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Container
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Title
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Series: Motion Pictures-Produced
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Aaron Slick from Punkin Crick (1951, PAR)
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Box
2
Folder
1
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Shooting schedule, 1951, April 16-June 7
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Box
2
Folder
2
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Dialogue continuity, 1951, June 26
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Box
2
Folder
3
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Sheet music for “Marshmallow Moon” and “You Gotta Show Me,” undated
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Box
2
Folder
4
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Clippings, 1951, June
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Box
2
Folder
5
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Accent on Youth (1935, PAR)
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Script, 1935, April 16
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Box
2
Folder
6
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Certificate of authorship, 1935, April 30
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And the Angels Sing (1944, PAR)
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Box
2
Folder
7
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Clippings, reviews, 1944
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Arizona (1940, COL)
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Box
2
Folder
8
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Dialogued treatment, 1939, April 6
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Box
2
Folder
9
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Suggested revisions, 1939, March, August
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Box
2
Folder
10
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Estimating script, first draft, 1939, June 20
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Box
2
Folder
11
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Research breakdown for estimating script, first draft, 1939, June 28
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Box
2
Folder
12
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Script, final draft, 1939, August 22
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Box
2
Folder
13
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Production notes and cast list, circa 1939
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Box
2
Folder
14
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Script, second revised final, 1940, March 2
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Box
3
Folder
1
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Shooting schedule, 1940, July 17
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Box
3
Folder
2
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Clippings, reviews, 1940-1941
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The Bride Comes Home (1935, PAR)
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Box
3
Folder
3
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Treatment, circa 1935, February 13
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Box
3
Folder
4
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Script, 1935, August 12
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Box
3
Folder
4
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Partial revisions, 1935, September, October
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Can-Can (1960, F)
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Box
3
Folder
5
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Agreement, 1956
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College Humor (1933, PAR)
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Box
3
Folder
6
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Treatment, co-authored by Joseph L. Mankiewicz, circa 1932, October 18
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Box
3
Folder
7
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First script, co-authored by Fred Niblo,Jr., 1932, December 13
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Box
3
Folder
8
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Certificate of authorship, 1932, December 15 and 1933,April 12
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Box
3
Folder
9
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Revised final script, co-authored by Frank Butler, 1933, March 10
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Box
3
Folder
10
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Third final script, co-authored by Frank Butler, 1933, March 20
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Cross My Heart (1946, PAR)
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Box
3
Folder
11
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Reviews, 1946, November
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The Daring Young Man (1935, F)
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Box
3
Folder
12
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Treatment, “Man Proposes,” co-authored by Sidney Skolsky, undated
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Box
3
Folder
13
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Treatment, “Safe in Jail,” co-authored by Sidney Skolsky, undated
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Box
3
Folder
14
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Agreement, “Safe in Jail,” 1934, October 30
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Dixie (1943, PAR)
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Box
3
Folder
15
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Treatment, undated
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Box
3
Folder
16
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Reviews, clippings, 1943, June-August
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Down Among the Sheltering Palms (1953, F)
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Box
3
Folder
17
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Working script, “Friendly Island,” 1950, August 22
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Dream Boat (1952, F)
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Box
4
Folder
1
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Continuity and dialogue revisions from a conference on the first draft, 1951, November 2
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Box
4
Folder
2
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Cross-plot sheets, 1951, December 7
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Box
4
Folder
3
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Comments, 1951, December 7
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Box
4
Folder
4
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Censor's revisions, 1951, December 11
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Box
4
Folder
5
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Estimated footage, first draft, 1951, December 12
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Box
4
Folder
6
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Music requirements, 1951, December 13
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Box
4
Folder
7
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Index to breakdown from final script dated 1951, November 29; 1951, December 14
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Box
4
Folder
8
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Index to breakdown of silent film sequence, 1951, December 14
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Box
4
Folder
9
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Wardrobe plot, 1951, December 20
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Box
4
Folder
10
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Orientation diagram for television sequence, undated
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Box
4
Folder
11
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Agreement, 1952, February 12
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Box
4
Folder
11
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Retakes for final script, 1952, February 21
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Family Honeymoon (1948, U)
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Box
4
Folder
12
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Revised final screenplay, by Dane Lussier, 1948, May 24
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Box
4
Folder
13
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Clippings, 1948, circa June-December
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Gambling Ship (1948, U)
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Box
4
Folder
14
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Final script, 1933; April 4
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Box
4
Folder
15
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Revised final script, 1933, April 20
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Box
4
Folder
16
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Certificate of authorship, 1933, June 16
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Gilded Lily (1935, PAR)
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Box
4
Folder
17
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Treatment, 1934, June 7
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Box
4
Folder
18
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Incomplete script, undated
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Box
4
Folder
19
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Certificate of authorship, 1934, November 20
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Girl Without a Room (1933, PAR)
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Box
4
Folder
20
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Final script, “She Made Her Bed,” co-authored by Frank Butler, 1933, September 16
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Here Come the Girls (1953, PAR)
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Box
5
Folder
1
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Agreement, “Girls Are Here to Stay,” 1952, February 12
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Box
5
Folder
2
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Dialogue continuity, undated
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Box
5
Folder
3
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Advertisement, undated
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Holiday Inn (1942, PAR)
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Box
5
Folder
4
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Outline, 1941, August 29
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Box
5
Folder
5
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Revisions in latter portion, 1941, September 27
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Box
5
Folder
6
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Script, 1941, October 13
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Box
5
Folder
7
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Notice of tentative credits, 1941, November 21
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Box
5
Folder
7
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Revised script, 1941, November 24
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Box
5
Folder
8
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Clippings, reviews, 1942
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I Met Him in Paris (1937, PAR)
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Box
5
Folder
9
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Treatment, 1936, October 28
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Box
5
Folder
10
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Revised script, 1937, January 15
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If I Had a Million (1932, PAR)
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Box
5
Folder
11
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Final script for the episode of the Three Marines, co-adapted by Joseph L. Mankiewicz, 1932, October 10
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Box
5
Folder
12
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Revised final script for the episode of the Three Marines, co-adapted by Joseph L. Mankiewicz, undated
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Incendiary Blonde (1945, PAR)
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Box
5
Folder
13
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Notes, “Texas Guinan,” 1941, July 2
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Box
5
Folder
14
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Treatment, “Texas Guinan,” 1941, July 28
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Box
5
Folder
15
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Script, “Texas Guinan,” 1942, March 11
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Box
5
Folder
16
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Obituaries re Texas Guinan, 1933
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Box
5
Folder
16
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Clippings, “The Smoothest Gal in Town,” undated
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Box
6
Folder
1
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Clippings, reviews, 1945
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Invitation to Happiness (1939, PAR)
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Box
6
Folder
2
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Treatment, “King Cole's Woman,” 1938, June 18
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Box
6
Folder
3
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Script, 1938, December 1
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Box
6
Folder
4
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Script dated 1938, December 1, with revisions, undated
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Box
6
Folder
5
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Notice of final credits, clippings, reviews, 1938-1939
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Kisses For My President (1964, WA)
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Box
6
Folder
6
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Treatment, 1963, March 1
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Box
6
Folder
7
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Script, 1963, April 18-May 15
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Box
6
Folder
8
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Estimating script, 1963, May 27
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Box
6
Folder
9
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Script, 1963, June-July
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Ladies Should Listen (1934, PAR)
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Box
7
Folder
1
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Certificate of authorship, 1933, December 22
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Box
7
Folder
2
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First script, co-authored by Frank Butler, 1934, February 5
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Many Happy Returns (1934, PAR)
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Box
7
Folder
3
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Script, “Burns and Allen and Guy Lombardo Story,” 1934, March 9
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Box
7
Folder
4
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Certificate of authorship, 1934, March 27
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Box
7
Folder
4
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Censor's revisions, 1934, July 12
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Mississippi (1935, PAR)
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Box
7
Folder
5
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Script, 1934, November 6
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Box
7
Folder
6
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Certificate of authorship, 1934, December 18
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Mother Didn't Tell Me (1950, F)
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Box
7
Folder
7
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Agreements, “The Doctor Has Three Faces,” 1948-1949
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Box
7
Folder
8
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Final script, “Oh, Doctor!,” 1949, March 23
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Box
7
Folder
9
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Revised final script, “The Doctor Wears Three Faces,” 1949, April 12
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Box
7
Folder
10
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Revised final script dated 1949, April 12 with some additional revisions, , undated
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No Time for Love (1943, PAR)
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Box
8
Folder
1
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Script, 1942, June 3
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Box
8
Folder
2
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Script revisions, 1942, June 11
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Box
8
Folder
3
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Reviews, clippings, undated
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North to Alaska (1960, F)
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Box
8
Folder
4
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Agreement, “The Alaskans,” 1959, December 2
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Box
8
Folder
4
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Clippings, reviews, 1960, November
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Pepe (1961, COL)
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Box
8
Folder
5
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Reviews, 1960, December
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Rally `Round the Flag Boys (1958, F)
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Box
8
Folder
6
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Agreements, 1958
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Satan Never Sleeps (1962, F)
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Box
8
Folder
7
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Agreements, “China Story,” 1960-1961
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Box
8
Folder
8
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Second revised screenplay, “China Story,” co-authored by Leo McCarey, 1961, February 17
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Saxon Charm (1948, U)
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Box
8
Folder
9
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Contracts and supplemental correspondence re “Midnight Lace,” 1947-1948
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Box
8
Folder
10
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Clippings, press preview invitation, reviews, 1948
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Search for Beauty (1934, PAR)
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Box
8
Folder
11
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Final script, co-authored by Frank Butler, 1933, October 28
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Box
8
Folder
12
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Certificate of authorship, 1933, November 17
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She Made Her Bed (1934, PAR)
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Box
8
Folder
13
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Certificate of authorship, 1933
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Shoot the Works (1934, PAR)
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Box
8
Folder
14
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Script, “Thank Your Stars,” 1934, March 31
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Box
8
Folder
15
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Script, “Thank Your Stars,” annotated with revisions, undated
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Box
8
Folder
16
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Sound scene report, 1934, May 3
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Box
8
Folder
17
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Censor's revisions, 1934, August 23
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Box
8
Folder
17
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Lyrics, “Thank Your Stars,” undated
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Sing, Boy, Sing (1958, F)
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Box
8
Folder
18
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Agreement, “The Singin' Idol,” 1957
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Sing You Sinners (1938, F)
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Box
8
Folder
19
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Treatment and accompanying notes, 1937, December 29
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Box
9
Folder
1
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Script, 1938, March 18
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Box
9
Folder
2
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Clippings, reviews, 1938
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Stella (1950, F)
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Box
9
Folder
3
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Final script, 1950, February 27
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Stolen Harmony (1935, PAR)
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Box
9
Folder
4
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Script, 1934, December 21
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Suddenly It's Spring (1947, PAR)
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Box
9
Folder
6
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Script, 1946, February 5
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Box
9
Folder
7
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Clippings, reviews, 1947
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Take a Letter, Darling (1942, PAR)
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Box
9
Folder
8
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Agreements, 1941, April-May
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Box
9
Folder
9
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Treatment, 1941, May 28
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Box
9
Folder
10
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Script, 1941, November 14
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Box
9
Folder
11
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Notice of tentative credits, 1941, December 1
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Box
9
Folder
11
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Clippings, reviews, promotional material, 1941-1942
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Terror Aboard (1933, PAR)
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Box
12
Folder
6
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Cast list and script, “Dead Reckoning,” February, 1933
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This Is the Army (1943, WA)
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Box
9
Folder
12
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Outline and notes, undated
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Box
9
Folder
13
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Revised outline, undated
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Box
10
Folder
1
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Revised final script, part I, 1943, February 11
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Box
10
Folder
2
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Reviews, clippings, 1943, July-August
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Too Many Husbands (1940, COL)
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Box
10
Folder
3
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Rewritten scenes, annotated, undated
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Box
10
Folder
4
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Final script, 1939, December 2
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Box
10
Folder
5
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Clippings, preview quotations, undated
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True Confessions (1937, PAR)
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Box
10
Folder
6
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Playscript, “Mon Crime!,” by Georges Berr and Louise Verneuil, undated
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Box
10
Folder
7
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Treatment, 1937, May 17
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Box
10
Folder
8
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Script, 1937, July 25
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Box
10
Folder
9
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Script, 1937, August 28
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Box
10
Folder
10
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Censor's revisions, 1937, September 3
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Box
10
Folder
11
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Revisions, 1937, September 24
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Box
10
Folder
12
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Synopsis from Movie Story Magazine, 1938, January
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Valiant Is the Word for Carrie (1936, PAR)
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Box
10
Folder
13
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Synopsis, 1936, April 8
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Box
10
Folder
14
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Script, 1936, May 18
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Box
11
Folder
1
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Script, 1936, June 12
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Box
11
Folder
2
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Script with revisions, post 1936, June 12
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The Way to Love (1933, PAR)
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Box
11
Folder
3
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Script, undated
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Box
11
Folder
4
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Certificate of authorship, 1933, July 12
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Well-Groomed Bride (1946, PAR)
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Box
11
Folder
5
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Agreements, 1944-1945
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Box
11
Folder
6
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Reviews, advertising, 1946
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A Woman's World (1954, AF)
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Box
11
Folder
7
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Agreement, 1953, April, October
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Box
11
Folder
8
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Treatment, 1953, May 26
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Box
11
Folder
9
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General comment from a conference on the treatment by Zanuck, 1953, July 25
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You Belong to Me (1941, COL)
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Box
11
Folder
10
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First draft screenplay, “The Doctor Is A Lady,” 1940, November 26
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Box
11
Folder
11
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Script, first draft with revisions, undated
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Box
11
Folder
12
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Final script, “The Doctor's Husband,” 1941, February 14
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Box
12
Folder
1
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Revised final script, “The Doctor's Husband,” 1941, March 14
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Box
12
Folder
2
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Pages replaced by censorship, circa 1941
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Box
12
Folder
3
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Credits and synopsis, 1941, August 28
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Box
12
Folder
4
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Reviews, promotional advertising, 1941-1942
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You Can't Run Away from It (1956, COL)
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Box
12
Folder
5
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Agreement, “It Happened One Night,” 1955, April 20
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