Kermit Bloomgarden Papers, 1938-1977


Summary Information
Title: Kermit Bloomgarden Papers
Inclusive Dates: 1938-1977

Creator:
  • Bloomgarden, Kermit, 1904-1976
Call Number: U.S. Mss 8AN; Micro 1021; Audio 477A; Audio 1101A; Disc 96A; DC 211-DC 212

Quantity: 63.8 c.f. (53 record center cartons, 7 archives boxes, 6 oversize boxes, and 3 index boxes), 4 reels of microfilm (35 mm), 21 tape recordings, 1 disc recording, and 1 film

Repository:
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research
Contact Information

Archival Locations:
Wisconsin Historical Society (Map)

Abstract:
Papers of Kermit Bloomgarden, a producer of many award-winning Broadway plays and musicals. Although the amount and type of documentation present varies for each play, the collection includes correspondence, scripts, promotion and reviews, and various kinds of production files. For several titles there are floor plans, elevations, drawings and sketches, costume materials, light plots, property and furniture plots, and prompt books. In addition, legal and business aspects of production are extensively documented by financial statements, budgets, contracts and agreements, tax forms, and royalty statements.

Language: English

URL to cite for this finding aid: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0008an

Biography/History

Kermit Bloomgarden was born in Brooklyn on December 15, 1904. His Russian-born parents were Sam Zemad (1868-1924) and Annie (1872-1946, née Grodensky or Groden) Bloomgarden, who were also the parents of Elias B., Saul, and Violet P. Bloomgarden (Fox). Bloomgarden attended Brooklyn schools and graduated from New York University in 1926 with a degree in accounting. He was a certified public accountant until 1932 when he met Broadway producer Arthur Beckhardt and became his general manager. In 1935 he joined producer Herman Shumlin and for the next ten years he acted as Shumlin's general manager and frequently, as partner and co-producer. In association with Shumlin, Bloomgarden presented several successful plays by Lillian Hellman, including The Children's Hour, The Little Foxes, Watch on the Rhine, and The Searching Wind. His first solo productions were the financially unsuccessful Heavenly Express (National Theatre, New York, 1940) and Deep Are the Roots (1945), which he co-produced with George Heller.

As a leading producer, Bloomgarden gained a reputation for producing artistic drama, not merely that which was commercially appealing. However, many of his serious productions have been both critically and commercially successful. Bloomgarden's name was linked in particular with two important American dramatists: Lillian Hellman and Arthur Miller. He received the New York Drama Critics' Circle Award for Death of a Salesman (1949), The Diary of Anne Frank (1955), Look Homeward, Angel (best American play, 1958), The Music Man (best musical, 1958), and Toys in the Attic (1960); Tony Awards as best play for Death of a Salesman and Equus (1974); and the Pulitzer Prize for Death of a Salesman, The Diary of Anne Frank, and Look Homeward, Angel.

During World War II Bloomgarden was manager of the Stage Door Canteen. He also was a member and vice-president of the League of New York Theaters, and a director of The Council for the Living Theater and The American Theater Wing. Bloomgarden was married first to singer Hattie Richardson (whose stage name was Linda Lee; she died in 1942) and in 1943 to actress Virginia Kaye (b. 1921), with whom he had two sons, John, also a theatrical producer, and David. In 1971 Bloomgarden underwent amputation of his right leg because of arteriosclerosis. After a long period of recuperation he returned to work. He subsequently suffered from a brain tumor and died in New York City, September 24, 1976.

Plays Produced or Co-Produced by Kermit Bloomgarden

  • Heavenly Express (1940)
  • Deep Are the Roots (1945)
  • Woman Bites Dog (1946)
  • Another Part of the Forest (1946)
  • Command Decision (1947)
  • Death of a Salesman (1949)
  • Montserrat (1949)
  • The Man (1950)
  • The Legend of Sarah (1950)
  • The Autumn Garden (1951)
  • The Children's Hour (1952)
  • The Shrike (tour) (1952)
  • The Crucible (1953)
  • Wedding Breakfast (1954)
  • A View From the Bridge (1955)
  • The Diary of Anne Frank (1955)
  • The Lark(1955)
  • The Most Happy Fella (1956)
  • The Night of the Auk (1956)
  • Maiden Voyage (1957)
  • Look Homeward, Angel (1957)
  • The Music Man (1957)
  • The Gang's All Here (1959)
  • The Fighting Cock (1959)
  • Toys in the Attic (American and British productions, 1960)
  • The Wall (1960)
  • The Music Man (London, 1961)
  • The Gay Life (1961)
  • A Moon on a Rainbow Shawl (1962)
  • Nowhere To Go But Up (1962)
  • My Mother, My Father, and Me (1963)
  • Next Time I'll Sing To You (1963)
  • Anyone Can Whistle (1964)
  • The Playroom (1965)
  • Illya Darling (1967)
  • Hello and Goodbye (1969)
  • Golden Bat (1970)
  • Hot L Baltimore (1973)
  • The Sea Horse (1974)
  • Ionescopade (1974)
  • Equus (1974)
Scope and Content Note

Bloomgarden's papers consist primarily of production files for Produced Plays; with smaller files of Unproduced Theater, Television, and Film Projects, consisting of correspondence and general materials, and plays considered for stage, television and film production; and Bloomgarden's Personal and General Business Records. Among the plays considered for production and rejected by Bloomgarden are many which were produced later by others in New York or at other times in Europe; nevertheless all such files are located here in the Unproduced Theater, Television, and Film Projects series.

PRODUCED PLAYS are listed alphabetically by title of production and include some of Bloomgarden's most successful shows. Within each production materials are also listed alphabetically by title or subject of the file. Included are production contracts between Bloomgarden, his assistant, Max Allentuck, or the play company, and actors, singers, dancers, director, managers, stagehands and crew, musicians, scenic artists, press agents, costume and equipment suppliers, lighting contracts, designers, theaters, and others concerned with the production of the play. Also filed here are the original contracts between producer and author and director to purchase production rights to the work.

There is a minimum of general correspondence pertaining to most of Bloomgarden's plays; most existing correspondence pertains to preproduction work. Correspondence files often include letters to and from the author, prospective cast members, suppliers, and if the play was successful, congratulatory letters from friends and the general public.

Financial statements include monthly and periodic (usually less frequent as time passed) statements of box office receipts and production disbursements; the weekly financial statements contain similar information but were prepared in greater detail and also give a weekly profit or loss balance. Additional information about the financial status of a play in production can be found in the weekly settlements and statements, prepared by theater management or Max Allentuck at the close of business each week, and providing detailed summaries of expenses. Receipts and ticket sales at the theater are listed for each performance in the box office statements, and in occasional separate folders of opening night and other ticket sales reports. Many routine daily bills, invoices, vouchers, receipts, and IOUs which were summarized in weekly or monthly financial records, were discarded. Records of royalty payments to authors, directors, and designers, and of royalties received from U.S. amateur and stock productions and from foreign productions, are filed separately. Also separate are weekly salary and payroll lists for cast and staff.

Partnership agreement files also include business certificates, signed agreements, Securities and Exchange Commission correspondence and circulars, prospectuses, correspondence with and lists of investors, overcall correspondence and receipts (if any), and occasionally, records of the dissolution of the partnership. Tax returns for each production also list the names of investors, together with any profits distributed during each calendar year, and the total profit or loss and expenditures of the play company.

Other files include playbills and programs; invoices, mainly from Clifford Strohl for publicity and advertising; with some advertising copy, press releases, and other promotional material.

Technical production records include floor plans, elevations, working drawings, sketches, light plots, costumes, property and furniture plots, and prompt books (the latter are filed with Scripts).

Scripts of the plays, with revisions and rewrites of the script, are also present for most produced plays. In many cases, these are supplemented by script notes prepared by Bloomgarden's staff and by correspondence between the producer and the author.

The clippings volumes and loose clippings, mainly reviews of productions, have been microfilmed. Seven volumes of New York Theater Critics' Reviews (1946-1952) were separated to the University of Wisconsin Speech Department at the time of initial processing.

UNPRODUCED THEATER, TELEVISION, AND FILM PROJECTS contain little documentation for each title, but usually include a contract to purchase or place an option on the author's work, scattered correspondence, and occasionally a script or other records. Often there are notes prepared by a member of Bloomgarden's staff or a reader, critiquing the script and offering suggestions for revisions.

PERSONAL AND GENERAL BUSINESS RECORDS contain Bloomgarden's personal and family papers and scattered business records of his investments and companies. Personal papers include biographical information, photographs of Kermit Bloomgarden and Lillian Hellman, apartment leases and papers, a list of office files, and correspondence. The correspondence includes general and personal correspondence, complimentary letters pertaining to Bloomgarden's theatrical productions; a file of correspondence with playwright Arthur Miller, including letters pertaining to Marilyn Monroe (Box 52, Folder 25); letters from Harry Handel, who called himself Arthur Miller's “alter ego”; correspondence and applications from the Ford Foundation Program for Playwrights, 1958; correspondence with Melina Mercouri regarding a proposed 1973 one-woman show; and personal letters concerning his working relationship with writers John and Marguerite Sanford, 1955-1956.

Records of Bloomgarden's personal and family finances include stockbroker's records and accounts of Bloomgarden's investments in stocks and bonds; correspondence, reports, and production information from oil wells; financial statements, partnership agreements, and correspondence from such plays as Anne of a Thousand Days, Detective Story, Joan of Lorraine, and The Searching Wind; and tax returns for Kermit and Virginia Bloomgarden and their sons. There are also sizable files of actors' job applications, inquiries, and photographs, 1956-1964; general records regarding play finances; a television representation contract and a proposal to work with Columbia Pictures; lists of investors in Bloomgarden's productions and correspondence regarding loans; lists of theatrical equipment owned and leased to others by Bloomgarden; and miscellaneous publicity and advertising files.

From the Kergin Corporation, one of Bloomgarden's business enterprises, there are fragmentary files, including a certificate of incorporation, correspondence, financial statements, stock records, and tax returns. Kermit Bloomgarden Productions Inc. is represented by general correspondence, 1954-1976; a financial statement; records of the Goodman and Berger vs. Bloomgarden lawsuit, 1972-1974; minutes of board of directors' and stockholders' meetings; and tax returns.

Bloomgarden's activities in theatrical and other organizations are illustrated in files concerning the Actors' Equity League strike, 1960; minutes, correspondence, scripts and photographs regarding the American Theatre Wing, 1942-1961; correspondence and financial records of the Committee of Theatrical Producers, 1949-1952; correspondence, minutes, reports, and promotional material and other records about the 1951 film, Main Street to Broadway, from the Council of the Living Theatre; and correspondence and other records from Fund for the Republic Inc., 1955-1957; Greater New York Fund, 1958 Campaign; Independent Booking Office, 1958, 1960; Joint Committee of the Theatre Guild-American Theatre Society and the Council of the Living Theatre, 1958-1960; League of New York Theatres Inc., 1957-1958; Mary McArthur Memorial Fund, 1959-1961; New Dramatists Committee; and Seventy Cent Ticket Plan.

On tape and disc recordings is music composed for Bloomgarden's plays. The one film is of a television production whose significance to Bloomgarden is unknown.

Administrative/Restriction Information
Acquisition Information

Portions presented and portions placed on deposit by Kermit Bloomgarden and by his estate, via John Bloomgarden, New York, New York, 1961-1984. Accession Number: MCHC61-016, MCHC67-133, MCHC72-059, MCHC75-050, MCHC77-079, MCHC84-043


Processing Information

Reprocessed with additions by Menzi Behrnd-Klodt, Debra Anderson, and Brenda Vogel, 1985; portions reprocessed in 1986 by Bill Beaudreau.


Contents List
U.S. Mss 8AN
Series: Produced Plays
Another Part of the Forest
Box   1
Folder   1
Box Office Statements
Micro 1021
Reel   1
Clippings
U.S. Mss 8AN
Contracts
Box   1
Folder   2
Actors' Contracts
Box   1
Folder   3
Production Contracts
Box   1
Folder   4
Theater Contracts
Box   1
Folder   5
Correspondence, 1945-1950
Box   65
Correspondence; Stage Manager's Report; Floor Plans; Prop, Furniture, and Costume Lists
Financial Records
Box   1
Folder   6
Budgets and Financial Estimates
Box   1
Folder   7
Financial Statements
Box   1
Folder   8
Miscellany
Box   1
Folder   9
Opening Night and Ticket Records
Box   1
Folder   10
Partnership Agreements - Investors Lists
Box   62
Folder   1
Photographs, including photographs of Lillian Hellman
Box   65
Photographs
Box   1
Folder   11
Programs
Props and Costumes
Box   1
Folder   12
Inventories, Plots, Stage Manager's Report
Box   58
Folder   2
Costume Sketches
Publicity and Advertising
Box   1
Folder   13
Invoices and Statements
Box   58
Folder   1
Poster
Box   1
Folder   14
Royalties
Box   1
Folder   15
Salary Lists
Scripts
Box   1
Folder   16
Script, by Lillian Hellman, undated
Box   1
Folder   17
Prompt Book, annotated
Box   1
Folder   18-19
Weekly Settlements and Statements, 1946 May-1947 October
Anyone Can Whistle
Note: Produced New York, April 4, 1964
Box   1
Folder   20
Billing for Stars
Box   1
Folder   21
Box Office Statements
Box   1
Folder   22
Casting and Auditions, 1963-1964
Micro 1021
Reel   2
Clippings
U.S. Mss 8AN
Box   1
Folder   23
Columbia Records - Contracts, Royalties
Contracts
Box   1
Folder   24-25
General and Production Contracts and Related Correspondence, 1963 June-1964 June
Box   1
Folder   26
Contracts with Principals
Box   1
Folder   27
Correspondence, 1963-1965
Box   1
Folder   28
Correspondence with Investors
Box   1
Folder   29
Costumes - Correspondence and Invoices
Financial Records
Box   1
Folder   30
Financial Statements, including Weekly Statements
Box   1
Folder   31
Miscellaneous Financial Records
Music
Box   1
Folder   32
Bills for Arrangements and Revisions, Lessons, Auditions
Box   1
Folder   33
Sheet Music
Box   2
Folder   1
Partnership Agreements, Prospectus, Drafts, and Correspondence
Box   62
Folder   2
Photograph
Box   2
Folder   2
Production Notes
Box   2
Folder   3
Program and Correspondence regarding Souvenir Book
Box   2
Folder   4
Props and Equipment - Lists, Invoices
Box   2
Folder   5
Publicity and Advertising - Correspondence, Invoices, and Papers, 1963-1964
Box   2
Folder   6
Rehearsal and Production Schedules
Box   2
Folder   7
Script: “Side Show” / by Arthur Laurents and Stephen Sondheim
Box   2
Folder   7a
Tax Returns
Box   2
Folder   8
Ticket Requests
The Autumn Garden
Box   2
Folder   9-10
Box Office Statements
Box   2
Folder   11
Cast Lists
Micro 1021
Reel   1
Clippings
U.S. Mss 8AN
Contracts
Box   2
Folder   12
Actors' Contracts
Box   2
Folder   13
Production Contracts
Box   2
Folder   14
Correspondence, 1950-1961
Financial Records
Box   2
Folder   15
Financial Statements
Box   2
Folder   16
Weekly Financial Statements
Box   65
Inventories for Tour, Light Plot, Ground Plans
Box   2
Folder   17
Miscellany
Box   2
Folder   18
Opening Night Ticket Sales
Box   2
Folder   19
Partnership Agreements and Lists of Investors
Box   62
Folder   3
Photographs
Box   2
Folder   20
Playbills and Programs
Box   2
Folder   21
Props, Equipment, Costumes - Inventories, Lists, Light Plots
Publicity and Advertising
Box   2
Folder   22
Invoices
Box   2
Folder   23
Press Releases, Advertising Copy, Reviews
Box   2
Folder   24
Royalties
Box   2
Folder   25
Salary Lists
Scripts, by Lillian Hellman
Box   2
Folder   26
Clurman's Directorial Script, annotated
Box   2
Folder   27-28
Production Scripts, annotated
Box   3
Folder   1
Scripts
Box   3
Folder   2-3
Weekly Settlements and Statements; Bills and Invoices
Box   3
Folder   4
Tax Returns
Box   3
Folder   5
Universal Pictures - Financial Statements
Micro 1021
A Certain Joy
Reel   1
Clippings
U.S. Mss 8AN
Box   3
Folder   6
Production Contracts
Box   3
Folder   7
Correspondence, 1953-1956
Financial Records
Box   3
Folder   8
Accounts Ledger
Box   3
Folder   9
Financial Statement, Production Budget
Box   3
Folder   10
Partnership Agreements, Investors' Correspondence and Lists
Box   3
Folder   11
Playbills and Programs
Box   3
Folder   12
Props, Costumes, and Equipment - Lists, Inventories
Box   65
Props, Floor Plan
Box   3
Folder   13
Salary Lists
Scripts
Box   3
Folder   14
“Where Late the Sweet Birds Sang” / by Irving Ravetch
Box   3
Folder   15
“Where Late the Sweet Birds Sang”
Box   3
Folder   16
First Revised Script (“Where Late the Sweet Birds Sang”)
Box   3
Folder   17
Second Revised Script (“Where Late the Sweet Birds Sang”)
Box   3
Folder   18
Weekly Settlements, Box Office Receipts, Bills
Box   3
Folder   19
Tax Returns
The Children's Hour
Box   3
Folder   20
Box Office Statements
Micro 1021
Reel   1
Clippings
U.S. Mss 8AN
Contracts
Box   3
Folder   21
Actors' Contracts
Box   3
Folder   22
Production Contracts
Box   3
Folder   23
Correspondence, 1945-1958
Box   3
Folder   24
Costumes - Lists, Estimates
Financial Records
Box   3
Folder   25
Financial Statements
Box   3
Folder   26
Weekly Financial Statements
Box   3
Folder   27
Miscellany
Box   3
Folder   28
Partnership Agreements and Lists of Investors
Box   62
Folder   4
Photographs
Box   3
Folder   29
Props and Equipment - Lists and Inventories
Box   65
Props, Ground Plans, Light Plots, Elevation Working Drawings, Sketches, Inventories, Timing on Each Show
Publicity and Advertising
Box   3
Folder   30
Invoices
Box   58
Folder   1
Poster
Box   4
Folder   1
Royalties
Box   4
Folder   2
Salary Lists
Box   4
Folder   3-5
Script, Revised Script, and Prompt Copy, by Lillian Hellman
Box   4
Folder   6
Weekly Settlements and Statements
Box   4
Folder   6a
Tax Returns
Tour Records
Box   4
Folder   7
Box Office Statements
Box   4
Folder   8
Publicity and Advertising
Box   4
Folder   9
Weekly Settlements and Statements
Command Decision
Box   4
Folder   10-11
Box Office Statements
Micro 1021
Reel   1
Clippings
U.S. Mss 8AN
Contracts
Box   4
Folder   12
Actors' Contracts
Box   4
Folder   13
Production Contracts
Box   4
Folder   14
Correspondence, 1947-1949
Financial Records
Box   4
Folder   15
Financial Statements
Box   4
Folder   16
Weekly Financial Statements
Box   4
Folder   17
Miscellany
Box   4
Folder   18
Partnership Agreements and Lists of Investors
Box   62
Folder   5
Photographs
Box   4
Folder   19
Playbills and Programs
Box   4
Folder   20
Props and Equipment - Lists, Lighting and Sound Directions
Box   65
Prop Lists, Inventories, Timing Sheets, Ground Plans, Working Drawings, Elevations
Publicity and Advertising
Box   4
Folder   21-22
Invoices
Box   58
Folder   1
Poster
Box   4
Folder   23
Royalties
Box   4
Folder   24
Salary Lists
Scripts, by William Wister Haines
Box   4
Folder   25
Three Versions of Play
Box   4
Folder   26
Prompt Book
Box   5
Folder   1
Weekly Settlements and Statements
Box   5
Folder   2
Tax Returns
Tour
Box   5
Folder   3
Box Office Statements
Box   5
Folder   4
Publicity and Advertising - Invoices, Advertising Copy
Box   5
Folder   5
Weekly Settlements and Statements
The Crucible
Box   5
Folder   6
Box Office Statements
Micro 1021
Reel   1
Clippings
U.S. Mss 8AN
Contracts
Box   5
Folder   7
Actors' Contracts
Box   5
Folder   8
Production Contracts
Box   5
Folder   9
Foreign Production Contracts
Box   5
Folder   10
Correspondence, 1952-1959
Financial Records
Box   5
Folder   11
Financial Statements
Box   5
Folder   12
Weekly Financial Statements
Box   65
Floor Plans, Working Drawings, Light Plots, Inventories
Box   5
Folder   13
Miscellany
Box   5
Folder   14
Partnership Agreements
Box   5
Folder   15
Playbills and Programs
Box   5
Folder   16
Publicity and Advertising - Invoices
Box   5
Folder   17
Royalties
Box   5
Folder   18
Actors' Salaries and Cast Lists
Scripts, by Arthur Miller
Box   5
Folder   19
Annotated Script with Stage Manager's Notes and Cues
Box   5
Folder   20
Prompt Books (2)
Box   5
Folder   21
Typewritten and Printed Scripts
Box   5
Folder   22
Final Playing Version of Script, 1953 June
Box   5
Folder   23
Weekly Settlements and Statements
Box   5
Folder   24
Tax Returns
Second Play Company
Box   5
Folder   25
Financial Statement, Lists of Investors and Financial Distribution, 1963 August
Box   6
Folder   1
Script, 1962 August 24
Note: This script “combines the original version (with Arthur Miller's own cuts) and portions of the published version (Dramatists' Play Service edition), based on Arthur Miller's notes of 4/23/62 and Pat Reeves' notes of 1/23/62.”
Box   6
Folder   2
Script Notes, by Pat Reeves, 1962 January 23
Box   6
Folder   2
Script Notes, by Arthur Miller, 1962 April 23
Box   6
Folder   2
Printed Version of Play
Death of a Salesman
Part I
Box   6
Folder   3-6
Box Office Statements, 1949 January-1950 December
Micro 1021
Reel   1-2
Clippings
U.S. Mss 8AN
Box   6
Folder   7
Columbia Pictures - Financial Statements
Box   6
Folder   8
Correspondence and Publicity, 1949-1965
Box   6
Folder   9
Financial Statements
Box   6
Folder   10
Miscellany
Box   62
Folder   6-8
Photographs
Box   65
Photographs
Box   6
Folder   11
Playbill
Publicity and Advertising
Box   58
Folder   3
Joseph Hirsch's original drawings for publicity materials
Box   6
Folder   12-13
Invoices, 1949-1950
Box   58
Folder   1
Poster
Box   6
Folder   14
Royalties
Box   6
Folder   15
Salary Lists, 1949-1950
Box   6
Folder   16-18
Weekly Settlement Sheets, 1949-1950
Box   6
Folder   19
Tax Returns
National Company
Box   6
Folder   20-22
Box Office Statements, 1949-1951 October
Box   58
Folder   4
Theater Contracts, 1950-1951
Box   6
Folder   23
Light Plot and Props Inventory
Box   6
Folder   24
Salary Lists, 1949 August-1951 February
Weekly Settlement Sheets
Box   58
Folder   5
1949-1952
Box   6
Folder   25
1949 September-1950 February
Box   7
Folder   1-2
1950 March-1951 December
Box   7
Folder   3
London Production - Box Office Statements, 1949 July-1950 January
Part II
Note: The files in Part II were on loan to an associate of Kermit Bloomgarden when the collection was organized in 1985. Upon their return in 1986, they were added to the collection as Box 70-73.
Contracts
Box   70
Folder   1
Actors' Contracts, 1948-1950
Box   70
Folder   2-3
Production Contracts, 1948-1950
Box   70
Folder   4
Stage Employees Contracts, 1948-1950
Box   70
Folder   5-6
Correspondence, 1948 October-1954 May
Box   71
Folder   1
Costumes and Props, 1950-1952
Financial Records
Box   71
Folder   2
Bills and Invoices
Box   71
Folder   3
Budgets, 1949-1950
Box   71
Folder   4
Weekly Financial Statements, 1949 March-1950 November
Box   71
Folder   5
Statements to Investors, 1948 December-1952 October
Box   71
Folder   6
Royalty Statements and Related Correspondence, 1949-1958
Box   71
Folder   7
Tax Returns, 1951-1957
Box   71
Folder   8
Floor Plans and Elevations
Box   71
Folder   9
Lighting, 1949-1952
Box   72
Folder   1
Miscellaneous
Box   72
Folder   2
Music - Originals and Notes
Box   72
Folder   3
Opening Night and Box Office Miscellany
Box   72
Folder   4
Peoria Boycott for alleged Communist ties of Bloomgarden, Arthur Miller, and Albert Dekker, National Co. star, 1950 October
Box   72
Folder   5
Programs and Flyers
Box   72
Folder   6
Publicity, 1948-1950
Scripts
Box   72
Folder   7-8
Three Scripts, by Arthur Miller
Box   72
Folder   9
Prompt Book
Box   73
Folder   1
Recording Script
National Company
Box   73
Folder   2
Bills
Box   73
Folder   3
Contracts, 1949-1950
Box   73
Folder   4
Bus Tour Contracts, 1951
Box   73
Folder   5
Other Records, 1949-1951
Box   73
Folder   6
Film - Miscellaneous Financial Records
Box   73
Folder   7
London Production - Miscellaneous Financial
Box   73
Folder   8
Foreign Productions
Deep Are the Roots
Box   7
Folder   4-5
Box Office Statements
Micro 1021
Reel   2
Clippings
U.S. Mss 8AN
Contracts
Box   7
Folder   6
Actors' Contracts
Box   7
Folder   7
Production Contracts
Box   7
Folder   8
British Production Contracs and Related Correspondence; Other Foreign Rights
Box   7
Folder   9
Correspondence, 1945-1959
Box   7
Folder   10
Financial Statements
Box   7
Folder   11
Partnership Agreement and Lists of Investors
Box   7
Folder   12
Playbills and Programs
Box   7
Folder   13
Props and Equipment - Light Plot, Miscellaneous Bills and Invoices
Publicity and Advertising
Box   7
Folder   14
General
Box   7
Folder   15-16
Invoices
Box   7
Folder   17
Royalties
Box   7
Folder   18
Salary Lists
Scripts
Box   7
Folder   19
Script: “Walls of Jericho”) / by Arnaud d'Usseau and James Gow, copyright 1945
Box   7
Folder   20
Script (“Walls of Jericho”), annotated
Box   7
Folder   21
Mimeo Script
Box   8
Folder   1
Prompt Book (“Walls of Jericho”)
Box   8
Folder   2-3
Weekly Settlements and Statements
Box   8
Folder   4
Tax Returns
National Company
Box   8
Folder   5
Box Office Statements
Box   8
Folder   6
Publicity and Advertising - Invoices
Box   8
Folder   7
Salary Lists
Box   8
Folder   8
Weekly Settlements and Statements
The Diary of Anne Frank
Note: Produced New York, October 5, 1955 (See also “Dear Kitty,” Box 44, Folders 8-11)
Box   8
Folder   9-14
Box Office Statements, 1955 September-1957 June
Box   8
Folder   15
Weekly Grosses, 1955 November-1958 June
Micro 1021
Reel   2
Clippings
U.S. Mss 8AN
Contracts
Box   8
Folder   16
Production Contract Notes and Contract Summarie
Box   8
Folder   17
Actors' Equity Association, 1955-1957
Box   8
Folder   18
Actors' Equity Association Bonds and Cancellation Notices, Cast Lists and Contract Stipulations
Box   8
Folder   19
Director's Contracts
Box   8
Folder   20
Production Contracts and Correspondence with Co-Authors
Box   8
Folder   21
Production Personnel Contracts
Box   8
Folder   22
Sound and Lighting Contracts
Box   8
Folder   23
Theater Contracts
Box   8
Folder   24
Contract Negotiations and Legal Settlement with Peter Nero, 1970-1972
Correspondence
Box   8
Folder   25
Actors' Equity
Box   8
Folder   26
Aronson, Boris (Set Designer), 1954-1957
Box   8
Folder   27
Foreign Production Correspondence, 1956-1958
Box   8
Folder   28
Frank, Otto, 1954-1958, 1975
Note: Including Contract for Motion Picture Rights.
Box   8
Folder   29
Hackett, Albert and Frances, 1953-1958
Box   9
Folder   1
Kanin, Garson, 1954-1958
Box   9
Folder   2-3
Levin, Meyer, 1952-1962
Note: Including correspondence and papers regarding authorship dispute.
Box   9
Folder   4
Pre-Production, 1953-1955
Box   9
Folder   5
Promotional, 1955-1957
Box   9
Folder   6
Salisbury, Leah, 1954-1962
Box   9
Folder   7
Schildkraut, Joseph, 1954-1958
Box   9
Folder   8
Ward, Mary (Press Agent), 1957-1958
Box   9
Folder   9
Miscellaneous, 1955-1959
Box   9
Folder   10
Costumes, Production Photographs, Wardrobe Plot, Inventories
Financial Records
Box   9
Folder   11
Financial Statements, 1955-1964
Box   9
Folder   12
Weekly Financial Statements, 1955-1958
Box   9
Folder   13
Financial Statements regarding Film
Box   9
Folder   14
Music
Box   9
Folder   15
Partnership Agreement and Lists of Investors
Box   9
Folder   16
Investors Correspondence and Papers
Box   62
Folder   9
Photographs
Box   63
Folder   1-4
Photographs
Box   65
Photographs
Box   9
Folder   17
Souvenir Books and Playbills
Box   9
Folder   18-19
Production Daily Logs, 1955 November-1958 June
Production Rights
Box   9
Folder   20
Literary Property Rights, 1953-1958
Box   9
Folder   21
Amateur and Stock Production Rights
Box   9
Folder   22-33
Foreign Production Rights
Box   9
Folder   34
Motion Picture Production Rights
Box   10
Folder   1-2
Foreign Production Rights
Box   10
Folder   3
Prop List, Light Plot, Floor Plan Blue Print, Photos of Set, Invoices
Publicity and Advertising
Box   10
Folder   4-6
Invoices for Newspaper and Magazine Coverage
Box   10
Folder   7-8
Invoices for Outdoor and Transportation Ads
Box   58
Folder   1
Poster (London production)
Box   10
Folder   9
Press Kit (National and Bus and Truck Tours)
Box   10
Folder   10
Press Lists
Box   10
Folder   11
Press Releases, Interviews, Publicity Copy
Royalties
Box   10
Folder   12-13
General, 1955-1966
Box   10
Folder   14-15
Frank, Otto
Box   10
Folder   16
Author's, Designer's, Director's, Producer's
Box   10
Folder   17
Cuts and Waivers
Box   10
Folder   18
Salary Lists
Scripts, dramatized by Frances Goodrich and Albert Hackett
Box   10
Folder   19
Production Notes and Reference Materials
Box   10
Folder   20
Typed Script
Box   10
Folder   21
First Revised Script (“The Diary of a Young Girl”)
Box   10
Folder   22
Second Revised Script (“The Diary of a Young Girl”)
Box   10
Folder   23
Final Draft Script
Box   10
Folder   24
Working Draft Script, with Sound and Light Cues
Box   10
Folder   25
Working Script, with Property Plot, Costume Plot, Light Cues
Box   11
Folder   1
Working Script, with Property Plot, Costume Plot, Light Cues
Box   11
Folder   2-8
Weekly Settlements and Statements, 1955 September-1957 June
Box   11
Folder   9
Tax Returns
Box   11
Folder   10-14
Ticket Requests, including Opening Night
National Tour
Box   11
Folder   15-16
Box Office Statements, 1957 July-1958 June
Contracts
Box   11
Folder   17
Production Contracts
Box   11
Folder   18
Theater Contracts
Correspondence
Box   11
Folder   19
General Correspondence and Lists of Checks Issued
Box   11
Folder   20
Lederer, Francis, 1958
Box   11
Folder   21
Pollack, Milton (General Manager), 1957
Box   11
Folder   22
Rosen, Al (General Manager), 1957-1958
Box   11
Folder   23
Schildkraut, Joseph
Box   11
Folder   24
Press Releases, 1957-1958
Box   11
Folder   25
Salary Lists
Box   11
Folder   26
Weekly Settlements and Statements, 1957 July-1958 June
Box   11
Folder   27
Workmen's Compensation Claims
Bus and Truck Tour
Box   12
Folder   1
Box Office Statements, 1958 September-December
Contracts
Box   12
Folder   2
Actors' Contracts
Box   12
Folder   3
Production Contracts
Box   12
Folder   4
Theater Contracts
Box   12
Folder   5
Transportation Contracts
Correspondence
Box   12
Folder   6
Arrangements and Estimates regarding Tour, 1958
Box   12
Folder   7
Cone, Irving (Company Manager), 1958
Box   12
Folder   8
Brilant, Arthur (Press Agent), 1958
Box   12
Folder   9
Publicity and Advertising, 1958
Box   12
Folder   10
Royalties, 1958-1959 January
Box   12
Folder   11
Salary Lists
Box   12
Folder   12
Weekly Settlements and Statements, 1958
Equus
Box   12
Folder   13
Actors' Equity Association Arbitration, 1974-1976; for Stephen Fennig, , 1976
Micro 1021
Reel   3
Clippings
U.S. Mss 8AN
Contracts
Box   12
Folder   14-15
Production Contracts and Associated Correspondence, 1973-1977
Box   12
Folder   16
Motion Picture Rights, 1975-1977
Box   12
Folder   17-18
Theater Contracts, 1976-1977
Box   12
Folder   19
Correspondence, 1973-1977
Box   12
Folder   20
Papers regarding Estate of Jan De Vroom, 1976
Box   12
Folder   21
Financial Statements, 1975 December-1976 March
Box   12
Folder   22
Immigration Applications (Actors), 1973-1976
Box   12
Folder   23
Partnership Agreements, Correspondence, and Offering Circulars to Securities and Exchange Commission, 1973-1976
Box   12
Folder   24
Touing Company - Contracts and Associated Correspondence, 1976
The Fighting Cock
Note: Produced New York, December 8, 1958
Box   12
Folder   25
Box Office Statements
Box   12
Folder   25A
Casting Suggestions, 1959
Contracts
Box   12
Folder   26
Actors' Contracts
Box   12
Folder   27
Production Contracts
Box   12
Folder   28-29
Correspondence, 1959 February-1960 December
Box   12
Folder   30
Costumes and Costume Plot, Props, Sound and Lighting, Stage Dimensions
Financial Records
Box   12
Folder   31
Accounts Payable and Checks
Box   12
Folder   32
Estimated Production Expenses
Box   12
Folder   33
Weekly Financial Statements
Box   66
Ground Plans, Hanging Plot
Box   12
Folder   34
Immigration Petitions and Records
Box   12
Folder   35
Insurance - Accident Reports, Compensation
Partnership Agreements
Box   12
Folder   36
Assignments
Box   13
Folder   1
Partnership Agreement and Certificate
Box   13
Folder   2
Investors' Correspondence
Box   13
Folder   3
Playbills
Box   13
Folder   4
Production Daily Logs
Box   13
Folder   5
Production Schedules, and Cast and Crew Addresses
Publicity and Advertising
Box   13
Folder   6
Ad Copy, Billing
Box   13
Folder   7
Invoices
Royalties
Box   13
Folder   8
Anouilh, Jean, Lucienne Hill, and Jan Van Loewen
Box   13
Folder   9
Theater Royalties
Box   13
Folder   10
Salary Lists
Scripts
Box   13
Folder   11
Script: “L'Hurluberlu” / by Jean Anouilh, 1959 March (?)
Box   13
Folder   12
Mimeo Script (“L'Hurluberlu”), with comments by Moss Hart
Box   13
Folder   13
Revised Script (“Time's Fool”), 1959 August 20
Box   13
Folder   14
Revised Script, with Bloomgarden's memos
Box   13
Folder   15
Rehearsal Script, 1959 October 10
Box   13
Folder   16
Final Revised Script
Box   13
Folder   17
Produced Version, 1959 December 8
Box   13
Folder   18
Running Script, 1959 December 8
Box   13
Folder   19
Script and Production Notes
Box   13
Folder   20
Weekly Settlements and Statements
Box   13
Folder   21
Tax Returns
Box   13
Folder   22
Tickets
The Gang's All Here
Note: Produced New York, October 1, 1959
Box   13
Folder   23
Billing
Box   13
Folder   24
Box Office Statements, 1959 September-1960 January
Box   13
Folder   25
Casting Notes
Micro 1021
Reel   3
Clippings
U.S. Mss 8AN
Contracts
Box   13
Folder   26
Actors' Contracts
Box   13
Folder   27
Production Contracts
Correspondence
Box   13
Folder   28
General, 1959-1961
Box   13
Folder   29
With Attorneys, 1959
Box   13
Folder   30
Production Correspondence, 1959-1960
Box   13
Folder   31
Costumes and Costume Plot
Financial Records
Box   13
Folder   32
Bank Balances
Box   13
Folder   33
Estimated Salaries
Box   13
Folder   34
Estimated Production Expenses
Box   13
Folder   35
Financial Statements
Box   13
Folder   36
Weekly Financial Statements
Box   66
Ground Plans
Box   13
Folder   37
Music
Partnership Agreements
Box   13
Folder   38
Assignments
Box   13
Folder   39
Correspondence with Investors
Box   13
Folder   40
Partnership Agreement, Offering Circular
Box   63
Folder   6
Photographs
Box   14
Folder   1
Playbills and Programs
Box   14
Folder   2
Production Schedule, Sets and Design Schedules
Box   14
Folder   3
Props - Lists
Publicity and Advertising
Box   14
Folder   4
Press Release, Interview Schedules
Box   14
Folder   5
Invoices, 1959-1960
Box   14
Folder   6-7
Royalties
Box   14
Folder   8
Salary Lists
Box   14
Folder   9
Salary Cuts
Scripts, by Jerome Lawrence and Robert E. Lee
Box   14
Folder   10
Original Mimeo, 1959 April
Box   14
Folder   11
Second Mimeo, Master Script, 1959 June 15
Note: Line cuts marked.
Box   14
Folder   12-13
Third Mimeo, with additional pages, 1959 August 17
Box   14
Folder   14
Fourth Mimeo, produced version, 1959 October 1
Box   14
Folder   15
Final Master Script, including Costumes, Ground Plan, and Property Plot, 1960 January 20
Box   14
Folder   16
Script and Production Notes, Additional Pages
Box   14
Folder   17-18
Weekly Settlements and Statements, 1959 August-1960 January
Box   14
Folder   19
Tax Returns
Box   14
Folder   20
Tickets - Sales, Seating, Prices, Press Seats
The Gay Life
Note: Produced New York, November 17, 1961
Box   14
Folder   21
Accident Reports
Box   14
Folder   22
Billing
Box   14
Folder   23
Box Office Statements and Ticket Correspondence
Box   14
Folder   24
Capitol Records Inc. - Correspondence, Contract, Royalties Statements, 1960-1969
Box   14
Folder   25
Cast Lists and Correspondence
Micro 1021
Reel   3
Clippings
U.S. Mss 8AN
Contracts
Box   14
Folder   26
Actors' Contracts
Box   14
Folder   27
Dancers' and Singers'
Box   14
Folder   28
Production Contracts
Correspondence
Box   14
Folder   29
General, 1960-1967
Box   15
Folder   1
Kanin, Fay and Michael, 1959-1962
Box   15
Folder   2
With Lawyers
Box   15
Folder   3
Costumes - Inventory and Bills, Specifications and Estimates
Financial Records
Box   15
Folder   4
Budgets
Box   15
Folder   5
Financial Statements, 1961-1962; Royalties
Box   15
Folder   6
Weekly Financial Statements, including Salary Statements
Music
Box   15
Folder   7
Lyrics
Box   15
Folder   8
Printing Bills
Partnership Agreements
Box   15
Folder   9
Agreements, Lists of Investors, Correspondence, 1960-1961
Box   15
Folder   10
Correspondence with Investors
Box   63
Folder   7
Photographs
Production Records
Box   15
Folder   11
Daily Log
Box   15
Folder   12
Production Meeting Notes, Production Notes
Box   15
Folder   13
Programs
Box   15
Folder   14
Props and Equipment - Contracts, Estimates, Bills, Property Plot
Box   15
Folder   15
Publicity and Advertising - Contract, Invoices, Correspondence, Advertising Copy
Box   15
Folder   16
Rehearsal Schedules
Scripts, adapted by Fay and Michael Kanin
Box   15
Folder   17
Photocopies of Arthur Schnitzler, Anatole (Paris: P.-V. Stock, 1913)
Box   15
Folder   18
Typescript (“The Affairs of Anatol”), undated
Box   15
Folder   19
Typescript (“Anatol”), undated
Box   15
Folder   20
Typescript, undated
Box   15
Folder   21
First Mimeo, 1960 October 14
Box   15
Folder   22
First Mimeo, revised 1961 January 17
Box   15
Folder   23
Second Mimeo, 1961 August 4
Box   15
Folder   24
Rehearsal Script, 1961 August 28
Box   15
Folder   25
Revised Rehearsal Script, 1961 August 28
Box   16
Folder   1
Script Revisions
Box   16
Folder   2
Script Notes and Audition Comments
Box   16
Folder   3
Tax Returns
Golden Bat
Box   16
Folder   4
Arbitration - Correspondence, Affidavits, 1970 August-November
Box   16
Folder   5
Box Office Statements, 1970 July-December
Box   16
Folder   6
Cast Information and Contracts, 1970
Micro 1021
Reel   3
Clippings
U.S. Mss 8AN
Box   16
Folder   7
Contracts - Songwriters
Box   16
Folder   8
Correspondence, 1970-1971
Box   16
Folder   9
Costumes - Estimates and Bills
Box   16
Folder   10
Ed Sullivan Show - Correspondence and Miscellaneous, 1970 October
Financial Records
Box   16
Folder   11
Budgets
Box   16
Folder   12
Financial Statements
Box   16
Folder   13
Hartford (Connecticut) Jewish Community Center - Correspondence regarding Performance, 1970 September-November
Box   16
Folder   14
Miscellany, including Film Budget
Box   58
Folder   6
Musical Scores
Box   16
Folder   15
Partnership Agreements and Correspondence, 1970
Box   16
Folder   16
Program
Box   16
Folder   17
Publicity and Advertising - Correspondence, Press Releases, Invoices
Box   16
Folder   18
Royalties
Box   16
Folder   19
Salary Lists
Box   16
Folder   20
Weekly Settlements and Statement
Box   16
Folder   21
Story Synopses
Box   16
Folder   22
Tax Returns
Heavenly Express
Box   16
Folder   23
Contracts and Agreements
Box   16
Folder   24
Correspondence, 1939-1941
Box   16
Folder   25
Financial Statements and Budgets
Hello and Goodbye
Box   16
Folder   26
Box Office and Weekly Settlement and Statements
Box   16
Folder   27
Casting - Correspondence and Notes
Micro 1021
Reel   3
Clippings
U.S. Mss 8AN
Contracts
Box   16
Folder   28
Actors and Crew
Box   16
Folder   29
Author, Director, Producer
Box   16
Folder   30
Literary Purchase and Option Agreements
Box   16
Folder   31
Theater
Box   16
Folder   32
Legal Correspondence, 1969-1970
Financial Records
Box   16
Folder   33
Budgets
Box   16
Folder   34
Weekly Financial Statements
Box   16
Folder   35
Miscellany
Box   16
Folder   36
Partnership Agreements, 1969
Box   58
Folder   7
Payroll Lists, 1969
Box   16
Folder   37
Programs
Box   16
Folder   38
Publicity and Advertising - Bills and Invoices
Box   16
Folder   39
Royalties
Box   16
Folder   40
Script Revisions
Box   16
Folder   41
Tax Returns
Hot L Baltimore
Box   16
Folder   42
Box Office Statements
Box   16
Folder   43
Cast Information
Contracts
Box   16
Folder   44
Author, Director
Box   16
Folder   45-47
Cast
Box   16
Folder   48
Correspondence, 1973-1976
Financial Records
Box   16
Folder   49
Budgets
Box   16
Folder   50
Financial Statements
Box   16
Folder   51
Foreign Productions - Correspondence, 1973-1974
Box   16
Folder   52
Partnership Agreements
Payroll and Salary Records
Box   16
Folder   53
Payroll Ledgers, 1975
Box   58
Folder   9
Payroll Lists, 1974-1975
Box   58
Folder   8
Record of Employee Earnings, 1973-1974
Box   58
Folder   10
Salary Lists, 1973-1974
Box   63
Folder   8
Photographs
Box   16
Folder   54
Programs
Box   16
Folder   55
Royalties
Box   17
Folder   1
Stage Manager's Daily Reports, 1973 March-April
Box   17
Folder   2-3
Tax Returns
Box   17
Folder   4
Theater Development Fund - Contract and Correspondence
Box   17
Folder   5
Ticket Sales
Box   17
Folder   6
Road Tours - Correspondence and Royalty Statements, 1973-1976
Illya Darling
Box   17
Folder   7
Billing
Box   17
Folder   8
Box Office Statements
Box   17
Folder   9
Casting; Cast, Crew, and Staff Lists
Box   17
Folder   10
Casting and Staffing Suggestions
Contracts
Box   17
Folder   11
Actors' Contracts
Box   17
Folder   12
Crew Contracts
Box   17
Folder   13-14
Production Contracts
Box   17
Folder   15
Singers, Dancers, Extras
Box   17
Folder   16
Sondheim, Stephen
Box   17
Folder   17
Theater Contracts
Box   17
Folder   18
United Artists regarding Recordings; Royalties, Correspondence
Correspondence
Box   17
Folder   19
General, 1960-1968
Box   17
Folder   20
Actors' Equity Association
Box   17
Folder   21
Bernheim, Alain and Jules Dassin
Box   17
Folder   22
Equipment, Costumes, Props - Estimates and Inventories
Financial Records
Box   17
Folder   23
Check Registers
Box   17
Folder   24
Financial Statements
Box   17
Folder   25
Production Cost and Financial Statements; Budgets
Box   17
Folder   26
Miscellaneous Records
Box   17
Folder   27
Immigration Correspondence and Records
Box   17
Folder   28
Manifests
Box   17
Folder   29
Melina Mercouri's Alien Dues to Actor's Equity Association
Box   17
Folder   30
Miscellany
Music
Box   17
Folder   31
Arranging and Copying Bills
Box   17
Folder   32
Lyrics and Musical Numbers
Box   17
Folder   33
Sheet Music and Lead Sheets
Box   17
Folder   34
Musicians and Instruments Lists
Box   17
Folder   35
Playbills and Programs
Box   17
Folder   36
Production and Audition Schedules
Box   18
Folder   1
Production Notes
Box   18
Folder   2
Publicity and Advertising - Statements, Invoices, Radio Spots, Billboards
Box   18
Folder   3
Reviews
Box   18
Folder   4
Royalties
Box   18
Folder   5
Salary Lists and Payroll Correspondence
Box   18
Folder   6
Scene Breakdowns
Scripts
Box   18
Folder   7
Uncut Draft Script of “Never on Sunday” (stage play)
Box   18
Folder   8
Script Changes and Fragments
Box   18
Folder   9
English Subtitles for Greek Dialogue (Never on Sunday)
Box   18
Folder   10
Set Sketches
Box   18
Folder   11-13
Weekly Settlements and Statements
Box   18
Folder   14
Souvenir Book Statements
Box   18
Folder   15
Tax Returns
Ticket Sales
Box   18
Folder   16
Theater Parties - Correspondence
Box   18
Folder   17
Ticket Requests
Box   18
Folder   18
Opening Night Ticket Requests and Opening Night Party
Ionescopade
Box   18
Folder   19
Cast Resumes and Applications, 1975
Box   18
Folder   20
Production Contracts, 1974
Box   18
Folder   21
Correspondence, 1973-1975
Financial Records
Box   18
Folder   22
Financial Statements
Box   18
Folder   23
Itemized Bills
Box   18
Folder   24
Miscellany
Box   18
Folder   25
Newspaper Clippings
Partnership Agreements
Box   18
Folder   26
Offering Circular
Box   18
Folder   27
Agreements, Investors' Lists and Correspondence
Box   18
Folder   28
Securities and Exchange Commission Notifications
Box   63
Folder   9
Photographs
Box   18
Folder   29
Programs and Program Information
Box   58
Folder   11
Salary Lists and Ledger Pages, 1974
Box   18
Folder   30
Tax Returns
The Lark
Note: Produced New York, November 7, 1955
Box   19
Folder   1
Billing
Box   19
Folder   2
Box Office Statements
Micro 1021
Reel   3
Clippings - London, New York, and Tour
U.S. Mss 8AN
Contracts
Box   19
Folder   3
Actors' Contracts
Box   19
Folder   4
Harris, Julie
Box   19
Folder   5
Production Contracts
Correspondence
Box   19
Folder   6
Allied Artists Pictures, 1955-1956
Box   19
Folder   7
Anouilh, Jean (Author), 1954
Box   19
Folder   8
Bernstein, Leonard, 1955-1956
Box   19
Folder   9
Cast, 1955-1956
Box   19
Folder   10
General, 1954-1961
Box   19
Folder   11
Harris, Julie, 1954-1956
Box   19
Folder   12
Hellman, Lillian, 1951-1956
Box   19
Folder   13
Paul, Weiss, Rifkind, Wharton, and Garrison (Attorneys), 1953-1955
Box   19
Folder   14
Production, 1953-1957
Box   19
Folder   15
Van Loewen, Jan, 1954-1957
Box   19
Folder   16
Costume Plot and Inventories
Box   19
Folder   17
Cue Sheet, Line Plot, Spot Lines, Lighting Plot
Financial Records
Box   19
Folder   18
Estimated Production Expenses
Box   19
Folder   19
Financial Statements
Box   66
Ground Plans, Layout
Box   19
Folder   20
Music
477A/7
Songs (in French)
U.S. Mss 8AN
Partnership Agreements
Box   19
Folder   21
Agreements, Lists of Investors
Box   19
Folder   22
Investors' Correspondence, 1954-1956
Box   63
Folder   10-11
Photographs
Box   19
Folder   23
Production Schedule, Cast Addresses
Box   19
Folder   24
Props
Box   19
Folder   25-26
Publicity and Advertising - Invoices, Press Releases
Box   19
Folder   27
Programs
Box   19
Folder   28
Royalties
Box   19
Folder   29
Salary Lists
Scripts, by Jean Anouilh, adapted by Lillian Hellman
Box   19
Folder   30-31
Original and Early Scripts
Box   19
Folder   32
Rehearsal Script, annotated with stage directions
Box   19
Folder   33
Produced Version
Box   19
Folder   34
Published Copy
Box   19
Folder   35
Script and Production Notes
Box   20
Folder   1
Script Notes - Conversation between Jean Anouilh and William Wyler
Box   20
Folder   2
Incomplete Rewrites of Acts I and II
Box   20
Folder   3
Script for Touring Company
Box   20
Folder   4
Weekly Settlements, 1955 October-1956 June
Box   20
Folder   5
Tax Returns
Box   20
Folder   6
Ticket Sales - Opening Night Requests
Tour
Box   20
Folder   7
Box Office Statements
Box   20
Folder   8
Cast List, Itinerary, Other Production Records
Box   20
Folder   9
Production Contracts
Correspondence
Box   20
Folder   10
General and Ticket Correspondence, 1955-1956
Box   20
Folder   11
Cast, 1956
Box   20
Folder   12
Harris, Julie, 1956
Box   20
Folder   13
Production, 1956-1964
Box   20
Folder   14
Skinner, Richard (Company Manager), 1956-1957
Box   20
Folder   15
Ward, Mary (Press Agent), 1956
Box   20
Folder   16
Lighting Notes, Equipment Lists
Box   20
Folder   17
Playbill from London Production
Box   20
Folder   18
Publicity and Advertising
Box   20
Folder   19
Salary Lists
Box   20
Folder   20
Sound and Music Cues, Timing Sheet
Box   20
Folder   21
Weekly Settlements, 1956
Box   20
Folder   22
Tickets - Suggested Price Scales
Legend of Sarah
Box   20
Folder   23
Box Office Statements
Box   20
Folder   24
Production Contracts
Box   20
Folder   25
Correspondence, 1950-1958
Box   20
Folder   26
Financial Records - Statements, List of Investors, Budgets
Box   20
Folder   27
Partnership Agreements
Box   66
Photographs
Box   66
Props and Costume Inventories, Light Plots, Floor Plans, Elevations
Publicity and Advertising
Box   58
Folder   1
Poster
Box   20
Folder   28
Press Releases, Opening Night Ticket Sales
Box   20
Folder   29
Royalties
Box   20
Folder   30
Salary Lists
Scripts, by James Gow and Arnaud d'Usseau
Box   20
Folder   31
Script
Box   20
Folder   32
Revised Script
Box   20
Folder   33
Second Revised Script
Box   20
Folder   34
Third Revised Script
Box   20
Folder   35
Revisions of Act 3, Scene 2
Box   20
Folder   36
Weekly Settlements and Statements, Salaries
Box   20
Folder   37
Tax Returns
Look Homeward, Angel
Note: Produced New York, November 27, 1957
Box   20
Folder   38
Accident Reports
Box   20
Folder   39
Billing
Box Office Statements
Box   20
Folder   40
1957 November-1958 March
Box   21
Folder   1-2
1958 March-1959 March
Box   21
Folder   3
Cast Addresses, Casting Notes
Micro 1021
Reel   3
Clippings
U.S. Mss 8AN
Contracts
Box   21
Folder   4
Actors' Contracts
Box   21
Folder   5
Production Contracts
Correspondence
Box   21
Folder   6
General, 1957-1960
Box   21
Folder   7
Cast, 1957-1959
Box   21
Folder   8
Frings, Ketti (Author), 1957-1962
Box   21
Folder   9
Paul, Weiss, Rifkind, Wharton, and Garrison (Attorneys), 1957-1962
Box   21
Folder   10
Production Correspondence, 1957-1963
Box   21
Folder   11
Ritter, Ted (Theatrical Interests Plan Inc.), 1957-1962
Box   21
Folder   12
Whyte, Jerome (Rodgers and Hammerstein - London Production), 1958-1959
Box   21
Folder   13
Witt, Peter (Foreign Productions), 1957-1959
Box   21
Folder   14
Wolfe, Fred and Thomas Wolfe Estate, 1957-1959
Box   21
Folder   15
Costumes
Financial Records
Box   21
Folder   16
Estimated Production Expenses
Box   21
Folder   17
Financial Statements
Box   21
Folder   18
Weekly Financial Statements
Box   66
Ground Plans
Box   21
Folder   19
Lighting and Props
Box   21
Folder   20
Literary Production Rights - Contracts
Box   21
Folder   21
Motion Picture Rights
Box   21
Folder   22
Music
Partnership Agreements
Box   21
Folder   23
Agreements
Box   21
Folder   24
Investors' Correspondence, 1957-1964
Box   63
Folder   12-13
Photographs
Box   66
Photographs
Box   21
Folder   25
Playbills and Programs
Box   21
Folder   26
Publicity and Advertising - Press Releases, Interviews, Advertising Copy, Advertising
Royalties
Box   21
Folder   27
General Records
Box   21
Folder   28
Frings, Ketti
Box   21
Folder   29
Hill, George Roy
Box   21
Folder   30
Estate of Thomas Wolfe
Box   22
Folder   1
Weekly Settlements, 1957-1959
Box   22
Folder   2
Synopsis of Proposed Movie
Box   22
Folder   3
Tax Returns
Box   22
Folder   4
Ticket Orders and Correspondence
Tour
Box   22
Folder   5
Box Office Statements, 1959-1960
Box   22
Folder   6
Financial Records - Weekly Grosses and Estimated Production Expenses
Box   22
Folder   7
Ground Plans and Equipment
Box   22
Folder   8
Royalties
Box   22
Folder   9
Weekly Settlement and Financial Statements
Box   22
Folder   10
Tour Correspondence, 1957-1959
Maiden Voyage
Note: Produced Philadelphia, March 18, 1957
Box   22
Folder   11
Billing, Cast List
Box   22
Folder   12
Box Office Statements
Contracts
Box   22
Folder   13
Actors' Contracts
Box   22
Folder   14
Production Contracts
Box   22
Folder   15
Production Rights Contracts
Correspondence
Box   22
Folder   16
General, 1956-1961
Box   22
Folder   17
Cast, 1956-1957
Box   66
Costume Sketches, Advertisement
Box   22
Folder   18
Financial Statements, Budgets, Payroll Records, Tax Returns
Partnership Agreements
Box   22
Folder   19
Agreements
Box   22
Folder   20-21
Investors' Correspondence, 1956-1961
Box   22
Folder   22
Playbills and Programs
Box   22
Folder   23
Production Records
Box   22
Folder   24
Salary Lists
Scripts, by Paul Osborn
Box   22
Folder   25-26
Scripts (2)
Box   22
Folder   27
Original Revised Script, 1960 October 18
Box   22
Folder   28
Elizabeth Lawrence Copy of Script, with annotations and cue directions
Box   22
Folder   29
Weekly Settlements and Statements
Box   22
Folder   30
Tickets - Opening Night and Other Ticket Requests
The Man
Box   22
Folder   31
Box Office Statements
Micro 1021
Reel   3
Clippings
U.S. Mss 8AN
Box   22
Folder   32
Production Contracts
Box   22
Folder   33
Correspondence, 1949-1951
Financial Records
Box   22
Folder   34
Financial Statements
Box   22
Folder   35
Weekly Financial Statements
Box   22
Folder   36
Partnership Agreements and Investors' Correspondence
Box   22
Folder   37
Playbills and Programs
Box   66
Prop, Costume, and Light Plots; Sketches, Ground Plans, Elevations
Box   22
Folder   38
Reviews
Box   22
Folder   39
Royalties
Box   22
Folder   40
Salary Lists
Box   22
Folder   41
Script, by Mel Dinelli, undated
Box   23
Folder   1
Weekly Settlements and Statements
Box   23
Folder   2
Tax Returns
Box   23
Folder   3
Tickets - Opening Night and Other Sales
Montserrat
Box   23
Folder   4
Box Office Statements
Micro 1021
Reel   3
Clippings
U.S. Mss 8AN
Box   23
Folder   5
Production Contracts and Contract for Motion Picture Rights
Box   23
Folder   6
Correspondence, 1948-1961
Box   23
Folder   7
Costumes, Props, Equipment, Sets - Lists and Bills
Financial Records
Box   23
Folder   8
Financial Statements and Weekly Financial Statements
Box   52
Folder   12
Ledger of Receipts and Expenditures
Box   66
Floor Plan, Elevations
Box   23
Folder   9
Partnership Agreements, Investors' Correspondence and Lists
Box   23
Folder   10
Playbills
Publicity and Advertising
Box   23
Folder   11
Invoices
Box   58
Folder   1
Poster
Box   23
Folder   12
Royalties
Box   23
Folder   13
Salary Lists
Box   23
Folder   14
Scenario
Scripts
Box   23
Folder   15
Typescript
Box   23
Folder   16
Prompt Script
Box   23
Folder   17
Prompt Script, as produced
Box   23
Folder   18
Weekly Settlements and Statements
Box   23
Folder   19
Tax Returns
Box   23
Folder   20
Ticket Sales
Micro 1021
Moon on a Rainbow Shawl
Note: Produced New York, January 15, 1962
Reel   3
Clippings
U.S. Mss 8AN
Box   23
Folder   21
General and Production Contracts
Box   23
Folder   22
Correspondence, 1961-1963
Box   23
Folder   23
Financial Statement
Partnership Agreements
Box   23
Folder   24
Agreements, Investors' Lists and Correspondence
Box   23
Folder   25
Correspondence with Investors
Box   23
Folder   26
Program and Cast List
Box   23
Folder   27
Publicity and Advertising - Invoices and Advertising Copy
Box   23
Folder   28
Salary and Other Expenses; Tax Returns
Scripts, by Errol John
Box   23
Folder   29
First Mimeo Script, 1961 September 27, with audition notes
Box   23
Folder   30
Rehearsal Mimeo, 1961 December 11
Box   23
Folder   31
Produced Version, 1962 January 16
Box   23
Folder   32
Weekly Settlements and Box Office Statements
The Most Happy Fella
Note: Produced New York, May 3, 1956
Box   23
Folder   33
Accident and Insurance Reports
Box Office Statements
Box   23
Folder   34-36
1956 March-1957 May
Box   24
Folder   1-3
1957 May-1958 June
Box   24
Folder   4
Cast Absentee Lists
Box   24
Folder   5
Cast and Crew Lists; Salary Lists
Micro 1021
Reel   3
Clippings
U.S. Mss 8AN
Box   24
Folder   6
Columbia Records Inc. - Royalties, Correspondence, Contract
Contracts
Box   24
Folder   7
Actors' Contracts
Box   24
Folder   8
Motion Picture Contracts with RKO
Box   24
Folder   9
Production Contracts and Correspondence
Box   24
Folder   10-11
Singers and Dancers Contracts
Correspondence
Box   24
Folder   12
General, 1955-1961
Box   24
Folder   13
Actors' Equity Association
Costumes
Box   24
Folder   14
Estimates, Correspondence, Inventories
Box   58
Folder   2
Costume Sketches
Financial Records
Box   24
Folder   15
Budgets and Schedules
Box   24
Folder   16
Financial Statements, 1956-1968
Box   24
Folder   17
Immigration Records
Box   24
Folder   18
Music - Copying Bills and Contracts
Partnership Agreements
Box   25
Folder   1
Agreements
Box   25
Folder   2
Assignments
Box   25
Folder   3
Investors' Correspondence
Box   63
Folder   15-16
Photographs
Box   25
Folder   4
Production Notes
Box   25
Folder   5
Programs and Souvenir Booklets
Box   25
Folder   6
Props and Equipment - Contracts, Correspondence, Inventories
Publicity and Advertising
Box   25
Folder   7
Father's Day Advertising Plans
Box   25
Folder   8
Invoices, Correspondence, Schedules and Rates, Advertising Copy
Box   25
Folder   9
Royalties
Box   25
Folder   10-11
Salary Lists
Scripts
Box   25
Folder   12
Typescript
Box   25
Folder   13
Second Draft Script, by Frank Loesser, 1955 December 15 (Bloomgarden's Copy)
Box   25
Folder   14
Revised Script (Stage Manager's Copy)
Box   25
Folder   15-17
Weekly Settlements and Statements, 1956 March-1958 June
Box   25
Folder   18
Tax Returns
Box   25
Folder   19-20
Tickets - Orders, Sales, Opening Night Press List
Box   25
Folder   21
Vocal Score and Libretto, annotated
Tour
Box   26
Folder   1
Theater and Production Contracts, Correspondence, Cast List, Statement, Grosses
London Production
Box   26
Folder   2
Contracts and Correspondence, British Production Rights
Box   26
Folder   3
Weekly Statements
The Music Man
Note: Produced New York, December 19, 1957
Box   26
Folder   4
Accident Report, 1957 November-1961 October
Box   26
Folder   5
Billing
Box   26
Folder   6-10
Box Office Statements, 1957 November-1961
Cast Record Album
Box   26
Folder   11
Contract and Correspondence, 1957-1969
Box   26
Folder   12
Royalty Statements, 1958-1969
Micro 1021
Reel   3-4
Clippings
U.S. Mss 8AN
Contracts
Box   26
Folder   13-14
Cast
Box   26
Folder   15
Costume Designer
Box   26
Folder   16
Director
Box   26
Folder   17
Hair Stylists, Choreographer, Scenic Designer, Souvenir Book Printer
Box   26
Folder   18
Musicians, Orchestrator
Box   26
Folder   19-20
Singers and Dancers
Box   26
Folder   21
Technical Staff
Box   26
Folder   22
Theaters, with Correspondence
Correspondence
Box   26
Folder   23
Actors' Equity Association, 1957-1962
Box   26
Folder   24
Cast, 1957-1961
Box   26
Folder   25
Estate of Anne Gordon, 1957-1961
Box   27
Folder   1-3
General, 1956-1963, 1976
Box   27
Folder   4
Wilson, Meredith, 1958-1962
Box   27
Folder   5
Costumes - Bills and Inventories
Box   27
Folder   6
Cue Books, Master Cue Sheet, Cue Sheets for Lights and Sound
Financial Records
Box   27
Folder   7
Bills (Sampling)
Box   27
Folder   8
Budget
Box   27
Folder   9-14
Financial Statements, 1958-1964, 1967-1968
Box   27
Folder   15
Weekly Financial Statements, 1958-1961
Box   27
Folder   16
Hairdressers' Bills
Box   27
Folder   17
Insurance - Statements, Correspondence
Box   27
Folder   18
Litigation - Correspondence, Affidavits
Motion Picture
Box   27
Folder   19
Newspaper Clippings
Box   27
Folder   20
Receipts and Income, 1962-1968
Music
Box   27
Folder   21
Arranging and Printing Bills
Music and Sound Effects
477A/5
“Country” noises, wind
477A/6
Noises, bells, whistles, rain, wind
U.S. Mss 8AN
Partnership Agreements
Box   27
Folder   22
Agreements and Correspondence, 1957-1969
Box   27
Folder   23-25
Investors' Correspondence, 1957 May-1964 June
Box   27
Folder   26
List of Investors
Box   28
Folder   1
Sale of Partnership - Correspondence, Agreements
Box   28
Folder   2
Pension Fund Payment Reports
Box   28
Folder   3
Playbills and Programs
Publicity and Advertising
Box   28
Folder   4
Correspondence, 1958-1960
Box   28
Folder   5
Interview Appointments, Invoices, Television Ad Copy, Schedules
Box   28
Folder   6
Miscellaneous
Box   28
Folder   7
Newspaper Advertising - Invoices
Box   28
Folder   8
Press Releases
Box   28
Folder   9
Royalties
Box   28
Folder   10-11
Salary Lists
Scripts, by Meredith Willson
Box   28
Folder   12
Original Script and Notes
Box   28
Folder   13
First Mimeo Script, 1956 June
Box   28
Folder   14
Revised Script, 1956 November-December
Box   28
Folder   15
Revised Master Script, 1957 January 19
Box   28
Folder   16
Script, 1957 April 5
Box   28
Folder   17
Script, 1957 July 17
Box   28
Folder   18
Script, 1957 September 10
Box   28
Folder   19
Rehearsal Script, 1957 September 23
Box   28
Folder   20
Produced Version, 1957 December 19
Box   28
Folder   21
Assembled Version, with all songs and routines later cut
Box   28
Folder   22
Book
Box   29
Folder   1
Printed Vocal Score
Box   60
Folder   1-2
Scores for Acts 1 and 2
Scores for Small Orchestra
Box   59
Printed Scores for Acts 1 and 2
Box   29
Folder   2
Bass
Box   60
Folder   3
Cello
Box   29
Folder   3
Percussion
Box   29
Folder   4
Reed 1 (Flute, Piccolo, Clarinet)
Box   29
Folder   5
Reed 2 (Clarinet, Tenor Saxophone)
Box   29
Folder   6
Reed 3 (Clarinet, Bass Clarinet)
Box   29
Folder   7
Reed 4 (Clarinet, Baritone Saxophone)
Box   29
Folder   8-9
Trombone
Box   29
Folder   10-11
Trumpet 1 and 2
Box   29
Folder   12
Trumpet 3
Box   61
Folder   1
Violin
Box   29
Folder   13
Solo Violin
Box   29
Folder   14-18
Weekly Settlements and Statements, 1957 November-1961 April
Box   30
Folder   1
Tax Returns
Box   30
Folder   2-3
Ticket Sales and Requests
National Company (Tour)
Box   30
Folder   4
Accident Reports, 1958-1964
Box   30
Folder   5
Billing
Box   30
Folder   6-8
Box Office Statements, 1958-1962
Contracts
Box   30
Folder   9-10
Actors' Contracts, with Correspondence, Salary Lists
Box   30
Folder   11
Lighting, Sound Equipment
Box   30
Folder   12
Musicians
Box   30
Folder   13-14
Singers and Dancers
Box   30
Folder   15
Technical Staff
Box   30
Folder   16-18
Theaters
Correspondence
Box   30
Folder   19
Actors' Equity Association Arbitration, 1961
Box   31
Folder   1
Cast Corrspondence, 1958-1962
Box   31
Folder   2
General Correspondence, 1958-1962
Box   31
Folder   3
Theater Guild Subscription Service, 1957-1961
Financial Records
Box   31
Folder   4
Budgets, 1958
Box   31
Folder   5
Weekly Financial Statements, 1958-1962
Box   31
Folder   6
Los Angeles Civic Light Opera Association - Contracts, Financial Statements, Settlement, Correspondence, 1958-1959
Box   31
Folder   7
Newspaper Clippings
Box   31
Folder   8
Pension Fund Payment Reports, 1960-1963
Box   31
Folder   9
Programs, 1957-1960
Box   31
Folder   10
Publicity and Advertising, 1958-1962
Box   31
Folder   11-13
Salary Lists, 1958 August-1962 March
Box   61
Folder   2
Salary Lists, 1961-1962
Box   31
Folder   14
Tour Schedule
Box   31
Folder   15-19
Weekly Settlements and Statements, 1958 August-1962
Second National Company (Tour)
Box   31
Folder   20
Billing
Box   31
Folder   21
Box Office Statements, 1962
Contracts
Box   31
Folder   22
Actors' Contracts, 1961-1962
Box   31
Folder   23
Musicians and Technical Staff
Box   31
Folder   24
Singers and Dancers
Box   31
Folder   25
Theaters
Box   61
Folder   4
Theaters, 1961-1962
Box   32
Folder   1
Correspondence, 1958 February-1962 March
Financial Records
Box   32
Folder   2
Weekly Financial Statements, 1961-1962
Box   32
Folder   3
Bills (Sampling)
Box   32
Folder   4
Miscellany
Box   32
Folder   5
Pension Fund Payment Reports, 1961-1962
Box   32
Folder   6
Programs
Box   32
Folder   7
Publicity and Advertising - Correspondence, 1961 October-1962 March
Box   32
Folder   8
Salary Lists
Box   61
Folder   3
Salary Lists, 1961-1962
Box   32
Folder   9
Tour Schedule
Box   32
Folder   10
Weekly Settlements and Statements, 1961 September-1962 April
Other Productions
Australian Production
Box   32
Folder   11
Box Office Statements and Correspondence, 1958-1960
Box   32
Folder   12
Royalties, 1959-1961
Box   32
Folder   13
German and New Zealand Productions - Royalties, 1961-1962
London Production
Box   32
Folder   14
Box Office Statements, 1961 February-1962 May
Box   32
Folder   15
Correspondence, 1959-1962
Box   32
Folder   16
Financial Statements and Accounts, 1961-1962
Box   32
Folder   17
Newspaper Clippings
Box   32
Folder   18
Production Agreement, 1960-1961
Box   32
Folder   19
Programs
Box   32
Folder   20
Royalties
Box   32
Folder   21
Other Foreign Productions - Correspondence, 1957-1961
Summer Stock Productions
Box   32
Folder   22
Correspondence, 1957-1963
Box   32
Folder   23
Royalties, 1958-1963
My Mother, My Father, and Me
Note: Produced New York, March 23, 1962
Box   32
Folder   24
Box Office Statements
Micro 1021
Reel   3
Clippings
U.S. Mss 8AN
Box   32
Folder   25
Production Contracts
Box   32
Folder   26
Correspondence, 1962-1964
Box   32
Folder   27
Financial Records, including Weekly Settlements
Partnership Agreements
Box   32
Folder   28
Agreements
Box   32
Folder   29
Investors' Correspondence and Lists
Box   32
Folder   30
Props and Equipment - Inventories and Bills
Box   32
Folder   30
Casting Suggestions
Box   32
Folder   31
Program
Box   32
Folder   32
Publicity and Advertising - Contract and Invoices
Scripts, by Lillian Hellman
Box   32
Folder   33
First Mimeo, 1962 November 23
Box   32
Folder   34
Second Mimeo, 1962 December 29
Box   32
Folder   35
Revisions of Acts I and II
Box   33
Folder   1
Revisions of Act II
Box   33
Folder   2
Script and Production Notes
Box   33
Folder   3
Tax Records
The Night of the Auk
Note: Produced New York, December 3, 1956
Box   33
Folder   4
Billing
Box   33
Folder   5
Box Office Statements
Micro 1021
Reel   4
Clippings
U.S. Mss 8AN
Box   33
Folder   6
Production Contracts
Box   33
Folder   7
Correspondence, 1956-1960
Box   33
Folder   8
Financial Statements and Records
Box   33
Folder   9
Insurance
Partnership Agreements
Box   33
Folder   10
Agreements
Box   33
Folder   11
Investors Correspondence
Production Records
Box   33
Folder   12
Hanging Plot, Prop List
Box   33
Folder   13
Runthrough Notes, Time List
Box   33
Folder   14
Programs
Box   33
Folder   15
Salary Lists, Budgets, Royalties
Scripts, by Arch Oboler
Box   33
Folder   16
Revised Script, no cuts, copyright 1956
Box   33
Folder   17
Revised Script, 1956 July 23
Box   33
Folder   18
Revised Script, 1956 September 20
Box   33
Folder   19
Revised Script, 1956 October 9
Box   33
Folder   20
Stage Manager's Script
Box   33
Folder   21
Weekly Settlements and Statement
Box   33
Folder   22
Tax Returns
Box   33
Folder   23
Tickets
Nowhere To Go But Up
Note: Produced New York, November 10, 1962
Box   33
Folder   24
Billing
Box   33
Folder   25
Box Office Statements
Micro 1021
Reel   4
Clippings
U.S. Mss 8AN
Box   33
Folder   26
Columbia Records Inc. - Contract
Box   33
Folder   27
Production Contracts
Box   33
Folder   28
Correspondence, 1962-1964
Financial Records
Box   33
Folder   29
Bills and Invoices, Cost Estimates
Box   33
Folder   30
Financial Statements and Weekly Settlements
Box   66
Floor Plans, Prop List
Box   61
Folder   5
Musical Score
Partnership Agreements
Box   33
Folder   31
Agreements
Box   33
Folder   32
Investors' Correspondence
Box   33
Folder   33
Programs
Box   33
Folder   34
Publicity and Advertising
Box   33
Folder   35
Salary Lists
Box   61
Folder   6
First Mimeo Script: “Izzy and Moe” / by James Lipton and Sol Berkowitz, 1962 June 1
Box   33
Folder   36
Tax Returns
Box   33
Folder   37
Tickets - Orders, Correspondence
The Playroom
Box   34
Folder   1
Box Office Statements, Weekly Financial Statements, 1965-1966
Contracts
Box   34
Folder   2
Actors' Contracts
Box   34
Folder   3
Crew and Press Agents
Box   34
Folder   4
Dramatists' Guild
Box   34
Folder   5
Lighting, Sound Equipment, Advertising, Theaters
Box   34
Folder   6
MGM Motion Picture Rights
Box   34
Folder   7
Set Designer, Costume Designer, Director
Box   34
Folder   8
Songs, Music
Correspondence
Box   34
Folder   9
Casting Correspondence, 1965 July-December
Box   34
Folder   10
General Correspondence, 1965 April-1966 May
Box   34
Folder   11
Legal Correspondence, 1965 July-1966 June
Box   34
Folder   12
Partnership Agreements
Box   34
Folder   13
Production and Operating Budgets
Box   34
Folder   14
Props and Set Design - Lists, Sketches, Correspondence, Invoices, 1965
Box   34
Folder   15
Publicity and Advertising
Box   34
Folder   16
Rehearsal and Production Notes
Box   34
Folder   17
Tax Returns
The Sea Horse
Box   34
Folder   18
Box Office Statements
Micro 1021
Reel   4
Clippings
U.S. Mss 8AN
Contracts
Box   34
Folder   19
Author
Box   34
Folder   20
Cast and Technical Staff
Box   34
Folder   21
Theatre Development Fund
Box   34
Folder   22
Theaters
Box   34
Folder   23
Correspondence, 1974 March-1975 April
Financial Records
Box   34
Folder   24
Budgets
Box   34
Folder   25
Financial Statements, 1974 June-1975 January
Box   34
Folder   26
Miscellany
Box   34
Folder   27
Partnership Agreements
Box   34
Folder   28
Program
Box   34
Folder   29
Royalties
Box   61
Folder   7
Salary Lists, 1974
Box   34
Folder   30
Tax Returns
The Shrike (National Company)
Box   34
Folder   31
Box Office Statements
Micro 1021
Reel   4
Clippings
U.S. Mss 8AN
Contracts
Box   34
Folder   32
Production Contracts
Box   34
Folder   33
Theater Contracts
Box   34
Folder   34
Correspondence, 1952
Financial Records
Box   34
Folder   35
Financial Statements
Box   34
Folder   36
Weekly Financial Statements
Box   34
Folder   37
Partnership Agreements
Box   63
Folder   17
Photographs
Box   34
Folder   38
Playbills and Programs
Box   34
Folder   39
Props and Equipment - Inventories, Lighting
Box   34
Folder   39
Costumes - Inventories
Box   34
Folder   39
Cast List
Box   34
Folder   40
Publicity and Advertising - Press Releases, Advertisements, Tour Schedule, Invoices
Box   34
Folder   41
Salary Lists
Box   34
Folder   42
Script, by Joseph Kramm
Box   35
Folder   1
Weekly Settlements and Statements
Box   35
Folder   2
Tax Returns
Toys in the Attic
Note: Produced New York, February 25, 1960
Box   35
Folder   3-5
Box Office Statements
Contracts
Box   35
Folder   6
Actors' Contracts
Box   35
Folder   7
Author's Contract
Box   35
Folder   8
Director, Costume Designer, Composer, Scenic Designer
Box   35
Folder   9
Lighting Contracts
Box   35
Folder   10
Technical Staff Contracts
Box   35
Folder   11
Theater Contract
Box   61
Folder   8
Theater Party Contracts, 1959-1960
Box   35
Folder   12
Motion Picture Contract and Correspondence
Correspondence
Box   35
Folder   13
Author's Correspondence, 1959-1962
Box   35
Folder   14
Cast Correspondence, 1959-1962; Casting Suggestions
Box   35
Folder   15
General Correspondence, 1959-1962
Box   35
Folder   16
Legal Correspondence, 1959-1961
Box   35
Folder   17
Costumes and Props - Lists, Contracts, Invoices, 1960-1962
Financial Records
Box   35
Folder   18
Budgets
Box   35
Folder   19
Bills (Sampling)
Box   35
Folder   20
Financial Statements, 1960-1962
Box   35
Folder   21
Weekly Financial Statements
Box   61
Folder   9
Miscellany
Box   35
Folder   22
Music
1101A/1
Music
U.S. Mss 8AN
Partnership Agreements
Box   35
Folder   23
Agreements
Box   35
Folder   24
Investors' Correspondence, 1959-1962
Box   63
Folder   18
Photographs
Box   35
Folder   25
Programs
Publicity and Advertising
Box   35
Folder   26
Press Releases, Correspondence, 1960
Box   35
Folder   27-28
Invoices, 1960-1961
Box   35
Folder   29
Salary Lists
Box   61
Folder   10
Salary Lists, 1960-1961
Scripts, by Lillian Hellman
Box   35
Folder   30
First Mimeo, 1959 November 5, with extensive revisions and corrections (“Miss Hellman's Play - Master”)
Box   35
Folder   31
Second Mimeo, 1960 January 11
Note: Annotated
Box   35
Folder   32
Rehearsal Script - Second Mimeo Script with Stage and Lighting Cues, 1960 January 11
Box   35
Folder   33
Produced Version, 1960 February 25
Box   35
Folder   34
Miscellaneous Script Pages
Box   35
Folder   35
Script Notes, Corrections, Changes
Box   66
Set Plans
Box   35
Folder   36-37
Weekly Settlements and Statements
Box   36
Folder   1
Tax Returns
Tour Company
Box   36
Folder   2
Box Office Statements, 1961-1962
Contracts
Box   36
Folder   3
Actors' Contracts
Box   36
Folder   4
Technical Staff Contracts
Box   61
Folder   11
Theater Contracts
Correspondence
Box   36
Folder   5
Cast Correspondence, 1959-1962
Box   36
Folder   6
Constance Bennett Press Matter, 1962
Box   36
Folder   7
Road Manager's Correspondence, 1961-1962
Box   36
Folder   8
Theatre Guild Subscription Service and Theater Parties, 1959-1962
Financial Records
Box   36
Folder   9
Budget
Box   36
Folder   10
Weekly Financial Statements
Box   36
Folder   11
Props, Costumes - Inventories
Box   36
Folder   12
Publicity and Advertising - Programs, Press Releases, Newspaper Clippings
Box   61
Folder   12
Salary Lists, 1961-1962
Box   36
Folder   13
Ticket and Tour Schedule Records, 1959-1962
Box   36
Folder   13
Weekly Settlements and Statements, 1961-1962
London Production
Box   36
Folder   14
Box Office Statements
Box   36
Folder   15
British Production Rights, 1960
Box   36
Folder   16
Correspondence, 1960-1961
Box   36
Folder   17
Miscellany
Box   36
Folder   18
Summary of Receipts and Expenses
A View From the Bridge
Note: Produced New York, September 29, 1955
Box   36
Folder   19
Box Office Statements
Box   36
Folder   20
British Production Rights
Micro 1021
Reel   4
Clippings
U.S. Mss 8AN
Contracts
Box   36
Folder   21
Actors' Contracts
Box   36
Folder   22
Author's Contract, and Correspondence with Arthur Miller
Box   36
Folder   23
Crew Contracts
Box   36
Folder   24
Production Contracts
Box   36
Folder   25
Theater Contracts
Box   36
Folder   26
Correspondence, 1955-1957, Schedules, and Miscellany
Box   36
Folder   27
Cue Cards, Cue Sheets, Lighting Notes, Lighting Plots
Financial Records
Box   36
Folder   28
Financial Statements
Box   36
Folder   29
Miscellaneous Invoices and Bills
Disc 96
Music: “Paper Doll”
477A/4
Music and Sound Effects - Harbor Noises and song “Paper Doll”
U.S. Mss 8AN
Box   36
Folder   30
Partnership Agreements and Assignments
Box   36
Folder   30A
Playbill
Box   36
Folder   31
Prop Lists and Costume Plots
Box   36
Folder   32
Royalties
Box   36
Folder   33
Salary Lists
Box   36
Folder   34
Script: “A Memory of Two Mondays” / by Arthur Miller, undated
Box   36
Folder   35
Weekly Settlements and Statements
Box   37
Folder   1
Tax Returns
The Wall
Note: Produced New York, October 11, 1960
Box   37
Folder   2
Box Office Statements, 1960 September-1961 March
Box   37
Folder   3
Casting Notes
Box   37
Folder   4
Children's Work Permits
Micro 1021
Reel   4
Clippings
U.S. Mss 8AN
Contracts
Box   37
Folder   5
Actors' Contracts
Box   37
Folder   6
Da Costa, Morton (Director)
Box   37
Folder   7
Production Contracts
Correspondence
Box   37
Folder   8
General Correspondence, 1960 February-1961 March
Box   37
Folder   9
Legal Correspondence, 1960 April-October
Box   37
Folder   10
Rose, Billy, 1960 May-1961 January
Box   37
Folder   11
Costumes - Lists, Bills, Expenditures
Financial Records
Box   37
Folder   12
Financial Statements
Box   37
Folder   13
Weekly Financial Statements
Box   37
Folder   14
Miscellaneous Records, Budgets
Music and Sound Effects
477A/1
Carousel music, children singing, train and whistles, machine gun, airplane
477A/2
Traffic noises, concertina, marching train, tanks, single dog, baying dogs
477A/3
Baying dogs, children singing, bricks, band music, man's love song, truck, siren, concertina, whistle, loudspeaker, explosions, cannon, concertina
U.S. Mss 8AN
Partnership Agreements
Box   37
Folder   15
Agreements, Lists of Investors
Box   37
Folder   16
Investors' Correspondence, 1960-1961
Box   64
Folder   1
Photographs
Production Records
Box   37
Folder   17
Production Notes, Notes by Millard Lampell
Box   37
Folder   18
Sound Sheets
Box   37
Folder   19
Program
Box   37
Folder   20
Props and Equipment - Prop List, Invoices
Box   37
Folder   21
Publicity and Advertising - Correspondence, 1960
Box   37
Folder   22
Production Rights - Correspondence, 1960-1962
Box   37
Folder   23
Royalties
Box   37
Folder   24
Salary Lists, 1960-1961
Scripts, by Millard Lampell
Box   37
Folder   25
First Draft Script, undated
Box   37
Folder   26
First Draft Script, 1960 April
Box   37
Folder   27
First Mimeo Script, 1960 May, with revisions
Box   37
Folder   28
Rehearsal Script - First Mimeo, 1960 August 10, with Light and Sound Cues, annotated; Cast List
Box   38
Folder   1
Rehearsal Script, 1960 August 10; with annotations and corrections
Box   38
Folder   2
Produced Version, 1960 October 11
Box   38
Folder   3
Script Fragments and Notes
Box   38
Folder   4
Weekly Settlements, 1960 September-1961 March
Box   38
Folder   5
Tax Returns
Wedding Breakfast
Box   38
Folder   6
Box Office Statements
Micro 1021
Reel   4
Clippings
U.S. Mss 8AN
Box   38
Folder   7
Production Contracts
Box   38
Folder   8
Correspondence, 1954-1957
Financial Records
Box   38
Folder   9
Budgets, Expenses, Tickets
Box   38
Folder   10
Financial Statements
Box   38
Folder   11
Weekly Financial Statements
Box   38
Folder   12
Partnership Agreements
Box   64
Folder   2
Photographs
Box   38
Folder   13
Playbills and Programs
Box   38
Folder   14
Props and Equipment - Light Cue Sheets, Sets Lists, Inventories and Lists
Box   38
Folder   14
Costumes - Lists
Publicity and Advertising
Box   38
Folder   15
Advertising Copy, Billing
Box   38
Folder   16
Invoices, Press Releases
Box   58
Folder   1
Poster
Box   38
Folder   17
Royalties and Foreign Rights
Box   38
Folder   18
Salary Lists
Scripts, by Theodore Reeves
Box   38
Folder   19
Act I
Box   38
Folder   20-21
Scripts, Acts I and II
Box   38
Folder   22-23
Scripts, Acts I-III
Box   38
Folder   24
Script of Film Version
Box   38
Folder   25
Weekly Settlements and Statements
Box   38
Folder   26
Tax Returns
Woman Bites Dog
Box   38
Folder   27
Box Office Statements
Micro 1021
Reel   4
Clippings
U.S. Mss 8AN
Box   38
Folder   28
Production Contracts
Box   38
Folder   29
Financial Statements, Budget, Tax Returns
Box   38
Folder   30
Opening Night Ticket Sales
Box   38
Folder   31
Partnership Agreement and Investors' Lists and Correspondence
Box   38
Folder   32
Programs
Box   38
Folder   33
Salary Lists
Scripts, by Bella and Samuel Spewack
Box   38
Folder   34
First Version of Script
Box   38
Folder   35
Second Version
Box   38
Folder   36
Prompt Book, with Production Notes
Box   38
Folder   37
Weekly Settlements and Statements
Series: Unproduced Theater, Television, and Film Projects
Subseries: Correspondence and General Materials
Box   39
Folder   1
Memos From Betty Hart, 1958, regarding Plays
Box   39
Folder   2
Television Projects - Correspondence and Reports
Plays
Box   39
Folder   3
Miscellaneous Readers' Reports
Correspondence and Related Reports
Box   39
Folder   4-17
Play Titles A-S, 1954-1957
Box   40
Folder   1-3
T-Z, 1954-1957
Box   40
Folder   4-8
A-Z, 1957 October-1958 October
Box   40
Folder   9-13
A-Z, 1958 November-1960
Box   40
Folder   14-19
A-F, 1960-1965
Box   41
Folder   1-16
G-Z, 1960-1965
Box   67-69
Card File Summaries of Plays Read and Considered by Bloomgarden's Staff
Subseries: Plays Considered for Production on Stage
“The Accident” / by Dexter Masters
Box   42
Folder   1
Correspondence, Notes on the Script, 1957-1960
The Actor's Strike Musical, by A.L. Weeks
Box   42
Folder   2
Correspondence
“Altona” / by Jean-Paul Sartre, adapted by Justin O'Brien
Box   42
Folder   3
Correspondence
Box   42
Folder   4
Script
“Always Go First Class” / by Arthur Carter
Box   42
Folder   5
Correspondence, Contracts
Box   42
Folder   6
Script
“And So Farewell” / by Katherine Morrill
Box   42
Folder   7
Correspondence, Contracts
“Arthur” / by Jim Peck
Box   42
Folder   8
Budgets
Box   42
Folder   9
Production Contracts and Partnership Agreements
Box   42
Folder   9A
Correspondence and Securities and Exchange Commission Records
Box   42
Folder   10
Offering Circular
“A Baton for the Conductor” / by T.L.W. Hubbard
Box   42
Folder   11
Correspondence, Notes on the Script, Bills
“The Beautiful and Anxious Maidens” / by Frances and Albert Hackett
Box   42
Folder   12
Production Contract, Story Notes, Miscellany
Box   42
Folder   13
Correspondence, 1962-1966
“Belle Out of Order” / by Belle Livingston
Box   42
Folder   14
Correspondence, Contracts
“Big Blonde” / by Dorothy Parker
Box   42
Folder   15
Correspondence, Contracts
“Big Man” / by Lawrence Weinberg
Box   42
Folder   16
Script
“Bledsoe” / by Arnaud d'Usseau
Box   42
Folder   17
London Production Budgets
Box   42
Folder   18
New York Production Budgets
Box   42
Folder   19
Cast and Casting Records
Box   42
Folder   20
Production Contracts
Box   42
Folder   21
Correspondence, 1971-1976
Box   42
Folder   22
Correspondence with Author
Box   42
Folder   23
Correspondence with Investors
Box   42
Folder   24
Miscellany, 1973-1975
Box   42
Folder   25
Offering Circular, 1975
Box   42
Folder   26
Partnership Agreements
Box   42
Folder   27
Richard Boone Arbitration - Correspondence, Settlement Agreement
Box   42
Folder   28
Securities and Exchange Commission Notifications, 1974
Box   42
Folder   29
Synopsis, Script Fragments
“The Blessed Angel” (“Ange, the Miraculous”)
Box   42
Folder   30
Correspondence, 1955
“Bread and Beans and Things”
Box   42
Folder   31
Script
“The Burglar” / by Brigid Brophy
Box   42
Folder   32
Correspondence, Notes on the Script
“Caesar and Cleopatra” / by George Bernard Shaw, adaptation by Douglas Watt
Box   42
Folder   33
Correspondence, Notes on the Script
“The Cage” / by Mario Fratti
Box   42
Folder   34
Correspondence, Contract with Author
Untitled Play, by Jean Cau
Box   42
Folder   35
Synopsis, Script
“The Chase” / by Horton Foote
Box   42
Folder   36
Correspondence
The Chrysler Show, by George Baxt
Box   42
Folder   37
Correspondence, Budget, Technical Production, Script
“Clock Without Hands” / based on the book by Carson McCullers
Box   42
Folder   38
Correspondence, Contracts, Photographs
Box   43
Folder   1
Script
“Cock of the Walk” / based on “Million Pound Bank Note” / by Mark Twain
Box   43
Folder   2
Correspondence, Notes on the Script, Budget, Technical Production, Contracts
Box   43
Folder   3
Contracts
Box   43
Folder   4
Casting
Box   43
Folder   5-8
Scripts (4)
“Confessions of Felix Krull” / by Thomas Mann
Box   43
Folder   9
Contracts, Legal Materials
“Cristoforo” / by Stanley Carroll
Box   43
Folder   10
Correspondence, Contracts
Box   43
Folder   11
Notes on the Script, Script
Box   43
Folder   12
Script
“Cry for Happy” / by Reginald Rose
Box   43
Folder   13
Correspondence, Notes on the Script
Box   43
Folder   14
Contracts
Box   43
Folder   15
Story Outline, Notes on the Script
Box   43
Folder   16
Treatment, Scenes 1 and 2
Box   43
Folder   17
Script (partial), version 1
Box   43
Folder   18
Script (partial), version 2
“Les Cyclones” / by Jules Roy
Box   43
Folder   19
Contract with Joyce Fountain to Produce Translation
“The Dancing Master” / by Cleveland Amory
Box   43
Folder   20
Correspondence, Contracts, Notes on the Script
“Day of the Turtle” (“Day of the Tortoise,” “We're a Whole New Thing”) / by Garinei and Giovannini
Box   44
Folder   1
Contracts, Correspondence, Synopsis, 1965-1968
Box   44
Folder   2
Script
Box   44
Folder   3
Outline for a Musical Comedy: “We're a Whole New Thing” / by Ira Barmak, 1968 April 10
Box   44
Folder   4
Presentation and Lyrics for “We're a Whole New Thing,” 1967, 1968
“Days in the Trees” / by Marguerite Duras and Albert and Frances Hackett
Box   44
Folder   5
Production Contracts and Related Correspondence
Box   44
Folder   6
Correspondence, 1966-1976
Box   44
Folder   7
Program from London Production
“Dear Kitty,” a musical version of The Diary of Anne Frank
Box   44
Folder   8
Correspondence, 1965-1976
Box   44
Folder   9
Lyrics
Box   44
Folder   10
Script, undated
Box   44
Folder   11
Miscellaneous Script Pages, Notes
1101A/2
Songs
U.S. Mss 8AN
“Death of a Man” / based on a book by Lael Tucker
Box   44
Folder   12
Correspondence, Contracts
“Defense for a Rebel” / by Emmanuel Robles
Box   44
Folder   13
Correspondence, Contracts, Partial Script
“A Definite Maybe” / by Jean Shepard and John O'Leary
Box   44
Folder   14
Contracts, Correspondence and Other Papers regarding Securities and Exchange Commission Registration, 1970-1974
“The Deification of Leonard Smith” / by Lawrence Weinberg
Box   44
Folder   15
Script
“Desire Under the Elms”
Box   44
Folder   16
Correspondence, Budgets, 1951
“Devil's Carnival”
Box   44
Folder   17
Critique of Play
“The Dining Room Furniture” / by Ruth Fainlight
Box   44
Folder   18
Correspondence, Notes on the Script, Contracts
Box   44
Folder   19
Script
“The Distaff Paradox” / by Robert E. McEnroe
Box   44
Folder   20
Production Contract, 1952
“Disturb Not Our Dreams” / by Hobert Douglas Skidmore
Box   44
Folder   21
Contract, Correspondence, 1948, 1950
“Dr. Zhivago” / based on the book by Boris Pasternak
Box   44
Folder   22
Correspondence, Notes on the Script
“The Doner Program” / by Loring Mandel
Box   44
Folder   23
Correspondence, Contracts, Notes on the Script, Financial Records
Box   44
Folder   24-25
Scripts (2)
Box   44
Folder   26
Script, Revisions
“The Eagle and the Serpent” / by Maxine Wood
Box   44
Folder   27
Production Contract, Correspondence, 1947
“The Education of Hyman Kaplan” / by Benjamin Bernard Zavin
Box   44
Folder   28
Script
“The Egg” / by Felicien Marceau
Box   44
Folder   29
Notes on the Script
“Enemy” / by Robin Maugham
Box   44
Folder   30
British Production - Reviews, 1969-1970
Box   44
Folder   31
Casting Correspondence and Miscellany, 1969-1970
Box   44
Folder   32
Production Contracts, 1970
Box   44
Folder   33
Correspondence, 1969-1970
Box   44
Folder   34
Production and Operating Budgets
“An Enemy of the People”
Box   44
Folder   35
Production Budgets, Telegram, 1950
“Entry E” / based on a novel by Richard Frede
Box   45
Folder   1
Correspondence, Notes on the Script, Contracts, Clippings
“Exorcism” / by Robert E. McEnroe
Box   45
Folder   2
Correspondence, Notes on the Script
“La Famille Ecarlate” / by Jean-Loup Dabadie
Box   45
Folder   3
Correspondence, 1967
“La Farce” / by Vahe Katcha (French Script)
Box   45
Folder   4
Correspondence
“The Farm” / by David Storey
Box   45
Folder   5
Contract, Correspondence, 1974
“La Fastidiosa” / by Franco Brusati
Note: Italian play
Box   45
Folder   6
Contracts, Correspondence
“The Film of Memory”
Box   45
Folder   7
Copyright Registration Information
“A Fine and Private Place” / by Peter Beagle
Box   45
Folder   8
Correspondence, Contracts
“Forests of the Night” / by Arnold Sundgaard
Box   45
Folder   9
Correspondence, Contracts, Financial Records
“Garden of Olives” / by Elma Huganir
Box   45
Folder   10
Production Contract, Script Notes, 1947-1948
“Giant” / based on the book by Edna Ferber, adapted by Millard Kaufman
Box   45
Folder   11
Correspondence, Notes on the Script, Contracts
Box   45
Folder   12
Script
“God Had Seven Days” / by Henry Misrock
Box   45
Folder   13
Correspondence, Contracts
“The Golden Door” / by Norman Rosten
Box   45
Folder   14
Correspondence, Budget, Notes on the Script, Contracts
“Golden Kazoo” / based on a book by John G. Schneider, adapted by Charles Spaulding and Larry Gelbart
Box   45
Folder   15
Correspondence, Notes on the Script, Contracts
“The Great Bullfight” / by Elihu Winer, Bruce Geller, and Gene DePaul
Box   45
Folder   16
Correspondence, Contracts
“Gulliver's Travels” / by Larry Gelbart
Contracts
Box   45
Folder   17
Author
Box   45
Folder   18
Costume, Lighting, and Scenic Designers
Box   45
Folder   19
Production Contracts
Box   45
Folder   20
Correspondence regarding Contracts, 1969-1971
Correspondence
Box   45
Folder   21
Gelbart, Larry (Author), 1969-1971
Box   45
Folder   22
Casting, 1969-1971
Box   45
Folder   23
Bart, Lionel (Composer), 1970-1971
Box   45
Folder   24
General, 1969-1972
Box   45
Folder   25
Bloomgarden's Diary, 1970 July-December
Litigation
Box   46
Folder   1
Samuel Schwartz vs. Bloomgarden - Correspondence, Affidavits, 1970-1975
London Production
Box   46
Folder   2
Correspondence and Contracts with Mermaid Theatre, 1969-1971
Box   46
Folder   3
Newspaper Clippings
Box   46
Folder   4
Program
Box   46
Folder   5
Miscellany
Music
Box   46
Folder   6
Lyrics, Scores, Correspondence
Recorded Songs, Possibly from London Production
1101A/3
Act 1, Scenes 1-5 - Each song introduced and established in context within play; includes production notes and comments
1101A/4
Act 1, Scenes 6-9, Summary; Songs from Scene 10 - Each song introduced and established in context within play; includes production notes and comments
1101A/5
Act 1, Part 1 - Instrumental Prologue, Songs performed by Lionel Bart, composer and by company
1101A/6
Act 1, Part 2 - Songs performed by Bart and by company
1101A/7
Act 2 - Songs by Bart and by company
1101A/8
Master copy of song “Go Where You Must Go,” from London performance, with excerpts from others.
1101A/9-10
Lionel Bart playing and singing several songs
1101A/11
Improvisations and themes recorded by Lionel Bart, with narrative explanations of the background of the songs as he creates them on tape
U.S. Mss 8AN
Box   46
Folder   7
New York Production - Newspaper Clippings, 1969
Box   46
Folder   8
Operating Costs and Budgets, 1970
Partnership Agreements
Box   46
Folder   9
Agreements
Box   46
Folder   10
Investors' Correspondence, 1969-1972
Securities and Exchange Commission
Box   46
Folder   11
Correspondence, 1970-1971
Box   46
Folder   12
Production Notes
Box   46
Folder   13
Props, Costumes, Equipment - Lists, Estimates, and Correspondence, 1969-1971
Box   46
Folder   14-18
Scripts
Box   46
Folder   19
Revised Script Pages
“Halutzim” / by Igal Mossinson
Box   46
Folder   20
Correspondence, Outline
“The Hamilton Club” / by Alexander Rose
Box   46
Folder   21
Correspondence, Outline
“Harold Hill, III” / by Meredith Willson
Box   46
Folder   22
Correspondence, Treatment
“Heaven's My Destination” / based on a book by Thornton Wilder
Box   46
Folder   23
Correspondence
“Hippo Dancing,”
Box   46
Folder   24
Correspondence, 1964-1965
“Honorable Picnic” / by Richard Marek and Maurice Skurnik
Box   46
Folder   25
Notes on the Script
“The Hook” / by Arthur Miller
Box   46
Folder   26
Two Scripts
Box   46
Folder   27
Technical Production Materials
“Horatio Hoodwinkle and His All New Automobile” / by Arnold B. Horwitt
Box   46
Folder   28
Script
“The Inconceivable War” / by Kenneth White
Box   46
Folder   29
Contract, Correspondence, Script Notes
“Indian Fighters” / by Horton Foote
Box   46
Folder   30
Correspondence, Notes on the Script
“The Informer” / by Brian Friel
Box   46
Folder   31
Contracts
Box   46
Folder   32
Correspondence, 1964-1968
Box   46
Folder   33
Story Outlines, Scripts, 1965-1966
“Insolent Breed” / based on a novel by Borden Deal, adapted by Howard Richardson
Box   46
Folder   34
Correspondence, Notes on the Script, Contracts
“Interlock” / by Ira Levin
Box   46
Folder   35
Correspondence, Notes on the Script, Contracts
“The International Set” / by Louis Kronenberger
Box   46
Folder   36
Contract, Correspondence, 1950
“The Interviewer” / by Oscar Tarcov
Box   47
Folder   1
Correspondence, Script, Notes on the Script
“Jam” / by John Gerstad
Box   47
Folder   2
Contract with Author, Correspondence, 1975-1977
“The Jew Who Defended Hitler” / by Larry Weinberg
Box   47
Folder   3
Notes on the Script
“Johnny No Trump” / by Mary Mercier
Box   47
Folder   4
Script
“Jordi” / based on a book by Theodore Isaac Rubin, screenplay by Harold Yablonsky
Box   47
Folder   5
Script
“King Kong” / book by Harry Bloom, music by Todd Matshikiza, lyrics by Pat Williams
Box   47
Folder   6
Correspondence, Script, Notes on the Script, Contract, Clippings
“The Kissin' Man”
Box   47
Folder   7
Script
“Klop” (“The Bug”) / by Vladimir Maiakovsky
Box   47
Folder   8
Script
“The License” / by Ephraim Kishon, adapted by Jerome Weidman
Box   47
Folder   9
Correspondence, Notes on the Script, Conracts
“The Little Screwball” / by Walt Anderson
Box   47
Folder   10
Contract, Correspondence, Script Notes
“Love a Cheek That Smiles” / by Leonard Barry
Box   47
Folder   11
Correspondence, Notes on the Script, Contracts
“Madonna and Child” / by Maxwell Anderson
Box   47
Folder   12
Script
“Maggie May” / story by Alun Owen, music by Lionel Bart
Box   47
Folder   13
Correspondence, Contracts
“Many Happy Returns” / by Ray Golden
Box   47
Folder   14
Correspondence, Notes on the Script, Contracts
“Mary Todd Lincoln” / by Anne Colver
Box   47
Folder   15
Correspondence, Notes on the Script
“Men and Women”
Box   47
Folder   16
Correspondence, 1950
“Mine was One Voice” / by Elaine Carrington
Box   47
Folder   17
Contract, Correspondence, 1949
“Mirror in a Dark Room” / by Norman Rosten
Box   47
Folder   18
Contracts, Correspondence, 1965
Box   47
Folder   19
Correspondence, Notes on the Script, Financial Records
Box   47
Folder   19a
“Miss A” / by Emmett J. Davis Jr.
Box   47
Folder   19a
“Merchant of Venice” / by William Shakespeare
Box   47
Folder   19a
“Mother Courage” / by Bertolt Brecht
Box   47
Folder   20
Correspondence
“Mr. Seward for the Defense” / based on the book by Earl Conrad
Box   47
Folder   21
Correspondence, Contracts
“A Modern Dame” / book by Gerry Kehl
Box   47
Folder   22
Script
“Mother Furie” / by Nellise Child
Box   47
Folder   23
Contracts, Correspondence, 1946-1947
“Mountains of the Moon” (originally titled “A Short Happy Life of Love and Death”) / by A.E. Hotchner, based on Ernest Hemingway's works
Box   47
Folder   24
Two Scripts, Notes on the Scripts
“Mrs. 'Arris Goes to Paris” / based on the novel by Paul Gallico
Box   47
Folder   25
Correspondence, Notes on the Script, Contracts, Casting
Box   48
Folder   1
Script (Act I)
“My Life and Hard Times” / by James Thurber
Box   48
Folder   2
Contracts, Correspondence, 1973
“The Naked and the Dead” / dramatization by Lillian Hellman
Box   48
Folder   3
Contracts, Correspondence, Casting Suggestions, 1948
“Next Time I'll Sing to You” / by James Saunders
Box   48
Folder   4
Correspondence, Financial Records, Contracts
“Nightmare Alley” / based on the novel by William Lindsay Gresham
Box   48
Folder   5
Casting, Contracts
“No Hiding Place” / by Dan Browne
Box   48
Folder   6
Notes on the Script
“No War in Troy”
Box   48
Folder   7
Correspondence and Notes on Script, 1950
“Noah”
Box   48
Folder   8
Correspondence, Notes on the Script
“The Nose of Jerry Pepper” / by Arnold Schulman
Box   48
Folder   9
Correspondence, Budget, Contracts, 1961
Box   48
Folder   10
Script, 1961 February 20
“Not a Sparrow Shall Fall” / book by Victor Chapin and Jack Van Bibber
Box   48
Folder   11
Script
“Of Time and the River,” adapted from Thomas Wolfe's novel by Gene McKinney
Box   48
Folder   12
Programs, Photographs, Clippings
“Oh, Lady! Lady!” / by Guy Bolton, P.G. Wodehouse, and Jerome Kern
Box   48
Folder   13
Contracts, 1974-1976
Box   48
Folder   14
Correspondence, 1974-1976
1101A/12
Songs, with narration indicating setting and context of songs within play, characters singing, production notes, and the differences between this and the original production in 1918; includes unpublished song by Jerome Kern.
U.S. Mss 8AN
“Once a Greek” / by Friedrich Durrenmatt
Box   48
Folder   15
Correspondence
“One Flew Over the Cuckoo's Nest” / by Dale Wasserman
Box   48
Folder   16
Correspondence, Notes on the Script
“One Little Boy” / based on a play by Dorothy W. Baruch, adapted by Walter Bernstein
Box   48
Folder   17
Contracts, 1953, 1956
Box   48
Folder   18
Correspondence, Contracts
“The Other Face of November” / by Franco Brusati
Box   48
Folder   19
Correspondence, Clippings
“Pepsie” / by Pierre Edmond Victor
Note: French play
Box   48
Folder   20
Correspondence, Script, Clippings, Contract
“Phaedra” / by Racine, translated by Robert Lowell
Box   48
Folder   21
Correspondence, Notes on the Script, Contracts
Box   48
Folder   22
Script
“Philadelphia Here I Come” / by Brian Friel
Box   48
Folder   23
Correspondence
“Poor Murderer” / by Pavel Kohout
Box   48
Folder   24-25
Production Contracts, 1975-1977
Box   48
Folder   26
Contract Drafts and Notes
Box   48
Folder   27
Correspondence, 1975-1977
Box   48
Folder   28
Financial Statements, 1976
Box   48
Folder   29
Immigration Correspondence and Records regarding Maria Schell
Box   48
Folder   30
Miscellany
Box   48
Folder   31
Partnership Agreements, 1976
Box   48
Folder   32
Production Budget
“Purple Dust” / by Sean O'Casey
Box   48
Folder   33
Contracts, 1949-1952
Box   48
Folder   34
Correspondence, 1949-1952
Scripts
Box   48
Folder   35
First Draft (?), undated
Box   49
Folder   1-4
Second-Fifth Drafts (?), undated
Box   49
Folder   5
Script Revisions
“The Queen and the Rebel” / based on the play by Ugo Betti
Box   49
Folder   6
Correspondence, Contracts, Script
“The Queen of Sheba” / by Alex North
Box   49
Folder   7
Contracts, Correspondence, Lyrics, 1948
“The Ramp” / by Dan Browne
Box   49
Folder   8
Correspondence, Script, Notes on the Script, Contracts
Revue
Box   49
Folder   9
Contracts, Correspondence, 1968
Box   49
Folder   10
Proposed Sketches and Songs, 1968-1969
“Ring Around the Moon” / based on a play by Jean Anouilh
Box   49
Folder   11
Notes on the Script
“The Rise and Fall of the City of Mahoganny” / by Kurt Weill, Bertolt Brecht
Box   49
Folder   12
Correspondence
“The Roar of the Greasepaint” / by Leslie Bricusse and Anthony Newley
Box   49
Folder   13
Correspondence
“Romeo and Juliet”
Box   49
Folder   14
Correspondence, Reviews of Earlier Productions
“The Royal Hunt of the Sun” / by Peter Shaffer
Box   49
Folder   15
Notes on the Script
“Scarecrow On a Tree” / by Paul Osborn
Box   49
Folder   16
Correspondence, Notes on the Script
Box   49
Folder   17-19
Scripts (3)
“The Searching Wind” / by Lillian Hellman
Box   49
Folder   20
Correspondence, Financial Records
Shelby, Montana, musical (untitled), book by Elihu Winer
Box   49
Folder   21
Script, Notes on the Script
“The Shooting Gallery” / based on the French play by Jean Louis Roncoroni, adapted by Peter Stone
Box   49
Folder   22
Correspondence, Script, Notes on the Script, Contracts
“A Shout from the Housetops” / by Jess Gregg
Box   49
Folder   23
Contracts
“Slow Night in Elk City” / by Sam Bobrick
Box   49
Folder   24
Contract with Author, Correspondence, 1974
“Soft Touch,” by Neil Cuthbert
Box   49
Folder   25
Contract with Author, Correspondence, 1974
“Something About a Crisis”
Box   49
Folder   26
Production Contracts
Box   49
Folder   27
Correspondence, 1969-1970
Box   49
Folder   28
Miscellany
Box   50
Folder   1
Script, Notes, 1970
“Something About a Soldier” / based on the book by Mark Harris, adapted by Ernest Kinoy
Box   50
Folder   2
Correspondence, Notes on the Script, Contracts
Box   50
Folder   3
Script, Revisions
Son et Lumiere - Independence Hall, by Richard Wilbur
Box   50
Folder   4
Correspondence, Scripts, Technical Production
“Speculations on the Disappearance of Ambrose Pierce” / by Saul Levitt
Box   50
Folder   5
Contracts, Correspondence, 1970
“Spinning on the Wind” / by Doris Julian
Box   50
Folder   6
Correspondence, Contracts
Box   50
Folder   7-8
Scripts (2)
“Spinoza” / by Charles Sherman
Box   50
Folder   9
Script