Summary Information
Michael Douglas Papers
1934-1980
U.S. Mss 176AN; Micro 717; Audio 1169A; AB 974
15.4 c.f. (23 archives boxes, 6 record center cartons, and 1 flat box), 1 reel of microfilm (35 mm), 4 tape recordings, and 1 film
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Papers of Michael Douglas, an actor-producer, primarily consisting of scripts for The Streets of San Francisco (ABC), a television series in which he co-starred; and production files for the Oscar-winning One Flew over the Cuckoo's Nest (UA, 1975). In the production files for One Flew over the Cuckoo's Nest are variant scripts by William Peter Blatty, Ken Kesey, Dale Wasserman, and others; correspondence; promotional material; and reviews. Smaller files of similar composition relate to several other films, plays, and television programs with which Douglas was involved. There is also a subject file containing miscellaneous personal and business correspondence and fan mail, clippings, a microfilmed scrapbook, and a file relating to his work for and support of the Eugene O'Neill Memorial Theatre Center. Prominent correspondents include Edmund G. “Jerry” Brown Jr., Cesar E. Chavez, Kirk Douglas, Betty Ford, Tom Hayden, Arthur B. Krim, and Irving Paul Lazar.
English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0176an
Biography/History
Michael Douglas, actor-producer, was born in New Brunswick, New Jersey, on September 25, 1944. After his parents (actor-producer Kirk Douglas and Diana Dill) were divorced in 1950, he was raised by his mother on the East Coast, but spent his summers with his father on the West Coast. He graduated from Choate Preparatory School and attended the University of California at Santa Barbara, where he eventually majored in drama. There he was involved in several college theatrical productions and won awards both for acting and directing. He also acted at the Eugene O'Neill Memorial Theatre Center in Waterford, Connecticut, where his stepfather, writer Bill Darrid, was involved.
Douglas made his professional acting debut in 1969 in “The Experiment” (CBS Playhouse), which was followed closely by his stage debut in an off-Broadway production, The City Scene. He later starred in several films including Adam at Six A.M., Hail, Hero, and Summertree. Douglas then co-starred on the highly successful television series The Streets of San Francisco and remained with the show for five seasons. In October 1975, he made his directorial debut with an episode of Streets, “Spooks for Sale.”
In addition to his acting, Douglas is also actively involved in film production. Along with Saul Zaentz, a San Francisco record producer, Douglas became the co-producer of One Flew over the Cuckoo's Nest, which won five Academy Awards in 1975. He also formed his own film production company, Bigstick Productions, Ltd., which produced several shorts. Douglas also starred in the motion picture Coma (1977). In 1979, he starred with Jane Fonda in The China Syndrome, which he also co-produced and co-authored. That same year he produced and starred in Running; and the next year, he starred with Jill Clayburgh in It's My Turn.
Scope and Content Note
The Michael Douglas Papers primarily document his career as an actor and producer in motion pictures and television. The collection is organized in two main parts. Part 1, the Original Collection, contains materials received in the Archives in 1977. These materials date 1967-1976 and comprise Boxes 1-22A, 1 reel of microfilm, and 1 film. Part 2 consists of materials designated the “1980 Additions.” These materials date 1934-1980 and comprise Boxes 22B-29 (6 cartons and 2 smaller archives boxes). Both Part 1 and Part 2 contain scripts and other records concerning motion picture, television, and theater productions plus a smaller amount of correspondence and other more miscellaneous materials.
Part 1: Original Collection, 1967-1976
The bulk of the ORIGINAL COLLECTION consists of scripts, clippings, correspondence, and miscellany, which have been organized in four subseries: Subject File, Motion Pictures, Television, and Theater.
The Subject File includes correspondence, press clippings, story outlines, and miscellany. The Correspondence, 1969-1976, has been arranged into incoming and outgoing correspondence, with the former subdivided into business correspondence, and personal communications and fan mail. The business correspondence includes requests for donations for various schools and causes; invitations for Douglas to produce the film Blue Collar and a Rolling Stone television special; requests for guest appearances at various functions; congratulatory letters for One Flew over the Cuckoo's Nest; and sporadic legal correspondence regarding the affairs of Bigstick Productions, Ltd. The personal correspondence includes letters from friends and family, particularly his mother, Diana Dill. A partial list of correspondents includes:
| Business |
October 15, 1974 |
Edmund G. Brown Jr. |
| Business |
April 21, 1975 |
Cesar E. Chavez |
| Business |
August 22, 1975 |
Irving Paul Lazar |
| Business |
May 24, 1976 |
Arthur B. Krim |
| Business |
June 10, 1976 |
Paul Schrader |
| Business |
June 26, 1976 |
Tom Hayden |
| Personal |
April 14, 1975 |
Kirk Douglas |
| Personal |
January 2, 1976 |
Betty Ford |
| Personal |
August 16, 1976 |
Tom Hayden |
The Eugene O'Neill Memorial Theatre Center files include correspondence, financial statements, newsletters, and pamphlets. Douglas spent three years in summer residence at the Center when he began his career and later financially supported its work. The Press clippings are from various magazines and newspapers and focus on Douglas's career from his student days at the University of California at Santa Barbara through his production of One Flew over the Cuckoo's Nest. The Scrapbook, 1969-1972, contains reviews and clippings about several productions with which Douglas was involved. Among these are Adam at Six A.M., “The Experiment,” Hail, Hero, Pinkville (8), The Streets of San Francisco, and When Michael Calls. Miscellaneous correspondence and photos are also included. The Story Outlines are composed of brief synopses and some recommendations regarding the production possibilities of various story ideas.
The Motion Picture subseries contains research materials, synopses, variant scripts, production notes, correspondence, reviews, and promotional materials. The amount of documentation for each film varies. Among the motion pictures are Adam at Six A.M., Hail, Hero, Napoleon and Samantha, One Flew over the Cuckoo's Nest, and Summertree. There is also research and production material for Faded Glory, a proposed film based on the 1976 Israeli raid at Entebbe to free hostages of an airplane hijacking. These files reveal the efforts of several studios and production companies to be “first” in producing a film on the Entebbe raid. The most extensive amount of material exists for One Flew over the Cuckoo's Nest. Of special interest are the variant scripts, which reveal the involved script writing process for this film. Scripts range from the original play adaptation by Dale Wasserman to the final shooting script. Also included is the original screenplay as written by Ken Kesey, author of the novel on which the film was based. In addition, extensive promotional materials document the studio's and Douglas's efforts to mount a major sales campaign for the film.
The majority of the Television subseries consists of scripts for episodes of The Streets of San Francisco, a series in which Douglas co-starred for five years. Occasionally, a revised script is also included for an individual episode. There is also a script for When Michael Calls, a made-for-TV movie in which Douglas starred.
Scripts plus occasional related materials for The City Scene, Love Is a Time of Day, and Pinkville (8), productions in which Douglas starred, are included in the Theater subseries.
In addition there is a script for Muzeeka, a play Douglas directed while at the University of California at Santa Barbara.
Part 2: 1980 Additions, 1934-1980
The 1980 ADDITIONS to the collection are composed almost entirely of scripts for films, television, and theater, and have been organized into five subseries: Motion Pictures, Television, Theater, Books, and Miscellany. Many of the scripts apparently were sent to Douglas for his consideration as an actor or producer.
The Motion Picture subseries contains scripts, synopses, treatments, and some research materials. Most of the subseries is devoted to scripts, treatments and synopses sent to Douglas from authors requesting his participation in producing their works. Many of the films were never produced. Among the motion pictures are Altered States, Running, Tilt, Slap Shot, Soldier Blue, and The China Syndrome. The materials for The China Syndrome include variant scripts dating from 1975 to 1977, and research materials, including magazine articles, pamphlets from Pacific Gas and Electric and The Union of Concerned Citizens, engineering drawings of a nuclear power plant, and a few photographs.
The Television subseries consists of scripts from different programs, scripts from television movies, and synopses of Nero Wolfe mystery novels dating from 1934 to 1968.
The Theater subseries is comprised of scripts from various plays for which no production information is known.
The Books subseries are manuscripts or copies of novels and non-fictional works; no additional information is known.
The Miscellany subseries includes a small amount of correspondence, an untitled script, and a catalogue of screen and television properties sent to Douglas from James E. Colaneri.
The Audio Recordings subseries includes 4 tape recordings.
Administrative/Restriction Information
Presented by Michael Douglas, Beverly Hills, California, 1977 (on deposit); and Burbank, California, 1980. Accession Number: MCHC77-63, MCHC80-95
Processed by L. Knapp and Christine Rongone, April 1978; and by Menzi Behrnd-Klodt and Matthew Alexander, July 1983.
Contents List
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Series: Part 1: Original Collection, 1967-1976
|
|
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U.S. Mss 176AN
|
Subseries: Subject File
|
|
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Correspondence
|
|
|
Incoming
|
|
|
Box
1
Folder
1-3
|
Business, 1973 April 13-1976 December 29
|
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Box
1
Folder
4
|
Personal, 1973 April 28-1976 December 1
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Box
1
Folder
5
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Fan Mail, 1969 September 22-1976 February 21
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Box
1
Folder
6-7
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Outgoing, 1973 April 24-1976 December 15
|
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Eugene O'Neill Memorial Theatre Center Inc.
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|
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Box
2
Folder
1
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Correspondence, 1974 October 11-1976 August 19
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Box
2
Folder
2
|
Financial Statement, 1974 June 30
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Box
2
Folder
3
|
National Playwrights Conference, 1976 July 18-August 15
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|
Box
2
Folder
4
|
Newsletter, 1976 July 18-August 13
|
|
|
Box
2
Folder
5
|
Promotional Literature and Press clipping, 1976 August 9, undated
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Box
3
Folder
1
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Miscellany, 1967-1977, undated
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Press clippings
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Box
3
Folder
2
|
U.S. and England, 1967-1976
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Box
3
Folder
3-4
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Foreign, circa 1976
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Box
22A
Folder
1
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Scrapbook, 1969-1972
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|
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Micro 717
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Microfilm Copy of Scrapbook
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U.S. Mss 176AN
Box
3
Folder
5
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Story Outlines and Recommendations, 1974, undated
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Subseries: Motion Pictures
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Adam at Six A.M.
: Solar Productions, 1970. National General Films.
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Box
3
Folder
6
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Script, Third Draft, by Stephen and Elinor Karpf, 1969 August 20
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Box
3
Folder
7
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Script, Third Draft, Revised, annotated, by Stephen and Elinor Karpf, 1969 August 20-September 10
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Box
3
Folder
8
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Daily Set Breakdown and Script Notes, 1969 September 9, undated
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The American Revolution
: Production information unknown. Educational film.
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Box
3
Folder
9
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Script, Second Revised, Parts I and II, by David Wilts and Robert Saudek Associates, 1971 March 24
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Faded Glory
: Appendagez Inc., unproduced. Other working titles include “From These Lions” and “Flight 139.”
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Box
4
Folder
1
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Research Material, 1976 August-September
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Box
4
Folder
2
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Research Material regarding Georgia, clipping, circa 1975-1976
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Box
4
Folder
3
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Synopsis, “Flight 139,” by Pat Kelly, 1976 August 16
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Box
4
Folder
4
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Screenplay, “Flight 139,” 1976 August 17
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Box
4
Folder
5
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Script, First Draft, “From These Lions,” by Don Carpenter, undated
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Box
4
Folder
6
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Production Notes, Step Outline, undated
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Box
4
Folder
7
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Shot Breakdown Cards, undated
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Hail, Hero
: Cinema Center Films, 1969. National General Films.
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Box
5
Folder
1
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Script, by David Manber, circa 1969
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Half-Way Cross the River
: Winters/Rosen Production, unproduced.
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Box
5
Folder
2
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Script, by Larry Alexander and Peter Dichter, undated
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The Lot
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Box
5
Folder
3
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Script, by Phillip Carlson, circa 1969
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Napoleon and Samantha
: Walt Disney Productions, 1972. Buena Vista Distribution Company.
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Box
5
Folder
4
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Script, Final, Part I and II, by Stewart Raffill, 1971 April 30
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Oliver Petty
: Red Lion Productions, Production information unknown.
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Box
5
Folder
5
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Script, by Lowell Hjermstad, undated
|
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One Flew over the Cuckoo's Nest
: Fantasy Films, 1975. United Artists.
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Box
5
Folder
6
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Playscript, by Dale Wasserman, undated
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Script
|
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Box
5
Folder
7
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First Draft, by William Peter Blatty, undated
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Box
6
Folder
1
|
By Howard B. Kreitsek, undated
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Box
6
Folder
2
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By Ken Kesey, 1972
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Box
6
Folder
3
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First Draft, by Lawrence Hauben, 1973 November 1
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Box
6
Folder
4
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Second Draft, by Lawrence Hauben, 1973 December 12
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Box
6
Folder
5
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Second Draft, Revised, by Lawrence Hauben, 1974 January 3
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Box
7
Folder
1
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Final Draft, by Lawrence Hauben, 1974 March 18
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Box
7
Folder
2
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Final Draft, Revised, by Lawrence Hauben, 1974 June 21
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Box
7
Folder
3
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Revisions, assorted pages, by Lawrence Hauben, 1974 July 12
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Box
7
Folder
4
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Final Draft, Revised, by Lawrence Hauben and Bo Goldman, 1974 July 26
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Box
7
Folder
5
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Final Draft, Revised, annotated, by Lawrence Hauben and Bo Goldman, 1974 December 5
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Box
8
Folder
1
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Annotated, undated
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Box
8
Folder
2
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Excerpts, annotated, undated
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Box
8
Folder
3
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Translation for Dubbing in German, undated
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Box
22A
Folder
2
|
Story Outline Breakdown by Scene, undated
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Box
8
Folder
4
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Production File, circa 1974-1975
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Box
8
Folder
5
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General Correspondence, 1974 May 6-1976 April 24
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Box
8
Folder
6
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Comparative Gross Receipt Statement, 1975 December 17-25
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Promotional Materials
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Box
8
Folder
7
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Preliminary Studio Materials, 1975
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Box
8
Folder
8
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Cast Biographies, undated
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Box
8
Folder
9
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Studio Press Kits, U.S. and Foreign, circa 1975
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Box
8
Folder
10
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World Tour Itineraries, 1975
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Reviews
|
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Box
9
Folder
1
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Belgium, 1976
|
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Box
9
Folder
2
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Denmark, 1976
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Box
9
Folder
3
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England, 1976
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Box
9
Folder
4-5
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Foreign, General, 1976
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Box
9
Folder
6
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Germany, 1976
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Box
9
Folder
7-8
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United States, 1975-1976
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Box
9
Folder
9
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Interviews, 1975-1976
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Press clippings, General
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Box
9
Folder
10
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Britain, 1976
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Box
22A
Folder
3
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Finland, 1976
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Box
9
Folder
11
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Foreign, 1976
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Box
10
Folder
1
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United States, 1975-1976
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Press clippings, Specific
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Box
10
Folder
2
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Dourif, Brad and Sydney Lassick, 1975-1976
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Box
10
Folder
3
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Fletcher, Louise, 1975-1976
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Box
10
Folder
4
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Forman, Milos, 1976
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Box
10
Folder
5
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Kesey, Ken, 1975-1976
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Box
10
Folder
6
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Nicholson, Jack, 1975-1976
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Box
10
Folder
7
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Press clippings, Advertisements, 1975-1976
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Box
22A
Folder
4
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Press clippings, Advertisements, 1976
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AB 974
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Film, Michael Douglas in Rio
1 reel; 433 feet; sound; color; 16 mm archival positive
: TV Globo [1976?]
: Rough-cut of documentary on Michael Douglas in Rio de Janeiro for the Brazilian opening of One Flew over the Cuckoo's Nest. Footage of Douglas dancing with costumed women at a festival, interviews of audience reactions after film screening, interviews of Douglas discussing the film and its success, silent footage of Douglas walking through parking lot and departing in limousine.
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U.S. Mss 176AN
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Red Lion Affair
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Box
10
Folder
8
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Script, First Draft, by Lowell Hjermstad, undated
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Summertree
: Byrna Productions, 1971. Columbia Pictures.
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Box
10
Folder
9
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Script, First Draft, by Ron Cowen, 1968 May
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Box
10
Folder
10
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Script, First Draft, by Stephen Yafa, undated
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Box
10
Folder
11
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Script, by Ed Hume, undated
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Box
10
Folder
12
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Script, Final Draft, by Ed Hume, undated
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Box
11
Folder
1
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Script, Final Draft, Revised, by Edward Hume, 1970 March 13
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Box
11
Folder
2
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Shooting Schedule and Notes, 1970 March-May
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The Terrible Crimes of Chester Fume
: Production information unknown
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Box
11
Folder
3
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Script, undated
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Subseries: Television
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As Berlin Goes (So Goes Europe)
: Production information unknown
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Box
11
Folder
4
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Script, by George Menzies and Roy Wright, and Miscellany, circa 1962
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The Streets of San Francisco
: Quinn Martin Productions, 1972-1977. Original telecast on ABC.
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“The Thirty-Year Pin,” #186227
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Box
11
Folder
5
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Script, Final Draft, by Robert Lewin, 1972 June 6
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“Forty-five Minutes from Home,” #186228
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Box
11
Folder
6
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Script, Final Draft, by Robert I. Holt, 1972 June 19
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“In the Midst of Strangers,” #186229
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Box
11
Folder
7
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Script, Final Draft, by Del Reisman, 1972 July 7
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“Hall of Mirrors,” #186230
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Box
11
Folder
8
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Script, Final Draft, by Walter Black, 1972 June 26
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“Tower beyond Tragedy,” #186232
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Box
11
Folder
9
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Script, by Mort Fine, 1972 July 17
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“Bitter Wine,” #186233
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Box
11
Folder
10
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Script, Final Draft, by Hal Sitowitz, 1972 July 27
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“Whose Little Boy Are You?,” #186234
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Box
11
Folder
11
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Script, Final Draft, by Cliff Gould and Donn Mullaly, 1972 August 9
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“A Trout in the Milk,” #186235
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Box
12
Folder
1
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Script, Final Draft, by Robert Malcolm Young, 1972 August 16
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Box
12
Folder
2
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Script, Final Draft, Revised, by Robert Malcolm Young, 1972 August 16-17
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“Timelock,” #186236
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Box
12
Folder
3
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Script, Final Draft, by Charles A. McDaniel, Cliff Gould, John Wilder, 1972 August 22
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“The Takers,” #186237
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Box
12
Folder
4
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Script, Final Draft, by Guerdon Trueblood, John Wilder, and Cliff Gould, 1972 September 5
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“A Collection of Eagles,” #186238
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Box
12
Folder
5
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Script, Final Draft, by Robert I. Holt, 1972 September 7
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“The Set-Up,” #186239
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Box
12
Folder
6
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Script, Final Draft, by William Roberts, 1972 September 21
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“The Year of the Locusts,“ #186241
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Box
12
Folder
7
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Script, Final Draft, by Theodore J. Flicker, 1972 October 6
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“A Room with a View,” #186242
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Box
12
Folder
8
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Script, Final Draft, by Del Reisman and Cliff Gould, 1972 October 19
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“Act of Duty,” #186243
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Box
12
Folder
9
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Script, Final Draft, by Robert Malcolm Young, 1972 October 23
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“Deathwatch,” #186244
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Box
12
Folder
10
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Script, Final Draft, by Harry Kronman, John Groves, and Cliff Gould, 1972 October 31
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“Shattered Image,” #186245
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Box
12
Folder
11
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Script, Final Draft, by Guerdon Trueblood and John Wilder, based on a story by Guerdon Trueblood, Jack Guss, and Roland Wolpert, 1972 November 14
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“The Unicorn,” #186246
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Box
13
Folder
1
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Script, Final Draft, by Jerry Ziegman and Mort Fine, based on a story by Jerry Ziegman, 1972 November 27
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“Deadline,” #186247
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Box
13
Folder
2
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Script, Final Draft, by David Friedkin, Cliff Gould and John Wilder, 1972 November 30
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“Trail of the Serpent,” #186248
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Box
13
Folder
3
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Script, Final Draft, by Cliff Gould and John Wilder, 1972 December 8
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“The House on Hyde Street,” #186250
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Box
13
Folder
4
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Script, Final Draft, by John Wilder, based on the story by Cliff Osmond, 1972 December 28
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“Betrayed,” #5002
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Box
13
Folder
5
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Script, Final Draft, by Mark Wangart, 1973 May 18
|
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“Most Feared in the Jungle,” #5003
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Box
13
Folder
6
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Script, Final Draft, by Jerome Coopersmith, 1973 May 25
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“A Wrongful Death,” #5004
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Box
3
Folder
7
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Script, Final Draft, by Edward DeBlasio, 1973 May 29
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“The Twenty-Four Karat Plague,” #5005
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Box
13
Folder
8
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Script, Final Draft, by Robert Malcolm Young, 1973 June 4
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“Going Home,” #5006
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Box
13
Folder
9
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Script, Final Draft, by Jack B. Sowards, 1973 June 6
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“Before I Die,” #5007
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Box
13
Folder
10
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Script, Final Draft, by Albert Ruben, 1973 June 15
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“For the Love of God,” #5008
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Box
14
Folder
1
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Script, Final Draft, by Rick Husky, 1973 July 12
|
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“Crossfire,” #5009
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Box
14
Folder
2
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Script, Final Draft, by Jerry McNeely, 1973 July 12
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“The Stamp of Death,” #5010
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Box
14
Folder
3
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Script, Final Draft, by Robert I. Holt, 1973 August 12
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“Harem,” #5011
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Box
14
Folder
4
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Script, Final Draft, by John D.F. Black, 1973 August 9
|
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“No Badge for Benjy,” #5012
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Box
14
Folder
5
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Script, Final Draft, by George Bellack, 1973 August 17
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“Shield of Honor,” #5013
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Box
14
Folder
6
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Script, Final Draft, by Dorothy Fontana, 1973 August 22
|
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“Save the Children,” #5014
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Box
14
Folder
7
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Script, Final Draft, by Robert Malcolm Young, 1973 September 6
|
|
|
“The Victims,” #5015
|
|
|
Box
14
Folder
8
|
Script, Final Draft, annotated, by Jerome Coopersmith, 1973 September 17
|
|
|
“Winterkill,” #5016
|
|
|
Box
14
Folder
9
|
Script, Final Draft, by Jack B. Sowards, 1973 September 20
|
|
|
“Blockade,” #5017
|
|
|
Box
14
Folder
10
|
Script, Final Draft, by James Menzies, based on the story by Adrian Spies, 1973 October 1
|
|
|
“Commitment,” #5018
|
|
|
Box
15
Folder
1
|
Script, Final Draft, by John D. F. Black, 1973 October 9
|
|
|
“The Hard Breed,” #5019
|
|
|
Box
15
Folder
2
|
Script, Final Draft, by Jim Byner, based on the story by Ron Bishop, 1973 October 22
|
|
|
“Chapel of the Damned,” #5020
|
|
|
Box
15
Folder
3
|
Script, Final Draft, by Robert Schlitt, 1973 October 28
|
|
|
“A String of Puppets,” #5021
|
|
|
Box
15
Folder
4
|
Script, Final Draft, by Mark Wiengart, based on a story by James Schmerer, 1973 November 15
|
|
|
“Inferno,” #5022
|
|
|
Box
15
Folder
5
|
Script, Final Draft, by James M. Miller, 1973 November 14
|
|
|
“Death and the Favored Few,” #5023
|
|
|
Box
15
Folder
6
|
Script, Final Draft, by Gene L. Coon, 1973 December 5
|
|
|
“Rampage,” #5024
|
|
|
Box
15
Folder
7
|
Script, Final Draft, by Albert Ruben, 1973 December 6
|
|
|
“One Last Shot,” #5051
|
|
|
Box
15
Folder
8
|
Script, Final Draft, by Jack B. Sowards, 1974 April 19
|
|
|
“Target: Red,” #5052
|
|
|
Box
15
Folder
9
|
Script, Final Draft by Rick Husky, 1974 April 19
|
|
|
“Solitaire,” #5054
|
|
|
Box
15
Folder
10
|
Script, Final Draft, by Dorothy C. Fontana, 1974 May 8
|
|
|
“Birds of Prey,” #5055
|
|
|
Box
16
Folder
1
|
Script, Final Draft, by Guerdon Trueblood, 1974 August 22
|
|
|
“The Gun,” #5056
|
|
|
Box
16
Folder
2
|
Script, Final Draft, by Tony Kaden and Michael Russnow, 1974 June 2
|
|
|
“Mask of Death,” #5057
|
|
|
Box
16
Folder
3
|
Script, Final Draft, by Robert Malcolm Young, 1974 June 11
|
|
|
“One Chance to Live,” #5058
|
|
|
Box
16
Folder
4
|
Script, Final Draft, by David Friedkin, 1974 June 12
|
|
|
“Flags of Terror,” #5060
|
|
|
Box
16
Folder
5
|
Script, Final Draft, by Jerry Ziegman, 1974 August 16
|
|
|
“Jacob's Boy,” #5061
|
|
|
Box
16
Folder
6
|
Script, Final Draft, by Paul Savage, 1974 July 1
|
|
|
“For Good or Evil,” #5062
|
|
|
Box
16
Folder
7
|
Script, Final Draft, by Mort Fine, 1974 July 9
|
|
|
“Cry Help,” #5065
|
|
|
Box
16
Folder
8
|
Script, Final Draft, by Larry Brody, based on a story by Leonardo Bercouici, 1974 August 15
|
|
|
“Mister Nobody,” #5066
|
|
|
Box
16
Folder
9
|
Script, Final Draft, by Robert Sherman, 1974 September 9
|
|
|
“False Witness,” #5067
|
|
|
Box
17
Folder
1
|
Script, Final Draft, by Mort Fine, 1974 September 25
|
|
|
“Letters from the Grave,” #5068
|
|
|
Box
17
Folder
2
|
Script, Final Draft, by Tom Cannan, 1974 October 3
|
|
|
“Labyrinth,” #5069
|
|
|
Box
17
Folder
3
|
Script, Final Draft, by Del Reisman, 1974 October 10
|
|
|
“Endgame,” #5070
|
|
|
Box
17
Folder
4
|
Script, Final Draft, by Albert Ruben, 1974 October 11
|
|
|
“The Programming of Charlie Black,” #5072
|
|
|
Box
17
Folder
5
|
Script, Final Draft, by Richard Danus, 1974 November 5
|
|
|
“Asylum,” #5073
|
|
|
Box
17
Folder
6
|
Script, Final Draft, by Larry Brody, 1974 November 15
|
|
|
“I Ain't Marchin' Anymore,” #165
|
|
|
Box
17
Folder
7
|
Script, Final Draft, by Albert Ruben, 1974 May 7
|
|
|
“Trail of Terror,” #185
|
|
|
Box
17
Folder
8
|
Script, Final Draft, by Jim Byrnes, 1975 April 14
|
|
|
Box
17
Folder
9
|
Script, Final Draft, Revised, by Jim Byrnes, 1975 April 14-July 9
|
|
|
“Murder by Proxy,” #186
|
|
|
Box
18
Folder
1
|
Script, Final Draft, by Eugene Price, 1975 May 7
|
|
|
“Poisoned Snow,” #187
|
|
|
Box
18
Folder
2
|
Script, Final Draft, by Paul Savage, 1975 April 9
|
|
|
Box
18
Folder
3
|
Script, Final Draft, Revised, by Paul Savage, 1975 April 9-May 15
|
|
|
“Men Will Die,” #188
|
|
|
Box
18
Folder
4
|
Script, Final Draft, by Shirl Hendrix, 1975 May 27
|
|
|
“School of Fear,” #189
|
|
|
Box
18
Folder
5
|
Script, Final Draft, by Brad Radmitz, 1975 May 12
|
|
|
“Deadly Silence,” #190
|
|
|
Box
18
Folder
6
|
Script, Final Draft, by John W. Block, 1975 April 11
|
|
|
“Web of Lies,” #191
|
|
|
Box
18
Folder
7
|
Script, Final Draft, by Leonard Cantor, 1975 June 13
|
|
|
Box
18
Folder
8
|
Script, Final Draft, Revised, by Leonard Cantor, 1975 June 13-July 22
|
|
|
“The Glass Dartboard,” #192
|
|
|
Box
18
Folder
9
|
Script, Final Draft, by Sean Baine, 1975 April 18
|
|
|
“Prelude to Terror,” #193
|
|
|
Box
18
Folder
10
|
Script, Final Draft, by Robert Malcolm Young, 1975 April 24
|
|
|
Box
19
Folder
1
|
Script, Final Draft, Revised, by Robert Malcolm Young, 1975 April 24-May 28
|
|
|
“Dead Air,” #195
|
|
|
Box
19
Folder
2
|
Script, Final Draft, by Marvin Paul Kupfer, 1975 July 14
|
|
|
Box
19
Folder
3
|
Script, Final Draft, Revised, by Marvin Paul Kupfer, 1975 July 14-August 5
|
|
|
“Merchants of Death,” #196
|
|
|
Box
19
Folder
4
|
Script, Final Draft, by Joseph Polizzi, 1975 June 19
|
|
|
Box
19
Folder
5
|
Script, Final Draft, Revised, by Joseph Polizzi, 1975 June 19-July 2
|
|
|
“Most Likely to Succeed,” #197
|
|
|
Box
19
Folder
6
|
Script, Final Draft, by John Hess, 1975 August 1
|
|
|
Box
19
Folder
7
|
Script, Final Draft, Revised, by John Hess, 1975 August 1-14
|
|
|
“Alien Country,” #198
|
|
|
Box
19
Folder
8
|
Script, Final Draft, by Larry Brody, 1975 August 13
|
|
|
“Requiem for Murder,” #200
|
|
|
Box
19
Folder
9
|
Script, Final Draft, by James J. Sweeney, 1975 September 25
|
|
|
“Superstar,” #202
|
|
|
Box
19
Folder
10
|
Script, Final Draft, by Mort Fine, 1975 July 7
|
|
|
“Spooks for Sale,” #203
|
|
|
Box
19
Folder
11
|
Script, Final Draft, by Albert Ruben, 1975 August 19
|
|
|
Box
20
Folder
1
|
Script, Final Draft, Revised, by Albert Ruben, 1975 August 19-September 4
|
|
|
“Judgment Day,” #204
|
|
|
Box
20
Folder
2
|
Script, Final Draft, by Ron Buck, 1975 October 24
|
|
|
“Runaway,” #206
|
|
|
Box
20
Folder
3
|
Script, Final Draft, by Paul Savage, 1975 September 5
|
|
|
“The Cat's Paw,” #5113
|
|
|
Box
20
Folder
4
|
Script, Final Draft, by Dorothy C. Fontana, 1975 August 11
|
|
|
Box
20
Folder
5
|
Script, Final Draft, Revised, by Dorothy C. Fontana, 1975 August 11-20
|
|
|
“The Honorable Profession,” #5120
|
|
|
Box
20
Folder
6
|
Script, Final Draft, by Paul Robert Coyle, 1975 October 16
|
|
|
“Underground,” #5122
|
|
|
Box
20
Folder
7
|
Script, Final Draft, by Sean Baine, based on a story by Philip Stazman, 1975 October 29
|
|
|
“Clown of Death,” #5123
|
|
|
Box
20
Folder
8
|
Script, Final Draft, by Arthur Rowe, 1975 November 6
|
|
|
“The Jury is Out,” #9010-7601
|
|
|
Box
20
Folder
9
|
Script, Final Draft, by Cliff Gould, 1976 May 20
|
|
|
When Michael Calls
: Twentieth Century Fox Television, February 5, 1972. Originally shown on ABC Movie of the Weekend
|
|
|
Box
20
Folder
10
|
Script, First Draft, Revised, by James Bridges, 1971 November 8-17
|
|
|
Subseries: Theater
|
|
|
The City Scene
: New York: 1968, Fortune Theatre.
|
|
|
Box
21
Folder
1
|
Script, by Frank Gagliano, undated
|
|
|
Henry IV
: Santa Barbara: November 13, 1976, Main Theatre on the University of California at Santa Barbara campus.
|
|
|
Box
21
Folder
2
|
Announcement, Reviews, 1967 November 13-18
|
|
|
Love Is a Time of Day
: Paramus, New Jersey: July 1, 1969, Playhouse on the Mall.
|
|
|
Box
21
Folder
3
|
Script, annotated, by John Patrick, undated
|
|
|
Box
21
Folder
3
|
Music, “The Incinerator Hour,” by Mildred Kayder, undated
|
|
|
Box
21
Folder
4
|
Playbill, Correspondence, Reviews, 1969 July 1-13
|
|
|
Muzeeka
: Santa Barbara: [1969?], University of California at Santa Barbara campus.
|
|
|
Box
21
Folder
5
|
Script, by John Guare, undated
|
|
|
Pinkville (8)
: New York: March 17, 1971, American Place Theater.
|
|
|
Box
21
Folder
6
|
Script, Rehearsal, by George Tabori, 1970 December 15
|
|
|
Box
21
Folder
7
|
Music, 1970
|
|
|
Series: Part 2: 1980 Additions, 1934-1980
|
|
|
Subseries: Motion Pictures
|
|
|
Ain't Misbehavin
|
|
|
Box
22B
Folder
1
|
Synopsis, by Jack Weinstein and Pacy Markham, undated
|
|
|
Altered States
: Simcha Productions Inc., 1980. Warner Bros.
|
|
|
Box
22B
Folder
2
|
Script, by Paddy Chayefsky, 1978
|
|
|
And Like That
|
|
|
Box
22B
Folder
3
|
Treatment, by James E. Colaneri and Ronald P. Johannes, 1976
|
|
|
... And Nothing But The Truth
: Inter Planetary Productions Corporation. Production information unknown.
|
|
|
Box
22B
Folder
4
|
Script, First Draft, by Jeremy Paul Kegan, 1980 January 16
|
|
|
Anna
|
|
|
Box
22B
Folder
5
|
Script, by Ralph DeVito, undated
|
|
|
April 17th 1961
|
|
|
Box
22B
Folder
6
|
Script, by Charles Eastman, undated
|
|
|
Badlands
: 1973, Warner Bros.
|
|
|
Box
22B
Folder
7
|
Script, Third Draft, by Terrance Malick, 1972 June
|
|
|
A Beginning At Parsons Mill
|
|
|
Box
22B
Folder
8
|
Script, by Claude Traverse, undated
|
|
|
Big Shad's Revenge
|
|
|
Box
22B
Folder
9
|
Script, by Max Evans, undated
|
|
|
The Braden Ordeal
: Palamino Productions Inc. Production information unknown.
|
|
|
Box
22B
Folder
10
|
Script, by Robert Mann, undated
|
|
|
The Brave
: Prologue Productions. Production information unknown.
|
|
|
Box
22B
Folder
11
|
Script, First Draft, by Alvin Bortez and Edward Adler, undated
|
|
|
The Candy Factory
|
|
|
Box
22B
Folder
12
|
Script, author unknown, undated
|
|
|
Cheap Labor (Jaun sin tierra)
|
|
|
Box
22B
Folder
13
|
Screenstory, by Alfonso Arau and Jorge Bustemante, 1977 January
|
|
|
Cheek-To-Cheek
: Weston Productions, undated. MGM Studios.
|
|
|
Box
22B
Folder
14
|
Script, Second Draft, by Bob Merrill, undated
|
|
|
China Syndrome
: Michael Douglas/IPC Films, 1979. Columbia.
|
|
|
Box
22B
Folder
15
|
Script, Third Draft, by Mike and Carol Gray, 1975 October 26
|
|
|
Box
22B
Folder
16
|
Script, First Draft, “Eyewitness,” by James Bridges, 1977 November 11
|
|
|
Box
22B
Folder
17
|
Script, First Draft with revisions, “Eyewitness,” by James Bridges, 1977 December 3
|
|
|
Box
22B
Folder
18
|
Story Outline, Second Draft, “Eyewitness,” 1977 December 29
|
|
|
Research Materials
|
|
|
Box
22B
Folder
19
|
Pamphlets printed by The Union of Concerned Citizens, 1974-1976
|
|
|
Box
22B
Folder
20
|
Magazine Articles, 1974-1976
|
|
|
Box
22B
Folder
21
|
Pamphlet, Nuclear Power From Diablo Canyon, published by Pacific Gas and Electric Company, 1976 May
|
|
|
Box
22B
Folder
22
|
Newspaper clippings about Nuclear Power Plants, 1973, 1974, undated
|
|
|
Box
22B
Folder
23
|
Pencil set design drawings of nuclear power plant; Engineering drawings of Diablo Canyon Power Plant Units 1 and 2
|
|
|
Box
22B
Folder
24
|
Engineering drawings of Trojan Nuclear Power Plant control boards
|
|
|
Box
22B
Folder
25
|
Engineering drawings of a nuclear power plant
|
|
|
Box
22B
Folder
26
|
Photographs of a nuclear power plant control panel; the inside of a nuclear plant under construction; and the control room of Commonwealth Edison's Dresden Station
|
|
|
Comeback
: Hall Bartlett Films, Production information unknown.
|
|
|
Box
22B
Folder
27
|
Script, by Hall Bartlett, undated
|
|
|
Computer Slip
|
|
|
Box
23
Folder
1
|
Film treatment, by Laura Hart, 1977
|
|
|
Convoy
: Layton Productions, 1978. United Artists.
|
|
|
Box
23
Folder
2
|
Script, First Draft, by B.W.L. Norton, 1976 May 27
|
|
|
Cruise
|
|
|
Box
23
Folder
3
|
Script, by Kenny Solms and Gail Parent, 1975 September 10
|
|
|
The Day The Clown Cried
|
|
|
Box
23
Folder
4
|
Script, by Joan O'Brien and Charles Denton, undated
|
|
|
Dead Line
|
|
|
Box
23
Folder
5
|
Script, First Draft, Larry Alexander and Marc B. Ray, undated
|
|
|
Double Dare
|
|
|
Box
23
Folder
6
|
Film treatment, by Laura Hart, 1977
|
|
|
Easy Money
: Aspen Film Society, undated. Paramount.
|
|
|
Box
23
Folder
7
|
Revised First Draft, by Steve Martin and Carl Gottlieb, 1977 April
|
|
|
Emeralds
|
|
|
Box
23
Folder
8
|
Screen Treatment, by James E. Colaneri, 1977 January
|
|
|
Escape
|
|
|
Box
23
Folder
9
|
Script, Second Draft, by Michael Zagor, 1979 March 14
|
|
|
The Evangelist
: Jay Weston Productions, undated. MGM.
|
|
|
Box
23
Folder
10
|
Script, by Chuck Ashman, undated
|
|
|
Box
23
Folder
11
|
Script, Revised First Draft, by Chuck Ashman, 1978 October 10
|
|
|
Fifty-Fifty
|
|
|
Box
23
Folder
12
|
Script, by Eric Roth, 1972 June 20
|
|
|
The Finish Line
|
|
|
Box
23
Folder
13
|
Script, by Glen Olson and Rod Baker, undated
|
|
|
Footprints
: Laurel Ledge Films Inc. Production information unknown.
|
|
|
Box
23
Folder
14
|
Script, by William Darrid, undated
|
|
|
Full Tilt Fever
|
|
|
Box
23
Folder
15
|
Script, Second Draft, by Anthony Foutz, 1971 May 4
|
|
|
Gas Pains
: Nelvana Ltd. Production information unknown.
|
|
|
Box
23
Folder
16
|
Script, Second Draft, by Larry Mollin, 1979
|
|
|
Going Back
|
|
|
Box
23
Folder
17
|
Script, by Allan C. Hubbard, 1977
|
|
|
Grass Land
: Max L. Raab Productions. Production information unknown.
|
|
|
Box
23
Folder
18
|
Revised First Draft, by Leo Garen, 1971 May
|
|
|
Greatamerica
: Bellisle Productions Inc. Production information unknown.
|
|
|
Box
23
Folder
19
|
Script, by Paul Young, undated
|
|
|
Guinea Pigs Die Every Day
|
|
|
Box
23
Folder
20
|
Script, by Rhea Perlman and Danny DeVito, 1978 May 7
|
|
|
Hard East
|
|
|
Box
23
Folder
21
|
Script, by John Sherlock and David Westheimer, undated
|
|
|
Hart
|
|
|
Box
24
Folder
1
|
Script, by William Darrid, undated
|
|
|
High Road To China
: Paul Heller Productions, 1983. Warner Bros.
|
|
|
Box
24
Folder
2
|
Script, Revised, by Jonathan Hales, 1979 May 1
|
|
|
Higher Education
|
|
|
Box
24
Folder
3
|
Script, First Draft, by James R. Lance, 1977 October
|
|
|
Home Front
|
|
|
Box
24
Folder
4
|
Script, by William Darrid, 1976
|
|
|
The Hoodwink
|
|
|
Box
24
Folder
5
|
Script, by Bob Hyman and Laura Hart, 1973
|
|
|
The Innocent Killer
|
|
|
Box
24
Folder
6
|
Script, by Ed. E. Carroll, 1977
|
|
|
Inside Moves
: Goodmark/Richard Donner, undated. Production information unknown.
|
|
|
Box
24
Folder
7
|
Script, First Draft, by Valerie Curtin and Barry Levinson, 1979 October 12
|
|
|
Jeeney Ray
|
|
|
Box
24
Folder
8
|
Script by Arthur Mazzeo, undated
|
|
|
The Jim Crow Voodoo Patrol
|
|
|
Box
24
Folder
9
|
Script, by Stanley Weiser, 1975
|
|
|
The Last Countdown
: Bryna Company. Production information unknown.
|
|
|
Box
24
Folder
10
|
Script, Revised Draft, by David Ambrose and Gerry Davis, 1978 November 7
|
|
|
The Last Detail
: Acrobat Films, 1973. Columbia.
|
|
|
Box
24
Folder
11
|
Script, Revised First Draft, by Robert Towne, undated
|
|
|
Last Man At Arlington
: Kings Road Productions, Production information unknown.
|
|
|
Box
24
Folder
12
|
Script, by Tom Lazarus, undated
|
|
|
The Learning Process
|
|
|
Box
24
Folder
13
|
Script, by Charles M. Wilborn, undated
|
|
|
Lethal Gas
: Bub Yorkin Productions Inc., Production information unknown.
|
|
|
Box
24
Folder
14
|
Script, First Draft, by Darryl Ponicsan, 1977 August 1
|
|
|
Loophole
: Brent Walker Film Productions Inc. Production information unknown.
|
|
|
Box
24
Folder
15
|
Script, by Roger Marshall and Jonathan Hales, undated
|
|
|
Lost City
|
|
|
Box
24
Folder
16
|
Script, First Draft, by Leon Capetanos, undated
|
|
|
The Milkrun or The Aerodynamic Lovesong of Eddie Maclean
|
|
|
Box
24
Folder
17
|
Script, by Lawrence Hauben, undated
|
|
|
Mr. Horn
: Lorimar Productions Inc. Production information unknown.
|
|
|
Box
24
Folder
18
|
Script, by William Goldman, 1975 August
|
|
|
Monday
: Selznick/Glickman Productions. Production information unknown.
|
|
|
Box
25
Folder
1
|
Script, by Gerald DiPego, 1976
|
|
|
Mother Jones
: Filmways Inc. Production information unknown.
|
|
|
Box
25
Folder
2
|
Script, First Draft, by Joanna Jane Crawford, 1976 April
|
|
|
My Mother The General
: Oron Film Productions Ltd. Production information unknown.
|
|
|
Box
25
Folder
3
|
Script, by Eli Saghi, undated
|
|
|
Nathan Chang
|
|
|
Box
25
Folder
4
|
Script, by Thomas Y. Drake and Jon Edward Manson, undated
|
|
|
Night Rider
|
|
|
Box
25
Folder
5
|
Screen Treatment, by Jerrold Freedman, undated
|
|
|
Northways
: August Productions. Production information unknown.
|
|
|
Box
25
Folder
6
|
Script, by Ken Trevey, undated
|
|
|
Outlaw Blues
: Steve Tish Productions, 1977. Warner Bros.
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Box
25
Folder
7
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Script, Revised First Draft, by B.W.L. Norton, 1976 January 21
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Owen Butler
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Box
25
Folder
8
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Script, by Joseph C. Gillette, undated
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Pancho Villa and Ambrose Bierce
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Box
25
Folder
9
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Script, by Edwin Shrake, undated
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Predictor
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Box
25
Folder
10
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Script, by John Groves, undated
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The Prisoner
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Box
25
Folder
11
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Screen Treatment, by Neil Tardio, 1978
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Prometheus One
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Box
25
Folder
12
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Script, by Denne Bart Petitclerc, undated
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The Pull and the Puma
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Box
25
Folder
13
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Script, by Robin Hardy, 1976 September
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Rabbit Hunt
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Box
25
Folder
14
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Script, First Draft, by Laura Hart, 1976
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The Raping of Larry Young
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Box
25
Folder
15
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Script, by Clifford Strong, 1976
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Red Alert
: Jozak Company, 1977. Paramount.
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Box
25
Folder
16
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Script, Second Draft, by Sandor Stern, 1976 September 27
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Right in the Middle of Her Forehead
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Box
25
Folder
17
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Script, by Elizabeth Gill, 1972
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Roots
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Box
25
Folder
18
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Script, by Thomas Rickman, 1970 November
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Rosa's Park
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Box
25
Folder
19
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Script, by Ralph Waite, 1977
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Running
: Buena Vista Film Productions Inc., 1979. Universal.
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Box
26
Folder
1
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Script, by Steven Hilliard Stern, undated
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Shootout at the Royal Hotel
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Box
26
Folder
2
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Script, by Fred Freeman and Lawrence C. Cohen, 1974 August 29
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Scalawag
: Bryna Company, 1973. Paramount.
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Box
26
Folder
3
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Script, Final Draft, by Sid Fleischman and Albert Maltz, 1971 December 17
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The Second Stringer
: Gamut Enterprises. Production information unknown.
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Box
26
Folder
4
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Script, First Draft, by Paul Leslie Pell and Leo V. Gordon, undated
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The Sidelong Glances of a Pigeon Kicker
: Laurel Ledge Films Inc., 1971. Plaza Pictures.
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Box
26
Folder
5
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Script, First Draft, by Ron Whyte, undated
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Slap Shot
: Kings Road, 1977. Universal.
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Box
26
Folder
6
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Script, by Nancy Dowd, undated
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Snowfall
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Box
26
Folder
7
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Script, by T.S. Cook, undated
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Soldier Blue
: Katzka-Loeb Productions, 1970. Avco-Embassy.
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Box
26
Folder
8
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Script, by John Gay, 1969 July 28
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Sometimes Life's Tough, Ain't It, Providence?
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Box
26
Folder
9
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Script, by Dean Craig, undated
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Sophomores
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Box
26
Folder
10
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Script, by Allen Hubbard, 1976
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A Spear in the Hand
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Box
26
Folder
11
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Script, by Antonio Santean, undated
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Steel Meat
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Box
26
Folder
12
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Script, by Striblin Griffin and Mary Frank, undated
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The Stray
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Box
26
Folder
13
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Script, by Robert Butler, undated
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Tenderfoot
: Bryna Company, Production information unknown.
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Box
26
Folder
14
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Script, by Kenward Cosper, 1971
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The Tiger Boys
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Box
26
Folder
15
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Screen Treatment, by William Darrid, undated
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Tilt
: Rudy Durand Productions, Ltd., 1979. Warner Bros.
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Box
26
Folder
16
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Script, Final Draft, by Rudy Durand and Donald Cammell, 1976 April 15
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The Tragedy of King Myron I
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Box
26
Folder
17
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Script, by Jack Raymond, 1977
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The Treasure of El Sangay
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Box
26
Folder
18
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Script, by Bill and Jo LaMond, undated
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Two-Penny Sparrow
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Box
26
Folder
19
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Script, by Thomas Rickman, 1971, July 30
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The Ultimate Game
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Box
26
Folder
20
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Screen Treatment, by James E. Colaneri, 1976
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Used Cars
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Box
26
Folder
21
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Script, Revised First Draft, by Zemeckis and Gale, 1979, June 29
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The Virgin Pearl
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Box
27
Folder
1
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Script, by Ross Thomas, undated
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The Window
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Box
27
Folder
2
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Script, no author, undated
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Winter Kills
: 1979. Avco-Embassy.
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Box
27
Folder
3
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Script, by William Richert, undated
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The Wounded Eagle
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Box
27
Folder
4
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Script, by Joseph Dryansky, undated
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Young Man With a Horn
: Bryna Company, Production information unknown.
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Box
27
Folder
5
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Script, by Lonne Elder III, undated
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Subseries: Television
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Baretta
: 1975 - 1978, Original telecast on ABC.
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“The Dippers,” #43432
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Box
27
Folder
6
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Script, Revised, by T.S. Cook, 1975 December 16
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Days of Terror
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Box
27
Folder
7
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Six Episode Outline, by William Darrid, undated
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Is That An Actor!
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Box
27
Folder
8
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Script, Second Draft, by Gary Cohen, 1979 February
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The Mary Tyler Moore Show
: MTM Enterprises, 1970 - 1977, Original telecast on CBS.
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“A Girl Like Mary,” #7415
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Box
27
Folder
9
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Script, Second Draft, by Ann Gibbs and Joel Kimmel, 1974 September 22
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Nero Wolfe
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Box
27
Folder
10-12
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Synopses of mysteries written by Rex Stout, 1934 July 30-1968 July 1
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The Practice
: Danny Thomas Productions, 1976-1977. Original telecast on NBC.
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“The Unsinkable Molly Gibbons,” #4809
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Box
27
Folder
13
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Script, Second Draft, by Ann Gibbs and Joel Kimmel, 1976 February 3
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Revenge for Entebbe
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Box
27
Folder
14
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Outline, by James E. Colaneri, undated
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Summer of My German Soldier
: 1971, NBC.
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Box
27
Folder
15
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Script, by Richard Chapman and Jeff Rubin, 1976 August 21
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The Users
: 1978, ABC.
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Box
27
Folder
16
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Screen Treatment, by Brian Case, undated
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We Won!
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Box
27
Folder
17
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Script, First Draft, by Nancy Sackett, 1974 December
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Subseries: Theater
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Bent
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Box
27
Folder
18
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Script, by Martin Sherman, 1977
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A Circle on the Ground
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Box
27
Folder
19
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Script, by John Groves, 1969
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The Gold of Cherry Mine
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Box
27
Folder
20
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Script, by David Wagoner, undated
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The Happy Hunter
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Box
27
Folder
21
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Script, by Georges Feydeau, 1972 June
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Love Is a Time of Day
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Box
27
Folder
22
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Script, by John Patrick, undated
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Meanwhile Back in the Womb, or Inside Myrtle Sturdevant
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Box
27
Folder
23
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Script, by David Morgan, 1971
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Operation Sidewinder
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Box
27
Folder
24
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Script, by Sam Shepard, 1969
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A Place on the Magdelana Flats
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Box
28
Folder
1
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Script, by Preston S. Jones, 1975
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Subseries: Books
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The Appointment
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Box
28
Folder
2-6
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Novel, by Stephen J. Kasold, 1978
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Levithan
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Box
28
Folder
7-11
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Uncorrected Manuscript, by John Gordon Davis, undated
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The Moonstruck Mandate
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Novel, by James L. Conway, undated
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Box
28
Folder
12-13
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pp. 1 - 132
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Box
29
Folder
1-3
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pp. 133 - 354
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Young Men with Unlimited Capital
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Box
29
Folder
4
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Nonfiction, by Joel Rosenman, John Roberts, and Robert Pilpel, 1969
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Subseries: Miscellany
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Box
29
Folder
5
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Correspondence, 1977, undated
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Box
29
Folder
6
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Catalogue of Screen and Television Properties by James E. Colaneri, Marvin Watnick, and Ronald P. Johannes, undated
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Box
29
Folder
7
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Untitled Script, by Charles N. Wilborn, undated
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Audio 1169A
|
Subseries: Audio Recordings
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1169A/1
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Monologue
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1169A/2
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[number does not exist]
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1169A/3
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Mike Douglas, Entertainment West
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1169A/4
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Mike Douglas, Cuckoo's Nest
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1169A/5
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R.P. McMurphy, Nobody's Foul/Faces, I Sure As Hell Tried
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