Container
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Title
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Subseries: Theater-Unproduced
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Alfie
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Box
29
Folder
11
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Correspondence, June-July, 1963
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The Anniversary
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Box
29
Folder
12
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Correspondence, Financial Statement, Contract, and Playbill, 1966
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Cages
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Box
29
Folder
13
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Correspondence, Budgets, March-May, 1966; undated
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Farouk
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Box
29
Folder
14
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Agreement, November 1, 1965
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Box
29
Folder
14
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Correspondence, 1965-1966; undated
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The Fun House
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Box
29
Folder
15
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Outline, Agreement, Correspondence, 1964-1966; undated
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Golden Spur
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Box
30
Folder
1
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Correspondence, 1962-1965
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Box
30
Folder
2
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Estimated Budget, Production Notes, Clippings, 1963
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Box
30
Folder
3
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Production Contract, December 15, 1962; undated
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Box
30
Folder
4
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Script, Annotated, undated
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Box
30
Folder
5
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Script, Fragment, Act I, by Dawn Powell, undated
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Box
30
Folder
6
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Script, undated
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Box
30
Folder
7
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Script, Miscellaneous Fragments, undated
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Has Anyone Got a Match?
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Box
30
Folder
8
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Agreements, February-April, 1965
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Box
30
Folder
9
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Correspondence and Miscellaneous, 1964-1965; undated
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Box
30
Folder
10
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Outline, First Draft, January 29, 1965
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Homer
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Box
30
Folder
11
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Contract and Cast List, May-June, 1965
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Box
30
Folder
12
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Correspondence, 1964-1965
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It's a Funny Old World We Live In -- But the World's Not Entirely to Blame!
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Box
30
Folder
13
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Script, by Leslie Bricusse and Anthony Newley, September, 1971
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La Lupa
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Box
30
Folder
14
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Agreements and Outlines, 1966; undated
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Box
30
Folder
15
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Correspondence, 1965-1966; undated
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Box
30
Folder
16
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Production Notes and Clippings, circa 1965-1966
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Ladies, Ladies, Ladies
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Box
31
Folder
1
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Casting Suggestions, “Untitled Musical” and Credits, “Put Your Foot Down,” undated
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Box
31
Folder
2
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Contracts, October, 1965; undated
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Box
31
Folder
3
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Correspondence, June-December, 1965; undated
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Box
31
Folder
4
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Script and Revisions, “Kittens Grow Up to Be Cats,” undated
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Box
31
Folder
5
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Script, “Untitled Musical,” by Ronald Alexander, undated
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The Last Flapper
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Box
31
Folder
6
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Correspondence and Casting Suggestions, 1960-1964
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Make Me an Offer
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Box
31
Folder
7
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Pre-opening Budget, July 22, 1963
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Nell!
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Box
31
Folder
8
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Agreements, May-September, 1966
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Box
31
Folder
8
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Correspondence, 1966-1968
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Box
31
Folder
9
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Script, by Philip Mackie and Johnny Worth, March 9, 1966
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Box
31
Folder
10
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Script, First Draft, by Christian Hamilton and Johnny Worth, July, 1968
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Nothing Like the Sun
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Box
31
Folder
11
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Agreement and Correspondence, 1967-1968; undated
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Remember the Poor Baker
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Box
31
Folder
12
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Agreements, February 4, 1964
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Box
31
Folder
13
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Correspondence, 1961-1966; undated
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Box
32
Folder
1
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Production and Casting Notes, circa 1964
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Box
32
Folder
2
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Script, by George Zuckerman, undated
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The Seersucker Whipsaw
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Box
32
Folder
3
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Agreements, April, 1967; undated
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Box
32
Folder
3
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Clippings, 1967
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Box
32
Folder
4
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Correspondence, 1966-1968
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Box
32
Folder
5
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Outlines, by Ross Thomas, undated
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Box
32
Folder
6
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Script, by Ross Thomas, August 15, 1967
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Snow on High Ground
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Box
32
Folder
7
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Agreements and Correspondence, 1966-1967
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Box
32
Folder
8
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Outlines, by Raymond Sawkins, circa 1966
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1600 Floogle Street
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Box
32
Folder
9
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Agreements and Correspondence, 1967-1969
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The Three Musketeers
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Box
32
Folder
10
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Correspondence, 1962-1965; undated
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Tryp
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Box
32
Folder
11
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Script, Fourth Draft, by Jacques Levy and Roger McGuinn, December, 1969
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Two for the Seasaw
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Box
32
Folder
12
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Correspondence, Agreements, and Miscellaneous Production Notes, “Gittel,” February-October, 1967; undated
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A Woman Named Anne
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Box
32
Folder
13
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Correspondence, Agreement, Casting Suggestions, and Clipping, 1967-1968; undated
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World's Greatest Play
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Box
32
Folder
14
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Correspondence, 1970; undated
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Box
32
Folder
14
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Estimated Budget and Miscellaneous, 1969-1970
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