Michael Douglas Papers, 1934-1980
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Container Title
Series: Part 1: Original Collection, 1967-1976
U.S. Mss 176AN
Subseries: Subject File
Correspondence
Incoming
Box   1
Folder   1-3
Business, 1973 April 13-1976 December 29
Box   1
Folder   4
Personal, 1973 April 28-1976 December 1
Box   1
Folder   5
Fan Mail, 1969 September 22-1976 February 21
Box   1
Folder   6-7
Outgoing, 1973 April 24-1976 December 15
Eugene O'Neill Memorial Theatre Center Inc.
Box   2
Folder   1
Correspondence, 1974 October 11-1976 August 19
Box   2
Folder   2
Financial Statement, 1974 June 30
Box   2
Folder   3
National Playwrights Conference, 1976 July 18-August 15
Box   2
Folder   4
Newsletter, 1976 July 18-August 13
Box   2
Folder   5
Promotional Literature and Press clipping, 1976 August 9, undated
Box   3
Folder   1
Miscellany, 1967-1977, undated
Press clippings
Box   3
Folder   2
U.S. and England, 1967-1976
Box   3
Folder   3-4
Foreign, circa 1976
Box   22A
Folder   1
Scrapbook, 1969-1972
Micro 717
Microfilm Copy of Scrapbook
U.S. Mss 176AN
Box   3
Folder   5
Story Outlines and Recommendations, 1974, undated
Subseries: Motion Pictures
⇧
Adam at Six A.M.
Note: Solar Productions, 1970. National General Films.
Box   3
Folder   6
Script, Third Draft, by Stephen and Elinor Karpf, 1969 August 20
Box   3
Folder   7
Script, Third Draft, Revised, annotated, by Stephen and Elinor Karpf, 1969 August 20-September 10
Box   3
Folder   8
Daily Set Breakdown and Script Notes, 1969 September 9, undated
The American Revolution
Note: Production information unknown. Educational film.
Box   3
Folder   9
Script, Second Revised, Parts I and II, by David Wilts and Robert Saudek Associates, 1971 March 24
Faded Glory
Note: Appendagez Inc., unproduced. Other working titles include “From These Lions” and “Flight 139.”
Box   4
Folder   1
Research Material, 1976 August-September
Box   4
Folder   2
Research Material regarding Georgia, clipping, circa 1975-1976
Box   4
Folder   3
Synopsis, “Flight 139,” by Pat Kelly, 1976 August 16
Box   4
Folder   4
Screenplay, “Flight 139,” 1976 August 17
Box   4
Folder   5
Script, First Draft, “From These Lions,” by Don Carpenter, undated
Box   4
Folder   6
Production Notes, Step Outline, undated
Box   4
Folder   7
Shot Breakdown Cards, undated
Hail, Hero
Note: Cinema Center Films, 1969. National General Films.
Box   5
Folder   1
Script, by David Manber, circa 1969
Half-Way Cross the River
Note: Winters/Rosen Production, unproduced.
Box   5
Folder   2
Script, by Larry Alexander and Peter Dichter, undated
The Lot
Box   5
Folder   3
Script, by Phillip Carlson, circa 1969
Napoleon and Samantha
Note: Walt Disney Productions, 1972. Buena Vista Distribution Company.
Box   5
Folder   4
Script, Final, Part I and II, by Stewart Raffill, 1971 April 30
Oliver Petty
Note: Red Lion Productions, Production information unknown.
Box   5
Folder   5
Script, by Lowell Hjermstad, undated
One Flew over the Cuckoo's Nest
Note: Fantasy Films, 1975. United Artists.
Box   5
Folder   6
Playscript, by Dale Wasserman, undated
Script
Box   5
Folder   7
First Draft, by William Peter Blatty, undated
Box   6
Folder   1
By Howard B. Kreitsek, undated
Box   6
Folder   2
By Ken Kesey, 1972
Box   6
Folder   3
First Draft, by Lawrence Hauben, 1973 November 1
Box   6
Folder   4
Second Draft, by Lawrence Hauben, 1973 December 12
Box   6
Folder   5
Second Draft, Revised, by Lawrence Hauben, 1974 January 3
Box   7
Folder   1
Final Draft, by Lawrence Hauben, 1974 March 18
Box   7
Folder   2
Final Draft, Revised, by Lawrence Hauben, 1974 June 21
Box   7
Folder   3
Revisions, assorted pages, by Lawrence Hauben, 1974 July 12
Box   7
Folder   4
Final Draft, Revised, by Lawrence Hauben and Bo Goldman, 1974 July 26
Box   7
Folder   5
Final Draft, Revised, annotated, by Lawrence Hauben and Bo Goldman, 1974 December 5
Box   8
Folder   1
Annotated, undated
Box   8
Folder   2
Excerpts, annotated, undated
Box   8
Folder   3
Translation for Dubbing in German, undated
Box   22A
Folder   2
Story Outline Breakdown by Scene, undated
Box   8
Folder   4
Production File, circa 1974-1975
Box   8
Folder   5
General Correspondence, 1974 May 6-1976 April 24
Box   8
Folder   6
Comparative Gross Receipt Statement, 1975 December 17-25
Promotional Materials
Box   8
Folder   7
Preliminary Studio Materials, 1975
Box   8
Folder   8
Cast Biographies, undated
Box   8
Folder   9
Studio Press Kits, U.S. and Foreign, circa 1975
Box   8
Folder   10
World Tour Itineraries, 1975
Reviews
Box   9
Folder   1
Belgium, 1976
Box   9
Folder   2
Denmark, 1976
Box   9
Folder   3
England, 1976
Box   9
Folder   4-5
Foreign, General, 1976
Box   9
Folder   6
Germany, 1976
Box   9
Folder   7-8
United States, 1975-1976
Box   9
Folder   9
Interviews, 1975-1976
Press clippings, General
Box   9
Folder   10
Britain, 1976
Box   22A
Folder   3
Finland, 1976
Box   9
Folder   11
Foreign, 1976
Box   10
Folder   1
United States, 1975-1976
Press clippings, Specific
Box   10
Folder   2
Dourif, Brad and Sydney Lassick, 1975-1976
Box   10
Folder   3
Fletcher, Louise, 1975-1976
Box   10
Folder   4
Forman, Milos, 1976
Box   10
Folder   5
Kesey, Ken, 1975-1976
Box   10
Folder   6
Nicholson, Jack, 1975-1976
Box   10
Folder   7
Press clippings, Advertisements, 1975-1976
Box   22A
Folder   4
Press clippings, Advertisements, 1976
AB 974
Film, Michael Douglas in Rio
Physical Description: 1 reel; 433 feet; sound; color; 16 mm archival positive 
Note: TV Globo [1976?]
Scope and Content Note: Rough-cut of documentary on Michael Douglas in Rio de Janeiro for the Brazilian opening of One Flew over the Cuckoo's Nest. Footage of Douglas dancing with costumed women at a festival, interviews of audience reactions after film screening, interviews of Douglas discussing the film and its success, silent footage of Douglas walking through parking lot and departing in limousine.
U.S. Mss 176AN
Red Lion Affair
Box   10
Folder   8
Script, First Draft, by Lowell Hjermstad, undated
Summertree
Note: Byrna Productions, 1971. Columbia Pictures.
Box   10
Folder   9
Script, First Draft, by Ron Cowen, 1968 May
Box   10
Folder   10
Script, First Draft, by Stephen Yafa, undated
Box   10
Folder   11
Script, by Ed Hume, undated
Box   10
Folder   12
Script, Final Draft, by Ed Hume, undated
Box   11
Folder   1
Script, Final Draft, Revised, by Edward Hume, 1970 March 13
Box   11
Folder   2
Shooting Schedule and Notes, 1970 March-May
The Terrible Crimes of Chester Fume
Note: Production information unknown
Box   11
Folder   3
Script, undated
Subseries: Television
⇧
As Berlin Goes (So Goes Europe)
Note: Production information unknown
Box   11
Folder   4
Script, by George Menzies and Roy Wright, and Miscellany, circa 1962
The Streets of San Francisco
Note: Quinn Martin Productions, 1972-1977. Original telecast on ABC.
“The Thirty-Year Pin,” #186227
Box   11
Folder   5
Script, Final Draft, by Robert Lewin, 1972 June 6
“Forty-five Minutes from Home,” #186228
Box   11
Folder   6
Script, Final Draft, by Robert I. Holt, 1972 June 19
“In the Midst of Strangers,” #186229
Box   11
Folder   7
Script, Final Draft, by Del Reisman, 1972 July 7
“Hall of Mirrors,” #186230
Box   11
Folder   8
Script, Final Draft, by Walter Black, 1972 June 26
“Tower beyond Tragedy,” #186232
Box   11
Folder   9
Script, by Mort Fine, 1972 July 17
“Bitter Wine,” #186233
Box   11
Folder   10
Script, Final Draft, by Hal Sitowitz, 1972 July 27
“Whose Little Boy Are You?,” #186234
Box   11
Folder   11
Script, Final Draft, by Cliff Gould and Donn Mullaly, 1972 August 9
“A Trout in the Milk,” #186235
Box   12
Folder   1
Script, Final Draft, by Robert Malcolm Young, 1972 August 16
Box   12
Folder   2
Script, Final Draft, Revised, by Robert Malcolm Young, 1972 August 16-17
“Timelock,” #186236
Box   12
Folder   3
Script, Final Draft, by Charles A. McDaniel, Cliff Gould, John Wilder, 1972 August 22
“The Takers,” #186237
Box   12
Folder   4
Script, Final Draft, by Guerdon Trueblood, John Wilder, and Cliff Gould, 1972 September 5
“A Collection of Eagles,” #186238
Box   12
Folder   5
Script, Final Draft, by Robert I. Holt, 1972 September 7
“The Set-Up,” #186239
Box   12
Folder   6
Script, Final Draft, by William Roberts, 1972 September 21
“The Year of the Locusts,“ #186241
Box   12
Folder   7
Script, Final Draft, by Theodore J. Flicker, 1972 October 6
“A Room with a View,” #186242
Box   12
Folder   8
Script, Final Draft, by Del Reisman and Cliff Gould, 1972 October 19
“Act of Duty,” #186243
Box   12
Folder   9
Script, Final Draft, by Robert Malcolm Young, 1972 October 23
“Deathwatch,” #186244
Box   12
Folder   10
Script, Final Draft, by Harry Kronman, John Groves, and Cliff Gould, 1972 October 31
“Shattered Image,” #186245
Box   12
Folder   11
Script, Final Draft, by Guerdon Trueblood and John Wilder, based on a story by Guerdon Trueblood, Jack Guss, and Roland Wolpert, 1972 November 14
“The Unicorn,” #186246
Box   13
Folder   1
Script, Final Draft, by Jerry Ziegman and Mort Fine, based on a story by Jerry Ziegman, 1972 November 27
“Deadline,” #186247
Box   13
Folder   2
Script, Final Draft, by David Friedkin, Cliff Gould and John Wilder, 1972 November 30
“Trail of the Serpent,” #186248
Box   13
Folder   3
Script, Final Draft, by Cliff Gould and John Wilder, 1972 December 8
“The House on Hyde Street,” #186250
Box   13
Folder   4
Script, Final Draft, by John Wilder, based on the story by Cliff Osmond, 1972 December 28
“Betrayed,” #5002
Box   13
Folder   5
Script, Final Draft, by Mark Wangart, 1973 May 18
“Most Feared in the Jungle,” #5003
Box   13
Folder   6
Script, Final Draft, by Jerome Coopersmith, 1973 May 25
“A Wrongful Death,” #5004
Box   3
Folder   7
Script, Final Draft, by Edward DeBlasio, 1973 May 29
“The Twenty-Four Karat Plague,” #5005
Box   13
Folder   8
Script, Final Draft, by Robert Malcolm Young, 1973 June 4
“Going Home,” #5006
Box   13
Folder   9
Script, Final Draft, by Jack B. Sowards, 1973 June 6
“Before I Die,” #5007
Box   13
Folder   10
Script, Final Draft, by Albert Ruben, 1973 June 15
“For the Love of God,” #5008
Box   14
Folder   1
Script, Final Draft, by Rick Husky, 1973 July 12
“Crossfire,” #5009
Box   14
Folder   2
Script, Final Draft, by Jerry McNeely, 1973 July 12
“The Stamp of Death,” #5010
Box   14
Folder   3
Script, Final Draft, by Robert I. Holt, 1973 August 12
“Harem,” #5011
Box   14
Folder   4
Script, Final Draft, by John D.F. Black, 1973 August 9
“No Badge for Benjy,” #5012
Box   14
Folder   5
Script, Final Draft, by George Bellack, 1973 August 17
“Shield of Honor,” #5013
Box   14
Folder   6
Script, Final Draft, by Dorothy Fontana, 1973 August 22
“Save the Children,” #5014
Box   14
Folder   7
Script, Final Draft, by Robert Malcolm Young, 1973 September 6
“The Victims,” #5015
Box   14
Folder   8
Script, Final Draft, annotated, by Jerome Coopersmith, 1973 September 17
“Winterkill,” #5016
Box   14
Folder   9
Script, Final Draft, by Jack B. Sowards, 1973 September 20
“Blockade,” #5017
Box   14
Folder   10
Script, Final Draft, by James Menzies, based on the story by Adrian Spies, 1973 October 1
“Commitment,” #5018
Box   15
Folder   1
Script, Final Draft, by John D. F. Black, 1973 October 9
“The Hard Breed,” #5019
Box   15
Folder   2
Script, Final Draft, by Jim Byner, based on the story by Ron Bishop, 1973 October 22
“Chapel of the Damned,” #5020
Box   15
Folder   3
Script, Final Draft, by Robert Schlitt, 1973 October 28
“A String of Puppets,” #5021
Box   15
Folder   4
Script, Final Draft, by Mark Wiengart, based on a story by James Schmerer, 1973 November 15
“Inferno,” #5022
Box   15
Folder   5
Script, Final Draft, by James M. Miller, 1973 November 14
“Death and the Favored Few,” #5023
Box   15
Folder   6
Script, Final Draft, by Gene L. Coon, 1973 December 5
“Rampage,” #5024
Box   15
Folder   7
Script, Final Draft, by Albert Ruben, 1973 December 6
“One Last Shot,” #5051
Box   15
Folder   8
Script, Final Draft, by Jack B. Sowards, 1974 April 19
“Target: Red,” #5052
Box   15
Folder   9
Script, Final Draft by Rick Husky, 1974 April 19
“Solitaire,” #5054
Box   15
Folder   10
Script, Final Draft, by Dorothy C. Fontana, 1974 May 8
“Birds of Prey,” #5055
Box   16
Folder   1
Script, Final Draft, by Guerdon Trueblood, 1974 August 22
“The Gun,” #5056
Box   16
Folder   2
Script, Final Draft, by Tony Kaden and Michael Russnow, 1974 June 2
“Mask of Death,” #5057
Box   16
Folder   3
Script, Final Draft, by Robert Malcolm Young, 1974 June 11
“One Chance to Live,” #5058
Box   16
Folder   4
Script, Final Draft, by David Friedkin, 1974 June 12
“Flags of Terror,” #5060
Box   16
Folder   5
Script, Final Draft, by Jerry Ziegman, 1974 August 16
“Jacob's Boy,” #5061
Box   16
Folder   6
Script, Final Draft, by Paul Savage, 1974 July 1
“For Good or Evil,” #5062
Box   16
Folder   7
Script, Final Draft, by Mort Fine, 1974 July 9
“Cry Help,” #5065
Box   16
Folder   8
Script, Final Draft, by Larry Brody, based on a story by Leonardo Bercouici, 1974 August 15
“Mister Nobody,” #5066
Box   16
Folder   9
Script, Final Draft, by Robert Sherman, 1974 September 9
“False Witness,” #5067
Box   17
Folder   1
Script, Final Draft, by Mort Fine, 1974 September 25
“Letters from the Grave,” #5068
Box   17
Folder   2
Script, Final Draft, by Tom Cannan, 1974 October 3
“Labyrinth,” #5069
Box   17
Folder   3
Script, Final Draft, by Del Reisman, 1974 October 10
“Endgame,” #5070
Box   17
Folder   4
Script, Final Draft, by Albert Ruben, 1974 October 11
“The Programming of Charlie Black,” #5072
Box   17
Folder   5
Script, Final Draft, by Richard Danus, 1974 November 5
“Asylum,” #5073
Box   17
Folder   6
Script, Final Draft, by Larry Brody, 1974 November 15
“I Ain't Marchin' Anymore,” #165
Box   17
Folder   7
Script, Final Draft, by Albert Ruben, 1974 May 7
“Trail of Terror,” #185
Box   17
Folder   8
Script, Final Draft, by Jim Byrnes, 1975 April 14
Box   17
Folder   9
Script, Final Draft, Revised, by Jim Byrnes, 1975 April 14-July 9
“Murder by Proxy,” #186
Box   18
Folder   1
Script, Final Draft, by Eugene Price, 1975 May 7
“Poisoned Snow,” #187
Box   18
Folder   2
Script, Final Draft, by Paul Savage, 1975 April 9
Box   18
Folder   3
Script, Final Draft, Revised, by Paul Savage, 1975 April 9-May 15
“Men Will Die,” #188
Box   18
Folder   4
Script, Final Draft, by Shirl Hendrix, 1975 May 27
“School of Fear,” #189
Box   18
Folder   5
Script, Final Draft, by Brad Radmitz, 1975 May 12
“Deadly Silence,” #190
Box   18
Folder   6
Script, Final Draft, by John W. Block, 1975 April 11
“Web of Lies,” #191
Box   18
Folder   7
Script, Final Draft, by Leonard Cantor, 1975 June 13
Box   18
Folder   8
Script, Final Draft, Revised, by Leonard Cantor, 1975 June 13-July 22
“The Glass Dartboard,” #192
Box   18
Folder   9
Script, Final Draft, by Sean Baine, 1975 April 18
“Prelude to Terror,” #193
Box   18
Folder   10
Script, Final Draft, by Robert Malcolm Young, 1975 April 24
Box   19
Folder   1
Script, Final Draft, Revised, by Robert Malcolm Young, 1975 April 24-May 28
“Dead Air,” #195
Box   19
Folder   2
Script, Final Draft, by Marvin Paul Kupfer, 1975 July 14
Box   19
Folder   3
Script, Final Draft, Revised, by Marvin Paul Kupfer, 1975 July 14-August 5
“Merchants of Death,” #196
Box   19
Folder   4
Script, Final Draft, by Joseph Polizzi, 1975 June 19
Box   19
Folder   5
Script, Final Draft, Revised, by Joseph Polizzi, 1975 June 19-July 2
“Most Likely to Succeed,” #197
Box   19
Folder   6
Script, Final Draft, by John Hess, 1975 August 1
Box   19
Folder   7
Script, Final Draft, Revised, by John Hess, 1975 August 1-14
“Alien Country,” #198
Box   19
Folder   8
Script, Final Draft, by Larry Brody, 1975 August 13
“Requiem for Murder,” #200
Box   19
Folder   9
Script, Final Draft, by James J. Sweeney, 1975 September 25
“Superstar,” #202
Box   19
Folder   10
Script, Final Draft, by Mort Fine, 1975 July 7
“Spooks for Sale,” #203
Box   19
Folder   11
Script, Final Draft, by Albert Ruben, 1975 August 19
Box   20
Folder   1
Script, Final Draft, Revised, by Albert Ruben, 1975 August 19-September 4
“Judgment Day,” #204
Box   20
Folder   2
Script, Final Draft, by Ron Buck, 1975 October 24
“Runaway,” #206
Box   20
Folder   3
Script, Final Draft, by Paul Savage, 1975 September 5
“The Cat's Paw,” #5113
Box   20
Folder   4
Script, Final Draft, by Dorothy C. Fontana, 1975 August 11
Box   20
Folder   5
Script, Final Draft, Revised, by Dorothy C. Fontana, 1975 August 11-20
“The Honorable Profession,” #5120
Box   20
Folder   6
Script, Final Draft, by Paul Robert Coyle, 1975 October 16
“Underground,” #5122
Box   20
Folder   7
Script, Final Draft, by Sean Baine, based on a story by Philip Stazman, 1975 October 29
“Clown of Death,” #5123
Box   20
Folder   8
Script, Final Draft, by Arthur Rowe, 1975 November 6
“The Jury is Out,” #9010-7601
Box   20
Folder   9
Script, Final Draft, by Cliff Gould, 1976 May 20
When Michael Calls
Note: Twentieth Century Fox Television, February 5, 1972. Originally shown on ABC Movie of the Weekend
Box   20
Folder   10
Script, First Draft, Revised, by James Bridges, 1971 November 8-17
Subseries: Theater
⇧
The City Scene
Note: New York: 1968, Fortune Theatre.
Box   21
Folder   1
Script, by Frank Gagliano, undated
Henry IV
Note: Santa Barbara: November 13, 1976, Main Theatre on the University of California at Santa Barbara campus.
Box   21
Folder   2
Announcement, Reviews, 1967 November 13-18
Love Is a Time of Day
Note: Paramus, New Jersey: July 1, 1969, Playhouse on the Mall.
Box   21
Folder   3
Script, annotated, by John Patrick, undated
Box   21
Folder   3
Music, “The Incinerator Hour,” by Mildred Kayder, undated
Box   21
Folder   4
Playbill, Correspondence, Reviews, 1969 July 1-13
Muzeeka
Note: Santa Barbara: [1969?], University of California at Santa Barbara campus.
Box   21
Folder   5
Script, by John Guare, undated
Pinkville (8)
Note: New York: March 17, 1971, American Place Theater.
Box   21
Folder   6
Script, Rehearsal, by George Tabori, 1970 December 15
Box   21
Folder   7
Music, 1970