Jerry McNeely Papers, 1953-1979

Container Title
Series: Part 2, 1980 Additions, 1953-1979
Subseries: Personal Papers
Box   70
Folder   1
Biographical material, 1966, 1969
Correspondence
Box   70
Folder   2
1956 December-1960 August
Box   70
Folder   3
1960 September-1962 July
Box   70
Folder   4
1962 August-1964 April
Box   70
Folder   5
1964 May-1965 July
Box   70
Folder   6
1965 August-1968 November
Box   70
Folder   7
1969 August-1970 September
Box   70
Folder   8
1975 May-1976 December
Box   70
Folder   9
1977 January-1978 December
Notes
Box   70
Folder   10
Speech 105, 109, 136, 141, 1953-1954
Box   70
Folder   11
Preliminary examinations, undated
Subseries: General Correspondence
Box   71
Folder   1
1957 May-1959
Box   71
Folder   2
1959 April-1960 July
Box   71
Folder   3
1960 August-1961 March
Box   71
Folder   4
1961 April-1962 August
Box   71
Folder   5
1962 September-1963 February
Box   71
Folder   6
1963 March-1964 May
Box   71
Folder   7
1964 June-1965 June 14
Box   71
Folder   8
1965 August-1966 December
Box   71
Folder   9
J, 1967 January-1970 June
Subseries: University of Wisconsin Records
Box   71
Folder   10
American Educational Theatre Association Television Project, 1960-1961
Box   71
Folder   11
College Bowl, 1965
Box   72
Folder   1
Communications Arts Building, 1965
Box   72
Folder   2
Copyright Revision Committee, 1964-1965
Box   72
Folder   3
Examination questions, 1958-1963
Box   72
Folder   4
Job candidates, 1963-1967
Box   72
Folder   5
Job openings, 1962-1965
Box   72
Folder   6
Joint Conference Committee, 1962
Box   72
Folder   7
Letters and Science Catalog revisions, 1961, 1965
Box   72
Folder   8
National Academy of Television Arts & Sciences, 1959-1960
Box   72
Folder   9
Playwrights Program, 1964
Box   72
Folder   10
Preliminary examination questions, 1964-1970
Box   72
Folder   11
Program planning, undated
Radio-TV-Film Division
Box   72
Folder   12
1963 December-1966 May
Box   72
Folder   13
1967 January-1969 December
Box   73
Folder   1
Undated
Box   73
Folder   2
Report on Television Programming, 1966
Box   73
Folder   3
Scripts and kinescope correspondence, 1956-1961
Box   73
Folder   4
Shop Talk: Quarterly Journal of Speech, 1961-1962, undated
Box   88
Folder   7
Speech Department faculty promotion data, 1964
Box   73
Folder   5-6
Speech Department Summer Bulletins, 1939, 1958-1961, 1962
Box   73
Folder   7
Speech Institute, 1958
Student Records -- Restricted
Box   88
Folder   1
Advising, 1963-1965
Box   88
Folder   2-3
Committee on Student Conduct and Appeals, 1962-1965
Box   88
Folder   4-6
Recommendations, 1957-1966, undated
Box   88
Folder   8
Student grade records, 1963-1965
Student files, 1955-1969
Box   88
Folder   9-10
A-0
Box   88
Folder   11
P-Simpson
Box   89
Folder   1
Smith-Stevenson
Box   89
Folder   2-3
T-Z
Box   73
Folder   8
Television education programs, 1956-1959
Box   73
Folder   9
Andrew Weaver Recognition Dinner transcript, 1961
Box   73
Folder   10
World Law Fund Contest, 1965-1967
Subseries: University of Wisconsin Theater/Television Productions
Box   73
Folder   11
“Born Yesterday,” 1965
Box   73
Folder   12
“The Caine Mutiny Court-Martial,” 1962
Box   73
Folder   13
“The Communicators,” WHA-TV, 1962
Box   73
Folder   14
“Five Sides of a Square,” WHA-TV, 1960-1961
Box   73
Folder   15
“Gypsy,” 1965-1966
Box   74
Folder   1
“The Shoemaker's House,” WHA-TV, 1957
Box   74
Folder   2
Untitled
Box   74
Folder   3
Wisconsin Players, Miscellaneous, 1959-1965
Subseries: Materials Submitted by Other Authors
Box   74
Folder   4
“Ashes, Ashes, We All Fall Down,” script by John Slade, undated
Box   74
Folder   5
“Daniel Boone,” story idea by Reid Gilbert, undated
“Down River,” musical by David Peterson, undated
Box   74
Folder   6
Book, 1961
Box   90
Score, 1961
Box   74
Folder   7
“571 B.C.,” musical précis by Gustavo Motto
Box   74
Folder   8
“The Mind Dungeon,” script by Carlton Benz
Box   74
Folder   9
“Rumors of Evening,” Playhouse 90, story idea by F.W. Durkee Jr.
Box   74
Folder   10
“Vegas,” story outline by Sue Milburn, 1975
Box   74
Folder   11
“The Whitewater Kiss,” musical by David Peterson, undated
Subseries: Television Scripts by Other Authors
Bonanza
Box   74
Folder   12
“Emily,” by Elliot Gilbert and Preston Wood, 1968
Box   74
Folder   13
“The Fence,” by Ward Hawkins, 1969
The Eleventh Hour
Box   74
Folder   14
“How Do I Say 'I Love You,'” by Pat Fiedler, 1963
Hawaii Five-0
Box   74
Folder   15
“One for the Money,” by Palmer Thompson, 1968
Ironside
Box   74
Folder   16
“Reprise,” by Albert Aley, 1968
Subseries: Television Materials
Box   74
Folder   17
“The Best Years” series idea, 1962
“The Boy Who Drank Too Much”
Box   74
Folder   18
Song, “Lonely Street - Winter Day,” undated
Story Outline
Box   74
Folder   19
August 28, 1978
Box   74
Folder   20
September 11, 1978 (revision)
Box   74
Folder   21
September 28, 1978
Script
Box   75
Folder   1
First draft, November 27, 1978
Box   75
Folder   2
First draft, December 11, 1978
Box   75
Folder   3
Revised first draft, December 14, 1978
Box   75
Folder   4
Revised first draft, December 26, 1978
Box   75
Folder   5
Revised draft, February 12, 1979
Box   75
Folder   6
Second draft, February 21, 1979
Box   75
Folder   7
Revised second draft, March 9, 1979
Box   76
Folder   1
Revised second draft, annotated, March 9, 1979
Box   76
Folder   2
Final draft, March 16, 1979
Box   76
Folder   3
Revised pages, March 28 April 6, and April 25, 1979
“Call Caprianos”
Script
Box   76
Folder   4
First draft, November 10, 1978
Box   76
Folder   5
Revised first draft, November 17, 1978
Box   76
Folder   6
Revised first draft, November 20, 1978
“The Car”
Box   76
Folder   7
Script, July 18, 1976
“The Circus”
Box   76
Folder   8
Correspondence, minutes, budget, 1975
Box   76
Folder   9
Notes, story outlines, undated
Box   76
Folder   10
Story outline, revised, undated
Scripts
Box   76
Folder   11
November 14, 1975
Box   76
Folder   12
Undated
Box   77
Folder   1-2
Undated, revised
Box   77
Folder   3
June 1, 1976
“The Critical List”
Box   77
Folder   4
Correspondence, legal file, synopsis, 1977-1978
Part 1 (formerly “Skeletons,” “Lassiter,” Part II)
Scripts
Box   77
Folder   5
First draft, September 30, 1977
Box   77
Folder   6-7
Revised, October 5, 1977
Box   77
Folder   8
Revised, October 20, 1977
Box   77
Folder   9
Revised, March 3, 1978
Box   78
Folder   1
Final draft, March 3, 1978
Box   78
Folder   2-3
Revised final draft, March 21, 1978
Box   78
Folder   4
Long version, August 8, 1977
Box   78
Folder   5
First draft, August 9, 1977
Box   78
Folder   6
First draft, revised, August 18, 1977
Box   79
Folder   1
Final first draft, August 18, 1977
Box   79
Folder   2
Revised, September 7, 1977
Box   79
Folder   3
Revised, September 17, 1977
Box   79
Folder   4
Revised, February 27, 1978
Box   79
Folder   5
Final draft, March 8, 1978
Box   79
Folder   6
Revised final draft, April 15, 1978
Box   79
Folder   7
Miscellaneous revised pages, undated
Box   79
Folder   8
Stage design, undated
“Five-Finger Discount”
Box   79
Folder   9
Correspondence and Scholastic project, 1976-1977
Box   80
Folder   1
Notes and clippings, 1976-1977, undated
Box   80
Folder   2
Story outline, September 22, 1976
Box   80
Folder   3
Script, February 23, 1977
Box   80
Folder   4-5
Script, revised, February 23, 1977
Box   80
Folder   6
Script, revised, undated
Box   80
Folder   7
Script, June 29, 1977
“The Gold Shield”
Box   80
Folder   8
Treatment, May 14, 1979
Scripts
Box   80
Folder   9
First draft, July 13, 1979
Box   80
Folder   10
Revised, July 13, 1979
Box   80
Folder   11
Revised, August 8, 1979
Box   81
Folder   1
Revised, August 13, 1979
“Lorimar”
Box   81
Folder   2
Family series proposal, 1977
McMillan
“Dark Sunrise”
Box   81
Folder   3
Notes, January-July 1976, undated
Story outline
Box   81
Folder   4
Original, undated
Box   81
Folder   5
March 4, 1976
Box   81
Folder   6
March 23, 1976
Box   81
Folder   7
April 1, 1976
Scripts
Box   81
Folder   8
First draft, July 23, 1976
Box   81
Folder   9
First draft, undated
Box   81
Folder   10
Revised, August 4, 1976
Box   81
Folder   11
Final revised, August 12, 1976
“9 D.B.”
Box   81
Folder   12
Story outline, September 13, 1976
“Other Side of the Mountain”
Box   81
Folder   13
Series idea, undated
Paris
“Dead Men Don't Kill”
Box   81
Folder   14
Correspondence, research and production notes, October 1979-February 1980
Box   81
Folder   15
Sets, undated
Box   81
Folder   16
Script, October 10, 1979
Box   81
Folder   17
Revised script, October 17, 1979
“Rich Friends”
Box   81
Folder   18
Correspondence, October 1976-February 1977
Box   81
Folder   19
Notes, undated
Box   82
Folder   1
Segment 1, story outline, first draft and revisions, December 23, 1976
Box   82
Folder   2
Segment 2, story outline, first draft and revisions, January 5, 1977
Box   82
Folder   3
Segment 3, story outline, first draft and revisions, January 10, 1977
Box   82
Folder   4
Segment 4, story outline, first draft and revisions, January 13, 1977
Box   82
Folder   5
Segment 5, story outline, first draft and revisions, January 24, 1977
Box   82
Folder   6
Segment 6, story outline, first draft and revisions, February 7, 1977
Box   82
Folder   7
Segment 7, story outline, first draft and revisions, February 9, 1977
Box   82
Folder   8
Segment 8, story outline, first draft and revisions, February 15, 1977
Box   82
Folder   9
Segments 1-8, story outline, revised, February 24, 1977
Box   82
Folder   10
Story outlines, February 24, 1977
“Something for Joey”
Box   82
Folder   11
Budgets, September-December 1976
Box   82
Folder   12
Call sheets, December 1976
Box   82
Folder   13
Casting, November-December 1976
Box   82
Folder   14
Correspondence, 1975-1978, undated
Box   82
Folder   15
Dubbing, February 1977
Box   82
Folder   16
Notes, undated
Box   83
Folder   1
Novelization and related correspondence, April-November 1977
Box   83
Folder   2-3
Production notes, October 1976-April 1977, undated
Box   83
Folder   4
Production reports, December 1976-February 1977
Box   83
Folder   5
Promotion, January 1976-March 1977, undated
Research, Penn State football
Box   83
Folder   6
September-December 1972, undated
Box   83
Folder   7
September 1973-September 1974
Box   83
Folder   8
Story outline, August 23, 1976
Box   83
Folder   9
Story outline, revised, August 23, 1976
Box   83
Folder   10
Script, November 2, 1976
“Stuart's Arena”
Box   83
Folder   11
Correspondence, notes, research, 1977
Box   84
Folder   1
Scripts, November 7, 1977
Three for the Road
Box   84
Folder   2
Budgets, January-October 1975
Box   84
Folder   3
Casting, June-October 1975, undated
Box   84
Folder   4
CBS Network program practices, June-November 1975
Box   84
Folder   5
Commercial allocation and release schedules, undated
Box   84
Folder   6
Directors, May-October 1975
Box   84
Folder   7
Dubbing and scoring schedules, August-December 1975
Box   84
Folder   8
Producers, April-May 1975
Box   84
Folder   9
Production, May-October 1975
Box   84
Folder   10
Production reports, June-September 1975
Box   84
Folder   11
Promotion, July-September 1975
Box   84
Folder   12
Ratings, April-November 1975
Box   84
Folder   13
Script and production changes, June-October 1975
Box   84
Folder   14
Script assignments, undated
Box   84
Folder   15
Script status reports, May 30-December 19, 1975
Box   85
Folder   1
Series concept, 1975
Box   85
Folder   2
Shooting schedules, June-October 1975
Box   85
Folder   3
Story notes and research, 1975
Box   85
Folder   4
Story outlines and notes, 1975
Box   85
Folder   5
Writers, April-October 1975
Scripts
“The Albatross”
Box   85
Folder   6
Final draft, September 30, 1975
Box   85
Folder   7
Revised final draft, October 3, 1975
“Assignment in Los Angeles”
Box   85
Folder   8
First draft, October 7, 1975
Box   85
Folder   9
Final draft, October 10, 1975
“Big Foot”
Box   85
Folder   10
First draft, September 8, 1975
Box   85
Folder   11
Final draft, September 16, 1975
Box   85
Folder   12
Revised final draft, September 19, 1975
Box   85
Folder   13
Second revised final draft, September 23, 1975
“The Cave”
Box   85
Folder   14
First draft, August 27, 1975
Box   86
Folder   1
Final draft, September 2, 1975
Box   86
Folder   2
Revised final draft, September 2, 1975
“Facade”
Box   86
Folder   3
First draft, August 26, 1975
Box   86
Folder   4
Final draft, September 10, 1975
“Fear”
Box   86
Folder   5
Final draft, July 7, 1975
“The Fugitives”
Box   86
Folder   6
First draft, July 9, 1975
Box   86
Folder   7
Final draft, July 11, 1975
Box   86
Folder   8
Revised final draft, July 15, 1975
“Guest in Zebec”
Box   86
Folder   9
First draft, July 29, 1975
Box   86
Folder   10
Final draft, August 1, 1975
“Match Point”
Box   86
Folder   11
Final draft, June 17, 1975
Box   86
Folder   12
Revised final draft, June 17, 1975
“Odyssey in Sneakers”
Box   86
Folder   13
Final draft, July 1, 1975
“Ride on a Red Balloon” (Also “Ride on a Pink Cloud”)
Box   87
Folder   1
First draft, August 14, 1975
Box   87
Folder   2
Final draft, August 20, 1975
“Sisters in Shadow” (Also “Ghost Story”)
Box   87
Folder   3
First draft, August 5, 1975
Box   87
Folder   4
Final draft, August 7, 1975
Box   87
Folder   5
Revised final draft, August 13, 1975
“The Vineyard”
Box   87
Folder   6
First draft, August 11, 1975
Box   87
Folder   7
Miscellany, undated
Audio 1001A
Subseries: Audio Recordings
Television
Climax
1001A/1-2
“Two Tests on Tuesday,” Parts 1 and 2, 1957 November 14
Dr. Kildare
1962-1963 Season
1001A/3
“The Balance and the Crucible,” 1963 May 2
1001A/4
“Charlie Wade Makes Lots of Shade,” 1963 December 12
1001A/5
“Chemistry of Anger,” 1962 April 26
1001A/6
“A Game for Three,” 1963 October 24
Note: Inaudible.
1001A/7
“The Mask Makers,” 1962 October 18
Note: Nearly inaudible.
1001A/8
“The Mosaic,” 1963 January 31
1001A/9
“Who Ever Heard of a Two-Headed Doll?,” 1963 September 26
1965-1966 Season
1001A/10
“Do You Trust Your Doctor?,” 1965 March 4
1001A/11
“Mercy or Murder,” I, 1966 March 28
1001A/11 (continued)
“Strange Sort of Accident,” II, 1966 March 29
1001A/12
“New Dr. in Town,” III, 1966 April 4
1001A/12 (continued)
“Reckoning,” IV, 1966 April 5
“Quick Look at Glory,” 3 and 4, 1966
1001A/13
Parts 1 and 2, 1966 January 3-4
1001A/14
Parts 3 and 4, 1965 January 10 and 11
1001A/15
Parts 5 and 6, 1965 January 17-18
1001A/16
“She Loves Me, She Loves Me Not,” Part II, 1965 March 25
The Eleventh Hour
1001A/17
“A Pattern of Sundays,” 1964 April 8
The Girl From U.N.C.L.E.
1001A/18
“The Faustus Affair,” 1966 December 27
1001A/62
"Joey" score, M63A-T2 M62-T1, undated
1001A/19
“Legend in Granite,” Vince Lombardi
Physical Description: Cassette tape 
Love Story
1001A/20
“The Soft, Kind Brush,” 1973 November 21
Physical Description: Cassette tape 
Lucas Tanner
1001A/21-22
Complete scores, rolls 1 and 2, undated
The Man From U.N.C.L.E.
1001A/23
“The Bat Cave Affair,” 1966 April 1
1001A/24
“The Off-Broadway Affair,” 1966 November 18
1001A/25
“The Waverly Ring Affair,” 1966 January 28
Marcus Welby
1001A/26
“Chemistry of Hope,” 1969 December 16
1001A/27
“A Very Special Sailfish,” 1970 September 22
1001A/28
“Warn the World About Mike,” 1970 October 6
Mr. Novak
1001A/29
“Honor- and All That,” 1965 March 16
Owen Marshall
1001A/30
“Child of Wednesday,” 1973 November 28
Physical Description: Cassette tape 
Twilight Zone
1001A/31
“The Self-Improvement of Salvadore Ross,” 1964 January 17
Young Mark Twain
1001A/32
Score, recorded by Victor Ziskin, 1966 December 8
1001A/33-34
Score, recorded by John Davidson, 1967 February 13, undated
California Highway Patrol interviews: research for television movie
Physical Description: Cassette tapes 
1001A/35
Los Angeles Area Office, Glendale, 1974 June 21
1001A/36
Al Cooper, area commander, 1974 June 20
1001A/36 (continued)
Capt. Dale Fargo, Academy commander
1001A/37
Sgt. Knight, Academy instructor, enforcement
1001A/38
Lt. Chuck Lynd, Academy instructor, patrol ride
Theatre
1001A/39
“Plato's Republic,” score, undated
1001A/40-41
“The Staring Match,” opera played and sung by composer Daniele Amfitheatrof, Acts I and II, 1962 December 2
1001A/42
“Whitewater Kiss,” score, undated
University of Wisconsin Theatre and Television Productions
1001A/43
“The Father,” music for WHA production
“West Side Story”
1001A/44
Music for tryouts
1001A/45
Performance, March 7, 1964
University of Wisconsin Records
1001A/46
University of Wisconsin News Service Satire, Jack Newman, Carol Cowan, circa 1957-1958
1001A/47-48
Prof. Andrew Weaver, Testimonial Banquet, 1961 November 6
Personal
Correspondence
1001A/49
Daniele Amfitheatrof, 1959 May 4
1001A/50
Daniele Amfitheatrof sings “Lullabye,” undated
1001A/51
Friends listening to “Joke and the Valley,” 1962 May 5
1001A/52
Interview, “About Madison,” host Paul Flanagan, WIBA radio, 1968 January 10
1001A/53
Talk on “The Writer in TV,” undated
Music
McNeely's songs
1001A/54
Cuts 1-3, “The First Day of Your Life” unidentified singer (cut 1), July 28, 1972; Wayne Newton (cuts 2-3), , 1972 August 17, undated
1001A/54 (continued)
Cut 4, Owen Marshall, “Smiles From Yesterday,” sung by Ray Charles, 1971 November 19
1001A/54 (continued)
Cut 5, Owen Marshall, “Smiles from Yesterday,” sung by Peggy Lee Borogrooes?, 1972 January 21
1001A/55
Swing and Jazz Corporation, Jerry McNeely bass on bluegrass, Jerry McNeely and Lou McDonald; “Elevation,” arranged by Ron McDonald: “An American in Paris,” arranged by Dick Carlson, performed by Modern Dance Orchestra, undated
1001A/56
Songs from musicals, undated
1001A/57
Unidentified music cuts, undated
1001A/58
Genesis, "A Sleeping Bee," long version, 1-J01, 1981 May 15
1001A/59
Genesis, "A Sleeping Bee," short version, 1-J01, 1981 May 15
1001A/60
Genesis, "Let's Do It," 1981 May 15
1001A/61
Unlabeled