Title: Kermit Bloomgarden Papers
Inclusive Dates: 1938-1977

Creator:

• Bloomgarden, Kermit, 1904-1976

Call Number: U.S. Mss 8AN; Micro 1021; Audio 477A; Audio 1101A; Disc 96A; DC 211-DC 212

Quantity: 63.8 c.f. (53 record center cartons, 7 archives boxes, 6 oversize boxes, and 3 index boxes), 4 reels of microfilm (35 mm), 21 tape recordings, 1 disc recording, and 1 film

Repository:

Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research
Contact Information

Archival Locations:

COLLECTION MAY BE STORED OFF-SITE: see catalog entry to request materials and for additional information.

Wisconsin Historical Society (Map)

Abstract:

Papers of Kermit Bloomgarden, a producer of many award-winning Broadway plays and musicals. Although the amount and type of documentation present varies for each play, the collection includes correspondence, scripts, promotion and reviews, and various kinds of production files. For several titles there are floor plans, elevations, drawings and sketches, costume materials, light plots, property and furniture plots, and prompt books. In addition, legal and business aspects of production are extensively documented by financial statements, budgets, contracts and agreements, tax forms, and royalty statements.

Language: English

URL to cite for this finding aid: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0008an

Kermit Bloomgarden was born in Brooklyn on December 15, 1904. His Russian-born parents were Sam Zemad (1868-1924) and Annie (1872-1946, née Grodensky or Groden) Bloomgarden, who were also the parents of Elias B., Saul, and Violet P. Bloomgarden (Fox). Bloomgarden attended Brooklyn schools and graduated from New York University in 1926 with a degree in accounting. He was a certified public accountant until 1932 when he met Broadway producer Arthur Beckhardt and became his general manager. In 1935 he joined producer Herman Shumlin and for the next ten years he acted as Shumlin's general manager and frequently, as partner and co-producer. In association with Shumlin, Bloomgarden presented several successful plays by Lillian Hellman, including The Children's Hour, The Little Foxes, Watch on the Rhine, and The Searching Wind. His first solo productions were the financially unsuccessful Heavenly Express (National Theatre, New York, 1940) and Deep Are the Roots (1945), which he co-produced with George Heller.

As a leading producer, Bloomgarden gained a reputation for producing artistic drama, not merely that which was commercially appealing. However, many of his serious productions have been both critically and commercially successful. Bloomgarden's name was linked in particular with two important American dramatists: Lillian Hellman and Arthur Miller. He received the New York Drama Critics' Circle Award for Death of a Salesman (1949), The Diary of Anne Frank (1955), Look Homeward, Angel (best American play, 1958), The Music Man (best musical, 1958), and Toys in the Attic (1960); Tony Awards as best play for Death of a Salesman and Equus (1974); and the Pulitzer Prize for Death of a Salesman, The Diary of Anne Frank, and Look Homeward, Angel.

During World War II Bloomgarden was manager of the Stage Door Canteen. He also was a member and vice-president of the League of New York Theaters, and a director of The Council for the Living Theater and The American Theater Wing. Bloomgarden was married first to singer Hattie Richardson (whose stage name was Linda Lee; she died in 1942) and in 1943 to actress Virginia Kaye (b. 1921), with whom he had two sons, John, also a theatrical producer, and David. In 1971 Bloomgarden underwent amputation of his right leg because of arteriosclerosis. After a long period of recuperation he returned to work. He subsequently suffered from a brain tumor and died in New York City, September 24, 1976.

Plays Produced or Co-Produced by Kermit Bloomgarden

• Heavenly Express (1940)
• Deep Are the Roots (1945)
• Woman Bites Dog (1946)
• Another Part of the Forest (1946)
• Command Decision (1947)
• Death of a Salesman (1949)
• Montserrat (1949)
• The Man (1950)
• The Legend of Sarah (1950)
• The Autumn Garden (1951)
• The Children's Hour (1952)
• The Shrike (tour) (1952)
• The Crucible (1953)
• Wedding Breakfast (1954)
• A View From the Bridge (1955)
• The Diary of Anne Frank (1955)
• The Lark(1955)
• The Most Happy Fella (1956)
• The Night of the Auk (1956)
• Maiden Voyage (1957)
• Look Homeward, Angel (1957)
• The Music Man (1957)
• The Gang's All Here (1959)
• The Fighting Cock (1959)
• Toys in the Attic (American and British productions, 1960)
• The Wall (1960)
• The Music Man (London, 1961)
• The Gay Life (1961)
• A Moon on a Rainbow Shawl (1962)
• Nowhere To Go But Up (1962)
• My Mother, My Father, and Me (1963)
• Next Time I'll Sing To You (1963)
• Anyone Can Whistle (1964)
• The Playroom (1965)
• Illya Darling (1967)
• Hello and Goodbye (1969)
• Golden Bat (1970)
• Hot L Baltimore (1973)
• The Sea Horse (1974)
• Ionescopade (1974)
• Equus (1974)

Bloomgarden's papers consist primarily of production files for Produced Plays; with smaller files of Unproduced Theater, Television, and Film Projects, consisting of correspondence and general materials, and plays considered for stage, television and film production; and Bloomgarden's Personal and General Business Records. Among the plays considered for production and rejected by Bloomgarden are many which were produced later by others in New York or at other times in Europe; nevertheless all such files are located here in the Unproduced Theater, Television, and Film Projects series.

PRODUCED PLAYS are listed alphabetically by title of production and include some of Bloomgarden's most successful shows. Within each production materials are also listed alphabetically by title or subject of the file. Included are production contracts between Bloomgarden, his assistant, Max Allentuck, or the play company, and actors, singers, dancers, director, managers, stagehands and crew, musicians, scenic artists, press agents, costume and equipment suppliers, lighting contracts, designers, theaters, and others concerned with the production of the play. Also filed here are the original contracts between producer and author and director to purchase production rights to the work.

There is a minimum of general correspondence pertaining to most of Bloomgarden's plays; most existing correspondence pertains to preproduction work. Correspondence files often include letters to and from the author, prospective cast members, suppliers, and if the play was successful, congratulatory letters from friends and the general public.

Financial statements include monthly and periodic (usually less frequent as time passed) statements of box office receipts and production disbursements; the weekly financial statements contain similar information but were prepared in greater detail and also give a weekly profit or loss balance. Additional information about the financial status of a play in production can be found in the weekly settlements and statements, prepared by theater management or Max Allentuck at the close of business each week, and providing detailed summaries of expenses. Receipts and ticket sales at the theater are listed for each performance in the box office statements, and in occasional separate folders of opening night and other ticket sales reports. Many routine daily bills, invoices, vouchers, receipts, and IOUs which were summarized in weekly or monthly financial records, were discarded. Records of royalty payments to authors, directors, and designers, and of royalties received from U.S. amateur and stock productions and from foreign productions, are filed separately. Also separate are weekly salary and payroll lists for cast and staff.

Partnership agreement files also include business certificates, signed agreements, Securities and Exchange Commission correspondence and circulars, prospectuses, correspondence with and lists of investors, overcall correspondence and receipts (if any), and occasionally, records of the dissolution of the partnership. Tax returns for each production also list the names of investors, together with any profits distributed during each calendar year, and the total profit or loss and expenditures of the play company.

Other files include playbills and programs; invoices, mainly from Clifford Strohl for publicity and advertising; with some advertising copy, press releases, and other promotional material.

Technical production records include floor plans, elevations, working drawings, sketches, light plots, costumes, property and furniture plots, and prompt books (the latter are filed with Scripts).

Scripts of the plays, with revisions and rewrites of the script, are also present for most produced plays. In many cases, these are supplemented by script notes prepared by Bloomgarden's staff and by correspondence between the producer and the author.

The clippings volumes and loose clippings, mainly reviews of productions, have been microfilmed. Seven volumes of New York Theater Critics' Reviews (1946-1952) were separated to the University of Wisconsin Speech Department at the time of initial processing.

UNPRODUCED THEATER, TELEVISION, AND FILM PROJECTS contain little documentation for each title, but usually include a contract to purchase or place an option on the author's work, scattered correspondence, and occasionally a script or other records. Often there are notes prepared by a member of Bloomgarden's staff or a reader, critiquing the script and offering suggestions for revisions.

PERSONAL AND GENERAL BUSINESS RECORDS contain Bloomgarden's personal and family papers and scattered business records of his investments and companies. Personal papers include biographical information, photographs of Kermit Bloomgarden and Lillian Hellman, apartment leases and papers, a list of office files, and correspondence. The correspondence includes general and personal correspondence, complimentary letters pertaining to Bloomgarden's theatrical productions; a file of correspondence with playwright Arthur Miller, including letters pertaining to Marilyn Monroe (Box 52, Folder 25); letters from Harry Handel, who called himself Arthur Miller's “alter ego”; correspondence and applications from the Ford Foundation Program for Playwrights, 1958; correspondence with Melina Mercouri regarding a proposed 1973 one-woman show; and personal letters concerning his working relationship with writers John and Marguerite Sanford, 1955-1956.

Records of Bloomgarden's personal and family finances include stockbroker's records and accounts of Bloomgarden's investments in stocks and bonds; correspondence, reports, and production information from oil wells; financial statements, partnership agreements, and correspondence from such plays as Anne of a Thousand Days, Detective Story, Joan of Lorraine, and The Searching Wind; and tax returns for Kermit and Virginia Bloomgarden and their sons. There are also sizable files of actors' job applications, inquiries, and photographs, 1956-1964; general records regarding play finances; a television representation contract and a proposal to work with Columbia Pictures; lists of investors in Bloomgarden's productions and correspondence regarding loans; lists of theatrical equipment owned and leased to others by Bloomgarden; and miscellaneous publicity and advertising files.

From the Kergin Corporation, one of Bloomgarden's business enterprises, there are fragmentary files, including a certificate of incorporation, correspondence, financial statements, stock records, and tax returns. Kermit Bloomgarden Productions Inc. is represented by general correspondence, 1954-1976; a financial statement; records of the Goodman and Berger vs. Bloomgarden lawsuit, 1972-1974; minutes of board of directors' and stockholders' meetings; and tax returns.

Bloomgarden's activities in theatrical and other organizations are illustrated in files concerning the Actors' Equity League strike, 1960; minutes, correspondence, scripts and photographs regarding the American Theatre Wing, 1942-1961; correspondence and financial records of the Committee of Theatrical Producers, 1949-1952; correspondence, minutes, reports, and promotional material and other records about the 1951 film, Main Street to Broadway, from the Council of the Living Theatre; and correspondence and other records from Fund for the Republic Inc., 1955-1957; Greater New York Fund, 1958 Campaign; Independent Booking Office, 1958, 1960; Joint Committee of the Theatre Guild-American Theatre Society and the Council of the Living Theatre, 1958-1960; League of New York Theatres Inc., 1957-1958; Mary McArthur Memorial Fund, 1959-1961; New Dramatists Committee; and Seventy Cent Ticket Plan.

On tape and disc recordings is music composed for Bloomgarden's plays. The one film is of a television production whose significance to Bloomgarden is unknown.

Acquisition Information

Portions presented and portions placed on deposit by Kermit Bloomgarden and by his estate, via John Bloomgarden, New York, New York, 1961-1984. Accession Number: MCHC61-016, MCHC67-133, MCHC72-059, MCHC75-050, MCHC77-079, MCHC84-043

Processing Information

Reprocessed with additions by Menzi Behrnd-Klodt, Debra Anderson, and Brenda Vogel, 1985; portions reprocessed in 1986 by Bill Beaudreau.

U.S. Mss 8AN	Series: Produced Plays
	Another Part of the Forest
Box   1 Folder   1	Box Office Statements
Micro 1021 Reel   1	Clippings
U.S. Mss 8AN	Contracts
Box   1 Folder   2	Actors' Contracts
Box   1 Folder   3	Production Contracts
Box   1 Folder   4	Theater Contracts
Box   1 Folder   5	Correspondence, 1945-1950
Box   65	Correspondence; Stage Manager's Report; Floor Plans; Prop, Furniture, and Costume Lists
	Financial Records
Box   1 Folder   6	Budgets and Financial Estimates
Box   1 Folder   7	Financial Statements
Box   1 Folder   8	Miscellany
Box   1 Folder   9	Opening Night and Ticket Records
Box   1 Folder   10	Partnership Agreements - Investors Lists
Box   62 Folder   1	Photographs, including photographs of Lillian Hellman
Box   65	Photographs
Box   1 Folder   11	Programs
	Props and Costumes
Box   1 Folder   12	Inventories, Plots, Stage Manager's Report
Box   58 Folder   2	Costume Sketches
	Publicity and Advertising
Box   1 Folder   13	Invoices and Statements
Box   58 Folder   1	Poster
Box   1 Folder   14	Royalties
Box   1 Folder   15	Salary Lists
	Scripts
Box   1 Folder   16	Script, by Lillian Hellman, undated
Box   1 Folder   17	Prompt Book, annotated
Box   1 Folder   18-19	Weekly Settlements and Statements, 1946 May-1947 October
	Anyone Can Whistle Note: Produced New York, April 4, 1964
Box   1 Folder   20	Billing for Stars
Box   1 Folder   21	Box Office Statements
Box   1 Folder   22	Casting and Auditions, 1963-1964
Micro 1021 Reel   2	Clippings
U.S. Mss 8AN Box   1 Folder   23	Columbia Records - Contracts, Royalties
	Contracts
Box   1 Folder   24-25	General and Production Contracts and Related Correspondence, 1963 June-1964 June
Box   1 Folder   26	Contracts with Principals
Box   1 Folder   27	Correspondence, 1963-1965
Box   1 Folder   28	Correspondence with Investors
Box   1 Folder   29	Costumes - Correspondence and Invoices
	Financial Records
Box   1 Folder   30	Financial Statements, including Weekly Statements
Box   1 Folder   31	Miscellaneous Financial Records
	Music
Box   1 Folder   32	Bills for Arrangements and Revisions, Lessons, Auditions
Box   1 Folder   33	Sheet Music
Box   2 Folder   1	Partnership Agreements, Prospectus, Drafts, and Correspondence
Box   62 Folder   2	Photograph
Box   2 Folder   2	Production Notes
Box   2 Folder   3	Program and Correspondence regarding Souvenir Book
Box   2 Folder   4	Props and Equipment - Lists, Invoices
Box   2 Folder   5	Publicity and Advertising - Correspondence, Invoices, and Papers, 1963-1964
Box   2 Folder   6	Rehearsal and Production Schedules
Box   2 Folder   7	Script: “Side Show” / by Arthur Laurents and Stephen Sondheim
Box   2 Folder   7a	Tax Returns
Box   2 Folder   8	Ticket Requests
	The Autumn Garden
Box   2 Folder   9-10	Box Office Statements
Box   2 Folder   11	Cast Lists
Micro 1021 Reel   1	Clippings
U.S. Mss 8AN	Contracts
Box   2 Folder   12	Actors' Contracts
Box   2 Folder   13	Production Contracts
Box   2 Folder   14	Correspondence, 1950-1961
	Financial Records
Box   2 Folder   15	Financial Statements
Box   2 Folder   16	Weekly Financial Statements
Box   65	Inventories for Tour, Light Plot, Ground Plans
Box   2 Folder   17	Miscellany
Box   2 Folder   18	Opening Night Ticket Sales
Box   2 Folder   19	Partnership Agreements and Lists of Investors
Box   62 Folder   3	Photographs
Box   2 Folder   20	Playbills and Programs
Box   2 Folder   21	Props, Equipment, Costumes - Inventories, Lists, Light Plots
	Publicity and Advertising
Box   2 Folder   22	Invoices
Box   2 Folder   23	Press Releases, Advertising Copy, Reviews
Box   2 Folder   24	Royalties
Box   2 Folder   25	Salary Lists
	Scripts, by Lillian Hellman
Box   2 Folder   26	Clurman's Directorial Script, annotated
Box   2 Folder   27-28	Production Scripts, annotated
Box   3 Folder   1	Scripts
Box   3 Folder   2-3	Weekly Settlements and Statements; Bills and Invoices
Box   3 Folder   4	Tax Returns
Box   3 Folder   5	Universal Pictures - Financial Statements
Micro 1021	A Certain Joy
Reel   1	Clippings
U.S. Mss 8AN Box   3 Folder   6	Production Contracts
Box   3 Folder   7	Correspondence, 1953-1956
	Financial Records
Box   3 Folder   8	Accounts Ledger
Box   3 Folder   9	Financial Statement, Production Budget
Box   3 Folder   10	Partnership Agreements, Investors' Correspondence and Lists
Box   3 Folder   11	Playbills and Programs
Box   3 Folder   12	Props, Costumes, and Equipment - Lists, Inventories
Box   65	Props, Floor Plan
Box   3 Folder   13	Salary Lists
	Scripts
Box   3 Folder   14	“Where Late the Sweet Birds Sang” / by Irving Ravetch
Box   3 Folder   15	“Where Late the Sweet Birds Sang”
Box   3 Folder   16	First Revised Script (“Where Late the Sweet Birds Sang”)
Box   3 Folder   17	Second Revised Script (“Where Late the Sweet Birds Sang”)
Box   3 Folder   18	Weekly Settlements, Box Office Receipts, Bills
Box   3 Folder   19	Tax Returns
	The Children's Hour
Box   3 Folder   20	Box Office Statements
Micro 1021 Reel   1	Clippings
U.S. Mss 8AN	Contracts
Box   3 Folder   21	Actors' Contracts
Box   3 Folder   22	Production Contracts
Box   3 Folder   23	Correspondence, 1945-1958
Box   3 Folder   24	Costumes - Lists, Estimates
	Financial Records
Box   3 Folder   25	Financial Statements
Box   3 Folder   26	Weekly Financial Statements
Box   3 Folder   27	Miscellany
Box   3 Folder   28	Partnership Agreements and Lists of Investors
Box   62 Folder   4	Photographs
Box   3 Folder   29	Props and Equipment - Lists and Inventories
Box   65	Props, Ground Plans, Light Plots, Elevation Working Drawings, Sketches, Inventories, Timing on Each Show
	Publicity and Advertising
Box   3 Folder   30	Invoices
Box   58 Folder   1	Poster
Box   4 Folder   1	Royalties
Box   4 Folder   2	Salary Lists
Box   4 Folder   3-5	Script, Revised Script, and Prompt Copy, by Lillian Hellman
Box   4 Folder   6	Weekly Settlements and Statements
Box   4 Folder   6a	Tax Returns
	Tour Records
Box   4 Folder   7	Box Office Statements
Box   4 Folder   8	Publicity and Advertising
Box   4 Folder   9	Weekly Settlements and Statements
	Command Decision
Box   4 Folder   10-11	Box Office Statements
Micro 1021 Reel   1	Clippings
U.S. Mss 8AN	Contracts
Box   4 Folder   12	Actors' Contracts
Box   4 Folder   13	Production Contracts
Box   4 Folder   14	Correspondence, 1947-1949
	Financial Records
Box   4 Folder   15	Financial Statements
Box   4 Folder   16	Weekly Financial Statements
Box   4 Folder   17	Miscellany
Box   4 Folder   18	Partnership Agreements and Lists of Investors
Box   62 Folder   5	Photographs
Box   4 Folder   19	Playbills and Programs
Box   4 Folder   20	Props and Equipment - Lists, Lighting and Sound Directions
Box   65	Prop Lists, Inventories, Timing Sheets, Ground Plans, Working Drawings, Elevations
	Publicity and Advertising
Box   4 Folder   21-22	Invoices
Box   58 Folder   1	Poster
Box   4 Folder   23	Royalties
Box   4 Folder   24	Salary Lists
	Scripts, by William Wister Haines
Box   4 Folder   25	Three Versions of Play
Box   4 Folder   26	Prompt Book
Box   5 Folder   1	Weekly Settlements and Statements
Box   5 Folder   2	Tax Returns
	Tour
Box   5 Folder   3	Box Office Statements
Box   5 Folder   4	Publicity and Advertising - Invoices, Advertising Copy
Box   5 Folder   5	Weekly Settlements and Statements
	The Crucible
Box   5 Folder   6	Box Office Statements
Micro 1021 Reel   1	Clippings
U.S. Mss 8AN	Contracts
Box   5 Folder   7	Actors' Contracts
Box   5 Folder   8	Production Contracts
Box   5 Folder   9	Foreign Production Contracts
Box   5 Folder   10	Correspondence, 1952-1959
	Financial Records
Box   5 Folder   11	Financial Statements
Box   5 Folder   12	Weekly Financial Statements
Box   65	Floor Plans, Working Drawings, Light Plots, Inventories
Box   5 Folder   13	Miscellany
Box   5 Folder   14	Partnership Agreements
Box   5 Folder   15	Playbills and Programs
Box   5 Folder   16	Publicity and Advertising - Invoices
Box   5 Folder   17	Royalties
Box   5 Folder   18	Actors' Salaries and Cast Lists
	Scripts, by Arthur Miller
Box   5 Folder   19	Annotated Script with Stage Manager's Notes and Cues
Box   5 Folder   20	Prompt Books (2)
Box   5 Folder   21	Typewritten and Printed Scripts
Box   5 Folder   22	Final Playing Version of Script, 1953 June
Box   5 Folder   23	Weekly Settlements and Statements
Box   5 Folder   24	Tax Returns
	Second Play Company
Box   5 Folder   25	Financial Statement, Lists of Investors and Financial Distribution, 1963 August
Box   6 Folder   1	Script, 1962 August 24 Note: This script “combines the original version (with Arthur Miller's own cuts) and portions of the published version (Dramatists' Play Service edition), based on Arthur Miller's notes of 4/23/62 and Pat Reeves' notes of 1/23/62.”
Box   6 Folder   2	Script Notes, by Pat Reeves, 1962 January 23
Box   6 Folder   2	Script Notes, by Arthur Miller, 1962 April 23
Box   6 Folder   2	Printed Version of Play
	Death of a Salesman
	Part I
Box   6 Folder   3-6	Box Office Statements, 1949 January-1950 December
Micro 1021 Reel   1-2	Clippings
U.S. Mss 8AN Box   6 Folder   7	Columbia Pictures - Financial Statements
Box   6 Folder   8	Correspondence and Publicity, 1949-1965
Box   6 Folder   9	Financial Statements
Box   6 Folder   10	Miscellany
Box   62 Folder   6-8	Photographs
Box   65	Photographs
Box   6 Folder   11	Playbill
	Publicity and Advertising
Box   58 Folder   3	Joseph Hirsch's original drawings for publicity materials
Box   6 Folder   12-13	Invoices, 1949-1950
Box   58 Folder   1	Poster
Box   6 Folder   14	Royalties
Box   6 Folder   15	Salary Lists, 1949-1950
Box   6 Folder   16-18	Weekly Settlement Sheets, 1949-1950
Box   6 Folder   19	Tax Returns
	National Company
Box   6 Folder   20-22	Box Office Statements, 1949-1951 October
Box   58 Folder   4	Theater Contracts, 1950-1951
Box   6 Folder   23	Light Plot and Props Inventory
Box   6 Folder   24	Salary Lists, 1949 August-1951 February
	Weekly Settlement Sheets
Box   58 Folder   5	1949-1952
Box   6 Folder   25	1949 September-1950 February
Box   7 Folder   1-2	1950 March-1951 December
Box   7 Folder   3	London Production - Box Office Statements, 1949 July-1950 January
	Part II Note: The files in Part II were on loan to an associate of Kermit Bloomgarden when the collection was organized in 1985. Upon their return in 1986, they were added to the collection as Box 70-73.
	Contracts
Box   70 Folder   1	Actors' Contracts, 1948-1950
Box   70 Folder   2-3	Production Contracts, 1948-1950
Box   70 Folder   4	Stage Employees Contracts, 1948-1950
Box   70 Folder   5-6	Correspondence, 1948 October-1954 May
Box   71 Folder   1	Costumes and Props, 1950-1952
	Financial Records
Box   71 Folder   2	Bills and Invoices
Box   71 Folder   3	Budgets, 1949-1950
Box   71 Folder   4	Weekly Financial Statements, 1949 March-1950 November
Box   71 Folder   5	Statements to Investors, 1948 December-1952 October
Box   71 Folder   6	Royalty Statements and Related Correspondence, 1949-1958
Box   71 Folder   7	Tax Returns, 1951-1957
Box   71 Folder   8	Floor Plans and Elevations
Box   71 Folder   9	Lighting, 1949-1952
Box   72 Folder   1	Miscellaneous
Box   72 Folder   2	Music - Originals and Notes
Box   72 Folder   3	Opening Night and Box Office Miscellany
Box   72 Folder   4	Peoria Boycott for alleged Communist ties of Bloomgarden, Arthur Miller, and Albert Dekker, National Co. star, 1950 October
Box   72 Folder   5	Programs and Flyers
Box   72 Folder   6	Publicity, 1948-1950
	Scripts
Box   72 Folder   7-8	Three Scripts, by Arthur Miller
Box   72 Folder   9	Prompt Book
Box   73 Folder   1	Recording Script
	National Company
Box   73 Folder   2	Bills
Box   73 Folder   3	Contracts, 1949-1950
Box   73 Folder   4	Bus Tour Contracts, 1951
Box   73 Folder   5	Other Records, 1949-1951
Box   73 Folder   6	Film - Miscellaneous Financial Records
Box   73 Folder   7	London Production - Miscellaneous Financial
Box   73 Folder   8	Foreign Productions
	Deep Are the Roots
Box   7 Folder   4-5	Box Office Statements
Micro 1021 Reel   2	Clippings
U.S. Mss 8AN	Contracts
Box   7 Folder   6	Actors' Contracts
Box   7 Folder   7	Production Contracts
Box   7 Folder   8	British Production Contracs and Related Correspondence; Other Foreign Rights
Box   7 Folder   9	Correspondence, 1945-1959
Box   7 Folder   10	Financial Statements
Box   7 Folder   11	Partnership Agreement and Lists of Investors
Box   7 Folder   12	Playbills and Programs
Box   7 Folder   13	Props and Equipment - Light Plot, Miscellaneous Bills and Invoices
	Publicity and Advertising
Box   7 Folder   14	General
Box   7 Folder   15-16	Invoices
Box   7 Folder   17	Royalties
Box   7 Folder   18	Salary Lists
	Scripts
Box   7 Folder   19	Script: “Walls of Jericho”) / by Arnaud d'Usseau and James Gow, copyright 1945
Box   7 Folder   20	Script (“Walls of Jericho”), annotated
Box   7 Folder   21	Mimeo Script
Box   8 Folder   1	Prompt Book (“Walls of Jericho”)
Box   8 Folder   2-3	Weekly Settlements and Statements
Box   8 Folder   4	Tax Returns
	National Company
Box   8 Folder   5	Box Office Statements
Box   8 Folder   6	Publicity and Advertising - Invoices
Box   8 Folder   7	Salary Lists
Box   8 Folder   8	Weekly Settlements and Statements
	The Diary of Anne Frank Note: Produced New York, October 5, 1955 (See also “Dear Kitty,” Box 44, Folders 8-11)
Box   8 Folder   9-14	Box Office Statements, 1955 September-1957 June
Box   8 Folder   15	Weekly Grosses, 1955 November-1958 June
Micro 1021 Reel   2	Clippings
U.S. Mss 8AN	Contracts
Box   8 Folder   16	Production Contract Notes and Contract Summarie
Box   8 Folder   17	Actors' Equity Association, 1955-1957
Box   8 Folder   18	Actors' Equity Association Bonds and Cancellation Notices, Cast Lists and Contract Stipulations
Box   8 Folder   19	Director's Contracts
Box   8 Folder   20	Production Contracts and Correspondence with Co-Authors
Box   8 Folder   21	Production Personnel Contracts
Box   8 Folder   22	Sound and Lighting Contracts
Box   8 Folder   23	Theater Contracts
Box   8 Folder   24	Contract Negotiations and Legal Settlement with Peter Nero, 1970-1972
	Correspondence
Box   8 Folder   25	Actors' Equity
Box   8 Folder   26	Aronson, Boris (Set Designer), 1954-1957
Box   8 Folder   27	Foreign Production Correspondence, 1956-1958
Box   8 Folder   28	Frank, Otto, 1954-1958, 1975 Note: Including Contract for Motion Picture Rights.
Box   8 Folder   29	Hackett, Albert and Frances, 1953-1958
Box   9 Folder   1	Kanin, Garson, 1954-1958
Box   9 Folder   2-3	Levin, Meyer, 1952-1962 Note: Including correspondence and papers regarding authorship dispute.
Box   9 Folder   4	Pre-Production, 1953-1955
Box   9 Folder   5	Promotional, 1955-1957
Box   9 Folder   6	Salisbury, Leah, 1954-1962
Box   9 Folder   7	Schildkraut, Joseph, 1954-1958
Box   9 Folder   8	Ward, Mary (Press Agent), 1957-1958
Box   9 Folder   9	Miscellaneous, 1955-1959
Box   9 Folder   10	Costumes, Production Photographs, Wardrobe Plot, Inventories
	Financial Records
Box   9 Folder   11	Financial Statements, 1955-1964
Box   9 Folder   12	Weekly Financial Statements, 1955-1958
Box   9 Folder   13	Financial Statements regarding Film
Box   9 Folder   14	Music
Box   9 Folder   15	Partnership Agreement and Lists of Investors
Box   9 Folder   16	Investors Correspondence and Papers
Box   62 Folder   9	Photographs
Box   63 Folder   1-4	Photographs
Box   65	Photographs
Box   9 Folder   17	Souvenir Books and Playbills
Box   9 Folder   18-19	Production Daily Logs, 1955 November-1958 June
	Production Rights
Box   9 Folder   20	Literary Property Rights, 1953-1958
Box   9 Folder   21	Amateur and Stock Production Rights
Box   9 Folder   22-33	Foreign Production Rights
Box   9 Folder   34	Motion Picture Production Rights
Box   10 Folder   1-2	Foreign Production Rights
Box   10 Folder   3	Prop List, Light Plot, Floor Plan Blue Print, Photos of Set, Invoices
	Publicity and Advertising
Box   10 Folder   4-6	Invoices for Newspaper and Magazine Coverage
Box   10 Folder   7-8	Invoices for Outdoor and Transportation Ads
Box   58 Folder   1	Poster (London production)
Box   10 Folder   9	Press Kit (National and Bus and Truck Tours)
Box   10 Folder   10	Press Lists
Box   10 Folder   11	Press Releases, Interviews, Publicity Copy
	Royalties
Box   10 Folder   12-13	General, 1955-1966
Box   10 Folder   14-15	Frank, Otto
Box   10 Folder   16	Author's, Designer's, Director's, Producer's
Box   10 Folder   17	Cuts and Waivers
Box   10 Folder   18	Salary Lists
	Scripts, dramatized by Frances Goodrich and Albert Hackett
Box   10 Folder   19	Production Notes and Reference Materials
Box   10 Folder   20	Typed Script
Box   10 Folder   21	First Revised Script (“The Diary of a Young Girl”)
Box   10 Folder   22	Second Revised Script (“The Diary of a Young Girl”)
Box   10 Folder   23	Final Draft Script
Box   10 Folder   24	Working Draft Script, with Sound and Light Cues
Box   10 Folder   25	Working Script, with Property Plot, Costume Plot, Light Cues
Box   11 Folder   1	Working Script, with Property Plot, Costume Plot, Light Cues
Box   11 Folder   2-8	Weekly Settlements and Statements, 1955 September-1957 June
Box   11 Folder   9	Tax Returns
Box   11 Folder   10-14	Ticket Requests, including Opening Night
	National Tour
Box   11 Folder   15-16	Box Office Statements, 1957 July-1958 June
	Contracts
Box   11 Folder   17	Production Contracts
Box   11 Folder   18	Theater Contracts
	Correspondence
Box   11 Folder   19	General Correspondence and Lists of Checks Issued
Box   11 Folder   20	Lederer, Francis, 1958
Box   11 Folder   21	Pollack, Milton (General Manager), 1957
Box   11 Folder   22	Rosen, Al (General Manager), 1957-1958
Box   11 Folder   23	Schildkraut, Joseph
Box   11 Folder   24	Press Releases, 1957-1958
Box   11 Folder   25	Salary Lists
Box   11 Folder   26	Weekly Settlements and Statements, 1957 July-1958 June
Box   11 Folder   27	Workmen's Compensation Claims
	Bus and Truck Tour
Box   12 Folder   1	Box Office Statements, 1958 September-December
	Contracts
Box   12 Folder   2	Actors' Contracts
Box   12 Folder   3	Production Contracts
Box   12 Folder   4	Theater Contracts
Box   12 Folder   5	Transportation Contracts
	Correspondence
Box   12 Folder   6	Arrangements and Estimates regarding Tour, 1958
Box   12 Folder   7	Cone, Irving (Company Manager), 1958
Box   12 Folder   8	Brilant, Arthur (Press Agent), 1958
Box   12 Folder   9	Publicity and Advertising, 1958
Box   12 Folder   10	Royalties, 1958-1959 January
Box   12 Folder   11	Salary Lists
Box   12 Folder   12	Weekly Settlements and Statements, 1958
	Equus
Box   12 Folder   13	Actors' Equity Association Arbitration, 1974-1976; for Stephen Fennig, , 1976
Micro 1021 Reel   3	Clippings
U.S. Mss 8AN	Contracts
Box   12 Folder   14-15	Production Contracts and Associated Correspondence, 1973-1977
Box   12 Folder   16	Motion Picture Rights, 1975-1977
Box   12 Folder   17-18	Theater Contracts, 1976-1977
Box   12 Folder   19	Correspondence, 1973-1977
Box   12 Folder   20	Papers regarding Estate of Jan De Vroom, 1976
Box   12 Folder   21	Financial Statements, 1975 December-1976 March
Box   12 Folder   22	Immigration Applications (Actors), 1973-1976
Box   12 Folder   23	Partnership Agreements, Correspondence, and Offering Circulars to Securities and Exchange Commission, 1973-1976
Box   12 Folder   24	Touing Company - Contracts and Associated Correspondence, 1976
	The Fighting Cock Note: Produced New York, December 8, 1958
Box   12 Folder   25	Box Office Statements
Box   12 Folder   25A	Casting Suggestions, 1959
	Contracts
Box   12 Folder   26	Actors' Contracts
Box   12 Folder   27	Production Contracts
Box   12 Folder   28-29	Correspondence, 1959 February-1960 December
Box   12 Folder   30	Costumes and Costume Plot, Props, Sound and Lighting, Stage Dimensions
	Financial Records
Box   12 Folder   31	Accounts Payable and Checks
Box   12 Folder   32	Estimated Production Expenses
Box   12 Folder   33	Weekly Financial Statements
Box   66	Ground Plans, Hanging Plot
Box   12 Folder   34	Immigration Petitions and Records
Box   12 Folder   35	Insurance - Accident Reports, Compensation
	Partnership Agreements
Box   12 Folder   36	Assignments
Box   13 Folder   1	Partnership Agreement and Certificate
Box   13 Folder   2	Investors' Correspondence
Box   13 Folder   3	Playbills
Box   13 Folder   4	Production Daily Logs
Box   13 Folder   5	Production Schedules, and Cast and Crew Addresses
	Publicity and Advertising
Box   13 Folder   6	Ad Copy, Billing
Box   13 Folder   7	Invoices
	Royalties
Box   13 Folder   8	Anouilh, Jean, Lucienne Hill, and Jan Van Loewen
Box   13 Folder   9	Theater Royalties
Box   13 Folder   10	Salary Lists
	Scripts
Box   13 Folder   11	Script: “L'Hurluberlu” / by Jean Anouilh, 1959 March (?)
Box   13 Folder   12	Mimeo Script (“L'Hurluberlu”), with comments by Moss Hart
Box   13 Folder   13	Revised Script (“Time's Fool”), 1959 August 20
Box   13 Folder   14	Revised Script, with Bloomgarden's memos
Box   13 Folder   15	Rehearsal Script, 1959 October 10
Box   13 Folder   16	Final Revised Script
Box   13 Folder   17	Produced Version, 1959 December 8
Box   13 Folder   18	Running Script, 1959 December 8
Box   13 Folder   19	Script and Production Notes
Box   13 Folder   20	Weekly Settlements and Statements
Box   13 Folder   21	Tax Returns
Box   13 Folder   22	Tickets
	The Gang's All Here Note: Produced New York, October 1, 1959
Box   13 Folder   23	Billing
Box   13 Folder   24	Box Office Statements, 1959 September-1960 January
Box   13 Folder   25	Casting Notes
Micro 1021 Reel   3	Clippings
U.S. Mss 8AN	Contracts
Box   13 Folder   26	Actors' Contracts
Box   13 Folder   27	Production Contracts
	Correspondence
Box   13 Folder   28	General, 1959-1961
Box   13 Folder   29	With Attorneys, 1959
Box   13 Folder   30	Production Correspondence, 1959-1960
Box   13 Folder   31	Costumes and Costume Plot
	Financial Records
Box   13 Folder   32	Bank Balances
Box   13 Folder   33	Estimated Salaries
Box   13 Folder   34	Estimated Production Expenses
Box   13 Folder   35	Financial Statements
Box   13 Folder   36	Weekly Financial Statements
Box   66	Ground Plans
Box   13 Folder   37	Music
	Partnership Agreements
Box   13 Folder   38	Assignments
Box   13 Folder   39	Correspondence with Investors
Box   13 Folder   40	Partnership Agreement, Offering Circular
Box   63 Folder   6	Photographs
Box   14 Folder   1	Playbills and Programs
Box   14 Folder   2	Production Schedule, Sets and Design Schedules
Box   14 Folder   3	Props - Lists
	Publicity and Advertising
Box   14 Folder   4	Press Release, Interview Schedules
Box   14 Folder   5	Invoices, 1959-1960
Box   14 Folder   6-7	Royalties
Box   14 Folder   8	Salary Lists
Box   14 Folder   9	Salary Cuts
	Scripts, by Jerome Lawrence and Robert E. Lee
Box   14 Folder   10	Original Mimeo, 1959 April
Box   14 Folder   11	Second Mimeo, Master Script, 1959 June 15 Note: Line cuts marked.
Box   14 Folder   12-13	Third Mimeo, with additional pages, 1959 August 17
Box   14 Folder   14	Fourth Mimeo, produced version, 1959 October 1
Box   14 Folder   15	Final Master Script, including Costumes, Ground Plan, and Property Plot, 1960 January 20
Box   14 Folder   16	Script and Production Notes, Additional Pages
Box   14 Folder   17-18	Weekly Settlements and Statements, 1959 August-1960 January
Box   14 Folder   19	Tax Returns
Box   14 Folder   20	Tickets - Sales, Seating, Prices, Press Seats
	The Gay Life Note: Produced New York, November 17, 1961
Box   14 Folder   21	Accident Reports
Box   14 Folder   22	Billing
Box   14 Folder   23	Box Office Statements and Ticket Correspondence
Box   14 Folder   24	Capitol Records Inc. - Correspondence, Contract, Royalties Statements, 1960-1969
Box   14 Folder   25	Cast Lists and Correspondence
Micro 1021 Reel   3	Clippings
U.S. Mss 8AN	Contracts
Box   14 Folder   26	Actors' Contracts
Box   14 Folder   27	Dancers' and Singers'
Box   14 Folder   28	Production Contracts
	Correspondence
Box   14 Folder   29	General, 1960-1967
Box   15 Folder   1	Kanin, Fay and Michael, 1959-1962
Box   15 Folder   2	With Lawyers
Box   15 Folder   3	Costumes - Inventory and Bills, Specifications and Estimates
	Financial Records
Box   15 Folder   4	Budgets
Box   15 Folder   5	Financial Statements, 1961-1962; Royalties
Box   15 Folder   6	Weekly Financial Statements, including Salary Statements
	Music
Box   15 Folder   7	Lyrics
Box   15 Folder   8	Printing Bills
	Partnership Agreements
Box   15 Folder   9	Agreements, Lists of Investors, Correspondence, 1960-1961
Box   15 Folder   10	Correspondence with Investors
Box   63 Folder   7	Photographs
	Production Records
Box   15 Folder   11	Daily Log
Box   15 Folder   12	Production Meeting Notes, Production Notes
Box   15 Folder   13	Programs
Box   15 Folder   14	Props and Equipment - Contracts, Estimates, Bills, Property Plot
Box   15 Folder   15	Publicity and Advertising - Contract, Invoices, Correspondence, Advertising Copy
Box   15 Folder   16	Rehearsal Schedules
	Scripts, adapted by Fay and Michael Kanin
Box   15 Folder   17	Photocopies of Arthur Schnitzler, Anatole (Paris: P.-V. Stock, 1913)
Box   15 Folder   18	Typescript (“The Affairs of Anatol”), undated
Box   15 Folder   19	Typescript (“Anatol”), undated
Box   15 Folder   20	Typescript, undated
Box   15 Folder   21	First Mimeo, 1960 October 14
Box   15 Folder   22	First Mimeo, revised 1961 January 17
Box   15 Folder   23	Second Mimeo, 1961 August 4
Box   15 Folder   24	Rehearsal Script, 1961 August 28
Box   15 Folder   25	Revised Rehearsal Script, 1961 August 28
Box   16 Folder   1	Script Revisions
Box   16 Folder   2	Script Notes and Audition Comments
Box   16 Folder   3	Tax Returns
	Golden Bat
Box   16 Folder   4	Arbitration - Correspondence, Affidavits, 1970 August-November
Box   16 Folder   5	Box Office Statements, 1970 July-December
Box   16 Folder   6	Cast Information and Contracts, 1970
Micro 1021 Reel   3	Clippings
U.S. Mss 8AN Box   16 Folder   7	Contracts - Songwriters
Box   16 Folder   8	Correspondence, 1970-1971
Box   16 Folder   9	Costumes - Estimates and Bills
Box   16 Folder   10	Ed Sullivan Show - Correspondence and Miscellaneous, 1970 October
	Financial Records
Box   16 Folder   11	Budgets
Box   16 Folder   12	Financial Statements
Box   16 Folder   13	Hartford (Connecticut) Jewish Community Center - Correspondence regarding Performance, 1970 September-November
Box   16 Folder   14	Miscellany, including Film Budget
Box   58 Folder   6	Musical Scores
Box   16 Folder   15	Partnership Agreements and Correspondence, 1970
Box   16 Folder   16	Program
Box   16 Folder   17	Publicity and Advertising - Correspondence, Press Releases, Invoices
Box   16 Folder   18	Royalties
Box   16 Folder   19	Salary Lists
Box   16 Folder   20	Weekly Settlements and Statement
Box   16 Folder   21	Story Synopses
Box   16 Folder   22	Tax Returns
	Heavenly Express
Box   16 Folder   23	Contracts and Agreements
Box   16 Folder   24	Correspondence, 1939-1941
Box   16 Folder   25	Financial Statements and Budgets
	Hello and Goodbye
Box   16 Folder   26	Box Office and Weekly Settlement and Statements
Box   16 Folder   27	Casting - Correspondence and Notes
Micro 1021 Reel   3	Clippings
U.S. Mss 8AN	Contracts
Box   16 Folder   28	Actors and Crew
Box   16 Folder   29	Author, Director, Producer
Box   16 Folder   30	Literary Purchase and Option Agreements
Box   16 Folder   31	Theater
Box   16 Folder   32	Legal Correspondence, 1969-1970
	Financial Records
Box   16 Folder   33	Budgets
Box   16 Folder   34	Weekly Financial Statements
Box   16 Folder   35	Miscellany
Box   16 Folder   36	Partnership Agreements, 1969
Box   58 Folder   7	Payroll Lists, 1969
Box   16 Folder   37	Programs
Box   16 Folder   38	Publicity and Advertising - Bills and Invoices
Box   16 Folder   39	Royalties
Box   16 Folder   40	Script Revisions
Box   16 Folder   41	Tax Returns
	Hot L Baltimore
Box   16 Folder   42	Box Office Statements
Box   16 Folder   43	Cast Information
	Contracts
Box   16 Folder   44	Author, Director
Box   16 Folder   45-47	Cast
Box   16 Folder   48	Correspondence, 1973-1976
	Financial Records
Box   16 Folder   49	Budgets
Box   16 Folder   50	Financial Statements
Box   16 Folder   51	Foreign Productions - Correspondence, 1973-1974
Box   16 Folder   52	Partnership Agreements
	Payroll and Salary Records
Box   16 Folder   53	Payroll Ledgers, 1975
Box   58 Folder   9	Payroll Lists, 1974-1975
Box   58 Folder   8	Record of Employee Earnings, 1973-1974
Box   58 Folder   10	Salary Lists, 1973-1974
Box   63 Folder   8	Photographs
Box   16 Folder   54	Programs
Box   16 Folder   55	Royalties
Box   17 Folder   1	Stage Manager's Daily Reports, 1973 March-April
Box   17 Folder   2-3	Tax Returns
Box   17 Folder   4	Theater Development Fund - Contract and Correspondence
Box   17 Folder   5	Ticket Sales
Box   17 Folder   6	Road Tours - Correspondence and Royalty Statements, 1973-1976
	Illya Darling
Box   17 Folder   7	Billing
Box   17 Folder   8	Box Office Statements
Box   17 Folder   9	Casting; Cast, Crew, and Staff Lists
Box   17 Folder   10	Casting and Staffing Suggestions
	Contracts
Box   17 Folder   11	Actors' Contracts
Box   17 Folder   12	Crew Contracts
Box   17 Folder   13-14	Production Contracts
Box   17 Folder   15	Singers, Dancers, Extras
Box   17 Folder   16	Sondheim, Stephen
Box   17 Folder   17	Theater Contracts
Box   17 Folder   18	United Artists regarding Recordings; Royalties, Correspondence
	Correspondence
Box   17 Folder   19	General, 1960-1968
Box   17 Folder   20	Actors' Equity Association
Box   17 Folder   21	Bernheim, Alain and Jules Dassin
Box   17 Folder   22	Equipment, Costumes, Props - Estimates and Inventories
	Financial Records
Box   17 Folder   23	Check Registers
Box   17 Folder   24	Financial Statements
Box   17 Folder   25	Production Cost and Financial Statements; Budgets
Box   17 Folder   26	Miscellaneous Records
Box   17 Folder   27	Immigration Correspondence and Records
Box   17 Folder   28	Manifests
Box   17 Folder   29	Melina Mercouri's Alien Dues to Actor's Equity Association
Box   17 Folder   30	Miscellany
	Music
Box   17 Folder   31	Arranging and Copying Bills
Box   17 Folder   32	Lyrics and Musical Numbers
Box   17 Folder   33	Sheet Music and Lead Sheets
Box   17 Folder   34	Musicians and Instruments Lists
Box   17 Folder   35	Playbills and Programs
Box   17 Folder   36	Production and Audition Schedules
Box   18 Folder   1	Production Notes
Box   18 Folder   2	Publicity and Advertising - Statements, Invoices, Radio Spots, Billboards
Box   18 Folder   3	Reviews
Box   18 Folder   4	Royalties
Box   18 Folder   5	Salary Lists and Payroll Correspondence
Box   18 Folder   6	Scene Breakdowns
	Scripts
Box   18 Folder   7	Uncut Draft Script of “Never on Sunday” (stage play)
Box   18 Folder   8	Script Changes and Fragments
Box   18 Folder   9	English Subtitles for Greek Dialogue (Never on Sunday)
Box   18 Folder   10	Set Sketches
Box   18 Folder   11-13	Weekly Settlements and Statements
Box   18 Folder   14	Souvenir Book Statements
Box   18 Folder   15	Tax Returns
	Ticket Sales
Box   18 Folder   16	Theater Parties - Correspondence
Box   18 Folder   17	Ticket Requests
Box   18 Folder   18	Opening Night Ticket Requests and Opening Night Party
	Ionescopade
Box   18 Folder   19	Cast Resumes and Applications, 1975
Box   18 Folder   20	Production Contracts, 1974
Box   18 Folder   21	Correspondence, 1973-1975
	Financial Records
Box   18 Folder   22	Financial Statements
Box   18 Folder   23	Itemized Bills
Box   18 Folder   24	Miscellany
Box   18 Folder   25	Newspaper Clippings
	Partnership Agreements
Box   18 Folder   26	Offering Circular
Box   18 Folder   27	Agreements, Investors' Lists and Correspondence
Box   18 Folder   28	Securities and Exchange Commission Notifications
Box   63 Folder   9	Photographs
Box   18 Folder   29	Programs and Program Information
Box   58 Folder   11	Salary Lists and Ledger Pages, 1974
Box   18 Folder   30	Tax Returns
	The Lark Note: Produced New York, November 7, 1955
Box   19 Folder   1	Billing
Box   19 Folder   2	Box Office Statements
Micro 1021 Reel   3	Clippings - London, New York, and Tour
U.S. Mss 8AN	Contracts
Box   19 Folder   3	Actors' Contracts
Box   19 Folder   4	Harris, Julie
Box   19 Folder   5	Production Contracts
	Correspondence
Box   19 Folder   6	Allied Artists Pictures, 1955-1956
Box   19 Folder   7	Anouilh, Jean (Author), 1954
Box   19 Folder   8	Bernstein, Leonard, 1955-1956
Box   19 Folder   9	Cast, 1955-1956
Box   19 Folder   10	General, 1954-1961
Box   19 Folder   11	Harris, Julie, 1954-1956
Box   19 Folder   12	Hellman, Lillian, 1951-1956
Box   19 Folder   13	Paul, Weiss, Rifkind, Wharton, and Garrison (Attorneys), 1953-1955
Box   19 Folder   14	Production, 1953-1957
Box   19 Folder   15	Van Loewen, Jan, 1954-1957
Box   19 Folder   16	Costume Plot and Inventories
Box   19 Folder   17	Cue Sheet, Line Plot, Spot Lines, Lighting Plot
	Financial Records
Box   19 Folder   18	Estimated Production Expenses
Box   19 Folder   19	Financial Statements
Box   66	Ground Plans, Layout
Box   19 Folder   20	Music
477A/7	Songs (in French)
U.S. Mss 8AN	Partnership Agreements
Box   19 Folder   21	Agreements, Lists of Investors
Box   19 Folder   22	Investors' Correspondence, 1954-1956
Box   63 Folder   10-11	Photographs
Box   19 Folder   23	Production Schedule, Cast Addresses
Box   19 Folder   24	Props
Box   19 Folder   25-26	Publicity and Advertising - Invoices, Press Releases
Box   19 Folder   27	Programs
Box   19 Folder   28	Royalties
Box   19 Folder   29	Salary Lists
	Scripts, by Jean Anouilh, adapted by Lillian Hellman
Box   19 Folder   30-31	Original and Early Scripts
Box   19 Folder   32	Rehearsal Script, annotated with stage directions
Box   19 Folder   33	Produced Version
Box   19 Folder   34	Published Copy
Box   19 Folder   35	Script and Production Notes
Box   20 Folder   1	Script Notes - Conversation between Jean Anouilh and William Wyler
Box   20 Folder   2	Incomplete Rewrites of Acts I and II
Box   20 Folder   3	Script for Touring Company
Box   20 Folder   4	Weekly Settlements, 1955 October-1956 June
Box   20 Folder   5	Tax Returns
Box   20 Folder   6	Ticket Sales - Opening Night Requests
	Tour
Box   20 Folder   7	Box Office Statements
Box   20 Folder   8	Cast List, Itinerary, Other Production Records
Box   20 Folder   9	Production Contracts
	Correspondence
Box   20 Folder   10	General and Ticket Correspondence, 1955-1956
Box   20 Folder   11	Cast, 1956
Box   20 Folder   12	Harris, Julie, 1956
Box   20 Folder   13	Production, 1956-1964
Box   20 Folder   14	Skinner, Richard (Company Manager), 1956-1957
Box   20 Folder   15	Ward, Mary (Press Agent), 1956
Box   20 Folder   16	Lighting Notes, Equipment Lists
Box   20 Folder   17	Playbill from London Production
Box   20 Folder   18	Publicity and Advertising
Box   20 Folder   19	Salary Lists
Box   20 Folder   20	Sound and Music Cues, Timing Sheet
Box   20 Folder   21	Weekly Settlements, 1956
Box   20 Folder   22	Tickets - Suggested Price Scales
	Legend of Sarah
Box   20 Folder   23	Box Office Statements
Box   20 Folder   24	Production Contracts
Box   20 Folder   25	Correspondence, 1950-1958
Box   20 Folder   26	Financial Records - Statements, List of Investors, Budgets
Box   20 Folder   27	Partnership Agreements
Box   66	Photographs
Box   66	Props and Costume Inventories, Light Plots, Floor Plans, Elevations
	Publicity and Advertising
Box   58 Folder   1	Poster
Box   20 Folder   28	Press Releases, Opening Night Ticket Sales
Box   20 Folder   29	Royalties
Box   20 Folder   30	Salary Lists
	Scripts, by James Gow and Arnaud d'Usseau
Box   20 Folder   31	Script
Box   20 Folder   32	Revised Script
Box   20 Folder   33	Second Revised Script
Box   20 Folder   34	Third Revised Script
Box   20 Folder   35	Revisions of Act 3, Scene 2
Box   20 Folder   36	Weekly Settlements and Statements, Salaries
Box   20 Folder   37	Tax Returns
	Look Homeward, Angel Note: Produced New York, November 27, 1957
Box   20 Folder   38	Accident Reports
Box   20 Folder   39	Billing
	Box Office Statements
Box   20 Folder   40	1957 November-1958 March
Box   21 Folder   1-2	1958 March-1959 March
Box   21 Folder   3	Cast Addresses, Casting Notes
Micro 1021 Reel   3	Clippings
U.S. Mss 8AN	Contracts
Box   21 Folder   4	Actors' Contracts
Box   21 Folder   5	Production Contracts
	Correspondence
Box   21 Folder   6	General, 1957-1960
Box   21 Folder   7	Cast, 1957-1959
Box   21 Folder   8	Frings, Ketti (Author), 1957-1962
Box   21 Folder   9	Paul, Weiss, Rifkind, Wharton, and Garrison (Attorneys), 1957-1962
Box   21 Folder   10	Production Correspondence, 1957-1963
Box   21 Folder   11	Ritter, Ted (Theatrical Interests Plan Inc.), 1957-1962
Box   21 Folder   12	Whyte, Jerome (Rodgers and Hammerstein - London Production), 1958-1959
Box   21 Folder   13	Witt, Peter (Foreign Productions), 1957-1959
Box   21 Folder   14	Wolfe, Fred and Thomas Wolfe Estate, 1957-1959
Box   21 Folder   15	Costumes
	Financial Records
Box   21 Folder   16	Estimated Production Expenses
Box   21 Folder   17	Financial Statements
Box   21 Folder   18	Weekly Financial Statements
Box   66	Ground Plans
Box   21 Folder   19	Lighting and Props
Box   21 Folder   20	Literary Production Rights - Contracts
Box   21 Folder   21	Motion Picture Rights
Box   21 Folder   22	Music
	Partnership Agreements
Box   21 Folder   23	Agreements
Box   21 Folder   24	Investors' Correspondence, 1957-1964
Box   63 Folder   12-13	Photographs
Box   66	Photographs
Box   21 Folder   25	Playbills and Programs
Box   21 Folder   26	Publicity and Advertising - Press Releases, Interviews, Advertising Copy, Advertising
	Royalties
Box   21 Folder   27	General Records
Box   21 Folder   28	Frings, Ketti
Box   21 Folder   29	Hill, George Roy
Box   21 Folder   30	Estate of Thomas Wolfe
Box   22 Folder   1	Weekly Settlements, 1957-1959
Box   22 Folder   2	Synopsis of Proposed Movie
Box   22 Folder   3	Tax Returns
Box   22 Folder   4	Ticket Orders and Correspondence
	Tour
Box   22 Folder   5	Box Office Statements, 1959-1960
Box   22 Folder   6	Financial Records - Weekly Grosses and Estimated Production Expenses
Box   22 Folder   7	Ground Plans and Equipment
Box   22 Folder   8	Royalties
Box   22 Folder   9	Weekly Settlement and Financial Statements
Box   22 Folder   10	Tour Correspondence, 1957-1959
	Maiden Voyage Note: Produced Philadelphia, March 18, 1957
Box   22 Folder   11	Billing, Cast List
Box   22 Folder   12	Box Office Statements
	Contracts
Box   22 Folder   13	Actors' Contracts
Box   22 Folder   14	Production Contracts
Box   22 Folder   15	Production Rights Contracts
	Correspondence
Box   22 Folder   16	General, 1956-1961
Box   22 Folder   17	Cast, 1956-1957
Box   66	Costume Sketches, Advertisement
Box   22 Folder   18	Financial Statements, Budgets, Payroll Records, Tax Returns
	Partnership Agreements
Box   22 Folder   19	Agreements
Box   22 Folder   20-21	Investors' Correspondence, 1956-1961
Box   22 Folder   22	Playbills and Programs
Box   22 Folder   23	Production Records
Box   22 Folder   24	Salary Lists
	Scripts, by Paul Osborn
Box   22 Folder   25-26	Scripts (2)
Box   22 Folder   27	Original Revised Script, 1960 October 18
Box   22 Folder   28	Elizabeth Lawrence Copy of Script, with annotations and cue directions
Box   22 Folder   29	Weekly Settlements and Statements
Box   22 Folder   30	Tickets - Opening Night and Other Ticket Requests
	The Man
Box   22 Folder   31	Box Office Statements
Micro 1021 Reel   3	Clippings
U.S. Mss 8AN Box   22 Folder   32	Production Contracts
Box   22 Folder   33	Correspondence, 1949-1951
	Financial Records
Box   22 Folder   34	Financial Statements
Box   22 Folder   35	Weekly Financial Statements
Box   22 Folder   36	Partnership Agreements and Investors' Correspondence
Box   22 Folder   37	Playbills and Programs
Box   66	Prop, Costume, and Light Plots; Sketches, Ground Plans, Elevations
Box   22 Folder   38	Reviews
Box   22 Folder   39	Royalties
Box   22 Folder   40	Salary Lists
Box   22 Folder   41	Script, by Mel Dinelli, undated
Box   23 Folder   1	Weekly Settlements and Statements
Box   23 Folder   2	Tax Returns
Box   23 Folder   3	Tickets - Opening Night and Other Sales
	Montserrat
Box   23 Folder   4	Box Office Statements
Micro 1021 Reel   3	Clippings
U.S. Mss 8AN Box   23 Folder   5	Production Contracts and Contract for Motion Picture Rights
Box   23 Folder   6	Correspondence, 1948-1961
Box   23 Folder   7	Costumes, Props, Equipment, Sets - Lists and Bills
	Financial Records
Box   23 Folder   8	Financial Statements and Weekly Financial Statements
Box   52 Folder   12	Ledger of Receipts and Expenditures
Box   66	Floor Plan, Elevations
Box   23 Folder   9	Partnership Agreements, Investors' Correspondence and Lists
Box   23 Folder   10	Playbills
	Publicity and Advertising
Box   23 Folder   11	Invoices
Box   58 Folder   1	Poster
Box   23 Folder   12	Royalties
Box   23 Folder   13	Salary Lists
Box   23 Folder   14	Scenario
	Scripts
Box   23 Folder   15	Typescript
Box   23 Folder   16	Prompt Script
Box   23 Folder   17	Prompt Script, as produced
Box   23 Folder   18	Weekly Settlements and Statements
Box   23 Folder   19	Tax Returns
Box   23 Folder   20	Ticket Sales
Micro 1021	Moon on a Rainbow Shawl Note: Produced New York, January 15, 1962
Reel   3	Clippings
U.S. Mss 8AN Box   23 Folder   21	General and Production Contracts
Box   23 Folder   22	Correspondence, 1961-1963
Box   23 Folder   23	Financial Statement
	Partnership Agreements
Box   23 Folder   24	Agreements, Investors' Lists and Correspondence
Box   23 Folder   25	Correspondence with Investors
Box   23 Folder   26	Program and Cast List
Box   23 Folder   27	Publicity and Advertising - Invoices and Advertising Copy
Box   23 Folder   28	Salary and Other Expenses; Tax Returns
	Scripts, by Errol John
Box   23 Folder   29	First Mimeo Script, 1961 September 27, with audition notes
Box   23 Folder   30	Rehearsal Mimeo, 1961 December 11
Box   23 Folder   31	Produced Version, 1962 January 16
Box   23 Folder   32	Weekly Settlements and Box Office Statements
	The Most Happy Fella Note: Produced New York, May 3, 1956
Box   23 Folder   33	Accident and Insurance Reports
	Box Office Statements
Box   23 Folder   34-36	1956 March-1957 May
Box   24 Folder   1-3	1957 May-1958 June
Box   24 Folder   4	Cast Absentee Lists
Box   24 Folder   5	Cast and Crew Lists; Salary Lists
Micro 1021 Reel   3	Clippings
U.S. Mss 8AN Box   24 Folder   6	Columbia Records Inc. - Royalties, Correspondence, Contract
	Contracts
Box   24 Folder   7	Actors' Contracts
Box   24 Folder   8	Motion Picture Contracts with RKO
Box   24 Folder   9	Production Contracts and Correspondence
Box   24 Folder   10-11	Singers and Dancers Contracts
	Correspondence
Box   24 Folder   12	General, 1955-1961
Box   24 Folder   13	Actors' Equity Association
	Costumes
Box   24 Folder   14	Estimates, Correspondence, Inventories
Box   58 Folder   2	Costume Sketches
	Financial Records
Box   24 Folder   15	Budgets and Schedules
Box   24 Folder   16	Financial Statements, 1956-1968
Box   24 Folder   17	Immigration Records
Box   24 Folder   18	Music - Copying Bills and Contracts
	Partnership Agreements
Box   25 Folder   1	Agreements
Box   25 Folder   2	Assignments
Box   25 Folder   3	Investors' Correspondence
Box   63 Folder   15-16	Photographs
Box   25 Folder   4	Production Notes
Box   25 Folder   5	Programs and Souvenir Booklets
Box   25 Folder   6	Props and Equipment - Contracts, Correspondence, Inventories
	Publicity and Advertising
Box   25 Folder   7	Father's Day Advertising Plans
Box   25 Folder   8	Invoices, Correspondence, Schedules and Rates, Advertising Copy
Box   25 Folder   9	Royalties
Box   25 Folder   10-11	Salary Lists
	Scripts
Box   25 Folder   12	Typescript
Box   25 Folder   13	Second Draft Script, by Frank Loesser, 1955 December 15 (Bloomgarden's Copy)
Box   25 Folder   14	Revised Script (Stage Manager's Copy)
Box   25 Folder   15-17	Weekly Settlements and Statements, 1956 March-1958 June
Box   25 Folder   18	Tax Returns
Box   25 Folder   19-20	Tickets - Orders, Sales, Opening Night Press List
Box   25 Folder   21	Vocal Score and Libretto, annotated
	Tour
Box   26 Folder   1	Theater and Production Contracts, Correspondence, Cast List, Statement, Grosses
	London Production
Box   26 Folder   2	Contracts and Correspondence, British Production Rights
Box   26 Folder   3	Weekly Statements
	The Music Man Note: Produced New York, December 19, 1957
Box   26 Folder   4	Accident Report, 1957 November-1961 October
Box   26 Folder   5	Billing
Box   26 Folder   6-10	Box Office Statements, 1957 November-1961
	Cast Record Album
Box   26 Folder   11	Contract and Correspondence, 1957-1969
Box   26 Folder   12	Royalty Statements, 1958-1969
Micro 1021 Reel   3-4	Clippings
U.S. Mss 8AN	Contracts
Box   26 Folder   13-14	Cast
Box   26 Folder   15	Costume Designer
Box   26 Folder   16	Director
Box   26 Folder   17	Hair Stylists, Choreographer, Scenic Designer, Souvenir Book Printer
Box   26 Folder   18	Musicians, Orchestrator
Box   26 Folder   19-20	Singers and Dancers
Box   26 Folder   21	Technical Staff
Box   26 Folder   22	Theaters, with Correspondence
	Correspondence
Box   26 Folder   23	Actors' Equity Association, 1957-1962
Box   26 Folder   24	Cast, 1957-1961
Box   26 Folder   25	Estate of Anne Gordon, 1957-1961
Box   27 Folder   1-3	General, 1956-1963, 1976
Box   27 Folder   4	Wilson, Meredith, 1958-1962
Box   27 Folder   5	Costumes - Bills and Inventories
Box   27 Folder   6	Cue Books, Master Cue Sheet, Cue Sheets for Lights and Sound
	Financial Records
Box   27 Folder   7	Bills (Sampling)
Box   27 Folder   8	Budget
Box   27 Folder   9-14	Financial Statements, 1958-1964, 1967-1968
Box   27 Folder   15	Weekly Financial Statements, 1958-1961
Box   27 Folder   16	Hairdressers' Bills
Box   27 Folder   17	Insurance - Statements, Correspondence
Box   27 Folder   18	Litigation - Correspondence, Affidavits
	Motion Picture
Box   27 Folder   19	Newspaper Clippings
Box   27 Folder   20	Receipts and Income, 1962-1968
	Music
Box   27 Folder   21	Arranging and Printing Bills
	Music and Sound Effects
477A/5	“Country” noises, wind
477A/6	Noises, bells, whistles, rain, wind
U.S. Mss 8AN	Partnership Agreements
Box   27 Folder   22	Agreements and Correspondence, 1957-1969
Box   27 Folder   23-25	Investors' Correspondence, 1957 May-1964 June
Box   27 Folder   26	List of Investors
Box   28 Folder   1	Sale of Partnership - Correspondence, Agreements
Box   28 Folder   2	Pension Fund Payment Reports
Box   28 Folder   3	Playbills and Programs
	Publicity and Advertising
Box   28 Folder   4	Correspondence, 1958-1960
Box   28 Folder   5	Interview Appointments, Invoices, Television Ad Copy, Schedules
Box   28 Folder   6	Miscellaneous
Box   28 Folder   7	Newspaper Advertising - Invoices
Box   28 Folder   8	Press Releases
Box   28 Folder   9	Royalties
Box   28 Folder   10-11	Salary Lists
	Scripts, by Meredith Willson
Box   28 Folder   12	Original Script and Notes
Box   28 Folder   13	First Mimeo Script, 1956 June
Box   28 Folder   14	Revised Script, 1956 November-December
Box   28 Folder   15	Revised Master Script, 1957 January 19
Box   28 Folder   16	Script, 1957 April 5
Box   28 Folder   17	Script, 1957 July 17
Box   28 Folder   18	Script, 1957 September 10
Box   28 Folder   19	Rehearsal Script, 1957 September 23
Box   28 Folder   20	Produced Version, 1957 December 19
Box   28 Folder   21	Assembled Version, with all songs and routines later cut
Box   28 Folder   22	Book
Box   29 Folder   1	Printed Vocal Score
Box   60 Folder   1-2	Scores for Acts 1 and 2
	Scores for Small Orchestra
Box   59	Printed Scores for Acts 1 and 2
Box   29 Folder   2	Bass
Box   60 Folder   3	Cello
Box   29 Folder   3	Percussion
Box   29 Folder   4	Reed 1 (Flute, Piccolo, Clarinet)
Box   29 Folder   5	Reed 2 (Clarinet, Tenor Saxophone)
Box   29 Folder   6	Reed 3 (Clarinet, Bass Clarinet)
Box   29 Folder   7	Reed 4 (Clarinet, Baritone Saxophone)
Box   29 Folder   8-9	Trombone
Box   29 Folder   10-11	Trumpet 1 and 2
Box   29 Folder   12	Trumpet 3
Box   61 Folder   1	Violin
Box   29 Folder   13	Solo Violin
Box   29 Folder   14-18	Weekly Settlements and Statements, 1957 November-1961 April
Box   30 Folder   1	Tax Returns
Box   30 Folder   2-3	Ticket Sales and Requests
	National Company (Tour)
Box   30 Folder   4	Accident Reports, 1958-1964
Box   30 Folder   5	Billing
Box   30 Folder   6-8	Box Office Statements, 1958-1962
	Contracts
Box   30 Folder   9-10	Actors' Contracts, with Correspondence, Salary Lists
Box   30 Folder   11	Lighting, Sound Equipment
Box   30 Folder   12	Musicians
Box   30 Folder   13-14	Singers and Dancers
Box   30 Folder   15	Technical Staff
Box   30 Folder   16-18	Theaters
	Correspondence
Box   30 Folder   19	Actors' Equity Association Arbitration, 1961
Box   31 Folder   1	Cast Corrspondence, 1958-1962
Box   31 Folder   2	General Correspondence, 1958-1962
Box   31 Folder   3	Theater Guild Subscription Service, 1957-1961
	Financial Records
Box   31 Folder   4	Budgets, 1958
Box   31 Folder   5	Weekly Financial Statements, 1958-1962
Box   31 Folder   6	Los Angeles Civic Light Opera Association - Contracts, Financial Statements, Settlement, Correspondence, 1958-1959
Box   31 Folder   7	Newspaper Clippings
Box   31 Folder   8	Pension Fund Payment Reports, 1960-1963
Box   31 Folder   9	Programs, 1957-1960
Box   31 Folder   10	Publicity and Advertising, 1958-1962
Box   31 Folder   11-13	Salary Lists, 1958 August-1962 March
Box   61 Folder   2	Salary Lists, 1961-1962
Box   31 Folder   14	Tour Schedule
Box   31 Folder   15-19	Weekly Settlements and Statements, 1958 August-1962
	Second National Company (Tour)
Box   31 Folder   20	Billing
Box   31 Folder   21	Box Office Statements, 1962
	Contracts
Box   31 Folder   22	Actors' Contracts, 1961-1962
Box   31 Folder   23	Musicians and Technical Staff
Box   31 Folder   24	Singers and Dancers
Box   31 Folder   25	Theaters
Box   61 Folder   4	Theaters, 1961-1962
Box   32 Folder   1	Correspondence, 1958 February-1962 March
	Financial Records
Box   32 Folder   2	Weekly Financial Statements, 1961-1962
Box   32 Folder   3	Bills (Sampling)
Box   32 Folder   4	Miscellany
Box   32 Folder   5	Pension Fund Payment Reports, 1961-1962
Box   32 Folder   6	Programs
Box   32 Folder   7	Publicity and Advertising - Correspondence, 1961 October-1962 March
Box   32 Folder   8	Salary Lists
Box   61 Folder   3	Salary Lists, 1961-1962
Box   32 Folder   9	Tour Schedule
Box   32 Folder   10	Weekly Settlements and Statements, 1961 September-1962 April
	Other Productions
	Australian Production
Box   32 Folder   11	Box Office Statements and Correspondence, 1958-1960
Box   32 Folder   12	Royalties, 1959-1961
Box   32 Folder   13	German and New Zealand Productions - Royalties, 1961-1962
	London Production
Box   32 Folder   14	Box Office Statements, 1961 February-1962 May
Box   32 Folder   15	Correspondence, 1959-1962
Box   32 Folder   16	Financial Statements and Accounts, 1961-1962
Box   32 Folder   17	Newspaper Clippings
Box   32 Folder   18	Production Agreement, 1960-1961
Box   32 Folder   19	Programs
Box   32 Folder   20	Royalties
Box   32 Folder   21	Other Foreign Productions - Correspondence, 1957-1961
	Summer Stock Productions
Box   32 Folder   22	Correspondence, 1957-1963
Box   32 Folder   23	Royalties, 1958-1963
	My Mother, My Father, and Me Note: Produced New York, March 23, 1962
Box   32 Folder   24	Box Office Statements
Micro 1021 Reel   3	Clippings
U.S. Mss 8AN Box   32 Folder   25	Production Contracts
Box   32 Folder   26	Correspondence, 1962-1964
Box   32 Folder   27	Financial Records, including Weekly Settlements
	Partnership Agreements
Box   32 Folder   28	Agreements
Box   32 Folder   29	Investors' Correspondence and Lists
Box   32 Folder   30	Props and Equipment - Inventories and Bills
Box   32 Folder   30	Casting Suggestions
Box   32 Folder   31	Program
Box   32 Folder   32	Publicity and Advertising - Contract and Invoices
	Scripts, by Lillian Hellman
Box   32 Folder   33	First Mimeo, 1962 November 23
Box   32 Folder   34	Second Mimeo, 1962 December 29
Box   32 Folder   35	Revisions of Acts I and II
Box   33 Folder   1	Revisions of Act II
Box   33 Folder   2	Script and Production Notes
Box   33 Folder   3	Tax Records
	The Night of the Auk Note: Produced New York, December 3, 1956
Box   33 Folder   4	Billing
Box   33 Folder   5	Box Office Statements
Micro 1021 Reel   4	Clippings
U.S. Mss 8AN Box   33 Folder   6	Production Contracts
Box   33 Folder   7	Correspondence, 1956-1960
Box   33 Folder   8	Financial Statements and Records
Box   33 Folder   9	Insurance
	Partnership Agreements
Box   33 Folder   10	Agreements
Box   33 Folder   11	Investors Correspondence
	Production Records
Box   33 Folder   12	Hanging Plot, Prop List
Box   33 Folder   13	Runthrough Notes, Time List
Box   33 Folder   14	Programs
Box   33 Folder   15	Salary Lists, Budgets, Royalties
	Scripts, by Arch Oboler
Box   33 Folder   16	Revised Script, no cuts, copyright 1956
Box   33 Folder   17	Revised Script, 1956 July 23
Box   33 Folder   18	Revised Script, 1956 September 20
Box   33 Folder   19	Revised Script, 1956 October 9
Box   33 Folder   20	Stage Manager's Script
Box   33 Folder   21	Weekly Settlements and Statement
Box   33 Folder   22	Tax Returns
Box   33 Folder   23	Tickets
	Nowhere To Go But Up Note: Produced New York, November 10, 1962
Box   33 Folder   24	Billing
Box   33 Folder   25	Box Office Statements
Micro 1021 Reel   4	Clippings
U.S. Mss 8AN Box   33 Folder   26	Columbia Records Inc. - Contract
Box   33 Folder   27	Production Contracts
Box   33 Folder   28	Correspondence, 1962-1964
	Financial Records
Box   33 Folder   29	Bills and Invoices, Cost Estimates
Box   33 Folder   30	Financial Statements and Weekly Settlements
Box   66	Floor Plans, Prop List
Box   61 Folder   5	Musical Score
	Partnership Agreements
Box   33 Folder   31	Agreements
Box   33 Folder   32	Investors' Correspondence
Box   33 Folder   33	Programs
Box   33 Folder   34	Publicity and Advertising
Box   33 Folder   35	Salary Lists
Box   61 Folder   6	First Mimeo Script: “Izzy and Moe” / by James Lipton and Sol Berkowitz, 1962 June 1
Box   33 Folder   36	Tax Returns
Box   33 Folder   37	Tickets - Orders, Correspondence
	The Playroom
Box   34 Folder   1	Box Office Statements, Weekly Financial Statements, 1965-1966
	Contracts
Box   34 Folder   2	Actors' Contracts
Box   34 Folder   3	Crew and Press Agents
Box   34 Folder   4	Dramatists' Guild
Box   34 Folder   5	Lighting, Sound Equipment, Advertising, Theaters
Box   34 Folder   6	MGM Motion Picture Rights
Box   34 Folder   7	Set Designer, Costume Designer, Director
Box   34 Folder   8	Songs, Music
	Correspondence
Box   34 Folder   9	Casting Correspondence, 1965 July-December
Box   34 Folder   10	General Correspondence, 1965 April-1966 May
Box   34 Folder   11	Legal Correspondence, 1965 July-1966 June
Box   34 Folder   12	Partnership Agreements
Box   34 Folder   13	Production and Operating Budgets
Box   34 Folder   14	Props and Set Design - Lists, Sketches, Correspondence, Invoices, 1965
Box   34 Folder   15	Publicity and Advertising
Box   34 Folder   16	Rehearsal and Production Notes
Box   34 Folder   17	Tax Returns
	The Sea Horse
Box   34 Folder   18	Box Office Statements
Micro 1021 Reel   4	Clippings
U.S. Mss 8AN	Contracts
Box   34 Folder   19	Author
Box   34 Folder   20	Cast and Technical Staff
Box   34 Folder   21	Theatre Development Fund
Box   34 Folder   22	Theaters
Box   34 Folder   23	Correspondence, 1974 March-1975 April
	Financial Records
Box   34 Folder   24	Budgets
Box   34 Folder   25	Financial Statements, 1974 June-1975 January
Box   34 Folder   26	Miscellany
Box   34 Folder   27	Partnership Agreements
Box   34 Folder   28	Program
Box   34 Folder   29	Royalties
Box   61 Folder   7	Salary Lists, 1974
Box   34 Folder   30	Tax Returns
	The Shrike (National Company)
Box   34 Folder   31	Box Office Statements
Micro 1021 Reel   4	Clippings
U.S. Mss 8AN	Contracts
Box   34 Folder   32	Production Contracts
Box   34 Folder   33	Theater Contracts
Box   34 Folder   34	Correspondence, 1952
	Financial Records
Box   34 Folder   35	Financial Statements
Box   34 Folder   36	Weekly Financial Statements
Box   34 Folder   37	Partnership Agreements
Box   63 Folder   17	Photographs
Box   34 Folder   38	Playbills and Programs
Box   34 Folder   39	Props and Equipment - Inventories, Lighting
Box   34 Folder   39	Costumes - Inventories
Box   34 Folder   39	Cast List
Box   34 Folder   40	Publicity and Advertising - Press Releases, Advertisements, Tour Schedule, Invoices
Box   34 Folder   41	Salary Lists
Box   34 Folder   42	Script, by Joseph Kramm
Box   35 Folder   1	Weekly Settlements and Statements
Box   35 Folder   2	Tax Returns
	Toys in the Attic Note: Produced New York, February 25, 1960
Box   35 Folder   3-5	Box Office Statements
	Contracts
Box   35 Folder   6	Actors' Contracts
Box   35 Folder   7	Author's Contract
Box   35 Folder   8	Director, Costume Designer, Composer, Scenic Designer
Box   35 Folder   9	Lighting Contracts
Box   35 Folder   10	Technical Staff Contracts
Box   35 Folder   11	Theater Contract
Box   61 Folder   8	Theater Party Contracts, 1959-1960
Box   35 Folder   12	Motion Picture Contract and Correspondence
	Correspondence
Box   35 Folder   13	Author's Correspondence, 1959-1962
Box   35 Folder   14	Cast Correspondence, 1959-1962; Casting Suggestions
Box   35 Folder   15	General Correspondence, 1959-1962
Box   35 Folder   16	Legal Correspondence, 1959-1961
Box   35 Folder   17	Costumes and Props - Lists, Contracts, Invoices, 1960-1962
	Financial Records
Box   35 Folder   18	Budgets
Box   35 Folder   19	Bills (Sampling)
Box   35 Folder   20	Financial Statements, 1960-1962
Box   35 Folder   21	Weekly Financial Statements
Box   61 Folder   9	Miscellany
Box   35 Folder   22	Music
1101A/1	Music
U.S. Mss 8AN	Partnership Agreements
Box   35 Folder   23	Agreements
Box   35 Folder   24	Investors' Correspondence, 1959-1962
Box   63 Folder   18	Photographs
Box   35 Folder   25	Programs
	Publicity and Advertising
Box   35 Folder   26	Press Releases, Correspondence, 1960
Box   35 Folder   27-28	Invoices, 1960-1961
Box   35 Folder   29	Salary Lists
Box   61 Folder   10	Salary Lists, 1960-1961
	Scripts, by Lillian Hellman
Box   35 Folder   30	First Mimeo, 1959 November 5, with extensive revisions and corrections (“Miss Hellman's Play - Master”)
Box   35 Folder   31	Second Mimeo, 1960 January 11 Note: Annotated
Box   35 Folder   32	Rehearsal Script - Second Mimeo Script with Stage and Lighting Cues, 1960 January 11
Box   35 Folder   33	Produced Version, 1960 February 25
Box   35 Folder   34	Miscellaneous Script Pages
Box   35 Folder   35	Script Notes, Corrections, Changes
Box   66	Set Plans
Box   35 Folder   36-37	Weekly Settlements and Statements
Box   36 Folder   1	Tax Returns
	Tour Company
Box   36 Folder   2	Box Office Statements, 1961-1962
	Contracts
Box   36 Folder   3	Actors' Contracts
Box   36 Folder   4	Technical Staff Contracts
Box   61 Folder   11	Theater Contracts
	Correspondence
Box   36 Folder   5	Cast Correspondence, 1959-1962
Box   36 Folder   6	Constance Bennett Press Matter, 1962
Box   36 Folder   7	Road Manager's Correspondence, 1961-1962
Box   36 Folder   8	Theatre Guild Subscription Service and Theater Parties, 1959-1962
	Financial Records
Box   36 Folder   9	Budget
Box   36 Folder   10	Weekly Financial Statements
Box   36 Folder   11	Props, Costumes - Inventories
Box   36 Folder   12	Publicity and Advertising - Programs, Press Releases, Newspaper Clippings
Box   61 Folder   12	Salary Lists, 1961-1962
Box   36 Folder   13	Ticket and Tour Schedule Records, 1959-1962
Box   36 Folder   13	Weekly Settlements and Statements, 1961-1962
	London Production
Box   36 Folder   14	Box Office Statements
Box   36 Folder   15	British Production Rights, 1960
Box   36 Folder   16	Correspondence, 1960-1961
Box   36 Folder   17	Miscellany
Box   36 Folder   18	Summary of Receipts and Expenses
	A View From the Bridge Note: Produced New York, September 29, 1955
Box   36 Folder   19	Box Office Statements
Box   36 Folder   20	British Production Rights
Micro 1021 Reel   4	Clippings
U.S. Mss 8AN	Contracts
Box   36 Folder   21	Actors' Contracts
Box   36 Folder   22	Author's Contract, and Correspondence with Arthur Miller
Box   36 Folder   23	Crew Contracts
Box   36 Folder   24	Production Contracts
Box   36 Folder   25	Theater Contracts
Box   36 Folder   26	Correspondence, 1955-1957, Schedules, and Miscellany
Box   36 Folder   27	Cue Cards, Cue Sheets, Lighting Notes, Lighting Plots
	Financial Records
Box   36 Folder   28	Financial Statements
Box   36 Folder   29	Miscellaneous Invoices and Bills
Disc 96	Music: “Paper Doll”
477A/4	Music and Sound Effects - Harbor Noises and song “Paper Doll”
U.S. Mss 8AN Box   36 Folder   30	Partnership Agreements and Assignments
Box   36 Folder   30A	Playbill
Box   36 Folder   31	Prop Lists and Costume Plots
Box   36 Folder   32	Royalties
Box   36 Folder   33	Salary Lists
Box   36 Folder   34	Script: “A Memory of Two Mondays” / by Arthur Miller, undated
Box   36 Folder   35	Weekly Settlements and Statements
Box   37 Folder   1	Tax Returns
	The Wall Note: Produced New York, October 11, 1960
Box   37 Folder   2	Box Office Statements, 1960 September-1961 March
Box   37 Folder   3	Casting Notes
Box   37 Folder   4	Children's Work Permits
Micro 1021 Reel   4	Clippings
U.S. Mss 8AN	Contracts
Box   37 Folder   5	Actors' Contracts
Box   37 Folder   6	Da Costa, Morton (Director)
Box   37 Folder   7	Production Contracts
	Correspondence
Box   37 Folder   8	General Correspondence, 1960 February-1961 March
Box   37 Folder   9	Legal Correspondence, 1960 April-October
Box   37 Folder   10	Rose, Billy, 1960 May-1961 January
Box   37 Folder   11	Costumes - Lists, Bills, Expenditures
	Financial Records
Box   37 Folder   12	Financial Statements
Box   37 Folder   13	Weekly Financial Statements
Box   37 Folder   14	Miscellaneous Records, Budgets
	Music and Sound Effects
477A/1	Carousel music, children singing, train and whistles, machine gun, airplane
477A/2	Traffic noises, concertina, marching train, tanks, single dog, baying dogs
477A/3	Baying dogs, children singing, bricks, band music, man's love song, truck, siren, concertina, whistle, loudspeaker, explosions, cannon, concertina
U.S. Mss 8AN	Partnership Agreements
Box   37 Folder   15	Agreements, Lists of Investors
Box   37 Folder   16	Investors' Correspondence, 1960-1961
Box   64 Folder   1	Photographs
	Production Records
Box   37 Folder   17	Production Notes, Notes by Millard Lampell
Box   37 Folder   18	Sound Sheets
Box   37 Folder   19	Program
Box   37 Folder   20	Props and Equipment - Prop List, Invoices
Box   37 Folder   21	Publicity and Advertising - Correspondence, 1960
Box   37 Folder   22	Production Rights - Correspondence, 1960-1962
Box   37 Folder   23	Royalties
Box   37 Folder   24	Salary Lists, 1960-1961
	Scripts, by Millard Lampell
Box   37 Folder   25	First Draft Script, undated
Box   37 Folder   26	First Draft Script, 1960 April
Box   37 Folder   27	First Mimeo Script, 1960 May, with revisions
Box   37 Folder   28	Rehearsal Script - First Mimeo, 1960 August 10, with Light and Sound Cues, annotated; Cast List
Box   38 Folder   1	Rehearsal Script, 1960 August 10; with annotations and corrections
Box   38 Folder   2	Produced Version, 1960 October 11
Box   38 Folder   3	Script Fragments and Notes
Box   38 Folder   4	Weekly Settlements, 1960 September-1961 March
Box   38 Folder   5	Tax Returns
	Wedding Breakfast
Box   38 Folder   6	Box Office Statements
Micro 1021 Reel   4	Clippings
U.S. Mss 8AN Box   38 Folder   7	Production Contracts
Box   38 Folder   8	Correspondence, 1954-1957
	Financial Records
Box   38 Folder   9	Budgets, Expenses, Tickets
Box   38 Folder   10	Financial Statements
Box   38 Folder   11	Weekly Financial Statements
Box   38 Folder   12	Partnership Agreements
Box   64 Folder   2	Photographs
Box   38 Folder   13	Playbills and Programs
Box   38 Folder   14	Props and Equipment - Light Cue Sheets, Sets Lists, Inventories and Lists
Box   38 Folder   14	Costumes - Lists
	Publicity and Advertising
Box   38 Folder   15	Advertising Copy, Billing
Box   38 Folder   16	Invoices, Press Releases
Box   58 Folder   1	Poster
Box   38 Folder   17	Royalties and Foreign Rights
Box   38 Folder   18	Salary Lists
	Scripts, by Theodore Reeves
Box   38 Folder   19	Act I
Box   38 Folder   20-21	Scripts, Acts I and II
Box   38 Folder   22-23	Scripts, Acts I-III
Box   38 Folder   24	Script of Film Version
Box   38 Folder   25	Weekly Settlements and Statements
Box   38 Folder   26	Tax Returns
	Woman Bites Dog
Box   38 Folder   27	Box Office Statements
Micro 1021 Reel   4	Clippings
U.S. Mss 8AN Box   38 Folder   28	Production Contracts
Box   38 Folder   29	Financial Statements, Budget, Tax Returns
Box   38 Folder   30	Opening Night Ticket Sales
Box   38 Folder   31	Partnership Agreement and Investors' Lists and Correspondence
Box   38 Folder   32	Programs
Box   38 Folder   33	Salary Lists
	Scripts, by Bella and Samuel Spewack
Box   38 Folder   34	First Version of Script
Box   38 Folder   35	Second Version
Box   38 Folder   36	Prompt Book, with Production Notes
Box   38 Folder   37	Weekly Settlements and Statements
	Series: Unproduced Theater, Television, and Film Projects	⇧
	Subseries: Correspondence and General Materials
Box   39 Folder   1	Memos From Betty Hart, 1958, regarding Plays
Box   39 Folder   2	Television Projects - Correspondence and Reports
	Plays
Box   39 Folder   3	Miscellaneous Readers' Reports
	Correspondence and Related Reports
Box   39 Folder   4-17	Play Titles A-S, 1954-1957
Box   40 Folder   1-3	T-Z, 1954-1957
Box   40 Folder   4-8	A-Z, 1957 October-1958 October
Box   40 Folder   9-13	A-Z, 1958 November-1960
Box   40 Folder   14-19	A-F, 1960-1965
Box   41 Folder   1-16	G-Z, 1960-1965
Box   67-69	Card File Summaries of Plays Read and Considered by Bloomgarden's Staff
	Subseries: Plays Considered for Production on Stage	⇧
	“The Accident” / by Dexter Masters
Box   42 Folder   1	Correspondence, Notes on the Script, 1957-1960
	The Actor's Strike Musical, by A.L. Weeks
Box   42 Folder   2	Correspondence
	“Altona” / by Jean-Paul Sartre, adapted by Justin O'Brien
Box   42 Folder   3	Correspondence
Box   42 Folder   4	Script
	“Always Go First Class” / by Arthur Carter
Box   42 Folder   5	Correspondence, Contracts
Box   42 Folder   6	Script
	“And So Farewell” / by Katherine Morrill
Box   42 Folder   7	Correspondence, Contracts
	“Arthur” / by Jim Peck
Box   42 Folder   8	Budgets
Box   42 Folder   9	Production Contracts and Partnership Agreements
Box   42 Folder   9A	Correspondence and Securities and Exchange Commission Records
Box   42 Folder   10	Offering Circular
	“A Baton for the Conductor” / by T.L.W. Hubbard
Box   42 Folder   11	Correspondence, Notes on the Script, Bills
	“The Beautiful and Anxious Maidens” / by Frances and Albert Hackett
Box   42 Folder   12	Production Contract, Story Notes, Miscellany
Box   42 Folder   13	Correspondence, 1962-1966
	“Belle Out of Order” / by Belle Livingston
Box   42 Folder   14	Correspondence, Contracts
	“Big Blonde” / by Dorothy Parker
Box   42 Folder   15	Correspondence, Contracts
	“Big Man” / by Lawrence Weinberg
Box   42 Folder   16	Script
	“Bledsoe” / by Arnaud d'Usseau
Box   42 Folder   17	London Production Budgets
Box   42 Folder   18	New York Production Budgets
Box   42 Folder   19	Cast and Casting Records
Box   42 Folder   20	Production Contracts
Box   42 Folder   21	Correspondence, 1971-1976
Box   42 Folder   22	Correspondence with Author
Box   42 Folder   23	Correspondence with Investors
Box   42 Folder   24	Miscellany, 1973-1975
Box   42 Folder   25	Offering Circular, 1975
Box   42 Folder   26	Partnership Agreements
Box   42 Folder   27	Richard Boone Arbitration - Correspondence, Settlement Agreement
Box   42 Folder   28	Securities and Exchange Commission Notifications, 1974
Box   42 Folder   29	Synopsis, Script Fragments
	“The Blessed Angel” (“Ange, the Miraculous”)
Box   42 Folder   30	Correspondence, 1955
	“Bread and Beans and Things”
Box   42 Folder   31	Script
	“The Burglar” / by Brigid Brophy
Box   42 Folder   32	Correspondence, Notes on the Script
	“Caesar and Cleopatra” / by George Bernard Shaw, adaptation by Douglas Watt
Box   42 Folder   33	Correspondence, Notes on the Script
	“The Cage” / by Mario Fratti
Box   42 Folder   34	Correspondence, Contract with Author
	Untitled Play, by Jean Cau
Box   42 Folder   35	Synopsis, Script
	“The Chase” / by Horton Foote
Box   42 Folder   36	Correspondence
	The Chrysler Show, by George Baxt
Box   42 Folder   37	Correspondence, Budget, Technical Production, Script
	“Clock Without Hands” / based on the book by Carson McCullers
Box   42 Folder   38	Correspondence, Contracts, Photographs
Box   43 Folder   1	Script
	“Cock of the Walk” / based on “Million Pound Bank Note” / by Mark Twain
Box   43 Folder   2	Correspondence, Notes on the Script, Budget, Technical Production, Contracts
Box   43 Folder   3	Contracts
Box   43 Folder   4	Casting
Box   43 Folder   5-8	Scripts (4)
	“Confessions of Felix Krull” / by Thomas Mann
Box   43 Folder   9	Contracts, Legal Materials
	“Cristoforo” / by Stanley Carroll
Box   43 Folder   10	Correspondence, Contracts
Box   43 Folder   11	Notes on the Script, Script
Box   43 Folder   12	Script
	“Cry for Happy” / by Reginald Rose
Box   43 Folder   13	Correspondence, Notes on the Script
Box   43 Folder   14	Contracts
Box   43 Folder   15	Story Outline, Notes on the Script
Box   43 Folder   16	Treatment, Scenes 1 and 2
Box   43 Folder   17	Script (partial), version 1
Box   43 Folder   18	Script (partial), version 2
	“Les Cyclones” / by Jules Roy
Box   43 Folder   19	Contract with Joyce Fountain to Produce Translation
	“The Dancing Master” / by Cleveland Amory
Box   43 Folder   20	Correspondence, Contracts, Notes on the Script
	“Day of the Turtle” (“Day of the Tortoise,” “We're a Whole New Thing”) / by Garinei and Giovannini
Box   44 Folder   1	Contracts, Correspondence, Synopsis, 1965-1968
Box   44 Folder   2	Script
Box   44 Folder   3	Outline for a Musical Comedy: “We're a Whole New Thing” / by Ira Barmak, 1968 April 10
Box   44 Folder   4	Presentation and Lyrics for “We're a Whole New Thing,” 1967, 1968
	“Days in the Trees” / by Marguerite Duras and Albert and Frances Hackett
Box   44 Folder   5	Production Contracts and Related Correspondence
Box   44 Folder   6	Correspondence, 1966-1976
Box   44 Folder   7	Program from London Production
	“Dear Kitty,” a musical version of The Diary of Anne Frank
Box   44 Folder   8	Correspondence, 1965-1976
Box   44 Folder   9	Lyrics
Box   44 Folder   10	Script, undated
Box   44 Folder   11	Miscellaneous Script Pages, Notes
1101A/2	Songs
U.S. Mss 8AN	“Death of a Man” / based on a book by Lael Tucker
Box   44 Folder   12	Correspondence, Contracts
	“Defense for a Rebel” / by Emmanuel Robles
Box   44 Folder   13	Correspondence, Contracts, Partial Script
	“A Definite Maybe” / by Jean Shepard and John O'Leary
Box   44 Folder   14	Contracts, Correspondence and Other Papers regarding Securities and Exchange Commission Registration, 1970-1974
	“The Deification of Leonard Smith” / by Lawrence Weinberg
Box   44 Folder   15	Script
	“Desire Under the Elms”
Box   44 Folder   16	Correspondence, Budgets, 1951
	“Devil's Carnival”
Box   44 Folder   17	Critique of Play
	“The Dining Room Furniture” / by Ruth Fainlight
Box   44 Folder   18	Correspondence, Notes on the Script, Contracts
Box   44 Folder   19	Script
	“The Distaff Paradox” / by Robert E. McEnroe
Box   44 Folder   20	Production Contract, 1952
	“Disturb Not Our Dreams” / by Hobert Douglas Skidmore
Box   44 Folder   21	Contract, Correspondence, 1948, 1950
	“Dr. Zhivago” / based on the book by Boris Pasternak
Box   44 Folder   22	Correspondence, Notes on the Script
	“The Doner Program” / by Loring Mandel
Box   44 Folder   23	Correspondence, Contracts, Notes on the Script, Financial Records
Box   44 Folder   24-25	Scripts (2)
Box   44 Folder   26	Script, Revisions
	“The Eagle and the Serpent” / by Maxine Wood
Box   44 Folder   27	Production Contract, Correspondence, 1947
	“The Education of Hyman Kaplan” / by Benjamin Bernard Zavin
Box   44 Folder   28	Script
	“The Egg” / by Felicien Marceau
Box   44 Folder   29	Notes on the Script
	“Enemy” / by Robin Maugham
Box   44 Folder   30	British Production - Reviews, 1969-1970
Box   44 Folder   31	Casting Correspondence and Miscellany, 1969-1970
Box   44 Folder   32	Production Contracts, 1970
Box   44 Folder   33	Correspondence, 1969-1970
Box   44 Folder   34	Production and Operating Budgets
	“An Enemy of the People”
Box   44 Folder   35	Production Budgets, Telegram, 1950
	“Entry E” / based on a novel by Richard Frede
Box   45 Folder   1	Correspondence, Notes on the Script, Contracts, Clippings
	“Exorcism” / by Robert E. McEnroe
Box   45 Folder   2	Correspondence, Notes on the Script
	“La Famille Ecarlate” / by Jean-Loup Dabadie
Box   45 Folder   3	Correspondence, 1967
	“La Farce” / by Vahe Katcha (French Script)
Box   45 Folder   4	Correspondence
	“The Farm” / by David Storey
Box   45 Folder   5	Contract, Correspondence, 1974
	“La Fastidiosa” / by Franco Brusati Note: Italian play
Box   45 Folder   6	Contracts, Correspondence
	“The Film of Memory”
Box   45 Folder   7	Copyright Registration Information
	“A Fine and Private Place” / by Peter Beagle
Box   45 Folder   8	Correspondence, Contracts
	“Forests of the Night” / by Arnold Sundgaard
Box   45 Folder   9	Correspondence, Contracts, Financial Records
	“Garden of Olives” / by Elma Huganir
Box   45 Folder   10	Production Contract, Script Notes, 1947-1948
	“Giant” / based on the book by Edna Ferber, adapted by Millard Kaufman
Box   45 Folder   11	Correspondence, Notes on the Script, Contracts
Box   45 Folder   12	Script
	“God Had Seven Days” / by Henry Misrock
Box   45 Folder   13	Correspondence, Contracts
	“The Golden Door” / by Norman Rosten
Box   45 Folder   14	Correspondence, Budget, Notes on the Script, Contracts
	“Golden Kazoo” / based on a book by John G. Schneider, adapted by Charles Spaulding and Larry Gelbart
Box   45 Folder   15	Correspondence, Notes on the Script, Contracts
	“The Great Bullfight” / by Elihu Winer, Bruce Geller, and Gene DePaul
Box   45 Folder   16	Correspondence, Contracts
	“Gulliver's Travels” / by Larry Gelbart
	Contracts
Box   45 Folder   17	Author
Box   45 Folder   18	Costume, Lighting, and Scenic Designers
Box   45 Folder   19	Production Contracts
Box   45 Folder   20	Correspondence regarding Contracts, 1969-1971
	Correspondence
Box   45 Folder   21	Gelbart, Larry (Author), 1969-1971
Box   45 Folder   22	Casting, 1969-1971
Box   45 Folder   23	Bart, Lionel (Composer), 1970-1971
Box   45 Folder   24	General, 1969-1972
Box   45 Folder   25	Bloomgarden's Diary, 1970 July-December
	Litigation
Box   46 Folder   1	Samuel Schwartz vs. Bloomgarden - Correspondence, Affidavits, 1970-1975
	London Production
Box   46 Folder   2	Correspondence and Contracts with Mermaid Theatre, 1969-1971
Box   46 Folder   3	Newspaper Clippings
Box   46 Folder   4	Program
Box   46 Folder   5	Miscellany
	Music
Box   46 Folder   6	Lyrics, Scores, Correspondence
	Recorded Songs, Possibly from London Production
1101A/3	Act 1, Scenes 1-5 - Each song introduced and established in context within play; includes production notes and comments
1101A/4	Act 1, Scenes 6-9, Summary; Songs from Scene 10 - Each song introduced and established in context within play; includes production notes and comments
1101A/5	Act 1, Part 1 - Instrumental Prologue, Songs performed by Lionel Bart, composer and by company
1101A/6	Act 1, Part 2 - Songs performed by Bart and by company
1101A/7	Act 2 - Songs by Bart and by company
1101A/8	Master copy of song “Go Where You Must Go,” from London performance, with excerpts from others.
1101A/9-10	Lionel Bart playing and singing several songs
1101A/11	Improvisations and themes recorded by Lionel Bart, with narrative explanations of the background of the songs as he creates them on tape
U.S. Mss 8AN Box   46 Folder   7	New York Production - Newspaper Clippings, 1969
Box   46 Folder   8	Operating Costs and Budgets, 1970
	Partnership Agreements
Box   46 Folder   9	Agreements
Box   46 Folder   10	Investors' Correspondence, 1969-1972
	Securities and Exchange Commission
Box   46 Folder   11	Correspondence, 1970-1971
Box   46 Folder   12	Production Notes
Box   46 Folder   13	Props, Costumes, Equipment - Lists, Estimates, and Correspondence, 1969-1971
Box   46 Folder   14-18	Scripts
Box   46 Folder   19	Revised Script Pages
	“Halutzim” / by Igal Mossinson
Box   46 Folder   20	Correspondence, Outline
	“The Hamilton Club” / by Alexander Rose
Box   46 Folder   21	Correspondence, Outline
	“Harold Hill, III” / by Meredith Willson
Box   46 Folder   22	Correspondence, Treatment
	“Heaven's My Destination” / based on a book by Thornton Wilder
Box   46 Folder   23	Correspondence
	“Hippo Dancing,”
Box   46 Folder   24	Correspondence, 1964-1965
	“Honorable Picnic” / by Richard Marek and Maurice Skurnik
Box   46 Folder   25	Notes on the Script
	“The Hook” / by Arthur Miller
Box   46 Folder   26	Two Scripts
Box   46 Folder   27	Technical Production Materials
	“Horatio Hoodwinkle and His All New Automobile” / by Arnold B. Horwitt
Box   46 Folder   28	Script
	“The Inconceivable War” / by Kenneth White
Box   46 Folder   29	Contract, Correspondence, Script Notes
	“Indian Fighters” / by Horton Foote
Box   46 Folder   30	Correspondence, Notes on the Script
	“The Informer” / by Brian Friel
Box   46 Folder   31	Contracts
Box   46 Folder   32	Correspondence, 1964-1968
Box   46 Folder   33	Story Outlines, Scripts, 1965-1966
	“Insolent Breed” / based on a novel by Borden Deal, adapted by Howard Richardson
Box   46 Folder   34	Correspondence, Notes on the Script, Contracts
	“Interlock” / by Ira Levin
Box   46 Folder   35	Correspondence, Notes on the Script, Contracts
	“The International Set” / by Louis Kronenberger
Box   46 Folder   36	Contract, Correspondence, 1950
	“The Interviewer” / by Oscar Tarcov
Box   47 Folder   1	Correspondence, Script, Notes on the Script
	“Jam” / by John Gerstad
Box   47 Folder   2	Contract with Author, Correspondence, 1975-1977
	“The Jew Who Defended Hitler” / by Larry Weinberg
Box   47 Folder   3	Notes on the Script
	“Johnny No Trump” / by Mary Mercier
Box   47 Folder   4	Script
	“Jordi” / based on a book by Theodore Isaac Rubin, screenplay by Harold Yablonsky
Box   47 Folder   5	Script
	“King Kong” / book by Harry Bloom, music by Todd Matshikiza, lyrics by Pat Williams
Box   47 Folder   6	Correspondence, Script, Notes on the Script, Contract, Clippings
	“The Kissin' Man”
Box   47 Folder   7	Script
	“Klop” (“The Bug”) / by Vladimir Maiakovsky
Box   47 Folder   8	Script
	“The License” / by Ephraim Kishon, adapted by Jerome Weidman
Box   47 Folder   9	Correspondence, Notes on the Script, Conracts
	“The Little Screwball” / by Walt Anderson
Box   47 Folder   10	Contract, Correspondence, Script Notes
	“Love a Cheek That Smiles” / by Leonard Barry
Box   47 Folder   11	Correspondence, Notes on the Script, Contracts
	“Madonna and Child” / by Maxwell Anderson
Box   47 Folder   12	Script
	“Maggie May” / story by Alun Owen, music by Lionel Bart
Box   47 Folder   13	Correspondence, Contracts
	“Many Happy Returns” / by Ray Golden
Box   47 Folder   14	Correspondence, Notes on the Script, Contracts
	“Mary Todd Lincoln” / by Anne Colver
Box   47 Folder   15	Correspondence, Notes on the Script
	“Men and Women”
Box   47 Folder   16	Correspondence, 1950
	“Mine was One Voice” / by Elaine Carrington
Box   47 Folder   17	Contract, Correspondence, 1949
	“Mirror in a Dark Room” / by Norman Rosten
Box   47 Folder   18	Contracts, Correspondence, 1965
Box   47 Folder   19	Correspondence, Notes on the Script, Financial Records
Box   47 Folder   19a	“Miss A” / by Emmett J. Davis Jr.
Box   47 Folder   19a	“Merchant of Venice” / by William Shakespeare
Box   47 Folder   19a	“Mother Courage” / by Bertolt Brecht
Box   47 Folder   20	Correspondence
	“Mr. Seward for the Defense” / based on the book by Earl Conrad
Box   47 Folder   21	Correspondence, Contracts
	“A Modern Dame” / book by Gerry Kehl
Box   47 Folder   22	Script
	“Mother Furie” / by Nellise Child
Box   47 Folder   23	Contracts, Correspondence, 1946-1947
	“Mountains of the Moon” (originally titled “A Short Happy Life of Love and Death”) / by A.E. Hotchner, based on Ernest Hemingway's works
Box   47 Folder   24	Two Scripts, Notes on the Scripts
	“Mrs. 'Arris Goes to Paris” / based on the novel by Paul Gallico
Box   47 Folder   25	Correspondence, Notes on the Script, Contracts, Casting
Box   48 Folder   1	Script (Act I)
	“My Life and Hard Times” / by James Thurber
Box   48 Folder   2	Contracts, Correspondence, 1973
	“The Naked and the Dead” / dramatization by Lillian Hellman
Box   48 Folder   3	Contracts, Correspondence, Casting Suggestions, 1948
	“Next Time I'll Sing to You” / by James Saunders
Box   48 Folder   4	Correspondence, Financial Records, Contracts
	“Nightmare Alley” / based on the novel by William Lindsay Gresham
Box   48 Folder   5	Casting, Contracts
	“No Hiding Place” / by Dan Browne
Box   48 Folder   6	Notes on the Script
	“No War in Troy”
Box   48 Folder   7	Correspondence and Notes on Script, 1950
	“Noah”
Box   48 Folder   8	Correspondence, Notes on the Script
	“The Nose of Jerry Pepper” / by Arnold Schulman
Box   48 Folder   9	Correspondence, Budget, Contracts, 1961
Box   48 Folder   10	Script, 1961 February 20
	“Not a Sparrow Shall Fall” / book by Victor Chapin and Jack Van Bibber
Box   48 Folder   11	Script
	“Of Time and the River,” adapted from Thomas Wolfe's novel by Gene McKinney
Box   48 Folder   12	Programs, Photographs, Clippings
	“Oh, Lady! Lady!” / by Guy Bolton, P.G. Wodehouse, and Jerome Kern
Box   48 Folder   13	Contracts, 1974-1976
Box   48 Folder   14	Correspondence, 1974-1976
1101A/12	Songs, with narration indicating setting and context of songs within play, characters singing, production notes, and the differences between this and the original production in 1918; includes unpublished song by Jerome Kern.
U.S. Mss 8AN	“Once a Greek” / by Friedrich Durrenmatt
Box   48 Folder   15	Correspondence
	“One Flew Over the Cuckoo's Nest” / by Dale Wasserman
Box   48 Folder   16	Correspondence, Notes on the Script
	“One Little Boy” / based on a play by Dorothy W. Baruch, adapted by Walter Bernstein
Box   48 Folder   17	Contracts, 1953, 1956
Box   48 Folder   18	Correspondence, Contracts
	“The Other Face of November” / by Franco Brusati
Box   48 Folder   19	Correspondence, Clippings
	“Pepsie” / by Pierre Edmond Victor Note: French play
Box   48 Folder   20	Correspondence, Script, Clippings, Contract
	“Phaedra” / by Racine, translated by Robert Lowell
Box   48 Folder   21	Correspondence, Notes on the Script, Contracts
Box   48 Folder   22	Script
	“Philadelphia Here I Come” / by Brian Friel
Box   48 Folder   23	Correspondence
	“Poor Murderer” / by Pavel Kohout
Box   48 Folder   24-25	Production Contracts, 1975-1977
Box   48 Folder   26	Contract Drafts and Notes
Box   48 Folder   27	Correspondence, 1975-1977
Box   48 Folder   28	Financial Statements, 1976
Box   48 Folder   29	Immigration Correspondence and Records regarding Maria Schell
Box   48 Folder   30	Miscellany
Box   48 Folder   31	Partnership Agreements, 1976
Box   48 Folder   32	Production Budget
	“Purple Dust” / by Sean O'Casey
Box   48 Folder   33	Contracts, 1949-1952
Box   48 Folder   34	Correspondence, 1949-1952
	Scripts
Box   48 Folder   35	First Draft (?), undated
Box   49 Folder   1-4	Second-Fifth Drafts (?), undated
Box   49 Folder   5	Script Revisions
	“The Queen and the Rebel” / based on the play by Ugo Betti
Box   49 Folder   6	Correspondence, Contracts, Script
	“The Queen of Sheba” / by Alex North
Box   49 Folder   7	Contracts, Correspondence, Lyrics, 1948
	“The Ramp” / by Dan Browne
Box   49 Folder   8	Correspondence, Script, Notes on the Script, Contracts
	Revue
Box   49 Folder   9	Contracts, Correspondence, 1968
Box   49 Folder   10	Proposed Sketches and Songs, 1968-1969
	“Ring Around the Moon” / based on a play by Jean Anouilh
Box   49 Folder   11	Notes on the Script
	“The Rise and Fall of the City of Mahoganny” / by Kurt Weill, Bertolt Brecht
Box   49 Folder   12	Correspondence
	“The Roar of the Greasepaint” / by Leslie Bricusse and Anthony Newley
Box   49 Folder   13	Correspondence
	“Romeo and Juliet”
Box   49 Folder   14	Correspondence, Reviews of Earlier Productions
	“The Royal Hunt of the Sun” / by Peter Shaffer
Box   49 Folder   15	Notes on the Script
	“Scarecrow On a Tree” / by Paul Osborn
Box   49 Folder   16	Correspondence, Notes on the Script
Box   49 Folder   17-19	Scripts (3)
	“The Searching Wind” / by Lillian Hellman
Box   49 Folder   20	Correspondence, Financial Records
	Shelby, Montana, musical (untitled), book by Elihu Winer
Box   49 Folder   21	Script, Notes on the Script
	“The Shooting Gallery” / based on the French play by Jean Louis Roncoroni, adapted by Peter Stone
Box   49 Folder   22	Correspondence, Script, Notes on the Script, Contracts
	“A Shout from the Housetops” / by Jess Gregg
Box   49 Folder   23	Contracts
	“Slow Night in Elk City” / by Sam Bobrick
Box   49 Folder   24	Contract with Author, Correspondence, 1974
	“Soft Touch,” by Neil Cuthbert
Box   49 Folder   25	Contract with Author, Correspondence, 1974
	“Something About a Crisis”
Box   49 Folder   26	Production Contracts
Box   49 Folder   27	Correspondence, 1969-1970
Box   49 Folder   28	Miscellany
Box   50 Folder   1	Script, Notes, 1970
	“Something About a Soldier” / based on the book by Mark Harris, adapted by Ernest Kinoy
Box   50 Folder   2	Correspondence, Notes on the Script, Contracts
Box   50 Folder   3	Script, Revisions
	Son et Lumiere - Independence Hall, by Richard Wilbur
Box   50 Folder   4	Correspondence, Scripts, Technical Production
	“Speculations on the Disappearance of Ambrose Pierce” / by Saul Levitt
Box   50 Folder   5	Contracts, Correspondence, 1970
	“Spinning on the Wind” / by Doris Julian
Box   50 Folder   6	Correspondence, Contracts
Box   50 Folder   7-8	Scripts (2)
	“Spinoza” / by Charles Sherman
Box   50 Folder   9	Script