Archival Resources in Wisconsin: Descriptive Finding Aids

Search within this finding aid:

About this Finding Aid

Summary Information

Biography/History

Scope and Content Note

Related Material

Administrative/Restriction Information

Contents List

General Correspondence and Related Materials

Diaries, Speeches, Appointment Calendars, Notes, and Other Personal Papers

Corporate and Financial Records

Business Correspondence and Staff Memoranda

Film Production Files

Television and Theater Files

Other Papers

Free World Association Records

Audio Recordings

Films

Container	Title
	Series: Film Production Files
Box 61 Folder 1	Lists of Films Made by Walter Wanger
	The Adventures of Hajji Baba (20th Century-Fox, 1954)
Box 61 Folder 2	Budget and Production Figures, 1954-1955
Box 61 Folder 3	Cast Call Sheets
Box 61 Folder 4	Cast and Staff Lists and Production Schedules
Box 61 Folder 5	Casting, 1953-1954
Box 61 Folder 6	Censorship, 1953-1954
Box 61 Folder 7	Contracts, Legal Papers, and Associated Correspondence, 1952-1954
Box 61 Folder 8	General Correspondence, December 1952-1965
Box 61 Folder 9	Electrical Equipment and Invoices
Box 61 Folder 10	Income Statements, 1957-1960
Box 61 Folder 11	Labor Cost Sheets, 1952-1954
Box 61 Folder 12	Locations
Box 61 Folder 13	Production Reports (Daily), 1954
Box 61 Folder 14	Production - Titles, Music, Set Plans, 1954
Box 61 Folder 15	Publicity and Clippings
	Scripts and Screenplays
Box 61 Folder 16	Typescript Screenplay, by Richard Collins, February- March 1953
Box 61 Folder 17	Unrevised Screenplay, by Collins, undated (circa February or March 1953)
Box 61 Folder 18	“Unrevised” Screenplay, by Collins, May 8, 1953
Box 61 Folder 19	Screenplay, by Collins, May 18, 1953
Box 61 Folder 20	Typescript Screenplay, by Collins, May 19, 1953
Box 61 Folder 21	Final Revised Script, by Collins, March 16, 1954
Box 61 Folder 22	Script Revisions (Portions), No Author Listed, March 1954
Box 61 Folder 23	Script Revisions (Annotated), No Author Listed, March 1954
Box 61 Folder 24	Revised Screenplay, by Collins, April 7, 1954
Box 61 Folder 25	Revised Screenplay, by Collins, April 14, 1954
Box 61 Folder 26	Script Revisions (Portions, Annotated), April 1954
Box 61 Folder 27	Wanger's Copy of Old Script, with Rewrites and Eliminations, August 9, 1954
Box 61 Folder 28	Script Revisions and Correspondence re: Revisions, 1953-1954
Box 61 Folder 29	Synopses
	“Air Evacuation Nurse” (Story Idea, Unproduced)
Box 62 Folder 1	Notes, Budget, 1944
	Aladdin and His Lamp (Monogram [Allied Artists], 1952)
Box 62 Folder 2	Budget, circa 1950
Box 62 Folder 2	Production Cost Reports, 1951-1952
Box 62 Folder 3	Call Sheets, Shooting Schedule, Music Cue Sheets, Billing Sheet, Staff Sheet, Appointments, 1950-1951
Box 62 Folder 4	Contract with MCA and Correspondence, June 1950-February 1951
Box 62 Folder 5	Correspondence, December 1950-September 1951
Box 62 Folder 6	Income and Cost Statements, 1952-1964
Box 62 Folder 7	News Releases, July-August 1951
Box 62 Folder 8	Publicity, 1952
	Scripts and Screenplays
Box 62 Folder 9	Script by Howard Dimsdale, Millard Kaufman and Sam Roeca, undated, with Revisions of , July 19, 1951
Box 62 Folder 10	Script by Dimsdale, Kaufman, and Roeca, undated, with Revisions of , July 23, 1951
Box 62 Folder 11	Script Fragments, No Author Listed, undated
Box 62 Folder 12	“Aladdin's Lamp,” Television Pilot Script, by Howard Dimsdale, circa 1951
	Algiers(United Artists, 1938)
	Scripts and Screenplays
Box 62 Folder 13	Typescript of Detailed Description and English Dialogue (“Pepe LeMoko”), March 15, 1938
Box 62 Folder 14	Revised Script (“Pepe LeMoko”) by John Howard Lawson (Annotated), April 12, 1938
Box 62 Folder 15	Revised Script (“Pepe LeMoko”) by John Howard Lawson (Annotated with Shooting Dates), April 12, 1938
Box 62 Folder 16	Script (“Pepe LeMoko”), No Author Listed, undated; Negative Cost Report
Box 62 Folder 17	Radio Script and Correspondence, 1938
	All Mine to Give(Universal, 1957)
Box 62 Folder 18	Correspondence, Tentative Outline (“The Day They Gave Babies Away”), by Dale and Katherine Eunson, January-September 1956
	Anne of the Indies (“Queen of the Pirates”) (20th Century-Fox, 1951)
Box 62 Folder 19	Contract with Jan Fortune (Writer), 1948
Box 62 Folder 20	Contracts re: Purchase of Options on Story, and Story, 1947-1950
Box 62 Folder 21	Pre-Production Costs, Correspondence, and Saturday Evening PostStory by Herbert Ravenel Sass, 1947-1950
Box 62 Folder 22	Discarded Pages of Jan Fortune Treatment, January 1948
Box 62 Folder 23	Treatments by Guy Endore, March 3, 19, 1949
	“Antarctica” (Film Project, Unproduced)
Box 62 Folder 24	Clippings and Correspondence, January 1953-March 1957
	“Antigone” (Film Project, not produced by Wanger)
Box 62 Folder 25	Correspondence, July-September 1946
	Arabian Nights(Universal, 1942)
Box 62 Folder 26	Audit of Universal Pictures Books, 1947
Box 62 Folder 27	Contract, Correspondence with Universal Pictures, 1942
Box 62 Folder 28	Contracts and Correspondence - Writers, Cast, and Staff, August 1936-October 1942
Box 62 Folder 29	Correspondence re: Title and Credits, January 1937- November 1942
Box 62 Folder 29	Censorship, July 1942-March 1943
Box 62 Folder 30	Distribution Statements, 1943-1954
Box 62 Folder 31	Production and Publicity Correspondence; Grosses, March 1942-April 1943
Box 62 Folder 32	Production Estimates and Schedules, March-October 1942
Box 63 Folder 1	Revised Script by Michael Hogan, June 27, 1942, with Revisions of , August 20, 1942
Box 63 Folder 2	Income Statements of Arabian Nights, Eagle Squadron, Gung Ho, Salome Where She Danced, 1950-1954
	Around the World in Eighty Days(This Version Unproduced)
Box 63 Folder 3	Correspondence, Contracts, Treatment by Jacques Thery and John Gay, 1932-1941
	“The Ballad and the Source” (Unproduced)
Box 63 Folder 4	Breakdown by Gina Kaus, November 10, 1945
Box 63 Folder 5	Breakdown, December 1949
Box 63 Folder 6	British Censorship Problems, 1950-1953
Box 63 Folder 7	Casting Correspondence, 1947-1959
Box 63 Folder 8	Contracts, Correspondence, and Payroll Records, 1945-1949, 1957
Box 63 Folder 9	General Correspondence, 1945-1966
Box 63 Folder 10	Correspondence with Joseph Schenck and Darryl Zanuck, 1948-1950
Box 63 Folder 11	Distribution Agreement with Universal, 1950
Box 63 Folder 12	Financing and Cost Estimates, 1947-1951
Box 63 Folder 13	Publicity, Title Correspondence, Clipping, 1945-1947
	Scripts and Screenplays
Box 63 Folder 14	Radio Scripts by Kay Brown, and Correspondence, May-June 1945
Box 63 Folder 15	Script by Michael Blankfort, From the Novel by Rosamond Lehmann, December 11, 1946
Box 63 Folder 16	Screenplay by Blankfort, March 20, 1947, with Revisions of , March 28, 1947
Box 63 Folder 17	Script by Blankfort (Annotated), September 26, 1947
Box 63 Folder 18	Incomplete First Draft Screenplay by Irmgard Von Cube and Allen Vincent (Annotated), May 23, 1949
Box 63 Folder 19	Script by Von Cube and Vincent, undated
Box 63 Folder 20	“Second Version” Script by Von Cube and Vincent, August 1949
Box 63 Folder 21	Discarded Pages from “Second Version” Script by Von Cube and Vincent, August 1949
Box 63 Folder 22	Story Outlines, Scene Sketch, Treatment, 1945-1957
Box 63 Folder 23	Story Outlines and Notes by Irmgard Von Cube and Allen Vincent, 1949-1950
	Treatments
Box 63 Folder 24	First Treatment, by Gina Kaus, From the Novel by Rosamond Lehmann, November 17, 1945
Box 63 Folder 25	Typescript Screen Treatment by William Cameron Menzies, From the Novel by Rosamond Lehmann (Annotated), March 24, 1948, Including Suggested Changes Dated , March 30, 1948
Box 63 Folder 26	Treatment by Menzies, March 24, 1948
	Battle Zone(Allied Artists, 1952)
Box 63 Folder 27	Contracts, May-June 1952
Box 63 Folder 27	Production Costs, June 1952-January 1953
Box 63 Folder 28	Correspondence and News Releases, December 1951-October 1953
Box 64 Folder 1	Income Statements, 1953-1963
Box 64 Folder 2	Income and Cost Statements from Battle Zone, Kansas Pacific, Fort Vengeance, 1953-1954
Box 64 Folder 3	Payroll, March-October 1952
Box 64 Folder 3	Accounts Payable, November 1951-September 1952
Box 64 Folder 4	Revised Script, by Steve Fisher, June 7, 1952
Box 64 Folder 5	Script Fragments, undated
	“Beauty and the Beast” (Unproduced by Wanger)
Box 64 Folder 6	Correspondence, August 1951
	“Bellevue Hospital” (Unproduced)
Box 64 Folder 7	Correspondence, September 1941
	“Big Blonde” (Unproduced)
Box 64 Folder 8	Script, “Dorothy Parker's O'Henry Prize Story,” undated Note: Originally Labelled “Dead File”
Box 64 Folder 9	Script, No Author Listed, undated
	Big Brown Eyes(Paramount, 1936)
Box 64 Folder 10	Revised Script, by Raoul Walsh and Bert Hanlon, Based on Stories by James Edward Grant, February 28, 1936
	“The Big Eye” (Unproduced)
Box 64 Folder 11	Correspondence, January-March 1950
	“The Black Knight” (Produced as Crossed Swords, United Artists, 1954?)
Box 64 Folder 12	Script by Daniel B. Ullman, undated
	Blockade(United Artists, 1938)
Box 64 Folder 13	Negative Cost Report; Speech(?), undated
Box 64 Folder 14	Second Draft Continuity (“The River is Blue”), by John Howard Lawson, January 12, 1938
Box 64 Folder 15	Revised Final Script (“The River is Blue”), by Lawson, February 28, 1938
	“Border Trumpet” (Unproduced)
Box 64 Folder 16	Correspondence and Contracts, 1956-1960 Note: File labelled “Dead File”
	Canyon Passage(Universal, 1946)
Box 64 Folder 17	Contracts and Correspondence, 1944-1950
	Correspondence
Box 64 Folder 18	General, July 1945-September 1947
Box 64 Folder 19	Post-Production, June 1945-March 1948
	Costs
Box 64 Folder 20	Financial Statements, 1946-1954
Box 64 Folder 21	Production Costs and Correspondence, 1945-1947
Box 64 Folder 22	Publicity
Box 64 Folder 23	Other Stories by Ernest Haycox, circa 1955
	Captain Scarlett(United Artists, 1953)
Box 64 Folder 24	Income Statements, 1955-1962
	The Case Against Mrs. Ames (Paramount, 1936)
Box 64 Folder 25	Revised Final Script, by Gene Towne and Graham Baker (Annotated), March 11, 1936
	Castles in Spain
Box 64 Folder 26	Final Draft Continuity, by Clifford Odets, undated
Box 64 Folder 27	Wardrobe Inventories; Set, Office, Globe, and Materials and Findings Inventories, from Castles in Spain,Vogues of 1938, 52nd Street, I Met My Love Again, Stand-In, and Algiers, August-November 1937
	“Cheyenne” (This Version Unproduced)
Box 64 Folder 28	Contracts and Correspondence, January-November 1941, undated
	“Citizen Tom Paine” (Unproduced)
Box 64 Folder 29	Contracts and Correspondence, August 1944-November 1945
	Cleopatra(20th Century-Fox, 1963)
	Academy Awards, 1964
Box 102 Folder 2	Certificate of Nomination
Box 65 Folder 1	Miscellany
Box 65 Folder 2	Banca d'America e d'Italia Account Records (MCL Films and Walwa Films), 1961-1963
Box 65 Folder 3	Budgets and Cost Estimates, 1959-1961
Box 65 Folder 4	Call Sheets, June 1959
Box 65 Folder 5	First Unit Call Sheets, September 1961-July 1962
Box 65 Folder 6	Second Unit Call Sheets, August 1961-July 1962
Box 65 Folder 7-10	Casting, Employment, and Staffing Correspondence, Memos, and Lists, April 1958-1962
Box 65 Folder 11	Censorship, May 1959-November 1960
Box 65 Folder 12-15	Clippings, October 1956-December 1967
	Contracts
Box 65 Folder 16	Walter Wanger Pictures Inc. and Twentieth Century-Fox Film Corp., Including Correspondence, October 1958-April 1963
Box 65 Folder 17-18	Other Contracts, Including Walwa, Seven Arts, and Transfer of Rights in the Film, February 1958-December 1965
	Correspondence and Memoranda
Box 65 Folder 19	Adler, Buddy, August 1958-July 1960
Box 65 Folder 20	Bautzer, Gregson (Attorney), October 1957-September 1965
Box 66 Folder 1	Famous Artists Agency, October 1958-January 1964
Box 66 Folder 2	Franzero, Carlo Maria (The Life and Times of Cleopatra), Including Legal Papers, December 1955-September 1964
Box 66 Folder 3	Gang, Tyre, Rudin, and Brown (Attorneys), September 1959-April 1964
Box 66 Folder 4-6	General Correspondence, August 1957-1964, undated
Box 66 Folder 7	Goldstein, Robert, May 1960-July 1961
Box 66 Folder 8	Harrison, Rex, June 1960-May 1965
Box 66 Folder 9	Hate and Fan Mail, June 1959-September 1963
Box 66 Folder 10	Ibrahim, Fathi, February 1960-February 1961
Box 66 Folder 11	General Legal Correspondence, October 1958-October 1967
Box 66 Folder 12	Levathes, Peter, October 1960-August 1962
Box 66 Folder 13	Mamoulian, Rouben, November 1959-January 1961
Box 66 Folder 14	Mankiewicz, Joseph L., August 1960-April 1963
Box 66 Folder 15	Merman, Doc, April 1960-December 1963
Box 66 Folder 16	Ogden, Archibald, July 1960-March 1961
Box 66 Folder 17	Paul, Weiss, Rifkind, Wharton, and Garrison (Attorneys), December 1962-April 1966
Box 66 Folder 18	Rogell, Sid, February 1959-June 1963
Box 66 Folder 19	Schreiber, Lew, October 1958-February 1961
Box 66 Folder 20	Seven Arts, December 1962-October 1965
	Skouras, Spyros
Box 66 Folder 21	June 1959-May 1961
Box 67 Folder 1	June 1961-August 1962
Box 67 Folder 2	Taylor, Elizabeth, October 1959-June 1964
Box 67 Folder 3-4	Wald, Jerry, March 1958-July 1962
Box 67 Folder 5	Walwa Legal Correspondence, September 1959-December 1964
Box 67 Folder 6	Writers, November 1958-January 1965
Box 67 Folder 7	Darryl and Richard Zanuck, November 1958-September 1964
Box 67 Folder 8-9	Picture Cost Summary Sheets, May 1959-December 1962
Box 67 Folder 10	Story Cost Reports, November 1958-December 1962
	Detail Cost Statements, Distribution, Invoices
Box 67 Folder 11-21	May 1959-August 1961
Box 68 Folder 1-14	September 1961-October 1962
Box 69 Folder 1-3	November 1962-November 1963
Box 69 Folder 4	Costumes and Wigs, May 1960-April 1962
Box 69 Folder 4	Wardrobe Plot, April 1961
Box 69 Folder 4	Costume Sketches, April 1961
Box 69 Folder 5	Credits and Titles, August-November 1962
Box 69 Folder 6	Hairdressers (Sydney Guilaroff), May 1960-June 1963
Box 69 Folder 7	Music, August 1961-July 1962
	Notes
Box 69 Folder 8	Wanger's Personal Notes, London - re: Delays in Production, 1960-1961
Box 69 Folder 9	Notes, Meeting Notes, and Research, 1958-1962
Box 69 Folder 10	Promissory Notes, 1958-1959
	Production Files
Box 69 Folder 11-13	Production, Location, and Art Department Correspondence and Papers, May 1959-1963
Box 69 Folder 14	Production Cross Plot, May 1961
Box 69 Folder 15	Daily Log, October 1961-July 1962
Box 69 Folder 16	General Production Information, March-May 1961
Box 69 Folder 17	Meetings with Buddy Adler, September 1959-June 1960
Box 102 Folder 1	Daily Operations Reports, September 1961-July 1962
Box 69 Folder 18-19	Production Meetings - Minutes, September 1961- June 1962
Box 69 Folder 20-21	Daily Production Reports, September 1961-July 1962
Box 69 Folder 22	Daily Production Reports, Second Unit, November 1961-July 1962
Box 69 Folder 23	Salvage List, April 1961
Box 69 Folder 24	Set Construction Order
	Publicity
Box 69 Folder 25-26	Correspondence, January 1961-December 1963
Box 70 Folder 1	General Publicity, February 1959-December 1960
Box 70 Folder 2	Souvenir Booklet, circa 1962
Box 70 Folder 3	Reviews of Weekly Rushes, November 1961-July 1962
	Original Story
Box 70 Folder 4	The Life and Times of Cleopatra, by Carlo Maria Franzero (Wanger's Annotated Copy), circa 1958?
Box 70 Folder 5	Cleopatra, by Franzero, 1962
	Scripts and Screenplays Note: See also Writers' Correspondence (Box 67) and Prof. Hugh Gray's Notes on Screenplays (Box 74).
Box 70 Folder 6	List and Distribution of Scripts, 1960, 1961
Box 70 Folder 7	Revised Writer's Working Script, by Ludi Claire, February 11, 1959
Box 70 Folder 8	First Draft Screenplay, by Nigel Balchin, April 24, 1959
Box 70 Folder 9	Revised First Draft Screenplay, by Balchin, May 13, 1959, Including Revisions Dated , June 26, 1959
Box 70 Folder 10	Second Draft Screenplay, by Balchin, June 10, 1959, Including Estimated Timing on Script
Box 70 Folder 11	General Notes, by Ivan Moffat, October 28, 1959
Box 70 Folder 12	Third Draft Screenplay, by Balchin and Dale Wasserman, January 11, 1960, Including All Wasserman Revisions
Box 70 Folder 13	Typescript Extracts from First Script, by Lawrence Durrell, June 1960
Box 70 Folder 14	Typescript Scenes 304-313L, 548-565, No Author Listed, August 1960
Box 70 Folder 15	Typescript Revisions, by M. Brandel, December 12, 1960
Box 70 Folder 16	Typescript First Draft Screenplay, by Sidney Buchman, February 10, 1961
Box 70 Folder 17	Screenplay Outline, from Joseph Mankiewicz, February 16, 1961
Box 70 Folder 18	Typescript Dialogue Script, by Lawrence Durrell, February 24, 1961
Box 70 Folder 19	Outline From the Death of Caesar, by Durrell, Notes by J. Mankiewicz, February 1961
Box 70 Folder 20	Typescript Screenplay, by Sidney Buchman, Incorporating Dialogue by Durrell, Pages 1-67, March 3, 1961
Box 70 Folder 21	Typescript Outline After the Death of Caeser, by Buchman, March 17, 1961
Box 70 Folder 22	Script, by Durrell, April 12, 1961
Box 70 Folder 23	First Draft Screenplay, by Ranald MacDougall, May 9, 1961
Box 70 Folder 24	Notes on Second Draft Screenplay, May-August 1961
Box 71 Folder 1	Second Draft Screenplay, by Ranald MacDougall, August 2, 1961
Box 71 Folder 2	Shooting Script, by Joseph L. Mankiewicz, September 18, 1961, Including Revisions through , July 12, 1962
Box 71 Folder 3	Comparison of Mankiewicz and MacDougall Scripts, November 9, 1961
Box 71 Folder 4	Script, No Author Listed, undated
Box 71 Folder 5	Script Revisions (Fragments), 1960-1962
Box 71 Folder 6	Conquest of Cleopatra Scenes, undated
Box 71 Folder 7	Script Breakdown and Synopsis, January 3, 1961
Box 71 Folder 7	Ideas for New Script, February 4, 1961
Box 71 Folder 8	Script Breakdown (Annotated), circa 1962
Box 71 Folder 9	Suggested Sequence of Master Scenes, by Nigel Balchin (Annotated by Walter Wanger), undated
Box 71 Folder 10	“A Statement Concerning the Writing of Cleopatra,” by Joseph L. Mankiewicz, October 6, 1962
Box 71 Folder 11	Treatment of Mankiewicz's Idea of Script From Pages 1-76 and Sidney Buchman's Version of the End of the Story, as Edited by Lawrence Durrell, February 16, 1961 and March 23, 1961
Box 71 Folder 12	Treatment-Synopsis by G. Byron Sage, November 10, 1958
Box 71 Folder 13	Shooting Schedules, April 1960-July 1962
Box 71 Folder 14	Notes re: Cuts and Changes, 1959-1960
Box 71 Folder 15	Walwa Legal Papers, August 1960-August 1962
Box 71 Folder 16	Walter Wanger's Expenses (Including Lawsuit Material), October 1958-December 1964
Box 71 Folder 17	Weather Forecast in Rome, October-November 1961
	Walter Wanger's Diary and My Life With Cleopatra
Box 71 Folder 18	Outline of Diary, by Joe Hyams, 1962
Box 71 Folder 19-23	Annotated Diary, September 1960-June 1962, November 1962
Box 72 Folder 1	Diary Portions re: Elizabeth Taylor, June 1961-August 1962
Box 72 Folder 2-3	Censored Portions of Diary
	My Life With Cleopatra, by Walter Wanger and Joe Hyams
Box 72 Folder 4	Paperback Version, June 1963
Box 72 Folder 5	Periodical Version, undated
Box 72 Folder 6	Financial Correspondence, June 1965-July 1965
Box 72 Folder 7	Correspondence, 1962-April 1967
Tape 1035A No. 1-4	Tape Recorded Interview Between Hyams and Wanger
U.S. Mss 136AN Box 72 Folder 8	Transcripts of Taped Interview with Joe Hyams (Annotated by Walter Wanger), 1962
Box 72 Folder 9	Transcripts from Tapes, January-March 1962
Box 72 Folder 10	Transcripts of Interview, June 1962
Micro 966 Reel 4	Microfilmed transcripts of Interview from Tapes and Discs, 1962 Note: 16mm microfilm made for Wanger Lawsuit by Wanger's Attorneys.
U.S. Mss 136AN Box 72 Folder 11	Rough Draft Introductions and Epilogues, March 7, 1962
Box 72 Folder 12	Prologue, Drafts and Notes, March 1963
	Drafts
Box 72 Folder 13	Pages 1-67, September 25, 1958-April 24, 1961
Box 72 Folder 14	October 1958-November 1959, Annotated
Box 72 Folder 15	October 1958-September 1960, Annotated
Box 72 Folder 16	April 25 - September 24, 1961, Annotated
Box 72 Folder 17	September-December 1961, Annotated
Box 72 Folder 18	Pages 1-81, January-March 1962(Later Draft)
Box 72 Folder 19	Pages 1-56, January 18 - June 17, 1962, Annotated
Box 72 Folder 20-21	Miscellaneous Pages, Notes, circa 1963, Annotated
Box 72 Folder 22-24	Notes, February 1959-1963, undated
Box 72 Folder 25	Censored Notes, undated
	Walter Wanger v. Twentieth Century-Fox Film Corp., et al., Lawsuit
Box 73 Folder 1	Attorney's Notes re: Suit, 1963
Box 72 Folder 2	Attorney's Outline and Notes for Examination of Spyros Skouras, circa 1964
Box 72 Folder 3	Budget Materials, 1959-1963
Box 72 Folder 4	Casting Records, 1958-1961
Box 72 Folder 5	Complaint, 1962; and Complaint in MCL Films, S.A. v. Twentieth Century-Fox Film Corp., , 1962
Box 72 Folder 6	Clippings re: Darryl F. Zanuck and Fox, 1964
	Correspondence and Memoranda
Box 72 Folder 7	General, including Legal Strategy Memoranda, 1963-1964
Box 72 Folder 8	Gang, Tyre, Rudin, and Brown, with Press Coverage of Later Lawsuits, February 1964-December 1967
Box 72 Folder 9	Correspondence, Contract, and Papers re: Elizabeth Taylor's Illnesses and Lateness, 1959-1963
Box 72 Folder 10	Picture Cost Reports, May 1959-December 1962
Box 72 Folder 11	Story Cost Reports, 1957(?)-1962
	Depositions
Box 72 Folder 12	Transcript of Wanger's Preliminary Statement, October 1962
Box 72 Folder 13-21	Deposition of Wanger, pp. 1-1330, October-November 1963
	Deposition of Spyros Skouras
Box 72 Folder 22	December 1963, pp. 1-108 (with Wanger's Annotated Note Slips)
Box 74 Folder 1-3	February-March 1964, pp. 109-455 (Annotated by Wanger)
Box 74 Folder 4-5	Drafts of Legal Documents
	Evidence Gathered for Lawsuit
Box 74 Folder 6	First Cause of Action (Interference with Producer's Prerogatives; SantiFiasco), 1959-1962
Box 74 Folder 7	Second Cause of Action (Breach of Contract for Salary and Expenses), 1961-1964
Box 74 Folder 8	Third Cause of Action (Libel), Exhibit G, 1962-1963
Box 74 Folder 9	Sixth Cause of Action (Justine), 1958-1964
Box 74 Folder 10	Regarding Spyros Skouras Contact with Cleopatra, Interference with Wanger as Producer, 1959-1962
Box 74 Folder 11	Prof. Hugh Gray's Notes on Screenplays, 1959 Note: See also Writers' Correspondence (Box 67) and Scripts and Screenplays (Box 70-71).
Box 74 Folder 12	Insurance Papers and Correspondence (London Production), 1960-1961
Box 74 Folder 13	Interrogatories to Plaintiff and Responses; Data re: Wanger's Expenses During Cleopatra, Attorney's Notes, 1959-1964
Box 74 Folder 14	Legal Bills, 1959-1962
Box 74 Folder 15	London Production - Papers re: Weather, Lack of Preparedness, Hairdressing, 1960-1961
Box 74 Folder 16	Minutes of Twentieth Century-Fox Board and Executive Committee, August 1959-1962
Box 74 Folder 17	Promissory Notes and Correspondence, December 1958-August 1961
Box 74 Folder 18	Materials re: Reputation of Spyros Skouras, 1961-1963
Box 74 Folder 19	Twentieth Century-Fox Annual Reports, 1958-1962
Box 74 Folder 20	Papers re: University of Wisconsin Deed of Gift, circa 1963
Box 74 Folder 21	Walter Wanger Pictures Inc.-Twentieth Century-Fox Agreement - Attorney's Notes, and Miscellany, 1960-1962
Box 74 Folder 22	Wanger's Legal Notes, 1962-September 1965
Box 74 Folder 23	Brodsky and Weiss, The Cleopatra Papers(Annotated by Lawyers)
Box 74 Folder 24	Wanger and Hyams, My Life with Cleopatra(Annotated by Lawyers) Note: See also Series entitled Walter Wanger's Diary and My Life with Cleopatra(Box 71-72), and Walter Wanger's Diaries in Diaries, Speeches, Appointment Calendars, Notes, and Other Personal Papers series (Micro 966, Reel 1-3).
Box 74 Folder 25	Materials re: Examination of Darryl F. Zanuck, 1962-1964
Box 74 Folder 26	Wanger-Fox Legal Settlement, December 1962-November 1965
	“Comanche” (Unproduced by Wanger)
Box 75 Folder 1	Correspondence, July-August 1951
	“Commencement” (Unproduced)
Box 75 Folder 2	Correspondence and Contracts, 1947, 1952-1959
Box 75 Folder 3	Novel From Redbook, by John Klempner, June 1958
Box 75 Folder 4	Reference Material re: Scripps College, 1956
Box 75 Folder 5-6	Typescript Scripts by John Klempner, undated
Box 75 Folder 7	Story Outlines, by Lionel Wiggam, circa 1945, 1948
Box 75 Folder 8	Story Outlines and Notes, 1952-July 1957, undated
	“Congratulations, Miss Reilly” (Story Idea)
Box 75 Folder 9	Correspondence and Story Idea, March-April 1938
	“Death Valley” (Unproduced)
Box 75 Folder 10	Correspondence, April 1949
	“The Doctor's Dilemma” (This Version Unproduced)
Box 75 Folder 11	Correspondence, October 1946-November 1947
	“The Doll” (This Version Unproduced)
Box 75 Folder 12	Correspondence and Magazine Article, January 1953-December 1954
	“The Duchesse de Langeais” (Unproduced)
Box 75 Folder 13	Budget, May-June 1949
Box 75 Folder 14	Clippings, August 1948-February 1950
Box 75 Folder 15	Contracts and Legal Papers, 1949-1950, 1953, 1958
Box 75 Folder 16	Greta Garbo Contract and Expenses, August 1948-February 1950
Box 75 Folder 17	Max Opels' Contract, July 1949-June 1950
	Correspondence
Box 75 Folder 18-19	General, August 1948-1950
Box 75 Folder 20	With MCA (Garbo's Agents), 1949-February 1950
Box 75 Folder 21	Life Insurance for Greta Garbo, July-November 1949
	Scripts and Screenplays
Box 75 Folder 22	Incomplete First Draft Script, by Sally Benson, undated
Box 75 Folder 23	Early Scripts, Notes, and Treatments, December 1948-August 1949, undated
Box 75 Folder 24	Script, by Sally Benson (Annotated), undated
Box 75 Folder 25	Draft Script, by Sally Benson, undated
Box 75 Folder 26	Typescript Final Draft Script, by Sally Benson, Including Revisions by Harold Goldman, August 18, 1949
Box 75 Folder 27	Wanger's Copy of Final Script, by Sally Benson, Including Revisions, August 1949
Box 75 Folder 28	Typescript Final Script (French Translation), by Sally Benson, August 23, 1949
	“The Dud Avocado” (Unproduced)
Box 76 Folder 1	Contract with Elaine Dundy, November-December 1958
Box 76 Folder 2	Correspondence, September 1958-August 1965
Box 76 Folder 3	Promissory Notes, 1958-1959
	Scripts and Screenplays
Box 76 Folder 4	First Draft Screenplay, by Dick Berg, January 6, 1959
Box 76 Folder 5	First Draft Screenplay, by Dick Berg, January 20, 1959
Box 76 Folder 6	Script, No Author Listed, September 18, 1959
Box 76 Folder 7	Script, No Author Listed, October 16, 1959
Box 76 Folder 8	Third Draft Screenplay, by Edith Sommer and Philip Dunne, November 13, 1959, with Revisions of , November 20, 1959
Box 76 Folder 9	Fourth Draft Screenplay, by Edith Sommer and Philip Dunne, November 25, 1959
Box 76 Folder 10	Script, No Author Listed, undated
Box 76 Folder 11	Script, Cast, and Credit Notes, by Dick Berg, April-December 1959
	Story Outlines
Box 76 Folder 12	By Dick Berg, December 11, 1958
Box 76 Folder 13	No Author Listed, undated
	Lawrence Durrell Novels (The Alexandria Quartet)
Box 76 Folder 14	Chronological Breakdown Index, Prepared by G. Byron Sage, August 5, 1959
Box 76 Folder 15	Correspondence, August 1958-August 1967
Box 76 Folder 16	Notes, Cast Suggestions, undated
Box 76 Folder 17	Publicity, October 1958-December 1967
Box 76 Folder 18	Synopses by G. Byron Sage, of Justine, Balthazar, Mountolive, and Clea, December 1958-January 1959, June 1959
	Clea
Box 76 Folder 19	Manuscript of Novel by Lawrence Durrell, Copied May 27, 1959
	Justine
	Correspondence
Box 76 Folder 20	Employment, December 1958-October 1960
Box 76 Folder 21	Writers Correspondence, January 1959-April 1960
Box 76 Folder 22	Outline and Outline Treatment (“City of Lovers”), by Ivan Moffat, June 29 and July 6, 1959
Box 76 Folder 23	Treatment by Ivan Moffat, January 15, 1960
Box 76 Folder 24	Discarded Pages from Treatment by Ivan Moffat, circa January 1960
Box 76 Folder 25	Summary, Step and Working Outlines, by G. Byron Sage, February 1960
Box 76 Folder 26	Treatment and Script Outline, by Joseph L. Mankiewicz, September 14, 1960
	“Dynasty” (Unproduced)
Box 76 Folder 27	Contracts, 1939-1943
Box 77 Folder 1	Contracts with Taylor Caldwell (Janet Reback), 1939
Box 77 Folder 1	Contract with Walter Wanger Pictures Inc.
Box 77 Folder 1	Copyright Correspondence, 1954-1955
Box 77 Folder 2	Correspondence re: Contracts, 1939-1946, 1954-1956
	Correspondence
Box 77 Folder 3	General, 1941-1948, 1951, 1956-1957
Box 77 Folder 4	Caldwell, Taylor (Janet Reback) and Martin Reback, 1939-1948, 1955, 1959-1960
Box 77 Folder 5	Wylie, Philip, 1943-1946, 1955
Box 77 Folder 6	Cost Schedule; Audit, 1947, 1965
	Scripts and Screenplays
Box 77 Folder 7	Revised First Continuity, by Sheridan Gibney, from the Novel Dynasty of Deathby Taylor Caldwell, February 2, 1940
Box 77 Folder 8	Script by Gibney, September 13, 1941
Box 77 Folder 9	Script by Philip Wylie, December 28, 1943
Box 77 Folder 10	Story Line, by Leon d'Usseau, undated
Box 77 Folder 11	Treatment, Synopsis, Criticism and Analysis of Script, 1939-1941, undated
	Eagle Squadron(Universal, 1942)
Box 77 Folder 12	Box Office Reports, June-August 1942
Box 77 Folder 13	Material Breakdown - Bomber B19, by Hurd Barrett, November-December 1940
Box 77 Folder 14	Censorship, January-May 1942
Box 77 Folder 15	Clippings, September 1940-July 1942
	Correspondence
Box 77 Folder 16	Employment, December 1940-October 1942
Box 77 Folder 17	Legal Correspondence and Contracts, October 1940-November 1943
Box 77 Folder 18-19	Production - Great Britain, October 1940-November 1941
Box 77 Folder 20	Production - United States, October 1941-April 1942
Box 77 Folder 21	Post-Production, January-December 1942
Box 77 Folder 22	Titles, January 1940-April 1942
Box 77 Folder 23	Writers, May 1940-June 1942
Box 77 Folder 24	Financial - Income Statements, 1942-1954
Box 77 Folder 25	Publicity, Preview, Premiere, October 1940-December 1942
	Scripts and Screenplays
Box 77 Folder 26	Continuity and Dialogue, by Norman Reilly Raine, May 29, 1942
Box 78 Folder 1	Second Rough Draft Typescript, by Harold Buckley and Hurd Barrett, January 7, 1941
Box 78 Folder 2	Screenplay, by Norman Reilly Raine, January 27, 1942
Box 78 Folder 3	Script Breakdown, Notes, Pick-Up Shots, 1942
Box 78 Folder 4	Story, by C.S. Forester, circa August 1941
Box 78 Folder 5	Story Outline, by Harry Watt, September 29, 1941
Box 78 Folder 6	Story Synopsis, by Ian Dalrymple, March 1941
Box 78 Folder 7	Synopsis, by Hurd Barrett, December 4, 1940
	“The Empress” (Unproduced)
Box 78 Folder 8	Correspondence, September 1954-February 1960
	Eternally Yours(United Artists, 1939)
Box 78 Folder 9	Final Script, by Gene Towne and Graham Baker, undated
Box 78 Folder 9	Negative Cost Report, undated
	Every Night at Eight (Paramount, 1935)
Box 78 Folder 10	Final Budget, 1935
Box 78 Folder 11	Working Script, No Author Listed, May 20, 1935
	“Evita” (Unproduced by Wanger)
Box 78 Folder 12	Correspondence, January 1960-October 1965
	“The Fall” (Unproduced)
Box 78 Folder 13	Clippings, February 1957-July 1960
Box 78 Folder 14-16	Contracts and Option Agreements and Correspondence, 1957-1964
Box 78 Folder 17	Correspondence, February 1957-May 1964
Box 78 Folder 18	Locations in Amsterdam, September 1958-July 1959, undated
	Fatal Lady(Paramount, 1936)
Box 78 Folder 19	Revised Final Script (“Brazen”), by Samuel Ornitz, January 20, 1936, with Revisions of , February 20, 1936
	Fifty-Second Street(United Artists, 1937)
Box 78 Folder 20	Revised Final Script, by Grover Jones, June 22, 1937, with Annotations and Added Scenes, , July 23, 1937
Box 78 Folder 20	Negative Cost Report, undated
	“Fight For Life” (Unproduced)
Box 78 Folder 21	Correspondence and Proposed Treatment, February 1948-March 1949
	“The First and the Last” (Unproduced)
Box 78 Folder 22	Correspondence, 1947
	“Flight Nurse” (This Version Unproduced)
Box 78 Folder 23	Correspondence and Clippings, October 1943-May 1945
Box 78 Folder 23	Preliminary Treatment (“Sixty Hours from Home”, by Emmet Lavery, April 27, 1944
	Foreign Correspondent (United Artists, 1940)
Box 78 Folder 24	First Continuity (“Personal History”), by Alma Reveille, January 10, 1940, with Revisions of , January 24, 1940
Box 78 Folder 25	Wanger's Annotated Shooting Script (“Personal History”), No Author Listed, June 5, 1940
Box 78 Folder 25	Negative Cost Report, undated
	Fort Vengeance(Allied Artists, 1953)
Box 78 Folder 26	Correspondence, Shooting Schedule, Production Costs, Income Statements (“The Royal Mounted Police”), 1951-1962
Box 78 Folder 27	Script, by Dan Ullman, circa 1952
	“Fortunes of Monte Cristo” (Unproduced)
Box 78 Folder 28	Correspondence, Budget, 1951
	“The Fourth World” (Unproduced)
Box 79 Folder 1	Clippings, 1950-February 1958
Box 79 Folder 2	Contract and Correspondence, 1956
Box 79 Folder 3	Correspondence and Story Outline, March 1956-March 1966
	“Frontier Knight”/“Galahad of the Border” (Unproduced)
Box 79 Folder 4	Synopsis, by Paul Schofield, February 1939
	Gaily, Gaily(Another Version Produced by United Artists, 1969)
Box 79 Folder 5	Clippings, 1966-1967
	Contracts
Box 79 Folder 6	Embassy Pictures Corp., November 30, 1964
Box 79 Folder 7	Purchase Agreements with Ben and Rose Hecht, 1964-1965
	Correspondence
Box 79 Folder 8	With Actors and Agents, April 1964-March 1967
Box 79 Folder 9	Ginnes, Abe, February 1964-December 1967
Box 79 Folder 10	Hecht, Ben and Rose, December 1963-December 1967
Box 79 Folder 10	Title Registration, May-October 1964
Box 79 Folder 11	Legal Correspondence, including Expenses, February 1964-January 1968
Box 79 Folder 12	Final Screenplay by Abram S. Ginnes, undated
Box 79 Folder 13	Original Story by Ben Hecht, 1963
Box 79 Folder 14	Treatment by Abram S. Ginnes, April 1964
Box 79 Folder 15	Walter Wanger's Notes, November 1967
	“The Gang's All Here” (This Version Unproduced)
Box 79 Folder 16	Memoranda from Lawrence and Lee, March 1960
	General Motors Film Idea (Unproduced)
Box 79 Folder 17	Correspondence, August-October 1940
	“Gibraltar” (Unproduced)
Box 79 Folder 18	Correspondence and Synopsis, May 1939
	Gilda(Columbia, 1946)
Box 79 Folder 19	Treatment by E.A. Ellington, circa 1944
	“The Gingko Tree” (Unproduced)
Box 79 Folder 20	Correspondence and Summary, October 1957-July 1959
	“The Girl With the Swansdown Seat” (Unproduced)
Box 79 Folder 21	Correspondence, May-August 1956
	“The Gouffe Case” and “Big Brass Band” (Unproduced)
Box 79 Folder 22	Correspondence, 1955-1956, 1964-1965
	Grand Junction Project (Unproduced)
Box 79 Folder 23	Correspondence, August 1948
	“The Greatest Raid of All” (Unproduced) Note: Labeled “Dead File”
Box 79 Folder 24	Correspondence, Clippings, July 1960-October 1965
	“A Grue of Ice” (Unproduced)
Box 79 Folder 25	Correspondence, December 1962-January 1963
	Gung-Ho!(Universal, 1943)
Box 79 Folder 26	Cast, Staff, Writers, Credits, March-December 1943
Box 79 Folder 27	Censorship, September 1942-September 1943
Box 79 Folder 28	Clippings and Publicity, December 1943-January 1944
Box 79 Folder 29	Contracts and Correspondence, 1943
	Correspondence
Box 79 Folder 30	Pre-Production, September 1942-October 1943
Box 79 Folder 31	Post-Production, November 1943-August 1946
Box 79 Folder 32	With Lt. Col. Evans F. Carlson; Speech, Biographical Sketches, August 1942-November 1944
Box 79 Folder 33	With Lt. Wilfred S. LeFrancois, March-December 1943
Box 79 Folder 34	Cost and Income Statements, 1943-1954
Box 79 Folder 35	Publicity, Program, Music, Preview, Radio, November 1943-February 1944
	Scripts and Screenplays
Box 79 Folder 36	Continuity and Dialogue, December 8, 1943
Box 79 Folder 37	Typescript Original Story (“The Makin Episode”), by Lt. W.S. LeFrancois, U.S.M.C., undated
Box 79 Folder 38	Screenplay by Lucien Hubbard, May 7, 1943
Box 79 Folder 39	Screenplay by Hubbard, July 7, 1943, with Revisions of , July 27, September 16, 1943
Box 79 Folder 40	Script by LeFrancois, September 23, 1943
	“Habona” (“The Builder”) (Unproduced)
Box 80 Folder 1	Synopsis, by Rose Minte and Lillian Bret Harte, circa 1931
	Alexander Hamilton Project (Unproduced)
Box 80 Folder 2	Correspondence and Clippings, January 1948-September 1949
	“Harvey” (Unproduced by Wanger)
Box 80 Folder 3	Correspondence, March 1939-May 1947
	Her Master's Voice (Paramount, 1936)
Box 80 Folder 4	First Draft Script (Labeled “Exactly as Filmed”), by Dore Schary (Annotated), September 18, 1935
	History Is Made at Night (United Artists, 1937)
Box 80 Folder 5	Final Revised Script, by Gene Towne and Graham Baker, January 3, 1937
Box 80 Folder 5	Negative Cost Report; Staff List, December 1936
	“Hitler's Women” (Unproduced)
Box 80 Folder 6	Story Idea, undated
	The House Across the Bay (United Artists, 1940)
Box 80 Folder 7	Revised Final Script by Kathryn Scola, October 11, 1939
Box 80 Folder 7	Negative Cost Report, undated
	I Met My Love Again(United Artists, 1938)
Box 80 Folder 8	Revised Script, by Arthur Ripley, Joshua Logan, and David Hertz, June 23, 1937
Box 80 Folder 8	Negative Cost Report; Staff List, June 1937
	I Want to Live!(United Artists, 1958)
Box 80 Folder 9	Budget, Production Costs and Other Expenses, February- September 1958
Box 80 Folder 10	Call Sheets, March-July 1958
Box 80 Folder 11	Casting Lists, February-May 1958
Box 80 Folder 12	Censorship, March-August 1958
Box 80 Folder 13-15	Contracts and Releases, August 1956-1958
	Correspondence
Box 80 Folder 16-20	General, 1957-1960
Box 80 Folder 21	Academy Award Congratulations, March-May 1959
Box 80 Folder 22	Hayward, Susan, 1957-1959
Box 80 Folder 23	Screenings, September 1958-February 1959
	Legal Correspondence
Box 80 Folder 24-26	February 1957-April 1958
Box 81 Folder 1-2	May 1958-October 1960
Box 81 Folder 3-4	Montgomery, Ed, December 1956-March 1960
Box 81 Folder 5	Barbara Graham's Correspondence with Al Matthews (Copies), September 1954-May 1955
Box 81 Folder 6-7	Income Statements, July 1959-January 1960, July 1961-December 1962
Box 81 Folder 8	Music, 1958-1959
Box 104	Preview Cards
Box 81 Folder 9	Private Screening, September 30, October 6, 8, 1958; Program and Bookings
Box 81 Folder 10	Production Reports, March-June 1958
	Publicity
Box 81 Folder 11-12	Background Information and Clippings, 1953-1959
	Clippings
Box 81 Folder 13	Pre-Release, April 1957-October 1958
Box 81 Folder 14	Release, November 1958
Box 81 Folder 15-16	General Clippings, December 1958-April 1959
Box 81 Folder 17	LifeMagazine Crime Series, circa 1957
Box 81 Folder 18	Foreign Clippings, November-December 1958
Box 81 Folder 19	Correspondence, 1957-1958
Box 81 Folder 20	Press Package Feature Stories
Box 81 Folder 21	Publicity Tour, 1958
	Reference and Research Materials
Box 81 Folder 22-23	Character Sketches of Barbara Graham, Mabel Monahan, Iris Salter, Emmett Perkins and Jack Santo; and Notes, by Sigmund Fritschel, undated
Box 81 Folder 24	Description of the Graham Case (“Lost Woman”), by Marcel Frym, J.D., undated
Box 81 Folder 25	Statement of John L. True to San Francisco Police (copy), June 4, 1953
Box 81 Folder 26	Shooting Schedules, March-May 1958
Box 81 Folder 27	Original Story - Book by Tabor Rawson, 1958
Box 81 Folder 28	French Translation (Je Veux Vivre) of Rawson's Book by F.M. Watkins, 1958
	Scripts and Screenplays
Box 81 Folder 29	Original Story (The Barbara Graham Story), by Ed Montgomery, April 14, 1957
Box 81 Folder 30	Story (The Barbara Graham Story), by Ed Montgomery, April/May 1957
Box 81 Folder 31	Script Revisions (Annotated) (“The Story of B.G.”), part 1, by Don Mankiewicz, July and August 1957
Box 81 Folder 32	Typescript First Draft Script (“The Story of B.G.”), by Mankiewicz, August 1957, with Revisions
Box 82 Folder 1	Typescript Revisions (“The Story of B.G.”), labeled “Obsolete, Don M. Working Copy,” by Mankiewicz, September 1957
Box 82 Folder 2	Typescript Revisions (“The Story of B.G.”), labeled “First Draft,” Second Revision, by Mankiewicz, September 17, 1957
Box 82 Folder 3	Typescript Revisions (“The Story of B.G.”), part 2, by Mankiewicz (Annotated), 1957
Box 82 Folder 4	Typescript Revised Draft Screenplay (“Barbara”), by Mankiewicz (Annotated), September 1957
Box 82 Folder 5	Typescript Second Revised Screenplay (“Barbara”), by Mankiewicz, November 1957
Box 82 Folder 6	Revised Pages (“The Story of Barbara Graham”), by Mankiewicz, circa 1957
Box 82 Folder 7	First Estimating Draft (“Barbara”), by Everett De Baum, December 1957-January 1958
Box 82 Folder 8	Typescript First Draft (“The Barbara Graham Story”), Part I, by Nelson Gidding, January 23, 1958
Box 82 Folder 9	Typescript First Script (“The Barbara Graham Story”), Part I, by Gidding, January 30, 1958-February 25, 1958, with Revisions
Box 82 Folder 10	First Mimeo Estimating Script (“The Barbara Graham Story”), by Gidding, February 3, 1958, with Revisions and Annotations
Box 82 Folder 11	Final Shooting Script (I Want to Live!), by Gidding, March 14, 1958, with Annotations and Revisions
Box 82 Folder 12	Script Portions (“The Barbara Graham Story”), by Gidding, March and April 1958
Box 82 Folder 13	Script (“The Case of Barbara Graham”), by Edward S. Montgomery, undated
Box 82 Folder 14	Other Script Pages
Box 82 Folder 15	Wanger's Personal Notes, including Titles, 1957-1958
Box 82 Folder 16	Barbara Graham Material and Notes of Everett De Baum, November and December 1957
Box 82 Folder 17	Staff Lists and Correspondence, October 1956-September 1958
Box 82 Folder 18	Step Outline and Notes, by Don Mankiewicz, 1957
Disc 195A No. 2	Robert Wise: Thoughts on Trial Scenes; and Wanger Letters, 1958 March?
Tape 1035A No. 5	Tape user copy of disc
U.S. Mss 136AN	“If I Loved You” (Unproduced)
Box 82 Folder 19	Correspondence and Contracts, 1945-1948
	“The Illusionist”/“L'Illusionniste” (Unproduced)
Box 82 Folder 20	Typescript Story (“The Illusionist”), by Walter Wanger, Adapted by Rolf Passer, with Correspondence and Affidavit, November 1938
Box 82 Folder 21	Script (“The Magician,” or “L'Illusionniste”) by Sacha Guitry, Translated by Harold Clurman, undated
	“The Immaculate Mind of Francesca Lundeen” (Unproduced)
Box 82 Folder 22	Correspondence, December 1962-March 1963
	“Instant Gold” (Unproduced)
Box 82 Folder 23	Contracts, March 1965
	The Invasion of the Body Snatchers(Allied Artists, 1956)
Box 82 Folder 24	Budget and Production Reports, February 1955-February 1956
Box 82 Folder 25	Contracts and Legal Correspondence, 1954-1959
Box 82 Folder 26	Correspondence, January 1954-June 1966
Box 83 Folder 1	Labor Distribution Reports, January 1955-February 1956
Box 83 Folder 2	Wanger's Notes, January 1955-February 1956
Box 83 Folder 3	Plans for Opening Narration, June-September 1955
Box 83 Folder 4	Publicity, November 1954-April 1958
	Scripts and Screenplays
Box 83 Folder 5	Script (“The Body Snatchers”) by Daniel Mainwaring, from the Serial by Jack Finney, February 10, 1955, with Revisions
Box 83 Folder 6	Final Revised Script (“The Body Snatchers”), by Mainwaring, March 17, 1955
Box 83 Folder 7	Final Revised Script (“The Body Snatchers”), by Mainwaring (Annotated), March 17, 1955, with Revisions of , March 25, 1955, Marked for Shooting; Including Staff Sheets, Locations, Cast Sheets, Shooting Schedule, Cover Set Sheet
Box 83 Folder 8	Script Fragments, No Author Listed (Annotated), March 1955
Box 83 Folder 9	Original Story (“A Fall of Small Frogs”), by Jack Finney, undated
	Joan of Arc(RKO, 1948)
Box 83 Folder 10	Correspondence, Contracts, Script Fragments, 1948-1961
Box 83 Folder 11	Financial Statements, March 1949-December 1965
	Kansas Pacific(Allied Artists, 1953)
Box 83 Folder 12	Correspondence, June-July 1952
Box 83 Folder 12	Call Sheets, July 1952
Box 83 Folder 13	Income Statements, 1953-1962
Box 83 Folder 14	Payroll, December 1951-September 1952
Box 83 Folder 14	Accounts Payable, March-September 1952
Box 83 Folder 15	Production Costs, July 1952-January 1953; Labor Distribution, , October 1952-January 1953; Daily Report, , July 1952
Box 83 Folder 16	Script by Dan Ullman, undated
Box 83 Folder 17	Revised Script by Ullman (Annotated), undated
	Ladies Courageous (Universal, 1944)
Box 83 Folder 18	Cast, Title, Censorship, Clippings, Scenes, September 1942-December 1943
Box 83 Folder 19	Contracts and Correspondence, January-October 1943
	Correspondence
Box 83 Folder 20	General Correspondence, August 1942-October 1944
Box 83 Folder 21	Butterfield, Allyn, May 1943-February 1944
Box 83 Folder 22	Gilbert, Doris, January-June 1943
Box 83 Folder 23	Income Statements, 1944-1953
Box 83 Folder 24	Publicity and Exploitation Manual, 1944
Box 83 Folder 25	Research Notes of Doris Gilbert, January-February 1943
	Scripts and Screenplays
Box 83 Folder 26	Continuity and Dialogue, February 28, 1944
Box 83 Folder 27	Revised Final Screenplay (“When Ladies Fly”), by Norman Reilly Raine and Doris Gilbert, August 12, 1943, with Revisions of , September 15, 1943
	The Lady in the Iron Mask (20th Century-Fox, 1952)
Box 83 Folder 28	Budget, Shooting Schedule, Production Reports, October-November 1951
Box 83 Folder 29	Cast Sheet, Call Sheet, October 1951
Box 83 Folder 30	Correspondence and Contracts (“The Queen's Men”), April 1951-May 1955
Box 84 Folder 1-3	Income Statements, November 1952-August 1959
	Scripts and Screenplays
Box 84 Folder 4	Revised Script, No Author Listed, August 15, 1951
Box 84 Folder 5	Revised Script, No Author Listed, September 12, 1951
Box 84 Folder 6	Revised Script, No Author Listed, October 9, 1951, with Shooting Schedule
	“The Laguardia Story“ (Unproduced Film Project)
Box 84 Folder 7	Correspondence, October 1947-May 1948
	“Laurette” (Unproduced)
Box 84 Folder 8	Correspondence, February-March 1961
	“The Lion” (Not produced by Wanger)
Box 84 Folder 9	Correspondence, Clippings, Agreements, July 1959-August 1964
	“The Little Shepherd of Kingdom Come” (Not Produced by Wanger)
Box 84 Folder 10	Correspondence re: Story Purchase, 1947
	“The Lonely Road” (Unproduced)
Box 84 Folder 11	Correspondence and Treatment by George Worthing Yates, January 1946-June 1947
	The Long Voyage Home(United Artists, 1940)
Box 84 Folder 12	Wanger's Annotated Copy of the Revised Final Script, by Dudley Nichols, from the Original by Eugene O'Neill, May 13, 1940
Box 84 Folder 12	Negative Cost Report, November 1940
	The Lost Moment(Universal, 1947)
Box 84 Folder 13	Daily Box Office Reports, October-December 1947
Box 84 Folder 14	Contracts, Correspondence, and Payroll, January-November 1947
Box 84 Folder 15	Correspondence, January 1947-October 1949 Note: Includes Earlier Titles: “Lost Love” and “Aspern Papers”
	Costs
Box 103 Folder 3	Picture Cost Statements, February-December 1947
Box 103 Folder 4	Weekly Cost Summaries, March 1947-January 1949
Box 84 Folder 16	Weekly Cost Statement to Universal, March-December 1947
Box 84 Folder 17	Credits and Censorship, January-September 1947
Box 84 Folder 18	Income Statements, December 1947-September 1953
Box 84 Folder 19	Loans and Mortgages - Papers and Correspondence, 1947-1951
Box 84 Folder 20	Preview Analysis, September-October 1947
Box 84 Folder 21	Production Reports, Shooting Schedule, March-September 1947
Box 84 Folder 22	Publicity, October-December 1947
	Scripts and Screenplays
Box 84 Folder 23	Final Screenplay (“The Lost Love”), by Leonardo Bercovici, from the Novel The Aspern Papers, by Henry James, January 29, 1947
Box 84 Folder 24	Screenplay, by Bercovici, undated
	“The Man from Nowhere, or, The Reluctant Saint” (Not produced by Wanger)
Box 84 Folder 25	Second Draft Script, by Daniel Mainwaring, Based on the Story by Hardy Kruger and Mainwaring, September 6, 1962
	“The Man from Snake River” (Unproduced)
Box 84 Folder 26	Clippings, November 1954-May 1955
Box 85 Folder 1	Contracts, December 1954-May 1955
Box 85 Folder 2	Correspondence, September 1954-March 1960
Box 85 Folder 3	Labor Distribution Reports, June-July 1955
Box 85 Folder 4	Research and Reference Materials, April 1953-June 1956
	Scripts and Screenplays
Box 85 Folder 5	First Draft, No Author Listed, May 25, 1955
Box 85 Folder 6	First Draft, Incomplete, by Richard Collins, June 27, 1955
Box 85 Folder 7	Typescript First Draft Script, by Collins, July 16, 1955, with Revisions of , August 1, 1955
Box 85 Folder 8	Original Story - Adventures in Politics, by Richard L. Neuberger, 1954(Wanger's Marked Copy)
Box 85 Folder 9	Story Presentation (“The Neuberger Story”), by Kay Lenard, January 1956
	“The Man with the Miraculous Hands” (Unproduced)
Box 85 Folder 10	Correspondence, April-July 1961
	“The Man with Two Shadows” (Unproduced)
Box 85 Folder 11	Script, by Robin Maugham, undated
	Mary Burns, Fugitive (Paramount, 1935)
Box 85 Folder 12	Final Cost Budget, 1935
Box 85 Folder 13	Revised Final Shooting Script, No Author Listed, August 24, 1935
Box 85 Folder 14	Revised Final Shooting Script, No Author Listed, August 28, 1935, with Revisions of , October 4, 1935
	“Mona Lisa” (Unproduced Film Project)
Box 85 Folder 15	Correspondence and Outlines (“The Smile”), by Bernard C. Shoenfeld, March-June 1953
	The Moon's Our Home (Paramount, 1936)
Box 85 Folder 16	Final Cost Budget, 1935
Box 85 Folder 17	Revised Final Script, by Isabel Dawn and Boyce DeGaw, January 30, 1936
	Navy Wife(Allied Artists, 1956)
Box 85 Folder 18	Contracts and Correspondence, January 1954-December 1955
Box 85 Folder 19	Correspondence, March 1954-November 1956
Box 85 Folder 20	Labor Distribution Reports, November 1954-May 1956
Box 85 Folder 21	Production Reports and Costs; Shooting Schedules, June-December 1955
Box 85 Folder 22	Publicity, October 1955-June 1956
	Scripts and Screenplays
Box 85 Folder 23	First Draft Screenplay (“Mother-Sir!”), by Kay Lenard, From the Novel by Tats Blain, May 16, 1955
Box 85 Folder 24	Revised Script by Lenard, circa November 1955
Box 86 Folder 1	Revised Script (Annotated), by Lenard, circa November 1955
Box 86 Folder 2	Original Story - Mother-Sir!by Tats Blain, 1951(Wanger's Annotated Copy)
Box 86 Folder 3	Story Treatments, October 1954
	A Night in Paradise (“Peacock's Feather”) (Universal, 1946)
Box 86 Folder 4	Correspondence, June 1944-July 1946
Box 85 Folder 5	Income Statements, October 1944-May 1954
Box 85 Folder 6	Production Files, Script Notes, Container, Correspondence, Narration Scripts, July 1934-July 1946
Box 85 Folder 7	Script by Ernest Pascal, November 20, 1944, with Revisions through , March 20, 1945
	“Night of the Short Knives” (Unproduced)
Box 86 Folder 8	Synopsis of Galleys of Novel by Burke Wilkinson, June 15, 1964
Box 86 Folder 9	Script, No Author Listed, from the Book by Wilkinson, March 29, 1965
Box 86 Folder 10	Script (Annotated), No Author Listed, April 6, 1965
Box 86 Folder 11	Revised Script, by John Hopkins, June 1966
Box 86 Folder 12	Script (Annotated), No Author Listed, August 1966- with Henry Sandoz Letter re: Locations and Hardware, , July 9, 1966
Box 86 Folder 13	Script, by Henry Sandoz, August 1966
Box 86 Folder 14	Draft Story Line, by Robert D. Graff, August 19, 1965
Box 86 Folder 15	Treatment for Screenplay, by John Hopkins, November 29, 1965
Box 86 Folder 16	Treatment for Screenplay, by Hopkins, February 10, 1966
	“Not the Glory” (Unproduced)
Box 86 Folder 17	Correspondence and Outline (“A Close Call”), by Francis Thorens, November 1955-July 1957
	“Notre-Dame des Desempares” (Unproduced)
Box 86 Folder 18	Correspondence, April 1960-February 1967
Box 86 Folder 19-21	Typescript English Translation of the Novel by Christian Murciaux, Parts I-III, October 1962
	“Omar Khayyam” (Not Produced by Wanger)
Box 87 Folder 1	Correspondence and Story Ideas, December 1951-October 1953
	Palm Springs(Paramount, 1936)
Box 87 Folder 2	Revised Final Script, by Joseph A. Fields, January 2, 1936
	Pan American Airways Film Project (Unproduced)
Box 87 Folder 3	Correspondence and Clippings, December 1940-June 1943
	“Phi Beta Legs” (Unproduced)
Box 87 Folder 4	Story Outline, by Karen de Wolf; Agreement, 1951
	Police Department Project (Unproduced)
Box 87 Folder 5	Correspondence, September 1955-October 1958
	The President Vanishes (Paramount, 1935)
Box 87 Folder 6	Final Cost Budget, 1934; Release Dates
Box 87 Folder 7	Script, No Author Listed, 1934
	The President Vanishesand Private Worlds
Box 87 Folder 8-10	Cost and Distribution Statements, September 1934-January 1940
	Private Worlds(Paramount, 1935)
Box 87 Folder 11	Final Cost Budget, 1935
Box 87 Folder 12	Final Script, by Gregory La Cava, December 28, 1934
	Public Health Film (Unproduced)
Box 87 Folder 13	Correspondence, February-September 1948
	“Queen of the Universe“(Unproduced)
Box 87 Folder 14	Correspondence, Contracts, and Payroll, May 1951-November 1956
Box 87 Folder 15	Ideas and Story Outline, by Ben Hecht, circa 1954
Box 87 Folder 16	First Draft Script, by Sherman L. Lowe, from a Story by Ben Hecht, undated
Box 87 Folder 17	Revised Draft Script, by Lowe, undated
	“Raft O' Glory” (Unproduced)
Box 87 Folder 18	Correspondence, December 1942-April 1944
	The Reckless Moment (Columbia, 1949)
Box 87 Folder 19	Breakdown Schedules, July-September 1948
Box 87 Folder 20	Budgets, 1947-1949
Box 87 Folder 21	Call Sheets, January-June 1949
Box 87 Folder 22	Contracts, Correspondence, and Payroll Records, 1948-1950
Box 87 Folder 23	Contract - Production, and Distribution Agreement with Pathe Industries Inc., June 22, 1948
Box 87 Folder 24-25	Correspondence, 1947-1950
Box 87 Folder 26	Costs, Weekly Preproduction, 1948
Box 87 Folder 27	Distribution Statements, 1949
Box 87 Folder 28	Income Statements, Loan Payments, Notice of Default and Notice of Sale of Picture, November 1949-December 1954
Box 88 Folder 1	Production - Assistant Director's Daily Report, 1949
	Scripts and Screenplays
Box 88 Folder 2	Typescript First Draft Script (“The Blank Wall”), by Robert E. Kent, December 5, 1947
Box 88 Folder 3	Typescript First Draft Script (“The Blank Wall”), by Leopold Atlas, December 24, 1947
Box 88 Folder 4	Typescript First Draft Script (“The Blank Wall”), by Mel Dinelli, February 6, 1948
Box 88 Folder 5	Revised Draft Script (“The Blank Wall”), by Dinelli, March 8, 1948, with Revisions of , April 23, 1948
Box 88 Folder 6	First Draft Script (“The Blank Wall”) (Annotated), by Dinelli, April 28, 1948
Box 88 Folder 7	Typescript Screenplay (“The Blank Wall”), by DeWitt Bodeen, October 28, 1948
Box 88 Folder 8	First Estimating Draft Script (“The Blank Wall”), by Henry Garson and Robert Soderberg, February 1, 1949
Box 88 Folder 9	Final Draft Script (“The Blank Wall”), by Carson and Soderberg, Annotated with Revised Pages, March 1, 1949
Box 88 Folder 10	Revised Final Draft Script (“The Blank Wall”), by Carson and Soderberg, March 11, 1949, with Revisions of , April 7, 1949; Marked for Shooting
Box 88 Folder 11	Revised Final Draft Script (“The Blank Wall”), by Carson and Soderberg, March 11, 1949, with Revisions of , May 2, 1949
Box 88 Folder 12	Shooting Schedules, 1949
Box 88 Folder 13	Story Outlines, Suggested Changes, Revised Pages, Preview Results, 1947-1949
Box 88 Folder 14	Vouchers, 1949
	“The Rector of Justin” (Unproduced)
	Scripts and Screenplays
Box 88 Folder 15	First Draft Script, by Samuel Taylor, Based on the Book by Louis Auchincloss, March 8, 1965
Box 88 Folder 16	Second Draft Script, by Taylor, April 1, 1965
Box 88 Folder 17	Script, by Taylor, April 1, 1965
Box 88 Folder 18	Script, by Taylor, August 25, 1965
	Reign of Terror(Eagle Lion, 1949)
Box 88 Folder 19	Breakdown Schedule, Revised Final, June 19, 1948
Box 88 Folder 19	Set List, March 27, 1948
Box 88 Folder 20	Production Budget and Final Cost Accounting, 1948
Box 88 Folder 21	Contracts and Correspondence, 1947-1949
Box 88 Folder 22	Production Cost Statements, Weekly, 1948-1949
Box 89 Folder 1	Income and Distribution Statements, 1948-1954
Box 89 Folder 2	Post-Production, April 1948-August 1949
Box 89 Folder 3	Production Reports, Daily, August-September 1948
Box 89 Folder 4	Revised Final Script (“The Bastille,” “The Black Book”), by Philip Yordan, Original Story by Aeneas MacKenzie, June 17, 1948
Box 89 Folder 5	Discarded Script Pages, by Philip Yordan, 1948
	“Rena' s Way” (Unproduced)
Box 89 Folder 5A	Correspondence and Summary of Novel by Victoria Morhaim, July 1959-April 1960
	Riot in Cell Block 11 (Allied Artists, 1954)
Box 89 Folder 6	Budget, Cost Records, July-November 1953; Audit, , June 1957
Box 89 Folder 7	Call Sheets, August-September 1953
Box 89 Folder 8	Contracts and Correspondence, 1953
	Correspondence
Box 89 Folder 9-13	General, January 1953-1959
Box 89 Folder 14	Inter-Office Memoranda and Trip Sheets, April 1953-June 1954
Box 89 Folder 15	Legal, 1953
Box 89 Folder 16	Lookand PageantMagazines, Fall 1953
Box 89 Folder 17	Walter and Peg McGraw, March 1953-November 1954
Box 89 Folder 18	Miscellaneous Prison Related Correspondence, 1952-1954
	Edinburgh Film Festival
Box 89 Folder 19	Clippings, Programs, Invitations, August 21-29, 1954
Box 89 Folder 20	Correspondence, August 20-September 2, 1954
Box 89 Folder 21	Correspondence (also re: Venice Film Festival), May-December 1954
Box 89 Folder 22	Employment Applications, June-August 1953, February 1954
Box 89 Folder 23	Income Statements, 1958
Box 89 Folder 24	Labor and Equipment Costs, June 1953-February 1954
Box 89 Folder 25	Music and Music Cue Sheet, December 1953
Box 89 Folder 26	Production Reports, August-October 1953
	Publicity and Publicity Correspondence
Box 89 Folder 27	General, August 1953-April 1954, August 1954
Box 89 Folder 28	With Morgan and Brenon, January-March 1954
Box 89 Folder 29	Promotional Tours, 1954
Box 89 Folder 30	Clippings, Publicity, Reviews, July 1953-April 1955
	Reference and Research Material
Box 89 Folder 31-33	Clippings and Background Information About Prisons, 1946-1954
Box 89 Folder 34-35	Other Reference Material, 1943-1954
Box 89 Folder 36	Wanger's Impressions of Jail and Going to Jail, undated
Box 89 Folder 37	Wanger's Prison Writings
Box 90 Folder 1	Wanger's Writings on Prison, this Movie, and Rehabilitation
Box 90 Folder 2	Honor Farm Rules
Box 90 Folder 3	Phoenix Plan Materials, 1952
Box 90 Folder 4	Writings and Letters of Prisoners; Sketches, undated
	Scripts and Screenplays
Box 90 Folder 5	Typescript First Draft Screenplay (“Riot”), Incomplete, First Sequence Only, by Richard Collins, April 29, 1953
Box 90 Folder 6	Typescript Draft Script (“Riot”) (Annotated), by Collins, June 1, 1953
Box 90 Folder 7	First Draft Script (“Riot”) (Annotated), by Collins, June 2, 1953
Box 90 Folder 8	Revised Script, by Collins, June 29, 1953
Box 90 Folder 9	Revised Script, by Collins, June 29, 1953, with Revisions of , July 21, 1953
Box 90 Folder 10	Revised Script Pages, Annotated, Incomplete; No Author Listed, July 13, 1953
Box 90 Folder 11	Draft Script Pages, Annotated, Incomplete, No Author Listed, August 5, 1953
Box 90 Folder 12	Final Shooting Script, No Author Listed, August 5, 1953
Box 90 Folder 13	Revised Final Shooting Script, No Author Listed, August 5, 1953, with Revisions of , August 13, 1953
Box 90 Folder 14	Revised Script Pages, Annotated, Incomplete, No Author Listed, August 15, 1953, October 15, 1953
Box 90 Folder 15	Script Pages (Annotated) and Correspondence with Richard Collins, June-October 1953
Box 90 Folder 16	Staff, Cast, and Shooting Schedule, Prop and Canteen List, Reel Description, August 1953
Box 90 Folder 17	Titles and Proposed Titles
	Rocket to the Moon Project (Unproduced)
Box 90 Folder 18	Correspondence, February 1946
	“The St. Moritz Affair” (Unproduced)
Box 90 Folder 19	Clippings and Correspondence, January-July 1957
	Salome, Where She Danced (Universal, 1945)
Box 90 Folder 20	Continuity with Dialogue, 1944
Box 90 Folder 21	Contract, Correspondence, and Payroll of Laurence Stallings, 1944-1950
Box 90 Folder 22	Correspondence and Miscellany, 1943
Box 90 Folder 23	Income Statements, including Grosses, 1945-1954
Box 90 Folder 24	Production Correspondence, Music, Casting, January 1944-October 1945
Box 90 Folder 25	Post-Production Correspondence, January 1944-September 1945
Box 90 Folder 26	Production Reports, January 1945; Final Cost Sheet, , April 1945
Box 90 Folder 27	Publicity Brochure
	Scripts and Screenplays
Box 90 Folder 28	Script, by Laurence Stallings, September 12, 1944; with Revisions of , September and October 1944
Box 90 Folder 29	Script Notes, Correspondence, April 1944-March 1946
	Scarlet Street(Universal, 1945)
Box 90 Folder 30	Continuity Breakdown, July 23, 1945
Box 90 Folder 31	Budget Estimates, July 1945
	Censorship
Box 90 Folder 32	Lawsuit Briefs, Universal v. City of Atlanta, March-May 1946
Box 90 Folder 33	Lawsuit Correspondence, June 1945-October 1946
Box 90 Folder 34	Clippings, September 1945-July 1946
Box 91 Folder 1	Contracts, February 1945-January 1951
Box 91 Folder 2	Correspondence, January 1945-October 1947
Box 91 Folder 3	Income Statements, May 1948-May 1954
Box 91 Folder 4	Lawsuit, Diana Productions Inc. v. Fidler, December 1945-March 1947
Box 91 Folder 5	Post-Production Correspondence, May 1944-June 1946
	Scripts and Screenplays
Box 91 Folder 6	Revised Final Script, by Dudley Nichols, July 18, 1945
Box 91 Folder 7	Continuity and Dialogue Script, by Nichols, December 17, 1945
	Albert Schweitzer Memorial Project (Unproduced)
Box 91 Folder 8	Clippings and Correspondence, January 1949-January 1950
	Secret Beyond the Door (Universal, 1948)
Box 91 Folder 9	Contracts and Correspondence re: Purchase, December 1945-September 1946
Box 91 Folder 10	Employment, January 1946-April 1947
Box 91 Folder 11	Post-Production Correspondence, September 1946-April 1948
Box 91 Folder 12	Production, Legal, Budget, Costs, January 1946-February 1948
Box 91 Folder 13	Final Shooting Script, by Silvia Richards, Based on a Story by Rufus King, undated, with Changes Dated , February 7, 1947
Box 91 Folder 14	RedbookNovelization, by Rufus King, December 1945
Box 91 Folder 15	Story Outline, Correspondence, Notes, December 1945- October 1947
	“Shalimar” (Unproduced)
Box 91 Folder 15A	Story Outline (Annotated), by Leon Gutterman and Reed Johnston, undated
	Shanghai(Paramount, 1935)
Box 91 Folder 16	Final Cost Budget, 1935
Box 91 Folder 17	Financial Statements, 1936-1938 Note: Also includes Financial Statements for Smart Girl, Every Night at Eight, Mary Burns, Fugitive, Her Master's Voice, Trail of the Lonesome Pine, The Case Against Mrs. Ames, The Moon's Our Home, Big Brown Eyes, Fatal Lady, Palm Springs, and Spendthrift.
Box 91 Folder 18	Final Shooting Script, No Author Listed, April 26, 1935
	“The Sinner, A Story of Mary Magdalene” (Unproduced)
Box 91 Folder 19	Correspondence and Contracts with Charles O'Neill; Correspondence and Treatment, by Jean Renoir, May 1946-January 1947
	Slave Market Project (Unproduced)
Box 91 Folder 20	Story Outline, by Geoffrey Homes, undated
Box 91 Folder 20	Correspondence, February 1959-February 1963
	Slightly Honorable(United Artists, 1940)
Box 91 Folder 21	Revised Shooting Script (“Send Another Coffin”), by Ken Englund, Adapted by John Lay and Robert Tallman, August 25, 1939, with Retakes of , October 18, 1939
Box 91 Folder 21	Negative Cost Report, undated
	Smart Girl(Paramount, 1935)
Box 91 Folder 22	Final Cost Budget, 1935
Box 91 Folder 23	Revised Working Script, No Author Listed, May 22, 1935
	Smash-Up - The Story of a Woman(Universal, 1947)
Box 91 Folder 24	Audit, June 1948
Box 91 Folder 25	Continuity Index, June 1946
Box 91 Folder 26	Contracts and Correspondence, August 1945-January 1947
Box 91 Folder 27	Correspondence (“Angelica”), July 1945-December 1947
Box 91 Folder 28	Credits and Censorship, April 1946-May 1947
Box 92 Folder 1	Income and Box Office Statements, February 1947-May 1954
Box 91 Folder 2	Music - “Life Can Be Beautiful”
Box 91 Folder 3	Publicity, June 1946-June 1947
	Scripts and Screenplays
Box 91 Folder 4	Revised Final Script, by John H. Lawson, from a Story by Dorothy Parker and Frank Cavett, May 15, 1946; including Revised Final Changes
Box 91 Folder 5	Script Notes and Changes, April-November 1946
Box 91 Folder 6	Shooting Schedules, 1946
	“The Snow Queen”(This Version Unproduced
Box 92 Folder 7	Correspondence and Two Treatments by Robert Thom and Edward DeBlasio, July-August 1964
	“So Gallantly Gleaming” (Unproduced)
Box 92 Folder 8	Clippings, May 1946-April 1959
Box 92 Folder 9	Contracts, July 1939-November 1941
Box 92 Folder 10	Copyright, April 18, 1955
Box 92 Folder 11	Correspondence, September 1939-August 1964
	Scripts and Screenplays
Box 92 Folder 12	Outline for Opening, by Harvey Thew and Peter Ordway, August 9, 1939
Box 92 Folder 13	First Rough Draft Script, by Sonya Levien (Annotated), December 2, 1939
Box 92 Folder 14	First Rough Draft Script, by Levien, December 2, 1939, with Revisions of , April 1940
Box 92 Folder 15	Script, by Levien, with Revisions of April 18, 1940
Box 92 Folder 16	Script, by Levien, undated
Box 92 Folder 17	Script Pages, by Levien, pp. 121-209 (end), with Character Description and Other Material
	Annotated Script Pages, by Levien
Box 92 Folder 18	pp. 1-31 (School and Courtship Sequences), November 1939
Box 92 Folder 19	pp. 32-48 (Marriage Sequence), undated
Box 92 Folder 20	pp. 49-55 (Family Reconciliation Sequence), undated
Box 92 Folder 21	pp. 56-62 (St. Louis Sequence), January 1940
Box 92 Folder 22	pp. 63-65 (Letter Sequence), pp. 66-75 (Pres. Tyler Sequence), and pp. 76-81 (Homecoming Sequence), undated
Box 92 Folder 23	pp. 82-120 (Report Sequence), January 27, 1940
Box 92 Folder 24	pp. 121-130 (Pres. Polk Sequence), February 1940
Box 92 Folder 25	pp. 130-137 (Mrs. Benton's Death Sequence) and pp. 138-147 (Fort Sutter Sequence)
Box 92 Folder 26	pp. 148-156 (Monterrey Sequence) and pp. 157-168 (Jessie and Pres. Polk Sequence)
Box 92 Folder 27	pp. 169-177 (Cahuenga Sequence) and pp. 178-185 (Kit Carson Comes to Washington)
Box 92 Folder 28	pp. 186-203 (Court Martial Sequence) and pp. 204-209 (Benton Home/Ending Sequence)
Box 92 Folder 29	Story, by Harvey Thew and Peter Ordway, undated
Box 92 Folder 30	First Treatment, by Thew and Ordway, undated
Box 92 Folder 31	Memorandum, August 3, 1939, and Revised Treatments, , January 21, 1947, undated
	Soldier of Fortune(Not Produced by Wanger? Another Version Produced by 20th Century-Fox, 1955)
Box 92 Folder 32	Story Outline, by Jay Simms, undated
	“Soul of Paris” (Unproduced)
Box 93 Folder 1	Contracts, Correspondence, and Partial Treatment, No Author Listed, January-April 1950
	South African Project (Unproduced)
Box 93 Folder 2	Correspondence, September-November 1948
	South American Project (Unproduced)
Box 93 Folder 3	Correspendence, March 1939-October 1940
	Spendthrift(Paramount, 1936) Note: See also Box 92, Folder 17.
Box 93 Folder 4	Dialogue Continuity, by George Marion, Jr. and Al Santell, undated
Box 93 Folder 5	Revised Final Continuity (“As Shot”), Original Story by Eric Hatch, Screenplay by Raoul Walsh and Bert Hanlon, May 5, 1936
	Stagecoach(2 Versions, 1939 Version by United Artists)
Box 93 Folder 6	Correspondence, May 1957-October 1965
Box 93 Folder 7	Negative Cost Report, December 1938
Box 93 Folder 8	Revised Final Script, by Dudley Nichols, November 11, 1938
	Stand-In(United Artists, 1937)
Box 93 Folder 9	Revised Final Script, by Gene Towne and Graham Baker, July 16, 1937
Box 93 Folder 9	Negative Cost Report; Staff Sheet, June 1937
	“The Story of Cyllene” (Unproduced)
Box 93 Folder 10	Correspondence, July-August 1946
	The Story of I.G. Farben Project (Unproduced)
Box 93 Folder 11	Clippings, December 1945-January 1946
	Sundown(United Artists, 1941)
Box 93 Folder 12	Final Script, No Author Listed, undated
Box 93 Folder 13	Revised Final Script; No Author Listed, August 16, 1941(Wanger's Annotated Copy, Annotated for Shooting)
	“Sylva” (Unproduced)
Box 93 Folder 14	Correspondence, Contract, and Treatment, February 16, 1963, by Dalton Trumbo, , February-November 1963
	“Take the Stand, Mrs. Langtry” (Unproduced)
Box 93 Folder 14A	Correspondence and CosmopolitanStory, November 1954-February 1956
	Tangier(Universal, 1946)
Box 93 Folder 15	Clippings, March-December 1956
Box 93 Folder 16	Correspondence with Billy Grady, October 1952-July 1954; “One Passage East,” by Billy Grady
Box 93 Folder 17	Legal Correspondence and Contracts, December 1952-September 1959
Box 93 Folder 18	Outlines (“Tanja”) by Gerald Kersh and Correspondence, February 1956
Box 93 Folder 19	Outline and Alternate Beginnings
Box 93 Folder 20	Outline and Treatment (“Incident in Tangier”), by Edwin Blum, with Annotations, March 1956
Box 93 Folder 21	Treatment (“Tanja”), by Blum, with Annotations and Correspondence, March-April 1956
Box 93 Folder 22	Treatment (“The Tangier Story”), undated
	Tap Roots(Universal, 1948
Box 93 Folder 23	Audits, May 1948-October 1949
Box 93 Folder 24	Budget, 1947
Box 93 Folder 25	Contracts, Correspondence, and Payroll, November 1946-October 1950
Box 93 Folder 26	Correspondence, October 1946-October 1949
Box 93 Folder 27	Correspondence with Writers, Synopsis, and Narration, December 1944-September 1964
Box 93 Folder 28	Cost Summaries, Weekly (Universal), April 1947-January 1949
Box 93 Folder 29	Cost Summaries, Weekly (Universal Estimating Department), June-October 1947
Box 93 Folder 30	Cost Summaries, Weekly (Paid by Walter Wanger Pictures Inc.), May 1947-March 1948
Box 93 Folder 31	Income Statements, July 1948-October 1953
Box 93 Folder 32	Loans From Bank of America, May 1947-December 1949
Box 93 Folder 33	Music Set Ups, Set Lists, Added Scenes, 1947
Box 93 Folder 34	Production Reports, Daily, May 1947
Box 93 Folder 35	Publicity, Box Office Receipts, Audience Research, February 1947-January 1949
Box 94 Folder 1	Final Shooting Script, by Alan LeMay, May 8, 1947
Box 94 Folder 2	“Screenwriter's Doodles,” circa April 1947
Box 94 Folder 3	Shooting Schedules, May 1947
	“Terry and the Pirates” (Unproduced)
Box 94 Folder 4	Correspondence and Contracts, August 1940-September 1945
	3-D Follies Project (Unproduced)
Box 94 Folder 5	Correspondence, Drafts, Ideas, March-May 1953
	“Time Out for Ginger” (Unproduced)
Box 94 Folder 6	Correspondence, December 1956-May 1957
	To the People of the United States(U.S. Public Health Service, 1944 or 1945)
Box 94 Folder 7	Estimated Budget, 1943
Box 94 Folder 7	Invoices and Costs re: Production, 1943-1944
Box 94 Folder 8	Contracts, 1943-1944
Box 94 Folder 9-10	Correspondence, November 1942-April 1945
Box 94 Folder 11	Miscellany, April 1942-1944
Box 94 Folder 12	Scripts (Annotated), April 1942-January 1944
	“Top Dog” (Unproduced)
Box 94 Folder 13	Correspondence, August 1956-December 1957; Notes
Box 94 Folder 14	Story Outline, Adapted by Monte Brice, October 19, 1957
	Trade Winds(United Artists, 1938)
Box 94 Folder 15	Cost Report, December 31, 1938; Correspondence, , September 1938; Negative Cost Report, , undated
Box 94 Folder 16	First Rough Draft Script, by Tay Garnett, July 8, 1938
Box 94 Folder 17	Revised Final Script, by Dorothy Parker, Alan Campbell, and Frank R. Adams, September 26, 1938, with Retakes of , October 26, 1938
	Trail of the Lonesome Pine (Paramount, 1936)
Box 94 Folder 18	Final Cost Budget, 1935
Box 94 Folder 19	Reviews, 1936
Box 94 Folder 20	Final Draft Continuity, October 9, 1935, with Revisions of , October 18, 1935
	Tulsa(Eagle Lion, 1949)
Box 94 Folder 21	Breakdown Schedule, Production Report, Proclamations, 1948
Box 94 Folder 22	Budget, Production, June 1948
Box 94 Folder 23	Clippings, 1949
Box 94 Folder 24	Contracts, January-July 1948
	Correspondence
Box 94 Folder 25	General, May 1947-September 1949
Box 94 Folder 26-27	Production, Title, and Premiere Correspondence, November 1947-1949
Box 94 Folder 28	Weekly Cost Statement to Eagle Lion, January 1948-October 1949
Box 95 Folder 1	Weekly Summary of Costs, January 1948-March 1949
Box 95 Folder 2	Financial Statements, October 1951-November 1953
Box 95 Folder 3	Income Statements and Loan Repayment Tickets, June 1949-January 1954
Box 95 Folder 4	Invoices, June-August 1948
Box 95 Folder 5	Daily Production Reports, May-October 1948
Box 95 Folder 6	Publicity and Advertisements, March 1949
Box 95 Folder 7	Research Materials, November 1947-September 1948
Box 95 Folder 8	Story Outline, No Author Listed, February 12, 1948
Box 95 Folder 9	Revised Final Script, by Frank Nugent and Curtis Kenyon, June 10, 1948, with Revisions of , August 30, 1948
	“Uncle Wiggily in Connecticut” (Unproduced)
Box 95 Folder 10	Typescript Second Draft Screenplay, March 11, 1949
	“Underdog” (Unproduced)
Box 95 Folder 11	Correspondence and Contract, 1955-October 1956
	Underworld U.S.A.(Not Produced by Wanger. Another Version Produced by Columbia, 1961)
Box 95 Folder 12	Clippings, September 1955-September 1958
Box 95 Folder 13	Correspondence, August 1955-August 1959
Box 95 Folder 14	Treatment, by Joel Sayre, July 10, 1956
	Vietnam Project (Unproduced)
Box 95 Folder 15	Miscellany, May-June 1962
	Vogues of 1938(United Artists, 1937)
Box 95 Folder 16	Revised Final Script by Bella and Samuel Spewack, July 16, 1937
Box 95 Folder 16	Negative Cost Report, undated
	Charles A. Ward Story (Unproduced)
Box 95 Folder 17	Clippings and Correspondence, June 1955-July 1959
	“The Washington Flyer” (Unproduced)
Box 95 Folder 18	Contracts, 1946
	We've Never Been Licked (Universal, 1943)
Box 95 Folder 19	Clippings, July 1942-1943
	Correspondence
Box 95 Folder 20-22	General, May 1942-March 1945
Box 95 Folder 23	Promotional Letters, November-December 1942
Box 95 Folder 24	Income Statements, October 1943-May 1954
Box 95 Folder 25	Screenplay, by Norman Reilly Raine and Nick Grinde, November 2, 1942, with Revisions of , February 1, 1943
	Winchester '73(Not Produced by Wanger. Another version produced by Universal, 1950)
Box 95 Folder 26	Correspondence and Story Outline, by Stuart N. Lake, January 1946-August 1947
	Winter Carnival(United Artists, 1939)
Box 95 Folder 27	Revised Final Script, by Budd Schulberg, Maurice Rapf, and Lester Cole, May 19, 1939
Box 95 Folder 27	Negative Cost Report, undated
	“A Woman Loves Once” (Unproduced)
Box 96 Folder 1	Contracts, March 1935-November 1941
Box 96 Folder 2	Treatment, Adaptation by Louis Stevens, From the Novel by Michael Arlen, undated
	“The World and Little Willie” (Unproduced)
Box 96 Folder 3	Correspondence, April-July 1948
Box 96 Folder 4	Cost Statements, May-July 1948
	“Yellow Knife” (Unproduced)
Box 96 Folder 5	Budget, Payroll, and Accounts Payable, January 1951-May 1952
Box 96 Folder 6	Clippings, July-November 1951
Box 96 Folder 7	Contracts and Correspondence, August 1951-December 1955
Box 96 Folder 8	Correspondence, 1950-October 1957
	Scripts and Screenplays
Box 96 Folder 9	Typescript, No Author Listed, December 12, 1951
Box 96 Folder 10	Typescript First Draft, by John Tucker Battle, undated
Box 96 Folder 11	Script, by Battle, with Revisions by Dan Ullman, undated
Box 96 Folder 12	Typescript Script, No Author Listed, with Revisions by Edward Bends, undated
Box 96 Folder 13	Typescript Script (“The Puguan”), No Author Listed, undated
Box 96 Folder 14	Script Revisions, No Author Listed, undated
Box 96 Folder 15-16	Script Fragments (Annotated), No Author Listed, undated
Box 96 Folder 17	Original Story in Saturday Evening Post, by Robert Ormond Case, June 1951
Box 96 Folder 18	Story (“Buccaneer of the Barrens”), by Case, undated
	Treatments
Box 96 Folder 19	“New Treatment,” by Case, May 4, 1951
Box 96 Folder 20	Screen Treatment, by Case, February 23, 1953
Box 96 Folder 21	Treatment (“Buccaneer of the Barrens”), by Sidney Franklin, Jr., February 18, 1954
Box 96 Folder 22	Empirical Treatment (“The Buccaneer of the Barrens”), by John Tucker Battle, undated
Box 96 Folder 23	Treatment (“Buccaneer of the Barrens”) by Case, undated
	You Only Live Once(United Artists, 1937)
Box 96 Folder 24	Revised Script (Annotated), by Gene Towne and Graham Baker, undated
Box 96 Folder 25	Revised Final Script, by Gene Towne and Graham Baker, January 8, 1937
Box 96 Folder 25	Negative Cost Report, undated
Box 96 Folder 26-27	Story Ideas and Synopses, Titles A-Z, 1946-1949; Clippings, , December 1936-January 1937
Box 96 Folder 28	“Dead File” - Miscellaneous Film Ideas, August 1949-January 1961