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Container
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Title
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U.S. Mss 81AN
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Series: Motion Pictures
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All About Eve (Fox, 1950)
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Box
1
Folder
1
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1 color sketch of evening gown
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All in a Night's Work (Paramount, 1961)
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Box
1
Folder
2
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1 color sketch for “Katie Robbins” / (Shirley MacLaine)
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Anything Goes (Paramount, 1956)
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Box
1
Folder
3
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2 color sketches for “Gaby Duval” / (Zizi Jeanmaire)
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Box
1
Folder
3
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1 black and white sketch, 'Edith Head Designs for Jeanmaire' - “Gaby Duval” / (Zizi Jeanmaire)
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Box
1
Folder
3
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2 color sketches for “Patsy Blair” / (Mitzi Gaynor)
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Box
1
Folder
3
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1 black and white photo plate, 'Designs for Mitzi Gaynor' as “Patsy Blair”
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Box
1
Folder
3
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4 additional color sketches
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Artists and Models (Paramount, 1955)
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Box
1
Folder
4A
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7 color thumbnail sketches for “Bessie Sparrowbrush” / (Shirley MacLaine)
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Box
1
Folder
4B
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3 color final sketches for “Bessie Sparrowbrush” / (Shirley MacLaine)
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Box
1
Folder
5
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1 color sketch for “Bessie Sparrowbrush” / (Shirley MacLaine)
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Box
1
Folder
5
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3 color final sketches for “Bessie Sparrowbrush” / (Shirley MacLaine)
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Box
1
Folder
6A
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6 color thumbnail sketches for “Abigail Parker” / (Dorothy Malone)
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Box
1
Folder
6B
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4 color final sketches for Abigail Parker” / (Dorothy Malone)
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Box
2
Folder
1
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6 color thumbnail sketches for “Sonia” / (Eva Gabor)
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Box
2
Folder
1
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3 color final sketches for “Sonia” / (Eva Gabor)
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Box
2
Folder
2
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2 additional color final sketches
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Box
2
Folder
2
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1 additional color sketch
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Box
2
Folder
3
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1 color final sketch for “Toulouse-Lautrec”
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Box
2
Folder
3
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1 color final sketch for “Mr. Murdock” / (Eddie Mayehoff)
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Box
2
Folder
4A
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2 color final sketches for “Anita” / (Anita Ekberg)
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Box
2
Folder
4B
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1 color final sketch for “Rick Todd” / (Dean Martin)
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Box
2
Folder
5
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1 color final sketch for “Bat Boys”
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Box
2
Folder
5
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1 color final sketch for “The Eating Blonde”
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Box
2
Folder
6
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1 color final sketch for “Fieldmouse”
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Box
2
Folder
6
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1 color final sketch for “Dancing Girls”
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Box
2
Folder
7
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1 color final sketch for “Zuba Queen”
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Box
2
Folder
7
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1 color final sketch for “Jack + Jill”
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Box
2
Folder
7
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1 color sketch for “Zuba Girls”
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Box
2
Folder
7
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1 unfinished pencil sketch for “Zuba Girls”
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Box
2
Folder
7
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1 color sketch for “Vulture Boys”
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Box
2
Folder
7
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1 color collection sketch of women's fashion evening gowns
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Box
2
Folder
7
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2 black and white collection sketches of men's fashion attire
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The Birds and the Bees (Paramount, 1956)
: Remake of the movie Lady Eve.
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Box
3
Folder
1
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9 color thumbnail sketches for “Jean” / (Mitzi Gaynor)
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The Black Orchid (Paramount, 1958)
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Box
3
Folder
2
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10 color sketches for “Rose Bianco” / (Sophia Loren)
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Blue Hawaii (Paramount, 1961)
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Box
3
Folder
3
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19 color sketches for “Maile Duval” / (Joan Blackman)
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Breakfast at Tiffany's (Paramount, 1961)
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Box
3
Folder
4A
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19 color thumbnail sketches for (Audrey Hepburn)
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Box
3
Folder
4A
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1 color sketch for “Holly Golightly” / (Audrey Hepburn)
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Box
3
Folder
4B
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18 additional color sketches
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Box
3
Folder
4C
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16 additional color sketches
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Box
3
Folder
4D
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9 additional color sketches
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Box
3
Folder
4D
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1 additional black and white sketch
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But Not for Me (Paramount, 1959)
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Box
3
Folder
5A
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4 color sketches for “Ellie Brown” / (Carroll Baker)
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Box
3
Folder
5B
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6 additional color sketches
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Box
3
Folder
5B
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1 additional black and white sketch
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Career (Paramount, 1959)
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Box
3
Folder
6A
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4 color sketches for “Sharon Kensington” / (Shirley MacLaine)
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Box
3
Folder
6A
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2 additional unfinished pencil sketches
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Box
3
Folder
6B
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6 color sketches for “Barbara Helmsley” / (Joan Blackman)
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Box
3
Folder
6B
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2 color sketches for “Marjorie Burke” / (Donna Douglas)
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Come Blow Your Horn (Paramount, 1963)
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Box
3
Folder
7A
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7 color sketches for “Connie” / (Barbara Rush)
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Box
3
Folder
7A
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7 additional color sketches
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Box
3
Folder
7B
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6 color thumbnail sketches for “Peggy John” / (Jill St. John)
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Box
3
Folder
7B
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9 color sketches for “Peggy John” / (Jill St. John)
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Box
3
Folder
7B
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9 additional color sketches
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Box
3
Folder
7C
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3 color thumbnail sketches for “Mrs. Eckman” / (Phyllis McGuire)
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Box
3
Folder
7C
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7 color sketches for “Mrs. Eckman” / (Phyllis McGuire)
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The Counterfeit Traitor (Paramount, 1962)
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Box
4
Folder
1A
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23 color thumbnail sketches for “Melanie”
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Box
4
Folder
1B
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3 color sketches for “Ingrid Erickson” / (Eva Dahlbeck)
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Box
4
Folder
1B
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15 additional color sketches
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Box
4
Folder
1C
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16 additional color sketches
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Box
4
Folder
1C
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4 additional black and white sketches
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The Country Girl (Paramount, 1954)
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Box
4
Folder
2
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2 color sketches for “Georgie Elgin” / (Grace Kelly)
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Donovan's Reef (Paramount, 1963)
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Box
4
Folder
3A
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2 color final sketches for “Amelia Dedham” / (Elizabeth Allen)
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Box
4
Folder
3B
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2 color final sketches for “Amelia Dedham” / (Elizabeth Allen)
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Box
4
Folder
4
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3 color final sketches
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Box
4
Folder
5A
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2 color sketches for “Amelia Dedham” / (Elizabeth Allen)
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Box
4
Folder
5A
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1 black and white sketch for “Amelia Dedham” / (Elizabeth Allen)
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Box
4
Folder
5A
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2 color sketches for “Lelani Dedham” / (Jacqueline Malouf)
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Box
4
Folder
5A
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1 color sketch for “The Angel Children”
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Box
4
Folder
5B
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22 additional color sketches
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Box
5
Folder
1A
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1 color final sketch for “Miss Lafleur” / (Dorothy Lamour)
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Box
5
Folder
1A
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7 additional black and white sketches
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Box
5
Folder
1B
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9 additional black and white sketches
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Don't Give Up the Ship (Paramount, 1959)
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Box
5
Folder
2A
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8 color sketches for “Prudence” / (Diana Spencer)
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Box
5
Folder
2B
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23 additional color sketches
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The Far Horizons (Paramount, 1955)
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Box
5
Folder
3
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1 color final sketch for “Sacajawea” / (Donna Reed)
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Box
5
Folder
3
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1 black and white final sketch for “Sacajawea” / (Donna Reed)
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Box
5
Folder
3
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2 color final sketches for “Julia Hancock” / (Barbara Hale)
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The Five Pennies (Paramount, 1959)
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Box
5
Folder
4A
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1 color sketch for “Tommye Eden” / (Valerie Allen)
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Box
5
Folder
4A
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3 color sketches for “Dorothy Nichols” / (Tuesday Weld)
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Box
5
Folder
4A
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8 additional color sketches
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Box
5
Folder
4B
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15 color sketches for “Bobbie/Willa Stutsman” / (Barbara Bel-Geddes)
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Box
5
Folder
4B
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2 black and white sketches for “Bobbie/Willa Stutsman” / (Barbara Bel-Geddes)
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The Girl Rush (Paramount, 1955)
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Box
5
Folder
5A
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15 color thumbnail sketches for “Kim Halliday” / (Rosalind Russell)
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Box
5
Folder
5B
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5 color sketches for “Kim Halliday” / (Rosalind Russell)
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Box
5
Folder
5B
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2 additional color sketches
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Box
5
Folder
5B
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1 color sketch for “Taffy Tremaine” / (Gloria DeHaven)
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Box
5
Folder
5C
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9 additional color sketches
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Girls, Girls, Girls (Paramount, 1962)
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Box
6
Folder
1A
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3 color thumbnail sketches
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Box
6
Folder
1A
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20 color sketches for “Robin Gantner” / (Stella Stevens)
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Box
6
Folder
1B
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20 color sketches for “Laurel Dodge” / (Laurel Goodwin)
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Box
6
Folder
1C
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19 color sketches for “Laurel Dodge” / (Laurel Goodwin)
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Box
6
Folder
1C
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2 additional color sketches
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Box
6
Folder
1C
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1 additional black and white sketch
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A Girl Named Tamiko (Paramount, 1962)
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Box
6
Folder
2A
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6 color sketches for “Tamiko” / (France Nuyen)
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Box
6
Folder
2A
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4 additional color sketches
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Box
6
Folder
2B
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11 color sketches for “Fay Wilson” / (Martha Hyer)
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Box
6
Folder
2C
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15 color sketches for “Fay Wilson” / (Martha Hyer)
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The Hallelujah Trail (United Artists, 1965)
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Box
6
Folder
3A
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Written scene breakdown list for “Cora Templeton Massingale” / (Lee Remick) and “Louise Gearhart” / (Pamela Tiffin)
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Box
6
Folder
3B
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16 color sketches for “Cora Templeton Massingale” / (Lee Remick)
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Box
6
Folder
3B
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2 additional black and white sketches for “Cora Templeton Massingale” / (Lee Remick)
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Box
6
Folder
3C
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9 additional color sketches
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Box
6
Folder
3D
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1 color sketch for “Louise Gearhart” / (Pamela Tiffin)
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Box
6
Folder
3D
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1 black and white sketch for “Louise Gearhart” / (Pamela Tiffin)
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Box
6
Folder
3D
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10 additional color sketches
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Box
6
Folder
3D
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1 additional black and white sketch
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Heller in Pink Tights (Paramount, 1960)
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Box
6
Folder
4A
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7 black and white sketches for “Angela Rossini” / (Sophia Loren)
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Box
6
Folder
4B
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17 additional black and white sketches
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Box
6
Folder
4B
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1 additional color sketch
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Here Comes the Groom (Paramount, 1951)
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Box
6
Folder
5
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1 color sketch for “Emmadel Jones” / (Jane Wyman)
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A Hole in the Head (United Artists, 1959)
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Box
7
Folder
1
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11 color sketches
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Hud (Paramount, 1963)
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Box
7
Folder
2A
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1 final pencil sketch for “Hud Bannon” (Paul Newman) / by John Lauris Jensen
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Box
7
Folder
2B
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1 final pencil sketch for “Hud Bannon” (Paul Newman) / by John Lauris Jensen
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Box
7
Folder
2C
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1 final pencil sketch for “Hud Bannon” (Paul Newman) / by John Lauris Jensen
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Box
7
Folder
2D
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1 final pencil sketch for “Hud Bannon” (Paul Newman) / by John Lauris Jensen
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Box
7
Folder
3A
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1 final pencil sketch for “Homer Bannon” (Melvyn Douglas) / by John Lauris Jensen
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Box
7
Folder
3B
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1 final pencil sketch for “Homer Bannon” (Melvyn Douglas) / by John Lauris Jensen
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Box
7
Folder
3C
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1 final pencil sketch for “Homer Bannon” (Melvyn Douglas) / by John Lauris Jensen
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Box
8
Folder
1A
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1 final black and white sketch for “Lon Bannon” (Brandon De Wilde) / by John Lauris Jensen
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Box
8
Folder
1B
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1 final black and white sketch for “Lon Bannon” (Brandon De Wilde) / by John Lauris Jensen
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Box
8
Folder
1C
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1 final black and white sketch for “Lon Bannon” (Brandon De Wilde) / by John Lauris Jensen
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Box
8
Folder
2A
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2 pencil sketches for “Alma Brown” (Patricia Neal)
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Box
8
Folder
2B
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1 final black and white sketch for “Alma Brown” (Patricia Neal) / by John Lauris Jensen
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Box
8
Folder
2C
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1 final black and white sketch for “Alma Brown” (Patricia Neal) / by John Lauris Jensen
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I Could Go on Singing (United Artists, 1963)
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Box
8
Folder
3A
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42 color thumbnail sketches for (Judy Garland)
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Box
8
Folder
3A
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36 black and white thumbnail sketches (Judy Garland)
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Box
8
Folder
3B
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17 color sketches for (Judy Garland)
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Box
8
Folder
3C
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11 color sketches for (Judy Garland)
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Box
8
Folder
3C
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1 black and white sketch for (Judy Garland)
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Box
8
Folder
3D
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4 color garment collection sketches / signed by Edith Head
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Living it Up (Paramount, 1954)
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Box
8
Folder
4A
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8 color sketches for “Wally Cook” / (Janet Leigh)
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Box
8
Folder
4B
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1 color final sketch for “The Majorettes”
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Box
8
Folder
4B
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1 additional color final sketch
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Love With a Proper Stranger (Paramount, 1963)
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Box
9
Folder
1A
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7 black and white sketches for “Angie Rossini” / (Natalie Wood)
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Box
9
Folder
1B
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19 additional black and white sketches
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Lucy Gallant (Paramount, 1955)
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Box
9
Folder
2
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8 color sketches
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My Six Loves (Paramount, 1963)
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Box
9
Folder
3A
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15 color sketches for “Janice Courtney” / (Debbie Reynolds)
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Box
9
Folder
3B
|
14 additional color sketches
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Box
9
Folder
3C
|
17 additional color sketches
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Box
9
Folder
3D
|
14 additional color sketches
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Box
9
Folder
3D
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2 additional unfinished pencil sketches
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It's Only Money (Paramount, 1962)
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Box
9
Folder
4
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1 color sketch of bridal gown for “Wanda Paxton” (Joan O'Brien)
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A New Kind of Love (Paramount, 1963)
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Box
9
Folder
5A
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4 pencil sketches of Christian Dior designs
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Box
9
Folder
5B
|
12 color sketches for “Samantha 'Sam' Blake” / (Joan Woodward)
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Box
9
Folder
5B
|
1 color sketch for “Leena” / (Thelma Ritter)
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Box
9
Folder
5C
|
7 additional color sketches
|
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Box
9
Folder
5C
|
2 additional color final sketches / signed by Edith Head
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|
The Nutty Professor (Paramount, 1963)
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Box
10
Folder
1A
|
5 color sketches for “Stella Purdy” / (Stella Stevens)
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Box
10
Folder
1A
|
2 color final sketches for “Stella Purdy” / (Stella Stevens)
|
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|
Box
10
Folder
1B
|
3 color final sketches for “Stella Purdy” / (Stella Stevens)
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Box
10
Folder
1B
|
1 color sketch for “Stella Purdy” / (Stella Stevens)
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Box
10
Folder
1C
|
6 additional color sketches
|
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Box
10
Folder
1C
|
2 additional color final sketches
|
|
|
On the Double (Paramount, 1961)
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Box
10
Folder
2A
|
7 color thumbnail sketches
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Box
10
Folder
2A
|
1 color sketch for “Corporal Joseph Praeger” / (Jesse White)
|
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|
Box
10
Folder
2A
|
13 color sketches for “Lady Margaret MacKenzie” / (Dana Wynter)
|
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|
Box
10
Folder
2B
|
10 color sketches for “Lady Margaret MacKenzie” / (Dana Wynter)
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|
Box
10
Folder
2C
|
22 additional color sketches
|
|
|
Box
10
Folder
2C
|
1 additional black and white sketch
|
|
|
Papa's Delicate Condition (Paramount, 1963)
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|
|
Box
10
Folder
3
|
1 color sketch for “Augusta Griffith” / (Laurel Goodwin)
|
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Box
10
Folder
3
|
1 additional color sketch
|
|
|
Box
10
Folder
3
|
8 color sketches for “Corinne” / (Linda Bruhl)
|
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|
The Patsy (Paramount, 1964)
|
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|
Box
10
Folder
4A
|
14 color sketches
|
|
|
Box
10
Folder
4A
|
1 additional black and white sketch
|
|
|
Box
10
Folder
4B
|
14 color sketches
|
|
|
Box
10
Folder
4B
|
1 additional black and white sketch
|
|
|
Box
10
Folder
4C
|
2 color sketches for “Ellen Betz” / (Ina Balin)
|
|
|
Box
10
Folder
4C
|
1 additional pencil sketch
|
|
|
Pepe (Columbia, 1960)
|
|
|
Box
10
Folder
5
|
3 color sketches for “Suzie Murphy” / (Shirley Jones)
|
|
|
Box
10
Folder
5
|
9 additional color sketches
|
|
|
The Pleasure of His Company
: Broadway play opened at Longacre Theater, 1958 October 22.
|
|
|
Box
11
Folder
1
|
Costume breakdown list for “Katharine 'Kate' Dougherty” / (Cornelia Otis Skinner)
|
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|
Box
11
Folder
1
|
5 black and white sketches for “Katharine 'Kate' Dougherty” / (Cornelia Otis Skinner)
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|
The Pleasure of His Company (Paramount, 1961)
|
|
|
Box
11
Folder
2A
|
13 color sketches for “Katharine 'Kate' Dougherty” / (Lilli Palmer)
|
|
|
Box
11
Folder
2B
|
16 color sketches for “Katharine 'Kate' Dougherty” / (Lilli Palmer)
|
|
|
Box
11
Folder
3A
|
10 color sketches for “Jessica Anne Poole” / (Debbie Reynolds)
|
|
|
Box
11
Folder
3B
|
17 additional color sketches
|
|
|
Box
11
Folder
3B
|
1 additional black and white sketch
|
|
|
Box
11
Folder
3C
|
17 additional color sketches
|
|
|
Box
11
Folder
4
|
9 color final sketches / signed by [Grace] Sprague and Edith Head
|
|
|
Pocketful of Miracles (United Artists, 1961)
|
|
|
Box
12
Folder
1A
|
12 color sketches for “Queenie Martin” / (Hope Lange)
|
|
|
Box
12
Folder
1B
|
11 additional color sketches
|
|
|
Box
12
Folder
1B
|
2 additional black and white sketches
|
|
|
The Rat Race (Paramount, 1960)
|
|
|
Box
12
Folder
2A
|
12 color thumbnail sketches for “Peggy Brown” / (Debbie Reynolds)
|
|
|
Box
12
Folder
2A
|
9 additional color sketches for “Peggy Brown” / (Debbie Reynolds)
|
|
|
Box
12
Folder
2B
|
7 additional color sketches
|
|
|
Roustabout (Paramount, 1964)
|
|
|
Box
12
Folder
3
|
6 color sketches for “Cathy Lean” / (Joan Freeman)
|
|
|
Box
12
Folder
3
|
4 additional color sketches
|
|
|
Sabrina (Paramount, 1954)
|
|
|
Box
12
Folder
4
|
5 color and black and white thumbnail sketches for “Sabrina Fairchild” / (Audrey Hepburn)
|
|
|
Box
12
Folder
4
|
2 color sketches for “Sabrina Fairchild” / (Audrey Hepburn)
|
|
|
Box
12
Folder
4
|
2 color sketches for “Elizabeth Tyson” / (Martha Hyer)
|
|
|
Box
12
Folder
4
|
1 additional color sketch
|
|
|
Separate Tables (United Artists, 1958)
|
|
|
Box
12
Folder
5
|
5 color sketches for “Ann Shankland” / (Rita Hayworth)
|
|
|
Box
12
Folder
5
|
6 additional color sketches
|
|
|
Sex and the Single Girl (Warner Brothers, 1964)
|
|
|
Box
12
Folder
6A
|
20 pencil thumbnail sketches for “Helen Swann” / (Natalie Wood)
|
|
|
Box
12
Folder
6A
|
1 pencil collection sketch of blouse collar options
|
|
|
Box
12
Folder
6A
|
2 additional color sketches for “Helen Brown” / (Natalie Wood)
|
|
|
Box
12
Folder
6A
|
5 additional color sketches
|
|
|
Box
12
Folder
6B
|
22 additional color sketches
|
|
|
Box
12
Folder
6C
|
15 additional color sketches
|
|
|
Box
12
Folder
6C
|
1 additional pencil sketch
|
|
|
Box
12
Folder
6D
|
22 additional color sketches
|
|
|
Summer and Smoke (Paramount, 1961)
|
|
|
Box
13
Folder
1
|
4 color final sketches for “Nellie Ewell” / (Pamela Tiffin)
|
|
|
Box
13
Folder
2
|
3 color final sketches for Nellie Ewell” / (Pamela Tiffin)
|
|
|
Box
13
Folder
3A
|
2 color final sketches for “Alma Winemiller” / (Geraldine Page)
|
|
|
Box
13
Folder
3B
|
3 color final sketches for “Alma Winemiller” / (Geraldine Page)
|
|
|
Box
13
Folder
4
|
4 color final sketches for “Alma Winemiller” / (Geraldine Page)
|
|
|
Box
14
Folder
1
|
4 color final sketches for “Alma Winemiller” / (Geraldine Page)
|
|
|
Box
14
Folder
2A
|
3 color final sketches for “Rosa Zacharias” / (Rita Moreno)
|
|
|
Box
14
Folder
2B
|
3 color final sketches
|
|
|
Sylvia (Paramount, 1965)
|
|
|
Box
14
Folder
3A
|
3, 4x6-inch pencil sketches on Edith Head memo paper
|
|
|
Box
14
Folder
3A
|
5 costume/scene breakdown lists
|
|
|
Box
14
Folder
3A
|
6 unfinished pencil thumbnail sketches for “Sylvia” / (Carroll Baker)
|
|
|
Box
14
Folder
3A
|
8 additional pencil thumbnail sketches
|
|
|
Box
14
Folder
3B
|
16 color sketches for “Sylvia” / (Carroll Baker)
|
|
|
Box
14
Folder
3C
|
27 additional color sketches
|
|
|
Box
14
Folder
4A
|
22 additional color sketches
|
|
|
Box
14
Folder
4B
|
13 additional color sketches
|
|
|
Box
14
Folder
4C
|
16 additional color sketches
|
|
|
The Ten Commandments (Paramount, 1956)
|
|
|
Box
15
Folder
1
|
25 black and white continuity photos with accompanying costume breakdown lists
|
|
|
Box
15
Folder
2A
|
13 color thumbnail sketches/costume plot for “Moses” / (Charlton Heston)
|
|
|
Box
15
Folder
2A
|
14 color thumbnail sketches/costume plot for “Nefretiri” / (Anne Baxter)
|
|
|
Box
15
Folder
2A
|
8 color thumbnail sketches/costume plot for “Rameses II” / (Yul Brynner)
|
|
|
Box
15
Folder
2B
|
7 color thumbnail sketches/costume plot for “Bithiah” / (Nina Foch)
|
|
|
Box
15
Folder
2B
|
2 color thumbnail sketches/costume plot for “Nefretiri” / (Anne Baxter)
|
|
|
Box
15
Folder
2B
|
6 color thumbnail sketches/costume plot for “Lilia” / (Debra Paget)
|
|
|
Box
15
Folder
2B
|
1 color thumbnail sketch (Exodus scene) for “Moses” / (Charlton Heston)
|
|
|
Box
15
Folder
2B
|
1 color thumbnail sketch (Exodus scene) for “Joshua” / (John Derek)
|
|
|
Box
15
Folder
2B
|
1 color thumbnail sketch (Exodus scene) for “Miriam” / (Olive Deering)
|
|
|
Box
15
Folder
3A
|
1 color final sketch for “Nefretiri” / (Anne Baxter)
: Bottom of sketch reads “The Mode in Costume, R. Turner Wilcox, p. 4.”
|
|
|
Box
15
Folder
3B
|
1 color final sketch for “Nefretiri” / (Anne Baxter)
|
|
|
Box
15
Folder
3C
|
1 color final sketch for “Nefretiri” / (Anne Baxter)
|
|
|
Box
15
Folder
4A
|
1 color final sketch for “Nefretiri” / (Anne Baxter)
|
|
|
Box
15
Folder
4B
|
1 color final sketch for “Nefretiri” / (Anne Baxter)
|
|
|
Box
15
Folder
4C
|
1 color final sketch for “Nefretiri” / (Anne Baxter)
|
|
|
Box
15
Folder
5A
|
1 color final sketch for “Sephora” / (Yvonne De Carlo)
|
|
|
Box
15
Folder
5B
|
1 color final sketch for “Sephora” / (Yvonne De Carlo)
|
|
|
Box
15
Folder
5C
|
1 color final sketch for “Sephora” / (Yvonne De Carlo)
|
|
|
Box
16
Folder
1A
|
1 color final sketch for “Lilia” / (Debra Paget)
|
|
|
Box
16
Folder
1B
|
1 color final sketch for “Lilia” / (Debra Paget)
|
|
|
Box
16
Folder
1C
|
1 color final sketch for “Lilia” / (Debra Paget)
|
|
|
Box
16
Folder
2A
|
1 color final sketch for “Bithiah” / (Nina Foch)
|
|
|
Box
16
Folder
2B
|
1 color final sketch for “Priestess”
|
|
|
Box
16
Folder
3A
|
1 color final sketch
|
|
|
Box
16
Folder
3B
|
1 additional color final sketch
|
|
|
Box
16
Folder
3C
|
1 additional color final sketch
|
|
|
Box
16
Folder
4A
|
1 color final sketch for Official Guard
|
|
|
Box
16
Folder
4B
|
1 color final sketch for Guard
|
|
|
Box
16
Folder
4C
|
1 color collection sketch of 4 headdress options
|
|
|
Box
16
Folder
4C
|
1 additional color 'collection' sketch of headdress options
|
|
|
Box
16
Folder
5A
|
1 color collection sketch for slave look (skin, garments, etc) / signed by J.L. Jensen
|
|
|
Box
16
Folder
5B
|
1 additional color sketch for slaves / signed by J.L. Jensen
|
|
|
Box
16
Folder
5C
|
1 additional color sketch for slaves / signed by J.L. Jensen
|
|
|
Box
16
Folder
5D
|
1 additional color sketch for slaves / signed by J.L. Jensen
|
|
|
Box
16
Folder
6A
|
1 color sketch of Dancing Girl / signed by J.L. Jensen
|
|
|
Box
16
Folder
6B
|
1 additional color final sketch of Dancing Girl
|
|
|
Box
16
Folder
6C
|
1 additional color final sketch of Dancing Girl
|
|
|
Box
16
Folder
7A
|
1 color sketch of headdress options
|
|
|
Box
16
Folder
7B
|
1 additional color final sketch of headdress options
|
|
|
36 Hours (MGM, 1965)
|
|
|
Box
17
Folder
1
|
12 color sketches
|
|
|
To Catch a Thief (Paramount, 1955)
|
|
|
Box
17
Folder
2A
|
1 color sketch for “John Robie” / (Cary Grant)
|
|
|
Box
17
Folder
2A
|
5 color sketches for “Frances Stevens” / (Grace Kelly)
|
|
|
Box
17
Folder
2A
|
5 color sketches for “Jessie Stevens” / (Jessie Royce Landis)
|
|
|
Box
17
Folder
2B
|
1 color sketch for “Queen”
|
|
|
Box
17
Folder
2B
|
1 color sketch for “Venetian Couple”
|
|
|
Box
17
Folder
2B
|
1 color sketch for “Serving Girl”
|
|
|
Box
17
Folder
2B
|
1 color sketch for “Shepherdess”
|
|
|
Box
17
Folder
2B
|
16 additional color sketches
|
|
|
Too Late Blues (Paramount, 1961)
|
|
|
Box
17
Folder
3
|
7 color sketches for “Jess Polanski” / (Stella Stevens)
|
|
|
Box
17
Folder
3
|
1 additional color sketch
|
|
|
Vertigo (Paramount, 1958)
|
|
|
Box
17
Folder
4
|
7 color sketches for “Madeleine Elster/Judy Barton” / (Kim Novak)
|
|
|
Box
17
Folder
4
|
2 color sketches for Vera Miles (actress initially cast as “Madeleine”)
|
|
|
Box
17
Folder
4
|
6 additional color sketches
|
|
|
Who's Been Sleeping in My Bed? (Paramount, 1963)
|
|
|
Box
17
Folder
5
|
3 color sketches for “Melissa Morris” / (Elizabeth Montgomery)
|
|
|
Box
17
Folder
5
|
2 color sketches for “Toby Tobler” / (Jill St. John)
|
|
|
Box
17
Folder
5
|
1 color sketch for “Stella Irving” / (Carol Burnett)
|
|
|
Box
17
Folder
5
|
7 additional color sketches
|
|
|
Who's Got the Action? (Paramount, 1962)
|
|
|
Box
17
Folder
6A
|
7 color thumbnail sketches
|
|
|
Box
17
Folder
6B
|
5 color sketches for “Melanie Flood” / (Lana Turner)
|
|
|
Box
17
Folder
6B
|
1 color sketch for “Saturday Knight” / (Nita Talbot)
|
|
|
Box
17
Folder
6B
|
14 additional color sketches
|
|
|
Box
17
Folder
6B
|
2 unfinished pencil sketches
|
|
|
Who's Minding the Store? (Paramount, 1963)
|
|
|
Box
17
Folder
7A
|
2 pencil sketches for “Mrs. Phoebe Tuttle” / (Agnes Moorhead)
|
|
|
Box
17
Folder
7A
|
4 additional pencil sketches
|
|
|
Box
17
Folder
7B
|
7 color sketches for “Shirley Lott” / (Francesa Bellini)
|
|
|
Box
17
Folder
7B
|
11 additional color sketches
|
|
|
Box
17
Folder
7C
|
14 color sketches for “Barbara Tuttle” / (Jill St. John)
|
|
|
Box
17
Folder
7C
|
3 additional color sketches
|
|
|
Box
17
Folder
8A
|
2 color final sketches for “Maxie” / by Pat Barto
|
|
|
Box
17
Folder
8A
|
1 color final sketch for “Rupert” / by Pat Barto
|
|
|
Box
17
Folder
8B
|
2 color final sketches / by Pat Barto
|
|
|
Box
18
Folder
1
|
3 color final sketches for “Mr. Quimby” / (Ray Walston)
|
|
|
Box
18
Folder
2
|
3 color final sketches for “Mr. Quimby” / (Ray Walston)
|
|
|
Wives and Lovers (Paramount, 1963)
|
|
|
Box
18
Folder
3A
|
26 color sketches for “Fran Cabrell” / (Shelley Winters)
|
|
|
Box
18
Folder
3B
|
8 additional color sketches
|
|
|
Box
18
Folder
4A
|
16 color sketches for “Bertie Austin” / (Janet Leigh)
|
|
|
Box
18
Folder
4B
|
15 color sketches for “Bertie Austin” / (Janet Leigh)
|
|
|
Box
18
Folder
4C
|
8 additional color sketches
|
|
|
Box
18
Folder
5A
|
21 color sketches for “Lucinda Ford” / (Martha Hyer)
|
|
|
Box
18
Folder
5B
|
6 additional color sketches
|
|
|
Box
19
Folder
1
|
1 pen/ink 'collection' sketch of 5 bracelet options
|
|
|
Series: Television
|
|
|
“Lucille Ball Television Special” (1964)
|
|
|
Box
19
Folder
2A
|
17 color sketches for (Lucille Ball)
|
|
|
Box
19
Folder
2B
|
15 color sketches for (Lucille Ball)
|
|
|
Box
19
Folder
2B
|
3 pencil/ink sketches for (Lucille Ball)
|
|
|
Series: Special Designs for Known Actresses
|
|
|
Box
19
Folder
3
|
1 color final sketch of gown for Bette Davis / by [Grace] Sprague
|
|
|
Box
19
Folder
3
|
1 color final sketch of gown for Grace Kelly / by [Grace] Sprague
|
|
|
Box
19
Folder
3
|
1 color final sketch of gown for Natalie Wood / by [Grace] Sprague
|
|
|
Box
19
Folder
4A
|
2 color final sketches of gowns for Joan Crawford / by [Grace] Sprague
|
|
|
Box
19
Folder
4B
|
1 color sketch of gowns for Janet Leigh and Mai Zetterling
|
|
|
Box
19
Folder
4B
|
1 color sketch of gown for Greer Garson
|
|
|
Box
19
Folder
4B
|
1 color final sketch of gown for Lucille Ball
: Label on reverse: “Pat Stanley in Jerry Lewis' The Ladies Man” (Paramount 1961).
|
|
|
Box
19
Folder
5
|
1 black and white collection sketch of medieval hoods for Corinne Calvet, Mona Freeman, Barbara Rush, Arleen Whalen
|
|
|
Box
19
Folder
5
|
1 black and white collection sketch of suspender options for Polly Bergen, Corinne Calvet, Betty Hutton
|
|
|
Box
19
Folder
5
|
1 black and white collection sketch of alternative necklines for the 'Deborah Kerr Jersey Dress'
|
|
|
Box
19
Folder
5
|
1 black and white collection sketch of various wardrobe looks for Joan Fontaine, Ruth Hussey, Diana Lynn, Marilyn Maxwell
|
|
|
Box
19
Folder
5
|
1 black and white sketch of gowns for Lucille Ball and Hedy Lamarr
|
|
|
Box
19
Folder
5
|
1 black and white sketch of gowns for Rhonda Fleming, Betty Hutton, and Lizabeth Scott
|
|
|
Series: Unidentified Motion Picture/Advertisement Sketches
|
|
|
Box
19
Folder
6
|
1 color sketch of gown for “Makeup Ball”
|
|
|
Box
19
Folder
6
|
1 pencil sketch of various sash options for ball gowns
|
|
|
Box
19
Folder
6
|
1 color sketch of cocktail dress
|
|
|
Box
19
Folder
6
|
1 black and white sketch of cocktail dress
|
|
|
Box
19
Folder
6
|
4 color sketches of ladies' suits
|
|
|
Box
19
Folder
6
|
5 color sketches of robes
|
|
|
Box
19
Folder
6
|
3 pencil sketches of nightgowns
|
|
|
Box
19
Folder
7
|
1 pencil sketch of woman's suit
|
|
|
Box
19
Folder
7
|
1 pencil sketch of dress sash options
|
|
|
Box
19
Folder
7
|
5 color sketches of cocktail dresses
|
|
|
Box
19
Folder
7
|
1 color final sketch of cocktail dress with strap/shoulder options (1952)
|
|
|
Box
19
Folder
7
|
1 black and white final sketch of cocktail dress
|
|
|
Box
19
Folder
8
|
8 pencil sketches of tiaras
|
|
|
Box
20
Folder
1A
|
1 color final sketch of Edith Head
|
|
|
Box
20
Folder
1B
|
9 color thumbnail sketches for female 'matador' striptease
|
|
|
Box
20
Folder
2A
|
7 black and white sketches - sash variations
|
|
|
Box
20
Folder
2B
|
5 black and white sketches - bodice 'looks' (capes, jackets, wraps, etc.)
|
|
|
Box
20
Folder
2B
|
1 black and white collection sketch - cocktail dresses
|
|
|
Box
20
Folder
2B
|
1 pencil sketch of cocktail dress
|
|
|
Box
20
Folder
3
|
1 black and white collection sketch - “Short Sleeve Suits for Spring”
|
|
|
Box
20
Folder
3
|
1 color collection sketch - ways to 'accessorize' a suit/skirt
|
|
|
Box
20
Folder
3
|
1 black and white collection sketch - flannel “Pieces for Fall”
|
|
|
Box
20
Folder
3
|
1 black and white collection sketch - “The Jersey Look” dresses
|
|
|
Box
20
Folder
4
|
1 black and white collection sketch - hats (back reads 'Rose Goldstein')
|
|
|
Box
20
Folder
4
|
1 black and white collection sketch - scarf options
|
|
|
Box
20
Folder
4
|
1 black and white collection sketch - “Signs of Spring” accessories
|
|
|
Box
20
Folder
4
|
1 black and white collection sketch - “On the Cuff”
|
|
|
Box
20
Folder
4
|
1 color collection sketch - bodice flower accents
|
|
|
Box
20
Folder
5
|
3 color sketches of Edith Head patterns for Advance Printed Patterns , (March 1960 edition)
- #9296 Pleat-skirted dress
- #9291 Career suit
- #9292 3-piece suit as worn by Shirley MacLaine in Career (1959)
|
|
|
Box
20
Folder
5
|
1 black and white collection sketch - flared skirt variations
|
|
|
Box
20
Folder
5
|
1 black and white collection sketch - arm garters
|
|
|
Box
20
Folder
5
|
1 black and white sketch for “Ribbon Belts” - (for TV Guide National Section)
|
|
|
Box
20
Folder
5
|
1 black and white collection sketch - “Pin it On” accessories
|
|
|
Box
20
Folder
5
|
1 black and white collection sketch - hatpin accessories
|
|
|
Box
20
Folder
5
|
1 black and white collection sketch - “Clothespin Clips”
|
|
|
Box
20
Folder
5
|
1 black and white collection sketch - “Fancy Bibs” (back reads “Rose Goldstein”)
|
|
|
Box
20
Folder
5
|
1 black and white collection sketch - aprons
|
|
|
Box
20
Folder
5
|
1 black and white collection sketch - “The Corselet”
|
|
|
Box
20
Folder
6
|
1 black and white thumbnail collection sketch - ladies' wardrobe accessories
|
|
|
Box
20
Folder
6
|
1 color advertisement - “Fans”
|
|
|
Box
20
Folder
6
|
1 color advertisement - “Holiday Aprons”
|
|
|
Series: Writings
|
|
|
The Dress Doctor (published 1959)
|
|
|
Box
21
Folder
1
|
Correspondence
|
|
|
Box
21
Folder
2
|
Ads and promotions
|
|
|
Box
21
Folder
3
|
Appearances
|
|
|
Box
21
Folder
4
|
Serial clippings
|
|
|
Box
21
Folder
5
|
Reviews
|
|
|
Box
21
Folder
6
|
Library news and best seller lists
|
|
|
Box
21
Folder
7
|
Magazine articles
|
|
|
Box
21
Folder
8
|
Column comments
|
|
|
Box
21
Folder
9
|
Additional magazine articles by Edith Head
|
|
|
Box
21
Folder
10
|
Signed copy of The Dress Doctor by Edith Head (“To Mildred Rulstad”)
|
|
|
Series: Awards and Publicity
|
|
|
Awards and Press Clippings, up to 1959
: Includes Academy Awards, 1960.
|
|
|
Box
22
Folder
1
|
Awards
|
|
|
Box
22
Folder
2
|
Appearances
|
|
|
Box
22
Folder
3
|
Foreign press and magazine articles
|
|
|
Box
22
Folder
4
|
Additional magazine articles about Edith Head
|
|
|
Box
22
Folder
5
|
Press clippings, before 1959
|
|
|
Box
22
Folder
6
|
32nd Annual Academy Awards, 1960 April 4
|
|
|
Box
22
Folder
6
|
Preparation and correspondence
|
|
|
Box
22
Folder
7
|
32nd Annual Academy Awards, 1960 April 4
|
|
|
Box
22
Folder
7
|
Clippings
|
|
|
Newspaper Clippings, 1960 February-1961 March
|
|
|
Box
23
Folder
1
|
1960 February-April
|
|
|
Box
23
Folder
2
|
1960 May-August
|
|
|
Box
23
Folder
3
|
1960 September-December
|
|
|
Box
23
Folder
4
|
1961 January-March
|
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Press Clippings, 1961 April-1963 October
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Box
24
Folder
1
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1961 April-May
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Box
24
Folder
2
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1961 June-December
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Box
24
Folder
3
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1962 January-March
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Box
24
Folder
4
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1962 April
: Includes the 34rd Annual Academy Awards.
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Box
24
Folder
5
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1962 May-September
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Box
25
Folder
1
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1962 October-December
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Box
25
Folder
2
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1963 January-April
: Includes the 35th Annual Academy Awards.
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Box
25
Folder
3
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1963 May-October
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Box
28
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Publicity scrapbooks, 1936-1944
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Box
25
Folder
4
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Miscellaneous press and additional articles
: Including: The Pleasure of His Company (1961); and Pepe (1960).
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Box
25
Folder
5
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Miscellaneous costume continuity sheets
- “Dr. Ilse Nordstrom” / (Mai Zetterling) in Knock on Wood (1954), with photo
- “Nancy Darby” / (Arlene Dahl) in Sangaree (1953), with photo
- “Betty Compton” / (Vera Miles) in Beau James (1957)
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Series: Edith Head Patterns
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“Very Easy Vogue” / patterns by Edith Head
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Box
26
Folder
1
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#1560 Size 14
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Box
26
Folder
1
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#1802 Size 10
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Box
26
Folder
1
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#1803 Size 12
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Box
26
Folder
1
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#1895 Size 8
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Box
26
Folder
2
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#2040 Size 8
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Box
26
Folder
2
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#2040 Size 10
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Box
26
Folder
2
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#2832 Size 12
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Box
26
Folder
2
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#2832 Size 12
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Vogue: American Designers Patterns / by Edith Head
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Box
26
Folder
3
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#1896 Size 8
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Box
26
Folder
3
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#2041 Size 14
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Box
26
Folder
3
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#2220 Size 14
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Box
26
Folder
3
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#2336 Size 12
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Box
27
Folder
1
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#2561 Size 18
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Box
27
Folder
1
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#2617 Size 14
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Box
27
Folder
1
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#2646 Size 12
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Box
27
Folder
2
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#2691 Size 10
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Box
27
Folder
2
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#2691 Size 18
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Box
27
Folder
2
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#2923 Size 10
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Spadea Designer / patterns by Edith Head
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Box
27
Folder
2
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#MG0-801 Size 12
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Advance Printed Patterns / original designs by Edith Head
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Box
27
Folder
3
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#4791 Size 14 / design by Edith Head for Betty Hutton in Dream Girl
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Box
27
Folder
3
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#5469 Size 18 / design by Edith Head for Barbara Stanwyck in Thelma Jordan
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Box
27
Folder
3
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#8048 Size 12 / original design by Edith Head
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Box
27
Folder
3
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#8049 Size 14 / original design by Edith Head
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Box
27
Folder
3
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#9292 Size 18 / original design by Edith Head
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Box
27
Folder
3
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#9356 Size 11 / original design by Edith Head
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Box
27
Folder
3
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#9398 Size 12 / original design by Edith Head
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Box
27
Folder
3
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#9691 Size 14 / created by Edith Head for Shirley Jones in Pepe
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Series: Patterns Not by Edith Head
: The following patterns are not by Edith Head, but are grouped with her Costume Collection.
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“Hollywood Patterns”
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Box
27
Folder
4
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#401 Size 14 as worn by Priscilla Lane in Three Cheers for the Irish
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Box
27
Folder
4
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#1132 Size 16 as worn by June Havoc of RKO-Radio
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Box
27
Folder
4
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#1152 Size 18 as worn by Ginny Simms of RKO-Radio
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Box
27
Folder
4
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#1199 Size 16 as worn by Bonita Granville of RKO-Radio
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Box
27
Folder
4
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#1200 Unknown size as worn by Merle Oberon, 'An Alexander Korda Star'
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Box
27
Folder
4
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#1272 Size 16 as worn by Renee Haal of RKO-Radio
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Box
27
Folder
4
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#1575 Size 18 as worn by Madeleine Carroll / Walter Wanger
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Box
27
Folder
4
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#1582 Size 18 as worn by Joan Bennett / Walter Wanger
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Box
27
Folder
4
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#1948 Size 18 as worn by Anne Shirley of RKO-Radio
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Box
27
Folder
4
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#1982 Size 14 as worn by Olympe Bradna of Paramount
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“Star Patterns”
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Box
27
Folder
5
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#12 Size 12 design by Travilla as worn by Loretta Young in Half Angel
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Box
27
Folder
5
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#28 Size 12 design by Mary K. Dodson, as worn by January Sterling in Appointment with Danger
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