Container
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Title
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U.S. Mss 61AN
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Series: Part 1: Original Collection, 1949-1965
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Box
1
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Subseries: Correspondence, 1949-1965
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Subseries: Scripts: Titled Series
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Alcoa-Goodyear Theatre
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Box
1
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“Office Party,” outline
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Box
1
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“The Town Budget,” revised final, October 16, 1953
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The Asphalt Jungle
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Box
1
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“The Fighter,” rewrite, April 14, 1961
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The Chevy Mystery Show
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Box
1
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“The Game,” first draft, May 20, 1950
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Box
1
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“The Last Six Blocks,” telecast July 17, 1960
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Box
1
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“Six Blocks to Go,” revised final, July 17, 1960
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The Chrysler Show
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“The Zero Man
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Box
1
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Outline
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Box
1
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Script
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Cimarron City
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Box
1
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“Fear,” outline
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Climax
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Box
1
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“The Curfew,” outline, annotated
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Box
1
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“Devil at my Heels,” outline
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Box
1
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“Effigy,” outline
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“The Empty Room Blues,” telecast May 3, 1956
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Box
1
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Outline
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Box
1
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Third revision
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Box
1
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Final revision
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Box
1
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“Flood,” outline
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“Island in the City”
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Box
1
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Annotated
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Box
2
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Screen treatment
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DC 720-721
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Kinescope 2 reels
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U.S. Mss 61AN
Box
2
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“The Long Night”
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Box
2
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“Look for a Big Guy,” outline
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“Mad Bomber”
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Box
2
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Script A, March 8, 1957
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Box
2
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Script B, April 18, 1957
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Box
2
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“The One Way Ladder,” outline
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“The Secret of River Lane,” telecast January 26, 1956
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Box
2
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Script A
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Box
2
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Script B
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Box
2
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Revised final
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“Stain of Honor,” telecast February 14, 1957
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Box
2
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Script, annotated
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Box
2
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Second revision
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Box
2
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Third revision
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Box
2
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“The Survivors,” outline
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The Defenders
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Box
2
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“Prologue,” outline
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Desilu Playhouse
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Box
3
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“Chez Rouge,” first draft, October 29, 1958
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Box
3
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“City in Bondage,” first draft, December 21, 1959
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“Lepke”
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Box
3
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Script A
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Box
3
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Revised version, October 1, 1959
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“So Tender, So Profane”
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Box
3
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Script A
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Box
3
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Second draft, June 3, 1959
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“They Came to Kill Gandhi”
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Box
3
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Research and notes
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Box
3
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Outline
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The Dick Powell Show
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Box
3
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“Ricochet,” May 9, 1961
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“Somebody's Waiting”
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Box
3
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Outline
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Box
3
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Script A, February 11, 1959
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Box
3
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Script B
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Box
3
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Script C, May 25 1961
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The Doctor
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Box
3
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“Clara's Boy,” February 15, 1953
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Box
3
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“Friend of the Family,” January 19, 1953
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Box
4
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“Letter from a Soldier,” February 3, 1953
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Box
4
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“No Story Assignment,” September 11, 1952
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Dr. Kildare
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“Behold the Great Man”
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Box
4
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Script, June 21, 1965
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Box
4
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Script changes, June 28, 1965
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“The Horizontal Here”
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Box
4
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Outline
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Box
4
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Part I
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Box
4
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Part II
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Box
4
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Part III
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Part IV
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Box
4
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Original script
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Box
4
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Revised script, June 18, 1965
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Box
4
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“A Life for a Life,” June 21, 1965
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“Mrs. Monahan's Room”
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Box
4
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Original carbon
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Box
4
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Outlines
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Box
4
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Script A, April 9, 1964
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Box
4
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Script changes, September 16, 1964
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Box
4
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Script B, October 12, 1964
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Box
4
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“Web of Hate,” June 21, 1965
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“What's God to Julius?”
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Box
4
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Outline
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Box
4
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Original carbon script
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Box
4
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Revised script, April 9, 1953
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Espionage
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Box
4
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“The Darkest Hours,”outline
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“The Soccer Players”
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Box
4
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Outline
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Box
4
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Script
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Front Row Center
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Box
5
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“Search for a Stranger”
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Hotel de Paree
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Box
5
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“Sundance and the Fallen Sparrow,” first draft, February 18, 1960
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The Joyce Brothers Show
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Box
5
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Sequels No. 1 - No. 7
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Motive
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Box
5
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“The Corruptible Man,” outlines
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Box
5
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“Outrage on Avenue A,” outline
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Box
5
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Untitled pilot scripts
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Box
5
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Publicity brochure for the series
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The Nurses
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“Express Stop to Lenox Avenue,” telecast May 9, 1963
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Box
5
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Outline
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Box
5
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Script A
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Box
5
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Script B, January 25, 1963
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Box
5
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As published in Striving, Hunter College anthology
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Panic
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Box
5
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“Fantasy of Hate”
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Playhouse 90
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Box
5
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“The Murdered American,” outline, December 23, 1958
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“A Trip to Paradise”
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Box
5
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First Draft, September 10, 1958
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Box
6
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Revision, February 9, 1959
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Box
6
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Final revision, March 18, 1959
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Box
6
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Telecast version, March 26, 1959, and rehearsal schedule
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Box
6
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“Warning,” 1970, outline
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Pursuit
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“The Vengence,” October 15, 1958
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Box
6
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Revision, September 24, 1958
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Box
6
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Final revision
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Review Mystery Show
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Box
6
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“Comfort for the Grave,” revised, December 9, 1957
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Robert Montgomery Presents
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Box
6
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“And Never Come Back,” April 7, 1952
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Box
6
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“The Big Night,” March 23, 1953
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Box
6
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“Breakdown,” September 19, 1953
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“A Case of Identity”
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Box
6
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First revision, December 17, 1953
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Box
7
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Final version
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Box
7
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“Claire Ambler,” February 27, 1952
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Box
7
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“The General”
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Box
7
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“Joe's Boy,” January 18, 1954
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Box
7
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“The Lonely,” April 23, 1952
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Box
7
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“The Lost Weekend,” January 3, 1953
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“Paradise Cafe”
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Box
7
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Outline
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Box
7
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Script
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Box
7
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“The Petrified Forest,” first draft, September 6, 1950
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“The Pink Hipopotamus”
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Box
8
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Script, March 22, 1954
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Box
8
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Script, Matinee Theatre version
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Box
8
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“Remote,” annotated, October 25, 1954
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Box
8
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“Ricochet,” December 29, 1952
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Box
8
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“Victory”
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Box
8
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“Wages of Fear,” April 22 1954
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Saints and Sinners
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Box
8
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“George, the Siamese Cat Is Missing,” July 23, 1962
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Box
8
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“The Stringer”
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Box
8
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“Three Columns of Anger,” June 6, 1962
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Schlitz Playhouse of Stars
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Box
8
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“19 Rue Marie,” January 5, 1953
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Box
9
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“Storm over Rapallo”
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Studio One
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Box
9
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“The Brother Bit”
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“Edge of Truth,” April 28, 1958
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Box
9
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Script A, telecast March 28, 1958
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Box
9
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First revision, April 15, 1958
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Box
9
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Final draft and notices
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DC 722-723
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Film 2 reels
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U.S. Mss 161AN
Box
9
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“The Hearing,” outlines
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“The Mother Bit”
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Box
9
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Outline
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Box
9
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Script
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Target: The Corruptors
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Box
9
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“Mr. Megalomania,” July 7, 1961
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“The Organizers”
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Box
9
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Original, part I, annotated, February 21, 1961
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Box
9
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Original, part II
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Box
9
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Revision, part I, February 21, 1962
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Box
9
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Revision, part II, February 21, 1962
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Box
9
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Revision, part I, March 9, 1962
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Box
10
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Revision, part II, March 9, 1962
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U.S. Steel Hour
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Box
10
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“A Gift from Renzo,” outline
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The Untouchables
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“Augie 'The Banker' Ciamino”
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Box
10
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First draft, September 27, 1960
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Box
10
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Final draft, November 2, 1960
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Wagon Train
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Box
10
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“The Lucy Bradshaw Story,” November 27, 1957
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Box
10
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“The John Parro Story,” August 23, 1957
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The Walter Winchell File
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Box
10
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“Act of Folly”
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Box
10
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“A Day in the Sun”
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Box
10
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“The Fallen Idol”
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Box
10
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“Hot Night in Manhattan,” December 17, 1957
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Box
10
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“The Law and Aaron Benjamin”
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Box
10
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“Pilot”
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Box
10
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“The Reporter,” November 25, 1957
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Box
10
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“The Silent City,” January 13, 1958
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Box
10
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“The Stopover”
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Box
10
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“Terror,” October 30, 1957
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Box
10
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“Thou Shalt Not Kill”
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Box
10
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“Where Is Louis Melk?”
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We, The People
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Box
10
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“The Story of Matt Ovetik,” July 24, 1950
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Subseries: Scripts: General
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Box
11
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Adam Fable
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Box
11
|
The Arlene Dahl Show, pilot script
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Box
11
|
Barney Monk, first draft and pilot script
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Box
11
|
Big Molly, pilot idea
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The Bravos
|
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Box
11
|
Script A
|
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Box
11
|
Script B, annotated
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Box
11
|
Pilot and series outline
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Box
11
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The Brothers, outline
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Choice of Violence, February 13, 1964
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Box
11
|
Story condensation, Cosmopolitan, August 1961
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Box
11
|
Revision, December 16, 1963
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Box
11
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Annotated old pages
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Box
11
|
Televised version
|
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The Clock
|
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Box
12
|
Eight O'Clock, outline
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Box
12
|
Embassy Row, pilot idea and notes
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|
Europa 33: the evolution of a series
|
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Box
12
|
“Lando House” and “Angel House”
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Box
12
|
“Monsieur Joe,” first script for Europa 33, February 15, 1965
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Box
12
|
Rewrite of “Monsieur Joe”
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Box
12
|
Notes and final script
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Box
12
|
For the People, outline
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Box
12
|
For the State, outline
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Holiday Hotel
|
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Box
12
|
Script A, December 21, 1950
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Box
12
|
Script B, January 18, 1951
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Box
12
|
The Intruder, outline
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Box
12
|
Judgment Day, outline
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Box
12
|
The June Taylor Story
|
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Box
12
|
Justice, the Yellow Box, outline
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Lies of Silence
|
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Box
12
|
Script
|
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Box
12
|
Outline and script portions
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Box
12
|
Script portions and notes
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Box
12
|
Mackey's Palace, pilot idea
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Box
12
|
Martha's Castle
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Box
13
|
Mayor's Man, outline and pilot script
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Box
13
|
1970?, pilot idea
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Powers of Attorney
|
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Box
13
|
First draft, annotated, October 13, 1984
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Box
13
|
Rewrite, May 25, 1965
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Box
13
|
Second draft
|
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Box
13
|
Later draft
|
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Box
13
|
Revised final, July 17, 1965
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Box
13
|
Rendezvous, outline
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Box
13
|
Run, Boy, Run, outline
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See No Evil
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Box
13
|
Script A, annotated
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Box
13
|
Script B, May 17, 1956
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Box
13
|
Script C, annotated, August 6, 1956
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Box
13
|
Two versions of screen treatment for M.G.M.
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Box
14
|
Screenplay, Sapphire Films, Ltd., January, 1960
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Box
14
|
Small Town District Attorney, outline
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Box
14
|
The Splendid American
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Box
14
|
Tales of Tin Pan Alley
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Box
14
|
Untitled idea for remote quiz show
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Box
14
|
Untitled pilot
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Box
14
|
Untitled script for the Wholesale Druggists National Convention
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Box
14
|
Untitled script for Ziv-United Artists
|
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Box
14
|
Winter Parade
|
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|
Subseries: Miscellaneous Materials
|
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Box
14
|
Business papers; contracts, 1956-1965
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Box
14
|
Dictaphone belts - assorted rejected scenes, rookie pilot, versions A and B
|
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Box
14
|
Notes for a speech to a high school writing class
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Box
14
|
Photographs
|
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Box
14
|
Portions of three scripts
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Box
14
|
Poster used in Stain of Honor
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Box
14
|
Reviews and other clippings
|
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|
Series: Part 2: Additions, 1951, 1963-1969
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|
Subseries: Television
|
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|
The Big Train (Production information unknown)
|
|
Box
15
Folder
1
|
Notes, undated
|
|
|
The Bold Ones: The Protectors (Universal TV, 1969-1973, original network NBC)
|
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|
“If I Should Wake before I Die”
|
|
Box
15
Folder
2
|
Correspondence, notes, 1969
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|
Box
15
Folder
2
|
Synopsis, “And Death Shall Have No Dominion,” undated
|
|
Box
15
Folder
2
|
Scene Breakdown; revisions, annotated, circa 1969
|
|
Box
15
Folder
3
|
Revised script, teleplay by Adrian Spies, story by Jerrold Freedman, July 18, 1969
|
|
|
Bracken's World (Twentieth Century Fox, 1969-1971, original network NBC)
|
|
Box
15
Folder
4
|
Notes, undated
|
|
Box
15
Folder
4
|
Synopsis, annotated, undated
|
|
|
The Bravos (Arena Productions in association with MGM-TV [?], other production information unknown)
|
|
Box
15
Folder
5
|
Second draft script, undated
|
|
|
CBS Playhouse (Original network CBS, other production information unknown)
|
|
Box
15
Folder
6
|
Correspondence, September 1966-October 1967
|
|
|
Chinook (Unproduced [?])
|
|
Box
15
Folder
7
|
Notes, research, undated
|
|
Box
15
Folder
8
|
2 Series outlines, by David Dortort, July 27-August 25, 1967
|
|
|
“Decision at Midnight”
|
|
Box
15
Folder
9
|
Outline, by David Dortort, November 15, 1967
|
|
Box
15
Folder
10
|
2 Treatments, created by David Dortort, written by Adrian Spies, undated
|
|
Box
15
Folder
10
|
Treatment, fragments, annotated, undated
|
|
Box
15
Folder
11-12
|
Edited, discarded pages, annotated, undated
|
|
Box
15
Folder
13
|
Script, undated
|
|
Box
15
Folder
14
|
Final draft script, fragment, undated
|
|
|
The Danny Thomas Hour (Danny Thomas-Aaron Spelling Productions, 1967-1968, original network NBC)
|
|
|
“The Zero Man”
|
|
Box
15
Folder
15
|
Writing credits, letter, May-July 1967
|
|
Box
15
Folder
15
|
Edited pages, April 1967, undated
|
|
Box
16
Folder
1
|
Script, annotated, undated
|
|
Box
16
Folder
1
|
Final draft script, April 27, 1967
|
|
Box
16
Folder
1
|
Revisions, June 1967
|
|
|
Dr. Kildare (Arena Productions in association with MGM-TV, 1961-1965, original network NBC)
|
|
Box
16
Folder
2
|
Reviews, promotional leaflet, 1965
|
|
|
Europa 33 (Production information unknown, Hanna-Barbera project)
|
|
Box
16
Folder
3
|
Notes, undated
|
|
Box
16
Folder
4
|
Revised outline, notes, July 28, 1965
|
|
Box
16
Folder
4
|
Pilot script, incomplete, annotated, undated
|
|
Box
16
Folder
5
|
Discarded pages, annotated, undated
|
|
Box
16
Folder
6
|
Revisions, annotated, undated
|
|
|
Felony Squad (Twentieth Century Fox TV, 1966-1969, original network ABC)
|
|
Box
16
Folder
7
|
Format, “Men Against Evil,” and Memorandum, June 1966, undated
|
|
|
“Death of a Dream”
|
|
Box
16
Folder
8
|
Final script, “A Hot Night and a Cold Dream,” July 1, 1966
|
|
Box
16
Folder
8
|
Revised final script, July 7, 1966
|
|
Box
16
Folder
8
|
Revisions, July 8-13, 1966
|
|
|
“Epitaph for a Cop”
|
|
Box
16
Folder
9
|
First draft script, undated
|
|
Box
16
Folder
9
|
Edited and discarded pages, annotated, undated
|
|
Box
16
Folder
10
|
First draft script, October 19, 1967
|
|
|
“A Hot Night and a Cold Dream”
|
|
Box
16
Folder
11
|
Agreement, memorandum re broadcast standards, 1966
|
|
Box
16
Folder
11
|
2 Synopses, undated
|
|
Box
16
Folder
12
|
First draft script, June 14, 1966
|
|
Box
16
Folder
12
|
Revisions, annotated, undated
|
|
|
“A Penny Game, A Two-Bit Murder”
|
|
Box
16
Folder
13
|
Outline, fragment, undated
|
|
Box
16
Folder
13
|
Outline, annotated, undated
|
|
Box
16
Folder
13
|
Teasers and script fragments, undated
|
|
Box
16
Folder
13
|
Script, undated
|
|
Box
16
Folder
14
|
First draft script, June 10, 1966
|
|
Box
16
Folder
14
|
Final script, June 16, 1966
|
|
|
Hark (Production information unknown)
|
|
Box
17
Folder
1
|
Screenplay, by William Roberts, April 19, 1968
|
|
Box
17
Folder
2
|
Notes, several step outlines, circa March-July 1968, undated
|
|
Box
17
Folder
3
|
Story notes, undated
|
|
Box
17
Folder
3
|
Script, by W. R. Burnett, May 7, 1968
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|
Box
17
Folder
3
|
Script, undated
|
|
|
Hauser's Memory (Production information unknown)
|
|
Box
17
Folder
4
|
Galleys, by Kurt Siodmak, undated
|
|
Box
17
Folder
5
|
Notes, undated
|
|
Box
17
Folder
5-6
|
Discarded, edited pages, annotated, undated
|
|
Box
17
Folder
7
|
Edited, annotated pages, undated
|
|
Box
17
Folder
8
|
Script, annotated, undated
|
|
Box
18
Folder
1
|
Script, from the novel by Kurt Siodmak, September 12, 1969
|
|
|
Hunter (Production company unknown, 1968, syndicated)
|
|
Box
18
Folder
2
|
Presentation outline, created by Adrian Spies and Walter Grauman, June 15, 1966
|
|
|
Lassiter (Production information unknown)
|
|
|
“Tonight We Make Them Cry”
|
|
Box
18
Folder
3
|
Final pilot script, by Richard Alan Simmons, November 1, 1966
|
|
Box
18
Folder
4
|
Notes, letter, May-October 1967
|
|
Box
18
Folder
5-6
|
Discarded, edited pages, annotated, 1967-1968, undated
|
|
|
A Man Called Shenandoah (MGM-TV, 1965, original network ABC)
|
|
|
“Marlee”
|
|
Box
18
Folder
7
|
Outline, January 1966
|
|
Box
18
Folder
7
|
First draft script, January 31, 1966
|
|
Box
18
Folder
7
|
Discarded pages, January 31, 1966
|
|
Box
18
Folder
7
|
Script and script fragments, undated
|
|
Box
18
Folder
7
|
Final draft script, February 3, 1966
|
|
Box
18
Folder
7
|
Script fragments, February 5, 1966
|
|
|
Name of the Game (Universal TV, 1968-1970, original network NBC)
|
|
|
[“Story #1”]
|
|
Box
18
Folder
8
|
Outline, notes, May 1969, undated
|
|
|
[“Story #2”]
|
|
Box
18
Folder
9
|
Notes; outline, “I Confess;” revisions, annotated, undated
|
|
|
The Nurses (Plautus Productions, 1962-1964, original network CBS)
|
|
|
“Express Stop from Lenox Avenue”
|
|
Box
18
Folder
10
|
Correspondence, 2 scripts, published version in Prejudice: The Invisible Wall (1968), 1966
|
|
|
The Rookies (Aaron Spelling-Leonard Goldberg Productions, 1972-1976, original network ABC)
|
|
Box
18
Folder
11
|
Pilot script, fragment, annotated, undated
|
|
|
Slattery's People (Bing Crosby Productions, 1964, original network CBS)
|
|
Box
18
Folder
12
|
Notes, undated
|
|
|
Star Trek (Norway Productions in association with Paramount TV and NBC, 1966-1969)
|
|
|
“Miri”
|
|
Box
18
Folder
13
|
Correspondence, Memoranda, Comments, circa April-June 1966
|
|
Box
18
Folder
14
|
Notes, 4 outlines, fragments, April 11, 1966, undated
|
|
Box
19
Folder
1
|
2 Scripts, undated
|
|
Box
19
Folder
1
|
Script, incomplete, undated
|
|
Box
19
Folder
2
|
First draft script, August 11, 1966
|
|
Box
19
Folder
3
|
Final draft script, August 12, 1966
|
|
Box
19
Folder
4
|
Revised final draft script, August 16, 1966
|
|
Box
19
Folder
5
|
Revised final draft script, August 18, 1966
|
|
Box
19
Folder
6
|
Revisions, August 22, 1966
|
|
Box
19
Folder
7
|
Revisions, annotated, undated
|
|
|
Storm Island (Production information unknown, pilot, Hanna-Barbera project)
|
|
Box
19
Folder
8
|
First draft script, annotated, undated
|
|
Box
19
Folder
8
|
Revised script of segment, December 10, 1965
|
|
Box
19
Folder
9
|
Discarded, edited pages, annotated, undated
|
|
|
The Tangerine Suite (Unproduced?, series idea for Norman Felton and NBC)
|
|
Box
19
Folder
10
|
Presentation outline, undated
|
|
|
Subseries: Motion Pictures
|
|
|
Armaggedon [?] (Production information unknown, MGM)
|
|
Box
19
Folder
11
|
Memorandum re suggested approach to Uris novel, July 1966
|
|
|
Brothers in Arms (Production information unknown)
|
|
Box
19
Folder
12
|
Notes, undated
|
|
Box
19
Folder
12
|
2 Synopses, annotated, October 12, 1967, undated
|
|
Box
20
Folder
1
|
Treatment, on cards, undated
|
|
|
The Captains (Production information unknown)
|
|
Box
20
Folder
2
|
Notes, undated
|
|
Box
20
Folder
2
|
Treatment, undated
|
|
Box
20
Folder
3
|
3 Treatments, fragments, annotated, April 2, 1968
|
|
Box
20
Folder
3
|
Treatment, undated
|
|
|
The Chinese Visitor (Production information unknown)
|
|
Box
20
Folder
4
|
Correspondence, miscellany, 1967
|
|
Box
20
Folder
5
|
Book, by James Eastwood, annotated, 1965
|
|
Box
20
Folder
6
|
Script revisions, annotated, April-November 1966
|
|
Box
20
Folder
7
|
First draft screenplay, by James Doran, June 16, 1966
|
|
Box
20
Folder
8
|
Revisions, written in Hollywood, annotated, October 11, 1966-6 January 1967
|
|
Box
20
Folder
9
|
Script, January 17, 1967
|
|
Box
21
Folder
1
|
Notes, November 16, 1966-February 8, 1967
|
|
Box
21
Folder
2
|
Script, February 28, 1967
|
|
Box
21
Folder
3
|
Revisions, written in Hollywood, annotated, January 9-March 2, 1967
|
|
Box
21
Folder
4
|
Screenplay, March 3, 1967
|
|
Box
21
Folder
5
|
Synopses, fragments, July 19-20, 1967
|
|
Box
21
Folder
5
|
Synopses, annotated, July 28-August 9, 1967
|
|
Box
21
Folder
5
|
Notes, August 1, 1967, undated
|
|
Box
21
Folder
5
|
Script, fragments, August 4, 1967
|
|
|
Dark of the Sun (George Englund Enterprises, 1968. MGM)
|
|
Box
21
Folder
6
|
Notes, correspondence, flyer, January 1966-January 1967, undated
|
|
Box
21
Folder
7
|
Original screenplay, by Ranold MacDougall, annotated, January 19, 1965
|
|
Box
21
Folder
8
|
Script, undated
|
|
Box
22
Folder
1
|
Script, April 2, 1965
|
|
Box
22
Folder
2
|
Revisions, annotated, April 2, 1965-June 21, 1966
|
|
Box
22
Folder
3
|
Revisions, annotated, April 2, 1965-July 14, 1966
|
|
Box
22
Folder
4
|
Revisions, annotated, June 27-July 4, 1966
|
|
Box
22
Folder
5
|
Script fragments, July 13, 1966
|
|
Box
22
Folder
6
|
Revisions, annotated, July 15-24, 1966
|
|
Box
22
Folder
7
|
Script, co-authored with Ranold MacDougall, July 19, 1966
|
|
Box
22
Folder
8
|
Script, co-authored with Ranold MacDougall, slightly annotated, July 19, 1966
|
|
Box
22
Folder
9
|
Script, fragment, July 21-22, 1966
|
|
Box
23
Folder
|
Script, July 21, 1966
|
|
Box
23
Folder
2
|
Script, co-authored with Ranold MacDougall, August 5, 1966
|
|
Box
23
Folder
3
|
Script fragment, annotated, November 21, 1966
|
|
Box
23
Folder
4
|
Script, November 21, 1966
|
|
Box
23
Folder
5
|
Script fragment, December 7-9, 1966
|
|
Box
23
Folder
6
|
Script, co-authored by Ranold MacDougall, December 28, 1966
|
|
Box
23
Folder
7
|
Revisions, February 13-22, 1967
|
|
|
Guns for San Sebastian (Cipra Films-Ernesto Enriquez-Filmes Cinematografica, 1968. MGM)
|
|
Box
23
Folder
8
|
Script, “A Wall for San Sebastian,” by James R. Webb, annotated, April 18. 1966
|
|
Box
24
Folder
1
|
Script, annotated, April 25, 1967
|
|
Box
24
Folder
2
|
Revisions, annotated, April-June 1967
|
|
Box
24
Folder
3
|
Script changes, notes, call sheets, May-June 1967
|
|
Box
24
Folder
3
|
Telegram re credits, November 1967
|
|
|
[The Johnson Boys] (Production information unknown)
|
|
Box
24
Folder
4
|
Treatment, “Shame, Shame on the Security Council,” including notes on verso, undated
|
|
Box
24
Folder
5
|
Notes, October-November 1968, undated
|
|
Box
24
Folder
6
|
Revised script, incomplete, and outline of remaining story
|
|
Box
24
Folder
7
|
Revisions, annotated, October 1968, undated
|
|
|
The Millionth Man (Production information unknown)
|
|
Box
24
Folder
8
|
Scene breakdown, correspondence, notes, 1967-1968
|
|
Box
24
Folder
9
|
Treatment, by Frances Malm, June 18, 1951
|
|
Box
24
Folder
10
|
Script, March 5, 1968
|
|
Box
24
Folder
11
|
Script, incomplete, annotated, March 5, 1968
|
|
Box
25
Folder
1
|
Script, May 10, 1968
|
|
Box
25
Folder
2
|
Script, May 14, 1968
|
|
Box
25
Folder
3
|
Script, annotated, May 14, 1968
|
|
Box
25
Folder
4
|
Script, June 14, 1968
|
|
Box
25
Folder
5
|
Revisions and discarded pages, annotated, December 20, 1967-January 30, 1968
|
|
Box
25
Folder
6
|
Revisions and discarded pages, annotated, February 1-May 9, 1968, undated
|
|
|
The Scorpio Letters (Production information unknown, MGM)
|
|
Box
25
Folder
7
|
Correspondence, notes, January-July 1966
|
|
Box
26
Folder
1
|
Book, by Victor Canning, 1964
|
|
Box
26
Folder
2
|
Synopsis of book, July 25, 1963
|
|
Box
26
Folder
3
|
Treatment, by Jo Eisinger, February 22, 1965
|
|
Box
26
Folder
4
|
Revised script, fragment, March 23, 1966
|
|
Box
26
Folder
5
|
Script, March 24, 1966
|
|
Box
26
Folder
6
|
Script, annotated, April 15, 1966
|
|
Box
26
Folder
7
|
Script, incomplete, April 15, 1966
|
|
Box
27
Folder
1
|
Revisions, annotated, January-March 1966, undated
|
|
Box
27
Folder
2
|
Revisions, annotated, February-April 1966, undated
|
|
|
The 13th Floor (Production information unknown)
|
|
Box
27
Folder
3
|
Second outline, undated
|
|
Box
27
Folder
3
|
Treatment, undated
|
|
Box
27
Folder
4
|
Drafts, unsorted, undated
|
|
|
Subseries: Miscellany
|
|
Box
27
Folder
5
|
Clipping re Man and Machine, undated
|
|
Box
27
Folder
5
|
Letter re TV drama idea, undated
|
|
|
Other writings
|
|
Box
27
Folder
6
|
Striving (Macmillan, 1967), including “Express Stop from Lenox Avenue,” 1967
|
|
Box
27
Folder
6
|
Scholastic Scope and Scholastic Teacher, including “Express Stop from Lenox Avenue,” March 10, 1967
|
|
Box
27
Folder
7
|
“To Tell the Truth,” article written for University of North Carolina 25th year reunion yearbook, undated
|
|