Container
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Title
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U.S. Mss 99AN/2A
Box
1
Folder
1-5
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File #1: United Artists Corporation (UAC) incorporation papers,
charter, by-laws, certificates and amendments, 1919-1950
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Box
1
Folder
6-8
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File #2: UAC financial set-up: incorporation papers and
amendments, capital stock certificates, (1929) 1936-1938
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Box
1
Folder
9
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File #3: United Artists Finance Corporation, UAC subsidiary
incorporation papers, 1933-1935
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Carbons of minutes of UAC Board of Directors with related correspondence, 1919-1950 : These minutes are incomplete; a microfilm copy of a complete set of
minutes is in United Artists Series 1A.
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Box
2
Folder
1-10
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File #4: Minutes, 1919-1926
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Box
2
Folder
11-17
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File #674: Minutes, 1927-1928
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Box
3
Folder
1-4
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File #5: Minutes, 1929-1931 : Includes O'Brien, Malevinsky and Driscoll correspondence.
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Box
3
Folder
5-7
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File #6: Minutes, 1932
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Box
3
Folder
8-9
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File #7: Minutes, 1933
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Box
3
Folder
10-11
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File #8: Minutes, 1934
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Box
4
Folder
1-2
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File #9: Minutes, 1935
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Box
4
Folder
3-4
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File #10: Minutes, 1936
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Box
4
Folder
5-6
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File #11: Minutes, 1937
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Box
4
Folder
7-8
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File #12: Minutes, 1938
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Box
5
Folder
1-3
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File #13: Minutes, 1939
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Box
5
Folder
4
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File #14: Minutes of twentieth anniversary convention of United Artists (UA)
selling organization, 1939 : Contains transcripts of speeches of 23 luminaries: Harry Buckley,
George Bruce, E.T. Carr, Sam Cohen, Lynn Farnol, Harry Gold, Monroe
Greenthal, Morris Helperin, Alfred Hitchcock, Leslie Howard, Paul
Lazarus, Sol Lesser, David Loew, Ernst Lubitsch, Albert Margolies, Mary
Pickford, Alfred Reeves, Hal Roach, Dick Rowland, Jack Schlaifer, David
O. Selznick, Murray Silverstone, and Walter Wanger.
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Box
5
Folder
5-6
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File #15: Minutes, 1940
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Box
6
Folder
1-3
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File #16: Minutes, 1941
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Box
6
Folder
4-10
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File #17: Minutes, 1942-1947
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Box
6
Folder
11-12
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File #18: Minutes, 1948-1950
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UAC General Correspondence, 1920-1930 : Policy correspondence which passed through the O'Brien office.
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Box
7
Folder
1-4
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File #19: General correspondence, 1920-1923
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Box
7
Folder
5-7
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File #20: General correspondence, 1924-1925
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Box
7
Folder
8-10
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File #21: General correspondence, 1926-1927
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Box
8
Folder
1-4
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File #22: General correspondence, 1928
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Box
8
Folder
5-7
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File #23: General correspondence, 1929-1930
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General matters and correspondence, 1931-1951
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Box
9
Folder
1-2
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File #24: General matters and correspondence, 1931-1932
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Box
9
Folder
3-5
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File #25: General matters and correspondence, 1935 : Includes weekly cash position statements.
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Box
9
Folder
6-9
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File #26: General matters and correspondence, 1936 : Includes A.H. Giannini agreement, miscellaneous correspondence,
business reports, financial reports, balance sheet, and daily home office
bank balances.
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Box
9
Folder
10-12
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File #27: General matters and correspondence;
Estanica copyright; Arthur Kelly and Jack Merserau;
daily home office bank balances, 1937
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Box
9
Folder
13
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File #28: General matters and correspondence; home office
daily bank balances, 1938
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Box
10
Folder
1
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File #28: General matters and correspondence; home office
daily bank balances, 1938 (continued)
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Box
10
Folder
2
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File #29: General matters and correspondence, 1939
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Box
10
Folder
3-4
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File #30: General matters and correspondence, 1940
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Box
10
Folder
5-7
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File #31: General matters and correspondence, miscellaneous
papers, 1941 : Includes Kelly Improvement Plan, corporate chart, future selling
plan, financial data; inquiries from David Selznick; contract
negotiations with Frank Capra and Robert Riskin; examination of
operations and procedures of UAC.
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Box
11
Folder
1-2
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File #31: General matters and correspondence, miscellaneous
papers, 1941 (continued) : Includes Kelly Improvement Plan, corporate chart, future selling
plan, financial data; inquiries from David Selznick; contract
negotiations with Frank Capra and Robert Riskin; examination of
operations and procedures of UAC.
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Box
11
Folder
3-5
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File #32: General matters and correspondence, features
productions released from 1929-1943, 1942-1943
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Box
11
Folder
6-7
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File #33: General matters and correspondence, 1944-1945
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Box
11
Folder
8-10
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File #34: General matters and correspondence, agreement of
UAC with American European Film Industries Inc. for Hangmen
Also Die; Stockholders' report for 1941-1946, 1946-1947
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Box
12
Folder
1-2
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File #35: General matters and correspondence, 1948-1949
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Box
12
Folder
3-5
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File #36: General matters and correspondence, pictures
released seasons of 1919-1941; pending litigation (March 1950);
memorandum on sale of corporation (1951), 1950-1951
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UAC Executive Committee minutes, resolutions, and
correspondence : The Committee, in existence only between 1935 and 1938 was made up of
vice-presidents and other top executives of the corporation. It dealt
with matters of policy between meetings of the Board of Directors.
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Box
12
Folder
6-8
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File #37: Executive Committee, 1935
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Box
13
Folder
1-3
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File #38: Executive Committee, 1936
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Box
13
Folder
4-5
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File #39: Executive Committee, 1937
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Box
13
Folder
6-7
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File #40: Executive Committee, 1938 January to June
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Box
13
Folder
8-9
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File #41: National Labor Relations Board and Screen
Publicists Guild correspondence and documents, 1940-1949 : Also Screen Office and Professional Employees Guild (SOPEG)
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Box
14
Folder
1-6
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File #41: National Labor Relations Board and Screen
Publicists Guild correspondence and documents, 1940-1949 (continued) : Also Screen Office and Professional Employees Guild (SOPEG)
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Box
14
Folder
7-8
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File #42: Fortune magazine article on history
of UAC, 1940 : Corporation's reactions to proposed article were mixed.
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Box
15
Folder
1
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File #43: Screen Office and Professional Employees Guild
(SOPEG), Local 1391, Los Angeles, 1941-1944 : Regarding UA's dealings with this union.
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Box
15
Folder
2-5
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File #44: National Labor Relations Board and strike of home
office employees' union; correspondence and documents, 1941-1948
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Box
15
Folder
6-7
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File #45: Office managers' and bookers' wage and hour law,
and job analysis; correspondence and miscellaneous, 1948-1950
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Box
15
Folder
8
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File #47: Colosseum of Motion Picture Salesmen NLRB case,
correspondence, 1950 : These charges were brought before the NLRB by a Milwaukee union and
were later withdrawn.
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Box
15
Folder
9-10
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File #48: UA Employees' Welfare Fund Inc., correspondence,
minutes, and documents, 1937-1950 : Records of a company-operated welfare fund.
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Box
15
Folder
11
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File #49: Continental Casualty Company and bonding of UA
foreign agents, 1932-1934
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Box
16
Folder
1-4
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File #46: John Bartelt vs. UAC; correspondence and
records, 1948-1951 : Milwaukee employee sues for wages.
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Box
17
Folder
1
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File #50: Samuel Goldwyn agreements and related
correspondence, 1948 : Tentative film titles Criminals and Diplomatic
Passport; this deal was never made.
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Box
17
Folder
2
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File #51: U.S. Film Export Company Agreements, 1946 : Regarding U.S. Film as UA's foreign licensee.
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Box
17
Folder
3
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File #52: Power of attorney for Art Cinema Corporation given
to UA Australasia by Joseph Moskowitz; related correspondence, 1930-1935
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Box
17
Folder
4
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File #53: Cinesound Productions Ltd. and UA Australasia and
UAC agreement for two films, 1936
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Box
17
Folder
5
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File #54: American Industrial Corporation agreement for
Johnny One-Eye, 1949-1951 : Correspondence, Benedict Bogeaus.
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Box
17
Folder
6
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File #55: Gateway Film and Television Company agreement for
William's Luck and correspondence, 1948
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Box
17
Folder
7-9
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File #56: UAC South America; correspondence and
minutes, 1944-1951 : Includes Home office correspondence, 1944-1950; minutes, 1944-1951; and contracts and correspondence of Manual Pena Rodriquez, 1947-1949
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Box
17
Folder
10
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File #57: Clifford Odets and UAC agreement for Awake
and Sing, 1949
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Box
17
Folder
11
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File #58: UAC vs. Cumberland Amusement Company, 1949-1950 : UA sues Tennessee exhibitor over unplayed contracts.
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Box
17
Folder
12
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File #59: Gramercy Pictures Inc. agreement for film of
Schmeling-Stribling fight, 1939 : Argentine and Chilean distributors.
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Box
17
Folder
13-18
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File #60: Rooney-Stiefel Inc. agreement, correspondence,
miscellaneous for The Big Wheel and Quicksand, 1949-1951 : Mickey Rooney.
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-Quicksand agreement, 1949
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-Correspondence, 1949-1950
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-Miscellaneous correspondence, 1949-1950
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-Rooney-Stiefel, Harry Popkin Productions, James Nasser regarding Quicksand, Big Wheel injunction, 1949-1950
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-Ressan Inc., doing business as General Service Studios, George Nasser, et al. vs. Rooney-Stiefel, Inc. (over Rooney's services in Quicksand), 1949-1951
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-Bankers Trust Company and Edward Peskay vs. Rooney-Stiefel Productions, warrant of attachment, 1951
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Box
18
Folder
1
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File #61: Rooney-Stiefel Inc. and 20th Century Fox Film
Corporation: title conflict between Sand and
Quicksand, 1949
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Box
18
Folder
2-5
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File #62: Willard A. Holland vs. UAC and Harry Popkin,
Samuel Stiefel, Jack Dempsey, Mickey Rooney and Popkin, Stiefel,
Dempsey Productions, 1949-1950 : Holland sues for damages for unauthorized use of his name in
The Big Wheel. Includes correspondence, legal papers, 1949-1950, and dialogue continuity for The Big Wheel.
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Box
18
Folder
6
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File #63: Leonard Picker agreement for Porgy and
Bess, 1948
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Box
18
Folder
7
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File #64: Arrow Pictures Corporation agreement for
Teheran (or Plot to Kill Roosevelt), 1948
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Box
18
Folder
8-9
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File #65: Pioneer Pictures Corporation agreement for
Gun Crazy, Red Light, correspondence, 1949-1950
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Box
18
Folder
10-11
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File #66: Arnold Productions Inc. and Arnold Pressburger
agreements, correspondence, 1941-1950 : Regarding Driftlight, Hangmen Also Die, It Happened Tomorrow, Last Year's Show, Scandal in Paris, Shanghai Gesture, Vidocq, and
Wild Echoes Flying.
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Box
18
Folder
12-13
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File #67: Arnold Productions and Arnold Pressburger
agreements with DeLuxe Laboratories Inc., 1941-1950 : Production financing, Shanghai Gesture.
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Box
19
Folder
1-4
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File #68: Arnold Productions copyright correspondence for
Shanghai Gesture, Hangmen Also Die, It Happened Tomorrow, A Scandal in Paris, 1942-1946
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Box
19
Folder
5
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File #69: Film Rights International Ltd. agreement for
foreign distribution of The Shanghai Gesture, 1948-1949 : South Africa.
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Box
19
Folder
6-7
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File #70: Betty Box (Bonaventure Films Ltd.) agreements for
The Hearts of Paris, Tonight at 8:30, and The Vic Welles Ballet, 1949-1950
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Box
19
Folder
8-10
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File #71: Oliver Unger deal: Distinguished Films Inc.
agreement for Passionelle and Under the Sun of
Rome, and Oxford Films Inc. agreement for
Torment, 1948-1950
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Box
19
Folder
11-12
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File #72: Distinguished Films Inc. and Guaranteed Pictures
Company agreements for As You Like It, 1949-1951 : Distinguished Films acquires re-issue rights from Guaranteed
Pictures; UA is to do the actual distribution.
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Box
19
Folder
13-14
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File #73: Inter-American Productions Inc. agreements for
Cisco Kid series, 1948-1951 : Daring Caballero, Girl from San Lorenzo, Gay Amigo, Satan's Cradle, and Valient Hombre.
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Box
19
Folder
15
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File #74: Lode Star Productions Inc. agreement for
Cisco Kid series, 1950
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Box
19
Folder
16
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File #75: Tower Pictures agreement for Jigsaw and correspondence, 1948-1950
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File #76-78: Minutes, correspondence, reports, contracts,
agreements, etc. of UA Corporation Ltd. (formerly Allied Artists Corporation,
Ltd.), 1928-1951
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Box
19
Folder
17-19
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Minutes, 1930-1950
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Box/Folder
20/1-22/1-9
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Correspondence, etc., 1926-1951
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-Correspondence, 1928-1951
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-Agreements, general reports, and miscellaneous, 1926-1933
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-Articles of Association, 1930-1940
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-History of UA to 1930; general report of UAC Ltd.; miscellaneous, undated
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-Maurice Silverstone employment agreements, 1934-1937
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-Continental agreements, 1934-1941
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-Miscellaneous continental agreements and drafts, 1934-1941
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-UAC and Adolph Marshall, Roumania, 1942-1950
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Box/Folder
23/1-24/31
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File #79-81: UAC Export Ltd. agreements with distributing
companies in foreign countries, 1935-1940 : Alphabetically by corporation name.
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Box
25
Folder
1
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File #82: Dr. Hauser and Company of Vienna liquidation, 1939-1940 : Correspondence dealing with the liquidation of UA's distributor's
corporation
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Box
25
Folder
2-3
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File #83: UAC Producers Fund: plans, memoranda and
correspondence, 1938-1940 : Also known as Silverstone Plan, a profit-sharing plan for UA
producers.
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Box
25
Folder
4
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File #84: UAC Ltd. and UAC Export Ltd. regarding UA share
holdings, 1938 : Stock transfers relating to these foreign corporations.
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Box
25
Folder
5
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File #85: World Window Ltd. and Count von Keller agreement
for series, 1937
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Box
25
Folder
6
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File #86: British and Dominion Film Corporation Ltd. and
UAC Ltd. agreement for Canada and Newfoundland, 1932 : Distribution agreement.
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Box
25
Folder
7-8
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File #87: UAC Ltd. and British and Dominion Film
Corporation Ltd. distribution license, 1932-1937 : Agreement and correspondence on license for Great Britain,
Australasia, Canada and the U.S.
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Box
25
Folder
9
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File #88: Examples of Employment Contracts for film
artists, 1932-1933 : And correspondence related to providing these examples to F.M.
Guedalla of London.
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Box
25
Folder
10
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File #89: British and Dominion Film Corporation Ltd.
distribution agreement for India, 1933 : Contract marked “cancelled”; prospectus.
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Box
25
Folder
11
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File #90: London Film Productions and UAC: Wings Over
Africa agreement, 1937-1938
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Box/Folder
25/12-26/7
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File #91: London Film Productions, copyright and
correspondence for 37 films : Starred titles include synopsis: Action for Slander*, Brewster's Millions*, The Challenge*, Come Out of the Pantry*, Divorce of Lady X*, The Drum*, Elephant Boy*, Escape Me Never*, Farewell Again*, Fire Over England*, Forgot Me Not*, Four Feathers, The Ghost Goes West*, Girls Please*, It's a Cop*, The King of Paris*, Knight Without Armour*, Lilies of the Fields*, The Lion Has Wings*, Men Are Not Gods*, Moscow Nights*, Murder on Diamond Row, Nell Gwyn*, Over the Moon (Many Moons)*, Paradise for Two, Peg of Old Drury*, Prison Without Bars*, The Private Life of Henry VIII*, The Rebel Sun, Rembrandt*, The Return of the Scarlet Pimpernal, Sanders of the River, South Riding*, Stroller's Fate*, Things to Come*, Two's Company*, Where's George.
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Box
26
Folder
8-9
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File #92: British and Dominions Film Corporation and UAC,
distribution agreements, miscellaneous and copyright material, 1933-1946
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Box/Folder
26/10-27/3
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File #93: Agreements with English production and
distribution corporations: UAC, UAC Ltd. and Londofilm, 1930s
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-Correspondence, 1933-1951
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-Anglo-American Film: agreements, by-laws,
résumés, 1933-1936
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-Atlantic Film Productions, Thunder in the
City, 1936
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-British Cine Alliance (Arnold Pressburger), 1936
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-Capitol Film Corporation, 1936-1937
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-Cecil Film and Trafalgar Productions, 1937
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-Criterion Film Productions, 1936-1938
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-Dramatic and Cinematograph Association (Paul and Elizabeth
Bergner Czinner), 1936-1938
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-Alexander Korda, 1933-1935
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-Mercury Film Laboratories and Nat Saland for The
Dreaming Lips, 1936-1949
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-Pall Mall Productions, 1936
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-Trafalgar Film Productions and Max Salach, 1936-1941
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Box
27
Folder
4-8
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File #94: Copyright, correspondence and synopses for
Atlantic Film Productions, Criterion Film Productions and Trafalgar
Film Productions features, 1936-1937 : Crime Over London, Dreaming Lips, Jump for Glory, Love From a Stranger, Thunder in the City (no synopsis), When Thief Meets Thief.
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Box
27
Folder
9
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File #95: Copyright and correspondence and synopsis for Pall
Mall Productions Moonlight Sonata, 1937
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Box
27
Folder
10
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File #96: Edward B. Marks Music Corporation and Trafalgar
Film Productions, copyright claim for Lilac Domino, 1937-1941
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Box
27
Folder
11
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File #97: Trafalgar Film Productions and UAC: indemnity
agreements on withholding taxes, 1937-1941
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Box
27
Folder
12-13
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File #98: Anglo-American Film Corporation and British
National Films Ltd. agreements for Mr. Pimpernal Smith and Love on the Dole, 1941-1945 : Leslie Howard.
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Box
27
Folder
14
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File #99: British International Pictures: Sydney Chaplin
agreement, 1933
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Box
27
Folder
15
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File #100: British and Dominions Film Corporation advs
Principal Film Exchanges Inc., 1933-1934 : Attachment.
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Box
27
Folder
16
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File #101: The Ministry of Information and UAC: agreement
for A Message from Home, 1941-1942
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Box
27
Folder
17
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File #102: Nero Film, UAC Ltd. and UAC: agreement for
La Vie Parisienne, 1935
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Box
27
Folder
18
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File #103: A.E. Abrahams Ltd. and UAC Ltd.: lease
agreement for London Pavilion Theatre, 1933-1941
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Box/Folder
27/19-28/2
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File #104: Agreements of UAC with British Producing
Companies, 1935-1946
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-London Film Productions and Alexander Korda, basic
producer/distributor agreement; includes correspondence on various
films, 1935-1938
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-Pendennis Pictures Corporation, Denham Securities Ltd.,
and Victor Saville Productions: distribution agreements;
correspondence, 1936-1946
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-Agreements with Denham Films Ltd., Denham Securities,
Ltd., and London Film Productions Ltd. for Action for Slander, The Challenge, Divorce of Lady X, The Drum, The First and the Last, Kiss Me Goodnight, Mutiny in the Mountains, South Riding, 1937-1943
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Box
28
Folder
3-10
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File #105: London Film Productions, Alexander Korda and UAC;
correspondence and miscellaneous agreements, 1938-1950 : Includes correspondence on wartime propaganda films and Four
Feathers.
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Box
28
Folder
11-12
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File #106: Gloria Pictures Corporation and UAC: agreements
for New Wine, 1940-1947 : Includes correspondence relating to the dissolution of the
corporation; Alexander Korda.
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Box
29
Folder
1
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File #107: Gloria Pictures Corporation: copyright for
New Wine, 1941
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Box
29
Folder
2-6
|
File #108: London Film Productions, Alexander Korda, and
UAC: complete file of agreements and related materials, 1934-1951
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Box
29
Folder
7-10
|
File #109: Alexander Korda Films: copyright correspondence
and synopses for The Jungle Book, Lydia, That Hamilton Woman, Thief of Baghdad, and To Be or Not To Be, 1940-1945 : No synopsis for The Jungle Book.
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Box
29
Folder
11-12
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File #110: London Film Productions, Alexander Korda, and UAC
plan for re-forming London Films Corporation, 1938-1943 : Also miscellaneous agreements.
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Box
29
Folder
13
|
File #111: The Dublin Company and UAC; agreement and
correspondence, 1947-1948
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Box
30
Folder
1
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File #112: London Films Productions and UAC; Short Subject
agreement, 1935 : For Far East Territories.
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Box
30
Folder
2-7
|
File #113: UAC Ltd. and Odeon Theatres Ltd. prospectus,
reports, correspondence and agreements, 1937-1951
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Box
30
Folder
8-12
|
File #114: General Film Distributors Ltd. copyright and
correspondence for Blithe Spirit, Caesar and Cleopatra, Fanny by Gaslight, Johnny in the Clouds, Mr. Emmanuel, 1945-1946
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Box/Folder
30/13-31/4
|
File #115: General Film Distributors Ltd. drafts,
agreements and correspondence, 1944-1951 : With Eagle-Lion Films.
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Box
31
Folder
5
|
File #116: Empire-Universal Films Ltd. and United World
Pictures of Canada, Ltd. vs. J. Arthur Rank Organization et al., legal
papers, 1949
|
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Box
31
Folder
6-8
|
File #117: Henry V road show agreements and
correspondence, 1946-1950
|
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Box
31
Folder
9
|
File #118: UAC of Texas renewal of permit to do business, 1949
|
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Box
31
Folder
10
|
File #119: Our India distribution contract, 1949
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Box
31
Folder
11-12
|
File #120: Bing Crosby Productions and UAC agreements and
correspondence for The Great John L. and Abie's
Irish Rose, 1944-1948 : Dialogue continuity for The Great John L. Copy of
The Boston Strong Boy by Nat Fleisher.
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Box
32
Folder
1
|
File #121: Bing Crosby Productions copyright and
correspondence for The Great John L., 1945-1946
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Box
32
Folder
2
|
File #122: Buster Collier Productions and UAC agreement and
correspondence for The Cautious Amorist, 1948-1949
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|
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Claims by and against UAC, 1939-1951 : These are claims by exhibitors against UA and claims by UA against
exhibitors; they are arranged in alphabetical order by name of
exhibitor.
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Box
32
Folder
3-5
|
File #123: Claims A-C
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Box/Folder
32/6-33/2
|
File #124: Claims C-G: UAC as third party in supplementary
proceedings--Dale Belmont, creditor and Lester Cowan Productions,
debtor; and UAC vs. Cinema Export Corporation, Jack
Barnstyn, 1947-1948
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Box
33
Folder
3-8
|
File #125: Claims H-K
|
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Box/Folder
33/9-34/2
|
File #126: Claims L-O: UAC regarding Merle McKenna note, bad
debt (UA Welfare Fund), 1949
|
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Box
34
Folder
3-5
|
File #127: Claims P-R
|
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Box
34/6-35/6
|
File #128: Claims S-Z: UAC vs. Frida Weinberg regarding BCD
Films of Bucharest, Roumania, 1946-1948
|
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Box
35
Folder
7
|
File #129: Miscellaneous UAC Claims; Sumner W.
Taylor, 1930-1935 : Saenger Theatres Inc.
|
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Box
35
Folder
8
|
File #130: Saenger Amusement Company vs. Paramount Richards
Theatres; correspondence, 1940
|
|
Box
35
Folder
9
|
File #131: Agreement and correspondence for Little
Shepherd of Kingdom Come; UAC and producers Jesse Smith and
George Templeton
|
|
Box/Folder
35/10-36/2
|
File #132: Agreements and correspondence of UAC with James
Nasser, 1947-1951 : Subjects included are My Dear Secretary, Innocent
Affair, Don't Trust Your Husband, Champagne for Caesar, A Kiss for Corliss, and the Nasser bankruptcy. Assigning to Hughes Tool Company all rights to The Outlaw.
|
|
Box
36
Folder
3
|
File #133: Reliance Pictures Inc. and UAC agreements and
correspondence for Davy Crockett, Indian Scout and
The Iroquois Trail, 1948-1950
|
|
Box
36
Folder
4
|
File #134: DuWorld Pictures Inc. and UAC; agreement for
Popular Science series shorts, 1936-1937
|
|
Box
36
Folder
5
|
File #135: Philippine Islands; exhibition contract form and
correspondence, 1933
|
|
Box
36
Folder
6
|
File #136: UAC vs. John A. “Joe” Cooper,
Paramount Publix; exhibitor contract and correspondence, 1930-1935 : Canada.
|
|
Box
36
Folder
7
|
File #137: Atlas-Sirk-Lipton-Mayer Productions and UAC;
agreement for Two Hearts in 3/4ths Time, 1949-1950
|
|
Box/Folder
36/8-37/2
|
File #138: Edward Small Distribution contracts with UAC and
with other corporations; agreements and correspondence on various
motion pictures, 1938-1950 : Mr. Pimpernal Smith.
|
|
Box
37
Folder
3
|
File #139: Edward Small Productions, Ethel Borden and UAC;
agreements and correspondence for The Life of Rudolph
Valentino, 1942-1951 : Ethel Borden was the writer.
|
|
Box
37
Folder
4-5
|
File #140: Trans-Pacific Film Corporation (Jacques Grinieff)
and UAC; agreement and correspondence for Sword of the
Avenger, 1948-1950 : Also Magnus Films Inc.
|
|
Box
37
Folder
6-7
|
File #141: West Indies Film Board of Trade; correspondence,
corporate papers, powers-of-attorney, etc. for Trinidad, 1937-1951
|
|
Box
37
Folder
8-10
|
File #142: UAC and Charles Rogers; agreements for
Angel on My Shoulder, Delightfully Dangerous, The Fabulous Dorseys, The Powers Girls, Song of the Open Road, 1941-1951 : Charles R. Rogers Productions, Charles R. Rogers Talking Pictures,
Charles R. Rogers Enterprises, Embassy Productions, Premier Productions.
|
|
Box
38
Folder
1-4
|
File #143: Copyright and correspondence for Charles Rogers
films: Angel on My Shoulder, Delightfully Dangerous, The Powers Girls and Song of the Open Road, 1942-1949
|
|
Box
38
Folder
5
|
File #144: United California Productions agreement for
Joe McBeth, 1947-1951
|
|
Box
38
Folder
6-7
|
File #145: Copyright infringement suit; Helen Cohen (also known as
Helen Bernard) vs. Dorsey Brothers Music, Inc., UAC, Don George and
Allie Wrubel, 1947-1952 : Copyright of the song, To Me, from The Fabulous
Dorseys.
|
|
Box
38
Folder
8-9
|
File #146: Twentieth Century Film Corporation as agent for
South Africa and producer/distributor agreements of 1938 with various
UA producers, 1937-1949
|
|
Box
38
Folder
10-12
|
File #147: South Africa; correspondence, etc. of UAC, 1938-1951
|
|
Box
38
Folder
13-15
|
File #148: RKO Radio Pictures and UAC's South Africa
subsidiary; distribution agreements for Ball of Fire, Little Foxes, North Star, Pinocchio, Pride of the Yankees, Spitfire, and They Got Me Covered, 1942-1943
|
|
Box
38
Folder
16
|
File #149: Resolute Pictures Corporation and UAC; agreement
for Latin American distribution of four Rex Bell westerns, 1938 : Fighting Pioneers, Gun Fire, Saddle Aces, and Tonto Kid.
|
|
Box
39
Folder
1
|
File #150: Resolute Pictures Corporation and Harvey
Pergament; agreement for distribution of westerns in Latin
America, 1938-1939
|
|
Box
39
Folder
2
|
File #151: Distribution agreement with Arthur Sanchez
(doing business as) Trans-Oceanic Film Export Company, 1937-1941
|
|
Box
39
Folder
3-6
|
File #152: UA Puerto Rico; corporate papers, minutes, and
correspondence : Originally UA Export Corporation.
|
|
|
-incorporation papers
|
|
|
-by-laws, 1931-1938
|
|
Box
39
Folder
7
|
File #153: Rafael Ramos Cobian and UAC; lease for Cobian
Film Center Building, Puerto Rico, 1935-1936
|
|
Box
39
Folder
8
|
File #154: General Foreign Sales Corporation; distribution
agreement for short subjects, 1934
|
|
Box
39
Folder
9-10
|
File #155: N.V. United Artists; Holland licensee of UAC:
agreements and correspondence, 1947-1951
|
|
Box
39
Folder
11
|
File #156: International Variety and Theatrical Agency,
African Consolidated Films; license agreement with UAC for
Africa, 1938
|
|
Box
39
Folder
12
|
File #157: Uncollected checks, 1931 : Cleveland Trust Company.
|
|
Box
39
Folder
13
|
File #158: George Pal Productions and UAC agreements and
correspondence, 1947-1949 : Tom Thumb.
|
|
Box
39
Folder
14
|
File #159: Meteor Pictures Corporation agreements for W. Lee
Wilder films, 1948 : Sheppy and Once a Thief.
|
|
Box
40
Folder
1
|
File #160: Walter Lantz shorts agreements, 1947-1949
|
|
Box
40
Folder
2
|
File #161: Walter Lantz Productions copyright and
correspondence for four cartoons, The Bandmaster, Banquet
Busters, Kiddie Koncert, The Mad Hatter; synopses, 1948
|
|
Box
40
Folder
3
|
File #162: Earl R. Collins exhibition agreements for
Whoopie, These Three, Strike Me Pink, Splendor, 1933-1935
|
|
Box
40
Folder
4
|
File #163: The Michaelangelo Company agreement for
The Titan, 1950
|
|
Box
40
Folder
5
|
File #164: National Film Corporation of Warsaw, Polish
license agreement and correspondence, 1933-1938
|
|
Box
40
Folder
6-7
|
File #165: Modern Films Sales Corporation (also known as Movies en
Route) agreement with UAC, 1934-1949 : Showing films on airliners.
|
|
Box
40
Folder
8
|
File #166: Hal Roach Studios correspondence, 1949-1950
|
|
Box
40
Folder
9-12
|
File #167: Motion Picture Export Association, Colombia
Pictures International Corporation and Loew's International Corporation
agreements for Holland and other European countries, 1945-1950 : A Night in Casablanca.
|
|
Box/Folder
40/13-41/3
|
File #168: Hal Roach Studios and UAC vs. Lloyd T. Binford
and the Memphis Tennessee Board of Censors in regards to the film
Curley; clippings, correspondence, records, miscellaneous
papers, 1947-1952
|
|
Box
41
Folder
4
|
File #169: Hal Roach Studios foreign distribution agreement
for Curley, Fabulous Joe, Here Comes Trouble, Who Killed Doc Robin, 1949-1950
|
|
Box
41
Folder
5-8
|
File #170: Gregor Rabinovitch Companies: Vigor Motion
Pictures Corporation, R-F Motion Picture Corporation, agreements and
correspondence, 1942-1951 : Eugene Frenke, Battement de Coeur, Gibralter, Heartbreak, I Was an Adventuress, Three Russian Girls.
|
|
Box/Folder
41/9-42/1
|
File #171: Benedict Bogeaus Productions agreements and
correspondence for The Bridge of San Luis, Captain Kidd, Christmas Eve, The Crooked Way, Diary of a Chambermaid, Girl from Manhattan, A Miracle Can Happen, Mr. Ace, and Three of a Kind, 1943-1950
|
|
Box
42
Folder
2
|
File #172: Benedict Bogeaus Productions copyright
correspondence for The Bridge of San Luis Rey, 1944
|
|
Box
42
Folder
3-6
|
File #173: Copyrights and related correspondence, 1945-1948 : Benedict Bogeaus Productions and Captain Kidd Productions for
Captain Kidd; Camden Productions for Diary of a
Chambermaid; Hopalong Cassidy Productions for Dead Don't
Talk*, Hoppy's Holiday, The Marauders*, Silent Conflict*, Sinister Journey* (* indicate synopses); Tivoli Productions for Mr. Ace.
|
|
Box
42
Folder
7
|
File #174: Benedict Bogeaus Productions, Ernest Hemingway
and Award Productions agreement on “The Short Happy Life of
Frances Macomber,” for The Macomber Affair, 1946-1950
|
|
Box
42
Folder
8-9
|
File #175: Benedict Bogeaus Productions and UAC
correspondence and agreement for The Bridge of San Luis Rey, 1943-1950
|
|
Box
42
Folder
10-11
|
File #176: Hopalong Cassidy agreement, correspondence and
pressbooks, 1946-1950 : Benedict Bogeaus, William Boyd, and Carl Lesserman.
|
|
Box
42
Folder
12-14
|
File #177: Walter E. Heller Company miscellaneous documents and
records of lawsuits : Christmas Eve, Bachelor's Daughters, Bedside Manner, Delightfully Dangerous, Paris Underground.
|
|
|
-vs. Andrew Stone Enterprises, Hal Roach Studios et
al.
|
|
|
-vs. Miracle Productions, Benedict Bogeaus Productions et
al., 1949
|
|
Box
42
Folder
15
|
File #178: T-V Pic. Television rights for Bridge of
San Luis, Dark Waters, and Mr. Ace, 1950-1951
|
|
Box
42
Folder
16
|
File #179: Employment agreements for Gradwell
Sears, 1941-1951 : Arthur Kelly.
|
|
Box
42
Folder
17
|
File #180: Pictorial Film Library agreement for Spanish
short Master of the Camera, 1938
|
|
Box
43
Folder
1-2
|
File #181: Salary dispute: Gradwell Sears vs. UAC records
and correspondence, 1950-1951
|
|
Box
43
Folder
3-5
|
File #182: UAC de Colombia corporate papers, minutes and
correspondence, 1934-1951
|
|
Box
43
Folder
6-8
|
File #183: UAC of N.E.I. (Netherlands East Indies) corporate
papers, minutes, and correspondence, 1934-1951 : Was UAC de Venezuela until January 1936.
|
|
Box
43
Folder
9
|
File #184: Tooker Lithograph Company agreements for
Lithograph posters, 1934-1946
|
|
Box
43
Folder
10
|
File #185: Edward Grohs agreement for Mrs.
Mike, 1947
|
|
Box
43
Folder
11
|
File #186: U.S. House of Representatives Committee on
Patents subpoena received by Al Lichtman and UAC, 1935
|
|
Box
44
Folder
1
|
File #187: Sherover Enterprises agreement for European
distribution of The Great Dictator and Monsieur
Verdoux, 1947-1949
|
|
Box
44
Folder
2-3
|
File #188: Selznick International Pictures, Vanguard Films
et al. agreements and correspondence with the estate of Samuel Clemens
for rights to Tom Sawyer, 1942-1949 : Clara Gabrilowitsch, Clemens' heir, for Adventures of Tom
Sawyer.
|
|
Box
44
Folder
4
|
File #189: Selznick International Pictures and Vanguard
Films agreement and correspondence with the Mark Twain Companies for
Personal Recollections of Joan of Arc, 1943-1946 : Clara Gabrilowitsch, Clemens' heir, for Joan of
Arc.
|
|
Box
44
Folder
5-6
|
File #190: Vanguard Films vs. UAC attachment of funds, 1947-1951
|
|
Box
44
Folder
7
|
File #191: Vanguard Films Streamliner contract, 1944
|
|
Box
44
Folder
8
|
File #192: Vanguard Films, re-issue rights for
Rebecca, 1944-1946
|
|
Box
44
Folder
9
|
File #193: Thomfilms; foreign distribution agreement for
Cloistered, 1937
|
|
Box
44
Folder
10
|
File #194: Guild Productions copyright correspondence for
Abilene Town, 1945-1946
|
|
Box
44
Folder
11-13
|
File #195: Jules Levey Productions agreements, copyright and
correspondence for The Hairy Ape and Guild Productions
correspondence with Jules Levey for Abilene Town, 1944-1950
|
|
Box
44
Folder
14
|
File #196: Societe Hatienne de Spectacles of Haiti, Rene
Didier of Martinique, and Societe Anonyme du Theatre of Guadeloupe
agreement, 1935-1936 : Licensees.
|
|
Box
44
Folder
15
|
File #197: Ritchey International Corporation agreement for
Port-O-Call series travelogues, 1935 : New Zealand.
|
|
Box
44
Folder
16
|
File #198: Ritchey International Corporation agreement for
He Couldn't Take It, Mystery Man, and
Redhead, 1937 : Mexico.
|
|
Box
44
Folder
17
|
File #199: Kara Productions Ltd. agreement, 1950
|
|
Box
44
Folder
18-19
|
File #200: Robert Stillman Productions agreement for
Condemned, Island in the Sky and Queen for a Day, 1950-1951
|
|
Box
44
Folder
20
|
File #201: Jet Films Canadian distribution agreement for
The Bicycle Thief and The Quiet One, 1950 : Jet films was formerly Jamar Film Distributors.
|
|
Box
44
Folder
21
|
File #202: Pax Film, Philippine Island agreement for
Meyerling, 1937
|
|
Box
45
Folder
1-2
|
File #203: Panafran International Films Inc. agreements with
UAC and UAC Ltd. (Canada) for Casse Pieds, Ecole Buissioniere, and Pieds Nickeles, 1949-1950
|
|
Box
45
Folder
3
|
File #204: Armand Denis Productions Ltd. and UAC agreements
and correspondence for Dark Rapture, 1939-1940
|
|
Box
45
Folder
4
|
File #205: Ciprafilm and UAC, 1938-1940 : China and Philippines agreement for Prison Without
Bars.
|
|
Box
45
Folder
5
|
File #206: Ernst Lubitsch and UAC agreement, copyright and
correspondence for That Uncertain Feeling, and To
Be or Not To Be, 1939-1943
|
|
Box
45
Folder
6-8
|
File #207: Sol Lesser Productions and UAC distribution
agreements, 1939-1950 : Pot of Gold, The Red House, Stage Door Canteen, Strange Victory, That Uncertain Feeling.
|
|
Box
45
Folder
9
|
File #208: Sol Lesser Productions copyright, correspondence
and synopsis for Our Town
|
|
Box
45
Folder
10-12
|
File #209: Principal Artists Productions, Sol Lesser and UAC
correspondence and agreements for Our Town, Stage Door Canteen, and That Uncertain Feelng, 1942-1946
|
|
Box
45
Folder
13
|
File #209: Producing Artists and UAC correspondence for
The Southerner, 1944-1945 : Formerly Hold Autumn in Your Hand.
|
|
Box
45
Folder
14
|
File #210: Principal Artists Productions, copyright and
correspondence for Stage Door Canteen, 1943-1944
|
|
Box
45
Folder
15
|
File #211: Musicolor and UAC agreement and correspondence
for short subjects, 1945-1947 : David L. Loew.
|
|
Box
45
Folder
16-19
|
File #212: Enterprise Productions and UAC agreement and
correspondence for Arch of Triumph, (with synopsis and
copyright), Body and Soul, The Other Love, Ramrod, They Pass This Way, 1946-1949 : David Loew and advance payment cash collection drive on Enterprise
Pictures.
|
|
Box
45
Folder
20
|
File #213: UAC vs. Enterprise Productions, Charles Einfele
(Einfeld?), David Lowe and George Schaefer, 1947 : UA sues to force producers to deliver pictures.
|
|
Box
45
Folder
21
|
File #214: Delward Productions Inc. and UAC distribution
agreement for the Michael Todd picture Busman's
Holiday, 1948
|
|
Box
46
Folder
1
|
File #215: Harry Ginsberg and UAC distribution
agreement, 194?
|
|
Box
46
Folder
2
|
File #216: Gabriel Pascal and UAC agreement for two
pictures, 1940-1942
|
|
Box
46
Folder
3-4
|
File #217: Gabriel Pascal and UAC agreement and
correspondence for Major Barbara, 1940-1949 : Also the Snow Goose and Pascal Film Productions
Ltd.
|
|
Box
46
Folder
5
|
File #218: Gabriel Pascal Productions; copyright, correspondence and synopsis for Major Barbara, 1941-1942 : George Bernard Shaw.
|
|
Box
46
Folder
6
|
File #219: Jerrold T. Brandt Productions and UAC; agreements
for Cavalcade of Radio and Command
Performance, 1948-1949
|
|
Box
46
Folder
7
|
File #220: National Film Service and UAC; agreement and
correspondence, 1950 : For physical handling of film.
|
|
Box
46
Folder
8
|
File #221: Compagnie Artistique de Productions et
d'adaptations Cinematographiques (CAPAC) and UAC; agreements for
A Man Scans His Past (Un Homme se Penche sur son Passe) and Une Grande Fille Toute Simple, 1948-1949 : Famous Pictures Film Exchanges; Calamy Productions.
|
|
Box
46
Folder
9
|
File #222: Warwick Pictures and UAC; agreement for
The World in Action short subjects, 1942-1947 : National Film Board of Canada.
|
|
Box
46
Folder
10
|
File #223: A. Edward Sutherland and UAC; agreement for
Confessions of a Communist, 1948 : Agreement never made.
|
|
Box/Folder
46/11-47/5
|
File #224: Axelbank vs. Hays, et al.; correspondence,
records, depositions, exhibits, 1946-1952 : Norman Axelbank sues Alan Hays over rights to smuggled Russian
Revolutionary film footage. Persons and firms involved include: Max
Eastman, Jean Lenauer, George Rony, Warwick Pictures (World in
Action series), Lenauer International Films, National Film
Board of Canada, Museum of Modern Art Film Library; also films
March of Time, and Tsar to Lenin.
|
|
Box
47
Folder
6
|
File #225: Screen Plays Inc.; copyright, correspondence,
and synopsis for So This Is New York, 1948
|
|
Box
47
Folder
7-8
|
File #226: North Callahan vs. UAC and Screen Plays,
Inc., 1948-1952 : Concerning rights to title of So This Is New York.
|
|
Box
47
Folder
9-10
|
File #227: Society of Independent Motion Pictures Producers
(SIMPP); by-laws, agreements, and correspondence, 1942-1948 : Walt Disney, Samuel Goldwyn, Mary Pickford, David Selznick, Hunt
Stromberg, Walter Wanger, and Orson Welles.
|
|
Box
47
Folder
11-14
|
File #228: Screen Plays II Corporation and UAC; agreements
and correspondence for Champion and Home of the
Brave, 1947-1950 : Stanley Kramer.
|
|
Box
48
Folder
1-4
|
File #229: Boston Investigation: UAC vs. Ralph E. Snider et al., 1943-1947 : Regarding false returns.
|
|
Box
48
Box
5
|
File #230: Golden Bough Inc. and Cardinal Pictures
arbitration over the title Impact, 1949-1950
|
|
Box
48
Folder
6-8
|
File #231: Amusement Enterprises, Cardinal Pictures, Harry
Popkin and UAC agreements and correspondence for various pictures
including Champagne for Caesar, Dead on Arrival, Here Lies Love, and The Lucky Stiff, 1948-1951
|
|
Box
48
Folder
9
|
File #232: Concert Films and UAC agreement and correspondence for Concert Magic, 1949 : UA did not distribute this film.
|
|
Box
48
Folder
10
|
File #233: Department of Justice complaint--D.B.
Cockrill, 1949
|
|
Box
48
Folder
11-12
|
File #234: Golden Productions (formerly Golden Pictures) and
UAC agreements and correspondence for Breakfast in Hollywood, Guilty of Treason, Texas, Brooklyn and Heaven, 1945-1950 : Edward Golden.
|
|
Box
49
Folder
1
|
File #235: Golden Pictures copyright and correspondence for
Breakfast in Hollywood, 1946
|
|
Box
49
Folder
2
|
File #236: Merit Productions Inc. and UAC agreements and
correspondence, 1948-1950 : W. Lee Wilder.
|
|
Box
49
Folder
3
|
File #237: Albert Giacalone (Italia Films) and UAC
correspondence and agreements for My Dream of Paradise, 1950
|
|
Box
49
Folder
4-6
|
File #238: UAC of Egypt minutes, corporate papers, powers of
attorney, and correspondence, 1942-1949
|
|
Box
49
Folder
7
|
File #239: Favorite Films and UAC agreement for distribution
of Hal Roach Streamliners in Sweden, 1948-1950
|
|
Box
49
Folder
8
|
File #240: Atlantic Productions and UAC; Atlantis bankruptcy, 1951
|
|
Box
49
Folder
9-10
|
File #241: Hughes Tool Company vs. UAC et al. regarding The
Outlaw and Red River; correspondence, legal
papers, records, settlement document signed by Howard Hughes, 1948 : Howard Hawks.
|
|
Box
49
Folder
11-12
|
File #242: Howard Hawk's Red River copyright (1951); Hughes Productions The Outlaw copyright (1947), 1947, 1951 : Synopses.
|
|
Box
49
Folder
13-14
|
File #243: Sam Coslow and UAC agreement and correspondence
for Copacabana, 1946-1949 : Beacon Pictures and Copacabana Inc.
|
|
Box
49
Folder
15
|
File #244: Beacon Pictures Corporation Copacabana bankruptcy correspondence, 1949-1950
|
|
Box
49
Folder
16-17
|
File #245: Gloria Film Productions and UAC agreements and
correspondence for The Dungeon, and Three
Husbands, 1950-1951
|
|
Box
50
Folder
1
|
File #246: Eagle Productions Inc. and UAC agreement and
correspondence for The Prowler, 1950 : Also Horizon Pictures Inc.; Justman plan
|
|
Box
50
Folder
2
|
File #247: Arthur W. Kelly and UAC agreement and
correspondence for The Ryan Girl and Half
Caste, 1945-1948
|
|
Box
50
Folder
3
|
File #248: Harmon-Izing Pictures, Hugh Harmon and UAC
agreements and correspondence for The Little Prince and
King Arthur and the Knights of the Round Table, 1941-1948
|
|
Box
50
Folder
4-5
|
File #249: UAC vs. Film-Tel and International Theatrical and
Television Corporation, debtors; correspondence, records and miscellaneous
papers, 1946-1948
|
|
Box
50
Folder
6
|
File #250: Moroccan Pictures (Samuel Bishoff) and UAC
correspondence on Outpost in Morocco, 1948-1951
|
|
Box
50
Folder
7-9
|
File #251: Samuel Bishoff and UAC agreement and
correspondence for Intrigue, Mrs. Mike and
Pitfall, 1946-1951
|
|
Box
50
Folder
10
|
File #252: Westport International Film and UAC agreements
and correspondence for Kings of the Olympics and
Furia, 1947-1949
|
|
Box
51
Folder
1
|
File #253: Story Productions and UAC agreement and
correspondence for This Side of Innocence, 1946-1948
|
|
Box
51
Folder
2
|
File #254: Tola Productions and UAC agreement and
correspondence for The Roosevelt Story, 1947-1950
|
|
Box
51
Folder
3
|
File #255: W.R. Frank Productions and UAC agreement and
correspondence for The Great Dan Patch, 1947-1950
|
|
Box
51
Folder
4
|
File #256: M. Gumpel and UAC agreement for South African
distribution of They Made Me a Fugitive, 1948
|
|
Box
51
Folder
5
|
File #257: Albert J. Cohen, Jack Goldberg and UAC agreement
for three pictures, 1947-1948 : Includes The Blue Flame.
|
|
Box
51
Folder
6
|
File #258: World-Adventure Pictures and UAC agreement for
Urubu, 1950
|
|
Box
51
Folder
7
Folder
|
File #259: Robert Weil Velaise (doing business as Scoop Productions,
Inc.) and UAC for foreign licensing of No Greater Sin, 1948-1950
|
|
Box
51
Folder
8
|
File #260: Nassour Studios, Nasbro Pictures, Nassour
brothers and UAC, six picture agreement plus agreement and
correspondence for Africa Screams, 1948-1951 : Abbott and Costello.
|
|
Box
51
Folder
9
|
File #261: Classic Pictures vs. UAC regarding alleged title
infringement of the title of Africa Speaks by
Africa Screams, 1949-1952
|
|
Box
51
Folder
10
|
File #262: Kenmore Productions and UAC agreement for three
features, 1948
|
|
Box
51
Folder
11
|
File #263: Attwood Productions and UAC agreement and
correspondence for Songs of America short subject
series, 1949-1950
|
|
Box
51
Folder
12
|
File #264: Individual Pictures and UAC agreement and
correspondence for So Young So Bad, 1949-1950
|
|
Box
51
Folder
13
|
File #265: Ezra Mir and UAC agreement for
Kalu, 1949
|
|
Box
51
Folder
14
|
File #266: Renown Pictures and UAC agreement and
correspondence for The Glass Mountain and No
Orchids for Miss Blandish, 1949-1951
|
|
Box/Folder
51/15-52/2
|
File #267: UAC Television contracts and miscellaneous papers for
these producers: Cinesound Productions; Morgan Productions; Richard
Productions; J.H. Rutherford; Strick Film Company; Video Varieties Corporation;
von Keller, Count and Countess, 1949
|
|
Box
52
Folder
3-17
|
File #268: UAC Television contracts and correspondence
|
|
|
-General correspondence about television
|
|
|
-Cambridge Theatre Properties for Don
Pasquale
|
|
|
-Christy Associates for Table
Manners
|
|
|
-Edmund L. Dorfman Productions for Magician
series
|
|
|
-Frederick Feher for concert series
|
|
|
-Jules Fields
|
|
|
-Walter Futter for Curiosity Films
|
|
|
-Horne and Mathews Inc.
|
|
|
-Eleanor and Fredrich Wilhelm von Keller for World
Window travelogues
|
|
|
-Jack Kenaston Productions for Uncle Jack's ABC Art
Adventures
|
|
|
- Morgan Productions for Greatest Gamble and
Greatest American
|
|
|
-Nova Productions To Rule the Night, etc.
|
|
|
-Oulman Television Productions for circus series
|
|
|
-Publicidad Guastella and Publicidad Mestre
|
|
|
-Reithof Productions, 1948-1950
|
|
Box
52
Folder
18
|
File #269: UAC Television Claims, 1950
|
|
Box
52
Folder
19
|
File #270: Alcorn Productions and UAC agreements and
correspondence for Johnny Holiday, 1949-1951
|
|
Box
52
Folder
20
|
File #271: Roxbury Productions and UAC agreement and
correspondence for The Admiral Was a Lady and The
Gun, 1949-1951
|
|
Box
53
Folder
1
|
File #272: Orbit Productions and UAC agreement and
correspondence for The Hard Pillow, 1949-1950
|
|
Box
53
Folder
2
|
File #273: Filmcraft Trading Corporation and UAC agreement
and correspondence for The Whip, 1949-1950
|
|
Box
53
Folder
3-5
|
File #274: Joseph Lucachevitch vs. UAC et al. on ownership of
Summer Storm, 1945-1950 : Correspondence, record, miscellaneous
|
|
Box
53
Folder
6
|
File #275: World Screen Plays Ltd. and UAC agreement and
correspondence for several pictures, 1949 : Includes O Mistress Mine.
|
|
Box
53
Folder
7
|
File #276: Gregory Ratoff and UAC agreement and
correspondence for If This Be Sin, 1949-1951
|
|
Box
53
Folder
8
|
File #277: Gibralter Pictures Inc. and UAC agreement for
Once Over Lightly, 1949
|
|
Box
53
Folder
9
|
File #278: Brandt Circuit advs. UAC regarding film rentals
due, 1948-1950
|
|
Box
53
Folder
10
|
File #279: Harry Sherman and UAC agreement and correspondence for “Hashknife Hartley” series, 1949
|
|
Box
53
Folder
11
|
File #280: Promesa Films and UAC agreement and correspondence for Latin American distribution of Brindis d'Amor, 1950
|
|
Box
53
Folder
12
|
File #281: Michael Powell and UAC agreement and correspondence for Arctic Fury, 1950 : Produced by a Finn named Witikka.
|
|
Box
54
Folder
1
|
File #282: Irving Allen and UAC agreement for New
Mexico, 1950
|
|
Box
54
Folder
2
|
File #283: Selkirk Productions and UAC agreement and
correspondence for Forbidden Journey, 1950
|
|
Box
54
Folder
3
|
File #284: Stepney Corporation, incorporation papers,
by-laws, minutes, and correspondence, 1950-1951 : Subsidiary of UAC.
|
|
Box
54
Folder
4
|
File #285: Encyclopedia Britannica Films and UAC agreement
and correspondence for Ballad of the West, 1950
|
|
Box
54
Folder
5
|
File #286: Martin Gang, Sam Jaffee, Lloyd Bacon, Anderson
Lawler, and Noel Singer (producers) and UAC agreement for The
Sullivans, 1950
|
|
|
File #287-288: UAC Argentina Branch correspondence and miscellaneous
papers
|
|
Box
54
Folder
6-12
|
1929-1942
|
|
Box
55
Folder
1
|
1943-1949
|
|
Box
55
Folder
2
|
Miscellaneous papers, 1937-1949
|
|
Box
55
Folder
3
|
File #289: UAC Argentina Branch powers of attorney and
related correspondence, 1929-1949
|
|
Box
55
Folder
4-8
|
File #290: Argentine Film Board, H.J. Bini anti-trust
action; correspondence, record, etc., 1937-1943 : Bini, an exhibitor, accuses the film board of monopoly abuses.
|
|
|
File #291-294: United Artists, Australasia Ltd.
correspondence, minutes, agreements, articles of association, miscellaneous
papers, 1921-1951
|
|
Box
55
Folder
9-11
|
Correspondence, 1921-1927
|
|
Box
56
Folder
1-7
|
Correspondence, 1928-1951
|
|
Box
56
Folder
8
|
Minutes, 1931-1950
|
|
Box
57
Folder
1-3
|
Agreements, articles of association, miscellaneous papers, 1922-1943
|
|
|
File #295-297: United Artists of Brazil, 1926-1951
|
|
Box
57
Folder
4-8
|
Correspondence and minutes (minutes 1931-1951), 1926-1951
|
|
Box
58
Folder
1
|
Powers of attorney and related correspondence, 1926-1942
|
|
Box
58
Folder
2-8
|
File #298-300: United Artists of China correspondence,
minutes, agreements, and miscellaneous papers, 1922-1951 : Includes material on Constantin Goldin and Alexander Krisel as
agents for UAC.
|
|
|
-Correspondence, 1930-1951
|
|
|
-Agreements, powers of attorney, correspondence, etc., 1922, 1931-1950
|
|
|
-Minutes, 1947-1951
|
|
|
File #301-303: UAC France correspondence, minutes, miscellaneous for
France and for other European branches serviced through France, 1928-1939
|
|
Box
58
Folder
9
|
Correspondence, 1928-1929
|
|
Box
59
|
Correspondence, 1930-1939
|
|
Box
59
|
Minutes, 1933-1939
|
|
Box
60
Folder
1
|
Miscellaneous, 1929-1939
|
|
Box
60/2
Folder
2
|
File #304: UAC South Africa correspondence, 1922-1930
|
|
Box
60
Folder
3
|
File #305: UAC Theatre Circuit-Philadelphia correspondence, 1926-1930 : Theatre leases.
|
|
Box
60
Folder
4
|
File #306: UAC Geneva Switzerland (Unartisco, S.A.), 1928 : Incorporation papers and minutes.
|
|
Box
60
Folder
5-6
|
File #307: UAC “Important Papers” and unplayed
contracts, 1927-1928
|
|
Box
60
Folder
7
|
File #308: Artists Theatres of Florida corporate papers, 1926-1928 : This was a UAC subsidiary formed for the purpose of entering into a
lease. The corporation was dissolved when the transaction fell through.
|
|
Box
60
Folder
8-9
|
File #309: UAC Minneapolis, Minnesota; taxes, arbitration
and miscellaneous correspondence, 1927-1941
|
|
Box
60
Folder
10
|
File #310: UAC Wisconsin correspondence, 1928-1932
|
|
Box
60
Folder
11
|
File #311: UAC New Hampshire legislation and correspondence, 1943 : On clearances.
|
|
Box
60
Folder
12
|
File #312: E.M. Loew, Inc. vs. Paramount Publix Corporation;
New England anti-trust action, 1931-1936
|
|
Box
60
Folder
13
|
File #313: Pouros and Simos vs. National Theatres
Corporation, depositions, 1950 : Apostolos Simos and Sam Pouros bring an anti-trust suit against
National Theatres corporation.
|
|
Box
61
Folder
1
|
File #314: The State of Missouri at the information of
attorney general Roy McKittrick vs. General Theatrical Enterprises et
al., 1935-1936 : Anti-trust action.
|
|
Box
61
Folder
2
|
File #315: State of Missouri ex rel. attorney general Roy
McKittrick vs. Warner Brothers Pictures et al. anti-trust
action, 1936
|
|
Box
61
Folder
3-8
|
File #316: Commonwealth Amusement Enterprises vs. Colonial
Theatres Company; record and correspondence, 1936-1945 : Anti-trust action.
|
|
|
File #317: Boston anti-trust cases; correspondence
|
|
Box
61
Folder
9-10
|
1936-1938
|
|
Box
62
Folder
1-3
|
1939-1945
|
|
Box/Folder
62/4-64/18
|
File #318-319, 324, 327: Wage Stabilization and National War
Labor Board (NWLB), UAC, and the Hays Organization, 1943-1945 : Contains detailed information on salaries paid and job descriptions
for each exchange throughout the entire motion picture industry.
|
|
|
-Correspondence, 1943-1945 February
|
|
|
-Correspondence, 1945 March-December; undated
|
|
|
-Correspondence and applications, 1944-1945
|
|
|
-“Artistic or Creative Talent” correspondence, 1944
|
|
|
-Form 10 applications: general correspondence, 1944-1945
|
|
|
-Form 10 applications: by city, A-D
|
|
|
-Form 10 applications: by city, D-Z
|
|
Box
65
Folder
1
|
File #320: UA Continental Corporation, minutes, certificates
of incorporation, dissolution papers, correspondence, 1934-1939 : Formed to do business in Germany.
|
|
Box
65
Folder
2
|
File #321: Metro-Goldwyn-Mayer and UAC agreement to
consolidate Peru branches, 1928
|
|
Box
65
Folder
3
|
File #322: Power of attorney for South America for Walter
Gould, 1931-1936
|
|
Box
65
Folder
4
|
File #323: Metro-Goldwyn-Mayer Films and UAC (South America), outright sale agreements, 1933
|
|
Box
65
Folder
5
|
File #325: Scientific Films Inc. and UAC agreement for
Popular Science Featurettes short subjects, 1937
|
|
Box
65
Folder
6
|
File #326: Central Motion Picture Exchange incorporation
papers, 1946 : Created through the Motion Picture Association (MPA), in Japan
during the American military occupation.
|
|
Box
65
Folder
7-9
|
File #328: Cagney Productions and UAC drafts of agreements,
negotiations, and miscellaneous, 1934-1949 : The Time of Your Life and copyright for Blood
on the Sun.
|
|
Box
65
Folder
10-13
|
File #329: Cagney Productions; copyright correspondence for
Blood on the Sun, Johnny Come Lately, Stars and Stripes, and Time of Your Life -(with
synopsis), 1943-1948
|
|
Box
65
Folder
14-16
|
File #330: Cagney Productions, William and James Cagney;
correspondence, drafts, and final agreements with UAC, 1942-1950 : Agreement with Bankers Trust Company and Security First National
Bank of Los Angeles, 1 volume.
|
|
Box
66
Folder
1-3
|
File #331: Clasa Films Mundiales vs. UAC and Flomenhaft
Syndicate regarding Alma de Bronce, 1944-1951
|
|
Box
66
Folder
4
|
File #332: Henry Matson and UAC distribution agreement for
the short subject Coronation Preview, 1937
|
|
Box
66
Folder
5-7
|
File #333: India, correspondence and powers of attorney, 1931-1951 : Kinematograph Renters Society of India.
|
|
Box
66
Folder
8
|
File #334: Columbia Pictures Distributing Company and UAC;
correspondence and agreements for India, Burma and Ceylon, 1932-1937
|
|
Box
66
Folder
9
|
File #335: Western Indian Theatres and UAC correspondence
and agreement, 1949
|
|
Box
66
Folder
10
|
File #336: University Film, Graham-Wilcox Productions and
UAC agreements for Decameron Nights, Southern Love and Chu Chin Chow, 1924-1925, 1922 : Also X.L. Productions and Allied Producers and Distributors
Corporation agreement for A Woman's Woman.
|
|
Box
67
Folder
1
|
File #337: Comet Productions: copyright, correspondence, and
synopses for The Adventures of Don Coyote and
Stork Bites Man, 1948-1949
|
|
Box
67
Folder
2
|
File #338: Famous Players-Lasky distribution agreement;
Publix Theatres distribution agreement, 1917-1926
|
|
Box
67
Folder
3-5
|
File #339: Chaplin Studios and UAC agreements and
correspondence for Monsieur Verdoux and Celebrated Films
and UAC agreements and correspondence for City Lights, 1947-1950 : Unplayed contracts, Monsieur Verdoux, 1947-1951.
|
|
Box
67
Folder
6-8
|
File #340: The Pickford Corporation and Artists Alliance
agreement and correspondence for Love Happy, 1947-1952 : Marx Brothers; and G.L. Miller vs. Artists Alliance, warrant of
attachment, etc.
|
|
Box
67
Folder
9
|
File #341: Celebrity Productions and UAC agreement for
Comicolor Cartoons, 1937
|
|
Box
67
Folder
10-11
|
File #342: Cuba; correspondence and miscellaneous, 1938-1951
|
|
Box
67
Folder
12
|
File #343: Cuba; powers of attorney to Henry Weiner and
George Casuso, 1931-1933
|
|
Box
67
Folder
13
|
File #344: Manila, Philippine Islands; correspondence,
powers of attorney, etc., 1932-1949
|
|
Box
67
Folder
14
|
File #345: Philippine Islands; distribution agreement
between Republic Pictures and UAC for twenty-one William Burns
Detective Mysteries short subjects, 1933
|
|
Box
67
Folder
15
|
File #346: Philippine Islands distribution agreement between
Robert C. Bruce Outdoor Talking Pictures and UAC; for eight short
subjects, 1933
|
|
Box
67
Folder
16
|
File #347: UA South Africa Ltd. correspondence, articles of
association, and contracts, 1926-1927
|
|
Box
68
Folder
1-3
|
File #348: The Corporation Trust Company and UAC correspondence and miscellaneous papers on statutory representation service, 1928-1951 : UA's subsidiary corporations were required to register and to file
certain documents with various governmental bodies; Corporation Trust
performed these functions for UA.
|
|
Box
68
Folder
4
|
File #349: Copyright correspondence for The House of
Marney, 1926-1927
|
|
Box
68
Folder
5
|
File #350: Corinne Griffith and UAC agreements and
correspondence, 1926-1928 : Corinne Griffith Morosco.
|
|
Box
68
Folder
6
|
File #351: Miguel Contreras Torres and UAC; distribution
agreement for Maria Magdalena and Rancho de Mis
Recuerdos, 1948 : For South American countries.
|
|
Box
68
Folder
7
|
File #352: Feature Production Inc. and UAC; correspondence
and power of attorney for piracy of Son of the Sheik in
India, 1927-1928
|
|
Box
68
Folder
8
|
File #353: George and Elnora Vosper vs. UAC, 1927 : Damage suit mistakenly brought against UA and later withdrawn.
|
|
Box
68
Folder
9
|
File #354: Antillas Electric Corporation License agreement
with UAC for Cuba, 1927
|
|
Box
68
Folder
10-13
|
File #355: UA Spain (Los Artistas Associados) articles of
association, correspondence and documents, 1935-1951 : Includes materials relating to F.M. Guedalla, D.E. Gurt Pujol; and
Hispana Orbis Film distribution agreement for Incertidumbre; and
outright sales in Balearict, Canary Islands, Morocco, etc., 1943-1944
|
|
Box
69
Folder
1
|
File #356: Wyanoak Publishing vs. UAC regarding lobby displays, 1927-28
|
|
Box
69
Folder
2
|
File #357: UA Sweden correspondence, 1927-1951
|
|
Box
69
Folder
3
|
File #358: UAC vs. George Clegge, 1927 : For the return of money advanced.
|
|
Box
69
Folder
4
|
File #359: Allied Artists Loan, 1927 : Includes summaries of contracts with producers, financial status of
the companies, lists of officers and stockholders, balance sheets,
etc.
|
|
Box
69
Folder
5
|
File #360: Sorrell and Son correspondence, 1927
|
|
Box
69
Folder
6-7
|
File #361: Inspiration Pictures and UAC agreement and
correspondence for Hell Harbor, 1927-1938 : Also Eyes of the World and She Goes to
War.
|
|
Box
69
Folder
8
|
File #362: UAC regarding A.C. Berman; German income tax
correspondence, 1925-1928
|
|
Box
69
Folder
9
|
File #363: Films Incorporated and UAC; 16 mm franchise
agreement for UA films, 1948-1949
|
|
Box
69
Folder
10
|
File #364: George J. Schaefer employment contracts and
correspondence, 1936-1941 : Was General Manager for domestic distribution.
|
|
Box
69
Folder
11
|
File #445: Robert G. Anderson vs. Joseph Schenck, Art
Cinema, John Barrymore and UAC, 1928-1929 : Anderson claims that the film The Beloved Rogue infringes upon his novel.
|
|
Box
69
Folder
12
|
File #485: Boone Tillett vs. UAC, 1931-1935 : Tillett, a North Carolina attorney, who represented UA in various
cases sues UA for payment of fees.
|
|
Box
69
Folder
13
|
File #486: UAC and H.C. Henry; creditor-debtor claim, 1930
|
|
Box
69
Folder
14
|
File #487: Copyright for This Is Heaven, 1929 : Samuel Goldwyn.
|
|
Box
69
Folder
15
|
File #488: George Bonesteel defalcation, 1930
|
|
Box
69
Folder
16
|
File #489: UAC vs. Louis H. Scola; correspondence and record, 1930 : For monies owed to UAC.
|
|
Box
69
Folder
17
|
File #490: UAC vs. Weinarus Amusement Company;
correspondence and record, 1930 : For monies owed to UAC.
|
|
Box
69
Folder
18
|
File #491: UAC vs. Lilee Amusement Corporation and Morris
Hertel; correspondence and record, 1930-1931 : For monies due to UAC.
|
|
Box
70
Folder
1
|
File #493: UAC vs. Elias Jacobs; correspondence and
record, 1931-1932
|
|
Box
70
Folder
2
|
File #494: UAC vs. DeKalb Amusement Company; correspondence
and record, 1930 : For monies owed to UAC.
|
|
Box
70
Folder
3
|
File #495: UAC vs. John Goldman; correspondence and
record, 1930 : For monies owed to UAC.
|
|
Box
70
Folder
4
|
File #497: UAC vs. Arthur Lucas (Odeon Theatres);
correspondence and record, 1930-1931 : For monies due UAC.
|
|
Box
70
Folder
5
|
File #498: H.M. Goldin vs. UAC; correspondence and
record, 1927 : Goldin asks for monies lost through the cancellation of his
vaudeville act in Japan.
|
|
Box
70
Folder
6
|
File #499: UAC regarding Lincoln Theatre Chain;
correspondence, 1927 : Attempts to cancel a contract unplayed for over one year.
|
|
Box
70
Folder
7
|
File #501: Walthal Radio Inc. vs. UAC, 1932 : For assignment of wages of Herbert Richek.
|
|
Box
70
Folder
8
|
File #502: Stanley Kozanowski and Rivoli Operating
Corporation vs. UAC; correspondence and record, 1931 : Exhibitor claims damages.
|
|
Box
70
Folder
9-21
|
File #492: UAC General Claims, 1929-1933 : Alphabetical.
|
|
Box/Folder
70/22-71/6
|
File #509: UAC General Claims, (1930-), 1932, 1935
|
|
|
File #500: UAC General Claims, 1936-1940, (1944) : Alphabetical.
|
|
Box
71
Folder
7-?
|
A-G
|
|
Box
72
Folder
1-9
|
H-Z
|
|
|
File #503-508: UAC General Claims
|
|
Box
72
Folder
10-12
|
A-B, 1942
|
|
Box
73
Folder
1-6
|
B-F, 1942
|
|
Box
74
Folder
1-8
|
G-L, 1942
|
|
Box
75
Folder
1-8
|
L-P, 1943
|
|
Box
76
Folder
1-4
|
R-S
|
|
Box
77
Folder
1-5
|
T-Y
|
|
Box
77
Folder
6
|
File #510: UAC vs. Louis Snitzer; correspondence and
record, 1931-1932 : For monies owed to UAC.
|
|
Box
77
Folder
7
|
File #514: Oneida National Bank of Utica vs. Olympic Theatre
Corporation, 1931 : Mortgage foreclosures.
|
|
Box
77
Folder
8
|
File #515: Vincent Gaultiere vs. Mark Larkin and
UAC, 1932-1934 : For boy bitten by monkey.
|
|
Box
77
Folder
9
|
File #516: Ross Federal Service vs. UAC, 1933-1938 : UA claims Ross' checker was responsible for a loss of money.
|
|
Box
77
Folder
10
|
File #519: UAC vs. Jack Yeo (and Odeon Building Inc.,
Beaver Dam, Wisconsin), 1933-1934 : In Wisconsin Supreme Court to collect monies owed to UAC. Yeo claims
UA's block booking is illegal.
|
|
Box
78
Folder
1
|
File #520: Eph Charninsky and UAC, 1933 : Dispute over payment of attorney fees.
|
|
Box
78
Folder
2
|
File #521: Miriam Blumenthal vs. Picture Classics,
Inc., 1932 : Blumenthal sues to prevent her likeness from being used in a film.
UA attests to the importance of the case as a precedent.
|
|
Box
78
Folder
3
|
File #522: Louis Rovner and UAC, 1932 : Rovner disputes an exhibitor contract.
|
|
Box
78
Folder
4
|
File #523: Davidson-Paxton Company vs. V.W. Castleberry;
correspondence and record, 1930 : Garnishment of Castleberry's salary.
|
|
Box
78
Folder
5
|
File #529: UAC vs. Spokane Theatre, Inc., 1933 : For monies owed to UAC.
|
|
Box
78
Folder
6
|
File #533-34: Sonoro Filme; distribution agreements, 1941-1942 : Includes the Portugese feature Joao Ratao.
|
|
Box
78
Folder
7
|
File #535: Herbert Wilcox Productions and UAC; agreement and
correspondence for The Only Way, 1927-1930
|
|
Box
78
Folder
8
|
File #536: Graham-Wilcox Productions and UAC agreements for
Chu Chin Chow, The Only Way, Southern Love, 1925
|
|
Box
78
Folder
9
|
File #537: Sidney Wilcox, Charles Wilcox, Universum Film
Aktien-Gesellschaft and UAC agreement for Decameron Nights, 1925
|
|
Box
78
Folder
10
|
File #538: Wilcox-Saenger Film Company and UAC; distribution
agreement for Canal Zone, 1927-1928
|
|
Box
78
Folder
11
|
File #541: Seth Hirsch vs. Camille Horn and UAC;
correspondence and record, 1929 : Bill for medical services, rendered by Dr. Hirsch.
|
|
Box
78
Folder
12
|
File #542: UAC regarding Department of Justice; special
correspondence, 1927-1928 : For a Justice Department investigation of the motion picture
industry.
|
|
|
File #544-547: UAC South America; correspondence, balance
statements, minutes, and miscellaneous, 1926-1943
|
|
Box
78
Folder
13-14
|
Correspondence and miscellaneous, 1926-1928
|
|
Box
78
Folder
15-17
|
Correspondence, 1929-1943
|
|
Box
78
Folder
18-19
|
Balance statements, powers of attorney, 1926-1941
|
|
Box
79
Folder
1
|
Minutes, 1931-1943
|
|
Box
79
Folder
2
|
Miscellaneous, 1933-1938
|
|
Box
79
Folder
3
|
File #546: UA South America; powers of attorney for
Chile, 1933, 1938
|
|
Box
79
Folder
4
|
File #548: Santiago Salviche and UAC and UAC South America;
distribution agreement, 1942
|
|
Box
79
Folder
5
|
File #550: Thomas Broadhurst; claim that the film The
Night of Love infringes upon his play The Right of the
Seigneur, 1927
|
|
Box
79
Folder
6
|
File #551: Night of Love foreign distribution
agreement for Austria-Hungary, 1927
|
|
Box
79
Folder
7
|
File #552: UAC, Allied Artists and L. Blattner; correspondence, 1928-1929 : Concerns an abortive agreement whereby Blattner was to make films to
meet British quotas.
|
|
Box
79
Folder
8-10
|
File #539: Bombay, India; powers of attorney relating to
piracy of prints, with correspondence and miscellaneous papers, 1925-1930
|
|
Box
80
Folder
1
|
File #365: Employment agreements with UAC executives, 1935-1947 : George Bagnall, Harry Gold, Walter Gould, Arthur Kelly.
|
|
Box
80
Folder
2
|
File #366: Pendennis Pictures Corporation and UAC agreements
for Teheran, Call of the Blood, 1948-1949
|
|
|
-Pendennis Pictures agreement for Teheran; two agreements
|
|
|
-Selected Films Inc. agreement for Teheran
|
|
|
-George Schaefer agreement for Teheran
|
|
|
-Pendennis Pictures for Call of the Blood
|
|
Box
80
Folder
3
|
File #367: Pacific Northwest Theatres and Washington State
Theatre bankruptcies; correspondence and records, 1933
|
|
Box
80
Folder
4
|
File #368: UAC vs. J.J. Parker, 1936-1937 : UA sues Parker for failure to adhere to exhibition agreements.
|
|
Box
80
Folder
5-6
|
File #369: UA Theatre Corporation-Chicago; minutes,
correspondence and certificate of incorporation, 1927-1928
|
|
Box
80
Folder
7
|
File #370: National Film Board; agreements and correspondence with UAC for World in Action shorts, 1941-1945 : “Battle for Oil,” “The Empire Carries On,”
and “War Clouds Over the Pacific”
|
|
Box
80
Folder
8-9
|
File #371: Canadian Exhibition Contracts, 1930-1947 : License agreements and correspondence with various Canadian film
distributors including Motion Picture Exhibitors of Canada and Motion
Picture Distributors of America; copies of standard distribution
agreements for Canada.
|
|
Box
80
Folder
10
|
File #372: Artkino Pictures and UAC distribution agreements
for Canada and Newfoundland, 1943
|
|
Box
80
Folder
11
|
File #373: Fox West Coast bankruptcy, 1933-1934 : Legal correspondence on this firm's bankruptcy.
|
|
Box
80
Folder
12
|
File #374: Joseph Blumenfeld and UAC agreements and
correspondence on assignment of rights to Spring in Park
Lane, 1949-1951 : Blumenfeld had 50% interest; includes British Lion Film Corporation,
Pathé Industries, and James Nasser correspondence.
|
|
Box
80
Folder
13
|
File #375: Museum of Modern Art Film Library Corporation, 1935-1937 : Correspondence relating to inception of film library; copy of
intended agreement with distributors; outline of project;
correspondence with Chaplin, Fairbanks, Griffith, Korda, and
Pickford.
|
|
Box
80
Folder
14
|
File #376: Culver Export Corporation and UAC; agreement and
correspondence for “Metro-Goldwyn-Mayer Unit” of 40
films, 1928-1930
|
|
Box
80
Folder
15
|
File #377: Capitol Theatre Company Ltd. and UAC; agreement
with Joseph Fisher for 12 “United Artists
Featurettes,” 1930-1931
|
|
Box
81
Folder
1
|
File #378: Culver Export Corporation and UAC; agreement and
correspondence on UA's sale of Far East Exchange, 1929-1934 : Territories include Dutch East Indies, Japan, Korea, and Straits
settlements.
|
|
Box
81
Folder
2-3
|
File #379: Luxor Film Export Company, Marcus Baker, and UAC;
correspondence and distribution agreement for Far Eastern area, 1930-1950
|
|
Box
81
Folder
4
|
File #380: Fitzpatrick Pictures and UAC; agreement for
distribution of shorts in the Far East, 1933-1938
|
|
Box
81
Folder
5
|
File #381,382: Fitzpatrick Pictures Ltd. and UAC; agreements for distribution of shorts in the Far East and in South America, 1933, 1936
|
|
Box
81
Folder
6-7
|
File #383-384: Metro-Goldwyn-Mayer Films and UAC; South
America distribution agreements
|
|
|
-Agreements; seven productions, 1934-1937
|
|
|
-Agreement with International Variety and Theatrical Agency
for Gay Desperado, 1938
|
|
Box
81
Folder
8
|
File #385: Oriental Distributing Company and UAC; East
Indies distribution agreement for Nell Gwynn, 1935 : Oriental distribution.
|
|
Box
81
Folder
9
|
File #386: Ideal Pictures Corporation and UAC; agreement for
Far Eastern distribution of short subjects, 1933 : UA distributes.
|
|
Box
81
Folder
10-13
|
File #384,387: UAC agreements for South African
distribution; agreements with MGM Films, Culver Export Corporation,
Loews Inc., and London Films, 1935-1937 : Titles involved are listed on folders.
|
|
Box
81
Folder
14
|
File #388: Employment agreement with Lynn Farnol, Director
of Advertising and Publicity, 1938-1939
|
|
Box
82
Folder
1-4
|
File #389: UAC France; correspondence, minutes, and miscellaneous
documents, 1940-1951 : Also known as Les Artistes Associes.
|
|
Box
82
Folder
5
|
File #390: RKO and UAC; distribution agreements and
correspondence, 1929-1940
|
|
Box
82
Folder
6
|
File #391: RKO and UAC; franchise agreement and
correspondence, 1930-1933
|
|
Box
82
Folder
7
|
File #392: Ferruccia Caramelli and UAC; agreement for two
pictures, 1949 : Strombole.
|
|
Box
82
Folder
8
|
File #393: Lianofilm Productions and UAC; agreements and
correspondence for Thunder in the East, 1934-1945 : Original title-La Bataille (The Battle); later
assigned to Antonino Film Corporation.
|
|
Box
83
Folder
1
|
File #394: Franco-American Treaty on double taxation, 1935-1936 : Correspondence and treaty.
|
|
Box
83
Folder
2
|
File #395: A.F.E. Corporation and UAC; agreement for Central
American distribution of Un Carnet de Bal, 1941
|
|
Box
83
Folder
3
|
File #396: C.A.P.A.C. and UAC agreements, 1946-1948 : CAPAC=Compagnie Artistique de Productions et d'Adaptations
Cinematographiques; includes Une Grande Fille Toute Simple,
occasionally referred to as Rothchild Agreement.
|
|
Box
83
Folder
4
|
File #397: Harry Goetz and Max Gordon agreement with
UAC, 1937-1941
|
|
Box
83
Folder
5
|
File #398: Edwin Hopkins; correspondence dealing with
infringement of sound rights, 1934-1941
|
|
Box
83
Folder
6
|
File #399: Recoupment of French dubbing costs, 1951-1952
|
|
Box/Folder
83/7-84/3
|
File #400: French remittances, correspondence, agreements,
and miscellaneous, 1948-1952 : See last folder for arbitration with Warner and Columbia, 1939-1950.
|
|
Box/Folder
84/7-85/5
|
File #401-403: Electrical Research Products Inc.
(ERPI); correspondence, 1928-1950 : Sound equipment, sound rights, etc.
|
|
Box/Folder
85/6-86/5
|
File #404: Electrical Research Products Inc. (ERPI);
agreements and correspondence, 1929-1941
|
|
|
-Agreements with UAC, 1928-1941
|
|
|
-Agreements with MGM, 1935
|
|
|
-Agreements with Paramount, 1933-1938
|
|
|
-Agreements with Louis Swartz (?), 1928-1933
|
|
|
-Tobis royalties, 1930-1939
|
|
|
-Agreements with Warner Brothers, 1931-1936
|
|
|
-Draft of agreement and schematic diagrams, undated
|
|
|
-Miscellaneous papers and agreements, 1928-1940
|
|
Box
86
Folder
6
|
File #405: ERPI agreements, correspondence, opinions and
reports on music copyrights and sound recordings, 1928-1932
|
|
Box
86
Folder
7-8
|
File #406: ERPI drafts of agreements and other
correspondence, 1928-1941
|
|
Box/Folder
86/9-87/3
|
File #407: John G. Paine vs. E.R.P.I.; correspondence,
record, miscellaneous, 1938-1941 : Paine, as agent for music publishers, brings suit claiming royalties
for foreign distribution of music.
|
|
Box
87
Folder
4-6
|
File #408: American Tri-Ergon, ERPI; patent infringement
cases, correspondence and record, 1931-1947 : Tri-Ergon vs. Paramount Publix, Tri-Ergon vs. Twentieth Century
Pictures, etc.
|
|
Box
87
Folder
7
|
File #402: Nordisk Tonefilms vs. Paramount et al.; patent
dispute on sound rights, 1933-1937
|
|
Box/Folder
87/8-88/31
|
File #409, 410: U.S.A. vs. Paramount Pictures, Inc. et al., 1937-1940
|
|
|
-Information and miscellaneous information furnished by UA for
interrogatories 2 folders
|
|
|
-Rental and play date schedules, by picture 28 folders
|
|
|
-Digest of depositions and miscellaneous materials 1 folder
|
|
|
-Depositions by H. Muller, C. Stern, H. Gold, L. Schlaifer,
E. Mullen, P. Lazarus, explaining procedures 1 volume
|
|
Box
88
Folder
32
|
File #410.5: Robertson Enterprises vs. Paramount Famous
Players-Lasky, et al., 1928 : James N. Robertson, a theatre owner, charges conspiracy by the
distributors to force him to purchase a particular brand of sound
reproduction equipment.
|
|
Box
89
Folder
1
|
File #411: USA vs. Paramount Famous Players-Lasky et al.;
record and miscellaneous, 1928 : Conspiracy suit.
|
|
Box
89
Folder
2
|
File #412: Harold Lloyd and UAC distribution agreements, 1924, 1933
|
|
Box
89
Folder
3
|
File #413: Far East Film Corporation and UAC; distribution
agreement for Far East, 1933-1937 : Also Mexico.
|
|
Box
89
Folder
4
|
File #414-424: Alfred Gottman (Plymouth Theatre) vs. UAC;
arbitration suit: record and legal papers, correspondence, 1928-1938
|
|
Box/Folder
89/5-92/7
|
File #415, 418-422: False returns; correspondence and miscellaneous
dealing with false box office reports (Confidential Reports) (Copyright
Protection Bureau), 1942-1944
|
|
|
-Legal remedies, 1942
|
|
|
-Miscellaneous correspondence, 1942-1944
|
|
|
-Index to miscellaneous correspondence, 1942-1943
|
|
|
-Sargoy and Stein correspondence, 1942-1944
|
|
|
-Pittsburgh investigation, with index, 1943-1944
|
|
|
-New York investigation, with index, 1943-1944
|
|
|
-Copyright Protection Bureau, 1945
|
|
|
-Samples of Confidential Reports, 1945
|
|
|
-Samples of unreported receipt schedules, 1943-1945
|
|
|
-Schedule of unreported returns, 1945
|
|
|
-Sargoy and Stein correspondence, 1946
|
|
|
-Sargoy and Stein correspondence, alphabetically by theatre
owner, 1945-1950
|
|
Box
92
Folder
8
|
File #416: UAC Puerto Rico; powers of attorney,
correspondence, miscellaneous, 1923-1927
|
|
Box
93
Folder
1-2
|
File #425: General Claims; correspondence and
miscellaneous, 1925-1928 : Small claims.
|
|
Box
93
Folder
3-5
|
File #432: Kaiichi Hirata; uncollected Japanese
rentals
|
|
|
-Hirata and United Film Company
|
|
|
-Hirata vs. J. Hoffberg Company
|
|
|
-Hirata: UAC claims against, 1931-1933
|
|
Box/Folder
93/6-96/4
|
File #428-429, 434-439: UAC Japan (Far East); correspondence, legal papers, miscellaneous, 1922-1951
|
|
|
-Balance statement as of December 31, 1922
|
|
|
-Documents, powers of attorney, agreements, miscellaneous, 1922-1925
|
|
|
-Correspondence (George Mooser), 1922-1951
|
|
|
-Powers of attorney, agreements, miscellaneous, 1922-1951
|
|
|
-Minutes, circa 1932-1951
|
|
|
-Manchuko, 1935-1938 : All in chronological order.
|
|
Box
96
Folder
5
|
File #427: Plaza Theatre, New York vs. UAC; correspondence,
record, 1928 : Plaza claims to have contracted for a block of 15 pictures, some of
which were subsequently denied it by UA.
|
|
Box
96
Folder
6
|
File #440: Lyric Film Exchange and UAC; agreements and
correspondence, 1930-1932 : Philippine distribution.
|
|
Box
96
Folder
7
|
File #426: UAC vs. Montford Steele, 1927-1928 : UA attachment of Steele's funds as security for monies advanced to
him.
|
|
|
File #442: Motion Picture Producers and Distributors of
America (MPPDA), also known as The Hays Organization; correspondence,
reports, bulletins, censorship, minutes, miscellaneous, 1927-1949 : Both materials of a general nature and correspondence with MPPDA's
general attorneys: Gabriel Hess (1927-1941) and Sidney Schreiber (1942-1949).
|
|
Box
96
Folder
8-9
|
1927
|
|
Box
96
Folder
10-11
|
1928
|
|
Box
97
Folder
1-3
|
1929
|
|
Box
97
Folder
4-6
|
1930
|
|
Box
98
Folder
1-4
|
1931
|
|
Box
98
Folder
5-7
|
1932
|
|
Box
99
Folder
1-4
|
1933
|
|
Box
99
Folder
5-7
|
1934
|
|
Box
100
Folder
1-4
|
1935
|
|
Box
100
Folder
4
|
1936
|
|
Box
100
Folder
5
|
Thornberg vs. Paramount et al., 1935-1938
|
|
Box/Folder
100/6-101/4
|
1937
|
|
Box/Folder
101/5-102/6
|
1938
|
|
Box/Folder
102/7-103/7
|
1939
|
|
Box
104
Folder
1-6
|
1940
|
|
Box
105
Folder
1-5
|
1941
|
|
Box/Folder
105/6-106/2
|
1942
|
|
Box
106
Folder
3-6
|
1943
|
|
Box
107
Folder
1-2
|
1944
|
|
Box
107
Folder
3-4
|
1945
|
|
Box
107
Folder
5-8
|
1946
|
|
Box
108
Folder
1-2
|
1947
|
|
Box
108
Folder
3-4
|
1948
|
|
Box
108
Folder
5
|
Miscellaneous, 1942-1948
|
|
Box
109
Folder
1-2
|
1949
|
|
Box
109
Folder
3
|
File #455: Otto Harbach and Joseph Schenck;
correspondence, 1929 : Schenck is interested in a manuscript of Harbach's.
|
|
Box
109
Folder
4
|
File #454: Hill, Moxley vs. Golden, Edward, 1926-1930 : Regarding an unpaid note.
|
|
Box
109
Folder
5
|
File #457: The Dove; correspondence, 1928 : Regarding Joseph Schenck, Norma Talmadge.
|
|
Box
109
Folder
6
|
File #459: UAC vs. Reliable Company, Inc.; correspondence,
record, 1930 : Claim against exhibitor.
|
|
Box
109
Folder
7
|
File #460: UAC vs. Louis Heitner; correspondence and
record, 1930 : Claim against exhibitor.
|
|
Box
109
Folder
8
|
File #461: UAC vs. Bandbox Amusement Corporation;
correspondence and record, 1930 : Claim against exhibitor.
|
|
Box
109
Folder
9
|
File #463: UAC vs. Bronx Park Amusement Company;
correspondence and record, 1930 : Claim against exhibitor.
|
|
Box
109
Folder
10
|
File #464: UAC vs. Battery Amusement Company; correspondence
and record, 1930 : Claim against exhibitor.
|
|
Box
109
Folder
11
|
File #465: UAC vs. Pebelled, Incorporated; correspondence
and record, 1930 : Claim against exhibitor.
|
|
Box
109
Folder
12
|
File #467: UAC advs Ninth Avenue Amusement Company;
correspondence and record, 1930 : Sues UA for violation of protection agreement.
|
|
Box
109
Folder
13
|
File #468: UAC vs. H & F Amusement Corporation;
correspondence and record, 1930 : Claim against exhibitor.
|
|
Box
109
Folder
14
|
File #469: UAC vs. Greenport Operating Corporation and
Michael Glynne; correspondence and record, 1930 : Claim against exhibitor.
|
|
Box
109
Folder
15
|
File #473: UAC vs. Patrick Belmont; correspondence and
record, 1930-1931 : Claim against exhibitor.
|
|
Box
109
Folder
16
|
File #474: UAC vs. Big 2 Amusement Corporation;
correspondence and record, 1930-1931 : Claim against exhibitor.
|
|
Box
109
Folder
17
|
File #475: UAC vs. Frances and Samuel Gladstone;
correspondence and record, 1930-1931 : Claim against exhibitor.
|
|
Box
109
Folder
18
|
File #477: Edgar Mortimore vs. UAC;
correspondence, 1927-1934 : Dismissed employee sues UA.
|
|
Box
109
Folder
19-25
|
File #483: MPPDA; related material
|
|
|
-Kansas City, Kansas, Chamber of Commerce vs. Columbia
Pictures, 1938
|
|
|
-Mme. Suzanne Blum; French copyright bill, 1938-1941
|
|
|
-Lancaster Theatre, Detroit anti-trust case, 1943
|
|
|
-Chicago Moving Picture Machine Operators Union vs. John
Smith et al., 1943-1944
|
|
|
-American Arbitration Association, 1947
|
|
|
-Drexel Amusement Company vs. Universal Film Exchange,
1947
|
|
|
-Sargoy and Stein; Copyright Protection Bureau Reports,
1947-1948
|
|
Box
109
Folder
26
|
File #484: Progressive Education Association; correspondence
and license, 1937 : Arrangements through MPPDA.
|
|
Box
110
Folder
1-3
|
File #540: Bombay, India; piracy of prints, correspondence
and miscellaneous, 1929-1935
|
|
Box
110
Folder
4
|
File #553: UAC Short Wave Radio License;
correspondence, 1928
|
|
Box
110
Folder
5
|
File #554: Fanny Brice vs. Art Cinema Corporation;
correspondence, legal papers, etc., 1931-1932 : UA endorsed notes for money owed by Art Cinema to Brice.
|
|
Box
110
Folder
6
|
File #555: Maurice Silverstone; power of attorney for
negotiations with Vincent Astor and Axel de Wichfeld, 1928
|
|
Box
110
Folder
7
|
File #556: UAC vs. A.S. Friend Companies, 1927-1929 : Bankruptcy.
|
|
Box
110
Folder
8
|
File #557: Proposed propositions concerning contract
modifications, 1925-1926
|
|
Box
110
Folder
9
|
File #558: UAC vs. Mount Pleasant Theatre; correspondence
and record, 1928 : Bankruptcy.
|
|
Box
110
Folder
10
|
File #560: Mollie H. Cohan vs. Paramount Publix et al.;
correspondence and record, 1932-1933 : Anti-trust.
|
|
Box
110
Folder
11
|
File #561: UAC vs. George Cohen; legal papers, exhibits,
miscellaneous, 1925-1929 : For monies owed to UAC by exhibitor Cohen.
|
|
Box/Folder
110/12-111/2
|
File #562: Moonbeam Amusement Company vs. John W. Springer
et al.; correspondence, record, legal papers, miscellaneous, 1932-1934 : A projectionists' union attempts to open theatres and claims that
the Springer circuit of theatres conspired to forbid motion picture
distributors from renting pictures to the union.
|
|
Box
111
Folder
3-4
|
File #563: Patent Pooling Agreement for Composite
Photography; correspondence, agreements, miscellaneous, 1936-1938 : The major film corporations agree to pool various patents relating
to composite photography for their mutual benefit.
|
|
Box
111
Folder
5
|
File #564: Brandt Film et al. vs. Loew's, Inc. et al.; legal
papers, 1937-1938 : Brandt exhibitors charge that distributors conspired to change
number of exhibitor days.
|
|
Box
111
Folder
6-7
|
File #565: Quittner and Middletown Combined Building Company
vs. MPPDA et al.; correspondence, legal papers, transcripts, 1932-1934 : Exhibitor charges that a conspiracy caused him to go out of business.
|
|
Box
111
Folder
8
|
File #567: S. Theodore Hodgman vs. American Telephone and
Telegraph, Western Electric et al.; correspondence, legal papers, 1935-1937 : Hodgman claims that the cross-licensing of sound reproduction
methods constituted a conspiracy which prevented him from marketing his
own sound equipment.
|
|
Box
112
Folder
1
|
File #568: USA vs. Schine Chain Theatres; correspondence,
legal papers, 1939-1950 : US charges that the holdings of the Schine company constitute a
monopoly and asks for divestiture.
|
|
Box
112
Folder
2-3
|
File #569: Syracuse Community Theatre Corporation et al. vs.
Schine Chain Theatres; correspondence, legal papers, releases,
miscellaneous, 1949-1950 : Suit for damages to exhibitor suffered as the result of an alleged
trust conspiracy among distributors.
|
|
Box
112
Folder
4
|
File #570: Liberty-Freehold Theatre Corporation vs. Walter
Reade et al.; correspondence, legal papers, 1949-1950 : Suit for damages to exhibitors' business as a result of alleged
conspiracy between distributors and the Reade Circuit.
|
|
Box
112
Folder
5
|
File #571: Virgil Crites vs. Albert Redtke et al.;
opinion, 1939 : Infringement on a patent for a photoelectric cell for sound
reproduction.
|
|
Box/Folder
112/6-113/7
|
File #572: Hillside Amusement Company vs. Warner Brothers
Pictures et al.; correspondence and legal papers, depositions, 1941-1946 : Anti-trust action.
|
|
Box
114
Folder
1
|
File #573: Capans Amusement Company vs. Paramount et al.;
correspondence, legal papers, 1945-1946 : Anti-trust action.
|
|
Box
114
Folder
2
|
File #574: Syracuse Brighton Theatre vs. Loew's, Inc. et al.;
correspondence, legal papers, 1949-1950 : Anti-trust action.
|
|
Box
114
Folder
3
|
File #575: Fifth and Walnut, Inc. vs. Paramount Pictures et
al.; correspondence, legal papers, 1949 : Anti-trust action.
|
|
Box
114
Folder
4
|
File #576: Public Theatre Corporation vs. Metro-Goldwyn
Distributing Corporation et al.; correspondence, legal papers, 1935-1936 : Anti-trust action.
|
|
Box
114
Folder
5-7
|
File #577: Walter and Bertha Burkey vs. Famous Players-Lasky
Corporation, et al.; correspondence, record, miscellaneous, 1925-1936 : Anti-trust action.
|
|
Box/Folder
114/8-115/1
|
File #578: Emanuel Rolsky et al. vs. Fox Midwest Theatres et al.; correspondence, legal papers, 1936-1938 : Anti-trust action.
|
|
Box
115
Folder
2-3
|
File #579: Eugenia and Frank Cassil vs. Fox Film
Corporation; correspondence, legal papers, 1940-1942
|
|
Box
115
Folder
4-5
|
File #580: St. Louis Amusement Company vs. Paramount
Pictures Distributing Corporation et al.; correspondence, legal papers,
transcript, 1945-1950 : Anti-trust action.
|
|
Box
116
Folder
1-2
|
File #582: The Cleveland Motion Picture Exhibitor
Association vs. MPPD of A et al.; correspondence, record, legal
papers, 1931-1933 : Anti-trust action.
|
|
Box
116
Folder
3
|
File #583: Rosewood Theatre Corporation vs. Edwin Silverman
et al.; correspondence and legal papers, 1935-1937 : Anti-trust action.
|
|
Box
116
Folder
4
|
File #584: K.M.K. Theatres Circuit vs. E.D. Miller et al.;
correspondence, legal papers, 1935 : Anti-trust action.
|
|
Box
116
Folder
5
|
File #585: New Haymarket Theatre Company vs. Balaban and
Katz et al.; correspondence and legal papers, 1935 : Anti-trust action.
|
|
Box
116
Folder
6
|
File #586: Ken Theatre Corporation vs. Twentieth Century-Fox
Film Corporation, et al.; correspondence and legal papers, 1942-1943 : Anti-trust action.
|
|
Box
116
Folder
7
|
File #587: Riverside Operating Company vs. Twentieth
Century-Fox Film Corporation et al.; correspondence and legal
papers, 1947-1950 : Anti-trust action.
|
|
Box/Folder
116/8-117/4
|
File #588-589: Benal Theatre Corporation vs. Paramount
Pictures et al.; correspondence, legal papers, final report and
exhibits, 1948-1950 : Anti-trust action.
|
|
Box
117
Folder
5
|
File #590: Frank Ford vs. Paramount Pictures et al.;
correspondence, and legal papers, 1939-1944 : Anti-trust action.
|
|
Box
118
Folder
1
|
File #591: Alexander Theatre Corporation vs. Balaban and
Katz et al.; correspondence and legal papers, 1948-1950 : Anti-trust action.
|
|
Box
118
Folder
2
|
File #592: The Middle States Corporation vs. Minnesota
Amusement Company et al.; correspondence, legal papers, 1947-1950 : Anti-trust action.
|
|
Box
118
Folder
3-5
|
File #593: Thomas Murray vs. Balaban and Katz et al.;
correspondence, legal papers, and miscellaneous, 1941-1947 : Anti-trust action.
|
|
Box
118
Folder
6-7
|
File #594: Florence Bigelow et al. vs. RKO Radio Pictures et
al; correspondence, legal papers, and miscellaneous, 1942-1950 : Anti-trust action.
|
|
Box
119
Folder
1
|
File #595: Calumet Amusement Corporation vs. Paramount
Pictures et al.; correspondence and legal papers, 1947-1951 : Anti-trust action.
|
|
Box
119
Folder
2
|
File #596: Monroe Amusement Company vs. Balaban and Katz et
al; correspondence and legal papers, 1948-1950 : Anti-trust action.
|
|
Box
119
Folder
3
|
File #597: Dante Iacampo vs. Loew's, Inc. et al.;
correspondence, legal papers, 1949-1951 : Anti-trust action.
|
|
Box
119
Folder
4-5
|
File #598: John Gittone et al. vs. Warner Brothers Pictures
et al.; correspondence and legal papers, 1939-1941 : Anti-trust action.
|
|
Box
119
Folder
6
|
File #599: Harry Fried vs. Warner Brothers Circuit
Management Corporation et al.; correspondence and legal
papers, 1937-1947 : Anti-trust action.
|
|
Box
120
Folder
1-4
|
File #600: Momand Cases; A.B. Momand vs. various film
corporations; correspondence and legal papers, 1937-1946 : Anti-trust actions
|
|
Box
120
Folder
5
|
File #601: George Graves vs. Warner Bros. et al.;
correspondence and legal papers, 1939-1945 : Anti-trust action.
|
|
Box
120
Folder
6
|
File #602: David Green vs. 20th Century-Fox et al.;
correspondence and legal papers, 1947-1948 : Anti-trust action.
|
|
Box
121
Folder
1-2
|
File #603: Riverside Theatre vs. Florida State Theatre, et
al.; correspondence, legal papers, exhibits, and final
report, 1948-1950 : Anti-trust action.
|
|
Box
121
Folder
3
|
File #604: Simon Lazarus vs. 20th Century-Fox Film
Corporation et al.; correspondence and legal papers, 1947-1950 : Anti-trust action.
|
|
Box
121
Folder
4
|
File #605: Eleanor Ninon et al. vs. UAC et al.;
correspondence, 1938-1939 : A suit alleging copyright infringement in the film Moulin
Rouge
|
|
Box
121
Folder
5
|
File #606: Eagle Theatre et al. vs. Fox West Coast et al.;
correspondence and legal papers, 1943-1946 : Anti-trust action.
|
|
Box
121
Folder
6-7
|
File #607: Jack Berman et al. vs. 20th Century-Fox Film
Corporation et al.; correspondence, legal papers and miscellaneous, 1947-1950 : Anti-trust action.
|
|
Box
122
Folder
1-6
|
File #608-609: Morris Roth et al. vs. Paramount et al.;
correspondence, legal papers, and miscellaneous, 1944-1950 : Anti-trust action.
|
|
Box
123
Folder
1
|
File #610: Lee Threet vs. East Texas Theatres et al.;
correspondence and legal papers, 1929-1934 : Anti-trust action.
|
|
Box
123
Folder
2
|
File #611: B. Legg vs. Universal Film Exchange et al.;
correspondence and legal papers, 1933-1934 : Anti-trust action.
|
|
Box
123
Folder
3
|
File #612: R.M. Fuller et al. vs. R and R Theatre Company et
al; correspondence and legal papers, 1935-1939 : Anti-trust action.
|
|
Box
123
Folder
4
|
File #613: B.R. McLendon vs. 20th Century-Fox et al.;
correspondence and legal papers, 1939-1949 : Anti-trust action.
|
|
Box/Folder
123/5-124/1
|
File #614: Theatco vs. 20th Century-Fox et al.;
correspondence and legal papers, miscellaneous, 1947-1948 : Anti-trust action.
|
|
Box
124
Folder
2-4
|
File #615: Steve Chorak vs. RKO Radio Pictures et al.;
correspondence, legal papers, and briefs, 1948-1950 : Anti-trust action.
|
|
Box
124
Folder
5-6
|
File #616: R.Z. Glass vs. Karl Hoblitzelle et al.;
correspondence, legal papers and home office data, 1933-1937 : Anti-trust action.
|
|
Box
125
Folder
1
|
File #617: Joy Amusement Company vs. Interstate Circuit et
al.; correspondence and legal papers, 1939-1940 : Anti-trust action.
|
|
Box
125
Folder
2-4
|
File #618: USA vs. Interstate Circuit, Inc., Karl
Hoblitzelle et al.; correspondence, legal papers, miscellaneous, 1936-1939 : Anti-trust action.
|
|
Box
125
Folder
5
|
File #619: Attorney General of Texas; investigation of the
motion picture industry; correspondence and miscellaneous, 1939-1940
|
|
Box
125
Folder
6
|
File #620: Preston Smith vs. UAC et al.; correspondence and
legal papers, 1946-1947 : Anti-trust action.
|
|
Box
126
Folder
1
|
File #621: B.R. McLendon et al. vs. Loew's, Inc. et al.;
correspondence and legal papers, 1947-1949 : Anti-trust action.
|
|
Box
126
Folder
2
|
File #622: Indianapolis Amusement Company vs. MPPDA et al.;
correspondence and legal papers, 1932-1937 : Anti-trust action.
|
|
Box
126
Folder
3-5
|
File #623: Gary Theatre Company vs. MPPDA et al.;
correspondence, legal papers, and miscellaneous, 1932-1939 : Anti-trust action.
|
|
Box
126
Folder
6
|
File #624: Central Avenue Theatre Corporation vs. Loew's,
Inc. et al.; correspondence and legal papers, 1948-1949 : Anti-trust action.
|
|
Box
126
Folder
7
|
File #625: Indianapolis Amusement Company vs. MGM et al.;
correspondence and legal papers, 1937-1939 : Anti-trust action.
|
|
Box
127
Folder
1
|
File #626: Herman Golden vs. Vitagraph et al.; correspondence
and legal papers, 1939 : Anti-trust action.
|
|
Box
127
Folder
2-4
|
File #627: Ronald Bair vs. MPPDA et al.; correspondence,
record, and legal papers, 1932-1940 : Anti-trust action.
|
|
Box
127
Folder
5
|
File #628: MGM Distributing Corporation vs. J.D. Lamb et al.;
correspondence and legal papers, 1933 : An attempt to have the New Mexico “open market buying
statute” declared unconstitutional
|
|
Box
127
Folder
6
|
File #629: USA vs. United Theatres, Inc. et al.;
correspondence and legal papers, 1932-1938 : Anti-trust action.
|
|
Box
127
Folder
7
|
File #630: George Fuller vs. 20th Century-Fox et al.;
correspondence and legal papers, 1936-1938
|
|
Box
127
Folder
8
|
File #631: John Gillooly vs. Paramount et al.; correspondence
and legal papers, 1933-1938 : Anti-trust action.
|
|
Box
127
Folder
9
|
File #632: James McLellan et al. vs. Warner Bros. et al.;
correspondence and legal papers, 1947-1948 : Anti-trust action.
|
|
Box
128
Folder
1
|
File #633: UAC vs. Elias M. Loew et al.; correspondence and
legal papers, 1942-1944 : UA charges Loew conspired to falsify the grosses reported by his
theatres
|
|
Box
128
Folder
2
|
File #634: Arco Amusement Company vs. Acme Films et al.;
correspondence and legal papers, 1936-1937 : Anti-trust action--Philippines.
|
|
Box
128
Folder
3-4
|
File #635: Linden Theatre Company vs. Vitagraph et al.;
correspondence and legal papers, 1939-1940 : Anti-trust action.
|
|
Box
128
Folder
5
|
File #636: UAC vs. Elsa Soltz et al.; correspondence and
legal papers, 1946-1949 : UA accuses Soltz of falsifying receipt reports.
|
|
Box
128
Folder
6
|
File #637: William Littlejohn vs. C.E. Huish et al.;
correspondence and legal papers, 1938-1940 : Anti-trust action.
|
|
Box
128
Folder
7-8
|
File #638: Earl Whittaker vs. Vitagraph et al.;
correspondence, legal papers, and depositions, 1940-1941 : Anti-trust action.
|
|
Box/Folder
128/9-132/2
|
File #639-644: USA vs. Crescent Amusement Company et al.;
correspondence, legal papers, and miscellaneous, 1939-1950
|
|
|
-Correspondence, 1939-1940
|
|
|
-Correspondence, 1941-1950; complaint, legal and miscellaneous papers,
1939-1943 and undated
|
|
|
-MPPDA records, 1939-1945; answers to interogatories; briefs
and memoranda of law, 1941-1946
|
|
|
-Plaintiff's brief, 1941; hearing transcript, 1940; findings
of fact and conclusions of law, undated and 1941-1943
|
|
|
-Finding of fact and conclusions of law, 1943 April-1946 : Anti-trust action.
|
|
Box
132
Folder
3
|
File #645: W.F. Crockett et al. vs. Loew's, Inc. et al.;
correspondence and legal papers, 1948-1949 : Anti-trust action.
|
|
Box
132
Folder
4-5
|
File #646: Paramount-Salt Lake Theatre Company vs.
Intermountain Theatres et al.; correspondence, legal papers,
depositions, 1942 : Anti-trust action.
|
|
Box
132
Folder
6-7
|
File #647: Chalmers Cullins et al. vs. Paramount Pictures et
al; correspondence and legal papers, 1946-1948 : Anti-trust action.
|
|
Box
133
Folder
1
|
File #648: Harry Schwartz et al. vs. 20th Century-Fox et al.;
correspondence and legal papers, 1939-1940 : Anti-trust action.
|
|
Box
133
Folder
2
|
File #649: M.M. Buchanan et al. vs. Muscle Shoals Theatres et
al; correspondence and legal papers, 1939-1940 : Anti-trust action.
|
|
Box
133
Folder
3-5
|
File #650: Byers Theatres vs. M.K. Murphy et al.;
correspondence and legal papers, 1939-1940 : Anti-trust action.
|
|
Box
133
Folder
6
|
File #651: Shirlington Amusement Corporation vs. 20th
Century-Fox et al.; correspondence and legal papers, 1945-1946 : Anti-trust action.
|
|
Box/Folder
133/7-134/1
|
File #652: Tegu's Palace Theatre vs. Interstate Theatre
Corporation et al.; correspondence and legal papers, 1939-1950 : Anti-trust action.
|
|
Box
134
Folder
2-3
|
File #653: Park-Butte Theatre Company vs. 20th Century-Fox
et al.; correspondence and legal papers, 1944-1947 : Anti-trust action.
|
|
Box
134
Folder
4
|
File #654: The Hartford Theatre Company vs. 20th Century-Fox
et al.; correspondence and legal papers, 1946-1948 : Anti-trust action.
|
|
Box/Folder
134/5-135/3
|
File #655: Millinocket Theatre, Inc. vs. Samuel Kurson et
al.; correspondence and legal papers, 1939-1946 : Anti-trust action.
|
|
Box
135
Folder
4
|
File #656: Art Cinema Corporation; copyright, novelization
for The Battle of the Sexes, 1928-1929
|
|
Box
135
Folder
5
|
File #657: Francis Hackett vs. Alexander Korda, London Film
and UAC, 1935-1937 : Hackett claims The Private Life of Henry VIII was
plagiarized from his novel.
|
|
Box
135
Folder
6
|
File #658: Rose Chatkin vs. Alexander Korda et al.;
correspondence and legal papers, 1934-1936 : For damages incurred through an unauthorized booking.
|
|
Box
135
Folder
7
|
File #659: Guy Crosswell Smith and UAC; agreement and
correspondence for distribution in continental Europe, 1929
|
|
Box
135
Folder
8
|
File #660: Hugh Sinclair vs. Postal Telegraph Cable Company;
correspondence, legal papers, photos, 1935-1936 : Sinclair says Postal Telegraph used his likeness for advertising
without his permission.
|
|
Box/Folder
135/9-136/2
|
File #661: Option agreement; Pickford, Chaplin, Fairbanks,
Goldwyn, and Korda; extensive correspondence, plus drafts of
agreement, 1937-1938 : Goldwyn and Korda attempt to purchase control of United Artists
Corporation.
|
|
Box
136
Folder
3
|
File #662: James Boyd vs. Alexander Korda, London Film and
UAC; correspondence and legal papers, 1938 : Boyd sues for damages for the use of the title of his novel for the
title of the photoplay Drums.
|
|
Box
136
Folder
4
|
File #663: Sinclair Lewis vs. Alexander Korda and Anglo-
American Film, Inc.; agreement, 1940-1943 : Contains agreements with Lewis and legal papers pertaining to an
undescribed lawsuit.
|
|
Box
136
Folder
5-7
|
File #664: Pickford, Fairbanks, Goldwyn; new production and
London trip
|
|
|
-reorganization of 1938 correspondence
|
|
|
-Dr. A.H. Giannini agreements; settlement
|
|
|
-minutes of meetings relating to reorganization and
Giannini, 1938-1940
|
|
Box
136
Folder
8
|
File #665: Maurice Silverstone; contract, proposals,
Silverstone Plan, 1938-1943
|
|
Box
136
Folder
9-11
|
File #666: Manhattan Films Inc.; incorporation papers,
minutes, and correspondence, 1942-1944
|
|
Box
137
Folder
1-2
|
File #667: Two Cities Films Ltd. and Columbia Pictures
Corporation Ltd.; correspondence and legal papers relating to
In Which We Serve, 1942-1945
|
|
Box
137
Folder
3
|
File #668: Simon and Schuster and Alexander Korda Films;
agreement for the novel War and Peace, 1942
|
|
Box
137
Folder
4-5
|
File #669: Wallace Irwin vs. London Film Productions, UAC
and Robert Sherwood; legal papers, continuity and synopses for
The Ghost Goes West and short story “The
Transplanted Ghost,” 1936-1940 : Irwin claims that Sherwood's screenplay for The Ghost Goes
West plagarizes his short story.
|
|
Box
137
Folder
6
|
File #670: London Film Productions and Anglo-Canadian
Distributors Ltd.; distribution agreement and correspondence, 1934-1939
|
|
Box
137/7
Folder
7
|
File #671: London Film Productions, Spanish deal; agreement
and correspondence, 1938-1939
|
|
Box
137
Folder
8
|
File #672: British and Dominion Film Corporation; agreement
for Good Night Vienna, 1932
|
|
Box
137
Folder
9
|
File #673: Topsy and Eva; agreement between
Feature Productions Inc. and Vivian and Rosetta Duncan for a personal
appearance in conjunction with the film, 1927
|
|
Box
137
Folder
10-11
|
File #675: UAC vs. William Hale Thompson, Mayor of
Chicago, 1929-1930 : To prevent interference with exhibiting the picture
Alibi.
|
|
Box/Folder
137/12-138/2
|
File #676: Myra Page Wiren vs. Shubert Theatre Corporation
et al.; correspondence and legal papers, 1931-1945 : Wiren claims that the film Death Takes a Holiday is a
plagarization of her play, Most; includes script of
Most.
|
|
Box
138
Folder
3
|
File #677: UAC regarding Marchant and Company Ltd. of Australia;
correspondence and samples of “Movie Stories,” a series of
booklets, with photographs, containing stories taken from United
Artists pictures, 1927 : Contains: Beloved Rogue, Love of Sunya, Night of Love, Son of the Sheik, Winning of Barbara Worth
|
|
Box
138
Folder
4
|
File #678: New Lyceum Amusement Company vs. UAC;
correspondence and legal papers, 1927-1928 : Lyceum sues for damages arising from UA's cancellation of a
contract.
|
|
Box
138
Folder
5
|
File #679: Vera Demby vs. Lewis Demby; correspondence and
legal papers, 1935 : Attorney seeks injunction to prevent distributors from providing
Demby with films until he makes divorce payments.
|
|
Box
138
Folder
6
|
File #680: Libco, Inc. vs. UAC; correspondence and legal
papers, 1934-1935 : Libco sues for damages arising from UA's cancellation of a
contract.
|
|
Box/Folder
138/7-140/3
|
File #681-683: United Artists Theatre Company of Michigan;
correspondence, 1927-1934
|
|
|
-Incorporation papers, minutes, etc., 1927-1934
|
|
|
-Agreements, miscellaneous correspondence, etc., 1929-1937
|
|
|
-Leases, deposit and trust agreements, including Bagley-Clifford Company and Detroit Properties Corporation, 1926-1939
|
|
Box
140
Folder
4
|
File #684: Duo-Fone Corporation vs. Fred Zimmerman;
correspondence, 1930 : Garnishment.
|
|
Box
140
Folder
5-9
|
File #685: Distribution-Exhibition Contract forms;
correspondence and examples of the design of the standard UA
contract, 1930-1938 : Also related court actions.
|
|
Box
140
Folder
10
|
File #686: Exhibitor and distributor claims;
correspondence, 1936-1937
|
|
Box
140
Folder
11
|
File #687: Columbia Pictures vs. Bi-Metallic Investment
Company; correspondence and memorandum, 1930 : On the dissemination of a court decision holding that even though a
seller is a trust as defined in the Sherman Act, the buyer is obligated
to pay him.
|
|
Box
140
Folder
12
|
File #688: UAC vs. E.I. Davidson et al.; correspondence,
etc., 1933 : Court finds a flaw in exhibitor contract, UA decides to appeal.
|
|
Box
141
Folder
1
|
File #689: UAC vs. Vandeventer National Bank;
correspondence, 1932-1933 : UA attempts to obtain its funds from the receiver for the closed
bank.
|
|
Box
141
Folder
2
|
File #690: President's right to control salaries;
correspondence, drafts, corporate papers, and copies of
agreements, 1929-1936
|
|
Box
141
Folder
3-4
|
File #691: Majestic Theatre Corporation vs. UAC et al.;
correspondence and legal papers, 1927-1934 : Anti-trust action.
|
|
Box
141
Folder
5
|
File #692: Charles K. Ferry vs. MGM et al.; correspondence
and legal papers, 1928-1929 : Anti-trust action.
|
|
Box
141
Folder
6
|
File #693: Lima, Peru; correspondence, 1929-1933
|
|
Box
141
Folder
7
|
File #694: Lima, Peru; correspondence with attorney Gerardo
Balbuena, 1929-1935
|
|
Box
141
Folder
8
|
File #695: Peru; powers of attorney, 1937-1945
|
|
Box
141
Folder
9
|
File #696: UAC and State Theatre; correspondence, 1929 : Theatre asks that contracts be reduced so it can avoid
bankruptcy.
|
|
Box
141
Folder
10
|
File #697: Windsor Picture Plays and UAC agreement for
distribution of Her Unborn Child, 1930
|
|
Box
141
Folder
11
|
File #698: First National Pictures and UAC; distribution
agreement, 1926-1929 : For foreign distribution of First National pictures.
|
|
Box
141
Folder
12
|
File #699: UAC vs. American Mail Line Ltd.;
correspondence, 1932-1933 : For a print damaged at sea.
|
|
Box
141
Folder
13
|
File #700: UAC vs. Ruth Rosen; correspondence and legal
papers, 1930 : For money owed to UA.
|
|
Box/Folder
141/14-142/2
|
File #701: Code of Fair Competition for the Motion Picture
Industry, Exhibition 10% Elimination Clause; NRA code; correspondence
and miscellaneous, 1934-1935 : F.W. Anderson vs. UAC; correspondence and legal papers.
|
|
Box
142
Folder
3
|
File #702: UAC vs. Universal Chain Theatres; correspondence
and legal papers, 1928 : For monies owed to UA.
|
|
Box
142
Folder
4-5
|
File #703: USA vs. Balaban and Katz Corporation et al.;
correspondence and legal papers, 1928-1932 : Anti-trust action.
|
|
Box
142
Folder
6
|
File #704: New Jersey United Artists Theatre Corporation;
incorporation papers, by-laws, minutes, etc., 1927-1928
|
|
Box
142
Folder
7
|
File #705: George Schaefer testimonial dinner;
correspondence, 1936
|
|
Box
142
Folder
8
|
File #706: Immoral pictures cancellations; Born to be
Bad, 1934
|
|
Box
142
Folder
9
|
File #707: Congress Theatre vs. Sol Rosenblatt et al.; bill
of complaint, 1934 : Theatre claims that the “Code of Fair Competition for the
Motion Picture Industry” would injure it and asks for relief.
|
|
Box
142
Folder
10
|
File #708: UAC vs. Merlin Aylesworth et al.; individually and
as constituting the Code Authority, 1934 : On the 10% Exclusion rule.
|
|
Box/Folder
142/11-143/4
|
File #710-11: National Recovery Administration Code for
Producers of Motion Pictures; correspondence, memoranda, miscellaneous,
including texts, manuals, etc., 1933-1936
|
|
|
-NRA Motion Picture Laboratory Industry Code, 1934
|
|
Box/Folder
143/5-144/3
|
File #709: NRA Code; miscellaneous claims, 1934-1937 : These cases are not included in the index.
|
|
|
-Gem and Cozy Theatres vs. Universal Film
Exchange
|
|
|
-Roosevelt Theatre, Inc. vs. UAC
|
|
|
-Rubin Frels vs. Jefferson Amusement Company
|
|
|
-Harry Simons vs. Spark Enterprises et al.
|
|
|
-World Theatre vs. Fox Film et al.
|
|
|
-Miscellaneous claims
|
|
Box
144
Folder
4
|
File #712: Reliance Theatre, Inc. vs. Schine Theatrical
Company; correspondence, etc., 1934 : NRA Code grievance.
|
|
Box/Folder
144/5-145/3
|
File #713: UAC Mexico (Artistas Unidos, S.A.);
correspondence, minutes, agreements, powers of attorney,
miscellaneous, 1926-1945
|
|
|
-Correspondence, 1926-1945
|
|
|
-Minutes, 1930-1933
|
|
|
-Agreements, powers, miscellaneous, 1926-1934
|
|
Box
145
Folder
4
|
File #714: RKO Pathé Export Corporation and UAC;
distribution agreement for Mexico, 1931
|
|
Box
145
Folder
5
|
File #715: Mexican Labor Laws; Federal Labor Law; and
related correspondence, 1931-1932
|
|
Box
145
Folder
6
|
File #716: Columbia Pictures and UAC; proposed Mexican
distribution agreement, 1932
|
|
Box
145
Folder
7
|
File #717: Banco Credito Popular and UAC; correspondence;
and Jose Caraboza and UAC; agreement for El Superloco, Que Hago con la Criatura, 1936-1941
|
|
Box
145
Folder
8
|
File #718: Antonio Manero and UAC; foreign distribution
agreement, 1934
|
|
Box
145
Folder
9
|
File #719: Bustamante y de Funtes and UAC; agreement for
Alla en al Rancho Grande and correspondence, 1936-1938
|
|
Box
145
Folder
10
|
File #720: Filipe Mier, Cinematografica Internacional and
UAC; agreement and correspondence for Aguila O Sol, Asi Es Me Tierra, Perjura, 1937-1943
|
|
Box
145
Folder
11
|
File #721: Guz Aguila Films and UAC; agreement for La
Justicia de Pancho Villa, 1939-1941
|
|
Box
145
Folder
12
|
File #722: Films de Artistas Mexicanos Associados and UAC;
agreement and correspondence for Refugiados en
Madrid, 1938
|
|
Box
145
Folder
13
|
File #723: Producciones Salvidor Osio; agreement for
La Venus de Fuego, 1948
|
|
Box
145
Folder
14-15
|
File #724: Mundus Distributing Corporation vs. Sound
Theatre; miscellaneous claims, 1936
|
|
Box
146
Folder
1-3
|
File #725: Mundus Distributing Corporation; incorporation
papers, minutes, agreements, and correspondence, 1934-1938 : Subsidiary of UAC.
|
|
Box
146
Folder
4-5
|
File #726: Pedro Llanuza vs. Columbia Pictures et al.;
correspondence and legal papers, 1935-1938 : Llanuza claims the producers used his idea of producing cartoons
containing caricatures of film stars.
|
|
Box
146
Folder
6
|
File #727: Illinois vs. Leander McCormick; correspondence
and legal papers, 1932 : State attempts to get a tax lien on the theatre used by Chicago UA
Theatre Company.
|
|
Box
146
Folder
7
|
File #728: Dade Enterprises and UAC; exhibition
agreement, 1936
|
|
Box/Folder
146/8-147/3
|
File #729: Chicago United Artists Theatre Corporation;
minutes, correspondence, and miscellaneous, 1928-1934
|
|
|
-Minutes, miscellaneous, correspondence, 1929-1932
|
|
|
-Correspondence, 1933-1934
|
|
Box
147
Folder
4-6
|
File #730: 45 West Randolph Street Theatre Corporation,
Chicago; minutes, by-laws, agreements, correspondence, and
miscellaneous, 1929-1942
|
|
Box
147
Folder
7-8
|
File #731: DeWolf and Company and UA;
correspondence, 1928-1930 : Concerning DeWolf, a Chicago banking company, and UA Theatres,
Chicago.
|
|
Box
147
Folder
9
|
File #732: Dipson-Zimmerman Circuit and UAC;
correspondence, 1927 : United Artists attempts not to do business with the circuit.
|
|
Box
147
Folder
10
|
File #733: N.J. Moore, American Trust and Safe Deposit
Company, and Leander McCormick; correspondence, agreements relating to
the Chicago UA Theatre building, 1927-1928 : This building was originally the Apollo Theatre.
|
|
Box
148
Folder
1-6
|
File #735: United Artists Theatre Circuit; minutes,
agreements, correspondence about the Apollo Theatre,
Chicago, 1926-1928
|
|
Box
148
Folder
7-8
|
File #734: Publix Theatres Corporation and UAC agreements
and correspondence, 1927
|
|
Box
149
Folder
1-3
|
File #736: Wometco Theatres vs. UAC; correspondence and
legal papers, 1934-1941 : Includes material on various lawsuits involving Wometco.
|
|
Box
149
Folder
4
|
File #737: Victor Talking Machine Company and UAC; agreement
for sound facilities, 1928
|
|
Box/Folder
149/5-150/4
|
File #738-740: German Distribution; correspondence,
agreements, financial papers, and miscellaneous, 1925-1950
|
|
|
-General correspondence, 1936-1950
|
|
|
-Correspondence, 1925-1935 (-1960)
|
|
|
-UFA Films Inc. and UAC; agreements and correspondence,
1929-1944
|
|
|
-UA Film-Verleih, IFA Film Verleih, Emelka Bayerische
Company, etc.; agreements, financial statements
|
|
Box
150
Folder
5-7
|
File #741: Gloria Swanson and UAC; agreements and
miscellaneous, 1923-1932
|
|
|
File #742: Gloria Swanson and UAC; correspondence
|
|
Box
150
Folder
8
|
1927-1930
|
|
Box
151
Folder
1
|
1931-1937
|
|
Box
151
Folder
2
|
File #743: Gloria Swanson; Queen Kelly
correspondence, 1932 : Concerning UA's non-acceptance of Queen Kelly as
qualifying Swanson to receive stock.
|
|
Box
151
Folder
3-4
|
File #748: Columbia Pictures Distributing Company and UAC;
Walt Disney contracts; correspondence, drafts and
agreements, 1930-1936
|
|
Box
151
Folder
5
|
File #749: Walt Disney Productions Ltd. and UAC; agreements
and miscellaneous, 1932-1936
|
|
Box
151
Folder
6-7
|
File #751: Walt Disney Productions Ltd.; correspondence and
miscellaneous correspondence, 1932-1936
|
|
Box
151
Folder
8
|
File #750: Ameranglo Corporation vs. Walt E. Disney et al.;
warrant of attachment, correspondence, 1932-1933
|
|
Box
151
Folder
9
|
File #752: Columbia Pictures and UAC; agreement for
Denmark, 1932-1933
|
|
Box
151
Folder
10-12
|
File #753: Columbia Pictures and UAC; agreements for Spain,
correspondence and agreements, 1931-1936
|
|
Box
152
Folder
1-2
|
File #754: Columbia Pictures and UAC; agreements for Brazil;
correspondence, 1931-1937
|
|
Box
152
Folder
3
|
File #755: Columbia Pictures; agreement for distribution of
Mickey Mouse shorts in Philippines, 1934
|
|
Box
152
Folder
4
|
File #756: Columbia Pictures and UAC; agreement for
distribution of Mickey Mouse shorts in New Zealand, 1934-1935
|
|
Box
152
Folder
5
|
File #757: MGM Films and Culver Export Corporation and UAC;
agreement for South African distribution of Disney shorts, 1934
|
|
Box
152
Folder
6
|
File #758: RKO Productions and UAC; agreement for French
version of The Queen's Husband, 1930
|
|
Box
152
Folder
7
|
File #759: Emile Henrotay defalcation, Belgium;
correspondence, 1933-1934
|
|
Box
152
Folder
8
|
File #760: RKO Theatres Operating Corporation; receivership,
and correspondence, 1933
|
|
Box
152
Folder
9
|
File #762: UAC vs. Worcester Olympia Company; correspondence
and legal papers, 1928-1932 : UA claims that the failed Worcester Capitol Company was a creation
of Worcester Olympia Company and that thus money is still owing to
UA.
|
|
Box
152
Folder
10
|
File #763: Cecil B. DeMille Productions and UAC; unexecuted
agreement, 1928
|
|
Box
152
Folder
11
|
File #764: St. George's Productions Ltd., Rex Ingram, and
UAC; correspondence, 1930 : Ingram wants UA to pay him money owed him by the liquidated St.
George's Productions for The Three Passions.
|
|
Box
152
Folder
12
|
File #765: UAC vs. Spray Amusement Company; record and
correspondence, 1928-1929 : For monies owed to UAC.
|
|
Box
152
Folder
13
|
File #767: UAC vs. Consolidated Film Company;
correspondence, 1931-1932 : For losses incurred by a badly printed film.
|
|
Box
152
Folder
14
|
File #768: UAC vs. Schine Theatres Company, Inc.;
correspondence, etc., 1928-1929 : For monies owed to UAC.
|
|
Box
152
Folder
15
|
File #769: Captain John Connell and UAC; agreement for
autogyro advertising, 1932
|
|
Box
152
Folder
16
|
File #770: UAC vs. Aress Amusement, Betty Theatre
Corporation, Harkins and Murphy, Webster Theatre, Inc.; legal
papers, 1928 : For monies owed to UAC.
|
|
Box
152
Folder
17
|
File #771: Whitman Bennett and UAC;
correspondence, 1926-1935 : Letters from Bennett commenting on the film business, the rare book
business, technical advising for films, and Jesse Lasky.
|
|
Box
152
Folder
18
|
File #772: John Gilbert and UAC; correspondence and
agreement, 1928
|
|
Box
152
Folder
19
|
File #773: Max Linder estate and UAC; correspondence, 1928 : On disposition of film royalties owed to the estate.
|
|
Box
152
Folder
20
|
File #774: Mary Pickford and Hollywood Dollies Inc.;
correspondence and agreements, 1926-1927 : For paper dolls of Pickford.
|
|
Box/Folder
152/21-153/7
|
File #775-776: Douglas Fairbanks, Mary Pickford, Joseph
Schenck, and UAC; agreements, contracts, leases, correspondence, and
miscellaneous relating to various studios, to Feature Productions Inc., and to
20th Century-Fox, 1925-1947
|
|
|
-Correspondence, 1926-1933 June
|
|
|
-Correspondence, 1933 July-1947
|
|
|
-Agreements, etc., 1925-1947
|
|
|
-20th Century and Feature Productions stock transactions,
1933-1934 : Consists of matters concerning all of the UAC stockholders during
the period.
|
|
Box
153
Folder
8
|
File #777: UAC; California license to do business, 1926
|
|
Box
153
Folder
9-10
|
File #780: Antonio Albiani vs. UAC; correspondence and legal
papers, 1928-1933 : On a lease for a building in Boston.
|
|
Box
154
Folder
1
|
File #781: UAC; Boston, Massachusetts correspondence, 1930-1934
|
|
Box
154
Folder
2
|
File #779: Pickford and Fairbanks companies agreement with
Sidney Grauman, 1926
|
|
Box
154
Folder
3-4
|
File #782: Harlou, Inc. and Quintral, Inc. vs. Frank J.
Taylor as Comptroller of the City of New York et al.; record, legal
papers, miscellaneous, 1936 : Harlou and Quintral refuse to pay city sales tax assessed against
UA.
|
|
Box
154
Folder
5
|
File #783: Henry Frieder and Henry Grossman vs. Soteros D.
Cocalis, et al.; correspondence and legal papers, 1937 : To enjoin Cocalis from operating a theatre in New York.
|
|
Box/Folder
154/6-155/3
|
File #784-786: UAC vs. Frank J. Taylor as Comptroller for
the City of New York; correspondence, legal papers, brief, etc. on City
tax matters, 1935-1949
|
|
|
-Correspondence, briefs, record
|
|
|
-Miscellaneous papers and correspondence on gross receipts tax, 1937-1938
|
|
Box
155
Folder
4
|
File #744: Gloria Swanson and UAC; Perfect
Understanding correspondence, 1932-1933 : Includes copy of short story “Perfect Understanding” by
Miles Malleson.
|
|
Box
155
Folder
5-7
|
File #745: Gloria Swanson; sale of UAC stock;
correspondence, agreements, miscellaneous, 1933-1934 : Includes agreements with various Swanson companies.
|
|
Box
155
Folder
8-9
|
File #746: Walt Disney Productions Ltd., Sweden;
correspondence, agreements, miscellaneous, 1936-1948 : Includes much material on Disney matters in general; Victory
Through Air Power agreements.
|
|
Box
155
Folder
10
|
File #747: Walt Disney Productions; mortgages, 1931-1937
|
|
Box
156
Folder
1-3
|
File #787: Liberty Theatre, Kansas City, Missouri;
correspondence relating to a theatre owed by UAC, 1926-1929 : UA Theatre Company of Kansas City.
|
|
Box
156
Folder
4
|
File #788: Sam Taylor, Feature Productions and UAC;
correspondence and contracts, 1929-1930 : Contracts for Taylor to direct films.
|
|
Box
156
Folder
5
|
File #789: Warner Brothers Pictures and UAC; agreement and
correspondence, 1929-1930 : UA agrees to distribute a number of Warner films.
|
|
Box
156
Folder
6
|
File #790: Warner Bros. Theatres and UAC; distribution of
One Heavenly Evening; correspondence, 1931
|
|
Box
156
Folder
7
|
File #791: Warner Bros. Circuit Management Corporation and
UAC; distribution agreement and correspondence, 1933
|
|
Box
156
Folder
8
|
File #792: Stanley Company of America and UAC; distribution
agreement and correspondence for Philadelphia, 1931-1934
|
|
Box/Folder
156/9-157/2
|
File #793: Warner Bros. Theatres and UAC; franchise
agreement and correspondence, 1930-1934
|
|
|
-Correspondence, 1930-1934
|
|
|
-Agreements, miscellaneous, 1930, undated
|
|
|
-Agreements, miscellaneous, 1931-1933
|
|
|
-Court proceedings: Warner vs. Majestic Pictures
Corporation
|
|
Box
157
Folder
3
|
File #794: UAC; miscellaneous copyright claims and
correspondence, 1932-1937
|
|
Box
157
Folder
4
|
File #795: MGM Distributing Corporation vs. Bijou Theatre
Company, et al.; correspondence and legal papers, 1931-1933 : Exhibitor showing pictures more often than contracted for is sued
for copyright violation.
|
|
Box
157
Folder
5
|
File #796: Copyright Law; correspondence, copies of law,
miscellaneous, 1931-1935
|
|
Box
157
Folder
6
|
File #797: Medal Film Exchange, Frederick Knocke and UAC;
distribution agreement for Puerto Rico, 1930-1931
|
|
Box
157
Folder
7
|
File #798: Rafael Ramos Cobian and UAC; exhibition agreement
for Puerto Rico, 1930-1931
|
|
Box
157
Folder
8
|
File #799: Sam Fox Music Publishing Company and UAC; license
agreement and correspondence, 1930-1935
|
|
Box
157
Folder
9
|
File #800: Paramount Publix Corporation and UAC; dispute
over exhibition of The Royal Family, 1931 : Paramount exhibited the film in a theatre other than that jointly
owned with UAC.
|
|
Box
157
Folder
10
|
File #801: MGM and UAC; agreement and correspondence for MGM
to distribute UA films in the Far East, 1925-1929
|
|
Box
157
Folder
11
|
File #802: Inspiration Pictures, Edwin Carewe and UAC;
agreements and correspondence for Resurrection and
Ramona, 1926-1934
|
|
Box
157
Folder
12
|
File #803: J.F. Madan and Company, Madan Theatres and UAC;
exhibition agreements for India, 1929-1932
|
|
Box
158
Folder
1
|
File #804: New York City vs. John Helber, 1933 : Helber threatens to bring suit after he is judged not guilty of
disorderly conduct in a theatre.
|
|
Box
158
Folder
2
|
File #805: Al Lichtman; employment agreements with
UAC, 1930-1935
|
|
Box
158
Folder
3-5
|
File #806: Marks Bros. Theatres, et al. vs. Paramount Famous-
Lasky, et al.; correspondence, legal papers, 1928 : Anti-trust action.
|
|
Box
158
Folder
6
|
File #807: Marx Brothers and Paramount Publix Corporation;
agreement and correspondence, 1933 : UAC was negotiating a contract with the Marx Brothers, but they
eventually signed with Paramount.
|
|
Box
158
Folder
7
|
File #808: Marx Brothers and UAC; tentative agreement and
correspondence, 1933-1934
|
|
Box
158
Folder
8
|
File #809: Rock Beach, Inc. vs. UAC et al.; legal
papers, 1937 : Exhibitor sues UA to obtain clearance on showing film.
|
|
Box
158
Folder
9-10
|
File #810: Rock Beach, Inc. vs. Columbia Pictures, et al.;
legal papers, 1937 : Exhibitor sues distributors to obtain clearance on showing
films.
|
|
Box
159
Folder
1-3
|
File #811: D.W. Griffith and UAC; general matters,
correspondence, agreements; and disposal of stock and rights to
The White Slave, 1931-1942
|
|
Box
159
Folder
4
|
File #812: D.W. Griffith Inc. and UAC; correspondence on
On the Spot, 1931
|
|
Box
159
Folder
5
|
File #813: D.W. Griffith Inc. and UAC; agreements and
correspondence, 1931-1942
|
|
Box
159
Folder
6
|
File #814: D.W. Griffith; dispute with Paramount over title
rights to Limehouse Nights; correspondence, agreements with author Thomas Burke, treatment for Paramount, 1919-1934 : Griffith claims that Paramount's use of the title Limehouse
Nights will infringe on his Broken Blossoms, taken from a story, “The Chink and the Child,” from Thomas Burke's Limehouse Lights.
|
|
Box
159
Folder
7
|
File #815: John A. Manning vs. D.W. Griffith, Inc.;
stockholders' suit, 1935-1937 : Receivership of D.W. Griffith Inc.
|
|
Box
159
Folder
8
|
File #816-817: Kinemas Ltd. and UAC; South Africa
distribution agreement, 1929-1931
|
|
Box
159
Folder
9
|
File #818: Greenberg, Publisher Inc. vs. UAC;
correspondence and legal papers, 1934-1936 : Greenberg sues UA for allegedly using copyrighted material to
advertise The Mighty Barnum.
|
|
Box
159
Folder
10-12
|
File #819: International Variety and Theatrical Agency;
agreements and correspondence for South African distribution, 1925-1940
|
|
Box
160
Folder
1-2
|
File #820: Imperial Art Films and UAC; agreement and
correspondence for Sonadores de la Gloria, 1932-1936 : Also Tec-Art Studios correspondence on the film--1932-1934.
|
|
Box
160
Folder
3-4
|
File #821: Publix Theatre Corporation and UAC;
correspondence, 1927-1931
|
|
Box
160
Folder
5-6
|
File #822: Publix Theatre Corporation and UAC; agreements,
miscellaneous; incorporation papers, etc. for U.A.P. Theatre
Corporation, 1928-1933, 1927-1932 : U.A.P. was jointly owned by UA and Publix.
|
|
Box
160
Folder
7
|
File #823: Publix Theatres Corporation and UAC; arbitration
over rental of Goldwyn pictures, 1931-1932
|
|
Box
160
Folder
8
|
File #824: Publix Theatre Corporation; Lummox dispute, 1930 : Publix refuses to exhibit Lummox because of its poor
quality.
|
|
Box/Folder
160/9-161/2
|
File #826: Paramount Publix and UAC; miscellaneous claims, 1930-1936 : Includes anti-trust action.
|
|
Box
161
Folder
3
|
File #827: Paramount Publix Corporation; bankruptcy, 1933-1935
|
|
Box
161
Folder
4
|
File #828: Paramount Publix Corporation; receivership, 1933-1935
|
|
Box
161
Folder
5
|
File #829: Paramount Publix Corporation and UA Theatre
Corporation of Los Angeles; agreement for Publix to operate
theatre, 1931-1932
|
|
Box
161
Folder
6-7
|
File #830: Associated Authors; correspondence, ageements,
loan information, 1919-1928 : Included Pickford, Goldwyn, Chaplin, Griffith, and Fairbanks.
|
|
Box
161
Folder
8-12
|
File #831: UAC stock agreements; Chaplin, Fairbanks,
Griffith, Pickford, Schenck; correspondence and agreements, 1919-1926
|
|
Box
162
Folder
1
|
File #832: Douglas Fairbanks, The Elton Corporation and UAC;
agreement and correspondence, 1926-1930
|
|
Box
162
Folder
2
|
File #833: The Elton Corporation and UAC; agreements and
correspondence, 1936-1940
|
|
Box
162
Folder
3
|
File #834: William Smalley vs. UAC; correspondence and legal
papers, 1928 : Smalley sues to enjoin UA from renting a number of films to other
exhibitors.
|
|
Box
162
Folder
4
|
File #835: Rowland-Brice Productions and UAC; agreement for
Sweet Adeline, 1933
|
|
Box
162
Folder
5
|
File #836: Northwest Film Exhibitors Board of Trade and UAC;
correspondence, 1928
|
|
Box
162
Folder
6
|
File #837: Folies Bergère Producing Company vs. 20th
Century Productions et al.; legal papers, 1934-1940 : On use of the name “Folies Bergère.”
|
|
Box
162
Folder
7
|
File #838: W. Lester Levy vs. UAC et al.; legal papers and
correspondence, 1934 : Levy claims the film The Bowery was based on his
manuscript.
|
|
Box
162
Folder
8
|
File #839: 20th Century Pictures and UAC; correspondence and
synopsis for Advice to the Lovelorn, 1933-1934
|
|
Box
162
Folder
9
|
File #840: 20th Century Pictures and UAC; two hundred
thousand dollar loan; correspondence, 1933-1935
|
|
Box
162
Folder
10
|
File #841: Photoplay Publishing Company; agreement for radio
advertising show, 1934-1935
|
|
Box
162
Folder
11
|
File #843: Associated Screen News Ltd. and UAC; laboratory
agreement, 1928
|
|
Box
162
Folder
12-13
|
File #845: 20th Century Pictures and UAC; distribution
agreements and correspondence, 1934-1936 : Also stockholder-producer agreements and correspondence.
|
|
Box
162
Folder
14-15
|
File #846: 20th Century Pictures and UAC; miscellaneous agreements
and correspondence, 1933-1941
|
|
Box
163
Folder
1-2
|
File #847: British and Continental Trading Company, Barnstyn
Film Distributie and UAC; agreements and correspondence, 1924-1947
|
|
Box
163
Folder
3
|
File #848: UAC; British controversy; correspondence, 1929 : A corporation is set up by outsiders using the name British United
Artists.
|
|
Box
163
Folder
4-8
|
File #849-853: British and Continental Company and UAC;
agreements
|
|
|
-Philippine Islands
|
|
|
-Far East
|
|
|
-Australia
|
|
|
-Mexico
|
|
|
-With S. Samuels of Interworld Film, 1933-1937
|
|
Box
163
Folder
9
|
File #854: Franz Bard and UAC; license agreement, 1931 : For music.
|
|
Box
163
Folder
10
|
File #855: Eric Karle vs. UAC; legal papers, 1928 : Suit for damages from breach of contract.
|
|
Box
163
Folder
11
|
File #856: Duplex Motion Picture Industries; correspondence
on proposed patent suit, 1928
|
|
Box
163
Folder
12
|
File #857: Two Arabian Knights; correspondence, 1928 : An Italian claims this film was copied from his earlier film.
|
|
Box
163
Folder
13
|
File #858: UAC vs. Variety Amusement Company et al.;
correspondence, 1928 : On the settlement of a lawsuit.
|
|
Box
163
Folder
14
|
File #859: Capitol-Lyric Company vs. Pathé Exchange, Inc.,
et al.; bill in equity, 1928 : Exhibitor seeks injunction to prevent distributors from enforcing
arbitration clause.
|
|
Box
163
Folder
15
|
File #860: Jefferson and Lafayette Theatres Inc. and UAC;
franchise proposal, 1930
|
|
Box
163
Folder
16
|
File #861: Principal Pictures Corporation and UAC; agreement
for The Winning of Barbara Worth, 1925-1926
|
|
Box
163
Folder
17
|
File #862: UA Studio Corporation and UAC; agreement for KMTR
Radio Corporation, 1931
|
|
Box
163
Folder
18
|
File #863: Gustav Mohme and UAC; power of attorney for
Chile, 1928-1930
|
|
Box
163
Folder
19
|
File #864: Laura D. Sprague vs. UAC; correspondence and
legal papers, 1934-1935 : For breach of contract for second run rights.
|
|
Box
163
Folder
20
|
File #865: Col. Marcel de Passy and UAC; agreement for use
of a speed-boat to advertise the film Corsair, 1931
|
|
Box
163
Folder
20
|
File #866: Moulin Rouge exploitation tour;
correspondence and contracts, 1934-1935
|
|
Box
163
Folder
21
|
File #867: Nathan Burkan as executor vs. N.V. Kukenmeisters
Internationale Maatschappij voor Sprekende Films, 1931-1934
|
|
Box
164
Folder
1
|
File #868: Consolidated Film Industries and UAC; Film
Laboratory agreement and correspondence, 1931-1941
|
|
Box
164
Folder
2
|
File #869: Amusement Securities Company and UAC;
distribution agreement for White Zombie, 1932-1938
|
|
Box
164
Folder
3
|
File #870: Music of American Artists, Inc. vs. Halperin
Productions, 1932-1933 : Warrant of attachment.
|
|
Box
164
Folder
4
|
File #871: Robert Halperin vs. Amusement Securities et al.;
correspondence, 1933 : Garnishment.
|
|
Box
164
Folder
5
|
File #872: Infringement of White Zombie on
the play Zombie; correspondence, 1932-1933
|
|
Box
164
Folder
6
|
File #873: People (Chuck Connors) vs. Wright;
correspondence, 1933-1934 : Alleged libel in The Bowery.
|
|
Box
164
Folder
7
|
File #874: Stanley-Fabian Corporation and UAC; exhibition
agreement, 1927-1930
|
|
Box
164
Folder
8
|
File #875: Epoch Producing Company and UAC; distribution
agreement for Birth of a Nation, 1926
|
|
Box
164
Folder
9
|
File #876: Park Theatres and UAC; correspondence on six-
month clearance, 1931-1932
|
|
Box
164
Folder
10
|
File #877: Max Winkler and UAC; indemnity insurance
negotiation correspondence, 1931
|
|
Box
164
Folder
11
|
File #878: Murray Silverstone and UAC; power of
attorney, 1928
|
|
Box
164
Folder
12-13
|
File #879: Paramount Pictures Distributing Company vs.
Harold Henneford et al., tax commissioners for the State of Washington;
legal papers and correspondence, 1933-1939 : Suit to prevent levying of Washington State Occupational Tax.
|
|
Box/Folder
164/14-165/1
|
File #880: Joseph Schenck and UAC; agreements, 1923-1932 : Includes agreements related to Reliance Pictures Inc.
|
|
Box
165
Folder
2-4
|
File #881: Joseph Schenck and UAC; correspondence, 1929-1948
|
|
Box
165
Folder
5-7
|
File #882: Joseph Schenck, Reliance Pictures, Edward Small,
Harry Goetz, and UAC; correspondence and agreements, 1932-1946 : Includes articles of incorporation, etc. of Reliance Pictures.
|
|
Box
165
Folder
8-9
|
File #883: Reliance Pictures, Edward Small, Harry Goetz, and
Box-beech Corporation; agreements and correspondence, 1934-1936 : Also Reliance Pictures security agreements with the Bank of
America.
|
|
Box
166
Folder
1-5
|
File #884: Reliance Pictures; copyright and synopses for
The Count of Monte Cristo, The Last of the Mohicans, Let 'em Have It, The Melody Lingers On, and Red Salute, 1934-1936
|
|
Box
166
Folder
6
|
File #885: Reliance Pictures and Edward Small; copyright and
synopsis for Transatlantic Merry-Go-Round, 1934-1935
|
|
Box
166
Folder
7
|
File #886: Sociedade Commerciale e Constructora Ltda. and
UAC; licensee agreement, 1925
|
|
Box
166
Folder
8
|
File #887: Edward Delaney and UAC; correspondence, 1932-1933 : UA withholds Delaney's salary because of a discrepancy in his
accounts.
|
|
Box
166
Folder
9
|
File #888: Tom Chakalis vs. UAC; correspondence and legal
papers, 1928 : Exhibitor attempts to break contract.
|
|
Box
166
Folder
10
|
File #889: UAC; powers of attorney for India, 1928-1949
|
|
Box
166
Folder
11
|
File #890: UAC; standard exhibition contract; miscellaneous data on
Railway Express Film Company Inc., 1924-1929
|
|
Box
166
Folder
12
|
File #891: Buster Keaton Productions Inc. and UAC;
agreements and correspondence, 1926-1927
|
|
Box
166
Folder
13
|
File #892: Federal Trade Commission and UAC; correspondence, 1927-1928 : UAC is accused of “block booking.”
|
|
Box
166
Folder
14
|
File #893: Alliance Film Corporation Ltd., British and
Dominions Film Corporation Ltd. and UAC, 1926-1932 : Ownership agreements and correspondence for
Carnival.
|
|
Box
166
Folder
15
|
File #894: Caroline Periello vs. UAC; correspondence and
legal papers, 1938-1942 : Exhibitor contests clearances.
|
|
Box
166
Folder
16
|
File #895: Bradley vs. UAC and Walter Wanger Productions;
legal papers and correspondence, 1938 : Bradley sues for libel in connection with I Met My
Love.
|
|
Box
166
Folder
17
|
File #896: Theatre Displays Company, et al. and UAC;
correspondence, 1937-1938 : Piracy of advertising materials by various companies.
|
|
Box/Folder
166/18-167/1
|
File #897: MPPDA; anti-trust actions, 1936-1938 : Correspondence on Government actions, individual cases, and
miscellaneous.
|
|
Box
167
Folder
2-7
|
File #901: MPPDA; Government anti-trust cases, 1941 : Correspondence including discussion of Board of Review Plan.
|
|
Box
168
Folder
1
|
File #899: UA Theatre Circuit; Major Peter Thomas and London
theatre; correspondence and miscellaneous, 1926-1927
|
|
Box
168
Folder
2
|
File #900: UA Theatre Circuit; correspondence on proposed
new London theatre, 1930
|
|
Box
168
Folder
3-4
|
File #902: David George vs. Caddo Company; correspondence on
suit over copyright for the song “Wreck of the Old 97” used
in Scarface, 1933-1941 : Also dialogue continuity for Scarface.
|
|
Box
168
Folder
5-7
|
File #903: Caddo Company and UAC; correspondence and
agreement for Hell's Angels, 1927-1942 : Includes material on Sky Devils.
|
|
Box/Folder
168/8-169/3
|
File #904-905: The Caddo Company, Hughes Tool Company and
UAC; correspondence and agreements for various films, 1927-1939 : Includes Cock of the Air, Hell's Angels, Front Page, Scarface, Sky Devils, and Age for Love.
|
|
Box
169
Folder
4-5
|
File #906: The Caddo Company and UAC; reductions, rebates,
and adjustments, 1928-1939
|
|
Box
169
Folder
6
|
File #907: The Caddo Company and UAC; agreement and
correspondence for Front Page, 1931-1933
|
|
Box
169
Folder
7
|
File #908: The Caddo Company and UAC; agreements and
correspondence for Cock of the Air and Sky
Devils, 1931-1936
|
|
Box/Folder
169/8-170/1
|
File #909: UAC vs. Amity Amusement Corporation and Midtown
Theatres; correspondence, briefs, memoranda, clippings, 1944-1947 : UA sues to force exhibitors to play The Outlaw despite censor boards' threats to prosecute them. Clippings from Milwaukee newspapers.
|
|
Box
170
Folder
2-5
|
File #910: Charlotte Mays vs. Chemical Bank and Trust Company and vs. Servicio Aereo Colombiano; correspondence, legal papers, briefs, 1938-1943 : Howard Hughes attempts to sell an airplane to a South American
country and sues airline and bank for damages when the deal falls
through.
|
|
Box
170
Folder
6
|
File #911: Mary DePoe vs. Howard Hughes; correspondence
mainly related to the liquidation of the Southern Surety Company, the
insuring company for Hughes, 1933-1937 : Correspondence.
|
|
Box
170
Folder
7-9
|
File #912: Richard Barry vs. Howard Hughes et al.; plagiarism
case on Hell's Angels; correspondence and legal
papers, 1929-1941 : Contains copy of original story “Somewhere in Mexico” by
Robert Mears Mackay and release dialogue script for Hell's
Angels.
|
|
Box
171
Folder
1-2
|
File #913: People of the State of New York vs. John Markle;
correspondence and legal papers, 1947-1948 : Tenants in adjoining buildings complain that the lights of the
Broadway Theatre managed by Markle disturb their sleep.
|
|
Box
171
Folder
3
|
File #914: Bennie F. Zeidman Productions Ltd. and UAC;
agreement and correspondence for Samarang, 1932-1936
|
|
Box
171
Folder
4
|
File #915: Zeidman Film Corporation and UAC; foreign
distribution agreement for sixteen films, 1936
|
|
Box
171
Folder
5-6
|
File #916: John Krimsky and Gifford Cochran Inc. and UAC;
agreement and correspondence for The Emperor Jones, 1933-1942
|
|
Box
171
Folder
7
|
File #917: John Krimsky and Gifford Cochran Inc. vs. UAC, 1940 : Producers sue for various breaches of contract for The
Emperor Jones.
|
|
Box
171
Folder
8
|
File #918: UAC and State of Ohio; correspondence and
documents relating to taxation and laws, 1928-1935
|
|
Box
171
Folder
9-11
|
File #919-921: UAC and Amkino Corporation; agreements for
Russian distribution, 1928-1942 : Includes American distribution agreement for the film The
Rout of the Nazis.
|
|
Box
171
Folder
12
|
File #923: L.A. Hummel vs. UAC; correspondence, 1928-1929 : Former employee sues for back wages.
|
|
Box
171
Folder
13
|
File #924: Miscellaneous collected checks;
correspondence, 1932-1938 : Attorney's fees.
|
|
Box
171
Folder
14
|
File #925: Max Erenreich and Arturos Cairo claim;
correspondence, 1928-1933 : Argentine defalcation.
|
|
Box
171
Folder
15
|
File #926: Addie Company, Inc. vs. UAC; correspondence,
etc., 1936-1937 : Breach of clearance suit.
|
|
Box
171
Folder
16
|
File #927: Grossman Theatres, Inc. vs. UAC; correspondence
and legal papers, 1934-1935 : Exhibitor sues for non-delivery of allegedly contracted-for
pictures.
|
|
Box
172
Folder
1
|
File #928: Ira Simmons and UAC; agreement for the short
subject, “Bazaar,” 1937
|
|
Box
172
Folder
2
|
File #929: State of Alabama vs. Roy Emenhiser; manslaughter
case in which O'Brien office was somehow involved; correspondence, 1936
|
|
Box
172
Folder
3
|
File #930: George Garfield vs. Charter Film Productions,
Ltd., et al.; correspondence, legal papers and settlement, 1940-1945 : Garfield, administrator for the estate of Ernst Toller, sues for
copyright violation of Toller's play “Pastor Hall” by the
film of the same name.
|
|
Box
172
Folder
4
|
File #931: UAC; loans for production; correspondence and
opinions, 1932-1933 : Opinions on the corporation's legal right to lend money to
producers.
|
|
Box
172
Folder
5
|
File #932: Joseph Auerbach, et al., vs. UAC, et al.; legal
papers, 1941-1943 : Attachment of property of Grand National Pictures.
|
|
Box
172
Folder
6
|
File #933: Grand National Films (James Roosevelt) and UAC;
correspondence, 1940-1949 : Pastor Hall (w/copyright and synopsis) and Pot O'
Gold
|
|
Box
172
Folder
7
|
File #934: James Roosevelt and UAC; agreements and
correspondence for Pastor Hall, and Pot
O'Gold, 1940-1946 : Includes synopsis, copyright for Pot O'Gold.
|
|
Box
172
Folder
8
|
File #935: Auerbach Film Enterprises, Ltd. vs. UAC; legal
papers, 1948-1949 : Auerbach sues UA for money earned by films bought by Auerbach from
Grand National Pictures.
|
|
Box
172
Folder
9
|
File #936: Dallas Exchange: Doak Roberts matter;
correspondence, 1932-1935 : Concerning irregularities in exchange manager Roberts'
bookkeeping.
|
|
Box/Folder
173/1-175/11
|
File #937-939: USA vs. Balaban and Katz, et al.;
correspondence, briefs, legal papers, transcripts of testimony, and
miscellaneous, 1938-1941 : Anti-trust action.
|
|
|
-Record, legal papers
|
|
|
-Correspondence, miscellaneous
|
|
|
-Transcripts before Special Master, 1939 May 17-
1939 June 28
|
|
|
-Transcripts before Special Master, 1939 June 29-1941
|
|
Box
176
Folder
1
|
File #940: Caroline Nabuco vs. UA of Brazil, etc.; correspondence : Brazilian author claims Daphne du Maurier's novel, Rebecca and the film by the same name were copied from her original
novel. See also Box 178, 179.
|
|
Box
176
Folder
2
|
File #941: David O. Selznick; copyright for newspaper story,
“Bill's Ship Got Sailing Orders...” by Helen
Worden, 1941
|
|
Box
176
Folder
3
|
File #942: David O. Selznick Productions and British and
Dominions Film Corporation; agreements for title to Brewster's
Millions, 1920-1942
|
|
Box
176
Folder
4
|
File #943: David O. Selznick and John P. Marquand; agreement
for So Little Time, 1943
|
|
Box
176
Folder
5-8
|
File #944: David O. Selznick Productions, Selznick
International Pictures, and UAC; correspondence, 1935-1941
|
|
Box/Folder
176/9-177/2
|
File #945: David O. Selznick Productions, Selznick
International Pictures, and UAC; correspondence. Vanguard Films Inc.
and UAC; correspondence, 1942-1943
|
|
Box
177
Folder
3
|
File #946: Beckham, et al., vs. UAC; regarding The
Adventures of Tom Sawyer; correspondence, 1938 : Composer complains that his music was used in
the film.
|
|
Box
177
Folder
4
|
File #947: Daniel O'Shea and UAC; agreement and
correspondence for Contraband (Blackout), 1940-1942
|
|
Box
177
Folder
5
|
File #948: Astra Pictures, Inc. vs. David O. Selznick,
Daniel O'Shea, et al.; correspondence and record, 1943-1945 : Astra sues over non-fulfillment of a verbally agreed upon
distribution contract. See also Box 178, Folder 1 for correspondence.
|
|
Box
177
Folder
6
|
File #949: Rose Franken (Meloney) and David O. Selznick
Productions; agreements for literary rights to Claudia, 1940-1943
|
|
Box
177
Folder
7
|
File #950: Selznick, et al. and Transatlantic Pictures Inc.;
agreement for re-issue distribution of Selznick films, 1943-1944
|
|
Box
177
Folder
8
|
File #951: David O. Selznick Productions, Adventure Films,
Inc. and UAC; agreements for Kukan-Battle Cry of
China, 1942-1946 : Includes synopsis.
|
|
Box
177
Folder
9
|
File #952: Vanguard Films Inc., David O. Selznick; literary
and musical rights agreements and correspondence for Since You
Went Away, 1944-1945
|
|
Box
178
Folder
1
|
File #953: David O. Selznick, et al. and Astra Pictures,
Inc.; re-issue deal correspondence, 1943-1944 : See also Box 177, Folder 5 for lawsuit.
|
|
Box/Folder
178/2-179/3
|
File #954-955: Edwina MacDonald vs. Daphne du Maurier, et al.;
correspondence, record, opinions, cutting continuity for
Rebecca, 1941-1950 : MacDonald sues for damages from alleged plagiarism. See also Box
176, Folder 1.
|
|
Box
179
Folder
4-5
|
File #956: Copyright for Selznick pictures, 1936-1947 : Includes The Adventures of Tom Sawyer, Blackout*, Dead Is the Doornail, Duel in the Sun*, The Garden Allah, I'll Be Seeing You*, Intermezzo*, Made for Each Other*, Nothing Sacred, The Perils of Pauline, The Prisoner of Zenda, Rebecca*, Since You Went Away*, Spellbound, A Star Is Born, The Young in Heart (* indicates synopsis).
|
|
Box
179
Folder
6
|
File #957: Selznick International Pictures and Vivian Leigh;
agreements, 1939-1942 : Includes contract for Gone With the Wind.
|
|
Box
179
Folder
7
|
File #958: Vanguard Films vs. UAC, 1946-1947 : For breach of contract.
|
|
Box
179
Folder
8
|
File #959: Vanguard Films vs. Charles Chaplin, Mary
Pickford, et al., 1946-1947 : For inducing breach of contract.
|
|
Box
179
Folder
9
|
File #960: David-O. Selznick Productions and Louise Hovic
(also known as Gypsy Rose Lee); agreements for G-String
Murders, 1941-1942 : Release title: Lady of Burlesque.
|
|
Box
180
Folder
1-5
|
File #961: David O. Selznick Productions/Vanguard Films;
contracts with players: drafts, examples and correspondence, 1942-1946
|
|
|
Joan Roberts contract, 1944
|
|
|
Al Shean contract for Portrait of Jennie,
1947
|
|
Box
180
Folder
6
|
File #962: Victor Saville Productions and UAC; agreements
and correspondence, 1936-1946 : Includes Dark Journey, Storm in a Teacup copyrights and synopses.
|
|
Box
180
Folder
7
|
File #963: London Film Productions, Victor Saville
Productions, and UAC; correspondence on Action for Slander,
South Riding, 1937-1939 : Including synopsis of Action for Slander.
|
|
Box
180
Folder
8
|
File #964: Federal Trade Commission vs. UAC and Edward Small
Productions; correspondence on alleged false advertising of The
Man in the Iron Mask, 1940-1942 : Including pressbook, dialogue continuity and cutting continuity.
|
|
Box
180
Folder
9-10
|
File #965: Kit Carson libel suit; heirs of
John C. Fremont sue over alleged libelous aspects of Fremont's
portrayal in the film, 1939-1941 : Includes estimating script, dialogue continuity and picture
continuity.
|
|
Box
181
Folder
1-3
|
File #966: Jacob J. Milstein vs. Edward Small Productions;
correspondence, record, depositions, etc., 1939-1943 : Milstein, Small's New York representative, sues for his share of
profits from picture sales.
|
|
Box
181
Folder
4
|
File #967: Tonia Cabot vs. Edward Small Productions;
correspondence, 1941-1942 : Cabot claims International Lady infringes on her play
“Cuban Heels.”
|
|
Box
181
Folder
5
|
File #968: Shubert Theatrical Company vs. Edward Small
Productions; correspondence on rights to Up in Mabel's
Room, 1944 : Shuberts claim they own a 25% interest in the literary property.
|
|
Box
181
Folder
6
|
File #969: Betty Crosney (for estate of Sam Bernard) vs.
Edward Small Productions, 1943 : Suit over rights to Friendly Enemies.
|
|
Box
181
Folder
7-8
|
File #970: Edward Small Productions; copyrights and
correspondence, 1939-1946 : Includes Abroad with Two Yanks*, Brewster's Millions, The Corsican Brothers, The Duke of West Point, Friendly Enemies*, A Gentleman After Dark*, Getting Gertie's Garter, International Lady*, King of the Turf, Kit Carson*, The Man in the Iron Mask, Miss Annie Rooney*, Mr. V*, My Son, My Son*, The Son of Monte Cristo*, South of Pago-Pago*, Twin Beds, Up in Mabel's Room.
|
|
Box
181
Folder
9
|
File #971: Jewel Productions vs. UAC; legal papers, 1941 : For illegal conversion and breach of contract.
|
|
Box
181
Folder
10
|
File #972: Jewel Productions and UAC; foreign distribution
agreement for Forgotten Men, 1935
|
|
Box
181
Folder
11
|
File #973: Tower Films, Viking Productions, King Vidor, and
UAC; agreements and correspondence for Our Daily Bread, 1934-1936 : Includes synopsis.
|
|
Box
182
Folder
1
|
File #974: Pioneer Productions (John Hay Witney-Merriam
Cooper) and UAC; agreements and correspondence, 1935-1940
|
|
Box
182
Folder
2
|
File #975: R.B. Evens vs. UAC; correspondence, 1941-1942 : Exhibitor sues for rebate promised him by UA's salesman.
|
|
Box
182
Folder
3-10
|
File #976-977: MPPDA Committee on Title Registration, 1935-1943
|
|
|
-General correspondence, 1935-1943
|
|
|
-Eternal Love and Eternal Lover correspondence, 1936-1937
|
|
|
- Shanghai Gesture, Kate and Lil, 1941
|
|
|
-Miscellaneous legal papers, 1936-1943
|
|
|
-Minutes, 1936-1943
|
|
Box
183
Folder
1
|
File #978: Serge Adelheim vs. UAC; correspondence and legal
papers, 1940 : Adelheim sues for damages occasioned by the use of his song,
“Molchi, Grust, Molchi” in the film We Live
Again.
|
|
Box
183
Folder
2-5
|
File #979: Aetna Amusement Enterprises vs. Maine and New
Hampshire Theatres Company, et al.; record, briefs,
transcripts, 1938-1944 : Anti-trust action.
|
|
Box
183
Folder
6
|
File #980: Commonwealth Amusement Enterprises vs. Colonial
Theatres Company, et al.; correspondence and legal papers, 1935-1945 : Anti-trust action.
|
|
Box
183
Folder
7-8
|
File #981: John Colton vs. Arnold Productions Inc., et al.;
correspondence and legal papers, 1942-1943 : Colton claims plagiarism of the treatments he wrote for
Shanghai Gesture; includes treatments by John Colton and
a dialogue continuity.
|
|
Box
184
Folder
1-7
|
File #982-983: William S. Hart, Mary Hart, The William S.
Hart Company vs. UAC; memo of agreement, court papers, and
correspondence, 1925-1950 : Hart claims UA failed to live up to the distribution agreement for
Tumbleweeds; also Hart, et al. vs. UAC and Schenck; a
parallel lawsuit.
|
|
Box
184
Folder
8
|
File #984: Skouras Theatres Corporation vs. UAC; legal
papers, 1943 : Suit over clearances.
|
|
Box
184
Folder
9
|
File #985: European Film Distributors Ltd. and UAC;
agreement for foreign distribution of The Wife of General
Ling, 1937
|
|
Box/Folder
184/10-185/2
|
File #986: Ardmore Amusement Inc. vs. UAC; correspondence,
record, legal papers, transcript : Suit for breach of contract.
|
|
|
-Correspondence
|
|
|
-Record, etc., 1939-1943
|
|
Box
185
Folder
3-4
|
File #987: Lewis Pepperman vs. UAC; correspondence and legal
papers, 1941-1944 : Pepperman, a UA employee, was interned in Japan, and sues UA for
damages.
|
|
Box
185
Folder
5
|
File #988: Harold Hurley and UAC; agreement for four
pictures, 1941-1942 : Includes The Ox Bow Incident.
|
|
Box
185
Folder
6
|
File #989: Vandorfilm, S.A.R.L. and UAC Ltd.; agreement for
foreign distribution of Don Quixote, 1938
|
|
Box/Folder
185/7-186/2
|
File #990: Hays Organization and UAC; wage stabilization,
anti-inflation; correspondence and miscellaneous, 1942-1943 : Wartime payroll freeze matters, NLRB.
|
|
Box
186
Folder
3
|
File #991: Technisound, Inc. vs. Franchise Division, Inc.,
Bud Fox Enterprises and UAC; legal papers, 1940-1941 : Technisound sues for damages when the film, The Thief of
Baghdad is not released in conjunction with its radio show.
|
|
Box
186
Folder
4
|
File #992: Bud Fox Enterprises and UAC; agreements and
correspondence for the exploitation of films, 1939-1945 : Jungle Book, The Thief of Baghdad, The Westerner.
|
|
Box
186
Folder
5
|
File #993: Mayfair Productions and UAC; agreement and
correspondence for Skippy cartoons, 1936-1945
|
|
Box
186
Folder
6-187
|
File #994-995: Senate Investigating Committee on alleged
propaganda; correspondence, questionnaires on films, pressbooks,
transcript of hearings, 1941
|
|
|
-Correspondence, miscellaneous correspondence, questionnaires on
films, pressbooks for Blackout, Foreign Correspondent, Great Dictator, Pastor Hall, So Ends the Night, That Hamilton
Woman
|
|
|
-Transcript of hearings, 1941 September 9-24
|
|
Box
188
Folder
1
|
File #996: Richard Rowland and UAC; agreement and
correspondence, 1939-1944
|
|
Box
188
Folder
2
|
File #997: Richard Rowland Productions; plagiarism complaint
by Quirico Michelena Llaguno over Cheers for Miss Bishop; correspondence, etc., 1941-1942
|
|
Box
188
Folder
3-6
|
File #998: May Davies Martenet vs. UAC; suit over rights to
the title Voice in the Wind; correspondence, legal
papers, exhibits, copyright, 1944-1949 : Includes synopsis and other correspondence on Voice in the
Crowd.
|
|
Box
188
Folder
7
|
File #999: Richard Rowland Productions; copyright for
Cheers for Miss Bishop, 1941
|
|
Box
188
Folder
8
|
File #1000-1002: J.H. Hoffberg and UAC; distribution
agreements for Mexico, Philippine Islands, 1930-1934
|
|
Box
188
Folder
9
|
File #1003: J.H. Hoffberg and Company and UAC; foreign
distribution agreements for The Man From Hell, and
Without Honor, 1935
|
|
Box
188
Folder
10
|
File #1004: J.H. Hoffberg and UAC; Far Eastern distribution
agreement, 1937
|
|
Box
188
Folder
11
|
File #1005: Paramount Pictures, et al., vs. William Langer,
et al.; correspondence, 1938 : Paramount asks UA for information for the preparation of its case.
|
|
Box/Folder
188/12-189/2
|
File #1006: Lester Cowan and UAC; agreements and
correspondence for Tomorrow the World, 1943-1951
|
|
Box
189
Folder
3
|
File #1007: Lester Cowan Productions; copyright for G.I. Joe and Tomorrow the World, 1945-1946
|
|
Box
189
Folder
4
|
File #1008: Super-Serial Productions and UAC; agreement for
The Lost City, 1935
|
|
Box
189
Folder
5
|
File #1009: Guaranteed Pictures Company and UAC; foreign
distribution agreements for westerns, 1935-1936
|
|
Box
189
Folder
6
|
File #1010: Carib Development Corporation and UAC; foreign
distribution agreement, 1934
|
|
Box
189
Folder
7
|
File #1011: Unemployment compensation cases, 1934
|
|
Box
189
Folder
8
|
File #1012: Denis-Roosevelt Productions and UAC; agreement
for Outpost Unknown, 1944
|
|
Box
189
Folder
9
|
File #1013: Robert Freund (doing business as The Twin Editions) vs. UAC;
correspondence and legal papers, 1947-1948 : Copyright infringement suit over a portrait used in Mr. Ace.
|
|
Box
189
Folder
10-11
|
File #1014: Burgess Meredith vs. Miracle Productions;
correspondence and legal papers, 1946-1950 : Suit over alleged non-payment of actor's salary for A Miracle
Can Happen.
|
|
Box
189
Folder
12-14
|
File #1016: Hal Roach Studios; copyrights and
synopses, 1939-1948 : Includes: Bout Face, All-American Co-Ed, Broadway Limited, Brooklyn Orchid*, Calaboose, Captain Caution, A Chump at Oxford, Comedy Carnival, The Devil With Hitler*, Dudes Are Pretty People*, Fall In*, Fiesta, Flying With Music*, Hay Foot*, Here Comes Trouble (Laff Time),
The Housekeeper's Daughter, The McGuerins of Brooklyn*, Miss Polly, Nazi Nuisance*, Niagara Falls, Of Mice and Men*, One Million B.C., Prairie Chickens*, Road Show*, Saps at Sea, Tanks a Million, Taxi, Mister*, Topper Takes a Trip*, Topper Returns*, Turnabout, There Goes My Heart*, Water Gypsies*, Who Killed Doc Robin, Yanks Ahoy, Zenobia* (* means no synopsis).
|
|
Box
190
Folder
1
|
File #1017: Jacob Milstein, Hal Roach Studios and UAC;
foreign distribution agreement, 1942
|
|
Box
190
Folder
2
|
File #1018: Mutual Productions and UAC; agreement for
Pardon My Past, 1945
|
|
Box
190
Folder
3
|
File #1019: Salkay Corporation and UAC; agreement for six
pictures, 1943
|
|
Box
190
Folder
4-6
|
File #1020: Hal Roach Studios and UAC; correspondence and
agreements, 1938-1949
|
|
Box
190
Folder
7
|
File #1021: Indianapolis Labor dispute; correspondence and
miscellaneous, 1942
|
|
Box
190
Folder
8
|
File #1022: American Federation of Labor and UAC; St. Louis
dispute; correspondence and proceedings, 1942
|
|
Box
190
Folder
9
|
File #1023: Simplex Company, et al. vs. UAC, et al.; legal
papers, 1946-1947 : Suit over alleged breach of contract.
|
|
Box
190
Folder
10
|
File #1024: Angelus Pictures Inc.; copyright correspondence
for Summer Storm, 1944
|
|
Box
190
Folder
11
|
File #1025-26: Angelus Pictures and UAC; correspondence and
agreement for Summer Storm, 1944-1951
|
|
Box
191
Folder
1
|
File #1027: Jesse Lasky and UAC; agreements for
Sergeant York, 1942
|
|
Box
191
Folder
2
|
File #1028: Henry Hobart and UAC; agreements and
correspondence for Dearest Enemy, 1942 : Includes typescript of “Grandmother Hortense and the Spotted
Cow” by I.A.R. Wylie.
|
|
Box
191
Folder
3
|
File #1029: Sam Wood and UAC; agreement, 1941
|
|
Box
191
Folder
4
|
File #1030-31: Master Productions Inc. and UAC; agreement,
correspondence and copyright for Three's a
Family, 1943-1946
|
|
Box
191
Folder
5
|
File #1032: Lowell Calvert and Hunt Stromberg Productions;
employment agreements and correspondence, 1942-1947 : Calvert was Stromberg's New York representative.
|
|
Box
191
Folder
6
|
File #1033: Hunt Stromberg Productions; correspondence and
agreements for G-String Murders, 1942-1948 : Picture released as Lady of Burlesque.
|
|
Box
191
Folder
7
|
File #1034: Hunt Stromberg Productions, Margaret Barnes,
Edward Sheldon; correspondence on rights to Dishonored
Lady, 1942
|
|
Box
191
Folder
8
|
File #1035: Hunt Stromberg Productions; screen test
contracts, 1942-1944
|
|
Box
191
Folder
9
|
File #1036: Hunt Stromberg Productions; copyright for
Lady of Burlesque, 1943
|
|
Box
191
Folder
10
|
File #1037: Jerome Kurtz estate vs. Hunt Stromberg Jr., et
al.; correspondence, 1945-47 : Suit over rights to The Red Mill.
|
|
Box
191
Folder
11
|
File #1038: The Red Mill Company and Michael O'Shea;
agreements, 1945 : For loan of O'Shea's services as actor.
|
|
Box/Folder
191/12-192/5
|
File #1039-40: Hunt Stromberg Productions and UAC;
correspondence and agreements : Most agreements relate to bank loans.
|
|
|
-Correspondence
|
|
|
-Agreements, 1942-1949
|
|
Box
192
Folder
6
|
File #1041: United Artists Players Company; agreement with
UAC, 1942 : Mary Pickford.
|
|
Box
192
Folder
7
|
File #1042: Norma Nelson vs. UAC; correspondence, 1949 : Over unauthorized use of Nelson's photograph.
|
|
Box/Folder
192/8-193/1
|
File #1043: Hunt Stromberg Productions vs. RKO Radio
Pictures : Title conflict over Guest in the House; correspondence, agreements, clippings, copyright, synopsis.
|
|
|
-Correspondence and agreements
|
|
|
-Agreements, clippings, etc., 1943-1945
|
|
Box
193
Folder
2-3
|
File #1044: Mary Pickford and UAC; agreements, 1916-1930 : Includes drafts of original (February 1919) agreement.
|
|
Box
193
Folder
4-6
|
File #1045: Mary Pickford and UAC; agreements and
correspondence, 1936-1947
|
|
Box
193
Folder
7
|
File #1046: UAC vs. Robb and Rowley United, Inc.;
correspondence, 1946-1948 : Exhibitor fraud cases.
|
|
Box
193
Folder
8
|
File #1047: UAC vs. Michael Manos, et al.; correspondence and
legal papers, 1945-1947 : Exhibitor fraud case.
|
|
Box
193
Folder
9
|
File #1048: UAC vs. David Victor; correspondence and legal
papers, 1946-1950 : Exhibitor fraud case.
|
|
Box
193
Folder
10
|
File #1049: UAC vs. Mrs. George Moody, et al.; correspondence
and legal papers, 1947-1951 : Exhibitor fraud case.
|
|
Box
193
Folder
11
|
File #1050: UAC vs. William Finkel et al.; correspondence and
legal papers, 1944-1946 : Exhibitor fraud case.
|
|
Box
193
Folder
12
|
File #1051: UAC vs. Castle Amusement Corporation, et al.;
correspondence and legal papers, 1945-1948 : Exhibitor fraud case.
|
|
Box
193
Folder
13
|
File #1052: UAC vs. Peter Wellman;
correspondence, 1946-1947 : Exhibitor fraud case.
|
|
Box
193
Folder
14
|
File #1053: UAC vs. Interstate Theatres (A.G. Constant);
correspondence, 1946-1948 : Exhibitor fraud case.
|
|
Box
194
Folder
1
|
File #1054: UAC vs. James Scoville, et al.; correspondence
and legal papers, 1946-1947 : Exhibitor fraud case.
|
|
Box
194
Folder
2
|
File #1055: UAC vs. Ellsworth Staup, et al.; correspondence
and legal papers, 1946-1948 : Exhibitor fraud case.
|
|
Box
194
Folder
3
|
File #1056: UAC vs. Louis Tunick; correspondence and legal
papers, 1945-1947 : Exhibitor fraud case.
|
|
Box
194
Folder
4
|
File #1057: UAC vs. John Long; correspondence and legal
papers, 1945-1948 : Exhibitor fraud case.
|
|
Box
194
Folder
5
|
File #1058: UAC vs. Gonzalo Bezanilla; correspondence and
legal papers, 1944-1948 : Exhibitor fraud case.
|
|
Box
194
Folder
6
|
File #1059: UAC vs. Michael Daly; correspondence and legal
papers, 1945-1949 : Exhibitor fraud case.
|
|
Box
194
Folder
7
|
File #1060: UAC vs. Ralph Snider, et al.; correspondence and
legal papers, 1944-1950 : Exhibitor fraud claim.
|
|
Box
194
Folder
8
|
File #1061: Donald Holbrook vs. Ralph Snider, et al.; legal
papers, 1948-1949 : Anti-trust action.
|
|
Box
194
Folder
9-10
|
File #1062: UAC, et al. vs. E.E. Alger, et al.; correspondence
and legal papers, 1947-1949 : Exhibitor fraud case.
|
|
Box
194
Folder
11
|
File #1063: UAC vs. Fred Anderson, et al.; correspondence and
legal papers, 1946-1950 : Exhibitor fraud case.
|
|
Box
195
Folder
1
|
File #1064: Fortunio Bona Nova and UAC; agreement and
correspondence for La Immaculada, 1938-1946
|
|
Box
195
Folder
2-3
|
File #1066: UAC vs. Cagney Productions, et al.;
correspondence and legal papers, 1947-1948 : UA sues over failure to deliver The Time of Your Life.
|
|
Box
195
Folder
4
|
File #1067: John M. Stahl Productions and UAC; agreement for
three pictures, 1941
|
|
Box
195
Folder
5
|
File #1068: Ross Federal Service and UAC; agreements,
correspondence, samples of checkers' reports, 1931-1945 : Ross specialized in making attendance counts at theatres.
|
|
Box
195
Folder
6-7
|
File #1069: Ealing Studios Ltd. and UAC; correspondence and
agreements, 1941-1948
|
|
Box
195
Folder
8
|
File #1070: Ealing Studios Ltd.; copyright, synopses and
correspondence for various pictures, 1941-1943 : Includes: The Bells Go Down*, The Big Blockade, Black Sheep, Foreman Went to France, The Goose Steps Out*, Nine Men, Ships with Wings, Three Cock-Eyed Sailors, Turned Out Nice Again, Went the Day Well (* indicates no synopsis).
|
|
Box
195
Folder
9
|
File #1071: Max Fogel vs. UAC; settlement papers, 1948 : Dealing with the Webster Theatre anti-trust case.
|
|
Box
195
Folder
10
|
File #1072: Irvin Shapiro and UAC; foreign distribution
agreement, 1944
|
|
Box
195
Folder
11
|
File #1073: Gracie Fields and UAC; agreement, 1942
|
|
Box
195
Folder
12
|
File #1074: Henry Mann and UAC; foreign distribution
agreement for Ume Femme Disparait, 1943-1944
|
|
Box
195
Folder
13
|
File #1075: D'Arrast Soriano Films Ltd. and UAC;
distribution agreement, 1934
|
|
Box
195
Folder
14
|
File #1076: Atlas Film Exchange Inc. and UAC; agreement for
distribution of travelogues, 1940
|
|
Box
195
Folder
15
|
File #1077: Iowa. Correspondence of UAC, 1932
|
|
Box
195
Folder
16
|
File #1078: Patrician Pictures Ltd. and UAC; correspondence
and agreement for Silver Lining, 1932-1938
|
|
Box
196
Folder
1
|
File #1079: Latin American Productions and UAC;
correspondence and agreement, 1940-1942
|
|
Box
196/2
|
File #1080: Film Checking Bureau; by-laws, articles of
association, etc., 1944 : Corporation formed by motion picture companies to check exhibitors'
sales.
|
|
Box
196
Folder
3-6
|
File #1081: Romaine Film Corporation and UAC; agreements,
correspondence and legal papers for Romaine vs. Commissioner of
Internal Revenue, 1941-1949
|
|
Box
196
Folder
7
|
File #1082: Emanuel Lackow vs. ASCAP et al.; correspondence,
legal papers, sheet music, 1947-1949 : Lackow claims his composition “Silver Caravans” was used
in Spellbound.
|
|
Box
196
Folder
8
|
File #1083: Georgia anti-block-booking bill; correspondence, 1941
|
|
Box
196
Folder
9
|
File #1084: Loew's, Inc., et al. vs. Harold Stassen (Governor
of Minnesota) et al.; legal papers and correspondence, 1941 : On anti-block-booking bill.
|
|
Box/Folder
196/10-197/9
|
File #1085-1087 1092: Minnesota anti-block-booking cases;
correspondence, legal papers, briefs, etc., 1941-1943
|
|
|
-Correspondence
|
|
|
-General legal papers
|
|
|
-UAC vs. James Lynch (County Attorney, County of
Ramsey)
|
|
|
-Vitagraph vs. Lynch (County Attorney, County of
Ramsey)
|
|
|
-20th Century vs. County Attorney, County of
Ramsey
|
|
|
-Loew's, Inc. vs. County Attorney, County of
Ramsey
|
|
Box
198
Folder
1
|
File #1089: Michigan anti-block-booking bill;
correspondence, 1941
|
|
Box
198
Folder
2
|
File #1090: Benjamin Glazer and UAC; agreement for
Paris Calling, 1941
|
|
Box
198
Folder
3
|
File #1091: California Pictures Corporation and UAC;
correspondence and agreements for Mad Wednesday and
Vendetta, 1944-1951
|
|
Box
198
Folder
4
|
File #1093: The World Today Inc., John Grierson and UAC;
short subject agreements, 1946
|
|
Box
198
Folder
5
|
File #1094: Harold Auten and UAC; short subject purchase
agreement, 1936
|
|
Box
198
Folder
6
|
File #1095: UAC vs. David Lowe; correspondence and legal
papers, 1948-1949 : Dispute over payment for theatre lease.
|
|
Box
198
Folder
7-8
|
File #1096-1097: UAC vs. Screen Office and Professional
Employees Guild; correspondence and legal papers, 1948 : UA seeks to enjoin SOPEG from picketing theatres. SOPEG officials
refuse to sign loyalty oath; includes Picto Corporation vs. SOPEG; also
includes complaint from Screen Writers' Guild vs. MPA.
|
|
Box
198
Folder
9
|
File #1098: Federal Films Inc. and UAC; agreement and
correspondence, 1946-1949 : Includes Babes in Toyland and Carnegie
Hall.
|
|
Box
198
Folder
10
|
File #1099: Wolfson Meyer Theatre Enterprises and UAC;
correspondence, 1937-1939 : Also exhibition agreements of Herman Cohn, 1937-1940.
|
|
Box
198
Folder
11
|
File #1100: Master Art Productions and UAC; foreign
distribution agreement, 1933-1934
|
|
Box
198
Folder
12
|
File #1101: Andre de la Varre, Paul Devlin and UAC; short
subject agreement, 1938
|
|
Box
198
Folder
13
|
File #1102: Russell Spaulding and UAC; short subject
agreement, 1937
|
|
Box
198
Folder
14-16
|
File #1103-1104: International Alliance of Theatrical Stage
Employees (IATSE) and UAC; correspondence, negotiations and
agreements, 1937-1942 : Also Columbia Pictures Corporation, et al. vs. George Brown, et al.;
distributors sue IATSE officers.
|
|
Box
199
Folder
1-2
|
File #1105: Illinois-United Artists Theatre Company;
correspondence and minutes, 1928-1946 : Subsidiary of UAC.
|
|
Box
199
Folder
3-5
|
File #1106-1107: Plastic Cartoons, Morey and Sutherland
Productions and UAC; agreements for short subjects, 1941-1948 : Includes correspondence and copyright on the cartoon The
Crosseyed Bull.
|
|
Box
199
Folder
6-8
|
File #1108-1109: Samuel Bronston and UAC; agreements and
correspondence, 1942-1947 : Includes Life of Jack London and Ten Little
Indians.
|
|
Box
199
Folder
9-10
|
File #1110: UA Chicago and Detroit Theatres; five year
management contract with MGM; correspondence and agreements, 1933-1941
|
|
Box
199
Folder
11
|
File #1111: British Colonial Film Exchange and UAC;
agreement and correspondence, 1935
|
|
Box
200
Folder
1
|
File #1112: Manhattan Productions Inc.; copyright for
It's in the Bag, 1945
|
|
Box
200
Folder
2-3
|
File #1113: Constance Bennett and UAC; correspondence and
agreements for Paris Underground, 1944-1949
|
|
Box
200
Folder
4
|
File #1114: Motion Picture Association; correspondence on
blocked funds, 1947
|
|
Box
200
Folder
5
|
File #1115: Beno Slesin estate; correspondence, 1947-1949 : Relating to the death of employee Slesin in an airplane crash.
|
|
Box
200
Folder
6
|
File #1116: Springer and Cocalis Circuit and UAC;
correspondence, 1933-1936
|
|
Box
200
Folder
7
|
File #1117: University Film Productions and UAC; foreign
distribution agreements for No Greater Sin, 1941-1948
|
|
Box
200
Folder
8
|
File #1118: Regal Distributing Company and UAC; foreign
distribution agreements and correspondence, 1935-1938
|
|
Box
200
Folder
9
|
File #1119: International Opera Films Inc. and UAC;
agreement and correspondence for Il Trovatore, 1948
|
|
Box
200
Folder
10
|
File #1120: Eddie Cantor and UAC; agreement, 1941
|
|
Box
200
Folder
11
|
File #1121,1130: UAC; Standard Form Contracts;
correspondence and contracts, 1922-1925 : On standard forms for contracts with exhibitors.
|
|
Box
200
Folder
12-14
|
File #1122: Mary Pickford and UAC; financial
statements, 1924-1926 March
|
|
Box
201
Folder
1
|
File #1123: Ifa-Film-Verleih-G.M.B.H. and UAC; history of
UA's purchase, 1925
|
|
Box
201
Folder
2
|
File #1125: Canadian copyright correspondence, 1922
|
|
Box
201
Folder
3-4
|
File #1127: Rudolph Valentino, Ritz-Carlton Pictures, Joseph
Schenck; agreements and correspondence, 1923-1937
|
|
Box
201
Folder
5
|
File #1128: UAC; Plan for Employees' Benefits;
correspondence, 1923
|
|
Box
201
Folder
6
|
File #1129: Frances Birkhead; synopsis for proposed film
based on Governor Lee Russell of Mississippi, 1920-1922
|
|
Box
201
Folder
7
|
File #1131: William G. McAdoo; resignation as UAC President;
correspondence, 1920
|
|
Box
201
Folder
8
|
File #1132: UAC; foreign negotiations;
correspondence, 1919-1921
|
|
Box
201
Folder
9
|
File #1133: George A. Woods and UAC; negotiations for Boston
Theatre, 1921-1922
|
|
Box
201
Folder
10
|
File #1134: Mary Pickford and Allied Artists Corporation;
license and telegrams, 1921-1923
|
|
Box
201
Folder
11
|
File #1135: Norma C. Talmadge; correspondence, 1920 : Joseph Schenck decides to continue giving Talmadge pictures to First
National rather than to UA.
|
|
Box
201
Folder
12
|
File #1136: Theatre Owners' Association and UAC;
correspondence, 1920 : Owners dispute UA's 100% deposit policy.
|
|
Box
201
Folder
13
|
File #1137: Hiram Abrams and UAC; employment agreements and
correspondence, 1919-1929
|
|
Box/Folder
201/14-202/6
|
File #1138-1141: Samuel Goldwyn and UAC; agreements and
correspondence
|
|
|
-Goldwyn Distributing Corporation; correspondence and
agreements, 1922-1923
|
|
|
-Goldwyn agreements, 1925-1947
|
|
|
-Goldwyn agreements, 1936-1938
|
|
|
-Goldwyn agreements, 1941-1947
|
|
|
-Correspondence, 1926-1947
|
|
|
-Bank of America correspondence, 1936
|
|
|
-Correspondence, 1935-1947
|
|
|
-William Heineman employment agreement, 1943
|
|
Box
202
Folder
7
|
File #1128: Prager and Fenton (Auditors) and UAC; balance
statements as of December 31, 1919
|
|
Box/Folder
202/8-204/1
|
File #1142-43, 1146: Clara Dellar suits. Dellar, et al., vs.
Samuel Goldwyn, Inc., et al., 1935-1946 : Various suits in which Dellar, Mort Eisman and Robert Louis Shayon
seek damages for the alleged copyright infringement of their play,
“Oh Shah!” by Goldwyn's Roman Scandals.
|
|
|
-Correspondence, 1935-1946
|
|
|
-Miscellaneous legal papers, 1938-1946
|
|
|
-Legal papers, 1935-1940
|
|
|
-Legal papers, 1941-1942
|
|
|
-Scripts: Roman Scandals and “Oh
Shah!”
|
|
|
-Printed briefs, transcripts
|
|
|
-Briefs, petitions, transcripts (8 volumes)
|
|
|
-Transcript
|
|
Box
204
Folder
2
|
File #1144: Samuel Goldwyn and 20th Century-Fox; title
dispute: Navy Born/Navy Wife; correspondence, 1935
|
|
Box
204
Folder
3
|
File #1145: Samuel Goldwyn Inc., Radio City Music Hall and
UAC; correspondence, 1939 : UA claims that Music Hall breaks their contract by refusing to play
Wuthering Heights.
|
|
Box
204
Folder
4-5
|
File #1147: Blanche Lloyd vs. Samuel Goldwyn, Inc., et al.;
correspondence, legal papers, clippings, pressbook for Goldwyn
Follies, 1938 : Lloyd sues over the use of her stage name “Zorine.”
|
|
Box/Folder
204/4-205/4
|
File #1148-1149: Samuel Goldwyn vs. UAC, 1933-1940 : Goldwyn sues over alleged breaches of contract and asks that his
exclusive contract be cancelled; in effect, Goldwyn sues for control of
the corporation. See Box 205-206 for parallel case.
|
|
|
-Basic agreement, 1933
|
|
|
-Correspondence, 1939-1941
|
|
|
-Legal papers, 1937-1940 March
|
|
|
-Legal papers, 1940 April-September, undated
|
|
Box
205
Folder
5-6
|
File #1150: Samuel Goldwyn Productions; copyright,
correspondence and synopses for various pictures, 1935-1940 : Contains: The Adventures of Marco Polo, Barbary Coast, Beloved Enemy*, Come and Get It, The Cowboy and the Lady*, The Dark Angel, Dead End*, Dodsworth, The Goldwyn Follies*, Hurricane*, Raffles*, The Real Glory*, Splendor*, Stella Dallas*, Strike Me Pink, These Three, They Shall Have Music, The Wedding Night, The Westerner, Woman Chases Man*, and Wuthering Heights* (* indicates no synopsis).
|
|
Box/Folder
205/7-206/4
|
File #1151-54: Samuel Goldwyn, Inc. vs. UAC, London Film
Productions, Ltd. and Alexander Korda (parallel case to Goldwyn vs.
UAC), 1938-1941
|
|
|
-Correspondence, 1940-1942
|
|
|
-Legal papers, 1938-1941
|
|
|
-Memoranda, briefs
|
|
|
-Record of settlement, 1941
|
|
|
-Complaints, exhibits (3 volumes)
|
|
Box
206
Folder
5
|
File #1156: Alliance Film Corporation Ltd. and UAC;
correspondence and agreement for The Carnival, 1921-1922
|
|
Box
207
Folder
1
|
File #1157-58: Alla Nazimova and UAC; correspondence and
agreement for The Carnival, 1919-1936
|
|
Box
207
Folder
2-3
|
File #1159-60: Mary Pickford; financial statements, 1922-1923 : Transmittal letters of monies owed Pickford.
|
|
Box
207
Folder
4-6
|
File #1161,1164: Charles Chaplin and UAC;
correspondence, 1921-1948
|
|
Box/Folder
207/7-208/2
|
File #1163: Charles Chaplin and UAC; agreements, 1919-1945 : Corporate agreements (including the original February 1919
agreement) and distribution agreements.
|
|
Box
208
Folder
3
|
File #1162: Charles Chaplin and Allied Artists Corporation,
Ltd.; agreements for British distribution of Chaplin films, 1921-1929
|
|
Box
208
Folder
4
|
File #1165: Charles Chaplin and UAC; correspondence and
synopsis for The Circus, 1927-1929
|
|
Box
208
Folder
5
|
File #1172: Charles Chaplin and City Lights; correspondence and reports on the efficiency of UA's European
distribution, 1931 : Includes Price Waterhouse investigation reports.
|
|
Box
208
Folder
6
|
File #1171: Charles Chaplin and City Lights; roadshow controversy, 1931-1932 : Roadshow engagements net UA a different profit than do regular
showings.
|
|
Box
208
Folder
7
|
File #1176: City Lights; license agreement
for South America, 1931
|
|
Box
208
Folder
8-9
|
File #1166,1167-77: City Lights; miscellaneous
correspondence and disputes, 1931-1933
|
|
Box
208
Folder
10
|
File #1174: Charles Chaplin and Jean Sarment;
correspondence, 1931 : Over similarities between City Lights and Les
Plus Beaux Yeux du Monde.
|
|
Box
208
Folder
11
|
File #1178: May Shepherd vs. Charles Chaplin, 1931 : A secretary sues Chaplin for her wages.
|
|
Box
208
Folder
12-14
|
File #1179: Films Sonores Tobis vs. Charles Chaplin, et al.;
correspondence, bill of particulars, legal papers, 1937-1949 : Suit charging that Modern Times plagiarized
Rene Clair's A Nous la Liberte.
|
|
Box
209
Folder
1-2
|
File #1180: Charles Chaplin; additional tax assessment for
1935; correspondence, briefs, documents, 1940-1948 : Includes detailed history of Chaplin's UAC stock holdings.
|
|
Box
209
Folder
3
|
File #1181: Charles De Haven vs. Charles Chaplin, et al.;
correspondence, etc., 1940-1944 : Alleged plagiarism by The Great Dictator.
|
|
Box
209
Folder
4-6
|
File #1182: Charles Chaplin vs. David O. Selznick, David O.
Selznick Productions, Vanguard Films, 20th Century-Fox Film Corporation
and UAC; correspondence, legal papers, miscellaneous, 1943-1947 : Stockholder Chaplin charges that Selznick and the various Selznick
corporations diverted money from UAC for their own profits with the
connivance of the UAC directors.
|
|
Box
209
Folder
7
|
File #1184: Charles Chaplin and UAC; copyright and
correspondence for Modern Times, 1936-1938 : Also includes a foreign distribution agreement.
|
|
Box
209
Folder
8
|
File #1185: D.W. Griffith and UAC; correspondence on
Way Down East, 1920-1924
|
|
Box
209
Folder
9
|
File #1186: D.W. Griffith and UAC; agreement and
correspondence for Dream Street, 1921
|
|
Box
209
Folder
10
|
File #1187: Norris Wilcox and UAC; agreement for South
American distribution of D.W. Griffith films, 1922
|
|
Box
209
Folder
11-12
|
File #1188: Douglas Fairbanks and UAC; weekly financial
statements and correspondence, 1922-1923
|
|
Box
209
Folder
13-14
|
File #1189: Mary Pickford and UAC; weekly financial
statements and correspondence, 1922 December-1923 : Contains extensive Pickford correspondence on the corporation and on
the motion picture industry.
|
|
Box
210
Folder
1
|
File #1190: Allied Artists and UAC; agreement for British
distribution of D.W. Griffith films, 1921
|
|
Box
210
Folder
2
|
File #1191: Norris Wilcox and UAC; agreement for South
American distribution of Douglas Fairbanks films, 1922-1924
|
|
Box
210
Folder
3
|
File #1192: Les Artistes Associes and UAC; agreement for
European distribution of Douglas Fairbanks films, 1922-1925
|
|
Box
210
Folder
4
|
File #1193: Douglas Fairbanks and UAC; agreements and
correspondence, 1919-1926
|
|
Box
210
Folder
5-6
|
File #1194: Douglas Fairbanks and UAC; correspondence and
agreements for Romance, 1919-1929
|
|
Box
210
Folder
7-9
|
File #1195: D.W. Griffith and UAC; correspondence on
stockholdings, and agreements and correspondence on Orphans of
the Storm, 1916-1929
|
|
|
-Orphans correspondence, 1920-1929
|
|
|
-Orphans stolen print correspondence;
includes Intolerance copyright, and Sally of the
Sawdust contract
|
|
|
-Correspondence on Griffith's stock and financial affairs,
1921-1929
|
|
Box
210
Folder
10-11
|
File #1196: D.W. Griffith and UAC; agreements, 1919-1928 : Distribution contracts.
|
|
Box
210
Folder
12
|
File #1197: Allied Artists Corporation Ltd. and UAC;
correspondence, 1920-1923 : Extensive material on the early years of this UAC subsidiary.
|
|
Box
211
Folder
1-2
|
File #1198: UA South America Ltd. and UAC;
correspondence, 1921-1923 : Correspondence on the early years of this subsidiary.
|
|
Box
211
Folder
3-6
|
File #1199: Morris Greenhill and UAC; correspondence and
agreements, 1919-1922, 1935-1936 : Agreements for distribution in England; somehow involved in the
founding of UA Corporation Ltd.
|
|
Box
211
Folder
7
|
File #1201: Leon Rosenblatt vs. UAC; correspondence, 1920-1921 : Exhibitor sues for damages over a defective print.
|
|
Box
211
Folder
8
|
File #1202: International Theatre Construction Company;
correspondence and prospectus, 1921 : A corporation to rent theatres in France.
|
|
Box
211
Folder
9-14
|
File #1203, 1212, 1213: Allied Producers and Distributers
Corporation; correspondence, by-laws, certificate of incorporation, and
miscellaneous, 1922-1924 : This was a subsidiary of UAC organized to distribute the films of
producers other than UA's owners.
|
|
Box
212
Folder
1
|
File #1204: Lester Meigne Peter Kyne and Allied Producers
and Distributors; agreement for Peter Kyne pictures, 1922
|
|
Box
212
Folder
2
|
File #1205: Graham-Wilcox Productions and Allied Producers
and Distributors; agreements for Paddy the Next Best Thing and A Woman's Secret, 1923
|
|
Box
212
Folder
3
|
File #1206: Frank Hurley's Pearls and Savages Ltd. and
Allied Producers and Distributors; agreement for The Lost
Tribe, 1923 : Never signed.
|
|
Box
212
Folder
4
|
File #1207: Little Theatre Films and Allied Producers and
Distributors; agreement for Mortal Clay, 1923
|
|
Box
212
Folder
5
|
File #1208: Gene Stratton Porter Productions and Allied
Producers and Distributors; agreement for Michael
O'Halloran, 1923
|
|
Box
212
Folder
6
|
File #1209: Max Linder Productions and Allied Producers and
Distributors; agreement and correspondence for Three-Must-Get-Theirs, 1922-1928
|
|
Box
212
Folder
7
|
File #1210: J.L. Frothingham Productions and Allied
Producers and Distributors; agreement, 1922 : Probably for Shattered Idols.
|
|
Box
212
Folder
8
|
File #1214: X.L. Productions and Allied Producers and
Distributors; correspondence for A Woman's
Woman, 1922-1923
|
|
Box
212
Folder
9-11
|
File #1215: Associated Authors Inc. and Allied Producers
and Distributors; agreements and correspondence for Richard the
Lion Hearted, Loving Lies, No More Women, 1922-1927 : Pickford, Fairbanks and Griffith guaranteed the loan financing these
pictures.
|
|
Box
212
Folder
12
|
File #1211: Motion Picture Artists Inc.; articles of
association and by-laws, 1923 : An organization to “protect the independent producer and the
independent distributor against commercial combinations.”
|
|
Box
212
Folder
13
|
File #1216: Victory Cinema Corporation; private detective
reports, 1924 : Investigation of a film pirating organization.
|
|
Box
212
Folder
14-18
|
File #1217, 1218: UAC of Cuba; correspondence, reports and
miscellaneous, 1921-1937 : Includes history of UAC's owners' stockholdings.
|
|
Box
213
Folder
1-3
|
File #1219: UAC Ltd. (Canada); correspondence, 1920-1926
|
|
Box
213
Folder
4-6
|
File #1220: UAC Ltd. (Canada); correspondence, 1925-1940
|
|
Box/Folder
213/7-214/2
|
File #1221: UAC Ltd. (Canada); minutes, by-laws,
etc., 1919-1940
|
|
|
-1919-1926
|
|
|
-1927-1940
|
|
Box
214
Folder
3
|
File #1223, 1222: Canadian Theatre Company and UAC, Ltd;
correspondence and agreements relating to Princess Theatre
franchise, 1931-1938
|
|
Box/Folder
214/4-215/1
|
File #1224: Canadian Combines Investigation Act;
correspondence, legal papers, reports, and contract forms, 1929-1935 : Anti-trust investigation; samples of contract forms of various
distributors (in Box 215).
|
|
Box
215
Folder
2
|
File #1225: Tarliski Circuit; test case against Canadian
bicycling, 1932
|
|
Box
215
Folder
3
|
File #1226: Frank Petalka vs. UAC; correspondence,
etc., 1920-1921 : Exhibitor sues for loss due to incomplete film.
|
|
Box
215
Folder
4
|
File #1227: East River National Bank and UAC; resolutions
naming the bank as UAC's official repository, 1924
|
|
Box
215
Folder
5
|
File #1228: Advance Deposit Bill case; correspondence and
legal papers, 1921-1922 : Action against bills providing that exhibitor's deposits be
separately deposited in banks within each state.
|
|
Box
215
Folder
6
|
File #1229: Corporation Trust Company and UAC; certificates,
etc., 1922 : Licenses to do business in various states.
|
|
Box
215
Folder
7-11
|
File #1230, 1232: UAC of Illinois; correspondence and legal
papers, 1920-1931
|
|
|
-Correspondence, 1920-1931
|
|
|
-Miscellaneous, 1926-1930
|
|
Box
215
Folder
12-13
|
File #1231: UAC of Illinois; certificate of incorporation,
by-laws, and minutes, 1919-1928
|
|
Box
216
Folder
1-2
|
File #1233-34: Dennis F. O'Brien-General Counsel and UAC;
correspondence, 1920 : O'Brien became UA's general counsel in April of 1920 and his firm
served in this capacity through 1951. Contains prospectus for D.W. Griffith Inc. under date June 28, 1920.
|
|
Box
216
Folder
3-4
|
File #1234, 1235: Dennis F. O'Brien-General Counsel and UAC;
stock deposit agreements and miscellaneous, 1918-1930
|
|
Box
216
Folder
5
|
File #1236: Harvey Sheahan and UAC; correspondence of and
about UA's Mexican manager, 1923-1925
|
|
Box
216
Folder
6
|
File #1237-38: Artistas Unidos, S.A. and UAC; reports,
correspondence, and documents of the Mexican company, 1921-1924 : Reports, 1924, shed light on Mexican revolution.
|
|
Box
216
Folder
7
|
File #1239: UA Australasia Ltd.; Australian
reports, 1924
|
|
Box
216
Folder
8
|
File #1240: UAC South America Ltd. and UAC; correspondence,
powers, and miscellaneous, 1922-1926
|
|
Box
216
Folder
9
|
File #1241,44: Allied Artists Corporation Ltd.;
correspondence, reports, balance statements, and minutes, 1922-1924 : UAC's English subsidiary.
|
|
Box
216
Folder
10
|
File #1243: Allied Artists Corporation Ltd.; cablegrams on
the founding of the corporation, 1921-1922
|
|
Box
216
Folder
11
|
File #1242: Allied Artists Corporation Ltd.; correspondence
and statements for Pollyanna, 1921-1924
|
|
Box
216
Folder
12-13
|
File #1245-46: Les Artistes Associes, S.A.; correspondence,
reports from UAC's French subsidiary, 1921-1924 : Includes correspondence on the founding of this corporation.
|
|
Box
217
Folder
1-2
|
File #1247: UAC South America; correspondence, powers,
etc., 1922-1926
|
|
Box
217
|
File #1248: UA Australasia Ltd.; exhibition agreements for
Australia, 1936-1937 : Contains individual contracts for each of UA's producers; marked
items # 1A through 13B.
|
|
Box
217
Folder
3
|
File #1249: Gloria Film Productions and UAC; agreement for
Three Husbands, 1950
|
|
Box
217
Folder
4
|
File #1250: Edward Golden and UAC; agreement for
Barnstorming and Eddie and the Archangel
Mike, 1946
|
|
Box
217
Folder
5
|
File #1251: Samuel Goldwyn Inc. and UAC; distribution
agreement, 1936
|
|
Box
217
Folder
6
|
File #1252: Jacques Grinieff, Magnus Films Inc. and UAC;
agreement for forty features, 1947-1949 : Grinieff is distributor.
|
|
Box
218
Folder
1
|
File #1253: Hughes Tool Company and UAC; agreement for
The Outlaw (?), 1944 : Includes termination agreement for Andrew Stone Production's
Bedside Manner (1949).
|
|
Box
218
Folder
2
|
File #1254: Individual Pictures and UAC; agreement for
The Runaway, 1949
|
|
Box
218
Folder
3
|
File #1255: International Opera Films and UAC; agreement
Il Trovatore, 1948
|
|
Box
218
Folder
4
|
File #1256: Jet Films and UAC; agreements for The
Bicycle Thief and The Quiet One, 1950
|
|
Box
218
Folder
5
|
File #1257: Pendennis Pictures Corporation and UAC;
agreement for Teheran, 1948
|
|
Box
218
Folder
6
|
File #1258: Attwood Productions and UAC; agreement for
Songs of America short subjects, 1949
|
|
Box
218
Folder
7
|
File #1259: Atlas-Sirk-Lipton-Mayer Productions and UAC;
agreement for Two Hearts in 3/4 Time, 1949
|
|
Box
218
Folder
8
|
File #1260: Belsam Productions and UAC; agreement for
The Great Plane Robbery, 1950
|
|
Box
218
Folder
9
|
File #1261: American Industrial Corporation and UAC;
distribution agreement, 1943-1948 : Includes All's Well and Congresswoman.
|
|
Box
218
Folder
10
|
File #1262: The Chaplin Studios and UAC; agreement for
Monsieur Verdoux, 1947
|
|
Box
218
Folder
11
|
File #1263: Distinguished Films Inc. and UAC; agreement for
As You Like It, 1949
|
|
Box
218
Folder
12
|
File #1264: Sam Coslow and UAC; agreement for
Copacabana, 1947
|
|
Box
218
Folder
13
|
File #1265: Comet Productions and UAC; agreement for six
short features, 1946-1948 : Mary Pickford.
|
|
Box
218
Folder
14
|
File #1266: Campagne Artistique de Productions et
d'Adaptations Cinematographiques and UAC; distribution
agreement, 1946
|
|
Box
218
Folder
15
|
File #1267: Alcorn Productions and UAC; agreement for
Johnny Holiday, 1950
|
|
Box
218
Folder
16
|
File #1268: Jules Levy and UAC; agreements for Abilene Town and The Hairy Ape, 1943-1949
|
|
Box
218
Folder
17
|
File #1269: Amusement Enterprises and UAC; agreement for
The Lucky Stiff, 1948-1949
|
|
Box
218
Folder
18
|
File #1270: Merit Productions and UAC; agreement for
The Burning Bush, 1948
|
|
Box
218
Folder
19
|
File #1271: Monterey Productions and UAC; agreement for
Red River, 1946-1948
|
|
Box
218
Folder
20
|
File #1272: Morey and Sutherland Productions and UAC;
agreement for short subjects, 1945
|
|
Box
218
Folder
21
|
File #1273: Moroccan Pictures Inc. and UAC;
agreement, 1948
|
|
Box
218
Folder
22
|
File #1274: Photoplay Productions Inc. and UAC;
agreement, 1950
|
|
Box
218
Folder
23
|
File #1275: Nasbro Pictures Inc. and UAC; agreement for
Africa Screams, 1948-1950
|
|
Box
218
Folder
24
|
File #1276: Ferruccia Caramelli and UAC;
agreement, 1949
|
|
Box
219
Folder
1
|
File #1277: Irving Allen Enterprises and UAC; agreement for
New Mexico, 1950
|
|
Box
219
Folder
2
|
File #1278: David O. Selznick Productions and UAC;
agreement, 1941
|
|
Box
219
Folder
3
|
File #1279: Selected Films Inc. and UAC; agreement for
Teheran, 1948
|
|
Box
219
Folder
4
|
File #1280: Charles Rogers, Rogers Productions and UAC;
agreements, 1941-1945
|
|
Box
219
Folder
5
|
File #1281: Hal Roach Studios Inc. and UAC; agreements for
Streamliner features, 1938-1950
|
|
Box
219
Folder
6
|
File #1282: Reliance Pictures Inc. and UAC; agreement for
Leather Stocking Tales and War Path, 1948
|
|
Box
219
Folder
7
|
File #1283: Gregory Ratoff and UAC; agreement for If This Be Sin, 1949
|
|
Box
219
Folder
8
|
File #1284: Harry Popkin and UAC; agreement, 1948
|
|
Box
219
Folder
9
|
File #1285: Nero Productions Inc.; agreements for
Meyerling and Montana Mike, 1944-1948
|
|
Box
219
Folder
10
|
File #1286: Walter Lantz and UAC; technicolor shorts
agreement, 1947
|
|
Box
219
Folder
11
|
File #1287: Screen Plays II and UAC; agreement for five
pictures, 1948-1950
|
|
Box
219
Folder
12
|
File #1288: Rooney-Stiefel Inc. and UAC; agreement for
Quicksand, 1949
|
|
Box
219
Folder
13
|
File #1289: Eagle Productions and UAC; agreement for
Cost of Living, 1950
|
|
Box
219
Folder
14
|
File #1290: Robert Stillman Productions and UAC; agreement
for six pictures, 1950
|
|
Box
219
Folder
15
|
File #1291: Edward Small Productions and UAC; agreements for
Getting Gertie's Garter, Sailors Three, Black Magic and The Life of Rudolph Valentino, 1938-1950
|
|
Box
219
Folder
16
|
File #1292: Selznick International Pictures Inc. and UAC;
agreement, 1939
|
|
Box
219
Folder
17
|
File #1293: Tower Pictures Inc. and UAC; agreement for
Jigsaw, 1948-1949
|
|
Box
219
Folder
18
|
File #1294: Trans-Pacific Film Corporation and UAC;
agreement for Sword of the Avenger, 1948
|
|
Box
220
Folder
1
|
File #1295: W.R. Frank Productions and UAC; agreement for
The Great Dan Patch, 1947
|
|
Box
220
Folder
2
|
File #1296: John Ford and UAC; agreement for The Last
Outlaw, 1945-1946
|
|
Box
220
Folder
3
|
File #1297: World-Adventure Pictures and UAC; agreement for
Urubu, 1948
|
|
Box
220
Folder
4
|
File #1298: Westport International Film Inc. and UAC;
agreements for Furia and Kings of the
Olympics, 1948
|
|
Box
220
Folder
5
|
File #1299: Gateway Film and Telvision Company and UAC;
agreement, 1948
|
|
Box
220
Folder
6
|
File #1300: Ealing Studios Ltd. and UAC; agreement, 1941
|
|
Box
220
Folder
7
|
File #1301: University Film Productions and UAC; agreement
for No Greater Sin, 1941
|
|
Box
220
Folder
8
|
File #1302: Atlas Film Corporation (Sofia, Bulgaria) and
UAC; distribution agreement, 1941
|
|
Box
220
Folder
9
|
File #1303: Sonoro Film, Ltda. and UAC; distribution
agreement for Portugal, 1941
|
|
Box
220
Folder
10
|
File #1304: Banca de Depueneri si Credit et al. and UAC;
distribution agreement for Roumania, 1941
|
|
Box
220
Folder
11
|
File #1305: British General Supply Stores and UAC;
distribution agreement for The Great Dictator in Iran
and Iraq, 1941
|
|
Box
220
Folder
12
|
File #1306: Filimcilik Turk Anonim Sirketi and UAC;
distribution agreement for Turkey, 1941
|
|
Box
220
Folder
13
|
File #1307: Ideal Motion Pictures and UAC; distribution
agreement for Egypt, 1941
|
|
Box
220
Folder
14
|
File #1308: General Film Distributors Ltd. and UAC;
agreements, 1944, 1947
|
|
Box
220
Folder
15
|
File #1309: Gloria Productions and UAC; agreement for
The Dungeon, 1950
|
|
Box
220
Folder
16
|
File #1310: Artists Alliance Inc. and UAC; agreement for
Love Happy, 1950
|
|
Box
220
Folder
17
|
File #1311: Constance Bennett and UAC; agreement for
Paris Underground, 1944
|
|
Box
220
Folder
18
|
File #1312: Sam Bischoff and UAC; agreement for
Pitfall and others, 1946-1947
|
|
Box
220
Folder
19
|
File #1313: Jerrold T. Brandt Productions and UAC; agreement
for Cavalcade of Radio, 1948
|
|
Box
220
Folder
20
|
File #1314: British National Films Ltd. and UAC; agreement
for Love on the Dole and Mr. Pimpernal
Smith, 1941
|
|
Box
220
Folder
21
|
File #1315: Samuel Bronston and UAC; agreement for
Life of Jack London and others, 1942-1946
|
|
Box
220
Folder
22
|
File #1316: Alexander Korda, Alexander Korda Film
Productions Ltd., London Film Productions Ltd. and UAC;
agreements, 1935-1943
|
|
Box
220
Folder
23
|
File #1317: Sol Lesser Productions Inc. and UAC;
agreements, 1939-1947 : Includes Stage Door Canteen and Three's a
Family.
|
|
Box
220
Folder
24
|
File #1318: David L. Loew and UAC; agreements, 1939-1943
|
|
Box
221
Folder
1
|
File #1319: Gotham Productions Inc., Manhattan Productions,
Inc. and UAC; agreements for two pictures, 1943-1944
|
|
Box
221
Folder
2
|
File #1320: Meteor Pictures Corporation and UAC;
agreements, 1948-1949
|
|
Box
221
Folder
3
|
File #1321: The Michelangelo Company and UAC; agreement for
The Titan, 1950
|
|
Box
221
Folder
4
|
File #1322: Musicolor Corporation and UAC; agreement for
short subjects, 1945
|
|
Box
221
Folder
5
|
File #1323: James Nasser and UAC; agreements, 1948
|
|
Box
221
Folder
6
|
File #1324: George Pal Productions and UAC; agreement for
Tom Thumb, 1949
|
|
Box
221
Folder
7
|
File #1325: Panafran International Films and UAC Ltd.;
distribution agreement for Canada, 1949
|
|
Box
221
Folder
8
|
File #1326: Arrow Pictures Corporation and UAC; agreement
for Teheran, 1948-1949
|
|
Box
221
Folder
9
|
File #1327: The Pickford Corporation and UAC;
agreement, 1947
|
|
Box
221
Folder
10
|
File #1328: Producers Corporation of America and UAC;
agreement for Knickerbocker Holiday, 1943
|
|
Box
221
Folder
11
|
File #1329: Gregory Rabinovitch and UAC; agreement for
Gibralter and The Girl from
Leningrad, 1942
|
|
Box
221
Folder
12
|
File #1330: Arthur Ripley-Rudolph Montez Productions and
UAC; agreement for Voice in the Wind, 1943
|
|
Box
221
Folder
13
|
File #1331: C.A.P.A.C., UAC and Societe des Artistes
Associes; agreement, 1946
|
|
Box
221
Folder
14
|
File #1332: Roxbury Productions and UAC; agreements for
Mr. Sands and Once Over Lightly, 1949
|
|
Box
221
Folder
15
|
File #1333: Selkirk Productions Ltd. and UAC Ltd.;
agreement for Forbidden Journey, 1950
|
|
Box
221
Folder
16
|
File #1334: Andrew Stone Productions and UAC;
agreement, 1943-1945
|
|
Box
221
Folder
17
|
File #1335: Story Productions Inc. and UAC; agreement for
This Side of Innocence, 1947
|
|
Box
221
Folder
18
|
File #1336: Streamline Pictures Inc. and UAC; agreement for
Too Late for Tears, 1948
|
|
Box
221
Folder
19
|
File #1337: Special Pictures Inc. and UAC; agreement for
Young Widow, 1945-1947
|
|
Box
221
Folder
20
|
File #1338: Crystal Pictures and UAC; agreement for
Personal Column, 1946
|
|
Box
221
Folder
21-22
|
File #1339-1340: Hunt Stromberg and UAC; agreements for
Guest in the House and Dishonored
Lady, 1942-1945
|
|
Box
221
Folder
23
|
File #1341: Tola Productions Inc. and UAC; agreement for
The Roosevelt Story, 1947
|
|
Box
221
Folder
24
|
File #1342: Two Cities Films Ltd. and UAC; agreement for
In Which We Serve, 1942
|
|
Box
222
Folder
1
|
File #1343: Twoey Productions Inc. and UAC;
agreement, 1947
|
|
Box
222
Folder
2
|
File #1344: United California Productions and UAC; agreement
for Joe MacBeth, 1947
|
|
Box
222
Folder
3-4
|
File #1345-46: David O. Selznick Productions, Vanguard
Films, et al. and UAC; agreements, 1935-1946
|
|
Box
222
Folder
5
|
File #1347: Warwick Pictures Inc. and UAC; agreement for
World in Action shorts, 1942
|
|
Box
222
Folder
6
|
File #1348: The World Today Inc. and UAC; agreement for
short subjects, 1946
|
|