|
Box
143
Folder
12
|
Incomplete script (annotated), 1966 October-December
|
|
|
Box
143
Folder
13
|
Script fragments, 1966 October-December
|
|
|
Box
143
Folder
14
|
Revised pages and scenes, 1966 October, undated
|
|
|
Box
143
Folder
15
|
Revised pages and scenes, 1966 November-December
|
|
|
“The Knight and the Lady” (Unproduced)
|
|
|
Box
143
Folder
16
|
Two scripts, undated
|
|
|
“Let's Get Organized” (Unproduced)
|
|
|
Box
144
Folder
1
|
Script “Gentlemen of Distinction” / by DS and David Boehm, undated
|
|
|
“Look Away, Look Away” (Unproduced)
|
|
|
Box
144
Folder
2
|
Correspondence and miscellaneous, 1965-1966, undated
|
|
|
Box
144
Folder
3
|
Script “Runthrough,” 1964 December 14-28
|
|
|
Box
144
Folder
4
|
Script “Runthrough” / by Harry Codes (pseudonym), 1964 December 14-30
|
|
|
Box
144
Folder
5
|
Script, “Magnolia Jungle” / by Samuel Gates (pseudonym), 1965 February 1
|
|
|
Box
144
Folder
6
|
Script “Magnolia Jungle” / by J. Gates, circa 1965
|
|
|
Box
144
Folder
7-8
|
Two scripts by Samuel Gates, 1965 February 1
|
|
|
Box
144
Folder
9
|
Script fragments, “Magnolia Jungle,” circa 1965
|
|
|
Love and Kisses, 1963
|
|
|
Box
144
Folder
10
|
Playbill, budget, and lighting plot, 1963, undated
|
|
|
Box
144
Folder
11
|
Script by A. R. Block, 1963 October 10
|
|
|
“The Madness of God” (Unproduced)
|
|
|
Box
144
Folder
12
|
Correspondence and proposed budget, 1967-1968
|
|
|
A Majority of One, 1959
|
|
|
Box
144
Folder
13
|
Radio reviews and clipping, circa 1959 February
|
|
|
Box
144
Folder
14
|
Script by Leonard Spigelgass, undated
|
|
|
“Man of Ideas” (Unproduced)
|
|
|
Box
145
Folder
1
|
Script by DS, undated
|
|
|
[Mark Twain Musical] (Unproduced)
|
|
|
Box
145
Folder
2
|
Correspondence and legal material, 1968-1969
|
|
|
Box
145
Folder
3
|
Music by Kurt Weill, Maxwell Anderson and A. L. Levinson, 1969, undated
|
|
|
One by One, undated
|
|
|
Box
145
Folder
4
|
Casting file including correspondence and contracts, 1964
|
|
|
Box
145
Folder
5
|
Contracts, 1964
|
|
|
Correspondence
|
|
|
Box
145
Folder
6-9
|
Business, 1964-1966, undated
|
|
|
Box
145
Folder
10
|
Personal, 1964-1973
|
|
|
Box
145
Folder
11
|
Director's notes, 1964 November
|
|
|
Box
145
Folder
12
|
Expenses, 1964-1965, undated
|
|
|
Box
146
Folder
1-2
|
Journal, “Case History of a Play,” 1964 June-November
|
|
|
Box
146
Folder
3
|
Journal, with notes, circa 1964 November
|
|
|
Box
146
Folder
4
|
Ledger, 1964
|
|
|
Box
146
Folder
5
|
Production costs, box office statements, and accountant's report, 1964
|
|
|
Box
146
Folder
6
|
Reviews, 1964
|
|
|
Box
200
Folder
3
|
Set design and plans, 1964
|
|
|
Box
146
Folder
7
|
Scenes, notes, research “Two by Two,” 1964
|
|
|
Box
146
Folder
8
|
Script, “Two by Two,” circa 1964 March
|
|
|
Box
146
Folder
9
|
Script, first draft by DS, undated
|
|
|
Box
146
Folder
10
|
Script by DS, circa 1964 April 4-25
|
|
|
Box
147
Folder
1
|
Script by DS, annotated and fragments, circa 1964 April-May
|
|
|
Box
147
Folder
2
|
Rehearsal script, Act I, Scene 1 by DS, 1964 June 15
|
|
|
Box
147
Folder
3
|
Rehearsal script, 1964 June 15
|
|
|
Box
147
Folder
4
|
Script by DS, 1964 December 1
|
|
|
Box
147
Folder
5
|
Partial script, undated
|
|
|
“One Every Minute” (Unproduced)
|
|
|
Box
147
Folder
6
|
Script by DS, undated
|
|
|
“The Play Girls” (Unproduced)
|
|
|
Box
147
Folder
7
|
Correspondence and legal material, 1966-1967
|
|
|
Box
147
Folder
8
|
Script by Leonard Spigelgass, undated
|
|
|
“The Prosecutor” (Unproduced)
|
|
|
Box
147
Folder
9
|
Script and miscellaneous by Ronald Alexander and Bernard Botein, circa 1958-1959
|
|
|
“Room in Paris” (Unproduced)
|
|
|
Box
147
Folder
10
|
Correspondence, miscellaneous, and sheet music, 1966
|
|
|
Box
147
Folder
11
|
Script by Peggy Mann, undated
|
|
|
“Secret of the World” (Unproduced)
|
|
|
Box
147
Folder
12
|
Casting material, 1964-1967, undated
|
|
|
Box
147
Folder
13
|
Clippings, 1962-1966
|
|
|
Box
147
Folder
14
|
Correspondence, 1966-1967, undated
|
|
|
Box
148
Folder
1
|
Financial information and legal material, 1966-1967
|
|
|
Box
148
Folder
2
|
Technical applications, 1964-1966
|
|
|
Box
148
Folder
3
|
Script by Ted Allen, undated
|
|
|
Sentimental Journey
|
|
|
Box
148
Folder
4
|
Scripts, partial, 1957 September 12, undated
|
|
|
Box
148
Folder
5
|
Scripts, edited including published version, 1957 September 12, undated
|
|
|
Box
148
Folder
5a
|
Correspondence and miscellaneous, 1957-1961
|
|
|
Something About a Soldier, 1962
|
|
|
Box
200
Folder
4
|
Set designs by William Pitkin, undated
|
|
|
Box
148
Folder
6
|
Speech for opening night, 1962 January 4
|
|
|
Box
148
Folder
7
|
Script, revised, by Ernest Kinoy, 1961 September 15
|
|
|
Box
148
Folder
8
|
Script by Ernest Kinoy, circa 1961
|
|
|
Box
148
Folder
9
|
Script by Ernest Kinoy, published, 1962
|
|
|
“Sue as in Susannah” (Unproduced)
|
|
|
Box
148A
Folder
1
|
Treatments “Susannah Pronounced Sue” and “The Single Girl,” 1965 April
|
|
|
Sunrise at Campobello, 1958
|
|
|
Box
148A
Folder
2-3
|
Correspondence, 1959-1973, undated
|
|
|
Box
148A
Folder
4
|
Financial information, 1959-1960
|
|
|
Box
148A
Folder
5
|
Legal material, 1956-1962
|
|
|
Box
148A
Folder
6
|
Miscellaneous, 1958-1959, undated
|
|
|
Box
148A
Folder
7
|
Publicity pamphlet, undated
|
|
|
Box
149
Folder
1
|
Script, by DS, 1957 November 20
|
|
|
Box
149
Folder
2
|
Script (annotated with electricians' sheet), 1958 March
|
|
|
Box
149
Folder
3
|
Script (bound with photographs), 1958 March
|
|
|
Box
149
Folder
4
|
Script, published, 1961
|
|
|
Sunrise at Campobello, 1969
|
|
|
Box
149
Folder
5
|
Correspondence, budget, and casting, 1969, undated
|
|
|
“Swastika” (Unproduced)
|
|
|
Box
149
Folder
6
|
Outline by Samuel Gates (Pseudonym), undated
|
|
|
Too Many Heroes, 1937
|
|
|
Box
149
Folder
7
|
Plot outlines “Mob” and “Violence,” 1934 April 10, undated
|
|
|
Box
149
Folder
8
|
Revision plan “Violence,” undated
|
|
|
Box
149
Folder
9
|
Script “Violence,” 1934 September
|
|
|
Box
149
Folder
10
|
Script “Violence” (annotated), undated
|
|
|
Box
149
Folder
11
|
Script, annotated including playbills, 1937 October 14
|
|
|
Box
149
Folder
12
|
Scrapbook, 1937
|
|
|
Box
149A
Folder
1
|
Script,“ Violence,” undated
|
|
|
Triple Play, 1959
|
|
|
Box
149A
Folder
2
|
Correspondence and financial information, 1959
|
|
|
The Unsinkable Molly Brown, 1960
|
|
|
Box
149A
Folder
3
|
Contract, 1960
|
|
|
Box
149A
Folder
4
|
Financial correspondence, 1964-1970
|
|
|
Box
149A
Folder
5
|
Miscellaneous, circa 1960
|
|
|
Box
149A
Folder
6
|
Set designs, undated
|
|
|
Box
149A
Folder
7
|
Musical score for Act I
|
|
|
Box
150
Folder
1
|
Musical score for other acts, undated
|
|
|
Box
150
Folder
2
|
Speech by Dore Schary, 1960 November 3
|
|
|
Box
150
Folder
3
|
Story by Caroline Bancroft, 1956
|
|
|
Box
150
Folder
4
|
Script by Richard Morris, undated
|
|
|
Box
150
Folder
5
|
Script (bound, annotated, photographs), 1960 November 3
|
|
|
Untitled scripts
|
|
|
Box
150
Folder
6
|
Fragments, 1965 May 13
|
|
|
Box
150
Folder
6
|
Fragment, identified as Moss Hart script, undated
|
|
|
“Up Spoke the Captain” (Unproduced)
|
|
|
Box
150
Folder
7
|
Script by DS and Don Hartman, circa 1932 November 10
|
|
|
Voices of Freedom
|
|
|
Box
150
Folder
8
|
Transcript and cover letter, 1963 April
|
|
|
“Wrong Way Light Bulb” (Unproduced)
|
|
|
Box
150
Folder
9
|
Script by Leonard Spigelgass, undated
|
|
|
“You-Hoo! Are You There, Mrs. Goldberg?” (Unproduced)
|
|
|
Box
150
Folder
10
|
Correspondence, 1970
|
|
|
“You and Your Son at Yale” (Unproduced)
|
|
|
Box
150
Folder
11
|
Correspondence and circulars, 1963-1964
|
|
|
Zulu and the Zayda
|
|
|
Box
150
Folder
12
|
Advertising and publicity, 1965, undated
|
|
|
Box
150
Folder
13
|
Cast and staff lists, rehearsal schedules, undated
|
|
|
Box
150
Folder
14
|
Casting file, 1965, undated
|
|
|
Box
151
Folder
1-2
|
Correspondence, 1964-1969
|
|
|
Box
151
Folder
3
|
Financial information, 1965-1968
|
|
|
Box
151
Folder
4
|
Legal material, 1964-1967, undated
|
|
|
Box
151
Folder
5
|
Letter to cast, 1965
|
|
|
Box
151
Folder
6
|
Music and lyrics, 1965, undated
|
|
|
Box
151
Folder
7
|
Notes, 1965
|
|
|
WCFTR Poster File
|
Poster
|
|
|
U.S. Mss 37AN
Box
151
Folder
8
|
Reviews, 1965, undated
|
|
|
Box
151
Folder
9
|
Set designs and floor plans by William and Jean Eckart, undated
|
|
|
Box
151
Folder
10
|
Requests for tickets, 1965-1966
|
|
|
Box
151
Folder
11
|
Script by Felix Leon and Howard Da Silva, undated
|
|
|
Box
151
Folder
12
|
Script by Leon and Da Silva, 1965 March 18
|
|
|
Box
152
Folder
1
|
Script by Leon and Da Silva, 1965 March 18
|
|
|
Box
152
Folder
2
|
Rehearsal script by Leon and Da Silva, 1965 July 22
|
|
|
Box
152
Folder
3
|
Script by Leon and Da Silva, 1965 November 9
|
|
|
Box
152
Folder
4
|
Rewrites, undated
|
|
