Title: Jerry McNeely Papers
Inclusive Dates: 1953-1979

Creator:

• McNeely, Jerry Clark

Call Number: U.S. Mss 148AN; Audio 1001A

Quantity: 36.0 cubic feet (90 archives boxes) and 62 tape recordings

Repository:

Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research
Contact Information

Archival Locations:

Wisconsin Historical Society (Map)

COLLECTION MAY BE STORED OFF-SITE: see catalog entry to request materials and for additional information.

Abstract:

Papers of Jerry McNeely, an educator and television writer. The papers document McNeely's work both as a writer and producer for television and as a University of Wisconsin-Madison speech professor, a role he gave up in 1975 to work full-time for MTM Enterprises. The majority of the papers are correspondence, outlines, variant drafts of scripts, production information, notes, tape-recorded episodes, and publicity for television specials and for series such as Dr. Kildare (NBC), Hallmark Hall of Fame (NBC), Lucas Tanner (NBC), The Man from U.N.C.L.E. (NBC), Marcus Welby, M.D. (ABC), Owen Marshall: Counselor At Law (ABC), The Streets of San Francisco (ABC), Studio One (CBS), and Three for the Road (CBS). Other portions of the collection contain personal and professional correspondence, financial records, files on membership in ASCAP and the Screen Writers' Guild, lyrics, scripts for unproduced plays and motion pictures, and information on plays presented by the Wisconsin Players which McNeely produced while teaching at the University of Wisconsin-Madison. Prominent correspondents include Jerry Bock, Norman Felton, John Simon, and McNeely's agent, Flora Roberts.

Note:

There is a restriction on access to part of this material; see the Administrative/Restriction Information portion of this finding aid for details.

Language: English

URL to cite for this finding aid: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0148an

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Jerry Clark McNeely, educator and dramatist, was born in Cape Girardeau, Missouri, on June 20, 1928. After receiving his B.A. from Southeast Missouri State College, he attended the University of Wisconsin, where he received his M.S. in 1951 and Ph.D. in 1956 in speech. On June 8, 1952 he married Priscilla Grant, and they had three children: Melissa, Joel, and Elizabeth. During the Korean War McNeely was drafted and served in the U.S. Army as an arranger/composer for the 10th Division String Band at Fort Riley, Kansas; he is still an accomplished string bass and trumpet player.

McNeely began his career as an instructor in Speech at Southeast Missouri State College in 1950. In September 1956 he joined the University of Wisconsin Speech faculty as an instructor, receiving a full professorship in 1964. In addition to teaching, in Madison he produced and directed a number of musicals, dramas, and Wisconsin Players productions.

McNeely has also pursued a parallel career in creating and writing for television programming. In 1957 he wrote and sold his first teleplay, The Staring Match, which was shown on Studio One and won the Writers Guild Award as the best one-hour script of the year. Later he collaborated with Daniele Amfitheatrof in adapting the teleplay to an opera. Over sixty of his scripts have been produced on such series as Climax, Twilight Zone, Dr. Kildare, The Eleventh Hour, Mr. Novak, Ironside, The Man from U.N.C.L.E. , The Virginian, and Marcus Welby, M.D. In 1961 his play The Joke and the Valley was produced on Hallmark Hall of Fame and won second place in the Hallmark International Teleplay Competition. He has also done some producing and directing, and has been executive story consultant and co-creator of Owen Marshall: Counsellor at Law and the creator of Lucas Tanner. In July 1975 McNeely resigned from the UW faculty and moved permanently from Madison to California to create and produce a new series, Three for the Road, for MTM Enterprises.

He is a member of the Writers Guild of America, the Speech Association of America, and Beta Theta Pi, the honorary society for speech.

The Jerry McNeely Papers are organized into two parts: Part 1, the Original Collection, and Part 2, the 1980 Additions. Both parts document his careers as a professor of communication arts at the University of Wisconsin and as a television writer and producer. There is considerable chronological overlap between the two parts of McNeely's papers.

Part 1, Original Collection, 1953-1975

Part 1 of the Jerry McNeely Papers is arranged in thirteen subseries, generally as McNeely had maintained them.

The PERSONAL PAPERS include files on his academic awards, correspondence, publicity and biographical data, and information on his finances. The correspondence, 1954-1974, reveals much about his work as an academic involved in student and faculty affairs; and as a dramatist involved in writing and titling scripts for production, commuting to California for consultations, and reviewing other authors' scripts. There is also some fan mail. Other correspondence includes thank you notes, Christmas cards, invitations to speak before and to join clubs, requests from individuals for money, commissions for articles, and post cards from vacationing friends. This series also contains bank statements, royalty summaries, and correspondence and statements regarding residuals which show how his income increased with his fame as a television dramatist.

The GENERAL CORRESPONDENCE relates mainly to his work in television in California, 1956-1974, and indicates the manner in which he attempted to maintain creative control over his scripts as they were being revised and produced, and how social and business considerations influence each other. Correspondents include Stanley Chase, Doug Benton, Dick Bassman, Jerry Bock, Daniele Amfitheatrof, John Simon, Norman Felton, and McNeely's agent Flora Roberts, as well as staff at the University of Wisconsin-Madison.

The UNIVERSITY OF WISCONSIN RECORDS, 1958-1973, are arranged in an alphabetical subject file. McNeely was involved in the preparation of several for summer school sessions, for a television education program, and for the Graduate School. He also worked on curriculum development for a number of radio and television courses in the Speech Department and its successor, the Communication Arts Department. In 1965 he handled the University of Wisconsin's participation in the General Electric College Bowl on television. Included are Executive Committee materials, various Department of Communication Arts files, and University bulletins.

The PROFESSIONAL ACTIVITIES FILES relate to ASCAP, 1964-1969, and to the Writers Guild, 1955-1972. They are comprised of correspondence, contracts, financial records, biographical and general information on the membership, publicity, published materials, and miscellany.

The TELEVISION MATERIALS form the bulk of the collection, about 52 boxes. The papers are arranged alphabetically by series or special title. The types of documents include correspondence, series' proposals, story outlines, scripts and revisions, certificates of authorship, production information, publicity, contracts, and notes. Included are materials on his work for a wide variety of series and specials from “The Staring Match” for Studio One in 1957 to Three for the Road in 1975. The most extensively documented series is Lucas Tanner, for which there is the pilot script and a script for nearly every episode, 1973-1975, which reveal how he envisioned this series he created and how he attempted to maintain artistic control. The episodes of this series are arranged by production number. There is also a large amount of material for all phases of production for the series Owen Marshall: Counsellor at Law and Dr. Kildare; these episodes are arranged chronologically by season and thereunder alphabetically by episode title.

The MOTION PICTURE scripts, treatments, outlines, and notes concern three titles and are arranged alphabetically by title; they were not produced.

The bulk of the THEATER materials, 1958-1969 and undated, document McNeely's fourteen months of work on a Broadway play, Plato's Republic, that was not produced. Boxes 56-58 contain numerous script revisions as well as research materials and notes. There is also a small amount of material on ten other plays. One of these, A Modern Carol, was written for production by McNeely's church in Madison, the Covenant Presbyterian Church. The arrangement is alphabetical by title.

McNeely's OTHER WRITINGS AND SPEECHES, 1956-1961 and undated, include drafts of articles, one on critic Brooks Atkinson on the occasion of his retirement, and two on writing for television; as well as drafts of an unpublished novel, two short stories, and a speech.

Documenting his writing for and direction of UW THEATRICAL PRODUCTIONS on campus and in the Madison area are scripts, correspondence, notes, cast lists, rehearsal schedules, and other material on twelve productions, 1955-1971. They run the gamut from Sophocles' Antigone through musicals like West Side Story and Camelot to Strindberg's The Father. Arrangement is alphabetical by title.

The MATERIAL SUBMITTED BY OTHER AUTHORS to McNeely for review includes a story outline, scripts, a series presentation, two novels, and miscellany as well as a folder, 1966, of writer/director information regarding the television series Star Trek. Arrangement is alphabetical by title.

McNeely's work as a lyricist is revealed by a number of songs in the MUSIC subseries; a director's score for Wait and See, produced at Southeast Missouri State College in 1952; and an overture for the same show produced by the University of Wisconsin Haresfoot Club in 1954. The conductor's score for “The Staring Match” in box 66 can be used with the material on the original teleplay in boxes 50 and 52.

Finally is material on the COVENANT PRESBYTERIAN CHURCH in Madison, 1961-1967. Present is correspondence, lectures, financial records, and other papers.

Part 2, 1980 Additions, 1953-1979

Part 2 of the McNeely collection parallels the original papers in documenting both his academic career at the University of Wisconsin and his artistic work as a television writer and producer. The university materials pertain primarily to McNeely's responsibilities as a college speech professor during the years 1955-1969, while the television materials, though they span the years 1962-1978, are essentially the record of his work after 1975 when he left the university to devote full time to writing and producing television programming for MTM Enterprises in California. The Additions generally follow McNeely's arrangement and that of the series in the original collection, except that one new series has been added (Television Scripts by Other Authors).

PERSONAL PAPERS, 1953-1978, includes biographical information, personal correspondence from friends and colleagues (1956-1978), and notes (1953-1954) McNeely took while a student in speech courses and while preparing for his Ph.D. preliminary examinations.

GENERAL CORRESPONDENCE, 1957-1970, is arranged chronologically and pertains chiefly to McNeely's role at the University of Wisconsin as a member of the speech faculty and as an adviser to present and former students seeking letters of recommendation or other assistance. McNeely's distinction between the correspondence in this series and the previous one is not clear cut, since both contain letters to and from students, colleagues at the University of Wisconsin and other universities, and associates in the television scriptwriting field.

UNIVERSITY OF WISCONSIN RECORDS, 1956-1970, arranged alphabetically by subject, document courses McNeely taught, duties as a faculty member in the Radio-Television-Film Division of the Speech Department and as a member of the Copyright Revision Committee, and McNeely's coaching of the successful University of Wisconsin “College Bowl” team in 1965. Several restricted files contain information on individual students.

UNIVERSITY OF WISCONSIN THEATER/TELEVISION PRODUCTIONS, 1957-1966, arranged alphabetically by title, contain the scripts, staging, casting, rehearsal schedules, and correspondence for university stage and television (WHA-TV) productions directed or written by McNeely.

MATERIALS SUBMITTED BY OTHER AUTHORS, 1961-1975, arranged alphabetically by title, includes scripts, story outlines, and musical scores given to McNeely for his review and consideration.

TELEVISION SCRIPTS BY OTHER AUTHORS, 1963-1969, a series not represented in the original collection, contain scripts for such television series as Bonanza and Ironsides, shows in which McNeely was not directly involved as a producer or writer. Arrangement is alphabetical by series title. Specific authors are identified in the contents list below.

TELEVISION MATERIALS, 1962-1979, the largest series in the Additions, contains notes, story outlines, scripts, budgets, production and promotion records, and correspondence for television programming written or produced by McNeely. A variety of formats are represented from unproduced series to drama specials, mini-series, and regular network series. The most complete records are for Three for the Road, a series created and produced for MTM Enterprises by McNeely, “Something for Joey,” a drama based on the life of John Cappalletti and his brother Joey's struggle with leukemia, and “Five-Finger Discount,” a McNeely script used by Scholastic magazine in a special reading program for high school students. Arrangement is alphabetical by series title and thereunder by episode.

The AUDIO RECORDINGS which are part of the McNeely Additions are primarily episodes from such television series as Dr. Kildare, Eleventh Hour, The Man From U.N.C.L.E., and Marcus Welby.

Access Restrictions

Portions of the pupil records in this collection are confidential under Wis. Stats. Section 118.125(d) and the FERPA Act of 1974. Individuals may view their own records. Third parties may view individual records with the student's written permission. Other researchers may possibly view the records under the terms of the “Agreement for Use of Restricted Materials.”

Acquisition Information

Presented by Jerry McNeely, Madison, Wisconsin, December 19, 1973 and May 22, 1975. Additions placed on deposit by Jerry McNeely, Studio City, California, 1977-1980. Accession Number: MCHC73-150, MCHC75-57, MCHC77-27, MCHC78-48, MCHC80-50

Processing Information

Processed by Eleanor McKay and Alice Siemering, November 12, 1975. Additions processed by Mary Neth and Sarah Cooper.

U.S. Mss 148AN	Series: Part 1, Original Collection, 1953-1975
	Subseries: Personal Papers
Box   1 Folder   1	Academic Awards, 1962, 1971
	Correspondence
Box   1 Folder   2	1954 December 2-1959 December 30, undated
Box   1 Folder   3	1960 February 5-1962 November 7, undated
Box   1 Folder   4	1963 January 2-1965 December 17, undated
Box   1 Folder   5	1966 January 6-1966 December 29, undated
Box   1 Folder   6	1967 January 4-1967 December 22, undated
Box   1 Folder   7	1968 January 4-1968 December 12, undated
Box   1 Folder   8	1969 January 3-1969 December 31, undated
Box   2 Folder   1	1970 January 5-1970 July 5
Box   2 Folder   2	1970 July 12-1970 December 29, undated
Box   2 Folder   3	1971 January 5-1971 July 6
Box   2 Folder   4	1971 July 19-1971 December 22, undated
Box   2 Folder   5	1972 January 3-1972 July 19
Box   2 Folder   6	1972 July 28-1972 December 29, undated
Box   2 Folder   7	1973 January 2-1974 April 2, undated
Box   2 Folder   8	Undated
Box   2 Folder   9	Publicity, 1957 May 16-1975 July 16; undated
Box   2 Folder   10	Bank Statements, 1953 October-1956 December
Box   2 Folder   11	Royalty Summaries, 1963 July 30-1967 December 27
	Residuals
Box   2 Folder   12	1963 July 4-1966 December 31
Box   3 Folder   1	1967 March 31-1968 September 30
Box   3 Folder   2	1968 December 31-1969 June 18, undated
Box   3 Folder   3	1971 June 30-1971 July 15
Box   3 Folder   4	Correspondence, 1967 October 2-1969 April 28
Box   3 Folder   5	Writing credits and biographical data, 1971-1972; undated
	Subseries: General Correspondence	⇧
Box   3 Folder   6	1956 July-1958 October
Box   3 Folder   7	1958 November-1961 June
Box   3 Folder   8	1961 July-1962 May
Box   3 Folder   9	1962 June-1962 November
Box   3 Folder   10	1962 December-1963 April
Box   4 Folder   1	1963 May-1963 October
Box   4 Folder   2	1963 November-1964 April
Box   4 Folder   3	1964 May-1964 December; undated
Box   4 Folder   4	1965 January-1965 August
Box   4 Folder   5	1965 September-1966 March
Box   4 Folder   6	1966 April-1966 August
Box   4 Folder   7	1966 September-1966 December
Box   4 Folder   8	1967 January-1967 April
Box   4 Box   9	1967 May-1967 September
Box   4 Box   10	1967 October-1968 December
Box   5 Folder   1	1969 January-1970 December
Box   5 Folder   2	1971 January-1971 December
Box   5 Folder   3	1972 January-1972 May
Box   5 Folder   4	1972 June-1974 August
Box   5 Folder   5	Undated
	Subseries: University of Wisconsin Materials	⇧
Box   5 Folder   6	Blonder-Tongue Foundation, 1960 February 10-1963 February 13; undated
	Bulletins
Box   5 Folder   7	Summer School, 1958-1960, undated
Box   5 Folder   8	Summer School, 1962 October 24-1963 July 11, undated
Box   5 Folder   9	Television Education, undated
Box   5 Folder   10	Graduate School Bulletin, 1960-1964
	Communication Arts Department
	Faculty
Box   68 Folder   5	Scholarly activities report, 1972-1973
Box   68 Folder   6	Miscellaneous, 1972 September 6-1973 May 8; undated
Box   68 Folder   7	Memorandum and salaries, 1973 January 10-1973 June 30
Box   67 Folder   11	Department Staff notices, 1972 August 23-1974 March 29
Box   68 Folder   8	Communication Arts, miscellaneous, 1972 September 25-1973 May 8; undated
	Curriculum Materials
Box   5 Folder   11	Planning for radio and television courses, 1956 August 15-1959 January 13; undated
Box   5 Folder   12	Speech 160, 161, 193 and Comm. Arts 650, 1962-1971, undated
Box   6 Folder   1	Communication Arts 651, 653, and 758, 1964-1966; undated
Box   6 Folder   2	Communication Arts 950 and miscellaneous, 1963-1973
	Communication Arts 658, application forms-Restricted
Box   67 Folder   12	For fall , 1972
Box   68 Folder   1	For spring , 1973
Box   68 Folder   2	For fall , 1973
	Communication Arts 658
Box   68 Folder   3	Class roster, 1973
Box   68 Folder   4	Lecture notes, 1960-1970; undated
Box   67 Folder   10	Executive Committee materials, 1962 December 8-1965 June 14; undated
Box   6 Folder   3	General Electric Company's College Bowl, Correspondence and miscellaneous, 1965 February-1965 August
Box   6 Folder   4	Miscellaneous, 1971 May 28-1972 April 8; undated
Box   6 Folder   5	Public Addresses, 1962 August 20-1968 June; undated
Box   6 Folder   6	Student Writings, 1966 May 27-1973 April 2; undated
	Subseries: Professional Activities	⇧
	ASCAP
Box   6 Folder   7	Contracts and financial records, 1964-1968
Box   6 Folder   8	Sketches of writers, publications, membership letters, 1964-1968; undated
Box   6 Folder   9	Publications, 1965 March 12-1969 January 10; undated
Box   6 Folder   10	Bulletins and Publications, 1966 February-1969; undated
	Writers Guild
Box   6 Folder   11	1955-1959
Box   7 Folder   1	1960-1962
Box   7 Folder   2	1963-1964
Box   7 Folder   3	1965-1966
Box   7 Folder   4	1967-1972
Box   7 Folder   5	Undated
	Subseries: Television - Produced and Unproduced	⇧
	Arrest and Trial
Box   7 Folder   6	Series proposal, 1963 January 18-1963 February 28
	The Bold Ones (formerly “The Now People”)
Box   7 Folder   7	Program publicity folder
	CBS Playhouse, “The Hurdle Month”
Box   7 Folder   8	Story Outline, 1966 December 5
Box   7 Folder   9	Story Outline, 1966 December 13
Box   7 Folder   10	Story Outline and notes, 1966 December
Box   7 Folder   11	Script, rough draft, 1967 January
Box   7 Folder   12	Script, notes, first draft, 1967 January 29
	Climax
Box   8 Folder   1	Correspondence for “Two Tests on Tuesday,” 1957-1958
	“Two Tests on Tuesday”
Box   8 Folder   2	Script, original, undated
Box   8 Folder   3	Script, revised, 1957 October 23
Box   8 Folder   4	Script, revised, 1957 October 23
Box   8 Folder   5	Script, final revision, 1957 November 9
Box   8 Folder   6	Script, working, 1957
Box   8 Folder   7	Script, undated
	The Communicators
Box   59 Folder   1	Partial scripts, notes, 1962 November-1962 December 15
	The Defenders
Box   8 Folder   8	Pilot résumés, undated
	Dr. Kildare
Box   8 Folder   9	Contract, 1962 February 27
Box   8 Folder   10	Certificates of Authorship, 1962 March 9-1963 September 12
Box   8 Folder   11	Correspondence, undated
Box   8 Folder   12-13	Research on Birth Defects, 1970
Box   8 Folder   14	Treatments by Other Authors, 1961 September-1961 November
	“The Balance and the Crucible”
Box   8 Folder   16	Story Outline, 1963 January 7
Box   8 Folder   17	Story Outline, 1963 January 10
Box   9 Folder   1	Script, 1963 January 29-1963 February 8
Box   9 Folder   2	Script, 1963 January
Box   9 Folder   3	Script, 1963 February 7
	“The Chemistry of Anger”
Box   9 Folder   4	Treatment, 1962 January 26
Box   9 Folder   5	Treatment, 1962 February 1
Box   9 Folder   6	Story Outline, Treatment and notes, 1962 February
Box   9 Folder   7	Script, first draft, 1962 February 16
Box   9 Folder   8	Script, revised first draft, 1962 February 16-1962 February 23
Box   9 Folder   9	Script, 1962 February 27
Box   9 Folder   10	Script, with March Revisions, 1962 February 27
Box   9 Folder   11	Script, rough first draft, 1962 February
Box   9 Folder   12	Script, 1962 March 13
	“A Game for Three”
Box   9 Folder   13	Treatment, 1963 March 23
Box   9 Folder   14	Script, 1963 March
Box   9 Folder   15	Script, 1963 May 4
Box   9 Folder   16	Script, 1963 May 24
Box   9 Folder   17	Script, 1963 June 5
	“The Mask Makers”
Box   9 Folder   18	Story outline and notes, 1962 March
Box   10 Folder   1	Script, 1962 March
Box   10 Folder   2	Treatment, 1962 April 1-1962 April 14
Box   10 Folder   3	Treatment, 1962 April 18
Box   10 Folder   4	Script, first draft, 1962 May 11
Box   10 Folder   5	Script, revised draft, 1962 May 25
Box   10 Folder   6	Script with revisions and notes, 1962 June 5-1962 June 27
Box   10 Folder   7	Script, 1962 June 25
Box   10 Folder   8	Script with revisions, 1962 June 25-1962 July 2
Box   10 Folder   9	Revision, 1962 July 2
	“The Mirror Image”
Box   10 Folder   10	“Heart Divided,” script, story for “Mirror Image,” 1962 May 7
Box   10 Folder   11	“The Twins,” script, story for “Mirror Image,” 1962 September
Box   10 Folder   12	“The Divided Heart,” story for “Mirror Image,” 1962
Box   10 Folder   13	Script, 1962 October 31
Box   10 Folder   14	Script, 1962 November
Box   10 Folder   15	Script, 1962
Box   10 Folder   16	Script, 1963 January 28
	“The Mosaic”
Box   10 Folder   17	Treatment and notes, 1962 September 15
Box   10 Folder   18	Treatment, 1962 September 19
Box   10 Folder   19	Script, first draft, 1962 September
Box   11 Folder   1	Script, 1962 October 8
Box   11 Folder   2	Script, 1962 October 29
Box   11 Folder   3	Script and scene changes, 1962 November 5-November 7
	“A Time to Love”
Box   11 Folder   4	Script, revised final, 1962 October 8
	“Who Ever Heard of a Two-Headed Doll?”
Box   11 Folder   5	Research, 1963 May
Box   11 Folder   6	Story outline, 1963 June 7
Box   11 Folder   7	Story outline, 1963 June 11
Box   11 Folder   8	Script, 1963 July 1
Box   11 Folder   9	Script with corrections, 1963 July 15
Box   11 Folder   10	Script, 1963 July 16
Box   11 Folder   11	Script with notes, 1963 July 29
Box   11 Folder   12	Script, 1963 July 1
Box   11 Folder   13	Notes, 1963 July 8
	“The Woman in the White Coat”
Box   11 Folder   14	Treatment, 1963 August 21
	“Charlie Wade Makes Lots of Shade”
Box   12 Folder   1	Treatment, notes, research, 1963 August 23
Box   12 Folder   2	Script, first draft, 1963 September 10
Box   12 Folder   3	Script, 1963 September 10
Box   12 Folder   4	Script, 1963 October 7
Box   12 Folder   5	Script, 1963 October 29
	“Doctors' Dilemma or Doings at Hayfork Creek”
Box   12 Folder   6	Treatment, 1964
	“Mine Eyes Have Seen the Glory”
Box   12 Folder   7	Story outline, 1964 July 22
	“Such Stuff as Dreams”
Box   12 Folder   8	Treatment, 1964 August
	“Tape #1”
Box   12 Folder   9	Story outline, 1963 April 24
	“There Is No More Magic on This Mountain”
Box   12 Folder   10	Script, 1964 March 23
	“What's Different About Today?”
Box   12 Folder   11	Script and notes, first draft, 1964 June
Box   12 Folder   12	Script, 1964 August 1
Box   12 Folder   13	Script with notes and revisions, 1964 August 7
Box   12 Folder   14	Final script, 1964 August 19
	“Do You Trust Your Doctor?,” Part I
Box   12 Folder   15	Script, 1965 January 5
Box   13 Folder   1	Script, revised final, 1965 January 5-1965 January 26
Box   13 Folder   2	Revisions, 1965 January 22
	“Don't Let This Doctor Die,” Part II
Box   13 Folder   3	Script, 1965 January 5
Box   13 Folder   4	Script, 1965 January 25
Box   13 Folder   5	Revisions, 1965 January 29-1965 February 2
	“A Quick Look at Glory” [Five Episodes]
Box   13 Folder   6	Treatment and notes, 1965 May 1
Box   13 Folder   7	Story outline, 1965 May 5
Box   13 Folder   8	Episodes, I, II, III, 1965 July 1
Box   13 Folder   9	Episodes IV, V, VI, 1965 July 1
Box   13 Folder   10	Scripts, Parts I-VI, first draft, 1965 July 1
	“She Loves Me, She Loves Me Not,” Part III
Box   13 Folder   11	Script, 1965 January 5
	“That's Why the Lady Is a Tramp”
Box   13 Folder   12	Script, 1965 January 5-1965 January 11
Box   14 Folder   1	Revisions, 1965 January 5-1965 February 4
Box   14 Folder   2	Revisions, 1965 January 8
Box   14 Folder   3	Script, 1965 January 25
Box   14 Folder   4	Script, 1965 January 29
	“Three Times C”
Box   14 Folder   5	“Carol,” parts I and II, treatments, 1964 November 5
Box   14 Folder   6	“Carol,” treatment, 1964 November 5
Box   14 Folder   7	(1) “C as in Courage,” script, 1964 December 29
Box   14 Folder   8	(2) “C as in Coward,” script, 1964 December 29
Box   14 Folder   9	(3) “C as in Carol,” script, 1964 December 29
Box   14 Folder   10-11	Scripts and notes, 1965 September-1965 October
	“A Very Special Condition”
Box   14 Folder   12	Treatment, 1964 October 7
Box   14 Folder   13	“Carol” -- appendix and treatments to “A Very Special Condition,” 1962 November 2
	“The Best Years”
Box   14 Folder   14	Correspondence regarding DuPont Show of the Week, 1962 July 27-1962 July 28
Box   14 Folder   15	Pilot script, Parts I-IV, 1964
Box   15 Folder   1	Notes, research, outline, 1964-1965
Box   15 Folder   2	Treatment, introduction to new series, 1965 July 21
Box   15 Folder   3	Script, pilot, parts I-IV, 1965 August 14
Box   15 Folder   4	“Mercy or Murder” and “A Strange Sort of Accident,” Parts I-IV, 1965 September
Box   15 Folder   5	Script, episode I, 1965 September 1
Box   15 Folder   6	Script, episode I, 1965 October 28
Box   15 Folder   7	Script, episode II, 1965 October 27
Box   15 Folder   8	Script, episode IV, 1965 September 1
Box   15 Folder   9	Notes and revisions, 1965
Box   15 Folder   10	Script, 1965 September
Box   15 Folder   11	Script, 1965 October 22
	“New Doctor in Town”
Box   15 Folder   12	Added scene, 1966 February 15
	“A Quick Look at Glory”
Box   16 Folder   1	Scripts, original, parts 1-5, 1964
Box   16 Folder   2	Script, part I, 1965 October 14
Box   16 Folder   3	Script, part I, 1965 November 3
Box   16 Folder   4	Script, part II, 1965 October 14
Box   16 Folder   5	Script, part II, 1965 November 3
Box   16 Folder   6	Script, part III, 1965 October 14
Box   16 Folder   7	Script, part III, 1965 November 3
Box   16 Folder   8	Script, part IV, 1965 October 14
Box   16 Folder   9	Script, part IV, 1965 November 4
Box   16 Folder   10	Script, part V, 1965 October 14
Box   16 Folder   11	Script, part V, 1965 November 5
Box   16 Folder   12	Script, part VI, 1965 October 14
Box   16 Folder   13	Script, part VI, 1965 November 8
Box   16 Folder   14	Notes and revisions, 1965
	“A Strange Sort of Accident” and “Aldens Green”
Box   16 Folder   15	Series proposal, 1965
	“A Strange Sort of Accident”
Box   16 Folder   16	Scripts, original, undated
Box   17 Folder   1	Scripts, revised, parts 1 and 2, 1965 January
Box   17 Folder   2	Scripts, notes, parts 1 and 2, 1965 August 12
Box   17 Folder   3	Script, revised draft, parts 1 and 2, 1965 August 30
Box   17 Folder   4	Scene changes, 1965 October 1
Box   17 Folder   5	Script, 1965 October 27
Box   17 Folder   6	Scene changes, 1965 October 29
	The Eleventh Hour
	“And Man Created Vanity”
Box   17 Folder   7	Script, 1963 August 29
	“A Pattern of Sundays”
Box   17 Folder   8	Script, 1963 February 3
Box   17 Folder   9	Story outline and notes, 1963 October-1963 November
	“A Shudder of Sundays,”
Box   17 Folder   10	Treatment, 1963 November 18
Box   17 Folder   11	Treatment, 1963 November 25
Box   17 Folder   12	Story outline, 1963 November 29
Box   17 Folder   13	Script, original, 1963 November
Box   17 Folder   14	Script, revised, 1964 January 3
Box   17 Folder   15	Script, revised, 1964 February 10-1964 February 11
Box   17 Folder   16	Script, revised, 1964 February 10-1964 February 20
Box   17 Folder   17	Revisions, 1964 February 13-1964 February 20
	Expressway
Box   18 Folder   1	Outline, notes, original script, undated
Box   18 Folder   2	Script, draft, and revision comment, 1974 July 7-undated
Box   18 Folder   3	Outline, 1974 July 14
Box   18 Folder   4	Script, final revision, 1974 August 15
	Fourteenth Floor
Box   59 Folder   2	Script, original, undated
Box   18 Folder   3	Script, 1958
	“Gemini”
Box   18 Folder   4	Concept for a television series, 1971 December 24; undated
	Girl from U.N.C.L.E.
Box   18 Folder   5	Writer's information sheets, 1966
	“The Faustus Affair”
Box   18 Folder   6	Script, 1966 May 20
Box   18 Folder   7	Notes for series, 1966 February 11-1966 March 14
Box   18 Folder   8	Treatment, 1966 April 18
Box   18 Folder   9	Treatment, 1966 April 22
Box   18 Folder   10	Script, 1966 April 22
Box   18 Folder   11	Script revisions and notes, 1966 May 27
Box   18 Folder   12	Script, 1966 June 13
Box   18 Folder   13	Script, 1966 August 16
	“The Showboat Affair”
Box   18 Folder   14	Treatment and notes, 1966 November
	The Great Man in His Garden
Box   59 Folder   5	Script, first draft, undated
Box   59 Folder   6	Script, undated
	Hallmark Hall of Fame
	“Joke and the Valley,” Filed under J; see Boxes 20-21
Box   18 Folder   15	“Lisa, Bright and Dark,” script, undated
	The High Chaparral
	“For the Love of Carlos”
Box   19 Folder   1	Script, 1968 December 17
	The Holderness Plan
Box   19 Folder   2	Story outline and revisions, 1973 February 27; undated
Box   19 Folder   3	Script, first draft, 1973 July 9
Box   19 Folder   4	Script, revised first draft, undated
	The Interchange
Box   59 Box   7	Story outline, script, 1957
	The Interns
	“A Quality of Mercy”
Box   19 Folder   5	Script, 1969 October 27
	Ironside
	“The Purple Cow”
Box   19 Folder   6	Script, 1968 December 10
	“Trial by Midnight”
Box   19 Folder   7	Script, 1970 January 14
	“Too Many Victims”
Box   19 Folder   8	Script, 1970 August 6
	“The Quincunx”
Box   19 Folder   9	Script, 1970 September 24
	“Why the Tuesday Afternoon Bridge Club Met on Thursday”
Box   19 Folder   10	Script, 1968 November 15
	Jericho
Box   19 Folder   11	Writer information, undated
	Joke and the Valley (Hallmark Hall of Fame)
	“The Cochinos”
Box   19 Folder   12	Script, original, 1969
Box   20 Folder   1	Script, revised, undated
	“The Carneros”
Box   20 Folder   2	Script, original, 1970 March 11
Box   20 Folder   3	Script, finished draft, 1970 March 11
	“The Joke at Winters Farm”
Box   20 Folder   4	Script, original, undated
Box   20 Folder   5	Script and outline, undated
Box   20 Folder   6	Novel and outline, undated
Box   20 Folder   7	Script, undated
Box   20 Folder   8	Clipping, 1961 May
Box   20 Folder   9	Script, notes, revisions, correspondence, 1961 March 28-1961 May 5; undated
Box   20 Folder   10	Publicity and reviews, 1961 May 5
Box   20 Folder   11	Original script (director's copy) and clippings, 1961 May 5-1961 May 9
Box   21 Folder   1	Script, early draft, 1963
Box   21 Folder   2	Script, finished draft, 1963
Box   21 Folder   3	Script for screenplay, 1964
Box   21 Folder   4	Fan mail, 1961 May 5-1962 May 27
Box   21 Folder   5	Correspondence with Ingo Preminger, 1961 May 18-1961 August 9
Box   21 Folder   6	Publicity and Reviews, 1961 April 28-1967 May 7; undated
Box   21 Folder   7	Script, with revisions, 1963
	Judd
Box   21 Folder   8	Script, 1966 November 29-1967 January 27
	Larkins' Four
Box   21 Folder   9	Presentation, 1967 May 25
Box   21 Folder   10	Script, original, 1967 May
Box   21 Folder   11	Outline and notes, 1967 June
Box   21 Folder   12	Correspondence and research, 1967 July 3-1967 September 11
Box   21 Folder   13	Treatment, 1967 July 19
Box   21 Folder   14	Script, 1967 August 25
Box   21 Folder   15	Script and notes, 1967 September 5
Box   21 Folder   16	Notes and revisions, 1967 September
	Love Story
	“The Soft, Kind Brush”
Box   22 Folder   1	Script, original, undated
Box   22 Folder   2	Treatment and notes, 1973 July 24-undated
Box   22 Folder   3	Correspondence, 1973 July-1973 November
Box   22 Folder   4	Script, first draft, 1973 August 16
Box   22 Folder   5	Script, revised first draft
Box   22 Folder   6	Script, shooting schedule, memo, addresses of actors, 1973 September 7-1973 October 10
Box   22 Folder   7	Partial revisions, 1973 September
Box   22 Folder   8	Producing file, 1973 September-1973 October
Box   22 Folder   9	Script, revised draft, 1973 October 4-1973 October 19
Box   22 Folder   10	Script, undated
	Lucas Tanner
Box   23 Folder   1	Series proposals, 1973 September 10-1973 November 11, undated
Box   23 Folder   2	Notes on new premise, undated
Box   23 Folder   3	Story outline, 1973 October 12
Box   23 Folder   4	Pilot script, first draft, 1973 November 10
Box   23 Folder   5	Script, revised, 1973 December 20
Box   23 Folder   6	Script, special run, 1974 January 3
Box   23 Folder   7	Script, 1973 January 3-1974 January 14
Box   23 Folder   8	Miscellaneous, 1974 January 4
Box   23 Folder   9	Script, revised, 1974 Jan. 12
Box   23 Folder   10	Script, revised, 1974 February 2
Box   23 Folder   11	Script, 1974 February 27
	Music of theme song for series, piano solo, 1974, See Music subseries, Box 64, Folder 1
	“Dance for a Dropout”
Box   23 Folder   12	Story outline with revisions, 1974 March 24
Box   23 Folder   13	Story outline, 1974 March 24
	“To Keep a Hero”
Box   23 Folder   14	Outlines, 1974 March 13-1974 March 25
Box   23 Folder   15	Story outline, 1974 March 27
	“The Prodigy”
Box   23 Folder   16	Treatment, 1974 June 1-1974 June 9; undated
Box   24 Folder   1	Script, first draft, 1974 July 21
Box   24 Folder   2	Script, revised first draft, undated
Box   24 Folder   3	Script, 1974 August 19
	“If the Truth Be Told” (formerly “The Right to Be Wrong”)
Box   24 Folder   4	Story outline, 1974 May 28
Box   24 Folder   5	Story outline, 1974 June 13
	“A Serious Girl”
Box   24 Folder   6	Story outline, 1974 May 29
Box   24 Folder   7	Story outline, shooting schedules, 1974 June 11-1974 July 30
Box   24 Folder   8	Script, first draft, 1974 July 8
Box   24 Folder   9	Script, revised, 1974 July 11
Box   24 Folder   10	Scripts, 1974 July 12-1974 July 16
Box   24 Folder   11	Script, revised, 1974 July 18
	“Winners and Losers” (formerly had three different titles)
Box   24 Folder   12	Story outline, 1974 May 30
Box   24 Folder   13	Story outline, 1974 June 4
Box   24 Folder   14	Script, first draft, 1974 July 3
Box   24 Folder   15	Script, revised, 1974 July 15
Box   24 Folder   16	Script, revised, 1974 August 29
	“Untitled” (formerly “The Runaway”)
Box   24 Folder   17	Story outline, undated
Box   24 Folder   18	Story outline, second, undated
Box   24 Folder   19	Script, 1974 June 7
Box   24 Folder   20	Script, first draft, 1974 July 29
Box   24 Folder   21	Script, second draft, 1974 August 6
Box   25 Folder   1	Script, 1974 September 3
Box   25 Folder   2	Script, revised, 1974 October 17
	“The Bonus Baby”
Box   25 Folder   3	Story outline, 1974 May 28
Box   25 Folder   4	Story outline, revised, 1974 June 3
Box   25 Folder   5	Story outline, revised, 1974 June 6
Box   25 Folder   6	Script, first draft, 1974 July 11
Box   25 Folder   7	Script, revised, 1974 July 30
	“The Sibling”
Box   25 Folder   8	Story outline, 1974 May 23
Box   25 Folder   9	Step outline, revised, 1974 June 3
	“The Record-Breaker”
Box   25 Folder   10	Story outline, undated
Box   25 Folder   11	Story outline and memo, 1974 June 21-1974 June 23
Box   25 Folder   12	Story outline, 1974 June 27
	“High Profile”
Box   25 Folder   13	Story outline, 1974 June 10
Box   25 Folder   14	Story outline, undated
	“By the Numbers”
Box   25 Folder   15	Story outline, 1974 May 28
Box   25 Folder   16	Story outline, 1974 June 3
Box   25 Folder   17	Story outline, 1974 June 4
Box   25 Folder   18	Script, first draft, 1974 June 22
Box   25 Folder   19	Script, 1974 July 2
Box   25 Folder   20	Script, 1974 September 11
	“The School in the School”
Box   25 Folder   21	Story outline, 1974 May 28
Box   25 Folder   22	Story outline, revised, 1974 June 10
	“A Legacy of Fear”
Box   25 Folder   23	Story outline, memo, 1974 June 20-1974 June 23
	“A Suit of Armor”
Box   25 Folder   24	Story outline, first draft, 1974 June 3
	“The Math Freak”
Box   25 Folder   25	Story outlines, 1974 June 10-1974 July 2
	“The Exile”
Box   25 Folder   26	Story outline, 1974 June 10
Box   25 Folder   27	Story outline, undated
	“Father Song”
Box   25 Folder   28	Script, first draft, 1974 July 3
Box   26 Folder   1	Script, first draft, revised, undated
Box   26 Folder   2	Script, 1974 July 7
	“Instant Replay”
Box   26 Folder   3	Script, 1974 August 5
Box   26 Folder   4	Script, revised, 1974 August 16
	“Walk, Jane, Walk”
Box   26 Folder   5	Story outline, undated
	“Three Letter Word” (formerly “Broken-Winged Bird”)
Box   26 Folder   6	Story outlines, 1974 July 31-1974 August 23
Box   26 Folder   7	Script, 1974 September 4
Box   26 Folder   8	Script, Second revision, 1974 September 17
Box   26 Folder   9	Script, second revision, 1974 September 18
	“Life Styles”
Box   26 Folder   10	Story outline, revised, 1974 September 4
	“A Question of Privacy” (formerly “A Matter of Privacy”)
Box   26 Folder   11	Story outline and revisions, 1974 August 8-1974 August 28; undated
Box   26 Folder   12	Story outline, 1974 August 23
Box   26 Folder   13	Directing materials, 1974 September 10-1974 October 3; undated
Box   26 Folder   14	Script, first draft, undated
Box   26 Folder   15	Script, first draft, revised, 1974 September 9
Box   26 Folder   16	Script, revised draft, 1974 September 14
Box   26 Folder   17	Script, revised draft, 1974 September 15
Box   27 Folder   1	Script, 1974 September 30
	“All the World's a Stage”
Box   27 Folder   2	Story outline, 1974 September 9
	“The Exchange” (formerly “Foreign Exchange”)
Box   27 Folder   3	Story outline, 1974 September 6
Box   27 Folder   4	Story outline, revised, 1974 September 20
	“Substitutes”
Box   27 Folder   5	Story outline, 1974 September 6
Box   27 Folder   6	Story outline, 1974 September 11
Box   27 Folder   7	Script, revised, 1974 October 10
	“Those Who Cannot Teach”
Box   27 Folder   8	Script, revised, 1974 November 19
Box   27 Folder   9	Script, 1974 November 20
Box   27 Folder   10	Script, second revision, 1974 December 31
	“Merry Gentlemen”
Box   27 Folder   11	Story outline, 1974 September 23
Box   27 Folder   12	Script, 1974 November 8
	“The Pewter Pot”
Box   27 Folder   13	Story outline, 1974 October 6
	“The Best Kept Secret”
Box   27 Folder   14	Story outline, 1974 October 11
Box   27 Folder   15	Script, 1974 October 24
Box   27 Folder   16	Script, revised, 1974 October 31
	“Six Minus Two” (formerly “How Much the Heart May Bear”)
Box   27 Folder   17	Story outline, 1974 October 28
Box   27 Folder   18	Script, revised, 1975 January 17
	“Why Not a Happy Ending?” (formerly “The Mail Goes to Montreal”)
Box   27 Folder   19	Script, revised, 1975 January 28
	“The Growing Season”
Box   27 Folder   20	Script, second revision, 1975 February 4
	“Pay the Man the Two Dollars”
Box   28 Folder   1	Script, 1974 December 9
Box   28 Folder   2	Script, revised, 1974 December 18
	“The Noise of a Quiet Weekend”
Box   28 Folder   3	Script and shooting schedule, 1974 September 24-1975 February 14
	“Mightier Than the Sword”
Box   28 Folder   4	Script, second revision, 1975 February 26
	“Requiem for a Son”
Box   28 Folder   5	Script, third revision, 1975 February 10
	“The Communicators”
Box   28 Folder   6	Script, revised, 1975 March 11
	“Sweet William”
Box   28 Folder   7	Point by point breakdown, undated
Box   28 Folder   8	Miscellaneous notes, outlines, feedback, 1974 May 10-undated
Box   28 Folder   9	Clippings for potential episodes
Box   28 Folder   10	Publicity, 1974 April 21-1974 May 13
	The Man From U.N.C.L.E.
	“The Alexander the Greater Affair”
Box   28 Folder   11	Scripts, parts I and II
	“The Animal Farm Affair”
Box   28 Folder   12	Early notes, 1965 December
Box   28 Folder   13	Treatment, 1966 January 31
Box   28 Folder   14	Treatment, 1966 February 1
Box   28 Folder   15	Script, first draft, 1966 February 1
Box   28 Folder   16	Script, Act I, 1966 February 4
	“The Arabian Affair”
Box   28 Folder   17	Treatment, 1965 July 26
	“The Cherry Blossom Affair”
Box   28 Folder   18	Treatment, 1965 May 25
	“The Children's Day Affair”
Box   28 Folder   19	Treatment, 1965 August 5
	“The Cotton Candy Affair”
Box   29 Folder   1	Treatment, 1965 May 10
	“The Fog-Cutters Affair”
Box   29 Folder   2	Script, 1965 September 21
	“The Geneva Jump Affair”
Box   29 Folder   3	Treatment, 1965 July 6
	“The Inca Affair”
Box   29 Folder   4	Treatment, 1965 June 28
	“The Legit Affair”
Box   29 Folder   5	Treatment, 1966 April 22
	“The Never-Never Affair”
Box   29 Folder   6	Script, 1965 February 1
	“The Night Flight Affair”
Box   29 Folder   7	Script, Acts I and II, 1966 February 14
Box   29 Folder   8	Scripts, Acts III and IV, 1966 February 15
Box   29 Folder   9	Script, 1966 February 17
	“The Off-Broadway Affair”
Box   29 Folder   11	Story outline and notes, 1966 April
Box   29 Folder   12	Treatment, 1966 May 9
Box   29 Folder   13	Treatment, 1966 May 11
Box   29 Folder   14	Script, original, 1966 May
Box   29 Folder   15	Script, first draft, 1966 June 13
Box   29 Folder   16	Partial revisions, 1966 July 2
Box   29 Folder   17	Script, revised draft, 1966 July 2
Box   29 Folder   18	Script, with notes, 1966 August 23
Box   29 Folder   19	Script, 1966 September 15
	“The Old-fashioned Affair”
Box   29 Folder   20	Script, 1965 February 15
	“The Quadripartite Affair”
Box   30 Folder   1	Script, 1964 July 30
	“The Tigers are Coming Affair”
Box   30 Folder   2	Treatment, 1965 July 6
	“The Waverly Ring Affair”
Box   30 Folder   3	Script, original, notes and treatment, 1965 October 12-1965 October 22
Box   30 Folder   4	Treatment, 1965 October 20
Box   30 Folder   5	Treatment, 1965 October 22
Box   30 Folder   6	Script, 1965 November 17
Box   30 Folder   7	Script, 1965 November 18
Box   30 Folder   8	Script, revised, 1965 November 23
Box   30 Folder   9	Script, revised draft, 1965 December 6
Box   30 Folder   10	Script, 1965 December 8
Box   30 Folder   11	Partial revision, 1965 December 11
	“The Yukon Affair”
Box   30 Folder   12	Treatment, 1965 June 24
	The Manning Year
Box   59 Folder   8	Outline, prospectus, 1972 June 2
	Marcus Welby, M.D.
Box   30 Folder   13	Research material, undated
Box   30 Folder   14	Script submitted by another author, undated
Box   30 Folder   15	Miscellaneous, undated
Box   30 Folder   16	Script, pilot, 1968 November 7
	“The Basic Moment”
Box   31 Folder   1	Research and notes, 1971
Box   31 Folder   2	Treatment, parts I and II, 1971 February 18
Box   31 Folder   3	Treatment, rough draft, 1971 February
Box   31 Folder   4	Story outline, 1971 March 8
Box   31 Folder   5	Script, first draft, parts I and II, 1971 April 12
Box   31 Folder   6	Script, 1971 May 4
Box   31 Folder   7	Script, part I, 1971 May 4-1971 October 11
Box   31 Folder   8	Script, part I, 1971 May 5-1971 June 1
Box   31 Folder   9	Script, finished first draft, part II, 1971 April 26
Box   31 Folder   10	Script, part II, 1971 May 5
Box   31 Folder   11	Script, part II, revised, 1971 May 5-1971 June 1
Box   31 Folder   12	Script, part II, revised, 1971 May 5-1971 June 2
Box   31 Folder   13	Script, part II, revised, 1971 May 5-1971 June 4
Box   31 Folder   14	Script, part II, revised, 1971 May 5-1971 June 8
	“Chemistry of Hope” (formerly “The Lonely Wall”)
Box   31 Folder   15	Treatment and notes, 1969 April 25
Box   32 Folder   1	Treatment, 1969 May 23
Box   32 Folder   2	Research and notes, 1969 June
Box   32 Folder   3	Treatment, 1969 July 10 and undated
Box   32 Folder   4	Treatment, revised, 1969 July 17
Box   32 Folder   5	Script, first draft, rough, 1969 August 7
Box   32 Folder   6	Script, first draft, revised, 1969 August 7
Box   32 Folder   7	Revisions, 1969 September 15-17
Box   32 Folder   8	Shooting schedule, 1969 September 16
	“Men Who Care,” part I
Box   32 Folder   9	Story idea with notes, 1971
Box   32 Folder   10	Story outline, 1971
Box   32 Folder   11	Story outline, part I and part II, undated
Box   32 Folder   12	Script, first draft, rough, 1971
Box   32 Folder   13	Script, 1971 July 26
Box   32 Folder   14	Script, revised, 1971 July 26-1971 August 4
Box   32 Folder   15	Script, 1971
	“The Merely Syndrome”
Box   32 Folder   16	Treatment and notes, 1969 September
Box   32 Folder   17	Treatment, 1969 October 17 and undated
Box   32 Folder   18	Treatment, 1969 November 12
Box   32 Folder   19	Script, first draft, rough, 1969 December 13
Box   32 Folder   20	Script, first draft, finished, 1969 December 13
Box   32 Folder   21	Script, revised draft, 1969 December 17
Box   32 Folder   22	Revisions, 1969 December 19
Box   32 Folder   23	Script, revised, 1970 December 19-1970 December 10
	“The Panic Path” (formerly “A Time of Quiet and Panic”)
Box   33 Folder   1	Treatment, rough draft, 1969 January
Box   33 Folder   2	Treatment, revised, 1969 January 26
Box   33 Folder   3	Script, rough draft, 1970 June 9
Box   33 Folder   4	Script, finished draft, 1970 June 9
Box   33 Folder   5	Script, 1970 June 15
Box   33 Folder   6	Script, revised, 1970 June 15-1973 May 7
Box   33 Folder   7	Script, revised, 1970 June 15-1973 June 5
	“A Very Special Sailfish”
Box   33 Folder   8	Treatment, rough draft, 1970 January
Box   33 Folder   9	Treatment, 1970 February 8
Box   33 Folder   10	Script, first draft, rough, 1970 March 16
Box   33 Folder   11	Script, first draft, finished, 1970 March 16
Box   33 Folder   12	Script, revised, 1970 April 17
Box   33 Folder   13	Script, revised, 1970 April 17-1970 April 22
Box   33 Folder   14	Shooting schedule, 1970 April 21-1970 April 29
Box   33 Folder   15	Script, shooting, revised, 1970 April 24-1970 April 24
Box   33 Folder   16	Added scene, 1970 April
	“Warn the World About Mike”
Box   33 Folder   17	Script, 1970 June 2
Box   33 Folder   18	Script, revised, 1970 June 17
Box   33 Folder   19	Revisions, 1970 June 19-1970 June 22
	“The Stormy Petrel”
Box   33 Folder   20	Treatment, undated
Box   33 Folder   21	Research on birth defects, 1970
Box   33 Folder   22	Publicity, 1971 July 20-1973 January 20, undated
	Young Mark Twain - special
Box   34 Folder   1	Synopsis, notes and inserts, 1966 December 30
Box   34 Folder   2	Screen story and treatment, 1967 February 7
Box   34 Folder   3	Screen story, treatment, notes, 1967 February 10
Box   34 Folder   4	Script, first draft, original, undated
Box   34 Folder   5	Script, 1967 April 7
Box   34 Folder   6	Script, 1967 April 23
Box   34 Folder   7	Script, revised, 1967 April 23-1967 April 28
Box   34 Folder   8	Script, revised, 1967 April 23-1967 May 12
Box   34 Folder   9	Notes on conferences, 1967 April 24-1967 April 28
Box   34 Folder   10	Script, 1967 May 4
Box   35 Folder   1	Script, revised, 1967 May 4
Box   35 Folder   2	Lyrics, 1967 May 10, undated
Box   35 Folder   3	Research material, 1967 May 31
Box   35 Folder   4	Script, first draft, revised, 1967 June 18
Box   35 Folder   5	Script, first draft, revised, 1967 June 18
Box   35 Folder   6	Scene locale breakdown, 1967 June 20
Box   35 Folder   7	Script, 1967 June 30
Box   36 Folder   1	Script, 1967 June 30
Box   36 Folder   2	Script, 1968 May 10
Box   36 Folder   3	Scene breakdown, undated
	Piano score, See Music subseries, Box 64, Folder 2
	Mr. Novak
	“Honor and All That”
Box   36 Folder   4	“Win, Win, Win,” adapted story, undated
Box   36 Folder   5	Treatment, 1964 May 25
Box   36 Folder   6	Correspondence, 1964 May 11-1965 May 19
Box   36 Folder   7	Script, 1964 May 25
Box   36 Folder   8	Treatment, 1964 June 11
Box   36 Folder   9	Script with notes, original, 1964 June
Box   36 Folder   10	Script, revised, 1964 July 15
Box   36 Folder   11	Revisions, 1964 July 21
Box   36 Folder   12	Partial script, 1964 August 18
Box   36 Folder   12	Revisions, 1964 August 22
Box   36 Folder   14	Complete script, 1964 August 18-22
	Miss Martha and the Braves
Box   59 Folder   9	Script, original, 1957
Box   59 Folder   10	Script, 1957
Box   59 Folder   11	Script, revised, 1957
	Name of the Game
	“Amy's Way”
Box   37 Folder   1	Synopsis and notes, 1969 February
Box   37 Folder   2	Rough story outline and notes, 1969 March
Box   37 Folder   3	Treatment, 1969 April 8
Box   37 Folder   4	Treatment, 1969 April 19
Box   37 Folder   5	Treatment, revised, 1969 April 19-1969 May 6
Box   37 Folder   6	Treatment, 1969 May 6
	“Backward with Averted Eyes”
Box   37 Folder   7	Script, 1969 November 13
Box   37 Folder   8	Script, 1969 November 17
Box   37 Folder   9	Revisions, 1969 November 20-1969 November 28
Box   37 Folder   10	Shooting schedule, 1969 November 20
Box   37 Folder   11	Shooting schedule, revised, 1969 November 20
Box   37 Folder   12	Correspondence, 1969 February 28-1969 May 6
	The New Doctors
	“The Naturalists”
Box   37 Folder   13	Format, revised, 1968 December 13-1969 January 14
Box   37 Folder   14	Notes on series and outline, 1969 March-1969 April
Box   37 Folder   15	Story outline, 1969 April 11
Box   37 Folder   16	Story outline, 1969 May 20
	Owen Marshall: Counselor at Law
Box   37 Folder   17	Universal Television Press Kit, 1971-1972
Box   37 Folder   18	Memos, 1971 April 16-1972 February 25
Box   37 Folder   19	Award outline for “Victim in Shadow,” 1972
Box   37 Box   20	Miscellaneous, 1971 May 20-1972 July 22, undated
	Owen Marshall pilot
Box   38 Folder   1	Script, first draft, 1970 May
Box   38 Folder   2	Miscellaneous notes, 1970 June-1970 December
Box   38 Folder   3	Treatment, 1970 July 15
Box   38 Folder   4	Script, first draft, 1970 September 18
Box   38 Folder   5	Script, revised draft, 1970 October 23
Box   38 Folder   6	Script, 1970 October 28
Box   38 Folder   7	Script, master, revised, 1970 October 28-1971 January 11
Box   38 Folder   8	Script, revised, 1970 November 12
Box   38 Folder   9	Partial revisions, 1970 November 12-1970 December 16
Box   38 Folder   10	Script, revised, 1970 November 12-1971 January 5
Box   39 Folder   1	Script, revised, 1970 November 23
Box   39 Folder   2	Script, 1970 November 30
Box   39 Folder   3	Script, revised, 1970 November 30-1971 January 11
Box   39 Folder   4	Script revisions, 1970 December 8-1970 December 15
Box   39 Folder   5	Shooting schedule and cast sheet, 1970 December 10
Box   39 Folder   6	Partial revision, 1970 December 28
Box   39 Folder   7-8	Writer revisions and status, 1971 April 6-1972 July 24, undated
Box   39 Folder   9	Story outlines, 1971 November 8-1972 April 4, undated
Box   39 Folder   10	Directing contract, 1971 December 16-1971 December 22
Box   39 Folder   11	Properties, 1971-1972
Box   39 Folder   12	New premise and ideas, undated
Box   39 Folder   13	Shooting schedules, undated
Box   39 Folder   14	Posters and letterhead, undated
	“The Baby Sitter”
Box   40 Folder   1	Script, 1971 August 26
Box   40 Folder   2	Script, revised, 1971 August 26-1971 September 10
	“Eighteen Years Next April”
Box   40 Folder   3	Script, production information, revised, 1971 June 29-1971 August 26
	“Eulogy for a Wide Receiver”
Box   40 Folder   4	Script, revised, 1971 June 21-1971 June 28
	“The Forest and the Trees”
Box   40 Folder   5	Script, revised, 1971 June 9-1971 July 21
	“Legacy of Fear”
Box   40 Folder   6	Script, shooting information, revised; 1971 May 28-1971 June 14
	“A Lonely Stretch of Beach”
Box   40 Folder   7	Script, revised, 1971 June 11-1971 July 15
	“Make No Mistake”
Box   40 Folder   8	Script, revised, 1971 May 25-1971 August 5
	“Men Who Care,” part II
Box   40 Folder   9	Script, 1971 July 12
Box   40 Folder   10	Script, 1971 July 22
Box   40 Folder   11	Script, revised, 1971 July 22-1971 August 11
	“Night Without a Morning”
Box   40 Folder   12	Addendum, 1971 August 24
	“Shadow of a Name”
Box   40 Folder   13	Script, revised, 1971 July 2-1971 August 24
	“The Triangle”
Box   40 Folder   14	Script, revised, 1971 May 26-1971 June 14
	“Until Proven Innocent”
Box   40 Folder   15	Script and production information, revised, 1971 July 20-1971 August 3
	“Burden of Proof”
Box   40 Folder   16	Script, revised, 1971 September 21-October 4
	“Charlie Gave Me Your Number”
Box   41 Folder   1	Script, production information, 1972 July 3
Folder   41 Folder   2	Script, production information, revised, 1972 July 3-1972 September 5
	“The Color of Respect”
Box   41 Folder   3	Treatment, notes, 1971 November 8
Box   41 Folder   4	Script, 1971 December 13
Box   41 Folder   5	Script, revised, 1971 December 14-1971 December 24
	“Eight Cents Worth of Protection”
Box   41 Folder   6	Script, 1971 October 11
Box   41 Folder   7	Script, production information, revised, 1971 October 11-1971 October 18
	“The First Day of Your Life”
Box   41 Folder   8	Script, revised, 1972 July 14-1972 August 7
	“Five Will Get You Six”
Box   41 Folder   9	Script, revised, 1972 July 12-1972 August 1
	“Guilt by Reason of Innocence”
Box   41 Folder   10	Script, production information, revised, 1971 November 12-1971 November 29
	“Hour of Judgment”
Box   41 Folder   11	Script, production information, revised, 1972 May 15-1972 June 23
	“Journey Through Limbo”
Box   41 Folder   12	Script, revised, 1972 May 19-1972 July 5
	“Libel Is a Dirty Word”
Box   41 Folder   13	Script, revised, 1972 May 12-1972 June 16
	“Lines from an Angry Book”
Box   41 Folder   14	Script, 1972 June 6
	“Log-Jam”
Box   41 Folder   15	Story outline, 1972 August 30
	“Love Child”
Box   42 Folder   1	Script, revised, 1972 June 15-1972 August 14
	“Murder in the Abstract”
Box   42 Folder   2	Script, production information, revised, 1972 January 1-1972 January 25
Box   42 Folder   3	Script, revised, 1972 January 6-1972 January 20
	“Nothing Personal”
Box   42 Folder   4	Script, revised, 1971 September 13-1971 September 17
Box   42 Folder   5	Script, production information, revised, 1971 September 13-1971 September 20
	“An Often and Familiar Ghost”
Box   42 Folder   6	Story outline, 1972 July 27
Box   42 Folder   7	Script, production information, revised, 1972 October 10-1972 November 17
	“A Piece of God”
Box   42 Folder   8	Script, 1972 August 15
Box   42 Folder   9	Script, revised, 1972 August 15-September 14
	“A Question of Degree”
Box   42 Folder   10	Script, production information, revised, 1971 December 28-1972 January 12
	“Run, Carol, Run!”
Box   42 Folder   11	Script, revised, 1971 November 23-1971 December 6
	“Shine a Light on Me”
Box   42 Folder   12	Script, 1971 November 19
Box   42 Folder   13	Shooting schedule, 1971 December 13
Box   42 Folder   14	Script, revised, 1971 December 15
	“Sigh No More, Lady”
Box   42 Folder   15	Script, revised, 1972 August 9-1972 August 22
	“Smiles from Yesterday”
Box   42 Folder   16	Script, revised, 1971 December 27-1971 December 31
Box   42 Folder   17	Shooting schedule, 1971 December 30
	Music, See Music subseries, Box 64, Folder 3
	“The Trouble with Ralph”
Box   42 Folder   18	Script, revised, 1972 May 16-1972 July 24
	“Warlock at Mach 3”
Box   43 Folder   1	Script, production information, revised, 1971 October 15-1971 October 26
	“The Way the Ball Bounces”
Box   43 Folder   2	Script, production information, revised 1971 October 1-1971 October 11
	“Who Saw Him Die”
Box   43 Folder   3	Script, production information, revised, 1972 May 17-1972 July 13
	“Words of Summer”
Box   43 Folder   4	Script, production information, revised, 1972 May 1-1972 May 26
	“The Camerons are a Special Clan”
Box   43 Folder   5	Script, first draft, 1973 April
Box   43 Folder   6	Story outline, 1973 July 5
Box   43 Folder   7	Script, revised, 1973 August 22
Box   43 Folder   8	Directing materials, 1973 August
Box   43 Folder   9	Script, revised, 1973 September 19
Box   43 Folder   10	Treatment of first and second drafts, undated
	“The Cheerleaders”
Box   43 Folder   11	Story outline, 1972 September 11
	“Child of Wednesday”
Box   43 Folder   12	Script, 1973 July 12
Box   43 Folder   13	Script, 1973 August 2
Box   43 Folder   14	Script, revised, 1973 October 5
	“Crack in the Family Wall”
Box   43 Folder   15	Story outline, 1973 February 23
	“Dropping Out”
Box   43 Folder   16	Story outline, 1973 February 26
	“Étude for a Kidnapper”
Box   43 Folder   17	Story outline, 1973 August 28
Box   44 Folder   1	Script, revised, 1973 October 11-1973 October 29
	“Eye of the Storm”
Box   43 Folder   2	Story outline, 1973 March 2
Box   43 Folder   3	Script, revised, 1973 July 13-1973 August 8
	“Final Semester”
Box   43 Folder   4	Story outline, 1972 November 7
Box   43 Folder   5	Script, revised, 1972 December 13-1972 December 27
	“A Girl Named Tham”
Box   43 Folder   6	Story outline, 1972 November 22
Box   43 Folder   7	Script, revised, 1972 December 29-1973 January 11
	“A Lesson in Loving”
Box   43 Folder   8	Script, revised, 1973 July 16-1973 July 27
	“Linda”
Box   43 Folder   9	Story outline, 1973 July 5
	“N Is for Nightmare”
Box   43 Folder   10	Story outline, 1973 February 7
	“Once a Lion”
Box   43 Folder   11	Script, revised, 1973 June 28-1973 July 12
	“The Pool House”
Box   43 Folder   12	Story outline, 1973 March 1
Box   43 Folder   13	Script, revised, 1973 June 28-1973 July 20
	“Poor Children of Eve”
Box   43 Folder   14	Script, 1973 August 15
Box   43 Folder   15	Script, revised, 1973 August 15-1973 September 12
	“Requiem for Young Lovers”
Box   43 Folder   16	Script, revised, 1972 November 10-1972 November 21
Box   43 Folder   17	Script, revised, 1972 November 10-1972 November 29
Box   45 Folder   1	Script, revised, 1972 November 10-1972 December 12
	“The Second Victim”
Box   45 Folder   2	Story outline, 1973 February 12
Box   45 Folder   3	Script, revised, 1973 August 8-1973 September 6
	“Seed of Doubt”
Box   45 Folder   4	Script, revised, 1972 October 2-1972 October 19
	“Set Up for the Bomb”
Box   45 Folder   5	Story outline, 1973 July 2
	“The Sinner”
Box   45 Folder   6	Story outline, 1973 August 22
Box   45 Folder   7	Script, revised, 1973 September 14-1973 September 24
	“Snatches of Crazy Song”
Box   45 Folder   8	Story outline, 1973 July 24
Box   45 Folder   9	Script, revised, 1973 August 27-1973 October 8
	“Some People in a Park”
Box   45 Folder   10	Story outline, 1972 September 2
Box   45 Folder   11	Story outline, shooting schedule, 1972 September 13-1972 December 15
Box   45 Folder   12	Story outline, undated
Box   45 Folder   13	Script, first draft, 1972 October 14
Box   45 Folder   14	Script, first draft, revised, 1972 October 14
Box   45 Folder   15	Script, 1972 November 7
Box   45 Folder   16	Script, revised, 1972 November 7-1972 December 7
Box   45 Folder   17	Call sheets, production charts, 1972 December
Box   45 Folder   18	Set designs, 1972 December
	“Sometimes Tough Is Good”
Box   45 Folder   19	Script, revised, 1972 September 6-1972 October 2
	“A Spring-like Person”
Box   45 Folder   20	Story outline, 1973 March 5
Box   46 Folder   1	Story first draft with notes, 1973, outline, , March 5
Box   46 Folder   2	Script, first draft, 1973
Box   46 Folder   3	Script, 1973
	“Starting Over Again”
Box   46 Folder   4	Script, production information, revised, 1972 September 1-1972 October 16
	“Sweet Harvest”
Box   46 Folder   5	Story outline, 1973 February 26
Box   46 Folder   6	Script, 1973 July 18
Box   46 Folder   7	Script, revised, 1973 July 18-1973 August 14
	“They've Got to Blame Somebody”
Box   46 Folder   8	Story outline, 1972 September 12
Box   46 Folder   9	Script, revised, 1972 October 26-1972 November 17
	“Threshold”
Box   46 Folder   10	Story outline, 1972 October 25
	“Where There's Smoke”
Box   46 Folder   11	Story outline, 1973 March 2
	“Why Is a Crooked Letter”
Box   46 Folder   12	Story outline, 1972 September 14
Box   46 Folder   13	Script, revised, 1972 November 6-1972 November 21
	“The Attacker” (formerly “Georgie”)
Box   46 Folder   14	Story outline, 1973 September 18
Box   46 Folder   15	Script, revised, 1973 October 30-1973 November 12
	“The Best Bunch of Girls”
Box   46 Folder   16	Story outline, 1973 November 17
	“The Break-in” (formerly “Search and Seizure”)
Box   46 Folder   17	Script, revised, 1974 January 23
	“Crossfire”
Box   46 Folder   18	Story outline, 1974 January 8
	“The Desertation of Keith Ryder” (formerly “The Deserter”)
Box   46 Folder   19	Story outline, 1973 December 24
Box   47 Folder   1	Script, revised, 1974 February 21
	“A Foreigner Among Us”
Box   47 Folder   2	Story outline, revisions, background material, 1973 November 20; undated
Box   47 Folder   3	Story outline, 1973 November 26
Box   47 Folder   4	Script, first draft, 1973 December 11
Box   47 Folder   5	Script, 1973 December 28`
Box   47 Folder   6	Script, draft, undated
	“The Ghost of Buzz Savage”
Box   47 Folder   7	Story outline, 1974 January 25
Box   47 Folder   8	Script, revised, 1974 February 28
	“House of Friends”
Box   47 Folder   9	Script, 1973 December 3
Box   47 Folder   10	Script, revised, 1973 December 21
	“I've Promised You a Father” (part II)
Box   47 Folder   11	Script, revised, 1974 February 19
	“To Keep and Bear Arms”
Box   47 Folder   12	Script, 1974 January 29
Box   47 Folder   13	Script, revised, 1974 February 8
	“A Killer With a Badge”
Box   47 Folder   14	Script, 1973 October 16
Box   47 Folder   15	Script, revised, 1973 November 2
	“Legend in Granite”
Box   47 Folder   16	Script, 1973 October 31
	“The Other Side of the Mountain”
Box   47 Folder   17	Story outline, 1973 December 10
	“The Prowler”
Box   48 Folder   1	Story outline, 1973 September 7
Box   48 Folder   2	Script, revised, 1973 September 26-1973 October 18
	“The Royal Malady”
Box   48 Folder   3	Story outline, 1974 January 2
	“The Sterilization of Judy Simpson” (formerly “The Ordeal of Judy Simpson”)
Box   48 Folder   4	Script, 1974 January 24
Box   48 Folder   5	General Publicity for Owen Marshall: Counselor at Law, 1971 May 14-1973 September 23; undated
	Portrait: A Man Called John [Pope John XXIII] - produced
Box   48 Folder   6	Script, revised, 1972 December 28-1973 January 19
	Portrait: Man on Second [Jackie Robinson] - unproduced
Box   48 Folder   7	Correspondence and notes, 1973 January-1973 March
Box   48 Folder   8	Story outline, 1973 February 19
Box   48 Folder   9	Story outline, 1973 February 28
Box   48 Folder   10	Script, first draft, rough, 1973 July 13
Box   48 Folder   11	Script, first draft, finished, 1973 July 13
Box   48 Folder   12	Script, 1973 July 13
	Portrait: Legend in Granite [Vince Lombardi] - produced
Box   48 Folder   13	Vince Lombardi proposal, 1973 July 25
Box   48 Folder   14	Treatment, 1973 August
Box   48 Folder   15	Treatment, first draft, 1973
Box   48 Folder   16	Script, 1973 September 21
Box   48 Folder   17	Script, revised, 1973 September 21
Box   48 Folder   18	Research material, 1973 September
Box   48 Folder   19	Script, revised, 1973 October 8-1973 October 31
Box   48 Folder   20	Shooting schedule, cast sheet, 1973 October 26
Box   48 Folder   21	Partial revisions, 1973 November 25
	Pursuit
Box   59 Folder   12	Blueprints, undated
	Reckoning - unproduced
Box   48 Folder   22	Series introduction, 1966
	Sandburg's Lincoln
Box   49 Folder   1	Research information, 1974 January 23-1974 March 19; undated
Box   49 Folder   2	Outline, notes, correspondence, 1974 February 15-1974 February 25; undated
	“Sad Figure Laughing”
Box   49 Folder   3	Script, first draft, undated
Box   49 Folder   4	Outline research, 1974 March 25-1974 April 2; undated
Box   49 Folder   5	Script, second draft, 1974 March 31
Box   49 Folder   6	Script, revised draft, 1974 April 8
Box   49 Folder   7	Correspondence and revisions, 1974 April 19-1974 April 22
Box   49 Folder   8	Revisions, shooting schedules, 1974 April 26-1974 May 2
	Seven Baker Street (formerly An American Near the Court of Saint James)
Box   49 Folder   9	“Let George Do It,” radio story, 1949 April 11
Box   49 Folder   10	Notes for series, 1966 February-1966 September
Box   49 Folder   11	Introduction to series, 1966 April
Box   49 Folder   12	General correspondence, plot outlines, 1966 July 6-1966 November 10; undated
	“The Event of July Third” (pilot)
Box   49 Folder   13	Script, first draft, 1966 April
Box   49 Folder   14	Treatment, 1966 July 31
Box   49 Folder   15	Treatment, 1966 August 20
Box   49 Folder   16	Story outline, notes, 1966 September 9
Box   49 Folder   17	Script, introduction to series, 1966 September 22
Box   50 Folder   1	Script, final revision, 1966 September 26
Box   50 Folder   2	Script, pilot, 1966 September
	The Shoemaker's House
Box   59 Folder   13	Script, 1957
	Something Familiar About the Hand
Box   59 Folder   14	Script, undated
	The Staring Match (Studio One, Aired 1957)
Box   50 Folder   3	Contract, undated
Box   50 Folder   4	Correspondence, undated
Box   50 Box   5	Duplicate of original manuscript, undated
Box   50 Folder   6	Fan mail, reviews, 1957 June 17-1965 March 12; undated
Box   50 Folder   7	Financial statements, 1957 August 15-1962 August 6; undated
Box   50 Folder   8	Script, 1956-1957
Box   50 Folder   9	Script, 1957
Box   50 Folder   10	Opera and lyrics, drafts, 1958-1959
Box   50 Folder   11	Script for opera, libretto, and synopsis, 1962 December
Box   50 Folder   12	Scripts for opera, libretto, 1962
Box   50 Folder   13	Script, early draft, 1957
Box   50 Folder   14	Script, first mimeo, 1957 June 17
Box   50 Folder   15	Script, revised, second mimeo, 1957 June 17
Box   50 Folder   16	Script, with synopsis, 1957 June 17
Box   50 Folder   17	Script, first rewrite, 1957
Box   50 Folder   18	Script, stage version, 1957
Box   52 Folder   3	Script bound with script for No Rhyme For Orange
Box   50 Folder   19	Libretto, 1964
	Conductor's score, See Music subseries, Box 66
	The Streets of San Francisco
Box   51 Folder   1	Story and correspondence, 1973 April-1973 May
	“Crossfire” (formerly “Peggy in Crossfire”)
Box   51 Folder   2	Story outline, rough and finished, 1973 May 6
Box   51 Folder   3	Story outline and notes, 1973 May 6
Box   51 Folder   4	Script, first draft, rough, 1973 May 31
Box   51 Folder   5	Script, first draft, finished, 1973 May 31
Box   51 Folder   6	Script, final draft, 1973 July 12
Box   51 Folder   7	Script, revised, rough, 1973 June 24
Box   51 Folder   8	Script, revised, finished, 1973 June 24
Box   51 Folder   9	Partial revisions and notes, 1973 December 4
	“Deadline”
Box   51 Folder   10	Script, 1972 November 30
	“The First Day of Forever”
Box   51 Folder   11	Script, 1972 June 30
	“The House on Hyde Street”
Box   51 Folder   12	Script, 1972 December 28
	“Trail of the Serpent”
Box   51 Folder   13	Script, 1972 December 8
	There Is No Rhyme for Orange
Box   51 Folder   14	Playscript, 1956-1957
Box   52 Folder   1	Script, working, undated
Box   52 Folder   2	Script, undated
Box   52 Folder   3	Script, bound with script for The Staring Match, undated
	Three for the Road
Box   52 Folder   4	Correspondence, 1975 March 6-1975 March 21; undated
Box   52 Folder   5	Script, revised, 1975 February 3
Box   52 Folder   6	Script, original, first draft, revised, 1974 November 11
Box   52 Folder   7	Script, first draft, 1974 November 12
Box   52 Folder   8	Notes on first draft, 1974 November
Box   52 Folder   9	Script, revised draft, 1974 December 13
Box   52 Folder   10	Producer's file, 1975 January 23-1975 February; undated
Box   52 Folder   11	Notes on revisions, undated
Folder   52 Folder   12	Script, revised draft, undated
Box   52 Folder   13	Complete script, revised, 1975 January 23
	Triad
Box   53 Folder   1	Story outline, notes, correspondence, 1972 August-1973 January
Box   53 Folder   2	Treatment and notes, rough draft, 1972 September 15
Box   53 Folder   3	Treatment, finished draft, 1972 September 15
Box   53 Folder   4	Script, original, rough draft, 1972 November 9
Box   53 Folder   5	Script, original, finished draft, 1972 November 9
Box   53 Folder   6	Script, rough draft, 1973 January 22
Box   53 Folder   7	Script, revised, finished draft, 1973 January 22
	Twilight Zone
	“The Self-Improvement of Salvadore Ross”
Box   53 Folder   8	Story outline and correspondence, 1963 May 16-1963 October 15; undated
Box   53 Folder   9	Script and notes, 1963 June 7
Box   53 Folder   10	Partial script, notes, 1963 June 7-1963 June 20
Box   53 Folder   11	Script, 1963 June 25
Box   53 Folder   12	Script, 1963 June
Box   53 Folder   13	Script, revised, 1963 July 1
	“The Seventh Is Made Up of Phantoms”
Box   53 Folder   14	Script, 1963 April 30
	“Steel”
Box   53 Folder   15	Script, 1963 April 16
	The Virginian
Box   54 Folder   1	Correspondence, 1967 November 24-1968 October 7; undated
	“The Brothers”
Box   54 Folder   2	Script, 1965 June 17
	“The Horse Fighter”
Box   54 Folder   3	Script, 1965 October 4
	“The Storm Gate”
Box   54 Folder   4	Story outline and notes, 1967 November
Box   54 Folder   5	Treatment, 1967 December 26
Box   54 Folder   6	Script, original, 1968 January
Box   54 Folder   7	Script, 1968 February 2
Box   54 Folder   8	Script, rough draft, revised, 1968 March 8
Box   54 Folder   9	Script, finished draft, revised, 1968 March 8
Box   54 Folder   10	Revisions, 1968 March 12
Box   54 Folder   11	Script, 1968 March 27
Box   54 Folder   12	Script, 1968 April 17
Box   54 Folder   13	Script, 1968 July 29
Box   54 Folder   14	Script, revised, 1968 August 19-1968 August 26
	We Want Wostok
Box   59 Folder   15	Script, 1972 February 22
Box   54 Folder   16	Script, notes, 1972 April 3
	Subseries: Motion Pictures	⇧
	Hager's Choice (unproduced)
Box   55 Folder   1	“Tears of Vengeance,” screen story; idea for Hager's Choice, 1967 November 22
Box   55 Folder   2	Treatment, 1968 January
Box   55 Folder   3	“The Debt,” story for Hager's Choice, 1968 February 27
Box   55 Folder   4-5	Treatment, 1968 March 17
Box   55 Folder   6	Treatment, with revisions, 1968 March 17
Box   55 Folder   8	Partial script, original, first segment, 1968 April 15
Box   55 Folder   9	Partial script, 1968 April-1968 May
Box   55 Folder   10	Script, original, 1968 April-1968 May
Box   55 Folder   11	Script, 1968 June 1
	Inherit the Wind (United Artists, 1960)
Box   69 Folder   1	Script, by Nathan E. Douglas and Harold Jacob Smith, annotated by Fredric March, 1958 October 21
	July Red (never submitted)
Box   56 Folder   1	Premise for “Movie of the Week,” 1972 April 19
Box   56 Folder   2	Script, undated
Box   56 Folder   3	Draft and revisions, undated
	Lines from an Angry Book (ABC Circle Film Proposal)
Box   60 Folder   1	Treatment, story outline, notes, 1972 February
	Middle of the Night (Columbia, 1959)
Box   69 Folder   2	Script, by Paddy Chayefsky, annotated by Fredric March, circa 1959
	“The Face of a Father”
Box   60 Folder   2	Script, original, undated
Box   60 Folder   3	Script, undated
	“Five Sides of a Square”
Box   60 Folder   4	Script, production information, 1958 December
Box   60 Folder   5	Scripts, undated
	“A Modern Carol”
Box   60 Folder   6	Script, undated
	“The Naked Eye”
Box   60 Folder   7	“The Strange Malady of Alexander Glover,” short story basis for “The Naked Eye,” 1956 July 20
Box   60 Folder   8	Play outline, 1958
Box   60 Folder   9	Script, outline of Act II, working copy, 1958
Box   60 Folder   10	Script, 1958
	Plato's Republic (unproduced)
Box   56 Folder   4	Notes, 1968 December
Box   56 Folder   5	Script, original, first draft, 1968 December 7
Box   56 Folder   6	Partial script with notes, Act I revised, 1969 January 7
Box   56 Folder   7	Script, first draft, revised, 1969 January 7-1969 January 9
Box   56 Folder   8	Script, revised draft, 1969 February 27
Box   56 Folder   9	Script, revised draft with notes, 1969 March 14
Box   56 Folder   10	Script, 1969 March 21
Box   57 Folder   1	Script, revised draft, 1969 March 21
Box   57 Folder   2	Notes, 1969 March
Box   57 Folder   3	Miscellaneous notes, 1969 May-1969 June
Box   57 Folder   4	Script, revised draft, 1969 June 22
Box   57 Folder   5	Script, revised draft, working copy, 1969 June 30
Box   57 Folder   6	Script, revised draft, working copy with notes, 1969 June 30
Box   57 Folder   7	Script, revised draft, finished, 1969 June 30
Box   57 Folder   8	Script, revised draft, rough, 1969 September 22
Box   58 Folder   1	Script, revised draft, 1969 September 22
Box   58 Folder   2	Script, revised draft with synopsis, 1969 September 22
Box   58 Folder   3	Script, revised draft, Act II, 1969 October 10
Box   58 Folder   4	Script, revised draft, 1969 October 13
Box   58 Folder   5	Research materials; clippings, 1968 November 5-1969 November 19; undated
Box   58 Folder   6	Research materials; magazines and pamphlets, 1968-1970
Box   58 Folder   7	Scripts, correspondence, 1968 April 14-1970 January 30; undated
Box   58 Folder   8	Notes and miscellaneous, 1969 July 7-1969 October 3; undated
	“Pommerolly”
	“The End of the Line”
Box   60 Folder   11	Story basis for “Pommerolly,” undated
Box   60 Folder   12	Notes, 1967
Box   60 Folder   13	Notes for a musical, 1967 October 19
	“Pudd'nhead Wilson”
Box   60 Folder   14	Notes on musical adaptation, undated
	“Red Is the Color of June” (formerly “An Outside Danger”)
Box   60 Folder   15	Story outline, 1958 June 10
Box   60 Folder   16	Script, original, 1958
Box   60 Folder   17	Script, 1961 April
Box   60 Folder   18	Script, undated
	“Richard Rodgers Show”
Box   60 Folder   19	Rehearsal sheet, undated
	“Time Remembered”
Box   61 Folder   1	Script, 1961 January 30-1961 January 31
Box   61 Folder   2	Notes, correspondence, 1961 June 20-1970 June 11
	Untitled play
Box   61 Folder   3	Script, undated
	Subseries: Other Writings and Speeches by McNeely	⇧
Box   61 Folder   4	“Atkinson: In Immediate Retrospect,” article, 1961 December-undated
Box   61 Folder   5	Article on television writing, drafts, undated
Box   61 Folder   6	Column for Los Angeles Times regarding television writing, rough draft, undated
	Stripes and Bright, novel
Box   61 Folder   7	First draft, 1959
Box   61 Folder   8	Twelve chapters and outline, undated
Box   61 Folder   9	“On the Use of the Telephone as a Device for Personality Improvement,” short story, 1958 September
Box   61 Folder   10	“The Left Guard Like to Dance,” short story (submitted to and rejected by the Saturday Evening Post), 1956 June
Folder   61 Folder   11	WEA speech and correspondence, 1958 October 23-1958 November 6
	Subseries: University of Wisconsin Theatrical Production Materials	⇧
	Antigone by Sophocles
Box   61 Folder   12	Script, 1958
	The Bottle Imp by Robert Louis Stevenson
Box   61 Folder   13	Script, undated
	Camelot, by Alan Jay Lerner
Box   61 Folder   14	Miscellany, undated
Box   69 Folder   3	Script, 1962 November 22
	The Father by August Strindberg
Box   61 Folder   15	Script, undated
Box   61 Folder   16	Script, annotated and correspondence, 1960-1962
	Kiss Me Kate by William Shakespeare
Box   61 Folder   17	Music, lyrics, clipping, and correspondence, 1961-1963 November 20
Box   61 Folder   18	Cast and staging, 1961
	Meet Lafitte! by Jerry McNeely
Box   61 Folder   19	Script, 1955
	Phi Beta -- A Tribute to Lunt and Fontanne
Box   62 Folder   1	Script and cast list, 1970 July 20-1970 October 27; undated
Box   62 Folder   2	Script, undated
	Mr. Roberts by Joshua Logan and Thomas Hagan
Box   62 Folder   3	Script, 1962 April
	Most Happy Fella by Frank Loesser
Box   62 Folder   4	Correspondence, rehearsal schedules, cast lists, 1970 January 12-1971 February 27; undated
	Trial by Jury by W.S. Gilbert
Box   62 Folder   5	Miscellaneous, 1954
	A Visit to a Small Planet by Gore Vidal
Box   62 Folder   6	Script, 1956-1957
	West Side Story by Arthur Laurents
Box   62 Folder   7	Correspondence, notes, cast lists, 1959 December 15-1964 January 26; undated
	Miscellaneous Productions
Box   62 Folder   8	Rehearsal schedules and play titles, undated
	Subseries: Material Submitted by Other Authors for Review	⇧
Box   62 Folder   9	“The Box Step,” story outline by Henry Farrell, undated
Box   62 Folder   10	“The Braves,” script by Christopher Knopf, 1970 April 30
Box   62 Folder   11	“Category IV,” script by Erik Amfitheatrof, 1959
Box   62 Folder   12	“The Derailment of Jackson Hurlbutt,” script by J.B. Milfred and H.A. Daper, 1969
Box   62 Folder   13	“The Ghostbreaker,” presentation for a new series by Peter Stone and Sherman Yellen, undated
	The Golden Gate, novel by Henri Dugall, submitted to McNeely in 1972
Box   63 Folder   1	Part I, John Manning
Box   63 Folder   2	Part II, Nathaniel Liedenski
Box   63 Folder   3	Part III, Mary Weaver
	The Karamanov Equations, early draft of novel by Marshall Goldberg, undated
Box   63 Folder   4	Pages 1-158
Box   63 Folder   5	Pages 159-280
Box   63 Folder   6	Pages 281-383
Box   63 Folder   7	“The Paig Formula,” script for screenplay by Paul Lagergren, undated
Box   63 Folder   8	“Song of Sixpence,” script by Ronald Mitchell, 1957 August 25
	“Speak Not Evil”
Box   63 Folder   9	Novel analysis by Edwin Lanham, 1964 August 6
Box   63 Folder   10	Treatment by James Gunn, 1964 October 12
	Star Trek
Box   63 Folder   11	Writer/director information, 1966 March 15
	Strange Report
Box   63 Folder   12	“To Mao with Hate,” script by John Kruse, undated
	Subseries: Music	⇧
Box   64 Folder   1	Songs, A-L
Box   64 Folder   2	Mark Twain, piano score
Box   64 Folder   3	Songs, 0-T
	Wait and See
Box   65 Folder   1	Director's score, Southeastern Missouri State College; 5th Army Band from Kansas, entire orchestra parts, 1952
Box   65 Folder   2	Overture, produced by Haresfoot Club, University of Wisconsin, 1954
Box   65 Folder   3	Songs, W-Miscellaneous
	The Staring Match
Box   66	Conductor's score, undated
	Subseries: Covenant Presbyterian Church Materials	⇧
Box   67 Folder   1	Christmas and Easter services; programs, 1961 December 24-1966 Easter Sunday
Box   67 Folder   2	Lectures and correspondence on stewardship, 1963 November 11-1967 January 11
Box   67 Folder   3	Sermons on Stewardship, rough and finished, 1966 February 6; undated
	Clerk's file: financial statements
	Correspondence, Minutes
Box   67 Folder   4	1964 May 24-1966 March 23
Box   67 Folder   5	1966 April 27-1966 December 14
Box   67 Folder   6	1967 January 11-1967 April 12
Box   67 Folder   7	Balance sheets, 1964 April 30-1967 February
Box   67 Folder   8-9	Miscellaneous, 1962, 1967
	Series: Part 2, 1980 Additions, 1953-1979	⇧
	Subseries: Personal Papers
Box   70 Folder   1	Biographical material, 1966, 1969
	Correspondence
Box   70 Folder   2	1956 December-1960 August
Box   70 Folder   3	1960 September-1962 July
Box   70 Folder   4	1962 August-1964 April
Box   70 Folder   5	1964 May-1965 July
Box   70 Folder   6	1965 August-1968 November
Box   70 Folder   7	1969 August-1970 September
Box   70 Folder   8	1975 May-1976 December
Box   70 Folder   9	1977 January-1978 December
	Notes
Box   70 Folder   10	Speech 105, 109, 136, 141, 1953-1954
Box   70 Folder   11	Preliminary examinations, undated
	Subseries: General Correspondence	⇧
Box   71 Folder   1	1957 May-1959
Box   71 Folder   2	1959 April-1960 July
Box   71 Folder   3	1960 August-1961 March
Box   71 Folder   4	1961 April-1962 August
Box   71 Folder   5	1962 September-1963 February
Box   71 Folder   6	1963 March-1964 May
Box   71 Folder   7	1964 June-1965 June 14
Box   71 Folder   8	1965 August-1966 December
Box   71 Folder   9	J, 1967 January-1970 June
	Subseries: University of Wisconsin Records	⇧
Box   71 Folder   10	American Educational Theatre Association Television Project, 1960-1961
Box   71 Folder   11	College Bowl, 1965
Box   72 Folder   1	Communications Arts Building, 1965
Box   72 Folder   2	Copyright Revision Committee, 1964-1965
Box   72 Folder   3	Examination questions, 1958-1963
Box   72 Folder   4	Job candidates, 1963-1967
Box   72 Folder   5	Job openings, 1962-1965
Box   72 Folder   6	Joint Conference Committee, 1962
Box   72 Folder   7	Letters and Science Catalog revisions, 1961, 1965
Box   72 Folder   8	National Academy of Television Arts & Sciences, 1959-1960
Box   72 Folder   9	Playwrights Program, 1964
Box   72 Folder   10	Preliminary examination questions, 1964-1970
Box   72 Folder   11	Program planning, undated
	Radio-TV-Film Division
Box   72 Folder   12	1963 December-1966 May
Box   72 Folder   13	1967 January-1969 December
Box   73 Folder   1	Undated
Box   73 Folder   2	Report on Television Programming, 1966
Box   73 Folder   3	Scripts and kinescope correspondence, 1956-1961
Box   73 Folder   4	Shop Talk: Quarterly Journal of Speech, 1961-1962, undated
Box   88 Folder   7	Speech Department faculty promotion data, 1964
Box   73 Folder   5-6	Speech Department Summer Bulletins, 1939, 1958-1961, 1962
Box   73 Folder   7	Speech Institute, 1958
	Student Records -- Restricted
Box   88 Folder   1	Advising, 1963-1965
Box   88 Folder   2-3	Committee on Student Conduct and Appeals, 1962-1965
Box   88 Folder   4-6	Recommendations, 1957-1966, undated
Box   88 Folder   8	Student grade records, 1963-1965
	Student files, 1955-1969
Box   88 Folder   9-10	A-0
Box   88 Folder   11	P-Simpson
Box   89 Folder   1	Smith-Stevenson
Box   89 Folder   2-3	T-Z
Box   73 Folder   8	Television education programs, 1956-1959
Box   73 Folder   9	Andrew Weaver Recognition Dinner transcript, 1961
Box   73 Folder   10	World Law Fund Contest, 1965-1967
	Subseries: University of Wisconsin Theater/Television Productions	⇧
Box   73 Folder   11	“Born Yesterday,” 1965
Box   73 Folder   12	“The Caine Mutiny Court-Martial,” 1962
Box   73 Folder   13	“The Communicators,” WHA-TV, 1962
Box   73 Folder   14	“Five Sides of a Square,” WHA-TV, 1960-1961
Box   73 Folder   15	“Gypsy,” 1965-1966
Box   74 Folder   1	“The Shoemaker's House,” WHA-TV, 1957
Box   74 Folder   2	Untitled
Box   74 Folder   3	Wisconsin Players, Miscellaneous, 1959-1965
	Subseries: Materials Submitted by Other Authors	⇧
Box   74 Folder   4	“Ashes, Ashes, We All Fall Down,” script by John Slade, undated
Box   74 Folder   5	“Daniel Boone,” story idea by Reid Gilbert, undated
	“Down River,” musical by David Peterson, undated
Box   74 Folder   6	Book, 1961
Box   90	Score, 1961
Box   74 Folder   7	“571 B.C.,” musical précis by Gustavo Motto
Box   74 Folder   8	“The Mind Dungeon,” script by Carlton Benz
Box   74 Folder   9	“Rumors of Evening,” Playhouse 90, story idea by F.W. Durkee Jr.
Box   74 Folder   10	“Vegas,” story outline by Sue Milburn, 1975
Box   74 Folder   11	“The Whitewater Kiss,” musical by David Peterson, undated
	Subseries: Television Scripts by Other Authors	⇧
	Bonanza
Box   74 Folder   12	“Emily,” by Elliot Gilbert and Preston Wood, 1968
Box   74 Folder   13	“The Fence,” by Ward Hawkins, 1969
	The Eleventh Hour
Box   74 Folder   14	“How Do I Say 'I Love You,'” by Pat Fiedler, 1963
	Hawaii Five-0
Box   74 Folder   15	“One for the Money,” by Palmer Thompson, 1968
	Ironside
Box   74 Folder   16	“Reprise,” by Albert Aley, 1968
	Subseries: Television Materials	⇧
Box   74 Folder   17	“The Best Years” series idea, 1962
	“The Boy Who Drank Too Much”
Box   74 Folder   18	Song, “Lonely Street - Winter Day,” undated
	Story Outline
Box   74 Folder   19	August 28, 1978
Box   74 Folder   20	September 11, 1978 (revision)
Box   74 Folder   21	September 28, 1978
	Script
Box   75 Folder   1	First draft, November 27, 1978
Box   75 Folder   2	First draft, December 11, 1978
Box   75 Folder   3	Revised first draft, December 14, 1978
Box   75 Folder   4	Revised first draft, December 26, 1978
Box   75 Folder   5	Revised draft, February 12, 1979
Box   75 Folder   6	Second draft, February 21, 1979
Box   75 Folder   7	Revised second draft, March 9, 1979
Box   76 Folder   1	Revised second draft, annotated, March 9, 1979
Box   76 Folder   2	Final draft, March 16, 1979
Box   76 Folder   3	Revised pages, March 28 April 6, and April 25, 1979
	“Call Caprianos”
	Script
Box   76 Folder   4	First draft, November 10, 1978
Box   76 Folder   5	Revised first draft, November 17, 1978
Box   76 Folder   6	Revised first draft, November 20, 1978
	“The Car”
Box   76 Folder   7	Script, July 18, 1976
	“The Circus”
Box   76 Folder   8	Correspondence, minutes, budget, 1975
Box   76 Folder   9	Notes, story outlines, undated
Box   76 Folder   10	Story outline, revised, undated
	Scripts
Box   76 Folder   11	November 14, 1975
Box   76 Folder   12	Undated
Box   77 Folder   1-2	Undated, revised
Box   77 Folder   3	June 1, 1976
	“The Critical List”
Box   77 Folder   4	Correspondence, legal file, synopsis, 1977-1978
	Part 1 (formerly “Skeletons,” “Lassiter,” Part II)
	Scripts
Box   77 Folder   5	First draft, September 30, 1977
Box   77 Folder   6-7	Revised, October 5, 1977
Box   77 Folder   8	Revised, October 20, 1977
Box   77 Folder   9	Revised, March 3, 1978
Box   78 Folder   1	Final draft, March 3, 1978
Box   78 Folder   2-3	Revised final draft, March 21, 1978
Box   78 Folder   4	Long version, August 8, 1977
Box   78 Folder   5	First draft, August 9, 1977
Box   78 Folder   6	First draft, revised, August 18, 1977
Box   79 Folder   1	Final first draft, August 18, 1977
Box   79 Folder   2	Revised, September 7, 1977
Box   79 Folder   3	Revised, September 17, 1977
Box   79 Folder   4	Revised, February 27, 1978
Box   79 Folder   5	Final draft, March 8, 1978
Box   79 Folder   6	Revised final draft, April 15, 1978
Box   79 Folder   7	Miscellaneous revised pages, undated
Box   79 Folder   8	Stage design, undated
	“Five-Finger Discount”
Box   79 Folder   9	Correspondence and Scholastic project, 1976-1977
Box   80 Folder   1	Notes and clippings, 1976-1977, undated
Box   80 Folder   2	Story outline, September 22, 1976
Box   80 Folder   3	Script, February 23, 1977
Box   80 Folder   4-5	Script, revised, February 23, 1977
Box   80 Folder   6	Script, revised, undated
Box   80 Folder   7	Script, June 29, 1977
	“The Gold Shield”
Box   80 Folder   8	Treatment, May 14, 1979
	Scripts
Box   80 Folder   9	First draft, July 13, 1979
Box   80 Folder   10	Revised, July 13, 1979
Box   80 Folder   11	Revised, August 8, 1979
Box   81 Folder   1	Revised, August 13, 1979
	“Lorimar”
Box   81 Folder   2	Family series proposal, 1977
	McMillan
	“Dark Sunrise”
Box   81 Folder   3	Notes, January-July 1976, undated
	Story outline
Box   81 Folder   4	Original, undated
Box   81 Folder   5	March 4, 1976
Box   81 Folder   6	March 23, 1976
Box   81 Folder   7	April 1, 1976
	Scripts
Box   81 Folder   8	First draft, July 23, 1976
Box   81 Folder   9	First draft, undated
Box   81 Folder   10	Revised, August 4, 1976
Box   81 Folder   11	Final revised, August 12, 1976
	“9 D.B.”
Box   81 Folder   12	Story outline, September 13, 1976
	“Other Side of the Mountain”
Box   81 Folder   13	Series idea, undated
	Paris
	“Dead Men Don't Kill”
Box   81 Folder   14	Correspondence, research and production notes, October 1979-February 1980
Box   81 Folder   15	Sets, undated
Box   81 Folder   16	Script, October 10, 1979
Box   81 Folder   17	Revised script, October 17, 1979
	“Rich Friends”
Box   81 Folder   18	Correspondence, October 1976-February 1977
Box   81 Folder   19	Notes, undated
Box   82 Folder   1	Segment 1, story outline, first draft and revisions, December 23, 1976
Box   82 Folder   2	Segment 2, story outline, first draft and revisions, January 5, 1977
Box   82 Folder   3	Segment 3, story outline, first draft and revisions, January 10, 1977
Box   82 Folder   4	Segment 4, story outline, first draft and revisions, January 13, 1977
Box   82 Folder   5	Segment 5, story outline, first draft and revisions, January 24, 1977
Box   82 Folder   6	Segment 6, story outline, first draft and revisions, February 7, 1977
Box   82 Folder   7	Segment 7, story outline, first draft and revisions, February 9, 1977
Box   82 Folder   8	Segment 8, story outline, first draft and revisions, February 15, 1977
Box   82 Folder   9	Segments 1-8, story outline, revised, February 24, 1977
Box   82 Folder   10	Story outlines, February 24, 1977
	“Something for Joey”
Box   82 Folder   11	Budgets, September-December 1976
Box   82 Folder   12	Call sheets, December 1976
Box   82 Folder   13	Casting, November-December 1976
Box   82 Folder   14	Correspondence, 1975-1978, undated
Box   82 Folder   15	Dubbing, February 1977
Box   82 Folder   16	Notes, undated
Box   83 Folder   1	Novelization and related correspondence, April-November 1977
Box   83 Folder   2-3	Production notes, October 1976-April 1977, undated
Box   83 Folder   4	Production reports, December 1976-February 1977
Box   83 Folder   5	Promotion, January 1976-March 1977, undated
	Research, Penn State football
Box   83 Folder   6	September-December 1972, undated
Box   83 Folder   7	September 1973-September 1974
Box   83 Folder   8	Story outline, August 23, 1976
Box   83 Folder   9	Story outline, revised, August 23, 1976
Box   83 Folder   10	Script, November 2, 1976
	“Stuart's Arena”
Box   83 Folder   11	Correspondence, notes, research, 1977
Box   84 Folder   1	Scripts, November 7, 1977
	Three for the Road
Box   84 Folder   2	Budgets, January-October 1975
Box   84 Folder   3	Casting, June-October 1975, undated
Box   84 Folder   4	CBS Network program practices, June-November 1975
Box   84 Folder   5	Commercial allocation and release schedules, undated
Box   84 Folder   6	Directors, May-October 1975
Box   84 Folder   7	Dubbing and scoring schedules, August-December 1975
Box   84 Folder   8	Producers, April-May 1975
Box   84 Folder   9	Production, May-October 1975
Box   84 Folder   10	Production reports, June-September 1975
Box   84 Folder   11	Promotion, July-September 1975
Box   84 Folder   12	Ratings, April-November 1975
Box   84 Folder   13	Script and production changes, June-October 1975
Box   84 Folder   14	Script assignments, undated
Box   84 Folder   15	Script status reports, May 30-December 19, 1975
Box   85 Folder   1	Series concept, 1975
Box   85 Folder   2	Shooting schedules, June-October 1975
Box   85 Folder   3	Story notes and research, 1975
Box   85 Folder   4	Story outlines and notes, 1975
Box   85 Folder   5	Writers, April-October 1975
	Scripts
	“The Albatross”
Box   85 Folder   6	Final draft, September 30, 1975
Box   85 Folder   7	Revised final draft, October 3, 1975
	“Assignment in Los Angeles”
Box   85 Folder   8	First draft, October 7, 1975
Box   85 Folder   9	Final draft, October 10, 1975
	“Big Foot”
Box   85 Folder   10	First draft, September 8, 1975
Box   85 Folder   11	Final draft, September 16, 1975
Box   85 Folder   12	Revised final draft, September 19, 1975
Box   85 Folder   13	Second revised final draft, September 23, 1975
	“The Cave”
Box   85 Folder   14	First draft, August 27, 1975
Box   86 Folder   1	Final draft, September 2, 1975
Box   86 Folder   2	Revised final draft, September 2, 1975
	“Facade”
Box   86 Folder   3	First draft, August 26, 1975
Box   86 Folder   4	Final draft, September 10, 1975
	“Fear”
Box   86 Folder   5	Final draft, July 7, 1975
	“The Fugitives”
Box   86 Folder   6	First draft, July 9, 1975
Box   86 Folder   7	Final draft, July 11, 1975
Box   86 Folder   8	Revised final draft, July 15, 1975
	“Guest in Zebec”
Box   86 Folder   9	First draft, July 29, 1975
Box   86 Folder   10	Final draft, August 1, 1975
	“Match Point”
Box   86 Folder   11	Final draft, June 17, 1975
Box   86 Folder   12	Revised final draft, June 17, 1975
	“Odyssey in Sneakers”
Box   86 Folder   13	Final draft, July 1, 1975
	“Ride on a Red Balloon” (Also “Ride on a Pink Cloud”)
Box   87 Folder   1	First draft, August 14, 1975
Box   87 Folder   2	Final draft, August 20, 1975
	“Sisters in Shadow” (Also “Ghost Story”)
Box   87 Folder   3	First draft, August 5, 1975
Box   87 Folder   4	Final draft, August 7, 1975
Box   87 Folder   5	Revised final draft, August 13, 1975
	“The Vineyard”
Box   87 Folder   6	First draft, August 11, 1975
Box   87 Folder   7	Miscellany, undated
Audio 1001A	Subseries: Audio Recordings	⇧
	Television
	Climax
1001A/1-2	“Two Tests on Tuesday,” Parts 1 and 2, 1957 November 14
	Dr. Kildare
	1962-1963 Season
1001A/3	“The Balance and the Crucible,” 1963 May 2
1001A/4	“Charlie Wade Makes Lots of Shade,” 1963 December 12
1001A/5	“Chemistry of Anger,” 1962 April 26
1001A/6	“A Game for Three,” 1963 October 24 Note: Inaudible.
1001A/7	“The Mask Makers,” 1962 October 18 Note: Nearly inaudible.
1001A/8	“The Mosaic,” 1963 January 31
1001A/9	“Who Ever Heard of a Two-Headed Doll?,” 1963 September 26
	1965-1966 Season
1001A/10	“Do You Trust Your Doctor?,” 1965 March 4
1001A/11	“Mercy or Murder,” I, 1966 March 28
1001A/11 (continued)	“Strange Sort of Accident,” II, 1966 March 29
1001A/12	“New Dr. in Town,” III, 1966 April 4
1001A/12 (continued)	“Reckoning,” IV, 1966 April 5
	“Quick Look at Glory,” 3 and 4, 1966
1001A/13	Parts 1 and 2, 1966 January 3-4
1001A/14	Parts 3 and 4, 1965 January 10 and 11
1001A/15	Parts 5 and 6, 1965 January 17-18
1001A/16	“She Loves Me, She Loves Me Not,” Part II, 1965 March 25
	The Eleventh Hour
1001A/17	“A Pattern of Sundays,” 1964 April 8
	The Girl From U.N.C.L.E.
1001A/18	“The Faustus Affair,” 1966 December 27
1001A/62	"Joey" score, M63A-T2 M62-T1, undated
1001A/19	“Legend in Granite,” Vince Lombardi Physical Description: Cassette tape
	Love Story
1001A/20	“The Soft, Kind Brush,” 1973 November 21 Physical Description: Cassette tape
	Lucas Tanner
1001A/21-22	Complete scores, rolls 1 and 2, undated
	The Man From U.N.C.L.E.
1001A/23	“The Bat Cave Affair,” 1966 April 1
1001A/24	“The Off-Broadway Affair,” 1966 November 18
1001A/25	“The Waverly Ring Affair,” 1966 January 28
	Marcus Welby
1001A/26	“Chemistry of Hope,” 1969 December 16
1001A/27	“A Very Special Sailfish,” 1970 September 22
1001A/28	“Warn the World About Mike,” 1970 October 6
	Mr. Novak
1001A/29	“Honor- and All That,” 1965 March 16
	Owen Marshall
1001A/30	“Child of Wednesday,” 1973 November 28 Physical Description: Cassette tape
	Twilight Zone
1001A/31	“The Self-Improvement of Salvadore Ross,” 1964 January 17
	Young Mark Twain
1001A/32	Score, recorded by Victor Ziskin, 1966 December 8
1001A/33-34	Score, recorded by John Davidson, 1967 February 13, undated
	California Highway Patrol interviews: research for television movie Physical Description: Cassette tapes
1001A/35	Los Angeles Area Office, Glendale, 1974 June 21
1001A/36	Al Cooper, area commander, 1974 June 20
1001A/36 (continued)	Capt. Dale Fargo, Academy commander
1001A/37	Sgt. Knight, Academy instructor, enforcement
1001A/38	Lt. Chuck Lynd, Academy instructor, patrol ride
	Theatre
1001A/39	“Plato's Republic,” score, undated
1001A/40-41	“The Staring Match,” opera played and sung by composer Daniele Amfitheatrof, Acts I and II, 1962 December 2
1001A/42	“Whitewater Kiss,” score, undated
	University of Wisconsin Theatre and Television Productions
1001A/43	“The Father,” music for WHA production
	“West Side Story”
1001A/44	Music for tryouts
1001A/45	Performance, March 7, 1964
	University of Wisconsin Records
1001A/46	University of Wisconsin News Service Satire, Jack Newman, Carol Cowan, circa 1957-1958
1001A/47-48	Prof. Andrew Weaver, Testimonial Banquet, 1961 November 6
	Personal
	Correspondence
1001A/49	Daniele Amfitheatrof, 1959 May 4
1001A/50	Daniele Amfitheatrof sings “Lullabye,” undated
1001A/51	Friends listening to “Joke and the Valley,” 1962 May 5
1001A/52	Interview, “About Madison,” host Paul Flanagan, WIBA radio, 1968 January 10
1001A/53	Talk on “The Writer in TV,” undated
	Music
	McNeely's songs
1001A/54	Cuts 1-3, “The First Day of Your Life” unidentified singer (cut 1), July 28, 1972; Wayne Newton (cuts 2-3), , 1972 August 17, undated
1001A/54 (continued)	Cut 4, Owen Marshall, “Smiles From Yesterday,” sung by Ray Charles, 1971 November 19
1001A/54 (continued)	Cut 5, Owen Marshall, “Smiles from Yesterday,” sung by Peggy Lee Borogrooes?, 1972 January 21
1001A/55	Swing and Jazz Corporation, Jerry McNeely bass on bluegrass, Jerry McNeely and Lou McDonald; “Elevation,” arranged by Ron McDonald: “An American in Paris,” arranged by Dick Carlson, performed by Modern Dance Orchestra, undated
1001A/56	Songs from musicals, undated
1001A/57	Unidentified music cuts, undated
1001A/58	Genesis, "A Sleeping Bee," long version, 1-J01, 1981 May 15
1001A/59	Genesis, "A Sleeping Bee," short version, 1-J01, 1981 May 15
1001A/60	Genesis, "Let's Do It," 1981 May 15
1001A/61	Unlabeled