Archival Resources in Wisconsin: Descriptive Finding Aids: Contents List

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Biography/History

Scope and Content Note

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Central Correspondence

William G. Harley Speeches

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National Educational Radio Files

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Publications and Newsletters

Contents List

Container	Title
U.S. Mss 73AN	Part 1 (U.S. Mss 73AN): Original Collection, 1947-1964 Physical Description: 20.8 cubic feet (52 archives boxes) Scope and Content Note: The Original Collection, acquired in 1964, consists of subject files. These have been arranged alphabetically, each subject being broken down into correspondence, production material, scripts, clippings, etc. Files are identified by the names of productions, individuals, or general subjects and contain correspondence, clippings, scripts, minutes, notes, speeches, writings, financial materials, legal documents, and/or promotional records tracing Susskind's business and personal affairs. Most of the files are directly related to Mr. Susskind's productions. A small amount of personal correspondence, 1952-1963, is found under “Susskind, David” in alphabetical order among the subject headings.
	Academy Award Theatre
Box 1	Correspondence, 1957 August-1958 September
Box 1	Reports, 1958
Box 1	Clippings, 1958 June 17
	All the Way Home
Box 1	Correspondence, 1962 March-1963 March
Box 1	Reports and notes, 1961-1962
Box 1	Clippings, 1962
Box 1	Miscellaneous, undated
	Allison, Fran
Box 1	Correspondence, 1950 March-1956 November
Box 1	Business material including invoices, 1950-1954
Box 1	Legal documents, 1951-1953
Box 1	Clippings, undated
	Alsam Music Corporation
Box 2	Correspondence, 1949 December-1953 December
Box 2	Legal documents, 1951
Box 2	Music
Box 2	Miscellaneous, undated
	Al Toolum Story, See Toolum, Al
	American Broadcasting Company
Box 2	Correspondence, 1957 July
Box 2	Lists and summaries
	American Federation of Television and Radio Artists
Box 2	Correspondence, 1954 March-1962 December
	Andrews, Charles
Box 2	Correspondence, 1954 October-1955 October
	Andrews Sisters
Box 2	Correspondence, 1956 May-1957 January
Box 2	Background notes
	Applications
Box 2	Correspondence, 1954 October-1955 September
Box 2	Résumés, undated
	Appointment with Adventure
Box 2	Correspondence, 1955 January-1956 February
Box 2	Notes
	Show, Five in Judgment
Box 2	Correspondence, 1955 December-1956 July
Box 2	Script
	Armstrong Circle Theatre
Box 3	Correspondence, General 1954 June-1963 January
Box 3	Reports, 1955-1956 Scope and Content Note: General notes and production material.
Box 3	Reports / by Batten, Barton, Durstine, and Osborn
Box 3	Financial, 1954-1955 Scope and Content Note: As summary of profit and loss.
Box 3	Ideas, 1955-1960 Scope and Content Note: As correspondence, reports, and clippings.
Box 3	Legal documents, 1955-1962
Box 3	Syndication figures
	Shows (by broadcast date)
	"House of Cards" No. 64, 1959 February 18
Box 3	Correspondence, 1959 January-February
Box 3	Notes
	"The White Collar Bandit" No. 65, 1959 March 4
Box 4	Correspondence, 1959 January-March
Box 4	Production material
Box 4	Clippings
	"The Innocent Killer" No. 66, 1959 April 1
Box 4	Correspondence, 1959 February-June
Box 4	Notes and production material
	"Trail of Diamonds" No. 67, 1959 April 15
Box 4	Notes and production material
	"The Sound of Violence" No. 68, 1959 April 29
Box 4	Correspondence, 1959 March-December
Box 4	Notes and background material
Box 4	Clippings
	"Thunder Over Berlin" No. 69, 1959 May 13
Box 4	Correspondence, 1959 January-April
Box 4	Berlin information and maps
Box 4	Notes and production material
Box 4	Clippings
	"The Man Who Refused to Die" No. 119, 1962 March 14
Box 4	Correspondence, 1961 December-1962 March
Box 4	Legal documents
Box 4	Notes and production material
Box 4	Script: final draft, 1962 February 9
Box 4	Clippings
	"Patterns of Hope: A Story of Cancer Control" No. 121, 1962 April 11
Box 4	Correspondence, 1962 April
Box 4	Production material
Box 4	Background material
Box 4	Script: final draft, 1962 April 6
	"The Cross and the Dragon" No. 126, 1962 September 26
Box 4	Set designs
Box 4	Notes and production material
Box 4	Script: final draft, 1962 September 21
	"Ordeal by Fire" No. 136, 1963 February 13
Box 5	Correspondence, 1963 January-March
Box 5	Story
Box 5	Design for set and shooting
Box 5	Reports, lists, schedules, and notes
Box 5	Script: final draft, 1963 February 8
	"The Embezzler" No. 140, 1963 April 10
Box 5	Correspondence, 1963 February
Box 5	Reports and notes
Box 5	Corporation examination
Box 5	Credits
Box 5	Script: final revised, 1963 April 5
	"Escape to Nowhere" No. 132, 1963 December 19
Box 5	Correspondence, 1962 July-1963 December
Box 5	Reports of production and budget
Box 5	Notes
Box 5	Set designs
Box 5	Photographs
Box 5	Brochures, publicity
Box 5	Clippings
	"Smut for Sale", 1962(?)
Box 5	Correspondence, 1962 August-September
Box 5	Reports and notes
Box 5	Script: revised, 1962 November 19 Scope and Content Note: Letter attached.
	"The Third Ear Wiretap", undated
Box 5	Correspondence, 1956 February-March
	Photographs
Box 5	Brochures
Box 5	Clippings
	Around the World in Eighty Days
Box 6	Correspondence, 1959 March-June
Box 6	Notes
	Associated Redifusion Ltd.
Box 6	Correspondence, 1955 April-1956 June
Box 6	Legal documents and bills
	Arthur, Robert Allam
Box 6	Correspondence, 1954 November-1962 October
Box 6	Legal documents, 1956 August
Box 6	Script, United Musical play
Box 6	Clippings, 1956 April
	Bailey, Ann Howard
Box 6	Correspondence, 1955 June
Box 6	Script possibilities
	Bass, Saul
Box 6	Correspondence, 1956 June-October
	Bautzer, Greg
Box 6	Correspondence, 1955 April-1956 December
	Behind Your Back
Box 6	Correspondence, 1961 September-1962 March
Box 6	Report
	Bel Geddes, Barbara
Box 6	Correspondence, 1956 July
	Benoit, Patricia
Box 6	Correspondence, 1952 November-1954 December
Box 6	Legal agreement
	Be Shot for Sixpence
Box 6	Correspondence, 1957 May-December
	Big Blonde
Box 6	Correspondence, 1961 August-1963 January
Box 6	Bills, 1953-1954
	Blair, Janet
Box 6	Correspondence, 1949 May-1955 August
Box 6	Legal documents including contracts
Box 6	Notes
Box 6	Script: annotated
Box 6	Photographs
Box 6	Clippings, 1949-1952
	Blau, Joseph D.
Box 7	Correspondence, 1953 January
	Bonino
Box 7	Correspondence, 1953 February-March
Box 7	Reports and notes, 1956 December
Box 7	Legal documents
Box 7	Music
	Bogart, Paul
Box 7	Correspondence, 1955 September
Box 7	Notes
	Boudanya, Natalia
Box 7	Variety Clipping
	Bounce It Back (Program)
Box 7	Correspondence, 1953 May
	Bourjaily, Vance
Box 7	Correspondence, 1955 September-1956 July
Box 7	Legal documents
	Bradbury, Ray
Box 7	Correspondence, 1956 January-1958 May
Box 7	Script
	Bradshaw, George
Box 7	Stories and ideas
	Brazil
Box 7	Correspondence, 1962 September-1963 February
Box 7	Notes
Box 7	Report
Box 7	Clippings
	Breck Golden Showcase
Box 7	Correspondence, 1961 September-1962 March
Box 7	Brochures
	Shows
	The Fourposter
Box 7	Correspondence, 1961 October-1962 January
Box 7	Script, 1962 January 13
	The Picture of Dorian Gray
Box 8	Correspondence, 1961 October-1962 April
Box 8	Script: final draft, 1961 November 15
	Brodkin, Herb
Box 8	Correspondence, 1954 March-1955 October
Box 8	Bank statements
Box 8	Script and program book
	Brown, Dave
Box 8	Correspondence, 1952 May-July
	Buck, Jules
Box 8	Paris Fashion Spectacular
	Buckskin
Box 8	Correspondence, 1955 May-June
Box 8	Stories
Box 8	Script: No. 30, 1955 April 5
	Budgets
Box 8	Correspondence, 1952 December
Box 8	Lists and notes
	Bungalow One
Box 8	Correspondence, 1961 February
Box 8	Notes
	Caesar, Sid
Box 8	Correspondence, 1959 March
Box 8	Note
	Cahill, Grace
Box 8	Correspondence, 1956 June-1957 May
Box 8	Notes
Box 8	Script
	Cambell, Edward
Box 8	Correspondence, 1954 May-June
	Camillo, Don
Box 8	Correspondence, 1956 May-1957 September
Box 8	Clippings
	Carnegie Hall
Box 9	Correspondence, 1951 March-1955 July
Box 9	Notes and advertisement
	Carney, Art
Box 9	Correspondence, 1959 February-1962 September
Box 9	Production summaries
Box 9	Clippings
	Claman, Julian
Box 9	Correspondence, 1952 January-1953 October
Box 9	Bills and balances
Box 9	Correspondence, personal 1952 September-1953 June
Box 9	Reports
Box 9	Stories
	Close Up
Box 9	Correspondence, 1957 May-June
Box 9	Script and attached letter
	Coe, Fred
Box 9	Correspondence, 1950 January-1954 November
Box 9	Story sketches
Box 9	Contract
Box 9	Clippings
	Colbert, Claudette
Box 10	Correspondence, 1954 August
Box 10	Rolet script
	Command Performance
Box 10	American Dream : script
	The Conspiritors
Box 10	Show rundown
	Contracts, clients
Box 10	Documents
	Corrigan, Bill
Box 10	Correspondence, 1955 April-1957 August
	Cott, Ted
Box 10	Correspondence, 1961 May-1962 December
Box 10	Rundown: Close Up
	Court Reporter
Box 10	Correspondence, 1949 October-1952 November
Box 10	Notes (award)
	Crime Club Selection
Box 10	Notes
	Crime of the Century
Box 10	Correspondence, 1961 July-1962 December
Box 10	Story outlines
Box 10	Case histories: volume
	Crosby, John
Box 11	Correspondence, 1959 December-1960 January
	Cuba
Box 11	Correspondence, 1962 October-1963 January
	Daniels, Marc
Box 11	Correspondence, 1954 April-November
	DiGangi, Jim
Box 11	Correspondence, 1956 March 23
	Directors and Producers
Box 11	Correspondence, 1954 August-1956, Sept
	The Dock Brief and What Shall We Tell Carolyn
Box 11	Correspondence, 1959 August-1959 October
	Douglas, Kirk
Box 11	Correspondence, 1956 January-November
	Dozier, Bill
Box 11	Correspondence, 1955 February-1957 December
	Duff, Gordon
Box 11	Correspondence, 1949 January-1954 October
	DuPont Show of the Month
Box 11	Correspondence, 1956 December-1961 March
Box 11	Story summaries
Box 11	Story titles and status
Box 11	Reports
Box 11	Program format
Box 11	Notes
Box 11	Brochures
Box 11	Photographs
Box 11	Clippings with some letters attached
	Shows Arrangement of the Materials: By broadcast date
	The Prince and the Pauper, 1957 October 28
Box 12	Correspondence, 1957 April-1958 January
Box 12	Fan mail, 1957 October-November
Box 12	Casting budget
Box 12	Script: second draft, 1957 August 2
Box 12	Script: third draft, 1957 September 12
Box 12	Clippings
	Beyond This Place, 1957 November 25
Box 12	Correspondence, 1957 December
Box 12	Notes
Box 12	Legal documents
Box 12	Clippings
	Bridge on the San Luis Rey, 1958 January 21
Box 12	Correspondence, business 1957 November-1958 June
Box 12	Fan mail, 1957 December-1952 February
Box 12	Notes and reports
Box 12	Script: typescript with correspondence, 1957 September
Box 12	Script: first draft, 1957 November 19
Box 12	Script: revised, 1957 December 28
Box 13	Clippings
	A Tale of Two Cities, 1959 March 27
Box 13	Correspondence, 1958 January-May
Box 13	Script: first draft, 1958 February 14
Box 13	Script: revised, 1958 March 3, 1959 March 10
Box 13	Clippings
	Wuthering Heights, 1959 May 9
Box 13	Correspondence, 1958 February-October
Box 13	Notes
Box 13	News reports (CBS)
Box 13	Script: first draft, 1958 March 13
Box 13	Brochures
	The Member of the Wedding, 1958 June 12
Box 14	Script
	Harvey, 1958 September 22
Box 14	Correspondence, 1958 August-1960 December
Box 14	Fan mail, 1958 August-September
Box 14	Notes and reports
	The Count of Monte Christo, 1958 October 28
Box 14	Correspondence, 1958 July-December
Box 14	Notes and reports
Box 14	Script: first draft, 1958 September 23
	The Winslow Boy, 1958 November 13
Box 14	Correspondence, 1958 November
Box 14	Reports
	What Every Woman Should Know, 1959 January 28
Box 14	Correspondence, 1958 June-1959 January
Box 14	General information
Box 14	Casting, credits
Box 14	Script: first draft, 1958 December 1
Box 14	Script: final draft, with rehearsal schedules 1959 January 1
Box 14	Clippings
	Human Comedy, 1959 March 28
Box 15	Correspondence, 1959 February-July
Box 15	Fan mail, 1959 March
Box 15	Information and billing
Box 15	Production material and budget
Box 15	Schedule
Box 15	Script: original version and final revised, 1959 March 17
Box 15	Script: final revised, annotated 1959 March 25
	The Browning Version, 1959 April 25
Box 15	Correspondence, 1959 March-April
Box 15	Notes, credits
Box 15	Clippings
	Billy Budd, 1959 May 25
Box 15	Correspondence, 1959 April-June
Box 15	Reports and notes
	Body and Soul, 1959 September 28
Box 15	Correspondence, 1959 August-October
Box 15	Notes, casting, reports
Box 15	Action script
Box 15	Brochures and clippings
	The Fallen Idol, 1959 October 14
Box 15	Correspondence, 1959 September-October
Box 15	Reports, credits
Box 15	Clippings
	I, Don Quixote 1959 November 9
Box 15	Correspondence, 1959 May-November
Box 15	Reports, casting
Box 15	Clippings
	Oliver Twist, 1959 December 4
Box 15	Correspondence, 1959 November-December
Box 15	Credits
Box 15	Reports
Box 15	Reviews, printed scrapbook
	Arrowsmith, 1960 January 17
Box 15	Correspondence, 1959 November-1960 January
Box 15	Reports
Box 15	Clippings
	Ethan Frome, 1960 February 11
Box 15	Correspondence, 1959 March-1960 January
Box 15	Reports, notes, and awards
	Treasure Island, 1960 March 5
Box 16	Correspondence, 1960 January-March
Box 16	Casting, notes
Box 16	Reports (CBS News), reports formal
	Years Ago, 1960 April 2
Box 16	Correspondence, 1960 January-March
Box 16	Cast list
Box 16	Reports (CBS News), notes
Box 16	Credits
Box 16	Expense and final financial report
	Prisoner of Zenda, undated
Box 16	Correspondence, 1960 January-1961 January
Box 16	Clippings
	East Side/West Side
	Correspondence, 1962 November-December
Box 16	Outline
Box 16	Budget
Box 16	Contract
	Shows Arrangement of the Materials: By production number
	"The Sinner" No. 2
Box 16	Report
Box 16	Casting
Box 16	Film strip
Box 16	Location and schedule
Box 16	Script: second draft, annotated 1963 June 7
	"If Your Grandmother Had Wheels" No. 20
Box 16	Casting
Box 16	Scripts: rough draft, 1963 December 17
Box 16	Script: second draft, 1963 December 26
Box 16	Script: final draft, 1963 December 30
	"The Passion of the Nickel Player" No. 21
Box 16	Legal documents
Box 16	Schedules and location
Box 16	Daily reports and sound reports
Box 16	Staff and casting
Box 16	Film strips and Camera man lists
Box 17	Scripts: second draft, 1964 January 7
Box 17	Script: revised, draft with trailer
	"Changing the World" [no number]
Box 17	Script
	Edge of the City (A Man Ten Feet Tall)
Box 17	Correspondence, 1956 January-1958 April
Box 17	Correspondence, business 1956 January-August
Box 17	Background notes
Box 17	Budget, schedules, locations
Box 17	Screening comments
Box 17	Casting and staff
Box 17	Music
Box 17	Regular Trailer
Box 17	Dialogue
Box 17	Script, 1956 March 6
Box 17	Publicity
Box 17	Clipping
	Ehrlich, Bud
Box 18	Correspondence, 1953 March-June
Box 18	Statement of credits
	Eighty-Seventh Precinct
Box 18	Correspondence, 1958 April
Box 18	Background
Box 18	Script
	Eleanor Roosevelt Program, See Roosevelt, Eleanor
	Emmett Till Story, See Till, Emmett
	Emmy Award
Box 18	Correspondence, 1960 June
Box 18	Notes and reports
Box 18	Equitable, undated
	Escape
Box 18	Correspondence, 1957 March-?
	European correspondence
Box 18	General, 1956 March-1962 November
Box 18	British, 1958 June-August 1962 February
Box 18	Ramsey, Marget 1958 July
Box 18	Notes
Box 18	Photo
Box 18	Clippings
	Eva Perón, see Perón, Eva
	Evening Primrose (The Others)
Box 18	Correspondence, 1956 July-1958 June
Box 18	Script
Box 18	Notes, list of actors
	Ewell, Tom
Box 18	Correspondence, 1953 November
Box 18	Program speech
	The Executioner
Box 18	Correspondence, 1956 January-February
Box 18	Face the Music
Box 18	Prospectus
Box 18	Name changes
	Family Classics
Box 19	Correspondence, 1960 April-1961 June
Box 19	Correspondence, business 1960 August-1961 April
Box 19	Story summaries
Box 19	Reports
Box 19	Notes
Box 19	Brochures
Box 19	Clippings
	Russel, Charles
Box 19	Correspondence, 1955 December-1956 February
Box 19	Presentations
	Shows Arrangement of the Materials: By broadcast date
	Scarlet Pimpernel, 1960 October 29
Box 19	Correspondence, 1960 September
Box 19	Casting, credits, schedule
Box 19	Script: revised, 1960 October 20
	Three Musketeers, 1960 November 30
Box 19	Correspondence, 1960 September
Box 19	Credits
Box 19	Script: final revised, 1960 November 15
Box 19	Script: final revised, 1960 November 16
	Vanity Fair, 1961 January 13
Box 19	Casting, credits
Box 19	Opening
Box 19	Script Part II, 1960 December 27-28
	The Heiress, 1961 February 13
Box 19	Casting, Credits
Box 19	Script: revised, 1961 February 8
	The Light That Failed, 1961 March 16
Box 20	Script: revised, 1961 March 13
Box 20	Fan mail, 1955 January-February
	Festival of the Arts
Box 20	Correspondence, 1962 January-December
Box 20	Artists by country, date of performance, agents, contract
Box 20	Notes
Box 20	Material for readings
Box 20	Legal documents
Box 20	Budgets and reports
Box 20	Casting, credits
Box 20	Schedules
Box 20	Résumés
Box 20	Brochures
Box 20	Clippings
	Films
Box 20	Correspondence, 1954 March-1962 August
Box 20	Budget
Box 20	Schedule
Box 20	Show rundown
Box 20	Production information (Europe)
Box 20	Legal documents
Box 20	Brochures
	Finders Keepers
Box 21	Correspondence, 1954 March-1956 October
Box 21	Budget
Box 21	Résumé
	Fine Sound
Box 21	Correspondence, 1956 November
Box 21	Shipping memo
	Frachtenberg, Emmanuel
Box 21	Correspondence, 1955 April
Box 21	List of Scripts
	Fritzell, James
Box 21	Correspondence, 1955 October-1956 September
Box 21	Summary
Box 21	Script
	Gaither, Gant
Box 21	Correspondence, 1956 October 1?
	Galinder-Murphy Case
Box 21	Correspondence, 1957 June-July
Box 21	Clippings
	Gamble-Skoogmo
Box 21	Correspondence, 1959 December-1960 May
	General Electric Company (Doug Benton)
Box 21	Correspondence, 1954 April-May
	Gift of the Magi
Box 21	Correspondence, 1958 January-August
Box 21	Notes
Box 21	Music
Box 21	Clippings
	Glenville, Peter
Box 21	Correspondence, 1959 May 1?
	Great Ghost Tales
Box 21	Correspondence, 1961 May-June
Box 21	Casting, memo of actors contract
	Greatest Man in the World
Box 21	Correspondence, 1961 March-1962 October
Box 21	Script, 1959
	Greatest Ride in Town (Lost Street Car)
Box 21	Correspondence, 1956 August-1957 November
Box 21	Contract
Box 21	Shooting Schedules
Box 21	Rundown
	Greatest Story Ever Told
Box 21	Correspondence, 1947 February, 1955 February
Box 21	Story résumé
Box 21	Brochures
	The Green Hornet
Box 21	Correspondence (inverted business file), 1953-1952
	Greshler, Abner J. (Production)
Box 22	Correspondence, 1956 June-July
	Guiness, Alec
Box 22	Correspondence, 1959 January-July
	Hachett, M.H., Company
Box 22	Correspondence, 1955 October-1956 March
	Handful of Fire (Nash Play)
Box 22	Correspondence, 1958 April-1959 April
Box 22	Notes
Box 22	Photographs
Box 22	Brochures
Box 22	Clippings
	Happy Talk (program)
Box 22	Correspondence, 1960 October-1961 November
	Hargrove, Dean-The Adjustment of Preston Fowler
Box 22	Correspondence, 1962 August-November
	Hawkins Falls
Box 22	Correspondence, 1955 June
	Hayden Company (Insurance)
Box 22	Correspondence (with policies), 1953 June
Box 22	Reports and policies, 1953
	Hayes, Helen
Box 22	Correspondence, 1953 February-March
Box 22	Rundown for Helen Hayes Theatre
	Hedda Gabler
Box 22	Correspondence, 1962 January-December
Box 22	Notes
Box 22	Brochures
Box 22	Clippings, 1962 June-December
	Hirson, Roger
Box 22	Correspondence, 1955 October-1958 January
Box 22	Contracts
Box 22	Defense of Treason, Story rundown
Box 22	Script, Little Women
	Hobin, William
Box 23	Correspondence, 1954 October-1957 April
	Hopper, Hedda
Box 23	Correspondence, 1953 June-1955 March
Box 23	Notes
Box 23	Reports
Box 23	Lists of Actors
Box 23	Show
Box 23	Presentation
Box 23	Photographs
	Hui, William Bradford
Box 23	Correspondence, 1956 March-December
Box 23	Notes
Box 23	Clippings
	Hutchins Advertising Company
Box 23	Correspondence, 1955 January-October
	Insurance
Box 23	Correspondence, 1954 February-1955 February
Box 23	Note
	International Business Machine
Box 23	Correspondence, 1955 June-October
	Investors
Box 23	Correspondence, 1956 January-March
	Israeli Spectacular
Box 23	Notes
Box 23	Budget
	Jaffe Agency
Box 23	Correspondence, 1953 November-1954 September
Box 23	Notes
Box 23	Actors
Box 23	Contracts
	Jaffe and Jaffe
Box 23	Correspondence, 1953 February-1954 December
	Jaffe and Stern (attorneys)
Box 23	Correspondence, 1954 March-1956 December
	Jamie
Box 23	Correspondence, 1952 November-1955 December
Box 23	Notes
Box 23	Rundown
Box 23	Reviews
Box 23	Corrections
Box 23	Ratings
Box 23	Legal documents
Box 23	Financial
Box 23	Photographs
Box 23	Clippings
	Jamie Exploitation
Box 23	Correspondence, 1953 December-1954 December
Box 23	Endorsements, 1954 October and November
Box 23	Contracts
Box 23	Clippings
	Jamie Television
Box 23	Reports, 1954
	Jody and Me
Box 24	Correspondence, 1954 March-1959 March
Box 24	Script
	Joe and Mabel
Box 24	Correspondence, 1955 January-October
Box 24	Notes
Box 24	Financial
Box 24	Contracts
Box 24	Script: revised, 1955 March 5
	Johnathan Production Inc.
Box 24	Correspondence, 1955 November-1957 March
Box 24	Notes (to credits of A Man Ten Feet Tall)
Box 24	Shooting schedule
	Johnson, Johnny
Box 24	Correspondence, 1954 June-August
	Johnson, Van
Box 24	Correspondence, 1954 December-1955 March
	Justice
	General Correspondence
Box 24	1953 October-1954 December
Box 24	1955 January-1957 May
Box 24	Casting and Clearance
Box 24	Legal documents including contracts, 1954-1956 Scope and Content Note: Correspondence with documents.
Box 25	Budget and rating
Box 25	Reports and memos
Box 25	Music
Box 25	Story and scripts
	Publicity
Box 25	Book
Box 25	Brochure (information on Legal Aid)
Box 25	Clipping (reviews)
	Kaiser Aluminum
Box 25	Correspondence, 1957 January-May
Box 25	Notes, actor available, etc.
Box 25	Clippings
	Kaufman, Boris
Box 25	Correspondence, 1956 March-April
Box 25	Kean Sisters, 1953 June-October
	Kober, Arthur
Box 25	Correspondence, 1962 April
	Kraft Mystery Theatre
Box 25	Correspondence, 1959 February-May
Box 25	Stories (attacked)
Box 25	Notes
Box 25	Clippings
	Kramm
Box 26	Correspondence, 1957 October-1958 April
	Labor
Box 26	Correspondence, 1954 March
	Lammers, Paul
Box 26	Correspondence, 1955 March
	Laufman, Herbert S. (Chicago)
Box 26	Correspondence, 1954 December-1955 March
	Laurel and Hardy
Box 26	Correspondence, 1961 September-October
Box 26	Background notes
Box 26	Clippings
	Leigh, Colston (lectures)
Box 26	Correspondence with contracts, 1959 November-1963 January
Box 26	Contracts
Box 26	Brochures
	Legal documents concerning lawsuit
Box 26	Correspondence, 1956 February
	Levy, Al (regarding Allision)
Box 26	Correspondence, 1953 November-1956 December
Box 26	Statement, 1955
Box 26	Receipts
Box 26	Summary
	Levy, David
Box 26	Correspondence, 1954 July-1956 March
	Lewis, Mario
Box 26	Correspondence, 1955 November
	Lindsay and Crause Show
Box 26	Correspondence, 1953 April-1954 July
Box 26	Story rundowns, and notes
	The Little Prince
Box 26	Correspondence, 1957 July-August
	Little Women
Box 26	Correspondence, notes 1957 December-1959 January
Box 26	Script
Box 26	Publicity and clippings
	Loews Inc.
Box 26	Correspondence, 1956 February-1957 February
	Love in America
Box 26	Rundown of show
	Mademoiselle Jones
Box 26	Correspondence, 1956 October-1959 June
	Mademoiselle Smith
Box 27	Correspondence, 1956 August
Box 27	Rundown and notes
	The Making of a President
Box 27	1961 August-1962 February
Box 27	Outline on Day Kennedy Won Election, 1960
	A Man's Game
Box 27	Correspondence, 1956 June-1957 May
Box 27	Notes, casting, budget
Box 27	Song
Box 27	Clippings
	Man on a Tiger
Box 27	Correspondence, 1955 December-1957 March
Box 27	Legal agreement
	Maper, Pierson
Box 27	Correspondence, 1954 January-1955 October
Box 27	Invoices and bills
	Mark Twain
Box 27	List of actors
	Martin Chronicles
Box 27	Correspondence, 1956 October-1958 January
	Meet Me in St. Louis
Box 27	Correspondence, 1959 January-June
	Member of the Wedding
Box 27	Correspondence, 1959 March-June
Box 27	CBS News Release
Box 27	Notes
	Metro-Goldwyn-Mayer
	General
Box 27	Correspondence, 1959 January-November
Box 27	List of Movie Titles
Box 27	Available movies for television Physical Description: 2 volumes in box.
	Movies (alphabetical)
	Edge of the City (A Man Ten Feet Tall)
Box 27	Correspondence, 1956 January-1958 January Scope and Content Note: Includes photograph.
Box 27	Notes (list of actors)
	Television (alphabetical)
	The Bells of St. Mary's
Box 27	Correspondence, 1959 August-October
Box 27	Notes
	The Citadel
Box 27	Correspondence, 1959 November-1960 February
Box 27	Notes
Box 27	Credits
	Member of the Wedding
Box 27	Correspondence, 1958 March-June
Box 27	CBS News Reports
Box 27	Report on Publicity
Box 27	Notes
	Mrs. Miniver
Box 27	Correspondence, 1959 January-1960 January
Box 27	Credits and actors
	Ninotchka
Box 27	Correspondence, 1959 September-1960 March
Box 27	Notes
Box 27	Clippings
	Philadelphia Story
Box 27	Correspondence, 1959 September-December
Box 27	Credits
	Valley of Decision
Box 27	Correspondence, 1960 January-March
Box 27	Notes, credits
	Scripts
Box 27	Correspondence, 1959 May-1960 April
Box 27	Notes
	Miller, Mike
Box 27	Correspondence (Stories attached to some), 1954 December-1955 August
Box 51	Correspondence and legal documents, 1957-1962, undated
Box 51	Plays, unidentified undated
	Presentations (rundowns)
Box 51	Correspondence, 1953 April-1956 December
Box 52	Rundowns
	By Sponsor
Box 52	Firestone
Box 52	General Foods
Box 52	Gulf
Box 52	Prudential Life Insurance
Box 52	Standard Oil Company
Box 52	Texico
Box 52	Clippings
Box 52	Unidentified presentation
Box 52	Clipping from London)
	The Moon and Sixpence
Box 28	Correspondence, 1958 November-1959 December
Box 28	Fan mail, 1959 October-November
Box 28	Notes
	Morgan, Priscilla
Box 28	Correspondence (note), 1954 March 29
	Mosel, Tad
Box 28	Note attached to script by Mosel
	Mother Goose
Box 28	Correspondence, 1958 March-June
Box 28	Rundowns, budget
	Motion Picture Association
Box 28	Notes and legal documents
	Motion Pictures
Box 28	Correspondence, 1955 August-November
Box 28	Note
Box 28	Clippings
	Mr. Peepers, See Peepers
	Mulligan, Bob
Box 28	Correspondence, 1954 October-1955 April
	Music
Box 28	Correspondence, 1958 June-1962 October
Box 28	Printed music
Box 28	Clay Warnick (biography and credits)
	Music Cue Sheets
Box 28	Correspondence, 1956 October-1957 February
Box 28	Sheets
	Musical Theater (Oldsmobile)
Box 28	Correspondence, 1959 January-June
Box 28	Notes (openings, lists, costs, suggestions)
Box 28	Clippings
	Musical Comedy Playhouse (Pepsi-Cola)
Box 28	Musical show ideas
	Musicians' Contracts
Box 28	Correspondence with contracts, 1954 December
Box 28	Contracts
	Nash, Richard
Box 28	Correspondence, 1954 February-1958 May
Box 28	Legal documents, notes, and stories
Box 28	Photographs
Box 28	Clippings
	National Broadcasting Company
Box 28	Correspondence, 1956 June-1962 April
Box 28	Stories
Box 28	Notes, finance memos
Box 28	Clippings
	National Educational Television
Box 28	Correspondence, 1962 June-1963 February
Box 28	Notes, rundown
Box 28	Brochures
	National Screen Gems (Service)
Box 28	Correspondence, 1956 November-1957 January
	National Telefilm Associates Inc.
Box 28	Correspondence, 1958 December-1962 May
Box 28	Reports with correspondence, 1960-1962
Box 28	Reports, legal
	Nero Wolfe
Box 28	Correspondence, 1957 September-November
	Neiman, Irving Gaynor
Box 29	Correspondence, 1954 April-1956 September
Box 29	Stories
	New Ideas-New Shows
Box 29	Correspondence, 1953 March-1962 October
	Nichols and May
Box 29	Correspondence, 1960 November
	North, Alex
Box 29	Correspondence, 1956 February-March
	North Atlantic Treaty Organization
Box 29	Correspondence, 1962 September
Box 29	Budget, financing
Box 29	Report
Box 29	Brochures from government
	Nothing But the Best
Box 29	Correspondence, 1953 November-1954 March
	Olio, See The Proud Oasis
	O'Neill, Eugene
Box 29	Correspondence, 1960 February-1961 June
Box 29	Memo, rundown
	Open End
Box 29	Correspondence, 1958 December-1962 December
Box 29	Chart
Box 29	Notes, memos and transcripts
Box 29	Rating
Box 29	Financial
Box 29	Syndication
Box 29	Clippings
	Open Mind
Box 29	Correspondence, 1957 October-November
Box 29	Script
Box 29	Clipping
	O'Shea, Sean, See Sean O'Shea
	Outlines for Manuscripts
Box 29	Correspondence, 1955 June-1960 December
Box 30	Correspondence, 1961 January-1963 May
Box 30	Notes
Box 30	Script
	Oxford Production
Box 30	Correspondence, 1957 March-1960 February
Box 30	Legal agreement
	Paramandia
Box 30	Correspondence, 1960 February-1961 December
	Paramount
Box 30	Correspondence, 1961 April-1962 December
Box 30	Legal documents
Box 30	Reports
	Peck, Charles
Box 30	Correspondence, 1956 January
	Peepers
	Correspondence mostly legal
Box 30	1952 February-1953 March
Box 30	1953 April-1956 November
Box 30	Reports, 1952-1955
Box 31	Script
Box 31	Legal documents, budget, notes, and publicity
	Pentagon (Case Histories)
Box 31	Correspondence, 1953 September
Box 31	Outlines of Cases
Box 31	Notes
	Pericles and Aspasia
Box 31	Correspondence, 1957 June-1958 June
Box 31	History of Pericles, Greece, Athens
	Perlis, Jack
Box 31	Correspondence, 1962 November
	Perón, Eva (possible show)
Box 31	Correspondence, 1960 August-1961 April Scope and Content Note: With outlines, notes, photos attached.
	Perspective (possible programs)
Box 31	Correspondence, 1960 September-1961 September
	Petrie, Dan
Box 31	Correspondence, 1954 June-October
	Philco-Goodyear Television Playhouse
Box 31	Correspondence, 1954 September-1955 December
Box 31	Correspondence, 1952 October-1954 December Scope and Content Note: With legal documents, notes, insurance, and clippings attached.
	Philco-Goodyear Writers Contracts
Box 31	Correspondence with legal documents, 1954 December-1955 December
	Philco Radio Playhouse
Box 31	Correspondence, 1949 December-1954 January
Box 31	Notes
	Philco Television Playhouse
Box 32	Correspondence, 1953 August-1954 September
Box 32	Notes
Box 32	Emergency (stories)
Box 32	Stories
	Shows (by broadcast date)
	Rebecca, 1948 October 10
Box 32	Script
	Counsellor at Law, 1948 October 17
Box 32	Script
	Angel in the Wings, 1948 October 24
Box 32	News releases
	Street Scene, 1948 October 31
Box 32	Clearance
	What Every Woman Knows, 1949 September 4
Box 32	Script
	Pride's Castle, 1949 September 11
Box 32	Script
	The Feast, 1950 May 7
Box 32	Script
	Kitty Doone, 1951 February 11
Box 32	Script
	A Secret Island, 1951 May 6
Box 32	Script
	Operation Airlift, 1951 June 17
Box 32	Script
	Dr. Hudson's Secret Journal, 1951 June 24
Box 32	Script
	The Plot, 1951 July 1
Box 33	Script
	Case History, 1951 July 8
Box 33	Script
	The Rich Boy, 1952 February 10
Box 33	Correspondence, 1958 January-August
Box 33	Script
	Unidentified episode, undated
Box 33	Script
	Philco Reviews
Box 33	Clippings
	Phoenix Theatre
Box 33	Correspondence, 1955 June 1?
	Pinza, Ezio
Box 33	Correspondence, 1956 January-July
	Play Awards
Box 33	Correspondence, 1955 March
	Play of the Week
Box 33	Correspondence, 1959 September-1961 January
Box 33	Notes, lists
Box 33	Brochures
Box 33	Reviews
	Playwright 1954
Box 33	Correspondence, 1954 January-July
Box 33	Budget rundown
Box 33	Legal documents
	Playwright Publicity
Box 33	Correspondence, 1954 August
Box 33	Photographs
Box 33	Clippings
	Plugs
Box 33	Correspondence, undated
	The Power and the Glory
Box 34	Correspondence, 1961 August-1963 January
Box 34	Financial, casting, credits, and notes
Box 34	Clippings
Box 34	Fan mail and clippings
	Princess Judy (production)
Box 34	Correspondence, 1953 December-1954 February
	The Protectors
Box 34	Correspondence, 1956 November-1961 November
Box 34	Financial
	The Proud Oasis (Olio)
Box 34	Correspondence, 1958 June-August
Box 34	Purchase orders: Invoice receipts
	A Raisin in the Sun
Box 34	Correspondence, 1959 March-1962 April
Box 34	Notes
Box 34	Brochures
Box 34	Clippings
	Rashomon
Box 34	Correspondence, 1958 July-1961 December
Box 34	Schedule
Box 35	Legal documents, financial
Box 35	Notes
Box 35	Investors, casting
Box 35	Photographs
Box 35	Reviews
	Ratings
Box 35	Notes
Box 35	Arbitron Multi Ratings, 1960 September-1961 July
	Readers
Box 35	Résumé
	Readings
Box 35	Correspondence, 1962 November
Box 35	Receipts
	Rejected outlines (for Appointment with Adventure)
	Repertory
Box 35	Correspondence, 1962 January
Box 35	List of Actors
Box 35	Summaries of Potential Productions
	Requiem for a Heavyweight
Box 35	Correspondence, 1960 August-1961 September
Box 35	Financial
Box 35	Casting, credits and contracts
Box 35	Scripts
Box 35	Notes
Box 35	Production information (staff, schedules, etc.)
Box 35	Clippings
	Revival
Box 35	Correspondence, 1956 July-1960 January
Box 35	Budget and Finances
Box 35	Notes
Box 35	Stories
Box 35	Clippings
	Revlon
Box 36	Correspondence, 1954 December-1955 February
Box 36	Script, dialogue
	Rexall
Box 36	Correspondence, 1957 October-1960 October
Box 36	General finances
Box 36	General rundowns
	Shows (by broadcast date)
	Pinocchio, 1957 October 13
Box 36	Correspondence, 1957 April-1958 February
Box 36	Fan mail, 1957 October
Box 36	Finances
Box 36	Staff, Credits
Box 36	Script
Box 36	Brochures
Box 36	Reviews (some clippings)
	Hansel and Gretel, 1958 April 27
Box 36	Correspondence, 1957 December-1959 May
Box 36	Finances
Box 36	Schedules
Box 36	Script: first draft, 1957 December 10
Box 36	Script: first draft, 1958 February 17
Box 36	Script: first draft, 1958 March 6
	Swiss Family Robinson, 1958 October 12
Box 36	Correspondence, 1959 July-October
Box 36	Rating
Box 36	Budget
Box 36	Schedules
Box 36	Casting, credits (employee information)
Box 36	Notes
Box 36	Rundown (story and characters)
Box 36	Set design, 1958 September
Box 36	Scripts: first draft, 1958 August 5; 1958 September 22; 1958 October 6; undated
	Ten Little Indians, 1959 January 18
Box 37	Correspondence, 1958 August-November
Box 37	Schedules
Box 37	Casting, credits
Box 37	Scripts, 1958 October 22; 1958 December 2
Box 37	Script: revised, 1958 December 10; 1958 December 31
	Ransom of Red Chief, 1959 August 16
Box 37	Casting
Box 37	Script, 1959 June 11
	Strawberry Blonde, 1959 October 18
Box 37	Correspondence, 1959 September-October
Box 37	Casting, credits
	The Devil and Daniel Webster, 1960 February 14
Box 37	Correspondence, 1959 November-1962 May
Box 37	Casting, credits
Box 37	Financial
	Hiawatha, undated
Box 37	Correspondence, 1958 March 31-June
Box 37	Notes
Box 37	Rundown
	Rich, David
Box 37	Correspondence, 1954 September
	Ritt, Martin
Box 37	Correspondence, 1956 January-1958 December
Box 37	Story, Who Walk Alone
	Robinson, Major
Box 37	Correspondence, undated
	Roman Holiday
Box 37	Correspondence, 1957 January-1962 December
Box 37	Clipping
	Roosevelt, Eleanor (Program)
Box 37	Correspondence, 1959 September-1962 July
Box 37	Casting, schedule
	Rosenman, Leonard (music)
Box 37	Correspondence, 1956 May-1957 May
Box 37	Legal documents and notes
	Ross, Jerome
Box 37	Correspondence including legal agreement, 1954 July-1955 October
	The Royal Hunt of the Sun
Box 37	Correspondence, 1959 January-April
	Russell, A. J.
Box 37	Correspondence with legal documents, 1954 May-July
	Rust, John
Box 38	Correspondence, 1954 March-1956 January
Box 38	Story outline
	Sally Norman-Space Nurse
Box 38	Correspondence, 1953 July-October
Box 38	Legal agreement
	Screen Actors Guild
Box 38	Correspondence, 1956 March-May
	Script Editors
Box 38	Correspondence, 1954 July-September
Box 38	Background, rundown
	Sean O'Shea (program)
Box 38	Correspondence, 1953 May
Box 38	Script
	Second City
Box 38	Correspondence, 1962 July-1963 January
Box 38	Notes
Box 38	Schedules
Box 38	Script
	Segal, Jack
Box 38	Correspondence, 1956 July
	Serling, Rod
Box 38	Correspondence, 1962 February-April
	Seven Against Crime
Box 38	Correspondence, 1956 October-1957 April
Box 38	Script
	Shadow of the Champ
Box 38	Correspondence, 1956 May-November
	Shaff, Monty
Box 38	Correspondence, 1956 April
	Sharpe, Don
Box 38	Correspondence, 1955 February-1956 May
	Shaw, David
Box 38	Correspondence, 1955 March-1957 February
Box 38	Legal agreements with letters attached
Box 38	Note
Box 38	Script
	Sheaffer, W.A., See W.A. Sheaffer Pen Company
	Sidney, Sylvia
Box 38	Notes
	Small Town D.A.
Box 38	Correspondence, 1957 August
	The Smather-Humber Mess
Box 38	Correspondence, 1956 October-1959 March
Box 38	Notes, outlines
Box 38	Original screenplay
	Smith, Jack
Box 38	Correspondence, 1953 January
Box 38	Photographs
	Specials
Box 39	Correspondence, 1959 May-1962 May
Box 39	Notes, lists
Box 39	Clippings
	Special Tonight
	Shows (by broadcast date)
	Miracle on 34th Street, 1959 January 27
Box 39	Correspondence, 1959 July-1960 January
Box 39	Casting, staff, credits
Box 39	Rundowns, schedules, notes
Box 39	This Is the Time [proposed title] script, 1946 August 9
	The Bells of St. Mary's, 1959 October 27
Box 39	Correspondence, 1959 July-October
Box 39	Music
Box 39	Notes, résumé, casting, credits
Box 39	Schedules
Box 39	Rundowns
Box 39	Script, 1959 October 10
	Philadelphia Story, 1959 December 7
Box 39	Correspondence, 1959 October-1960 January
Box 39	Notes
Box 39	Staff, cast, credits
Box 39	Rating, schedules, scene breakdowns
Box 39	Commercials
Box 39	Script: revised, annotated 1959 November 20, 22, 24 and December 2
	Mrs. Miniver, 1960 January 7
Box 40	Correspondence, 1959 July-1959 December
Box 40	Casting, credits
Box 40	Music
Box 40	Schedules
Box 40	Commercials
Box 40	Script: first draft, 1959 October 22
Box 40	Scripts: revised, 1959 December 14
Box 40	Scripts: third draft, 1959 December 29
	The Citadel, 1960 February 19
Box 40	Correspondence, 1960 January-February
Box 40	Casting, credits
Box 40	Schedules
Box 40	Note, music
Box 40	Scene
Box 40	Script: revised, 1960 January 26
Box 41	Script: final draft (indexed), 1960 February 5
	Valley of Decision, 1960 March 20
Box 41	Correspondence, 1960 January-March
Box 41	Casting, staff, credit
Box 41	Scene breakdown
Box 41	Notes
Box 41	Script: revised, 1960 April 20
Box 41	Script: second revised, 1960 March 7
Box 41	Script, undated
	Ninotchka, 1960 April 20
Box 41	Correspondence, 1959 December-1960 May
Box 41	Notes
Box 41	Scene breakdown, schedules
Box 41	Staff, casting, credits
Box 42	Set designs
Box 42	Script: final version, 1960 April 16
Box 42	Rejected material
	"Special Tonight" design for titles
	Spectaculars
Box 42	Correspondence, 1956 June-1962 May
Box 42	Story outline
	Stark, Ray
Box 42	Correspondence, 1955 September-1956 August
	Stern, Charles
Box 42	Correspondence, 1954 November-1955 March
	Stern and Wincor
Box 42	Correspondence, 1957 March-1962 December
	Susskind, David
Box 42	Correspondence, 1955 January-1956 December
Box 42	Correspondence, personal 1952 December-1954 December
Box 42	Correspondence, business 1957 March-1963 January
Box 43	Personal items: Al Levy, kids, military, and photos
	Swift, David
Box 43	Correspondence, 1953 January-1954 August
	Talent Associates Ltd.
Box 43	Correspondence, 1954 January-1962 August
Box 43	Correspondence, business 1955 November-1956 January
Box 43	Coast Office (ideas), 1961 June-1962 September
Box 43	Legal documents, notes, finances, staff
Box 43	Clippings
Box 43	Telephone calls, 1962-1963
	Telephone Hour
Box 44	Correspondence, 1958 January-June
Box 44	Budget
Box 44	Résumé
Box 44	Notes
Box 44	Script
Box 44	Drawings
	Television Research
Box 44	Correspondence, 1954 November
Box 44	Clippings
	Texas Li'l Darlin'
Box 44	Correspondence, 1956 June
Box 44	Script
	This Happened
Box 44	Correspondence, 1954 April-1958 January
Box 44	Budget
Box 44	Notes, résumé
	Till, Emmett (Story)
Box 44	Correspondence, 1957 January
Box 44	Script
	Time-Life Project
Box 44	Correspondence, 1961 June-August
	Too Young to Go Steady
Box 44	Correspondence, 1957 August-1959 June
Box 44	Casting, notes, rating, photographs
Box 44	Clippings
	Toolum, Al (Story)
Box 44	Correspondence, 1954 April-May
Box 44	Clippings
Box 44	Traveling Lady, 1954 February
	Treasurymen in Action
Box 44	Correspondence, 1954 December-1955 March
Box 44	Report
	Trip to Bountiful
Box 44	Correspondence, 1953 January-December
Box 44	Notes, budget
Box 44	Clippings
	Truman, Harry (Series)
Box 45	Correspondence, 1961 April-1963 January
Box 45	Dean Acheson filming
Box 45	Script (transcript)
Box 45	Notes, suggestions
Box 45	Photographs
Box 45	Clippings
	United States Steel
Box 45	Correspondence, 1955 March
	Van DerVlis, Diana
Box 45	Correspondence with legal documents attached, 1956 October 9
	Van Voorhis, Westbrook
Box 45	Correspondence, 1954 March-September
	A Very Special Baby
Box 45	Correspondence, 1955 May-1957 August
Box 45	Legal documents, notes, budget, and résumé
Box 45	Casting
Box 46	Clippings
	Baby Company (A Very Special Baby)
Box 46	Correspondence, 1956 August-December
	W.A. Sheaffer Pen Company
Box 46	Correspondence, 1958 March-1959 March
	Way Out
Box 46	Correspondence, 1960 August-1961 July
Box 46	Fan mail, 1961 March
Box 46	Production charts, staff, credits
Box 46	Employment memo, publicity, form letter
Box 46	Rating, notes, story outlines
	Shows (by broadcast date)
	"William and Mary", 1961 March 21
Box 46	Staff, credits
Box 46	Script: revised, 1961 March 25
	"The Down Car", 1961 April 17
Box 46	Cast, credits
Box 46	Script, with conclusion: revised 1961 April 4
	"The Sisters", 1961 April 14
Box 46	Cast
Box 46	Script, with closing credits: revised 1961 April
	"Button, Button" 1961 April 28
Box 46	Cast
Box 46	Script, introduction, conclusion: revised AI 1961
	"I Heard You Calling Me", 1961 May 5
Box 46	Cast
Box 46	Introduction
Box 46	Script: first draft, 1961 March 14
Box 46	Conclusion
Box 46	Closing credits
	"The Croaker", 1961 May 12
Box 46	Cast
Box 46	Introduction
Box 46	Script, studies 1961 April 26
Box 46	Conclusion
	"False Face", 1961 May 26
Box 46	Cast
Box 46	Introduction
Box 46	Studio script, 1961 May 10
Box 46	Conclusion
Box 46	Closing credits
	"Dissolve to Black", 1961 June
Box 46	Cast
Box 46	Introduction
Box 46	Studio script, 1961 May 2
Box 46	Closing credits
	"Death Wish", 1961 June 9
Box 46	Cast
Box 46	Studio script, 1961 May 24
Box 46	Closing credits
	"Overnight Case", 1961 June 16
Box 46	Cast
Box 46	Studio script, 1961 May 17
Box 46	Closing Credits
	"Hush, Hush" 1961 June 23
Box 46	Cast
Box 46	Script: revised, 1961 June 6
	"Side Show", 1961 June 30
Box 47	Cast
Box 47	Script: revised, 1961 May 31
Box 47	Closing credits
	"Soft Focus", 1961 July 7
Box 47	Cast
Box 47	Introduction
Box 47	Script: revised, 1961 June 21
Box 47	Closing credits
	"Twenty, Twenty" 1961 July 14
Box 47	Cast
Box 47	Introduction
Box 47	Script: revised, 1961 June 14
Box 47	Clippings
	William Morris Agency
Box 47	Correspondence, 1954 March, 1959 September
	William, Emlyn
Box 47	Correspondence, 1958 November-1959 June
	Winkle, Lee
Box 47	Correspondence, 1962 December
	The Witness
Box 47	Correspondence, Keep Witness on the Air 1960 November-1961 January
Box 47	Fan mail, good 1960 September-1961 January
Box 47	Fan mail, criticism 1960 September, 1961 January
	General
Box 47	Correspondence, 1960 May-1962 July
Box 47	Casting, employment memo
Box 47	Notes
Box 47	Charts (staff, etc.), credits
Box 47	Budget
Box 47	Publicity, photographs
Box 47	Script
	Deal sheets
Box 47	Actors
Box 47	Directors
Box 47	Writers
Box 47	Commercial rundowns
	Programs (by production number)
	"Charles 'Lucky' Luciano" No. 1
Box 48	Correspondence, 1960 August-September
Box 48	Notes
Box 48	Format
Box 48	Schedules
Box 48	Casting, credits
Box 48	Reports, rundowns
Box 48	Script: first draft, 1960 August 4
Box 48	Transcript, 1960 September 10
	"Huey Long" No. 2
Box 48	A.D. reports
Box 48	Schedules, casting
Box 48	Format
Box 48	Script: final draft, 1960 September 17; undated
Box 48	Transcript, undated
	"Jimmy Walker" No. 3
Box 48	Correspondence, 1960 September 19
Box 48	Schedules, credits, cast, format
Box 48	Research material
Box 48	Script: first draft, 1960 September 13
Box 48	Script: final draft, annotated, with notes 1960 September 23
Box 48	Transcript: final, 1960 September 21
	"Arnold Rothstein" No. 4
Box 48	Correspondence, 1960 September-October
Box 48	Schedule, Format
Box 48	Casting, credits
Box 48	Script: final draft, undated
	"Lt. Becker" No. 5
Box 49	Casting, credits
Box 49	Schedule
Box 49	Format and rundown
Box 49	Tape schedule
Box 49	Script, undated
	"Shoeless Joe Jackson" No. 6
Box 49	Casting, credits
Box 49	Schedules
Box 49	Format, notes
Box 49	Script: final draft, 1960 October 15
	"Benjamin 'Bugsy' Siegel" No. 7
Box 49	Casting, credits
Box 49	Schedules
Box 49	Script: final draft, 1960 October 21
Box 49	Script: final draft, annotated 1960 October 21
	"Roger 'The Terrible Touhy'" No. 8
Box 49	Script: final draft, 1960 October 28
	"Major James M. Curley" No. 9
Box 49	Casting
Box 49	Format
Box 49	Schedule
	Research, 1960 September 21
Box 49	Script: final draft, 1960 November 4
Box 49	Act III : script, undated
	"Louis 'Lepke' Buchalter" No. 10
Box 49	Correspondence, undated
Box 49	Rundown
Box 49	Casting, credits
Box 49	Schedules
Box 49	Script: final draft, 1960 November 10
	"Al Capone" No. 11
Box 50	Casting, credits
Box 50	Formats, schedules
Box 50	Scripts: final draft, 1960 November 18
	"Legs Diamond" No. 12
Box 50	Casting, credits
Box 50	Schedules
Box 50	Format
Box 50	Script: final draft, 1960 November 25
	"Abe Reles" No. 13
Box 50	Casting, credits
Box 50	Format
Box 50	Schedules, rundown
Box 50	Script: final draft, 1960 December 3
	"Dutch Schultz" No. 14
Box 50	Casting, credits
Box 50	Format, schedules, notes
Box 50	Script, 1960 December 16
	"Jimmy Hines" No. 15
Box 50	Correspondence (Graphic Arts Department), undated
Box 50	Casting, credits
Box 50	Schedule
Box 50	Format
Box 50	Notes
Box 50	Script, 1960 December 28
	"Ma Barker" No. 16
Box 50	Casting
Box 50	Schedule
Box 50	Format, rundown
Box 50	Script, 1961 January 6
	"John Dillinger" No. 17
Box 50	Casting, credits (partial)
Box 50	Format, notes
Box 50	Rundown
Box 50	Script, 1961 January 13
Box 50	Albert Bacon Fall-research for show
Box 50	Eva Perón-research for show
Box 50	Set designs
Box 50	Crime Pictures (cases)
Box 51	Program Pictures
Box 51	Committee Room Pictures (related to sets)
Box 51	Clippings
	Writers
Box 51	Correspondence, 1952 January-1960 February
Box 51	Lists of writers
	You Can Make a Million (program)
Box 51	Correspondence, 1956 April-November
Box 51	Résumé
	Young Mr. Middleton (program)
Box 51	Correspondence, 1957 December-1959 February
Box 51	Prospectus
Box 51	Storyline
Box 51	Casting
Box 51	Budget
Box 51	Photographs
Box 51	Brochure for publicity
U.S. Mss 73AN	Part 2 (U.S. Mss 73AN): 1976 Additions, 1943-1975 Physical Description: 47.6 cubic feet (120 archives boxes) Scope and Content Note The Part 2, 1976 Additions, are organized as a single alphabetical Subject File. In general this order preserves the original arrangement, although smaller, related files were sometimes consolidated and file headings made consistent. Files are identified by the names of productions, individuals, or general subjects and contain correspondence, clippings, scripts, minutes, notes, speeches, writings, financial materials, legal documents, and/or promotional records tracing Susskind's business and personal affairs. The majority of Part 2 of the collection focuses on his activities as a producer and talk show host, with the major emphasis being on his television work. As an example, a rather complete file may trace a television program from initial story development through final production and eventual syndication and may document the various creative, legal documents, and financial aspects of this process. The collection provides a thorough picture of the business operations of Talent Associates, the production company which Susskind co-founded. Although primarily involved in television, the firm did occasional work in film and theater, often soliciting productions from the London stage. The collection also reflects Susskind's continued efforts to produce “quality programming for television.” The rating success (or lack thereof) of these ventures provides some insight into the network's willingness to program and sustain quality shows which did not necessarily attract high ratings. Personal exchanges with friends and family are also included, although to a much lesser degree; these reflect Susskind's opinions of the television industry, politics, and events of topical interest. An attempt has been made to identify productions as to the media for which they were considered and, if possible, their ultimate production status. However, researchers are cautioned that this information is based primarily on internal evidence in individual files which are often incomplete. In addition, often a work was considered in its early stages for more than one medium with a final determination made only at a later date. Therefore, the production information may be in error. Among the productions represented in this part of the collection are the television series Arrest and Trial, The David Susskind Show, East Side/West Side, Get Smart, He and She, Mr. Broadway, N.Y.P.D., and Open End; specials or anthology episodes such as The Ages of Man, Brief Lives, Death of a Salesman, Dial “M” for Murder, Diary of Anne Frank, The Glass Menagerie, Harvey (DuPont Show of the Month and Hallmark Hall of Fame), Hatful of Rain, Hedda Gabler, Johnny Belinda, Laura, Mark Twain Tonight!, Moon for the Misbegotten, Noon Wine, and Of Mice and Men; motion pictures such as All the Way Home, Lovers and Other Strangers, Pursuit of Happiness, A Raisin in the Sun, Straw Dogs, and Up the Sandbox; and the play Kelly. A Partial Index to Correspondents is an appendix which follows the contents list. The remainder of this narrative discusses the notable or unusual contents of several files, which are described in alphabetical sequence. The Ages of Man production file details negotiations with British Home Entertainment Ltd. over legal documents, financial, and distribution aspects of that show. Correspondence relating to All in Good Times shows how the play's film production fell through because of a dispute with the producer. All the Way Home correspondence contains a report on viewer reaction to the film's preview. Programs represented in American Broadcasting Company's general contracts include Arrest and Trial, The Farmer's Daughter, The Fugitive, The Patty Duke Show, and Peyton Place. Armstrong Circle Theatre files discuss U.S. and foreign syndication and the re-run rights to some programs aired on this anthology. Ashley-Steiner-Famous Artists correspondence details various television specials and the commitment of CBS to Susskind's specials. The Cyril Bennet file provides some insight into Talent Associates' decision-making process. Appointed as chairman of the English Company, a corporation formed to conduct Talent Associates' business outside the United States, Bennet's file reveals some of the legal aspects of establishing the Susskind-Bennet partnership. It also shows how decisions were made as it contains evaluations of several potential productions. The William Benton file includes a discussion on commercial sponsorship of ETV (educational television) and contains a David Susskind letter detailing his opinion on the subject. Files of Ron Bernstein, who worked for Talent Associates, document his efforts to find properties for the company to produce and include a letter (January 22, 1973) regarding Paramount's and United Artists' involvement in The Last Tango in Paris. Included in the Brief Lives files are correspondence and set designs from designer Julia Trevelyan Oman. A file of Michael Campus, who worked on East Side/West Side and other Talent Associates projects, includes some outlines considered for the former program plus an outline and correspondence relating to Millard Lampell's The Lonesome Train. The Comedians reveals the difficulty of syndicating a show and the resultant concern of the sponsor, Canada Dry. A Commercials file details Talent Associates' unsuccessful venture into advertising for Hunt-Wesson foods and includes storyboards for some of their products. The David Susskind Show correspondence discusses financial and legal aspects of the program and its attempt to change distributors from National Telefilm Associates to Pamandia. It also contains correspondence from Metromedia and some viewer response to the show. The file for the Eamonn Andrews Show, an English television talk show, consists of a script in which David Susskind and Mohammad Ali debated Ali's refusal to be drafted during the Vietnam War. Extensive production files exist for East Side/West Side, a critically acclaimed but short-lived series of the early 1960s. These discuss writers, casting, script reports and analyses, and budgets. In addition to this production information, viewer correspondence reflects public opinion on a number of topical issues. For example, individual episodes of the program focused on subjects such as prostitution, urban renewal, rape, the problem of rats in the slums, block busting, old age, parollee rehabilitation, premari