Summary Information
Hillard Elkins Papers
1956-1979
U.S. Mss 137AN; Tape 1125A
33.2 c.f. (19 record center cartons, 34 archives boxes, 2 flat boxes) and 12 tape recordings
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Personal and professional papers of a theatrical and motion picture producer active in the United States, Canada, and England. The collection documents both Elkins' career and personal life, and to a lesser extent, the career and personal life of actress Claire Bloom, Elkins' wife from 1969 to 1976. Included are a general subject file of correspondence, agreements, clippings, and financial records relating to Elkins' work as an actors' representative and producer; personal papers of Elkins and Bloom; and fragmentary corporate records of Elkins' many production companies. Among the productions with the greatest documentation are the films Alice's Restaurant, A Doll's House, and Oh! Calcutta!; and stage plays Best Laid Plans, A Doll's House, Golden Boy, Oh! Calcutta!, The Rothschilds, the South African plays Sizwe Banzi Is Dead and The Island, A Streetcar Named Desire, and This Winter's Hobby. Among papers in the general subject file are materials pertaining to Robert Culp, Alex Haley, John Ireland, Van Johnson, James Komack, John V. Lindsay, and Steve MacQueen.
English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0137an ↑ Bookmark this ↑
Biography/History
Hillard Elkins, producer, was born in New York City on October 18, 1929. He began his professional career early and worked as a radio actor while still in his teens. At the age of 19 he owned and operated the Belle Harbor Theater, a Long Island summer tent theatre, and was in charge of its production and publicity. A year later (1949) he joined the William Morris Agency where he eventually became talent coordinator for New York and Los Angeles. After he served two years in the Army (1950-1952), Elkins formed Hillard Elkins Management, a managerial and production firm which boasted such clients as Robert Culp, Steve McQueen, and Mel Brooks. In 1959 his management firm merged with General Artists Corporation, and he became the vice president in charge of West Coast productions. A year later Elkins left to form Elkins Productions International Corporation (EPIC), which acquired and developed properties for motion pictures and theater. He later formed Elkins Productions Ltd (1972) and Hillard Elkins Entertainment Corporation (1974).
Elkins successfully produced or co-produced a number of well-known works in theater and film. His first play was Lillian Hellman's rendition of Candide (with music by Leonard Bernstein) which played at the Buck County Playhouse in Pennsylvania. This was followed by Come on Strong and Golden Boy, the latter a hit musical which starred Sammy Davis. He also helped mount a massive civil rights benefit, Broadway Answers Selma. In 1969 Elkins produced Oh! Calcutta!, a controversial nude musical. A year later his musical The Rothschilds was nominated for a Tony Award as Best Musical, and his 1974 production of South African Season was the nominee for Best Play. He also produced A Doll's House and Hedda Gabler in repertory.
In addition to his Broadway work Elkins produced the motion pictures A Doll's House, Alice's Restaurant, A New Leaf, and Oh! Calcutta!.
A number of his productions were chosen as vehicles for his wife, actress Claire Bloom, to whom he was married from 1969 to 1976. Following his divorce from Bloom in 1976, Elkins married Judith Wilson; subsequently the couple had a son, Daniel Hillard. At some point in 1977 or 1978, Elkins moved to Beverly Hills, California.
Although Elkins Productions International Corp. (EPIC) remained his major production company during this time, Elkins also established several other organizations, primarily in Canada and in London. In 1972 Elkins and Gordon Stulberg, president of Twentieth Century-Fox, formed Elkins Productions of Canada, Ltd. (EPOC) as the first Canadian international film production company. EPOC merged with Life Investors, Ltd. and International Bond and Equity in January 1973, with the resulting conglomerate called Life Investors International, Ltd. The new company was to engage in international banking in the areas of venture capital, real estate, and entertainment; producing feature films, television specials and series, stage productions, records, and tapes; publishing, and film distribution. EPOC became embroiled in Canadian incorporation and tax law questions and never accomplished the goals intended.
Scope and Content Note
The Hillard Elkins Papers are separated into two parts, the original collection (1956-1972) organized in the Archives in 1978, and the additions (1959-1979) organized in 1986. Both sections cover Elkins' management and production of theater and motion picture properties and individuals. Many of the files in both sections overlap and supplement each other. The researcher is therefore advised to look at both sections. In addition to records documenting his professional activities, the additions include several files of personal papers.
Part 1, Original Collection, 1956-1972
These papers document Elkins' management and production of theater and motion picture properties and individuals. His career as a producer is particularly well represented by extensive production files for Golden Boy and Alice's Restaurant. The original collection is arranged in six categories: General Subject File; Motion Pictures-Produced; Motion Pictures-Unproduced; Theater-Produced; Theater-Unproduced; and Television.
The GENERAL SUBJECT FILE contains correspondence, agreements, clippings, financial statements, membership lists, reports, and miscellany. Elkin's original alphabetical arrangement was retained wherever possible with materials filed by both individuals' and productions' names. Much of the Subject File relates to Elkin's work as a manager and reveals his efforts to promote his clients' careers. In addition his role as a producer is documented by materials which pertain to productions in which he was involved. Many were never produced, but several were highly successful ventures, such as Bye Bye Birdie and Golden Boy. Some specific files relate to David Alexander, a director whom Elkins represented as an agent and from whom Elkins tried to obtain his commission; Artists Helping the Black Community (AHAB), a group organized in response to Martin Luther King's assassination; Saul Bass, an artistic designer who was hired to do the advertising for Golden Boy; Brigid Bazlen, a young actress whom Elkins represented; the Berkshire Drama Festival, Inc., a proposed theater arts center; the League of New York Theatres, an organization of theater owners; John Lindsay, then mayoral candidate for New York City whom several theater personalities supported; and Edward Padula, co-producer of Bye Bye Birdie. Correspondence and some agreements for Robert Culp, Alex Haley, John Ireland, Van Johnson, James Komack, Steve McQueen, and Susan Oliver can also be found in this series. Of note in the Robert Culp file is a letter in which he comments on the possible consequences of an advertisement listing him as a sponsor for the civil rights benefit Broadway Answers Selma. Culp co-starred with Bill Cosby on I Spy, the first television series to co-star a black actor, and feared the advertisement would have a negative effect on Southern markets.
The remainder of Part 1 consists of production files for the various media in which Elkins worked: motion pictures, theater, and television. The categories for Motion Pictures and Theater have been further subdivided into Produced and Unproduced works. The amount of documentation varies for each production but may include scripts, correspondence, clippings, audition and cast lists, contracts, production notes and reports, financial reports, promotional materials, reviews, and box office statements. Some files document a production from conception through box office returns and include information on financing, casting, legal matters, general production, and promotion and publicity. A complete listing of production titles is found in the list below.
MOTION PICTURES-PRODUCED contains an extensive production file for Alice's Restaurant, a film loosely based on the Arlo Guthrie song of the same name. There are also small files on a cookbook and restaurant franchise, both potential spinoffs in which Elkins was interested. The promotion and publicity files contain criticisms of the publicity campaign United Artists mounted for the film. There are also agreements, legal correspondence, and a screenplay for the Elaine May film A New Leaf in this series.
Among MOTION PICTURES-UNPRODUCED are the files for Revolution for the Hell of It. The research material gathered for this proposed film concerns student unrest and anti-war activities of the 1960's.
THEATER-PRODUCED includes production files of varying lengths for Best Laid Plans, Broadway Answers Selma, Bye Bye Birdie, Come on Strong, An Evening with Richard Nixon, Golden Boy, Hedda Gabler, Oh! Calcutta!, The Rothschilds, and This Winter's Hobby. The files on Broadway Answers Selma document Broadway's effort to collectively respond to the civil rights struggle of blacks. Included is a letter from Roy Wilkins in which he criticized the implication that the NAACP was not a “frontline” civil rights organization. (The proceeds of the one night gala were donated to SNCC and SCLC.) The most extensive production files exist for Golden Boy, a Broadway musical hit which nevertheless underwent several production, financial, and legal problems. The files reveal the difficulties in writing the script, in financing the project, in producing and sustaining a show which served as a vehicle for one star (Sammy Davis), and in transporting and producing a London version of the play. The publicity campaign for the production and the cast album are well covered. The files for Oh! Calcutta! and The Rothschilds, two of Elkins' better known plays, are small.
THEATER-UNPRODUCED contains several small production files for proposed works such as Alfie, Golden Spur, Ladies, Ladies, Ladies, and The Three Musketeers. Also included is a script for It's a Funny Old World We Live In--But the World's Not Entirely to Blame!, co-authored by Anthony Newley.
TELEVISION completes the collection and consists of three brief files.
Among them is African Queen, a proposed television program to be based on the Humphrey Bogart-Katherine Hepburn film.
Part 2, 1986 Additions, 1959-1979
This segment of the Hillard Elkins papers documents his career primarily from the late 1960's through the late 1970's. Many files overlap and supplement those in the original collection. This segment illustrates Elkins' management and production of films and plays in the United States, Toronto, Canada, and London, England, through several production companies. These additions are organized in three categories: Personal Papers, Corporate Records, and Production Files.
The small file of PERSONAL PAPERS includes Elkins' awards, a folder of biographical materials, and correspondence with his son from a previous marriage, John Rovinsky (Elkins). (John Rovinsky was adopted by his mother's subsequent husband, Dr. Joseph Rovinsky. After John's mother died, Hillard Elkins provided some of his financial support, and as John grew older he resumed using the name John Elkins.) There are also a few files of financial records, including credit reports, income statements, and fragmentary tax returns and records. Other personal papers consist of correspondence and other records concerning rentals of living accommodations and office space, and inventories and appraisals of personal property and furnishings; and general newspaper clippings.
The Personal Papers category also includes material about actress Claire Bloom. Her personal papers consist of a few of her letters to Elkins during their marriage; general correspondence; biographical and other personal papers; contracts; and very fragmentary records from two of Bloom's films (not produced by Elkins), A Severed Head and Vivat!, Vivat Regina!
CORPORATE RECORDS consist of fragmentary records of Elkins' numerous production companies: Elkins Organizations, Ltd., Elkins Productions, Ltd. (Elkins' British firm), Elkins Productions International Corporation (EPIC), EPIC III, Ltd., Elkins Productions of Canada, Ltd. (EPOC), Entertainment in Cinema, Inc., and Hillard Elkins Entertainment Corp. Records of EPIC comprise the largest portion, and include contracts and agreements, correspondence, financial correspondence and records, insurance, minutes of staff meetings, and files of organizational and legal papers concerning EPIC's reorganization and merger with EPOC, and a proposed merger between EPIC and British-Lion Films, Ltd. Because EPIC always remained the headquarters and most active of the production companies, most of Elkins' business-related correspondence is filed with the EPIC records. The EPIC files also illustrate the difficulties Elkins encountered in financing his productions and his lifestyle. Folders of accounts payable and statements of debt include his bookkeeper's records of past, present, and future financial obligations, and files of paid and unpaid bills, creditors' notices, and legal papers show the efforts of Elkins' creditors to obtain payment. Also included are corporate and payroll tax returns.
PRODUCTION FILES include materials from a variety of produced and unproduced theater and motion picture properties. Some properties listed as “unproduced” were produced by others later, but never produced by Elkins. For many productions, the documentary record is split between the original collection and these additions, and researchers must look in both places to find complete documentation.
Unlike the arrangement found in boxes 1-32 from the original collection, where there were separate series for produced and unproduced motion pictures and theater, here all production files have been integrated in one alphabetical sequence of titles. This technique minimizes confusion in cases where a play was later made into a film, or an unproduced play was subsequently produced.
Production files generally include scripts, correspondence, clippings, casting records, contracts, financial records, promotional and publicity records, reviews, box office statements, and a few tape recordings. Records are most extensive for the films Alice's Restaurant, A Doll's House, and Oh! Calcutta!, and the stage plays A Doll's House, Golden Boy, Oh! Calcutta!, The Rothschilds, the South African plays Sizwe Banzi Is Dead and The Island, A Streetcar Named Desire, and This Winter's Hobby.
Administrative/Restriction Information
Placed on deposit by Hillard Elkins, New York and Pennsylvania, 1972-1981. Accession Number: MCHC72-110, 73-097, 80-083, 81-069
Original accessions processed by L. Kurth, L. Pfotenhauer, and Christine Rongone, 1978; additions processed by William Beaudreau, Steve Bernardo, Brenda Vogel, and Menzi Behrnd-Klodt, 1986.
Contents List
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Series: Part 1, Original Collection, 1956-1972
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U.S. Mss 137AN
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Subseries: General Subject File
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Box
1
Folder
1
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A, 1963-1968
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Box
1
Folder
2-3
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Alexander, David, 1956-1959
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Box
1
Folder
4
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American Educational Theatre Association, 1966
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Box
1
Folder
5
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American Medical Center at Denver, 1965-1966
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Box
1
Folder
6
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Artists Helping the Black Community (AHAB) Foundation, 1968-1969
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Box
1
Folder
7
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B, 1962-1966
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Box
1
Folder
8
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Bass, Saul, 1962-1964
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Box
1
Folder
9-10
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Bazlen, Brigid, 1961-1970
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Box
2
Folder
1
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Berkshire Theatre Festival, 1966-1968
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Box
2
Folder
2
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C, 1963-1969
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Box
2
Folder
3
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Castilli, Bertram, 1962-1963
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Box
2
Folder
4
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Culp, Robert, 1963-1970
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Box
2
Folder
5
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D, 1960-1967
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Box
2
Folder
6
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Dramatists Guild, 1961-1967
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Box
2
Folder
7
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E, 1959-1969
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Box
2
Folder
8
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F, 1962-1966
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Box
2
Folder
9
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G, 1965-1969
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Box
2
Folder
10
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Gibson, William, 1964-1968
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Box
2
Folder
11
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Gindes, Bernard, 1962-1969
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Box
2
Folder
12
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Gregson & Wigon, Ltd., 1962-1966
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Box
2
Folder
13
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H, 1962-1969
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Box
3
Folder
1
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Hillard Elkins, Inc., 1963
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Box
3
Folder
2
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I, 1959-1966
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Box
3
Folder
3
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J, 1964-1969
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Box
3
Folder
4
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K, 1962-1969
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Box
3
Folder
5-6
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L, 1957-1969
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Box
3
Folder
7-8
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League of New York Theatres, 1961-1968; undated
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Box
3
Folder
9
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Lindsay, John, 1965-1969
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Box
3
Folder
10-11
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M, 1964-1970
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Box
4
Folder
1-4
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McQueen, Steve, 1959-1965
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Box
4
Folder
5
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May, Elaine, 1968
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Box
4
Folder
6
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Melanie, 1969
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Box
4
Folder
7
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N, 1963-1969
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Box
4
Folder
8
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O, 1960-1965
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Box
4
Folder
9
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P, 1962-1966
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Box
4
Folder
10-11
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Padula, Edward, 1957-1962; 1965
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Box
4
Folder
12
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R, 1962-1966
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Box
4
Folder
13
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S, 1961-1966
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Box
5
Folder
1
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S, 1961-1966
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Box
5
Folder
2
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Slate, Jeremy, 1961-1962; undated
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Box
5
Folder
3
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Sontag, David, 1962; undated
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Box
5
Folder
4
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T, 1962-1969
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Box
5
Folder
5
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USO Canteen Party, 1965; undated
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Box
5
Folder
6
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V, 1962-1966
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Box
5
Folder
7
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W, 1961-1966
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Box
5
Folder
8
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Young, Tony, 1962-1963
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Subseries: Motion Pictures-Produced
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Alice's Restaurant (Florin Corporation, 1969. United Artists.)
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Casting
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Box
5
Folder
9
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Cast List, 1968
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Box
5
Folder
10
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Correspondence, 1968, May-October
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Box
5
Folder
11-12
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Correspondence and Agreements, 1968
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Box
5
Folder
13
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Employment Information, Correspondence, Miscellany, 1968
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Box
6
Folder
1
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Employment Information, Correspondence, Miscellany, 1968, continued
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Box
6
Folder
2
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Clippings, 1968-1969
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Box
6
Folder
3
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Cookbook, 1969-1970
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Box
6
Folder
4
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Correspondence, General, 1968-1970; undated
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Financial
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Box
6
Folder
5
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Balance Sheets and Cost Reports, October, 1968-July, 1970
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Box
6
Folder
6
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Budget Correspondence, 1968, January-1969, October
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Box
6
Folder
7
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Cost and Budget Report, September 16, 1968
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Box
6
Folder
8
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Cost and Budget Report, January 4, 1969
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Box
6
Folder
9
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Distribution Expenses and Revenue Statements, April-May, 1970
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Box
6
Folder
10
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Expense Reports, Check Requests, and Payroll Information, 1968-1969
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Box
33A
Folder
1
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Payroll Summaries, 1963-1969
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Franchise
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Box
6
Folder
11
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Contracts, 1969
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Box
6
Folder
12
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Correspondence, Notes, and Miscellany, circa 1965-1969
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Insurance
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Box
6
Folder
13
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Correspondence, August, 1968-July, 1970
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Box
7
Folder
1
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Policies and Reports, 1967-1968
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Legal
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Box
7
Folder
2-4
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Agreements, circa 1965-1969; undated
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Correspondence
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Box
7
Folder
5
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Appleseed Music Inc., 1968
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Box
7
Folder
6
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General, 1968-1970
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Box
7
Folder
7
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United Artists, 1968-1970
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Production
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Box
33A
Folder
2
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Break Down Strips, undated
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Box
7
Folder
8
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Call Sheets, September-December, 1968
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Box
7
Folder
9
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Daily Film Reports, October-December, 1968
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Box
7
Folder
10
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Daily Production Reports, September-December, 1968
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Box
8
Folder
1
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Equipment Correspondence and Miscellany, 1968
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Box
8
Folder
2
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Film Inventory, July-September, 1969
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Box
8
Folder
3-4
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Locations, Releases and Correspondence, 1968
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Box
8
Folder
5-7
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Negative Camera Reports, October-December, 1968
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Box
8
Folder
8
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Negative Camera Reports for Second Unit, October, 1968
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Box
8
Folder
9
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Notes, 1968-1969; undated
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Box
9
Folder
1
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Script Supervisor's Daily Reports, October-November, 1968
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Box
9
Folder
2-3
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Shooting Schedules, September-December, 1968
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Box
9
Folder
3
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Shooting Schedules for Second Unit, October, 1968
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Box
9
Folder
4
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Sound Development, 1968
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Promotion and Publicity
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Box
9
Folder
5
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Correspondence and Budgets, 1968-1969; undated
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Box
9
Folder
6
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Press Releases and Notes, March-October, 1968; undated
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Box
9
Folder
7
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Sequence Outline and Synopsis, undated
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Script
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Box
9
Folder
8
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First Draft Screenplay, by Venable Herndon and Arthur Penn, 1968
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Box
9
Folder
9
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Script Revisions, Script Record, and Related Correspondence, 1968
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Box
9
Folder
10
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Sound Track Album, 1968-1970
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Box
9
Folder
11
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Wrap Party, December 21, 1968
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A New Leaf (Aries Films, Inc. and Elkins Productions International Corporation, 1972. Paramount.)
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Box
9
Folder
12
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Agreements and Related Correspondence, “The Green Heart,” February-July, 1968
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Box
10
Folder
1
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Agreements and Related Correspondence, August, 1968-May, 1969; undated
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Box
10
Folder
2
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Screenplay, by Elaine May, April 28, 1968
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Subseries: Motion Pictures-Unproduced
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A Case for the Angels
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Box
10
Folder
3
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Correspondence, August-November, 1969
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Gore and Igor
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Box
10
Folder
4
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Correspondence, June, 1968-October, 1969
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Box
10
Folder
5
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Screenplay, by Meyer Levin, undated
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A Horse's Head
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Box
10
Folder
6
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Agreement, April 28, 1967
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Box
10
Folder
7
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Budget, Proposed, September 7, 1968
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Box
10
Folder
8-9
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Correspondence, 1967-1969
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Box
10
Folder
10
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Promotional Material, undated
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Box
10
Folder
11
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Reviews of Book and Clippings re Proposed Film, 1967-1968
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Box
10
Folder
12
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Scene Outline, by Robert Culp, April 15, 1968
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Screenplays
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Box
10
Folder
13
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By Thomas C. Ryan, September, 1967
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By Robert Culp
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Box
11
Folder
1
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May 14, 1968
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Box
11
Folder
2
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Revised, July 11, 1968
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Box
11
Folder
3
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Revised, undated
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Box
11
Folder
4
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“Would You Do It on a Ferris Wheel?,” by Jacques Levy, undated
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Box
11
Folder
5
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Screenplay and Fragments, “Would You Do It on a Ferris Wheel?,” by Jacques Levy, undated
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Money's Tight
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Box
11
Folder
6
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Screenplay, by David Newman and Robert Benton, undated
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Box
11
Folder
7
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Final Screenplay, by David Newman and Robert Benton, January, 1972
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One Hundred Dollar Misunderstanding
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Box
11
Folder
8
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Agreement, December 18, 1964
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Box
11
Folder
9
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Outline, undated
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Box
12
Folder
1
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Screenplay, First Draft, by Julian Barry, March 10, 1969
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Box
12
Folder
2
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Screenplay, by Julian Barry, October, 1969
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Operation Breadbasket
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Box
12
Folder
3
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Screenplay, Third Draft, by Robert Culp, February 19, 1969
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A Parade of Cockeyed Creatures Or Did Someone Murder Our Wandering Boy?
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Box
12
Folder
4
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Correspondence and Clippings, August-September, 1967
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Revolution for the Hell of It
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Box
12
Folder
5
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Correspondence, 1970
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Box
12
Folder
6
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Insurance Policies, 1970
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Legal
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Box
12
Folder
7
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Contracts, March 6, 1970; undated
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Box
12
Folder
8
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Signed Releases, 1969-1970
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Research Notes
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Box
12
Folder
9
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General, circa 1969-1970; undated
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Box
12
Folder
10
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Television News Summaries and Teletype Copy, circa 1967-1969
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Box
12
Folder
11
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Research and Production Notes, circa 1967-1969
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Box
12
Folder
12
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Production Notes and Receipts, January-April, 1970; undated
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Box
12
Folder
13
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Shot List, undated
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Box
13
Folder
1
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Script, First Draft, March (?), 1970
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Box
13
Folder
2
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Script, Second Draft, by Jacques Levy, April, 1970
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Something Else
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|
|
Box
13
Folder
3
|
Correspondence, January-August, 1970
|
|
|
Box
13
Folder
4
|
Outlines, by Terry Southern and Jerry Abramson, February 2, 1967; undated
|
|
|
The Summer Soldiers
|
|
|
Box
13
Folder
5
|
Correspondence, 1961-1962
|
|
|
The Swap
|
|
|
Box
13
Folder
6
|
Correspondence and Agreements, “The Cold War Swap,” August, 1966-August, 1967
|
|
|
Box
13
Folder
7
|
Screenplay, First Draft, “Detour West,” by Robert and Jane-Howard Carrington, undated
|
|
|
Box
13
Folder
8
|
Screenplay, by Robert and Jane-Howard Carrington, undated
|
|
|
Box
13
Folder
9
|
Screenplay, First Revision, by Robert and Jane-Howard Carrington, December 11, 1967
|
|
|
Take That
|
|
|
Box
14
Folder
1
|
Screenplay, by Julian Berry, 1968
|
|
|
Young Joshua
|
|
|
Box
14
Folder
2
|
Correspondence, 1962-1963
|
|
|
Subseries: Theater-Produced
|
|
|
All American (NY: Winter Garden, March 19, 1962.)
|
|
|
Box
14
Folder
3
|
Clippings and Reviews, February-April, 1962; undated
|
|
|
Box
14
Folder
4
|
Correspondence, 1961-1962; 1964
|
|
|
Box
14
Folder
5
|
Production Notes, 1962
|
|
|
Box
14
Folder
6
|
Script, Final, undated
|
|
|
Best Laid Plans (NY: Brooks Atkinson Theater, March 25, 1966.)
|
|
|
Casting
|
|
|
Box
14
Folder
7
|
Casting and Audition Lists, undated
|
|
|
Box
14
Folder
8
|
Correspondence and Resumes, 1965
|
|
|
Box
14
Folder
9
|
Correspondence, General, 1965-1966
|
|
|
Financial
|
|
|
Box
14
Folder
10
|
Budget, Box Office Statements, and Financial Reports, 1966-1967
|
|
|
Box
14
Folder
11
|
Investors' Correspondence, 1965-1966
|
|
|
Box
14
Folder
12
|
Investors, Lists of, undated
|
|
|
Box
14
Folder
13
|
Insurance, 1966-1967
|
|
|
Legal
|
|
|
Box
15
Folder
1
|
Contracts, “The Birds And The Bees,” August, 1965-January, 1966
|
|
|
Box
15
Folder
2
|
Contracts, February-March, 1966
|
|
|
Box
15
Folder
3
|
Correspondence, 1965-1967
|
|
|
Box
15
Folder
4
|
Limited Partnership Agreements, December, 1965
|
|
|
Box
15
Folder
5
|
Press and Promotion, 1965-1966
|
|
|
Box
15
Folder
6
|
Production Notes, 1965-1966
|
|
|
Box
15
Folder
7
|
Script, Original Rewrite of Act I, undated
|
|
|
Box
15
Folder
8
|
Script, Fragments, undated
|
|
|
Broadway Answers Selma (NY: Majestic Theatre, April 4, 1965.)
|
|
|
Box
15
Folder
9
|
Correspondence, March-July, 1965
|
|
|
Box
15
Folder
10
|
Financial Records, March-April, 1965
|
|
|
Box
16
Folder
1
|
Lists of Sponsors and Reception Attendance, 1965
|
|
|
Box
16
Folder
2
|
List of Ticket Purchases, March, 1965
|
|
|
Box
16
Folder
3
|
Production Notes, March-May, 1965
|
|
|
Bye Bye Birdie (NY: Martin Beck Theatre, April 14, 1960; also Touring Company.)
|
|
|
Box
16
Folder
4
|
Agreements, Production Notes, and Financial Reports, circa 1960-1961
|
|
|
Box
16
Folder
5
|
Box Office Summaries for London and Sydney Productions, 1961-1962
|
|
|
Box
16
Folder
6
|
Correspondence, July, 1960-February, 1966; undated
|
|
|
Box
16
Folder
7
|
Reviews of Play, 1961-1962; Reviews of Motion Picture, , 1963
|
|
|
Candide (NY: Martin Beck Theatre, December 1, 1956; also Touring Companies.)
|
|
|
Box
16
Folder
8-9
|
Correspondence, 1957-August, 1958
|
|
|
Box
17
Folder
1
|
Correspondence, September 1958-July, 1959; 1970; undated
|
|
|
Box
17
Folder
2
|
Financial and Budget Materials, 1957-1959; undated
|
|
|
Box
17
Folder
3
|
Playbills and Programs, October-December, 1958
|
|
|
Box
17
Folder
4
|
Production Notes and Itinerary, circa 1957-1958
|
|
|
Box
17
Folder
5
|
Publicity and Promotional Material, circa 1958
|
|
|
Box
17
Folder
6
|
Reviews, October, 1956-December, 1958
|
|
|
Script
|
|
|
Box
17
Folder
7
|
Act I, undated
|
|
|
Box
17
Folder
8
|
By Lillian Hellman, undated
|
|
|
Box
17
Folder
9-10
|
Annotated, undated
|
|
|
Come On Strong (NY: Morosco Theatre, October 4, 1962.)
|
|
|
Box
18
Folder
1
|
Clippings and Reviews, 1962
|
|
|
Box
18
Folder
2
|
Correspondence, General, 1962-1963
|
|
|
Financial
|
|
|
Box
18
Folder
3
|
Correspondence, 1962-1963
|
|
|
Box
18
Folder
4
|
Investors' Correspondence, July-November, 1962
|
|
|
Box
18
Folder
5
|
Lists of Investors, undated
|
|
|
Box
18
Folder
6
|
Music, “Come On Strong,” 1962
|
|
|
Box
18
Folder
7
|
Production Notes, circa July-October, 1962
|
|
|
Box
18
Folder
8
|
Promotional Correspondence, July-November, 1962; undated
|
|
|
Box
18
Folder
9
|
Promotional Notes, Schedules, Interviews, Miscellaneous, 1962
|
|
|
A Doll's House (NY: Playhouse Theater, January 13, 1971.)
|
|
|
Box
18
Folder
10
|
Production Notes, Script, 1970-1971
|
|
|
An Evening With Richard Nixon (NY: Shubert Theater, April 30, 1972.)
|
|
|
Script
|
|
|
Box
18
Folder
11
|
Draft, by Gore Vidal, undated
|
|
|
Box
18
Folder
12
|
Fragment, by Gore Vidal, undated
|
|
|
Box
19
Folder
1
|
By Gore Vidal, undated
|
|
|
Box
19
Folder
2
|
By Gore Vidal, undated
|
|
|
Box
19
Folder
3
|
Revised, by Gore Vidal, February 24, 1972
|
|
|
Box
19
Folder
4
|
Revised, by Gore Vidal, February 28, 1972
|
|
|
Box
19
Folder
5
|
Revised, by Gore Vidal, undated
|
|
|
Golden Boy (Philadelphia: Shubert Theatre, June 25, 1964.)
|
|
|
Box
19
Folder
6
|
Box Office Statements, June 23-July 25, 1964
|
|
|
Box
19
Folder
7
|
Contracts, March-April, 1964
|
|
|
Box
19
Folder
8
|
Correspondence, May-November, 1964
|
|
|
Box
19
Folder
9
|
Reviews, Financial Statement, Miscellaneous, 1964
|
|
|
Golden Boy (Boston: Shubert Theatre, July 28, 1964.)
|
|
|
Box
19
Folder
10
|
Box Office Statement, July 28-August 22, 1964
|
|
|
Box
19
Folder
11
|
Correspondence, May-September, 1964
|
|
|
Box
19
Folder
12
|
Reviews, Miscellaneous, 1964
|
|
|
Golden Boy (Detroit: Fisher Theatre, August 25, 1964.)
|
|
|
Box
19
Folder
13
|
Box Office Statement, August 25-September 29, 1964
|
|
|
Box
19
Folder
14
|
Contract, 1964
|
|
|
Box
19
Folder
15
|
Correspondence, April-September, 1964
|
|
|
Box
19
Folder
16
|
Publicity Schedule, Financial Statement, Miscellany, August-September, 1964
|
|
|
Golden Boy (NY: Majestic Theatre, October 20, 1964.)
|
|
|
Casting
|
|
|
Box
20
Folder
1
|
Correspondence, 1962-1966
|
|
|
Box
20
Folder
2
|
Lists, undated
|
|
|
Box
20
Folder
3
|
Notes and Lists
|
|
|
Correspondence
|
|
|
Box
20
Folder
4
|
Comments and Complaints, 1964-1965; undated
|
|
|
Box
20
Folder
5
|
General, 1962-1967
|
|
|
Box
20
Folder
6
|
Odets, Clifford, 1957; 1962-1965, 1967-1968
|
|
|
Box
20
Folder
7
|
Odets, Clifford, Obituaries, August-September, 1963
|
|
|
Financial
|
|
|
Box
20
Folder
8-9
|
Box Office Statements, September 23, 1964-March 5, 1966
|
|
|
Box
20
Folder
10
|
Correspondence, 1962-1968
|
|
|
Box
20
Folder
11
|
Financial Estimates, Statements, Balance Sheets, 1962-1967
|
|
|
Golden Boy Company
|
|
|
Box
21
Folder
1
|
Federal, State, and City Income Tax Forms, 1968-1969
|
|
|
Box
21
Folder
2
|
Reports, 1964-1968
|
|
|
Investors
|
|
|
Box
21
Folder
3
|
Correspondence, 1962-1966
|
|
|
Box
21
Folder
4
|
List of Prospective Investors and Investors, undated
|
|
|
Insurance
|
|
|
Box
21
Folder
5
|
Correspondence, 1964-1966
|
|
|
Box
21
Folder
6
|
Policies and Invoices, 1963-1966; undated
|
|
|
Legal
|
|
|
Box
21
Folder
7
|
Agreements, 1962-1966
|
|
|
Box
21
Folder
8
|
Contracts for Sammy Davis, Jr., 1962-1965
|
|
|
Box
21
Folder
9
|
Correspondence, July, 1962-September, 1966
|
|
|
Merchandising
|
|
|
Box
21
Folder
10
|
Correspondence, 1962-May, 1965
|
|
|
Box
22
Folder
1
|
Correspondence, June, 1965-February, 1966; undated
|
|
|
Box
33A
Folder
3
|
Musical Score and Lyrics, undated
|
|
|
Box
22
Folder
2
|
Opening Night Press, Party, and Gifts, 1964
|
|
|
Production
|
|
|
Box
22
Folder
3
|
Log of Curtain Times, Cast Attendance, and Accidents, June-December, 1964
|
|
|
Box
22
Folder
4
|
Log of Curtain Times, Cast Attendance, and Accidents, 1965
|
|
|
Box
22
Folder
5
|
Notes, circa 1962-1964
|
|
|
Box
22
Folder
6
|
Program, undated
|
|
|
Promotion and Press
|
|
|
Box
33A
Folder
4
|
Advertising Receipts, 1964-1965
|
|
|
Box
22
Folder
7
|
Advertising Schedule, 1962; 1964-1965
|
|
|
Box
22
Folder
8
|
Audience Questionnaire, undated
|
|
|
Box
22
Folder
9
|
Biographies of Cast and Crew, Alphabetically Arranged
|
|
|
Box
22
Folder
10
|
Clippings, Flyers, and Miscellaneous, 1964-1965
|
|
|
Box
23
Folder
1
|
Convention Bookings and Tourist Group Information for New York, May, 1965; undated
|
|
|
Box
23
Folder
2-3
|
Correspondence, 1962-1966
|
|
|
Box
23
Folder
4
|
Group Ticket Sales, 1964-1966
|
|
|
Box
23
Folder
5
|
Miscellaneous, undated
|
|
|
Box
23
Folder
6
|
Notes, circa 1964-1965
|
|
|
Box
23
Folder
7
|
Press Releases, circa 1965-1966
|
|
|
Record Album Promotion
|
|
|
Box
23
Folder
8
|
Advertisements, Flyers, and Miscellaneous, 1964-1965
|
|
|
Box
23
Folder
9-11
|
Correspondence, 1964-1966; undated
|
|
|
Box
24
Folder
1
|
Radio Interviews and Promotional
|
|
|
Box
24
Folder
2
|
Record Charts, 1964-1966
|
|
|
Box
24
Folder
3
|
Will Matson Trio, Inc. Correspondence, 1965-1966
|
|
|
Box
24
Folder
4
|
Will Matson Trio, Inc. Legal Agreements and Financial
Claim Statements, 1964-1966
|
|
|
Box
24
Folder
5
|
Reviews, 1964
|
|
|
Script
|
|
|
Box
24
Folder
6
|
March, 1964
|
|
|
Box
24
Folder
7
|
Revised, , 1964 March
|
|
|
Box
24
Folder
8
|
1964, July 17
|
|
|
Box
24
Folder
9
|
1964, August 20
|
|
|
Box
24
Folder
10
|
Rehearsal Version, undated
|
|
|
Box
24
Folder
11
|
Fragment, Revised, undated
|
|
|
Box
24
Folder
12
|
Revised, 1964, October
|
|
|
Box
24
Folder
13
|
Fragments of Script Revisions, 1964, June 21-October 7
|
|
|
Box
25
Folder
1
|
Fragments of Script Revisions, undated
|
|
|
Box
25
Folder
2
|
Notes for Script Revisions, circa 1964-1965
|
|
|
Box
25
Folder
3
|
Souvenir Book Correspondence, 1964-1965
|
|
|
Golden Boy (Chicago: Auditorium Theatre, April 23, 1968.)
|
|
|
Box
25
Folder
4
|
Clippings and Promotional Material, 1968
|
|
|
Box
25
Folder
5
|
Correspondence, Complaints, May-October, 1968
|
|
|
Box
25
Folder
6
|
Correspondence, General, November, 1967-May, 1968
|
|
|
Financial
|
|
|
Box
25
Folder
7
|
Box Office Statements, April-May, 1968
|
|
|
Box
25
Folder
8
|
Financial Estimates, Accounts Payable, Balance Sheets, 1967-1968
|
|
|
Box
25
Folder
9
|
Legal Agreements, 1967-1968
|
|
|
Box
25
Folder
10
|
Production Notes, undated
|
|
|
Golden Boy (London: Palladium, June 4, 1968.)
|
|
|
Casting
|
|
|
Box
25
Folder
11
|
Audition Sheets, 1966-1968
|
|
|
Box
25
Folder
12-13
|
Correspondence, 1965-1969
|
|
|
Box
25
Folder
14
|
List of Cast and Personnel, undated
|
|
|
Box
26
Folder
1-2
|
Correspondence, 1963; 1965-1970; undated
|
|
|
Financial
|
|
|
Box
26
Folder
3
|
Balance Sheets, Expenses, August-December, 1968; undated
|
|
|
Box
26
Folder
4
|
Box Office Statements, June-September, 1968
|
|
|
Correspondence
|
|
|
Box
26
Folder
5-6
|
Delfont, Bernard, 1963-1968
|
|
|
Box
26
Folder
7-8
|
General, 1966-1970
|
|
|
Box
26
Folder
9
|
Investors, 1968-1970
|
|
|
Box
27
Folder
1
|
Estimates, Statements, Balance Sheets, 1963-1968
|
|
|
Insurance
|
|
|
Box
27
Folder
2
|
Correspondence, 1966-1968
|
|
|
Box
27
Folder
3
|
Policies and Invoices, 1967-1969
|
|
|
Legal
|
|
|
Box
27
Folder
4
|
Agreements, 1965-1968
|
|
|
Box
27
Folder
5
|
Contracts with Sammy Davis, Jr., 1965-1967
|
|
|
Box
27
Folder
6
|
Contracts for Female Cast, February-June, 1968
|
|
|
Box
27
Folder
7
|
Contracts for Male Cast, February-March, 1968
|
|
|
Box
27
Folder
8
|
Correspondence, 1966-1968
|
|
|
Box
27
Folder
9
|
Production Notes, 1968; undated
|
|
|
Box
27
Folder
10
|
Program, circa 1968
|
|
|
Promotion and Press
|
|
|
Box
27
Folder
11
|
Advertisements and Cast Biographies, circa 1968
|
|
|
Box
27
Folder
12
|
Advertising Schedules, 1963; 1968; undated
|
|
|
Box
27
Folder
13
|
Clippings, 1966-1968
|
|
|
Box
27
Folder
14
|
Correspondence, 1966-1968
|
|
|
Box
27
Folder
15
|
Script, February 1, 1968
|
|
|
Golden Boy
|
|
|
Box
27
Folder
16
|
Correspondence re Stock Rights and Foreign Rights, 1964-1969; undated
|
|
|
Hedda Gabler (NY: Playhouse Theatre, February 17, 1971.)
|
|
|
Box
28
Folder
1
|
Production Notes, circa 1970-1971
|
|
|
Hot September (Boston: Shubert Theater, September 14, 1965.)
|
|
|
Box
28
Folder
2
|
Reviews, September, 1965
|
|
|
Oh! Calcutta! (NY: Eden Theater, June 17, 1969.)
|
|
|
Box
28
Folder
3
|
Clippings, Reviews, Receipts, 1969
|
|
|
The Rothschilds (NY: Lunt-Fontanne Theatre, October 19, 1970.)
|
|
|
Box
28
Folder
4
|
Miscellany, undated
|
|
|
Box
33A
Folder
5-6
|
Music
|
|
|
Sammy Davis-That's All (Toronto: O'Keefe Centre, March 11, 1968.)
|
|
|
Box
28
Folder
5
|
Correspondence, 1966-1968
|
|
|
Box
28
Folder
6
|
Financial Expenditures, Statements, and Reports, 1966-1967
|
|
|
Box
28
Folder
7
|
Legal Agreements, 1965-1967
|
|
|
Box
28
Folder
8
|
Miscellany, undated
|
|
|
Step on a Crack (NY: Ethel Barrymore Theatre, October 17, 1962.)
|
|
|
Box
28
Folder
9
|
Agreements, Clippings, Casting Suggestions, 1961-1962
|
|
|
Box
28
Folder
10
|
Correspondence, 1961-1962; undated
|
|
|
This Winter's Hobby (New Haven, Conn: Shubert Theater, March 23, 1966. Closed in Philadelphia, April 9, 1966.)
|
|
|
Casting
|
|
|
Box
28
Folder
11
|
Audition Lists, Casting Suggestions, Cast List, 1965-1966; undated
|
|
|
Box
28
Folder
12
|
Correspondence, 1965-1966; undated
|
|
|
Correspondence
|
|
|
Box
28
Folder
13
|
General, 1965-1967
|
|
|
Box
28
Folder
14
|
MacWhinnie, May-August, 1965
|
|
|
Financial
|
|
|
Box
28
Folder
15
|
Box Office Statements, March-April, 1966
|
|
|
Box
28
Folder
16
|
Budget and Weekly Financial Statements, 1965-1966
|
|
|
Box
28
Folder
17
|
Correspondence, March, 1966-February, 1967; undated
|
|
|
Box
28
Folder
18
|
Investors' Correspondence, November, 1965-July, 1966; undated
|
|
|
Box
28
Folder
19
|
Insurance Policy and Correspondence, February, 1966-January, 1967
|
|
|
Legal
|
|
|
Contracts
|
|
|
Box
28
Folder
20
|
Actors' Equity, 1965-1966
|
|
|
Box
29
Folder
1
|
General, 1965-1966
|
|
|
Box
29
Folder
2
|
Limited Partnership Agreements, 1965-1966
|
|
|
Box
29
Folder
3
|
Theaters, 1966
|
|
|
Box
29
Folder
4
|
Correspondence, 1964-1966
|
|
|
Box
29
Folder
5
|
Production Notes and Set Designs, 1965-1966
|
|
|
This Winter's Hobby (New Haven, Conn: Shubert Theater, March 23, 1966. Closed in Philadelphia, April 9, 1966.)
|
|
|
Promotion
|
|
|
Box
29
Folder
6
|
Correspondence, 1965-1966; undated
|
|
|
Box
29
Folder
7
|
Press Releases, Miscellaneous Promotional Material, circa 1965-1966
|
|
|
Script
|
|
|
Box
29
Folder
8
|
Partial Script, “The Mischief Makers,” April, 1965 (?)
|
|
|
Box
29
Folder
9
|
Script, undated
|
|
|
Box
29
Folder
10
|
Script Revisions, by Jack Finney, September 13, 1965
|
|
|
Box
29
Folder
10
|
Notes, 1966; undated
|
|
|
Subseries: Theater-Unproduced
|
|
|
Alfie
|
|
|
Box
29
Folder
11
|
Correspondence, June-July, 1963
|
|
|
The Anniversary
|
|
|
Box
29
Folder
12
|
Correspondence, Financial Statement, Contract, and Playbill, 1966
|
|
|
Cages
|
|
|
Box
29
Folder
13
|
Correspondence, Budgets, March-May, 1966; undated
|
|
|
Farouk
|
|
|
Box
29
Folder
14
|
Agreement, November 1, 1965
|
|
|
Box
29
Folder
14
|
Correspondence, 1965-1966; undated
|
|
|
The Fun House
|
|
|
Box
29
Folder
15
|
Outline, Agreement, Correspondence, 1964-1966; undated
|
|
|
Golden Spur
|
|
|
Box
30
Folder
1
|
Correspondence, 1962-1965
|
|
|
Box
30
Folder
2
|
Estimated Budget, Production Notes, Clippings, 1963
|
|
|
Box
30
Folder
3
|
Production Contract, December 15, 1962; undated
|
|
|
Box
30
Folder
4
|
Script, Annotated, undated
|
|
|
Box
30
Folder
5
|
Script, Fragment, Act I, by Dawn Powell, undated
|
|
|
Box
30
Folder
6
|
Script, undated
|
|
|
Box
30
Folder
7
|
Script, Miscellaneous Fragments, undated
|
|
|
Has Anyone Got a Match?
|
|
|
Box
30
Folder
8
|
Agreements, February-April, 1965
|
|
|
Box
30
Folder
9
|
Correspondence and Miscellaneous, 1964-1965; undated
|
|
|
Box
30
Folder
10
|
Outline, First Draft, January 29, 1965
|
|
|
Homer
|
|
|
Box
30
Folder
11
|
Contract and Cast List, May-June, 1965
|
|
|
Box
30
Folder
12
|
Correspondence, 1964-1965
|
|
|
It's a Funny Old World We Live In -- But the World's Not Entirely to Blame!
|
|
|
Box
30
Folder
13
|
Script, by Leslie Bricusse and Anthony Newley, September, 1971
|
|
|
La Lupa
|
|
|
Box
30
Folder
14
|
Agreements and Outlines, 1966; undated
|
|
|
Box
30
Folder
15
|
Correspondence, 1965-1966; undated
|
|
|
Box
30
Folder
16
|
Production Notes and Clippings, circa 1965-1966
|
|
|
Ladies, Ladies, Ladies
|
|
|
Box
31
Folder
1
|
Casting Suggestions, “Untitled Musical” and Credits, “Put Your Foot Down,” undated
|
|
|
Box
31
Folder
2
|
Contracts, October, 1965; undated
|
|
|
Box
31
Folder
3
|
Correspondence, June-December, 1965; undated
|
|
|
Box
31
Folder
4
|
Script and Revisions, “Kittens Grow Up to Be Cats,” undated
|
|
|
Box
31
Folder
5
|
Script, “Untitled Musical,” by Ronald Alexander, undated
|
|
|
The Last Flapper
|
|
|
Box
31
Folder
6
|
Correspondence and Casting Suggestions, 1960-1964
|
|
|
Make Me an Offer
|
|
|
Box
31
Folder
7
|
Pre-opening Budget, July 22, 1963
|
|
|
Nell!
|
|
|
Box
31
Folder
8
|
Agreements, May-September, 1966
|
|
|
Box
31
Folder
8
|
Correspondence, 1966-1968
|
|
|
Box
31
Folder
9
|
Script, by Philip Mackie and Johnny Worth, March 9, 1966
|
|
|
Box
31
Folder
10
|
Script, First Draft, by Christian Hamilton and Johnny Worth, July, 1968
|
|
|
Nothing Like the Sun
|
|
|
Box
31
Folder
11
|
Agreement and Correspondence, 1967-1968; undated
|
|
|
Remember the Poor Baker
|
|
|
Box
31
Folder
12
|
Agreements, February 4, 1964
|
|
|
Box
31
Folder
13
|
Correspondence, 1961-1966; undated
|
|
|
Box
32
Folder
1
|
Production and Casting Notes, circa 1964
|
|
|
Box
32
Folder
2
|
Script, by George Zuckerman, undated
|
|
|
The Seersucker Whipsaw
|
|
|
Box
32
Folder
3
|
Agreements, April, 1967; undated
|
|
|
Box
32
Folder
3
|
Clippings, 1967
|
|
|
Box
32
Folder
4
|
Correspondence, 1966-1968
|
|
|
Box
32
Folder
5
|
Outlines, by Ross Thomas, undated
|
|
|
Box
32
Folder
6
|
Script, by Ross Thomas, August 15, 1967
|
|
|
Snow on High Ground
|
|
|
Box
32
Folder
7
|
Agreements and Correspondence, 1966-1967
|
|
|
Box
32
Folder
8
|
Outlines, by Raymond Sawkins, circa 1966
|
|
|
1600 Floogle Street
|
|
|
Box
32
Folder
9
|
Agreements and Correspondence, 1967-1969
|
|
|
The Three Musketeers
|
|
|
Box
32
Folder
10
|
Correspondence, 1962-1965; undated
|
|
|
Tryp
|
|
|
Box
32
Folder
11
|
Script, Fourth Draft, by Jacques Levy and Roger McGuinn, December, 1969
|
|
|
Two for the Seasaw
|
|
|
Box
32
Folder
12
|
Correspondence, Agreements, and Miscellaneous Production Notes, “Gittel,” February-October, 1967; undated
|
|
|
A Woman Named Anne
|
|
|
Box
32
Folder
13
|
Correspondence, Agreement, Casting Suggestions, and Clipping, 1967-1968; undated
|
|
|
World's Greatest Play
|
|
|
Box
32
Folder
14
|
Correspondence, 1970; undated
|
|
|
Box
32
Folder
14
|
Estimated Budget and Miscellaneous, 1969-1970
|
|
|
Subseries: Television
|
|
|
African Queen
|
|
|
Box
32
Folder
15
|
Agreements, Correspondence, 1959-1962
|
|
|
Bolshoi Ballet
|
|
|
Box
32
Folder
16
|
Agreements, Budgets, May, 1959
|
|
|
I-68 Conspiracy
|
|
|
Box
32
Folder
17
|
Script and Memorandum, circa 1970
|
|
|
Series: Part 2, 1986 Additions, 1959-1979
|
|
|
Subseries: Personal Papers
|
|
|
Hillard Elkins
|
|
|
Box
33B
Folder
1
|
Address and Phone Lists
|
|
|
Box
33B
Folder
2
|
Awards
|
|
|
Box
33B
Folder
3
|
Biographical Materials, including Birth Certificate, 1929; Biographical Sketches; Marriage Certificate, , 1969; Divorce Decree, , 1976; Who's Who in America Biographical Statement, , undated
|
|
|
Box
33B
Folder
4
|
Rovinsky (Elkins), John M.-Personal Papers, 1972-1978
|
|
|
Financial Records
|
|
|
Box
33B
Folder
5
|
Credit Reports, 1977-1979
|
|
|
Box
33B
Folder
6
|
Income Statements, 1968-1975
|
|
|
Box
53
Folder
1
|
Personal journal, 1975 1978
|
|
|
Tax Returns and Records
|
|
|
Box
33B
Folder
7
|
Federal, 1967-1973
|
|
|
Box
33B
Folder
8
|
New York City, 1971-1973
|
|
|
Box
33B
Folder
9
|
New York State, 1971 1973
|
|
|
Box
33B
Folder
10-12
|
Living Accommodations; Housing and Office Rental, and Furnishings, 1964-1977
|
|
|
Box
33B
Folder
13
|
Newspaper Clippings
|
|
|
Box
33B
Folder
14
|
Notes
|
|
|
Claire Bloom
|
|
|
Box
33B
Folder
15
|
Biographical Materials, including Biographical Sketches, Anna Steiger's Birth Certificate, 1960; Divorce Decree and Marriage Certificate, , 1969; Inventory of Possessions
|
|
|
Box
33B
Folder
16
|
Recording Contracts and Correspondence, 1970-1972
|
|
|
Box
33B
Folder
17
|
Contracts, 1970-1976
|
|
|
Correspondence
|
|
|
Box
33B
Folder
18
|
Letters to Elkins, 1972-1975, undated
|
|
|
Box
33B
Folder
19-24
|
General Correspondence, 1969-1976
|
|
|
Film Production Files
|
|
|
A Severed Head
|
|
|
Box
33B
Folder
25
|
Correspondence, Contracts, and Distribution Statements, 1970-1972
|
|
|
Vivat! Vivat Regina!
|
|
|
Box
33B
Folder
26
|
Box Office Statements, 1972
|
|
|
Box
33B
Folder
27
|
Contracts, Salary and Compensation Statements, 1971--1972
|
|
|
Box
33B
Folder
28
|
Playbill
|
|
|
Box
33B
Folder
29
|
Reviews
|
|
|
Subseries: Corporate Records
|
|
|
Elkins Organizations, Ltd.
|
|
|
Box
33B
Folder
30
|
Financial Statement, 1971
|
|
|
Tax Returns and Records
|
|
|
Box
33B
Folder
31
|
Federal, 1969-1978
|
|
|
Box
34
Folder
1
|
New York City, 1969-1972
|
|
|
Box
34
Folder
2
|
New York State, 1968-1972
|
|
|
Elkins Productions, Ltd.
|
|
|
Box
34
Folder
3
|
Correspondence, 1973-1974
|
|
|
Box
34
Folder
4
|
Financial Correspondence and Records, 1975-1977
|
|
|
Elkins Productions International Corporation
|
|
|
Box
34
Folder
5
|
Berkshire Theatre Festival-Correspondence and Financial Records, 1967
|
|
|
Box
34
Folder
6
|
Contracts and Agreements
|
|
|
General Correspondence
|
|
|
Box
34
Folder
7-20
|
December 1959-March 1979
|
|
|
Tape 1125A
No.
1
|
Memos to Klein, Joe Papp, Bill Levin, and Bill Liberman, post-March 1971 (taped over songs from It's a Funny Old World)
|
|
|
U.S. Mss 137AN
Box
54
Folder
1
|
Planned Film and Stage Projects; Miscellaneous Film and Television Projects
|
|
|
Box
54
Folder
2
|
Miscellaneous Film Projects (“No Interest”)
|
|
|
Financial Records
|
|
|
Box
54
Folder
3-5
|
Accounts Payable, Statements of Debt, Bills Due, and Correspondence with Creditors, 1963-1979
|
|
|
Balance Sheets, 1971-1973
|
|
|
Paid and Unpaid Bills, Creditors' Notices, Legal Papers
|
|
|
Box
54
Folder
7
|
1963-1971
|
|
|
Box
51
Folder
44
|
1972-1979
|
|
|
Box
51
Folder
45
|
Consolidated Edison Bills, Correspondence, and Legal Papers, 1975-1979
|
|
|
Box
52
Folder
1
|
Correspondence and Bills from Robert Flamm, CPA, 1965-1972
|
|
|
Box
35
Folder
1
|
Correspondence and Bills from Gottlieb, Schiff, Fabricant, and Sternklar, Attorneys, 1970-1979
|
|
|
Box
35
Folder
2
|
Correspondence and Bills from Linden and Deutsch, Attorneys, with Statements of Account re: Bye Bye Birdie, 1967-1978
|
|
|
Box
52
Folder
2
|
Golden Harvest Gold Mine-Investment Papers, Prospectus, 1976
|
|
|
Box
35
Folder
3
|
Loan Agreements and Correspondence, 1967-1971
|
|
|
Box
35
Folder
4
|
Correspondence and Bills from Schwartzman and Greenberg, Attorneys, 1970-1979
|
|
|
Box
35
Folder
5
|
Financial Statements, 1970-1971
|
|
|
Tax Returns and Records
|
|
|
Box
35
Folder
6
|
Delaware, 1972
|
|
|
Box
35
Folder
7
|
Federal, 1968-1979
|
|
|
Box
35
Folder
8
|
New York City, 1968-1977
|
|
|
Box
35
Folder
9
|
New York State, 1965-1978
|
|
|
Box
35
Folder
10
|
Payroll Tax Records, 1970-1974
|
|
|
Box
35
Folder
11
|
Fox-Wilshire Theater-Correspondence and Plans, 1978
|
|
|
Box
35
Folder
12-13
|
Insurance
|
|
|
Box
35
Folder
14
|
Lists of Actors, Writers, and Directors
|
|
|
Box
35
Folder
15
|
Media Mix Productions, Inc.-Articles of Incorporation, Correspondence, 1978
|
|
|
Box
35
Folder
16
|
Proposed Merger of EPIC and British-Lion Films, Ltd., 1972-1973
|
|
|
Box
35
Folder
17-19
|
Organization and Reorganization of EPIC and Merger of EPIC and EPOC-Correspondence and Legal Papers
|
|
|
Box
35
Folder
20
|
Press Releases
|
|
|
Box
35
Folder
21
|
Reorganization and Merger with Westl and Film Industries, 1971-1972
|
|
|
Box
35
Folder
22
|
Staff Meetings Minutes, 1965-1971
|
|
|
Box
35
Folder
23
|
Talent and Casting Lists and Photographs
|
|
|
Box
35
Folder
24
|
Telephone Messages and Notes, circa 1971, 1975, undated
|
|
|
Box
36
Folder
1
|
Television Projects-Correspondence and Other Papers, 1974-1975
|
|
|
EPIC III, Ltd.
|
|
|
Box
36
Folder
2
|
Financial Records, Including Lists of Film Properties Owned and In Production, 1972-1973
|
|
|
Box
36
Folder
3
|
Incorporation Papers, 1972
|
|
|
Elkins Productions of Canada, Ltd.
|
|
|
Box
36
Folder
4
|
Contracts, 1972
|
|
|
Box
36
Folder
5-8
|
General Correspondence, 1972-September 1974
|
|
|
Life Investors, Ltd.
|
|
|
Box
36
Folder
9
|
Contracts and Agreements, Reports to Shareholders, and Correspondence, 1971-1973
|
|
|
Box
36
Folder
10
|
Correspondence, 1972-1974
|
|
|
Box
36
Folder
11
|
Minutes of Meetings and Agenda, 1972
|
|
|
Box
36
Folder
12
|
Public Relations-Correspondence, Press Releases, and Clippings, 1972-1973
|
|
|
Entertainment in Cinema, Inc.
|
|
|
Box
36
Folder
13
|
Correspondence, Financial Records, Legal Papers, 1971-1972
|
|
|
Hillard Elkins Entertainment Corp.
|
|
|
Box
36
Folder
14
|
Correspondence and Financial Records, 1971-1978
|
|
|
Box
36
Folder
15
|
Tax Returns and Records, 1970-1979
|
|
|
Miscellaneous
|
|
|
Box
36
Folder
16
|
Unidentified Sheet Music
|
|
|
Subseries: Production Files
|
|
|
Alice's Restaurant (Film. Florin Corporation, 1969. United Artists.)
|
|
|
Correspondence
|
|
|
Box
36
Folder
17
|
Chemical Bank, with Borrowing Certificates, Deposit Slips, 1968-1969
|
|
|
Box
36
Folder
18 -19
|
General, 1968-1975, undated
|
|
|
Box
36
Folder
20
|
Costumes and Wardrobe-Expenses, 1968
|
|
|
Financial Records
|
|
|
Box
36
Folder
21
|
Cost Statements and Budgets, Trial Balances, Expenses, 1968-1909
|
|
|
Box
36
Folder
22
|
Casting Expenses, Payroll Information, 1968
|
|
|
Box
36
Folder
23
|
Pension and Welfare Records, 1968-1969
|
|
|
Box
36
Folder
24
|
Photographic Expenses, 1968-1969
|
|
|
Box
36
Folder
25
|
Prop and Electrical Expenses, 1968-1969
|
|
|
Box
36
Folder
26
|
Financial Report, 1971
|
|
|
Box
36
Folder
27
|
Research Expenses, 1968
|
|
|
Box
36
Folder
28
|
Set Construction Breakdown Costs, 1968
|
|
|
Box
36
Folder
29
|
Sound, 1968-1909
|
|
|
Box
36
Folder
30
|
Titles-Artwork Expenses, 1969
|
|
|
Box
36
Folder
31-32
|
United Artists Distribution Statements, 1971
|
|
|
Box
37
Folder
1-2
|
United Artists Distribution Statements, 1972-1976
|
|
|
Box
37
Folder
3
|
Franchise-Clippings, Promotion, 1969
|
|
|
Legal Files
|
|
|
Box
37
Folder
4
|
Actors' Contracts, 1968
|
|
|
Box
37
Folder
5
|
Actors' and Musicians Contracts, 1968-1969
|
|
|
Box
37
Folder
6
|
Music Notes, 1968
|
|
|
Promotion and Publicity
|
|
|
Box
37
Folder
7
|
Correspondence, 1968-1969, undated
|
|
|
Box
37
Folder
8
|
Poster Proofs, undated
|
|
|
Box
37
Folder
9
|
Transportation Schedules, September 1968
|
|
|
Box
37
Folder
10
|
Reissue of Film-Correspondence, 1971, 1974-1975; Advertising, Publicity, and Exploitation Budget, , 1971
|
|
|
Releases
|
|
|
Box
37
Folder
11-35
|
Individual Releases, 1968
|
|
|
Box
37
Folder
36
|
Motorcycle Racers' Releases, 1968
|
|
|
Box
37
Folder
37
|
Parents' Releases and Indemnity Agreements, 1968
|
|
|
Box
37
Folder
38
|
Premise Releases, 1968
|
|
|
Scripts
|
|
|
Box
37
Folder
39
|
Pages From Prior to Final Shooting Script, 1968
|
|
|
Box
37
Folder
40
|
Shooting Script, by Venable Herndon and Arthur Penn, September 17, 1968, with later revisions
|
|
|
The Anniversary (Unproduced play)
|
|
|
Box
38
Folder
1
|
Expenses, 1966, 1968
|
|
|
Anyone Got a Match (Unproduced)
|
|
|
Box
38
Folder
2
|
Expenses, 1965-1968
|
|
|
Best Laid Plans (Play. New York: Brooks Atkinson Theatre, March 25, 1966.)
|
|
|
Box
38
Folder
3
|
Budget, Expenses, Correspondence, Contract, 1965-1968
|
|
|
Blues for Mr. Charlie (Unproduced film)
|
|
|
Box
38
Folder
3A
|
Screen Treatment, by James Baldwin; Detail Budget and Cost Report
|
|
|
The Body and the Wheel (Unproduced play)
|
|
|
Box
38
Folder
4
|
Correspondence, 1974
|
|
|
The Butterfingers Angel, Mary and Joseph, 68 Props 68, Herod the Nut, and the Slaughter of 12 Hit Carols in a Pear Tree (Unproduced play)
|
|
|
Box
38
Folder
5
|
Script, by William Gibson, undated
|
|
|
Candide (Play. New York: Martin Beck Theatre, December 1, 1956; also Touring Companies.)
|
|
|
Box
38
Folder
6
|
Articles, Correspondence, Expenses, Playbill, 1974
|
|
|
Cat's Cradle (Unproduced play and film)
|
|
|
Box
38
Folder
7
|
Articles, circa 1970
|
|
|
Box
38
Folder
8
|
Contracts and Correspondence, 1966-1975
|
|
|
Box
38
Folder
9
|
Correspondence, 1970-1974
|
|
|
Cold War Swamp (Unproduced)
|
|
|
Box
38
Folder
10
|
Expenses, 1966-1968
|
|
|
Cry of Players (Unproduced film?)
|
|
|
Box
38
Folder
11
|
Correspondence and Expenses, 1968
|
|
|
The Deep End (Unproduced)
|
|
|
Box
38
Folder
12
|
Expenses, 1968
|
|
|
Dick Deterred (Unproduced Play)
|
|
|
Box
38
Folder
13
|
Correspondence, Contracts, Casting, and General, 1972-1974
|
|
|
Box
38
Folder
14
|
Estimated Operating Budget, 1974
|
|
|
Box
38
Folder
15
|
Reference Materials
|
|
|
Box
38
Folder
16
|
Reviews of London Production
|
|
|
Box
38
Folder
17
|
Script; Book by David Edgar, Lyrics by Ira Gasman, Music by Galt McDermott, undated
|
|
|
Box
38
Folder
18
|
Songs and Lyrics
|
|
|
Box
38
Folder
19
|
Synopsis
|
|
|
A Doll's House and Hedda Gabler (the Ibsen Plays) (Plays and Film. New York: Playhouse Theater, January 13, 1971 and February 17, 1971.)
|
|
|
New York Productions (Primarily from A Doll's House)
|
|
|
Box
38
Folder
20
|
Advertising Bills, 1970-1971
|
|
|
Box
38
Folder
21
|
Box Office Statements, 1970-1971
|
|
|
Box
38
Folder
22
|
Cast and Contact Lists; Credits
|
|
|
Box
38
Folder
23-24
|
Contracts and Agreements, 1970-1972
|
|
|
Box
38
Folder
25
|
Correspondence, 1970-1975
|
|
|
Box
38
Folder
26
|
Costume Lists and Invoices; Wardrobe Plot
|
|
|
Financial Records
|
|
|
Box
38
Folder
27
|
Break-Even Calculations, 1971
|
|
|
Box
38
Folder
28
|
General Financial Records, 1971-1973, undated
|
|
|
Box
38
Folder
29
|
Royalty Summaries, 1971
|
|
|
Box
38
Folder
30
|
Financial Statements, 1971-1974
|
|
|
Box
38
Folder
30A
|
Tax Returns and Records, including Payroll Tax Records, 1970-1972
|
|
|
Box
38
Folder
31
|
Insurance Policies and Claims, 1971-1972
|
|
|
Box
38
Folder
32
|
Partnership Agreements, 1970
|
|
|
Box
38
Folder
33
|
Photography-Invoices, 1970-1971
|
|
|
Box
38
Folder
34
|
Playbill
|
|
|
Box
38
Folder
35
|
Production Meeting-Minutes, November 1970
|
|
|
Box
38
Folder
36
|
Props, Electrical, and Sound-Lists and Invoices, 1970-1971
|
|
|
Box
38
Folder
37
|
Publicity-Advertisements, Expenses, Press Releases
|
|
|
Box
38
Folder
38
|
Script, by Henrik Ibsen; New Version by Christopher Hampton (Claire Bloom's Copy)
|
|
|
Box
38
Folder
39
|
“Nora,” Short Story by Kurt Vonnegut, undated
|
|
|
Box
38
Folder
40
|
Synopsis, undated
|
|
|
Box
38
Folder
41
|
Tickets and Opening Night Press Lists; Opening Night Party Records
|
|
|
A Doll's House and Hedda Gabler (the Ibsen Plays) (London. Criterion Theatre, 1973.)
|
|
|
Box
38
Folder
42
|
Articles and Clippings
|
|
|
Box
39
Folder
1-2
|
Box Office Statements, February-June 1973
|
|
|
Box
39
Folder
3-4
|
Daily and Weekly Box Office Summaries, Feb.-June 1973
|
|
|
Box
39
Folder
5
|
Weekly Statements of Receipts and Expenses, February-June 1973
|
|
|
Box
39
Folder
6
|
Casting and Address Lists, 1972-1973
|
|
|
Box
39
Folder
7
|
Cast Contracts and Correspondence, 1973
|
|
|
Box
39
Folder
8
|
Contract and Correspondence with Patrick Garland, 1972-1973
|
|
|
Box
39
Folder
9
|
General Correspondence, 1971-1974
|
|
|
Box
39
Folder
10
|
Correspondence re: Claire Bloom, 1971-1973
|
|
|
Box
39
Folder
11
|
Financial Records, 1973
|
|
|
Tape 1125A
No.
2
|
Music from Production(?)
|
|
|
U.S. Mss 137AN
Box
39
Folder
12
|
Publicity-Correspondence and Advertisements, 1972-1973
|
|
|
A Doll's House and Hedda Gabler (the Ibsen Plays) (Film.)
|
|
|
Box
39
Folder
13
|
Casting and Talent Lists
|
|
|
Box
39
Folder
14-16
|
Contracts and Agreements, 1972-1974
|
|
|
Box
39
Folder
17-22
|
Correspondence, 1971-January 1976
|
|
|
Box
39
Folder
23
|
Credits and Trailer Script, 1973
|
|
|
Distribution Records
|
|
|
Box
39
Folder
24
|
Anglo-EMI Distribution Statements, 1973-1975
|
|
|
Box
39
Folder
25
|
Paramount Statements of Account, 1973-1974
|
|
|
Financial Records
|
|
|
Box
39
Folder
26
|
Bank and Cash Summaries, Production Advances, 1972-1973
|
|
|
Box
39
Folder
27
|
Budgets, 1971-1972
|
|
|
Box
39
Folder
28
|
Production Budget, 1972
|
|
|
Box
39
Folder
29
|
General and Foreign Financial Statements, 1972-1976
|
|
|
Box
40
Folder
1
|
Production Cost Statements, 1972-1973
|
|
|
Box
40
Folder
2
|
Prop Costs; Set Construction Costs, 1972
|
|
|
Box
40
Folder
3
|
Salaries, 1972-1973
|
|
|
Box
40
Folder
4
|
Trial Balances, 1972-1973
|
|
|
Box
40
Folder
5
|
Wardrobe and Props-Expenses, 1972-1973
|
|
|
Box
40
Folder
6
|
Insurance, 1973-1974
|
|
|
Box
40
Folder
7
|
Sheet Music, Music Cue Sheets
|
|
|
Box
39
Folder
30
|
Press Releases and Correspondence, 1972-1973
|
|
|
Production Records
|
|
|
Box
40
Folder
8
|
Call Sheets, 1972-1973
|
|
|
Box
40
Folder
9
|
Daily Production Reports, 1972-1973
|
|
|
Box
40
Folder
10
|
Production Schedules, 1972-1973
|
|
|
Box
40
Folder
11
|
Title Registration Records, 1972-1973
|
|
|
Box
40
Folder
12
|
World Premiere Records, 1973
|
|
|
A Doll's House and Hedda Gabler (the Ibsen Plays) (U.S. Tour.)
|
|
|
Box
40
Folder
13
|
Box Office Settlement and Statements, 1971
|
|
|
Box
40
Folder
14
|
Contracts, 1969, 1971
|
|
|
Box
40
Folder
15
|
Correspondence, 1970-1972
|
|
|
Box
40
Folder
16
|
Equipment Lists; Sound Bills, 1971
|
|
|
Box
40
Folder
17
|
Production Cost Estimates and Income Estimates, 1971
|
|
|
Box
40
Folder
18
|
Payroll and Salary Records, 1970-1971
|
|
|
Box
40
Folder
19
|
Pension Records, 1971-1972
|
|
|
Box
40
Folder
20
|
Playbill and Reviews
|
|
|
Box
40
Folder
21
|
Publicity-Advertising Bills, Press Releases, Schedules
|
|
|
Box
40
Folder
22
|
Schedules
|
|
|
Box
40
Folder
23
|
Proposed Television Film-Correspondence and Budget, 1971
|
|
|
Box
40
Folder
24
|
Ticket Sales, 1971
|
|
|
Hedda Gabler Film
|
|
|
Box
40
Folder
25
|
Production Budgets, 1971, undated
|
|
|
Hedda Gabler Play
|
|
|
Box
40
Folder
26
|
Articles, Reviews
|
|
|
Box
40
Folder
27
|
Script, by Henrik Ibsen; New Version by Christopher Hampton, undated
|
|
|
Don't Bother Me, I Can't Cope (Play. New York: Edison Theatre, 1974; Proposed London Production.)
|
|
|
Box
40
Folder
28
|
Correspondence, Playbill, 1972-1974
|
|
|
A Drawing Room Comedy (Unproduced play)
|
|
|
Box
40
Folder
29
|
Script, by Gore Vidal, undated
|
|
|
Eagle of Naptown (Unproduced film)
|
|
|
Box
40
Folder
30
|
Screenplay, by Steve Tesich, undated
|
|
|
Endurance (Unproduced film?)
|
|
|
Box
40
Folder
31
|
Expenses, 1967-1968
|
|
|
An Evening with Max Morath at the Turn of the Century (Play. New York: Jan Husk Playhouse, February 11, 1969.)
|
|
|
Box
40
Folder
32
|
Advertising and Invoices, 1969
|
|
|
Box
40
Folder
33
|
Box Office Statements, February-June 1969
|
|
|
Box
40
Folder
34
|
Contracts, Agreements, Licenses, and Correspondence, 1969
|
|
|
Box
40
Folder
35
|
Correspondence, 1969
|
|
|
Box
40
Folder
36
|
Insurance Correspondence and Policies
|
|
|
Box
40
Folder
37
|
Investors' Correspondence, 1968-1969
|
|
|
Box
40
Folder
38
|
Playbill and Playbill Copy
|
|
|
Box
40
Folder
39
|
Reviews
|
|
|
Box
40
Folder
40
|
Staging Information
|
|
|
Box
40
Folder
41
|
Script, with Suggested Revisions by Norman Kean, February 1969
|
|
|
Box
40
Folder
42
|
Stage Manager's Daily Reports, February-April 1969
|
|
|
Box
40
Folder
43
|
Ticket Records, 1969
|
|
|
An Evening with Quentin Crisp (“The Naked Civil Servant”) (Play. Washington, D.C.: Ford's Theater, November 28, 1978.)
|
|
|
Advertising and Publicity
|
|
|
Box
52
Folder
3
|
Ad Copy, Bills, Radio Spots, Press Lists, Press and Party Invitation Lists, 1978-1979
|
|
|
Box
52
Folder
4
|
Photos, Reviews 1978-1979
|
|
|
Box
52
Folder
5
|
Contracts, 1978
|
|
|
Box
52
Folder
6
|
Correspondence, 1978-1979
|
|
|
Box
52
Folder
7
|
Financial Statements, 1978-1979
|
|
|
Box
52
Folder
8
|
Playbills
|
|
|
Box
40
Folder
44
|
Script, undated; Draft Screenplay (“The Naked Civil Servant”), by Philip Mackie, , May 11, 1971
|
|
|
Tape 1125A
No.
3-9
|
Taped performances, August 2, 1978(?)
|
|
|
U.S. Mss 137AN
|
An Evening with Richard Nixon (Play. New York: Shubert Theater, April 30, 1972.)
|
|
|
Box
40
Folder
45
|
Financial Statements, Investors' Agreement and Lists, Prospectus, Other Papers, 1971-1976
|
|
|
Fidelia (Unproduced play)
|
|
|
Box
40
Folder
46
|
Correspondence, Budget Summary, Production Budget, 1970-1976
|
|
|
The Fun House (Unproduced play)
|
|
|
Box
40
Folder
47
|
Expenses, 1968
|
|
|
Golden Boy (Play. New York: Majestic Theatre, October 20, 1964.)
|
|
|
Box
40
Folder
48
|
Advertising Ad Copy, Graphics, Invoices, 1963-1965
|
|
|
Casting
|
|
|
Box
41
Folder
1
|
Audition Lists
|
|
|
Box
41
Folder
2
|
Correspondence, 1963-1964
|
|
|
Box
41
Folder
3
|
Photographs and Talent Lists
|
|
|
Choreography
|
|
|
Box
41
Folder
4
|
McKayle, Donald-Correspondence, Agreements, Arbitration Records, Schedules, 1964-1966
|
|
|
Box
41
Folder
5
|
Ross, Herbert-Correspondence, Agreements, Arbitration Records, 1964-1966
|
|
|
Box
41
Folder
6-8
|
Contracts and Correspondence, 1962-1966, 1968
|
|
|
Correspondence
|
|
|
Box
41
Folder
9-10
|
General, 1962-1969, undated
|
|
|
Box
41
Folder
11
|
Coe, Peter-Correspondence and Agreements, 1963-1966
|
|
|
Box
41
Folder
12
|
Daniels, Billy-Correspondence, Contracts, and Legal Papers, 1963-1965
|
|
|
Box
41
Folder
13-14
|
Davis, Sammy, Jr.-Correspondence, 1962-1967
|
|
|
Box
41
Folder
15
|
Costumes-Expenses and Wardrobe Lists, 1964
|
|
|
Financial Records
|
|
|
Box
41
Folder
16
|
Budgets and Operating Costs, 1963-1964
|
|
|
Box
41
Folder
17
|
Check Register, 1968-1972
|
|
|
Box
41
Folder
18
|
Expenses, 1961-1971
|
|
|
Box
41
Folder
19
|
Golub Brothers Statements re: Souvenir Books, 1964-1966
|
|
|
Box
41
Folder
20
|
Investors-Correspondence and Preliminary Prospectus, 1962-1965
|
|
|
Payrolls
|
|
|
Box
41
Folder
21
|
Payrolls, including Boston, Detroit, and Philadelphia, 1964, 1968
|
|
|
Box
41
Folder
22
|
Correspondence and Lists
|
|
|
Box
41
Folder
23
|
Financial Reports, 1964-1968
|
|
|
Box
41
Folder
24
|
Tax Returns and Records, Correspondence, and Loan Agreement, 1965-1968
|
|
|
Box
41
Folder
25
|
Legal Papers, 1965
|
|
|
Box
41
Folder
26
|
Sheet Music
|
|
|
Tape 1125A
No.
10
|
“What Kind of Fool Am I?”-Alternate Ending, sung by Sammy Davis, Jr.
|
|
|
U.S. Mss 137AN
Box
41
Folder
27
|
Party Lists for First Year Anniversary Party
|
|
|
Box
41
Folder
28
|
Playbills and Programs
|
|
|
Box
41
Folder
29
|
Production Schedules
|
|
|
Box
41
Folder
30
|
Prop Plot, Invoices, Agreement, 1968
|
|
|
Royalties Correspondence
|
|
|
Box
41
Folder
31
|
1964-July 1965
|
|
|
Box
42
Folder
1
|
August 1965-1966
|
|
|
Box
42
Folder
2
|
Theater Settlements, 1965-1966
|
|
|
Box
42
Folder
3-4
|
Ticket Sales, 1965
|
|
|
Golden Boy (Play. Chicago. Auditorium Theatre, April 1968.)
|
|
|
Advertising
|
|
|
Box
42
Folder
5
|
Weekly Account Statements for Newspaper, Radio, and Signs, 1968
|
|
|
Box
42
Folder
6
|
Newspaper Advertising, Ad Copy, Correspondence
|
|
|
Box
42
Folder
7
|
Box Office Statements, April-May 1968
|
|
|
Box
42
Folder
8
|
Casting Lists
|
|
|
Box
42
Folder
9
|
Contracts, 1967
|
|
|
Box
42
Folder
10
|
Correspondence, 1967-1968
|
|
|
Box
42
Folder
11
|
Costume Plot, 1968
|
|
|
Financial Records
|
|
|
Box
42
Folder
12
|
Unpaid Bills and Correspondence, 1968-1972
|
|
|
Box
42
Folder
13
|
Stage Manager's Expenses
|
|
|
Box
42
Folder
14
|
General, 1967-1968
|
|
|
Box
42
Folder
15
|
Insurance, 1967-1968
|
|
|
Box
42
Folder
16
|
Lighting-Contracts, Expenses, 1967-1968
|
|
|
Box
42
Folder
17
|
Music-Copying Bills
|
|
|
Box
42
Folder
18
|
Payroll Summaries
|
|
|
Box
42
Folder
19
|
Salary Lists, April-May 1968
|
|
|
Box
42
Folder
20
|
Wardrobe-Expenses
|
|
|
Box
42
Folder
21
|
Contracts, 1963-1968
|
|
|
Box
42
Folder
22
|
Correspondence, 1963-1968
|
|
|
Financial Records
|
|
|
Box
42
Folder
23
|
Account Summary, June-September 1968
|
|
|
Box
42
Folder
24
|
Unpaid Savoy Hotel Bills, Correspondence, 1968-1972
|
|
|
Box
42
Folder
25
|
Expenditure and Receipt Summaries, 1968
|
|
|
Box
42
Folder
26
|
Expenses
|
|
|
Box
42
Folder
27
|
Journal, Ledger, and Trial Balance
|
|
|
Box
42
Folder
28
|
Petty Cash Book
|
|
|
Box
42
Folder
29
|
Summary of Receipts, 1968
|
|
|
Box
42
Folder
30
|
Weekly Payroll Summaries, June 1968-July 1969
|
|
|
Box
42
Folder
31
|
Playbill
|
|
|
Box
42
Folder
32
|
Proposed Foreign Production-Records, 1965, 1970
|
|
|
Box
42
Folder
33
|
Record Album-Agreement, Correspondence, Statements from Capitol Records, 1964-1966, 1976-1977
|
|
|
Film
|
|
|
Box
42
Folder
34
|
Budgets, 1971-1972
|
|
|
Box
42
Folder
35
|
Correspondence, Budget, Television Rights, 1963-1975
|
|
|
Box
42
Folder
36
|
Shooting Schedule, undated
|
|
|
The Goldern Spur (Unproduced Play)
|
|
|
Box
42
Folder
37
|
Expenses, 1968
|
|
|
Good Morning, Midnight (Unproduced Film)
|
|
|
Box
42
Folder
38
|
Correspondence, 1976
|
|
|
Gore and Igor (Unproduced Film)
|
|
|
Box
42
Folder
39
|
Correspondence and Expenses, 1969-1970
|
|
|
The Haunted Host (Unproduced Play)
|
|
|
Box
42
Folder
40
|
Budgets, Contact List, Contracts, 1969
|
|
|
Box
42
Folder
41
|
Scripts, by Robert Patrick, copyright January 1969, revised , October 1969
|
|
|
Hedda Gabler See: Files on A Doll's House
|
|
|
Homer (Unproduced Play)
|
|
|
Box
42
Folder
42
|
Expenses, 1965-1968
|
|
|
A Horse's Head (Unproduced Film)
|
|
|
Box
42
Folder
43
|
Correspondence and Expenses, 1967-1968
|
|
|
Box
42
Folder
44
|
Revised Script, by Robert Culp, July 11, 1968
|
|
|
How Do You Do, I Love You (Unproduced)
|
|
|
Box
42
Folder
45
|
Expenses, 1967
|
|
|
How the West Was Shrunk (Unproduced Film)
|
|
|
Box
42
Folder
46
|
Screenplay, by Robert Kaufman, February 2, 1972
|
|
|
In the Dark (Unproduced)
|
|
|
Box
42
Folder
47
|
Expenses, 1966, 1968
|
|
|
It's a Funny Old World We Live In-But the World's Not Entirely to Blame! (Unproduced Play)
|
|
|
Box
42
Folder
48
|
Budget, Correspondence, and Script (“It's a Funny Old World We Live In-And the World's Not Entirely to Blame!”), by Leslie Bricusse and Anthony Newley, March 1971
|
|
|
Tape 1125A
No.
1
|
Songs from the production (portions later obliterated)
|
|
|
Ladies, Ladies, Ladies (Unproduced Play)
|
|
|
Box
43
Folder
1
|
Expenses, 1965, 1968
|
|
|
The Last Flapper (Unproduced Play)
|
|
|
Box
43
Folder
2
|
Partnership Agreement, 1964; Expenses, , 1968
|
|
|
La Lupa (Unproduced Play)
|
|
|
Box
43
Folder
3
|
Expenses, 1968
|
|
|
Mata Hari (Unproduced)
|
|
|
Box
43
Folder
4
|
Expenses, 1966, 1968
|
|
|
Money's Tight (Unproduced Film)
|
|
|
Box
43
Folder
5
|
Articles, 1971-1972
|
|
|
Box
43
Folder
6
|
Casting-Correspondence, Talent Lists, 1971-1975
|
|
|
Box
43
Folder
7
|
Contracts and Correspondence, 1971-1972
|
|
|
Correspondence
|
|
|
Box
43
Folder
8
|
General, 1971-1975, undated
|
|
|
Box
43
Folder
9
|
Scott, George C., 1971-1972
|
|
|
Financial Records
|
|
|
Box
43
Folder
10
|
Budget, 1971-1972, undated
|
|
|
Box
43
Folder
11
|
General, 1971-1972, undated
|
|
|
Napolean and Josephine (Unproduced)
|
|
|
Box
43
Folder
12
|
Expenses, 1966, 1968
|
|
|
A New Leaf (Film. Aries Films, Inc. and Elkins Productions International Corporation, 1972. Paramount.)
|
|
|
Box
43
Folder
13
|
Cast and Crew Lists and Salaries, Contact List, 1969
|
|
|
Box
43
Folder
14
|
Contracts and Correspondence, 1969
|
|
|
Box
43
Folder
15
|
Correspondence, 1969
|
|
|
Financial Records
|
|
|
Box
43
Folder
16
|
Costs, 1969-1970
|
|
|
Box
43
Folder
17
|
Statements of Account, 1972-1976
|
|
|
Box
43
Folder
18
|
Locations, Set Titles, Correspondence
|
|
|
Box
43
Folder
19
|
Promotional
|
|
|
Box
43
Folder
20
|
Script, by Elaine May, April 28, 1969, with later revisions
|
|
|
Box
43
Folder
21
|
Shooting Schedule, 1969
|
|
|
A New Life (Unproduced Film)
|
|
|
Box
43
Folder
22
|
Screenplay, by Robert Kaufman, undated
|
|
|
Nothing Like the Sun
|
|
|
Box
43
Folder
23
|
Correspondence and Expenses, 1968-1969
|
|
|
Oh! Calcutta! (New York: Eden Theatre, June 17, 1969; Belasco Theatre, March 1971; and Touring Companies.)
|
|
|
Actors' Equity Association
|
|
|
Box
43
Folder
24
|
Contracts, 1969, 1971-1972; Cast List
|
|
|
Box
43
Folder
25-26
|
Correspondence, 1968-1972
|
|
|
Advertising Records
|
|
|
Box
43
Folder
27
|
Correspondence and Copy
|
|
|
Box
43
Folder
28-31
|
Weekly Advertising Records, April 1969-August 1972
|
|
|
Association of Theatrical Press Agents and Managers
|
|
|
Box
43
Folder
32
|
Contracts, 1969-1971
|
|
|
Box
43
Folder
33
|
Pension Records, 1969-1970
|
|
|
Box
43
Folder
34
|
Belasco Theatre-Contact Sheets, Contracts, Correspondence, 1971
|
|
|
Box Office Records
|
|
|
Box
43
Folder
35
|
Bills, 1969-1971
|
|
|
Box
43
Folder
36-37
|
Settlements, February 1971-August 1972
|
|
|
Statements
|
|
|
Box
43
Folder
38-40
|
1969-February 1971
|
|
|
Box
44
Folder
1-2
|
March 1971-August 1972
|
|
|
Box
44
Folder
3
|
Los Angeles, Fairfax Theatre, November 1969-January 1970
|
|
|
Box
44
Folder
4
|
San Francisco, On Broadway Theatre, September 1969-May 1970
|
|
|
Box
44
Folder
5
|
Weekly Summaries, May 1969-July 1970
|
|
|
Box
44
Folder
6
|
Casting-Casting Suggestions, Cast and Crew Addresses
|
|
|
Closed Circuit Television
|
|
|
Box
44
Folder
7
|
AFTRA Arbitration-Correspondence and Legal Documents, 1971-1972
|
|
|
Box
44
Folder
8
|
AFTRA Contracts and Correspondence, 1970, 1972
|
|
|
Box
44
Folder
9
|
Cinemation Industries-Correspondence, 1971-1975; Audit and Prospectus
|
|
|
Box
44
Folder
10
|
Cinemation Grosses, 1972-1975
|
|
|
Box
44
Folder
11
|
Correspondence, 1969-1973
|
|
|
Box
44
Folder
12
|
Litigation-Legal Papers
|
|
|
Box
44
Folder
13
|
Musicians-Contracts and Correspondence, 1970
|
|
|
Concessions
|
|
|
Box
44
Folder
14
|
Correspondence, Applications, and Legal Documents re: Liquor License 1969-1970
|
|
|
Box
44
Folder
15
|
Concession Reports of Disbursements and Estimated Running Costs, 1969-1971
|
|
|
Box
44
Folder
16
|
Summary Sheets, 1969-1970
|
|
|
Contracts
|
|
|
Box
44
Folder
17
|
Cast and Crew
|
|
|
Box
44
Folder
18
|
Production
|
|
|
Box
44
Folder
19
|
Correspondence
|
|
|
Correspondence
|
|
|
Box
44
Folder
20-21
|
General, 1968-1969
|
|
|
Box
45
Folder
1-2
|
General, 1970-1978
|
|
|
Box
45
Folder
3
|
With Authors and Filmmakers, 1968-1972
|
|
|
Box
45
Folder
4
|
Re: Clovis Trouille Painting, 1969
|
|
|
Box
45
Folder
5
|
Costumes
|
|
|
Box
45
Folder
6
|
Crowe, Gordon-Contract and Correspondence, 1969-1973
|
|
|
Box
45
Folder
7
|
Equipment, Props, Sound Equipment, Building Renovation, 1969
|
|
|
Film
|
|
|
Box
45
Folder
8
|
Colormedia-Contracts and Related Correspondence, 1970-1973
|
|
|
Box
45
Folder
9
|
Management and Logistics Report, October 15, 1970
|
|
|
Financial Records
|
|
|
Box
45
Folder
10
|
Budgets, 1969
|
|
|
Box
45
Folder
11
|
Cash Disbursements, August-October 1969
|
|
|
Box
45
Folder
12
|
General, 1969-1973
|
|
|
Box
45
Folder
13
|
Payroll Information
|
|
|
Payroll Summary
|
|
|
Box
45
Folder
14
|
June-July 1969
|
|
|
Box
53
Folder
2
|
February-December 1971
|
|
|
Box
45
Folder
16
|
January-August 1972
|
|
|
Box
45
Folder
15
|
Payroll Records, January-February 1970
|
|
|
Box
45
Folder
17
|
Weekly Payroll Summary for Understudies, 1972
|
|
|
Box
45
Folder
18
|
Pension Records
|
|
|
Box
45
Folder
19-20
|
Financial Reports, Monthly and Annually, 1969-1977
|
|
|
Box
45
Folder
21
|
Statements of Operations, Financial Statements
|
|
|
Foreign Productions
|
|
|
Box
45
Folder
22
|
Correspondence
|
|
|
Box
45
Folder
23
|
Foreign Rights
|
|
|
Box
45
Folder
24
|
Australia-Correspondence, 1969-1971, 1973
|
|
|
France
|
|
|
Box
45
Folder
25
|
Contracts, Royalty Statements, Correspondence with Annie Fargue, 1969-1975
|
|
|
Box
45
Folder
26
|
Royalty Statements and Disbursements, 1971-1974
|
|
|
Box
46
Folder
1
|
The Netherlands, 1969-1971
|
|
|
Box
46
Folder
2
|
Scandanavia, 1970-1972
|
|
|
Box
46
Folder
3
|
Gardner Compton, Ltd.-Correspondence, Expense Sheets, Proposed Budget Report, 1969-1971
|
|
|
Box
46
Folder
4
|
Grove Press-Agreement re: Book, Correspondence, 1969-1970, 1976
|
|
|
Box
46
Folder
5-6
|
Insurance and Insurance Claim Reports, 1969-1975
|
|
|
Box
46
Folder
7
|
Investors-Agreements, Budget Estimate, List of Investors, Correspondence, 1969-1975
|
|
|
Box
46
Folder
8
|
Kean, Norman (General Manager)-Correspondence, 1969-1970
|
|
|
Box
46
Folder
9
|
Legal Papers, 1968-1971
|
|
|
Box
46
Folder
10
|
Levy, Jacques (Director)-Contracts and Correspondence, 1968-1969, 1972
|
|
|
Box
46
Folder
11
|
Lighting and Projection Cues
|
|
|
London Production
|
|
|
Box
46
Folder
12
|
Production Costs and Expenses, Correspondence, 1969-1979
|
|
|
Box
46
Folder
13-20
|
Statements of Receipts and Expenses, 1970-1978
|
|
|
Los Angeles Production
|
|
|
Box
46
Folder
21
|
Contracts, Correspondence, Financial Records, Playbill, 1969-1971
|
|
|
Box
46
Folder
22
|
Lawsuits-Legal Papers, 1960-1970
|
|
|
Box
46
Folder
23
|
Merchandising-License Agreement and Correspondence, 1970-1972
|
|
|
Box
46
Folder
24
|
Music-Contracts, Correspondence, Sheet Music
|
|
|
Tape 1125A
No.
11
|
Music from Acts I and II
|
|
|
No.
12
|
Music Considered for Production(?)-“The Sex Pervert” songs entitled “Oooowah” and “Sex,” possibly by Peter Link, c/o Chappell Music
|
|
|
U.S. Mss 137AN
Box
46
Folder
25
|
Music Enterprises-Contracts and Correspondence, 1969-1970
|
|
|
Box
47
Folder
1
|
Partnership Agreements
|
|
|
Box
47
Folder
2
|
Plans for Productions in Other Cities, Correspondence
|
|
|
Box
47
Folder
3
|
Playbills, Programs, and Drafts
|
|
|
Box
47
Folder
4
|
Production Meetings-Notes and Minutes, 1968-1971
|
|
|
Publicity
|
|
|
Box
47
Folder
5
|
Press Releases and Reviews, 1969-1970; Newsclippings
|
|
|
Box
47
Folder
6
|
Weekly Publicity Expense Sheets, 1969-1970
|
|
|
Royalty Records
|
|
|
Box
47
Folder
7
|
Summary Sheets, Worksheets, Box Office Recapitulations, 1969
|
|
|
Box
47
Folder
8-9
|
Weekly Payments, Correspondence to Royalty Participants, 1969-1977
|
|
|
San Francisco Production
|
|
|
Box
47
Folder
10
|
Contracts, Correspondence, Financial Records, 1969-1971
|
|
|
Box
47
Folder
11
|
Stage Floor Plans
|
|
|
Box
47
Folder
12
|
Sappington, Margo (Choreographer)-Contracts and Correspondence, 1969
|
|
|
Scripts
|
|
|
Box
47
Folder
13
|
Script, with Cues
|
|
|
Box
47
Folder
14-15
|
Scripts, with Draft Sketches
|
|
|
Box
47
Folder
16
|
Sketches (Not Used?)
|
|
|
Box
47
Folder
17
|
Script, by Kenneth Tynan
|
|
|
Box
47
Folder
18
|
Published Book
|
|
|
Stage Manager's Reports
|
|
|
Box
47
Folder
19-21
|
1969-September 1970
|
|
|
Box
48
Folder
1-5
|
October 1970-1972
|
|
|
Box
48
Folder
6
|
Stock and Second Class Performances-Contracts and Correspondence, 1972
|
|
|
Box
48
Folder
7
|
Tax Returns, 1969-1973
|
|
|
Box
48
Folder
8
|
Ticket Sales and Price Schedules, 1969-1970
|
|
|
Box
48
Folder
9
|
Tynan, Kenneth (Author)-Correspondence, 1968-1972
|
|
|
Box
48
Folder
10
|
United Artists-Contracts, Correspondence, Legal Papers, Royalties re: Record Album, 1969-1975
|
|
|
Box
48
Folder
11
|
United Scenic Artists-Contracts and Correspondence, 1969-1972
|
|
|
Box
48
Folder
12
|
Wardrobe, 1969
|
|
|
Oh! Calcutta! (“Carte Blanche”)
|
|
|
Box
48
Folder
13
|
Correspondence and Clippings, 1971-1978
|
|
|
One Hundred Dollar Misunderstanding (Unproduced Film)
|
|
|
Box
48
Folder
14
|
Articles, 1963-1965
|
|
|
Box
48
Folder
15
|
Canadian Production-Budget, Correspondence, 1972-1973
|
|
|
Box
48
Folder
16
|
Casting Lists and Correspondence, 1972-1976
|
|
|
Box
48
Folder
17
|
Contracts and Correspondence, 1969-1973
|
|
|
Correspondence
|
|
|
Box
48
Folder
18-20
|
General, 1963-1978, undated
|
|
|
Box
48
Folder
21
|
Barry, Julian, 1968-1970
|
|
|
Box
48
Folder
22
|
Cover, Robert-Contracts and Correspondence re: Grove Press, 1963-1970
|
|
|
Box
49
Folder
1
|
Heyman, John, 1903, 1972-1973
|
|
|
Box
49
Folder
2
|
May, Elaine-Contracts and Correspondence, 1968-1969
|
|
|
Box
49
Folder
3
|
Motion Picture Association of America (MPAA), 1972-1973
|
|
|
Box
49
Folder
4
|
Paramount-Correspondence and Contracts, 1970-1974
|
|
|
Financial Records
|
|
|
Box
49
Folder
5
|
Budgets, 1969-1971; Costs, , 1973
|
|
|
Box
49
Folder
6
|
Cash Book and Payroll Sheets, 1973
|
|
|
Box
49
Folder
7
|
Expenses, 1963-1978
|
|
|
Box
49
Folder
8
|
Partnership Agreement
|
|
|
Box
49
Folder
9
|
Script, by Julian Barry, undated
|
|
|
Box
49
Folder
10
|
Scripts, 1969, undated
|
|
|
One on One (Unproduced Film)
|
|
|
Box
49
Folder
11
|
Screenplay, by Steve Tesich, undated
|
|
|
The Pilgrims (Unproduced Film)
|
|
|
Box
49
Folder
12
|
Contract and Correspondence, 1975
|
|
|
Pocock and Pitt (Unproduced Film)
|
|
|
Box
49
Folder
13
|
Correspondence, 1974-1975
|
|
|
Pippin (Unproduced Play)
|
|
|
Box
49
Folder
14
|
Expenses, 1978
|
|
|
Pygmalion (Unproduced Play [unproduced by Elkins])
|
|
|
Box
49
Folder
15
|
Budget, Cast, Correspondence, Playbill, and Reviews, 1974
|
|
|
The Red Devil Battery Sign (Boston: Shubert Theater, June 18, 1975.)
|
|
|
Box
49
Folder
16
|
Articles and Reviews
|
|
|
Box
49
Folder
17
|
Casting Correspondence and Lists, 1974-1975; Contact List
|
|
|
Box
49
Folder
18
|
Contracts and Correspondence, 1974-1975
|
|
|
Correspondence
|
|
|
Box
49
Folder
19
|
General, 1974-1975; Miscellany
|
|
|
Box
49
Folder
20
|
Bernard Delfont, Ltd.-Correspondence and Contracts, 1974
|
|
|
Box
49
Folder
21
|
Bloom, Claire-Correspondence and Contract, 1974-1975
|
|
|
Box
49
Folder
22
|
Merrick, David-Correspondence and Contracts, 1974
|
|
|
Box
49
Folder
23
|
Quinn, Anthony, 1974-1975
|
|
|
Box
49
Folder
24
|
Sherin, Ed-Correspondence and Contracts, 1974
|
|
|
Box
49
Folder
25
|
Williams, Tennessee-Correspondence and Contracts, 1974-1975
|
|
|
Financial Records
|
|
|
Box
49
Folder
26
|
Budgets, 1975
|
|
|
Box
49
Folder
27
|
Investors-Correspondence and Agreements, 1974-1975
|
|
|
Box
49
Folder
28
|
Playbill
|
|
|
Remember the Poor Baker (Unproduced Play)
|
|
|
Box
49
Folder
29
|
Expenses, 1968
|
|
|
Revolution for the Hell of It (Unproduced Film)
|
|
|
Box
49
Folder
30
|
Releases, Invoices, Legal Papers, 1970-1973
|
|
|
Box
49
Folder
31
|
First Draft Screenplay, by Jacques Levy, May 1970
|
|
|
Rocky Horror Show (Unproduced Play)
|
|
|
Box
52
Folder
9
|
Correspondence and Film Reviews, 1973
|
|
|
The Rothschilds (New York: Lunt-Fontanne Theatre, October 19, 1970)
|
|
|
Advertising and Publicity
|
|
|
Box
49
Folder
32
|
Bills, 1971-1972
|
|
|
Box
49
Folder
33
|
Bills for Billboards and Displays, 1970-1971; Tickets, Flyers
|
|
|
Box
49
Folder
34
|
Ad Copy, Press Releases, 1970-1971
|
|
|
Box
49
Folder
35
|
Box Office Statements, 1972
|
|
|
Box
49
Folder
36
|
Contracts, 1962-1977
|
|
|
Box
49
Folder
37
|
Correspondence, 1968-1976
|
|
|
Box
49
Folder
38
|
Costumes, 1970-1971
|
|
|
Financial Records
|
|
|
Box
49
Folder
39
|
General Expenses, 1970-1972
|
|
|
Box
49
Folder
40-41
|
Payroll Records, 1970-1972
|
|
|
Box
49
Folder
42
|
Pension and Welfare Records
|
|
|
Box
49
Folder
43
|
Schedule of Production Costs, Statements of Operations, 1970-1975
|
|
|
Box
49
Folder
44
|
Properties, Lighting, Electrical, Sound Invoices, 1970-1971
|
|
|
Box
49
Folder
45
|
Financial Reports, 1970-1975
|
|
|
Investor Records
|
|
|
Box
50
Folder
1
|
Correspondence, 1969-1977
|
|
|
Box
50
Folder
2
|
Prospectus, July 2, 1970
|
|
|
Box
50
Folder
3
|
Royalty Lists and Schedules, 1970-1972
|
|
|
Box
50
Folder
4
|
Royalty Statements, 1975- 1976
|
|
|
Box
50
Folder
5
|
Royalty Summaries, 1970-1972
|
|
|
Box
50
Folder
6-7
|
Royalty Waiver Correspondence and Agreements, 1970-1971
|
|
|
Box
50
Folder
8
|
Music-Copying Bills, 1970
|
|
|
Box
50
Folder
9
|
Photography-Bills, 1970-1971
|
|
|
Box
50
Folder
10
|
Revised Script, by Sherman Yellen, October 1969
|
|
|
Box
50
Folder
11
|
Correspondence re: Proposed Motion Picture, 1972, 1975
|
|
|
Proposed Television Production
|
|
|
Box
50
Folder
12
|
Contracts, 1977-1978
|
|
|
Box
50
Folder
13
|
Correspondence, 1976-1978
|
|
|
Sammy Davis-That's All (Play. Toronto: O'Keefe Centre, March 11, 1968.)
|
|
|
Box
50
Folder
14
|
Box Office Statements, Contracts, Correspondence, Expenses, Playbill, Promotional Material, 1968
|
|
|
Seersucker Whipsaw (Unproduced Play)
|
|
|
Box
50
Folder
15
|
Expenses, 1968
|
|
|
Sexual Behavior Upstate (Unproduced Play)
|
|
|
Box
50
Folder
16
|
Script, by Leonard Melfi, March 1973
|
|
|
Shadow of a Gunman (Unproduced Play)
|
|
|
Box
50
Folder
17
|
Budgets, Correspondence, 1967-1969
|
|
|
1600 Floogle Street (Unproduced Play)
|
|
|
Box
50
Folder
18
|
Agreement, Articles, Correspondence, and Expenses, 1967-1970
|
|
|
Sizwe Banzi Is Dead and The Island (South African Season; New York: Edison Theatre, November 13, 1974.)
|
|
|
Box
50
Folder
19
|
Advertising-Bills and Schedules, 1974-1975
|
|
|
Box
50
Folder
20
|
Articles and Reviews, 1974
|
|
|
Box
50
Folder
21
|
Boesman and Lena by Athol Fugard (South African Plays)-Synopsis and Background
|
|
|
Box
50
Folder
22
|
Box Office Statements, 1974-1975
|
|
|
Box
50
Folder
23
|
Contracts and Correspondence, 1974-1975
|
|
|
Correspondence
|
|
|
Box
50
Folder
24
|
General, 1974-1975, 1978
|
|
|
Box
50
Folder
25
|
Delfont, Bernard, 1974-1975
|
|
|
Box
50
Folder
26
|
Fugard, Athol, 1974-1975
|
|
|
Box
50
Folder
27
|
Royal Court Theatre and Oscar Lewenstein-Correspondence, 1973-1975
|
|
|
Box
50
Folder
28
|
Osterman Productions, 1974-1975
|
|
|
Box
50
Folder
29
|
White, Michael and Michael White, Ltd., 1974-1975
|
|
|
Financial Records
|
|
|
Box
50
Folder
30
|
Budget, Salaries, Production and Operating Costs, Financial Statements, 1974-1975
|
|
|
Box
50
Folder
31
|
Investors-Agreement, Correspondence, 1974-1975
|
|
|
Box
50
Folder
32
|
Royalty Payments, 1977-1979
|
|
|
Box
50
Folder
33
|
Tax Returns and Records, 1975-1979
|
|
|
Box
50
Folder
34
|
Playbills, Souvenir Book, Poster
|
|
|
Box
50
Folder
35
|
Publicity Memos (Les Schechter), 1974-1975
|
|
|
Box
50
Folder
36
|
Publicity Memos (Solter), 1974-1975
|
|
|
Box
50
Folder
37
|
Prompt Script (“Statements After an Arrest Under The Immorality Act”), by Athol Fugard
|
|
|
Box
50
Folder
38
|
Ticket Sales and Opening Night Tickets
|
|
|
Snow on High Ground (Unproduced Play)
|
|
|
Box
50
Folder
39
|
Expenses, 1966-1968
|
|
|
Something Else (Unproduced Film)
|
|
|
Box
50
Folder
40
|
Expenses, 1968
|
|
|
Spanish Horror Films
|
|
|
Box
52
Folder
10
|
Contracts and Correspondence on Distribution, 1972-1973
|
|
|
Stop the World, I Want to Get Off (Play)
|
|
|
Box
50
Folder
41-42
|
Articles
|
|
|
Box
51
Folder
1-2
|
Articles
|
|
|
Box
51
Folder
3
|
Box Office Statements, Ticket Sales, Daily Wraps, 1978
|
|
|
Box
51
Folder
4
|
Cast and Crew List
|
|
|
Box
51
Folder
5
|
Contracts and Correspondence, 1978
|
|
|
Correspondence
|
|
|
Box
51
Folder
6
|
General, 1978
|
|
|
Box
51
Folder
7
|
Davis, Sammy, Jr.-Contracts and Correspondence, 1978
|
|
|
Box
51
Folder
8
|
Nederlander, Joe-Contracts and Correspondence, 1978
|
|
|
Financial Records
|
|
|
Box
51
Folder
9
|
Budgets, 1978, undated
|
|
|
Box
51
Folder
10
|
Expenses, 1976-1978
|
|
|
Box
51
Folder
11
|
Opening Night and Opening Night Party
|
|
|
Box
51
Folder
12
|
Playbills and Programs
|
|
|
Box
51
Folder
13
|
Publicity-Expenses, Copy
|
|
|
Box
51
Folder
14
|
Reviews
|
|
|
Box
51
Folder
15
|
Script, by Leslie Bricusse and Anthony Newley, copyright 1961 and 1977
|
|
|
Box
51
Folder
16
|
Film-Budget, Agreements, Correspondence, 1978
|
|
|
A Streetcar Named Desire (Play. London: Piccadilly Theatre, March 1974
|
|
|
Box
51
Folder
17-18
|
Box Office Reports, March-September 1974
|
|
|
Box
51
Folder
19
|
Casting-Correspondence, Salaries, Interviews, Crew Lists, 1973-1974
|
|
|
Box
51
Folder
20
|
Contracts and Correspondence, 1973-1974
|
|
|
Correspondence
|
|
|
Box
51
Folder
21
|
General, 1973-1974, undated
|
|
|
Box
51
Folder
22
|
Bernard Delfont, Ltd. (Bernard Delfont and Richard Mills), 1973-1975
|
|
|
Box
51
Folder
23
|
Sherin, Ed, 1973-1974, undated
|
|
|
Box
51
Folder
24
|
Williams, Tennessee, 1973-1974
|
|
|
Financial Records
|
|
|
Box
51
Folder
25
|
General, 1973-1974
|
|
|
Box
51
Folder
26
|
Operating Costs and Statements, 1974
|
|
|
Box
51
Folder
27
|
Opening Night Party-Invitation Lists, 1974
|
|
|
Box
51
Folder
28
|
Playbills
|
|
|
Box
51
Folder
29
|
Publicity-Correspondence, Reviews, Ad Copy, 1973-1974
|
|
|
Box
51
Folder
30-31
|
Reviews, 1973-1975
|
|
|
Box
51
Folder
32
|
Sound Plot and Sketches of Set
|
|
|
Box
51
Folder
33
|
Television Special-Correspondence, 1974-1975
|
|
|
Third Richest Man in the World (Unproduced)
|
|
|
Box
51
Folder
34
|
Expenses, 1968
|
|
|
This Is (Unproduced Play)
|
|
|
Box
51
Folder
35
|
Correspondence, 1974
|
|
|
Box
51
Folder
36
|
First Draft Script, by Tennessee Williams, January 1974
|
|
|
This Winter's Hobby (Play. New Haven, Conn: Shubert Theater, March 23, 1966.)
|
|
|
Box
51
Folder
37
|
Agreement, Articles, Correspondence, Expenses, 1966
|
|
|
Three Musketeers (Unproduced Film?)
|
|
|
Box
51
Folder
38
|
Expenses, 1965, 1968
|
|
|
Two for the Seesaw (Unproduced Play)
|
|
|
Box
51
Folder
39
|
Expenses, 1968
|
|
|
Proposed Gore Vidal Show
|
|
|
Box
51
Folder
40
|
General Records, 1976
|
|
|
The War Between Men and Women (Unproduced)
|
|
|
Box
51
Folder
41
|
Script, by Patrick Garland, undated
|
|
|
A Woman Named Anne (Unproduced Film?)
|
|
|
Box
51
Folder
42
|
Telegrams, Expenses, 1967-1968
|
|
|
The Woman's Show (Unproduced Play)
|
|
|
Box
51
Folder
43
|
Correspondence, 1974-1976
|
|
|
