Archival Resources in Wisconsin: Descriptive Finding Aids

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Declarations and Petitions, 1840-1906

Declarations of Intention

Petitions

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Container	Title
M2008-014	Part 2 (M2008-014, Audio 1447A): Additions, 1936-2000 Physical Description: 32.6 cubic feet (79 archives boxes and 1 record center carton), 200 photographs, 350 negatives, 1 reel-to-reel tape, 5 audio cassettes, and 1 compact disc (audio) Scope and Content Note This accession consists of all the papers remaining in N. Richard Nash's house in Cornwall Bridge, Connecticut, and his New York City apartment on his death in 2000. Almost all of it consists of files relating to his writing projects: drafts of stage plays, screenplays, novels and other works, with a small number of research and production files (casting files, budgets, and prompt scripts). The project files are arranged alphabetically by title, then chronologically under each title. However, both these methods of arrangement require comment. First, most of Mr. Nash's projects went through a number of different titles. The arrangement attempts to group together all materials relating to the same subject matter (usually the same basic plot), irrespective of the actual titles on the drafts. One important exception is that materials relating to The Rainmaker, television play and stage play, are filed separately from those relating to 110 in the Shade; the latter is an adaptation of the former as a musical, but they were both produced, and are so distinct it seemed preferable to keep them separate. Second, the same plot material is often used for different forms: stage play, screenplay, and novel. These forms have generally been arranged separately under the project title. Third, the project title used in the arrangement is, in the case of produced and/or published plays and screenplays, and published novels, the title of production or publication; if a project was publicly presented under more than one title, the last American production or publication title is used. Unproduced and unpublished titles are grouped under what seems to be the latest title. Whenever a draft has a title, this is given (in inverted commas) at the beginning of the entry for that folder. A concordance at the end of this scope and content note links all titles used to the project title under which related materials may be found in this accession. Fourth, many of the drafts bear an authorial name other than N. Richard Nash. In some cases this is because they were written by someone else -- writings of members of his family, or texts submitted to him by their authors for comment, usually in connection with a writing workshop conducted by Mr. Nash. Writings by others are separately arranged at the end of the accession (unless these are writings relating directly to a project of Mr. Nash's, in which case they are grouped with the other materials relating to that project). However, in many cases these other names are pseudonyms of Mr. Nash's. In most, one or two drafts (or even one or two alternate title pages) have the pseudonym, and the latest versions usually bear the Nash name. Such pseudonyms are: Joram Cutler, Richard Karlen, David E. Nicholson, Matthew Parker, William Payne, and John Westover. A few items are presented under Mr. Nash's original name: Richard Nusbaum. One pseudonym is much more developed: John Roc, who has a fictional biography (for use on book jackets and in playbills), his own Library of Congress Name Authority entry, and Mr. Nash carefully preserved the secret of his identity until the publication of the Selected Plays in 1996, which includes a Roc title and formally states that this is a pseudonym for N. Richard Nash. Fifth, the chronological arrangement within the materials for a particular project is tentative. It is based on the dates which are written or typed on many of the drafts, the numbering (usually by letters) of variant drafts, and internal evidence, for example, the appearance in the typed part of a draft of material in hand-written emendations on another, and presumably therefore earlier, draft. None of these dating methods is entirely reliable, so the chronological sequence should be treated with caution. See the Title Concordance in the Appendix.
	Series: Project Files
	Alchemy Note: Three-act and two-act play, and unpublished novel by N. Richard Nash, the play published as “Alchemy” in Selected Plays (New York: Greenhouse and Kirby, 1996), and given a public reading as Magic by the Circle Repertory Company in New York City, 1987?
	Play, three-act version
Box 1 Folder 1	“Magic, First Draft” [label on original binder]: typescript with emendations, undated
Box 1 Folder 2	“Magic, First Draft Revised, [1a]” [label on original binder]: typescript with emendations, undated
Box 1 Folder 3	“Magic, Materials Draft” [label on original binder]: typescript with emendations, undated
Box 1 Folder 4	“Magic, Notes, Subject Matter” [label on original binder]: handwritten and typed notes on the background to the play, undated Note: Same time period as drafts in Box 1, Folders 1-3.
Box 1 Folder 5	“Magic, Notes, Act by Act” [label on original binder]: handwritten notes in the sequence of the play, undated Note: Probably one of the versions in Box 1, Folders 1-3.
Box 1 Folder 6	“Magic, a play by N. Richard Nash” [on title page]: typescript, copyright 1962 Note: “Single Copy, Magic -- 1” [on cover]; marked “First Draft”; notes and sketches.
Box 1 Folder 7	“Magic, a play by N. Richard Nash”: cyclostyle typescript, undated Note: Marked “Cornwall”.
Box 2 Folder 1	“Magic, a play by N. Richard Nash”: cyclostyle typescript, undated Note: Marked “2”.
Box 2 Folder 2	“Magic by N. Richard Nash”: cyclostyle typescript with handwritten emendations, undated Note: Edge-marked “Work Copy”.
Box 2 Folder 3	“Magic”: cyclostyle typescript, revised 1983 February 26
Box 2 Folder 4	“Magic, a play in three acts, by N. Richard Nash”: cyclostyle typescript, undated Note: Marked “Unrevised”.
Box 2 Folder 5	“Magic, a play by N. Richard Nash”: computer printout with handwritten emendations, 1986 December 19 Note: Pages originally marked with paper clips, replaced here with a pencil cross top left.
Box 2 Folder 6	“Magic, a play in three acts by N. Richard Nash”: computer printout, 1987 January 14 Note: Originally in folder labeled “Magic, 1/14/87” (plus title page of an identical draft, undated, marked “Version A”).
Box 2 Folder 7	“Magic, A play in three acts, by N. Richard Nash”: computer printout, undated Note: Marked “Newest Version”.
Box 2 Folder 8	Notes by “Harry” on a three-act version of the play, undated
	Play, two-act version
Box 2 Folder 9	“Magic, a play in two acts by N. Richard Nash”: typescript, revised 1983 March 1 Note: Title pages of otherwise identical typescripts: “Cornwall, Magic, Alchemy”/”Alchemy, a play in two acts by Matthew Parker”/”Alchemy, a play in two acts by John Westover”.
Box 3 Folder 1	“Magic, a play by N. Richard Nash”: typescript photocopy with handwritten emendations, undated
Box 3 Folder 2	“Magic, a play by N. Richard Nash”: computer printout with handwritten emendations, undated
Box 3 Folder 3	“Magic, a play by N. Richard Nash: computer printout and handwritten pages of notes and revisions, undated Note: Cover sheet marked “Magic, Obsolete”.
Box 3 Folder 4	“Magic, a play by N. Richard Nash”: computer printout, 1985 December
Box 3 Folder 5	“Magic, a play by N. Richard Nash”: computer printout, 1985 December 31
Box 3 Folder 6	“Alchemy, a play in two acts by N. Richard Nash”: typescript Note: “Alchemy” written over whited-out “Magic”. Originally marked with many post-it notes, here replaced by a cross at the top left (the few with notes on them retained), some pages with penciled numbers for a range 378-486, probably page numbers of copy for Selected Plays.
Box 3 Folder 7	“Alchemy, a play in two acts”: typescript Note: More or less as the copy in Box 3, Folder 6, but marked up for publication, presumably in Selected Plays.
	Novel
Box 3 Folder 8-9	Untitled: typescript draft Note: With many handwritten pages of notes and revisions interleaved, originally in brown envelope labeled “Magic, novel”.
Box 4 Folder 1-2	Untitled: computer printout, undated Note: Pages with queries marked originally with paperclips, now replaced by a pencil cross top left.
Box 4 Folder 3-4	“Untitled Novel by N. Richard Nash”: typescript, 1985 July 22 Note: A few pages marked originally with paper clips, replaced by a penciled cross top left.
Box 4 Folder 5	Untitled: typescript, undated Note: Marked “Second Draft,” pp. 1-161.
Box 4 Folder 6	Untitled: typescript, undated Note: Lacking title page and page one, containing pages 2-378.
Box 5 Folder 1	Untitled: typescript, undated Note: Continuation of Box 4, Folder 6.
Box 5 Folder 2	Handwritten sketches and notes Note: Mostly struck through, together with a number of typewritten pages from one of the drafts of the novel, originally in folder marked “Magic, used”.
	Miscellaneous
Box 5 Folder 3	Research notes and clippings
Box 5 Folder 4	Speeches: manuscript drafts Note: Two folders marked “Used Magic” and “Magic Used” with handwritten drafts of speeches, presumably incorporated into script drafts and then crossed out here.
Box 5 Folder 5	“Production”: casting notes; list of potential theatrical venues; correspondence, 1985-1987 Note: About a production of the play; Circle Repertory Company, New York City, flyers for an “extended Reading” of Magic, undated
	Alice Note: Unproduced? musical, book by N. Richard Nash, music by Hal Hester and Danny Apolinar, based on Lewis Carroll's novels.
Box 5 Folder 6-9	“Alice Used” drafts of the libretto, 1969 Note: Originally in box labeled “Alice Used”.
Box 6 Folder 1	“Alice Used” drafts of the libretto, 1969 (continued)
Box 6 Folder 2	“Alice, book by N. Richard Nash, music and lyrics by Hal Hester and Danny Apolinar”: hand-emended typescript carbon copy, undated Note: Cover marked “Alice, First Full Outline”.
Box 6 Folder 3	“Alice, book by N. Richard Nash, music and lyrics by Hal Hester and Danny Apolinar”: typescript carbon copy, undated Note: Clean typescript carbon copy incorporating emendations in the version in Box 6, Folder 2; cover marked “Alice, First Outline”.
Box 6 Folder 4	“Alice, by N. Richard Nash”: cyclostyle typescript, 1969 March 12 Note: Marked “First Draft, March 12, 1969”.
Box 6 Folder 5	“Alice, by N. Richard Nash”: cyclostyle typescript, 1969 April 18 Note: Cover marked “2, April 18, 1969”.
Box 6 Folder 6	“Alice, book by N. Richard Nash, music and lyrics by Hal Hester and Danny Apolinar”: cyclostyle typescript, 1969 June 13 Note: Marked “Third Draft, June 13, 1969”.
Box 6 Folder 7	“Alice, ... book by N. Richard Nash, music and lyrics by Hal Hester and Danny Apolinar, produced by David Black”: cyclostyle typescript, 1969 June 20, 1969 Note: Cover marked “Fourth Draft, June 20, 1969”.
Box 6 Folder 8	“Alice, based on themes by Lewis Carroll, book by N. Richard Nash, music and lyrics by Hal Hester and Danny Apolinar, produced by David Black”: cyclostyle typescript, 1969 June 20 Note: Marked “June 20, 1969” and “18,” as above with handwritten emendations.
Box 6 Folder 9	“Alice, based on themes by Lewis Carroll, book by N. Richard Nash, music and lyrics by Hal Hester and Danny Apolinar, produced by David Black”: cyclostyle typescript, 1969 August 26 Note: Marked “August 26, 1969” and “26”.
Box 6 Folder 10	“Alice, based on themes by Lewis Carroll, book by N. Richard Nash, music and lyrics by Hal Hester and Danny Apolinar, producer David Black”: cyclostyle typescript with handwritten emendations, 1969 August 26 Note: Marked “August 26, 1969” and “31”.
Box 7 Folder 1	“Alice, book by N. Richard Nash, music and lyrics by Hal Hester and Danny Apolinar, producer David Black”: cyclostyle typescript, book copyright 1969 Note: Marked “Orpheum” and “Bob Randolph”.
Box 7 Folder 2	“Alice”: emended script Note: Originally in envelope marked “Alice” (pages assembled from cyclostyled pages in previous scripts and incorporating emendations in draft above).
Box 7 Folder 3	“Alice, Early Draft”: emended script Note: Originally in envelope marked “Alice, Early Draft” (pages assembled from cyclostyled pages in previous script).
Box 7 Folder 4	“Alice, libretto by N. Richard Nash, based on characters and situations by Lewis Carroll, music and lyrics by Hal Hester and Danny Apolinar”: cyclostyled script, undated
Box 7 Folder 5	“Alice, libretto by N. Richard Nash, based on characters and situations by Lewis Carroll, music and lyrics by Hal Hester and Danny Apolinar”: cyclostyled script, undated Note: Marked “1st Osterman”.
Box 7 Folder 6	“Alice, libretto by N. Richard Nash, based on characters and situations by Lewis Carroll, music and lyrics by Hal Hester and Danny Apolinar”: cyclostyled script, undated Note: Marked “2nd Osterman”.
Box 7 Folder 7	“Alice, libretto by N. Richard Nash, based on characters and situations by Lewis Carroll, music and lyrics by Hal Hester and Danny Apolinar”: cyclostyle typescript emended, 1970 April 27 Note: Red-underlined passages originally signaled by paper clips, replaced here with penciled crosses top left; script pages and notes (originally inside the cover of the script).
Box 7 Folder 8	“Alice, book by N. Richard Nash, music and lyrics by Hal Hester and Danny Apolinar”: typescript, 1970 September 10
Box 7 Folder 9	“Alice, book by N. Richard Nash, music and lyrics by Hal Hester and Danny Apolinar”: cyclostyle typescript, 1970 September 10 Note: Not the same as in Box 7, Folder 8.
Box 7 Folder 10	Correspondence and clippings, 1969 Note: Regarding a production of the musical, and script revisions (originally in box labeled “Alice Current”).
Box 7 Folder 11	Audition schedules, New York, 1969 August Note: Originally in box labeled “Alice Current”.
Box 8 Folder 1	Script revisions Note: Originally in box labeled “Alice Current”.
Box 8 Folder 2	Handwritten sketches and photocopies of music, undated
	“Amelia” Note: Screenplay by N. Richard Nash for unproduced film or television program.
Box 8 Folder 3	Untitled screenplay, undated Note: With handwritten emendations and originally many masking tape tags with titles of scenes (these have been removed and replaced with penciled versions in the top left of the page).
Box 8 Folder 4	Untitled screenplay, undated Note: Edge-marked “Amelia,” originally marked up with paper clips (replaced by penciled crosses top left).
Box 8 Folder 5	Sketches Note: Mostly of lyrics, note cards with plot points.
	The Angry Circle Note: Play in six scenes by N. Richard Nash
Box 8 Folder 6	“Story Sketch” Note: With accompanying letter by George Schaefer of Paramount, August 27, 1973; notes; two untitled typed drafts with hand-written emendations, undated; clean cyclostyled draft titled “The Angry Circle by N. Richard Nash,” undated
	August Note: Play in two acts probably by N. Richard Nash. None of the copies has a title page and hence no author's name, but several copies are edge-marked “August.”
Box 8 Folder 7	Untitled typescript: emended, undated Note: With yellow-pad pages of notes; edge-marked “August” and originally in folder marked “August--Used”.
Box 8 Folder 8	Untitled typescript of Act I, undated
Box 8 Folder 9	Variant untitled typescripts of Acts I and II, undated Note: Both with emendations in red ink.
Box 8 Folder 10	Variant untitled typescript of Acts I and II, undated Note: Marked on top edge “AUGUST”; incorporating the emendations in the version in Box 8, Folder 9, many pages originally marked with paper-clips, replaced here by pencil crosses top left.
Box 8 Folder 11	Notes, sketches and clippings
	Behold the Man Note: Novel by N. Richard Nash (New York: Doubleday, 1986).
Box 9 Folder 1-3	“Behold the Man, a novel by N. Richard Nash”: computer printout Note: Version submitted to publishers.
Box 9 Folder 4-6	“Behold the Man, a novel by N. Richard Nash”: cover and front-matter copy, style sheets and style notes; copy-edited typescript.
Box 10 Folder 1	“Behold the Man, N. Richard Nash”: page proofs.
	Between the Darkness and the Dawn Note: Television play, by N. Richard Nash and Dennis Turner, broadcast by NBC, December 23, 1985
Box 10 Folder 2	“Untitled Elizabeth Montgomery/NBC Project, teleplay by Dennis Turner”: typescript photocopy, 1985 June 30 Note: Marked “Final Draft, June 30, 1985”.
Box 10 Folder 3	“Untitled Elizabeth Montgomery/NBC Project, teleplay by N. Richard Nash and Dennis Turner”: cyclostyled screenplay, 1985 August 14, 27 Note: Marked “Final Shooting Script, August 14, 1985,” with revisions to August 27, 1985.
	The Blonde Sparrow Note: Screenplay by N. Richard Nash (unproduced?).
Box 10 Folder 4	“The Blonde Sparrow, a Mystery Melodrama by N. Richard Nash”: cyclostyle typescript, undated Note: One of what were originally two identical copies, except that one lacked a title page but was in a binder with a William Morris Agency label reading “The Blonde Sparrow by Richard Karlen”.
	Blood Relations Note: Play in two acts by N. Richard Nash (alternative title Payday).
Box 10 Folder 5	“Blood Relations, play in two acts by N. Richard Nash” and “Payday, play in two acts by N. Richard Nash”: hand-emended typescript, 1987 February 22 Note: Alternative title pages; one title page marked “2/22/87,” the typescript edge-marked “Blood Relations”.
Box 10 Folder 6	“Blood Relations, play in two acts by N. Richard Nash”: hand-emended typescript, undated Note: Edge-marked “Payday”.
Box 10 Folder 7	Handwritten notes and sketches, and a few clippings Note: One group in a separate subfolder labeled “Crime”.
	The Bluebird of Happiness Note: A play in two acts by N. Richard Nash, produced by the American Stage Company, March 1989, and published in Selected Plays (New York: Greenhouse and Kirby, 1996).
Box 10 Folder 8	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: typescript, undated
Box 10 Folder 9	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Version C, not up-to-date”; second set of initial pages marked “April 19, 1988”.
Box 10 Folder 10	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Version C”.
Box 11 Folder 1	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: typescript, 1988 March 9 Note: Marked “Version D” and “Finished March 9, 1988”.
Box 11 Folder 2	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: cyclostyle typescript, undated
Box 11 Folder 3	“The Bluebird of Happiness”: hand-emended typescript, 1988 March 16
Box 11 Folder 4	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: typescript, 1988 May Note: Marked “Early Version, May, 1988”; one-page script concordance.
Box 11 Folder 5	Untitled: dot-matrix printer typescript with hand emendations, undated
Box 11 Folder 6	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “1F 2F”.
Box 11 Folder 7	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: typescript, undated
Box 11 Folder 8	“Bluebird of Happiness, play in two acts by N. Richard Nash”: typescript, undated Note: Marked “H”.
Box 11 Folder 9	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: typescript, 1988 March 19, 25 Note: Marked “J” and “March 19, 1988 Version, Circle Rep--First Reading Version March 25”.
Box 11 Folder 10	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: cyclostyle typescript, 1988 April 19, October 25 Note: Marked “Oct 25, 1988” and “1AA 2AA”; at the end another title page marked “original, April 19, 1988”.
Box 11 Folder 11	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: cyclostyle typescript, 1988 October 25 Note: Marked “Oct. 25, 1988” and title page from an otherwise identical copy marked “Early Version”.
Box 12 Folder 1	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Version D”.
Box 12 Folder 2	Untitled: typescript with hand emendations, undated
Box 12 Folder 3	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Version D (Rehearsal Version)”; with a stage plan on the verso of each page.
Box 12 Folder 4	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Version D (Rehearsal version)” and “Copy, Prompt Book,” with prompter's notes.
Box 12 Folder 5	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Version D (Rehearsal Version),” the typescript copy in Box 12, Folder 4 photocopied, but with many stage manager's notes, in binder marked “Bluebird of Happiness/Stage Manager's Copy”.
Box 12 Folder 6	Sound and lighting cue sheets, revised 1989 January 14 Note: Redline Basic Ground Plan for American Stage Company production, directed by N. Richard Nash; light plots by Ken Posner; set design; costume plot; top of show; all originally in envelope marked “Stage Manager's Materials” inserted in the Stage Manager's script in Box 12, Folder 5.
Box 12 Folder 7	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: typescript photocopy, undated Note: Marked “Nash Copy” and “Version D (Rehearsal Version)”.
Box 12 Folder 8	“The Bluebird of Happiness, a play in two acts by N. Richard Nash”: cyclostyle typescript, undated Note: With director's notes and scene plots on the verso of each page, with ticket marked “March 4, 1989, The American Stage Company Presents” attached to title page, and marked “Version D (Rehearsal Version)”.
Box 12 Folder 9	“Bluebird of Happiness, play in two acts”: typescript, undated Note: Marked up for printing, probably in Selected Plays (begins page 566).
Box 12 Folder 10	Sketches for speeches and scenes, undated Note: Mostly crossed out, originally in folder “Bluebird, Used”
Box 12 Folder 11	Script and notes for public reading at the John Harms Center for the Arts, Englewood, New Jersey, 1994 March 14-15
Box 13 Folder 1	“Bluebird of Happiness, play in two acts”: typescript and hand-written sketches, circa 1994 Note: Connected with the 1994 reading in Box 12, Folder 11.
	The Bowery Note: Screenplay by N. Richard Nash.
Box 13 Folder 2	“The Bowery, by N. Richard Nash”: cyclostyle typescript, copyright 1962
	Breaking the Tie Note: Play in two acts by N. Richard Nash, produced at Princeton University, August 1989, and published in Selected Plays, 1996, and screenplay (alternative titles The Bridge and My Friend, My Enemy).
	Screenplay
Box 13 Folder 3	“My Friend, My Enemy”: hand-emended typescript, undated
Box 13 Folder 4	Untitled: hand-emended typescript, undated Note: Pages crossed out, probably after the material was retyped for a later draft (originally in an envelope marked “My, Friend, My Enemy, Breaking the Tie, Materials Draft”).
Box 13 Folder 5	“My Friend, My Enemy, a screenplay by N. Richard Nash”: cyclostyle typescript, undated Note: With various title pages, including one as “The Bridge,” and an alternate ending marked “Old Ending, My Friend, My Enemy”.
Box 13 Folder 6	“Breaking the Tie, a screenplay by N. Richard Nash”: typescript, 1988 October 25
	Play
Box 13 Folder 7	“The Bridge, a play by N. Richard Nash”: typescript, undated
Box 13 Folder 8	“Breaking the Tie, a play in two acts by N. Richard Nash”: cyclostyle typescript, undated
Box 13 Folder 9	“Breaking the Tie, a play in two acts by N. Richard Nash”: cyclostyle typescript, undated
Box 14 Folder 1	“Breaking the Tie, a play in two acts by N. Richard Nash”: hand emended cyclostyle typescript, undated
Box 14 Folder 2	“Breaking the Tie, a play in two acts by N. Richard Nash”: computer printout, undated
Box 14 Folder 3	“Breaking the Tie, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Master, Version G”.
Box 14 Folder 4	“Breaking the Tie, a play in two acts by N. Richard Nash”: cyclostyle typescript, 1988 October 25, 1989 August 9 Note: Marked “Second Reading, Princeton, Sunday, Aug 9, 1989”; cover pages of identical versions marked “October 25, 1988” and “Contest Version” and with contact information for Playwrights Company manager.
Box 14 Folder 5	“Breaking the Tie, a play in two acts by N. Richard Nash”: typescript and typescript photocopy, undated Note: Including sheet marked “Breaking the Tie was the winner of the Geraldine Dodge Foundation Award”.
Box 14 Folder 6	“Breaking the Tie, a play in two acts by N. Richard Nash”: hand emended cyclostyle typescript, 1989 August 11 Note: Marked “Tom Aberger Prompt Script, as performed August 11, 1989”.
Box 14 Folder 7	Clippings on the August 1989 Teachers and Playwrights Conference at Princeton University, 1989 August Note: “Breaking the Tie” won the Geraldine Dodge Foundation Award.
Box 14 Folder 8	“Breaking the Tie, a play in two acts”: typescript, 1995 Note: Marked up for publication, probably in Selected Plays.
	The Brow of Venus Note: Play and unpublished novel by N. Richard Nash (alternative titles Companions and The Virgin Thorn).
	Novel
Box 14 Folder 9	“The Brow of Venus, a novel by N. Richard Nash”: typescript, undated Note: Includes synopsis.
Box 15 Folder 1	“The Brow of Venus, a novel by N. Richard Nash”: typescript, undated Note: As Box 14, folder 9, continued.
Box 15 Folder 2-3	“The Brow of Venus, a novel by N. Richard Nash”: typescript, undated Note: With interleaved handwritten pages, clippings etc.
Box 15 Folder 4-5	“The Brow of Venus, a novel by N. Richard Nash”: computer printout, undated
Box 15 Folder 6	“The Brow of Venus, a play [sic] by N. Richard Nash”: photocopy of computer printout Note: Photocopy of novel in Box 15, Folder 5 (title page, calling it a “play,” dated April 2, 1987) with many emendations in pencil and red ink; and many paper clips inserted to mark correction points (replaced by pencil crosses top left).
Box 16 Folder 1	“The Brow of Venus, a play [sic] by N. Richard Nash”: photocopy of computer printout Note: As Box 15 folder 6, continued.
Box 16 Folder 2-4	“The Brow of Venus, a novel by N. Richard Nash”: typescript, undated
Box 16 Folder 5-6	“The Virgin Thorn, a novel by N. Richard Nash”: typescript, undated Note: Marked “Submission Copy”.
Box 17 Folder 1-2	“The Virgin Thorn, a novel by N. Richard Nash”: typescript, undated
Box 17 Folder 3	Notes and sketches, circa 1987-1988 Note: Including a synopsis of the novel and the contents of a perhaps unrelated envelope mailed to Mr. Nash by Ilana Nash, January 1, 1988, with 1987 clippings on fraternity houses and frat-boy behavior.
	Play
Box 17 Folder 4	“Companions, a play by N. Richard Nash”: hand emended typescript, 1987 February 23
Box 17 Folder 5	“Companions, a play by N. Richard Nash”: hand emended typescript, 1987 February 23 Note: Marked “1, Compan A--2/23/87”.
Box 17 Folder 6	“Companions, a play by N. Richard Nash”: hand emended typescript, 1987 March 12 Note: Marked “2 Compan B, 3/12/87”.
Box 17 Folder 7	Untitled: hand emended typescript, 1987? March 29 Note: Marked “Compan C, March 29”.
Box 18 Folder 1	“The Brow of Venus, a play by N. Richard Nash”: typescript, undated Note: As above, but incorporating the handwritten corrections made to that version.
Box 18 Folder 2	“The Brow of Venus, a play by N. Richard Nash”: typescript, undated Note: As above, but with handwritten emendations, marked “130”.
Box 18 Folder 3	“The Virgin Thorn, a play in two acts by N. Richard Nash”: typescript, undated Note: With a few pencil emendations, incorporating comments on the draft above.
Box 18 Folder 4	Drafts, undated Note: Handwritten pages of sketches (first page headed “Virgin Thorn”) and untitled computer printout draft, annotated in pencil; originally marked with paper clips, here replaced by crosses top left.
	The Candy Load Note: Unpublished novel by N. Richard Nash (alternative title: Mask of Mockery).
Box 18 Folder 5	Rough drafts Note: Mostly hand-written, a few typed pages.
Box 18 Folder 6	Drafts and notes
Box 19 Folder 1	“The Candy Load/Mask of Mockery”: hand emended typescript, 1980 February 2 Note: Marked “First Draft, begun February 2, 1980” (176 pages).
Box 19 Folder 2	“The Candy Load”: hand emended typescript photocopy, 1980 February 2 Note: Marked “First Draft, begun February 2, 1980” (289 pages).
Box 19 Folder 3	Untitled: typescript, undated Note: Pages from a draft somewhere between the first and the second.
Box 19 Folder 4	“The Candy Load, by N. Richard Nash”: original typescript and cyclostyle typescript, undated Note: Original typescript of pages 1-34 plus cyclostyled version going on to page 135.
Box 19 Folder 5	“The Candy Load, by N. Richard Nash”: hand emended typescript, 1982 October 25 Note: Marked “Second Draft, begun October 25, 1982” (290 pages).
Box 20 Folder 1	Untitled: computer printout Note: Version later than the second draft, but close to it (pages 59 to 239).
Box 20 Folder 2	“Candy Load”: draft fragment, 1983 April 16 Note: First page labeled “Third Draft, submitted 4/16/83,” and computer printout, title page announcing “first ten chapters of an untitled novel by N. Richard Nash, submitted April 18, 1983,” but only the first chapter and an afterword follow, with a letter of April 16, 1983 to Doubleday Press and a brief summary of subsequent events.
Box 20 Folder 3	“The Candy Load, by N. Richard Nash”: hand emended computer printout, undated Note: 148 pages.
Box 20 Folder 4	Untitled: hand emended computer printout, undated Note: 98 pages.
Box 20 Folder 5	“The Candy Load, by N. Richard Nash”: computer printout, undated Note: 58 pages.
Box 20 Folder 6	Untitled: hand emended typescript photocopy, undated
	Casablanca Note: Proposed new version, to be written by N. Richard Nash
Box 20 Folder 7	“Casablanca”: cyclostyled script, 1942 June 1 Note: Cover marked “N.R.N. notes for new version”; a few pages of handwritten notes.
	Catalina Note: Screenplay by N. Richard Nash
Box 20 Folder 8	“N. Richard Nash, Catalina, outline”: typescript carbon copy, 1946 September 21
Box 20 Folder 9	“Outline--treatment, Catalina, by N. Richard Nash”: typescript carbon copy, 1946 September 27
Box 20 Folder 10	“Catalina”: typescript carbon copies, 1946 October Note: Of scene lists for “Sequence A” dated October 23, 26, and 29, 1946; letter to producer Harry Gray, October 30, 1946, on the screenplay; typescript carbon copy of “Characters” and “Primary Story Line by N. Richard Nash, October 31, 1946”.
Box 20 Folder 11	“N. Richard Nash, Catalina, Sequence A”: scene lists, 1946 November 6 and 11
Box 20 Folder 12	“Catalina”: typescript, undated Note: Typescript pages of outline and screenplay.
	Cause for Alarm Note: Screenplay by N. Richard Nash
Box 21 Folder 1	“Cause for Alarm, story and screenplay by N. Richard Nash”: typescript and cyclostyle typescript, undated Note: Typescript of story outline and cyclostyled script.
	Cavalcade of America Note: Television series sponsored by DuPont and broadcast by NBC, 1952-1957
	“Tiger's Tail” / story and teleplay by N. Richard Nash, broadcast 1953 November 17
Box 21 Folder 2	“The Tiger's Tail”: typescript carbon copy, 1953 April 29 Note: Original folder says “Produced on Dupont's 'Cavalcade of America' Television Program”.
	“The Last Will of Daniel Webster” / by N. Richard Nash, broadcast 1953 November 24
Box 21 Folder 3	“The Last Will of Daniel Webster”: cyclostyled scripts, 1953 March 7 Note: Two cyclostyled shooting scripts, marked “March 7, 1953,” with different hand-written emendations (one, #3, marked “Dupont” and “Produced by Dupont's Cavalcade of America Television Program,” the other, #63, marked “Nogle”).
	Central Park West Note: Proposal by N. Richard Nash for half-hour television situation comedy (not the series eventually broadcast by CBS 1995-1996, for which no episodes are credited to N. Richard Nash as writer).
Box 21 Folder 4	“Central Park West, by N. Richard Nash”: typescript, undated Note: Typescript of series concept; letter to John Mitchell of Screen Gems, November 10, 1973.
	Cheerio! Note: Play by David E. Nicholson (pseudonym for N. Richard Nash) (alternative title Cheers!).
Box 21 Folder 5	“Cheerio!, a comedy in two acts by David E. Nicholson”: cyclostyled script, undated
Box 21 Folder 6	“Cheers!, a comedy in two acts by David E. Nicholson”: cyclostyled script, undated
	The Chromium Girl Note: Television play by N. Richard Nash.
Box 21 Folder 7	“Untitled Television Play by N. Richard Nash”: hand emended typescript, undated Note: “Untitled Television Play by N. Richard Nash” (title page)/”The Chromium Girl, by N. Richard Nash” (cover).
	Cleopatra Note: Musical, book by N. Richard Nash
Box 21 Folder 8	“Cleopatra (Tentative Title), a Musical by N. Richard Nash”: typescript, undated
Box 21 Folder 9	“Cleopatra (Tentative Title), a Musical by N. Richard Nash”: typescript carbon copy, undated Note: Including original typescript of “Important, Notes toward Revision,” undated.
	Come As You Are Note: Play in two acts by N. Richard Nash, produced at the Actors' Theatre, New York, February 1990, and in German translation (as “Kommt so wie Ihr seid”) at the Heidelberg Zimmertheater, April 1992 (alternative titles The Mouth and Manna).
Box 21 Folder 10	Drafts: typescripts and manuscripts, undated
Box 21 Folder 11	“Manna, a play in two acts by N. Richard Nash”: hand emended typescript, undated Note: Marked “Becky--Leigh Curran,” with Becky's lines highlighted; handwritten sketches.
Box 21 Folder 12	“Manna, a play in two acts by N. Richard Nash”: hand emended typescript, undated Note: With Anna's lines circled.
Box 22 Folder 1	“Manna, a play in two acts by N. Richard Nash”: typescript, undated Note: With Lowell's lines circled.
Box 22 Folder 2	Untitled: hand emended typescript Note: With two versions of Act 2.
Box 22 Folder 3	“The Mouth, a play in two acts by N. Richard Nash”: computer printout typescript, undated Note: Marked “Old Version”.
Box 22 Folder 4	“The Mouth”: hand emended computer printout, undated Note: Marked “Old Version”; revised version of Box 22, Folder 3.
Box 22 Folder 5	“The Mouth, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Old Version”; revised version of Box 22, Folder 4?
Box 22 Folder 6	“The Mouth, a play in two acts by N. Richard Nash”: typescript photocopy, undated Note: Marked “Materials Draft”.
Box 22 Folder 7	“The Mouth, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Version A”.
Box 22 Folder 8	“The Mouth, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Version A” and “Kathy”; revised version of Box 22, Folder 7.
Box 22 Folder 9	“The Mouth, a play in two acts by N. Richard Nash”: typescript, 1989 Note: Marked “Read 3/24/89” plus 2 photocopied pages of handwritten comments (handwriting not N. Richard Nash's) dated 7/6/89.
Box 22 Folder 10	“Come as You Are, a play in two acts by N. Richard Nash”: hand emended typescript, 1989 April 1 Note: Marked “Early version of E, April 1, 1989”.
Box 22 Folder 11	“Come as You Are, a play in two acts by N. Richard Nash”: hand emended typescript, 1989 April 1 Note: Marked “Come E, 4/1/89”.
Box 23 Folder 1	“Come as You Are, a play in two acts by N. Richard Nash”: hand emended typescript, 1989 April 1 Note: Marked “Early Version E, April 1, 1989”.
Box 23 Folder 2	“Come as You Are, a play in two acts by N. Richard Nash”: hand emended typescript, 1989 April 1 Note: Marked “Come E, 4/1/89”.
Box 23 Folder 3	“Come as You Are, a play in two acts by N. Richard Nash”: typescript, 1989 May 11 Note: Marked “Work Copy” and “E, May 11, 1989”; originally with pages marked by paperclips, replaced with pencil crosses top left.
Box 23 Folder 4	Untitled: typescript, 1989 June 15 Note: Marked “Come F, 6/15/89”; many pages originally marked by paperclips, replaced with pencil crosses top left.
Box 23 Folder 5	“Come as You Are, a play in two acts by N. Richard Nash”: hand emended typescript, 1989 June 26 Note: Inserted with handwritten sheets, and marked “Come F, 6/26/89”.
Box 23 Folder 6	“Come as You Are, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “G Version”.
Box 23 Folder 7	“Come as You Are, a play in two acts by N. Richard Nash”: hand emended typescript, undated Note: Marked “Version H, Master”.
Box 23 Folder 8	“Come as You Are, a play in two acts by N. Richard Nash”: typescript, undated Note: With highlighting, marked “Version H”; two pages of handwritten notes.
Box 23 Folder 9	“Come as You Are, a play in two acts by N. Richard Nash”: typescript, undated Note: Cover marked “L”.
Box 23 Folder 10	“Come as You Are, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “M”; handwritten comments on four sheets at the end.
Box 24 Folder 1	“Come As You Are”: typescript?, 1989 October 21 Note: Handwritten comments not in N. Richard Nash's hand.
Box 24 Folder 2	“Come As You Are, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Madison Version, Playwrights, N.J.”.
Box 24 Folder 3	“Come As You Are, a play in two acts by N. Richard Nash”: script, circa 1990 Note: Actor's Playhouse (New York City) prompt script with water-color sketch of set, props list, final emendations and prompts, first page of props list dated January 25, 1990; photocopied pages from Architectural Design on kitchen furnishings and fittings.
Box 24 Folder 4	“Kommt so wie Ihr seid, Stück in zwei Akten von Richard N. Nash,” 1991 Note: German translation by Inge Greiffenhagen and Bettina von Leoprechting (Munich: Ahn & Simrock, 1991), plus publisher's flyer.
Box 24 Folder 5	Correspondence and clippings on a production at the Heidelberger Zimmertheater, Germany (as “Kommt so wie ihr seid”), 1992 April 1992
	A Connecticut Yankee in King Arthur's Court Note: Film distributed by Paramount in 1949 (N. Richard Nash not credited).
Box 24 Folder 6	“A Connecticut Yankee, book by Herbert Fields, music by Richard Rodgers, lyrics by Lorenz Hart”: typescript carbon copy, undated Note: Of 1943 stage play, property of Paramount Pictures.
Box 24 Folder 7	“Connecticut Yankee, Synopsis of Novel” (i.e., Twain's novel): typescript, undated
Box 24 Folder 8	Untitled draft outlines marked “jbd-Nash”: typescripts, undated
Box 24 Folder 9	“Mark Twain's Connecticut Yankee in King Arthur's Court, as adapted for the screen by N. Richard Nash”: typescript carbon copy, 1946 December 10 and 17
	Cowboys and Indians Note: Stage play and screenplay by N. Richard Nash (alternative titles Morna, Tomahawk and The Vandal).
	Play
Box 24 Folder 10	“Cowboys and Indians, a screenplay, by N. Richard Nash”: hand emended typescript, 1970 June 10, August 3 Note: Three-act stage play; despite the title page, where “Cowboys and Indians” replaces a crossed-out “The Vandal,” and the crossed-out annotation “Second Draft, June 10, 1970, plus revision pages to make third draft of August 3, 1970”.
Box 24 Folder 11	“Cowboys and Indians, by N. Richard Nash”: cyclostyle typescript, 1970 June 10 Note: Marked “Second draft, June 10, 1970”.
Box 24 Folder 12	“Cowboys and Indians, by N. Richard Nash”: hand emended typescript, 1970 August 3 Note: Marked “Third draft, August 3, 1970”.
Box 24 Folder 13	“Cowboys and Indians”: photocopy, undated Note: Clean photocopy of third draft; originally in folder marked “Cowboys and Indians, Last Copy Hold!”
Box 24 Folder 14	“Cowboys and Indians, by N. Richard Nash”: typescript, undated Note: Odd typescript pages, handwritten drafts, etc.
	Screenplay
Box 24 Folder 15	Screenplay: hand emended typescript, undated
Box 25 Folder 1	“Cowboys and Indians, by N. Richard Nash”: typescript photocopy, undated Note: “Tomahawk by N. Richard Nash” written in pencil on the verso of page C of the Foreword, and “Morna” as an edge mark.
	Cry Macho Note: Novel by N. Richard Nash (New York: Delacorte Press, 1975) and unproduced screenplay (alternative titles Two the Hard Way and Macho!).
	Novel
Box 25 Folder 2-3	“Macho, a novel by N. Richard Nash”: cyclostyle typescript, undated
Box 25 Folder 4-5	“Cry Macho, a novel by N. Richard Nash”: hand emended typescript, circa 1977 Note: Marked up for publication, with accompanying letter from Barbara Bowen of Delacorte Press, December 15, 1977.
	Screenplay
Box 25 Folder 6	“Macho, a screenplay, by N. Richard Nash”: cyclostyle typescript, undated Note: Marked “First Draft”.
Box 25 Folder 7	“Macho, a screenplay, by N. Richard Nash”: cyclostyle typescript, undated
Box 26 Folder 1	“Cry Macho, by N. Richard Nash”: typescript photocopy, 1975 May 13
Box 26 Folder 2	“Cry Macho, by N. Richard Nash”: typescript, 1975 June 15
Box 26 Folder 3	“Cry Macho, by N. Richard Nash”: typescript photocopy, 1975 July 25
Box 26 Folder 4	“Cry Macho, screenplay by N. Richard Nash”: computer printout, undated
Box 26 Folder 5	“Two the Hard Way, by N.R. Nash”: hand emended typescript, revised 1985 January 20
Box 26 Folder 6	Untitled: hand emended typescript, 1985 January 25 Note: “Two the Hard Way aka Cry Macho”: typescript comments dated 1/25/85 by Joan Liepman and David Petrizzi.
	Dark Eyes Note: Screenplay by N. Richard Nash for unproduced film.
Box 26 Folder 7	“Dark Eyes, treatment by N. Richard Nash”: typescript carbon copy, 1944 September 29 Note: Marked “Producer: Jerry Wald, Sept. 29, 1944”.
Box 26 Folder 8	“Dark Eyes, screen play by N. Richard Nash”: typescript carbon copy, undated Note: Marked “Producer: Jerry Wald”.
Box 26 Folder 9	“Dark Eyes, screen play by N. Richard Nash”: cyclostyle typescript, 1945 January Note: Marked “Producer: Jerry Wald, January 2, 1945” on title page, “1/3/45 Rev. Temp.” on Warner Bros. cover.
	Dear Wife Note: Film written by Norman Krasna, N. Richard Nash, and Arthur Sheekman, distributed by Paramount Pictures, 1949.
Box 27 Folder 1	Drafts and notes, sequence-by-sequence record cards, undated
Box 27 Folder 2	“N. Richard Nash, Dear Wife, rough notes in outline”: typescript carbon copy, 1947 September 17 Note: Also includes: “N. Richard Nash, Dear Wife, outline”: typescript carbon copy, 1947 October 13; “N. Richard Nash, Dear Wife, Treatment”: typescript carbon copy, 1947 October 23; “Dear Wife, treatment, N. Richard Nash”: typescript carbon copy, 1947 October 25
Box 27 Folder 3	“N. Richard Nash, Dear Wife, rough notes”: typescripts carbon copy, 1947 November 7, 11, and 17 Note: Also includes: “N. Richard Nash, Dear Wife, outline”: typescript carbon copy, 1947 December 1; “N. Richard Nash, Dear Wife, possible third act scenes”: typescript carbon copy, 1947 December 2; “N. Richard Nash, Dear Wife, Scenes to be inserted into the first and second acts”: typescript carbon copy, 1947 December 4; “N. Richard Nash, Dear Wife, Sequence 'A'”: typescript carbon copy, 1947 December 16, 1947; “AE, Dear Wife”: typescript carbon copy, 1948 January 26.
Box 27 Folder 4	“Arthur Sheekman, N. Richard Nash, Dear Wife”: typescript carbon copy, 1948 January 29 Note: Screenplay, marked “January 29, 1948 (later pages up to “3/25/48”).
Box 27 Folder 5	“Outline, Dear Wife”: typescript carbon copy, undated Note: Also includes: “Suggestions for changes through sequence 'C'”: typescript carbon copy, 1948 February 24; “Arthur Sheekman, N. Richard Nash, Dear Wife, Sequence E,” typescript carbon copy, 1948 March 4; outlines and notes: typescript carbon copies, undated; “February 24, 1948”; “March 4, 1948”.
Box 27 Folder 6	“Dear Wife, Arthur Sheekman, N. Richard Nash”: cyclostyle typescript, 1948 March 30
	Dr. Cosmo Note: Musical by N. Richard Nash, based on Shakespeare's The Tempest (alternative titles Prospero and Cosmotis).
Box 27 Folder 7	Untitled: typescript, undated
Box 27 Folder 8	Untitled: typescript, undated
Box 27 Folder 9	“Prospero, a musical in two acts, book and lyrics by N. Richard Nash (derived from The Tempest by William Shakespeare)”: hand emended typescripts, undated Note: Two identical typescripts with different handwritten emendations.
Box 27 Folder 10	“Prospero, a musical in two acts, book and lyrics by N. Richard Nash (suggested by The Tempest by William Shakespeare)”: typescript, 1988 April 5
Box 27 Folder 11	“Prospero, a musical in two acts, book and lyrics by N. Richard Nash (based on The Tempest by William Shakespeare)”: typescript, undated
Box 27 Folder 12	“Prospero, a musical in two acts, book and lyrics by N. Richard Nash (based on The Tempest by William Shakespeare)”: typescript, undated
Box 27 Folder 13	“Prospero, a musical in two acts, book and lyrics by N. Richard Nash (based on The Tempest by William Shakespeare)”: typescript, undated
Box 28 Folder 1	Drafts and sketches: manuscript and typescript, undated Note: Mostly handwritten manuscripts with odd pages of typescript.
Box 28 Folder 2	Drafts and sketches: manuscript and typescript, undated Note: Similar materials to Box 28, Folder 1, originally in a folder labeled “Prospero, Used,” and mostly with an erasure through them.
Box 28 Folder 3	“Cosmotis, a Musical in Two Acts, book and lyrics by N. Richard Nash (based on The Tempest by William Shakespeare)”: typescript, undated Note: Labeled “Version A”.
Box 28 Folder 4	“Cosmotis, a Musical in Two Acts, book and lyrics by N. Richard Nash (based on The Tempest by William Shakespeare)”: typescript, undated Note: Labeled “Version B”.
Box 28 Folder 5	“Cosmotis, a musical in two acts, book and lyrics by N. Richard Nash (based on The Tempest by William Shakespeare)”: hand emended typescript, undated Note: Originally marked with paper clips, here replaced by a pencil cross top left, marked “Version B” (but not identical to Box 28, Folder 4) and “Alfred Drake!”
Box 28 Folder 6	“Cosmotis, a musical in two acts, book and lyrics by N. Richard Nash (based on The Tempest by William Shakespeare)”: typescript, 1989 January 17 Note: Marked “Version C January 17, 1989”.
Box 28 Folder 7	“Dr. Cosmo, a Musical in Two Acts, book and lyrics by N. Richard Nash (based on The Tempest by William Shakespeare”: typescript, undated
Box 28 Folder 8	Correspondence and notes regarding finding a composer and producer for a production of Dr. Cosmo, 1989 October 1989 Note: Includes a few script pages.
Box 28 Folder 9	Shakespeare's The Tempest: annotated photocopies Note: Two differently annotated photocopies of a published edition.
Box 28 Folder 10	Miscellaneous Note: Includes: clipping on entropy; sketch of song lyric “I want to communicate”; U.S. Tour 1984 souvenir program for Giorgio Strehler's production “La Tempesta” by the Piccolo Teatro, Milan; photocopy of Luciano Berio, Un re in ascolto, libretto.
	Dragonfly Note: Screenplay by N. Richard Nash for film released by American International Pictures in 1976.
Box 29 Folder 1	“Dragonfly”: hand emended typescript of screenplay, undated Note: “Dragonfly” (on cover).
Box 29 Folder 2	“Dragonfly, by N. Richard Nash”: cyclostyle typescript, undated
Box 29 Folder 3	“Dragonfly, by N. Richard Nash”: cyclostyle typescript, 1975 June
	East Wind, Rain Note: Novel by N. Richard Nash (New York: Atheneum, 1978), also (as The Purple Code), proposed mini-series for television, in two parts (alternative title for the novel The Wild Pigs).
	Novel
Box 29 Folder 4	“The Wild Pigs, by N. Richard Nash”: hand emended typescript, undated
	Television series
Box 29 Folder 5	“The Purple Code, a mini-series in two parts”: typescript, undated
	Echoes Note: A play in two acts by N. Richard Nash, published by Samuel French in 1973 (alternative titles The Other Side of the Door and A Discerning Eye).
Box 29 Folder 6	“Echoes, play in two acts by N. Richard Nash”: hand emended typescript photocopy, undated Note: Marked “1st Draft going toward 2nd Draft”; “The Other Side of the Door” crossed out. The same as in Box 29, Folder 7, but photocopied at an earlier stage in the emendation process.
Box 29 Folder 7	Untitled: hand emended typescript, undated Note: As in Box 29, Folder 6, but at a later stage in the emendation process.
Box 29 Folder 8	“Echoes, a play in two acts, by N. Richard Nash”: cyclostyle typescript, copyright 1971
Box 30 Folder 1	“Echoes, a play in two acts, by N. Richard Nash”: cyclostyle typescript, copyright 1971 Note: With many hand emendations and tipped in revisions.
Box 30 Folder 2	“A Discerning Eye, a play in two acts, by N. Richard Nash”: cyclostyle typescript, 1971 September 16 Note: With handwritten emendations not made in the previous script (Box 30, Folder 1) and incorporated in the next.
Box 30 Folder 3	“Echoes, a play in two acts, by N. Richard Nash”: cyclostyle typescript, copyright 1972 Note: Marked “Complete Copy but bad mimeo”.
Box 30 Folder 4	“Echoes, a play in two acts, by N. Richard Nash”: cyclostyle typescript, copyright 1972 Note: As Box 30, Folder 3, but with hand emendations.
Box 30 Folder 5	“Echoes, a play in two acts, by N. Richard Nash”: cyclostyle typescript, copyright 1972 Note: Incorporating emendations in Box 30, Folder 4 version above; marked “APT Production Script: revised September 1972”.
Box 30 Folder 6	Revised pages of the script, lists of alternative titles, notes, undated
Box 30 Folder 7	Correspondence, agreements, script revisions and notes in relation to a series of university and local repertory stagings, 1972 Summer Note: Some stagings as “The Other Side of the Door,” some as “Echoes”; in a folder marked “Echoes--APT”.
Box 30 Folder 8	Script pages and emended typescript of the script, undated Note: Associated with the Summer 1972 materials in Box 30, Folder 7.
Box 30 Folder 9	“Echoes, a play in two acts, by N. Richard Nash”: cyclostyle typescript, copyright 1972 Note: Marked “Rev.” on the front.
Box 30 Folder 10	Casting, 1973 February Note: Lists of possible cast members, casting photographs and resumes, some correspondence.
Box 31 Folder 1	“Echoes, a play in two acts, by N. Richard Nash”: cyclostyled script, copyright 1972 Note: Originally marked up for emendations with paper clips, now replaced with penciled crosses top left, including rehearsal schedules, revised pages, and correspondence about the production, March 1973.
	Everybody, Smile! Note: Play in two acts by N. Richard Nash, subject of a public reading at the Actors' Theatre, New York, December 1996, and published in Selected Plays (New York: Greenhouse and Kirby, 1996).
Box 31 Folder 2	“Everybody, Smile! a play in two acts by N. Richard Nash”: hand emended typescript, undated
Box 31 Folder 3	Drafts and notes, undated Note: In folder labeled “Dennis Ryan”.
Box 31 Folder 4	Drafts and notes, undated
Box 31 Folder 5	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Includes one page of notes.
Box 31 Folder 6	Untitled: typescript, undated
Box 31 Folder 7	“Everybody, Smile!, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Obsolete”.
Box 31 Folder 8	Untitled: typescript, undated Note: With pencil emendations, a few marked originally with paperclips, here replaced by crosses top left.
Box 31 Folder 9	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, 1991 December 14 Note: Marked “Obsolete, December 14, 1991”.
Box 32 Folder 1	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: With three variants of Act One opening.
Box 32 Folder 2	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, 1991 December 24
Box 32 Folder 3	Untitled: typescript, undated Note: Marked “obsolete”.
Box 32 Folder 4	“Everybody, Smile!”: typescript, undated Note: Marked “Obsolete”.
Box 32 Folder 5	Untitled: typescript, undated Note: Act 2 only.
Box 32 Folder 6	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “C”.
Box 32 Folder 7	“Everybody, Smile! a play in two acts by N. Richard Nash”: hand emended typescript, undated Note: As Box 32, Folder 6, but with many handwritten emendations, marked “C-Version, Obsolete”.
Box 32 Folder 8	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Cover marked “E & F,” handwritten notes, odd corrected pages, and heavily emended typescript of the play; undated but notes include a fax dated July 23, 1993.
Box 32 Folder 9	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “F” and “Obsolete”.
Box 33 Folder 1	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “G”.
Box 33 Folder 2	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “H”.
Box 33 Folder 3	“Everybody, Smile! a play in two acts”: typescript, undated Note: Marked “K”.
Box 33 Folder 4	“Everybody, Smile! a play in two acts”: typescript, circa 1996 Note: Marked up for publication, probably in Selected Plays in 1996.
Box 33 Folder 5	“Everybody, Smile! a play in two acts by N. Richard Nash”: hand emended typescript, undated Note: Marked “L”.
Box 33 Folder 6	“Everybody, Smile! a play in two acts by N. Richard Nash”: hand emended typescript, undated Note: Marked “M”.
Box 33 Folder 7	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Dennis Copy”: as version M, but with Dennis's part marked up for performance.
Box 33 Folder 8	Public reading of the play (as “Everybody, Smile! by N. Richard Nash”) by the Sasquatch Theater Company under Dan Maguire, 1997 December 1 Note: At the Actors Studio Free Theater, 531 West 42nd Street, New York City: agreement; production budget; casting; sketches of revisions; set designs; playbills.
Box 33 Folder 9	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “P” and “Master P”; title-page from an identical version marked “Cornwall--on desk”.
Box 33 Folder 10	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “P, Old”; title page and variant final pages of Act 2 from a version marked “P” “on marble table with recent used books, mags., etc., i.e. a late version, 2000?” (note by Cristopher Nash).
Box 33 Folder 11	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “P” on the card cover, but “Q” crossed out and “P” substituted inside, as above, but with handwritten emendations.
Box 34 Folder 1	Untitled: hand emended typescript, undated Note: Act 2 only.
Box 34 Folder 2	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Q” and “Matt”.
	Materials kept by N. Richard Nash's study chair-side as of 2000 December
Box 34 Folder 3	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Q” and “NRN”.
Box 34 Folder 4	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Q” and “Chris Nelson”.
Box 34 Folder 5	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Q” and “Carol,” with handwritten emendations and loose handwritten pages of revisions.
Box 34 Folder 6	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Act One only, marked “RR”.
Box 34 Folder 7	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “RR” and “Kathy's notes”.
Box 34 Folder 8	“Everybody, Smile! a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “R”.
	Fiddler's Green Note: A play in two acts by N. Richard Nash.
Box 34 Folder 9	Untitled: hand emended typescript, undated Note: Marked “A”.
Box 34 Folder 10	“Fiddler's Green, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “B”.
Box 34 Folder 11	Notes, research clippings, and sketches for the play, undated
	Fire! Note: Play by John Roc (pseudonym for N. Richard Nash), first produced at Brandeis University, May 1968, first New York production at the Longacre Theatre, January 28, 1969, published by Athenaeum Press, New York, 1969
Box 35 Folder 1	Notes, sketches and various rough drafts
Box 35 Folder 2	“Fire! a play in two acts by John Roc”: hand emended typescript, undated
Box 35 Folder 3	“Fire! a play in two acts, by John Roc”: typescript, undated Note: Marked “5”.
Box 35 Folder 4	“Fire! a play in two acts, by John Roc”: hand emended cyclostyle typescript, undated Note: Marked “Please Return to: Nash”.
Box 35 Folder 5	“Fire! a play in two acts, by John Roc”: hand emended cyclostyle typescript, undated
Box 35 Folder 6	“Fire! a play in two acts, by John Roc”: cyclostyle typescript, emended with typescript carbon copy inserts, revised 1968 December 2 and 6 Note: Marked “12/2/68 Revised, 2nd Revision 12/6/68”.
Box 35 Folder 7	“Fire! a play in two acts, by John Roc”: cyclostyle typescript, undated Note: Marked “Performance Script” and “21”.
Box 35 Folder 8	Correspondence, 1968-1969 Note: On the publication of the play and its New York production.
Box 35 Folder 9	Casting Note: Lists of actors for auditions, schedules.
Box 36 Folder 1	Production notes Note: Budgets and royalty statements, rehearsal schedules, and correspondence on the production between “Roc” and the director, Charles Werner Moore.
Box 36 Folder 2	Publicity Note: Clippings on the Brandeis production, reviews of the New York production, correspondence on publicity.
	Found Objects Note: Play by N. Richard Nash.
Box 36 Folder 3	Untitled: hand emended computer printout, undated Note: Acts I and II.
Box 36 Folder 4	Untitled: typescript photocopy, undated Note: Act I only, many pages originally marked with paper clips, here replaced by crosses top left.
Box 36 Folder 5	Untitled: computer-printout, undated Note: Incomplete version of Act I.
Box 36 Folder 6	“Untitled Play, by N. Richard Nash”: typescript, 1986 February 17 Note: Marked “Master Script, Feb. 17, 1986”.
Box 36 Folder 7	“Found Objects, a play by N. Richard Nash”: computer-printout, undated Note: Marked “First Draft”.
Box 36 Folder 8	Untitled: computer-printout, undated Note: Marked “First Draft,” many pages originally marked by paper clips, here replaced by crosses top left.
Box 36 Folder 9	“Found Objects, a play by N. Richard Nash”: hand emended typescript, undated Note: Marked “First Draft,” many pages originally marked by paper clips, here replaced by crosses top left.
Box 36 Folder 10	Untitled: hand emended typescript, undated
Box 36 Folder 11	Untitled: hand emended typescript, undated Note: Edge-marked “Found Objects”; many pages originally marked by paper clips, here replaced by pencil crosses top left.
Box 36 Folder 12	Untitled: hand emended typescript, undated Note: Act I only.
Box 36 Folder 13	Untitled: hand emended typescript, undated Note: Act I only.
Box 37 Folder 1	Script pages, many handwritten sketches for speeches, etc., some emended typed pages from Act I, undated
Box 37 Folder 2	Script pages, handwritten sketches, clippings, undated
	General Electric Theater Note: Television series, broadcast by CBS, 1953-1962, occasional episodes written by N. Richard Nash.
	“Thirteen O'Clock” / by N. Richard Nash, broadcast 1953 July 19
Box 37 Folder 3	“Thirteen O'Clock, original story and teleplay by N. Richard Nash”: typescript carbon copy, undated Note: Also includes: cyclostyled shooting script, marked “Production no. 230” and “March 24, 1953”.
	“The Wine of St. Alban's” / by N. Richard Nash, broadcast 1953 August 2
Box 37 Folder 4	“The Wine of St. Alban's, story and teleplay by N. Richard Nash”: typescript carbon copy of screenplay, undated
	The Goldbergs Note: Screenplay by N. Richard Nash for film directed by Walter Hart and distributed by Paramount Pictures, 1950 (alternative title The Rise of the Goldbergs).
Box 37 Folder 5	“Rough Notes”: typescript carbon copy, 1950 May 18-June 5
Box 37 Folder 6	“Rough Notes”: typescript carbon copy pages, 1950 May 18-June 5 Note: Same as Box 37, Folder 5, but heavily emended in pencil.
Box 37 Folder 7	“N. Richard Nash, The Rise of the Goldbergs”: typescript of screenplay, 1950 June 7-19
Box 37 Folder 8	“1st Draft Screenplay, N. Richard Nash, The Goldbergs”: typescript carbon copy, 1950 June 20-July 5
Box 37 Folder 9	“The Goldbergs”: cyclostyle typescript, 1950 July 24 Note: Headed “2nd Yellow, N. Richard Nash, Gertrude Berg, July 24, 1950”.
	Goodyear Television Playhouse Note: Series broadcast by NBC, 1951-1957, occasional episodes written by N. Richard Nash.
	“The Young and Fair” / adapted from his own play by N. Richard Nash, broadcast 1953 July 26
Box 37 Folder 10	“NBC Matinee Theater [sic] presents 'The Young and Fair', play and television adaptation by N. Richard Nash”: cyclostyle typescript, undated
	“The Happy Rest” / by N. Richard Nash, produced by Fred Coe, associate producer Gordon Duff, directed by Arthur Penn, broadcast 1953 October 4
Box 37 Folder 11	“NBC Matinee Theatre [sic] presents 'The Happy Rest' by N. Richard Nash”: cyclostyle typescript, undated
Box 37 Folder 12	“The Happy Rest, by N. Richard Nash”: cyclostyle typescript, undated Note: Marked “Produced by Fred Coe, directed by Arthur Penn”.
Box 38 Folder 1	“Philco Television Playhouse [sic], October 4, 1953, presents 'The Happy Rest', by N. Richard Nash”: cyclostyle typescript, 1953 October 4
	“The Brownstone” / by N. Richard Nash, broadcast 1954 January 31
Box 38 Folder 2	“The Brownstone, by N. Richard Nash”: typescript carbon copy, undated Note: Marked “early version”.
Box 38 Folder 3	“Philco Television Playhouse [sic], January 24, 1953, presents 'The Brownstone', by N. Richard Nash”: cyclostyle screenplay, 1953 January 24 Note: Marked “director: Vincent J. Donehue, associate producer: Gordon Duff, producer: Fred Coe”.
	“The Arena” / by N. Richard Nash, broadcast 1954 August 1
Box 38 Folder 4	“Goodyear Television Playhouse, August 1st, 1954, presents 'The Arena' by N. Richard Nash”: cyclostyle screenplay, 1954 August 1 Note: Marked “produced by Fred Coe, associate producer Gordon Duff, directed by Arthur Penn”.
	The Green Clown Note: Play in two acts by N. Richard Nash, published in Selected Plays (New York: Greenhouse and Kirby, 1996).
Box 38 Folder 5	Clippings, notes, and draft Note: Clippings on floods (one dated March 1995), odd pages of notes, record cards with proposed speeches of characters, fax of draft of beginning of Act 1.
Box 38 Folder 6	“The Green Clown, a play in two acts by N. Richard Nash”: typescript photocopy, undated Note: Marked “C” and “Obsolete”.
Box 38 Folder 7	“The Green Clown, a play in two acts, by N. Richard Nash”: typescript, notes and sketches, undated Note: A few pages of typescript plus more pages with handwritten notes and sketches; the typed cover sheet marked “C” and “Work Copy”.
Box 38 Folder 8	“The Green Clown, a play in two acts by N. Richard Nash”: typescript, circa 1995 Note: Marked “C,” with Post-it notes and separate sheets of suggestions by Cristopher Nash, and letter from Cristopher Nash, May 24, 1995.
Box 38 Folder 9	“The Green Clown, a play in two acts by N. Richard Nash”: hand emended typescript, undated Note: Marked “C” (“D” crossed out).
Box 38 Folder 10	“The Green Clown, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “D”.
Box 38 Folder 11	“The Green Clown, a play in two acts by N. Richard Nash”: hand emended typescript, undated Note: As Box 38, Folder 10, but with many handwritten emendations, undated, marked “D” and “Sheila”.
Box 39 Folder 1	“The Green Clown, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “E”; also title page of an otherwise identical copy marked “Gogo”.
Box 39 Folder 2	“The Green Clown, a play in two acts, by N. Richard Nash”: hand emended typescript, undated Note: Marked “B” but seems to postdate the drafts C to E.
Box 39 Folder 3	“The Green Clown (B)”: computer-printout, undated Note: As Box 39, Folder 2, but with different handwritten emendations.
Box 39 Folder 4-5	Untitled: typescripts, undated Note: Typescripts of various drafts of different parts of Acts 1 and 2, some marked “E,” but corresponding more closely to the draft marked “B” than the other draft marked “E”.
Box 39 Folder 6	Untitled: typescript, undated Note: Typescript without title page, version similar to “B”.
Box 39 Folder 7	“The Green Clown, a play in two acts, by N. Richard Nash”: hand emended computer-printout, undated Note: Marked “F”.
Box 39 Folder 8	Letters from publishers sent copy F of the book, 1988 March and August
Box 39 Folder 9	“The Green Clown, a play in two acts”: typescript photocopy, undated Note: As version “F” above but marked up for publication, probably in Selected Plays (1996).
Box 39 Folder 10	Drafts and sketches, undated Note: Mostly with a line through them, originally in folder labeled “The Green Clown--Used”.
	Handful of Fire Note: Play by N. Richard Nash, produced at the Martin Beck Theatre, New York City, October 1, 1958.
Box 40 Folder 1	“Handful of Fire, a play in two acts, by N. Richard Nash”: cyclostyle typescript, copyright 1957 Note: Marked “return to David Susskind/Roger L. Stephens” and “#27”.
Box 40 Folder 2	“Handful of Fire, a play in three acts, by N. Richard Nash”: cyclostyle typescript, copyright 1957
	The Happy Time Note: Musical, book by N. Richard Nash, lyrics by Fred Ebb, music by John Kander, based on the play by Samuel Taylor, first produced in New York at the Broadway Theatre, January 1, 1968.
Box 40 Folder 3	Outlines, lyrics, and scores, undated Note: Many handwritten and a few typescript pages with outlines of the proposed play, drafts of the lyrics, and musical scores of the songs, the whole in a folder edge-marked “Lyrics”; Yves Montand proposed to play Jacques Bonnard, perhaps no composer yet on board, since the music is by various composers, none of whom is Kander.
Box 40 Folder 4	Lyrics and script, undated Note: Draft lyrics and a few pages of an untitled script.
	Here Come the Brides Note: Television series for Screen Gems, the first season (1968-1969) co-written by N. Richard Nash.
Box 40 Folder 5	“'Here Come the Brides', a prospectus by Earl Hammer”: typescript photocopy, 1968 January 30
	Pilot for the series by N. Richard Nash, broadcast 1968 September 25
Box 40 Folder 6	“Here Come the Brides (#3025), written by N. Richard Nash”: cyclostyle typescript, 1967 November-December Note: Marked “Final Draft November 17, 1967, rev. 11/24/67, rev. 12/4/67” and (on cover) “Pilot, First in Series”.
	“And Jason Makes Five” / by John O'Dea and Jay Simms, broadcast 1968 October 9 Note: Alternative title “All in the Family”.
Box 40 Folder 7	“Here Come the Brides (#3713),” “All in the Family” (inside), “And Jason Makes Five” (on cover), written by John O'Dea and Jay Simms: cyclostyle typescript, 1968 Note: Marked “Final Draft: May 21, 1968, rev--6/11; Rev--7/1”.
	High Time Note: Unproduced musical, book by N. Richard Nash, music by Victor Ziskin, lyrics by N. Richard Nash and Victor Ziskin (alternative titles Mississippi and Twain).
Box 40 Folder 8	“Mississippi, notes & Materials Draft,” undated Note: Title on folder; drafts of lyrics, character notes, and draft scenes for musical titled “Twain” or “Mark Twain”.
Box 40 Folder 9	“Untitled Riverboat Musical, book by N. Richard Nash, music by Victor Ziskin, lyrics by Victor Ziskin and N. Richard Nash”: typescript carbon copy, undated
Box 40 Folder 10	“Untitled Riverboat Musical, book by N. Richard Nash, music by Victor Ziskin, lyrics by Victor Ziskin and N. Richard Nash”: typescript, undated Note: Original for the carbon copy in Box 40, Folder 9, but with many handwritten emendations.
Box 40 Folder 11	“Untitled Riverboat Musical, book by N. Richard Nash, music by Victor Ziskin, lyrics by Victor Ziskin and N. Richard Nash”: typescript, undated Note: Also cover of an identical carbon copy, marked “Ziskin Copy”.
Box 40 Folder 12	“High Time, a libretto, by N. Richard Nash”: cyclostyle typescript, copyright 1966
	Hocus Pocus Note: Screenplay for unproduced film or television program, by N. Richard Nash.
Box 41 Folder 1	“Hocus Pocus, by N. Richard Nash”: hand emended typescript, copyright 1965 Note: Heavily corrected typed pages from various parts of an early draft; complete heavily emended early draft.
Box 41 Folder 2	“Hocus Pocus, by N. Richard Nash”: typescript, copyright 1965
Box 41 Folder 3	“Hocus Pocus, by N. Richard Nash”: cyclostyle typescript, copyright 1965
Box 41 Folder 4	“Hocus Pocus, by N. Richard Nash”: cyclostyle typescript, copyright 1966
	Holladay High Note: Proposed television series to be written by N. Richard Nash.
Box 41 Folder 5	“Holladay High, suggestion for pilot film, by N. Richard Nash”: typescript, undated
	The Indian Sign Note: Play in three acts by N. Richard Nash.
Box 41 Folder 6	“The Indian Sign, play in three acts, by N. Richard Nash”: cyclostyle typescript, undated Note: Marked “Last Copy”.
	“Israel Story” Note: Outline of film or television program on Arabs and Jews in Israel.
Box 41 Folder 7	“Israel Story”: hand-emended typescript photocopy, undated
	It's Always Spring Note: Proposed film to be written by N. Richard Nash for Paramount Pictures.
Box 41 Folder 8	“It's Always Spring, by N. Richard Nash” outline: typescript carbon copy, 1946 August 2
	Joan Note: Musical, book by N. Richard Nash, music by Victor Ziskin, lyrics by Victor Ziskin and N. Richard Nash (see also The Torch).
Box 41 Folder 9	Untitled notes and script drafts; typescript, undated Note: Originally in envelope marked “Joan”.
Box 41 Folder 10	“Joan, book by N. Richard Nash, music by Victor Ziskin, lyrics by Victor Ziskin and N. Richard Nash”: cyclostyle typescript, copyright 1965 Note: Also includes one page of notes.
	Keep in Touch Note: Screenplay for unproduced film or television program by N. Richard Nash.
Box 41 Folder 11	“Keep in Touch, story and screenplay by N. Richard Nash”: cyclostyle typescript, undated
	Keep It in the Family Note: Play adapted by N. Richard Nash from the play by Bill Naughton (produced under that title at the Plymouth Theatre, New York, 1967), alternative title Spring and Port Wine.
Box 42 Folder 1	“A New Comedy, adapted by N. Richard Nash from the play by Bill Naughton”: cyclostyle typescript, undated Note: Title page: “A New Comedy, adapted by N. Richard Nash from the play by Bill Naughton”; Cover: “Keep It in the Family”.
	Kings and Oranges Note: Play in two acts by N. Richard Nash.
Box 42 Folder 2	“Kings and Oranges, a play in two acts, by N. Richard Nash”: hand emended typescript, copyright 1965
Box 42 Folder 3	“Kings and Oranges, a play in two acts, by N. Richard Nash”: typescript, copyright 1965
	Lavender, poem by N. Richard Nash
Box 42 Folder 4	“Lavender, by N. Richard Nash”: manuscripts and typescripts, undated Note: Various handwritten and typed drafts, one with what looks like an introduction for a reading of the poem.
	Life Anonymous Note: Play in two acts by N. Richard Nash.
Box 42 Folder 5	Literature from “The Samaritans” about counseling would-be suicides
Box 42 Folder 6	Notes and sketches Note: One marked “12/12/93”.
Box 42 Folder 7	Notes, sketches, clippings, and odd typescript pages
Box 42 Folder 8	“Life Anonymous, a play in two acts by N. Richard Nash”: typescripts, undated Note: Several drafts which have got mixed up in transit from New York, one title page marked “Prod,” another “F”.
Box 42 Folder 9	Untitled: typescripts, undated Note: Three drafts of Act I, and one draft of Act II.
Box 43 Folder 1	“Life Anonymous, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Obsolete”.
Box 43 Folder 2	“Life Anonymous, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “B” and “Obsolete”.
Box 43 Folder 3	“Life Anonymous, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “C” and “Obsolete”.
Box 43 Folder 4	Untitled: incomplete typescript, undated Note: Originally with title page as “Trial and Error,” q.v., but not part of that project.
Box 43 Folder 5	“Life Anonymous, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “D”.
Box 43 Folder 6	“Life Anonymous, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “E”.
Box 43 Folder 7	“Life Anonymous, a play in two acts by N. Richard Nash”: budget, 1996 July 15 Note: Also includes: production notes; two typescripts marked “E” and “D,” respectively, with extensive handwritten emendations (all these materials originally together in a separate binder).
Box 43 Folder 8	“Life Anonymous, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “F”.
Box 44 Folder 1	“Life Anonymous, a play in two acts by N. Richard Nash”: hand emended typescript, undated Note: Marked “G”.
Box 44 Folder 2	“Life Anonymous, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “H”.
Box 44 Folder 3	“Life Anonymous, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “R, Master Copy”; also Post-it marked “Life Anon H” and second title page marked “R, Work Copy”.
	The Loss of D-Natural Note: Unpublished novel and two-act play by John Roc (pseudonym for N. Richard Nash), the play published in N. Richard Nash, Selected Plays (New York: Greenhouse and Kirby, 1996).
	Novel
Box 44 Folder 4	“Loss of D-Natural”: hand emended typescript, part photocopy, part original, undated
Box 44 Folder 5	“The Loss of D-Natural, a novel by John Roc”: annotated typescript, undated Note: With redacted phrases and handwritten emendations.
	Play
Box 44 Folder 6	“The Loss of D-Natural, a play in two acts by John Roc”: cyclostyle typescript, copyright 1967
Box 44 Folder 7	“The Loss of D-Natural, a play in two acts by John Roc”: hand emended cyclostyle typescript, undated Note: The cyclostyled material identical to another version with a page marked “copyright 1967 by the author”.
Box 44 Folder 8	“The Loss of D-Natural, a Play in Two Acts, by John Roc”: hand emended typescript photocopy, undated Note: As Box 44, Folder 7; marked “A”.
Box 45 Folder 1	“The Loss of D-Natural, a play in two acts, by John Roc”: computer-printout, undated
Box 45 Folder 2	“The Loss of D-Natural, a play in two acts, by John Roc”: hand emended computer-printout, undated Note: Marked “B” and “Work Copy”.
Box 45 Folder 3	“The Loss of D-Natural, a play in two acts, by John Roc”: computer-printout, undated Note: Marked “C” (over crossed-out “B”).
Box 45 Folder 4	“The Loss of D-Natural, a play in two acts, by John Roc”: hand emended computer-printout, undated
Box 45 Folder 5	“The Loss of D-Natural, a play in two acts, by John Roc”: computer-printout, undated Note: Marked “Rd” and “Master, Do not distribute”; also cover of an identical draft, marked “Nash--Work Copy”.
Box 45 Folder 6	“The Loss of D-Natural, a play in two acts, by John Roc”: typescript photocopy, undated
Box 45 Folder 7	“The Loss of D-Natural, a Play in Two Acts, by N. Richard Nash”: hand emended typescript, undated Note: Marked “E” and “Carol”; identical to another copy attributed to John Roc and marked “IE” replacing a crossed-out “Rd”.
Box 45 Folder 8	“The Loss of D-Natural, a Play in Two Acts, by N. Richard Nash”: typescript, undated Note: Marked “F”.
Box 45 Folder 9	“The Loss of D-Natural, a Play in Two Acts, by N. Richard Nash”: typescript, undated Note: Marked “j” on title page and “H” on first page of Act I.
Box 45 Folder 10	“The Loss of D-Natural, a Play in Two Acts, by N. Richard Nash”: typescript, undated Note: Marked “H”.
Box 46 Folder 1	“The Loss of D-Natural, a Play in Two Acts, by N. Richard Nash”: hand emended typescript, undated Note: Marked “j” and “Obsolete”.
Box 46 Folder 2	“The Loss of D-Natural, a Play in Two Acts, by N. Richard Nash”: hand emended typescript, circa 1998 Note: Marked “j,” with accompanying letter from Chris Finch to N. Richard Nash, November 28, 1998.
Box 46 Folder 3	Newspaper advertisement for “The Loss of D-Natural”: photocopies Note: With note from “Carol” about New York Times advertising rates.
Box 46 Folder 4	“The Loss of D-Natural, a play in two acts by John Roc (pseudonym for N. Richard Nash)”: typescript marked up for publication, undated Note: Presumably in the Selected Plays, 1996, with author's note on N. Richard Nash.
	Marco Note: Proposed screenplay? by N. Richard Nash.
Box 46 Folder 5	“Marco, by N. Richard Nash”: cyclostyle typescript of outline, undated
	“Marilyn Monroe Musical” Note: Musical based on the life of Marilyn Monroe to be written by N. Richard Nash?
Box 79 Folder 1	Notes: manuscript, undated Note: Originally in folder labeled “M.M. Musical”.
	Memoirs Note: Unpublished autobiography by N. Richard Nash.
Box 46 Folder 6	“Memoirs”: hand emended typescript, undated Note: Outline and three sample chapters.
Box 46 Folder 7	Untitled draft: typescript, undated Note: Folder contained a card to Mr. Nash postmarked June 6, 1997.
Box 46 Folder 8	“Memoirs, N. Richard Nash”: typescript, undated Note: Author's note, outline and three chapters.
Box 46 Folder 9	Chapter on James Dean: hand emended typescripts, undated Note: Five slightly different or differently hand-emended typescripts; handwritten sketches.
	Men, Women and Others
Box 79 Folder 2	Stretches of dialog: manuscript, undated Note: Many crossed out as if checked off, originally in envelope marked “Men, Women and Others, Used”
	Minstrel Girl Note: Screenplay by N. Richard Nash for unproduced film.
Box 46 Folder 10	“Notes on Betty Hutton-Lotta Crabtree Story”: typescript carbon copy, 1948 April 15 Note: Marked “Richard Nash”. Also includes: “Lotta Crabtree Story, Major Incidents”: typescript carbon copy marked “Richard Nash, April 20 1948”; “Minstrel Girl, Miscellaneous Notes”: typescript carbon copy marked “N. Richard Nash, April 22, 1948”.
Box 46 Folder 11	“Minstrel Girl, Rough Notes”: typescript carbon copy, 1948 April 21-May 5 Note: Divided into Sequences A through H, with a record card summarizing each sequence.
	Mr. and Ms. Note: Proposed television series to be written by N. Richard Nash.
Box 46 Folder 12	“Mr. and Ms., a television series by N. Richard Nash”: hand emended typescript, undated Note: Of outline; also includes cyclostyle typescript of outline.
	The Monkey Trial Note: Play by N. Richard Nash.
Box 47 Folder 1	“The Monkey Trial (The Tennessee Evolution Case) dramatized by N. Richard Nash”: cyclostyle typescript, copyright 1954
	Moses Note: Unpublished novel by N. Richard Nash.
Box 47 Folder 2-3	Research photocopies on the Ancient Near East
Box 47 Folder 4	“Moses, a novel by N. Richard Nash”: computer printout, undated Note: Of first three chapters.
Box 47 Folder 5	“Moses, 1st Draft”: computer printout, undated Note: Of first three chapters.
Box 47 Folder 6	“Moses, 2nd Draft”: computer printout, undated Note: Of first three chapters.
	Murder, New York Style Note: Treatment and screenplay by N. Richard Nash for unproduced film (alternative titles Cosa Nostra Interpol, The Free Ride and Standing, Running, and Sitting Ducks).
Box 47 Folder 7	“Murder, New York Style”: typescript carbon copy, undated Note: On cover: “Murder, New York Style” (on cover); on title page: “The Free Ride, Screen Treatment by N. Richard Nash”.
Box 48 Folder 1	“Murder New York Style (tentative title) (formerly 'Cosa Nostra Interpol'), story outline by N. Richard Nash”: cyclostyle typescript, undated
Box 48 Folder 2	“Murder New York Style”: hand emended typescript screenplay, undated Note: Also: “Murder New York Style, 1st Draft Screenplay by N. Richard Nash”: hand emended typescript carbon copy, undated
Box 48 Folder 3	“Standing, Running, and Sitting Ducks, First Draft Screenplay by N. Richard Nash”: cyclostyle typescript, undated
	The Nature of the Beast Note: Play by N. Richard Nash.
Box 48 Folder 4	“The Nature of the Beast, by N. Richard Nash”: cyclostyle typescript, copyright 1964 Note: With “First Draft” on the cover.
Box 48 Folder 5	“The Nature of the Beast by N. Richard Nash”: cyclostyle typescript, copyright 1964
	A Nice Place to Visit Note: Musical play by N. Richard Nash.
Box 48 Folder 6	“A Nice Place to Visit (tentative title), a musical play by N. Richard Nash”: typescript carbon copy, 1957 Note: Marked “2-7-57-1,” and “copyright 1957”.
	The Night I Chased the Women with an Eel Note: Play by John Roc (pseudonym for N. Richard Nash), produced (under author's name “William Payne”) at Brighton and Chester, England, 1969 (alternative titles The Bezazz, Hide and Seek, The Man on the Mountain and Tooth and Nail).
Box 48 Folder 7	“The Night I Chased the Women with an Eel, by William Payne”: typescript carbon copy, undated
Box 48 Folder 8	“A New Play, by William Payne”: hand emended cyclostyle typescript, undated Note: Marked “Nash,” “Mr. Fish, Clifford Street,” and “6”.
Box 49 Folder 1	“A New Play, by William Payne”: hand emended cyclostyle typescript, undated
Box 49 Folder 2	“Tooth and Nail, a play by David E. Nicholson”: cyclostyle typescript, undated
Box 49 Folder 3	“The Bezazz, a black comedy by David E. Nicholson”: hand emended cyclostyle typescript, undated Note: Two identical copies with different title pages: “The Bezazz, a black comedy by David E. Nicholson” and “The Night I Chased the Women with an Eel, a comedy by David E. Nicholson”. With a few pages of typewritten revisions.
Box 49 Folder 4	“The Night I Chased the Women with an Eel. a comedy by David E. Nicholson”: hand emended cyclostyle typescript, undated
Box 49 Folder 5	“The Night I Chased the Women with an Eel, a comedy by David E. Nicholson”: cyclostyle typescript, undated
Box 49 Folder 6	“The Night I Chased the Women with an Eel, by David E. Nicholson”: cyclostyle typescript, copyright 1963 Note: Cover marked “Eel--1(a)”.
Box 49 Folder 7	Untitled: typescript fragments, undated Note: One fragment marked “E”.
Box 49 Folder 8	“The Night I Chased the Women with an Eel, by David E. Nicholson”: cyclostyled script, undated Note: Alternative title pages as “The Man on the Mountain, by William Payne” and “Hide and Seek, by David E. Nicholson” (originally the title pages to otherwise identical copies); a few alternate versions of script pages.
Box 49 Folder 9	Untitled drafts and notes: hand emended typescripts, undated
Box 50 Folder 1	Correspondence, budgets, casting notes for a New York production, 1966 Note: Production is thought to have been eventually canceled.
Box 50 Folder 2	Correspondence, playbills, clippings and notes in connection with a production as “The Night I Chased the Women with an Eel, by William Payne,” produced by Alan Davies in Brighton and Chester, England, 1969
	Nora Prentiss Note: Screenplay by N. Richard Nash for the film directed by Vincent Sherman and distributed by Warner Bros., 1947 (alternative titles The Deep End, The Man Who Died Twice and The Sentence).
Box 50 Folder 3	“The Man Who Died Twice, screenplay by N. Richard Nash”: typescript carbon copy, undated Note: Marked “Revised”.
Box 50 Folder 4	“'The Man Who Died Twice' ('The Deep End') (tentative titles)”: cyclostyle typescript, 1945 September 11 Note: Marked “9/11/45, Part I, Temp.”
Box 50 Folder 5	“The Sentence, screenplay by Richard Nash and Ranald MacDougall”: cyclostyle typescript, 1946 January 5 Note: Marked “January 5, 1946” and “Final”.
	110 in the Shade Note: Musical by N. Richard Nash (based on his play The Rainmaker), music by Harvey Schmidt, lyrics by Tom Jones, first produced in New York at the Broadhurst Theatre, October 24, 1963 (alternative title Rainbow).
Box 50 Folder 6	“Rainbow, a musical play by N. Richard Nash, lyrics by Tom Jones, music by Harvey Schmidt”: cyclostyle typescript, 1963 January 30
Box 50 Folder 7	“110 in the Shade, a musical play by N. Richard Nash, lyrics by Tom Jones, music by Harvey Schmidt”: hand emended cyclostyle typescript, 1963 July 11 Note: Marked “Nash, F, July 11, 1963” (on title page) and “Nash, Office Copy” (on cover); revised pages through September 1963 (an otherwise identical copy without the emendations had “Nash, office copy” on the cover and “M” on the title page).
Box 50 Folder 8	“110 in the Shade, a musical play by N. Richard Nash, music by Harvey Schmidt, lyrics by Tom Jones”: hand emended hectograph typescript, 1963 November 28 Note: On cover: “Revisions made by Tom Jones, lyricist”.
Box 50 Folder 9	“110 in the Shade, by N. Richard Nash, music by Harvey Schmidt, lyrics by Tom Jones, based on a play by N. Richard Nash”: hand emended cyclostyle typescript, undated Note: Also with Tams-Witmark Music Library imprint, copyright 1964 and 1977; a few second pages for Act II.
Box 51 Folder 1	“110 in the Shade, by N. Richard Nash, music by Harvey Schmidt, lyrics by Tom Jones. based on a play by N. Richard Nash”: cyclostyle typescript, copyright 1964 and 1977 Note: Originally in folder labeled by Cristopher Nash “NY City Opera prod.,” and accompanied by duplicates with New York City Opera labels, one cover included here, marked “Schmidt” and “Script 124”.
Box 51 Folder 2	“110 in the Shade, by N. Richard Nash, music by Harvey Schmidt, lyrics by Tom Jones, based on a play by N. Richard Nash, original direction by Joseph Anthony, Dances and musical numbers originally staged by Agnes De Mille, produced for the Broadway stage by David Merrick”: hand emended cyclostyle typescript, undated Note: With Tams-Witmark Music Library imprint, copyright 1964 and 1977.
Box 51 Folder 3	“110 in the Shade, by N. Richard Nash, music by Harvey Schmidt, lyrics by Tom Jones, based on a play by N. Richard Nash, original direction by Joseph Anthony, Dances and musical numbers originally staged by Agnes De Mille, produced for the Broadway stage by David Merrick”: cyclostyle typescript, undated Note: With Tams-Witmark Music Library imprint, copyright 1964 and 1977; marked “ME: 22.3.83”.
Box 51 Folder 4	“110 in the Shade, by N. Richard Nash, music by Harvey Schmidt, lyrics by Tom Jones”: cyclostyle typescript, undated Note: Also photocopy of playbill for May 1982 revival at the Church of the Heavenly Rest, New York City.
Box 51 Folder 5	Correspondence, 1967, 1992-1993 Note: One letter from Tams-Witmark March 15 1967; the rest from 1992 to 1993 (including invoice for Tams-Witmark scripts, July 1, 1993).
Box 51 Folder 6	“110 in the Shade, by N. Richard Nash, music by Harvey Schmidt, lyrics by Tom Jones”: computer printout, 1997 September 26, 29 Note: Marked “final recording script, 9/26/97,” with cover note dated 9/29/97.
Box 51 Folder 7	“110 in the Shade, by N. Richard Nash, music by Harvey Schmidt, lyrics by Tom Jones”: computer printout, 1997 November 1 Note: Marked “final recording script, 11/1/97”.
Box 79 Folder 3	Tams-Witmark conductor's score, undated
	Out of the Blue Note: Screenplay for unproduced film by N. Richard Nash.
Box 51 Folder 8	“Out of the Blue”: typescripts of outline and screenplay, undated Note: Also two typescripts of “Outline of Closing Scenes of 'Out of the Blue',” both marked “6/29/45”.
Box 51 Folder 9	“Out of the Blue”: typescript carbon copy of screenplay, undated
	The Party Giver Note: Screenplay for unproduced film by N. Richard Nash.
Box 51 Folder 10	Notes and sketches, undated Note: Originally in envelope labeled “The Party Giver, Used Notes”.
Box 51 Folder 11	“The Party Giver, screenplay by N. Richard Nash”: hand emended typescript, undated
	People of Passion Note: Screenplay for unproduced film by N. Richard Nash (alternative, probably provisional, title “Fiddle”).
Box 52 Folder 1	Scenes and sketches, undated Note: Folder labeled “Fiddle” with record cards listing scenes and handwritten sketches for scenes; one group of sketches in a sub-folder labeled “Fiddle--Used”.
Box 52 Folder 2	Untitled screenplay: incomplete typescript, undated
Box 52 Folder 3	Untitled: typescript, undated Note: Two untitled typescripts, one heavily emended in ink, the other more lightly in pencil, both originally marked up with paper clips, now replaced by penciled crosses top left, edge-marked “Fiddle”.
Box 52 Folder 4	“People of Passion, screenplay by N. Richard Nash”: typescript, undated Note: Alternative title page: “People of Passion, screenplay by Joram Cutler”.
	Philco Television Playhouse Note: Television series broadcast by NBC, 1948-1955, for which N. Richard Nash wrote occasional scripts.
	“The House in Athens” / by N. Richard Nash, broadcast 1953 July 5 Note: Later adapted as screenplay for a theatrical film, “The Bad One”.
Box 52 Folder 5	“The Winter Bird, story and teleplay by N. Richard Nash”: typescript, undated Note: Marked “Produced on Philco Television Playhouse under title 'The House in Athens'”
Box 52 Folder 6	“Murder in Athens (Tentative title), story and teleplay by N. Richard Nash”: typescript, undated
Box 52 Folder 7	“Murder in Athens (Tentative Title), story and teleplay by N. Richard Nash”: hand emended typescript, undated
Box 52 Folder 8	“Murder in Athens (Tentative Title), story and teleplay by N. Richard Nash”: typescript, undated
Box 52 Folder 9	Untitled: hand emended typescripts, undated Note: Parts of the screenplay.
Box 52 Folder 10	“Incident in Athens”: cyclostyle typescript prepared by William Morris Agency, undated
Box 53 Folder 1	“Goodyear Television Playhouse [sic], July 5, 1953, The House [“Incident” crossed out] in Athens, by N. Richard Nash”: cyclostyle typescripts of screenplay, undated Note: Two differently annotated typescripts; one marked “Thurs” and with many hand emendations.
Box 53 Folder 2	“Goodyear Television Playhouse [sic], The House [“Incident” crossed out] in Athens, by N. Richard Nash”: hand emended cyclostyle typescript, undated Note: Marked “as aired”.
Box 53 Folder 3	“The Bad One, N. Richard Nash”: typescript of screenplay, undated Note: Marked on the front “The Bad One, by N. Richard Nash [based on teleplay, Murder in Athens],” and inside “Registered with the Screen Writers' Guild, Inc., May 28, 1953”.
	“The Rainmaker” / by N. Richard Nash, broadcast 1953 August 16 Note: See under The Rainmaker, below.
	“The Joker” / by N. Richard Nash, produced by Fred Coe, associate producer Gordon Duff, directed by Arthur Penn, broadcast 1954 May 2
Box 53 Folder 4	“Philco Television Playhouse presents 'The Joker', by N. Richard Nash”: cyclostyle typescript, 1954 May 2
	Premlin?
Box 53 Folder 5	Clippings on Otto Preminger and the making of Rosebud, 1974 July 24 Note: Originally in folder labeled “Premlin”.
	The Princess on the Warpath Note: Treatment by N. Richard Nash and Leo Birinski for an unproduced film for Warner Bros.
Box 53 Folder 6	“Preliminary Synopsis on Princess on the Warpath, N. Richard Nash”: typescript carbon copy, 1944 March 31
Box 53 Folder 7	“N. Richard Nash, April 18, 1944, Preliminary Notes on Princess on the Warpath”: typescript, 1944 April 18 Note: Also includes: “N. Richard Nash, May 17, 1944, Treatment for Princess on the Warpath”: typescript.
Box 53 Folder 8	“Treatment for Princess on the Warpath, N. Richard Nash”: typescript carbon copy, 1944 June 12
Box 53 Folder 9	“Revised Treatment, N. Richard Nash”: hand emended typescript, 1944 June 28
Box 53 Folder 10	“Treatment for Princess on the Warpath, N. Richard Nash”: typescript carbon copy, 1944 July 3
Box 53 Folder 11	“The Princess on the Warpath, Screen Story, by Leo Birinski”: typescript carbon copy, 1944 July 11
	“Quasimodo”? Note: Unproduced musical by N. Richard Nash.
Box 79 Folder 4	Clippings on Victor Hugo's Notre-Dame-de-Paris, sketches of lyrics, undated Note: Originally in folder marked “Quasi”.
	The Rainmaker Note: By N. Richard Nash, broadcast as an episode of Philco Television Playhouse, August 16, 1953, first produced as a stage play at the Cort Theatre, New York City, October 28, 1954.
Box 53 Folder 12	“The Rainmaker, story and Teleplay by N. Richard Nash”: typescript carbon copy, undated
Box 53 Folder 13	“The Rainmaker, a play in three acts, by N. Richard Nash”: hand emended typescript, circa 1968 Note: Revised and marked up by Judith K. Reed for publication as a Ladder Book (i.e., for readers with a limited vocabulary, in this case 1,000 words), in folder marked “The Rainmaker (Original)”; accompanying letter to N. Richard Nash by Helen Biagini of the William Morris Agency, July 30, 1968; “Note to the Author” on Ladder Books.
Box 54 Folder 1	“Chapter 2, Staging a Scene: The Analysis”: typescript, undated Note: From book Directing for the Stage by an unnamed author, which uses a scene from The Rainmaker as an example, sent to N. Richard Nash by Joan Scott of Writers and Artists Agency, May 16, 1994 (perhaps for a review as to suitability for publication, and hence anonymously?).
Box 54 Folder 2	“The Rainmaker, a romantic comedy in three acts”: photocopy, undated Note: Copy of the edition of the play published by Random House, New York, in 1954, marked up for reprinting in Selected Plays, marked “12/22/95”.
Box 54 Folder 3	Letter regarding Beverly Hills High School staged reading, 1990 November Note: Also includes: playbills for Williamstown Theatre Festival production, July-August 1998 and Brooks Atkinson Theatre, New York City, November 1999.
Box 54 Folder 4	“The Wilson Family”: published pamphlet Note: Privately published pamphlet on the family which included Joseph Anthony, director of the first productions of The Rainmaker and 110 in the Shade.
	The Red Purse Note: Play by N. Richard Nash?
Box 54 Folder 5	“The Red Purse, by Richard Karlen”: typescript carbon copy, undated
	Return Fare Note: Script by N. Richard Nash for unproduced film based on Jean Kolar's novel
Box 54 Folder 6	Review and correspondence, 1961 Note: Typescript of review of the novel; correspondence with Columbia Pictures Corporation about N. Richard Nash's work on the script, 1961.
Box 54 Folder 7	“Script”: hand emended faxed copies, undated Note: Of script pages, “7/9/61,” with emendations; script pages, “7/21/61”; typescript carbon copies, one marked “July 12, 1961,” “Return Fare” and “N. Richard Nash”; outlines of plot strands.
	Return Voyage Note: Play by N. Richard Nusbaum.
Box 54 Folder 8	“Return Voyage, by N. Richard Nusbaum”: typescript carbon copy, undated Note: Folder marked “Last Copy”.
	Rogue Star Note: Screenplay by N. Richard Nash.
Box 54 Folder 9	“Rogue Star, by N. Richard Nash”: hand emended typescript, undated
	Rosie and the Boys Note: Outline for musical by N. Richard Nash (alternative title A Wonderful Girl Named Rosie).
Box 54 Folder 10	“Rosie and the Boys, Notes towards a libretto, by N. Richard Nash” and “A Wonderful Girl Named Rosie, notes towards a libretto by N. Richard Nash”: typescripts, undated Note: Four typescripts.
	Rouge Atomique Note: Play by N. Richard Nash.
Box 54 Folder 11	“Rouge Atomique (an exercise in one act), by N. Richard Nash”: typescript carbon copy, undated
	Royal Flush Note: Unproduced screenplay by John Westover (pseudonym for N. Richard Nash).
Box 54 Folder 12	Notes, clippings and drafts, undated Note: Originally in folder labeled “Horses”.
Box 54 Folder 13	Untitled script, undated Note: Edge-marked “Royal Flush”.
Box 55 Folder 1	Untitled script, undated Note: Marked “A-Version”.
Box 55 Folder 2	“Royal Flush, screenplay by John Westover”: typescript, undated Note: Edge-marked “Royal Flush”.
	Saravá Note: Musical, book and lyrics by N. Richard Nash, music by Mitch Leigh, based on Jorge Amado, Doña Flor and Her Two Husbands, produced at the Mark Hellinger Theater, New York City, February 12, 1979 (alternative title Pampada).
Box 55 Folder 3	“Pampada, a new musical, book and lyrics by N. Richard Nash”: cyclostyle typescript, undated
Box 55 Folder 4	“Sarava, book and lyrics by N. Richard Nash, music by Mitch Leigh”: typescript, undated
Box 55 Folder 5	“Saravá, book and lyrics by N. Richard Nash, music by Mitch Leigh”: hand emended typescript photocopy, undated Note: Marked “#7” and “Mitch's Script, Blue markings made by Mitch” (there are no blue markings, but black markings are probably a reproduction of blue).
Box 55 Folder 6	“Saravá, book and lyrics by N. Richard Nash, music by Mitch Leigh”: hand emended typescript photocopy, 1975 June 26, 1975
Box 55 Folder 7	“Saravá, book and lyrics by N. Richard Nash, music by Mitch Leigh”: cyclostyle typescript, 1975 June 26 Note: Marked “#38”
Box 55 Folder 8	“Saravá, book and lyrics by N. Richard Nash, music by Mitch Leigh”: cyclostyle typescript, undated
	Scapegrace Note: Musical in two acts by N. Richard Nash, given a public reading at the Victory Theatre, New York, April 27 and May 4, 1992 (alternative titles Holy War and Maco).
Box 55 Folder 9	Untitled Act I: typescript, undated
Box 55 Folder 10	Untitled: typescript, undated Note: Labeled “Version A”; with many emendations, mostly marked originally with paperclips, replaced by crosses top left.
Box 55 Folder 11	“Untitled Musical, in two acts, by N. Richard Nash”: typescript, undated Note: Marked “B,” edge-marked “Maco”.
Box 55 Folder 12	“Untitled Musical, in two acts, by N. Richard Nash”: typescript, 1989 October 24 Note: Marked “Oct. 24, 1989--C,” and “Macofran--C”.
Box 56 Folder 1	“Holy War, a musical in two acts, book and lyrics by N. Richard Nash, music by John Reynolds”: typescript, undated Note: Marked “Version E”.
Box 56 Folder 2	“Holy War, a musical in two acts, book and lyrics by N. Richard Nash, music by John Reynolds”: typescript, undated Note: Marked “Version E--revised”.
Box 56 Folder 3	“Holy War/Scapegrace, a musical in two acts, book and lyrics by N. Richard Nash, music by John Reynolds”: typescript photocopy, undated Note: One retained of two typescript photocopies with different title pages, one as “Holy War,” marked “Version F, revised 12/2/90,” the other as “Scapegrace,” undated, marked “Obsolete 1F &2F”.
Box 56 Folder 4	“Scapegrace, a musical in two acts, book and lyrics by N. Richard Nash, music by John Reynolds”: typescript photocopy, 1991 August 29 Note: Marked “1G & 2G, Aug. 29, 1991”.
Box 56 Folder 5	“Scapegrace, a musical in two acts, book and lyrics by N. Richard Nash, music by John Reynolds”: typescript, undated Note: With highlighted passages, in covers marked “Narrator's Script” (but probably relating to the public reading in April 1992).
Box 56 Folder 6	“Scapegrace, a musical in two acts, book and lyrics by N. Richard Nash, music by John Reynolds”: typescript, undated
Box 56 Folder 7	Clippings on the life of St. Francis of Assisi
Box 56 Folder 8	Lyrics: manuscript drafts, undated Note: Handwritten drafts, mostly of lyrics, mostly crossed through, originally in folder labeled “Holy War, Used”.
Box 56 Folder 9	Record cards with scene descriptions, handwritten pages of drafts, mostly of lyrics, revised pages
Box 56 Folder 10	Handwritten drafts, typed outlines, character and song lists, emended script pages, research clippings and photocopies
Box 56 Folder 11	Correspondence, 1989-1991 Note: With Sheila Moran and John Reynolds about the script, leading up to an ASCAP-organized reading in November 1991. Also includes material on the musical Winter Rose, book by Doug Haverty, lyrics by David M. Strauss, music by John Reynolds, about the early life of St. Francis.
Box 56 Folder 12	Correspondence, 1992 Note: Mostly with Sheila Moran, and casting materials, rehearsal schedules, and playbill regarding a public reading of the musical as Scapegrace at the Victory Theater, New York City, April 27 and May 4, 1992.
	Second Best Bed Note: Comedy in three acts by N. Richard Nash, first produced at the Ethel Barrymore Theatre, New York City, June 3, 1946.
Box 57 Folder 1	“Second Best Bed, comedy in three acts, by N. Richard Nash”: cyclostyle typescript, undated Note: Marked “Last Copy”.
	See the Jaguar, screenplay by N. Richard Nash, adapted from his play, first produced at the Cort Theatre, New York City, December 3, 1952 (alternative title Shivaree)
Box 57 Folder 2	“Shivaree, a Western, by N. Richard Nash” (cover)/”Shivaree, screenplay by N. Richard Nash” (title page): cyclostyle typescript, undated
Box 57 Folder 3	“See the Jaguar, by N. Richard Nash, screenplay, a Western”: cyclostyle typescript, undated
	Six Outlines Note: By N. Richard Nash, of stories “The Extra Y,” “Toehold” [see also under “Toehold”], “Boys Will Be Boys,” “Behold, the Man,” “Voices,” and “The Man from Japan”.
Box 57 Folder 4	“Six Outlines, by N. Richard Nash”: bound copy and computer printouts of drafts, undated
	The Smile of a Woman Note: Outline and screenplay by N. Richard Nash for an unproduced film.
Box 57 Folder 5	“The Smile of a Woman, by N. Richard Nash”: typescript carbon copy of outline, undated Note: Marked “Working Copy” and “File Copy, Do not remove”.
Box 57 Folder 6	“The Smile of a Woman, by N. Richard Nash”: cyclostyle typescript of outline, 1957 April Note: Marked “Registered Screen Writers Guild, April, 1957”.
Box 57 Folder 7	“Smile of a Woman, a Columbia Pictures Corporation release”: cyclostyle typescript of screenplay, 1960 October 7 Note: Marked “Production no. 8589, the Gordon-Waxman Company” and “First estimating draft, Oct. 7, 1960”.
	Some Ideas for Television Series Note: By N. Richard Nash, proposals for television series “The Father-and-son Story,” “The Mid-Place Story,” “The Vet Story,” “The Plumbers' Story,” and “The Boy's Story”.
Box 57 Folder 8	“Some Ideas for Television Series, by N. Richard Nash”: cyclostyle typescript, undated
	Sound and Fury Note: Screenplay for unproduced film or television program.
Box 57 Folder 9	Research clippings on the nature of sound
Box 58 Folder 1-2	Drafts of scenes: manuscripts and typescripts, undated Note: Mostly crossed out.
Box 58 Folder 3	“Sound and Fury”: hand emended typescript, undated
	Stop Thief! Note: Proposed screenplay by N. Richard Nash (alternative title Bagdad).
Box 79 Folder 5	Outlines, undated Note: Various drafts of an outline, some titled “Bagdad,” others “Stop Thief!,” undated
	Summer Fun Note: Television series broadcast by ABC Television, summer 1966.
	“The Kwimpers of New Jersey” (episode 4) / written by N. Richard Nash, broadcast 1966 August 12 Note: Alternative title “Pioneer, Go Home”.
Box 58 Folder 4	“Pilot, Pioneer, Go Home, suggested alternate title, The Kwimpers, by N. Richard Nash, based on the novel by Richard Powell”: typescript carbon copy, undated Note: Marked “produced by Robert Alan Arthur, United Artists TV”.
	Thespian Verses Note: Unpublished book of poetry by N. Richard Nash.
Box 58 Folder 5	Drafts: manuscripts and computer printouts
Box 58 Folder 6	Untitled: typescript, undated Note: 49 pages.
Box 58 Folder 7	“Thespian Verses, by N. Richard Nash”: typescript, undated Note: 51 pages.
Box 58 Folder 8	“Thespian Verses, by N. Richard Nash”: typescript, undated Note: 59 pages.
Box 58 Folder 9	“Thespian Verses, by N. Richard Nash”: typescript, undated Note: 64 pages.
Box 58 Folder 10	“Thespian Verses, by N. Richard Nash”: typescript, undated Note: 74 pages.
Box 58 Folder 11	“Thespian Verses, by N. Richard Nash”: typescripts, undated Note: Several drafts, some with many handwritten emendations, marked “Work Copy”.
Box 58 Folder 12	Correspondence with potential publishers, 1998
	Toehold Note: Proposed film or television program, written by N. Richard Nash. See also Six Outlines.
Box 58 Folder 13	“Toehold, by N. Richard Nash”: typescript of outline or prospectus; two hectographed versions, undated
	The Torch Note: Play by N. Richard Nash, produced at the University of Florida, September 1985, and, as Wildfire, in Bath, England, November 1986 (alternative titles Auto da fé, Choir of Angels and The Harps of Heaven), also a version as a novel. See also Joan.
	Play
Box 59 Folder 1	“The Torch, a play by N. Richard Nash”: hand emended typescript, undated Note: With several pages of notes.
Box 59 Folder 2	“Choir of Angels [written over crossed-out 'The Harps of Heaven'], a play by N. Richard Nash”: typescript photocopy, undated
Box 59 Folder 3	“The Harps of Heaven, a play by N. Richard Nash”: hand emended typescript, undated
Box 59 Folder 4	“Choir of Angels, a play by N. Richard Nash”: hand emended typescript, undated Note: Marked “First draft (with Jenny's notes)”.
Box 59 Folder 5	“Choir of Angels, a play by N. Richard Nash”: hand emended typescript, undated Note: Marked “First draft--revised”.
Box 59 Folder 6	Untitled: hand emended typescript, undated
Box 59 Folder 7	“Auto da fé, a play by N. Richard Nash”: hand emended typescript, undated Note: Cover marked “Auto da fé and The Torch,” title page marked “2nd draft”.
Box 59 Folder 8	“Choir of Angels, a play by N. Richard Nash”: hand emended typescript, undated Note: Marked “Find Act I place for father to be ill”.
Box 59 Folder 9	Untitled: incomplete typescript and manuscript, undated Note: Odd typescript and handwritten pages, mostly crossed out, originally in folder marked “Choir of Angels, Used”.
Box 59 Folder 10	Untitled : hand emended typescript, undated Note: With many handwritten emendations and pages of notes (including a list of alternate titles), originally in folder marked “Auto da fé”.
Box 59 Folder 11	“Auto da fé, by N. Richard Nash”: hand emended typescript, undated Note: Including a casting.
Box 60 Folder 1	“Auto da fé, a play by N. Richard Nash”: hand emended typescript, undated Note: Cover slip marked “Third draft”.
Box 60 Folder 2	“The Torch, a play by N. Richard Nash”: typescript, undated
Box 60 Folder 3	“The Torch, a play by N. Richard Nash”: typescript, undated Note: With “The Torch, Florida version, prior to February, 1986” on the cover.
Box 60 Folder 4	“The Torch, a play by N. Richard Nash”: hand emended typescript, undated
Box 60 Folder 5	“The Torch, a play by N. Richard Nash”: hand emended typescript, undated
Box 60 Folder 6	“The Torch, a play by N. Richard Nash”: typescript, undated
Box 60 Folder 7	“The Torch, a play by N. Richard Nash”: computer printout, undated Note: Marked “Florida Version”.
Box 60 Folder 8	“The Torch, a play by N. Richard Nash”: computer printout, submitted 1986 February 13 Note: Also cover of an identical copy marked “The Torch, July, 1986”.
Box 60 Folder 9	“The Torch, a new play by N. Richard Nash”: cyclostyle typescript, undated Note: With cover letter from Barry Brown dated “2/19/86.”
Box 60 Folder 10	“The Torch, a play by N. Richard Nash”: cyclostyle typescript, undated
Box 60 Folder 11	“The Torch, a play by N. Richard Nash”: typescript, undated Note: Marked “New print”.
Box 60 Folder 12	Untitled: hand emended typescript, undated
Box 61 Folder 1	“The Torch, a play by N. Richard Nash”: typescript, undated Note: Marked “Obsolete”.
Box 61 Folder 2	“The Torch, a play in two acts by N. Richard Nash”: typescript, undated
Box 61 Folder 3	“The Torch, a play in two acts by N. Richard Nash”: typescript, undated
Box 61 Folder 4	“The Torch, a play in two acts by N. Richard Nash”: typescript, undated
Box 61 Folder 5	“Wildfire, a play by N. Richard Nash”: typescript, undated Note: On A4 paper with London address; Act I only.
Box 61 Folder 6	“The Torch, a play by N. Richard Nash”: typescript, 1986 Note: One of two identical copies, except one marked “August 12, 1986,” the other with cover marked “The Torch, August 11, 1986”.
Box 61 Folder 7	“The Torch, a play by N. Richard Nash”: typescript, 1986 September 1
Box 61 Folder 8	Untitled: hand emended typescript, undated Note: Originally in folder marked “Enoch”.
Box 61 Folder 9	“Wildfire, a play by N. Richard Nash”: typescript, 1986 October 10 Note: On A4 paper, some pages marked “10.10.86,” title page marked “Richard Nash copy”.
Box 61 Folder 10	“Wildfire, a play by N. Richard Nash”: hand emended typescript, undated Note: On A4 paper.
Box 61 Folder 11	“Wildfire, a play by N. Richard Nash”: typescript, undated Note: On A4 paper.
Box 61 Folder 12	“Wildfire, a play by N. Richard Nash”: hand emended typescript, 1986 October 16 Note: On A4 paper, many pages marked “16.10.86”.
Box 62 Folder 1	“Wildfire, a play by N. Richard Nash”: hand emended typescript, undated Note: On A4 paper.
Box 62 Folder 2	Untitled: hand emended typescript, 1986 October 24 Note: On A4 paper, marked “Oct 24, 1986”.
Box 62 Folder 3	Untitled: typescript, undated Note: On A4 paper, undated, originally in folder marked “Enoch”.
Box 62 Folder 4	“Wildfire, a play in two acts by N. Richard Nash”: typescript, undated
Box 62 Folder 5	“The Torch, a play in two acts by N. Richard Nash”: typescript, 1987 January 13 Note: Marked “Work copy, 1/13/87”.
Box 62 Folder 6	Drafts of various scenes: manuscripts and typescripts, undated
Box 62 Folder 7	Correspondence and clippings about the production (as “The Torch”) at the University of Florida, 1985 September 30
Box 62 Folder 8	Correspondence, principally with Peter Wood, and clippings regarding the 1986 Bath, England, production (as “Wildfire”)
Box 62 Folder 9	Correspondence, casting material, and revised scripts, circa 1986 Note: Including a long letter from Cristopher Nash. Revised script pages relating to a public reading of the play in New York, 1986 (as “The Torch”).
	Novel
Box 62 Folder 10	“Torch Novel”: typescript, undated Note: A few typescript pages of a novelized version; handwritten notes under the heading “Torch Novel.”
	The Trap Note: Novella or film outline by N. Richard Nash.
Box 63 Folder 1	“The Trap, by N. Richard Nash”: cyclostyle typescript, undated
	Trial and Error Note: Play in two acts by N. Richard Nash, given a public reading at the Armory, 529 W. 42nd St., New York City, May 19, 1997 (alternative title Double Exposure).
Box 63 Folder 2	“Double Exposure, a play in two acts by N. Richard Nash”: typescript, undated
Box 63 Folder 3	“Trial and Error, a play in two acts by N. Richard Nash”: typescript, undated Note: Marked “Obsolete-H1”.
Box 63 Folder 4	“Trial and Error”: typescript, undated Note: Various drafts of Acts I and 2, marked “Obsolete,” one also “H-2”.
Box 63 Folder 5	“Trial and Error, a play in two acts by N. Richard Nash”: hand emended typescript, undated Note: Marked “J”.
Box 63 Folder 6	Correspondence and flyers, circa 1997 Note: Proofs and final copy for “first reading” (as Trial and Error) of the play by M.E.T. Theatre, Inc., director Matt Conley, at Raw Space at the Armory, New York, May 19, 1997.
	The Umbrella Man Note: Screenplay and novel by N. Richard Nash.
	Screenplay
Box 63 Folder 7	“The Umbrella Man, screenplay by N. Richard Nash”: typescript, undated Note: Second title page: “The Umbrella Man, screenplay by David Nicholson”: typescript; third title page: “Umbrell. 3 & 4, Aug. 23, 1988,” but the typescript differs from the similarly marked version in Box 63, folder 9.
Box 63 Folder 8	“The Umbrella Man, screenplay by N. Richard Nash”: typescript, 1988 August 17 Note: Marked “Umbrell. 1 & 2, Aug. 17, 1988”.
Box 63 Folder 9	“The Umbrella Man, screenplay by N. Richard Nash”: typescript, 1988 August 23 Note: Marked “Umbrell 3 & 4, Aug. 23, 1988”.
	Novel
Box 64 Folder 1-2	“The Umbrella Man, screenplay [sic] by David Nicholson”: hand emended typescript, undated Note: Typescript of novel with pencil emendations, originally marked with paperclips, replaced here by crosses top left.
	The Vicious Years Note: Screenplay by N. Richard Nash for film directed by Robert Florey, distributed by Film Classics Inc., 1950.
Box 64 Folder 3	“The Vicious Years, by N. Richard Nash”: hand emended typescript, undated
Box 64 Folder 4	“The Vicious Years, an original screenplay by N. Richard Nash”: cyclostyle typescript, 1949 October 11
	A Wall Is Romance Note: Comedy in three acts by N. Richard Nusbaum, adapted from Edmond Rostand's Les Romanesques.
Box 80 Folder 1	Prompt script, undated Note: In very poor condition.
	The Way of the Conways Note: Concept for a television series? by N. Richard Nash.
Box 64 Folder 5	“The Way of the Conways, by N. Richard Nash”: typescript carbon copy, undated
	Welcome Home Note: Play by N. Richard Nash.
Box 64 Folder 6	“Welcome Home by N. Richard Nash”: typescript carbon copy, undated
Box 64 Folder 7	“Welcome Home by N. Richard Nash”: typescript carbon copy, undated
	White Horses Note: Treatment and screenplay by N. Richard Nash (alternative title Tides of Summer).
Box 64 Folder 8	“Tides of Summer [crossed out and replaced with 'White Horses'], screenplay by N. Richard Nash”: hand emended cyclostyle typescript, undated
Box 64 Folder 9	“White Horses, treatment by N. Richard Nash”: typescript, circa 1982 Note: Second title page: “Tides of Summer [crossed out and replaced with 'White Horses'], screenplay by N. Richard Nash”; one title page marked “Treatment & Materials Draft, finished Sept, 1982”.
Box 65 Folder 1	“White Horses, screenplay by N. Richard Nash”: typescript, undated Note: Marked “First draft”.
Box 65 Folder 2	“White Horses, screenplay by N. Richard Nash”: typescript, undated Note: Marked “First draft” on one title page, “First draft (slightly revised)” on a second title page.
Box 65 Folder 3	“White Horses, screenplay by N. Richard Nash”: hand emended typescript, undated Note: Marked “Second draft [crossed out and replaced with 'First draft revised']”.
Box 65 Folder 4	“White Horses”: typescript, undated Note: Marked “Materials draft”.
Box 65 Folder 5	Correspondence with Guy McElwaine and Frank Price of Columbia Pictures, 1983 February 12 Note: Also includes: handwritten notes and sketches; clippings on surfing and surfing movies.
Box 65 Folder 6	Drafts of dialog and record cards with scenes: manuscript, undated
Box 65 Folder 7-8	Script pages: typescript with revisions, undated
	Wildcat Note: Musical by N. Richard Nash, lyrics by Carolyn Leigh, music by Cy Coleman, first produced in New York at the Alvin Theatre, December 16, 1960.
Box 66 Folder 1	“Wildcat, a musical play by N. Richard Nash”: typescript carbon copy, undated Note: Cover marked “Materials Draft”.
Box 66 Folder 2	“Wildcat, by N. Richard Nash”: typescript carbon copy, copyright 1960 Note: Marked “First Draft” and “copyright 1960”.
Box 66 Folder 3	“Wildcat, musical play by N. Richard Nash”: typescript carbon copy, 1960 June 27 Note: Marked “June 27, 1960” (title page) and “Second draft” (cover).
Box 66 Folder 4	Song lyrics: cyclostyle typescript, undated Note: Originally enclosed with an un-emended copy of the Third draft of the script, in Box 66, Folder 5.
Box 66 Folder 5	“'Wildcat', a musical play by N. Richard Nash, lyrics by Carolyn Leigh, music by Cy Coleman”: hand emended cyclostyle typescript, circa 1960 Note: With many pages of revises, marked “Third Draft, September 16, 1960 [crossed out]” and “#33”.
Box 66 Folder 6	“'Wildcat', a musical play by N. Richard Nash, lyrics by Carolyn Leigh, music by Cy Coleman”: cyclostyle typescript, 1960 September 16 Note: Marked “Third Draft, September 16, 1960” and “Nash, 3”; production staff directory and many revisions and production notes.
Box 66 Folder 7	“Wildcat, book by N. Richard Nash, music by Cy Coleman, lyrics by Carolyn Leigh, ... New York opening at the Alvin Theatre”: cyclostyle typescript, 1960 December 16 Note: For the Tams-Witmark Music Library.
	The Wildwood Note: Unpublished novel, and Man in the Woods, unproduced screenplay, by N. Richard Nash (the novel is listed as The Wildwood in Nash's worklist in Selected Plays, alternative titles Natural Enemies and Marsh).
	Miscellaneous
Box 66 Folder 8	Clippings and notes, circa 1990 Note: Plus a six-page typed synopsis and a few typed draft pages, originally in a folder labeled “Begun 3/20/90”.
Box 66 Folder 9	“Marsh”: manuscript fragments, undated Note: On lined pad paper or record cards, originally in folder marked “Marsh--Used”.
Box 66 Folder 10	“Marsh” drafts and sketches: manuscript, undated Note: Originally in a folder labeled “Marsh--Used”.
Box 66 Folder 11	Notes, sketches, research clippings, undated
Box 67 Folder 1	Correspondence with publishers, 1990-1991
	Screenplay
Box 67 Folder 2	Untitled: hand emended typescript, undated
Box 67 Folder 3	“Man in the Woods, screenplay by N. Richard Nash”: typescript, undated Note: Marked “Obsolete”.
Box 67 Folder 4	“Man in the Woods, screenplay by N. Richard Nash”: typescript, undated Note: Marked “Obsolete”.
Box 67 Folder 5	“Man in the Woods, screenplay by N. Richard Nash”: typescript, undated Note: Marked “Current,” originally with a small number of pages marked by paperclips, here replaced by a cross at the top left.
	Novel
Box 67 Folder 6-8	“Natural Enemies, a novel by N. Richard Nash”: typescript, undated Note: Also includes: short biography and work list of N. Richard Nash.
Box 68 Folder 1-3	“The Wildwood, a novel by N. Richard Nash”: hand emended typescript, undated Note: Some pages marked originally with paper clips, replaced by crosses top left.
Box 68 Folder 4-6	“The Wildwood, a novel by N. Richard Nash”: typescript, undated
Box 69 Folder 1	Chapters 10 and 11: typescript Note: As above (Box 68, Folder 4-6?) but with many handwritten emendations.
Box 69 Folder 2-4	“The Wildwood, a novel by N. Richard Nash”: typescript, undated Note: “The Marsh” written over the title on the title page.
Box 69 Folder 5-6	Untitled: hand emended typescript, undated Note: Without title page, originally in box marked “The Wildwood (Materials Draft),” with emendation points originally marked with paper clips, replaced with crosses top left.
Box 70 Folder 1	Untitled: hand emended typescript, undated Note: Continued from Box 69, Folder 5-6.
	Winter Blood Note: A novel by Jon Roc (pseudonym for N. Richard Nash) (New York: Trident Press, 1971).
Box 70 Folder 2	“Winter Blood”: hand emended typescript, undated Note: Marked “This is approximately one quarter of the first draft, at the end of these pages there is a brief synopsis of the balance of the novel,” with cover letter signed “John” to “Joan,” datelined “Euboia, 22 March” [no year].
Box 70 Folder 3	“Winter Blood, by John Roc”: cyclostyle typescript, undated Note: Marked “This is approximately one quarter of the first draft, at the end of these pages there is a brief synopsis of the balance of the novel”.
Box 70 Folder 4-6	“Winter Blood, by John Roc”: hand emended cyclostyle typescript, 1971 February 15 Note: Marked “February 15, 1971” over crossed-out “November 1, 1970”.
Box 71 Folder 1	“Winter Blood, a novel by John Roc”: typescript, undated Note: Post-publication outline with extracts from reviews.
	A Woman Note: Unproduced screenplay by N. Richard Nash.
Box 71 Folder 2	“A Woman, original screenplay by N. Richard Nash”: hand emended typescript photocopy, undated
Box 71 Folder 3	Untitled screenplay: hand emended typescript, undated
Box 71 Folder 4	Untitled: manuscript and typescript, undated Note: Odd pages, both typed and handwritten, plus photocopied clippings.
	Yes, Tom Yes! Note: Musical based on Tom Jones by Henry Fielding, book and lyrics by N. Richard Nash, music by John Morris, published in Selected Plays (New York: Greenhouse and Kirby, 1996).
Box 71 Folder 5	Draft and sketches: incomplete manuscript and typescript, undated Note: Incomplete typescript draft, handwritten sketches, principally of lyrics, notes, research clippings.
Box 71 Folder 6	“Yes, Tom, Yes! a musical based on Tom Jones by Henry Fielding, book and lyrics by N. Richard Nash, music by John Morris”: hand emended typescript, undated Note: With inserts and handwritten emendations; three different untitled typescripts; four slightly different complete draft typescripts.
Box 71 Folder 7	“Yes, Tom, Yes! a musical based on Tom Jones by Henry Fielding, book and lyrics by N. Richard Nash, music by John Morris”: hand emended typescript, 1985 October 15 Note: Marked “version of Oct. 15, 1985”.
Box 71 Folder 8	“Yes, Tom, Yes! a musical based on Tom Jones by Henry Fielding, book and lyrics by N. Richard Nash, music by John Morris”: typescript, undated
Box 71 Folder 9	Untitled: hand emended typescript, undated Note: Marked “Jenny's Copy”; carbon script pages, originally inside the cover; all these materials originally in envelope marked “Tom Jones, Used”.
Box 71 Folder 10	Untitled: hand emended typescript, undated Note: Without title page, heavily emended, with pasted-on additions, originally in envelope labeled “Tom Jones, Original Script”.
Box 71 Folder 11	“Yes, Tom, Yes! a musical based on Tom Jones by Henry Fielding, book and lyrics by N. Richard Nash, music by John Morris”: cyclostyle typescript, undated
Box 72 Folder 1	“Yes, Tom, Yes! a musical based on Tom Jones by Henry Fielding, book and lyrics by N. Richard Nash, music by John Morris”: hand emended cyclostyle typescript, undated Note: Marked “Nash Work Copy”; pages originally marked with paper clips, here replaced by crosses top left.
Box 72 Folder 2	“Yes, Tom, Yes! a musical based on Tom Jones by Henry Fielding, book and lyrics by N. Richard Nash, music by John Morris”: typescript, undated Note: Marked “Obsolete”.
Box 72 Folder 3	“Yes, Tom, Yes! a musical based on Tom Jones by Henry Fielding, book and lyrics by N. Richard Nash, music by John Morris”: typescripts, undated Note: Includes two typescripts.
Box 72 Folder 4	“Yes, Tom, Yes! a musical based on Tom Jones by Henry Fielding, book and lyrics by N. Richard Nash, music by John Morris”: typescript, undated Note: With page numbers of published edition.
Box 72 Folder 5	“Yes, Tom, Yes! a musical based on Tom Jones by Henry Fielding, book and lyrics by N. Richard Nash, music by John Morris”: typescript, undated Note: Marked up for publication in Selected Plays.
Box 72 Folder 6	Drafts of the narration, synopses, musical outlines, and odd pages: typescript, undated
Box 72 Folder 7	Scores, voice and accompaniment, for the songs: photocopies, undated Note: One group originally in separate envelope.
Box 72 Folder 8	Lyrics: drafts and sketches Note: Also includes letter from George Lee Andrews, “2/3/92,” regarding recordings of the songs.
Box 72 Folder 9	Research clippings on the eighteenth-century English novel, and on LSD, undated Note: In the same folders, but perhaps related to another project.
Box 72 Folder 10	Notes and sketches, undated Note: Originally filed with “Breaking the Tie” materials.
Box 79 Folder 6-8	Drafts of lyrics, scene sketches, etc., undated
Box 79 Folder 9	Scores, undated
	Series: Untitled and Unidentified Projects	⇧
Box 72 Folder 11	Research materials for a project on African-American religion: photocopies, undated Note: Copies of Sara Harris, Father Divine: Holy Husband (Garden City, New York: Doubleday, 1953); and John Hoshor, God in a Rolls Royce (New York: Hillman-Curl, 1936).
Box 72 Folder 12	Outline for screenplay with titles “Peg o' My Heart” and “Heavens to Betsy”; sketches for play “Roxy”: manuscript and typescript lyrics, undated
Box 72 Folder 13	Miscellaneous: manuscripts and typescripts, undated
Box 79 Folder 10	Untitled: typescript, undated Note: Short story or film outline.
	Series: Selected Plays: Proofs Note: Proofs of N. Richard Nash, Selected Plays (New York: Greenhouse and Kirby, 1996), containing The Rainmaker, Everybody, Smile!, Breaking the Tie, Alchemy, Yes, Tom Yes!, Bluebird of Happiness, The Green Clown, and The Loss of D-Natural. Marked-up copy for this volume is included with the rest of the materials for each of these titles, above.	⇧
Box 73 Folder 1-2	First proof, 1995 November 9-20
Box 73 Folder 3	Second proof, 1995 December 7-15
Box 73 Folder 4	Various pages, 1995 December 28-29
Box 73 Folder 5	Third proof, 1996 January 5-31
Box 74 Folder 1-2	Third proof (continued)
Box 74 Folder 3	Final proof, undated
Box 74 Folder 4	Odd pages, correspondence, and clippings, undated
	Series: Published Works	⇧
	Books by N. Richard Nash
Box 80 Folder 2	Aphrodite's Cave (Garden City, New York: Doubleday & Company, 1980), hardback
Box 80 Folder 3	Aphrodite's Cave (London: W.H. Allen, 1980), hardback
Box 80 Folder 4	Aphrodite's Cave (New York: Avon Books, 1980), paperback
Box 80 Folder 5	Aphrodite's Cave (London: W.H. Allen, a Star Book, 1982), paperback
Box 80 Folder 6	Aphrodites Eiland (Borsbeek: De Kern Baarn, 1982), hardback Note: Dutch translation of Aphrodite's Cave by Hugo Kuipers.
Box 80 Folder 7	East Wind, Rain (New York: Atheneum, 1977), hardback
Box 80 Folder 8	East Wind, Rain (New York: Bantam Books, 1978), paperback
Box 80 Folder 9	Echoes, a Play in Two Acts (New York: Samuel French, Inc., 1973), paperback
Box 80 Folder 10	110 im Schatten (Berlin: Felix Bloch Erben, undated), paperback Note: German translation of 110 in the Shade by Max Colpet.
Box 80 Folder 11	Hrsť Ohňa, paperback Note: Czech translation of A Handful of Fire by Eduard V. Tvarožek, undated.
Box 80 Folder 12	The Last Magic (New York: Atheneum, 1978): proof copy, paperback
Box 80 Folder 13	The Last Magic (New York: Bantam Books, 1979), paperback.
Box 80 Folder 14	One Summer Love (New York: Bantam Books, 1976), paperback
Box 80 Folder 15	Ostwind und Regen (Reinbek bei Hamburg: Rowohlt, 1978), paperback Note: German translation of East Wind, Rain by Karl A. Klewer.
Box 80 Folder 16	Selected Plays (New York: Greenhouse and Kirby, 1996), paperback
Box 80 Folder 17	Een wereld van illusies (Borsbeek: De Kern Baarn, 1984), hardback Note: Dutch translation of Radiance by Parma van Loon.
Box 80 Folder 18	Yağmurcu (Ankara: Mıllı Eğıtım Basimevı, 1962), paperback Note: Turkish translation of The Rainmaker by Mitnut Şahınbaş.
	Books by N. Richard Nusbaum
Box 80 Folder 19	Sky Road, a Comedy of the Airways (Evanston, Illinois: Row, Peterson & Company, 1941), paperback
	Books by John Roc
Box 80 Folder 20	Feuer! (Frankfurt: S. Fischer Verlag, undated), paperback Note: German translation of Fire! by Alf Leegard.
Box 80 Folder 21	Fire! a Play by John Roc (New York: Atheneum, 1969), hardback
Box 80 Folder 22	Fire! a Play by John Roc (New York: Atheneum, 1969), paperback
	Periodical Articles by N. Richard Nash
Box 80 Folder 23	“Ho Brokhopoíos,” Theatro (Athens), no. 57 (1957): 149-70 Note: Greek translation of The Rainmaker by Mikhale Kakogianne.
Box 80 Folder 24	“The Rainmaker,” Theatre Arts 40, no. 3 (March 1956): 34-62
Box 80 Folder 25	“The Romance of 'The Rainmaker',” Theatre Arts 40, no. 3 (March 1956): 33
Box 80 Folder 26	“See the Jaguar,” Theatre Arts 37, no. 8 (August 1953): 34-64
Box 80 Folder 27	“Wanted: Some Wild-Eyed Young Men,” Theatre Arts 39, no. 3 (March 1955): 30-31 & 94-5
	Series: Works by Others	⇧
	Jonathan Altman
Box 74 Folder 5	Children of the Night: typescript of screenplay, revised 1984 July 13
Box 74 Folder 6	Children of the Night: typescript of screenplay, revised 1984 October 16
Box 75 Folder 1	Children of the Night: typescript of screenplay, revised 1984 October 16 Note: Including pages revised to October 23, 1984.
Box 75 Folder 2	Islands: typescript of film treatment, revised 1986 May 21 Note: With cover letter from the author to N. Richard Nash; typescript of film treatment, marked “rev. 6/2/86,” with cover letter dated “6/22”.
	Lee Barnum
Box 75 Folder 3	Nobody Mourns the Death of a Sparrow: typescript of play, circa 1985 Note: With cover letter to N. Richard Nash, July 9, 1985.
	Jerry L. Crawford
Box 75 Folder 4	The Ball Turret Gunner, a play: typescript, copyright 1989 Note: Inscribed to N. Richard Nash by the author, August 1990.
Box 75 Folder 5	The Dreamer, a contemporary tragi-comedy: typescript, copyright 1990 Note: With handwritten note by the author to N. Richard Nash dated August 1990.
	Clayelle Dalferes
Box 75 Folder 6	The Isle Is Full of Noises, play in two acts: typescript, copyright 1991
	Harriet Frank Jr., and Irving Ravetch
Box 75 Folder 7	Stanley and Iris, screenplay from the novel Union Street by Pat Barker: typescript, 1987 May 5 Note: Revised first draft.
	Ketti Frings
Box 75 Folder 8	Return Fare: cyclostyle typescript of screenplay, 1961 March 21 Note: Marked “Second draft, March 21, 1961”.
	Robert Holman
Box 75 Folder 9	Across Oka: photocopy, undated Note: Of published version of two-act play (London: Methuen, 1988).
	Elinor Jones
Box 75 Folder 10	The Great Divide (with John Schak), screenplay: typescript, 1993 May
Box 76 Folder 1	Neck and Neck: typescript of screenplay, 1986 July 16 Note: Second title page has title A Political Affair.
	Jake Jorth
Box 76 Folder 2	The Snow Queen: typescript of musical play, copyright 1985 Note: With cover letter to N. Richard Nash.
	James Kilroy
Box 76 Folder 3	The Lost Prince: typescript of play, copyright 1983 Note: With cover letter to N. Richard Nash.
	Pauline Lepor
Box 76 Folder 4	A No-Life Crisis, play: typescript, 1991 June 20 Note: With letter to N. Richard Nash by the author, August 30, 1991.
	Buzz McLaughlin
Box 76 Folder 5	Buddy System: typescript of one-act play, copyright 1987
Box 76 Folder 6	Gettin' Laid: typescript of one-act play, copyright 1986
Box 76 Folder 7	Limits: typescript of one-act play, copyright 1986
Box 76 Folder 8	Playwriting: The Process: cyclostyle typescript, copyright 1995
Box 76 Folder 9	Simple Gifts (with Kris McLaughlin): typescript of screenplay, copyright 1982
Box 76 Folder 10	Sister Calling My Name, play in two acts: computer printout, copyright 1995
Box 76 Folder 11	Traverse des Sioux: cyclostyle typescript of play, undated
	Michael Mararian
Box 76 Folder 12	Painted Ladies: computer printout of play, undated
	Cristopher Nash
Box 77 Folder 1	The Dinosaurs Ball: cyclostyle typescript, 1989 April
Box 77 Folder 2	The Reins of Terror: typescript of television docudrama, undated
	Katherine Nash
Box 77 Folder 3	Get the Best of Yourself: hand emended typescript, undated Note: Untitled, originally in folder labeled “Get the Best”.
Box 77 Folder 4	Get the Best of Yourself: cyclostyle typescript, undated
Box 77 Folder 5	Get the Best of Yourself: notes and correspondence, 1975
Box 77 Folder 6	Get the Best of Yourself: galley proofs, undated
Box 77 Folder 7	A Million Kinds of Yes: outlines, sketches, and clippings, undated
	Sharon Neeman
Box 77 Folder 8	As Just as Fair (provisional title): typescript drafts of novel, circa 1997 Note: With accompanying letter to N. Richard Nash, December 9, 1997.
	John Pietrowski
Box 78 Folder 1	Black Madonna: typescript of one-act play, copyright 1988
Box 78 Folder 2	Buda: typescript of one-act play, copyright 1988
	Terry Pluto
Box 78 Folder 3	Yankeeland,: incomplete typescript, undated Note: 34 pages of a 500-page novel. With accompanying letter to N. Richard Nash from Jerry Crawford of the Theatre Arts department, University of Nevada at Las Vegas, March 31, 1986.
	Chaim Potok
Box 78 Folder 4	The Chosen: typescript of musical play, undated
	Ronald Reed
Box 78 Folder 5	Restoration: typescript of play, copyright 1984 Note: With cover letter to N. Richard Nash.
	John Stockwell
Box 78 Folder 6	Metal God: cyclostyle typescript of play, 1999 September 28 Note: With cover letter from Joan Scott of Writers and Artists Agency, December 6, 1999.
	Don Taylor
Box 78 Folder 7	Silver Buckles on His Knee: cyclostyle typescript of play, 1997 September Note: University of Nevada Las Vegas Playhouse playbill for the play, and cover letter from Don Taylor to N. Richard Nash, Christmas, 1997.
	David Young
Box 78 Folder 8	You Don't Have to Do It Like Broadway: A Guide and Diary for Directing a Musical: typescript of book, 1988 July 3 Note: Also photocopied pages on the musical Fanny.
	Unidentified
Box 78 Folder 9	Untitled novel: typescript, undated Note: Typescript of chapters three, four and five of a novel without title page, apparently not by N. Richard Nash.
	Series: Visual Materials	⇧
	Fire! Note: Play by John Roc (pseudonym of N. Richard Nash), first produced at Brandeis University, May 1968, first New York production at the Longacre Theatre, January 28, 1969, published by Atheneum Press, New York, 1969.
Box 81 Folder 1-2	Positive prints Note: Two 4x5 black and white of the set; Six 8x10 black and white of the same double exposure at different densities; One 4x5 black and white of half the scene in the 8x10s; Seven 8x10 black and white contact sheets from 2x2 negatives (12 images each); Three black and white contact sheets from 2x2 negatives (3 images each); Two black and white contacts sheets from 2x2 negatives (2 images each); Twenty-three black and white 2x2 contact prints; 144 black and white 35 mm contact prints (in strips of six); Nine 35 mm color slides of the set.
Box 81 Folder 3-32	Negatives Note: About 175 black and white 2x2; about 175 black and white 35 mm, in strips of six.
	The Night I Chased the Women with an Eel Note: Play by John Roc (pseudonym of N. Richard Nash), produced at Brighton and Chester, England, 1969 (alternate titles: The Bezazz, Hide and Seek, The Man on the Mountain and Tooth and Nail)
Box 81 Folder 33	Positive prints Note: Three 8x10 black and white contact sheets of the 1969 British production.
Audio 1447A	Series: Audio Materials	⇧
1447A/1	“Yes, Tom, Yes!,” book and lyrics / music by John Morris
1447A/2	Garden lyric ideas, 1972 July 18
1447A/3	“Yes, Tom, Yes!”
1447A/4	New Musical Order
1447A/5-6	“Yes, Tom, Yes!”
1447A/7	“110 in the Shade,” original Broadway cast recording