Summary Information
Adrian Spies Papers
1949-1969
U.S. Mss 61AN; DC 720-723
10.8 c.f. (27 archives boxes) and 4 reels of film
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Papers of Spies, a writer for television and film, consisting of notes, synopses, scripts, scene breakdowns, correspondence, clippings, and miscellaneous writings. The majority of the collection focuses on his television and motion picture work and concerns television programs such as Climax (CBS), Desilu Playhouse (CBS), Dr. Kildare (NBC), Robert Montgomery Presents (NBC), Studio One (CBS), The Walter Winchell File (ABC), The Bold Ones (NBC), Felony Squad (ABC), A Man Called Shenandoah (ABC), and Star Trek (NBC); and motion pictures such as Dark of the Sun and Guns for San Sebastian. Also included are many outlines and pilot scripts for other series. A file dealing with the Star Trek series includes several memoranda from Gene Roddenberry, the series creator, which offer general guidelines for writers who authored early scripts and which discuss topics such as the personalities of the running characters, sets, technological devices of the future, and storylines. The films are recordings of his award-winning teleplays “Edge of Truth” for Studio One and “Island in the City” for Climax.
English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0061an ↑ Bookmark this ↑
Biography/History
Adrian Spies, the son of Philip and Anna Spies, was born in Newark, New Jersey on April 17, 1920. He received a B.A. with honors from the University of North Carolina in 1941 and an M.S. from the Columbia University School of Journalism in 1942.
He started his career as a newspaper reporter, working for P.M., the United States Foreign Broadcast Intelligence Service, the Blue Network Washington News Room, the United Press and the New York Daily Mirror during the years 1942-1947. In 1947, while writing for the Welcome Travelers Radio Show, he began free-lance writing for radio and television. Mr. Spies wrote for such shows as Climax, Robert Montgomery Presents, Playhouse 90, The Dick Powell Theatre, and Dr. Kildare. He also wrote two screen treatments and three screenplays for MGM. In later years he wrote for television programs such as The Bold Ones, Felony Squad, The Nurses, and Star Trek, and also wrote for the films Dark of the Sun and Guns for San Sebastian, among others.
Mr. Spies won at least three awards for his writings. These include the Robert E. Sherwood Award (Fund for the Republic) for the best network drama of 1957, which he won for “Island in the City” on the Climax series; the Edgar award, presented by the Mystery Writers of America for the best network drama of 1958, which he won for “Edge of Truth” on the Studio One series; and an Emmy nomination in 1963 for outstanding writing achievement in original drama for “What's God to Julius?” on the Dr. Kildare series.
Mr. Spies was married to Virginia Eiseman Spies and lived in Beverly Hills, California. He died in 1998.
Scope and Content Note
The Adrian Spies Papers were received in the Archives in two parts. The first part, designated the “Original Collection,” is composed primarily of scripts and miscellaneous materials and dates 1949-1965. The second part, designated “Additions,” dates 1951, 1963-1969 and consists mainly of scripts and related materials documenting Spies' later writings for television and motion pictures.
PART 1: ORIGINAL COLLECTION is arranged into subseries as follows: Correspondence, Scripts: Titled Series, Scripts: General, and Miscellaneous Materials.
Correspondence, 1949-1965,which consists mainly of business letters, is arranged chronologically by date.
Scripts: Titled Series is arranged alphabetically by series title and by script title within each series. Included are scripts for Climax, Dr. Kildare, The Nurses, Playhouse 90, Studio One, The Walter Winchell Files, and others. Also included here are Mr. Spies's award winning scripts: “What's God to Julius” (Dr. Kildare) - Emmy nomination; “Edge of Truth” (Studio One) - Edgar Award; and “Island in the City” (Climax) - Sherwood Award. A film copy of “Edge of Truth” and kinescopes of “Island in the City” are present too.
Scripts: General includes outlines and pilot scripts, as well as those for single shows. These are arranged alphabetically by script title. Included in this subseries is a variety of papers concerning the program Europa 33, demonstrating the evolution of a series.
Miscellaneous Materials include business papers, 1956-1965, photographs of Mr. Spies and the stars of several of his shows on location, dictaphone belts, and other materials.
PART II: ADDITIONS are organized into three subseries: Television, Motion Pictures, and a small file of Miscellany.
Among the Television programs represented are The Bold Ones, Bracken's World, Felony Squad, A Man Called Shenandoah, Name of the Game, The Nurses, The Rookies, Slattery's People, and Star Trek; while Motion Pictures includes Dark of the Sun and Guns for San Sebastian. The amount of documentation varies with each production and may range from brief notes to complete runs of scripts, many of which may be annotated. Of particular interest is a file of correspondence, memoranda, and comments relating to the television series Star Trek. Included are several memoranda from Gene Roddenberry, the series creator, offering general guidelines for writers who authored early scripts for the series. Topics discussed include the personalities of the running characters, sets, technological devices of the future (e.g., phasers, communicators, transporters), and general storylines.
A small file of Miscellany completes the collection and consists of a clipping describing a play Spies authored as a grammar school student, a letter discussing a story idea for a possible television drama, and other writings. The writings include two published versions of “Express Stop from Lenox Avenue,” which originally aired on The Nurses, and an article Spies wrote for his university's 25th class reunion.
Administrative/Restriction Information
Part 1 presented by Adrian Spies, Beverly Hills, California, October 15, 1965. Part 2 placed on deposit by Adrian Spies, 1967-1969. Accession Number: MCHC65-111, MCHC67-124, MCHC69-117
Part 1 processed by KW, August 3, 1966; Part 2 processed by Debbie Zimmerman, Denise Turner, and Christine Rongone, November 1979.
Contents List
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U.S. Mss 61AN
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Series: Part 1: Original Collection, 1949-1965
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Box
1
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Subseries: Correspondence, 1949-1965
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Subseries: Scripts: Titled Series
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Alcoa-Goodyear Theatre
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Box
1
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“Office Party,” outline
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Box
1
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“The Town Budget,” revised final, October 16, 1953
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The Asphalt Jungle
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Box
1
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“The Fighter,” rewrite, April 14, 1961
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The Chevy Mystery Show
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Box
1
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“The Game,” first draft, May 20, 1950
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Box
1
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“The Last Six Blocks,” telecast July 17, 1960
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Box
1
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“Six Blocks to Go,” revised final, July 17, 1960
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The Chrysler Show
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“The Zero Man
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Box
1
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Outline
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Box
1
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Script
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Cimarron City
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Box
1
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“Fear,” outline
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Climax
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Box
1
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“The Curfew,” outline, annotated
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Box
1
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“Devil at my Heels,” outline
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Box
1
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“Effigy,” outline
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“The Empty Room Blues,” telecast May 3, 1956
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Box
1
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Outline
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Box
1
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Third revision
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Box
1
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Final revision
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Box
1
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“Flood,” outline
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“Island in the City”
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Box
1
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Annotated
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Box
2
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Screen treatment
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DC 720-721
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Kinescope
2 reels
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U.S. Mss 61AN
Box
2
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“The Long Night”
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Box
2
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“Look for a Big Guy,” outline
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“Mad Bomber”
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Box
2
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Script A, March 8, 1957
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Box
2
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Script B, April 18, 1957
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Box
2
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“The One Way Ladder,” outline
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“The Secret of River Lane,” telecast January 26, 1956
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Box
2
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Script A
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Box
2
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Script B
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Box
2
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Revised final
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“Stain of Honor,” telecast February 14, 1957
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Box
2
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Script, annotated
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Box
2
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Second revision
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Box
2
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Third revision
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Box
2
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“The Survivors,” outline
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The Defenders
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Box
2
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“Prologue,” outline
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Desilu Playhouse
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Box
3
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“Chez Rouge,” first draft, October 29, 1958
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Box
3
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“City in Bondage,” first draft, December 21, 1959
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“Lepke”
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Box
3
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Script A
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Box
3
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Revised version, October 1, 1959
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“So Tender, So Profane”
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Box
3
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Script A
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Box
3
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Second draft, June 3, 1959
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“They Came to Kill Gandhi”
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Box
3
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Research and notes
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Box
3
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Outline
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The Dick Powell Show
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Box
3
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“Ricochet,” May 9, 1961
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“Somebody's Waiting”
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Box
3
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Outline
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Box
3
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Script A, February 11, 1959
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Box
3
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Script B
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Box
3
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Script C, May 25 1961
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The Doctor
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Box
3
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“Clara's Boy,” February 15, 1953
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Box
3
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“Friend of the Family,” January 19, 1953
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Box
4
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“Letter from a Soldier,” February 3, 1953
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Box
4
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“No Story Assignment,” September 11, 1952
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Dr. Kildare
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“Behold the Great Man”
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Box
4
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Script, June 21, 1965
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Box
4
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Script changes, June 28, 1965
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“The Horizontal Here”
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Box
4
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Outline
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Box
4
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Part I
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Box
4
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Part II
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Box
4
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Part III
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Part IV
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Box
4
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Original script
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Box
4
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Revised script, June 18, 1965
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Box
4
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“A Life for a Life,” June 21, 1965
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“Mrs. Monahan's Room”
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Box
4
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Original carbon
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Box
4
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Outlines
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Box
4
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Script A, April 9, 1964
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Box
4
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Script changes, September 16, 1964
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Box
4
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Script B, October 12, 1964
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Box
4
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“Web of Hate,” June 21, 1965
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“What's God to Julius?”
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Box
4
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Outline
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Box
4
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Original carbon script
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Box
4
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Revised script, April 9, 1953
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Espionage
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Box
4
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“The Darkest Hours,”outline
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“The Soccer Players”
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Box
4
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Outline
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Box
4
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Script
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Front Row Center
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Box
5
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“Search for a Stranger”
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Hotel de Paree
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Box
5
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“Sundance and the Fallen Sparrow,” first draft, February 18, 1960
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The Joyce Brothers Show
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Box
5
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Sequels No. 1 - No. 7
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Motive
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Box
5
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“The Corruptible Man,” outlines
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Box
5
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“Outrage on Avenue A,” outline
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Box
5
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Untitled pilot scripts
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Box
5
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Publicity brochure for the series
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The Nurses
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“Express Stop to Lenox Avenue,” telecast May 9, 1963
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Box
5
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Outline
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Box
5
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Script A
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Box
5
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Script B, January 25, 1963
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Box
5
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As published in Striving, Hunter College anthology
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Panic
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Box
5
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“Fantasy of Hate”
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Playhouse 90
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Box
5
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“The Murdered American,” outline, December 23, 1958
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“A Trip to Paradise”
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Box
5
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First Draft, September 10, 1958
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Box
6
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Revision, February 9, 1959
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Box
6
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Final revision, March 18, 1959
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Box
6
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Telecast version, March 26, 1959, and rehearsal schedule
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Box
6
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“Warning,” 1970, outline
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Pursuit
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“The Vengence,” October 15, 1958
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Box
6
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Revision, September 24, 1958
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Box
6
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Final revision
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Review Mystery Show
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Box
6
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“Comfort for the Grave,” revised, December 9, 1957
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Robert Montgomery Presents
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Box
6
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“And Never Come Back,” April 7, 1952
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Box
6
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“The Big Night,” March 23, 1953
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Box
6
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“Breakdown,” September 19, 1953
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“A Case of Identity”
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Box
6
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First revision, December 17, 1953
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Box
7
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Final version
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Box
7
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“Claire Ambler,” February 27, 1952
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Box
7
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“The General”
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Box
7
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“Joe's Boy,” January 18, 1954
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Box
7
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“The Lonely,” April 23, 1952
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Box
7
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“The Lost Weekend,” January 3, 1953
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“Paradise Cafe”
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Box
7
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Outline
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Box
7
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Script
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Box
7
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“The Petrified Forest,” first draft, September 6, 1950
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“The Pink Hipopotamus”
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Box
8
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Script, March 22, 1954
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Box
8
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Script, Matinee Theatre version
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Box
8
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“Remote,” annotated, October 25, 1954
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Box
8
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“Ricochet,” December 29, 1952
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Box
8
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“Victory”
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Box
8
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“Wages of Fear,” April 22 1954
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Saints and Sinners
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Box
8
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“George, the Siamese Cat Is Missing,” July 23, 1962
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Box
8
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“The Stringer”
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Box
8
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“Three Columns of Anger,” June 6, 1962
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Schlitz Playhouse of Stars
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Box
8
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“19 Rue Marie,” January 5, 1953
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Box
9
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“Storm over Rapallo”
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Studio One
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Box
9
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“The Brother Bit”
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“Edge of Truth,” April 28, 1958
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Box
9
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Script A, telecast March 28, 1958
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Box
9
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First revision, April 15, 1958
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Box
9
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Final draft and notices
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DC 722-723
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Film
2 reels
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U.S. Mss 161AN
Box
9
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“The Hearing,” outlines
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“The Mother Bit”
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Box
9
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Outline
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Box
9
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Script
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Target: The Corruptors
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Box
9
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“Mr. Megalomania,” July 7, 1961
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“The Organizers”
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Box
9
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Original, part I, annotated, February 21, 1961
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Box
9
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Original, part II
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Box
9
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Revision, part I, February 21, 1962
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Box
9
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Revision, part II, February 21, 1962
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Box
9
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Revision, part I, March 9, 1962
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Box
10
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Revision, part II, March 9, 1962
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U.S. Steel Hour
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Box
10
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“A Gift from Renzo,” outline
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The Untouchables
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“Augie 'The Banker' Ciamino”
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Box
10
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First draft, September 27, 1960
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Box
10
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Final draft, November 2, 1960
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Wagon Train
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Box
10
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“The Lucy Bradshaw Story,” November 27, 1957
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Box
10
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“The John Parro Story,” August 23, 1957
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The Walter Winchell File
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Box
10
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“Act of Folly”
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Box
10
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“A Day in the Sun”
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Box
10
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“The Fallen Idol”
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Box
10
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“Hot Night in Manhattan,” December 17, 1957
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Box
10
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“The Law and Aaron Benjamin”
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Box
10
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“Pilot”
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Box
10
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“The Reporter,” November 25, 1957
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Box
10
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“The Silent City,” January 13, 1958
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Box
10
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“The Stopover”
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Box
10
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“Terror,” October 30, 1957
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Box
10
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“Thou Shalt Not Kill”
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Box
10
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“Where Is Louis Melk?”
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We, The People
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Box
10
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“The Story of Matt Ovetik,” July 24, 1950
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Subseries: Scripts: General
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Box
11
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Adam Fable
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Box
11
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The Arlene Dahl Show, pilot script
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Box
11
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Barney Monk, first draft and pilot script
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Box
11
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Big Molly, pilot idea
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The Bravos
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Box
11
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Script A
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Box
11
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Script B, annotated
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Box
11
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Pilot and series outline
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Box
11
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The Brothers, outline
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Choice of Violence, February 13, 1964
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Box
11
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Story condensation, Cosmopolitan, August 1961
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Box
11
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Revision, December 16, 1963
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Box
11
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Annotated old pages
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Box
11
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Televised version
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The Clock
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Box
12
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Eight O'Clock, outline
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Box
12
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Embassy Row, pilot idea and notes
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Europa 33: the evolution of a series
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Box
12
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“Lando House” and “Angel House”
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Box
12
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“Monsieur Joe,” first script for Europa 33, February 15, 1965
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Box
12
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Rewrite of “Monsieur Joe”
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Box
12
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Notes and final script
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Box
12
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For the People, outline
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Box
12
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For the State, outline
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Holiday Hotel
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Box
12
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Script A, December 21, 1950
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Box
12
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Script B, January 18, 1951
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Box
12
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The Intruder, outline
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Box
12
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Judgment Day, outline
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Box
12
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The June Taylor Story
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Box
12
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Justice, the Yellow Box, outline
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Lies of Silence
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Box
12
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Script
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Box
12
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Outline and script portions
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Box
12
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Script portions and notes
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Box
12
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Mackey's Palace, pilot idea
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Box
12
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Martha's Castle
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Box
13
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Mayor's Man, outline and pilot script
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Box
13
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1970?, pilot idea
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Powers of Attorney
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Box
13
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First draft, annotated, October 13, 1984
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Box
13
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Rewrite, May 25, 1965
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Box
13
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Second draft
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Box
13
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Later draft
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Box
13
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Revised final, July 17, 1965
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Box
13
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Rendezvous, outline
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Box
13
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Run, Boy, Run, outline
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See No Evil
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Box
13
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Script A, annotated
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Box
13
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Script B, May 17, 1956
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Box
13
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Script C, annotated, August 6, 1956
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Box
13
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Two versions of screen treatment for M.G.M.
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Box
14
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Screenplay, Sapphire Films, Ltd., January, 1960
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Box
14
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Small Town District Attorney, outline
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Box
14
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The Splendid American
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Box
14
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Tales of Tin Pan Alley
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Box
14
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Untitled idea for remote quiz show
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Box
14
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Untitled pilot
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Box
14
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Untitled script for the Wholesale Druggists National Convention
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Box
14
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Untitled script for Ziv-United Artists
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Box
14
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Winter Parade
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Subseries: Miscellaneous Materials
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Box
14
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Business papers; contracts, 1956-1965
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Box
14
|
Dictaphone belts - assorted rejected scenes, rookie pilot, versions A and B
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Box
14
|
Notes for a speech to a high school writing class
|
|
|
Box
14
|
Photographs
|
|
|
Box
14
|
Portions of three scripts
|
|
|
Box
14
|
Poster used in Stain of Honor
|
|
|
Box
14
|
Reviews and other clippings
|
|
|
Series: Part 2: Additions, 1951, 1963-1969
|
|
|
Subseries: Television
|
|
|
The Big Train (Production information unknown)
|
|
|
Box
15
Folder
1
|
Notes, undated
|
|
|
The Bold Ones: The Protectors (Universal TV, 1969-1973, original network NBC)
|
|
|
“If I Should Wake before I Die”
|
|
|
Box
15
Folder
2
|
Correspondence, notes, 1969
|
|
|
Box
15
Folder
2
|
Synopsis, “And Death Shall Have No Dominion,” undated
|
|
|
Box
15
Folder
2
|
Scene Breakdown; revisions, annotated, circa 1969
|
|
|
Box
15
Folder
3
|
Revised script, teleplay by Adrian Spies, story by Jerrold Freedman, July 18, 1969
|
|
|
Bracken's World (Twentieth Century Fox, 1969-1971, original network NBC)
|
|
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Box
15
Folder
4
|
Notes, undated
|
|
|
Box
15
Folder
4
|
Synopsis, annotated, undated
|
|
|
The Bravos (Arena Productions in association with MGM-TV [?], other production information unknown)
|
|
|
Box
15
Folder
5
|
Second draft script, undated
|
|
|
CBS Playhouse (Original network CBS, other production information unknown)
|
|
|
Box
15
Folder
6
|
Correspondence, September 1966-October 1967
|
|
|
Chinook (Unproduced [?])
|
|
|
Box
15
Folder
7
|
Notes, research, undated
|
|
|
Box
15
Folder
8
|
2 Series outlines, by David Dortort, July 27-August 25, 1967
|
|
|
“Decision at Midnight”
|
|
|
Box
15
Folder
9
|
Outline, by David Dortort, November 15, 1967
|
|
|
Box
15
Folder
10
|
2 Treatments, created by David Dortort, written by Adrian Spies, undated
|
|
|
Box
15
Folder
10
|
Treatment, fragments, annotated, undated
|
|
|
Box
15
Folder
11-12
|
Edited, discarded pages, annotated, undated
|
|
|
Box
15
Folder
13
|
Script, undated
|
|
|
Box
15
Folder
14
|
Final draft script, fragment, undated
|
|
|
The Danny Thomas Hour (Danny Thomas-Aaron Spelling Productions, 1967-1968, original network NBC)
|
|
|
“The Zero Man”
|
|
|
Box
15
Folder
15
|
Writing credits, letter, May-July 1967
|
|
|
Box
15
Folder
15
|
Edited pages, April 1967, undated
|
|
|
Box
16
Folder
1
|
Script, annotated, undated
|
|
|
Box
16
Folder
1
|
Final draft script, April 27, 1967
|
|
|
Box
16
Folder
1
|
Revisions, June 1967
|
|
|
Dr. Kildare (Arena Productions in association with MGM-TV, 1961-1965, original network NBC)
|
|
|
Box
16
Folder
2
|
Reviews, promotional leaflet, 1965
|
|
|
Europa 33 (Production information unknown, Hanna-Barbera project)
|
|
|
Box
16
Folder
3
|
Notes, undated
|
|
|
Box
16
Folder
4
|
Revised outline, notes, July 28, 1965
|
|
|
Box
16
Folder
4
|
Pilot script, incomplete, annotated, undated
|
|
|
Box
16
Folder
5
|
Discarded pages, annotated, undated
|
|
|
Box
16
Folder
6
|
Revisions, annotated, undated
|
|
|
Felony Squad (Twentieth Century Fox TV, 1966-1969, original network ABC)
|
|
|
Box
16
Folder
7
|
Format, “Men Against Evil,” and Memorandum, June 1966, undated
|
|
|
“Death of a Dream”
|
|
|
Box
16
Folder
8
|
Final script, “A Hot Night and a Cold Dream,” July 1, 1966
|
|
|
Box
16
Folder
8
|
Revised final script, July 7, 1966
|
|
|
Box
16
Folder
8
|
Revisions, July 8-13, 1966
|
|
|
“Epitaph for a Cop”
|
|
|
Box
16
Folder
9
|
First draft script, undated
|
|
|
Box
16
Folder
9
|
Edited and discarded pages, annotated, undated
|
|
|
Box
16
Folder
10
|
First draft script, October 19, 1967
|
|
|
“A Hot Night and a Cold Dream”
|
|
|
Box
16
Folder
11
|
Agreement, memorandum re broadcast standards, 1966
|
|
|
Box
16
Folder
11
|
2 Synopses, undated
|
|
|
Box
16
Folder
12
|
First draft script, June 14, 1966
|
|
|
Box
16
Folder
12
|
Revisions, annotated, undated
|
|
|
“A Penny Game, A Two-Bit Murder”
|
|
|
Box
16
Folder
13
|
Outline, fragment, undated
|
|
|
Box
16
Folder
13
|
Outline, annotated, undated
|
|
|
Box
16
Folder
13
|
Teasers and script fragments, undated
|
|
|
Box
16
Folder
13
|
Script, undated
|
|
|
Box
16
Folder
14
|
First draft script, June 10, 1966
|
|
|
Box
16
Folder
14
|
Final script, June 16, 1966
|
|
|
Hark (Production information unknown)
|
|
|
Box
17
Folder
1
|
Screenplay, by William Roberts, April 19, 1968
|
|
|
Box
17
Folder
2
|
Notes, several step outlines, circa March-July 1968, undated
|
|
|
Box
17
Folder
3
|
Story notes, undated
|
|
|
Box
17
Folder
3
|
Script, by W. R. Burnett, May 7, 1968
|
|
|
Box
17
Folder
3
|
Script, undated
|
|
|
Hauser's Memory (Production information unknown)
|
|
|
Box
17
Folder
4
|
Galleys, by Kurt Siodmak, undated
|
|
|
Box
17
Folder
5
|
Notes, undated
|
|
|
Box
17
Folder
5-6
|
Discarded, edited pages, annotated, undated
|
|
|
Box
17
Folder
7
|
Edited, annotated pages, undated
|
|
|
Box
17
Folder
8
|
Script, annotated, undated
|
|
|
Box
18
Folder
1
|
Script, from the novel by Kurt Siodmak, September 12, 1969
|
|
|
Hunter (Production company unknown, 1968, syndicated)
|
|
|
Box
18
Folder
2
|
Presentation outline, created by Adrian Spies and Walter Grauman, June 15, 1966
|
|
|
Lassiter (Production information unknown)
|
|
|
“Tonight We Make Them Cry”
|
|
|
Box
18
Folder
3
|
Final pilot script, by Richard Alan Simmons, November 1, 1966
|
|
|
Box
18
Folder
4
|
Notes, letter, May-October 1967
|
|
|
Box
18
Folder
5-6
|
Discarded, edited pages, annotated, 1967-1968, undated
|
|
|
A Man Called Shenandoah (MGM-TV, 1965, original network ABC)
|
|
|
“Marlee”
|
|
|
Box
18
Folder
7
|
Outline, January 1966
|
|
|
Box
18
Folder
7
|
First draft script, January 31, 1966
|
|
|
Box
18
Folder
7
|
Discarded pages, January 31, 1966
|
|
|
Box
18
Folder
7
|
Script and script fragments, undated
|
|
|
Box
18
Folder
7
|
Final draft script, February 3, 1966
|
|
|
Box
18
Folder
7
|
Script fragments, February 5, 1966
|
|
|
Name of the Game (Universal TV, 1968-1970, original network NBC)
|
|
|
[“Story #1”]
|
|
|
Box
18
Folder
8
|
Outline, notes, May 1969, undated
|
|
|
[“Story #2”]
|
|
|
Box
18
Folder
9
|
Notes; outline, “I Confess;” revisions, annotated, undated
|
|
|
The Nurses (Plautus Productions, 1962-1964, original network CBS)
|
|
|
“Express Stop from Lenox Avenue”
|
|
|
Box
18
Folder
10
|
Correspondence, 2 scripts, published version in Prejudice: The Invisible Wall (1968), 1966
|
|
|
The Rookies (Aaron Spelling-Leonard Goldberg Productions, 1972-1976, original network ABC)
|
|
|
Box
18
Folder
11
|
Pilot script, fragment, annotated, undated
|
|
|
Slattery's People (Bing Crosby Productions, 1964, original network CBS)
|
|
|
Box
18
Folder
12
|
Notes, undated
|
|
|
Star Trek (Norway Productions in association with Paramount TV and NBC, 1966-1969)
|
|
|
“Miri”
|
|
|
Box
18
Folder
13
|
Correspondence, Memoranda, Comments, circa April-June 1966
|
|
|
Box
18
Folder
14
|
Notes, 4 outlines, fragments, April 11, 1966, undated
|
|
|
Box
19
Folder
1
|
2 Scripts, undated
|
|
|
Box
19
Folder
1
|
Script, incomplete, undated
|
|
|
Box
19
Folder
2
|
First draft script, August 11, 1966
|
|
|
Box
19
Folder
3
|
Final draft script, August 12, 1966
|
|
|
Box
19
Folder
4
|
Revised final draft script, August 16, 1966
|
|
|
Box
19
Folder
5
|
Revised final draft script, August 18, 1966
|
|
|
Box
19
Folder
6
|
Revisions, August 22, 1966
|
|
|
Box
19
Folder
7
|
Revisions, annotated, undated
|
|
|
Storm Island (Production information unknown, pilot, Hanna-Barbera project)
|
|
|
Box
19
Folder
8
|
First draft script, annotated, undated
|
|
|
Box
19
Folder
8
|
Revised script of segment, December 10, 1965
|
|
|
Box
19
Folder
9
|
Discarded, edited pages, annotated, undated
|
|
|
The Tangerine Suite (Unproduced?, series idea for Norman Felton and NBC)
|
|
|
Box
19
Folder
10
|
Presentation outline, undated
|
|
|
Subseries: Motion Pictures
|
|
|
Armaggedon [?] (Production information unknown, MGM)
|
|
|
Box
19
Folder
11
|
Memorandum re suggested approach to Uris novel, July 1966
|
|
|
Brothers in Arms (Production information unknown)
|
|
|
Box
19
Folder
12
|
Notes, undated
|
|
|
Box
19
Folder
12
|
2 Synopses, annotated, October 12, 1967, undated
|
|
|
Box
20
Folder
1
|
Treatment, on cards, undated
|
|
|
The Captains (Production information unknown)
|
|
|
Box
20
Folder
2
|
Notes, undated
|
|
|
Box
20
Folder
2
|
Treatment, undated
|
|
|
Box
20
Folder
3
|
3 Treatments, fragments, annotated, April 2, 1968
|
|
|
Box
20
Folder
3
|
Treatment, undated
|
|
|
The Chinese Visitor (Production information unknown)
|
|
|
Box
20
Folder
4
|
Correspondence, miscellany, 1967
|
|
|
Box
20
Folder
5
|
Book, by James Eastwood, annotated, 1965
|
|
|
Box
20
Folder
6
|
Script revisions, annotated, April-November 1966
|
|
|
Box
20
Folder
7
|
First draft screenplay, by James Doran, June 16, 1966
|
|
|
Box
20
Folder
8
|
Revisions, written in Hollywood, annotated, October 11, 1966-6 January 1967
|
|
|
Box
20
Folder
9
|
Script, January 17, 1967
|
|
|
Box
21
Folder
1
|
Notes, November 16, 1966-February 8, 1967
|
|
|
Box
21
Folder
2
|
Script, February 28, 1967
|
|
|
Box
21
Folder
3
|
Revisions, written in Hollywood, annotated, January 9-March 2, 1967
|
|
|
Box
21
Folder
4
|
Screenplay, March 3, 1967
|
|
|
Box
21
Folder
5
|
Synopses, fragments, July 19-20, 1967
|
|
|
Box
21
Folder
5
|
Synopses, annotated, July 28-August 9, 1967
|
|
|
Box
21
Folder
5
|
Notes, August 1, 1967, undated
|
|
|
Box
21
Folder
5
|
Script, fragments, August 4, 1967
|
|
|
Dark of the Sun (George Englund Enterprises, 1968. MGM)
|
|
|
Box
21
Folder
6
|
Notes, correspondence, flyer, January 1966-January 1967, undated
|
|
|
Box
21
Folder
7
|
Original screenplay, by Ranold MacDougall, annotated, January 19, 1965
|
|
|
Box
21
Folder
8
|
Script, undated
|
|
|
Box
22
Folder
1
|
Script, April 2, 1965
|
|
|
Box
22
Folder
2
|
Revisions, annotated, April 2, 1965-June 21, 1966
|
|
|
Box
22
Folder
3
|
Revisions, annotated, April 2, 1965-July 14, 1966
|
|
|
Box
22
Folder
4
|
Revisions, annotated, June 27-July 4, 1966
|
|
|
Box
22
Folder
5
|
Script fragments, July 13, 1966
|
|
|
Box
22
Folder
6
|
Revisions, annotated, July 15-24, 1966
|
|
|
Box
22
Folder
7
|
Script, co-authored with Ranold MacDougall, July 19, 1966
|
|
|
Box
22
Folder
8
|
Script, co-authored with Ranold MacDougall, slightly annotated, July 19, 1966
|
|
|
Box
22
Folder
9
|
Script, fragment, July 21-22, 1966
|
|
|
Box
23
Folder
|
Script, July 21, 1966
|
|
|
Box
23
Folder
2
|
Script, co-authored with Ranold MacDougall, August 5, 1966
|
|
|
Box
23
Folder
3
|
Script fragment, annotated, November 21, 1966
|
|
|
Box
23
Folder
4
|
Script, November 21, 1966
|
|
|
Box
23
Folder
5
|
Script fragment, December 7-9, 1966
|
|
|
Box
23
Folder
6
|
Script, co-authored by Ranold MacDougall, December 28, 1966
|
|
|
Box
23
Folder
7
|
Revisions, February 13-22, 1967
|
|
|
Guns for San Sebastian (Cipra Films-Ernesto Enriquez-Filmes Cinematografica, 1968. MGM)
|
|
|
Box
23
Folder
8
|
Script, “A Wall for San Sebastian,” by James R. Webb, annotated, April 18. 1966
|
|
|
Box
24
Folder
1
|
Script, annotated, April 25, 1967
|
|
|
Box
24
Folder
2
|
Revisions, annotated, April-June 1967
|
|
|
Box
24
Folder
3
|
Script changes, notes, call sheets, May-June 1967
|
|
|
Box
24
Folder
3
|
Telegram re credits, November 1967
|
|
|
[The Johnson Boys] (Production information unknown)
|
|
|
Box
24
Folder
4
|
Treatment, “Shame, Shame on the Security Council,” including notes on verso, undated
|
|
|
Box
24
Folder
5
|
Notes, October-November 1968, undated
|
|
|
Box
24
Folder
6
|
Revised script, incomplete, and outline of remaining story
|
|
|
Box
24
Folder
7
|
Revisions, annotated, October 1968, undated
|
|
|
The Millionth Man (Production information unknown)
|
|
|
Box
24
Folder
8
|
Scene breakdown, correspondence, notes, 1967-1968
|
|
|
Box
24
Folder
9
|
Treatment, by Frances Malm, June 18, 1951
|
|
|
Box
24
Folder
10
|
Script, March 5, 1968
|
|
|
Box
24
Folder
11
|
Script, incomplete, annotated, March 5, 1968
|
|
|
Box
25
Folder
1
|
Script, May 10, 1968
|
|
|
Box
25
Folder
2
|
Script, May 14, 1968
|
|
|
Box
25
Folder
3
|
Script, annotated, May 14, 1968
|
|
|
Box
25
Folder
4
|
Script, June 14, 1968
|
|
|
Box
25
Folder
5
|
Revisions and discarded pages, annotated, December 20, 1967-January 30, 1968
|
|
|
Box
25
Folder
6
|
Revisions and discarded pages, annotated, February 1-May 9, 1968, undated
|
|
|
The Scorpio Letters (Production information unknown, MGM)
|
|
|
Box
25
Folder
7
|
Correspondence, notes, January-July 1966
|
|
|
Box
26
Folder
1
|
Book, by Victor Canning, 1964
|
|
|
Box
26
Folder
2
|
Synopsis of book, July 25, 1963
|
|
|
Box
26
Folder
3
|
Treatment, by Jo Eisinger, February 22, 1965
|
|
|
Box
26
Folder
4
|
Revised script, fragment, March 23, 1966
|
|
|
Box
26
Folder
5
|
Script, March 24, 1966
|
|
|
Box
26
Folder
6
|
Script, annotated, April 15, 1966
|
|
|
Box
26
Folder
7
|
Script, incomplete, April 15, 1966
|
|
|
Box
27
Folder
1
|
Revisions, annotated, January-March 1966, undated
|
|
|
Box
27
Folder
2
|
Revisions, annotated, February-April 1966, undated
|
|
|
The 13th Floor (Production information unknown)
|
|
|
Box
27
Folder
3
|
Second outline, undated
|
|
|
Box
27
Folder
3
|
Treatment, undated
|
|
|
Box
27
Folder
4
|
Drafts, unsorted, undated
|
|
|
Subseries: Miscellany
|
|
|
Box
27
Folder
5
|
Clipping re Man and Machine, undated
|
|
|
Box
27
Folder
5
|
Letter re TV drama idea, undated
|
|
|
Other writings
|
|
|
Box
27
Folder
6
|
Striving (Macmillan, 1967), including “Express Stop from Lenox Avenue,” 1967
|
|
|
Box
27
Folder
6
|
Scholastic Scope and Scholastic Teacher, including “Express Stop from Lenox Avenue,” March 10, 1967
|
|
|
Box
27
Folder
7
|
“To Tell the Truth,” article written for University of North Carolina 25th year reunion yearbook, undated
|
|
|
