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Container
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Title
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U.S. Mss 67AN
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Series: Part 1, Original Collection, 1946-1963
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American Primitive, October 26, 1956
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Box
1
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Clipping; contract; notes; rehearsal schedule; script A, first draft original, annotated, May 1, 1956; script B, first draft, annotated, , October 17, 1956; script C, final, , October 17, 1956
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Barbizon Tuesdays, 1946
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Box
1
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Contracts; correspondence, 1946, April 30-Sept. 26; ephemera; programs; and publicity
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Beggar's Holiday, 1947
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Box
1
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Budget; business records; cast list; clippings; contract; correspondence, 1945, May 9-22; notes; programs; outlines; and prospectus
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The Blue Angels, September 26, 1960
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Box
1
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Clippings; contract; research; outlines; script, annotated; and script revisions
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Boys Will Be Boys, January 26, 1955
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Box
1
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Script, final
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Brotherhood of the Bell, January 6, 1958
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Box
1
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Clippings; contract; correspondence, 1957, December 12; synopsis; treatment; script A, annotated; and script B, final
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Buttrio Square, 1952
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Box
2
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Clippings; correspondence, 1952, June 20; notes on the script; production notes; programs; and set designs
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Cafe Crown, 1949
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Box
2
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Bills; box office statements; business records; clippings; press releases; contracts; and programs
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Package
1
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Poster
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Circle of Death, September 30, 1962
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Box
2
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Article on which script was based; clippings; correspondence, 1962, July 11; notes; outlines; and script, final
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The Citadel, February 19, 1960
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Box
2
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Clippings; contracts; script revisions; script, first draft, January 13, 1960; script, revised, , January 26, 1960; and script, final
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Cleopatra, 1963
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Box
3
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Clippings; notes; script, first draft, January 11, 1960; and script portions
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Collision!, 1956
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Box
3
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Script, annotated
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Drop on the Devil, undated
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Box
3
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Script
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Eichmann: Engineer of Death, October 12, 1960
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Box
3
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Clippings; contract; preliminary notes; outline; and research
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Box
4
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Script, original of first draft, annotated, September 1, 1960; script, first draft, , September 2, 1960; script, final, , October 6, 1960; and revised pages
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Elisha and the Long Knives, Feb. 4, 1954
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Box
4
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Clippings; correspondence, 1953, Jan. 5 - 1958, Dec. 30; outlines; press release; script, final (Kraft Television Theatre version); script, annotated NBC Matinee Theatre version); and script, as published in Australian Journal, , July, 1955
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Fiddlin' Man, April 28, 1954
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Box
4
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Script, original; script, final; and rehearsal schedule
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The Fog, September 27, 1956
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Box
4
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Clippings; correspondence, 1956, Oct. 11 - 1961, Aug. 4; ephemera; notes; press releases; research.
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Box
5
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Script, original, annotated, Aug., 1956; script, draft, , August, 1956; script, second revision, , September 17, 1956; script, third revision, , September 19, 1956; and miscellaneous revisions
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The Fool Killer, undated
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Box
5
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Clippings; correspondence, 1959, January 15; and script, original
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The Forger, March 31, 1955
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Box
5
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Clippings; correspondence, 1955, March 18 - 1960, Aug. 19; script used for adaptation; script, first draft; and final script, annotated
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The Gentle Grafter, April 25, 1956
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Box
6
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Script, second draft; and script, final
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High Time, 1953
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Box
6
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Budget; cast list; clippings; contract; production notes; and script, director's
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Holiday Special, 1947
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Box
6
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Box office statements; clippings; correspondence, 1947, October 7 - 1948, January 7; notes; and programs
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International Festival of Ballet, 1955
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Box
6
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Clippings; correspondence, 1954, November 11 1955, May 16; and programs
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Kabuki Dancers and Musicians, 1954
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Box
6
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Cast list; clippings; correspondence, 1954, June 20 - 1959, April 20; Programs; stage plans; production notes; and lighting and scenery plots
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The Lincoln Murder Case, February 18, 1961
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Box
6
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Cast list; clippings; correspondence, 1960, November 7 1961, November 2; research; notes on script; rehearsal schedule; review; script, second draft, , January 17, 1961
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Box
7
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Script, third draft, February 2, 1961; and script director's copy, , February 13, 1961
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Livin' the Life, 1957
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Box
7
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Article; audit; cast list; clippings; programs; rehearsal schedule; lyrics; outlines; revisions; script, Bruce Geller and Jack Urbont version; script, original, entitled Bend o' the River, annotated; script., first draft, new version.
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Package
1
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Poster
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Long After Summer, February 5, 1956
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Box
7
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Correspondence, undated; outlines; revised pages; original script
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Box
8
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Script, second revision; and final script
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Look What's Going On, March 19, 1958
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Box
8
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Correspondence, 1957, December 5 - 1958, February 20; clippings; outline; research; script, first draft, , January 15, 1958; first revision, , January 31, 1958; and script, final, , February 6, 1958
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The Luck of Roaring Camp, 1956
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Box
8
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Reject pages of first draft
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The Man That Corrupted Hadleyburg, December 4, 1957
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Box
8
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Clipping; outline; script, first draft, and revisions, annotated; and script, final
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The Medallion, [May 2?], 1957
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Box
8
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Correspondence, 1957, January 30; outline; and script, original
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The Milwaukee Rocket, undated
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Box
8
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Contract; script used for adaptation; script, original, annotated
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Box
9
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Script, final
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Mountain Hoe Down, 1951
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Box
9
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Clippings; correspondence, 1951, March 30; and programs
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My L.A., 1951
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Box
9
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Cast list; clippings; photographs; programs; and script
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Ouanga, 1950
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Box
9
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Correspondence, 1550, July 6 - October 4; clippings; photographs; programs; production notes; and stage plans
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The Power and the Glory, October 29, 1961
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Box
9
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Clippings; correspondence, 1961, May 16 - 1962, Aug. 28; notes on novel and script; rehearsal schedule; revised pages; script, final, , May 10, 1961; and script, director's, , May 24, 1961
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Sylvester, undated
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Box
10
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Clippings; programs; notes and revisions; script, original first draft; script, second draft, August 3, 1953; script, revised, annotated; script, revised, annotated; script, , January, 1955, annotated
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Box
11
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Script, entitled Silvestro, Italian translation
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Time of the Drought, December 16, 1954
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Box
11
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Clipping; correspondence, 1954, December 20 1955, January 16; and script, final
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The Vikings, 1958
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Box
11
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Clippings; contract; correspondence, 1958, May 12; publicity; outlines; notes; research; script, first draft original, annotated; script, working copy; and script, final
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The Wind Blows Free, 1950
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Box
12
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Clippings; correspondence, 1950, July 31 - 1951, April 28; programs; lighting cues; music and lyrics; stage designs; notes and revised pages; script, annotated; script, director's, annotated; and watercolour paintings of sets
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Package
1
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Watercolor paintings of sets
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