|
Contents List
Container
|
Title
|
U.S. Mss 67AN
|
Series: Part 1, Original Collection, 1946-1963
|
|
|
American Primitive, October 26, 1956
|
|
Box
1
|
Clipping; contract; notes; rehearsal schedule; script A, first draft original, annotated, May 1, 1956; script B, first draft, annotated, , October 17, 1956; script C, final, , October 17, 1956
|
|
|
Barbizon Tuesdays, 1946
|
|
Box
1
|
Contracts; correspondence, 1946, April 30-Sept. 26; ephemera; programs; and publicity
|
|
|
Beggar's Holiday, 1947
|
|
Box
1
|
Budget; business records; cast list; clippings; contract; correspondence, 1945, May 9-22; notes; programs; outlines; and prospectus
|
|
|
The Blue Angels, September 26, 1960
|
|
Box
1
|
Clippings; contract; research; outlines; script, annotated; and script revisions
|
|
|
Boys Will Be Boys, January 26, 1955
|
|
Box
1
|
Script, final
|
|
|
Brotherhood of the Bell, January 6, 1958
|
|
Box
1
|
Clippings; contract; correspondence, 1957, December 12; synopsis; treatment; script A, annotated; and script B, final
|
|
|
Buttrio Square, 1952
|
|
Box
2
|
Clippings; correspondence, 1952, June 20; notes on the script; production notes; programs; and set designs
|
|
|
Cafe Crown, 1949
|
|
Box
2
|
Bills; box office statements; business records; clippings; press releases; contracts; and programs
|
|
Package
1
|
Poster
|
|
|
Circle of Death, September 30, 1962
|
|
Box
2
|
Article on which script was based; clippings; correspondence, 1962, July 11; notes; outlines; and script, final
|
|
|
The Citadel, February 19, 1960
|
|
Box
2
|
Clippings; contracts; script revisions; script, first draft, January 13, 1960; script, revised, , January 26, 1960; and script, final
|
|
|
Cleopatra, 1963
|
|
Box
3
|
Clippings; notes; script, first draft, January 11, 1960; and script portions
|
|
|
Collision!, 1956
|
|
Box
3
|
Script, annotated
|
|
|
Drop on the Devil, undated
|
|
Box
3
|
Script
|
|
|
Eichmann: Engineer of Death, October 12, 1960
|
|
Box
3
|
Clippings; contract; preliminary notes; outline; and research
|
|
Box
4
|
Script, original of first draft, annotated, September 1, 1960; script, first draft, , September 2, 1960; script, final, , October 6, 1960; and revised pages
|
|
|
Elisha and the Long Knives, Feb. 4, 1954
|
|
Box
4
|
Clippings; correspondence, 1953, Jan. 5 - 1958, Dec. 30; outlines; press release; script, final (Kraft Television Theatre version); script, annotated NBC Matinee Theatre version); and script, as published in Australian Journal, , July, 1955
|
|
|
Fiddlin' Man, April 28, 1954
|
|
Box
4
|
Script, original; script, final; and rehearsal schedule
|
|
|
The Fog, September 27, 1956
|
|
Box
4
|
Clippings; correspondence, 1956, Oct. 11 - 1961, Aug. 4; ephemera; notes; press releases; research.
|
|
Box
5
|
Script, original, annotated, Aug., 1956; script, draft, , August, 1956; script, second revision, , September 17, 1956; script, third revision, , September 19, 1956; and miscellaneous revisions
|
|
|
The Fool Killer, undated
|
|
Box
5
|
Clippings; correspondence, 1959, January 15; and script, original
|
|
|
The Forger, March 31, 1955
|
|
Box
5
|
Clippings; correspondence, 1955, March 18 - 1960, Aug. 19; script used for adaptation; script, first draft; and final script, annotated
|
|
|
The Gentle Grafter, April 25, 1956
|
|
Box
6
|
Script, second draft; and script, final
|
|
|
High Time, 1953
|
|
Box
6
|
Budget; cast list; clippings; contract; production notes; and script, director's
|
|
|
Holiday Special, 1947
|
|
Box
6
|
Box office statements; clippings; correspondence, 1947, October 7 - 1948, January 7; notes; and programs
|
|
|
International Festival of Ballet, 1955
|
|
Box
6
|
Clippings; correspondence, 1954, November 11 1955, May 16; and programs
|
|
|
Kabuki Dancers and Musicians, 1954
|
|
Box
6
|
Cast list; clippings; correspondence, 1954, June 20 - 1959, April 20; Programs; stage plans; production notes; and lighting and scenery plots
|
|
|
The Lincoln Murder Case, February 18, 1961
|
|
Box
6
|
Cast list; clippings; correspondence, 1960, November 7 1961, November 2; research; notes on script; rehearsal schedule; review; script, second draft, , January 17, 1961
|
|
Box
7
|
Script, third draft, February 2, 1961; and script director's copy, , February 13, 1961
|
|
|
Livin' the Life, 1957
|
|
Box
7
|
Article; audit; cast list; clippings; programs; rehearsal schedule; lyrics; outlines; revisions; script, Bruce Geller and Jack Urbont version; script, original, entitled Bend o' the River, annotated; script., first draft, new version.
|
|
Package
1
|
Poster
|
|
|
Long After Summer, February 5, 1956
|
|
Box
7
|
Correspondence, undated; outlines; revised pages; original script
|
|
Box
8
|
Script, second revision; and final script
|
|
|
Look What's Going On, March 19, 1958
|
|
Box
8
|
Correspondence, 1957, December 5 - 1958, February 20; clippings; outline; research; script, first draft, , January 15, 1958; first revision, , January 31, 1958; and script, final, , February 6, 1958
|
|
|
The Luck of Roaring Camp, 1956
|
|
Box
8
|
Reject pages of first draft
|
|
|
The Man That Corrupted Hadleyburg, December 4, 1957
|
|
Box
8
|
Clipping; outline; script, first draft, and revisions, annotated; and script, final
|
|
|
The Medallion, [May 2?], 1957
|
|
Box
8
|
Correspondence, 1957, January 30; outline; and script, original
|
|
|
The Milwaukee Rocket, undated
|
|
Box
8
|
Contract; script used for adaptation; script, original, annotated
|
|
Box
9
|
Script, final
|
|
|
Mountain Hoe Down, 1951
|
|
Box
9
|
Clippings; correspondence, 1951, March 30; and programs
|
|
|
My L.A., 1951
|
|
Box
9
|
Cast list; clippings; photographs; programs; and script
|
|
|
Ouanga, 1950
|
|
Box
9
|
Correspondence, 1550, July 6 - October 4; clippings; photographs; programs; production notes; and stage plans
|
|
|
The Power and the Glory, October 29, 1961
|
|
Box
9
|
Clippings; correspondence, 1961, May 16 - 1962, Aug. 28; notes on novel and script; rehearsal schedule; revised pages; script, final, , May 10, 1961; and script, director's, , May 24, 1961
|
|
|
Sylvester, undated
|
|
Box
10
|
Clippings; programs; notes and revisions; script, original first draft; script, second draft, August 3, 1953; script, revised, annotated; script, revised, annotated; script, , January, 1955, annotated
|
|
Box
11
|
Script, entitled Silvestro, Italian translation
|
|
|
Time of the Drought, December 16, 1954
|
|
Box
11
|
Clipping; correspondence, 1954, December 20 1955, January 16; and script, final
|
|
|
The Vikings, 1958
|
|
Box
11
|
Clippings; contract; correspondence, 1958, May 12; publicity; outlines; notes; research; script, first draft original, annotated; script, working copy; and script, final
|
|
|
The Wind Blows Free, 1950
|
|
Box
12
|
Clippings; correspondence, 1950, July 31 - 1951, April 28; programs; lighting cues; music and lyrics; stage designs; notes and revised pages; script, annotated; script, director's, annotated; and watercolour paintings of sets
|
|
Package
1
|
Watercolor paintings of sets
|
|
|
Series: Part 2, 1967 Additions, 1953-1967
|
|
|
Subseries: Motion Pictures
|
|
|
Doctor, You've Got to be Kidding (Trident Productions, 1967. MGM)
|
|
Box
13
Folder
1
|
First Draft Script, “Three for a Wedding,” by Phillip Shuken, June 8-24, 1965
|
|
Box
13
Folder
2
|
Script, “Three for a Wedding,” by Phillip Shuken, December 28, 1965-January 10, 1966
|
|
Box
13
Folder
3
|
Final Script with Revision, “Three for a Wedding,” by Phillip Shuken, March 6-April 25, 1966
|
|
Box
13
Folder
4
|
Production and Script Notes, February 4-July 14, 1966, undated
|
|
Box
13
Folder
5
|
Miscellany, including revised pages, production communications, and subtitles, February 19-April 18, 1966, undated
|
|
|
Mr. Buddwing (DDD Productions, 1966. MGM)
|
|
Box
13
Folder
6
|
Novel, Buddwing, by Evan Hunter, annotated by Dale Wasserman, 1964
|
|
Box
13
Folder
7
|
First Draft Script, “Buddwing,” annotated, June 22- July 20, 1964
|
|
Box
13
Folder
8
|
Typescript of First Draft, “Buddwing,” June 22-July 20, 1964
|
|
Box
14
Folder
1
|
Script, “Buddwing,” August 10-17, 1964
|
|
Box
14
Folder
2
|
Script, “Buddwing,” August 10-November 10, 1964
|
|
Box
14
Folder
3
|
Final Script, February 3-15, 1965
|
|
Box
14
Folder
4
|
Revised Pages, June 22, 1964-February 5, 1965
|
|
Box
14
Folder
5
|
Plot Outlines and Notes, “Buddwing,” February 10, 1964-May 15, 1965, undated
|
|
Box
14
Folder
6
|
Miscellany, including correspondence and clippings, April 4, 1964-December 2, 1965
|
|
|
O Jangadeiro (Produced in Bahia, Brazil. 1961)
|
|
Box
14
Folder
7
|
First Draft Script, “The Sea and the Shadow,” annotated, November 11, 1960
|
|
Box
14
Folder
8
|
Second Draft Script, “The Sea and the Shadow,” annotated, January 5, 1961
|
|
Box
14
Folder
9
|
Treatment, “The Sea and the Shadow,” undated
|
|
Box
14
Folder
10
|
Notes, February 23, 1959-January 24, 1961
|
|
|
The Princess (Unproduced)
|
|
Box
14
Folder
11
|
First Draft Script, January 15, 1963
|
|
Box
14
Folder
12
|
Revised Pages, annotated, January 15, 1963
|
|
Box
15
Folder
1
|
Film Treatment, “The Beast of the Cave,” undated
|
|
Box
15
Folder
2
|
Miscellany, including plot outlines, notes, and casting lists, November 22, 1962, undated
|
|
|
Quick, Before It Melts (Biography Productions, 1965. MGM)
|
|
Box
15
Folder
3
|
Book, advance proofs, by Philip Benjamin, slightly annotated, Pre-December 10, 1963
|
|
Box
15
Folder
4
|
First Draft Script, annotated, December 10, 1963
|
|
Box
15
Folder
5
|
Revised First Draft Script, January 15, 1964
|
|
Box
15
Folder
6
|
Shooting Script, slightly annotated, February 10, 1964
|
|
Box
15
Folder
7
|
Revision Notes, January 6-June 16, 1964, undated
|
|
Box
15
Folder
8
|
Wasserman's Notes, July 20, 1963-July 25, 1964
|
|
Box
15
Folder
9
|
Interoffice Memoranda, January 22-June 11, 1964
|
|
Box
15
Folder
10
|
Daily Production Sheets, March 31-May 6, 1964
|
|
Box
15
Folder
11
|
Reviews and Clippings, August 19, 1963-April 1, 1965
|
|
Box
15
Folder
12
|
Miscellany, including memoranda and articles, September 17, 1963-April 29, 1965, undated
|
|
Box
15
Folder
13
|
Preview Reports, July 17-24, 1964
|
|
Box
16
Folder
1
|
Research Material, undated
|
|
|
Two Faces to Go (Unproduced)
|
|
Box
16
Folder
2
|
First Draft Script, “Cities of the Night,” October 6, 1958
|
|
Box
16
Folder
3
|
First Revision, “Cities of the Night,” annotated, November 18, 1958
|
|
Box
16
Folder
4
|
Second Draft Script, “Cities of the Night,” undated
|
|
Box
16
Folder
5
|
Outline, “Cities of the Night,” August 18, 1958
|
|
|
World of Strangers (Unproduced)
|
|
Box
16
Folder
6
|
First Draft Script, “The Larsen Story,” slightly annotated, June 20, 1953
|
|
Box
16
Folder
7
|
First Draft Script, “The Larsen Story,” June 20, 1953
|
|
Box
16
Folder
8
|
First Revision with Revised Pages, “The Larsen Story,” slightly annotated, January 1, 1954
|
|
Box
16
Folder
9
|
Revised Pages, undated
|
|
Box
16
Folder
10
|
Wasserman's Notes and Outlines, circa January 25-May 1, 1953
|
|
|
Subseries: Television
|
|
|
The Bequest (Four Star Productions, May 1, 1954, network unknown)
|
|
Box
17
Folder
1
|
Script, co-authored by Jack Balch, undated
|
|
Box
17
Folder
2
|
Plot Outlines, co-authored by Jack Balch, undated
|
|
|
The Commuters (Unproduced)
|
|
Box
17
Folder
3
|
First Draft Pilot Script, “Perchance to Dream,” October 12, 1962
|
|
Box
17
Folder
4
|
Second Draft Pilot Script, “Perchance to Dream,” undated
|
|
Box
17
Folder
5
|
Final Pilot Script, “Perchance to Dream,” December 5, 1962
|
|
Box
17
Folder
6
|
Notes and Character Outlines, August 1-October 19, 1962
|
|
|
Cress Delahanty (Unproduced)
|
|
Box
17
Folder
7
|
First Draft Pilot Script, “Rite of Spring,” August 20, 1962
|
|
Box
17
Folder
8
|
Pilot Script and Story Outlines, “You Don't Have to Wipe the Noses of Your Dreams,” circa 1962
|
|
Box
17
Folder
9
|
Miscellany, including clippings, series outlines, and revised pages, “Birthday Girl,” circa 1962
|
|
|
The DuPont Show of the Month (Talent Associations, Inc., 1957-1962, original telecast on CBS)
|
|
|
“I, Don Quixote” (air date: November 9, 1959)
|
|
Box
17
Folder
10
|
First Draft Script, “Men of La Mancha,” annotated, June 1, 1959
|
|
Box
17
Folder
11
|
Revised Script, slightly annotated, September 25, 1959
|
|
Box
17
Folder
12
|
Revised Script, slightly annotated, September 25, 1959
|
|
Box
17
Folder
13
|
Third Revision, slightly annotated, October 22, 1959
|
|
Box
18
Folder
1
|
Final Draft Script, October 28-30, 1959
|
|
Box
18
Folder
2
|
Clippings and Reviews, August 12, 1959-January 11, 1960, undated
|
|
|
The Monster (Unproduced)
|
|
Box
18
Folder
3
|
First Draft Script, annotated, circa August, 1957
|
|
Box
18
Folder
4
|
First Draft Script, slightly annotated, undated
|
|
Box
18
Folder
5
|
Revised Pages, annotated, undated
|
|
Box
18
Folder
6
|
Outlines with Notes, February 5, 1957, undated
|
|
|
The Richard Boone Show (Classic Films, Inc., 1963-1964, original telecast on NBC)
|
|
|
“Stranger” (air date: October 22, 1963)
|
|
Box
18
Folder
7
|
First Draft Script, June 15, 1963
|
|
Box
18
Folder
8
|
Final Script, June 21, 1963
|
|
Box
18
Folder
9
|
Miscellany, including clippings, revisions, and outline, April 19-October 30, 1963
|
|
|
Subseries: Theater
|
|
|
One Flew over the Cuckoo's Nest (NY: Cort Theatre, November 13, 1963)
|
|
Box
18
Folder
10
|
First Draft Script, April 20, 1962
|
|
Box
18
Folder
11
|
First Draft Script, annotated, April 20, 1962
|
|
Box
18
Folder
12
|
First Draft Script, annotated by Ken Kesey, April 20 - May 3, 1962
|
|
Box
19
Folder
1
|
Revised First Draft Script, annotated, November 27, 1962
|
|
Box
19
Folder
2
|
Second Draft Script, slightly annotated, February 25, 1963
|
|
Box
19
Folder
3-4
|
Rehearsal Scripts, annotated, September 9-October 31, 1963
|
|
Box
19
Folder
5
|
Final Script, annotated, March 31, 1964
|
|
Box
19
Folder
6
|
Final Script, post-March 31, 1964
|
|
Box
19
Folder
7
|
Revised Pages, circa September-October, 1963, undated
|
|
Box
19
Folder
8
|
Wasserman's Production Notes, October 23, 1963- January 9, 1964
|
|
Box
19
Folder
9
|
Clippings, February 6, 1962-July 29, 1964
|
|
Box
19
Folder
10
|
Playbills, October 24, 1963-circa January, 1964
|
|
|
Man of La Mancha (NY: Anta Washington Square Theatre, November 22, 1965)
|
|
Box
20
Folder
1
|
Script, slightly annotated, November 5, 1961
|
|
Box
20
Folder
2
|
First Draft Script, annotated, June 1, 1963
|
|
Box
20
Folder
3
|
First Draft Script, slightly annotated, June 1, 1963
|
|
Box
20
Folder
4
|
Script, “Highway to Glory,” November 15, 1964
|
|
Box
20
Folder
5
|
Rehearsal Script with Revisions, annotated, circa June 3-August 5, 1965 (Tryout production at the Goodspeed Opera House in Connecticut)
|
|
Box
20
Folder
6
|
New York Rehearsal Script, annotated, October, 1965
|
|
Box
20
Folder
7
|
Rehearsal Working Script, annotated, December, 1965
|
|
Box
20
Folder
8
|
Script, annotated, December, 1965
|
|
Box
20
Folder
9
|
Final Script, circa December, 1965
|
|
Box
21
Folder
1
|
Script for Publication, copy-edited, circa 1965-1966
|
|
Box
21
Folder
2
|
Published Script, 1966
|
|
Box
21
Folder
3
|
Published Music, circa 1966
|
|
Box
21
Folder
4
|
Lyrics by W. H. Auden, undated
|
|
Box
21
Folder
5
|
Sections of Working Scripts, undated
|
|
Box
21
Folder
6
|
Notes from Wasserman to Director during Tryout, November 6-28, 1965
|
|
Box
21
Folder
7
|
Playbills and Souvenir Programs, June, 1965-November, 1967
|
|
Box
21
Folder
8
|
Newspaper Advertising, October 17, 1965-circa early April, 1967
|
|
|
Miscellaneous Clippings
|
|
Box
21
Folder
9
|
1965, October 20-circa December
|
|
Box
21
Folder
10
|
1966, January 1-December 13
|
|
Box
21
Folder
11
|
1967, January 4-November 24, undated
|
|
Box
21
Folder
12
|
Reviews, November 23, 1965-July 1, 1966
|
|
Box
21
Folder
13
|
Variety's Weekly Grosses, December 1, 1965-August 9, 1967
|
|
|
Series: Part 3, 1984 Additions, 1966-1983
|
|
|
“Burden of Proof” : An NBC-commissioned television movie based on the Juan Corona multiple murder case in Yuba City, California. The film was never produced because NBC lawyers feared possible lawsuits.
|
|
Box
22
Folder
1
|
First Draft Script, by Wasserman, February 8, 1977, with revised pages
|
|
|
“Conquest” : An unproduced feature film on the conquest of Mexico.
|
|
Box
22
Folder
2
|
First Draft Master Scene Script, by Wasserman, April 1980, annotated
|
|
Box
22
Folder
3
|
Xeroxed First Draft Master Scene Script, April 1980
|
|
Box
22
Folder
4
|
Step Outline, December 31, 1979
|
|
|
“Dracula: the True Story” : An original television movie; unproduced because of the network's decision that it was “too gruesome.”
|
|
Box
22
Folder
5
|
First Draft Script, by Wasserman and Winfred Blevins, July 12, 1978
|
|
Box
22
Folder
6
|
Xeroxed Script, July 12, 1978, with revisions of , October 1978
|
|
|
Man of La Mancha : A film produced by United Artists in Rome, 1972; based on Wasserman's stage musical. Directed and produced by Arthur Hiller, starring Peter O'Toole, Sophia Loren, and James Coco.
|
|
Box
22
Folder
7
|
Master Scene Script, by Wasserman, June 15, 1970, with revisions and notes from discussions between Wasserman and director-producer Arthur Hiller
|
|
Box
22
Folder
8
|
Final Draft Script (Shooting Script), October 25, 1971
|
|
|
“Montparnasse” : An unproduced musical play. First versions in collaboration with Maurice Jarre, composer and Arnold Sundgaard, lyricist. Later drafts with Michel Legrand, composer and Charles Burr, lyricist. Held under option by Kennedy Center, Washington, D.C. for several years.
|
|
Box
22
Folder
9
|
Lyrics for Michel Legrand's Songs
|
|
Box
22
Folder
10
|
First Draft Script, by Wasserman, March 1968
|
|
Box
22
Folder
11
|
Script, March 1970
|
|
Box
22
Folder
12
|
“Work” Script and Lyrics, December 1972
|
|
Tape 1095A
|
Songs and Music, August 11, 1969
|
|
U.S. Mss 67AN
|
“Mozart: In Quest of the Man” : An unproduced work proposed as a multi-segment movie for television. Research conducted in Austria, Germany, and Czechoslovakia, following in Mozart's footsteps.
|
|
Box
22
Folder
13
|
Concept and Outline as Commissioned by the Eugene O'Neill Theater Center, May 1977
|
|
|
Play with Fire : A stage play based on the Czechoslovakian play I Shall Return to Prague by Oldrich Danek. First produced at Westwood Playhouse, Los Angeles, October 1978. Staged readings in Los Angeles and at the O'Neill Theater Center. Produced by Texas Christian University, February 1980.
|
|
Box
22
Folder
14
|
First Draft Script (“I'll Be There”), by Wasserman, 1977
|
|
Box
22
Folder
15-16
|
Draft Scripts (“We'll All Be There”), November 1977
|
|
Box
22
Folder
17
|
Revised Draft Script, April 1978
|
|
Box
22
Folder
18
|
Revised Script, April 1979
|
|
Box
22
Folder
19
|
Rehearsal Script (Texas Christian University production, February 1980), circa January 1980
|
|
|
“Running” : An unproduced independent film venture, story based on novelette “Flight and Pursuit” by Frank O'Rourke.
|
|
Box
22
Folder
20
|
First Draft Script, by Wasserman, March 1975
|
|
|
“Scaramouche” : An unproduced half-hour pilot script for a television series written by MGM.
|
|
Box
22
Folder
21
|
First Draft Script (Pilot), by Wasserman, August 31, 1974
|
|
Box
22
Folder
22
|
First Draft Script (Pilot, as run by MGM), September 11, 1974
|
|
|
“Scheherazade” : An unproduced film commissioned by Universal Studios, intended as a high budget X-rated film. Studio changed its mind about the X-rating and film never produced. Based loosely on A Thousand and One Nights.
|
|
Box
22
Folder
23
|
First Draft Script, by Wasserman, circa June 1976
|
|
|
The Shining Mountains : A stage version of Dale Wasserman's first television play, “Elisha and the Long Knives.”
|
|
Box
22
Folder
24
|
Printed Play, by Wasserman, copyright 1977
|
|
|
“Survivors” : An original 3-hour television movie commissioned by CBS through Paramount Pictures Corp. Production suspended due to controversy over the similar subject material of Arthur Miller's Playing for Time.
|
|
Box
22
Folder
25
|
First Draft Script, by Wasserman, August 1, 1979, with later revisions
|
|
Box
22
Folder
26
|
Second Draft Script, September 25, 1979
|
|
|
“V-J Day” : An unproduced multi-part television movie commissioned by Alan Landsburg Productions. Underwritten by CBS but considered “too unconventional” in form for Movie of the Week.
|
|
Box
22
Folder
27
|
Outline, by Wasserman, September 15, 1974, with revisions to , October 10, 1974
|
|
|
A Walk With Love and Death : A film produced in Austria, 1969, distributed by 20th Century-Fox; John Huston was director, Dale Wasserman was associate producer.
|
|
Box
22
Folder
28
|
First Draft Script, by Wasserman, from the novel by Hans Koningsberger, April 11, 1966
|
|
Box
23
Folder
1
|
First Draft Script, April 11, 1966, with revisions of , June 1967
|
|
Box
23
Folder
2
|
Typed Script, June 1967
|
|
Box
23
Folder
3
|
Revised Script, May 1968
|
|
Box
23
Folder
4
|
Final Script (“File Copy”), July 1968
|
|
Box
23
Folder
5
|
Final Shooting Script, July 1968, with revisions to , September 1968
|
|
|
“Wait For Me, World” : An unproduced television musical commissioned by ABC in 1975. A musical account of Horatio Alger. Score by John Kander and Fred Ebb.
|
|
Box
23
Folder
6
|
Second Draft Script, with lyrics, by Wasserman, undated
|
|
|
“Truth and Illusion”
|
|
Box
23
Folder
7
|
“The Reality of Illusion,” Printed Brochure Containing Honors Convocation Address, by Wasserman, University of Wisconsin-Madison, with address by Michael T. Brody, May 17, 1980.
|
|
|
Association of Cinematograph, Television and Allied Technicians (Britain)
|
|
Box
23
Folder
8
|
Annual Reports, 1981-1983
|
|
Box
23
Folder
9
|
FTT (Film and Television Technician), Newsletter, June 1982, October 1982-April 1983
|
|
|