Archival Resources in Wisconsin: Descriptive Finding Aids: Contents List

About this Finding Aid

Summary Information

Biography/History

Scope and Content Note

Contents List

Container	Title
U.S. Mss 115AN	Series: Radio
	Gracie Fields Show
Box 1A Folder 1	“Gracie Fields Songs”
	Scores, circa 1953
	Hildegarde
Box 1A Folder 2	“Play-off No. 3”
	Conductor's score, instrumental parts, undated
	Series: Television	⇧
	America Pauses for Springtime (CBS-TV, March 30, 1959; sponsored by Coca Cola)
Box 1A Folder 3	Script, revised March 20, 1959, notes
Box 1A Folder 4	“America the Beautiful Medley, Part I, #8”
	Vocal, conductor's scores, instrumental parts, March 30, 1959
Box 1A Folder 5	“America the Beautiful Medley, Part II, #9,” ”American Heritage #9A”
	Conductor's score, instrumental parts, March 30, 1959
Box 1A Folder 6	“America the Beautiful Medley, Part III, #10”
	Conductor's score, instrumental parts, March 30, 1959
Box 1A Folder 7	“Herb Shriner Intro. #7”
	Conductor's score, instrumental parts, March 30, 1959
Box 1A Folder 8	“It's a Big, Wide, Wonderful World”
	Two vocal scores, March 30, 1959
Box 1A Folder 9	“Marge and Gower Champion”
	Vocal, conductor's scores, March 30, 1959
Box 1A Folder 10	“One Hundred Million Miracles, Part II, #12, #13”
	Conductor's score, instrumental parts, March 30, 1959
Box 1A Folder 11	“The Planet Earth #1,” composed by Sosnik
	Conductor's score, instrumental parts, March 30, 1959
Box 1A Folder 12	“Signs of Springtime”
	Scores, March 30, 1959
Box 1B Folder 13	“Spring Report #5”
	Conductor's score, instrumental parts, March 30, 1959
Box 1B Folder 14	“Teasers #3,” composed by Sosnik
	Conductor's score, instrumental parts, March 30, 1959, annotated
Box 1B Folder 15	“Utility - Optional B.G. Theme”
	Conductor's score, instrumental parts, March 30, 1959
Box 1B Folder 16	“Wake Up Spring #11”
	Conductor's score, instrumental parts, March 30, 1959
Box 1B Folder 17	“You'll Never Walk Alone”
	Vocal, conductor's score, instrumental parts, March 30, 1959
	America Pauses for Maytime (”The Merry Month of May”) (CBS-TV, May 18, 1959; sponsored by Coca Cola)
Box 1B Folder 18	“America Pauses”
	Vocal, conductor's scores, May 18, 1959
Box 1B Folder 19	“Art Carney - Pixies at Play,” composed by Sosnik
	Conductor's score, instrumental parts, May 18, 1959
Box 1B Folder 20	“Closing”
	Conductor's score, instrumental parts, May 24, 1959
Box 1B Folder 21	“Closing Credits,” composed by Sosnik
	Conductor's score, instrumental parts, May 24, 1959
Box 1B Folder 22	“He's Got The Whole World in His Hands”
	Vocal, conductor's scores, instrumental parts, May 18, 1959
Box 1B Folder 23	“Most Unusual Day - B.G.,” composed by Sosnik
	Conductor's score, instrumental parts, May 18, 1959
Box 1C Folder 24	“My Lord, What a Mornin'”
	Vocal, conductor's scores, instrumental parts, May 18, 1959
Box 1C Folder 25	“Mystic Seaport Dance #7”
	Piano-conductor's score, May 18, 1959, annotated
Box 1C Folder 26	“Opening - Quiet Majesty”
	Conductor's score, instrumental parts, May 18, 1959
Box 1C Folder 27	“Reflections #16”
	Conductor's score, instrumental parts, May 18, 1959
Box 1C Folder 28	“Song Medley”
	Piano-conductor's score, May 18, 1959
Box 1C Folder 29	“Teasers #2” composed by Sosnik
	Conductor's score, instrumental parts, May 18, 1959, annotated
	America Pauses - for September (CBS--IV, September 18, 1959; sponsored by Coca Cola)
Box 1C Folder 30	Notes, July 31, 1959
Box 1C Folder 31	“Alan Young Spot”
	Conductor's score, instrumental parts, September 18, 1959
Box 1C Folder 32	“Alma Mater #5A”
	Conductor's score, instrumental parts, September 18, 1959
Box 1C Folder 33	“Americana #9”
	Conductor's score, instrumental parts, September 18, 1959, annotated
Box 1C Folder 34	“Bermuda Sequence”
	Scores, September 18, 1959
Box 1C Folder 35	“Hawaiian Spot, #4, #4A”
	Conductor's score, instrumental parts, September 18, 1959
Box 1D Folder 36	“Julie London, #6, #7”
	Conductor's score, instrumental parts, September 18, 1959
Box 1D Folder 37	“Opening”
	Choir, conductor's scores, September 18, 1959
Box 1D Folder 38	“Pagliacci”
	Conductor's score, instrumental parts, September 18, 1959
Box 1D Folder 39	“Teaser Closing”
	Two drafts of conductor's scores, instrumental parts, September, 1959
	America Pauses
Box 1D Folder 40	“Boy in Amusement Park”
	Scores, undated
Box 1D Folder 41	“Circus Ponies”
	Score, undated
Box 1D Folder 42	“Finale Theme”
	Vocal, conductor's scores, instrumental parts, undated
Box 1D Folder 43	“It Was A Very Good Year”
	Conductor's score, instrumental parts, undated
Box 45 Folder 1	“Marge and Gower Champion”
	Conductor's score, March 30, 1959
Box 45 Folder 2	“A Most Unusual Day”
	Conductor's score, by Larry Blyden, May 18, 1959
Box 45 Folder 3	“Mystic Seaport Dance”
	Conductor's score, May 18, 1959
Box 1E Folder 44	“Teaser Opening”
	Conductor's score, instrumental parts, undated
	Andy Williams
Box 1E Folder 45	“Station Break,” ”Instrumental”
	Violin parts, July 1959
	Celebrity Talent Scouts
Box 1E Folder 46	“Come to the Party,” composed by Sosnik
	Conductor's score, instrumental parts, May 18, 1962
Box 1E Folder 1	“I Know Why,” composed by Sosnik
	Conductor's score, instrumental parts, May 15, 1962
Box 1E Folder 2	“Jimmy Valentine”
	Conductor's score, instrumental parts, undated
Box 1E Folder 3	“Opening,” ”Revised Opening,” composed by Sosnik
	Conductor's score, instrumental parts, July 13, August 4, 1960
Box 1E Folder 4	“See You Later,” composed by Sosnik
	Conductor's score, instrumental parts, circa 1960-1963
	Emmy Awards
Box 1E Folder 5	“Art Carney Play On,” composed by Sosnik
	Conductor's score, instrumental parts, April 5, 1958
Box 1E Folder 6	“Danny Thomas Play On”
	Conductor's score, instrumental parts, April 11, 1958
Box 1E Folder 7	“Dearie” (155-V)
	Conductor's score, instrumental parts, April 8, 1958
Box 1E Folder 8	“Gertrude Berg Play On,” composed by Sosnik
	Conductor's score, instrumental parts, April 4, 1958
Box 1E Folder 9	“News Commentary/See It Now,” composed by Sosnik
	Conductor's score, instrumental parts, April 5, 1958
Box 1E Folder 10	“Newsworthy Event Theme,” composed by Sosnik
	Conductor's score, instrumental parts, April 5, 1958
Box 1E Folder 11	“Opening and Closing Themes”
	Conductor's score, instrumental parts, March 31, 1958
Box 2A Folder 12	“Original Themes,” composed by Sosnik
	Lyrics, scores, January 2, March 21, 23, 26, April 15, 1958
	“Various Play Ons and Themes”
Box 2A Folder 13	Scores, circa 1958
Box 2A Folder 14	Scores composed by Sosnik, May 22, 1962, annotated
Box 2A Folder 15	“Emmy's Theme,” composed by Sosnik
	Conductor's score, instrumental parts, May 16, 1962
Box 2A Folder 16	“Emmy's Theme”
	Conductor's scores, instrumental parts, undated
	Ernie Kovacs
Box 2A Folder 17	“Commercial Opening Kovac Show”
	Conductor's score, instrumental parts, undated
Box 2A Folder 18	“Ernie Kovac's Interludes,” ”Eugene's Polka,” ”Gleason Theme,” ”Haydn Play Off,” composed by Sosnik
	Conductor's score, instrumental parts, undated
Box 2A Folder 19	“Karloff Sketch #1, #2, #3”
	Conductor's score, instrumental parts, undated
Box 2A Folder 20	“Kovac Play Off”
	Conductor's score, instrumental parts, undated
Box 2A Folder 21	“Movie Sketch”
	Vocal, conductor's scores, July 9, 1956
	Ford Show
Box 45 Folder 4	“Ain't We Got Fun #5”
	Conductor's score and instrumental parts
Box 2B Folder 22	“Alabamy Bound #4A”
	Conductor's score, circa 1956-1961
Box 2B Folder 23	“America, I Love You”
	Conductor's score, instrumental parts, undated
Box 2B Folder 24	“April Showers”
	Vocal, conductor's scores, instrumental parts, circa 1956-1961
Box 2B Folder 25	“Around the World, #13I, #13J”
	Conductor's score, instrumental parts, circa 1956-1961, annotated
Box 2B Folder 26	“Blizzard #13F”
	Conductor's score, instrumental parts, circa 1956-1961
Box 2B Folder 27	“Bows #1, #2”
	Conductor's score, instrumental parts, circa 1956-1961
Box 2B Folder 28	“Charleston Bit #3”
	Conductor's score, instrumental parts, circa 1956-1961
Box 2B Folder 29	“Closing,” composed by Sosnik
	Conductor's score, instrumental parts, circa 1956-1961
Box 2B Folder 30	“Comedy Man Listens to Radio”
	Conductor's score, instrumental parts, circa 1956-1961, annotated
Box 2B Folder 31	“Depression Years,” composed by Sosnik
	Conductor's score, instrumental parts, October 6, 1959, annotated
Box 2B Folder 32	“Determination #13H”
	Conductor's score, instrumental parts, circa 1956-1961
Box 2B Folder 33	“Duel and Romance”
	Conductor's score, instrumental parts, circa 1956-1961
Box 2B Folder 34	“Electronic”
	Conductor's score, instrumental parts, circa 1959
Box 2B Folder 35	“Fifties Medley”
	Piano-conductor's score, undated
Box 2B Folder 36	“G.I. Jive” (162-V)
	Conductor's score, instrumental parts, undated
Box 2C Folder 37	“The Hour of Parting,” composed by Sosnik
	Vocal, conductor's scores, instrumental parts, May 24, 1959
Box 2C Folder 38	“It's Easy to Remember”
	Conductor's score, instrumental parts, May 23, 1959
Box 2C Folder 39	“Jumpin' at the Woodside” (800)
	Conductor's score, instrumental parts, April 26, May 18, 1960
Box 2C Folder 40	“Let Me Entertain You”
	Conductor's score, instrumental parts, circa 1956-1961, annotated
Box 2C Folder 41	“Let Me Entertain You” (reprise)
	Vocal, conductor's scores, instrumental parts, circa 1956-1961
Box 2C Folder 42	“Medley #1, 1927-1936”
	Vocal-choir, conductor's scores, undated
Box 2C Folder 43	“Medley #2, 1940's”
	Vocal, conductor's scores, undated
Box 2C Folder 44	“Miller Medley” (164-V)
	Conductor's score, instrumental parts, April 26, 1960
Box 2C Folder 45	“Modern Mews”
	Conductor's score, instrumental parts, undated
Box 2D Folder 46	“Opening - Main Title - Americana,” composed by Sosnik
	Conductor's score, instrumental parts, undated
Box 2D Folder 47	“Party”
	Conductor's score, instrumental parts, undated
Box 2D Folder 48	“Picnic, Intro (new) and Finale”
	Conductor's score, instrumental parts, circa 1956-1961
	“Political Campaign Song Medley”
Box 45 Folder 5	Conductor's score, instrumental parts, circa 1956-1961, vol. 1
Box 45 Folder 6	Conductor's score, circa 1956-1961
Box 3A Folder 1	Vocal score, circa 1956-1961, annotated
Box 3A Folder 2	Script, vocal, piano-conductor's scores, circa 1959
Box 3A Folder 3	Instrumental parts, circa 1959
Box 3A Folder 4	“Post War 16”
	Conductor's score, instrumental parts, circa 1956-1961
Box 3A Folder 5	“Radio #7”
	Conductor's score, instrumental parts, circa 1956-1961
Box 3A Folder 6	“Reflections #13A, #13B”
	Conductor's score, instrumental parts, circa 1956-1961
Box 3A Folder 7	“Romantic #13G”
	Conductor's score, instrumental parts, circa 1956-1961
Box 3A Folder 8	“Russell Sketch #13C”
	Conductor's score, instrumental parts, circa 1956-1961
Box 3B Folder 9	“Shoo-Shoo Baby” (163-V)
	Conductor's score, instrumental parts, undated
Box 3B Folder 10	“Undercrank,” composed by Sosnik
	Conductor's score, instrumental parts, September 24, 1959
Box 3B Folder 11	“War Years”
	Conductor's score, instrumental parts, circa 1956-1961, annotated
Box 45 Folder 7	“Western ballet”
	Conductor's Scores, circa 1956-1961
Box 3B Folder 12	“#13D”
	Conductor's score, instrumental parts, circa 1956-1961
Box 3B Folder 13	“#13K”
	Conductor's score, instrumental parts, circa 1956-1961
Box 3B Folder 14	“#19A”
	Conductor's score, instrumental parts, circa 1956-1961
	Guest Star Bond Program
Box 3B Folder 15	“Closing Theme 'Our America,'” composed by Sosnik
	Conductor's score, instrumental parts, circa 1947
Box 3B Folder 16	“Opening Theme 'Our America,'” composed by Sosnik
	Conductor's score, instrumental parts, September 15, 1947
	Holiday on Ice
Box 3B Folder 17	“Cantique de Noel,” arranged by Sosnik; ”0 Little Town of Bethlehem,” arranged by George Gill (138-V)
	Vocal, conductor's scores, instrumental parts, December 18, 1956
Box 3C Folder 18	“The Christmas Song” (140-V)
	Conductor's score, instrumental parts, undated
	Home For the Holidays (NBC-TV special, November 23, 1961)
Box 3C Folder 19	“Happy Face and Pixies”
	Score and instrumental parts, undated
Box 45 Folder 8	“New York Dance”
	Score and instrumental parts, arranged by Luther Henderson, undated
Box 3C Folder 20	“Opening Way Back Home” (209-V)
	Vocal, conductor's scores, instrumental parts, undated
	Jack Carter Show
Box 3C Folder 21	“Manhattan Square Dance” (632)
	Conductor's score, instrumental parts, circa 1950
Box 3C Folder 22	“Opening,” ”Theme”
	Conductor's score, instrumental parts, circa 1950
Box 3C Folder 23	“Saturday Night Revue”
	Script, September 7, 1950
	Kate Smith Evening Hour
Box 3C Folder 24	“It Takes a Thief”
	Lead-in drama, conductor's scores, instrumental parts, October 3, 1951, annotated
Box 3D Folder 25	“Beauty Contest #9, #10”
	Conductor's score, instrumental parts, October 17, 1951
Box 3D Folder 26	“Charleston Tag”
	Conductor's score, instrumental parts, October 17, 1951
Box 3D Folder 27	“In the Fog, Parts 1, 2, 3”
	Lead-in drama, conductor's score, instrumental parts, October 24, 1951
Box 3D Folder 28	“The Little Boy Who Wouldn't Smile, #1, #2, #3, #4”
	Lead-in drama, conductor's score, instrumental parts, November 7, 1951
Box 3D Folder 29	“The Little Boy Who Wouldn't Smile, #5, #6, #7, #8”
	Conductor's score, instrumental parts, November 7, 1951
Box 3D Folder 30	“Trio by Lamplight,” composed by Sosnik
	Lead-in drama, conductor's score, instrumental parts, November 14, 1951, annotated
Box 3E Folder 31	“Henry 8th Opening and Closing”
	Conductor's score, instrumental parts, November 28, 1951
Box 3E Folder 32	“Sophisticate #1, #2, #3, tag”
	Conductor's score, instrumental parts, November 28, 1951
	Look Awards
Box 3E Folder 33	“Introduction Fanfare,” composed by Sosnik
	Conductor's score, instrumental parts, undated
Box 3E Folder 34	“Opening,” composed by Sosnik
	Conductor's score, December 15, 1954
	March of Time
	“Your Stake in Japan,” unnumbered, #1-#8, #9, #9A, #9B, #9C, #10-#18
Box 3E Folder 1-4	Conductor's scores, instrumental parts, undated
Box 4A Folder 5-8	Conductor's scores, instrumental parts, continued
	Musical Comedy Time (M-Series)
	“Anything Goes,” October 2, 1950
Box 4A Folder 9	“Anything Goes,” arranged by Pete King (2-M)
	Script, vocal., conductor's scores, instrumental parts
Box 4B Folder 10	“Anything Goes,” arranged by Pete King (3-M)
	Conductor's score, instrumental parts
Box 4B Folder 11	“All Through the Night,” arranged by Maurice Gardner (4-M)
	Conductor's score, instrumental parts
Box 4B Folder 12	“Blow Gabriel (I),” arranged by Pete King (5-M)
	Vocal, conductor's scores, instrumental parts
Box 4B Folder 13	“Blow Gabriel,” arranged by Milton Weinstein (6-M)
	Vocal, conductor's scores, instrumental parts
Box 4B Folder 14	“You're the Top,” arranged by Pete King (7-M)
	Conductor's score, instrumental parts
Box 4B Folder 15	“I Get a Kick Out of You,” arranged by Pete King (8-M)
	Conductor's score, instrumental parts
	“Whoopee,” October 16, 1950
Box 4C Folder 16	“Opening,” ”It's a Beautiful Day Today,” “Instrumental” (”Let's Make Whoopee”?), arranged by Maurice Gardner and Milton Weinstein (9-M, 10-M)
	Script, conductor's score, instrumental parts
Box 4C Folder 17	“I'm Bringing a Red, Red Rose,” ”Red, Red Rose Bridge,” arranged by Pete King and Maurice Gardner (11-M, 12-M)
	Vocal, conductor's scores, instrumental parts
Box 4C Folder 1	“Whoopee,” arranged by Milton Weinstein (13-M)
	Vocal, conductor's scores, instrumental part
Box 4C Folder 2	“Go Get 'Im,” arranged by Maurice Gardner (14-M)
	Vocal, conductor's scores, instrumental parts
Box 5A Folder 3	“Come West Little Girl,” arranged by Milton Weinstein (15-M)
	Vocal, conductor's scores, instrumental parts
Box 5A Folder 4	“Stetson Hat,” arranged by Pete King (15-M}
	Vocal, conductor's scores, instrumental parts
Box 5A Folder 5	“Love Me or Leave Me,” arranged by Milton Weinstein (17-M)
	Conductor's score, instrumental parts
Box 5A Folder 6	“Song of the Setting Sun,” arranged by Pete King (18-M)
	Vocal, conductor's scores, instrumental parts
Box 5A Folder 7	“Indian Number,” arranged by Pete King (19-M)
	Vocal, conductor's scores, instrumental parts
	“Chocolate Soldier,” October 30, 1950
Box 5A Folder 8	“IA-M (Opening Act 1),” ”IE-M, IF-M (Bridges),” arranged by Pete King, (20-M)
	Commercial script, conductor's score, instrumental parts, October 29, 1950
Box 5B Folder 9	“My Hero,” arranged by Pete King (21-M)
	Vocal, conductor's scores, instrumental parts
Box 5B Folder 10	“My Hero,” arranged by Milton Weinstein (22-M)
	Conductor's score, instrumental parts;
Box 5B Folder 11	“The Tale of a Coat,” arranged by Milton Weinstein (23-M)
	Conductor's score, instrumental parts
Box 5B Folder 12	“Hungarian Dance,” arranged by Pete King (24-M)
	Conductor's score, instrumental parts
	“Rio Rita,” November 13, 1950
Box 5B Folder 13	“Rio Rita” (instrumental), arr, by Milton Weinstein (25-M)
	Script, conductor's score, instrumental parts
Box 5B Folder 14	“The Charra Dance,” arranged by Pete King (26-M)
	Vocal, conductor's score, instrumental parts
Box 5C Folder 15	“Best Little Lover In Town,” arranged by Oscar Kosarin (27-M)
	Conductor's score, instrumental parts
Box 5C Folder 16	“You're Always in My Arms,” arranged by Milton Weinstein (28-M)
	Vocal, conductor's scores, instrumental parts
Box 5C Folder 17	“Rio Rita,” arranged by Pete King (20-M)
	Vocal, conductor's scores, instrumental parts
Box 5C Folder 18	“The Kinkajou,” arranged by Pete King (20-M)
	Vocal, conductor's scores, instrumental parts
Box 6A Folder 1	“If You're in Love,” arranged by Milton Weinstein (31-M)
	Vocal conductor's scores, instrumental parts
Box 6A Folder 2	“Rangers Song,” arranged by Pete King (32-M)
	Vocal, conductor's scores, instrumental parts
Box 6A Folder 3	“Following the Sun Around,” arranged by Milton Weinstein (33-M)
	Vocal, conductor's scores, instrumental parts
	“Merry Widow,” November 27, 1950
Box 6A Folder 4	“Waltz Instrumental,” arranged by Milton Weinstein (34-M)
	Conductor's score, instrumental parts
Box 6A Folder 5	“Overture,” ”Ballroom,” ”Popoff Entrance,” ”Background Music,” all arranged by Milton Weinstein (35-M)
	Conductor's scores, instrumental parts
Box 6A Folder 6	“Maxim's,” ”Finale, Act I” (36-M)
	Conductor's scores, instrumental parts
Box 6A Folder 7	“Act II Opening,” ”Background Music,” arranged by Milton Weinstein (37-M)
	Conductor's scores, instrumental parts
Box 6B Folder 8	“Vilia,” arranged by Pete King (38-M)
	Vocal, conductor's scores, instrumental parts
Box 6B Folder 9	“Women (Septet)” (39-M)
	Vocal, conductor's scores, instrumental parts
Box 6B Folder 10	“Finale Act II and Opening Act III” (40-M)
	Vocal, conductor's scores, instrumental parts
Box 6B Folder 11	“Can-Can Dance” (41-M)
	Conductor's score, instrumental parts
	“Merry Widow,” ”Finale,” both arranged by Pete King (42-M)
Box 6B Folder 12	Vocal, conductor's scores, instrumental parts
Box 6B Folder 13	Miscellaneous vocal scores
	“Hit the Deck,” December 11, 1950
Box 6B Folder 14	“Hallelujah (inst.),” arranged by Milton Weinstein (43-M)
	Script, conductor's score, instrumental parts
Box 6C Folder 15	“Join the Navy,” arranged by Pete King (44-41)
	Vocal, conductor's scores, instrumental parts
Box 6C Folder 16	“Loo--Loo,” arranged by Milton Weinstein (45-M)
	Vocal, conductor's scores, instrumental parts
Box 6C Folder 17	“A Kiss or Two,” arranged by Milton Weinstein (46-M)
	Vocal, conductor's scores, instrumental parts
Box 6C Folder 18	“The Harbor of My Heart,” arranged by Milton Weinstein (47-M)
	Vocal, conductor's scores, instrumental parts
Box 6C Folder 19	“Crap Game Ballet,” arranged by Oscar Kosarin; ”Loo-Loo and Harbor of My Heart,” arranged by Milton Weinstein (48-M, 49-M)
	Vocal, conductor's scores, instrumental parts
Box 6D Folder 20	“Shore Leave,” ”Lucky Bird,” both arranged by Pete King; ”Jitterbug,” arranged by Leroy Holmes (50-M, 51-M, 52-M)
	Sheet music, vocal, conductor's scores, instrumental parts
Box 6D Folder 21	“Sometimes I'm Happy,” arranged by Pete King (53-M)
	Vocal, conductor's scores, instrumental parts
Box 6D Folder 1	“Hallelujah,” arranged by Jack Andrews (54-M)
	Vocal, conductor's scores, instrumental parts
Box 6D Folder 2	“Why, Oh Why?” ”Act III Finale,” both arranged by Pete King (55-M, 56-M)
	Sheet music, conductor's score, instrumental parts
	“Babes in Toyland,” December 25, 1950
Box 6D Folder 3	“Overture,” Instrumental, Opening, Act I, #1A, #1B, #1C, #2, #3A,” arranged by Milton Weinstein (57-M, 58-M)
	Vocal, conductor's scores, instrumental parts
Box 7A Folder 4	“Jane,” arranged by Pete King (59-M)
	Vocal, conductor's scores, instrumental parts
Box 7A Folder 5	“Never Mind, Bo-Peep,” arranged by Pete King (60-M)
	Vocal, conductor's scores, instrumental parts
Box 7A Folder 6	“Electron - Floretta,” arranged by Pete King and Milton Weinstein (61-M)
	Vocal, conductor's scores, instrumental parts
Box 7A Folder 7	“Gavotte #8,” ”Bridge #7 (Toymaker's Flute),” arranged by Milton Weinstein (62-M)
	Conductor's score, instrumental parts
Box 7A Folder 8	“Barney O'Flynn,” arranged by Milton Weinstein (63-M)
	Conductor's score, instrumental parts
Box 7A Folder 9	“I Can't Do That Sum” (64-M)
	Vocal, conductor's scores, instrumental parts
Box 7A Folder 10	“Bridges, #12, #24, #14,” arranged by Milton Weinstein (65-M)
	Conductor's score, instrumental parts
Box 7A Folder 11	“Go To Sleep, #16,” arranged by Pete King(?) (66-M)
	Vocal, conductor's scores, instrumental parts
Box 7B Folder 12	“Song of the Poet,” arranged by Pete King (67-M)
	Conductor's score, instrumental parts
Box 7B Folder 13	“Octopus Ballet,” arranged by Pete King (68-M)
	Conductor's score, instrumental parts
Box 7B Folder 14	“Hail to Christmas, #21,” arranged by Maurice Gardner(?) (69-M)
	Vocal, conductor's scores, instrumental parts
Box 7B Folder 15	“March of the Toys,” arranged by Jack Andrews (70-M)
	Conductor's scores, instrumental parts
Box 7B Folder 16	“Bridge - Finale, Act III,” arranged by Jack Andrews, Milton Weinstein, and Maurice Gardner (71-M)
	Vocal, conductor's scores, instrumental parts
	“Miss Liberty,” January 8, 1951
Box 7B Folder 17	“Let's Take An Old Fashioned Walk - Instrumental” arranged by Milton Weinstein (72-M)
	Script, conductor's score, instrumental parts
Box 7C Folder 18	“Old Fashioned Walk,” arranged by Pete King (73-M)
	Vocal, conductor's scores, instrumental pats
Box 7C Folder 19	“I Love You,” arranged by Pete King (74-M)
	Conductor's score, instrumental parts
Box 7C Folder 20	“Miss Liberty Overture, Exit and Reprise, arranged by Pete King ” (75-M)
	Conductor's score, instrumental parts
Box 8A Folder 1	“Policeman's Ball,” arranged by Pete King (76-M)
	Vocal, conductor's scores, instrumental parts
Box 8A Folder 2	“Little Fish in a Big Pond,” ”Only for Americans,” ”Reprise - Falling Out of Love,” ”Paris Wakes Up Ending,” ”Finale, Act III” (77-M)
	Vocal, conductor's scores, instrumental parts
Box 8A Folder 3	“Most Expensive Statue,” ”Give Me Your Tired, Your Poor,” ”Miss Liberty,” ”Homework,” ”I Love You,” ”Little Fish in a Big Pond,” ”Falling Out of Love”, ”You Can Have Him” (78-M)
	Vocal scores, sheet music
Box 8A Folder 4	“Act I, #4, Act II, #8, #9A, #16, Act III, #19”
	Conductor's scores, instrumental parts
	“Louisiana Purchase,” January 22, 1951
Box 8A Folder 5	“It'll Come To You,” ”Wild About You,” ”The Lord Done Fixed Up My Soul” (79-M)
	Script, sheet music
Box 8B Folder 6	“Overture,” arranged by Oscar Kosarin (79-M)
	Vocal, conductor's scores, instrumental parts
Box 8B Folder 7	“It's A Lovely Day Tomorrow,” arranged by Pete King and Milton Weinstein (80-M)
	Vocal, conductor's scores, instrumental parts
Box 8B Folder 8	“Louisiana Purchase Ballet” (81-M)
	Vocal, conductor's scores, instrumental parts
Box 8B Folder 9	“Outside Of That I Love You,” arranged by Milton Weinstein (82-M)
	Sheet music, conductor's score, instrumental parts
Box 8B Folder 10	“You're Lonely and I'm Lonely,” arranged by M. Gardner and Pete King (83-M)
	Sheet music, vocal, conductor's scores, instrumental parts
Box 8C Folder 11	“Dance With Me,” arranged by Pete King (84-M)
	Sheet music, conductor's score, instrumental parts
Box 8C Folder 12	“What Chance Have I With Love,” arranged by M. Gardner (85-M)
	Sheet music, conductor's score, instrumental parts
Box 8C Folder 13	“Fools Fall in Love,” arranged by Pete King and Milton Weinstein (86-M)
	Sheet music, vocal, conductor's scores, instrumental parts
Box 8C Folder 14	“Latins Know How,” arranged by Pete King (87-M)
	Sheet music, vocal, conductor's scores, instrumental parts
Box 8C Folder 15	“You Can't Brush Me Off,” arranged by Pete King (88-M)
	Sheet music, vocal, conductor's scores, instrumental parts
	“Mademoiselle Modiste,” February 5, 1951
Box 8C Folder 16	“Overture,” arranged by Pete King, ”The Time, The Place, and The Girl,” arranged by Milton Weinstein (89--M, 90-M)
	Script, vocal, conductor's scores, instrumental parts
Box 8D Folder 17	“If I Were on the Stage,” arranged by Pete King (91-M)
	Conductor's score, instrumental parts
Box 8D Folder 18	“Kiss Me Again,” arranged by Pete King (92-M)
	Vocal, conductor's scores, instrumental parts
Box 8D Folder 19	“Ze English Language” (transposed) (93-M)
	Instrumental parts
Box 8D Folder 20	“The Dear Little Girl,” arranged by Pete King (94-M)
	Vocal, conductor's scores, instrumental parts
Box 8D Folder 1	“Bazaar Dance Insert,” arranged by Oscar Kosarin (95-M)
	Conductor's score, instrumental parts
Box 8D Folder 2	(96-M)
	Vocal scores, annotated
	“Revenge With Music,” February 19, 1951
Box 8D Folder 3	“Overture,” arranged by Pete King (97-M)
	Script, conductor's score, instrumental parts
Box 9A Folder 4	“Spanish Dance #1 (De Falla),” arranged by Pete King (98-M)
	Conductor's score, instrumental parts
Box 9A Folder 5	“Maria,” arranged by Milton Weinstein and Pete King (99-M)
	Vocal, conductor's scores, instrumental parts
Box 9A Folder 6	“Wand'ring Heart,” arranged by Pete King (100-M)
	Vocal, conductor's scores, instrumental parts
Box 9A Folder 7	“(If There Is) Someone Lovelier (Than You),” arranged by Pete King and Milton Weinstein (101-M)
	Vocal, conductor's scores, instrumental parts
Box 9A Folder 8	“In The Noonday Sun,” arranged by Pete King (102-M)
	Vocal, conductor's scores, instrumental parts
Box 9B Folder 9	“You and the Night and the Music,” arranged by Pete King and Milton Weinstein (103-M)
	Vocal, conductor's scores, instrumental parts
Box 9B Folder 10	“Two Faced Woman,” arranged by Milton Weinstein (104-M)
	Sheet music, conductor's score, instrumental parts
Box 9B Folder 11	“Fight Scene,” arranged by Pete King (105-M)
	Conductor's score, instrumental parts
Box 9B Folder 12	“Never Marry a Dancer,” arranged by Milton Weinstein (106-M)
	Vocal, conductor's scores, instrumental parts
	“No, No, Nanette,” March 5, 1951
Box 9B Folder 13	“Overture,” arranged by Pete King (107-M)
	Script, conductor's score, instrumental parts
Box 9B Folder 14	“Opening - Flapper Song,” arranged by Pete King (108-M)
	Vocal, conductor's scores, instrumental parts
Box 9C Folder 15	“I've Confessed to the Breeze,” arranged by Milton Weinstein (109-M)
	Vocal, conductor's scores, instrumental parts
Box 9C Folder 16	“I Want to be Happy,” arranged by Pete King (110-M)
	Vocal, conductor's scores, instrumental parts
Box 9C Folder 17	“No, No, Nanette,” arranged by Pete King (111-M)
	Vocal, conductor's scores, instrumental parts
Box 9C Folder 18	“Finale, Act I,” arranged by Milton Weinstein (112-M)
	Vocal, conductor's scores, instrumental parts
Box 9C Folder 19	“Opening - Act II,” arranged by Milton Weinstein (113-M)
	Vocal, conductor's scores, instrumental parts
Box 9C Folder 20	“Tea for Two,” arranged by Pete King (114-M)
	Vocal, conductor's scores, instrumental parts
Box 10A Folder 1	“Finale Act II,” arranged by Milton Weinstein (115-M)
	Vocal, Conductor's scores, instrumental parts
Box 10A Folder 2	“Finale Act III,” arranged by Pete King (115-M)
	Vocal, conductor's scores, instrumental parts
	“Flying High,” March 19, 1951
Box 10A Folder 3	“Overture,” arranged by Pete King (116-M)
	Script, sheet music, score, instrumental parts
Box 10A Folder 4	“Air Minded,” arranged by Pete King (117-M)
	Vocal, conductor's scores, instrumental parts
Box 10A Folder 5	“Thank Your Father,” ”9-A Bridge,” arranged by Pete King (118-M)
	Sheet music, vocal, conductor's scores, instrumental parts
Box 10B Folder 6	“I'11 Get My Man,” arranged by Jack Andrews (119-M)
	Vocal, conductor's scores, instrumental parts
Box 10B Folder 7	“Without Love,” arranged by Pete King (120-M)
	Sheet music, vocal, conductor's scores, instrumental parts
Box 10B Folder 8	“Happy Landing,” arranged by Pete King (121-9)
	Vocal, conductor's scores, instrumental parts
Box 10B Folder 9	“Wasn't It Beautiful,” arranged by Pete King (122-M)
	Vocal, conductor's scores, instrumental parts
Box 10B Folder 10	“Mrs. Krause's Blue-Eyed Baby Boy,” arranged by Milton Weinstein (123-M)
	Vocal, conductor's scores, instrumental parts
Box 10B Folder 11	“Finale, Act III, Flying High,” arranged by Pete King (124-M)
	Vocal, conductor's scores, instrumental parts
	NBC Closed Circuit T.V. (NBC-TV, September 2, 1959)
Box 10C Folder 12	“#1, #1A, #2, #3”
	Conductor's scores, instrumental parts, September 2, 1959
Box 10C Folder 13	“#4/#10, #5, #6, #7”
	Conductor's scores, instrumental parts, September 2, 1959
Box 10C Folder 14	“#11, #12, #13, #14”
	Conductor's scores, instrumental parts, September 2, 1959
Box 10C Folder 15	“#15, #17, #18”
	Conductor's scores, instrumental parts, September 2, 1959
	On Broadway Tonight
Box 10C Folder 16	“All the Way”
	Conductor's score, instrumental parts, undated
Box 10C Folder 17	“Astaire Playoff”
	Conductor's score, instrumental parts, undated
Box 10C Folder 18	“I Enjoy Being a Girl” (306-V)
	Conductor's score, instrumental parts, undated
Box 10C Folder 19	“Indian Bridge, Cue, Playoff”
	Conductor's scores, instrumental parts, undated
Box 10D Folder 20	“It Only Takes a Moment” (300-V)
	Conductor's score, instrumental parts, undated
Box 10D Folder 21	“Make the Man Love Me” (308-V)
	Conductor's score, instrumental parts, undated
Box 10D Folder 22	“Medley” (303-V)
	Conductor's score, instrumental parts, January 15, 1965
Box 10D Folder 23	“Much More” (302-V)
	Conductor's score, instrumental parts, undated
Box 10D Folder 24	“Opening”
	Conductor's score, instrumental parts, circa 1964
Box 10D Folder 25	“They Call the Wind Maria” (305-V)
	Conductor's score, instrumental parts, undated
Box 11A Folder 1	“Utility Arrangement”
	Conductor's score, instrumental parts, undated
	Orchid Award
Box 11A Folder 2	“Patter,” composed by Sosnik
	Conductor's score, instrumental parts, September 26, 1953
Box 11A Folder 3	#1A, #2, #3”
	Conductor's score, instrumental parts, September 9, 1953
	Our Stake in Japan
Box 11A Folder 4	“#1, #2, #2A, #3”
	Conductor's scores, instrumental parts, undated
Box 11A Folder 5	“#3A, #4, #5, #6”
	Conductor's scores, instrumental parts, undated
	Philco Television Playhouse
Box 11A Folder 6	“Philco Opening Theme,” composed by Sosnik
	Score, October 6, 1948
Box 11A Folder 7	“Street Scene,” composed by Sosnik
	Score, October 28, 1948
Box 11A Folder 8	“Camille,” ”I Like It Here,” composed by Sosnik
	Scores, November 11, 24, 1948
Box 11A Folder 9	“Suspect,” ”Christmas Carol,” ”The Old Lady Shows Her Medals,” ”Ramshackle Inn,” composed by Sosnik
	Scores, December 2, 14, 22, 30, 1948
Box 11A Folder 10	“Cyrano de Bergerac,” ”Pride and Prejudice,” ”Dark Hammock,” composed by Sosnik
	Scores, January 4, 18, 27, 1949
Box 11A Folder 11	“The Late Christopher Bean,” ”The Druid Circle,” ”The Story of Mary Surratt,” ”12th Night,” ”St. Helena,” composed by Sosnik
	Scores, February 2, 3, 9, 16, 24, 1949
Box 11A Folder 12	“Beauty Through the Night,” composed by Sosnik
	Score, December 20, 1949
Box 11A Folder 13	“Christmas Carols”
	Vocal scores, circa 1948-1949
Box 11A Folder 14	“Othello,” composed by Sosnik
	Score, August 23, 1950
Box 11A Folder 15	“Christmas Carol”
	Score, December 17, 1951
Box 11A Folder 16	“Rebecca,” ”Theme #1”
	Scores, undated
Tape 1113A	Playwrights '56
No. 1	Music for ”Lost,” January 17, 1956
No. 2	Music for ”Flight,” February 27, 1956
U.S. Mss 115AN Box 11B Folder 17	“Pontiac Themes”
	Conductor's scores, instrumental parts, undated
Box 11A Folder 18	“Proctor and Gamble Themes”
	Conductor's scores, instrumental parts, undated
	Producer's Showcase
Box 11A Folder 19	“Darkness at Noon,” composed by Sosnik
	Piano-conductor's scores, May 2, 1955
Box 11C Folder 20	“The Fourposter,” composed by Sosnik
	Scores, July 15, 1955
Box 11C Folder 21	“Our Town”
	Vocal, conductor's scores, September 19, 1955
Box 11C Folder 22	“Peter Pan”
	Instrumental parts, undated
Box 11C Folder 23	“Petrified Forest”
	Drafts, piano-conductor's scores, May, 1955
Box 11C Folder 24	“Reunion in Vienna”
	Scores, March 28, 1955
Box 11C Folder 25	“Skin of Our Teeth”
	Piano-conductor's scores, undated
	Producer's Showcase - Wide, Wide World
Box 11D Folder 26	“Cross-Country Panorama,” composed by Sosnik
	Conductor's score, instrumental parts, June 27, 1955
Box 11D Folder 27	“Greensleeves” (128-V)
	Vocal, conductor's scores; instrumental parts, June 27, 1955, , undated
Box 11D Folder 28	“Lazy Rhapsody,” composed by Sosnik
	Piano-conductor's scores, undated
Box 11D Folder 29	“Lazy Rhapsody, unnumbered, #2, #12,” composed by Sosnik
	Conductor's scores, instrumental parts, June 27, 1955
Box 11D Folder 1	“The Tall City,” ”Washington, the Trees,” ”Greensleeves,” ”Mountain Top,” ”Mexican Holiday,” ”Coastline,” composed by Sosnik
	Piano-conductor's scores, June 27, 1955
Box 11D Folder 2	“The Women,” composed by Sosnik
	Scores, January 31, 1955
Box 11D Folder 3	“Yellow Jack,” composed by Sosnik
	Scores, January 10, 1955, annotated
Box 12A Folder 4	“Hold on to Love (Theme),” composed by Sosnik
	Score, instrumental parts, undated (annotated)
Box 12A Folder 5	“Sketches,” composed by Sosnik
	Conductor's scores, November and December, 1954
Box 12A Folder 6	“Meet the Press Opening Tag,” ”String Theme,” ”Commercial Tag”
	Conductor's scores, instrumental parts, December 13, 1954
	Radio City Music Hall Christmas Program
Box 12A Folder 7	“Carousel”
	Conductor's score, instrumental parts, undated
Box 12A Folder 8	“Santa's Dance”
	Conductor's score, instrumental parts, undated
	Rainbow of Stars (NBC-TV special, April 17, 1962)
Box 12A Folder 9	“50th St. Finale”
	Conductor's score, instrumental parts, undated
Box 12A Folder 10	“Wait 'Til You See Her, Part I”
	Conductor's score, instrumental parts, undated
Box 12B Folder 11	“Wait 'Til You See Her, Part II”
	Conductor's score, instrumental parts, undated
Box 12B Folder 12	“Wait 'Til You See Her, Part III”
	Conductor's score, instrumental parts, undated
	Report Card - C.B.S. Documentary Program
Box 12B Folder 13	“Theme Opening”
	Score, March 24, 1948
	Rodgers and Hammerstein Special
Box 12B Folder 14	“Intro to Billy and Julie”
	Conductor's score, instrumental parts, circa 1954
Box 12B Folder 15	“It's a Grand Night for Singing - Main Title” (40-V)
	Conductor's score, instrumental parts, March 28, 1954
Box 12B Folder 16	“R 8 H Medley” (including ”Clambake,” ”Shall We Dance,” ”June Is Bustin,'” and ”Grand Night”), arranged by Joe Glover (41-V)
	Vocal, conductor's scores, instrumental parts, March 28, 1954
Box 12B Folder 17	“So Far (Incid.)”
	Conductor's score, instrumental parts, circa 1954
Tape 1113A No. 3-4	Accompanying Music, March 28, 1954
U.S. Mss 115AN	Salute to Baseball
Box 12C Folder 18	“Take Me Out to the Ballgame” (145-V)
	Conductor's scores, instrumental parts, April 13, 1957
Box 12C Folder 19	“Baseball Medley #2, #4, #5, #6” (146-V)
	Conductor's score, instrumental parts, annotated sheet music, April 13, 1957
	Sounds of the Sixties (NBC-TV special, October 9, 1961)
Box 12C Folder 20	“Bless this House” (16-V)
	Vocal, conductor's scores, instrumental parts, September 6, 1961
	“Jingle Medley,” ”A Word From Our Sponsor,” composed by Sosnik
Box 45 Folder 9	Conductor's score, September 6, 1961
Box 12C Folder 21	Vocal, piano-conductor's scores, violin parts, September 6, 1961
Box 12C Folder 22	“John Daley Intro (Communication)”, composed by Sosnik
	Conductor's score, instrumental parts, August 27, 1961
Box 12C Folder 23	“John Daley Intro (Education),” composed by Sosnik
	Conductor's score, instrumental parts, August 27, 1961
Box 12C Folder 24	“John Daley Intro (Entertainment), 2, 2A” composed by Sosnik
	Conductor's score, instrumental parts, August 26, 1961
Box 12C Folder 25	“John Daley Intro and B.G. (Leisure)”, composed by Sosnik
	Conductor's score, instrumental parts, August 26, September 6, 1961
Box 12C Folder 26	“John Daley Intro (Science)”, composed by Sosnik
	Conductor's score, instrumental parts, September 6, 1961
Box 12C Folder 27	“Out of the Night (Science)”, composed by Sosnik
	Conductor's score, instrumental parts, September 6, 1961
Box 45 Folder 10	“Song Medley,” arranged by Sosnik
	Conductor's score, September 6, 1961
Box 12D Folder 28	“Various advertising jingles”
	Correspondence and sheet music
	Twenty-Five Years of Life (Life Magazine Anniversary) (NBC-TV, March 2, 1961)
Box 12D Folder 29	“Through the Years - Theme B.G. and Closing Theme,” composed by Sosnik
	Conductor's score, instrumental parts, February 6, 1961
Box 12D Folder 30	“Opening Entrance and Opening Credits Themes, Old and New,” composed by Sosnik
	Conductor's score, instrumental parts, February 6, 1961
Box 12D Folder 1	“Holocaust, Part I; Birth of War,” composed by Sosnik
	Conductor's score, instrumental parts, February 10, 1961
Box 12D Folder 2	“Come to the Party,” composed by Sosnik
	Conductor's score, instrumental parts, February 11, 1961
Box 12D Folder 3	“Holocaust, Prelude to War,” composed by Sosnik
	Conductor's score, instrumental parts, February 11, 1961
Box 13A Folder 4	“Holocaust, Part II; War - The Giant,” composed by Sosnik
	Conductor's score, instrumental parts, February 15, 1961
Box 13A Folder 5	“Oscilloscopic (The Atomic Age),” composed by Sosnik
	Conductor's score, instrumental parts, February 16, 1961
Box 13A Folder 6	“Fads #1 - #3”
	Conductor's score, instrumental parts, circa March 2, 1961
Box 13A Folder 7	“Fads #4 - #6”
	Conductor's score, instrumental parts, circa March 2, 1961
Box 13A Folder 8	“Fads #7 - #8”
	Conductor's score, instrumental parts, circa March 2, 1961
Box 13B Folder 9	“Fads #9 - #9A”
	Conductor's score, instrumental parts, circa March 2, 1961
Box 13B Folder 10	“Fads #10”
	Conductor's score, instrumental parts, circa March 2, 1961
	Timex
Box 13B Folder 11	“It's All Right With Me” (215-V)
	Conductor's score, undated
Box 13B Folder 12	“Under Paris Skies” (190-V)
	Conductor's score, instrumental parts, undated
	We The People (NBC-TV, November 29, 1961)
Box 13B Folder 13	“Along the Boulevard” (639)
	Conductor's score, instrumental parts, May 1, 1953
Box 13B Folder 14	“Dedication”
	Conductor's score, instrumental parts, November 29, 1961
Box 13B Folder 15	“The Deserted Park”
	Conductor's score, instrumental parts, November 29, 1961
Box 13B Folder 16	“Istel Teaser,” composed by Sosnik
	Conductor's score, instrumental parts, November 29, 1961
Box 13C Folder 17	“Main Title,” composed by Sosnik
	Conductor's score, instrumental parts, November 29, 1961
Box 13C Folder 18	“My Own - Theme for Narration, Credits”
	Conductor's score, instrumental parts, November 29, 1961
Box 13C Folder 19	“Out of the Blue,” composed by Sosnik
	Conductor's score, instrumental parts, November 29, 1961
Box 13C Folder 20	“Railroad Song”
	Conductor's score, instrumental parts, November 29, 1961
Box 13C Folder 21	“Rebirth of a Community,” composed by Sosnik
	Conductor's score, instrumental parts, November 29, 1961
Box 13C Folder 22	“Sacro Twist”
	Conductor's score, instrumental parts, November 29, 1961
Box 13C Folder 23	“This Land,” composed by Sosnik
	Conductor's score, instrumental parts, November 29, 1961
Box 13C Folder 24	Bound scores, composed by Sosnik, November 29, 1961
	Wonderful Copenhagen
Box 13C Folder 25	“I, II, Tivoli, Courtroom”
	Scores, circa 1962, annotated
	Wonderful World of Toys (NBC-TV special, November 12, 1961)
Box 13D Folder 26	“Act I, #1-#3, #5, Act II, #1-#3”
	Conductor's score, instrumental parts, circa 1961
Box 13D Folder 27	“Act II, #4, Act III, #4, #4A, #5A, Act IV, #1--#4 Commercial Fanfare”
	Conductor's score, instrumental parts, circa 1961
	Your Hit Parade (CBS-TV, 1958-1959)
Box 13D Folder 1	“Accentuate the Positive”
	Vocal, piano-conductor's scores, October 24, 1958
Box 13D Folder 2	“The All-American Boy”
	Vocal, piano-conductor's scores, February 27, 1959
Box 13D Folder 3	“Around the World Medley”
	Vocal, piano-conductor's scores, January 30, 1959
Box 13D Folder 4	“Basin Street Blues”
	Vocal, conductor's scores, instrumental parts, November 28, 1958
Box 13D Folder 5	“Basketball Busy Music”
	Conductor's score, instrumental parts, December 12, 1958
Box 13D Folder 6	“Beauty Thru the Night”
	Conductor's score, undated
Box 13D Folder 7	“Bells Are Ringing”
	Vocal, piano-conductor's scores, March 6, 1959
Box 13D Folder 8	“Bird Dog”
	Vocal, piano-conductor's scores, October 17, 1958, , undated
Box 13D Folder 9	“Blue Tango”
	Conductor's score, instrumental parts, February 20, 1959
Box 14A Folder 10	“Blues in the Night”
	Vocal, piano-conductor's scores, January 16, 1959
Box 14A Folder 11	“Bridge” composed by Sosnik
	Conductor's score, instrumental parts, January 5, 1959
Box 14A Folder 12	“Cantique de Noel” (138-V)
	Vocal, conductor's scores, instrumental parts,. December 19, 1958
Box 14A Folder 13	“Change My Plan Tag”
	Conductor's score, instrumental parts, January 16, 1959
Box 14A Folder 14	“Chantilly Lace”
	Piano-conductor's scores, November 21, 1958, , undated
Box 14A Folder 15	“Charlie Brown”
	Piano-conductor's score, March 6, 1959
Box 14A Folder 16	“Chattanooga Choo-Choo”
	Vocal, conductor's scores, instrumental parts, November 7, 1958
Box 14A Folder 17	“Cherokee”
	Conductor's score, instrumental parts, November 28, 1958
Box 14A Folder 18	“The Chipmunk Song”
	Vocal, piano-conductor's scores, December 19, 26, 1958; , January 2, 9, 16, 23, 1959
Box 14A Folder 19	“Christmas Medley”
	Vocal, piano-conductor's scores, December 19, 1958
Box 14A Folder 20	“Civilization”
	Vocal, conductor's scores, instrumental parts, November 14, 1958
Box 14A Folder 21	“The Day The Rains Came”
	Vocal, piano-conductor's scores, November 14, 1958
Box 14A Folder 22	“Dearie”
	Vocal, piano-conductor's scores, February 6, 1959
Box 14A Folder 23	“Deck the Hall”
	Conductor's score, instrumental parts, December 19, 1953
Box 14B Folder 24	“Dog Act #8A”
	Score, undated
Box 14B Folder 25	“Donna”
	Piano-conductor's scores, January 30, February 6, 1959
Box 14B Folder 26	“The End”
	Piano-conductor's score, November 7, 21, 1958
Box 14B Folder 27	“Falling in Love” (178-V)
	Conductor's score, instrumental parts, August 20, 1960
Box 14B Folder 28	“Flower Medley”
	Vocal, piano--conductor's scores, February 13, 1959
Box 14B Folder 29	“Gigi”
	Vocal, conductor's scores, October 31, 1958
	Instrumental parts, March 13, 1959
Box 14B Folder 30	“Give the Little Lady a Big Hand”
	Vocal, conductor's scores, January 23, 1959
Box 14B Folder 31	“Good-bye Baby”
	Vocal, piano-conductor's scores, February 13, 1959
Box 14B Folder 32	“Gotta Travel On”
	Vocal, piano-conductor's scores, January 9, 23, February 6, 20, 1959
Box 14B Folder 33	“Guys and Dolls, Parts 1, 2, 3”
	Piano-conductor's scores, vocal score, part 1, March 13, 1959
Box 14B Folder 34	“Halloween Medley”
	Vocal, conductor's scores, October 31, 1958
Box 14B Folder 35	“Happy Days Are Here Again”
	Piano-conductor's, instrumental part, April 24, 1959
Box 14C Folder 36	“Hat Medley”
	Vocal, Piano-conductor's scores, undated
Box 14C Folder 37	“Hawaiian Wedding Song”
	Vocal, conductor's score, instrumental parts, March 13, 1959
Box 14C Folder 38	“Hey There”
	Conductor's score, instrumental parts, February 13, 1960
Box 14C Folder 39	“Hot Time in the Old Town”
	Piano-conductor's score, instrumental parts, March 27, 1959
Box 14C Folder 40	“I'd've Baked a Cake”
	Piano-conductor's score, undated
Box 14C Folder 41	“I Enjoy Being a Girl”
	Vocal, piano-conductor's scores, instrumental parts, January 2, 1959
Box 14C Folder 42	“I Got a Feeling”
	Vocal, piano-conductor's score, November 28, 1958
Box 14C Folder 43	I Got Stung”
	Piano-conductor's score, November 28, 1958
	Vocal, piano-conductor's scores, December 26, 1958
Box 14C Folder 44	“I'm In Love with Miss Logan”
	Piano-conductor's score, January 2, 1959
Box 14C Folder 45	“Intro No. 1 (G)”
	Piano-conductor's score, January 9, 1959
Box 14C Folder 46	“It's All in the Game”
	Vocal, piano-conductor's scores, October 24, 31, November 7, December 12, 1958
Box 14C Folder 47	“It's Only Make Believe”
	Vocal, piano-conductor's scores, October 31, November 7, 21, 28, December 5, 12, 1958
Box 14C Folder 48	“I Will Come Back”
	Vocal, piano-conductor's scores, instrumental parts, February 27, 1959
Box 14C Folder 49	“James Bond Theme”
	Conductor's score, instrumental parts, undated
Box 14D Folder 50	“Johnny (B.G.)”
	Piano-conductor's score, instrumental parts, January 16, 1959
Box 14D Folder 51	“Kalamazoo”
	Vocal, conductor's scores, instrumental parts, November 7, 1958
Box 14D Folder 52	“Kansas City”
	Conductor's score, instrumental parts, January 2, 1959
Box 14D Folder 1	“Kismet Medley, parts 1, 2, 3”
	Vocal, conductor's scores, March 27, 1959
Box 14D Folder 2	“Life Is Just a Bowl of Cherries”
	Piano-conductor's score, January 9, 1959
Box 14D Folder 3	“Lonesome Town”
	Vocal, piano-conductor's scores, December 5, 26, 1958
Box 14D Folder 4	“Lover's Dance”
	Piano-conductor's score, January 16, 1959
Box 14D Folder 5	“Lover's Question”
	Vocal, conductor's scores, January 16, 30, 1959
Box 14D Folder 6	“Manhattan Spiritual”
	Conductor's score, instrumental parts, February 13, 1959
Box 14D Folder 7	“March of the Gladiators”
	Conductor's score, instrumental parts, April 3, 1959
Box 14D Folder 8	“March of the Siamese Children”
	Conductor's score, instrumental parts, January 2, 1959
Box 14D Folder 9	“Mattinata” (179-V)
	Conductor's score, instrumental parts, August 26, 1960
Box 15A Folder 10	“Minnie the Moocher”
	Vocal, piano-conductor's scores, instrumental parts, February 6, 1959
Box 15A Folder 11	“Moonlight Serenade”
	Conductor's score, instrumental parts, November 7, 1958
Box 15A Folder 12	“Musical Medley”
	Vocal, conductor's scores, February 27, 1959
Box 15A Folder 13	“Muskrat Ramble”
	Vocal, conductor's scores, instrumental parts, November 28, 1959
Box 15A Folder 14	“Mutual Admiration Medley”
	Vocal, piano-conductor's scores, April 3, 1959
Box 15A Folder 15	“My Happiness”
	Vocal, piano--conductor's scores, January 16, 23, 30, 1959
Box 15A Folder 16	“Near You,” ”Near You Tag”
	Vocal, piano-conductor's scores, October 24, 1958, , undated
Box 15A Folder 17	“New York Medley”
	Vocal, production scores, undated
Box 15A Folder 18	“Night Ride”
	Scores, January 1, 1965
Box 15A Folder 19	“Nostalgia Medley - 1950”
	Vocal, piano-conductor's scores, October 31, 1958
Box 15A Folder 20	“Nostalgia Medley”
	Vocal, conductor's score, December 26, 1958
Box 15A Folder 21	“Nostalgia Medley”
	Piano-conductor's score, undated
Box 15A Folder 22	“Nothing Like a Dame”
	Vocal, conductor's scores, instrumental parts, January 2, 1959
Box 15A Folder 23	“Object B.G.
	Conductor's score, instrumental parts, January 16, 1959
Box 15A Folder 24	“O Holy Night”
	Piano-conductor's score, December 19, 1958
Box 15A Folder 25	“One Night”
	Vocal, piano-conductor's scores, November 28, December 19, 1958
Box 15A Folder 26	“Opening Medley”
	Piano-conductor's score, January 2, 1959
Box 15B Folder 27	“Oscar Medley”
	Vocal, conductor's scores, March 20, 1959
Box 15B Folder 28	“Opening Medley”
	Vocal score, circa January 2, 1959
Box 15B Folder 29	“Patricia,” ”Patricia Tag”
	Conductor's score, instrumental parts, undated, Scores, , October 17, 1958
Box 15B Folder 30	“Patter Song”
	Vocal score, November 28, 1958
Box 15B Folder 31	“Piano Concerto #1”
	Sheet music, vocal, conductor's scores, instrumental parts, December 5, 1958
Box 15B Folder 32	“The Piccolino”
	Production score, 1958
Box 15B Folder 33	“Porgy and Bess Medley”
	Vocal, piano-conductor's scores, instrumental parts, February 6, 1959, annotated
Box 15B Folder 34	“Problems”
	Vocal, piano-conductor's scores, December 5, 1958, January 16, 1959
Box 15B Folder 35	“Queen of the Hop”
	Piano-conductor's score, December 12, 1958
Box 15B Folder 36	“Rhapsody in Blue”
	Score, February 13, 1969
Box 15B Folder 37	“Rockin' Robin”
	Vocal, piano-conductor's scores, October 24, 1958, , undated
Box 15C Folder 38	“Saints Come Marching In”
	Conductor's score, instrumental parts, April 3, 1959
Box 15C Folder 39	“Seventy Six Trombones”
	Sheet music, score, October 10, 1958
Box 15C Folder 40	“Seventy Six Trombones”
	Vocal, piano-conductor's scores, instrumental parts, undated
Box 15C Folder 41	“Sixteen Candles”
	Piano-conductor's score, February 6, 1959
Box 15C Folder 42	“Smoke Gets in Your Eyes”
	Vocal, conductor's scores, instrumental parts, December 19, 1958, January 2, 9, 16, 23, 30, 43, February 9, 1959
Box 15C Folder 43	“South Rampart Street”
	Vocal, piano-conductor's scores, instrumental parts, November 28, 1958
Box 16A Folder 1	“Stagger Lee”
	Vocal, piano-conductor's scores, January 30, February 13, 20, 27, March 6, 13, 1959
Box 16A Folder 2	“Summertime, B.G.”
	Score, control room score, instrumental parts, February 6, 1959
Box 16A Folder 3	“A Sunday Kind of Love”
	Conductor's score, instrumental parts, February 13, 1959
Box 16A Folder 4	“Tags and Background Music,” composed by Sosnik
	Conductor's scores, January 16, 1959
Box 16A Folder 5	“Tea for Two Cha-Cha”
	Vocal piano-conductor's scores, October 24, 1958, , undated
Box 16A Folder 6	“Tears on My Pillow”
	Vocal, conductor's score, undated
Box 16A Folder 7	“Thanksgiving Medley”
	Vocal, conductor's scores, November 21, 1958
Box 16A Folder 8	“That Old Black Magic” (l77-V)
	Conductor's score, instrumental parts, 1960
Box 16A Folder 9	“Till There Was You”
	Scores, piano-conductor's score, instrumental parts, undated
Box 16A Folder 10	“To Know Him (Her)”
	Vocal piano-conductor's scores, November 28, December 5, 12, 19, 1958, January 2, 9, 23, 1959
Box 16A Folder 11	“Tom Dooley”
	Vocal, piano-conductor's scores, November 21, December 5, 26, 1958
Box 16B Folder 12	“Tommy Dorsey Medley”
	Vocal, conductor's scores, March 6, 1959
Box 16B Folder 13	“Tonight”
	Piano--conductor's score, December 26, 1958
Box 16B Folder 14	“Topsy No. 2”
	Conductor's score, instrumental parts, October 24, 1958
Box 16B Folder 15	“Travel Dance”
	Conductor's score, instrumental parts, January 23, 1959
Box 16B Folder 16	“Traveling Music”
	Conductor's score, instrumental parts, January 9, 1959
Box 16B Folder 17	“Tribute to My Fair Lady”
	Vocal, piano-conductor's scores, November 14, 1958
Box 16B Folder 18	“Tuxedo Junction”
	Conductor's score, instrumental parts, January 23, 1959
Box 16B Folder 19	“Twenties Medley”
	Vocal, conductor's scores, January 23, 1959
Box 16B Folder 20	“Venus,” ”My Happiness”
	Vocal, piano-conductor's scores, March 6, 13, 30, 1959
Box 16B Folder 21	“Volare”
	Vocal, piano-conductor's scores, October 17, 1958, , undated
Box 16B Folder 22	“We Kiss in the Shadows”
	Conductor's score, instrumental parts, January 2, 1959
Box 16B Folder 23	“What Is This Thing Called Love”
	Piano-conductor's score, March 6, 1959
Box 16B Folder 24	“Whole Lotta Lovin'”
	Piano-conductor's score, December 26, 1958
Box 16B Folder 25	“Winter Medley”
	Piano-conductor's score, December 5, 1958
Box 16B Folder 26	“A Wonderful Guy”
	Conductor's score, instrumental parts, November 7, 1958
Box 16C Folder 27	“Xmas Hurry Music”
	Conductor's score, instrumental parts, December 19, 1958
Box 16C Folder 28	“Xmas Street Music”
	Conductor's score, instrumental parts, December 19, 1958
Box 16C Folder 29	“You Are Beautiful Overture,” ”You Are Beautiful”
	Conductor's score, Instrumental parts, January 2, 1959
Box 16C Folder 30	“You're in the Army Now”
	Control score, instrumental parts, undated
	Television Commercials
	Lanvin-Figaro
Box 16C Folder 31	“60 T.V. Commercial,” composed by Sosnik
	Production, vocal scores, instrumental parts, September 14, 1966
Box 16C Folder 32	“20: T.V. Xmas,” composed by Sosnik
	Production, vocal scores, instrumental parts, September 14, 1966
Box 16C Folder 13	“20 T.V. Commercial #1,” composed by Sosnik
	Production score, instrumental parts, September 15, 1966
	Series: C Series	⇧
Box 16C Folder 34	“All the Things You Are,” arranged by Pete King (57-C)
	Conductor's score, instrumental parts, December 2, 1950
Box 16C Folder 35	“Be a Clown,” arranged by Leroy Holmes (69-C)
	Conductor's score, instrumental parts, December 23, 1950
Box 16C Folder 36	“Beautiful Madness,” arranged by Milton Weinstein (117-C)
	Conductor's score, instrumental parts, March 17, 1951
Box 16C Folder 37	“Begin the Beguine,” arranged by Milton Weinstein (84-C)
	Conductor's score, instrumental parts, January 20, 1951
Box 16C Folder 38	“Between the Devil and the Deep Blue Sea,” arranged by Pete King, used on the Robert Q. Lewis Show (172-C)
	Conductor's score, instrumental parts, September 22, 1951
Box 16D Folder 39	“Bill,” arranged by Pete King, used on the Robert Q. Lewis Show (173-C)
	Conductor's score, instrumental parts, October 6, 1951
Box 16D Folder 40	“Birth of the Blues,” arranged by Leroy Holmes (60-C)
	Conductor's score, instrumental parts, December 9, 1950
Box 16D Folder 41	“Blow Gabriel,” arranged by Milton Weinstein (75-C)
	Conductor's score, instrumental parts, January 6, 1951
Box 16D Folder 42	“Blue Room,” arranged by Leroy Holmes (95-C)
	Conductor's score, instrumental parts, February 3, 1951
Box 16D Folder 43	“The Breeze and I,” arranged by Milton Weinstein (92-C)
	Conductor's score, instrumental parts, February 3, 1951
Box 16D Folder 1	“Bumble-Boogie,” arranged by Paul Shelley (89-C)
	Conductor's score, instrumental parts, January 27, 1951
Box 16D Folder 2	“Call Me Mister,” arranged by Paul Shelley (142-C)
	Conductor's score, instrumental parts, May 5, 1951
Box 17A Folder 3	“Callahan's Dance” (50-C)
	Conductor's score, instrumental parts, undated
Box 17A Folder 4	“Calypso Blues,” arranged by Leroy Holmes (105-C)
	Conductor's score, instrumental parts, February 24, 1951
Box 17A Folder 5	“Chopin's Minute Waltz,” arranged by Paul Shelley (59-C)
	Conductor's score, instrumental parts, December 9, 1950
Box 17A Folder 6	“Christmas in Killarney,” arranged by Jack Andrews (64-C)
	Conductor's score, instrumental parts' December 16, 1950
Box 17A Folder 7	“Cleopatterer,” arranged by Pete King (145-C)
	Conductor's score, instrumental parts, May 19, 1951
Box 17A Folder 8	“Coburn - Carter,” arranged by Irving Szathmary (67-C)
	Vocal, conductor's scores, instrumental parts, December 23, 1950
Box 17A Folder 9	“Collegiate” (111-C)
	Conductor's score, instrumental parts, March 3, 1951
Box 17A Folder 10	“County Fair,” arranged in part by Bobby Van Eps (83-C)
	Conductor's score, instrumental parts, January 20, 1951
Box 17A Folder 11	“Dancing Doll,” arranged by Paul Shelley (113-C)
	Conductor's score, instrumental parts, March 10, 1951
Box 17B Folder 12	“Dancing Shoes,” arranged by Paul Shelley (132-C)
	Conductor's score, instrumental parts, April 14, 1951
Box 17B Folder 13	“De Glory Road,” arranged by Dick Shores (54-C)
	Vocal, conductor's scores, instrumental parts, November 11, 1950
Box 17B Folder 14	“Diamonds Are a Girl's Best Friend,” arranged by Irving Szathmary (61-C)
	Conductor's score, instrumental parts, December 9, 1950
Box 17B Folder 15	“Do Your Christmas Shopping Early,” arranged by Leroy Holmes (63-C)
	Vocal, conductor's scores, instrumental parts, December 16, 1950
Box 17B Folder 16	“The Dogpatch Tromp,” arranged by Pete King (80-C)
	Vocal, conductor's scores, instrumental parts, January 13, 1951
Box 17B Folder 17	“Donkey Serenade,” arranged by Bobby Van Eps (33-C)
	Conductor's score, instrumental parts, October 28, 1950
Box 17B Folder 18	“Donkey's Serenade,” arranged by Paul Shelley (76-C)
	Conductor's score, instrumental parts, January 6, 1951
Box 17C Folder 19	“Durante Songs” (”You've Got To Start Off Each Day,” ”Who Will Be With You,” and ”Inka-Doo”) (150-C)
	Vocal, conductor's scores, instrumental parts, February 17, 1951
Box 17C Folder 20	“Early Morning Song,” arranged by Pete King (37-C)
	Vocal, conductor's scores, instrumental parts, November 4, 1950
Box 17C Folder 21	“End of a Love Affair,” arranged by Milton Weinstein (174-C)
	Conductor's score, instrumental parts, October 27, 1951
Box 17C Folder 22	“Flying Down to Rio,” arranged by Leroy Holmes (90-C)
	Conductor's score, instrumental parts, February 3, 1951
Box 17C Folder 23	“Foolish Heart,” arranged by Milton Weinstein (99-C)
	Conductor's score, instrumental parts, February 10, 1951
Box 17C Folder 24	“Gazotsky”. arranged by Harry Sosnik (149-C)
	Conductor's score, instrumental parts, May 26, 1951
Box 17C Folder 25	“Getting to Know You,” arranged by Sosnik (192-C)
	Conductor's score, instrumental parts, January 19, 1952
Box 17D Folder 26	“Good-bye My Lady Love,” ”Hello, My Baby” (104-C)
	Conductor's score, instrumental parts, February 24, 1951
Box 17D Folder 27	“Goofus,” arranged by Pete King (158-C)
	Conductor's score, instrumental parts, July 7, 1951
Box 17D Folder 1	“Happy Harvest,” arranged by Bobby Van Eps (26-C)
	Conductor's score, instrumental parts, September 11, 1950
Box 17D Folder 2	“Harbor Lights,” arranged by Pete King (81-C)
	Conductor's score, instrumental parts, January 13, 1951
Box 17D Folder 3	“Hebrew Songs #1, #2,” arranged by Pete King (168-C)
	Conductor's score, instrumental parts, August 17, 1951
Box 17D Folder 4	“Hobo Dance,” arranged by Paul Shelley (46-C)
	Conductor's scores, instrumental parts, November 11, 1950
Box 17D Folder 5	“Hooray for Hollywood,” arranged by Jack Andrews (78-C)
	Conductor's scores, instrumental parts, January 6, 1951
Box 18A Folder 6	“I Am Loved,” arranged by Jack Andrews (77-C)
	Conductor's score, instrumental parts, January 6, 1951
Box 18A Folder 7	“I Cover the Waterfront,” arranged by Pete King (170-C)
	Conductor's score, instrumental parts, September 1, 1951
Box 18A Folder 10	“I Got the Bird On the Canary Islands,” arranged by Jack Andrews (55-C)
	Conductor's score, instrumental parts, December 2, 1950
Box 18A Folder 17	“I See Your Face Before Me,” arranged by Pete King (155-C)
	Conductor's score, instrumental parts, June 16, 1951
Box 18A Folder 18	“I Theenk You Weenk,” arranged by Leroy Holmes (32-C)
	Conductor's score, instrumental parts, October 28, 1950
Box 18A Folder 19	“I Whistle a Happy Tune,” arranged by Pete King (159-C)
	Conductor's score, instrumental parts, October 11, 1951
Box 18A Folder 20	“I Won't Dance,” arranged by Leroy Holmes (62-C)
	Conductor's score, instrumental parts, December 9, 1950
Box 18B Folder 8	“If,” arranged by Milton Weinstein (88-C)
	Conductor's score, instrumental parts, January 27, 1951
Box 18B Folder 9	“If You Haven't Got a Sweetheart,” arranged by Pete King (144-C)
	Conductor's score, instrumental parts, May 19, 1951
Box 18B Folder 11	“I'll Remember April,” arranged by Milton Weinstein (143-C)
	Conductor's score, instrumental parts, May 5, 1951
Box 18B Folder 12	“I'm Gonna Hang My Hat on A Tree That Grows in Brooklyn” (25-C)
	Conductor's score, instrumental parts, October 7, 1950
Box 18B Folder 13	“Impersonation Specialty” (Jack Carter), arranged by Leroy Holmes (21-C)
	Conductor's score, instrumental parts, September 30, 1950
Box 18B Folder 14	“In the Still of the Night,” arranged by Milton Weinstein (12-C)
	Conductor's score, instrumental parts, September 23, 1950
Box 18B Folder 15	“Irish Dance,” arranged by Paul Shelley (65-C)
	Conductor's score, instrumental parts, December 16, 1950
Box 18B Folder 16	“Irish Dance,” arranged by Paul Shelley (118-C)
	Conductor's score, instrumental parts, March 17, 1951
Box 18C Folder 21	“Jing-A-Ling,” arranged by Jack Andrews (41-C)
	Conductor's score, instrumental parts, November 11, 1950
Box 18C Folder 22	“Johannesburg,” arranged by Milton Weinstein (98-C) 1951
	Conductor's score, instrumental parts, February 10, 1951
Box 18C Folder 23	“Johnny 0ne Note,” arranged by Paul Shelley (102-C)
	Conductor's score, instrumental parts, February 17, 1951
Box 18C Folder 24	“The Jolly Little Man in Red,” arranged by Jack Andrews (68-C)
	Sheet music, score, instrumental parts, January 23, 1950
Box 18C Folder 25	“A Kiss in the Dark,” arranged by A. de Filippi (179-C)
	Conductor's score, instrumental parts, undated
Box 18C Folder 26	“Kiss Me Again” (178-C)
	Conductor's score, instrumental parts, undated
Box 19A Folder 1	“Lady Be Good,” arranged by Pete King (165-C)
	Conductor's score, instrumental parts, August 11, 1951
Box 19A Folder 2	“Latin From Manhattan,” arranged by Paul Shelley (91-C)
	Conductor's score, instrumental parts, February 3, 1951
Box 19A Folder 3	“Laura” (197-C)
	Vocal, Conductor's scores, instrumental parts, undated
Box 19A Folder 4	“Let's Get Away From It All,” arranged by Leroy Holmes (79-C)
	Conductor's score, instrumental parts, January 13, 1951
Box 19A Folder 5	“Loch Lomond,” arranged by Leroy Holmes (151-C)
	Conductor's score, instrumental parts, May 31, 1951
Box 19A Folder 6	“Love,” arranged by Pete King (153-C)
	Conductor's score, instrumental parts, June 2, 1951
Box 19A Folder 7	“Love Is Just Around the Corner,” arranged by Pete King (187-C)
	Conductor's score, instrumental parts, November 17, 1951
Box 19A Folder 8	“Lovely to Look At” (184-C)
	Vocal, conductor's scores, undated
Box 19A Folder 9	“Manhattan Square Dance,” ”New York, New York,” arranged by Leroy Holmes (20-C)
	Conductor's score, instrumental parts, September 30, 1950
Box 19B Folder 10	“March of History Routine,” arranged by Leroy Holmes (87-C)
	Conductor's scores, instrumental parts, January 20, 1951
Box 19B Folder 11	“Masks,” arranged by Paul Shelley (138-C)
	Conductor's scores, instrumental parts, April 28, 1951
Box 19B Folder 12	“Masquerade Ball,” arranged by Leroy Holmes (126-C)
	Vocal, conductor's scores, instrumental parts, March 31, 1951
Box 19B Folder 13	“Minnie from Trinidad,” arranged by Leroy Holmes (122-C)
	Conductor's score, instrumental parts, March 24, 1951
Box 19B Folder 14	“Mountain High, Valley Low,” arranged by Pete King (147-C)
	Conductor's score, instrumental parts, May 26, 1951
Box 19B Folder 15	“Music Makes Me” (114-C)
	Conductor's score, instrumental parts, March 10, 1951
Box 19B Folder 16	“Neurotic You and Psychopathic Me,” arranged by Jack Andrews (136-C)
	Conductor's score, instrumental parts, April 28, 1951
Box 19B Folder 17	“Never Ask a Man if He's from Texas,” arranged by William Stegmeyer (124-C)
	Conductor's score, instrumental parts, March 31, 1951
Box 19C Folder 18	“New Years,” first arrangement by Pete King, second arrangement by Jack Andrews (72-C)
	Conductor's score, instrumental parts, December 30, 1950
Box 19C Folder 19	“Nursery Rhymes,” arranged by Paul Shelley (70-C)
	Conductor's score, instrumental parts, December 23, 1950
Box 19C Folder 20	“Old Devil Moon,” arranged by Milton Weinstein (IO6-C)
	Conductor's score, instrumental parts, February 24, 1951
Box 19C Folder 21	“The Old Soft Shoe,” arranged by Frank Guilfoyle (163-C)
	Conductor's score, instrumental parts, undated
Box 19C Folder 22	“On the Road to Mandalay,” arranged by Milton Weinstein (129-C)
	Vocal, conductor's scores; instrumental parts, April 7, 1951
Box 19C Folder 23	“One Night of Love” (180-C)
	Score, instrumental parts, undated
Box 19C Folder 24	“One Song,” arranged by Pete King (30-C)
	Conductor's score, instrumental parts, October 21, 1950
Box 19C Folder 25	“Over the Rainbow,” arranged by Milton Weinstein (120-C)
	Conductor's score, instrumental parts, March 24, 1951
Box 19C Folder 26	“The Picnic Song,” arranged by Pete King (146-C)
	Conductor's score, instrumental parts, May 19, 1951
Box 19D Folder 27	“Portrait of a Flirt,” arranged by Paul Shelley (82-C)
	Conductor's score, instrumental parts, January 13, 1951
Box 19D Folder 28	“Puttin' on the Ritz,” arranged by Paul Shelley (58-C)
	Conductor's score, instrumental parts, December 2, 1950
Box 19D Folder 1	“Racetrack,” arranged by Paul Shelley (134-C)
	Conductor's score, instrumental parts, April 21, 1951
Box 19D Folder 2	“Racetrack Polka,” arranged by Jack Andrews (133-C)
	Vocal, conductor's scores; instrumental parts, April 21, 1951
Box 19D Folder 3	“Raggedy Ann,” arranged by Pete King (140-C)
	Conductor's score, instrumental parts, May 5, 1951
Box 19D Folder 4	“Reciprocity,” arranged by Pete King (169-C)
	Conductor's score, instrumental parts, September 1, 1951
Box 19D Folder 5	“Rumbalero,” arranged by Paul Shelley (96-C)
	Conductor's score, instrumental parts, February 10, 1951
Box 19D Folder 6	“Rococo” (18-C)
	Conductor's score, instrumental parts, September 30, 1950
Box 20A Folder 7	“Romance” (182-C)
	Score, instrumental parts, undated
Box 20A Folder 8	“Sailor's Hornpipe,” arranged by Francis Scott (45-C)
	Conductor's score, instrumental parts, November 9, 1950
Box 20A Folder 9	“St. Patrick's Day Song,” arranged by Jack Andrews (116-C)
	Conductor's score, instrumental parts, March 17, 1951
Box 20A Folder 10	“Santa Claus Is Coming to Town,” ”Santa Claus Music Box” (66-C)
	Conductor's scores, instrumental parts, undated
Box 20A Folder 11	“Shadrack,” arranged by Pete King (16O-C)
	Conductor's score, instrumental parts, July 21, 1951
Box 20A Folder 12	“Shangri-La'” arranged by Paul Shelley (39-C)
	Conductor's score, instrumental parts, November 4, 1950
Box 20A Folder 13	“Sing, Sing, Sing,” arranged by Paul Shelley (86-C)
	Conductor's score, instrumental parts, January 20, 1951
Box 20A Folder 14	“Skyscraper blues,” arranged by Pete King and Leroy Holmes (4-C)
	Conductor's score, instrumental parts, September 9, 1950
Box 20B Folder 15	“Skyscraper Fantasy,” arranged by Paul Shelley (38-C)
	Conductor's score, instrumental parts, November 4, 1950
Box 20B Folder 16	“Slap That Bass,” arranged by Paul Shelley (123-C)
	Conductor's score, instrumental parts, March 31, 1951
Box 20B Folder 17	“Smoke Gets In Your Eyes” (185-C)
	Score, undated
Box 20B Folder 18	“So In Love,” arranged by Milton Weinstein (9-C)
	Vocal, conductor's scores, instrumental parts, September 16, 1950
Box 20B Folder 19	“Soliloquy,” arranged by Pete King (8-C)
	Sheet music, conductor's score, instrumental parts, September 16, 1950
Box 20B Folder 20	“Solitude,” arranged by Pete King (167-C)
	Conductor's score, instrumental parts, August 17, 1951
Box 20B Folder 21	“The Song Is You,” arranged by William Stegmeyer (93-C)
	Conductor's score, instrumental parts, February 3, 1951
Box 20C Folder 22	“Speak Low,” arranged by Pete King (175-C)
	Conductor's score, instrumental parts, November 31, 1951
Box 20C Folder 23	“Steppin' Out With My Baby,” arranged by Leroy Holmes (73-C)
	Conductor's score, instrumental parts, December 30, 1950
Box 20C Folder 24	“Strange Music,” arranged by Milton Weinstein (112-C)
	Conductor's score, instrumental parts, March 10, 1951
Box 20C Folder 25	“Sunny Day,” arranged by Leroy Holmes (109-C)
	Vocal, conductor's scores, instrumental parts, March 3, 1951
Box 20C Folder 26	“'s Wonderful” (176-C)
	Conductor's score, instrumental parts, undated
Box 20C Folder 27	“Symbol of Fire,” arranged by Jack Andrews (24-C)
	Conductor's score, instrumental parts, October 7, 1950
Box 21A Folder 1	“Tell Me That You Love Me Tonight” (5-C)
	Conductor's score, instrumental parts, September 9, 1950
Box 21A Folder 2	“Temptation,” arranged by Pete King (71-C)
	Conductor's score, instrumental parts, December 30, 1950
Box 21A Folder 3	“That Old Black Magic,” arranged by Pete King (161-C)
	Conductor's score, instrumental parts, July 21, 1951
Box 21A Folder 4	“Them There Eyes,” arranged by Pete King (189-C)
	Conductor's score, instrumental parts, December 8, 1951
Box 21A Folder 5	“These Foolish Things,” arranged by Jullian Work (22-C)
	Conductor's score, instrumental parts, October 7, 1950
Box 21A Folder 6	“Too Young,” arranged by Pete King (156-C)
	Conductor's score, instrumental parts, June 23, 1951
Box 21A Folder 7	“The Touch of Your Hand” (183-C)
	Conductor's score, instrumental parts, undated
Box 21A Folder 8	“Two Brothers,” arranged by Bobby Van Eps (43-C)
	Vocal, conductor's scores, instrumental parts, November 11, 1950
Box 21A Folder 9	“War Picture Routine/Marine Hymn,” arranged by Leroy Holmes (44-C)
	Conductor's score, instrumental parts, November 11, 1950
Box 21A Folder 10	“Wedding of the Painted Doll,” arranged by Pete King (141-C)
	Conductor's score, instrumental parts, May 5, 1951
Box 21B Folder 11	“A Wee Doch-an-Doris,” arranged by Sosnik (154-C)
	Conductor's score, instrumental parts, undated
Box 21B Folder 12	“Where Oh Where,” arranged by William Stegmeyer (85-C)
	Conductor's score, instrumental parts, January 20, 1951
Box 21B Folder 13	“Where or When” (100-C)
	Conductor's score, instrumental parts, undated
Box 21B Folder 14	“The Whip” (19-C)
	Conductor's score, instrumental parts, undated
Box 21B Folder 15	“Who Am I,” arranged by Pete King (171-C)
	Conductor's score, instrumental parts, September 22, 1951
Box 21B Folder 16	“Why Was I Born,” arranged by Pete King (157-C)
	Conductor's score, instrumental parts, July 7, 1951
Box 21B Folder 17	“Yesterdays” (186-C)
	Vocal, conductor's scores, instrumental parts, undated
Box 21B Folder 18	“You Can't Take It With You,” October 28, 1950 (31-C)
	Conductor's score, instrumental parts, October 28, 1950
	Series: V Series	⇧
Box 21B Folder 19	“After You've Gone” (247-V)
	Conductor's score, instrumental parts, undated
Box 21C Folder 20	“All the Things You Are,” arranged by Sosnik (183-V)
	Conductor's score, instrumental parts, September 15, 1960
Box 21C Folder 21	“Almost Like Being In Love,” arranged by Frank Hunter (211-V)
	Conductor's score, instrumental parts, undated
Box 21C Folder 22	“America” (West Side Story), arranged by Sosnik (236-V)
	Score, August 29, 1962
Box 21C Folder 23	“Amy Medley,” arranged by Frank Hunter (197-V)
	Conductor's score, instrumental parts, undated
Box 21C Folder 24	“Any Place I Hang My Hat,” arranged by Frank Hunter (203-V)
	Conductor's score, instrumental parts, undated
Box 21C Folder 25	“April in Paris,” arranged by Sosnik (219-V)
	Conductor's score, instrumental parts, June 30, 1962
Box 21C Folder 26	“As Long as He Needs Me,” arranged by Frank Hunter (244-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 21C Folder 27	“As Time Goes By,” arranged by Sosnik (153-V)
	Conductor's score, instrumental parts, May 24, 1957
Box 21D Folder 28	“Auf Wiedersehn” (63-V)
	Score, instrumental parts, undated
Box 21D Folder 29	“Ave Maria” (82-V)
	Score, instrumental parts, undated
Box 21D Folder 30	“Baubles, Bangles and Beads,” arranged by Sosnik (216..-V)
	Conductor's score, instrumental parts, June 19, 1962
Box 21D Folder 31	“Beautiful Dreamer,” arranged by Frank Hunter (213-V)
	Conductor's score, instrumental parts, undated
Box 21D Folder 32	“Bill Bailey,” arranged by Sosnik (232-V)
	Conductor's score, instrumental parts, August 17, 1962
Box 21D Folder 1	“The Birth of the Blues,” arranged by Sosnik (233-V)
	Conductor's score, instrumental parts, August 16, 1962
Box 21D Folder 2	“Blue Bird of Happiness” (123-V)
	Annotated sheet music, conductor's score, instrumental parts, undated
Box 21D Folder 3	“Blues in the Night,” arranged by Leroy Holmes (127-V)
	Conductor's score, instrumental parts, undated
	“Broadway Spot,” arranged by Artie Beck (196-V)
Box 21D Folder 4	Conductor's score, instrumental parts, undated
Box 22A Folder 5	Conductor's score, instrumental parts, continued
Box 22A Folder 6	“Brother, Can You Spare a Dime,” arranged by Sosnik (150-V)
	Conductor's score, instrumental parts, May 24, 1957
Box 22A Folder 7	“Brotherhood of Man,” arranged by Jack Elliot (210-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 22A Folder 8	“By Myself,” arranged by Frank Hunter (264-V)
	Conductor's score, instrumental parts, undated
Box 22A Folder 9	“Chinese Lullabye,” arranged by Frank Hunter (270-V)
	Score, undated
Box 22A Folder 10	“Chopin” (312-V)
	Conductor's score, instrumental parts, undated
Box 22B Folder 11	“Cielo Andaluz” (565-V)
	Conductor's score, instrumental parts, December 12, 1949
Box 22B Folder 12	“Clavelitos” (310-V)
	Conductor's score, instrumental parts, undated
Box 22B Folder 13	“Climb Ev'ry Mountain,” arranged by Sosnik (230-V)
	Conductor's score, instrumental parts, August 9, 1962
Box 22B Folder 14	“Come and Get It Day,” arranged by Frank Hunter (259-V)
	Conductor's score, instrumental parts, undated
Box 22B Folder 15	“Come Prima,” arranged by Sosnik (217-V)
	Score, June 14, 1962
Box 22B Folder 16	“Come Rain or Come Shine,” arranged by Sosnik (237-V)
	Conductor's score, instrumental parts, August 24, 1962
Box 22B Folder 17	“Come Rain or Come Shine,” arranged by Kermit Levinsky (243-V)
	Conductor's score, instrumental parts, undated
Box 22B Folder 18	“Come Rain or Come Shine,” arranged by Frank Hunter (271-V)
	Score, undated
Box 22C Folder 19	“Comin' in on a Wing and a Prayer,” arranged by Sosnik (170-V)
	Conductor's score, instrumental parts, April 14, 1960
Box 22C Folder 20	“Cowboy Song,” arranged by Frank Hunter (250-V)
	Conductor's score, instrumental parts, undated
Box 22C Folder 21	“Czardas” (2-V)
	Instrumental parts, undated
Box 22C Folder 22	“Dear Old Pal of Mine” (99-V)
	Score, instrumental parts, undated
Box 22C Folder 23	“Di Tes Moi,” arranged by Jack Andrews (78-V)
	Conductor's score, instrumental parts, undated
Box 22C Folder 24	“Don't Ask Me Not to Sing” (116-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 22C Folder 25	“Don't Be Cruel,” arranged by Frank Hunter (251-V)
	Conductor's score, instrumental parts, undated
Box 22C Folder 26	“Don't Cry,” arranged by Jack Easton (124-V)
	Conductor's score, instrumental parts, undated
Box 22C Folder 27	“Don't Fence Me In,” arranged by Jack Elliot (173 V)
	Conductor's score, instrumental parts, undated
Box 22C Folder 28	“Don't Sit Under the Apple Tree,” arranged by Jack Elliot (168 V)
	Conductor's score, instrumental parts, undated
Box 23A Folder 1	“Drink to Me Only With Thine Eyes” (101-V)
	Score, instrumental parts, undated
Box 23A Folder 2	“Easter Parade,” arranged by Sosnik (189-V)
	Vocal, conductor's scores, instrumental parts, March 26, 1962
Box 23A Folder 3	“Ebb Tide,” arranged by Frank Hunter (263-V)
	Conductor's score, instrumental parts, undated
Box 23A Folder 4	“Either Too Young,” arranged by Jack Elliot (167-V)
	Conductor's score, instrumental parts, undated
Box 23A Folder 5	“Exactly Like You” (53-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 23A Folder 6	“A Foggy Day,” arranged by Frank Hunter (240-V)
	Conductor's score, instrumental parts, undated
Box 23A Folder 7	“Folk Song Medley,” arranged by Frank Hunter and Artie Beck (195-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 23B Folder 8	“For Me and My Gal” (156-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 23B Folder 9	“Gershwin Medley,” arranged by Frank Hunter (276-V)
	Conductor's score, instrumental parts, undated
Box 23B Folder 10	“Gigi,” arranged by Sosnik (221-V)
	Conductor's score, instrumental parts, July 5, 1962
Box 23B Folder 11	“The Girl Who Wasn't There,” arranged by Sosnik (234-V)
	Conductor's score, instrumental parts, August 16, 1962
Box 23B Folder 12	“Glow Worm,” arranged by Frank Hunter (241-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 23C Folder 13	“Got a Lot of Livin',” arranged by Frank Hunter (257-V)
	Conductor's score, instrumental parts, undated
Box 23C Folder 14	“Granada,” arranged by Frank Hunter (261-V)
	Conductor's score, instrumental parts, undated
Box 23C Folder 15	“Happy Face/Happy Talk,” arranged by Frank Hunter (279-V)
	Annotated sheet music, conductor's score, instrumental parts, undated
Box 23C Folder 16	“Hello Dolly,” arranged by Frank Hunter (273-V)
	Conductor's score, instrumental parts, undated
Box 23C Folder 17	“Hey Look Me Over,” arranged by Pat Williams (304-V)
	Conductor's score, instrumental parts, undated
Box 23C Folder 18	“The House I Live In” (45-V)
	Score, instrumental parts, undated
Box 23D Folder 19	“Home Medley,” arranged by Frank Hunter (205-V)
	Vocal, conductor's score, instrumental parts, undated
Box 23D Folder 20	“Hungarian Hymnus,” arranged by Defillippi (139-V)
	Conductor's score, instrumental parts, undated
Box 23D Folder 21	“I Can't Begin to Tell You” (55-V)
	Vocal, conductor's score, instrumental parts, undated
Box 23D Folder 22-23	“I Could Have Danced,” arranged by Jack Easton (132-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 23D Folder 1	“I Fall in Love Too Easily” (54-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 23D Folder 6	“I Get a Kick Out of You” (57-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 23D Folder 7	“I Hadn't Anyone Till You,” arranged by Luther Henderson (148-V)
	Conductor's score, instrumental parts, April 11, 1957
Box 24A Folder 8	“I Have Dreams/Shall We Dance Medley,” arranged by Frank Hunter (254-V)
	Conductor's score, instrumental parts, undated
Box 24A Folder 9	“I Hear You Calling Me”
	Score, instrumental parts, undated
Box 24A Folder 15	“I Love Paris,” arranged by Artie Beck (198-V)
	Conductor's score, instrumental parts, undated
Box 24A Folder 22	“I See Your Face Before Me,” arranged by Sosnik (220-V)
	Conductor's score, instrumental parts, August 10, 1962
Box 24A Folder 23	“I Spoke to Jefferson at Guadalcanal” (121-V)
	Score, instrumental parts, undated
Box 24A Folder 28	“I Wanna Be Around,” arranged by Frank Hunter (268-V)
	Conductor's score, instrumental parts, undated
Box 24A Folder 29	“I Wish I Were In Love Again,” arranged by Sosnik (180-V)
	Conductor's score, instrumental parts, September 1, 1960
Box 24A Folder 2	“If Ever I Would Leave You,” arranged by Sosnik (235-V)
	Conductor's score, instrumental parts, August 18, 1962
Box 24B Folder 3	“If I Had a Ribbon Bow,” arranged by Frank Hunter (260-V)
	Conductor's score, instrumental parts, undated
Box 24B Folder 4	“If I Loved You” (21-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 24B Folder 5	“If I Were on the Stage” (70-V)
	Conductor's score, instrumental parts, undated
Box 24B Folder 10	“I'll Be Seeing You,” arranged by Sosnik (165-V)
	Vocal, conductor's scores, instrumental parts, April 18, 1960
Box 24B Folder 11	“1'11 Be Seeing You,” arranged by Sosnik (227-V)
	Conductor's score, instrumental parts, July 28, 1962
Box 24B Folder 12	“I'11 Get By” (100-V)
	Score, March 23, 1944
Box 24B Folder 13	“I'll Remember April,” arranged by Sosnik (175-V)
	Conductor's score, instrumental parts, July 29, 1960
Box 24B Folder 14	“I'11 See You Again” (84-V)
	Score, instrumental parts, undated
Box 24B Folder 16	“In Acapulco” (57-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 24B Folder 17	“The Inchworm” (135-V)
	Conductor's score, instrumental parts, September 6, 1956
Box 24B Folder 18	“In My Arms,” arranged by Jack Elliot (166-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 24C Folder 19	“In San Francisco,” arranged by Sosnik (225-V)
	Conductor's score, instrumental parts, July 19, 1962
Box 24C Folder 20	“Irma La Douce,” arranged by Sosnik (222-V)
	Conductor's score, instrumental parts, July 6, 1962
Box 24C Folder 21	“Irma La Douce, ” arranged by Frank Hunter (256-V)
	Conductor's score, instrumental parts, undated
Box 24C Folder 24	“It Had To Be You,” arranged by Pete Matz (154-V)
	Conductor's score, instrumental parts, undated
Box 24C Folder 25	“It Might as Well Be Spring” (43-V)
	Conductor's scores, instrumental parts, undated
Box 24C Folder 26	“I've Grown Accustomed,” arranged by Artie Beck (194-V)
	Conductor's score, instrumental parts, undated
Box 24C Folder 27	“I've Told Every Little Star” (68-V)
	Conductor's score, instrumental parts, circa February 1, 1946
Box 24C Folder 30	“Jerry Holmes Medley” (”Once in a Lifetime” and ”What Kind of Fool Am I”), arranged by Frank Hunter (252-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 25A Folder 1	“Joey, Joey, Joey,” arranged by Sosnik (238-V)
	Conductor's score, instrumental parts, August 29, 1962
Box 25A Folder 2	“Johnny One Note,” arranged by Pete King (65-V)
	Conductor's score, instrumental parts, April 12, 1950
Box 25A Folder 3	“June Is Busting Out All Over,” arranged by Sosnik (151-V)
	Conductor's score, instrumental parts, May 25, 1957
Box 25A Folder 4	“Just in Time,” arranged by Frank Hunter and Manny Album (204-V)
	Conductor's scores, instrumental parts, undated
Box 25A Folder 5	“Just You, Just Me,” ”How High the Moon,” both arranged by Frank Hunter (266-V)
	Conductor's scores, instrumental parts, undated
Box 25A Folder 6	“The King and I,” arranged by Sosnik (181-V)
	Conductor's score, instrumental parts, September 7, 1960
Box 25B Folder 7	“The Last Time I Saw Paris,” arranged by Jack Elliot (171-V)
	Conductor's score, instrumental parts, undated
Box 25B Folder 8	“Let's Face the Music and Dance,” arranged by Sosnik (218-V)
	Conductor's score, instrumental parts, June 28, 1962
Box 25B Folder 9	“Life's a Bowl of Cherries,” arranged by Pat Williams (307-V)
	Conductor's score, instrumental parts, undated
Box 25B Folder 10	“Lilli Marlene,” arranged by Jack Elliot (160-V)
	Conductor's score, instrumental parts, undated
Box 25B Folder 11	“Little Bit of Heaven” (87-V)
	Score, instrumental parts, undated
Box 25B Folder 12	“Lonely Town,” arranged by Frank Hunter (201-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 25B Folder 13	“A Lot of Livin' to Do, Part I,” arranged by Frank Hunter (192-V)
	Conductor's score, instrumental parts, undated
Box 25B Folder 14	“A Lot of Livin' to Do, Part II,” arranged by Frank Hunter (193-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 25C Folder 15	“A Lot of Livin' to Do,” arranged by Sosnik (224-V)
	Conductor's score, instrumental parts, July 12, 1962
Box 25C Folder 16	“Love,” arranged by Jack Elliot (174-V)
	Conductor's score, instrumental parts, undated
Box 25C Folder 17	“Make Someone Happy,” arranged by Frank Hunter (267-V)
	Conductor's score, instrumental parts, undated
Box 25C Folder 18	“Maria,” arranged by Frank Hunter (280-V)
	Conductor's score, instrumental parts, undated
Box 25C Folder 19	“Married I Can Always Get,” arranged by Sosnik (182-V)
	Conductor's score, instrumental parts, September 14, 1960
Box 25C Folder 20	“Mary's a Grand Old Name,” arranged by Sosnik (184 V)
	Conductor's score, instrumental parts, February 20, 1961
Box 25C Folder 21	“Meantime,” arranged by Frank Hunter (278-V)
	Conductor's score, some instrumental parts, undated
Box 25C Folder 22	“Mockingbird,” arranged by Jack Elliot (208-V)
	Score, instrumental parts, undated
Box 25D Folder 23	“Moonlight in Vermont,” arranged by Frank Hunter (202-V)
	Conductor's score, instrumental parts, undated
Box 25D Folder 24	“More,” arranged by Frank Hunter (274-V)
	Conductor's score, instrumental parts, undated
Box 25D Folder 25	“My Man's Gone - Prelude,” arranged by Sosnik (142-V)
	Vocal, conductor's scores, instrumental parts, January 12, 1959
Box 25D Folder 26	“My Sergeant and I Are Buddies,” arranged by Sosnik (172-V)
	Conductor's score, instrumental parts, undated
Box 25D Folder 27	“Nature Boy,” arranged by Sosnik (185-V)
	Vocal, conductor's scores, instrumental parts, January 11, 1960
Box 25D Folder 28	“Nice to Come Home To” (169-V)
	Conductor's score, instrumental parts, undated
Box 25D Folder 29	“None But the Lonely Heart” (103-V)
	Score, undated
Box 25D Folder 1	“No Other Love,” arranged by Joe Glover (42-V)
	Conductor's score, instrumental parts, undated
Box 25D Folder 2	“No Strings,” arranged by Frank Hunter (253-V)
	Conductor's score, instrumental parts, undated
Box 25D Folder 3	“Oklahoma,” arranged by Frank Hunter (212-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 26A Folder 4	“0l' Man River” (14-V)
	Conductor's score, instrumental parts, undated
Box 26A Folder 5	“Old Man River,” arranged by Sosnik (176-V)
	Conductor's score, August 2, 1960
Box 26A Folder 6	“Once in a Lifetime,” arranged by Frank Hunter (301-V)
	Conductor's score, instrumental parts, undated
Box 26A Folder 7	“Once Upon a Summertime,” arranged by Kermit Levinsky (245-V)
	Conductor's score, instrumental parts, undated
Box 26A Folder 8	“Once Upon a Time,” arranged by Frank Hunter (255-V)
	Conductor's score, instrumental parts, undated
Box 26A Folder 9	“One Kiss” (86-V)
	Score, instrumental parts, undated
Box 26A Folder 10	“Out of My Dreams,” arranged by F. Guilfoyle (143-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 26A Folder 11	“People,” arranged by Frank Hunter (272-V)
	Conductor's score, instrumental parts, undated
Box 26A Folder 12	“People Will Say We're in Love” (22-V)
	Vocal, conductor's scores, instrumental parts, October 21, 1953, , undated
Box 26B Folder 13	“Pick Yourself Up,” arranged by Frank Hunter (199-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 26B Folder 14	“Praise the Lord,” arranged by Alan Copeland (163-V)
	Conductor's score, instrumental parts, undated
Box 26B Folder 15	“Put It There,” arranged by Jack Elliot (207-V)
	Conductor's score, instrumental parts, undated
Box 26B Folder 16	“Rinky-Tink Rag” (313-V)
	Conductor's score, instrumental parts, undated
Box 26B Folder 17	“Rock-A-Bye-Your-Baby/Swanee Medley,” arranged by Frank Hunter (249-V)
	Conductor's score, instrumental parts, undated
Box 26B Folder 18	“Rose of the World” (117-V)
	Score, instrumental parts, undated
Box 26B Folder 19	“September Songs” (566-V)
	Conductor's scores, instrumental parts, May 28, 1950
Box 26B Folder 20	“Silent Night,” arranged by Gil Grau (83-V)
	Score, instrumental parts, undated
Box 26C Folder 21	“Singing in the Rain,” arranged by Milton Weinstein and Sosnik (1-V)
	Vocal, conductor's scores, instrumental parts, June, 1953
Box 26C Folder 22	“Sixteen-Seventeen,” arranged by Robert Russell Bennett (158-V)
	Conductor's score, instrumental parts, undated
Box 26C Folder 23	“Small Fry,” arranged by Jack Elliot (214-V)
	Conductor's score, instrumental parts, undated
Box 26C Folder 24	“Someone Lovelier Than You” (51-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 26C Folder 25	“The Sound of Music” (223-V)
	Conductor's score, instrumental parts, July 7, 1962
Box 26C Folder 26	“Spring Is Here,” arranged by Frank Hunter (188-V)
	Conductor's score, instrumental parts, undated
Box 26C Folder 27	“Stand Up and Fight,” arranged by Frank Hunter (258-V)
	Conductor's score, instrumental parts, undated
Box 26C Folder 28	“A Summer Place,” arranged by Sosnik (220-V)
	Conductor's score, instrumental parts, June 27, 1962
Box 26D Folder 29	“The Sunshine of Your Smile” (85-V)
	Score, instrumental parts, undated
Box 26D Folder 30	“Tara Tara Zum,” arranged by Sosnik (231-V)
	Conductor's score, instrumental parts, August 9, 1962
Box 26D Folder 1	“Taking a Chance on Love” (52-V)
	Vocal, conductor's scores, instrumental parts, July 22, 1945
Box 26D Folder 2	“Thanks for the Memory,” arranged by Dave Terry (186-V)
	Conductor's score, instrumental parts, undated
Box 26D Folder 3	“That's For Me,” arranged by Maurice Gardner (106-V)
	Conductor's score, instrumental parts, undated
Box 26D Folder 4	“They Can't Take That Away From Me,” arranged by Frank Hunter (191-V)
	Conductor's score, instrumental parts, undated
Box 26D Folder 5	“This Could Be the Start of Something Big,” arranged by Frank Hunter (248-V)
	Conductor's score, instrumental parts, undated
Box 26D Folder 6	“This Heart of Mine,” arranged by Frank Hunter (187-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 27A Folder 7	“This is My Country” (105-V)
	Conductor's score, instrumental parts, undated
Box 27A Folder 8	“This Nearly Was Mine/They Call the Wind Maria,” arranged by Sosnik (228-V)
	Conductor's score, instrumental parts, undated
Box 27A Folder 9	“This Nearly Was Mine,” arranged by Frank Hunter (275-V)
	Conductor's score, instrumental parts, undated
Box 27A Folder 10	“The Time, the Place, and the Girl” (69-V)
	Score, vocal score, instrumental parts, undated
Box 27A Folder 11	“Too Much Mustard,” arranged by Leroy Holmes (11-V)
	Score, instrumental parts, undated
Box 27A Folder 12	“Toyland” (Medley), arranged by Leroy Holmes (129-V)
	Conductor's score, instrumental parts, undated
Box 27A Folder 13	“Trolley Song” (104-V)
	Score, undated
Box 27B Folder 14	“Valencia” (88-V)
	Score, instrumental parts, undated
Box 27B Folder 15	“When Your Lover Has Gone,” arranged by Jack Andrews (136-V)
	Conductor's score, instrumental parts, undated
Box 27B Folder 16	“Where Is Love/Consider Yourself Medley,” arranged by Kermit Levinsky (246-V)
	Conductor's score, instrumental parts, undated
Box 27B Folder 17	“Where or When” (74-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 27B Folder 18	“Whistle Opening,” arranged by Frank Hunter (314-V)
	Conductor's score, instrumental parts, undated
Box 27B Folder 19	“Who Wants to Be a Millionaire,” arranged by Frank Hunter (206-V)
	Conductor's scores, instrumental parts, undated
Box 27B Folder 20	“Why Was I Born,” arranged by Sosnik (226-V)
	Conductor's score, instrumental parts, July 20, 1962
Box 27B Folder 21	“Wine and Roses,” arranged by Messengil (309-V)
	Conductor's score, instrumental parts, undated
Box 27C Folder 22	“Without a Song,” arranged by Sosnik (239-V)
	Conductor's score, instrumental parts, August 31, 1962
Box 27C Folder 23	“Without You I'm Nothing,” arranged by Jack Andrews (130-V)
	Conductor's score, instrumental parts, undated
Box 27C Folder 24	“The World Is Waiting for the Sunrise” (98-V)
	Score, instrumental parts, undated
Box 27C Folder 25	“You Are Free” (118-V)
	Score, instrumental parts, undated
Box 27C Folder 26	“You Are My Lucky Star” (46-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 27C Folder 27	“You Belong to My Heart” (59-V)
	Vocal, conductor's scores, instrumental parts, undated
Box 27C Folder 28	“You'll Never Walk Alone #2,” arranged by Artie Beck and Hershey Kay (200-V)
	Conductor's score, instrumental parts, undated
	Series: Number Series	⇧
Box 28A Folder 1	“The Age Machine,” ballet music by Peter Matz (769)
	Conductor's score, instrumental parts, undated
Box 28A Folder 2	“All Through the Night,” arranged by Maurice Gardner (593)
	Conductor's score, instrumental parts, October 4, 1950, used , December 26, 1952, , September 21, 1954
Box 28A Folder 3	“American Patrol,” arranged by Ben Ludlow (666)
	Score, instrumental parts, used January 6, 1958
Box 28A Folder 4	“Am I Blue,” arranged by Sosnik (665)
	Conductor's score, instrumental parts, April 25, 1954
Box 28A Folder 5	“Anniversary Song” (546)
	Score, undated
Box 28A Folder 6	“Anything Goes,” arranged by Ben Ludlow (736)
	Score, instrumental parts, used January 6, 1958
Box 28A Folder 7	“Autumn in New York,” arranged by Sosnik (651)
	Conductor's score, instrumental parts, January 26, 1954, , October 30, 1956
Box 28A Folder 8	“Autumn Leaves,” arranged by Sosnik (636)
	Conductor's score, instrumental parts, March 6, 1953, used , June 9, 1954, , August 24, 1956
Box 28B Folder 9	“AW0FTS” (”A Weird One for the Show”), arranged by Peter Matz (776)
	Conductor's score, instrumental parts, undated
Box 28B Folder 10	“Babalu,” arranged by Ben Ludlow (681)
	Conductor's score, instrumental parts, undated
Box 28B Folder 11	“Baia,” arranged by Maurice Gardner (680)
	Vocal, conductor's scores, instrumental parts, undated
Box 28B Folder 12	“Bars Behind,” for ballet by Peter Matz (772)
	Conductor's score, instrumental parts, undated
Box 28B Folder 13	“Baylor Fight Song,” arranged by Leroy Holmes (696)
	Conductor's score, instrumental parts, undated
Box 28B Folder 14	“Beauty Through the Night” (583), composed by Sosnik
	Conductor's score, instrumental parts, October 10, November 2, 1953
Box 28B Folder 15	“Begin the Beguine,” arranged by Maurice Gardner (611)
	Conductor's score, instrumental parts, November 4, 1948, , December 7, 1959
Box 28C Folder 16	“Belle of the Ball,” arranged by G. Gill and F. Ventre (780)
	Vocal, conductor's scores, instrumental parts, undated
Box 28C Folder 17	“Bewitched,” arranged by Pete King (574)
	Conductor's score, instrumental parts, used June 3, 1960
Box 28C Folder 18	“Beyond the Blue Horizon,” arranged by R. Maltby (508)
	Conductor's score, instrumental parts, used September 26, 1953, , April 12, 1956, , February 21, 1958
Box 28C Folder 19	“Blue Danube” (683)
	Conductor's score, instrumental parts, undated
Box 28C Folder 20	“Blue Skies,” arranged by Russell Case (674)
	Conductor's score, instrumental parts, used August 29, 1957
Box 28C Folder 21	“Bogata,” arranged by Sosnik (646)
	Conductor's score, instrumental parts, August 6, 1953, used , February 15, 1955, , January 23, 1957
Box 28C Folder 22	“Broadway Rhythm,” arranged by Dick Maltby (518)
	Conductor's score, instrumental parts, November 8, 1948
Box 28D Folder 23	“Brother, Come Dance With Me,” arranged by Sosnik (795)
	Instrumental parts, used May 27, 1958
Box 28D Folder 24	“By Heck,” arranged by R. Barnhart (519)
	Conductor's score, instrumental parts, used January 25, 1951
Box 28D Folder 25	“The Cactus Polka,” arranged by Ralph Barnhart (547)
	Conductor's score, instrumental parts, used September 24, 1952, , September 8, 1954
Box 28D Folder 26	“Camptown Races,” arranged by M. Gardner (561)
	Conductor's score, instrumental parts, September 17, 1951, , June 15, 1954, , February 14, 1958
Box 28D Folder 1	“Can't We Be Friends” (554)
	Conductor's score, instrumental parts, April 20, 1950, , July 29, 1953, , December 22, 1955, , November 14, 1957
Box 28D Folder 2	“Caravan,” arranged by Milton Weinstein (534)
	Conductor's score, instrumental parts, used December 7, 1956
Box 28D Folder 3	“Carioca” (682)
	Conductor's score, instrumental parts, used August 9, 1957, , March 28, 1960
Box 29A Folder 4	“Charleston,” arranged by Pete Matz (793)
	Conductor's score, instrumental parts, undated
Box 29A Folder 5	“Chess Dance,” arranged by Peter Matz (767)
	Conductor's score, instrumental parts, undated
Box 29A Folder 6	“Christmas Carols,” arranged by Milton Weinstein (650)
	Conductor's score, instrumental parts, undated
Box 29A Folder 7	“Cinderella's Dream” {626), composed by Sosnik
	Conductor's score, instrumental parts, June 30, 1952
Box 31 Folder 25	“La Cinquantaine,” arranged by Milton Weinstein (686)
	Conductor's score, instrumental parts, used September 17, 1957
Box 29A Folder 8	“Circus Marches” (”Billboard March,” arranged by Ben Ludlow, ”Puppet Theme,” arranged by Jack Easton, ”Over the Waves,” arranged by Sosnik, ”Man On the Flying Trapeze,” arranged by Sosnik) (773)
	Conductor's scores, instrumental parts, 1956
Box 29B Folder 9	“Concha De Amor” (624), composed by Sosnik
	Conductor's score, instrumental parts, April 14, 1952, used , July 28, 1953
Box 32 Folder 1	“La Corrida,” arranged by Sosnik (790)
	Conductor's score, instrumental parts, October 10, 1956, used , June 28, 1957
Box 29B Folder 10	“Cross Your Heart,” arranged by Sosnik (557)
	Conductor's score, instrumental parts, April 27, 1950
Box 29B Folder 11	“Cumana,” arranged by Milton Kraus (544)
	Conductor's score, instrumental parts, November 19, 1951, , December 22, 1955
Box 29C Folder 20	“El Cumbanchero” (615)
	Conductor's score, instrumental parts, January 14, 1952, , October 8, 1954, , September 19, 1956b
Box 29B Folder 12	“Dancing in the Dark,” arranged by Milton Weinstein (699)
	Vocal, conductor's scores, instrumental parts, January 12, 1956, , December 23, 1958
Box 29C Folder 13	“Dardanella,” arranged by Milton Weinstein (734)
	Conductor's score, instrumental parts, undated
Box 29C Folder 14	“Dark Eyes,” arranged by R. Maltby {516)
	Conductor's scores, instrumental parts, arranged March 1, 1949, , September 30, 1953, used , February 9, 1956
Box 29C Folder 15	“Dark Eyes,” arranged by Ben Ludlow (702)
	Conductor's score, instrumental parts, used September 27, 1957
Box 29C Folder 16	“Deck the Halls with Holly,” arranged by Pete King (603)
	Conductor's score, instrumental parts, October 15, 1951, , September 9, 1958
Box 29C Folder 17	“Deep Night,” arranged by F. Guilfoyle (506)
	Conductor's score, instrumental parts, arranged March 25, 1949, , February 3, 1953, , October 30, 1956
Box 29C Folder 18	“Deep Purple,” arranged by Sosnik (714)
	Conductor's score, instrumental parts, October 30, 1954, , March 23, 1955, used , March 30, 1956, , February 21, 1958
Box 29C Folder 19	“Donkey Serenade,” arranged by Ben Ludlow (672)
	Score, instrumental parts, undated
Box 30A Folder 1	“Espana Cani,” arranged by Sosnik (484)
	Sheet music, conductor's score, instrumental parts, September 24, 1948
Box 30A Folder 2	“Estralita,” arranged by Maurice Gardner (592)
	Conductor's score, instrumental parts, February 21, 1951, used , March 30, 1956
Box 30A Folder 3	“Ev'ry Little Movement,” arranged by Sosnik (712)
	Conductor's score, instrumental parts, November 3, 1954, , June 15, 1955, , November 1, 1956
Box 30A Folder 4	“Exactly Like You” (684)
	Conductor's score, instrumental parts, used August 29, 1957
Box 30A Folder 5	“Ferdinand the Bull” (739), composed by Sosnik
	Narrative, conductor's score, instrumental parts, undated
Box 30A Folder 6	“A Gay Ranchero,” arranged by Weinstein (604)
	Conductor's score, instrumental parts, October 29, 1951, used , March 2, 1954
Box 30A Folder 7	“The Glow Worm,” arranged by Sosnik (635)
	Conductor's score, instrumental parts, February 27, 1953, used , April 6, 1954
Box 30B Folder 8	“Golden Age Polka,” arranged by Peter Matz (764)
	Conductor's score, instrumental parts, undated
Box 30B Folder 9	“Good News/Buckle Down Winsocki,” arranged by Jack Andrews {693)
	Conductor's score, instrumental parts, undated
Box 30B Folder 10	“Granada,” arranged by Sosnik {655)
	Conductor's score, instrumental parts, January 26, 1954, used , May 5, 1955, , December 7, 1956, , February 21, 1958
Box 30B Folder 11	“Great Day,” arranged by Pete King (535)
	Conductor's score, instrumental parts, October 31, 1952, , March 30, 1956
Box 30B Folder 12	“Gypsy Air,” composed by Sosnik (644)
	Instrumental parts, arranged and used July 28, 1953
Box 30B Folder 13	“Habanera,” arranged by Sosnik (796)
	Score, instrumental parts, March 16, 1958
Box 30C Folder 14	“Hallelujah,” arranged by Fred Norman (584)
	Conductor's score, instrumental parts, December 19, 1952, used , February 12, 1957
Box 30C Folder 15	“Hallelujah,” arranged by Red Bone (675)
	Conductor's score, instrumental parts, used December 30, 1957
Box 30C Folder 16	“Hejre Kati,” arranged by M. Gardner {556)
	Conductor's score, instrumental parts, April 20, 1950, , February 3, 1953, used , September 21, 1954
Box 30C Folder 17	“Helter Skelter,” composed by Sosnik (628)
	Conductor's score, instrumental parts, August 25, 1952
Box 30C Folder 18	“Here in My Arms,” arranged by M. Gardner (558)
	Conductor's score, instrumental parts, used October 31, 1952, , February 24, 1959
Box 30C Folder 19	“Holiday for Strings” (545)
	Conductor's score, instrumental parts, used September 17, 1957
Box 30D Folder 20	“Holiday in Hollywood,” by Peter Dennis, arranged by Pete King (613)
	Conductor's score, instrumental parts, February 15, 1952
Box 30D Folder 21	“Hera Staccato,” arranged by Maurice Gardner (533)
	Conductor's score, instrumental parts, used September 28, 1956
Box 30D Folder 22	“Horace the Bear” (723), composed by Sosnik
	Narrative, conductor's score, instrumental parts, undated
Box 30D Folder 23	“How High the Moon,” arranged by Peter Matz (770)
	Conductor's score, instrumental parts, undated
Box 30D Folder 1	“I Can't Get Started,” arranged by Sosnik (670)
	Lyrics, conductor's score, instrumental parts, July 16, 1954, , August 24, 1956, , September 9, 1958
Box 30D Folder 2	“I Can't Give You Anything But Love,” arranged by Leroy Holmes (581)
	Conductor's score, instrumental parts, undated
Box 30D Folder 3	“I Concentrate on You,” arranged by Milton Weinstein (588)
	Conductor's score, instrumental parts, March 21, 1951, used , March 25, 1953, , March 29, 1956
Box 31A Folder 4	“I Dream Too Much,” arranged by Maurice Gardner (590?)
	Conductor's score, instrumental parts, May 10, 1951, , January 12, 1956
Box 31A Folder 5	“I Get a Kick Out of You,” arranged by Milton Weinstein (538)
	Conductor's score, instrumental parts, August 23, 1949, , October 8, 1954
Box 31A Folder 6	“I Get the Blues When it Rains,” arranged by Sosnik (797)
	Score, instrumental parts, November 12, 1957
Box 31A Folder 7	“I Gotta Right to Sing the Blues,” arranged by Leroy Holmes (614)
	Conductor's score, instrumental parts, January 14, 1952
Box 31A Folder 8	“I Know That You Know” (735)
	Conductor's score, instrumental parts, undated
Box 31A Folder 9	“I Left My Heart at the Stage Door Canteen,” arranged by Sosnik (799)
	Conductor's score, instrumental parts, April 10, 1960
Box 31A Folder 10	“I Love Louisa,” arranged by Pete King (587)
	Conductor's score, instrumental parts, May 10, 1951, used , October 29, 1953, , February 15, 1957
Box 31A Folder 17	“I Will Come Back,” arranged by Sosnik (786)
	Conductor's score, instrumental parts, undated
Box 31B Folder 18	“I Won't Dance,” arranged by Sosnik (647)
	Conductor's score, instrumental parts, July 29, 1953
Box 31B Folder 11	“Imagination and Three Notes,” composed and arranged by Sosnik (520)
	Conductor's score, instrumental parts, May 26, 1946
Box 31B Folder 12	“In a Sentimental Mood,” arranged by Dave Rose (701)
	Score, instrumental parts, undated
Box 31B Folder 13	“Indiana” (667)
	Conductor's score, instrumental parts, used August 29, 1957, , November 11, 1958
Box 31B Folder 14	“Indian Love Call,” arranged by Pete King {528)
	Conductor's score, instrumental parts, arranged October 21, 1949, , September 17, 1954
Box 31B Folder 15	“It's All Right with Me,” arranged by Sosnik {762)
	Conductor's score, instrumental parts, September 20, 1955
Box 31B Folder 16	“I've Got a Crush on You,” arranged by Sosnik (669)
	Conductor's score, instrumental parts, July 5, 1954, , October 30, 1956, , November 14, 1957, , February 24, 1959
Box 31C Folder 19	“Jalousie,” arranged by Milton Weinstein (576)
	Conductor's score, instrumental parts, September 13, 1952, used , June 9, 1954, , December 7, 1956
Box 31C Folder 20	“The Japanese Sandman,” arranged by Milton Weinstein (521)
	Conductor's score, instrumental parts, October 26, 1949, used , October 6, 1954
Box 31C Folder 21	“Jingle Bells” (724)
	Score, instrumental parts, undated
Box 31C Folder 22	“Jogging Along” (629), composed by Sosnik
	Conductor's score, instrumental parts, May 22, 1952, , September 24, 1952, , September 20, 1956
Box 31C Folder 23	“Just a Gigolo,” arranged by Pete King (563)
	Conductor's score, instrumental parts, March 24, 1950, used , April 27, 1953, , September 28, 1956, , February 25, 1958
Box 31C Folder 24	“Kreutzer Etude 42 no. 2” (715)
	Conductor's score, instrumental parts, undated
Box 32A Folder 2	“Lady be Good,” arranged by Pete King (522)
	Conductor's score, instrumental parts, used March 19, 1956
Box 32A Folder 3	“Lady of the Evening,” arranged by Maurice Gardner (549)
	Conductor's score, instrumental parts, November 18, 1949
Box 32A Folder 4	“Lady Play Your Mandolin,” arranged by Sosnik (637)
	Conductor's score, instrumental parts, March 1, 1953, used , September 29, 1954
Box 32A Folder 7	“The Last Time I Saw Paris,” arranged by Maurice Gardner (591)
	Conductor's score, instrumental parts, February 21, 1951, , December 22, 1955
Box 32A Folder 8	“Laura,” arranged by Sosnik (664)
	Conductor's score, instrumental parts, May 3, 1954, , April 26, 1956, , April 8, 1959
Box 32A Folder 9	“Lazy Afternoon,” arranged by Sosnik (662)
	Conductor's score, instrumental parts, May 13, 1954, used , March 29, 1956
Box 32A Folder 10	“Let Me Entertain You,” arranged by Sosnik {801)
	Conductor's score, instrumental parts, July 14, 1960
Box 32A Folder 11	“Let's Do It,” arranged by Sosnik (663)
	Conductor's score, instrumental parts, May 6, 1954, , April 26, 1956
Box 32A Folder 12	“Let's Fall in Love,” arranged by Sosnik (634)
	Conductor's score, instrumental parts, February 23, 1953
Box 32B Folder 13	“Let's Put Out the Lights,” arranged by Sosnik (661)
	Conductor's score, instrumental parts, April 29, 1954, , December 22, 1955
Box 32B Folder 14	“Limehouse Blues,” arranged by Milton Weinstein (523)
	Conductor's score, instrumental parts, arranged September 26, 1952, , August 24, 1956
Box 29C Folder 21	“El Llanero” (657)
	Conductor's score, instrumental parts, January 22, 1954, , January 12, 1956
Box 32B Folder 15	“Look for the Silver Lining,” arranged by Sosnik (658)
	Conductor's score, instrumental parts, February 10, 1954, , March 6, 1956, , September 8, 1958
Box 32B Folder 16	“Lover,” arranged by Dud King (509)
	Conductor's score, instrumental parts, arranged October 1, 1951, , September 19, 1956, , November 12, 1957
Box 32B Folder 17	“Lullabye of Broadway,” arranged by Ben Ludlow (733)
	Score, instrumental parts, used August 24, 1957
Box 32B Folder 18	“The Man I Love,” arranged by Sosnik (498)
	Conductor's score, instrumental parts, July 2