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Contents List
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Container
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Title
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Aaron Slick From Punkin' Crick
: Perlberg-Seaton Production, 1952. Paramount.
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Box
1
Folder
1
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Correspondence, Memoranda, and Production Records, October 1950-October 1951
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Box
1
Folder
2
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Daily Production Report, June 19, 1951
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Box
1
Folder
3
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Personnel - Cast Lists, March 26, April 14, 1951
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Box
1
Folder
4
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Preview - Comments, September 29, 1951
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Box
1
Folder
5
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Detail Production Cost, January 26, 1953
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Box
1
Folder
6
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Recording Program and Production Routine (Song and Dance), March 30-August 27, 1951
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Box
1
Folder
7
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Screenplay, Final, by Claude Binyon, adapted from the play by Beale Cormack, March 12, 1951, with revisions of March 16-May 21, 1951
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Box
1
Folder
8
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Shooting Schedules, March 12, June 1, 1951
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Box
1
Folder
9
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Title Billing (Corrected), June 22, 1951
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Airport
: Ross Hunter Production-Universal Pictures, 1970. Universal Pictures.
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Box
1
Folder
10
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Novel, by Arthur Hailey, annotated by Seaton, ca. 1968
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Box
1
Folder
11
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Research Material, ca. 1965
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Box
1
Folder
12
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Original Notes, by Seaton, ca. 1968
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Correspondence
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Box
1
Folder
13
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Casting, November 18, 1968-May 8, 1969
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Box
1
Folder
14
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General, July 17, 1968-October 23, 1969, n.d.
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Box
1
Folder
15
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Legal, November 21, 1968-March 26, 1969
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Box
1
Folder
16
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Looping, March 7-October 3, 1969
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Box
2
Folder
1
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Biographies of Airline Passengers, ca. 1969
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Box
2
Folder
2
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Call Sheets, Daily for Studio Shooting Only, March 10-June 10, 1969
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Box
2
Folder
3-4
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Continuity Breakdown, Pp. 1-317, ca. 1969
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Box
2
Folder
5
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Looping Dialogue, ca. 1969
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Box
2
Folder
6
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Miscellany, December 9, 1968-June 6, 1969, n.d.
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Box
2
Folder
7
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Music, Notes and Correspondence, August 22-September 19, 1969
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Production Reports
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Box
2
Folder
8
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January 30-April 2, 1969
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Box
3
Folder
1
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April 3-June 26, 1969
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Box
3
Folder
2
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Publicity, May 28, 1968-June 12, 1969, n.d.
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Box
3
Folder
3-4
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Set Designs, ca. 1969
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Box
3
Folder
5
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Shooting Schedules, ca. 1969
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Box
3
Folder
6
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Staff, Cast, and Crew Lists, ca. 1969
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Box
3
Folder
7-8
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Step Sheets, June 24, 1968
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Scripts, by Seaton
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First Draft
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Box
3
Folder
9
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July 16, 1968
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Box
4
Folder
1
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July 16, 1968
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Box
4
Folder
2
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Complete with Comments, August 6, 1968
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Box
4
Folder
3
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To Intermission, September 27, 1968
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Box
4
Folder
4
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Intermission to End, October 29, 1968
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Box
4
Folder
5
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Revisions, October 1968
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Box
4
Folder
6
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Annotated, November 5, 1968
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Box
5
Folder
1
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Complete, November 5, 1968
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Box
5
Folder
2
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Discarded Pages, ca. 1968
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Box
5
Folder
3
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Second Draft, Revision, ca. 1968
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Final Draft
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Box
5
Folder
4-5
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Revisions, ca. 1968-1969
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Box
5
Folder
6
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January 28, 1969
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Box
6
Folder
1
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January 28, 1969
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Box
6
Folder
2-3
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Shooting Script, Used by Henry Hathaway to Direct the Shooting of Minneapolis Exteriors, ca. 1969
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Box
6
Folder
4
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Shooting Script, Used by Seaton, January 28, 1969
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Box
6
Folder
5
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Script Girl Changes During Shooting, ca. 1969
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Anything Can Happen
: Perlberg-Seaton Production, 1952. Paramount.
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Box
6
Folder
6
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Audience Reaction Test Report, February 7, 1952
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Box
6
Folder
7
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Miscellaneous Correspondence, October 1950-October 1954
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Box
7
Folder
1
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“Jo-Jo the Wonder Boy,” by Seaton (Essay about Jose Ferrar), n.d.
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Box
7
Folder
2
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“Just Like Real People,” by Seaton (Essay), n.d.
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Box
7
Folder
3
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Music, including Recording Schedule, May 26, October 22, November 19, 1951
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Box
7
Folder
4
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Personnel, Cast and Crew, June 15, 1951
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Box
7
Folder
5
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Previews (San Bernardino, Los Angeles, Santa Monica, California), September 15-October 10, 1951
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Box
7
Folder
6
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Preview Profile, February 1, 1952
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Box
7
Folder
7
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Production Records - Daily Production Report, Detail Production Cost, Sets and Exteriors, May 1951-January 1953
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Box
7
Folder
8
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Research, February-July 1951, n.d.
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Box
7
Folder
9
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Script, Revised Final Shooting, by Seaton and George Oppenheimer, June 7, 1951, with Revisions of June 8, 16, July 7, 11, 23, 1951
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Box
7
Folder
10
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Shooting Schedule, June 7, 1951
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Box
7
Folder
11
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Trailer, Revised Domestic, March 12, 1952
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Box
7
Folder
12
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Title Billings, September 21, December 27, 1951
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Box
7
Folder
13
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“We Call Them Ulcer Shots,” by Seaton (Essay re: Location Shots), n.d.
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Apartment for Peggy
: William Perlberg Production, 1948. 20th Century-Fox.
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Box
7
Folder
14
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Apartment for Jenny, Novelette by Faith Baldwin, Copy Dated April 10, 1947
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Box
7
Folder
15
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Script, Revised Final, by Seaton, December 24, 1947
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Box
7
Folder
16
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Treatment by Seaton, November 17, 1947
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The Big Lift
: William Perlberg Production, 1950. 20th Century-Fox.
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Box
7
Folder
17
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Script, Temporary, by Seaton, August 9, 1949
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Billy Rose's Diamond Horseshoe
: William Perlberg Production, 1945. 20th Century-Fox.
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Box
7
Folder
18
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Script, Revised Final, by Seaton, July 14, 1944, with Revisions of July 24, August 7, 10, 11, 1944
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The Bridges at Toko-Ri
: Perlberg-Seaton Production, 1954. Paramount.
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Box
7
Folder
19
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Correspondence and Miscellany, July 1953-April 1955
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Box
7
Folder
20
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Exploitation - Previews, Correspondence and Miscellany, July 1954-May 1955
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Box
8
Folder
1
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Footage Report, Estimated, January 29, 1954
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Box
8
Folder
2
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Personnel, November 2, 1953, January 5-6, 1954, n.d.
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Box
8
Folder
3
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Production Costs, Detail and Budget, November 2, 1953, January 24, 1957
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Box
8
Folder
4
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Production Report, Daily, February 15, 1954
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Box
8
Folder
5
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Recording Program, July 8-August 10, 1954
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Scripts
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Box
8
Folder
6
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Revised Final Shooting, by Valentine Davies, December 8, 1953
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Box
8
Folder
7
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Release Dialogue, November 3, 1954
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Box
8
Folder
8
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Shooting Schedules, January 11, 1954
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Box
8
Folder
9
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Shooting Schedule for Planes and Helicopters, January 14-26, 1954
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Box
8
Folder
10
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Story by James Michener from Life Magazine, July 6, 1953
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Box
8
Folder
11
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Title Billings, May 21, 1954
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But Not for Me
: Perlberg-Seaton (Perlsea) Production, 1959. Paramount.
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Box
8
Folder
12
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Correspondence, Notes, Memos, July 1957-July 1959
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Box
8
Folder
13
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Personnel - Cast and Crew, January 9, 12, 1959
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Box
8
Folder
14
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Preview (Riverside, California), May 12, 1959
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Box
8
Folder
15
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Production Costs - Budget, Analysis, Detail, April 12, 1958-April 5, 1960
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Box
8
Folder
16
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Production Reports, March 12, 20, 1959
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Scripts
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Box
8
Folder
17
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Final, by John Michael Hays, January 8, 1959, with additions of January 8, 12, February 13, 26, 1959
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Box
8
Folder
18
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Release Dialogue, May 22, 1959
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Box
8
Folder
19
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Title Billing, May 20, 1959
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Chicken Every Sunday
: William Perlberg Production, 1948. 20th Century-Fox.
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Box
8
Folder
20
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Script, Second Revised Shooting Final, by Seaton and Valentine Davies, June 5, 1948, with Revisions of July 15, 1948
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Coney Island
: William Perlberg Production, 1943. 20th Century-Fox.
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Box
9
Folder
1
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Script, Final Shooting, by George Seaton, September 15, 1942
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The Counterfeit Traitor
: Perlberg-Seaton Production (Perlsea Co.), 1962. Paramount.
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Box
9
Folder
2
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Certificate of Award, May 29, 1962
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Correspondence
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Box
9
Folder
3
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Congratulatory, April 3-May 8, 1962
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Box
9
Folder
4
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Denton, Robert, May 2, 1958-March 8, 1960, n.d.
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Box
9
Folder
5
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Erickson, Eric, June 5, 1958-June 5, 1962, n.d.
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Box
9
Folder
6-7
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General, November 13, 1957-May 24, 1963, n.d.
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Box
9
Folder
8
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Kinski, Klaus, July 5-September 24, 1962
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Box
9
Folder
9
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Klein, Alexander, May 26, 1958-December 4, 1959, n.d
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Box
9
Folder
10
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Steinhart, Lawrence and Count Bernadotte, April 25-June 27, 1958, n.d., with Research Materials
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Box
9
Folder
11
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Surrey, Walter Sterling, June 25, 1958-March 5, 1962, n.d.
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Box
9
Folder
12
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Budget and Cost Reports, June 7, 1960-April 14, 1962
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Box
9
Folder
13
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European Cast and Crew, ca. 1960
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Box
9
Folder
14
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Miscellany, March 24, 1960-April 28, 1962
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Box
10
Folder
1
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Reviews, April 3-November 22, 1962, n.d.
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Box
10
Folder
2
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Scene by Scene Breakdown and Miscellaneous Notes, July 17, 1961, n.d.
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Scripts, by Seaton, from the Book by Alexander Klein
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Box
10
Folder
3
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Dialogue, January 5, 1961-April 27, 1962
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First Draft
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Box
10
Folder
4-5
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Handwritten and Typescript, Begun July 21, 1958, with additions to March 11, 1959, pp. 1-282
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Second Handwritten, July 6, 1959, with additions of July 17, 1959
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Box
10
Folder
6
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Pp. 1-180
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Box
11
Folder
1
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Pp. 181-348, with additions of November 10, 1959
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Box
11
Folder
2
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Typescript (Formerly entitled “West of Fear”), July 6, 1959
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Box
11
Folder
3
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First Mimeo (“The Man in the Middle”), September 11, 1959
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Box
11
Folder
4
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First Mimeo, Third Handwritten Revision of (“The Man in the Middle”), December 15, 1959
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Box
11
Folder
5
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First White Script, January 14, 1960
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Box
11
Folder
6
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Final Shooting, Berlin, May 24, 1960
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Box
12
Folder
1
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Final Shooting, by Seaton, Annotated While on Production, May 24, 1960
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Box
12
Folder
2
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Narration, June 6-August 16, 1961
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Box
12
Folder
3
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Treatment, by Seaton, May 4, 1959
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The Country Girl
: Perlberg-Seaton Production, 1954. Paramount.
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Box
12
Folder
4
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Academy Awards, Congratulatory Letters, February 14-28, 1955
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Box
12
Folder
5
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Correspondence, Miscellaneous, July 25, 1951-April 27, 1955, n.d.
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Box
12
Folder
6
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Correspondence, Congratulatory, July 1954-March 1955, n.d.
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Box
12
Folder
7
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Estimated Footage, February 17, March 15, 1954
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Box
12
Folder
8
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Personnel, February 20, 1954
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Box
12
Folder
9
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Premieres (Los Angeles, New York City) - Correspondence, Guest Lists, Party, November 11-December 21, 1954, n.d.
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Box
12
Folder
10
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Previews (Burlingame and Oakland, California) - Reviews, and Audience Comments, June 30-July 27, 1954
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Box
12
Folder
11
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Production Costs, Detail and Budget, February 1, 1954, January 24, 1957
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Box
12
Folder
12
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Production Reports, Daily, April 6, October 15, 1954
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Box
12
Folder
13
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Recording Programs, Lyrics, Musical Spots, January-July 1954, n.d.
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Box
12
Folder
14
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Research, July 27, August 7, 1953
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Box
12
Folder
15
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Script, Final White, by Seaton, based on a play by Clifford Odets, February 5, 1954
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Box
12
Folder
16
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Shooting Schedules, February 2, March 17, 1954
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Box
12
Folder
17
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Title Billings, March 17, May 13, 1954, n.d.
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A Day at the Races
: Max Siegal, producer, 1937. MGM.
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Box
13
Folder
1
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“Marx Brothers Story” by George S. Kaufman, George Seaton and Robert Piresh [sic], April 13, 1936
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Box
13
Folder
2
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Script for Marx Brothers Vaudeville Act, June 8, 1936
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Box
13
Folder
3
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Script for Marx Brothers Road Show, August 19, 1936
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Box
13
Folder
4
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Script of Screenplay, by Seaton and Robert Pirosh, n.d.
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The Doctor Takes a Wife
: William Perlberg Production, 1940. Columbia.
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Box
13
Folder
5
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Screenplay, Final Draft, by Seaton and Ken Englund, January 12, 1940
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The Eve of Saint Mark
: William Perlberg Production, 1944. 20th Century-Fox.
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Box
13
Folder
6
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Script, Final, by Seaton, August 30, 1943, with additions of September 8, 10, 1943
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For Heaven's Sake
: William Perlberg Production, 1950. 20th Century-Fox.
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Box
13
Folder
7
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“May We Come In?” by Harry Segall, copyright 1949
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Box
13
Folder
8
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Script, Final, by Seaton, June 12, 1950, with additions of June 16, 19, August 2, 16, 1950
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Junior Miss
: William Perlberg Production, 1945. 20th Century-Fox.
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Box
14
Folder
1
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Screenplay by Jerome Chodorov and Joseph Fields, revised by Seaton, August 12, 1944, with revisions of February 2, 1945
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Little Boy Lost
: William Perlberg Production, 1953. Paramount.
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Box
14
Folder
2
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Additional Dialogue, May-June 1952
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Box
14
Folder
3
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Advertising and Publicity, June, August 1953, n.d.
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Box
14
Folder
4
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Commentary (Narration), February 4-5, 1953
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Box
14
Folder
5
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Correspondence and Miscellany re: Exploitation, April 1, 1953-October 14, 1954, May 4, 1961
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Box
14
Folder
6
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Correspondence and Memos - Miscellaneous Production, November 1950-July 1957
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Box
14
Folder
7
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Location Shots in Paris and France, Suggestions for, June 17, 1952
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Box
14
Folder
8
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Notes and Miscellany, May-June 1952
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Box
14
Folder
9
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“On Finding `Little Boy Lost',” by Seaton (Essay about Christian Forcade), June 23, 1953
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Box
14
Folder
10
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Personnel - Cast and Crew, August 7-November 24, 1952
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Box
14
Folder
11
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Previews (Oakland, Burlingame, Santa Monica, California) - Correspondence and Audience Reaction, April, July 1953
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Box
14
Folder
12
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Production Reports, Miscellaneous, including Detail Production Costs, Editing, Dubbing and Scoring Schedule, 1952-1954, n.d.
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Box
14
Folder
13
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Recording Schedule, Miniform (recorder) Directions, Soundtracks, Screen Dialogue, Lyrics, October 1952-March 1953
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Box
14
Folder
14
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Research, August-September 1949, June-August 1952, n.d.
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Box
14
Folder
15
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Script, Second Final White, by Seaton, November 4-5, 1952
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Box
14
Folder
16
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Shooting Schedules, October 24, November 4, 29, 1952
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Box
14
Folder
17
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Song Lyrics for “It's All the Same to You,” (Van Heusen/Burke); Lyrics to Song by James Van Heusen, July-October 1952
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Box
14
Folder
18
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Title Billing, April 21, 1953, n.d.
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Box
14
Folder
19
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Travel and Reservation Schedules, July 11, 18, 1952
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The Magnificent Dope
: William Perlberg Production, 1942. 20th Century-Fox.
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Box
14
Folder
20
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Script, Final (“The Magnificent Jerk,”) by Seaton, February 14, 1942, with additions of February 18, March 27, 30, 1942
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Miracle on 34th Street
: William Perlberg Production, 1947. 20th Century-Fox.
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Box
15
Folder
1
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Correspondence, Miscellaneous; Writing Credits; Review, January 1947-December 1965, December 12, 1975
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Box
15
Folder
2
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Script, Final Shooting, January 2, 1947, with
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A Night at the Opera
: Irving Thalberg Production, 1935. MGM.
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Box
15
Folder
3
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“Marx Brothers Story,” Original Story, No author listed, December 2, 1934
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The Pleasure of His Company
: William Perlberg Production, 1961. Paramount
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Box
15
Folder
4
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Correspondence, Miscellaneous, May 1958-December 1961, n.d.
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Box
15
Folder
5
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Credits for Academy Awards, ca. 1961
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Box
15
Folder
6
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Location Shooting, San Francisco, October-November 1960
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Box
15
Folder
7
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Original Comedy by Samuel Taylor and Cornelia Otis Skinner, n.d.
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Box
15
Folder
8
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Personnel, January 19, October 21, 1960
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Box
15
Folder
9
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Previews - Correspondence, Memos, Audience Response, January 30-May 22, 1961, n.d.
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Box
15
Folder
10
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Production Costs and Budget, January 26, 1960, November 13, 1961, February 22, 1962
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Box
15
Folder
11
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Production Reports, Daily, January 26-December 12, 1960
|
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Box
15
Folder
12
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Recording Program, February 23, 1961
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Box
15
Folder
13
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Shooting Schedule, January 15, March 4, 1960
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Scripts
|
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Box
15
Folder
14
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First Typed Version of Screenplay by Samuel Taylor, October 8, 1959
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Box
15
Folder
15
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Handwritten Revision of First Draft, by Taylor, October 30-November 6, 1959
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Box
15
Folder
16
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First Draft Rewrite, by Seaton, n.d.
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Box
16
Folder
1
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Final White, January 6, 1960
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Box
16
Folder
2
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Final White, with Notes by Seaton, January 6, 1960
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Box
16
Folder
3
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Release Dialogue Script, May 1, 1961
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Box
16
Folder
4
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Test Scene, July 15, 1959
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Box
16
Folder
5
|
Title Credits, March 1, May 5, 1961
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Box
16
Folder
6
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Vocal Score Arranged by Alfred Newman, April 6, 1961, with Revisions of April 7, 10, 1961
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The Proud and the Profane
: William Perlberg Production, 1956. Paramount.
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Box
16
Folder
7
|
Correspondence, Notes, and Miscellany, July 1955-January 1957
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Box
16
Folder
8
|
Personnel - Cast and Crew, June 30, July 5, September 1, 28, 1955
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Box
16
Folder
9
|
Previews - Correspondence, Notes, Audience Reaction, January 3-13, 1955
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Box
16
Folder
10
|
Production Costs, June 1955, March 1956, January 1957
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Box
16
Folder
11
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Production Reports, June 16-October 13, 1955
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Box
16
Folder
12
|
Recording Program and Musical Suggestions, November-December 1955
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Box
16
Folder
13
|
Research, November 2, 1954-March 6, 1956, n.d.
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Scripts
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Box
16
Folder
14
|
Final Shooting Script, by Seaton, June 30, 1955, with additions of July 2, August 16, September 12, 1955
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Box
17
Folder
1
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Release Dialogue Script, March 12, 1956
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Box
17
Folder
2
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Shooting Schedules, July 1, September 1, 1955
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Box
17
Folder
3
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Title Billings, June 30, 1955, January 31, 1956
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The Rat Race
: Perlberg-Seaton Production, 1960. Paramount.
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Box
17
Folder
4
|
Correspondence, Miscellaneous; Travel Schedule, August 1, 1959-June 7, 1960
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Box
17
Folder
5
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Correspondence re: Garson Kanin, January-December 1958
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Box
17
Folder
6
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Cost Analysis, September 1959-October 1960
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Box
17
Folder
7
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Earnings, June 8-July 7, 1960
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Box
17
Folder
8
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Personnel, October 1959
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Box
17
Folder
9
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Previews - Schedule and Notes, February 4, 26, April 13, 28, 1960
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Box
17
Folder
10
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Production Report, December 8, 1959
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Box
17
Folder
11
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Shooting Schedules, September-November 1959
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Scripts
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Box
17
Folder
12
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Revised Final, by Garson Kanin and John Michael Hayes, August 13, 1959
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Box
17
Folder
13
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Release Dialogue Script, April 5, 1960
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Box
17
Folder
14
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Title Billing, February 4, 1960
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Rhubarb
: Perlberg-Seaton Productions, 1951. Paramount.
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Box
17
Folder
15
|
Correspondence, Miscellaneous, November 10, 1950-June 6, 1952
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Box
17
Folder
16
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Personnel, February 16, October 11, 1951
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Box
17
Folder
17
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Preview (Second) - Reactions, July 2, 1951
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Box
17
Folder
18
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Production Costs, Detail, January 23, 1952
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Box
17
Folder
19
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Production Records - Recording Program, Added Scenes, May 4, June 14, 1951
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Box
17
Folder
20
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Production Report, March 27, 1951
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Box
17
Folder
21
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Shooting Schedule, February 6, 1951
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Box
17
Folder
22
|
Script, Final Shooting, from Screenplay by Dorothy Reid and Francis Cockrell, from the Novel by H. Allen Smith, February 6, 1951
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Box
17
Folder
23
|
Title Billing, April 20-July 11, 1951
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The Shocking Miss Pilgrim
: William Perlberg Production, 1947. 20th Century-Fox.
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Box
17
Folder
24
|
Script, Final Shooting, by Seaton, November 1, 1945, with Revisions of November 19, 30, 1945
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Showdown
: George Seaton Production, 1972. Universal.
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Box
18
Folder
1
|
Ad Lib Lines for Crowd Scenes; Loop Lines, n.d.
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Box
18
Folder
2
|
Budgets, June 29, October 20, 29, 1971
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Box
18
Folder
3
|
Correspondence and Memos, September 8, 1971-August 17, 1973, n.d.
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Box
18
Folder
4
|
Correspondence re: Ted Taylor, January 23, 1971-October 30, 1972
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Box
18
Folder
5
|
Estimated Running Time, April 17, October 30, 1971
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Box
18
Folder
6
|
Personnel - Cast and Crew, July 14, 1972, n.d.
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Box
18
Folder
7
|
Preview Survey, December 1-8, 1972
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Box
18
Folder
8
|
Production Reports, Daily; Shooting Calls, May 22-July 14, 1972
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Box
18
Folder
9
|
Publicity, December 1971-December 1972
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Box
18
Folder
10
|
Research, February 1972-ca. April 10, 1972, n.d.
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Box
18
Folder
11
|
Reviews, May 17-September 10, 1973
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Box
18
Folder
12
|
Scene Designs, n.d.
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Screenplays, by Theodore Taylor from a Story by Frank Fine
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Box
18
Folder
13
|
Script (“Once Upon a River”), May 7, 1971
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Box
19
Folder
1
|
Script (“Crossfire”), October 22, 1971
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Box
19
Folder
2
|
Final, January 20, 1972
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Box
19
Folder
3
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Revised Final, March 1, 1972
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Box
19
Folder
4
|
Second Revised Final, April 3, 1972
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Box
19
Folder
5
|
Shooting Schedules, March 24-May 18, 1972, n.d.
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Box
19
Folder
6
|
Titles, June 15-September 20, 1972
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“Sitting Pretty”
: Unproduced.
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Box
19
Folder
7
|
Story, by Seaton, Chico Marx, and Robert Pirosh, n.d.
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|
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Somebody Loves Me
: Perlberg-Seaton Production, 1952. Paramount.
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|
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Box
19
Folder
8
|
Correspondence and Miscellany, April-September 1951
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Box
19
Folder
9
|
Personnel, August 21-22, 1951
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Box
19
Folder
10
|
Previews (Inglewood, Santa Monica, California), January 23, March 5, 1952
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Box
19
Folder
11
|
Production Cost, Detail, January 26, 1953
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Box
19
Folder
12
|
Production Report, Daily, October 24, 1951
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Box
19
Folder
13
|
Recording Programs, July 1951-February 1952
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Box
20
Folder
1
|
Score (Bound Copy), Arranged by Van Cleve, Gus Levene, and Others, Autographed April 10, 1952
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Box
20
Folder
2
|
Script, Final Shooting, by Irving Brecher, July 10, 1951
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Box
20
Folder
3
|
Shooting Schedules, ca. August 22, October 4, 1951
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Box
20
Folder
4
|
Test Scenes, March 13, 1951
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Box
20
Folder
5
|
Title Billings, October 26, November 7, 13, 1951
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|
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Song of Bernadette
: William Perlberg Production, 1943. 20th Century-Fox.
|
|
|
Box
20
Folder
6
|
Script, Revised Final, by Seaton, March 8, 1943, with additions of March 29-April 23, 1943
|
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Box
20
Folder
7
|
Treatment, by Seaton, October 23, 1942
|
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Teacher's Pet
: William Perlberg Production, 1958. Paramount.
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|
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Box
21
Folder
1
|
Correspondence, Miscellaneous; Production Materials, Memos
|
|
|
Box
21
Folder
2
|
Personnel - Cast, Crew, Staff, April 12, 1957, n.d.
|
|
|
Box
21
Folder
3
|
Previews (San Francisco, Oakland, Santa Monica, California), September-October 1957
|
|
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Box
21
Folder
4
|
Production Costs and Budget, July 1956-February 4, 1959
|
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Box
21
Folder
5
|
Production Report, June 21, 1957
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Box
21
Folder
6
|
Research, February 28, March 19, 1957, n.d.
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|
Scripts
|
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|
Box
21
Folder
7
|
Final White, by Fay and Michael Kanin, May 2, 1957
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Box
21
Folder
8
|
Release Dialogue Script, December 30, 1957
|
|
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Box
21
Folder
9
|
Shooting Schedules, May 13, June 10, 1957
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|
|
Box
21
Folder
10
|
Story by Fay and Michael Kanin, ca. February 27, 1952
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Box
21
Folder
11
|
Title Billing, July 26, 1957
|
|
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36 Hours
: Perlberg-Seaton Production/Cherokee, 1965. MGM.
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|
|
Box
21
Folder
12
|
Research, October 16, 1961-March 30, 1964, n.d.
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|
Box
21
Folder
13
|
Correspondence, Lisbon and Germany, February 18-June 3, 1964, n.d.
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Box
21
Folder
14
|
Biographies, ca. 1964
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Box
21
Folder
15
|
Casting and Production Costs, December 4, 1963-July 20, 1964, n.d.
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Box
21
Folder
16
|
Legal Research, February 6-July 21, 1964
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Box
21
Folder
17
|
Location - Yosemite, May 26-June 2, 1964
|
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Box
21
Folder
18
|
Music Notes, July 6, 1964
|
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Box
21
Folder
19
|
Preview Reports, September 10-11, 1964
|
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Box
21
Folder
20
|
Publicity and Reviews, January 26-February 8, 1965
|
|
|
Scripts, by Seaton, based on a story by Carl K. Hittelman
|
|
|
Box
22
Folder
1
|
Original Fifth Version, n.d.
|
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Box
22
Folder
2
|
Notes on Script, ca. 1962-1964
|
|
|
First Draft
|
|
|
Box
22
Folder
3-4
|
Holograph, pp. 1-255, n.d.
|
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Box
22
Folder
5
|
Treatment, February 5, 1963
|
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Box
22
Folder
6
|
Revised - Added - Discarded Pages, February 5-July 15, 1963
|
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Box
22
Folder
7
|
Revised, July 15, 1963
|
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Box
23
Folder
1
|
Screenplay, August 8, 1963
|
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Box
23
Folder
2
|
Revisions - Discarded Pages, August 8-November 19, 1963
|
|
|
Second Draft
|
|
|
Box
23
Folder
3-4
|
Holograph with First Draft Revisions, Pp. 1-211, ca. 1963
|
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Box
23
Folder
5
|
Treatment, July 2, 1963
|
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Box
23
Folder
6
|
Screenplay, October 28, 1963
|
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Box
23
Folder
7
|
Screenplay, Annotated, November 19, 1963
|
|
|
Final Draft
|
|
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Box
23
Folder
8
|
Screenplay, March 1964
|
|
|
Box
24
Folder
1
|
Revisions for Trailer Dialogue, ca. 1964
|
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Box
24
Folder
2
|
Revisions, ca. 1964
|
|
|
Box
24
Folder
3
|
Shooting Script, March 18, 1964
|
|
|
The Tin Star
: Perlberg-Seaton Productions, 1957. Paramount.
|
|
|
Box
24
Folder
4
|
Correspondence, Miscellaneous; Notes, Production Materials, October 1955-December 1957
|
|
|
Box
24
Folder
5
|
Original Story, by Barney Slater, ca. October 25, 1955
|
|
|
Box
24
Folder
6
|
Personnel - Cast and Crew, October 1956, n.d.
|
|
|
Box
24
Folder
7
|
Preview (Riverside, California) - Audience Commenta, April 4, 1957
|
|
|
Box
24
Folder
8
|
Production Costs, Detail and Estimates, January-June 1957, July 1960
|
|
|
Box
24
Folder
9
|
Recording Program, March 20, 1957
|
|
|
Scripts
|
|
|
Box
24
Folder
10
|
Final White, by Dudley Nichols, September 20, 1956, with additions of September 24-November 20, 1956
|
|
|
Box
24
Folder
11
|
Release Dialogue Script, June 10, 1957
|
|
|
Box
24
Folder
12
|
Shooting Schedule, November 26, 1956
|
|
|
Box
24
Folder
13
|
Title Billings, November 26, December 5, 1956; January 30, 1957, n.d.
|
|
|
What's So Bad About Feeling Good?
: Universal, 1968. Universal.
|
|
|
Box
24
Folder
14
|
Research Notes, ca. 1958-1966
|
|
|
Correspondence
|
|
|
Box
24
Folder
15
|
General, September 3, 1965-May 23, 1968
|
|
|
Box
25
Folder
1
|
Legal, January 24, 1966-January 3, 1968
|
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|
Box
25
Folder
2
|
Music, August 1, 1966-February 13, 1968
|
|
|
Box
25
Folder
3
|
Budget, May 2, 1967-March 6, 1968
|
|
|
Box
25
Folder
4
|
Looping Material, ca. 1967
|
|
|
Box
25
Folder
5
|
Miscellany, December 2, 1966-March 7, 1968
|
|
|
Box
25
Folder
6
|
Production Reports, Daily, April 28-July 13, 1967
|
|
|
Box
25
Folder
7-9
|
Publicity, April 17, 1967-August 6, 1968
|
|
|
Box
25
Folder
10
|
Reviews, May 18-June 17, 1968
|
|
|
Box
26
Folder
1
|
Schedules and Breakdowns, April 12-20, 1967, n.d.
|
|
|
Box
26
Folder
2
|
Staff, Crew, and Cast Lists, ca. 1967
|
|
|
Treatments
|
|
|
Box
26
Folder
3
|
Holograph, July 26, 1965
|
|
|
Box
26
Folder
4-6
|
Annotated, ca. 1965
|
|
|
Scripts, by Seaton and Robert Pirosh
|
|
|
First Draft
|
|
|
Box
26
Folder
7
|
Holograph, October 7-28, 1965, n.d.
|
|
|
Discarded and Revised Pages
|
|
|
Box
26
Folder
8
|
October 7-14, 1965
|
|
|
Box
27
Folder
1-3
|
October 21, 1965-February 16, 1966
|
|
|
Screenplay
|
|
|
Box
27
Folder
4
|
December 13, 1965
|
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Box
27
Folder
5
|
January 12, 1966
|
|
|
Box
27
Folder
6
|
January 13, 1966
|
|
|
Second Draft
|
|
|
Box
28
Folder
1
|
Screenplay, February 7, 1966
|
|
|
Box
28
Folder
2
|
Discarded and Revised Pages, ca. 1966
|
|
|
Final Draft
|
|
|
Box
28
Folder
3
|
Revisions, ca. 1966-1967
|
|
|
Box
28
Folder
4
|
Discarded Pages, ca. 1966-1967
|
|
|
Box
28
Folder
5
|
Screenplay, March 14, 1967
|
|
|
Box
28
Folder
6
|
Screenplay, Revised, March 14-June 21, 1967
|
|
|
Box
29
Folder
1
|
Shooting Script, Director's, March 14, 1967, with Annotations and Revisions
|
|
|
Williamsburg, the Story of a Patriot
: Paramount, 1956. Paramount. Directed by George Seaton.
|
|
|
Box
29
Folder
2
|
Correspondence, Miscellaneous; Memoranda, October 1955-February 1959
|
|
|
Box
29
Folder
3
|
Comments by Williamsburg Personnel, August 13, 1957
|
|
|
Box
29
Folder
4
|
Dialogue Continuity, n.d.
|
|
|
Box
29
Folder
5
|
Production Materials, Miscellaneous - Script Conferences, Opening and Closing Notices, Title Billings, Cast Outline, Aspect Ratios, Miscellany, March-November 1956, n.d.
|
|
|
Box
29
Folder
6
|
Production Reports, Daily, May 7-25, 1956
|
|
|
Box
29
Folder
7
|
Script, Final White, with Revisions and Notes, April 25-May 11, 1956
|
|
|
Box
29
Folder
8
|
Shooting Schedule, April 24, 1956
|
|
|
Box
29
Folder
9
|
Teacher's Manual, n.d.
|
|
|
