Archival Resources in Wisconsin: Descriptive Finding Aids: Contents List

Container	Title
U.S. Mss 147AN	Series: Part 1: (U.S. Mss 147AN) Original Collection, 1963-1973 Physical Description: 6.0 c.f. (15 archives boxes) Scope and Content Note The original collection has been arranged into three series: BIOGRAPHICAL INFORMATION, BOOKS-PUBLISHED, and BOOKS-UNPUBLISHED. The first series, BIOGRAPHICAL INFORMATION, is very brief, containing only one folder with autobiographical notes written by McBride. The bulk of Part 1 of the collection is contained in the second series, BOOKS-PUBLISHED. The material is segregated by each individual book and then arranged chronologically according to publishing date. The material provides excellent documentation of the logical fashion in which McBride prepared his books. Most of the material consists of the rough drafts of individual chapters, though some research material is also included. There is a small amount of correspondence, mostly between McBride and his publishers. The final series, BOOKS-UNPUBLISHED, contains the correspondence, rough drafts, and research materials used in his early book, The Language of Baseball. Documentation on this work is also found in the files on the published book High and Inside in Part 2 of this register.
	Subseries: Biographical Information
Box 1 Folder 1	Autobiographical notes
	Subseries: Books - Published	⇧
	Persistence of Vision (1969, Wisconsin Film Society Press)
Box 1 Folder 2	Correspondence, 1966 December 19-1968 October 3, undated
Box 1 Folder 3	Introduction (from “Critical Response” article and Principles of Film Criticism)
Box 1 Folder 4	Dale article: “Narrative, Fable & Dream in King Kong”
	Donnely articles
Box 1 Folder 5	“Love & Death in Casablanca”
Box 1 Folder 6	“The Navigator”
Box 1 Folder 7	“A Random Sampling of Directors”
Box 1 Folder 8	“Vampyr”
Box 1 Folder 9	Koch article: “Notes on the Production of Casablanca”
	Lennig articles
Box 1 Folder 10	“La Roue”
Box 1 Folder 11	“Merry-Go-Round”
Box 1 Folder 12	“Robert Flaherty”
Box 1 Folder 13	“True Heart Susie”
Box 1 Folder 14	McBride article: “Footlight Parade”
Box 1 Folder 15	Peary article: “W.C. Fields and the Absurd World”
Box 1 Folder 16	Stein article: “Robert Rossen's Last Interview”
	Wilmington articles
Box 1 Folder 17	“The Birds”
Box 1 Folder 18	“Long Day's Journey Into Night”
Box 1 Folder 19	Zwickey article: “Orpheus”
Box 1 Folder 20	Notes, outlines
Box 1 Folder 21	Notes
Box 1 Folder 22	Research: “Fellini: A Poet of Reality”
Box 1 Folder 23	Clippings
Box 1 Folder 24	Articles not used in book: synopsis (“The March of Time”)
Box 2 Folder 1-2	Articles not used in book
Box 2 Folder 3	Covers, promotion, copy of “Toward an Understanding of Documentary”
Box 2 Folder 4-5	Manuscript sent to printer
Box 2 Folder 6	Pictures not used in book
Box 2 Folder 7	Galley proofs
Box 2 Folder 8	Manuscript for Persistence of Vision
	Orson Welles (1972, Viking Press)
	General correspondence and notes
Box 3 Folder 1	1967 January 1-1970 September 30
Box 3 Folder 2	1970 October 18-1973 April 29
	Correspondence with book editors
Box 3 Folder 3	1970 May 5-1971 January 8
Box 3 Folder 4	1971 March 1-1973 May 18
Box 3 Folder 5	Correspondence and notes for Project Welles anthology and part of manuscript
Box 3 Folder 6	Early general notes
Box 3 Folder 7	General notes
Box 3 Folder 8	General outlines
Box 3 Folder 9	Chapter One: Introduction
Box 4 Folder 1	Chapter Two: Meeting Orson Welles
Box 4 Folder 2	Chapter Three: Apprentice Work
	Chapter Four
Box 4 Folder 3-4	“Citizen Kane” notes
Box 4 Folder 5-6	“Citizen Kane” drafts
Box 4 Folder 7	Citizen Kane: third revised final script
	Chapter Five
Box 4 Folder 8-9	“The Magnificent Ambersons”
Box 5 Folder 1	“The Magnificent Ambersons" (continued)
Box 5 Folder 2	The Magnificent Ambersons: screenplay
Box 5 Folder 3	Chapter Six: “Finding a New Style”
Box 5 Folder 4	Chapter Seven: “The Lady from Shanghai”
Box 5 Folder 5	Chapter Eight: “Macbeth and Othello”
Box 5 Folder 6	Chapter Nine: “Mr. Arkadin”
Box 5 Folder 7	Chapter Ten: “Touch of Evil”
Box 5 Folder 8	Chapter Eleven: “The Trial”
Box 5 Folder 9	Chapter Twelve: “Chimes at Midnight”
Box 5 Folder 10	Chapter Thirteen: “The Immortal Story”
Box 6 Folder 1-2	Appendix
Box 6 Folder 3	Magazines in which part of book appeared
Box 6 Folder 4	Script material: “The Other Side of the Wind”
Box 6 Folder 5	Article: “First Person Singular,” not in Welles book
Box 6 Folder 6	Research: “Rough Sledding with Pauline Kael”
Box 6 Folder 7-8	Research clippings and notes
Box 7 Folder 1	Research clippings and notes (continued)
Box 7 Folder 2	Clippings on book
Box 7 Folder 3	Part of manuscript for projected Welles anthology
Box 7 Folder 4	Manuscript as submitted and revised by author: carbon copy
Box 7 Folder 5	Semi-final draft
Box 7 Folder 6	Manuscript with editor and author revisions: photocopy
Box 7 Folder 7-8	Galley proofs
Box 7 Folder 9	Manuscript for Orson Welles
	Focus on Howard Hawks (1972, Prentice Hall)
	Correspondence
Box 8 Folder 1	1970 September 14-1971 September 21
Box 8 Folder 2	1971 September 27-1972 November 2, undated
Box 8 Folder 3	Outlines and notes
	Manuscripts of individual chapters
Box 8 Folder 4	Belton-Ford
Box 8 Folder 5	Haskell-McBride
Box 8 Folder 6	Peary-Bibliography
Box 8 Folder 7	Manuscripts in French
Box 8 Folder 8	Index
Box 8 Folder 9	Research materials
Box 9 Folder 1	Research materials (continued)
Box 9 Folder 2	Manuscript: typed
Box 9 Folder 3	Manuscript for Focus on Howard Hawks
	John Ford (1974, Secker and Warburg, London)
Box 9 Folder 4	Correspondence, 1969 June 10-1973 June 11, undated
Box 9 Folder 5	Chapter Two: “Himself”
Box 9 Folder 6	First rough notes
Box 10 Folder 1	Outlines, notes
Box 10 Folder 2-4	General notes
Box 10 Folder 5	“Young Mr. Lincoln”
Box 10 Folder 6	“My Darling Clementine”
Box 10 Folder 7	“They Were Expendable”
Box 10 Folder 8-9	“The Quiet Man”
Box 10 Folder 10	“Stagecoach”
Box 10 Folder 11	“The Long Gray Line”
Box 10 Folder 12	“The Rising of the Moon”
Box 11 Folder 1	“The Grapes of Wrath”
Box 11 Folder 1	“How Green Was My Valley”
Box 11 Folder 2	“The Sun Shines Bright”
Box 11 Folder 3	“The Fugitive”
Box 11 Folder 4	“Three Godfathers”
Box 11 Folder 5	“Straight Shooting”
Box 11 Folder 6	“Wagon Master”
Box 11 Folder 7	“Fort Apache,” “She Wore a Yellow Ribbon,” “Rio Grande”
Box 11 Folder 8	“The Searchers”
Box 11 Folder 9	“The Wings of Eagles”
Box 11 Folder 10	“Sergeant Rutledge”
Box 11 Folder 11-12	“The Man Who Shot Liberty Valance”
Box 12 Folder 1	“The Civil War”
Box 12 Folder 2-3	“Seven Women”
Box 12 Folder 4	“The Ford Players” (discarded chapter)
Box 12 Folder 5	“The Informer,” “The Last Hurrah”
Box 12 Folder 6	“Cheyenne Autumn”
Box 12 Folder 7	“When Willie Comes Marching Home”
Box 12 Folder 8-9	“Vietnam! Vietnam!” (documentary)
Box 12 Folder 10	Research: United States Information Agency
Box 12 Folder 11-13	Last draft
Box 13 Folder 1-3	Revised pages of typescript
Box 15 Folder 1-2	Typescript: final
	Subseries: Books - Unpublished	⇧
	Language of Baseball Note: See also Part 2 files on the book High and Inside
Box 13 Folder 4	Correspondence, 1964 June 21-1967 July 18, undated
Box 13 Folder 5-6	Notes
Box 13 Folder 7	Research books
Box 13 Folder 8	“Nicknames”: first draft
Box 13 Folder 9	“Quotes”: first draft
Box 13 Folder 10	“Words”: first draft
Box 14 Folder 1	“The Language of Baseball” by Joseph Pierce
Box 14 Folder 2	“The Language of Baseball”: manuscript, final draft
Box 14 Folder 3	“Baseballese”: looseleaf manuscript
U.S. Mss 147AN	Series: Part 2 (U.S. Mss 147AN, Audio 1036A): 1985 Additions, 1960-1983 Physical Description: 35.6 c.f. (90 archives boxes) and 66 tape recordings Scope and Content Note The 1985 Additions to the Joseph McBride Papers primarily document his career as a critic and writer in film, television, and theater during the years 1977-1982, and consist of script drafts and revisions, source material, storyboards, notes, correspondence, and interview transcripts, from more than 90 projects. Also, included are drafts from a number of books he authored, as well as newspaper and magazine articles. The audio tapes primarily contain interviews conducted by McBride with numerous actors and actresses concerning specific Hollywood personalities. The tapes are RESTRICTED, however, and may not be listened to without the written consent of Joseph McBride. The additions are divided into eight subseries: GENERAL CORRESPONDENCE, BOOKS, MAGAZINE ARTICLES, NEWSPAPERS, SCRIPTS (FILM, TELEVISON, and THEATER), UNRELATED COMPOSITIONS, SCRIPT PROJECTS, and AUDIO RECORDINGS. The GENERAL CORRESPONDENCE subseries contains both personal and professional correspondence, mostly incoming and dating from 1960 to 1982. The bulk of the personal correspondence is from McBride's immediate family. One folder consists of letters from his wife, Linda Detra McBride (whom he divorced in 1973) and daughter, Jessica. Another contains letters from his father, Raymond McBride. A third folder consists of correspondence, 1960-1964, to McBride's mother Marian, from well-known politicians and statesmen. The BOOKS subseries contains scripts, drafts, galleys, edited manuscripts, promotion, and other papers concerning nine books McBride authored from 1972 to 1983, arranged chronologically by publication date. The majority of this material covers the 1980 publication of High and Inside: The Complete Guide to Baseball Slang, which underwent numerous revisions over the years. First entitled “Baseballese,” it was subsequently known as “The Language of Baseball,” “Baseball Talk,” “Speaking of Baseball,” and “The Complete Book of Baseball Slang.” There are also several boxes of material on the book Hawks on Hawks, published in 1982. The MAGAZINE ARTICLES subseries is comprised of notes and information on nearly 35 pieces on television and film, written by McBride from 1960 to 1982. The articles are arranged chronologically by publication date. The NEWSPAPERS subseries consists primarily of material collected by McBride during his years on Daily Variety and Variety, roughly from 1974 to 1981, including press releases; obituaries; general news and features; and film, television, theater, and concert reviews. Only the general news, feature articles, and reviews, however, were written by McBride. In addition, there are some drafts, unpublished articles, and research notes produced by McBride during his years on the University of Wisconsin's Daily Cardinal, the Wisconsin State Journal, and the Riverside Press-Enterprise. The material is arranged chronologically. The SCRIPTS subseries provides a detailed look at the steps involved in the creation of a working script (in the media of film, television, and theater) and includes source material, treatments, outlines, interview transcripts, page proofs, galleys, and drafts. The series is sub-divided into Scripts-Film, Scripts-Television, and Scripts-Theater, although the majority of the scripts were written for film. However, only three film scripts actually were produced: Blood and Guts (1978), Rock 'n' Roll High School (1979), and Prom Night (1980). The television script material concerns McBride's involvement with The American Film Institute's salutes to Jimmy Stewart (1980), Fred Astaire (1981), Frank Capra (1982), and John Huston (1983), which he wrote or co-wrote. It also documents the production Let Poland Be Poland, which was broadcast by satellite around the world in January 1982. The theater scripts include American National Theatre and Academy Tribute to James Stewart (1981), plus some unproduced pieces. It is important to note that although scripts often underwent title changes during the draft stages, they are listed according to final titles. The UNRELATED COMPOSITIONS subseries contains articles, notes, reviews, and the like written by McBride from 1962-1977, arranged chronologically. Most concern films and filmmakers. The SCRIPT PROJECTS subseries contains undated notes, sketches, and ideas for more than 60 potential scripts written by McBride. They are arranged alphabetically by title. The AUDIO RECORDINGS subseries contains 66 tape recordings, most of which are interviews conducted by McBride during the early 1980s. They include sessions with Frank Capra, Billy Wilder, Jimmy Stewart, Jacqueline Bisset, Donna Reed, Audrey Hepburn, Gene Kelly, Fred Astaire, and Robert Mitchum, among others. As many of the interviews were conducted over the telephone, the audio may be of inferior quality. Access Restrictions: The audio tapes may not be listened to without the written consent of Joseph McBride.	⇧
	Subseries: General Correspondence
	Personal
Box 16 Folder 1-3	1969-1981
Box 16 Folder 4-5	undated
Box 16 Folder 6	From Linda Detra McBride and Jessica McBride, undated
Box 17 Folder 1	From Raymond McBride, undated
Box 17 Folder 2	To Marian McBride, 1960-1964
	Professional
Box 17 Folder 3-7	1964-1982, undated
	Subseries: Books	⇧
	Orson Welles (1972)
Box 18 Folder 1	“Bright Lucifer”: script, 1933
Box 18 Folder 2	“The Other Side of the Wind”: script, undated
	John Ford (1974)
Box 18 Folder 3	Chapter One: “Bringing in the Sheaves”
Box 18 Folder 4	Chapter Two: “Half Genius, Half Irish”
Box 18 Folder 5	Galleys, undated
Box 18 Folder 6	Page proofs, undated
Box 18 Folder 7	Publicity
Box 18 Folder 8	Revisions, undated
Box 18 Folder 9-14	Source material
	Kirk Douglas (1976)
Box 19 Folder 1	Correspondence, 1975-1976
Box 19 Folder 2-3	Source material
Box 19 Folder 4-5	Notes, 1976
Box 20 Folder 1	Draft fragments, undated
Box 20 Folder 2	Draft, complete, undated
Box 20 Folder 3	Edited manuscript, undated
Box 20 Folder 4	Galleys, undated
	Orson Welles: Actor and Director (1977)
Box 20 Folder 5	Correspondence, 1976-1978
Box 20 Folder 6-9	Source material
Box 21 Folder 1-2	Notes, undated
Box 21 Folder 3	Draft fragments, undated
Box 21 Folder 4	Draft fragments, pp. 1-15, undated
Box 21 Folder 5	Draft, incomplete, pp. 1-131, undated
Box 21 Folder 6	Draft, complete, undated
Box 21 Folder 7	Galleys, undated
Box 21 Folder 8	Page proofs, undated
Box 21 Folder 9	Promotion
Box 21 Folder 10	Review, 1977
	High and Inside: The Complete Guide to Baseball Slang (1980)
Box 22 Folder 1-2	Correspondence, 1964-1980
Box 22 Folder 3	Notes, 1978
Box 22 Folder 4	Potential publishers
Box 22 Folder 5	Royalty estimates
Box 22 Folder 6	References
Box 22 Folder 7-16	Source materials
	“Baseballese”
Box 22 Folder 17	“Words”: first draft, 1963-1964
Box 23 Folder 1	“Quotes”: first draft, undated
Box 23 Folder 2	“Nicknames”: first draft, undated
	“The Language of Baseball”
Box 23 Folder 3	Second draft, pp. 1-118, 1964-1965
Box 23 Folder 4	Second draft, pp. 1-93, 1964-1965
Box 23 Folder 5	Third draft, pp. 1-217, 1965-1966
Box 23 Folder 6	Fourth draft, 1966
Box 24 Folder 1	Fifth draft, 20 June 1967
Box 24 Folder 2	Draft fragments, undated
Box 24 Folder 3	“Baseball Talk,” pp. 1-217, 1978-1979
	“Speaking of Baseball”
Box 24 Folder 4	First draft, pp. 1-242, 1978-1979
Box 24 Folder 5	Second draft, pp. 1-242, 1978-1979
Box 25 Folder 1	Third draft, pp. 1-242, 1978-1979
Box 25 Folder 2	Fourth draft, 1979 May 3
	“The Complete Book of Baseball Slang”
Box 25 Folder 3	First draft, pp. 194-268, 1979 May 3
Box 25 Folder 4	First draft, revised, 1979
Box 26 Folder 1-2	Second draft, 1979 September 12
Box 26 Folder 3-4	Third draft, 1979 November
Box 26 Folder 5	Author's replies to queries, 1979 November
Box 27 Folder 1-8	Revisions, undated
Box 28 Folder 1	Revisions (continued)
Box 27 Folder 2	Galleys, pp. 9-254, undated
Box 27 Folder 3	Nickname index, pp. 1-66
Box 27 Folder 4	Promotion
	Private Parts (unpublished)
Box 27 Folder 5	Correspondence, 1980-1982
Box 27 Folder 6	Research and clippings
Box 27 Folder 7	Notes and draft fragments, undated
Box 29 Folder 1	First draft, 1980 March-May
Box 29 Folder 2-3	Second draft, 1980 May 16
Box 29 Folder 4-5	Third draft, 1980 October 13
Box 29 Folder 6	Fourth draft, undated
	Hawks on Hawks (1982)
Box 30 Folder 1	Correspondence, 1974-1982
Box 30 Folder 2-3	Source material
Box 30 Folder 4-10	Interviews with Hawks, 1970-1977
Box 30 Folder 11-12	Article on Hawks, by McBride, in Film Comment, 1978
Box 31 Folder 1	Organizational notes, undated
Box 31 Folder 2-8	Draft fragments, undated
	Introduction
Box 31 Folder 9	Draft fragments, undated
Box 31 Folder 10	Draft, complete, undated
Box 31 Folder 11	Illustrations
Box 32 Folder 1	Filmography, notes, and drafts, undated
Box 32 Folder 2	Bibliography, notes, and drafts, undated
Box 32 Folder 3-4	Typescript #1, undated
Box 32 Folder 5-6	Typescript #2, undated
Box 32 Folder 7-8	Typescript #3, undated
Box 33 Folder 1-2	Final typescript, undated
Box 33 Folder 3	Galleys, undated
Box 33 Folder 4	Corrections
Box 33 Folder 5	Dummy
Box 33 Folder 6	Index, notes, and drafts, undated
Box 33 Folder 7	Final photocopy, undated
Box 33 Folder 8	Promotion
	Filmmakers on Filmmaking, Volumes I and II (1983)
Box 34 Folder 1	Correspondence, 1979-1983, undated
Box 34 Folder 2-3	Notes, undated
Box 34 Folder 4-5	Volume I, annotated typescript, undated
Box 34 Folder 6	Volume II, typescript, pp. 1-147, undated
Box 34 Folder 7	Introduction, edited page proofs, undated
	Subseries: Magazine Articles	⇧
Box 34 Folder 8	“The Lightfeet Top 'Em All,” 1960 May Note: On Warren Spahn's son.
Box 34 Folder 9	“Shaw Impersonated,” 1967 Spring-Summer Note: On Bramwell Fletcher.
Box 34 Folder 10	“Mr. Macdonald, Mr. Kauffmann, and Miss Kael,” 1967 Summer
Box 34 Folder 11	“Campus '69: The Quiet Year--So Far,” 1969 December Note: On the University of Wisconsin.
Box 35 Folder 1	“A Long Way from Home,” 1969-1970 Winter Note: On The Emigrants and The New Land.
Box 35 Folder 2	“Topaz,” 1969-1970 Winter
Box 35 Folder 3	“The Arrangement,” 1970 Summer
Box 35 Folder 4	“The Private Life of Billy Wilder,” 1970 Summer
Box 35 Folder 5	“The Ugliness of Belle de Jour,” 1970 November
Box 35 Folder 6	“The Private Life of Sherlock Holmes,” 1971 Spring
Box 35 Folder 7	“The Director as Superstar,” 1972 Spring Note: On Fellini: A Director's Notebook.
Box 35 Folder 8	“Running, Jumping, and Standing Still: An Interview with Richard Lester,” 1973 Spring
Box 35 Folder 9	“What Price Hollywood?,” 1973 May-June
Box 35 Folder 10	“The Importance of Being Ernst,” 1973 Summer Note: On Avanti!
Box 35 Folder 11	“Stepin Fetchit Talks Back,” 1974 Summer
Box 35 Folder 12	“Shooting The Front Page: Two Damns and One By God,” 1974 July
Box 35 Folder 13	“Coppola, Inc.,” 1975 November
Box 35 Folder 14	“George Cukor: The Blue Bird,” 1975 November-December
Box 35 Folder 15	“The Glory That Was Hollywood,” 1975 December
Box 35 Folder 16	“The Bad News Bears,” 1975-1976 Winter
Box 36 Folder 1	“Life in the Snake Pit: Val Lewton,” 1976 January-February
Box 36 Folder 2	“Aren't You ... Jimmy Stewart?,” 1976 June
Box 36 Folder 3	“Mr. and Mrs. Hitchcock,” 1976 Fall
Box 36 Folder 4	“Kid Stuff: François Truffaut on Small Change,” 1976 September-October
Box 36 Folder 5	“Song for Woody,” 1976 November-December Note: On Bound for Glory.
Box 36 Folder 6	“The Wild Party: On the Arbuckle Case,” 1977 December-January
Box 36 Folder 7	“The Most Powerful Movie Actor in the World: He'll Blow Your Head Clean Off,” 1977 April Note: On Clint Eastwood.
Box 36 Folder 8	“Olly Olly Oxen Free: On the Set with Katharine Hepburn,” 1977 August
Box 36 Folder 9	“Going for Extra Innings,” 1979 January-February
	“A Piece of the Rock: George Stevens,” 1979
Box 36 Folder 10	Research material
Box 36 Folder 11	Notes
Box 36 Folder 12-13	Interview transcript
Box 36 Folder 14	Drafts
Box 36 Folder 15	Galleys, undated
	“Bombshell Days at MGM,” 1980 March-April
Box 36 Folder 16	Interview transcript
Box 36 Folder 17	Drafts, undated
Box 37 Folder 1	“O'Toole Ascending,” 1981 March-April
	“Carry On, Cukor,” 1981 September-October
Box 37 Folder 2	Interview transcript
Box 37 Folder 3	Drafts, undated
Box 37 Folder 4	Photographs: copies
Box 37 Folder 5	“Jacqueline Bisset on Rich and Famous,” 1981 September-October
Box 37 Folder 6	“Interview with Richard Sylbert,” 1982 January-February Note: On Reds.
	Subseries: Newspapers	⇧
Box 38 Folder 1	Daily Cardinal, 1967-1971, undated
	Wisconsin State Journal
Box 38 Folder 2	Drafts and published articles, 1969-1972, undated
Box 38 Folder 3	Article on Wisconsin poet Lorine Niedecker, 1971
	Riverside Press-Enterprise
Box 39 Folder 1	Memo, 1972
Box 39 Folder 2-6	Research notes and drafts, 1973-1974
Box 40 Folder 1-4	Research notes and drafts, 1973-1974 (continued)
Box 41 Folder 1-3	Research notes and drafts, 1973-1974 (continued)
Box 41 Folder 4	Unpublished article on Charles Ashman, 1974
Box 41 Folder 5	Published articles, 1973-1974
	Daily Variety and Variety
Box 42 Folder 1	Correspondence and memoranda, 1974-1981, undated
Box 42 Folder 2-4	Telephone messages, 1974-1980, undated
Box 42 Folder 5-6	Tickets and screening invitations, 1974-1979
Box 43 Folder 1-4	Tickets and screening invitations, 1974-1979 (continued)
	Press releases collected by McBride
Box 44 Folder 1-9	1974 January-November
Box 45 Folder 1-6	1974 December-1975 April
Box 46 Folder 1-7	1975 May-November
Box 47 Folder 1-6	1975 December-1976 January
Box 48 Folder 1-5	1976 February-March
Box 49 Folder 1-5	1976 April-May
Box 50 Folder 1-4	1976 June-July
Box 51 Folder 1-5	1976 August-October
Box 52 Folder 1-3	1976 October-November
Box 53 Folder 1-5	1976 December-1977 February
Box 54 Folder 1-5	1977 February-April
Box 55 Folder 1-4	1977 April-June
Box 56 Folder 1-6	1977 June-1978 March
Box 57 Folder 1-6	1980 January-1981 January
Box 58 Folder 1	1980 December-1981 January
	General news and features
Box 58 Folder 2	1974 July-October
Box 59 Folder 1-5	1975 January-April
Box 60 Folder 1-8	1975 May-November
Box 61 Folder 1-4	1975 circa July-November
Box 62 Folder 1-2	1976 April-May
Box 63 Folder 1-6	1976 July-December
Box 64 Folder 1-6	1977 January-June
Box 65 Folder 1-2	1977 July-August
Box 65 Folder 3	circa 1977
Box 65 Folder 4-6	circa 1980-1981
Box 66 Folder 1-6	Film and television reviews, 1974 August-1980 December, undated
Box 66 Folder 7-10	Theater and concert reviews, 1975 July-1977 July, undated
Box 67 Folder 1-5	Film production charts, 1975 December-1977 August
Box 68 Folder 1-3	Obituaries, 1974-1981
Box 69 Folder 1-2	Business news, circa 1980-1981
Box 69 Folder 3	Stock market reports, circa 1980-1981
	Subseries: Scripts	⇧
	Scripts-Film
	A Moveable Feast (unproduced)
Box 70 Folder 1	Notes and correspondence, 1966 September
Box 70 Folder 2	Story boards
Box 70 Folder 3	First draft, 1966 August 26
Box 70 Folder 4	Script, undated
Box 70 Folder 5	Revisions, undated
Box 70 Folder 6	Final draft, undated
	To Build a Fire (unproduced)
Box 70 Folder 7	Notes and draft fragments, undated
Box 70 Folder 8	First draft, 1967 January 8
Box 70 Folder 9	Second draft, 1967 January 9
	Diamond (unproduced)
Box 70 Folder 10	Notes, circa 1967 March-May
Box 70 Folder 11	Treatment, 1967
Box 70 Folder 12	Source material
Box 70 Folder 13	First draft, 1967 September 12
Box 70 Folder 14	Second draft, 1967 October 2
Box 70 Folder 15	Script, undated
	Silverheels (unproduced)
Box 71 Folder 1-3	Notes and draft fragments, undated
Box 71 Folder 4	First draft, 1968 January 14
Box 71 Folder 5	Second draft, 1968 March 3
Box 71 Folder 6	Draft, revised, undated
Box 71 Folder 7	Final draft, undated
	Hell (unproduced)
Box 71 Folder 8	Correspondence, 1969 September-October, undated
Box 71 Folder 9	Source material
Box 71 Folder 10-12	Notes, undated
Box 71 Folder 13	Synopsis, undated
Box 71 Folder 14-15	Notes and draft fragments, circa 1970
Box 71 Folder 16	Partial draft, undated
Box 72 Folder 1	Draft, undated
Box 72 Folder 2	Draft, revised, undated
Box 72 Folder 3-4	Rough story board, undated
Box 72 Folder 5	Novel notes, circa 1970
Box 72 Folder 6	Novel fragment, circa 1970
	Man Bites Dog (unproduced)
Box 73 Folder 1	Correspondence, 1973 March-September
Box 73 Folder 2	Source material
Box 73 Folder 3	Notes, undated
Box 73 Folder 4	Draft, pp. 1-24, 114-130, undated
Box 73 Folder 5	First draft, undated
Box 73 Folder 6	Second draft, undated
Box 73 Folder 7	Third draft, undated
Box 73 Folder 8	Final draft, undated
	The Authentic Life of Cheyenne Harry (unproduced)
Box 74 Folder 1	Script registrations and work schedules
Box 74 Folder 2	Correspondence, 1974 April-November, undated
Box 74 Folder 3	Source material
Box 74 Folder 4-7	Notes, undated
Box 74 Folder 8-9	“The Last Outlaw”: treatment, undated
Box 74 Folder 9	“The True Story of Cheyenne Harry”: treatment, undated
Box 74 Folder 10-11	Draft fragments, undated
	“California Here I Come”
Box 74 Folder 12	Draft, undated
Box 75 Folder 1	Draft, revised, undated
	“The Buffalo Picture Company”
Box 75 Folder 2	First draft, undated
Box 75 Folder 3	Second draft, undated
Box 75 Folder 4	Third draft, undated
Box 75 Folder 5	Fourth draft, undated
	“The Extra”
Box 76 Folder 1	Script, undated
Box 76 Folder 2	Draft, revised, undated
Box 76 Folder 3	Draft, complete, 1974
Box 76 Folder 4	Manuscript corrections, undated
Box 76 Folder 5	Suggested revisions by Gerald Peary, undated
	Rock City (unproduced)
Box 77 Folder 1	Correspondence, 1977 February-1978 July
Box 77 Folder 2-3	Source material
Box 77 Folder 4	Treatments, undated
Box 77 Folder 5	Notes, undated
Box 77 Folder 6	Outlines, undated
Box 77 Folder 7-10	Notes and draft fragments, undated
Box 77 Folder 11	Draft, undated
Box 77 Folder 12	Second draft, 1976 October 18
Box 78 Folder 1	Third draft, pp. 1-56 and 64-124, 1976 October 25
Box 78 Folder 2	Fourth draft, 1976 December 5
Box 78 Folder 3	Fourth draft, revised, 1976 December 5
Box 78 Folder 4	Final draft, undated
	Hard Time Aces (unproduced)
Box 79 Folder 1	Correspondence, 1977 December-1979 September, undated
Box 79 Folder 2	Diary notes, 1977 November-December
Box 79 Folder 3	Notes, undated
Box 79 Folder 4	Potential directors and cast
Box 79 Folder 5	Source material
Box 79 Folder 6	Outline by Cirio Santiago, undated
Box 79 Folder 7	Revised outline by McBride, 1977 December 27
Box 79 Folder 8	Treatment, undated
Box 79 Folder 9	Treatment fragments, undated
Box 79 Folder 10-12	Draft fragments, undated
Box 79 Folder 13	Second draft of script by James Watkins and David Osterhout, undated
Box 79 Folder 14	First draft of rewrite by McBride, 9 March 1978
Box 79 Folder 15	Aviation action sequence, 19 December 1978
	Big Money (unproduced)
Box 80 Folder 1	Correspondence, 1978 October-1981 August, undated
Box 80 Folder 2	Source material
Box 80 Folder 3	“The Face of Fame”: synopsis of story by Patrick McGilligan, Debra Weiner, and Bob Taylor
Box 80 Folder 4	Notes, undated
Box 80 Folder 5	First draft, 1978 October 23
Box 80 Folder 6	First draft, revised, 1978 November 1
Box 80 Folder 7	Second draft, undated
Box 80 Folder 8	Second draft, revised, 1979 April 1
	The Broken Places (unproduced)
Box 81 Folder 1	Correspondence, 1978 August-1981 February
Box 81 Folder 2	Notes and source material
	“Disembodied Voices”
Box 81 Folder 3	First draft, 1978 May 30
Box 81 Folder 4	Draft fragments and revisions, undated
Box 81 Folder 5	Final draft, undated
Box 81 Folder 6	Final draft, revised, undated
	Blood and Guts (Melvin Simon Productions, 1978)
Box 82 Folder 1-2	Correspondence, 1975 September-1980 February, undated
Box 82 Folder 3	Related material
Box 82 Folder 4-5	Notes, undated
Box 82 Folder 6	“Gorgeous George”: treatment, 1975
Box 82 Folder 7	Script pages by Paul Lynch, undated
Box 82 Folder 8	Early draft pages, undated
Box 82 Folder 9	Notes for first draft, undated
Box 82 Folder 10	First draft, pp. 1-44, undated
Box 82 Folder 11	Revised pages, 1975
Box 82 Folder 12	Early second draft pages, undated
Box 82 Folder 13	Second draft, undated
Box 82 Folder 14	Second draft, retyped, undated
Box 83 Folder 1	Second draft, revised, undated
Box 83 Folder 2	Third draft, circa 1975
Box 83 Folder 3	Third draft, retyped, undated
Box 83 Folder 4	Notes for semi-final revision, 1977
Box 83 Folder 5	Semi-final draft, revised, 1977
Box 83 Folder 6	Draft, revised, 1977
Box 83 Folder 7	Draft by William Gray and John Hunter, undated
Box 83 Folder 8	Notes on McBride's draft and on draft by Gray and Hunter, undated
Box 83 Folder 9	Draft by McBride, William Gray, and John Hunter, undated
Box 84 Folder 1-2	Draft, revised, by McBride, William Gray, and John Hunter, pp. 1-119, 1977 August 12
Box 84 Folder 3	Draft, revised, pp. 2-119, 1977 September 2
Box 84 Folder 4-6	Revised draft pages, undated
Box 85 Folder 1	Journal, 1977 August
Box 85 Folder 2	Notes, shooting schedules, and call sheets, 1977 August
Box 85 Folder 3	Publicity
Box 85 Folder 4	Reviews and clippings, 1977-1982, undated
Box 85 Folder 5	Transcript of interview with Paul Lynch and Joseph McBride, 1978 February
Box 85 Folder 6	Programs, 1978
	Rock 'n' Roll High School (New World Pictures, 1979)
Box 85 Folder 7	Correspondence, 1979 January-1981 September, undated
Box 85 Folder 8	Source material
Box 85 Folder 9	Notes and treatments, undated
Box 85 Folder 10	Outlines, undated
Box 85 Folder 11	Notes on McBride's drafts and on drafts by Allan Arkush and Joe Dante, undated
	“Girls' Gym”
Box 85 Folder 12	First draft by Allan Arkush and Joe Dante, undated
Box 86 Folder 1	First draft by McBride, 1977 July 31
Box 86 Folder 2	Second draft scene breakdown, undated
Box 86 Folder 3	Second draft, 1977 September 1
	“California Girls”
Box 86 Folder 4	Third draft, 1977 October 13
Box 86 Folder 5	Third draft, revised, undated
Box 86 Folder 6	Fourth draft, 1977 October 19
Box 87 Folder 1	Fifth draft, 1977 October 25
Box 87 Folder 2	Final draft, 1977 October 25
Box 87 Folder 3	Final draft, retyped, pp. 1-40, 110, 112, 1977 October 25
Box 87 Folder 4-5	Revised pages, undated
Box 87 Folder 6	Draft by Richard Whitley and Russ Dvonch, undated
Box 87 Folder 7	Shooting schedules, 1978 November-December
Box 87 Folder 8	Press kit
Box 87 Folder 9	Clippings and reviews, 1976 August-1982 July, undated
	No More Mr. Nice Guy (unproduced)
Box 88 Folder 1	Script, undated
Box 88 Folder 2	Final script, undated
	Don't See the Doctor (unproduced)
Box 89 Folder 1	Notes from Paul Lynch, 1979 January
Box 89 Folder 2	Notes by McBride, undated
Box 89 Folder 3	Treatment fragments by Paul Lynch, undated
Box 89 Folder 4	Draft treatment by Paul Lynch, undated
Box 89 Folder 5	Treatment by McBride and Paul Lynch, 1979 March 7
	Prom Night (Avco Embassy Pictures, 1980)
Box 89 Folder 6	Draft by William Gray, June 1979
Box 89 Folder 7	Press kit, clippings, and reviews, 1979-1981
Box 89 Folder 8	“Remember Bobby”: correspondence and story drafts, 1978
	Catman and the Kid (unproduced)
Box 90 Folder 1	Notes, undated
Box 90 Folder 2	First draft by William Gray and Jacob Barnes (McBride's pseudonym), 1978 December 4
Box 90 Folder 3	“Catman,” First draft, undated
Box 90 Folder 4	Notes and revised pages, undated
Box 90 Folder 5	Draft, undated
Box 90 Folder 6	Script by William Gray, undated
Box 90 Folder 7	Script by McBride, undated
	The Hurricane (unproduced)
Box 91 Folder 1	Source material
Box 91 Folder 2-3	Notes and draft fragments, undated
Box 91 Folder 4	Partial draft, undated
Box 91 Folder 5	Draft, undated
	Red Gold (unproduced)
Box 91 Folder 6	Draft, incomplete, pp. 1-36, 1979
Box 91 Folder 7	Synopsis, 1981
Box 91 Folder 8	Navajo Story (unproduced), partial draft, 1981 March 16
	Television
	The American Film Institute Salute to James Stewart (CBS, March 16, 1980)
Box 92 Folder 1	Correspondence, 1979 December-1980 March
Box 92 Folder 2-6	Source material
Box 92 Folder 7	Draft fragments, undated
Box 92 Folder 8	Final draft, 1980 February 27
Box 92 Folder 9	Final script, 1980 March 16
	Production
Box 92 Folder 10	Film sequences and rundowns, 1980 February
Box 92 Folder 11	Notes, undated
Box 92 Folder 12	Tribute book and guest seating
	The American Film Institute Salute to Fred Astaire (CBS, April 10, 1981)
Box 93 Folder 1	Correspondence, 1980 November-1981 June, undated
Box 93 Folder 2	Source material
Box 93 Folder 3	Transcripts of interviews with Astaire, 1976, 1981
Box 93 Folder 4	Transcripts and interview notes with Barrie Chase, Mikhail Baryshnikov, Cyd Charisse, Bob Fosse, Gene Kelly, undated
Box 93 Folder 5	Transcripts and interview notes with Hermes Pan, Eleanor Powell, Ginger Rogers, undated
Box 93 Folder 6	Clippings and articles on Astaire, 1935-1937, 1951-1983
Box 93 Folder 7	Lists of Astaire's credits and film clip selection
Box 93 Folder 8	Program, 1973
Box 93 Folder 8 (continued)	American Film Institute Annual Report, 1979-1980
Box 93 Folder 9	Notes, undated
Box 93 Folder 10	Draft fragments, undated
Box 94 Folder 1-2	Speech drafts, undated
Box 94 Folder 3	Production notes
Box 94 Folder 4	Production records
Box 94 Folder 5-8	Tribute book
Box 94 Folder 9-10	Clippings, 1981
Box 95 Folder 1	Draft, 1981 April
Box 95 Folder 2	Final draft by George Stevens Jr. and McBride, 1981 April 10
	Let Poland Be Poland (United States International Communication Agency, January 31, 1982)
Box 96 Folder 1	Correspondence, 1982 January
Box 96 Folder 2	USICA notes, memoranda, and reports, 1981-1982
Box 96 Folder 3-4	Source material
Box 96 Folder 5	Magazine articles
Box 96 Folder 6	Notes, undated
Box 96 Folder 7	Draft, undated
Box 96 Folder 8	Draft, revised, 1982 January 28
Box 96 Folder 9	Additions to script, 1982 January 30
Box 96 Folder 10	Pasetta productions, contact lists and production schedules
Box 96 Folder 11	Rundown of segments, 1982 January 17-24
Box 96 Folder 12	McBride's expenditures
Box 96 Folder 13	Press releases
	The American Film Institute Salute to Frank Capra (CBS, April 4, 1982)
Box 97 Folder 1	Correspondence, 1981 June-1982 April, undated
Box 97 Folder 2	Transcripts and interview notes with Donna Reed and Jimmy Stewart, 1982
Box 97 Folder 3	Transcripts of unpublished interviews with Capra, 1941, 1982
Box 97 Folder 4	Writings by Capra, 1917-1975, undated
Box 97 Folder 5	Miscellaneous material
Box 97 Folder 6	Transcripts of seminars with Capra, 1968-1978
Box 97 Folder 7-8	Articles and clippings on Capra, 1932-1982
Box 97 Folder 9	Capra's film credits
Box 97 Folder 10	Notes and draft fragments regarding Jimmy Stewart, undated
Box 98 Folder 1	Draft fragments
Box 98 Folder 2	Revisions
Box 98 Folder 3	Final draft for awards dinner by George Stevens Jr. and McBride, notes and schedules, undated
Box 98 Folder 4	Final draft for telecast by George Stevens Jr. and McBride, undated
	Production
Box 98 Folder 5	Notes and rundowns, undated
Box 98 Folder 6	Still and film lists Note: Including key to photocopies of stills.
	Stills: photocopies
Box 98 Folder 7	Unnumbered, 51-105
Box 98 Folder 8	106-227
Box 98 Folder 9	Expenses
Box 98 Folder 10-12	Tribute book
	The American Film Institute Salute to John Huston (CBS, May 3, 1983)
Box 99 Folder 1	Correspondence, 1982-1983, undated
Box 99 Folder 2	Interview notes and quotations, undated
Box 99 Folder 3-4	Articles and clippings, 1937, 1950-1983, undated
Box 99 Folder 5	Transcript of AFI Seminars with Ray Bradbury, 1969 October
Box 99 Folder 6	Program, Film Society of Lincoln Center Tribute to John Huston, 1980 May
Box 99 Folder 6 (continued)	AFI Annual Report, 1981-1982
Box 99 Folder 7	Draft fragments, undated
Box 99 Folder 8	Drafts, undated
Box 99 Folder 9	Drafts of Lauren Bacall's script, undated
Box 99 Folder 10	Revisions, 1983 March 2
Box 100 Folder 1	Final draft by George Stevens Jr. and McBride, 1983 March 3
	Production
Box 100 Folder 2	Notes, 1982-1983
Box 100 Folder 3	Film sequence selection
Box 100 Folder 4	Rehearsal schedules and rundowns
Box 100 Folder 5	Financial records, 1982-1983
Box 100 Folder 6-11	Tribute book
	Theater
	The Mess in the Kitchen (unproduced)
Box 101 Folder 1	Notes, 1966-1967
	“James Twice”
Box 101 Folder 2	First draft, 1966 November 27
Box 101 Folder 3	Second draft, 1967 January 16
Box 101 Folder 4	Final draft, undated
	Chessman (unproduced)
Box 101 Folder 5	Notes and first draft, undated
Box 101 Folder 6	Second draft, 1968 January 15
Box 101 Folder 7-8	Second draft, revised, undated
Box 101 Folder 9	Final draft, revised, undated
Box 101 Folder 10	Final draft, revised and retyped, undated
	American National Theatre and Academy Tribute to James Stewart (November 13, 1981)
Box 102 Folder 1	Correspondence and clippings, 1981 November
Box 102 Folder 2	Notes, undated
Box 102 Folder 3	Draft fragments, undated
Box 102 Folder 4	Drafts of host's introduction, undated
Box 102 Folder 5	Drafts of the Tevye sketch, undated
Box 102 Folder 6	Drafts of the Kowalski sketch, undated
Box 102 Folder 7-8	Drafts of the Hamlet sketch, undated
Box 102 Folder 9	Script draft, undated
Box 102 Folder 10	Draft, revised, 1981 November 6
Box 102 Folder 11	Invitation, program, and souvenir journal
	Subseries: Unrelated Compositions	⇧
	Television and Motion Picture Projects and Scripts by Others
Box 107 Folder 1	Because of the Cats, undated
Box 107 Folder 2	Police Story, “Line of Fire”: revised final script by E. Arthur Kean, 1973 October 23
Box 107 Folder 3	Rich and Famous: final draft by Gerald Ayres, 1980 April 9
Box 107 Folder 4	Rolling Thunder: revised script by Paul Schrader, 1973 December 28
Box 107 Folder 5	Yentl, the Yeshiva Boy: first draft by Isaac Bashevis Singer, undated
Box 107 Folder 6	Wyatt Earp in Hollywood: outline, undated
Box 103 Folder 1	Baseball articles, 1962-1963
Box 103 Folder 2-3	High school and college essays, undated
Box 103 Folder 4	Translations from Latin, 1965-1966
Box 103 Folder 5	The Tragedie of MacHale, King of Atlanta: script drafts, circa 1964
Box 103 Folder 6	Cicero: research notes, summary, and incomplete script, pp. 1-30, circa 1964
Box 103 Folder 7	Wisconsin Film Society, Studio Film, and Wisconsin Union Film Committee: notes, undated
Box 103 Folder 8	Roger Corman in a Nickelodeon: correspondence, notes, and drafts, circa 1968
Box 104 Folder 1-2	Film reviews, histories, and criticisms, undated
Box 104 Folder 3	“The Private World of Fahrenheit 451”: correspondence, notes, and drafts, 1973
Box 104 Folder 4	Milwaukee Journal articles by McBride, 1969, undated
Box 104 Folder 5	The Late Great Planet Earth: preface to movie edition, undated
Box 104 Folder 6	Two Cheers for Hollywood: notes, circa 1976
Box 104 Folder 7	“The McCarey Treatment”: source material, notes, and drafts, undated
Box 104 Folder 8	“The Original Ending Sequence” of Exorcist II: The Heretic, 1977 September-October
Box 104 Folder 9	“The Other Side of Orson Welles,” drafts, undated Note: On The Other Side of the Wind.
	Subseries: Script Projects	⇧
Box 105 Folder 1	List of projects, undated
Box 105 Folder 2	After Many a Summer Dies the Swan, undated
Box 105 Folder 3	Brouhaha, undated
Box 105 Folder 4	Burn, Baby, Burn!, circa 1967
Box 105 Folder 5	Can a Martian Help It If He's Colored Green?, undated
Box 105 Folder 6	The Captain Hates the Sea, undated
Box 105 Folder 7	Civil War Project, undated
Box 105 Folder 8-9	Close But No Cigar: notes and storyboards, 1968
Box 105 Folder 10	Close Call, undated
Box 105 Folder 11	Coitus Interruptus, undated
Box 105 Folder 12	Commercial, undated
Box 105 Folder 13	Concentration Camp Project, undated
Box 105 Folder 14	Donner Lake, undated
Box 105 Folder 15	The End of a Perfect Day (Lazy Afternoon), undated
Box 105 Folder 16	L'Étranger: first draft, 1966 December
Box 105 Folder 17	Everybody Loves a Parade, undated
Box 105 Folder 18	The Executioner: notes and treatment, 1967 November
Box 105 Folder 19	The Family Tree, undated
Box 105 Folder 20	The FBI Story, undated
Box 105 Folder 21	Happiness, undated
Box 105 Folder 22	Helter Skelter, undated
Box 105 Folder 23	Hitler's Mustache, undated
Box 105 Folder 24	I'm Nobody, undated
Box 105 Folder 25	Indian Giver, undated
Box 105 Folder 26	Jessica, undated
Box 105 Folder 27	Lady Under Glass, undated
Box 105 Folder 28	The Last Tycoon, undated
Box 105 Folder 29	The Legion, undated
Box 105 Folder 30	The Little Red Book, undated
Box 105 Folder 31	Lysistrata: notes, undated
Box 105 Folder 32	A Man in the Way, undated
Box 105 Folder 33	Mental Hospital: short film, undated
Box 105 Folder 34	The Million-Dollar Face, undated
Box 105 Folder 35	The Missionary Position, undated
Box 105 Folder 36	Montgomery, undated
Box 105 Folder 37	Ms. America, undated
Box 105 Folder 38	The Next President of the United States, undated
Box 105 Folder 39	One Fine Morning, undated
Box 105 Folder 40	One Moment, Please, undated
Box 105 Folder 41	The Party's Over, undated
Box 105 Folder 42	Plastic Man, undated
Box 105 Folder 43	“Playboy”: notes, undated
Box 106 Folder 1	Politics Is Applesauce, undated
Box 106 Folder 2	Ramblin' Around, undated
Box 106 Folder 3	Revolution for the Hell of It, undated
Box 106 Folder 4	The Second Coming, undated
Box 106 Folder 5	Snowball, undated
Box 106 Folder 6	So Long, It's Been Good to Know You, undated
Box 106 Folder 7	Space Invaders: synopsis and notes, circa 1982
Box 106 Folder 8	Untitled projects, undated
Box 106 Folder 9	Vibrator script, undated
Box 106 Folder 10	The Walking Curse, undated
Box 106 Folder 11	What Kind of Man Reads Playboy?, undated
Box 106 Folder 12	Where Is Anybody?, undated
Box 106 Folder 13	Worst Foot Forward, undated
Box 106 Folder 14	Wrong-Way Corrigan, undated
Audio 1036A	Subseries: Audio Recordings Access Restrictions: The audio tapes in Audio 1036A may not be listened to without the written permission of Joseph McBride.	⇧
1036A/1-2	Billy Wilder interview, undated
1036A/3-4	Frank Capra at La Quinta, 1981 November
1036A/5	Cyd Charisse interview, 1981 Febuary
1036A/6-8	Jimmy Stewart interview, 1983 July
1036A/9-13	Hank Worden interview, 1983 July-August
1036A/14-15	“Hurricane,” undated
1036A/16	Ginger Rogers interview, 1981 April
1036A/17	[Unidentified], 1981 March
1036A/18-19	“Good Sam,” 1981 March
1036A/20	Eleanor Powell interview, 1981 March
1036A/21	Mikhail Baryshnikov interview, 1981 April
1036A/22	Rich Little impersonations of Frank Capra characters, undated
1036A/23-24	Jacqueline Bisset interview, undated
1036A/25	Donna Reed interview, 1982 January
1036A/26	Jimmy Stewart interview, undated
1036A/27	David Niven and Ginger Rogers interviews, 1981 March
1036A/28	Dolores Del Rio interview, 1981 March
1036A/28 (continued)	Audrey Hepburn interview, 1981 April
1036A/29	Audrey Hepburn and David Niven interviews, 1981 March
1036A/30	Barbara Walters interviews Fred Astaire, ABC-TV, 1980 March
1036A/30-31	Fred Astaire interview, 1981 January
1036A/32	Gene Kelly interview, 1981 Febuary
1036A/33-34	Hermes Pan interview, 1981 March, undated
1036A/35	Robert Mitchum interview, 1982 November
1036A/36-39	George Cukor interview, 1981 August
1036A/40-41	Richard Sylbert interview, 1981 November
1036A/42	Bud Yorkin interview, 1981 March
1036A/43	Chuck Hayward interview, undated
1036A/44	Discussion by Abraham Polonsky on Tell Them Willie Boy Is Here, at Filmex, 1980 March
1036A/45	“Directed by John Ford, Parts I and II,” undated
1036A/46	John Lee Mahin interview, undated
1036A/47	Chuck Hayward interview, undated
1036A/48	Neil Simon interview, undated
1036A/49	Sherman Beck interview, undated
1036A/50	Interview with unidentified stuntman, undated
1036A/51	Fredric March interview, undated
1036A/52	J. Hart and B. Laird interviews, undated
1036A/53	Claudette Colbert interview, undated
1036A/54	Billie Wallace interview of Billy Wilder, circa 1970
1036A/55	Howard Hawks interview, undated
1036A/56-59	Joseph McBride, Howard Hawks, and Peter Bogdanovich on works of Hawks, undated
1036A/60-62	Howard Hawks interview, undated
1036A/63	Barrie Chase interview, 1981 March
1036A/64	“Dyke--Taxes, Budget, Daycare”: interview by a woman reporter with Madison Mayor Bill Dyke, undated
1036A/65	“What Price Hollywood”: interview with Howard Hawks and part of the film The Great Race, undated
1036A/66	Speeches regarding a Madison program to hire Vietnam veterans
MCHC80-018	Series: Part 3 (MCHC80-018): Additions, circa 1964-1979 Physical Description: 0.8 c.f. (2 archives boxes) Scope and Content Note: Scripts, circa 1964-1979, and the transcript of an interview with John Boorman, 1977	⇧
	Scripts
Box 1 Folder 1	The Black Marble / Joseph Wambaugh, 1979 July
Box 1 Folder 2	Bound for Glory: The Woody Guthrie Story, 1974 December
Box 1 Folder 3	Images / Robert Altman, 1968 March
Box 1 Folder 4	Brewster McLeod's (Sexy) Flying Machine, 1964
Box 1 Folder 5	Oh Death, Where is Thy Sting-A-Ling-A-Ling, 1964 September
Box 1 Folder 6	The Short Night, 1978 June
Box 1 Folder 7	That Cold Day in the Park, 1968 September
Box 1 Folder 8	Something Wicked This Way Comes / Ray Bradbury, 1976 December
Box 2 Folder 1	The Drowning Pool, 1973 July
Box 2 Folder 2	Exorcist II: The Heretic, 1977
Box 2 Folder 3	M.A.S.H. (film), 1968 December
Box 2 Folder 4	The Heretic, 1976
Box 2 Folder 5	John Boorman interview: transcript, 1977 June
MCHC82-041	Series: Part 4 (MCHC82-041): Additions, circa 1963-circa 1983 Physical Description: 7.0 c.f. (7 record center cartons) Scope and Content Note: Additions, circa 1963- circa 1983, of film treatments and scripts, copies of book manuscripts and research, and material relating to The American Film Institute Salute to James Stewart in 1980.	⇧
Box 1	Film treatments, 1973-1982
Box 2	Copies of manuscripts Note: Hawks on Hawks, High and Inside, and 2000 Year Old Man.
Box 3	The American Film Institute Salute to James Stewart, 1980
Box 4	Orson Welles: Actor and Director, research and drafts, 1976
Box 5	Film scripts, 1972-1981 Note: Big Money, Man Bites Dog. Also includes an untitled novel.
Box 6	No More Mr. Nice Guy, 1981
Box 7	Cheyenne Harry
M2011-037	Series: Part 5 (M2011-037): Additions, 1960-2008 Physical Description: 55.6 cubic feet (137 archives boxes, 1 flat box, and 1 card file box), 11 audio cassettes, 19 computer discs, and 1 computer game on 3 DVDs Scope and Content Note: Additions, 1960-2008, to the Joseph McBride Collection, containing research notes, and records of book and article preparation. The additions mainly cover four broad areas: Frank Capra (McBride biography published in 1992); John Ford (McBride biography published in 2001); Steven Spielberg (McBride biography published in 1997); Orson Welles (McBride books published in 1972, 1977, 1996, and 2006). Research materials consist of notes on archival collections, clippings, interviews with the subjects and their associates (family, friends, and professional colleagues), and notes on their films and other works. In addition there are research notes, drafts, and correspondence about other books and articles by McBride, including his file on his articles, 1960-2008. Access Restrictions: The audio tapes in M2011-037 may not be listened to without the written consent of Joseph McBride.	⇧
	Personal
Box 1 Folder 1	Vita, 1993
	Correspondence
Box 1 Folder 2-3	Greeting cards, letters from family and friends
Box 1 Folder 4	Phone messages, 1992 January-February
Box 1 Folder 5	Miscellaneous business correspondence
Box 1 Folder 6-7	Email correspondence, 2001-2002
Box 1 Folder 8	Correspondence with Michael Coyne regarding the proofs of his book, American Political Films, 2007
Box 2 Folder 1	Stephen Humphries, “Movie Trends: Films Push Boundary of Onscreen Sex,” Christian Science Monitor (2004 September 3): 13 and 15, clipping of article on the film Brown Bunny which cites an interview with McBride; card with note of thanks by Humphries.
Box 2 Folder 2	Correspondence with Jean Oppenheimer and notes on discussion
Box 2 Folder 3	Correspondence with Abraham Polonsky, Roger Corman, and Burt Kennedy, mostly 1995 July
Box 2 Folder 4	Correspondence with Lelia Ruckenstein, regarding her becoming his agent, 1995
Box 2 Folder 5-7	Correspondence with Richard Parks (McBride's agent), 1997-2001
Box 2 Folder 8	Correspondence with Janice Gallagher of Lowell House Press asking about opportunities as a copy editor, 1993
Box 2 Folder 9	Notes, correspondence, clippings on Hollywood-related projects
Box 2 Folder 10	Miscellaneous correspondence on book and article projects
Box 2 Folder 11	List of submissions of scripts by McBride, 1982
Box 2 Folder 12	To the Smithsonian Institution regarding permission for their use of extracts from McBride's books in their catalogs
Box 2 Folder 13	Profile of Joseph McBride by Joe Cinciotti, New York Times, 1992 April Note: Also includes correspondence.
Box 2 Folder 14	Research on literary awards, 1992
Box 3 Folder 1	Job applications Note: For a post at Los Angeles County Museum of Art, 1996; for the editorship of the Almanac Calendar, 2000; for the editorship of Written By, 1998.
Box 3 Folder 2	Letters of recommendation Note: Letter to Judge Terry Friedman regarding Michael Dare; blurb for Ray Greene's book Hollywood Migraine; blurb for Stephen Crane; letter of recommendation for Tom Thurman, 2005.
Box 3 Folder 3	Correspondence with David Weddle, including providing a blurb for his book on Sam Peckinpah, 1994
Box 3 Folder 4	Correspondence with Hubert Cornfield regarding his draft autobiography, 2001
Box 139	Appointment books, 1979, 1980, 1983, 1992-2001, and 2003
	Entries on Joseph McBride in directories
Box 3 Folder 5	Contemporary Authors, 1979 and 2008
Box 3 Folder 6	Gale Research vita
Box 3 Folder 7	Who's Who in Entertainment questionnaire, 1988
Box 3 Folder 8	Writers Guild of America, West, directory, 1979
	Invitations to events, lectures, etc.
Box 3 Folder 9	The Filmex Society, An Evening with Elizabeth Taylor: brochure, 1981 November 8
Box 3 Folder 10	Canadian Broadcasting Corporation (CBC), interview of McBride by Geoff Pevere, 1993 January Note: Includes correspondence, notes.
Box 3 Folder 11	Academy of Motion Picture Arts and Sciences Centennial Tribute to Fred Astaire: program brochure, 1999 May 14
Box 3 Folder 12	Talk to Palo Alto High School Journalism class, 2001 October 4
Box 3 Folder 13	Invitation to Le Giornate del Cinema Muto, Pordenone, Italy, 2001 October 13-20
Box 3 Folder 14	Talks at Pacifica Library, Pacifica, California Note: On Fahrenheit 451, October 17, 2003 and Primary and Unprecedented, October 22, 2004.
Box 3 Folder 15	Appearance at San Francisco Korean-American Film Festival, 2006 February 7-12
Box 3 Folder 16	50th anniversary celebration of Vertigo, Mission San Juan Bautista, California, 2007 October 5-7
	Employment and Professional Service
	American Film Institute
Box 138 Folder 1	AFI Award for Life Achievement in Motion Pictures and Television: John Ford, 1973 Note: Brochure.
Box 41 Folder 7	AFI Award for Life Achievement in Motion Pictures and Television: John Ford, 1973 (continued)
Box 138 Folder 2	AFI Award for Life Achievement in Motion Pictures and Television: James Cagney, 1974 Note: Brochure.
Box 138 Folder 3	AFI Award for Life Achievement in Motion Pictures and Television: Orson Welles, 1975 Note: Brochure.
Box 138 Folder 4	AFI Award for Life Achievement in Film and Television: Bette Davis, 1977 Note: Brochure.
Box 3 Folder 17	AFI Award for Life Achievement in Film and Television: Alfred Hitchcock, 1979 Note: Brochure; award dinner guest seating list; text of presentation by George Stevens Jr.; photocopies of four 8x10 black-and-white photographs (for originals, see Photographs).
Box 138 Folder 5	AFI Award for Life Achievement in Film and Television: James Stewart, 1980 Note: Brochure.
Box 3 Folder 18	AFI Award for Life Achievement in Film and Television: Fred Astaire, 1981 Note: Brochure.
Box 11 Folder 25	AFI Award for Life Achievement in Film and Television: Frank Capra, 1982 March 4 Note: Brochure, press book and clippings.
	AFI Award for Life Achievement in Film and Television: John Huston, 1983
Box 3 Folder 19	Clippings book
Box 3 Folder 20	Correspondence
Box 4 Folder 1	AFI Award for Life Achievement in Film and Television: Lillian Gish, 1984 Note: Correspondence with Kevin Brownlow of Thames Television, George Stevens Jr., and Fay Wray regarding the awards ceremony; certified copy of Lillian Gish's birth certificate.
Box 72 Folder 3	AFI Life Achievement Award: Steven Spielberg, 1995
	100 Years . . . 100 Movies: War and Peace Note: Cable TV special written by McBride for the AFI and TNT, 1998.
Box 4 Folder 2	Correspondence, outline
Box 4 Folder 3-4	Interview transcripts Note: Interviews by Richard Schickel with Curtis Hanson, Oliver Stone, Clint Eastwood, Robert Towne, Martin Scorsese, and Steven Spielberg; as well as Mel Stuart interview with Woody Allen.
Box 4 Folder 5	Correspondence, 2006 Note: Regarding book of interviews at AFI life achievement awards.
	Daily Variety
Box 4 Folder 6	McBride's application for re-employment by Cahners Publishing Company, the publishers of Daily Variety, 1989 March 5
Box 4 Folder 7	Correspondence and telephone messages, 1980-1981
Box 4 Folder 8	Photocopy of Catherine Siepp, “Here's to the Trades!,” Buzz (March 1997): 48-52 Note: Including discussion of McBride's Variety review of Patriot Games.
Box 4 Folder 9-11	Clippings of articles and reviews in Variety by McBride, 1980-1981
Box 4 Folder 12	Photocopies of Variety reviews, credited to “Mac” (McBride), 1990
Box 4 Folder 13	Correspondence with Lem Dobbs about the credits for The Hard Way, 1992 June
Box 4 Folder 14	Review by McBride of Beauty and the Beast, 1991 Note: Draft, film notes, pressbook.
Box 5 Folder 1	Review of The Prince of Tides, 1991 Note: Drafts, film notes, pressbook.
Box 5 Folder 2	Article on Philippe Mora's Hitler film project, 1992 Note: Drafts.
Box 5 Folder 3	News story on the Directors Guild of America granting Charles Champlin life membership, 1992 February
Box 5 Folder 4	Letter from Gilbert Cates on a Variety article on him by McBride, 1992 May 29
	Los Angeles Film Critics Association (LAFCA)
Box 5 Folder 5	LAFCA stationery
Box 5 Folder 6	Membership list and card, 2000
Box 5 Folder 7	Correspondence and clippings regarding LAFCA's refusal to give Elia Kazan a lifetime achievement award in 1996 and in 1999
Box 5 Folder 8-9	Correspondence regarding 1995 LAFCA Achievement Awards, 1995-1996
Box 5 Folder 10	Opening speeches and introduction of Joan Allen at the 1995 Awards Note: Speeches given by McBride.
Box 6 Folder 1	Correspondence regarding 1996 LAFCA Achievement Awards, 1996-1997
Box 6 Folder 2	Invitations and replies to invitations to 1996 Awards
Box 6 Folder 3	Voting for 1996 Lifetime Achievement Award to Roger Corman
Box 6 Folder 4	Coverage of the 1996 Awards on Cinemania website
Box 6 Folder 5	LAFCA members' meeting, 1997 June
Box 6 Folder 6	Correspondence with Manohla Dargis about the administration of the LAFCA Achievement Awards, 1997
Box 6 Folder 7	Correspondence, 1999-2001 Note: With program booklets for 1998 and 1999 Awards ceremonies.
Box 6 Folder 8	Joseph McBride, “Remarks on Billy Wilder,” 1995 January 17 Note: Speech at presentation of Los Angeles Film Critics' Association's career achievement award: computer-printed typescript.
	Teaching
Box 6 Folder 9	Workshop on “The Depiction of the Irish and Irish-Americans in Film,” New College of San Francisco, 1998 November 21 Note: Includes syllabus; correspondence with Ruth O'Hara; courses, 2003.
	Research and Publications
	Frank Capra
Box 6 Folder 10	Writings by Frank Capra Scope and Content Note “The Master Mind”: photocopy of handwritten copy of short story written by Capra while at college “The Gag Man”: photocopies of original (also Harry Langdons contribution to the same book) and reprint in Richard Koszarski, Hollywood Directors, 1914-1940 (Oxford University Press, 1976), pp. 181-185 “Did I Make You Laugh?” (no source given) “What Is Smut Worth?”, Hollywood Reporter (May 31, 1934) “Frank Capra Tells All,” New York Times (December 16, 1934): 4X “Sacred Cows to the Slaughter,” Stage (July 1936): 40-41 “An Onion Can Make You Cry, But There Is Yet to Be Invented a Vegetable that Can Make You Laugh”: typescript of article for Isskustvo Kino (January 1964) “Fun in a Sicily Madhouse,” Philadelphia Daily News (March 31, 1972): 3F and F9
Box 6 Folder 11	Published interviews with Capra
Box 6 Folder 12	Drafts of speeches by Capra (“LAA speech notes”)
Box 6 Folder 13	Letters to and from Capra Note: Correspondents include Eugene DeRue, Edward Bernds, Gary Cooper, and Kevin Thomas.
Box 6 Folder 14	Clippings about Capra
	Critical articles on Capra
Box 7 Folder 1	General
Box 7 Folder 2	Articles by Neil Hurley, S.J.
Box 7 Folder 3	Special issue of Positif, 1971 December Note: Photocopy of pp. 4-75 and 88-93.
Box 7 Folder 4	Special issue of Film Comment, 1972 November-December
	Research
Box 7 Folder 5	Chronology
Box 7 Folder 6	Meet Frank Capra: A Catalog of His Work / filmography by AFI catalogers, 1990
Box 7 Folder 6	“Bio-filmographie de Frank Capra” / Olivier Comte and Olivier Eyquem
Box 7 Folder 7	McBride's correspondence with Kevin Brownlow about Capra
Box 7 Folder 8	Kevin Brownlow/Philip Jenkinson interview with Capra
Box 7 Folder 9	Correspondence with Patrick McGilligan about Capra
Box 7 Folder 10	Correspondence with Marc Wanamaker of Bison Archives about Capra
Box 7 Folder 11-12	Miscellaneous research notes and correspondence
Box 7 Folder 13	Marriage certificates and associated correspondence
Box 7 Folder 14	Early life in Sicily
Box 7 Folder 15	Immigration to the United States
Box 7 Folder 16	“Downtown L.A. (E. 1st St.) Landsearch”: Capra's Los Angeles residences
	Throop College of Technology (now California Institute of Technology)
Box 8 Folder 1	Miscellaneous, circa 1981 Note: Includes correspondence; clippings; list of instructors and students, undated; alumni directory, 1981; photocopies of Caltech publications on Caltech history; and Caltech oral history project interviews.
Box 8 Folder 2-3	Throop Tech Annual, 1916, 1917
Box 8 Folder 4	Throop Tech Graduation Number, 1918 September
Box 27 Folder 7	The Throop Tech (student magazine): photocopies, 1917 October-December
Box 27 Folder 8	The Throop Tech (student magazine): notes, 1918 January
Box 8 Folder 5	The Tech (Throop student magazine), 1918
Box 8 Folder 6	“Reno”: clippings, notes and photocopies of documents regarding Capra and Tri-State, Motion Pictures in Reno, Nevada, 1919
Box 8 Folder 7	Clippings, early 1920s
	Columbia Pictures Corporation
Box 8 Folder 8	Columbia Pictures, and Harry and Jack Cohn
Box 8 Folder 9	Script department: miscellaneous photocopies Note: Film continuities filed with film title files.
Box 8 Folder 10	Franklin D. Roosevelt Library photocopies Note: Including telegrams to the President from Capra as AMPAS Vice President, mostly to do with the wartime documentaries.
Box 8 Folder 11	Directors Guild of America
	World War II
Box 8 Folder 12	Capra and the War
Box 8 Folder 13	The Army-Navy Screen Magazine: photocopies
Box 9 Folder 1	Capra's property in Fallbrook, California
Box 9 Folder 2	House Committee on Un-American Activities and blacklisting
Box 9 Folder 3	Obituaries
Box 26 Folder 1	Miscellaneous notes
Box 26 Folder 2	Notes, mainly on references in the journals Variety, Film Daily, and Moving Picture World
Box 26 Folder 3	Critical articles on Capra's career and films
Box 26 Folder 4	Clippings: “early articles”
	McBride interviews with Capra: transcripts and notes
Box 26 Folder 5	Handwritten interview notes
Box 26 Folder 6	Transcripts and notes, Capra tapes
Box 26 Folder 7	Typed transcripts
Box 26 Folder 8	Interview transcripts, after 1984
Box 26 Folder 12	“His Stroke,” 1985
Box 26 Folder 13	Frank Capra tapes, 1985 May 16
	Name Above the Title (NAT) / Frank Capra Note: Notes on manuscript of Capra's autobiography.
Box 26 Folder 9	“NAT uncut and other”
Box 26 Folder 10	“NAT uncut transcriptions 5-8”
Box 26 Folder 11	“NAT uncut transcriptions (Later)”
Box 27 Folder 1	Sicilian background
Box 27 Folder 2	Journey to America
Box 27 Folder 3	Childhood sites
	Manual Arts High School, Los Angeles
Box 27 Folder 4	Miscellaneous notes and photocopies
Box 27 Folder 5	Manual Arts Yearbook, 1915 Winter Note: With notes on interview with Frank Capra on AMPAS and the DGA, May 1, 1985, on reverse of 23 pages.
Box 27 Folder 6	Notes
Box 27 Folder 9	Pasadena, including Anoakia and the Pasadena Playhouse
Box 27 Folder 10-11	Filmmaking in San Francisco Note: Including extensive correspondence and notes on conversations with Geoffrey Bell, author of The Golden Gate and the Silent Screen.
Box 28 Folder 1	Silent Cinema: notes on films
Box 28 Folder 2	Columbia Pictures Corporation
Box 28 Folder 3	Academy of Motion Picture Arts and Sciences
Box 28 Folder 4	World War II
Box 28 Folder 5	Visit to Italy for the USIS, 1977
	People Note: Research into and interviews with relations, friends and professional associates of Capra. Unless otherwise stated, the interviewer is McBride; some interviews are written records of phone conversations.
Box 9 Folder 4	Lists of actual and potential interviewees
Box 28 Folder 6	Interview lists
Box 9 Folder 5	Correspondence regarding interviews
Box 28 Folder 7	Olin L. Armstrong: interview (with Mrs. Vivian Rule Armstrong)
	Jean Arthur
Box 28 Folder 8	Interviews, 1984 August 26, 1986 April 2, 1987 October 14, 17, November 19 Note: Clippings (including obituary by Joseph McBride, Daily Variety, June 21, 1991).
Box 28 Folder 9	Steven L. Bauer, Jean Arthur: photocopy, 1987
Box 28 Folder 10	Baldwin M. Baldwin: research correspondence, clippings
Box 9 Folder 6	Geoffrey Bell: interview, 1985 May 26, July 11
Box 28 Folder 11	Ralph Bellamy: interviews, 1984 August 16-17
	Edward Bernds Note: See also Box 145, folder 13; Box 120, folder 1; Box 134, folder 4.
Box 28 Folder 12	Diaries: photocopies, 1935-1943
Box 29 Folder 1-2	“Edited interview with Ed Bernds, by Leonard Maltin and Joseph McBride, for his book Mr. Bernds Goes to Hollywood” hand-written redaction of interview, 1984 July 17 Note: Also includes notes on interview and diaries.
Box 29 Folder 3	Typescript extracts from Edward Bernds' autobiography Note: Published as Mr. Bernds Goes to Hollywood, Lanham, Maryland: Scarecrow Press, 1999; notes on conversations.
Box 29 Folder 4	Articles photocopied for Ed Bernds, 1994 April Note: Hal Hall, “An Interview with Frank Capra,” American Cinematographer (February 1931): 20 and 38; Joseph Walker, “Putting the Realism into Dirigible,” American Cinematographer (1931 August): 15 and 20; Edward Buscombe, “Notes on Columbia Pictures Corporation 1926-41,” Screen (August 1975): 65-82.
Box 29 Folder 5	Obituaries
Box 9 Folder 7	Herbert Biberman: correspondence Note: From WCFTR collection.
Box 9 Folder 8	Joe Biroc: interview, 1984 August 10
Box 29 Folder 6	David Blangsted: interviews, 1988 April 23-24
Box 29 Folder 7	Josephine Bondi: interview, 1985 February 21
Box 29 Folder 8	Frank Bonfiglio: interview, 1985 February 13
Box 29 Folder 9	Lyman Bonner: interviews, 1985 April 24, 26
Box 29 Folder 10	Priscilla Bonner: notes on conversation, undated
Box 9 Folder 9	Harold Buchman: Variety obituary by McBride and research notes Note: Includes material on Harold's brother Sidney.
Box 9 Folder 10	Sidney Buchman: interview with Bertrand Tavernier
Box 9 Folder 11	Carol Bugé: interview
Box 9 Folder 12	Earle A. Burt and Mrs. Burt: interviews, 1984 September 6
Box 9 Folder 13	John Byers: interview, 1986 May 6
Box 9 Folder 14	Isabel Martin Campbell: interview, 1984 August 9
Box 29 Folder 11	Josephine (Giuseppina) Leone Campiglia: interviews, 1985 February 13, June 15
Box 29 Folder 12	Josephine Campisi: interviews, 1985-1987 Note: Including dates: January 22, 1985; February 1, 1985, with Joe Finochio; February 19, 1985; June 16, 1985; August 12, 1985; October 12, 1985; January 21, 1986; February 22, 1986; April 3, 26, 1986; May 12, 1986; May 17, 1987.
Box 29 Folder 13	Ben Capra: interview by Joe Finochio, 1965 June 15
Box 29 Folder 14	Bernadette Capra (Mrs. Remo Capra): interviews, 1985 February 25, October 29
Box 9 Folder 15	Chris Capra: interview, 1986 October 25
Box 29 Folder 15	Everest (Evaristo) Capra: interview, 1986 October 30
Box 29 Folder 16	Frank Capra Jr.: interview, 1987 October 30
Box 9 Folder 16	Julio (Joe) Capra: clipping and notes, 1988 May 2
Box 9 Folder 17	Lucille Capra Bruch: interview, 1987 November 5
Box 9 Folder 18	Lucille Reyburn Capra: clippings, mostly obituaries
Box 29 Folder 17	Marguerite Capra (Mrs. Tony Capra): interviews, 1985 February 10, 1986 October 25
Box 29 Folder 18	Remo Capra: interview, 1986 October 25
Box 29 Folder 19	Samuel W. Capra: interviews 1985 February 2, 1986 April 3
Box 29 Folder 20	Tom Capra: correspondence, interviews, 1986 May 7, 1987 November 5
Box 29 Folder 21	Tony Capra: interview by Joe Finochio, 1982-1983 Note: Transcript of earlier tape.
Box 9 Folder 19	Harry Carey and Harry Carey Jr.: clippings
Box 29 Folder 22	Fanya Graham Carter: interview
Box 29 Folder 23	Phyllis Chapman: interview, 1986 April 26
Box 29 Folder 24	Philip S. Clarke: interviews, 1985? September 27, 1986 January 23
Box 29 Folder 25	Harry Cohn: notes on Bob Thomas' book King Cohn: The Life and Times of Harry Cohn (New York: Putnam, 1967)
Box 9 Folder 20	Claudette Colbert: interview, 1981 December 19
Box 9 Folder 21	C.C. Coleman Jr.: interview, undated
Box 29 Folder 26	Shirley Collier: interview, 1986 October 4
Box 29 Folder 27	Gay Collins (Mrs. Richard Collins): interview, 1986 January 23
Box 9 Folder 22	Ned Comstock: notes
Box 9 Folder 23	Scoop Conlon: notes on Conlon's autobiography
Box 9 Folder 24	Robert W. Craig: interview
Box 9 Folder 25	Dresser Dahlstead: interview, undated
Box 29 Folder 28	Viola Dana (Viola Dana Thompson): interviews, 1985 January 27, February 8, July 9
Box 29 Folder 29	James D'Arc: interview, undated
Box 9 Folder 26	Eugene DeRue: interviews, 1984? July 24, 28, 31, 1985 January 26
Box 29 Folder 30	James H. Doolittle: interviews, clippings, 1984 July 30, 1987 October 6
Box 29 Folder 31	Josephine Daniels Doolittle: interview
Box 29 Folder 32	Millson William Downs: interview, 1984 July 31
Box 29 Folder 33	Lillian Shattuck Draves: interview
Box 29 Folder 34	Edward Dryhurst: interview, correspondence, 1986 March 16
Box 29 Folder 35	Philip Dunne: interview, undated
Box 29 Folder 36	Helen Jerome Eddy: Motion Picture Magazine 18, no. 8 (1919 September), including Elizabeth Peltret, “An Untroubled Eddy in the Silverscreen Stream,” pp. 58-59 and 111; interview
Box 9 Folder 27	Julius Epstein: notes
Box 29 Folder 37	Louis Essick: interview with Harry Rex, speaking with Essick; interview recorded by Harry Rex, sent to McBride, 1985 March 14
Box 29 Folder 38	Joe Finochio (see also Josephine Campisi): interviews Note: Including dates: February 10, 1985; February 11, 1985, with Victoria Buchellato Finochio, his wife; February 12, 1985, with Mrs. Finochio and Joe D'Amico; May 2, 1985, with Mrs. Finochio; April 8, 1985, with Mrs. Finochio; August 12, 1985, Mrs. Finochio alone; August 13, 1985.
Box 29 Folder 39	Tony Finochio: interview, 1985 February 21
Box 29 Folder 40	Robert Flaherty: notes
Box 29 Folder 41	Robert W. Flory: interviews, 1984 July 31, August 1, 2, 9
Box 30 Folder 1	George Folsey: interviews, 1984 July 25, August 3
Box 30 Folder 2	Lewis Foster: notes from AMPAS Library
Box 9 Folder 28	Mike Frankovich: clippings
Box 9 Folder 29	Henry Freulich: interview
Box 9 Folder 30	Theodor S. Geisel (Dr. Seuss): interview
Box 30 Folder 3	Robert Gitt: interview, 1986 March 16
Box 9 Folder 31	Percy Goodell: interview, 1984 September 12
Box 30 Folder 4	Stephen Goossn: transcript of interview by Kevin Brownlow, 1971
	Isabelle Daniels Griffis
Box 9 Folder 32	Correspondence Note: Between Griffis and McBride; letters to Griffis from others sent by her to McBride; letters from Capra to Griffis; clippings.
Box 9 Folder 33	Interview notes Note: Copies and transcripts of correspondence between Griffis and Capra, 1920-1979; interviews, October 21, 1986, September 20, 1987.
Box 10 Folder 1	Interview notes in spiral-bound notebooks, 1986 October 26, November 9
Box 10 Folder 2	Karolyn Grimes: “Zuzus Petals,” Gadfly 1, no. 10 (1977 December): 16-19
Box 30 Folder 5	Kevin Gunn: interview, 1984 August 4
Box 10 Folder 3	Frank R. Hale and Jeanette Hale: interview, 1985 June 16
Box 30 Folder 6	Ruth Hammond: interview, notes and clippings, 1984 August 5
Box 30 Folder 7	Harold Harris: interview, 1986 February 23
Box 10 Folder 4	Kenneth J. Harrison: interview, August 31
Box 30 Folder 8	Rudy Hartman: interview, 1986 April 27
Box 30 Folder 9	Henry Hathaway: interview, 1984 September 13
Box 30 Folder 10	Katharine Hepburn: interviews, 1985 August 7, 10
Box 10 Folder 5	Lynford E. Hess: interview, 1984 August 8 Note: Also includes interview with his daughter, Dorothy Nelson, August 8, 1984.
Box 30 Folder 11	James E. Hill: interviews, 1985? September 11, 1986 January 23
Box 10 Folder 6	Paul Horgan: interview, 1984 November 19
Box 10 Folder 7	E.V. Hounsell: interview
Box 10 Folder 8	Helen Edith Howell (Capra): correspondence, clippings and notes Note: Includes material on Helen Munro, eventually established as not Helen Edith Howell.
Box 30 Folder 12	Edwin Hubble: notes and clippings
Box 10 Folder 9	Ian McLellan Hunter: interview, 1984 November 16
Box 10 Folder 10	Madeleine Hurlock (Mrs. Robert E. Sherwood): interview, 1985 June 15
Box 30 Folder 13	John Huston: interview, 1986 November 13
Box 30 Folder 14	Virginia Titus Ives: interviews, 1984 August 8, July 31
Box 10 Folder 11	Altha Mudgett Jackson: interviews, 1984 August 9, 15
Box 30 Folder 15	“Jenny at Capra's” and “Josie” (Frank Capra's nurses?) interviews, 1986 February 22, 1987 August 9
Box 10 Folder 12	Don Jones: interview, 1984 November 15
Box 30 Folder 16	Donald Jones: interview, 1985 February 10
Box 30 Folder 17	Frank Keeler: interviews, 1984 September 13, 14
Box 30 Folder 18	Al Keller: interviews, 1984 July 9, August 6, 31, 1987 November 2
Box 10 Folder 13	Bill Kircher: interview, 1988 April 13
Box 10 Folder 14	Eric Knight: correspondence with Geoff Gehman and extracts from Knight's letters to Paul Rotha
Box 30 Folder 19	John and F.V. Knox: interviews, 1985 October 20, 22
	Harry Langdon
Box 10 Folder 15	Correspondence and extracts from William Schelly, Harry Langdon: His Life and Films (Jefferson, North Carolina: McFarland, 2008)
Box 30 Folder 20	Clippings, notes, interviews
Box 30 Folder 21	Mabel Langdon (Mrs. Harry Langdon): interview
Box 10 Folder 16	Hope Lange: interview
Box 10 Folder 17	Walter Lantz: interview, 1984 September 4
Box 10 Folder 18	Robert Lees and Fred Rinaldo: McBride obituary of Rinaldo and interview with Lees
Box 30 Folder 22	Irving “Buster” Libott: interview, undated
Box 30 Folder 23	Evelyn and Bill Loftin interviews Note: Joint interview, 1986 February 28; interviews with Evelyn Turner Loftin, 1985 January 18, 28, 1986 February 7.
Box 10 Folder 19	Joanne Merlo Luchetta (Mrs. Frank Luchetta): interview, 1985 June 19
Box 10 Folder 20	Virginia Lynn: interviews, 1987 November 3, 1988 January 29
Box 10 Folder 21	Mickey McAdam: interview, undated
Box 10 Folder 22	G.R. McDonald: interview, 1984 September 2
Box 30 Folder 24	Bonnie Houston McLaren: interview, 1986 February 9
Box 30 Folder 25	Fred MacMurray: interview, 1984 September 13
Box 30 Folder 26	Rouben Mamoulian: interviews, 1984? July 28, 1985 February 5
Box 30 Folder 27	Samuel Marx: interview, 1985 January 31
Box 30 Folder 28	Fr. Walter Mattiato: interview, 1988 April 15
Box 30 Folder 29	Al Menasco: interview
Box 10 Folder 23	Earl Mendenhall: interviews, 1984 August 14, 16
Box 10 Folder 24	Renee Messner: interview Note: Daughter of Tom J. Harris.
	Gene Milford
Box 30 Folder 30	Interview, 1986 February 10
Box 10 Folder 25	Obituary by Joseph McBride, Daily Variety and correspondence, 1991 December 4
Box 30 Folder 31	June Mohney: interview, 1986 September 2
Box 30 Folder 32	Colleen Moore (Colleen Moore Hargrave): interview, 1986 March 8
Box 10 Folder 26	Lloyd E. Morrison: interview, 1984 August 24
Box 10 Folder 27	Carleton Moss: interview, undated
Box 10 Folder 28	Charles Newton: interview, January 29
Box 10 Folder 29	Maria (Mary) Lanza Oddo: interview, 1985 January 24
Box 30 Folder 33	Edward Paramore III: interview, January 30
Box 10 Folder 30	Dorothy Parker: clippings
Box 30 Folder 34	Edgar Peterson: interview
Box 10 Folder 31	Fred L. Poole: interview, 1984 September 4
Box 30 Folder 35	Tom Pryor: interview
Box 10 Folder 32	Donna Reed: clippings, interview, 1982 January 28 Note: Also includes notes for speech; interview by George Stevens Jr., January 18, 1982.
Box 10 Folder 33	Anne Revere: correspondence and casting list for It's a Wonderful Life
	Robert Riskin
Box 30 Folder 36-38	Notes, correspondence, clippings
Box 30 Folder 39	Drafts of Joseph McBride, “Riskinesque,” Written By (1998): drafts, correspondence, photocopy of reprint in The Best American Movie Writing 1999, editors Jason Shinder and Peter Bogdanovich (New York St. Martins Press/Griffin paperback, 1999), pp. 190-202
Box 31 Folder 1	Allan Rivkin: interview, 1984 July 10, 20
Box 10 Folder 34	Hal Roach: interview
Box 31 Folder 2	Beatrice Rosenfeld: notes; interview
Box 10 Folder 35	Elaine St. Johns: interview, 1985 February 18
Box 10 Folder 36	Howland H. Sargeant: clippings
Box 31 Folder 3	Augie Scavo: interview, 1985 February 20
Box 31 Folder 4	Teresa Scavo Guzzeta: interview, 1985 February 14
Box 31 Folder 5	Philip Scheuer interview, 1985 January 30 Note: Also includes clipping of Los Angeles Times obituary, 1985 February 19.
Box 31 Folder 6	Esther Gleason Schlinger: interviews, 1985 June 15, 1986? January 19
Box 31 Folder 7	Irene Selznick: interview, 1985 July 26
Box 31 Folder 8	Mack Sennett: research notes, and notes on films
Box 31 Folder 9	David Shepard: interviews
Box 31 Folder 10	Cathy Silva: interview, 1986 January 23
Box 10 Folder 37	Charles F. Simpson: interview, 1984 August 23
Box 31 Folder 11	Alexis Smith: interview, 1985 February 1
Box 10 Folder 38	Leonard Spigelgass: clipping of obituary, New York Times, 1985 February 16
Box 31 Folder 12	John Springer: interview Note: Including information related to Myrna Loy.
Box 10 Folder 39	Lionel Stander: interview
Box 10 Folder 40	Barbara Stanwyck: Variety obituary by McBride: research, proofs, clippings; interviews, 1984 September 10, 11
Box 10 Folder 41	George Stevens: notes on the George Stevens papers at the AMPAS Library
Box 31 Folder 13	George Stevens Jr.: interview, 1986 November 4
Box 31 Folder 14	James Stewart: interviews, notes for speech, 1982 February 3, 1988 February 9
Box 31 Folder 15	Chester Sticht: interviews, 1984?-1985 Note: Including dates: September 1, 1984?, with wife Bett Sticht; September 13, 1984?; September 15, 1984?, with Mrs. Sticht; September 16, 1985; December 17, 1985; December 19, 1985.
Box 31 Folder 16	Julie Sweeney: interviews, 1984 September 12, 1985 April 16
Box 10 Folder 42	Ted Tetzlaff: interview
Box 10 Folder 43	Irene Thill: interview
Box 31 Folder 17	Bob Thomas: interviews, 1985 April 23, May 3, July 9
Box 10 Folder 44	Kevin Thomas: interview, 1985 October 24
Box 31 Folder 18	Lois Keener Thome: interviews, 1985 January 19, 20, June 13, 22
Box 31 Folder 19	Antonino Troncale: correspondence Note: Includes a certified copy of Frank Capra's birth certificate.
Box 31 Folder 20	Rose Troncale (Mrs. Samuel Capra): interview, 1985 February 13
Box 10 Folder 45	Dalton Trumbo: clippings
Box 31 Folder 21	Eugene Vale: interviews, 1984 August 7, 31
Box 31 Folder 22	Charles Varney Jr.: interview
Box 10 Folder 46	Howard G. Vesper: interview
Box 31 Folder 23	Gore Vidal: interview
Box 31 Folder 24	Joseph Walker: interviews, 1984 July 9, 22, 1985 January 26, undated Note: Also includes interview with Mrs. Joseph Walker, September 4, clippings, including Daily Variety articles by McBride about Walker and the zoom lens.
Box 10 Folder 47	Irving Wallace: clippings of articles
Box 31 Folder 25	James Warner: interview
Box 10 Folder 48	Lester O. Warner: interview, 1984 September 13
Box 31 Folder 26	Roscoe (Rocky) Washington: interviews, 1986 May 11, 27
Box 31 Folder 27	Evelyn Weldon: interview, 1985 January 22
Box 31 Folder 28	Martin Wesseler: interview, 1984 September 13
Box 10 Folder 49	Irvin Willat: notes on Willat from Robert Birchards The Western in the 1920s
Box 31 Folder 29	Mabel Walker Willebrandt: clippings
Box 10 Folder 50	Gwynn Wilson, and Marion Bemis Wilson: interviews, 1984 August 15, 16
Box 31 Folder 30	Fay Wray: interviews, 1984 August 2, 13 Note: Also includes notes, November 10, 1992; clippings and correspondence regarding Wray's defense of Robert Riskin.
Box 31 Folder 31	George and Marge Yackey: interviews, 1985 December 19, 1992 January 11
Box 31 Folder 32	Max Youngstein: interview, 1991 April 12
Box 10 Folder 51	Colleen Gray Zeiser: interview, 1985 February 5
Box 10 Folder 52	Paul Ziffren: Variety obituary (by McBride?)
	Works
	Radio
Box 11 Folder 24	Can We Forget? (directed by Frank Capra, WABC-CBS, clipping, 1939)
	Films: directed by Frank Capra unless otherwise stated
Box 10 Folder 53	Various
Box 32 Folder 1	Silent short films (pre-Columbia)
Box 32 Folder 2	Tramp, Tramp, Tramp (directed by Harry Edwards, 1926)
Box 32 Folder 3	Strong Man, The (1926)
Box 32 Folder 4	Long Pants (1927)
Box 10 Folder 54	Matinee Idol, The (1928)
Box 10 Folder 55	Miracle Woman, The (1931)
Box 10 Folder 56	Platinum Blonde (1931)
Box 11 Folder 1	American Madness (1932)
Box 11 Folder 2	Forbidden (1932)
Box 11 Folder 3	Bitter Tea of General Yen, The (1933)
Box 11 Folder 4	Lady for a Day (1933)
Box 32 Folder 5	Lady for a Day (1933) (continued)
Box 11 Folder 5	Broadway Bill (1934)
Box 11 Folder 6	It Happened One Night (1934)
Box 11 Folder 7	Whole Towns Talking, The (directed by John Ford, 1935)
	Mr. Deeds Goes to Town (1936)
Box 11 Folder 8	General
Box 11 Folder 9	Clarence Budington Kelland short story, “Opera Hat,” American Magazine: photocopy, source of the film, 1935 April to September
Box 11 Folder 10	Lost Horizon (1937)
Box 11 Folder 11	You Can't Take It with You (1938)
Box 32 Folder 6	You Can't Take It with You (1938) (continued)
Box 11 Folder 12	Mr. Smith Goes to Washington (1939)
Box 11 Folder 13	Meet John Doe (1940)
Box 32 Folder 7	Meet John Doe (1941)
Box 32 Folder 8	Why We Fight series: The Nazis Strike; The Battle of Russia; The Battle of Britain; War Comes to America; Prelude to War (1942-1945)
Box 11 Folder 14	At the Front in North Africa (1943)
Box 11 Folder 15	Arsenic and Old Lace (1944)
Box 32 Folder 9	Negro Soldier, The (1944)
Box 11 Folder 16	Stilwell Road The (1945)
	It's a Wonderful Life (1947)
Box 11 Folder 17	Clippings
Box 11 Folder 18	Script
Box 11 Folder 19	State of the Union (1948)
Box 32 Folder 10	State of the Union (1948) (continued)
Box 32 Folder 11	Riding High (1950)
Box 11 Folder 20	Fallbrook Story The (1952)
Box 11 Folder 21	Friendly Persuasion (1956)
Box 32 Folder 12	A Hole in the Head (1959), Pocketful of Miracles (1961), Rendez-vous in Space (1964)
Box 11 Folder 22	Pocketful of Miracles (1961)
Box 11 Folder 23	Marooned (directed by John Sturges, 1969)
	Awards and Tributes
Box 11 Folder 25	The American Film Institute Salute to Frank Capra, 1982 March 4 Note: Brochure, press book and clippings.
Box 12 Folder 1	Columbia Pictures Frank Capra Luncheon, 1985 January 23 Note: Pressbook.
Box 12 Folder 2	ACLU Torch of Liberty Awards, 1987 September 17 Note: Presskit.
Box 12 Folder 3	Directors Guild of America memorial tribute, 1991 October 25
Box 12 Folder 4	McBride's San Francisco State University courses on Frank Capra Note: Syllabuses; examination papers; notes.
	Book Preparation
Box 12 Folder 5	Proposed titles, including one by Ruth O'Hara
Box 12 Folder 6	First pages, 1983 March 1
	American Madness: The Life of Frank Capra Note: Version submitted to publisher Alfred Knopf of New York in 1987-1989, but not published.
	1984-1988 draft
Box 12 Folder 7	Foreword
Box 12 Folder 8	Chapter 1
Box 12 Folder 9	Chapter 2
Box 12 Folder 10	Chapter 3
Box 12 Folder 11	Chapter 4
Box 12 Folder 12	Chapter 5
Box 12 Folder 13	Chapter 6
Box 12 Folder 14	Chapter 7
Box 12 Folder 15	Chapter 8 Note: Incorporates former Chapter 9 and 10.
Box 12 Folder 16	Chapter 9
Box 13 Folder 1	Chapter 10
Box 13 Folder 2	Chapter 11 Note: Incorporates former Chapter 12.
Box 13 Folder 3	Chapter 12
Box 13 Folder 4	Chapter 13
Box 13 Folder 5	Chapter 14
Box 13 Folder 6	Chapter 15
Box 13 Folder 7	Chapter 16
Box 13 Folder 8	Chapter 17
Box 13 Folder 9	Chapter 18
Box 13 Folder 10	Chapter 18, notes for Appendix
Box 13 Folder 11	Chapter 19
Box 14 Folder 1	Chapter 19, notes for Appendix
Box 14 Folder 2	Chapter 20
Box 14 Folder 3	“Final FN PP”
Box 14 Folder 4	“Chronology and Capra's Credits, rough notes”
Box 14 Folder 5	Filmography
Box 14 Folder 6	Draft of notes
Box 14 Folder 7	Notes for original draft
Box 14 Folder 8	Notes revised, semifinal draft
Box 14 Folder 9	Notes and acknowledgments, final revised draft
Box 15 Folder 1	Notes on sources, notes 1-20, filmography typescript drafts
Box 15 Folder 2	Worksheets, facts to check-library: worksheets
	Permissions
Box 15 Folder 3	General
Box 15 Folder 4	Regarding quotations from Graham Greene
Box 15 Folder 5-7	Typescript
Box 16 Folder 1-5	Revised final draft, 1987 September 28
Box 17 Folder 1-2	Revised final draft, 1987 September 28 (continued)
Box 17 Folder 3	Notes on galleys
Box 17 Folder 4	Galley-proof correction research
Box 17 Folder 5	Correspondence regarding preview publication of extracts
	Final Research
Box 32 Folder 13	Miscellaneous
Box 32 Folder 14	Final library research
Box 32 Folder 15	Capra notes
Box 32 Folder 16	Miscellaneous notes
Box 32 Folder 17	Miscellaneous data for revisions
Box 32 Folder 18	Revisions
Box 32 Folder 19	Final revisions
Box 33 Folder 1	Gwenn O'Hara, researcher, notes on various chapters
Box 33 Folder 2	Notes for statistics
Box 33 Folder 3	Chapter notes 1-17 and 19
Box 33 Folder 4	Chapter 2 notes
Box 33 Folder 5	Chapter 2 and 3 notes
Box 33 Folder 6	Chapter 3 notes
Box 33 Folder 7	Chapter 4 notes
Box 33 Folder 8	Chapter 5 notes
Box 33 Folder 9	Chapter 8 notes
Box 33 Folder 10	Chapter 10 notes
Box 33 Folder 11	Chapter 12 notes
Box 33 Folder 12	Chapter 13 (Lost Horizon) notes
Box 33 Folder 13	Chapter 15 notes
Box 33 Folder 14	Chapter 17 and 18 outlines and notes
Box 33 Folder 15	Chapter 20 notes
Box 33 Folder 16	Chapter 20 notes for Appendix
Box 33 Folder 17	Chapter 21 outlines
Box 33 Folder 18	Fixes (major)
Box 33 Folder 19	Fixes (minor)
Box 33 Folder 20	Final fixes
	Frank Capra: The Catastrophe of Success Note: Version published by Simon & Schuster, New York, 1992.
	Revised typescript Note: Includes correspondence with Robert Bender of Simon & Schuster.
Box 17 Folder 6	Chapter 1
Box 17 Folder 7	Chapter 2
Box 17 Folder 8	Chapter 3
Box 17 Folder 9	Chapter 4
Box 17 Folder 10	Chapter 5
Box 17 Folder 11	Chapter 6
Box 18 Folder 1	Chapter 7
Box 18 Folder 2	Chapter 8, cut
Box 18 Folder 3	Chapter 9 (8), revised
Box 18 Folder 4	Chapter 10 (9), revised
Box 18 Folder 5	Chapter 11 (10), revised
Box 18 Folder 6	Chapter 12 (11), revised
Box 18 Folder 7	Chapter 13 (12), revised
Box 18 Folder 8	Chapter 14 (13), revised
Box 18 Folder 9	Chapter 15 (14), revised
Box 18 Folder 10	Chapter 16 (15), revised
Box 19 Folder 1	Chapter 17 (16), earlier revised
Box 19 Folder 2	Chapter 17 (16), final revised
Box 19 Folder 3	Chapter 18 (new), revised
Box 19 Folder 4	Chapter 18 (17), revised
Box 19 Folder 5	Chapter 19 (new), revised
Box 19 Folder 6	Chapter 19, revised Note: Before being broken into 2 chapters.
Box 19 Folder 7	Chapter 19, “Bender edit”
Box 20 Folder 1	Chapter 20, “My edit and Bender cut”
Box 20 Folder 2	Revised notes sections
Box 20 Folder 3	Filmography, revised
Box 20 Folder 4-6	Copy-edited typescript
Box 21 Folder 1-4	Copy-edited typescript (continued)
Box 21 Folder 5	Miscellaneous changes to make
Box 21 Folder 6	Changes made
Box 21 Folder 7	Final things to check
Box 22 Folder 1	Fixes done or skipped as not necessary
Box 22 Folder 2	Final Fixes
Box 34 Folder 1	Editing notes, 1991-1992
Box 34 Folder 2	Simon & Schuster correspondence, 1991
Box 34 Folder 3	Copy-editing: correspondence with Virginia Clark of Simon & Schuster
Box 34 Folder 4	Notes on final editing and proofing
Box 34 Folder 5	Notes and correspondence on proofs
	Proofs
Box 22 Folder 3	Bound galley
Box 22 Folder 4-5	Corrected page proof
Box 23 Folder 1	Corrected page proof (continued)
Box 23 Folder 2	Proof-stage check
	Index
Box 23 Folder 3-4	Drafts, proofs and notes
	Illustrations
Box 23 Folder 5	Correspondence
Box 23 Folder 6	San Francisco Chronicle and California Historical Society
Box 23 Folder 7	Photocopies
Box 23 Folder 8	Notes and correspondence regarding final still selection, 1991 November-December
Box 23 Folder 9	Final still selection: photocopies of illustrations and texts of captions
Box 24 Folder 1	Revised captions, 1991 December
Box 34 Folder 6	Miscellaneous research
Box 34 Folder 7	California State Library
Box 34 Folder 8	George Eastman House
Box 34 Folder 9	Various sources
Box 34 Folder 10-11	Notes on illustrations
	Cover
Box 24 Folder 2	Proposals and proof
	Permissions
Box 24 Folder 3	General
Box 24 Folder 4	Correspondence with the editors of Positif regarding permission to quote an interview in the magazine with Sidney Buchman
Box 24 Folder 5	Correspondence with Isabelle Griffis
Box 24 Folder 6	Correspondence regarding permissions with San Francisco Chronicle
	Publicity material
Box 24 Folder 7	General
Box 24 Folder 8	Drafts
Box 24 Folder 9	Press kit
	Promotion
Box 34 Folder 12	Notes and correspondence about the promotion of the book, 1993
Box 35 Folder 1	Correspondence with Simon & Schuster (also Faber and Faber) Note: About promotion of the book, reviews, and royalty payments.
Box 35 Folder 2	Gift copies: lists of addresses of personalities to whom to send gift copies of the hard-cover version
Box 35 Folder 3	Advertising
Box 35 Folder 4	Promotion, 1992 April
Box 35 Folder 5	Promotion, 1992 May
Box 35 Folder 6-8	Promotional correspondence: arrangements for appearances in bookshops, media interviews, and reviews of the book
Box 36 Folder 1	Promotional correspondence: arrangements for appearances in bookshops, media interviews, and reviews of the book (continued)
Box 36 Folder 2	Reactions to publicity and publication
	Paperback edition (Touchstone Press, 1993)
Box 24 Folder 10	Proof pages
Box 24 Folder 11	Revised index
Box 24 Folder 12	Index and illustration proofs
	Post-publication
Box 24 Folder 13	Talk on Capra by McBride: notes, 1993 October 18
Box 25 Folder 1	Reviews: photocopies
Box 25 Folder 2	Letters to McBride in response to the book
Box 25 Folder 3	Correspondence with Robert Bender of Simon & Schuster
Box 25 Folder 4	Jonathan Lethem and Carter Scholz, You Can't Leave Home Again, film treatment about Capra's life, correspondence with McBride, typescript, 1994
Box 25 Folder 5	Correspondence with Eric Menninger of Four Square Films regarding a possible documentary film on Capra, 1999
Box 34 Folder 1	Editing notes, 1991-1992
Box 34 Folder 2	Simon & Schuster correspondence, 1991
Box 34 Folder 3	Copy-editing: correspondence with Virginia Clark of Simon & Schuster
Box 34 Folder 4	Notes on final editing and proofing
Box 34 Folder 5	Notes and correspondence on proofs
Box 36 Folder 3	Simon & Schuster Catalogs including the book: draft and copies of the catalogs
Box 36 Folder 4-5	Touchstone Press Paperback edition: correspondence with Simon & Schuster
	Faber and Faber (British) edition
Box 36 Folder 6	Correspondence
Box 36 Folder 7	Catalogs including the book
Box 36 Folder 8	Peter Owens, 1992 May Note: Correspondence regarding sales in Ireland, marketing brochure, correspondence between Noel and Ruth O'Hara about Owens and the campaign for the book.
	John Ford Note: See also Audio recordings #7-8.
	Research
Box 37 Folder 1	Research contacts
Box 37 Folder 2	John Ford Papers, Lilly Library, Indiana University Note: Register of the collection and other library materials; letters from librarian.
	Spiral-bound notebooks of Ford research
Box 37 Folder 3-11	Number 1, number 3-10 Note: Unknown location for number 2.
Box 38 Folder 1-7	Number 11-17
Box 39 Folder 1-8	Number 18-25
Box 39 Folder 9	Spiral-bound notebooks documenting trip to Portland, Maine, 1998 July 8-15
Box 40 Folder 1-7	Research notes
Box 41 Folder 1	John Ford: miscellaneous photocopies, notes, correspondence
	Clippings on John Ford's life and career
Box 41 Folder 2	General
Box 41 Folder 3	Margaret Herrick Library Academy of Motion Picture Arts and Sciences, Los Angeles, California, clipping files
Box 41 Folder 4	Articles on John Ford's life and career: photocopies
Box 41 Folder 5	John Ford web page printouts, circa 1998 March-April Note: As of September 2012, this site appears to have moved or no longer exists. [http://www.arts.ryerson.ca/~jzalken/johnford.html]
Box 41 Folder 6	Published interviews with John Ford: photocopies
Box 41 Folder 7	AFI Life Achievement Award for Ford, 1973
Box 41 Folder 8	Special issues of journals on John Ford and brochures of retrospective screening series Scope and Content Note Focus on Film The Velvet Light Trap 2 (August 1971) Seattle Film Society Movietone News no. 26 (October 1973) Action 8, no. 6 (November-December 1973) Cinéma de John Ford, 48th Festival International du Film, Cannes (1995) American Movie Classics Magazine (1999 August) UCLA Film and Television Archive brochure (April-May 2001)
Box 41 Folder 9	Critical articles on John Ford as director: photocopies
Box 42 Folder 1	Tag Gallagher: articles (including one on Ford) by Gallagher and correspondence between him and Joseph McBride on Ford
	Joseph McBride on Ford Note: Articles, documentaries, lectures, and proposals for the same by Joseph McBride on John Ford (similar materials on particular Ford films or on actors, scriptwriters, etc. who worked with Ford are filed in the film title and associates folders).
Box 42 Folder 2	Sight and Sound: photocopies Scope and Content Note “County Mayo Gu Bragh,” 40, no. 1 (Winter 1970/71): 43-44 and 52 “Bringing in the Sheaves,” 43, no. 1 (Winter 1973/74): 9-11
Box 42 Folder 3	Notes on Joseph McBride and Michael Wilmington, John Ford (London: Secker & Warburg/New York: Da Capo, 1974)
Box 42 Folder 4	Ford retrospective at the Los Angeles County Museum of Art and UCLA, 1994 August-September Note: Brochure, program notes for various films, notes on Darlene Ramirez of LACMAs introductions to the film and a UCLA course on Ford accompanying the film by Jonathan Kuntz; correspondence regarding book signing and introduction to a Ford film by Joseph McBride, 1995.
Box 42 Folder 5	Lecture for the CinemaGael festival, San Francisco, California, 1996 November Note: Correspondence, notes.
Box 42 Folder 6	Proposed lecture on Ford and Ireland, 1997 November 26
Box 42 Folder 7	“John Ford, the Quiet Man,” Irish America magazine (October-November 1999): 94-5: photocopy of article
Box 42 Folder 8	“John Ford Irish American Filmmaker,” course at New College of California, San Francisco, 2000 January-May Note: Prospectus and notes.
Box 42 Folder 9	Article on Ford's contemporary relevance for the Irish Herald (February 22, 2000) Note: Correspondence and drafts.
Box 42 Folder 10	Becoming John Ford, documentary film directed by Nick Redman, featuring Joseph McBride, 2007 Note: Notes and program of Cinequest Film Festival, San Jose, California, February-March 2008, featuring the film.
	Subject files Note: Photocopies, research notes, correspondence on topics related to John Ford and the book, Searching for John Ford.
Box 42 Folder 11	“On Biography” photocopies and notes on problems of writing biography
	Ireland
Box 42 Folder 12	Ford's Irish background
Box 42 Folder 13	Ford's visit to Ireland in 1921
	Portland, Maine
Box 42 Folder 14	Ford's birth records
Box 42 Folder 15	Pages from Portland, Maine, city directories featuring Ford's kin
Box 42 Folder 16	Maine and alcohol: pamphlet and notes
Box 42 Folder 17	The theater in Portland, Maine
Box 43 Folder 1	Ford's kin
Box 43 Folder 2	Portland High School Note: Many clippings also include information on theater in Portland, Maine.
Box 43 Folder 3	Ford's school reports
Box 43 Folder 4	Clippings from Portland, Maine, publications about Ford, 1920-1995
Box 43 Folder 5	Clippings from Portland, Maine, publications about the local commemoration of Ford in 1998
Box 43 Folder 6	Universal Pictures: photocopy of director's instruction sheet, 1917 July 16
Box 43 Folder 7	Fox Film: photocopy of Douglas Gomery, “Problems in Film History: How Fox Innovated Sound,” Quarterly Review of Film Studies (1976 August): 317-330
	Ford's work for the U.S. Navy and the OSS during World War II
Box 43 Folder 8	Notes and photocopies on Ford's wartime activities
Box 43 Folder 9-10	National Archives listings of films made by Ford or his associates for the Navy and the OSS; notes and correspondence
Box 44 Folder 1	Article by Joseph McBride on Ford and D-Day for the New York Review of Books, 1998 Note: Notes, correspondence, research photocopies.
	Ford and Hollywood politics
Box 44 Folder 2	Truman Committee hearings, 1944 Note: Notes and photocopies.
Box 44 Folder 3	The Motion Picture Alliance for the Preservation of American Ideals
	The Screen Directors Guild
Box 44 Folder 4	Proceedings of the Board of Directors: photocopy of typescript record, 1947 December 1
Box 44 Folder 5-6	Notes and clippings, 1936-47
Box 44 Folder 7	Daily Variety clippings, 1947
Box 44 Folder 8	Campaign for recall of Joseph Mankiewicz as Director, 1951
Box 44 Folder 9	General clippings, 1951
Box 44 Folder 10	Daily Variety clippings, 1951
Box 44 Folder 11	David Robb, “Directors Guild Born out of Fear 50 Years Ago,” Daily Variety 209, no. 39 (October 29, 1985): 1-8: photocopy
	Joseph McBride, “Fellow Traveler or Redbaiter?” Los Angeles Times Magazine (June 3, 2001): 18-21, 34-5 Note: Prepublication article adapted from Searching for John Ford.
Box 44 Folder 12	Correspondence, drafts, with Barbara Epstein about possible publication extract in The New York Review of Books, 1998-2000
Box 45 Folder 1	Correspondence, drafts, with New York Times and Los Angeles Times; LA Times proof and copy of the magazine
Box 45 Folder 2	Ford and landscape: Monument Valley
Box 45 Folder 3	The Western: photocopy from Kevin Brownlow, The War, the West and the Wilderness
Box 45 Folder 4	The Navajo
	People Note: Papers relating to associates of John Ford (members of casts and crews of his films, personal friends, relations), arranged alphabetically by name, including research notes, clippings, drafts of articles by McBride on such people, and in many cases transcripts of interviews (some notes taken during phone interviews).
Box 45 Folder 5	Interview lists Note: Names and addresses of potential interviewees, drafts of letters requesting interviews.
Box 45 Folder 6	John Agar: clipping
Box 45 Folder 7	Eddie Albert: interviews and letter, 1998 February
Box 45 Folder 8	Lindsay Anderson: clipping on Part Two of Anderson's tribute to John Ford in BBC One's Omnibus series, 1992
Box 45 Folder 9	Mark Armistead: contact information for his daughter
Box 45 Folder 10	Jean Arthur: interviews, 1987 November 19, 20
Box 45 Folder 11	Carroll Baker: clipping from Baby Doll: An Autobiography (Ann Arbor: 1983)
Box 45 Folder 12	Anne Bancroft: clipping
Box 45 Folder 13	Edward Bernds: interview, 1998 February 22
Box 45 Folder 14	Ward Bond: information about the death of Ford's widow; clippings
Box 45 Folder 15	Beulah Bondi: clipping
Box 45 Folder 16	Priscilla Bonner: interview, 1987 November 5
Box 45 Folder 17	Henry Brandon: interview, typed extracts, 1987 November 9
	Bulkeley, John D.
Box 45 Folder 18	Correspondence, clippings, 1987-1988
Box 45 Folder 19	Interviews, 1988 August 7
Box 46 Folder 1	Corinne Calvet: photocopy of extract from autobiography Has Corinne Been a Good Girl?: The intimate Memoirs of a French Actress in Hollywood (St. Martin's Press, 1983)
Box 46 Folder 2	Yakima Canutt: extract from typescript autobiography
Box 46 Folder 3	Harry Carey Sr.: clippings
Box 46 Folder 4	Harry Carey Jr.: interview, 1987 October 36 Note: Contact information about other people; transcript of taped interview; clippings; correspondence.
Box 46 Folder 5	Olive Carey: interviews, 1984 July 22, 1985 May 19, October 6, 9, 1987 November 6 Note: Also includes clippings of obituaries, March 1998.
Box 46 Folder 6	John Carradine: clippings
Box 46 Folder 7	T.E.B. Clarke: clipping
Box 46 Folder 8	Ruth Clifford: interview, clipping, 1987 November 5
Box 46 Folder 9	Katherine Cliffton: interviews, 1987 October 29, November 2
Box 46 Folder 10	William Clothier: clipping of interview by Scott Eyman
Box 46 Folder 11	Dorothy Gordon Cooper: record of attempted phone contact, photocopy of article, 1987 October 28
Box 46 Folder 12	Merian C. Cooper: credits from IMDB; clippings
Box 46 Folder 13	Ken Curtis: credits from IMDB; Variety obituary, 1991 April 30
Box 46 Folder 14	Jeremiah Denton: clippings, pressbook and notes on film Return with Honor (directed by Freida Lee Mock and Terry Sanders, 1998)
Box 46 Folder 15	James H. Doolittle: clipping
Box 46 Folder 16	Amanda Dunne: notes on lunch conversation, 1987 October 23
Box 46 Folder 17	Philip Dunne: clippings, interviews, 1987 October 19 Note: Also includes correspondence, 1991.
Box 46 Folder 18	Walter Edmonds: clipping of obituary, 1998 January 28
Box 46 Folder 19	Blake Edwards: letter, 1998 April 28
Box 46 Folder 20	Howard Fast: filmography from IMDB; clippings of extracts from books; typescript pages by McBride
Box 46 Folder 21	Stepin Fetchit (Lincoln Theodore Perry): contact information, 1998 February 10 Note: Also includes McBride correspondence with editors of Film Quarterly, 1998; clippings (including McBride's Milwaukee Journal article, December 10, 1979).
Box 46 Folder 22	James Fitzsimmons: contact information, 1987 October 28
Box 46 Folder 23	Henry Fonda: clippings
Box 46 Folder 24	Barbara Ford: clippings
Box 46 Folder 25	Dan Ford: clipping of television interview by Scott Eyman
Box 46 Folder 26	Francis Ford: research notes, including notes on an unpublished autobiography; clippings
Box 46 Folder 27	Mary Ford: clippings, cyclostyled typescript of interview with Anthony Slide and June Banker, 1977 April 23 Note: Annotated by McBride.
Box 46 Folder 28	Patrick Ford: credits from IMDB
Box 46 Folder 29	Samuel Fuller: interview, 1997 November 23 Note: Photocopy excerpt from Lee Server, Sam Fuller: Film Is a Battleground (Jefferson, North Carolina: McFarland, 1994).
Box 46 Folder 30	Althea Gibson: correspondence
Box 46 Folder 31	Hoot Gibson: clipping
Box 46 Folder 32	Katharine Hepburn: clippings, pages from typescript of Searching for John Ford
Box 46 Folder 33	Ben Johnson: clippings: interview, 1995 June 16
Box 46 Folder 34	Burt Kennedy: clipping; interview, 1995 July 5
Box 46 Folder 35	Fred Kennedy: clippings of obituaries, 1958 December
Box 46 Folder 36	Michael Morris, Lord Killanin: clippings
Box 46 Folder 37	Larry Kleno: notes on phone conversation, 1987 October 28
Box 46 Folder 38	Anna Lee: correspondence; interviews, 1987 November 3
Box 46 Folder 39	Jack Lemmon: interview
Box 46 Folder 40	Roddy McDowall: notes on phone conversation, clipping, 1987 October 28
Box 46 Folder 41	Jack P. Mackenzie Jr.: clipping
Box 46 Folder 42	John Lee Mahin: clipping
Box 47 Folder 1	Karl Malden: letter from McBride to Malden, 1998 February 23
Box 47 Folder 2	Vera Miles: notes, 1981 February 20
Box 47 Folder 3	Winston Miller: clipping
Box 47 Folder 4	Pauline Moore (Watkins): clipping; letter from Moore to McBride, 1998 April 9 Note: Also includes interview, April 3, 1998.
Box 47 Folder 5	Friedrich Murnau: draft typescript of Janet Bergstrom's “Murnau in America,” 1991 September 19
Box 47 Folder 6	Dudley Nichols: clippings
Box 47 Folder 7	Richard M. Nixon Note: Includes copy of Nixon letters to John Ford, March 28, 1953, August 16, 1973; Nixon, “Reflections on John Ford,” January 6, 1988; letters from Nixon to McBride, January 5, 1987; and McBride to Nixon, January 9, 1988.
Box 47 Folder 8	Jeanette Nolan: clipping of obituary, 1998 June 9
Box 47 Folder 9	Eva Novak: clipping of obituary, 1988 April 21
	Frank S. Nugent
Box 47 Folder 10	Clippings
Box 47 Folder 11	Notes on Nugent-scripted films and books and articles about Nugent
Box 47 Folder 12	Proof, drafts and correspondence regarding McBride's article “The Pathological Hero's Conscience,” Written By (2001)
Box 47 Folder 13	Expenses lists regarding the Written By article
Box 47 Folder 14	George O'Brien: clippings
Box 47 Folder 15	Pat O'Brien: clipping
Box 47 Folder 16	Sean O'Casey: notes and clipping
Box 47 Folder 17	Maureen O'Hara: clippings
Box 47 Folder 18	Peter Ortiz: clipping of obituary, 1988 May 24
Box 47 Folder 19	Betsy Palmer: interview, 1998 March 19
Box 47 Folder 20	Tom Pryor: notes on phone conversation, 1997 November 5
Box 47 Folder 21	Lewis Burwell “Chesty” Puller: clippings
Box 47 Folder 22	Waverly Ramsey: interview, 1987 November
Box 47 Folder 23	Ronald Reagan: clippings
Box 47 Folder 24	Russell Reeder: clipping of obituary, 1988 March 1
Box 47 Folder 25	Irene Rich: clippings of obituaries, 1988 April 25
Box 47 Folder 26	Will Rogers: clippings, research notes
Box 47 Folder 27	Bernard Smith: notes on phone conversations, 1987 November Note: Also includes obituary, December 31, 1999.
Box 47 Folder 28	Laurence Stallings: clipping
Box 47 Folder 29	George Stevens: research notes on George Stevens Papers, AMPAS, 1988 April 21
Box 47 Folder 30	James Stewart: interview, 1987 November Note: Also includes obituary, May 11, 1998.
Box 47 Folder 31	Woody Strode: notes on phone conversation, clippings, 1987 October 28
Box 48 Folder 1	Gloria Stuart: clippings
Box 48 Folder 2	James Stuart: clipping
Box 48 Folder 3	Shirley Temple (Black): clippings
Box 48 Folder 4	Bob Thomas: notes on phone conversation, 1987 June 28
Box 48 Folder 5	Constance Towers: clippings, research notes
Box 48 Folder 6	Claire Trevor (Bren): clippings, taped interview, 1998 April 1
Box 48 Folder 7	Raoul Walsh: clipping, notes on They Died with Their Boots On (1942)
Box 48 Folder 8	John Wayne: notes and correspondence regarding McBride, “Hail to the Duke,” American Movie Classics Magazine 14, no. 7 (July 2001): 4-5; clippings; photocopies of articles on Wayne
Box 48 Folder 9	Frank “Spig” Wead: clippings
Box 48 Folder 10	Albert Wedemeyer: clippings
Box 48 Folder 11	Richard Widmark: clippings
Box 48 Folder 12	Hank Worden: interviews, undated
Box 48 Folder 13	Billy Yellow: interview; clippings Note: Includes material on other Navajo appearing in Ford's films.
Box 48 Folder 14	Loretta Young: letter from McBride to Young, 1988 February 17
Box 48 Folder 15	Darryl Zanuck: clippings, draft pages from Searching for John Ford
	Works
	Film files Note: Materials on films directed by John Ford and a few with which he had other connections (films directed by Ford unless otherwise stated), arranged alphabetically by title. Materials consist of clippings, copies of critical articles, and film viewing notes by McBride. See critical articles on Ford's work as a whole in Boxes 41 and 42.
Box 48 Folder 16	Clippings and viewing notes on more than one Ford-directed film
Box 48 Folder 17	Soul Herder, The (Universal Pictures, 1917)
Box 48 Folder 18	Straight Shooting (Universal Pictures, 1917)
Box 48 Folder 19	Last Outlaw, The (Universal Pictures, 1919)
Box 48 Folder 20	Outcasts of Poker Flat, The (Universal Pictures, 1919)
Box 48 Folder 21	Marked Men (Universal Pictures, 1919)
Box 48 Folder 22	Desperate Trails (Universal Pictures, 1921)
Box 48 Folder 23	Iron Horse, The (Fox Film Corporation, 1925)
Box 48 Folder 24	3 Bad Men (Fox Film Corporation, 1926)
Box 48 Folder 25	Four Sons (Fox Film Corporation, 1928)
Box 48 Folder 26	Hangman's House (Fox Film Corporation, 1928)
Box 48 Folder 27	Men without Women (Fox Film Corporation, 1930)
Box 48 Folder 28	Up the River (Fox Film Corporation, 1931)
Box 48 Folder 29	Arrowsmith (Howard Productions, 1931)
Box 48 Folder 30	Air Mail (Universal Pictures, 1932)
Box 48 Folder 31	Flesh (MGM, 1932)
Box 48 Folder 32	Pilgrimage (Fox Film Corporation, 1933)
Box 48 Folder 33	Doctor Bull (Fox Film Corporation, 1933)
Box 48 Folder 34	Judge Priest (Fox Film Corporation, 1934)
Box 48 Folder 35	Informer, The (RKO, 1935)
Box 48 Folder 36	Steamboat Round the Bend (Fox Film Corporation, 1935)
Box 48 Folder 37	Prisoner of Shark Island, The (20th Century-Fox, 1936)
Box 49 Folder 1	Mary of Scotland (RKO, 1936)
Box 49 Folder 2	Plough and the Stars, The (RKO, 1937)
Box 49 Folder 3	Wee Willie Winkie (20th Century-Fox, 1937)
Box 49 Folder 4	Hurricane, The (Samuel Goldwyn, 1937)
Box 49 Folder 5	Four Men and a Prayer (20th Century-Fox, 1938)
Box 49 Folder 6	Stagecoach (Walter Wanger Productions / United Artists, 1939)
Box 49 Folder 7	Young Mr. Lincoln (20th Century-Fox, 1939)
Box 49 Folder 8	Drums along the Mohawk (20th Century-Fox, 1939)
Box 49 Folder 9	Grapes of Wrath, The (20th Century-Fox, 1940)
Box 49 Folder 10	Long Voyage Home, The (Argosy Corporation/United Artists, 1940)
Box 49 Folder 11	Tobacco Road (20th Century-Fox, 1941)
Box 49 Folder 12	How Green Was My Valley (20th Century-Fox, 1941)
Box 49 Folder 13	Sex Hygiene (directed by John Ford and Otto Brower, U.S. Army Signal Corps, 1942)
Box 49 Folder 14	Battle of Midway, The (U.S. Navy, 1942)
Box 49 Folder 15	December 7th (U.S. Navy, 1943)
Box 49 Folder 16	They Were Expendable (MGM, 1945)
Box 49 Folder 17	My Darling Clementine (20th Century-Fox, 1946)
Box 49 Folder 18	Fugitive, The (Argosy Pictures/RKO, 1947)
Box 49 Folder 19	Fort Apache (Argosy Pictures/RKO, 1948)
Box 49 Folder 20	3 Godfathers (Argosy Pictures/MGM, 1948)
Box 49 Folder 21	Pinky (directed by Elia Kazan, 20th Century-Fox, 1949)
Box 49 Folder 22	Mighty Joe Young (directed by Ernest B. Schoedsack, Argosy Pictures/RKO, 1949)
Box 49 Folder 23	She Wore a Yellow Ribbon (Argosy Pictures/RKO, 1949)
Box 49 Folder 24	When Willie Comes Marching Home (20th Century-Fox, 1950)
Box 49 Folder 25	Wagon Master (Argosy Pictures/RKO, 1950)
Box 49 Folder 26	Rio Grande (Argosy Pictures/RKO, 1950)
Box 50 Folder 1	This Is Korea (U.S. Navy/Republic Pictures, 1951)
Box 50 Folder 2	Quiet Man, The (Argosy Pictures/Republic, 1952)
Box 50 Folder 3	What Price Glory (20th Century-Fox, 1952)
Box 50 Folder 4	Sun Shines Bright, The (Argosy Pictures/Republic, 1953)
Box 50 Folder 5	Mogambo (MGM, 1953)
Box 50 Folder 6	Long Gray Line, The (Columbia Pictures, 1955)
Box 50 Folder 7	Mister Roberts (Orange Productions/Warner Bros., 1955)
Box 50 Folder 8	Searchers, The (C.V. Whitney Pictures/Warner Bros., 1956)
Box 50 Folder 9	Growler Story, The (U.S. Navy, 1957)
Box 50 Folder 10	Wings of Eagles, The (MGM, 1957)
Box 50 Folder 11	Rising of the Moon, The (Four Provinces Productions/Warner Bros., 1957)
Box 50 Folder 12	Last Hurrah, The (Columbia Pictures, 1958)
Box 50 Folder 13	Gideon's Day [United States title: Gideon of Scotland Yard] (Columbia [British], 1959)
Box 50 Folder 14	Horse Soldiers, The (Mirisch Company/United Artists, 1959)
Box 50 Folder 15	Sergeant Rutledge (Warner Bros./Columbia Pictures, 1960)
Box 50 Folder 16	Two Rode Together (John Ford Productions, 1961)
Box 50 Folder 17	Man Who Shot Liberty Valance, The (Paramount Pictures, 1962)
Box 50 Folder 18	How the West Was Won, Part 3: The Civil War (MGM, 1963)
Box 50 Folder 19	Donovan's Reef (Paramount Pictures, 1963)
Box 50 Folder 20	Cheyenne Autumn (Ford-Smith Productions/Warner Bros., 1964)
Box 51 Folder 1	Young Cassidy (directed by Jack Cardiff, Sextant Films/MGM, 1965)
Box 51 Folder 2	7 Women (John Ford Productions/MGM, 1966)
Box 51 Folder 3	Vietnam! Vietnam! (directed by Sherman Beck, USIA, 1971)
Box 51 Folder 4	Chesty: A Tribute to a Legend (1976)
	Television
Box 51 Folder 5	Jane Wyman Presents, segment The Bamboo Cross (NBC, 1955)
Box 51 Folder 6	Screen Directors Playhouse, segment Rookie of the Year (NBC, 1955)
Box 51 Folder 7	Alcoa Premiere, segment Flashing Spikes (ABC, 1962)
	Film about John Ford
Box 51 Folder 8	Proposed documentary to be directed by Joseph McBride: draft scripts and correspondence, 1997
	Book Preparation
	Searching for John Ford (New York: St. Martin's Press, 2001)
	Outlines
Box 51 Folder 9	Early outlines, circa 1980s
Box 51 Folder 10	Chapter outlines, 1998
Box 51 Folder 11	Outline, 1999 March
	Draft typescripts
Box 51 Folder 12	Acknowledgments
Box 51 Folder 13	Introduction
Box 51 Folder 14	Chapter 1
Box 51 Folder 15	Chapter 2
Box 51 Folder 16	Chapter 6
Box 51 Folder 17	Section on The Informer
Box 51 Folder 18	Chapter 8
Box 51 Folder 19	Section on The Searchers
Box 52 Folder 1	Chapters 8 and 9
Box 52 Folder 2	Chapter 10
Box 52 Folder 3-4	Chapter 11
Box 52 Folder 5	Chapter 12
Box 52 Folder 6-7	Notes, general
Box 53 Folder 1	Notes, revised, 1999 October-November
Box 53 Folder 2	Notes, Chapters 1 and 2
Box 53 Folder 3	Notes, Chapter 3
Box 53 Folder 4	Notes, Chapter 13
Box 53 Folder 5	Notes, long version, 2000 January 18
Box 53 Folder 6	Notes, long version, annotated
Box 53 Folder 7	Notes, condensed
Box 53 Folder 8	Revisions, 2000 August
Box 53 Folder 9	Interview list
Box 53 Folder 10	Filmography
Box 53 Folder 11	Illustrations: photocopies
Box 53 Folder 12	Illustration captions
Box 53 Folder 13	Word counts
Box 54 Folder 1-3	Complete draft
Box 54 Folder 4	Fixes
Box 54 Folder 5	Fixes, Introduction and Chapters 1-9
Box 54 Folder 6	Fixes, Chapters 10-13
Box 55 Folder 1-2	Final Fixes
Box 55 Folder 3	Copy of beginning marked “3/1”
Box 55 Folder 4	“Copy for Ruth O'Hara” of Ford manuscript (pp. 1-120)
	Correspondence with the publisher and comments on the typescript
Box 55 Folder 5	Comments by Peter Bogdanovich: record of a conversation, 1996 September 5
Box 55 Folder 6	Richard Parks: correspondence regarding the book with Parks, Joseph McBride's agent
Box 55 Folder 7	St. Martin's Press and Faber and Faber: correspondence, 1999
Box 55 Folder 8	St. Martin's Press: correspondence, 2001
Box 56 Folder 1	Henry Kaufman: legal review of the typescript, 2000
	Copy editing
Box 56 Folder 2	St. Martin's Press style sheet for the book
Box 56 Folder 3-6	Correspondence with Julia Pastore of St. Martin's Press, draft pages proposed changes, photocopies of proposed illustrations, 2000
Box 56 Folder 7-8	Copy-edited typescript I, 2000 February
Box 57 Folder 1-3	Copy-edited typescript I (continued)
Box 57 Folder 4	Typescript changes, 2000 July 24
Box 57 Folder 5-6	Copy-edited typescript II, 2000 July-August
Box 58 Folder 1-3	Copy-edited typescript II (continued)
Box 58 Folder 4	Revisions after submission of the typescript
	Permissions
Box 58 Folder 5	Drafts of letters seeking permissions for quotations from published works
Box 58 Folder 6	Permissions letters
Box 59 Folder 1	Permissions for citation of Variety: correspondence
Box 59 Folder 2	Cutting to bring quotations within the limits of fair use
Box 59 Folder 3	Photo permissions
	Proofs
Box 59 Folder 4-6	Page proof, 2000 October-November
Box 60 Folder 1-5	Page proof, 2000 December
Box 61 Folder 1	Notes on proofs, 2001 January-March
Box 61 Folder 2-5	Page proof, 2001
Box 62 Folder 1	Page proof, backmatter
Box 62 Folder 2	Proof corrections, 2001 June
Box 62 Folder 3	Final proof of illustrations
Box 62 Folder 4	Cover art suggestions
Box 62 Folder 5	Book jacket copy
Box 62 Folder 6	Correspondence on proofs for the paperback edition, 2002
	Publicity and Sales
Box 62 Folder 7	Proofs of publicity materials, 2001 May
Box 62 Folder 8	Correspondence
Box 62 Folder 9	St. Martin's Press publicity materials for the book
Box 62 Folder 10	Author's book signings
Box 62 Folder 11	Negotiations over publication of extract in New York Review of Books
Box 62 Folder 12	Clippings and photocopies of reviews
Box 62 Folder 13	Post-publication letters to the author about the book
Box 62 Folder 14	Email interview with McBride by Jason Walsh about the book, 2001 September
Box 62 Folder 15	Royalty statements, 2000-2001
	A la recherche de John Ford / translated by Jean-Pierre Coursodon (Arles: Institut Lumiere/Actes Sud, 2007) Note: French translation of Searching for John Ford
Box 62 Folder 16	Institut Lumiere correspondence
Box 63 Folder 1-3	Page proof
Box 63 Folder 4	Correspondence about French version with publishers, 2007 January-July
Box 63 Folder 5	Letter to McBride from Bertrand Tavernier, 2007 July
Box 64 Folder 1	List of proposed changes, 2007 July 17
Box 64 Folder 2	List of proposed changes, 2007 July 19
Box 64 Folder 3	List of changes and notes, 2007 July 20
Box 64 Folder 4	List of changes sent to Institut Lumiere, 2007 August 17
Box 64 Folder 5	Final correspondence about changes, 2007 October
Box 64 Folder 6	Copy of the book
Box 64 Folder 7	Publicity and reviews of the French edition
	Ford-related materials subsequent to publication of book
Box 64 Folder 8	Correspondence about the book with proposals for articles by McBride on Ford; drafts of talks on Ford; notes and correspondence with Ford associates and others with Ford information and anecdotes; clippings
Box 65 Folder 1	Photocopies and clippings of articles about Ford after 2001
Box 65 Folder 2	John Ford Goes to War (FBN Productions, correspondence, clippings, including 1999 proposal to Harrison Engle of Signal Hill Entertainment, 2002), documentary co-produced by Joseph McBride
Box 65 Folder 3-4	“'Impetuous! Homeric!': The Quiet Man Turns Fifty,” Irish America (February-March 2002): 56-9: drafts
Box 65 Folder 5	Correspondence regarding introduction to Ford interview by Tag Gallagher in the online magazine Film Journal, 2005 April
Box 65 Folder 6	DVD commentary on The Informer, by Joseph McBride, for Sparkhill Productions and Warner Home Video (2006): correspondence and research materials
Box 65 Folder 7-8	DVD commentary on Cheyenne Autumn, by Joseph McBride, for Sparkhill Productions and Warner Home Video (2006)
Box 65 Folder 9	DVD commentary on Pilgrimage, by Joseph McBride, for the 20th Century-Fox Ford at Fox DVD box set (2006)
Box 65 Folder 10	“John Ford's Long Voyage to Homevideo” by Joseph McBride drafts of history of Warner Bros./20th Century-Fox's box set of Ford DVDs for Directors Guild of America Quarterly (2006)
	“Ford at Fox,” by Joseph McBride, essay in Twentieth Century-Fox book and DVD collection Ford at Fox (2007)
Box 66 Folder 1	Agreements, correspondence, clippings, research
Box 66 Folder 2-3	Drafts
Box 66 Folder 4	Redline version and revisions, 2007 June 15
Box 66 Folder 5	As published
Box 66 Folder 6	Ford course taught by McBride at San Francisco State University, class assignment on The Quiet Man, 2007
Box 66 Folder 7	Becoming John Ford Note: Video documentary produced by Boston Road Productions featuring and with consultancy by Joseph McBride, 2007. Includes: correspondence with Jamie Willett, Julie Kirgo and Janet Bergstrom on his appearance in the film and his audio commentary for the DVD presentation of Pilgrimage for 20th Century-Fox boxed set Ford at Fox; screening of the film, introduced by McBride, at the Cinequest Film Festival, San Jose, California, March 1, 2008: correspondence and flyer for the event.
Box 66 Folder 8	Tiburon International Film Festival, screening of John Ford/John Wayne: The Filmmaker and the Legend (directed by Samuel Pollard, PBS American Masters video, 2006), introduced by Joseph McBride, 2008 March 13-21 Note: Festival program, notes, draft of speech.
	Steven Spielberg
	Research
Box 67 Folder 1-8	Miscellaneous notes, correspondence, clippings
	Books on Spielberg
Box 67 Folder 9	Steven Spielberg Study Guide (Los Angeles: American Film Institute, 1979): photocopy
Box 67 Folder 10	John Baxter, Steven Spielberg: The Unauthorized Biography (New York: Harper Collins, 1996): clipping
Box 67 Folder 11	Tom Collins, Steven Spielberg: Creator of ET (Minneapolis, Minnesota: Dillon Press, 1983): photocopy
Box 67 Folder 12	Roger Ebert and Gene Siskel, The Future of the Movies: Interviews with Martin Scorsese, Steven Spielberg, and George Lucas (Kansas City: Andrews and McMeel, 1991): photocopy
Box 67 Folder 13	Marcial Cantero Fernandez, Steven Spielberg (Madrid, Spain: Ediciones Ctedra, 1993): photocopy
Box 67 Folder 14	Jim Hargrove, Steven Spielberg Amazing Filmmaker (Chicago: Childrens Press, 1988): photocopy