Archival Resources in Wisconsin: Descriptive Finding Aids

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About this Finding Aid

Summary Information

Biography/History

Scope and Content Note

Administrative/Restriction Information

Contents List

Radio

Television

C Series

V Series

Number Series

Bridge Music, Tags, and Playoffs

Miscellaneous Music

Disc Recordings

Container	Title
	Series: C Series
Box 16C Folder 34	“All the Things You Are,” arranged by Pete King (57-C)
	Conductor's score, instrumental parts, December 2, 1950
Box 16C Folder 35	“Be a Clown,” arranged by Leroy Holmes (69-C)
	Conductor's score, instrumental parts, December 23, 1950
Box 16C Folder 36	“Beautiful Madness,” arranged by Milton Weinstein (117-C)
	Conductor's score, instrumental parts, March 17, 1951
Box 16C Folder 37	“Begin the Beguine,” arranged by Milton Weinstein (84-C)
	Conductor's score, instrumental parts, January 20, 1951
Box 16C Folder 38	“Between the Devil and the Deep Blue Sea,” arranged by Pete King, used on the Robert Q. Lewis Show (172-C)
	Conductor's score, instrumental parts, September 22, 1951
Box 16D Folder 39	“Bill,” arranged by Pete King, used on the Robert Q. Lewis Show (173-C)
	Conductor's score, instrumental parts, October 6, 1951
Box 16D Folder 40	“Birth of the Blues,” arranged by Leroy Holmes (60-C)
	Conductor's score, instrumental parts, December 9, 1950
Box 16D Folder 41	“Blow Gabriel,” arranged by Milton Weinstein (75-C)
	Conductor's score, instrumental parts, January 6, 1951
Box 16D Folder 42	“Blue Room,” arranged by Leroy Holmes (95-C)
	Conductor's score, instrumental parts, February 3, 1951
Box 16D Folder 43	“The Breeze and I,” arranged by Milton Weinstein (92-C)
	Conductor's score, instrumental parts, February 3, 1951
Box 16D Folder 1	“Bumble-Boogie,” arranged by Paul Shelley (89-C)
	Conductor's score, instrumental parts, January 27, 1951
Box 16D Folder 2	“Call Me Mister,” arranged by Paul Shelley (142-C)
	Conductor's score, instrumental parts, May 5, 1951
Box 17A Folder 3	“Callahan's Dance” (50-C)
	Conductor's score, instrumental parts, undated
Box 17A Folder 4	“Calypso Blues,” arranged by Leroy Holmes (105-C)
	Conductor's score, instrumental parts, February 24, 1951
Box 17A Folder 5	“Chopin's Minute Waltz,” arranged by Paul Shelley (59-C)
	Conductor's score, instrumental parts, December 9, 1950
Box 17A Folder 6	“Christmas in Killarney,” arranged by Jack Andrews (64-C)
	Conductor's score, instrumental parts' December 16, 1950
Box 17A Folder 7	“Cleopatterer,” arranged by Pete King (145-C)
	Conductor's score, instrumental parts, May 19, 1951
Box 17A Folder 8	“Coburn - Carter,” arranged by Irving Szathmary (67-C)
	Vocal, conductor's scores, instrumental parts, December 23, 1950
Box 17A Folder 9	“Collegiate” (111-C)
	Conductor's score, instrumental parts, March 3, 1951
Box 17A Folder 10	“County Fair,” arranged in part by Bobby Van Eps (83-C)
	Conductor's score, instrumental parts, January 20, 1951
Box 17A Folder 11	“Dancing Doll,” arranged by Paul Shelley (113-C)
	Conductor's score, instrumental parts, March 10, 1951
Box 17B Folder 12	“Dancing Shoes,” arranged by Paul Shelley (132-C)
	Conductor's score, instrumental parts, April 14, 1951
Box 17B Folder 13	“De Glory Road,” arranged by Dick Shores (54-C)
	Vocal, conductor's scores, instrumental parts, November 11, 1950
Box 17B Folder 14	“Diamonds Are a Girl's Best Friend,” arranged by Irving Szathmary (61-C)
	Conductor's score, instrumental parts, December 9, 1950
Box 17B Folder 15	“Do Your Christmas Shopping Early,” arranged by Leroy Holmes (63-C)
	Vocal, conductor's scores, instrumental parts, December 16, 1950
Box 17B Folder 16	“The Dogpatch Tromp,” arranged by Pete King (80-C)
	Vocal, conductor's scores, instrumental parts, January 13, 1951
Box 17B Folder 17	“Donkey Serenade,” arranged by Bobby Van Eps (33-C)
	Conductor's score, instrumental parts, October 28, 1950
Box 17B Folder 18	“Donkey's Serenade,” arranged by Paul Shelley (76-C)
	Conductor's score, instrumental parts, January 6, 1951
Box 17C Folder 19	“Durante Songs” (”You've Got To Start Off Each Day,” ”Who Will Be With You,” and ”Inka-Doo”) (150-C)
	Vocal, conductor's scores, instrumental parts, February 17, 1951
Box 17C Folder 20	“Early Morning Song,” arranged by Pete King (37-C)
	Vocal, conductor's scores, instrumental parts, November 4, 1950
Box 17C Folder 21	“End of a Love Affair,” arranged by Milton Weinstein (174-C)
	Conductor's score, instrumental parts, October 27, 1951
Box 17C Folder 22	“Flying Down to Rio,” arranged by Leroy Holmes (90-C)
	Conductor's score, instrumental parts, February 3, 1951
Box 17C Folder 23	“Foolish Heart,” arranged by Milton Weinstein (99-C)
	Conductor's score, instrumental parts, February 10, 1951
Box 17C Folder 24	“Gazotsky”. arranged by Harry Sosnik (149-C)
	Conductor's score, instrumental parts, May 26, 1951
Box 17C Folder 25	“Getting to Know You,” arranged by Sosnik (192-C)
	Conductor's score, instrumental parts, January 19, 1952
Box 17D Folder 26	“Good-bye My Lady Love,” ”Hello, My Baby” (104-C)
	Conductor's score, instrumental parts, February 24, 1951
Box 17D Folder 27	“Goofus,” arranged by Pete King (158-C)
	Conductor's score, instrumental parts, July 7, 1951
Box 17D Folder 1	“Happy Harvest,” arranged by Bobby Van Eps (26-C)
	Conductor's score, instrumental parts, September 11, 1950
Box 17D Folder 2	“Harbor Lights,” arranged by Pete King (81-C)
	Conductor's score, instrumental parts, January 13, 1951
Box 17D Folder 3	“Hebrew Songs #1, #2,” arranged by Pete King (168-C)
	Conductor's score, instrumental parts, August 17, 1951
Box 17D Folder 4	“Hobo Dance,” arranged by Paul Shelley (46-C)
	Conductor's scores, instrumental parts, November 11, 1950
Box 17D Folder 5	“Hooray for Hollywood,” arranged by Jack Andrews (78-C)
	Conductor's scores, instrumental parts, January 6, 1951
Box 18A Folder 6	“I Am Loved,” arranged by Jack Andrews (77-C)
	Conductor's score, instrumental parts, January 6, 1951
Box 18A Folder 7	“I Cover the Waterfront,” arranged by Pete King (170-C)
	Conductor's score, instrumental parts, September 1, 1951
Box 18A Folder 10	“I Got the Bird On the Canary Islands,” arranged by Jack Andrews (55-C)
	Conductor's score, instrumental parts, December 2, 1950
Box 18A Folder 17	“I See Your Face Before Me,” arranged by Pete King (155-C)
	Conductor's score, instrumental parts, June 16, 1951
Box 18A Folder 18	“I Theenk You Weenk,” arranged by Leroy Holmes (32-C)
	Conductor's score, instrumental parts, October 28, 1950
Box 18A Folder 19	“I Whistle a Happy Tune,” arranged by Pete King (159-C)
	Conductor's score, instrumental parts, October 11, 1951
Box 18A Folder 20	“I Won't Dance,” arranged by Leroy Holmes (62-C)
	Conductor's score, instrumental parts, December 9, 1950
Box 18B Folder 8	“If,” arranged by Milton Weinstein (88-C)
	Conductor's score, instrumental parts, January 27, 1951
Box 18B Folder 9	“If You Haven't Got a Sweetheart,” arranged by Pete King (144-C)
	Conductor's score, instrumental parts, May 19, 1951
Box 18B Folder 11	“I'll Remember April,” arranged by Milton Weinstein (143-C)
	Conductor's score, instrumental parts, May 5, 1951
Box 18B Folder 12	“I'm Gonna Hang My Hat on A Tree That Grows in Brooklyn” (25-C)
	Conductor's score, instrumental parts, October 7, 1950
Box 18B Folder 13	“Impersonation Specialty” (Jack Carter), arranged by Leroy Holmes (21-C)
	Conductor's score, instrumental parts, September 30, 1950
Box 18B Folder 14	“In the Still of the Night,” arranged by Milton Weinstein (12-C)
	Conductor's score, instrumental parts, September 23, 1950
Box 18B Folder 15	“Irish Dance,” arranged by Paul Shelley (65-C)
	Conductor's score, instrumental parts, December 16, 1950
Box 18B Folder 16	“Irish Dance,” arranged by Paul Shelley (118-C)
	Conductor's score, instrumental parts, March 17, 1951
Box 18C Folder 21	“Jing-A-Ling,” arranged by Jack Andrews (41-C)
	Conductor's score, instrumental parts, November 11, 1950
Box 18C Folder 22	“Johannesburg,” arranged by Milton Weinstein (98-C) 1951
	Conductor's score, instrumental parts, February 10, 1951
Box 18C Folder 23	“Johnny 0ne Note,” arranged by Paul Shelley (102-C)
	Conductor's score, instrumental parts, February 17, 1951
Box 18C Folder 24	“The Jolly Little Man in Red,” arranged by Jack Andrews (68-C)
	Sheet music, score, instrumental parts, January 23, 1950
Box 18C Folder 25	“A Kiss in the Dark,” arranged by A. de Filippi (179-C)
	Conductor's score, instrumental parts, undated
Box 18C Folder 26	“Kiss Me Again” (178-C)
	Conductor's score, instrumental parts, undated
Box 19A Folder 1	“Lady Be Good,” arranged by Pete King (165-C)
	Conductor's score, instrumental parts, August 11, 1951
Box 19A Folder 2	“Latin From Manhattan,” arranged by Paul Shelley (91-C)
	Conductor's score, instrumental parts, February 3, 1951
Box 19A Folder 3	“Laura” (197-C)
	Vocal, Conductor's scores, instrumental parts, undated
Box 19A Folder 4	“Let's Get Away From It All,” arranged by Leroy Holmes (79-C)
	Conductor's score, instrumental parts, January 13, 1951
Box 19A Folder 5	“Loch Lomond,” arranged by Leroy Holmes (151-C)
	Conductor's score, instrumental parts, May 31, 1951
Box 19A Folder 6	“Love,” arranged by Pete King (153-C)
	Conductor's score, instrumental parts, June 2, 1951
Box 19A Folder 7	“Love Is Just Around the Corner,” arranged by Pete King (187-C)
	Conductor's score, instrumental parts, November 17, 1951
Box 19A Folder 8	“Lovely to Look At” (184-C)
	Vocal, conductor's scores, undated
Box 19A Folder 9	“Manhattan Square Dance,” ”New York, New York,” arranged by Leroy Holmes (20-C)
	Conductor's score, instrumental parts, September 30, 1950
Box 19B Folder 10	“March of History Routine,” arranged by Leroy Holmes (87-C)
	Conductor's scores, instrumental parts, January 20, 1951
Box 19B Folder 11	“Masks,” arranged by Paul Shelley (138-C)
	Conductor's scores, instrumental parts, April 28, 1951
Box 19B Folder 12	“Masquerade Ball,” arranged by Leroy Holmes (126-C)
	Vocal, conductor's scores, instrumental parts, March 31, 1951
Box 19B Folder 13	“Minnie from Trinidad,” arranged by Leroy Holmes (122-C)
	Conductor's score, instrumental parts, March 24, 1951
Box 19B Folder 14	“Mountain High, Valley Low,” arranged by Pete King (147-C)
	Conductor's score, instrumental parts, May 26, 1951
Box 19B Folder 15	“Music Makes Me” (114-C)
	Conductor's score, instrumental parts, March 10, 1951
Box 19B Folder 16	“Neurotic You and Psychopathic Me,” arranged by Jack Andrews (136-C)
	Conductor's score, instrumental parts, April 28, 1951
Box 19B Folder 17	“Never Ask a Man if He's from Texas,” arranged by William Stegmeyer (124-C)
	Conductor's score, instrumental parts, March 31, 1951
Box 19C Folder 18	“New Years,” first arrangement by Pete King, second arrangement by Jack Andrews (72-C)
	Conductor's score, instrumental parts, December 30, 1950
Box 19C Folder 19	“Nursery Rhymes,” arranged by Paul Shelley (70-C)
	Conductor's score, instrumental parts, December 23, 1950
Box 19C Folder 20	“Old Devil Moon,” arranged by Milton Weinstein (IO6-C)
	Conductor's score, instrumental parts, February 24, 1951
Box 19C Folder 21	“The Old Soft Shoe,” arranged by Frank Guilfoyle (163-C)
	Conductor's score, instrumental parts, undated
Box 19C Folder 22	“On the Road to Mandalay,” arranged by Milton Weinstein (129-C)
	Vocal, conductor's scores; instrumental parts, April 7, 1951
Box 19C Folder 23	“One Night of Love” (180-C)
	Score, instrumental parts, undated
Box 19C Folder 24	“One Song,” arranged by Pete King (30-C)
	Conductor's score, instrumental parts, October 21, 1950
Box 19C Folder 25	“Over the Rainbow,” arranged by Milton Weinstein (120-C)
	Conductor's score, instrumental parts, March 24, 1951
Box 19C Folder 26	“The Picnic Song,” arranged by Pete King (146-C)
	Conductor's score, instrumental parts, May 19, 1951
Box 19D Folder 27	“Portrait of a Flirt,” arranged by Paul Shelley (82-C)
	Conductor's score, instrumental parts, January 13, 1951
Box 19D Folder 28	“Puttin' on the Ritz,” arranged by Paul Shelley (58-C)
	Conductor's score, instrumental parts, December 2, 1950
Box 19D Folder 1	“Racetrack,” arranged by Paul Shelley (134-C)
	Conductor's score, instrumental parts, April 21, 1951
Box 19D Folder 2	“Racetrack Polka,” arranged by Jack Andrews (133-C)
	Vocal, conductor's scores; instrumental parts, April 21, 1951
Box 19D Folder 3	“Raggedy Ann,” arranged by Pete King (140-C)
	Conductor's score, instrumental parts, May 5, 1951
Box 19D Folder 4	“Reciprocity,” arranged by Pete King (169-C)
	Conductor's score, instrumental parts, September 1, 1951
Box 19D Folder 5	“Rumbalero,” arranged by Paul Shelley (96-C)
	Conductor's score, instrumental parts, February 10, 1951
Box 19D Folder 6	“Rococo” (18-C)
	Conductor's score, instrumental parts, September 30, 1950
Box 20A Folder 7	“Romance” (182-C)
	Score, instrumental parts, undated
Box 20A Folder 8	“Sailor's Hornpipe,” arranged by Francis Scott (45-C)
	Conductor's score, instrumental parts, November 9, 1950
Box 20A Folder 9	“St. Patrick's Day Song,” arranged by Jack Andrews (116-C)
	Conductor's score, instrumental parts, March 17, 1951
Box 20A Folder 10	“Santa Claus Is Coming to Town,” ”Santa Claus Music Box” (66-C)
	Conductor's scores, instrumental parts, undated
Box 20A Folder 11	“Shadrack,” arranged by Pete King (16O-C)
	Conductor's score, instrumental parts, July 21, 1951
Box 20A Folder 12	“Shangri-La'” arranged by Paul Shelley (39-C)
	Conductor's score, instrumental parts, November 4, 1950
Box 20A Folder 13	“Sing, Sing, Sing,” arranged by Paul Shelley (86-C)
	Conductor's score, instrumental parts, January 20, 1951
Box 20A Folder 14	“Skyscraper blues,” arranged by Pete King and Leroy Holmes (4-C)
	Conductor's score, instrumental parts, September 9, 1950
Box 20B Folder 15	“Skyscraper Fantasy,” arranged by Paul Shelley (38-C)
	Conductor's score, instrumental parts, November 4, 1950
Box 20B Folder 16	“Slap That Bass,” arranged by Paul Shelley (123-C)
	Conductor's score, instrumental parts, March 31, 1951
Box 20B Folder 17	“Smoke Gets In Your Eyes” (185-C)
	Score, undated
Box 20B Folder 18	“So In Love,” arranged by Milton Weinstein (9-C)
	Vocal, conductor's scores, instrumental parts, September 16, 1950
Box 20B Folder 19	“Soliloquy,” arranged by Pete King (8-C)
	Sheet music, conductor's score, instrumental parts, September 16, 1950
Box 20B Folder 20	“Solitude,” arranged by Pete King (167-C)
	Conductor's score, instrumental parts, August 17, 1951
Box 20B Folder 21	“The Song Is You,” arranged by William Stegmeyer (93-C)
	Conductor's score, instrumental parts, February 3, 1951
Box 20C Folder 22	“Speak Low,” arranged by Pete King (175-C)
	Conductor's score, instrumental parts, November 31, 1951
Box 20C Folder 23	“Steppin' Out With My Baby,” arranged by Leroy Holmes (73-C)
	Conductor's score, instrumental parts, December 30, 1950
Box 20C Folder 24	“Strange Music,” arranged by Milton Weinstein (112-C)
	Conductor's score, instrumental parts, March 10, 1951
Box 20C Folder 25	“Sunny Day,” arranged by Leroy Holmes (109-C)
	Vocal, conductor's scores, instrumental parts, March 3, 1951
Box 20C Folder 26	“'s Wonderful” (176-C)
	Conductor's score, instrumental parts, undated
Box 20C Folder 27	“Symbol of Fire,” arranged by Jack Andrews (24-C)
	Conductor's score, instrumental parts, October 7, 1950
Box 21A Folder 1	“Tell Me That You Love Me Tonight” (5-C)
	Conductor's score, instrumental parts, September 9, 1950
Box 21A Folder 2	“Temptation,” arranged by Pete King (71-C)
	Conductor's score, instrumental parts, December 30, 1950
Box 21A Folder 3	“That Old Black Magic,” arranged by Pete King (161-C)
	Conductor's score, instrumental parts, July 21, 1951
Box 21A Folder 4	“Them There Eyes,” arranged by Pete King (189-C)
	Conductor's score, instrumental parts, December 8, 1951
Box 21A Folder 5	“These Foolish Things,” arranged by Jullian Work (22-C)
	Conductor's score, instrumental parts, October 7, 1950
Box 21A Folder 6	“Too Young,” arranged by Pete King (156-C)
	Conductor's score, instrumental parts, June 23, 1951
Box 21A Folder 7	“The Touch of Your Hand” (183-C)
	Conductor's score, instrumental parts, undated
Box 21A Folder 8	“Two Brothers,” arranged by Bobby Van Eps (43-C)
	Vocal, conductor's scores, instrumental parts, November 11, 1950
Box 21A Folder 9	“War Picture Routine/Marine Hymn,” arranged by Leroy Holmes (44-C)
	Conductor's score, instrumental parts, November 11, 1950
Box 21A Folder 10	“Wedding of the Painted Doll,” arranged by Pete King (141-C)
	Conductor's score, instrumental parts, May 5, 1951
Box 21B Folder 11	“A Wee Doch-an-Doris,” arranged by Sosnik (154-C)
	Conductor's score, instrumental parts, undated
Box 21B Folder 12	“Where Oh Where,” arranged by William Stegmeyer (85-C)
	Conductor's score, instrumental parts, January 20, 1951
Box 21B Folder 13	“Where or When” (100-C)
	Conductor's score, instrumental parts, undated
Box 21B Folder 14	“The Whip” (19-C)
	Conductor's score, instrumental parts, undated
Box 21B Folder 15	“Who Am I,” arranged by Pete King (171-C)
	Conductor's score, instrumental parts, September 22, 1951
Box 21B Folder 16	“Why Was I Born,” arranged by Pete King (157-C)
	Conductor's score, instrumental parts, July 7, 1951
Box 21B Folder 17	“Yesterdays” (186-C)
	Vocal, conductor's scores, instrumental parts, undated
Box 21B Folder 18	“You Can't Take It With You,” October 28, 1950 (31-C)
	Conductor's score, instrumental parts, October 28, 1950