Cooperative Analysis of Broadcasting, Inc., Reports, 1932-1946

Contents List

Container Title
U.S. Mss 115AN
Series: Radio
Gracie Fields Show
Box   1A
Folder   1
“Gracie Fields Songs”
Scores, circa 1953
Hildegarde
Box   1A
Folder   2
“Play-off No. 3”
Conductor's score, instrumental parts, undated
Series: Television
America Pauses for Springtime (CBS-TV, March 30, 1959; sponsored by Coca Cola)
Box   1A
Folder   3
Script, revised March 20, 1959, notes
Box   1A
Folder   4
“America the Beautiful Medley, Part I, #8”
Vocal, conductor's scores, instrumental parts, March 30, 1959
Box   1A
Folder   5
“America the Beautiful Medley, Part II, #9,” ”American Heritage #9A”
Conductor's score, instrumental parts, March 30, 1959
Box   1A
Folder   6
“America the Beautiful Medley, Part III, #10”
Conductor's score, instrumental parts, March 30, 1959
Box   1A
Folder   7
“Herb Shriner Intro. #7”
Conductor's score, instrumental parts, March 30, 1959
Box   1A
Folder   8
“It's a Big, Wide, Wonderful World”
Two vocal scores, March 30, 1959
Box   1A
Folder   9
“Marge and Gower Champion”
Vocal, conductor's scores, March 30, 1959
Box   1A
Folder   10
“One Hundred Million Miracles, Part II, #12, #13”
Conductor's score, instrumental parts, March 30, 1959
Box   1A
Folder   11
“The Planet Earth #1,” composed by Sosnik
Conductor's score, instrumental parts, March 30, 1959
Box   1A
Folder   12
“Signs of Springtime”
Scores, March 30, 1959
Box   1B
Folder   13
“Spring Report #5”
Conductor's score, instrumental parts, March 30, 1959
Box   1B
Folder   14
“Teasers #3,” composed by Sosnik
Conductor's score, instrumental parts, March 30, 1959, annotated
Box   1B
Folder   15
“Utility - Optional B.G. Theme”
Conductor's score, instrumental parts, March 30, 1959
Box   1B
Folder   16
“Wake Up Spring #11”
Conductor's score, instrumental parts, March 30, 1959
Box   1B
Folder   17
“You'll Never Walk Alone”
Vocal, conductor's score, instrumental parts, March 30, 1959
America Pauses for Maytime (”The Merry Month of May”) (CBS-TV, May 18, 1959; sponsored by Coca Cola)
Box   1B
Folder   18
“America Pauses”
Vocal, conductor's scores, May 18, 1959
Box   1B
Folder   19
“Art Carney - Pixies at Play,” composed by Sosnik
Conductor's score, instrumental parts, May 18, 1959
Box   1B
Folder   20
“Closing”
Conductor's score, instrumental parts, May 24, 1959
Box   1B
Folder   21
“Closing Credits,” composed by Sosnik
Conductor's score, instrumental parts, May 24, 1959
Box   1B
Folder   22
“He's Got The Whole World in His Hands”
Vocal, conductor's scores, instrumental parts, May 18, 1959
Box   1B
Folder   23
“Most Unusual Day - B.G.,” composed by Sosnik
Conductor's score, instrumental parts, May 18, 1959
Box   1C
Folder   24
“My Lord, What a Mornin'”
Vocal, conductor's scores, instrumental parts, May 18, 1959
Box   1C
Folder   25
“Mystic Seaport Dance #7”
Piano-conductor's score, May 18, 1959, annotated
Box   1C
Folder   26
“Opening - Quiet Majesty”
Conductor's score, instrumental parts, May 18, 1959
Box   1C
Folder   27
“Reflections #16”
Conductor's score, instrumental parts, May 18, 1959
Box   1C
Folder   28
“Song Medley”
Piano-conductor's score, May 18, 1959
Box   1C
Folder   29
“Teasers #2” composed by Sosnik
Conductor's score, instrumental parts, May 18, 1959, annotated
America Pauses - for September (CBS--IV, September 18, 1959; sponsored by Coca Cola)
Box   1C
Folder   30
Notes, July 31, 1959
Box   1C
Folder   31
“Alan Young Spot”
Conductor's score, instrumental parts, September 18, 1959
Box   1C
Folder   32
“Alma Mater #5A”
Conductor's score, instrumental parts, September 18, 1959
Box   1C
Folder   33
“Americana #9”
Conductor's score, instrumental parts, September 18, 1959, annotated
Box   1C
Folder   34
“Bermuda Sequence”
Scores, September 18, 1959
Box   1C
Folder   35
“Hawaiian Spot, #4, #4A”
Conductor's score, instrumental parts, September 18, 1959
Box   1D
Folder   36
“Julie London, #6, #7”
Conductor's score, instrumental parts, September 18, 1959
Box   1D
Folder   37
“Opening”
Choir, conductor's scores, September 18, 1959
Box   1D
Folder   38
“Pagliacci”
Conductor's score, instrumental parts, September 18, 1959
Box   1D
Folder   39
“Teaser Closing”
Two drafts of conductor's scores, instrumental parts, September, 1959
America Pauses
Box   1D
Folder   40
“Boy in Amusement Park”
Scores, undated
Box   1D
Folder   41
“Circus Ponies”
Score, undated
Box   1D
Folder   42
“Finale Theme”
Vocal, conductor's scores, instrumental parts, undated
Box   1D
Folder   43
“It Was A Very Good Year”
Conductor's score, instrumental parts, undated
Box   45
Folder   1
“Marge and Gower Champion”
Conductor's score, March 30, 1959
Box   45
Folder   2
“A Most Unusual Day”
Conductor's score, by Larry Blyden, May 18, 1959
Box   45
Folder   3
“Mystic Seaport Dance”
Conductor's score, May 18, 1959
Box   1E
Folder   44
“Teaser Opening”
Conductor's score, instrumental parts, undated
Andy Williams
Box   1E
Folder   45
“Station Break,” ”Instrumental”
Violin parts, July 1959
Celebrity Talent Scouts
Box   1E
Folder   46
“Come to the Party,” composed by Sosnik
Conductor's score, instrumental parts, May 18, 1962
Box   1E
Folder   1
“I Know Why,” composed by Sosnik
Conductor's score, instrumental parts, May 15, 1962
Box   1E
Folder   2
“Jimmy Valentine”
Conductor's score, instrumental parts, undated
Box   1E
Folder   3
“Opening,” ”Revised Opening,” composed by Sosnik
Conductor's score, instrumental parts, July 13, August 4, 1960
Box   1E
Folder   4
“See You Later,” composed by Sosnik
Conductor's score, instrumental parts, circa 1960-1963
Emmy Awards
Box   1E
Folder   5
“Art Carney Play On,” composed by Sosnik
Conductor's score, instrumental parts, April 5, 1958
Box   1E
Folder   6
“Danny Thomas Play On”
Conductor's score, instrumental parts, April 11, 1958
Box   1E
Folder   7
“Dearie” (155-V)
Conductor's score, instrumental parts, April 8, 1958
Box   1E
Folder   8
“Gertrude Berg Play On,” composed by Sosnik
Conductor's score, instrumental parts, April 4, 1958
Box   1E
Folder   9
“News Commentary/See It Now,” composed by Sosnik
Conductor's score, instrumental parts, April 5, 1958
Box   1E
Folder   10
“Newsworthy Event Theme,” composed by Sosnik
Conductor's score, instrumental parts, April 5, 1958
Box   1E
Folder   11
“Opening and Closing Themes”
Conductor's score, instrumental parts, March 31, 1958
Box   2A
Folder   12
“Original Themes,” composed by Sosnik
Lyrics, scores, January 2, March 21, 23, 26, April 15, 1958
“Various Play Ons and Themes”
Box   2A
Folder   13
Scores, circa 1958
Box   2A
Folder   14
Scores composed by Sosnik, May 22, 1962, annotated
Box   2A
Folder   15
“Emmy's Theme,” composed by Sosnik
Conductor's score, instrumental parts, May 16, 1962
Box   2A
Folder   16
“Emmy's Theme”
Conductor's scores, instrumental parts, undated
Ernie Kovacs
Box   2A
Folder   17
“Commercial Opening Kovac Show”
Conductor's score, instrumental parts, undated
Box   2A
Folder   18
“Ernie Kovac's Interludes,” ”Eugene's Polka,” ”Gleason Theme,” ”Haydn Play Off,” composed by Sosnik
Conductor's score, instrumental parts, undated
Box   2A
Folder   19
“Karloff Sketch #1, #2, #3”
Conductor's score, instrumental parts, undated
Box   2A
Folder   20
“Kovac Play Off”
Conductor's score, instrumental parts, undated
Box   2A
Folder   21
“Movie Sketch”
Vocal, conductor's scores, July 9, 1956
Ford Show
Box   45
Folder   4
“Ain't We Got Fun #5”
Conductor's score and instrumental parts
Box   2B
Folder   22
“Alabamy Bound #4A”
Conductor's score, circa 1956-1961
Box   2B
Folder   23
“America, I Love You”
Conductor's score, instrumental parts, undated
Box   2B
Folder   24
“April Showers”
Vocal, conductor's scores, instrumental parts, circa 1956-1961
Box   2B
Folder   25
“Around the World, #13I, #13J”
Conductor's score, instrumental parts, circa 1956-1961, annotated
Box   2B
Folder   26
“Blizzard #13F”
Conductor's score, instrumental parts, circa 1956-1961
Box   2B
Folder   27
“Bows #1, #2”
Conductor's score, instrumental parts, circa 1956-1961
Box   2B
Folder   28
“Charleston Bit #3”
Conductor's score, instrumental parts, circa 1956-1961
Box   2B
Folder   29
“Closing,” composed by Sosnik
Conductor's score, instrumental parts, circa 1956-1961
Box   2B
Folder   30
“Comedy Man Listens to Radio”
Conductor's score, instrumental parts, circa 1956-1961, annotated
Box   2B
Folder   31
“Depression Years,” composed by Sosnik
Conductor's score, instrumental parts, October 6, 1959, annotated
Box   2B
Folder   32
“Determination #13H”
Conductor's score, instrumental parts, circa 1956-1961
Box   2B
Folder   33
“Duel and Romance”
Conductor's score, instrumental parts, circa 1956-1961
Box   2B
Folder   34
“Electronic”
Conductor's score, instrumental parts, circa 1959
Box   2B
Folder   35
“Fifties Medley”
Piano-conductor's score, undated
Box   2B
Folder   36
“G.I. Jive” (162-V)
Conductor's score, instrumental parts, undated
Box   2C
Folder   37
“The Hour of Parting,” composed by Sosnik
Vocal, conductor's scores, instrumental parts, May 24, 1959
Box   2C
Folder   38
“It's Easy to Remember”
Conductor's score, instrumental parts, May 23, 1959
Box   2C
Folder   39
“Jumpin' at the Woodside” (800)
Conductor's score, instrumental parts, April 26, May 18, 1960
Box   2C
Folder   40
“Let Me Entertain You”
Conductor's score, instrumental parts, circa 1956-1961, annotated
Box   2C
Folder   41
“Let Me Entertain You” (reprise)
Vocal, conductor's scores, instrumental parts, circa 1956-1961
Box   2C
Folder   42
“Medley #1, 1927-1936”
Vocal-choir, conductor's scores, undated
Box   2C
Folder   43
“Medley #2, 1940's”
Vocal, conductor's scores, undated
Box   2C
Folder   44
“Miller Medley” (164-V)
Conductor's score, instrumental parts, April 26, 1960
Box   2C
Folder   45
“Modern Mews”
Conductor's score, instrumental parts, undated
Box   2D
Folder   46
“Opening - Main Title - Americana,” composed by Sosnik
Conductor's score, instrumental parts, undated
Box   2D
Folder   47
“Party”
Conductor's score, instrumental parts, undated
Box   2D
Folder   48
“Picnic, Intro (new) and Finale”
Conductor's score, instrumental parts, circa 1956-1961
“Political Campaign Song Medley”
Box   45
Folder   5
Conductor's score, instrumental parts, circa 1956-1961, vol. 1
Box   45
Folder   6
Conductor's score, circa 1956-1961
Box   3A
Folder   1
Vocal score, circa 1956-1961, annotated
Box   3A
Folder   2
Script, vocal, piano-conductor's scores, circa 1959
Box   3A
Folder   3
Instrumental parts, circa 1959
Box   3A
Folder   4
“Post War 16”
Conductor's score, instrumental parts, circa 1956-1961
Box   3A
Folder   5
“Radio #7”
Conductor's score, instrumental parts, circa 1956-1961
Box   3A
Folder   6
“Reflections #13A, #13B”
Conductor's score, instrumental parts, circa 1956-1961
Box   3A
Folder   7
“Romantic #13G”
Conductor's score, instrumental parts, circa 1956-1961
Box   3A
Folder   8
“Russell Sketch #13C”
Conductor's score, instrumental parts, circa 1956-1961
Box   3B
Folder   9
“Shoo-Shoo Baby” (163-V)
Conductor's score, instrumental parts, undated
Box   3B
Folder   10
“Undercrank,” composed by Sosnik
Conductor's score, instrumental parts, September 24, 1959
Box   3B
Folder   11
“War Years”
Conductor's score, instrumental parts, circa 1956-1961, annotated
Box   45
Folder   7
“Western ballet”
Conductor's Scores, circa 1956-1961
Box   3B
Folder   12
“#13D”
Conductor's score, instrumental parts, circa 1956-1961
Box   3B
Folder   13
“#13K”
Conductor's score, instrumental parts, circa 1956-1961
Box   3B
Folder   14
“#19A”
Conductor's score, instrumental parts, circa 1956-1961
Guest Star Bond Program
Box   3B
Folder   15
“Closing Theme 'Our America,'” composed by Sosnik
Conductor's score, instrumental parts, circa 1947
Box   3B
Folder   16
“Opening Theme 'Our America,'” composed by Sosnik
Conductor's score, instrumental parts, September 15, 1947
Holiday on Ice
Box   3B
Folder   17
“Cantique de Noel,” arranged by Sosnik; ”0 Little Town of Bethlehem,” arranged by George Gill (138-V)
Vocal, conductor's scores, instrumental parts, December 18, 1956
Box   3C
Folder   18
“The Christmas Song” (140-V)
Conductor's score, instrumental parts, undated
Home For the Holidays (NBC-TV special, November 23, 1961)
Box   3C
Folder   19
“Happy Face and Pixies”
Score and instrumental parts, undated
Box   45
Folder   8
“New York Dance”
Score and instrumental parts, arranged by Luther Henderson, undated
Box   3C
Folder   20
“Opening Way Back Home” (209-V)
Vocal, conductor's scores, instrumental parts, undated
Jack Carter Show
Box   3C
Folder   21
“Manhattan Square Dance” (632)
Conductor's score, instrumental parts, circa 1950
Box   3C
Folder   22
“Opening,” ”Theme”
Conductor's score, instrumental parts, circa 1950
Box   3C
Folder   23
“Saturday Night Revue”
Script, September 7, 1950
Kate Smith Evening Hour
Box   3C
Folder   24
“It Takes a Thief”
Lead-in drama, conductor's scores, instrumental parts, October 3, 1951, annotated
Box   3D
Folder   25
“Beauty Contest #9, #10”
Conductor's score, instrumental parts, October 17, 1951
Box   3D
Folder   26
“Charleston Tag”
Conductor's score, instrumental parts, October 17, 1951
Box   3D
Folder   27
“In the Fog, Parts 1, 2, 3”
Lead-in drama, conductor's score, instrumental parts, October 24, 1951
Box   3D
Folder   28
“The Little Boy Who Wouldn't Smile, #1, #2, #3, #4”
Lead-in drama, conductor's score, instrumental parts, November 7, 1951
Box   3D
Folder   29
“The Little Boy Who Wouldn't Smile, #5, #6, #7, #8”
Conductor's score, instrumental parts, November 7, 1951
Box   3D
Folder   30
“Trio by Lamplight,” composed by Sosnik
Lead-in drama, conductor's score, instrumental parts, November 14, 1951, annotated
Box   3E
Folder   31
“Henry 8th Opening and Closing”
Conductor's score, instrumental parts, November 28, 1951
Box   3E
Folder   32
“Sophisticate #1, #2, #3, tag”
Conductor's score, instrumental parts, November 28, 1951
Look Awards
Box   3E
Folder   33
“Introduction Fanfare,” composed by Sosnik
Conductor's score, instrumental parts, undated
Box   3E
Folder   34
“Opening,” composed by Sosnik
Conductor's score, December 15, 1954
March of Time
“Your Stake in Japan,” unnumbered, #1-#8, #9, #9A, #9B, #9C, #10-#18
Box   3E
Folder   1-4
Conductor's scores, instrumental parts, undated
Box   4A
Folder   5-8
Conductor's scores, instrumental parts, continued
Musical Comedy Time (M-Series)
“Anything Goes,” October 2, 1950
Box   4A
Folder   9
“Anything Goes,” arranged by Pete King (2-M)
Script, vocal., conductor's scores, instrumental parts
Box   4B
Folder   10
“Anything Goes,” arranged by Pete King (3-M)
Conductor's score, instrumental parts
Box   4B
Folder   11
“All Through the Night,” arranged by Maurice Gardner (4-M)
Conductor's score, instrumental parts
Box   4B
Folder   12
“Blow Gabriel (I),” arranged by Pete King (5-M)
Vocal, conductor's scores, instrumental parts
Box   4B
Folder   13
“Blow Gabriel,” arranged by Milton Weinstein (6-M)
Vocal, conductor's scores, instrumental parts
Box   4B
Folder   14
“You're the Top,” arranged by Pete King (7-M)
Conductor's score, instrumental parts
Box   4B
Folder   15
“I Get a Kick Out of You,” arranged by Pete King (8-M)
Conductor's score, instrumental parts
“Whoopee,” October 16, 1950
Box   4C
Folder   16
“Opening,” ”It's a Beautiful Day Today,” “Instrumental” (”Let's Make Whoopee”?), arranged by Maurice Gardner and Milton Weinstein (9-M, 10-M)
Script, conductor's score, instrumental parts
Box   4C
Folder   17
“I'm Bringing a Red, Red Rose,” ”Red, Red Rose Bridge,” arranged by Pete King and Maurice Gardner (11-M, 12-M)
Vocal, conductor's scores, instrumental parts
Box   4C
Folder   1
“Whoopee,” arranged by Milton Weinstein (13-M)
Vocal, conductor's scores, instrumental part
Box   4C
Folder   2
“Go Get 'Im,” arranged by Maurice Gardner (14-M)
Vocal, conductor's scores, instrumental parts
Box   5A
Folder   3
“Come West Little Girl,” arranged by Milton Weinstein (15-M)
Vocal, conductor's scores, instrumental parts
Box   5A
Folder   4
“Stetson Hat,” arranged by Pete King (15-M}
Vocal, conductor's scores, instrumental parts
Box   5A
Folder   5
“Love Me or Leave Me,” arranged by Milton Weinstein (17-M)
Conductor's score, instrumental parts
Box   5A
Folder   6
“Song of the Setting Sun,” arranged by Pete King (18-M)
Vocal, conductor's scores, instrumental parts
Box   5A
Folder   7
“Indian Number,” arranged by Pete King (19-M)
Vocal, conductor's scores, instrumental parts
“Chocolate Soldier,” October 30, 1950
Box   5A
Folder   8
“IA-M (Opening Act 1),” ”IE-M, IF-M (Bridges),” arranged by Pete King, (20-M)
Commercial script, conductor's score, instrumental parts, October 29, 1950
Box   5B
Folder   9
“My Hero,” arranged by Pete King (21-M)
Vocal, conductor's scores, instrumental parts
Box   5B
Folder   10
“My Hero,” arranged by Milton Weinstein (22-M)
Conductor's score, instrumental parts;
Box   5B
Folder   11
“The Tale of a Coat,” arranged by Milton Weinstein (23-M)
Conductor's score, instrumental parts
Box   5B
Folder   12
“Hungarian Dance,” arranged by Pete King (24-M)
Conductor's score, instrumental parts
“Rio Rita,” November 13, 1950
Box   5B
Folder   13
“Rio Rita” (instrumental), arr, by Milton Weinstein (25-M)
Script, conductor's score, instrumental parts
Box   5B
Folder   14
“The Charra Dance,” arranged by Pete King (26-M)
Vocal, conductor's score, instrumental parts
Box   5C
Folder   15
“Best Little Lover In Town,” arranged by Oscar Kosarin (27-M)
Conductor's score, instrumental parts
Box   5C
Folder   16
“You're Always in My Arms,” arranged by Milton Weinstein (28-M)
Vocal, conductor's scores, instrumental parts
Box   5C
Folder   17
“Rio Rita,” arranged by Pete King (20-M)
Vocal, conductor's scores, instrumental parts
Box   5C
Folder   18
“The Kinkajou,” arranged by Pete King (20-M)
Vocal, conductor's scores, instrumental parts
Box   6A
Folder   1
“If You're in Love,” arranged by Milton Weinstein (31-M)
Vocal conductor's scores, instrumental parts
Box   6A
Folder   2
“Rangers Song,” arranged by Pete King (32-M)
Vocal, conductor's scores, instrumental parts
Box   6A
Folder   3
“Following the Sun Around,” arranged by Milton Weinstein (33-M)
Vocal, conductor's scores, instrumental parts
“Merry Widow,” November 27, 1950
Box   6A
Folder   4
“Waltz Instrumental,” arranged by Milton Weinstein (34-M)
Conductor's score, instrumental parts
Box   6A
Folder   5
“Overture,” ”Ballroom,” ”Popoff Entrance,” ”Background Music,” all arranged by Milton Weinstein (35-M)
Conductor's scores, instrumental parts
Box   6A
Folder   6
“Maxim's,” ”Finale, Act I” (36-M)
Conductor's scores, instrumental parts
Box   6A
Folder   7
“Act II Opening,” ”Background Music,” arranged by Milton Weinstein (37-M)
Conductor's scores, instrumental parts
Box   6B
Folder   8
“Vilia,” arranged by Pete King (38-M)
Vocal, conductor's scores, instrumental parts
Box   6B
Folder   9
“Women (Septet)” (39-M)
Vocal, conductor's scores, instrumental parts
Box   6B
Folder   10
“Finale Act II and Opening Act III” (40-M)
Vocal, conductor's scores, instrumental parts
Box   6B
Folder   11
“Can-Can Dance” (41-M)
Conductor's score, instrumental parts
“Merry Widow,” ”Finale,” both arranged by Pete King (42-M)
Box   6B
Folder   12
Vocal, conductor's scores, instrumental parts
Box   6B
Folder   13
Miscellaneous vocal scores
“Hit the Deck,” December 11, 1950
Box   6B
Folder   14
“Hallelujah (inst.),” arranged by Milton Weinstein (43-M)
Script, conductor's score, instrumental parts
Box   6C
Folder   15
“Join the Navy,” arranged by Pete King (44-41)
Vocal, conductor's scores, instrumental parts
Box   6C
Folder   16
“Loo--Loo,” arranged by Milton Weinstein (45-M)
Vocal, conductor's scores, instrumental parts
Box   6C
Folder   17
“A Kiss or Two,” arranged by Milton Weinstein (46-M)
Vocal, conductor's scores, instrumental parts
Box   6C
Folder   18
“The Harbor of My Heart,” arranged by Milton Weinstein (47-M)
Vocal, conductor's scores, instrumental parts
Box   6C
Folder   19
“Crap Game Ballet,” arranged by Oscar Kosarin; ”Loo-Loo and Harbor of My Heart,” arranged by Milton Weinstein (48-M, 49-M)
Vocal, conductor's scores, instrumental parts
Box   6D
Folder   20
“Shore Leave,” ”Lucky Bird,” both arranged by Pete King; ”Jitterbug,” arranged by Leroy Holmes (50-M, 51-M, 52-M)
Sheet music, vocal, conductor's scores, instrumental parts
Box   6D
Folder   21
“Sometimes I'm Happy,” arranged by Pete King (53-M)
Vocal, conductor's scores, instrumental parts
Box   6D
Folder   1
“Hallelujah,” arranged by Jack Andrews (54-M)
Vocal, conductor's scores, instrumental parts
Box   6D
Folder   2
“Why, Oh Why?” ”Act III Finale,” both arranged by Pete King (55-M, 56-M)
Sheet music, conductor's score, instrumental parts
“Babes in Toyland,” December 25, 1950
Box   6D
Folder   3
“Overture,” Instrumental, Opening, Act I, #1A, #1B, #1C, #2, #3A,” arranged by Milton Weinstein (57-M, 58-M)
Vocal, conductor's scores, instrumental parts
Box   7A
Folder   4
“Jane,” arranged by Pete King (59-M)
Vocal, conductor's scores, instrumental parts
Box   7A
Folder   5
“Never Mind, Bo-Peep,” arranged by Pete King (60-M)
Vocal, conductor's scores, instrumental parts
Box   7A
Folder   6
“Electron - Floretta,” arranged by Pete King and Milton Weinstein (61-M)
Vocal, conductor's scores, instrumental parts
Box   7A
Folder   7
“Gavotte #8,” ”Bridge #7 (Toymaker's Flute),” arranged by Milton Weinstein (62-M)
Conductor's score, instrumental parts
Box   7A
Folder   8
“Barney O'Flynn,” arranged by Milton Weinstein (63-M)
Conductor's score, instrumental parts
Box   7A
Folder   9
“I Can't Do That Sum” (64-M)
Vocal, conductor's scores, instrumental parts
Box   7A
Folder   10
“Bridges, #12, #24, #14,” arranged by Milton Weinstein (65-M)
Conductor's score, instrumental parts
Box   7A
Folder   11
“Go To Sleep, #16,” arranged by Pete King(?) (66-M)
Vocal, conductor's scores, instrumental parts
Box   7B
Folder   12
“Song of the Poet,” arranged by Pete King (67-M)
Conductor's score, instrumental parts
Box   7B
Folder   13
“Octopus Ballet,” arranged by Pete King (68-M)
Conductor's score, instrumental parts
Box   7B
Folder   14
“Hail to Christmas, #21,” arranged by Maurice Gardner(?) (69-M)
Vocal, conductor's scores, instrumental parts
Box   7B
Folder   15
“March of the Toys,” arranged by Jack Andrews (70-M)
Conductor's scores, instrumental parts
Box   7B
Folder   16
“Bridge - Finale, Act III,” arranged by Jack Andrews, Milton Weinstein, and Maurice Gardner (71-M)
Vocal, conductor's scores, instrumental parts
“Miss Liberty,” January 8, 1951
Box   7B
Folder   17
“Let's Take An Old Fashioned Walk - Instrumental” arranged by Milton Weinstein (72-M)
Script, conductor's score, instrumental parts
Box   7C
Folder   18
“Old Fashioned Walk,” arranged by Pete King (73-M)
Vocal, conductor's scores, instrumental pats
Box   7C
Folder   19
“I Love You,” arranged by Pete King (74-M)
Conductor's score, instrumental parts
Box   7C
Folder   20
“Miss Liberty Overture, Exit and Reprise, arranged by Pete King ” (75-M)
Conductor's score, instrumental parts
Box   8A
Folder   1
“Policeman's Ball,” arranged by Pete King (76-M)
Vocal, conductor's scores, instrumental parts
Box   8A
Folder   2
“Little Fish in a Big Pond,” ”Only for Americans,” ”Reprise - Falling Out of Love,” ”Paris Wakes Up Ending,” ”Finale, Act III” (77-M)
Vocal, conductor's scores, instrumental parts
Box   8A
Folder   3
“Most Expensive Statue,” ”Give Me Your Tired, Your Poor,” ”Miss Liberty,” ”Homework,” ”I Love You,” ”Little Fish in a Big Pond,” ”Falling Out of Love”, ”You Can Have Him” (78-M)
Vocal scores, sheet music
Box   8A
Folder   4
“Act I, #4, Act II, #8, #9A, #16, Act III, #19”
Conductor's scores, instrumental parts
“Louisiana Purchase,” January 22, 1951
Box   8A
Folder   5
“It'll Come To You,” ”Wild About You,” ”The Lord Done Fixed Up My Soul” (79-M)
Script, sheet music
Box   8B
Folder   6
“Overture,” arranged by Oscar Kosarin (79-M)
Vocal, conductor's scores, instrumental parts
Box   8B
Folder   7
“It's A Lovely Day Tomorrow,” arranged by Pete King and Milton Weinstein (80-M)
Vocal, conductor's scores, instrumental parts
Box   8B
Folder   8
“Louisiana Purchase Ballet” (81-M)
Vocal, conductor's scores, instrumental parts
Box   8B
Folder   9
“Outside Of That I Love You,” arranged by Milton Weinstein (82-M)
Sheet music, conductor's score, instrumental parts
Box   8B
Folder   10
“You're Lonely and I'm Lonely,” arranged by M. Gardner and Pete King (83-M)
Sheet music, vocal, conductor's scores, instrumental parts
Box   8C
Folder   11
“Dance With Me,” arranged by Pete King (84-M)
Sheet music, conductor's score, instrumental parts
Box   8C
Folder   12
“What Chance Have I With Love,” arranged by M. Gardner (85-M)
Sheet music, conductor's score, instrumental parts
Box   8C
Folder   13
“Fools Fall in Love,” arranged by Pete King and Milton Weinstein (86-M)
Sheet music, vocal, conductor's scores, instrumental parts
Box   8C
Folder   14
“Latins Know How,” arranged by Pete King (87-M)
Sheet music, vocal, conductor's scores, instrumental parts
Box   8C
Folder   15
“You Can't Brush Me Off,” arranged by Pete King (88-M)
Sheet music, vocal, conductor's scores, instrumental parts
“Mademoiselle Modiste,” February 5, 1951
Box   8C
Folder   16
“Overture,” arranged by Pete King, ”The Time, The Place, and The Girl,” arranged by Milton Weinstein (89--M, 90-M)
Script, vocal, conductor's scores, instrumental parts
Box   8D
Folder   17
“If I Were on the Stage,” arranged by Pete King (91-M)
Conductor's score, instrumental parts
Box   8D
Folder   18
“Kiss Me Again,” arranged by Pete King (92-M)
Vocal, conductor's scores, instrumental parts
Box   8D
Folder   19
“Ze English Language” (transposed) (93-M)
Instrumental parts
Box   8D
Folder   20
“The Dear Little Girl,” arranged by Pete King (94-M)
Vocal, conductor's scores, instrumental parts
Box   8D
Folder   1
“Bazaar Dance Insert,” arranged by Oscar Kosarin (95-M)
Conductor's score, instrumental parts
Box   8D
Folder   2
(96-M)
Vocal scores, annotated
“Revenge With Music,” February 19, 1951
Box   8D
Folder   3
“Overture,” arranged by Pete King (97-M)
Script, conductor's score, instrumental parts
Box   9A
Folder   4
“Spanish Dance #1 (De Falla),” arranged by Pete King (98-M)
Conductor's score, instrumental parts
Box   9A
Folder   5
“Maria,” arranged by Milton Weinstein and Pete King (99-M)
Vocal, conductor's scores, instrumental parts
Box   9A
Folder   6
“Wand'ring Heart,” arranged by Pete King (100-M)
Vocal, conductor's scores, instrumental parts
Box   9A
Folder   7
“(If There Is) Someone Lovelier (Than You),” arranged by Pete King and Milton Weinstein (101-M)
Vocal, conductor's scores, instrumental parts
Box   9A
Folder   8
“In The Noonday Sun,” arranged by Pete King (102-M)
Vocal, conductor's scores, instrumental parts
Box   9B
Folder   9
“You and the Night and the Music,” arranged by Pete King and Milton Weinstein (103-M)
Vocal, conductor's scores, instrumental parts
Box   9B
Folder   10
“Two Faced Woman,” arranged by Milton Weinstein (104-M)
Sheet music, conductor's score, instrumental parts
Box   9B
Folder   11
“Fight Scene,” arranged by Pete King (105-M)
Conductor's score, instrumental parts
Box   9B
Folder   12
“Never Marry a Dancer,” arranged by Milton Weinstein (106-M)
Vocal, conductor's scores, instrumental parts
“No, No, Nanette,” March 5, 1951
Box   9B
Folder   13
“Overture,” arranged by Pete King (107-M)
Script, conductor's score, instrumental parts
Box   9B
Folder   14
“Opening - Flapper Song,” arranged by Pete King (108-M)
Vocal, conductor's scores, instrumental parts
Box   9C
Folder   15
“I've Confessed to the Breeze,” arranged by Milton Weinstein (109-M)
Vocal, conductor's scores, instrumental parts
Box   9C
Folder   16
“I Want to be Happy,” arranged by Pete King (110-M)
Vocal, conductor's scores, instrumental parts
Box   9C
Folder   17
“No, No, Nanette,” arranged by Pete King (111-M)
Vocal, conductor's scores, instrumental parts
Box   9C
Folder   18
“Finale, Act I,” arranged by Milton Weinstein (112-M)
Vocal, conductor's scores, instrumental parts
Box   9C
Folder   19
“Opening - Act II,” arranged by Milton Weinstein (113-M)
Vocal, conductor's scores, instrumental parts
Box   9C
Folder   20
“Tea for Two,” arranged by Pete King (114-M)
Vocal, conductor's scores, instrumental parts
Box   10A
Folder   1
“Finale Act II,” arranged by Milton Weinstein (115-M)
Vocal, Conductor's scores, instrumental parts
Box   10A
Folder   2
“Finale Act III,” arranged by Pete King (115-M)
Vocal, conductor's scores, instrumental parts
“Flying High,” March 19, 1951
Box   10A
Folder   3
“Overture,” arranged by Pete King (116-M)
Script, sheet music, score, instrumental parts
Box   10A
Folder   4
“Air Minded,” arranged by Pete King (117-M)
Vocal, conductor's scores, instrumental parts
Box   10A
Folder   5
“Thank Your Father,” ”9-A Bridge,” arranged by Pete King (118-M)
Sheet music, vocal, conductor's scores, instrumental parts
Box   10B
Folder   6
“I'11 Get My Man,” arranged by Jack Andrews (119-M)
Vocal, conductor's scores, instrumental parts
Box   10B
Folder   7
“Without Love,” arranged by Pete King (120-M)
Sheet music, vocal, conductor's scores, instrumental parts
Box   10B
Folder   8
“Happy Landing,” arranged by Pete King (121-9)
Vocal, conductor's scores, instrumental parts
Box   10B
Folder   9
“Wasn't It Beautiful,” arranged by Pete King (122-M)
Vocal, conductor's scores, instrumental parts
Box   10B
Folder   10
“Mrs. Krause's Blue-Eyed Baby Boy,” arranged by Milton Weinstein (123-M)
Vocal, conductor's scores, instrumental parts
Box   10B
Folder   11
“Finale, Act III, Flying High,” arranged by Pete King (124-M)
Vocal, conductor's scores, instrumental parts
NBC Closed Circuit T.V. (NBC-TV, September 2, 1959)
Box   10C
Folder   12
“#1, #1A, #2, #3”
Conductor's scores, instrumental parts, September 2, 1959
Box   10C
Folder   13
“#4/#10, #5, #6, #7”
Conductor's scores, instrumental parts, September 2, 1959
Box   10C
Folder   14
“#11, #12, #13, #14”
Conductor's scores, instrumental parts, September 2, 1959
Box   10C
Folder   15
“#15, #17, #18”
Conductor's scores, instrumental parts, September 2, 1959
On Broadway Tonight
Box   10C
Folder   16
“All the Way”
Conductor's score, instrumental parts, undated
Box   10C
Folder   17
“Astaire Playoff”
Conductor's score, instrumental parts, undated
Box   10C
Folder   18
“I Enjoy Being a Girl” (306-V)
Conductor's score, instrumental parts, undated
Box   10C
Folder   19
“Indian Bridge, Cue, Playoff”
Conductor's scores, instrumental parts, undated
Box   10D
Folder   20
“It Only Takes a Moment” (300-V)
Conductor's score, instrumental parts, undated
Box   10D
Folder   21
“Make the Man Love Me” (308-V)
Conductor's score, instrumental parts, undated
Box   10D
Folder   22
“Medley” (303-V)
Conductor's score, instrumental parts, January 15, 1965
Box   10D
Folder   23
“Much More” (302-V)
Conductor's score, instrumental parts, undated
Box   10D
Folder   24
“Opening”
Conductor's score, instrumental parts, circa 1964
Box   10D
Folder   25
“They Call the Wind Maria” (305-V)
Conductor's score, instrumental parts, undated
Box   11A
Folder   1
“Utility Arrangement”
Conductor's score, instrumental parts, undated
Orchid Award
Box   11A
Folder   2
“Patter,” composed by Sosnik
Conductor's score, instrumental parts, September 26, 1953
Box   11A
Folder   3
#1A, #2, #3”
Conductor's score, instrumental parts, September 9, 1953
Our Stake in Japan
Box   11A
Folder   4
“#1, #2, #2A, #3”
Conductor's scores, instrumental parts, undated
Box   11A
Folder   5
“#3A, #4, #5, #6”
Conductor's scores, instrumental parts, undated
Philco Television Playhouse
Box   11A
Folder   6
“Philco Opening Theme,” composed by Sosnik
Score, October 6, 1948
Box   11A
Folder   7
“Street Scene,” composed by Sosnik
Score, October 28, 1948
Box   11A
Folder   8
“Camille,” ”I Like It Here,” composed by Sosnik
Scores, November 11, 24, 1948
Box   11A
Folder   9
“Suspect,” ”Christmas Carol,” ”The Old Lady Shows Her Medals,” ”Ramshackle Inn,” composed by Sosnik
Scores, December 2, 14, 22, 30, 1948
Box   11A
Folder   10
“Cyrano de Bergerac,” ”Pride and Prejudice,” ”Dark Hammock,” composed by Sosnik
Scores, January 4, 18, 27, 1949
Box   11A
Folder   11
“The Late Christopher Bean,” ”The Druid Circle,” ”The Story of Mary Surratt,” ”12th Night,” ”St. Helena,” composed by Sosnik
Scores, February 2, 3, 9, 16, 24, 1949
Box   11A
Folder   12
“Beauty Through the Night,” composed by Sosnik
Score, December 20, 1949
Box   11A
Folder   13
“Christmas Carols”
Vocal scores, circa 1948-1949
Box   11A
Folder   14
“Othello,” composed by Sosnik
Score, August 23, 1950
Box   11A
Folder   15
“Christmas Carol”
Score, December 17, 1951
Box   11A
Folder   16
“Rebecca,” ”Theme #1”
Scores, undated
Tape 1113A
Playwrights '56
No.   1
Music for ”Lost,” January 17, 1956
No.   2
Music for ”Flight,” February 27, 1956
U.S. Mss 115AN
Box   11B
Folder   17
“Pontiac Themes”
Conductor's scores, instrumental parts, undated
Box   11A
Folder   18
“Proctor and Gamble Themes”
Conductor's scores, instrumental parts, undated
Producer's Showcase
Box   11A
Folder   19
“Darkness at Noon,” composed by Sosnik
Piano-conductor's scores, May 2, 1955
Box   11C
Folder   20
“The Fourposter,” composed by Sosnik
Scores, July 15, 1955
Box   11C
Folder   21
“Our Town”
Vocal, conductor's scores, September 19, 1955
Box   11C
Folder   22
“Peter Pan”
Instrumental parts, undated
Box   11C
Folder   23
“Petrified Forest”
Drafts, piano-conductor's scores, May, 1955
Box   11C
Folder   24
“Reunion in Vienna”
Scores, March 28, 1955
Box   11C
Folder   25
“Skin of Our Teeth”
Piano-conductor's scores, undated
Producer's Showcase - Wide, Wide World
Box   11D
Folder   26
“Cross-Country Panorama,” composed by Sosnik
Conductor's score, instrumental parts, June 27, 1955
Box   11D
Folder   27
“Greensleeves” (128-V)
Vocal, conductor's scores; instrumental parts, June 27, 1955, , undated
Box   11D
Folder   28
“Lazy Rhapsody,” composed by Sosnik
Piano-conductor's scores, undated
Box   11D
Folder   29
“Lazy Rhapsody, unnumbered, #2, #12,” composed by Sosnik
Conductor's scores, instrumental parts, June 27, 1955
Box   11D
Folder   1
“The Tall City,” ”Washington, the Trees,” ”Greensleeves,” ”Mountain Top,” ”Mexican Holiday,” ”Coastline,” composed by Sosnik
Piano-conductor's scores, June 27, 1955
Box   11D
Folder   2
“The Women,” composed by Sosnik
Scores, January 31, 1955
Box   11D
Folder   3
“Yellow Jack,” composed by Sosnik
Scores, January 10, 1955, annotated
Box   12A
Folder   4
“Hold on to Love (Theme),” composed by Sosnik
Score, instrumental parts, undated (annotated)
Box   12A
Folder   5
“Sketches,” composed by Sosnik
Conductor's scores, November and December, 1954
Box   12A
Folder   6
“Meet the Press Opening Tag,” ”String Theme,” ”Commercial Tag”
Conductor's scores, instrumental parts, December 13, 1954
Radio City Music Hall Christmas Program
Box   12A
Folder   7
“Carousel”
Conductor's score, instrumental parts, undated
Box   12A
Folder   8
“Santa's Dance”
Conductor's score, instrumental parts, undated
Rainbow of Stars (NBC-TV special, April 17, 1962)
Box   12A
Folder   9
“50th St. Finale”
Conductor's score, instrumental parts, undated
Box   12A
Folder   10
“Wait 'Til You See Her, Part I”
Conductor's score, instrumental parts, undated
Box   12B
Folder   11
“Wait 'Til You See Her, Part II”
Conductor's score, instrumental parts, undated
Box   12B
Folder   12
“Wait 'Til You See Her, Part III”
Conductor's score, instrumental parts, undated
Report Card - C.B.S. Documentary Program
Box   12B
Folder   13
“Theme Opening”
Score, March 24, 1948
Rodgers and Hammerstein Special
Box   12B
Folder   14
“Intro to Billy and Julie”
Conductor's score, instrumental parts, circa 1954
Box   12B
Folder   15
“It's a Grand Night for Singing - Main Title” (40-V)
Conductor's score, instrumental parts, March 28, 1954
Box   12B
Folder   16
“R 8 H Medley” (including ”Clambake,” ”Shall We Dance,” ”June Is Bustin,'” and ”Grand Night”), arranged by Joe Glover (41-V)
Vocal, conductor's scores, instrumental parts, March 28, 1954
Box   12B
Folder   17
“So Far (Incid.)”
Conductor's score, instrumental parts, circa 1954
Tape 1113A
No.   3-4
Accompanying Music, March 28, 1954
U.S. Mss 115AN
Salute to Baseball
Box   12C
Folder   18
“Take Me Out to the Ballgame” (145-V)
Conductor's scores, instrumental parts, April 13, 1957
Box   12C
Folder   19
“Baseball Medley #2, #4, #5, #6” (146-V)
Conductor's score, instrumental parts, annotated sheet music, April 13, 1957
Sounds of the Sixties (NBC-TV special, October 9, 1961)
Box   12C
Folder   20
“Bless this House” (16-V)
Vocal, conductor's scores, instrumental parts, September 6, 1961
“Jingle Medley,” ”A Word From Our Sponsor,” composed by Sosnik
Box   45
Folder   9
Conductor's score, September 6, 1961
Box   12C
Folder   21
Vocal, piano-conductor's scores, violin parts, September 6, 1961
Box   12C
Folder   22
“John Daley Intro (Communication)”, composed by Sosnik
Conductor's score, instrumental parts, August 27, 1961
Box   12C
Folder   23
“John Daley Intro (Education),” composed by Sosnik
Conductor's score, instrumental parts, August 27, 1961
Box   12C
Folder   24
“John Daley Intro (Entertainment), 2, 2A” composed by Sosnik
Conductor's score, instrumental parts, August 26, 1961
Box   12C
Folder   25
“John Daley Intro and B.G. (Leisure)”, composed by Sosnik
Conductor's score, instrumental parts, August 26, September 6, 1961
Box   12C
Folder   26
“John Daley Intro (Science)”, composed by Sosnik
Conductor's score, instrumental parts, September 6, 1961
Box   12C
Folder   27
“Out of the Night (Science)”, composed by Sosnik
Conductor's score, instrumental parts, September 6, 1961
Box   45
Folder   10
“Song Medley,” arranged by Sosnik
Conductor's score, September 6, 1961
Box   12D
Folder   28
“Various advertising jingles”
Correspondence and sheet music
Twenty-Five Years of Life (Life Magazine Anniversary) (NBC-TV, March 2, 1961)
Box   12D
Folder   29
“Through the Years - Theme B.G. and Closing Theme,” composed by Sosnik
Conductor's score, instrumental parts, February 6, 1961
Box   12D
Folder   30
“Opening Entrance and Opening Credits Themes, Old and New,” composed by Sosnik
Conductor's score, instrumental parts, February 6, 1961
Box   12D
Folder   1
“Holocaust, Part I; Birth of War,” composed by Sosnik
Conductor's score, instrumental parts, February 10, 1961
Box   12D
Folder   2
“Come to the Party,” composed by Sosnik
Conductor's score, instrumental parts, February 11, 1961
Box   12D
Folder   3
“Holocaust, Prelude to War,” composed by Sosnik
Conductor's score, instrumental parts, February 11, 1961
Box   13A
Folder   4
“Holocaust, Part II; War - The Giant,” composed by Sosnik
Conductor's score, instrumental parts, February 15, 1961
Box   13A
Folder   5
“Oscilloscopic (The Atomic Age),” composed by Sosnik
Conductor's score, instrumental parts, February 16, 1961
Box   13A
Folder   6
“Fads #1 - #3”
Conductor's score, instrumental parts, circa March 2, 1961
Box   13A
Folder   7
“Fads #4 - #6”
Conductor's score, instrumental parts, circa March 2, 1961
Box   13A
Folder   8
“Fads #7 - #8”
Conductor's score, instrumental parts, circa March 2, 1961
Box   13B
Folder   9
“Fads #9 - #9A”
Conductor's score, instrumental parts, circa March 2, 1961
Box   13B
Folder   10
“Fads #10”
Conductor's score, instrumental parts, circa March 2, 1961
Timex
Box   13B
Folder   11
“It's All Right With Me” (215-V)
Conductor's score, undated
Box   13B
Folder   12
“Under Paris Skies” (190-V)
Conductor's score, instrumental parts, undated
We The People (NBC-TV, November 29, 1961)
Box   13B
Folder   13
“Along the Boulevard” (639)
Conductor's score, instrumental parts, May 1, 1953
Box   13B
Folder   14
“Dedication”
Conductor's score, instrumental parts, November 29, 1961
Box   13B
Folder   15
“The Deserted Park”
Conductor's score, instrumental parts, November 29, 1961
Box   13B
Folder   16
“Istel Teaser,” composed by Sosnik
Conductor's score, instrumental parts, November 29, 1961
Box   13C
Folder   17
“Main Title,” composed by Sosnik
Conductor's score, instrumental parts, November 29, 1961
Box   13C
Folder   18
“My Own - Theme for Narration, Credits”
Conductor's score, instrumental parts, November 29, 1961
Box   13C
Folder   19
“Out of the Blue,” composed by Sosnik
Conductor's score, instrumental parts, November 29, 1961
Box   13C
Folder   20
“Railroad Song”
Conductor's score, instrumental parts, November 29, 1961
Box   13C
Folder   21
“Rebirth of a Community,” composed by Sosnik
Conductor's score, instrumental parts, November 29, 1961
Box   13C
Folder   22
“Sacro Twist”
Conductor's score, instrumental parts, November 29, 1961
Box   13C
Folder   23
“This Land,” composed by Sosnik
Conductor's score, instrumental parts, November 29, 1961
Box   13C
Folder   24
Bound scores, composed by Sosnik, November 29, 1961
Wonderful Copenhagen
Box   13C
Folder   25
“I, II, Tivoli, Courtroom”
Scores, circa 1962, annotated
Wonderful World of Toys (NBC-TV special, November 12, 1961)
Box   13D
Folder   26
“Act I, #1-#3, #5, Act II, #1-#3”
Conductor's score, instrumental parts, circa 1961
Box   13D
Folder   27
“Act II, #4, Act III, #4, #4A, #5A, Act IV, #1--#4 Commercial Fanfare”
Conductor's score, instrumental parts, circa 1961
Your Hit Parade (CBS-TV, 1958-1959)
Box   13D
Folder   1
“Accentuate the Positive”
Vocal, piano-conductor's scores, October 24, 1958
Box   13D
Folder   2
“The All-American Boy”
Vocal, piano-conductor's scores, February 27, 1959
Box   13D
Folder   3
“Around the World Medley”
Vocal, piano-conductor's scores, January 30, 1959
Box   13D
Folder   4
“Basin Street Blues”
Vocal, conductor's scores, instrumental parts, November 28, 1958
Box   13D
Folder   5
“Basketball Busy Music”
Conductor's score, instrumental parts, December 12, 1958
Box   13D
Folder   6
“Beauty Thru the Night”
Conductor's score, undated
Box   13D
Folder   7
“Bells Are Ringing”
Vocal, piano-conductor's scores, March 6, 1959
Box   13D
Folder   8
“Bird Dog”
Vocal, piano-conductor's scores, October 17, 1958, , undated
Box   13D
Folder   9
“Blue Tango”
Conductor's score, instrumental parts, February 20, 1959
Box   14A
Folder   10
“Blues in the Night”
Vocal, piano-conductor's scores, January 16, 1959
Box   14A
Folder   11
“Bridge” composed by Sosnik
Conductor's score, instrumental parts, January 5, 1959
Box   14A
Folder   12
“Cantique de Noel” (138-V)
Vocal, conductor's scores, instrumental parts,. December 19, 1958
Box   14A
Folder   13
“Change My Plan Tag”
Conductor's score, instrumental parts, January 16, 1959
Box   14A
Folder   14
“Chantilly Lace”
Piano-conductor's scores, November 21, 1958, , undated
Box   14A
Folder   15
“Charlie Brown”
Piano-conductor's score, March 6, 1959
Box   14A
Folder   16
“Chattanooga Choo-Choo”
Vocal, conductor's scores, instrumental parts, November 7, 1958
Box   14A
Folder   17
“Cherokee”
Conductor's score, instrumental parts, November 28, 1958
Box   14A
Folder   18
“The Chipmunk Song”
Vocal, piano-conductor's scores, December 19, 26, 1958; , January 2, 9, 16, 23, 1959
Box   14A
Folder   19
“Christmas Medley”
Vocal, piano-conductor's scores, December 19, 1958
Box   14A
Folder   20
“Civilization”
Vocal, conductor's scores, instrumental parts, November 14, 1958
Box   14A
Folder   21
“The Day The Rains Came”
Vocal, piano-conductor's scores, November 14, 1958
Box   14A
Folder   22
“Dearie”
Vocal, piano-conductor's scores, February 6, 1959
Box   14A
Folder   23
“Deck the Hall”
Conductor's score, instrumental parts, December 19, 1953
Box   14B
Folder   24
“Dog Act #8A”
Score, undated
Box   14B
Folder   25
“Donna”
Piano-conductor's scores, January 30, February 6, 1959
Box   14B
Folder   26
“The End”
Piano-conductor's score, November 7, 21, 1958
Box   14B
Folder   27
“Falling in Love” (178-V)
Conductor's score, instrumental parts, August 20, 1960
Box   14B
Folder   28
“Flower Medley”
Vocal, piano--conductor's scores, February 13, 1959
Box   14B
Folder   29
“Gigi”
Vocal, conductor's scores, October 31, 1958
Instrumental parts, March 13, 1959
Box   14B
Folder   30
“Give the Little Lady a Big Hand”
Vocal, conductor's scores, January 23, 1959
Box   14B
Folder   31
“Good-bye Baby”
Vocal, piano-conductor's scores, February 13, 1959
Box   14B
Folder   32
“Gotta Travel On”
Vocal, piano-conductor's scores, January 9, 23, February 6, 20, 1959
Box   14B
Folder   33
“Guys and Dolls, Parts 1, 2, 3”
Piano-conductor's scores, vocal score, part 1, March 13, 1959
Box   14B
Folder   34
“Halloween Medley”
Vocal, conductor's scores, October 31, 1958
Box   14B
Folder   35
“Happy Days Are Here Again”
Piano-conductor's, instrumental part, April 24, 1959
Box   14C
Folder   36
“Hat Medley”
Vocal, Piano-conductor's scores, undated
Box   14C
Folder   37
“Hawaiian Wedding Song”
Vocal, conductor's score, instrumental parts, March 13, 1959
Box   14C
Folder   38
“Hey There”
Conductor's score, instrumental parts, February 13, 1960
Box   14C
Folder   39
“Hot Time in the Old Town”
Piano-conductor's score, instrumental parts, March 27, 1959
Box   14C
Folder   40
“I'd've Baked a Cake”
Piano-conductor's score, undated
Box   14C
Folder   41
“I Enjoy Being a Girl”
Vocal, piano-conductor's scores, instrumental parts, January 2, 1959
Box   14C
Folder   42
“I Got a Feeling”
Vocal, piano-conductor's score, November 28, 1958
Box   14C
Folder   43
I Got Stung”
Piano-conductor's score, November 28, 1958
Vocal, piano-conductor's scores, December 26, 1958
Box   14C
Folder   44
“I'm In Love with Miss Logan”
Piano-conductor's score, January 2, 1959
Box   14C
Folder   45
“Intro No. 1 (G)”
Piano-conductor's score, January 9, 1959
Box   14C
Folder   46
“It's All in the Game”
Vocal, piano-conductor's scores, October 24, 31, November 7, December 12, 1958
Box   14C
Folder   47
“It's Only Make Believe”
Vocal, piano-conductor's scores, October 31, November 7, 21, 28, December 5, 12, 1958
Box   14C
Folder   48
“I Will Come Back”
Vocal, piano-conductor's scores, instrumental parts, February 27, 1959
Box   14C
Folder   49
“James Bond Theme”
Conductor's score, instrumental parts, undated
Box   14D
Folder   50
“Johnny (B.G.)”
Piano-conductor's score, instrumental parts, January 16, 1959
Box   14D
Folder   51
“Kalamazoo”
Vocal, conductor's scores, instrumental parts, November 7, 1958
Box   14D
Folder   52
“Kansas City”
Conductor's score, instrumental parts, January 2, 1959
Box   14D
Folder   1
“Kismet Medley, parts 1, 2, 3”
Vocal, conductor's scores, March 27, 1959
Box   14D
Folder   2
“Life Is Just a Bowl of Cherries”
Piano-conductor's score, January 9, 1959
Box   14D
Folder   3
“Lonesome Town”
Vocal, piano-conductor's scores, December 5, 26, 1958
Box   14D
Folder   4
“Lover's Dance”
Piano-conductor's score, January 16, 1959
Box   14D
Folder   5
“Lover's Question”
Vocal, conductor's scores, January 16, 30, 1959
Box   14D
Folder   6
“Manhattan Spiritual”
Conductor's score, instrumental parts, February 13, 1959
Box   14D
Folder   7
“March of the Gladiators”
Conductor's score, instrumental parts, April 3, 1959
Box   14D
Folder   8
“March of the Siamese Children”
Conductor's score, instrumental parts, January 2, 1959
Box   14D
Folder   9
“Mattinata” (179-V)
Conductor's score, instrumental parts, August 26, 1960
Box   15A
Folder   10
“Minnie the Moocher”
Vocal, piano-conductor's scores, instrumental parts, February 6, 1959
Box   15A
Folder   11
“Moonlight Serenade”
Conductor's score, instrumental parts, November 7, 1958
Box   15A
Folder   12
“Musical Medley”
Vocal, conductor's scores, February 27, 1959
Box   15A
Folder   13
“Muskrat Ramble”
Vocal, conductor's scores, instrumental parts, November 28, 1959
Box   15A
Folder   14
“Mutual Admiration Medley”
Vocal, piano-conductor's scores, April 3, 1959
Box   15A
Folder   15
“My Happiness”
Vocal, piano--conductor's scores, January 16, 23, 30, 1959
Box   15A
Folder   16
“Near You,” ”Near You Tag”
Vocal, piano-conductor's scores, October 24, 1958, , undated
Box   15A
Folder   17
“New York Medley”
Vocal, production scores, undated
Box   15A
Folder   18
“Night Ride”
Scores, January 1, 1965
Box   15A
Folder   19
“Nostalgia Medley - 1950”
Vocal, piano-conductor's scores, October 31, 1958
Box   15A
Folder   20
“Nostalgia Medley”
Vocal, conductor's score, December 26, 1958
Box   15A
Folder   21
“Nostalgia Medley”
Piano-conductor's score, undated
Box   15A
Folder   22
“Nothing Like a Dame”
Vocal, conductor's scores, instrumental parts, January 2, 1959
Box   15A
Folder   23
“Object B.G.
Conductor's score, instrumental parts, January 16, 1959
Box   15A
Folder   24
“O Holy Night”
Piano-conductor's score, December 19, 1958
Box   15A
Folder   25
“One Night”
Vocal, piano-conductor's scores, November 28, December 19, 1958
Box   15A
Folder   26
“Opening Medley”
Piano-conductor's score, January 2, 1959
Box   15B
Folder   27
“Oscar Medley”
Vocal, conductor's scores, March 20, 1959
Box   15B
Folder   28
“Opening Medley”
Vocal score, circa January 2, 1959
Box   15B
Folder   29
“Patricia,” ”Patricia Tag”
Conductor's score, instrumental parts, undated, Scores, , October 17, 1958
Box   15B
Folder   30
“Patter Song”
Vocal score, November 28, 1958
Box   15B
Folder   31
“Piano Concerto #1”
Sheet music, vocal, conductor's scores, instrumental parts, December 5, 1958
Box   15B
Folder   32
“The Piccolino”
Production score, 1958
Box   15B
Folder   33
“Porgy and Bess Medley”
Vocal, piano-conductor's scores, instrumental parts, February 6, 1959, annotated
Box   15B
Folder   34
“Problems”
Vocal, piano-conductor's scores, December 5, 1958, January 16, 1959
Box   15B
Folder   35
“Queen of the Hop”
Piano-conductor's score, December 12, 1958
Box   15B
Folder   36
“Rhapsody in Blue”
Score, February 13, 1969
Box   15B
Folder   37
“Rockin' Robin”
Vocal, piano-conductor's scores, October 24, 1958, , undated
Box   15C
Folder   38
“Saints Come Marching In”
Conductor's score, instrumental parts, April 3, 1959
Box   15C
Folder   39
“Seventy Six Trombones”
Sheet music, score, October 10, 1958
Box   15C
Folder   40
“Seventy Six Trombones”
Vocal, piano-conductor's scores, instrumental parts, undated
Box   15C
Folder   41
“Sixteen Candles”
Piano-conductor's score, February 6, 1959
Box   15C
Folder   42
“Smoke Gets in Your Eyes”
Vocal, conductor's scores, instrumental parts, December 19, 1958, January 2, 9, 16, 23, 30, 43, February 9, 1959
Box   15C
Folder   43
“South Rampart Street”
Vocal, piano-conductor's scores, instrumental parts, November 28, 1958
Box   16A
Folder   1
“Stagger Lee”
Vocal, piano-conductor's scores, January 30, February 13, 20, 27, March 6, 13, 1959
Box   16A
Folder   2
“Summertime, B.G.”
Score, control room score, instrumental parts, February 6, 1959
Box   16A
Folder   3
“A Sunday Kind of Love”
Conductor's score, instrumental parts, February 13, 1959
Box   16A
Folder   4
“Tags and Background Music,” composed by Sosnik
Conductor's scores, January 16, 1959
Box   16A
Folder   5
“Tea for Two Cha-Cha”
Vocal piano-conductor's scores, October 24, 1958, , undated
Box   16A
Folder   6
“Tears on My Pillow”
Vocal, conductor's score, undated
Box   16A
Folder   7
“Thanksgiving Medley”
Vocal, conductor's scores, November 21, 1958
Box   16A
Folder   8
“That Old Black Magic” (l77-V)
Conductor's score, instrumental parts, 1960
Box   16A
Folder   9
“Till There Was You”
Scores, piano-conductor's score, instrumental parts, undated
Box   16A
Folder   10
“To Know Him (Her)”
Vocal piano-conductor's scores, November 28, December 5, 12, 19, 1958, January 2, 9, 23, 1959
Box   16A
Folder   11
“Tom Dooley”
Vocal, piano-conductor's scores, November 21, December 5, 26, 1958
Box   16B
Folder   12
“Tommy Dorsey Medley”
Vocal, conductor's scores, March 6, 1959
Box   16B
Folder   13
“Tonight”
Piano--conductor's score, December 26, 1958
Box   16B
Folder   14
“Topsy No. 2”
Conductor's score, instrumental parts, October 24, 1958
Box   16B
Folder   15
“Travel Dance”
Conductor's score, instrumental parts, January 23, 1959
Box   16B
Folder   16
“Traveling Music”
Conductor's score, instrumental parts, January 9, 1959
Box   16B
Folder   17
“Tribute to My Fair Lady
Vocal, piano-conductor's scores, November 14, 1958
Box   16B
Folder   18
“Tuxedo Junction”
Conductor's score, instrumental parts, January 23, 1959
Box   16B
Folder   19
“Twenties Medley”
Vocal, conductor's scores, January 23, 1959
Box   16B
Folder   20
“Venus,” ”My Happiness”
Vocal, piano-conductor's scores, March 6, 13, 30, 1959
Box   16B
Folder   21
“Volare”
Vocal, piano-conductor's scores, October 17, 1958, , undated
Box   16B
Folder   22
“We Kiss in the Shadows”
Conductor's score, instrumental parts, January 2, 1959
Box   16B
Folder   23
“What Is This Thing Called Love”
Piano-conductor's score, March 6, 1959
Box   16B
Folder   24
“Whole Lotta Lovin'”
Piano-conductor's score, December 26, 1958
Box   16B
Folder   25
“Winter Medley”
Piano-conductor's score, December 5, 1958
Box   16B
Folder   26
“A Wonderful Guy”
Conductor's score, instrumental parts, November 7, 1958
Box   16C
Folder   27
“Xmas Hurry Music”
Conductor's score, instrumental parts, December 19, 1958
Box   16C
Folder   28
“Xmas Street Music”
Conductor's score, instrumental parts, December 19, 1958
Box   16C
Folder   29
“You Are Beautiful Overture,” ”You Are Beautiful”
Conductor's score, Instrumental parts, January 2, 1959
Box   16C
Folder   30
“You're in the Army Now”
Control score, instrumental parts, undated
Television Commercials
Lanvin-Figaro
Box   16C
Folder   31
“60 T.V. Commercial,” composed by Sosnik
Production, vocal scores, instrumental parts, September 14, 1966
Box   16C
Folder   32
“20: T.V. Xmas,” composed by Sosnik
Production, vocal scores, instrumental parts, September 14, 1966
Box   16C
Folder   13
“20 T.V. Commercial #1,” composed by Sosnik
Production score, instrumental parts, September 15, 1966
Series: C Series
Box   16C
Folder   34
“All the Things You Are,” arranged by Pete King (57-C)
Conductor's score, instrumental parts, December 2, 1950
Box   16C
Folder   35
“Be a Clown,” arranged by Leroy Holmes (69-C)
Conductor's score, instrumental parts, December 23, 1950
Box   16C
Folder   36
“Beautiful Madness,” arranged by Milton Weinstein (117-C)
Conductor's score, instrumental parts, March 17, 1951
Box   16C
Folder   37
“Begin the Beguine,” arranged by Milton Weinstein (84-C)
Conductor's score, instrumental parts, January 20, 1951
Box   16C
Folder   38
“Between the Devil and the Deep Blue Sea,” arranged by Pete King, used on the Robert Q. Lewis Show (172-C)
Conductor's score, instrumental parts, September 22, 1951
Box   16D
Folder   39
“Bill,” arranged by Pete King, used on the Robert Q. Lewis Show (173-C)
Conductor's score, instrumental parts, October 6, 1951
Box   16D
Folder   40
“Birth of the Blues,” arranged by Leroy Holmes (60-C)
Conductor's score, instrumental parts, December 9, 1950
Box   16D
Folder   41
“Blow Gabriel,” arranged by Milton Weinstein (75-C)
Conductor's score, instrumental parts, January 6, 1951
Box   16D
Folder   42
“Blue Room,” arranged by Leroy Holmes (95-C)
Conductor's score, instrumental parts, February 3, 1951
Box   16D
Folder   43
“The Breeze and I,” arranged by Milton Weinstein (92-C)
Conductor's score, instrumental parts, February 3, 1951
Box   16D
Folder   1
“Bumble-Boogie,” arranged by Paul Shelley (89-C)
Conductor's score, instrumental parts, January 27, 1951
Box   16D
Folder   2
“Call Me Mister,” arranged by Paul Shelley (142-C)
Conductor's score, instrumental parts, May 5, 1951
Box   17A
Folder   3
“Callahan's Dance” (50-C)
Conductor's score, instrumental parts, undated
Box   17A
Folder   4
“Calypso Blues,” arranged by Leroy Holmes (105-C)
Conductor's score, instrumental parts, February 24, 1951
Box   17A
Folder   5
“Chopin's Minute Waltz,” arranged by Paul Shelley (59-C)
Conductor's score, instrumental parts, December 9, 1950
Box   17A
Folder   6
“Christmas in Killarney,” arranged by Jack Andrews (64-C)
Conductor's score, instrumental parts' December 16, 1950
Box   17A
Folder   7
“Cleopatterer,” arranged by Pete King (145-C)
Conductor's score, instrumental parts, May 19, 1951
Box   17A
Folder   8
“Coburn - Carter,” arranged by Irving Szathmary (67-C)
Vocal, conductor's scores, instrumental parts, December 23, 1950
Box   17A
Folder   9
“Collegiate” (111-C)
Conductor's score, instrumental parts, March 3, 1951
Box   17A
Folder   10
“County Fair,” arranged in part by Bobby Van Eps (83-C)
Conductor's score, instrumental parts, January 20, 1951
Box   17A
Folder   11
“Dancing Doll,” arranged by Paul Shelley (113-C)
Conductor's score, instrumental parts, March 10, 1951
Box   17B
Folder   12
“Dancing Shoes,” arranged by Paul Shelley (132-C)
Conductor's score, instrumental parts, April 14, 1951
Box   17B
Folder   13
“De Glory Road,” arranged by Dick Shores (54-C)
Vocal, conductor's scores, instrumental parts, November 11, 1950
Box   17B
Folder   14
“Diamonds Are a Girl's Best Friend,” arranged by Irving Szathmary (61-C)
Conductor's score, instrumental parts, December 9, 1950
Box   17B
Folder   15
“Do Your Christmas Shopping Early,” arranged by Leroy Holmes (63-C)
Vocal, conductor's scores, instrumental parts, December 16, 1950
Box   17B
Folder   16
“The Dogpatch Tromp,” arranged by Pete King (80-C)
Vocal, conductor's scores, instrumental parts, January 13, 1951
Box   17B
Folder   17
“Donkey Serenade,” arranged by Bobby Van Eps (33-C)
Conductor's score, instrumental parts, October 28, 1950
Box   17B
Folder   18
“Donkey's Serenade,” arranged by Paul Shelley (76-C)
Conductor's score, instrumental parts, January 6, 1951
Box   17C
Folder   19
“Durante Songs” (”You've Got To Start Off Each Day,” ”Who Will Be With You,” and ”Inka-Doo”) (150-C)
Vocal, conductor's scores, instrumental parts, February 17, 1951
Box   17C
Folder   20
“Early Morning Song,” arranged by Pete King (37-C)
Vocal, conductor's scores, instrumental parts, November 4, 1950
Box   17C
Folder   21
“End of a Love Affair,” arranged by Milton Weinstein (174-C)
Conductor's score, instrumental parts, October 27, 1951
Box   17C
Folder   22
“Flying Down to Rio,” arranged by Leroy Holmes (90-C)
Conductor's score, instrumental parts, February 3, 1951
Box   17C
Folder   23
“Foolish Heart,” arranged by Milton Weinstein (99-C)
Conductor's score, instrumental parts, February 10, 1951
Box   17C
Folder   24
“Gazotsky”. arranged by Harry Sosnik (149-C)
Conductor's score, instrumental parts, May 26, 1951
Box   17C
Folder   25
“Getting to Know You,” arranged by Sosnik (192-C)
Conductor's score, instrumental parts, January 19, 1952
Box   17D
Folder   26
“Good-bye My Lady Love,” ”Hello, My Baby” (104-C)
Conductor's score, instrumental parts, February 24, 1951
Box   17D
Folder   27
“Goofus,” arranged by Pete King (158-C)
Conductor's score, instrumental parts, July 7, 1951
Box   17D
Folder   1
“Happy Harvest,” arranged by Bobby Van Eps (26-C)
Conductor's score, instrumental parts, September 11, 1950
Box   17D
Folder   2
“Harbor Lights,” arranged by Pete King (81-C)
Conductor's score, instrumental parts, January 13, 1951
Box   17D
Folder   3
“Hebrew Songs #1, #2,” arranged by Pete King (168-C)
Conductor's score, instrumental parts, August 17, 1951
Box   17D
Folder   4
“Hobo Dance,” arranged by Paul Shelley (46-C)
Conductor's scores, instrumental parts, November 11, 1950
Box   17D
Folder   5
“Hooray for Hollywood,” arranged by Jack Andrews (78-C)
Conductor's scores, instrumental parts, January 6, 1951
Box   18A
Folder   6
“I Am Loved,” arranged by Jack Andrews (77-C)
Conductor's score, instrumental parts, January 6, 1951
Box   18A
Folder   7
“I Cover the Waterfront,” arranged by Pete King (170-C)
Conductor's score, instrumental parts, September 1, 1951
Box   18A
Folder   10
“I Got the Bird On the Canary Islands,” arranged by Jack Andrews (55-C)
Conductor's score, instrumental parts, December 2, 1950
Box   18A
Folder   17
“I See Your Face Before Me,” arranged by Pete King (155-C)
Conductor's score, instrumental parts, June 16, 1951
Box   18A
Folder   18
“I Theenk You Weenk,” arranged by Leroy Holmes (32-C)
Conductor's score, instrumental parts, October 28, 1950
Box   18A
Folder   19
“I Whistle a Happy Tune,” arranged by Pete King (159-C)
Conductor's score, instrumental parts, October 11, 1951
Box   18A
Folder   20
“I Won't Dance,” arranged by Leroy Holmes (62-C)
Conductor's score, instrumental parts, December 9, 1950
Box   18B
Folder   8
“If,” arranged by Milton Weinstein (88-C)
Conductor's score, instrumental parts, January 27, 1951
Box   18B
Folder   9
“If You Haven't Got a Sweetheart,” arranged by Pete King (144-C)
Conductor's score, instrumental parts, May 19, 1951
Box   18B
Folder   11
“I'll Remember April,” arranged by Milton Weinstein (143-C)
Conductor's score, instrumental parts, May 5, 1951
Box   18B
Folder   12
“I'm Gonna Hang My Hat on A Tree That Grows in Brooklyn” (25-C)
Conductor's score, instrumental parts, October 7, 1950
Box   18B
Folder   13
“Impersonation Specialty” (Jack Carter), arranged by Leroy Holmes (21-C)
Conductor's score, instrumental parts, September 30, 1950
Box   18B
Folder   14
“In the Still of the Night,” arranged by Milton Weinstein (12-C)
Conductor's score, instrumental parts, September 23, 1950
Box   18B
Folder   15
“Irish Dance,” arranged by Paul Shelley (65-C)
Conductor's score, instrumental parts, December 16, 1950
Box   18B
Folder   16
“Irish Dance,” arranged by Paul Shelley (118-C)
Conductor's score, instrumental parts, March 17, 1951
Box   18C
Folder   21
“Jing-A-Ling,” arranged by Jack Andrews (41-C)
Conductor's score, instrumental parts, November 11, 1950
Box   18C
Folder   22
“Johannesburg,” arranged by Milton Weinstein (98-C) 1951
Conductor's score, instrumental parts, February 10, 1951
Box   18C
Folder   23
“Johnny 0ne Note,” arranged by Paul Shelley (102-C)
Conductor's score, instrumental parts, February 17, 1951
Box   18C
Folder   24
“The Jolly Little Man in Red,” arranged by Jack Andrews (68-C)
Sheet music, score, instrumental parts, January 23, 1950
Box   18C
Folder   25
“A Kiss in the Dark,” arranged by A. de Filippi (179-C)
Conductor's score, instrumental parts, undated
Box   18C
Folder   26
“Kiss Me Again” (178-C)
Conductor's score, instrumental parts, undated
Box   19A
Folder   1
“Lady Be Good,” arranged by Pete King (165-C)
Conductor's score, instrumental parts, August 11, 1951
Box   19A
Folder   2
“Latin From Manhattan,” arranged by Paul Shelley (91-C)
Conductor's score, instrumental parts, February 3, 1951
Box   19A
Folder   3
“Laura” (197-C)
Vocal, Conductor's scores, instrumental parts, undated
Box   19A
Folder   4
“Let's Get Away From It All,” arranged by Leroy Holmes (79-C)
Conductor's score, instrumental parts, January 13, 1951
Box   19A
Folder   5
“Loch Lomond,” arranged by Leroy Holmes (151-C)
Conductor's score, instrumental parts, May 31, 1951
Box   19A
Folder   6
“Love,” arranged by Pete King (153-C)
Conductor's score, instrumental parts, June 2, 1951
Box   19A
Folder   7
“Love Is Just Around the Corner,” arranged by Pete King (187-C)
Conductor's score, instrumental parts, November 17, 1951
Box   19A
Folder   8
“Lovely to Look At” (184-C)
Vocal, conductor's scores, undated
Box   19A
Folder   9
“Manhattan Square Dance,” ”New York, New York,” arranged by Leroy Holmes (20-C)
Conductor's score, instrumental parts, September 30, 1950
Box   19B
Folder   10
“March of History Routine,” arranged by Leroy Holmes (87-C)
Conductor's scores, instrumental parts, January 20, 1951
Box   19B
Folder   11
“Masks,” arranged by Paul Shelley (138-C)
Conductor's scores, instrumental parts, April 28, 1951
Box   19B
Folder   12
“Masquerade Ball,” arranged by Leroy Holmes (126-C)
Vocal, conductor's scores, instrumental parts, March 31, 1951
Box   19B
Folder   13
“Minnie from Trinidad,” arranged by Leroy Holmes (122-C)
Conductor's score, instrumental parts, March 24, 1951
Box   19B
Folder   14
“Mountain High, Valley Low,” arranged by Pete King (147-C)
Conductor's score, instrumental parts, May 26, 1951
Box   19B
Folder   15
“Music Makes Me” (114-C)
Conductor's score, instrumental parts, March 10, 1951
Box   19B
Folder   16
“Neurotic You and Psychopathic Me,” arranged by Jack Andrews (136-C)
Conductor's score, instrumental parts, April 28, 1951
Box   19B
Folder   17
“Never Ask a Man if He's from Texas,” arranged by William Stegmeyer (124-C)
Conductor's score, instrumental parts, March 31, 1951
Box   19C
Folder   18
“New Years,” first arrangement by Pete King, second arrangement by Jack Andrews (72-C)
Conductor's score, instrumental parts, December 30, 1950
Box   19C
Folder   19
“Nursery Rhymes,” arranged by Paul Shelley (70-C)
Conductor's score, instrumental parts, December 23, 1950
Box   19C
Folder   20
“Old Devil Moon,” arranged by Milton Weinstein (IO6-C)
Conductor's score, instrumental parts, February 24, 1951
Box   19C
Folder   21
“The Old Soft Shoe,” arranged by Frank Guilfoyle (163-C)
Conductor's score, instrumental parts, undated
Box   19C
Folder   22
“On the Road to Mandalay,” arranged by Milton Weinstein (129-C)
Vocal, conductor's scores; instrumental parts, April 7, 1951
Box   19C
Folder   23
“One Night of Love” (180-C)
Score, instrumental parts, undated
Box   19C
Folder   24
“One Song,” arranged by Pete King (30-C)
Conductor's score, instrumental parts, October 21, 1950
Box   19C
Folder   25
“Over the Rainbow,” arranged by Milton Weinstein (120-C)
Conductor's score, instrumental parts, March 24, 1951
Box   19C
Folder   26
“The Picnic Song,” arranged by Pete King (146-C)
Conductor's score, instrumental parts, May 19, 1951
Box   19D
Folder   27
“Portrait of a Flirt,” arranged by Paul Shelley (82-C)
Conductor's score, instrumental parts, January 13, 1951
Box   19D
Folder   28
“Puttin' on the Ritz,” arranged by Paul Shelley (58-C)
Conductor's score, instrumental parts, December 2, 1950
Box   19D
Folder   1
“Racetrack,” arranged by Paul Shelley (134-C)
Conductor's score, instrumental parts, April 21, 1951
Box   19D
Folder   2
“Racetrack Polka,” arranged by Jack Andrews (133-C)
Vocal, conductor's scores; instrumental parts, April 21, 1951
Box   19D
Folder   3
“Raggedy Ann,” arranged by Pete King (140-C)
Conductor's score, instrumental parts, May 5, 1951
Box   19D
Folder   4
“Reciprocity,” arranged by Pete King (169-C)
Conductor's score, instrumental parts, September 1, 1951
Box   19D
Folder   5
“Rumbalero,” arranged by Paul Shelley (96-C)
Conductor's score, instrumental parts, February 10, 1951
Box   19D
Folder   6
“Rococo” (18-C)
Conductor's score, instrumental parts, September 30, 1950
Box   20A
Folder   7
“Romance” (182-C)
Score, instrumental parts, undated
Box   20A
Folder   8
“Sailor's Hornpipe,” arranged by Francis Scott (45-C)
Conductor's score, instrumental parts, November 9, 1950
Box   20A
Folder   9
“St. Patrick's Day Song,” arranged by Jack Andrews (116-C)
Conductor's score, instrumental parts, March 17, 1951
Box   20A
Folder   10
“Santa Claus Is Coming to Town,” ”Santa Claus Music Box” (66-C)
Conductor's scores, instrumental parts, undated
Box   20A
Folder   11
“Shadrack,” arranged by Pete King (16O-C)
Conductor's score, instrumental parts, July 21, 1951
Box   20A
Folder   12
“Shangri-La'” arranged by Paul Shelley (39-C)
Conductor's score, instrumental parts, November 4, 1950
Box   20A
Folder   13
“Sing, Sing, Sing,” arranged by Paul Shelley (86-C)
Conductor's score, instrumental parts, January 20, 1951
Box   20A
Folder   14
“Skyscraper blues,” arranged by Pete King and Leroy Holmes (4-C)
Conductor's score, instrumental parts, September 9, 1950
Box   20B
Folder   15
“Skyscraper Fantasy,” arranged by Paul Shelley (38-C)
Conductor's score, instrumental parts, November 4, 1950
Box   20B
Folder   16
“Slap That Bass,” arranged by Paul Shelley (123-C)
Conductor's score, instrumental parts, March 31, 1951
Box   20B
Folder   17
“Smoke Gets In Your Eyes” (185-C)
Score, undated
Box   20B
Folder   18
“So In Love,” arranged by Milton Weinstein (9-C)
Vocal, conductor's scores, instrumental parts, September 16, 1950
Box   20B
Folder   19
“Soliloquy,” arranged by Pete King (8-C)
Sheet music, conductor's score, instrumental parts, September 16, 1950
Box   20B
Folder   20
“Solitude,” arranged by Pete King (167-C)
Conductor's score, instrumental parts, August 17, 1951
Box   20B
Folder   21
“The Song Is You,” arranged by William Stegmeyer (93-C)
Conductor's score, instrumental parts, February 3, 1951
Box   20C
Folder   22
“Speak Low,” arranged by Pete King (175-C)
Conductor's score, instrumental parts, November 31, 1951
Box   20C
Folder   23
“Steppin' Out With My Baby,” arranged by Leroy Holmes (73-C)
Conductor's score, instrumental parts, December 30, 1950
Box   20C
Folder   24
“Strange Music,” arranged by Milton Weinstein (112-C)
Conductor's score, instrumental parts, March 10, 1951
Box   20C
Folder   25
“Sunny Day,” arranged by Leroy Holmes (109-C)
Vocal, conductor's scores, instrumental parts, March 3, 1951
Box   20C
Folder   26
“'s Wonderful” (176-C)
Conductor's score, instrumental parts, undated
Box   20C
Folder   27
“Symbol of Fire,” arranged by Jack Andrews (24-C)
Conductor's score, instrumental parts, October 7, 1950
Box   21A
Folder   1
“Tell Me That You Love Me Tonight” (5-C)
Conductor's score, instrumental parts, September 9, 1950
Box   21A
Folder   2
“Temptation,” arranged by Pete King (71-C)
Conductor's score, instrumental parts, December 30, 1950
Box   21A
Folder   3
“That Old Black Magic,” arranged by Pete King (161-C)
Conductor's score, instrumental parts, July 21, 1951
Box   21A
Folder   4
“Them There Eyes,” arranged by Pete King (189-C)
Conductor's score, instrumental parts, December 8, 1951
Box   21A
Folder   5
“These Foolish Things,” arranged by Jullian Work (22-C)
Conductor's score, instrumental parts, October 7, 1950
Box   21A
Folder   6
“Too Young,” arranged by Pete King (156-C)
Conductor's score, instrumental parts, June 23, 1951
Box   21A
Folder   7
“The Touch of Your Hand” (183-C)
Conductor's score, instrumental parts, undated
Box   21A
Folder   8
“Two Brothers,” arranged by Bobby Van Eps (43-C)
Vocal, conductor's scores, instrumental parts, November 11, 1950
Box   21A
Folder   9
“War Picture Routine/Marine Hymn,” arranged by Leroy Holmes (44-C)
Conductor's score, instrumental parts, November 11, 1950
Box   21A
Folder   10
“Wedding of the Painted Doll,” arranged by Pete King (141-C)
Conductor's score, instrumental parts, May 5, 1951
Box   21B
Folder   11
“A Wee Doch-an-Doris,” arranged by Sosnik (154-C)
Conductor's score, instrumental parts, undated
Box   21B
Folder   12
“Where Oh Where,” arranged by William Stegmeyer (85-C)
Conductor's score, instrumental parts, January 20, 1951
Box   21B
Folder   13
“Where or When” (100-C)
Conductor's score, instrumental parts, undated
Box   21B
Folder   14
“The Whip” (19-C)
Conductor's score, instrumental parts, undated
Box   21B
Folder   15
“Who Am I,” arranged by Pete King (171-C)
Conductor's score, instrumental parts, September 22, 1951
Box   21B
Folder   16
“Why Was I Born,” arranged by Pete King (157-C)
Conductor's score, instrumental parts, July 7, 1951
Box   21B
Folder   17
“Yesterdays” (186-C)
Vocal, conductor's scores, instrumental parts, undated
Box   21B
Folder   18
“You Can't Take It With You,” October 28, 1950 (31-C)
Conductor's score, instrumental parts, October 28, 1950
Series: V Series
Box   21B
Folder   19
“After You've Gone” (247-V)
Conductor's score, instrumental parts, undated
Box   21C
Folder   20
“All the Things You Are,” arranged by Sosnik (183-V)
Conductor's score, instrumental parts, September 15, 1960
Box   21C
Folder   21
“Almost Like Being In Love,” arranged by Frank Hunter (211-V)
Conductor's score, instrumental parts, undated
Box   21C
Folder   22
“America” (West Side Story), arranged by Sosnik (236-V)
Score, August 29, 1962
Box   21C
Folder   23
“Amy Medley,” arranged by Frank Hunter (197-V)
Conductor's score, instrumental parts, undated
Box   21C
Folder   24
“Any Place I Hang My Hat,” arranged by Frank Hunter (203-V)
Conductor's score, instrumental parts, undated
Box   21C
Folder   25
“April in Paris,” arranged by Sosnik (219-V)
Conductor's score, instrumental parts, June 30, 1962
Box   21C
Folder   26
“As Long as He Needs Me,” arranged by Frank Hunter (244-V)
Vocal, conductor's scores, instrumental parts, undated
Box   21C
Folder   27
“As Time Goes By,” arranged by Sosnik (153-V)
Conductor's score, instrumental parts, May 24, 1957
Box   21D
Folder   28
“Auf Wiedersehn” (63-V)
Score, instrumental parts, undated
Box   21D
Folder   29
“Ave Maria” (82-V)
Score, instrumental parts, undated
Box   21D
Folder   30
“Baubles, Bangles and Beads,” arranged by Sosnik (216..-V)
Conductor's score, instrumental parts, June 19, 1962
Box   21D
Folder   31
“Beautiful Dreamer,” arranged by Frank Hunter (213-V)
Conductor's score, instrumental parts, undated
Box   21D
Folder   32
“Bill Bailey,” arranged by Sosnik (232-V)
Conductor's score, instrumental parts, August 17, 1962
Box   21D
Folder   1
“The Birth of the Blues,” arranged by Sosnik (233-V)
Conductor's score, instrumental parts, August 16, 1962
Box   21D
Folder   2
“Blue Bird of Happiness” (123-V)
Annotated sheet music, conductor's score, instrumental parts, undated
Box   21D
Folder   3
“Blues in the Night,” arranged by Leroy Holmes (127-V)
Conductor's score, instrumental parts, undated
“Broadway Spot,” arranged by Artie Beck (196-V)
Box   21D
Folder   4
Conductor's score, instrumental parts, undated
Box   22A
Folder   5
Conductor's score, instrumental parts, continued
Box   22A
Folder   6
“Brother, Can You Spare a Dime,” arranged by Sosnik (150-V)
Conductor's score, instrumental parts, May 24, 1957
Box   22A
Folder   7
“Brotherhood of Man,” arranged by Jack Elliot (210-V)
Vocal, conductor's scores, instrumental parts, undated
Box   22A
Folder   8
“By Myself,” arranged by Frank Hunter (264-V)
Conductor's score, instrumental parts, undated
Box   22A
Folder   9
“Chinese Lullabye,” arranged by Frank Hunter (270-V)
Score, undated
Box   22A
Folder   10
“Chopin” (312-V)
Conductor's score, instrumental parts, undated
Box   22B
Folder   11
“Cielo Andaluz” (565-V)
Conductor's score, instrumental parts, December 12, 1949
Box   22B
Folder   12
“Clavelitos” (310-V)
Conductor's score, instrumental parts, undated
Box   22B
Folder   13
“Climb Ev'ry Mountain,” arranged by Sosnik (230-V)
Conductor's score, instrumental parts, August 9, 1962
Box   22B
Folder   14
“Come and Get It Day,” arranged by Frank Hunter (259-V)
Conductor's score, instrumental parts, undated
Box   22B
Folder   15
“Come Prima,” arranged by Sosnik (217-V)
Score, June 14, 1962
Box   22B
Folder   16
“Come Rain or Come Shine,” arranged by Sosnik (237-V)
Conductor's score, instrumental parts, August 24, 1962
Box   22B
Folder   17
“Come Rain or Come Shine,” arranged by Kermit Levinsky (243-V)
Conductor's score, instrumental parts, undated
Box   22B
Folder   18
“Come Rain or Come Shine,” arranged by Frank Hunter (271-V)
Score, undated
Box   22C
Folder   19
“Comin' in on a Wing and a Prayer,” arranged by Sosnik (170-V)
Conductor's score, instrumental parts, April 14, 1960
Box   22C
Folder   20
“Cowboy Song,” arranged by Frank Hunter (250-V)
Conductor's score, instrumental parts, undated
Box   22C
Folder   21
“Czardas” (2-V)
Instrumental parts, undated
Box   22C
Folder   22
“Dear Old Pal of Mine” (99-V)
Score, instrumental parts, undated
Box   22C
Folder   23
“Di Tes Moi,” arranged by Jack Andrews (78-V)
Conductor's score, instrumental parts, undated
Box   22C
Folder   24
“Don't Ask Me Not to Sing” (116-V)
Vocal, conductor's scores, instrumental parts, undated
Box   22C
Folder   25
“Don't Be Cruel,” arranged by Frank Hunter (251-V)
Conductor's score, instrumental parts, undated
Box   22C
Folder   26
“Don't Cry,” arranged by Jack Easton (124-V)
Conductor's score, instrumental parts, undated
Box   22C
Folder   27
“Don't Fence Me In,” arranged by Jack Elliot (173 V)
Conductor's score, instrumental parts, undated
Box   22C
Folder   28
“Don't Sit Under the Apple Tree,” arranged by Jack Elliot (168 V)
Conductor's score, instrumental parts, undated
Box   23A
Folder   1
“Drink to Me Only With Thine Eyes” (101-V)
Score, instrumental parts, undated
Box   23A
Folder   2
“Easter Parade,” arranged by Sosnik (189-V)
Vocal, conductor's scores, instrumental parts, March 26, 1962
Box   23A
Folder   3
“Ebb Tide,” arranged by Frank Hunter (263-V)
Conductor's score, instrumental parts, undated
Box   23A
Folder   4
“Either Too Young,” arranged by Jack Elliot (167-V)
Conductor's score, instrumental parts, undated
Box   23A
Folder   5
“Exactly Like You” (53-V)
Vocal, conductor's scores, instrumental parts, undated
Box   23A
Folder   6
“A Foggy Day,” arranged by Frank Hunter (240-V)
Conductor's score, instrumental parts, undated
Box   23A
Folder   7
“Folk Song Medley,” arranged by Frank Hunter and Artie Beck (195-V)
Vocal, conductor's scores, instrumental parts, undated
Box   23B
Folder   8
“For Me and My Gal” (156-V)
Vocal, conductor's scores, instrumental parts, undated
Box   23B
Folder   9
“Gershwin Medley,” arranged by Frank Hunter (276-V)
Conductor's score, instrumental parts, undated
Box   23B
Folder   10
“Gigi,” arranged by Sosnik (221-V)
Conductor's score, instrumental parts, July 5, 1962
Box   23B
Folder   11
“The Girl Who Wasn't There,” arranged by Sosnik (234-V)
Conductor's score, instrumental parts, August 16, 1962
Box   23B
Folder   12
“Glow Worm,” arranged by Frank Hunter (241-V)
Vocal, conductor's scores, instrumental parts, undated
Box   23C
Folder   13
“Got a Lot of Livin',” arranged by Frank Hunter (257-V)
Conductor's score, instrumental parts, undated
Box   23C
Folder   14
“Granada,” arranged by Frank Hunter (261-V)
Conductor's score, instrumental parts, undated
Box   23C
Folder   15
“Happy Face/Happy Talk,” arranged by Frank Hunter (279-V)
Annotated sheet music, conductor's score, instrumental parts, undated
Box   23C
Folder   16
“Hello Dolly,” arranged by Frank Hunter (273-V)
Conductor's score, instrumental parts, undated
Box   23C
Folder   17
“Hey Look Me Over,” arranged by Pat Williams (304-V)
Conductor's score, instrumental parts, undated
Box   23C
Folder   18
“The House I Live In” (45-V)
Score, instrumental parts, undated
Box   23D
Folder   19
“Home Medley,” arranged by Frank Hunter (205-V)
Vocal, conductor's score, instrumental parts, undated
Box   23D
Folder   20
“Hungarian Hymnus,” arranged by Defillippi (139-V)
Conductor's score, instrumental parts, undated
Box   23D
Folder   21
“I Can't Begin to Tell You” (55-V)
Vocal, conductor's score, instrumental parts, undated
Box   23D
Folder   22-23
“I Could Have Danced,” arranged by Jack Easton (132-V)
Vocal, conductor's scores, instrumental parts, undated
Box   23D
Folder   1
“I Fall in Love Too Easily” (54-V)
Vocal, conductor's scores, instrumental parts, undated
Box   23D
Folder   6
“I Get a Kick Out of You” (57-V)
Vocal, conductor's scores, instrumental parts, undated
Box   23D
Folder   7
“I Hadn't Anyone Till You,” arranged by Luther Henderson (148-V)
Conductor's score, instrumental parts, April 11, 1957
Box   24A
Folder   8
“I Have Dreams/Shall We Dance Medley,” arranged by Frank Hunter (254-V)
Conductor's score, instrumental parts, undated
Box   24A
Folder   9
“I Hear You Calling Me”
Score, instrumental parts, undated
Box   24A
Folder   15
“I Love Paris,” arranged by Artie Beck (198-V)
Conductor's score, instrumental parts, undated
Box   24A
Folder   22
“I See Your Face Before Me,” arranged by Sosnik (220-V)
Conductor's score, instrumental parts, August 10, 1962
Box   24A
Folder   23
“I Spoke to Jefferson at Guadalcanal” (121-V)
Score, instrumental parts, undated
Box   24A
Folder   28
“I Wanna Be Around,” arranged by Frank Hunter (268-V)
Conductor's score, instrumental parts, undated
Box   24A
Folder   29
“I Wish I Were In Love Again,” arranged by Sosnik (180-V)
Conductor's score, instrumental parts, September 1, 1960
Box   24A
Folder   2
“If Ever I Would Leave You,” arranged by Sosnik (235-V)
Conductor's score, instrumental parts, August 18, 1962
Box   24B
Folder   3
“If I Had a Ribbon Bow,” arranged by Frank Hunter (260-V)
Conductor's score, instrumental parts, undated
Box   24B
Folder   4
“If I Loved You” (21-V)
Vocal, conductor's scores, instrumental parts, undated
Box   24B
Folder   5
“If I Were on the Stage” (70-V)
Conductor's score, instrumental parts, undated
Box   24B
Folder   10
“I'll Be Seeing You,” arranged by Sosnik (165-V)
Vocal, conductor's scores, instrumental parts, April 18, 1960
Box   24B
Folder   11
“1'11 Be Seeing You,” arranged by Sosnik (227-V)
Conductor's score, instrumental parts, July 28, 1962
Box   24B
Folder   12
“I'11 Get By” (100-V)
Score, March 23, 1944
Box   24B
Folder   13
“I'll Remember April,” arranged by Sosnik (175-V)
Conductor's score, instrumental parts, July 29, 1960
Box   24B
Folder   14
“I'11 See You Again” (84-V)
Score, instrumental parts, undated
Box   24B
Folder   16
“In Acapulco” (57-V)
Vocal, conductor's scores, instrumental parts, undated
Box   24B
Folder   17
“The Inchworm” (135-V)
Conductor's score, instrumental parts, September 6, 1956
Box   24B
Folder   18
“In My Arms,” arranged by Jack Elliot (166-V)
Vocal, conductor's scores, instrumental parts, undated
Box   24C
Folder   19
“In San Francisco,” arranged by Sosnik (225-V)
Conductor's score, instrumental parts, July 19, 1962
Box   24C
Folder   20
“Irma La Douce,” arranged by Sosnik (222-V)
Conductor's score, instrumental parts, July 6, 1962
Box   24C
Folder   21
“Irma La Douce, ” arranged by Frank Hunter (256-V)
Conductor's score, instrumental parts, undated
Box   24C
Folder   24
“It Had To Be You,” arranged by Pete Matz (154-V)
Conductor's score, instrumental parts, undated
Box   24C
Folder   25
“It Might as Well Be Spring” (43-V)
Conductor's scores, instrumental parts, undated
Box   24C
Folder   26
“I've Grown Accustomed,” arranged by Artie Beck (194-V)
Conductor's score, instrumental parts, undated
Box   24C
Folder   27
“I've Told Every Little Star” (68-V)
Conductor's score, instrumental parts, circa February 1, 1946
Box   24C
Folder   30
“Jerry Holmes Medley” (”Once in a Lifetime” and ”What Kind of Fool Am I”), arranged by Frank Hunter (252-V)
Vocal, conductor's scores, instrumental parts, undated
Box   25A
Folder   1
“Joey, Joey, Joey,” arranged by Sosnik (238-V)
Conductor's score, instrumental parts, August 29, 1962
Box   25A
Folder   2
“Johnny One Note,” arranged by Pete King (65-V)
Conductor's score, instrumental parts, April 12, 1950
Box   25A
Folder   3
“June Is Busting Out All Over,” arranged by Sosnik (151-V)
Conductor's score, instrumental parts, May 25, 1957
Box   25A
Folder   4
“Just in Time,” arranged by Frank Hunter and Manny Album (204-V)
Conductor's scores, instrumental parts, undated
Box   25A
Folder   5
“Just You, Just Me,” ”How High the Moon,” both arranged by Frank Hunter (266-V)
Conductor's scores, instrumental parts, undated
Box   25A
Folder   6
“The King and I,” arranged by Sosnik (181-V)
Conductor's score, instrumental parts, September 7, 1960
Box   25B
Folder   7
“The Last Time I Saw Paris,” arranged by Jack Elliot (171-V)
Conductor's score, instrumental parts, undated
Box   25B
Folder   8
“Let's Face the Music and Dance,” arranged by Sosnik (218-V)
Conductor's score, instrumental parts, June 28, 1962
Box   25B
Folder   9
“Life's a Bowl of Cherries,” arranged by Pat Williams (307-V)
Conductor's score, instrumental parts, undated
Box   25B
Folder   10
“Lilli Marlene,” arranged by Jack Elliot (160-V)
Conductor's score, instrumental parts, undated
Box   25B
Folder   11
“Little Bit of Heaven” (87-V)
Score, instrumental parts, undated
Box   25B
Folder   12
“Lonely Town,” arranged by Frank Hunter (201-V)
Vocal, conductor's scores, instrumental parts, undated
Box   25B
Folder   13
“A Lot of Livin' to Do, Part I,” arranged by Frank Hunter (192-V)
Conductor's score, instrumental parts, undated
Box   25B
Folder   14
“A Lot of Livin' to Do, Part II,” arranged by Frank Hunter (193-V)
Vocal, conductor's scores, instrumental parts, undated
Box   25C
Folder   15
“A Lot of Livin' to Do,” arranged by Sosnik (224-V)
Conductor's score, instrumental parts, July 12, 1962
Box   25C
Folder   16
“Love,” arranged by Jack Elliot (174-V)
Conductor's score, instrumental parts, undated
Box   25C
Folder   17
“Make Someone Happy,” arranged by Frank Hunter (267-V)
Conductor's score, instrumental parts, undated
Box   25C
Folder   18
“Maria,” arranged by Frank Hunter (280-V)
Conductor's score, instrumental parts, undated
Box   25C
Folder   19
“Married I Can Always Get,” arranged by Sosnik (182-V)
Conductor's score, instrumental parts, September 14, 1960
Box   25C
Folder   20
“Mary's a Grand Old Name,” arranged by Sosnik (184 V)
Conductor's score, instrumental parts, February 20, 1961
Box   25C
Folder   21
“Meantime,” arranged by Frank Hunter (278-V)
Conductor's score, some instrumental parts, undated
Box   25C
Folder   22
“Mockingbird,” arranged by Jack Elliot (208-V)
Score, instrumental parts, undated
Box   25D
Folder   23
“Moonlight in Vermont,” arranged by Frank Hunter (202-V)
Conductor's score, instrumental parts, undated
Box   25D
Folder   24
“More,” arranged by Frank Hunter (274-V)
Conductor's score, instrumental parts, undated
Box   25D
Folder   25
“My Man's Gone - Prelude,” arranged by Sosnik (142-V)
Vocal, conductor's scores, instrumental parts, January 12, 1959
Box   25D
Folder   26
“My Sergeant and I Are Buddies,” arranged by Sosnik (172-V)
Conductor's score, instrumental parts, undated
Box   25D
Folder   27
“Nature Boy,” arranged by Sosnik (185-V)
Vocal, conductor's scores, instrumental parts, January 11, 1960
Box   25D
Folder   28
“Nice to Come Home To” (169-V)
Conductor's score, instrumental parts, undated
Box   25D
Folder   29
“None But the Lonely Heart” (103-V)
Score, undated
Box   25D
Folder   1
“No Other Love,” arranged by Joe Glover (42-V)
Conductor's score, instrumental parts, undated
Box   25D
Folder   2
“No Strings,” arranged by Frank Hunter (253-V)
Conductor's score, instrumental parts, undated
Box   25D
Folder   3
“Oklahoma,” arranged by Frank Hunter (212-V)
Vocal, conductor's scores, instrumental parts, undated
Box   26A
Folder   4
“0l' Man River” (14-V)
Conductor's score, instrumental parts, undated
Box   26A
Folder   5
“Old Man River,” arranged by Sosnik (176-V)
Conductor's score, August 2, 1960
Box   26A
Folder   6
“Once in a Lifetime,” arranged by Frank Hunter (301-V)
Conductor's score, instrumental parts, undated
Box   26A
Folder   7
“Once Upon a Summertime,” arranged by Kermit Levinsky (245-V)
Conductor's score, instrumental parts, undated
Box   26A
Folder   8
“Once Upon a Time,” arranged by Frank Hunter (255-V)
Conductor's score, instrumental parts, undated
Box   26A
Folder   9
“One Kiss” (86-V)
Score, instrumental parts, undated
Box   26A
Folder   10
“Out of My Dreams,” arranged by F. Guilfoyle (143-V)
Vocal, conductor's scores, instrumental parts, undated
Box   26A
Folder   11
“People,” arranged by Frank Hunter (272-V)
Conductor's score, instrumental parts, undated
Box   26A
Folder   12
“People Will Say We're in Love” (22-V)
Vocal, conductor's scores, instrumental parts, October 21, 1953, , undated
Box   26B
Folder   13
“Pick Yourself Up,” arranged by Frank Hunter (199-V)
Vocal, conductor's scores, instrumental parts, undated
Box   26B
Folder   14
“Praise the Lord,” arranged by Alan Copeland (163-V)
Conductor's score, instrumental parts, undated
Box   26B
Folder   15
“Put It There,” arranged by Jack Elliot (207-V)
Conductor's score, instrumental parts, undated
Box   26B
Folder   16
“Rinky-Tink Rag” (313-V)
Conductor's score, instrumental parts, undated
Box   26B
Folder   17
“Rock-A-Bye-Your-Baby/Swanee Medley,” arranged by Frank Hunter (249-V)
Conductor's score, instrumental parts, undated
Box   26B
Folder   18
“Rose of the World” (117-V)
Score, instrumental parts, undated
Box   26B
Folder   19
“September Songs” (566-V)
Conductor's scores, instrumental parts, May 28, 1950
Box   26B
Folder   20
“Silent Night,” arranged by Gil Grau (83-V)
Score, instrumental parts, undated
Box   26C
Folder   21
“Singing in the Rain,” arranged by Milton Weinstein and Sosnik (1-V)
Vocal, conductor's scores, instrumental parts, June, 1953
Box   26C
Folder   22
“Sixteen-Seventeen,” arranged by Robert Russell Bennett (158-V)
Conductor's score, instrumental parts, undated
Box   26C
Folder   23
“Small Fry,” arranged by Jack Elliot (214-V)
Conductor's score, instrumental parts, undated
Box   26C
Folder   24
“Someone Lovelier Than You” (51-V)
Vocal, conductor's scores, instrumental parts, undated
Box   26C
Folder   25
“The Sound of Music” (223-V)
Conductor's score, instrumental parts, July 7, 1962
Box   26C
Folder   26
“Spring Is Here,” arranged by Frank Hunter (188-V)
Conductor's score, instrumental parts, undated
Box   26C
Folder   27
“Stand Up and Fight,” arranged by Frank Hunter (258-V)
Conductor's score, instrumental parts, undated
Box   26C
Folder   28
“A Summer Place,” arranged by Sosnik (220-V)
Conductor's score, instrumental parts, June 27, 1962
Box   26D
Folder   29
“The Sunshine of Your Smile” (85-V)
Score, instrumental parts, undated
Box   26D
Folder   30
“Tara Tara Zum,” arranged by Sosnik (231-V)
Conductor's score, instrumental parts, August 9, 1962
Box   26D
Folder   1
“Taking a Chance on Love” (52-V)
Vocal, conductor's scores, instrumental parts, July 22, 1945
Box   26D
Folder   2
“Thanks for the Memory,” arranged by Dave Terry (186-V)
Conductor's score, instrumental parts, undated
Box   26D
Folder   3
“That's For Me,” arranged by Maurice Gardner (106-V)
Conductor's score, instrumental parts, undated
Box   26D
Folder   4
“They Can't Take That Away From Me,” arranged by Frank Hunter (191-V)
Conductor's score, instrumental parts, undated
Box   26D
Folder   5
“This Could Be the Start of Something Big,” arranged by Frank Hunter (248-V)
Conductor's score, instrumental parts, undated
Box   26D
Folder   6
“This Heart of Mine,” arranged by Frank Hunter (187-V)
Vocal, conductor's scores, instrumental parts, undated
Box   27A
Folder   7
“This is My Country” (105-V)
Conductor's score, instrumental parts, undated
Box   27A
Folder   8
“This Nearly Was Mine/They Call the Wind Maria,” arranged by Sosnik (228-V)
Conductor's score, instrumental parts, undated
Box   27A
Folder   9
“This Nearly Was Mine,” arranged by Frank Hunter (275-V)
Conductor's score, instrumental parts, undated
Box   27A
Folder   10
“The Time, the Place, and the Girl” (69-V)
Score, vocal score, instrumental parts, undated
Box   27A
Folder   11
“Too Much Mustard,” arranged by Leroy Holmes (11-V)
Score, instrumental parts, undated
Box   27A
Folder   12
“Toyland” (Medley), arranged by Leroy Holmes (129-V)
Conductor's score, instrumental parts, undated
Box   27A
Folder   13
“Trolley Song” (104-V)
Score, undated
Box   27B
Folder   14
“Valencia” (88-V)
Score, instrumental parts, undated
Box   27B
Folder   15
“When Your Lover Has Gone,” arranged by Jack Andrews (136-V)
Conductor's score, instrumental parts, undated
Box   27B
Folder   16
“Where Is Love/Consider Yourself Medley,” arranged by Kermit Levinsky (246-V)
Conductor's score, instrumental parts, undated
Box   27B
Folder   17
“Where or When” (74-V)
Vocal, conductor's scores, instrumental parts, undated
Box   27B
Folder   18
“Whistle Opening,” arranged by Frank Hunter (314-V)
Conductor's score, instrumental parts, undated
Box   27B
Folder   19
“Who Wants to Be a Millionaire,” arranged by Frank Hunter (206-V)
Conductor's scores, instrumental parts, undated
Box   27B
Folder   20
“Why Was I Born,” arranged by Sosnik (226-V)
Conductor's score, instrumental parts, July 20, 1962
Box   27B
Folder   21
“Wine and Roses,” arranged by Messengil (309-V)
Conductor's score, instrumental parts, undated
Box   27C
Folder   22
“Without a Song,” arranged by Sosnik (239-V)
Conductor's score, instrumental parts, August 31, 1962
Box   27C
Folder   23
“Without You I'm Nothing,” arranged by Jack Andrews (130-V)
Conductor's score, instrumental parts, undated
Box   27C
Folder   24
“The World Is Waiting for the Sunrise” (98-V)
Score, instrumental parts, undated
Box   27C
Folder   25
“You Are Free” (118-V)
Score, instrumental parts, undated
Box   27C
Folder   26
“You Are My Lucky Star” (46-V)
Vocal, conductor's scores, instrumental parts, undated
Box   27C
Folder   27
“You Belong to My Heart” (59-V)
Vocal, conductor's scores, instrumental parts, undated
Box   27C
Folder   28
“You'll Never Walk Alone #2,” arranged by Artie Beck and Hershey Kay (200-V)
Conductor's score, instrumental parts, undated
Series: Number Series
Box   28A
Folder   1
“The Age Machine,” ballet music by Peter Matz (769)
Conductor's score, instrumental parts, undated
Box   28A
Folder   2
“All Through the Night,” arranged by Maurice Gardner (593)
Conductor's score, instrumental parts, October 4, 1950, used , December 26, 1952, , September 21, 1954
Box   28A
Folder   3
“American Patrol,” arranged by Ben Ludlow (666)
Score, instrumental parts, used January 6, 1958
Box   28A
Folder   4
“Am I Blue,” arranged by Sosnik (665)
Conductor's score, instrumental parts, April 25, 1954
Box   28A
Folder   5
“Anniversary Song” (546)
Score, undated
Box   28A
Folder   6
“Anything Goes,” arranged by Ben Ludlow (736)
Score, instrumental parts, used January 6, 1958
Box   28A
Folder   7
“Autumn in New York,” arranged by Sosnik (651)
Conductor's score, instrumental parts, January 26, 1954, , October 30, 1956
Box   28A
Folder   8
“Autumn Leaves,” arranged by Sosnik (636)
Conductor's score, instrumental parts, March 6, 1953, used , June 9, 1954, , August 24, 1956
Box   28B
Folder   9
“AW0FTS” (”A Weird One for the Show”), arranged by Peter Matz (776)
Conductor's score, instrumental parts, undated
Box   28B
Folder   10
“Babalu,” arranged by Ben Ludlow (681)
Conductor's score, instrumental parts, undated
Box   28B
Folder   11
“Baia,” arranged by Maurice Gardner (680)
Vocal, conductor's scores, instrumental parts, undated
Box   28B
Folder   12
“Bars Behind,” for ballet by Peter Matz (772)
Conductor's score, instrumental parts, undated
Box   28B
Folder   13
“Baylor Fight Song,” arranged by Leroy Holmes (696)
Conductor's score, instrumental parts, undated
Box   28B
Folder   14
“Beauty Through the Night” (583), composed by Sosnik
Conductor's score, instrumental parts, October 10, November 2, 1953
Box   28B
Folder   15
“Begin the Beguine,” arranged by Maurice Gardner (611)
Conductor's score, instrumental parts, November 4, 1948, , December 7, 1959
Box   28C
Folder   16
“Belle of the Ball,” arranged by G. Gill and F. Ventre (780)
Vocal, conductor's scores, instrumental parts, undated
Box   28C
Folder   17
“Bewitched,” arranged by Pete King (574)
Conductor's score, instrumental parts, used June 3, 1960
Box   28C
Folder   18
“Beyond the Blue Horizon,” arranged by R. Maltby (508)
Conductor's score, instrumental parts, used September 26, 1953, , April 12, 1956, , February 21, 1958
Box   28C
Folder   19
“Blue Danube” (683)
Conductor's score, instrumental parts, undated
Box   28C
Folder   20
“Blue Skies,” arranged by Russell Case (674)
Conductor's score, instrumental parts, used August 29, 1957
Box   28C
Folder   21
“Bogata,” arranged by Sosnik (646)
Conductor's score, instrumental parts, August 6, 1953, used , February 15, 1955, , January 23, 1957
Box   28C
Folder   22
“Broadway Rhythm,” arranged by Dick Maltby (518)
Conductor's score, instrumental parts, November 8, 1948
Box   28D
Folder   23
“Brother, Come Dance With Me,” arranged by Sosnik (795)
Instrumental parts, used May 27, 1958
Box   28D
Folder   24
“By Heck,” arranged by R. Barnhart (519)
Conductor's score, instrumental parts, used January 25, 1951
Box   28D
Folder   25
“The Cactus Polka,” arranged by Ralph Barnhart (547)
Conductor's score, instrumental parts, used September 24, 1952, , September 8, 1954
Box   28D
Folder   26
“Camptown Races,” arranged by M. Gardner (561)
Conductor's score, instrumental parts, September 17, 1951, , June 15, 1954, , February 14, 1958
Box   28D
Folder   1
“Can't We Be Friends” (554)
Conductor's score, instrumental parts, April 20, 1950, , July 29, 1953, , December 22, 1955, , November 14, 1957
Box   28D
Folder   2
“Caravan,” arranged by Milton Weinstein (534)
Conductor's score, instrumental parts, used December 7, 1956
Box   28D
Folder   3
“Carioca” (682)
Conductor's score, instrumental parts, used August 9, 1957, , March 28, 1960
Box   29A
Folder   4
“Charleston,” arranged by Pete Matz (793)
Conductor's score, instrumental parts, undated
Box   29A
Folder   5
“Chess Dance,” arranged by Peter Matz (767)
Conductor's score, instrumental parts, undated
Box   29A
Folder   6
“Christmas Carols,” arranged by Milton Weinstein (650)
Conductor's score, instrumental parts, undated
Box   29A
Folder   7
“Cinderella's Dream” {626), composed by Sosnik
Conductor's score, instrumental parts, June 30, 1952
Box   31
Folder   25
“La Cinquantaine,” arranged by Milton Weinstein (686)
Conductor's score, instrumental parts, used September 17, 1957
Box   29A
Folder   8
“Circus Marches” (”Billboard March,” arranged by Ben Ludlow, ”Puppet Theme,” arranged by Jack Easton, ”Over the Waves,” arranged by Sosnik, ”Man On the Flying Trapeze,” arranged by Sosnik) (773)
Conductor's scores, instrumental parts, 1956
Box   29B
Folder   9
“Concha De Amor” (624), composed by Sosnik
Conductor's score, instrumental parts, April 14, 1952, used , July 28, 1953
Box   32
Folder   1
“La Corrida,” arranged by Sosnik (790)
Conductor's score, instrumental parts, October 10, 1956, used , June 28, 1957
Box   29B
Folder   10
“Cross Your Heart,” arranged by Sosnik (557)
Conductor's score, instrumental parts, April 27, 1950
Box   29B
Folder   11
“Cumana,” arranged by Milton Kraus (544)
Conductor's score, instrumental parts, November 19, 1951, , December 22, 1955
Box   29C
Folder   20
“El Cumbanchero” (615)
Conductor's score, instrumental parts, January 14, 1952, , October 8, 1954, , September 19, 1956b
Box   29B
Folder   12
“Dancing in the Dark,” arranged by Milton Weinstein (699)
Vocal, conductor's scores, instrumental parts, January 12, 1956, , December 23, 1958
Box   29C
Folder   13
“Dardanella,” arranged by Milton Weinstein (734)
Conductor's score, instrumental parts, undated
Box   29C
Folder   14
“Dark Eyes,” arranged by R. Maltby {516)
Conductor's scores, instrumental parts, arranged March 1, 1949, , September 30, 1953, used , February 9, 1956
Box   29C
Folder   15
“Dark Eyes,” arranged by Ben Ludlow (702)
Conductor's score, instrumental parts, used September 27, 1957
Box   29C
Folder   16
“Deck the Halls with Holly,” arranged by Pete King (603)
Conductor's score, instrumental parts, October 15, 1951, , September 9, 1958
Box   29C
Folder   17
“Deep Night,” arranged by F. Guilfoyle (506)
Conductor's score, instrumental parts, arranged March 25, 1949, , February 3, 1953, , October 30, 1956
Box   29C
Folder   18
“Deep Purple,” arranged by Sosnik (714)
Conductor's score, instrumental parts, October 30, 1954, , March 23, 1955, used , March 30, 1956, , February 21, 1958
Box   29C
Folder   19
“Donkey Serenade,” arranged by Ben Ludlow (672)
Score, instrumental parts, undated
Box   30A
Folder   1
“Espana Cani,” arranged by Sosnik (484)
Sheet music, conductor's score, instrumental parts, September 24, 1948
Box   30A
Folder   2
“Estralita,” arranged by Maurice Gardner (592)
Conductor's score, instrumental parts, February 21, 1951, used , March 30, 1956
Box   30A
Folder   3
“Ev'ry Little Movement,” arranged by Sosnik (712)
Conductor's score, instrumental parts, November 3, 1954, , June 15, 1955, , November 1, 1956
Box   30A
Folder   4
“Exactly Like You” (684)
Conductor's score, instrumental parts, used August 29, 1957
Box   30A
Folder   5
“Ferdinand the Bull” (739), composed by Sosnik
Narrative, conductor's score, instrumental parts, undated
Box   30A
Folder   6
“A Gay Ranchero,” arranged by Weinstein (604)
Conductor's score, instrumental parts, October 29, 1951, used , March 2, 1954
Box   30A
Folder   7
“The Glow Worm,” arranged by Sosnik (635)
Conductor's score, instrumental parts, February 27, 1953, used , April 6, 1954
Box   30B
Folder   8
“Golden Age Polka,” arranged by Peter Matz (764)
Conductor's score, instrumental parts, undated
Box   30B
Folder   9
“Good News/Buckle Down Winsocki,” arranged by Jack Andrews {693)
Conductor's score, instrumental parts, undated
Box   30B
Folder   10
“Granada,” arranged by Sosnik {655)
Conductor's score, instrumental parts, January 26, 1954, used , May 5, 1955, , December 7, 1956, , February 21, 1958
Box   30B
Folder   11
“Great Day,” arranged by Pete King (535)
Conductor's score, instrumental parts, October 31, 1952, , March 30, 1956
Box   30B
Folder   12
“Gypsy Air,” composed by Sosnik (644)
Instrumental parts, arranged and used July 28, 1953
Box   30B
Folder   13
“Habanera,” arranged by Sosnik (796)
Score, instrumental parts, March 16, 1958
Box   30C
Folder   14
“Hallelujah,” arranged by Fred Norman (584)
Conductor's score, instrumental parts, December 19, 1952, used , February 12, 1957
Box   30C
Folder   15
“Hallelujah,” arranged by Red Bone (675)
Conductor's score, instrumental parts, used December 30, 1957
Box   30C
Folder   16
“Hejre Kati,” arranged by M. Gardner {556)
Conductor's score, instrumental parts, April 20, 1950, , February 3, 1953, used , September 21, 1954
Box   30C
Folder   17
“Helter Skelter,” composed by Sosnik (628)
Conductor's score, instrumental parts, August 25, 1952
Box   30C
Folder   18
“Here in My Arms,” arranged by M. Gardner (558)
Conductor's score, instrumental parts, used October 31, 1952, , February 24, 1959
Box   30C
Folder   19
“Holiday for Strings” (545)
Conductor's score, instrumental parts, used September 17, 1957
Box   30D
Folder   20
“Holiday in Hollywood,” by Peter Dennis, arranged by Pete King (613)
Conductor's score, instrumental parts, February 15, 1952
Box   30D
Folder   21
“Hera Staccato,” arranged by Maurice Gardner (533)
Conductor's score, instrumental parts, used September 28, 1956
Box   30D
Folder   22
“Horace the Bear” (723), composed by Sosnik
Narrative, conductor's score, instrumental parts, undated
Box   30D
Folder   23
“How High the Moon,” arranged by Peter Matz (770)
Conductor's score, instrumental parts, undated
Box   30D
Folder   1
“I Can't Get Started,” arranged by Sosnik (670)
Lyrics, conductor's score, instrumental parts, July 16, 1954, , August 24, 1956, , September 9, 1958
Box   30D
Folder   2
“I Can't Give You Anything But Love,” arranged by Leroy Holmes (581)
Conductor's score, instrumental parts, undated
Box   30D
Folder   3
“I Concentrate on You,” arranged by Milton Weinstein (588)
Conductor's score, instrumental parts, March 21, 1951, used , March 25, 1953, , March 29, 1956
Box   31A
Folder   4
“I Dream Too Much,” arranged by Maurice Gardner (590?)
Conductor's score, instrumental parts, May 10, 1951, , January 12, 1956
Box   31A
Folder   5
“I Get a Kick Out of You,” arranged by Milton Weinstein (538)
Conductor's score, instrumental parts, August 23, 1949, , October 8, 1954
Box   31A
Folder   6
“I Get the Blues When it Rains,” arranged by Sosnik (797)
Score, instrumental parts, November 12, 1957
Box   31A
Folder   7
“I Gotta Right to Sing the Blues,” arranged by Leroy Holmes (614)
Conductor's score, instrumental parts, January 14, 1952
Box   31A
Folder   8
“I Know That You Know” (735)
Conductor's score, instrumental parts, undated
Box   31A
Folder   9
“I Left My Heart at the Stage Door Canteen,” arranged by Sosnik (799)
Conductor's score, instrumental parts, April 10, 1960
Box   31A
Folder   10
“I Love Louisa,” arranged by Pete King (587)
Conductor's score, instrumental parts, May 10, 1951, used , October 29, 1953, , February 15, 1957
Box   31A
Folder   17
“I Will Come Back,” arranged by Sosnik (786)
Conductor's score, instrumental parts, undated
Box   31B
Folder   18
“I Won't Dance,” arranged by Sosnik (647)
Conductor's score, instrumental parts, July 29, 1953
Box   31B
Folder   11
“Imagination and Three Notes,” composed and arranged by Sosnik (520)
Conductor's score, instrumental parts, May 26, 1946
Box   31B
Folder   12
“In a Sentimental Mood,” arranged by Dave Rose (701)
Score, instrumental parts, undated
Box   31B
Folder   13
“Indiana” (667)
Conductor's score, instrumental parts, used August 29, 1957, , November 11, 1958
Box   31B
Folder   14
“Indian Love Call,” arranged by Pete King {528)
Conductor's score, instrumental parts, arranged October 21, 1949, , September 17, 1954
Box   31B
Folder   15
“It's All Right with Me,” arranged by Sosnik {762)
Conductor's score, instrumental parts, September 20, 1955
Box   31B
Folder   16
“I've Got a Crush on You,” arranged by Sosnik (669)
Conductor's score, instrumental parts, July 5, 1954, , October 30, 1956, , November 14, 1957, , February 24, 1959
Box   31C
Folder   19
“Jalousie,” arranged by Milton Weinstein (576)
Conductor's score, instrumental parts, September 13, 1952, used , June 9, 1954, , December 7, 1956
Box   31C
Folder   20
“The Japanese Sandman,” arranged by Milton Weinstein (521)
Conductor's score, instrumental parts, October 26, 1949, used , October 6, 1954
Box   31C
Folder   21
“Jingle Bells” (724)
Score, instrumental parts, undated
Box   31C
Folder   22
“Jogging Along” (629), composed by Sosnik
Conductor's score, instrumental parts, May 22, 1952, , September 24, 1952, , September 20, 1956
Box   31C
Folder   23
“Just a Gigolo,” arranged by Pete King (563)
Conductor's score, instrumental parts, March 24, 1950, used , April 27, 1953, , September 28, 1956, , February 25, 1958
Box   31C
Folder   24
“Kreutzer Etude 42 no. 2” (715)
Conductor's score, instrumental parts, undated
Box   32A
Folder   2
“Lady be Good,” arranged by Pete King (522)
Conductor's score, instrumental parts, used March 19, 1956
Box   32A
Folder   3
“Lady of the Evening,” arranged by Maurice Gardner (549)
Conductor's score, instrumental parts, November 18, 1949
Box   32A
Folder   4
“Lady Play Your Mandolin,” arranged by Sosnik (637)
Conductor's score, instrumental parts, March 1, 1953, used , September 29, 1954
Box   32A
Folder   7
“The Last Time I Saw Paris,” arranged by Maurice Gardner (591)
Conductor's score, instrumental parts, February 21, 1951, , December 22, 1955
Box   32A
Folder   8
“Laura,” arranged by Sosnik (664)
Conductor's score, instrumental parts, May 3, 1954, , April 26, 1956, , April 8, 1959
Box   32A
Folder   9
“Lazy Afternoon,” arranged by Sosnik (662)
Conductor's score, instrumental parts, May 13, 1954, used , March 29, 1956
Box   32A
Folder   10
“Let Me Entertain You,” arranged by Sosnik {801)
Conductor's score, instrumental parts, July 14, 1960
Box   32A
Folder   11
“Let's Do It,” arranged by Sosnik (663)
Conductor's score, instrumental parts, May 6, 1954, , April 26, 1956
Box   32A
Folder   12
“Let's Fall in Love,” arranged by Sosnik (634)
Conductor's score, instrumental parts, February 23, 1953
Box   32B
Folder   13
“Let's Put Out the Lights,” arranged by Sosnik (661)
Conductor's score, instrumental parts, April 29, 1954, , December 22, 1955
Box   32B
Folder   14
“Limehouse Blues,” arranged by Milton Weinstein (523)
Conductor's score, instrumental parts, arranged September 26, 1952, , August 24, 1956
Box   29C
Folder   21
“El Llanero” (657)
Conductor's score, instrumental parts, January 22, 1954, , January 12, 1956
Box   32B
Folder   15
“Look for the Silver Lining,” arranged by Sosnik (658)
Conductor's score, instrumental parts, February 10, 1954, , March 6, 1956, , September 8, 1958
Box   32B
Folder   16
“Lover,” arranged by Dud King (509)
Conductor's score, instrumental parts, arranged October 1, 1951, , September 19, 1956, , November 12, 1957
Box   32B
Folder   17
“Lullabye of Broadway,” arranged by Ben Ludlow (733)
Score, instrumental parts, used August 24, 1957
Box   32B
Folder   18
“The Man I Love,” arranged by Sosnik (498)
Conductor's score, instrumental parts, July 2