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Container
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Title
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Subseries: Plays Considered for Production on Stage
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“The Accident” / by Dexter Masters
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Box
42
Folder
1
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Correspondence, Notes on the Script, 1957-1960
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The Actor's Strike Musical, by A.L. Weeks
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Box
42
Folder
2
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Correspondence
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“Altona” / by Jean-Paul Sartre, adapted by Justin O'Brien
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Box
42
Folder
3
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Correspondence
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Box
42
Folder
4
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Script
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“Always Go First Class” / by Arthur Carter
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Box
42
Folder
5
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Correspondence, Contracts
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Box
42
Folder
6
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Script
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“And So Farewell” / by Katherine Morrill
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Box
42
Folder
7
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Correspondence, Contracts
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“Arthur” / by Jim Peck
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Box
42
Folder
8
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Budgets
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Box
42
Folder
9
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Production Contracts and Partnership Agreements
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Box
42
Folder
9A
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Correspondence and Securities and Exchange Commission Records
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Box
42
Folder
10
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Offering Circular
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“A Baton for the Conductor” / by T.L.W. Hubbard
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Box
42
Folder
11
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Correspondence, Notes on the Script, Bills
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“The Beautiful and Anxious Maidens” / by Frances and Albert Hackett
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Box
42
Folder
12
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Production Contract, Story Notes, Miscellany
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Box
42
Folder
13
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Correspondence, 1962-1966
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“Belle Out of Order” / by Belle Livingston
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Box
42
Folder
14
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Correspondence, Contracts
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“Big Blonde” / by Dorothy Parker
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Box
42
Folder
15
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Correspondence, Contracts
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“Big Man” / by Lawrence Weinberg
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Box
42
Folder
16
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Script
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“Bledsoe” / by Arnaud d'Usseau
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Box
42
Folder
17
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London Production Budgets
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Box
42
Folder
18
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New York Production Budgets
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Box
42
Folder
19
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Cast and Casting Records
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Box
42
Folder
20
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Production Contracts
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Box
42
Folder
21
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Correspondence, 1971-1976
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Box
42
Folder
22
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Correspondence with Author
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Box
42
Folder
23
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Correspondence with Investors
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Box
42
Folder
24
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Miscellany, 1973-1975
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Box
42
Folder
25
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Offering Circular, 1975
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Box
42
Folder
26
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Partnership Agreements
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Box
42
Folder
27
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Richard Boone Arbitration - Correspondence, Settlement Agreement
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Box
42
Folder
28
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Securities and Exchange Commission Notifications, 1974
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Box
42
Folder
29
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Synopsis, Script Fragments
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“The Blessed Angel” (“Ange, the Miraculous”)
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Box
42
Folder
30
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Correspondence, 1955
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“Bread and Beans and Things”
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Box
42
Folder
31
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Script
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“The Burglar” / by Brigid Brophy
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Box
42
Folder
32
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Correspondence, Notes on the Script
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“Caesar and Cleopatra” / by George Bernard Shaw, adaptation by Douglas Watt
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Box
42
Folder
33
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Correspondence, Notes on the Script
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“The Cage” / by Mario Fratti
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Box
42
Folder
34
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Correspondence, Contract with Author
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Untitled Play, by Jean Cau
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Box
42
Folder
35
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Synopsis, Script
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“The Chase” / by Horton Foote
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Box
42
Folder
36
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Correspondence
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The Chrysler Show, by George Baxt
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Box
42
Folder
37
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Correspondence, Budget, Technical Production, Script
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“Clock Without Hands” / based on the book by Carson McCullers
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Box
42
Folder
38
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Correspondence, Contracts, Photographs
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Box
43
Folder
1
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Script
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“Cock of the Walk” / based on “Million Pound Bank Note” / by Mark Twain
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Box
43
Folder
2
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Correspondence, Notes on the Script, Budget, Technical Production, Contracts
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Box
43
Folder
3
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Contracts
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Box
43
Folder
4
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Casting
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Box
43
Folder
5-8
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Scripts (4)
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“Confessions of Felix Krull” / by Thomas Mann
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Box
43
Folder
9
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Contracts, Legal Materials
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“Cristoforo” / by Stanley Carroll
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Box
43
Folder
10
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Correspondence, Contracts
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Box
43
Folder
11
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Notes on the Script, Script
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Box
43
Folder
12
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Script
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“Cry for Happy” / by Reginald Rose
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Box
43
Folder
13
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Correspondence, Notes on the Script
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Box
43
Folder
14
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Contracts
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Box
43
Folder
15
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Story Outline, Notes on the Script
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Box
43
Folder
16
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Treatment, Scenes 1 and 2
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Box
43
Folder
17
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Script (partial), version 1
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Box
43
Folder
18
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Script (partial), version 2
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“Les Cyclones” / by Jules Roy
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Box
43
Folder
19
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Contract with Joyce Fountain to Produce Translation
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“The Dancing Master” / by Cleveland Amory
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Box
43
Folder
20
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Correspondence, Contracts, Notes on the Script
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“Day of the Turtle” (“Day of the Tortoise,” “We're a Whole New Thing”) / by Garinei and Giovannini
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Box
44
Folder
1
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Contracts, Correspondence, Synopsis, 1965-1968
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Box
44
Folder
2
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Script
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Box
44
Folder
3
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Outline for a Musical Comedy: “We're a Whole New Thing” / by Ira Barmak, 1968 April 10
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Box
44
Folder
4
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Presentation and Lyrics for “We're a Whole New Thing,” 1967, 1968
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“Days in the Trees” / by Marguerite Duras and Albert and Frances Hackett
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Box
44
Folder
5
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Production Contracts and Related Correspondence
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Box
44
Folder
6
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Correspondence, 1966-1976
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Box
44
Folder
7
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Program from London Production
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“Dear Kitty,” a musical version of The Diary of Anne Frank
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Box
44
Folder
8
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Correspondence, 1965-1976
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Box
44
Folder
9
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Lyrics
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Box
44
Folder
10
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Script, undated
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Box
44
Folder
11
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Miscellaneous Script Pages, Notes
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1101A/2
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Songs
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U.S. Mss 8AN
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“Death of a Man” / based on a book by Lael Tucker
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Box
44
Folder
12
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Correspondence, Contracts
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“Defense for a Rebel” / by Emmanuel Robles
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Box
44
Folder
13
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Correspondence, Contracts, Partial Script
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“A Definite Maybe” / by Jean Shepard and John O'Leary
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Box
44
Folder
14
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Contracts, Correspondence and Other Papers regarding Securities and Exchange Commission Registration, 1970-1974
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“The Deification of Leonard Smith” / by Lawrence Weinberg
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Box
44
Folder
15
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Script
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“Desire Under the Elms”
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Box
44
Folder
16
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Correspondence, Budgets, 1951
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“Devil's Carnival”
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Box
44
Folder
17
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Critique of Play
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“The Dining Room Furniture” / by Ruth Fainlight
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Box
44
Folder
18
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Correspondence, Notes on the Script, Contracts
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Box
44
Folder
19
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Script
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“The Distaff Paradox” / by Robert E. McEnroe
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Box
44
Folder
20
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Production Contract, 1952
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“Disturb Not Our Dreams” / by Hobert Douglas Skidmore
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Box
44
Folder
21
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Contract, Correspondence, 1948, 1950
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“Dr. Zhivago” / based on the book by Boris Pasternak
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Box
44
Folder
22
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Correspondence, Notes on the Script
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“The Doner Program” / by Loring Mandel
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Box
44
Folder
23
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Correspondence, Contracts, Notes on the Script, Financial Records
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Box
44
Folder
24-25
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Scripts (2)
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Box
44
Folder
26
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Script, Revisions
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“The Eagle and the Serpent” / by Maxine Wood
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Box
44
Folder
27
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Production Contract, Correspondence, 1947
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“The Education of Hyman Kaplan” / by Benjamin Bernard Zavin
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Box
44
Folder
28
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Script
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“The Egg” / by Felicien Marceau
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Box
44
Folder
29
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Notes on the Script
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“Enemy” / by Robin Maugham
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Box
44
Folder
30
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British Production - Reviews, 1969-1970
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Box
44
Folder
31
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Casting Correspondence and Miscellany, 1969-1970
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Box
44
Folder
32
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Production Contracts, 1970
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Box
44
Folder
33
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Correspondence, 1969-1970
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Box
44
Folder
34
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Production and Operating Budgets
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“An Enemy of the People”
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Box
44
Folder
35
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Production Budgets, Telegram, 1950
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“Entry E” / based on a novel by Richard Frede
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Box
45
Folder
1
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Correspondence, Notes on the Script, Contracts, Clippings
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“Exorcism” / by Robert E. McEnroe
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Box
45
Folder
2
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Correspondence, Notes on the Script
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“La Famille Ecarlate” / by Jean-Loup Dabadie
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Box
45
Folder
3
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Correspondence, 1967
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“La Farce” / by Vahe Katcha (French Script)
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Box
45
Folder
4
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Correspondence
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“The Farm” / by David Storey
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Box
45
Folder
5
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Contract, Correspondence, 1974
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“La Fastidiosa” / by Franco Brusati
: Italian play
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Box
45
Folder
6
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Contracts, Correspondence
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“The Film of Memory”
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Box
45
Folder
7
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Copyright Registration Information
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“A Fine and Private Place” / by Peter Beagle
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Box
45
Folder
8
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Correspondence, Contracts
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“Forests of the Night” / by Arnold Sundgaard
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Box
45
Folder
9
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Correspondence, Contracts, Financial Records
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“Garden of Olives” / by Elma Huganir
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Box
45
Folder
10
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Production Contract, Script Notes, 1947-1948
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“Giant” / based on the book by Edna Ferber, adapted by Millard Kaufman
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Box
45
Folder
11
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Correspondence, Notes on the Script, Contracts
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Box
45
Folder
12
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Script
|
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“God Had Seven Days” / by Henry Misrock
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Box
45
Folder
13
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Correspondence, Contracts
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“The Golden Door” / by Norman Rosten
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Box
45
Folder
14
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Correspondence, Budget, Notes on the Script, Contracts
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“Golden Kazoo” / based on a book by John G. Schneider, adapted by Charles Spaulding and Larry Gelbart
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Box
45
Folder
15
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Correspondence, Notes on the Script, Contracts
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“The Great Bullfight” / by Elihu Winer, Bruce Geller, and Gene DePaul
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Box
45
Folder
16
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Correspondence, Contracts
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“Gulliver's Travels” / by Larry Gelbart
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Contracts
|
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Box
45
Folder
17
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Author
|
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Box
45
Folder
18
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Costume, Lighting, and Scenic Designers
|
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Box
45
Folder
19
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Production Contracts
|
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Box
45
Folder
20
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Correspondence regarding Contracts, 1969-1971
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Correspondence
|
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Box
45
Folder
21
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Gelbart, Larry (Author), 1969-1971
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Box
45
Folder
22
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Casting, 1969-1971
|
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Box
45
Folder
23
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Bart, Lionel (Composer), 1970-1971
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Box
45
Folder
24
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General, 1969-1972
|
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Box
45
Folder
25
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Bloomgarden's Diary, 1970 July-December
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Litigation
|
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Box
46
Folder
1
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Samuel Schwartz vs. Bloomgarden - Correspondence, Affidavits, 1970-1975
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London Production
|
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Box
46
Folder
2
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Correspondence and Contracts with Mermaid Theatre, 1969-1971
|
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Box
46
Folder
3
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Newspaper Clippings
|
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Box
46
Folder
4
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Program
|
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Box
46
Folder
5
|
Miscellany
|
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Music
|
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Box
46
Folder
6
|
Lyrics, Scores, Correspondence
|
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Recorded Songs, Possibly from London Production
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1101A/3
|
Act 1, Scenes 1-5 - Each song introduced and established in context within play; includes production notes and comments
|
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1101A/4
|
Act 1, Scenes 6-9, Summary; Songs from Scene 10 - Each song introduced and established in context within play; includes production notes and comments
|
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1101A/5
|
Act 1, Part 1 - Instrumental Prologue, Songs performed by Lionel Bart, composer and by company
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1101A/6
|
Act 1, Part 2 - Songs performed by Bart and by company
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1101A/7
|
Act 2 - Songs by Bart and by company
|
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1101A/8
|
Master copy of song “Go Where You Must Go,” from London performance, with excerpts from others.
|
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1101A/9-10
|
Lionel Bart playing and singing several songs
|
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1101A/11
|
Improvisations and themes recorded by Lionel Bart, with narrative explanations of the background of the songs as he creates them on tape
|
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U.S. Mss 8AN
Box
46
Folder
7
|
New York Production - Newspaper Clippings, 1969
|
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Box
46
Folder
8
|
Operating Costs and Budgets, 1970
|
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Partnership Agreements
|
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Box
46
Folder
9
|
Agreements
|
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Box
46
Folder
10
|
Investors' Correspondence, 1969-1972
|
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Securities and Exchange Commission
|
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Box
46
Folder
11
|
Correspondence, 1970-1971
|
|
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Box
46
Folder
12
|
Production Notes
|
|
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Box
46
Folder
13
|
Props, Costumes, Equipment - Lists, Estimates, and Correspondence, 1969-1971
|
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Box
46
Folder
14-18
|
Scripts
|
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|
Box
46
Folder
19
|
Revised Script Pages
|
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|
“Halutzim” / by Igal Mossinson
|
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Box
46
Folder
20
|
Correspondence, Outline
|
|
|
“The Hamilton Club” / by Alexander Rose
|
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|
Box
46
Folder
21
|
Correspondence, Outline
|
|
|
“Harold Hill, III” / by Meredith Willson
|
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Box
46
Folder
22
|
Correspondence, Treatment
|
|
|
“Heaven's My Destination” / based on a book by Thornton Wilder
|
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Box
46
Folder
23
|
Correspondence
|
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|
“Hippo Dancing,”
|
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|
Box
46
Folder
24
|
Correspondence, 1964-1965
|
|
|
“Honorable Picnic” / by Richard Marek and Maurice Skurnik
|
|
|
Box
46
Folder
25
|
Notes on the Script
|
|
|
“The Hook” / by Arthur Miller
|
|
|
Box
46
Folder
26
|
Two Scripts
|
|
|
Box
46
Folder
27
|
Technical Production Materials
|
|
|
“Horatio Hoodwinkle and His All New Automobile” / by Arnold B. Horwitt
|
|
|
Box
46
Folder
28
|
Script
|
|
|
“The Inconceivable War” / by Kenneth White
|
|
|
Box
46
Folder
29
|
Contract, Correspondence, Script Notes
|
|
|
“Indian Fighters” / by Horton Foote
|
|
|
Box
46
Folder
30
|
Correspondence, Notes on the Script
|
|
|
“The Informer” / by Brian Friel
|
|
|
Box
46
Folder
31
|
Contracts
|
|
|
Box
46
Folder
32
|
Correspondence, 1964-1968
|
|
|
Box
46
Folder
33
|
Story Outlines, Scripts, 1965-1966
|
|
|
“Insolent Breed” / based on a novel by Borden Deal, adapted by Howard Richardson
|
|
|
Box
46
Folder
34
|
Correspondence, Notes on the Script, Contracts
|
|
|
“Interlock” / by Ira Levin
|
|
|
Box
46
Folder
35
|
Correspondence, Notes on the Script, Contracts
|
|
|
“The International Set” / by Louis Kronenberger
|
|
|
Box
46
Folder
36
|
Contract, Correspondence, 1950
|
|
|
“The Interviewer” / by Oscar Tarcov
|
|
|
Box
47
Folder
1
|
Correspondence, Script, Notes on the Script
|
|
|
“Jam” / by John Gerstad
|
|
|
Box
47
Folder
2
|
Contract with Author, Correspondence, 1975-1977
|
|
|
“The Jew Who Defended Hitler” / by Larry Weinberg
|
|
|
Box
47
Folder
3
|
Notes on the Script
|
|
|
“Johnny No Trump” / by Mary Mercier
|
|
|
Box
47
Folder
4
|
Script
|
|
|
“Jordi” / based on a book by Theodore Isaac Rubin, screenplay by Harold Yablonsky
|
|
|
Box
47
Folder
5
|
Script
|
|
|
“King Kong” / book by Harry Bloom, music by Todd Matshikiza, lyrics by Pat Williams
|
|
|
Box
47
Folder
6
|
Correspondence, Script, Notes on the Script, Contract, Clippings
|
|
|
“The Kissin' Man”
|
|
|
Box
47
Folder
7
|
Script
|
|
|
“Klop” (“The Bug”) / by Vladimir Maiakovsky
|
|
|
Box
47
Folder
8
|
Script
|
|
|
“The License” / by Ephraim Kishon, adapted by Jerome Weidman
|
|
|
Box
47
Folder
9
|
Correspondence, Notes on the Script, Conracts
|
|
|
“The Little Screwball” / by Walt Anderson
|
|
|
Box
47
Folder
10
|
Contract, Correspondence, Script Notes
|
|
|
“Love a Cheek That Smiles” / by Leonard Barry
|
|
|
Box
47
Folder
11
|
Correspondence, Notes on the Script, Contracts
|
|
|
“Madonna and Child” / by Maxwell Anderson
|
|
|
Box
47
Folder
12
|
Script
|
|
|
“Maggie May” / story by Alun Owen, music by Lionel Bart
|
|
|
Box
47
Folder
13
|
Correspondence, Contracts
|
|
|
“Many Happy Returns” / by Ray Golden
|
|
|
Box
47
Folder
14
|
Correspondence, Notes on the Script, Contracts
|
|
|
“Mary Todd Lincoln” / by Anne Colver
|
|
|
Box
47
Folder
15
|
Correspondence, Notes on the Script
|
|
|
“Men and Women”
|
|
|
Box
47
Folder
16
|
Correspondence, 1950
|
|
|
“Mine was One Voice” / by Elaine Carrington
|
|
|
Box
47
Folder
17
|
Contract, Correspondence, 1949
|
|
|
“Mirror in a Dark Room” / by Norman Rosten
|
|
|
Box
47
Folder
18
|
Contracts, Correspondence, 1965
|
|
|
Box
47
Folder
19
|
Correspondence, Notes on the Script, Financial Records
|
|
|
Box
47
Folder
19a
|
“Miss A” / by Emmett J. Davis Jr.
|
|
|
Box
47
Folder
19a
|
“Merchant of Venice” / by William Shakespeare
|
|
|
Box
47
Folder
19a
|
“Mother Courage” / by Bertolt Brecht
|
|
|
Box
47
Folder
20
|
Correspondence
|
|
|
“Mr. Seward for the Defense” / based on the book by Earl Conrad
|
|
|
Box
47
Folder
21
|
Correspondence, Contracts
|
|
|
“A Modern Dame” / book by Gerry Kehl
|
|
|
Box
47
Folder
22
|
Script
|
|
|
“Mother Furie” / by Nellise Child
|
|
|
Box
47
Folder
23
|
Contracts, Correspondence, 1946-1947
|
|
|
“Mountains of the Moon” (originally titled “A Short Happy Life of Love and Death”) / by A.E. Hotchner, based on Ernest Hemingway's works
|
|
|
Box
47
Folder
24
|
Two Scripts, Notes on the Scripts
|
|
|
“Mrs. 'Arris Goes to Paris” / based on the novel by Paul Gallico
|
|
|
Box
47
Folder
25
|
Correspondence, Notes on the Script, Contracts, Casting
|
|
|
Box
48
Folder
1
|
Script (Act I)
|
|
|
“My Life and Hard Times” / by James Thurber
|
|
|
Box
48
Folder
2
|
Contracts, Correspondence, 1973
|
|
|
“The Naked and the Dead” / dramatization by Lillian Hellman
|
|
|
Box
48
Folder
3
|
Contracts, Correspondence, Casting Suggestions, 1948
|
|
|
“Next Time I'll Sing to You” / by James Saunders
|
|
|
Box
48
Folder
4
|
Correspondence, Financial Records, Contracts
|
|
|
“Nightmare Alley” / based on the novel by William Lindsay Gresham
|
|
|
Box
48
Folder
5
|
Casting, Contracts
|
|
|
“No Hiding Place” / by Dan Browne
|
|
|
Box
48
Folder
6
|
Notes on the Script
|
|
|
“No War in Troy”
|
|
|
Box
48
Folder
7
|
Correspondence and Notes on Script, 1950
|
|
|
“Noah”
|
|
|
Box
48
Folder
8
|
Correspondence, Notes on the Script
|
|
|
“The Nose of Jerry Pepper” / by Arnold Schulman
|
|
|
Box
48
Folder
9
|
Correspondence, Budget, Contracts, 1961
|
|
|
Box
48
Folder
10
|
Script, 1961 February 20
|
|
|
“Not a Sparrow Shall Fall” / book by Victor Chapin and Jack Van Bibber
|
|
|
Box
48
Folder
11
|
Script
|
|
|
“Of Time and the River,” adapted from Thomas Wolfe's novel by Gene McKinney
|
|
|
Box
48
Folder
12
|
Programs, Photographs, Clippings
|
|
|
“Oh, Lady! Lady!” / by Guy Bolton, P.G. Wodehouse, and Jerome Kern
|
|
|
Box
48
Folder
13
|
Contracts, 1974-1976
|
|
|
Box
48
Folder
14
|
Correspondence, 1974-1976
|
|
|
1101A/12
|
Songs, with narration indicating setting and context of songs within play, characters singing, production notes, and the differences between this and the original production in 1918; includes unpublished song by Jerome Kern.
|
|
|
U.S. Mss 8AN
|
“Once a Greek” / by Friedrich Durrenmatt
|
|
|
Box
48
Folder
15
|
Correspondence
|
|
|
“One Flew Over the Cuckoo's Nest” / by Dale Wasserman
|
|
|
Box
48
Folder
16
|
Correspondence, Notes on the Script
|
|
|
“One Little Boy” / based on a play by Dorothy W. Baruch, adapted by Walter Bernstein
|
|
|
Box
48
Folder
17
|
Contracts, 1953, 1956
|
|
|
Box
48
Folder
18
|
Correspondence, Contracts
|
|
|
“The Other Face of November” / by Franco Brusati
|
|
|
Box
48
Folder
19
|
Correspondence, Clippings
|
|
|
“Pepsie” / by Pierre Edmond Victor
: French play
|
|
|
Box
48
Folder
20
|
Correspondence, Script, Clippings, Contract
|
|
|
“Phaedra” / by Racine, translated by Robert Lowell
|
|
|
Box
48
Folder
21
|
Correspondence, Notes on the Script, Contracts
|
|
|
Box
48
Folder
22
|
Script
|
|
|
“Philadelphia Here I Come” / by Brian Friel
|
|
|
Box
48
Folder
23
|
Correspondence
|
|
|
“Poor Murderer” / by Pavel Kohout
|
|
|
Box
48
Folder
24-25
|
Production Contracts, 1975-1977
|
|
|
Box
48
Folder
26
|
Contract Drafts and Notes
|
|
|
Box
48
Folder
27
|
Correspondence, 1975-1977
|
|
|
Box
48
Folder
28
|
Financial Statements, 1976
|
|
|
Box
48
Folder
29
|
Immigration Correspondence and Records regarding Maria Schell
|
|
|
Box
48
Folder
30
|
Miscellany
|
|
|
Box
48
Folder
31
|
Partnership Agreements, 1976
|
|
|
Box
48
Folder
32
|
Production Budget
|
|
|
“Purple Dust” / by Sean O'Casey
|
|
|
Box
48
Folder
33
|
Contracts, 1949-1952
|
|
|
Box
48
Folder
34
|
Correspondence, 1949-1952
|
|
|
Scripts
|
|
|
Box
48
Folder
35
|
First Draft (?), undated
|
|
|
Box
49
Folder
1-4
|
Second-Fifth Drafts (?), undated
|
|
|
Box
49
Folder
5
|
Script Revisions
|
|
|
“The Queen and the Rebel” / based on the play by Ugo Betti
|
|
|
Box
49
Folder
6
|
Correspondence, Contracts, Script
|
|
|
“The Queen of Sheba” / by Alex North
|
|
|
Box
49
Folder
7
|
Contracts, Correspondence, Lyrics, 1948
|
|
|
“The Ramp” / by Dan Browne
|
|
|
Box
49
Folder
8
|
Correspondence, Script, Notes on the Script, Contracts
|
|
|
Revue
|
|
|
Box
49
Folder
9
|
Contracts, Correspondence, 1968
|
|
|
Box
49
Folder
10
|
Proposed Sketches and Songs, 1968-1969
|
|
|
“Ring Around the Moon” / based on a play by Jean Anouilh
|
|
|
Box
49
Folder
11
|
Notes on the Script
|
|
|
“The Rise and Fall of the City of Mahoganny” / by Kurt Weill, Bertolt Brecht
|
|
|
Box
49
Folder
12
|
Correspondence
|
|
|
“The Roar of the Greasepaint” / by Leslie Bricusse and Anthony Newley
|
|
|
Box
49
Folder
13
|
Correspondence
|
|
|
“Romeo and Juliet”
|
|
|
Box
49
Folder
14
|
Correspondence, Reviews of Earlier Productions
|
|
|
“The Royal Hunt of the Sun” / by Peter Shaffer
|
|
|
Box
49
Folder
15
|
Notes on the Script
|
|
|
“Scarecrow On a Tree” / by Paul Osborn
|
|
|
Box
49
Folder
16
|
Correspondence, Notes on the Script
|
|
|
Box
49
Folder
17-19
|
Scripts (3)
|
|
|
“The Searching Wind” / by Lillian Hellman
|
|
|
Box
49
Folder
20
|
Correspondence, Financial Records
|
|
|
Shelby, Montana, musical (untitled), book by Elihu Winer
|
|
|
Box
49
Folder
21
|
Script, Notes on the Script
|
|
|
“The Shooting Gallery” / based on the French play by Jean Louis Roncoroni, adapted by Peter Stone
|
|
|
Box
49
Folder
22
|
Correspondence, Script, Notes on the Script, Contracts
|
|
|
“A Shout from the Housetops” / by Jess Gregg
|
|
|
Box
49
Folder
23
|
Contracts
|
|
|
“Slow Night in Elk City” / by Sam Bobrick
|
|
|
Box
49
Folder
24
|
Contract with Author, Correspondence, 1974
|
|
|
“Soft Touch,” by Neil Cuthbert
|
|
|
Box
49
Folder
25
|
Contract with Author, Correspondence, 1974
|
|
|
“Something About a Crisis”
|
|
|
Box
49
Folder
26
|
Production Contracts
|
|
|
Box
49
Folder
27
|
Correspondence, 1969-1970
|
|
|
Box
49
Folder
28
|
Miscellany
|
|
|
Box
50
Folder
1
|
Script, Notes, 1970
|
|
|
“Something About a Soldier” / based on the book by Mark Harris, adapted by Ernest Kinoy
|
|
|
Box
50
Folder
2
|
Correspondence, Notes on the Script, Contracts
|
|
|
Box
50
Folder
3
|
Script, Revisions
|
|
|
Son et Lumiere - Independence Hall, by Richard Wilbur
|
|
|
Box
50
Folder
4
|
Correspondence, Scripts, Technical Production
|
|
|
“Speculations on the Disappearance of Ambrose Pierce” / by Saul Levitt
|
|
|
Box
50
Folder
5
|
Contracts, Correspondence, 1970
|
|
|
“Spinning on the Wind” / by Doris Julian
|
|
|
Box
50
Folder
6
|
Correspondence, Contracts
|
|
|
Box
50
Folder
7-8
|
Scripts (2)
|
|
|
“Spinoza” / by Charles Sherman
|
|
|
Box
50
Folder
9
|
Script
|
|
|
“The Stepmother,” based on the novel by Ray Coryton Hutchinson, adapted by Warren Chetham-Strode
|
|
|
Box
50
Folder
10
|
Correspondence, Contracts
|
|
|
“Strange Calamity” / by Dorothy Parker and Ross Evans
|
|
|
Box
50
Folder
11
|
Contract, Correspondence, 1946
|
|
|
“The Sudden and Accidental Re-education of Horse Johnson” / by Douglas Taylor
|
|
|
Box
50
Folder
12
|
Correspondence, Contracts, Notes on the Script
|
|
|
Box
50
Folder
13-14
|
Scripts (2)
|
|
|
“A Suite at the Plaza” / by Arthur Carter
|
|
|
Box
50
Folder
15
|
Correspondence, Financial Records
|
|
|
“Summer” / by Hugh Leonard
|
|
|
Box
50
Folder
16
|
Contracts with Author, Correspondence, 1974
|
|
|
“Summer Song” / book by Hy Kraft
|
|
|
Box
50
Folder
17
|
Contracts
|
|
|
“Sunday Breakfast” / by Emery Rubio
|
|
|
Box
50
Folder
18
|
Contract, Correspondence, 1951
|
|
|
“The Sunday Walk”
|
|
|
Box
50
Folder
19
|
Correspondence
|
|
|
“Sweet Mistress” / by Ira Wallach and Don Walker
|
|
|
Box
50
Folder
20
|
Correspondence, Contracts, Notes on the Scripts
|
|
|
Box
50
Folder
21-22
|
Scripts (2)
|
|
|
“Take My Wife” / by Marvin Sandberg
|
|
|
Box
51
Folder
1
|
Contracts, Correspondence, Financial Records
|
|
|
“Teeth on Edge” / by J.L. Roncoroni
|
|
|
Box
51
Folder
2
|
Script
|
|
|
“Theodora”
|
|
|
Box
51
Folder
3
|
Correspondence, 1958
|
|
|
“They Might Be Giants” / by James Goldman
|
|
|
Box
51
Folder
4
|
Correspondence, Notes on the Script, Contracts, Financial Records
|
|
|
Box
51
Folder
5-7
|
Scripts (3)
|
|
|
“(And) Things That Go Bump in the Night” / by Terrence McNally
|
|
|
Box
51
Folder
8
|
Correspondence, Contracts, Notes on the Script, Casting, Financial Records
|
|
|
Third Play Co. (Arthur Miller's Play)
|
|
|
Box
51
Folder
9
|
Correspondence to Securities and Exchange Commission, 1956
|
|
|
“Three Days Before Yesterday” / by Kevin O'Morrison
|
|
|
Box
51
Folder
10
|
Notes on the Script, Contracts
|
|
|
“Tigers in Red Weather” / by Herbert Lieberman
|
|
|
Box
51
Folder
11
|
Correspondence, Notes on the Script
|
|
|
“Trails Plowed Under” and “Good Medicine,” / two works by Charles M. Russell
|
|
|
Box
51
Folder
12
|
Correspondence, 1968-1969
|
|
|
“Turcaret” / by Lesage
|
|
|
Box
51
Folder
13
|
Published Script, Notes on the Script
|
|
|
“Two Boards and a Passion” / by Edward Chodorov
|
|
|
Box
51
Folder
14
|
Script
|
|
|
“Under the Weather” / by Saul Bellow
|
|
|
Box
51
Folder
15
|
Script
|
|
|
“Upstairs, Downstairs” / book by hugh Wheeler
|
|
|
Box
51
Folder
16-17
|
Production Contracts
|
|
|
Box
51
Folder
18
|
Correspondence, 1974-1976
|
|
|
Box
51
Folder
19
|
Miscellany
|
|
|
“The Village Blacksmith” / by E.Y. Harburg and Fred Saidy
|
|
|
Box
51
Folder
20
|
Correspondence, Outlines, Contracts
|
|
|
“A Virgin Minus One” / by Jack Louis Selby
|
|
|
Box
51
Folder
21
|
Script
|
|
|
Whitman Project
|
|
|
Box
51
Folder
22
|
Correspondence
|
|
|
“A Wicked Guitar” / by Millard Lampell
|
|
|
Box
51
Folder
23
|
Contracts
|
|
|
“The Wonderful O” / by James Thurber, adapted by Will Glickman
|
|
|
Box
52
Folder
1
|
Correspondence, Notes on the Script, Contracts
|
|
|
“Yellow Drum”
|
|
|
Box
52
Folder
2
|
Correspondence and Casting Suggestions, 1967-1968
|
|
|
“Zero” (“The Adding Machine”) / by Elmer Rice, adapted by Dan Goggin and Robert Lorick
|
|
|
Box
52
Folder
3
|
Contracts and Correspondence, 1974-1976
|
|
|
Box
52
Folder
4-6
|
Untitled and Miscellaneous Plays
|
|
