Hillard Elkins Papers, 1956-1979
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Container Title
Subseries: Theater-Unproduced
Alfie
Box   29
Folder   11
Correspondence, June-July, 1963
The Anniversary
Box   29
Folder   12
Correspondence, Financial Statement, Contract, and Playbill, 1966
Cages
Box   29
Folder   13
Correspondence, Budgets, March-May, 1966; undated
Farouk
Box   29
Folder   14
Agreement, November 1, 1965
Box   29
Folder   14
Correspondence, 1965-1966; undated
The Fun House
Box   29
Folder   15
Outline, Agreement, Correspondence, 1964-1966; undated
Golden Spur
Box   30
Folder   1
Correspondence, 1962-1965
Box   30
Folder   2
Estimated Budget, Production Notes, Clippings, 1963
Box   30
Folder   3
Production Contract, December 15, 1962; undated
Box   30
Folder   4
Script, Annotated, undated
Box   30
Folder   5
Script, Fragment, Act I, by Dawn Powell, undated
Box   30
Folder   6
Script, undated
Box   30
Folder   7
Script, Miscellaneous Fragments, undated
Has Anyone Got a Match?
Box   30
Folder   8
Agreements, February-April, 1965
Box   30
Folder   9
Correspondence and Miscellaneous, 1964-1965; undated
Box   30
Folder   10
Outline, First Draft, January 29, 1965
Homer
Box   30
Folder   11
Contract and Cast List, May-June, 1965
Box   30
Folder   12
Correspondence, 1964-1965
It's a Funny Old World We Live In -- But the World's Not Entirely to Blame!
Box   30
Folder   13
Script, by Leslie Bricusse and Anthony Newley, September, 1971
La Lupa
Box   30
Folder   14
Agreements and Outlines, 1966; undated
Box   30
Folder   15
Correspondence, 1965-1966; undated
Box   30
Folder   16
Production Notes and Clippings, circa 1965-1966
Ladies, Ladies, Ladies
Box   31
Folder   1
Casting Suggestions, “Untitled Musical” and Credits, “Put Your Foot Down,” undated
Box   31
Folder   2
Contracts, October, 1965; undated
Box   31
Folder   3
Correspondence, June-December, 1965; undated
Box   31
Folder   4
Script and Revisions, “Kittens Grow Up to Be Cats,” undated
Box   31
Folder   5
Script, “Untitled Musical,” by Ronald Alexander, undated
The Last Flapper
Box   31
Folder   6
Correspondence and Casting Suggestions, 1960-1964
Make Me an Offer
Box   31
Folder   7
Pre-opening Budget, July 22, 1963
Nell!
Box   31
Folder   8
Agreements, May-September, 1966
Box   31
Folder   8
Correspondence, 1966-1968
Box   31
Folder   9
Script, by Philip Mackie and Johnny Worth, March 9, 1966
Box   31
Folder   10
Script, First Draft, by Christian Hamilton and Johnny Worth, July, 1968
Nothing Like the Sun
Box   31
Folder   11
Agreement and Correspondence, 1967-1968; undated
Remember the Poor Baker
Box   31
Folder   12
Agreements, February 4, 1964
Box   31
Folder   13
Correspondence, 1961-1966; undated
Box   32
Folder   1
Production and Casting Notes, circa 1964
Box   32
Folder   2
Script, by George Zuckerman, undated
The Seersucker Whipsaw
Box   32
Folder   3
Agreements, April, 1967; undated
Box   32
Folder   3
Clippings, 1967
Box   32
Folder   4
Correspondence, 1966-1968
Box   32
Folder   5
Outlines, by Ross Thomas, undated
Box   32
Folder   6
Script, by Ross Thomas, August 15, 1967
Snow on High Ground
Box   32
Folder   7
Agreements and Correspondence, 1966-1967
Box   32
Folder   8
Outlines, by Raymond Sawkins, circa 1966
1600 Floogle Street
Box   32
Folder   9
Agreements and Correspondence, 1967-1969
The Three Musketeers
Box   32
Folder   10
Correspondence, 1962-1965; undated
Tryp
Box   32
Folder   11
Script, Fourth Draft, by Jacques Levy and Roger McGuinn, December, 1969
Two for the Seasaw
Box   32
Folder   12
Correspondence, Agreements, and Miscellaneous Production Notes, “Gittel,” February-October, 1967; undated
A Woman Named Anne
Box   32
Folder   13
Correspondence, Agreement, Casting Suggestions, and Clipping, 1967-1968; undated
World's Greatest Play
Box   32
Folder   14
Correspondence, 1970; undated
Box   32
Folder   14
Estimated Budget and Miscellaneous, 1969-1970