Edith Head Papers, 1934-1965

Container Title
U.S. Mss 81AN
Series: Motion Pictures
All About Eve (Fox, 1950)
Box   1
Folder   1
1 color sketch of evening gown
All in a Night's Work (Paramount, 1961)
Box   1
Folder   2
1 color sketch for “Katie Robbins” / (Shirley MacLaine)
Anything Goes (Paramount, 1956)
Box   1
Folder   3
2 color sketches for “Gaby Duval” / (Zizi Jeanmaire)
Box   1
Folder   3
1 black and white sketch, 'Edith Head Designs for Jeanmaire' - “Gaby Duval” / (Zizi Jeanmaire)
Box   1
Folder   3
2 color sketches for “Patsy Blair” / (Mitzi Gaynor)
Box   1
Folder   3
1 black and white photo plate, 'Designs for Mitzi Gaynor' as “Patsy Blair”
Box   1
Folder   3
4 additional color sketches
Artists and Models (Paramount, 1955)
Box   1
Folder   4A
7 color thumbnail sketches for “Bessie Sparrowbrush” / (Shirley MacLaine)
Box   1
Folder   4B
3 color final sketches for “Bessie Sparrowbrush” / (Shirley MacLaine)
Box   1
Folder   5
1 color sketch for “Bessie Sparrowbrush” / (Shirley MacLaine)
Box   1
Folder   5
3 color final sketches for “Bessie Sparrowbrush” / (Shirley MacLaine)
Box   1
Folder   6A
6 color thumbnail sketches for “Abigail Parker” / (Dorothy Malone)
Box   1
Folder   6B
4 color final sketches for Abigail Parker” / (Dorothy Malone)
Box   2
Folder   1
6 color thumbnail sketches for “Sonia” / (Eva Gabor)
Box   2
Folder   1
3 color final sketches for “Sonia” / (Eva Gabor)
Box   2
Folder   2
2 additional color final sketches
Box   2
Folder   2
1 additional color sketch
Box   2
Folder   3
1 color final sketch for “Toulouse-Lautrec”
Box   2
Folder   3
1 color final sketch for “Mr. Murdock” / (Eddie Mayehoff)
Box   2
Folder   4A
2 color final sketches for “Anita” / (Anita Ekberg)
Box   2
Folder   4B
1 color final sketch for “Rick Todd” / (Dean Martin)
Box   2
Folder   5
1 color final sketch for “Bat Boys”
Box   2
Folder   5
1 color final sketch for “The Eating Blonde”
Box   2
Folder   6
1 color final sketch for “Fieldmouse”
Box   2
Folder   6
1 color final sketch for “Dancing Girls”
Box   2
Folder   7
1 color final sketch for “Zuba Queen”
Box   2
Folder   7
1 color final sketch for “Jack + Jill”
Box   2
Folder   7
1 color sketch for “Zuba Girls”
Box   2
Folder   7
1 unfinished pencil sketch for “Zuba Girls”
Box   2
Folder   7
1 color sketch for “Vulture Boys”
Box   2
Folder   7
1 color collection sketch of women's fashion evening gowns
Box   2
Folder   7
2 black and white collection sketches of men's fashion attire
The Birds and the Bees (Paramount, 1956)
Note: Remake of the movie Lady Eve.
Box   3
Folder   1
9 color thumbnail sketches for “Jean” / (Mitzi Gaynor)
The Black Orchid (Paramount, 1958)
Box   3
Folder   2
10 color sketches for “Rose Bianco” / (Sophia Loren)
Blue Hawaii (Paramount, 1961)
Box   3
Folder   3
19 color sketches for “Maile Duval” / (Joan Blackman)
Breakfast at Tiffany's (Paramount, 1961)
Box   3
Folder   4A
19 color thumbnail sketches for (Audrey Hepburn)
Box   3
Folder   4A
1 color sketch for “Holly Golightly” / (Audrey Hepburn)
Box   3
Folder   4B
18 additional color sketches
Box   3
Folder   4C
16 additional color sketches
Box   3
Folder   4D
9 additional color sketches
Box   3
Folder   4D
1 additional black and white sketch
But Not for Me (Paramount, 1959)
Box   3
Folder   5A
4 color sketches for “Ellie Brown” / (Carroll Baker)
Box   3
Folder   5B
6 additional color sketches
Box   3
Folder   5B
1 additional black and white sketch
Career (Paramount, 1959)
Box   3
Folder   6A
4 color sketches for “Sharon Kensington” / (Shirley MacLaine)
Box   3
Folder   6A
2 additional unfinished pencil sketches
Box   3
Folder   6B
6 color sketches for “Barbara Helmsley” / (Joan Blackman)
Box   3
Folder   6B
2 color sketches for “Marjorie Burke” / (Donna Douglas)
Come Blow Your Horn (Paramount, 1963)
Box   3
Folder   7A
7 color sketches for “Connie” / (Barbara Rush)
Box   3
Folder   7A
7 additional color sketches
Box   3
Folder   7B
6 color thumbnail sketches for “Peggy John” / (Jill St. John)
Box   3
Folder   7B
9 color sketches for “Peggy John” / (Jill St. John)
Box   3
Folder   7B
9 additional color sketches
Box   3
Folder   7C
3 color thumbnail sketches for “Mrs. Eckman” / (Phyllis McGuire)
Box   3
Folder   7C
7 color sketches for “Mrs. Eckman” / (Phyllis McGuire)
The Counterfeit Traitor (Paramount, 1962)
Box   4
Folder   1A
23 color thumbnail sketches for “Melanie”
Box   4
Folder   1B
3 color sketches for “Ingrid Erickson” / (Eva Dahlbeck)
Box   4
Folder   1B
15 additional color sketches
Box   4
Folder   1C
16 additional color sketches
Box   4
Folder   1C
4 additional black and white sketches
The Country Girl (Paramount, 1954)
Box   4
Folder   2
2 color sketches for “Georgie Elgin” / (Grace Kelly)
Donovan's Reef (Paramount, 1963)
Box   4
Folder   3A
2 color final sketches for “Amelia Dedham” / (Elizabeth Allen)
Box   4
Folder   3B
2 color final sketches for “Amelia Dedham” / (Elizabeth Allen)
Box   4
Folder   4
3 color final sketches
Box   4
Folder   5A
2 color sketches for “Amelia Dedham” / (Elizabeth Allen)
Box   4
Folder   5A
1 black and white sketch for “Amelia Dedham” / (Elizabeth Allen)
Box   4
Folder   5A
2 color sketches for “Lelani Dedham” / (Jacqueline Malouf)
Box   4
Folder   5A
1 color sketch for “The Angel Children”
Box   4
Folder   5B
22 additional color sketches
Box   5
Folder   1A
1 color final sketch for “Miss Lafleur” / (Dorothy Lamour)
Box   5
Folder   1A
7 additional black and white sketches
Box   5
Folder   1B
9 additional black and white sketches
Don't Give Up the Ship (Paramount, 1959)
Box   5
Folder   2A
8 color sketches for “Prudence” / (Diana Spencer)
Box   5
Folder   2B
23 additional color sketches
The Far Horizons (Paramount, 1955)
Box   5
Folder   3
1 color final sketch for “Sacajawea” / (Donna Reed)
Box   5
Folder   3
1 black and white final sketch for “Sacajawea” / (Donna Reed)
Box   5
Folder   3
2 color final sketches for “Julia Hancock” / (Barbara Hale)
The Five Pennies (Paramount, 1959)
Box   5
Folder   4A
1 color sketch for “Tommye Eden” / (Valerie Allen)
Box   5
Folder   4A
3 color sketches for “Dorothy Nichols” / (Tuesday Weld)
Box   5
Folder   4A
8 additional color sketches
Box   5
Folder   4B
15 color sketches for “Bobbie/Willa Stutsman” / (Barbara Bel-Geddes)
Box   5
Folder   4B
2 black and white sketches for “Bobbie/Willa Stutsman” / (Barbara Bel-Geddes)
The Girl Rush (Paramount, 1955)
Box   5
Folder   5A
15 color thumbnail sketches for “Kim Halliday” / (Rosalind Russell)
Box   5
Folder   5B
5 color sketches for “Kim Halliday” / (Rosalind Russell)
Box   5
Folder   5B
2 additional color sketches
Box   5
Folder   5B
1 color sketch for “Taffy Tremaine” / (Gloria DeHaven)
Box   5
Folder   5C
9 additional color sketches
Girls, Girls, Girls (Paramount, 1962)
Box   6
Folder   1A
3 color thumbnail sketches
Box   6
Folder   1A
20 color sketches for “Robin Gantner” / (Stella Stevens)
Box   6
Folder   1B
20 color sketches for “Laurel Dodge” / (Laurel Goodwin)
Box   6
Folder   1C
19 color sketches for “Laurel Dodge” / (Laurel Goodwin)
Box   6
Folder   1C
2 additional color sketches
Box   6
Folder   1C
1 additional black and white sketch
A Girl Named Tamiko (Paramount, 1962)
Box   6
Folder   2A
6 color sketches for “Tamiko” / (France Nuyen)
Box   6
Folder   2A
4 additional color sketches
Box   6
Folder   2B
11 color sketches for “Fay Wilson” / (Martha Hyer)
Box   6
Folder   2C
15 color sketches for “Fay Wilson” / (Martha Hyer)
The Hallelujah Trail (United Artists, 1965)
Box   6
Folder   3A
Written scene breakdown list for “Cora Templeton Massingale” / (Lee Remick) and “Louise Gearhart” / (Pamela Tiffin)
Box   6
Folder   3B
16 color sketches for “Cora Templeton Massingale” / (Lee Remick)
Box   6
Folder   3B
2 additional black and white sketches for “Cora Templeton Massingale” / (Lee Remick)
Box   6
Folder   3C
9 additional color sketches
Box   6
Folder   3D
1 color sketch for “Louise Gearhart” / (Pamela Tiffin)
Box   6
Folder   3D
1 black and white sketch for “Louise Gearhart” / (Pamela Tiffin)
Box   6
Folder   3D
10 additional color sketches
Box   6
Folder   3D
1 additional black and white sketch
Heller in Pink Tights (Paramount, 1960)
Box   6
Folder   4A
7 black and white sketches for “Angela Rossini” / (Sophia Loren)
Box   6
Folder   4B
17 additional black and white sketches
Box   6
Folder   4B
1 additional color sketch
Here Comes the Groom (Paramount, 1951)
Box   6
Folder   5
1 color sketch for “Emmadel Jones” / (Jane Wyman)
A Hole in the Head (United Artists, 1959)
Box   7
Folder   1
11 color sketches
Hud (Paramount, 1963)
Box   7
Folder   2A
1 final pencil sketch for “Hud Bannon” (Paul Newman) / by John Lauris Jensen
Box   7
Folder   2B
1 final pencil sketch for “Hud Bannon” (Paul Newman) / by John Lauris Jensen
Box   7
Folder   2C
1 final pencil sketch for “Hud Bannon” (Paul Newman) / by John Lauris Jensen
Box   7
Folder   2D
1 final pencil sketch for “Hud Bannon” (Paul Newman) / by John Lauris Jensen
Box   7
Folder   3A
1 final pencil sketch for “Homer Bannon” (Melvyn Douglas) / by John Lauris Jensen
Box   7
Folder   3B
1 final pencil sketch for “Homer Bannon” (Melvyn Douglas) / by John Lauris Jensen
Box   7
Folder   3C
1 final pencil sketch for “Homer Bannon” (Melvyn Douglas) / by John Lauris Jensen
Box   8
Folder   1A
1 final black and white sketch for “Lon Bannon” (Brandon De Wilde) / by John Lauris Jensen
Box   8
Folder   1B
1 final black and white sketch for “Lon Bannon” (Brandon De Wilde) / by John Lauris Jensen
Box   8
Folder   1C
1 final black and white sketch for “Lon Bannon” (Brandon De Wilde) / by John Lauris Jensen
Box   8
Folder   2A
2 pencil sketches for “Alma Brown” (Patricia Neal)
Box   8
Folder   2B
1 final black and white sketch for “Alma Brown” (Patricia Neal) / by John Lauris Jensen
Box   8
Folder   2C
1 final black and white sketch for “Alma Brown” (Patricia Neal) / by John Lauris Jensen
I Could Go on Singing (United Artists, 1963)
Box   8
Folder   3A
42 color thumbnail sketches for (Judy Garland)
Box   8
Folder   3A
36 black and white thumbnail sketches (Judy Garland)
Box   8
Folder   3B
17 color sketches for (Judy Garland)
Box   8
Folder   3C
11 color sketches for (Judy Garland)
Box   8
Folder   3C
1 black and white sketch for (Judy Garland)
Box   8
Folder   3D
4 color garment collection sketches / signed by Edith Head
Living it Up (Paramount, 1954)
Box   8
Folder   4A
8 color sketches for “Wally Cook” / (Janet Leigh)
Box   8
Folder   4B
1 color final sketch for “The Majorettes”
Box   8
Folder   4B
1 additional color final sketch
Love With a Proper Stranger (Paramount, 1963)
Box   9
Folder   1A
7 black and white sketches for “Angie Rossini” / (Natalie Wood)
Box   9
Folder   1B
19 additional black and white sketches
Lucy Gallant (Paramount, 1955)
Box   9
Folder   2
8 color sketches
My Six Loves (Paramount, 1963)
Box   9
Folder   3A
15 color sketches for “Janice Courtney” / (Debbie Reynolds)
Box   9
Folder   3B
14 additional color sketches
Box   9
Folder   3C
17 additional color sketches
Box   9
Folder   3D
14 additional color sketches
Box   9
Folder   3D
2 additional unfinished pencil sketches
It's Only Money (Paramount, 1962)
Box   9
Folder   4
1 color sketch of bridal gown for “Wanda Paxton” (Joan O'Brien)
A New Kind of Love (Paramount, 1963)
Box   9
Folder   5A
4 pencil sketches of Christian Dior designs
Box   9
Folder   5B
12 color sketches for “Samantha 'Sam' Blake” / (Joan Woodward)
Box   9
Folder   5B
1 color sketch for “Leena” / (Thelma Ritter)
Box   9
Folder   5C
7 additional color sketches
Box   9
Folder   5C
2 additional color final sketches / signed by Edith Head
The Nutty Professor (Paramount, 1963)
Box   10
Folder   1A
5 color sketches for “Stella Purdy” / (Stella Stevens)
Box   10
Folder   1A
2 color final sketches for “Stella Purdy” / (Stella Stevens)
Box   10
Folder   1B
3 color final sketches for “Stella Purdy” / (Stella Stevens)
Box   10
Folder   1B
1 color sketch for “Stella Purdy” / (Stella Stevens)
Box   10
Folder   1C
6 additional color sketches
Box   10
Folder   1C
2 additional color final sketches
On the Double (Paramount, 1961)
Box   10
Folder   2A
7 color thumbnail sketches
Box   10
Folder   2A
1 color sketch for “Corporal Joseph Praeger” / (Jesse White)
Box   10
Folder   2A
13 color sketches for “Lady Margaret MacKenzie” / (Dana Wynter)
Box   10
Folder   2B
10 color sketches for “Lady Margaret MacKenzie” / (Dana Wynter)
Box   10
Folder   2C
22 additional color sketches
Box   10
Folder   2C
1 additional black and white sketch
Papa's Delicate Condition (Paramount, 1963)
Box   10
Folder   3
1 color sketch for “Augusta Griffith” / (Laurel Goodwin)
Box   10
Folder   3
1 additional color sketch
Box   10
Folder   3
8 color sketches for “Corinne” / (Linda Bruhl)
The Patsy (Paramount, 1964)
Box   10
Folder   4A
14 color sketches
Box   10
Folder   4A
1 additional black and white sketch
Box   10
Folder   4B
14 color sketches
Box   10
Folder   4B
1 additional black and white sketch
Box   10
Folder   4C
2 color sketches for “Ellen Betz” / (Ina Balin)
Box   10
Folder   4C
1 additional pencil sketch
Pepe (Columbia, 1960)
Box   10
Folder   5
3 color sketches for “Suzie Murphy” / (Shirley Jones)
Box   10
Folder   5
9 additional color sketches
The Pleasure of His Company
Note: Broadway play opened at Longacre Theater, 1958 October 22.
Box   11
Folder   1
Costume breakdown list for “Katharine 'Kate' Dougherty” / (Cornelia Otis Skinner)
Box   11
Folder   1
5 black and white sketches for “Katharine 'Kate' Dougherty” / (Cornelia Otis Skinner)
The Pleasure of His Company (Paramount, 1961)
Box   11
Folder   2A
13 color sketches for “Katharine 'Kate' Dougherty” / (Lilli Palmer)
Box   11
Folder   2B
16 color sketches for “Katharine 'Kate' Dougherty” / (Lilli Palmer)
Box   11
Folder   3A
10 color sketches for “Jessica Anne Poole” / (Debbie Reynolds)
Box   11
Folder   3B
17 additional color sketches
Box   11
Folder   3B
1 additional black and white sketch
Box   11
Folder   3C
17 additional color sketches
Box   11
Folder   4
9 color final sketches / signed by [Grace] Sprague and Edith Head
Pocketful of Miracles (United Artists, 1961)
Box   12
Folder   1A
12 color sketches for “Queenie Martin” / (Hope Lange)
Box   12
Folder   1B
11 additional color sketches
Box   12
Folder   1B
2 additional black and white sketches
The Rat Race (Paramount, 1960)
Box   12
Folder   2A
12 color thumbnail sketches for “Peggy Brown” / (Debbie Reynolds)
Box   12
Folder   2A
9 additional color sketches for “Peggy Brown” / (Debbie Reynolds)
Box   12
Folder   2B
7 additional color sketches
Roustabout (Paramount, 1964)
Box   12
Folder   3
6 color sketches for “Cathy Lean” / (Joan Freeman)
Box   12
Folder   3
4 additional color sketches
Sabrina (Paramount, 1954)
Box   12
Folder   4
5 color and black and white thumbnail sketches for “Sabrina Fairchild” / (Audrey Hepburn)
Box   12
Folder   4
2 color sketches for “Sabrina Fairchild” / (Audrey Hepburn)
Box   12
Folder   4
2 color sketches for “Elizabeth Tyson” / (Martha Hyer)
Box   12
Folder   4
1 additional color sketch
Separate Tables (United Artists, 1958)
Box   12
Folder   5
5 color sketches for “Ann Shankland” / (Rita Hayworth)
Box   12
Folder   5
6 additional color sketches
Sex and the Single Girl (Warner Brothers, 1964)
Box   12
Folder   6A
20 pencil thumbnail sketches for “Helen Swann” / (Natalie Wood)
Box   12
Folder   6A
1 pencil collection sketch of blouse collar options
Box   12
Folder   6A
2 additional color sketches for “Helen Brown” / (Natalie Wood)
Box   12
Folder   6A
5 additional color sketches
Box   12
Folder   6B
22 additional color sketches
Box   12
Folder   6C
15 additional color sketches
Box   12
Folder   6C
1 additional pencil sketch
Box   12
Folder   6D
22 additional color sketches
Summer and Smoke (Paramount, 1961)
Box   13
Folder   1
4 color final sketches for “Nellie Ewell” / (Pamela Tiffin)
Box   13
Folder   2
3 color final sketches for Nellie Ewell” / (Pamela Tiffin)
Box   13
Folder   3A
2 color final sketches for “Alma Winemiller” / (Geraldine Page)
Box   13
Folder   3B
3 color final sketches for “Alma Winemiller” / (Geraldine Page)
Box   13
Folder   4
4 color final sketches for “Alma Winemiller” / (Geraldine Page)
Box   14
Folder   1
4 color final sketches for “Alma Winemiller” / (Geraldine Page)
Box   14
Folder   2A
3 color final sketches for “Rosa Zacharias” / (Rita Moreno)
Box   14
Folder   2B
3 color final sketches
Sylvia (Paramount, 1965)
Box   14
Folder   3A
3, 4x6-inch pencil sketches on Edith Head memo paper
Box   14
Folder   3A
5 costume/scene breakdown lists
Box   14
Folder   3A
6 unfinished pencil thumbnail sketches for “Sylvia” / (Carroll Baker)
Box   14
Folder   3A
8 additional pencil thumbnail sketches
Box   14
Folder   3B
16 color sketches for “Sylvia” / (Carroll Baker)
Box   14
Folder   3C
27 additional color sketches
Box   14
Folder   4A
22 additional color sketches
Box   14
Folder   4B
13 additional color sketches
Box   14
Folder   4C
16 additional color sketches
The Ten Commandments (Paramount, 1956)
Box   15
Folder   1
25 black and white continuity photos with accompanying costume breakdown lists
Box   15
Folder   2A
13 color thumbnail sketches/costume plot for “Moses” / (Charlton Heston)
Box   15
Folder   2A
14 color thumbnail sketches/costume plot for “Nefretiri” / (Anne Baxter)
Box   15
Folder   2A
8 color thumbnail sketches/costume plot for “Rameses II” / (Yul Brynner)
Box   15
Folder   2B
7 color thumbnail sketches/costume plot for “Bithiah” / (Nina Foch)
Box   15
Folder   2B
2 color thumbnail sketches/costume plot for “Nefretiri” / (Anne Baxter)
Box   15
Folder   2B
6 color thumbnail sketches/costume plot for “Lilia” / (Debra Paget)
Box   15
Folder   2B
1 color thumbnail sketch (Exodus scene) for “Moses” / (Charlton Heston)
Box   15
Folder   2B
1 color thumbnail sketch (Exodus scene) for “Joshua” / (John Derek)
Box   15
Folder   2B
1 color thumbnail sketch (Exodus scene) for “Miriam” / (Olive Deering)
Box   15
Folder   3A
1 color final sketch for “Nefretiri” / (Anne Baxter)
Note: Bottom of sketch reads “The Mode in Costume, R. Turner Wilcox, p. 4.”
Box   15
Folder   3B
1 color final sketch for “Nefretiri” / (Anne Baxter)
Box   15
Folder   3C
1 color final sketch for “Nefretiri” / (Anne Baxter)
Box   15
Folder   4A
1 color final sketch for “Nefretiri” / (Anne Baxter)
Box   15
Folder   4B
1 color final sketch for “Nefretiri” / (Anne Baxter)
Box   15
Folder   4C
1 color final sketch for “Nefretiri” / (Anne Baxter)
Box   15
Folder   5A
1 color final sketch for “Sephora” / (Yvonne De Carlo)
Box   15
Folder   5B
1 color final sketch for “Sephora” / (Yvonne De Carlo)
Box   15
Folder   5C
1 color final sketch for “Sephora” / (Yvonne De Carlo)
Box   16
Folder   1A
1 color final sketch for “Lilia” / (Debra Paget)
Box   16
Folder   1B
1 color final sketch for “Lilia” / (Debra Paget)
Box   16
Folder   1C
1 color final sketch for “Lilia” / (Debra Paget)
Box   16
Folder   2A
1 color final sketch for “Bithiah” / (Nina Foch)
Box   16
Folder   2B
1 color final sketch for “Priestess”
Box   16
Folder   3A
1 color final sketch
Box   16
Folder   3B
1 additional color final sketch
Box   16
Folder   3C
1 additional color final sketch
Box   16
Folder   4A
1 color final sketch for Official Guard
Box   16
Folder   4B
1 color final sketch for Guard
Box   16
Folder   4C
1 color collection sketch of 4 headdress options
Box   16
Folder   4C
1 additional color 'collection' sketch of headdress options
Box   16
Folder   5A
1 color collection sketch for slave look (skin, garments, etc) / signed by J.L. Jensen
Box   16
Folder   5B
1 additional color sketch for slaves / signed by J.L. Jensen
Box   16
Folder   5C
1 additional color sketch for slaves / signed by J.L. Jensen
Box   16
Folder   5D
1 additional color sketch for slaves / signed by J.L. Jensen
Box   16
Folder   6A
1 color sketch of Dancing Girl / signed by J.L. Jensen
Box   16
Folder   6B
1 additional color final sketch of Dancing Girl
Box   16
Folder   6C
1 additional color final sketch of Dancing Girl
Box   16
Folder   7A
1 color sketch of headdress options
Box   16
Folder   7B
1 additional color final sketch of headdress options
36 Hours (MGM, 1965)
Box   17
Folder   1
12 color sketches
To Catch a Thief (Paramount, 1955)
Box   17
Folder   2A
1 color sketch for “John Robie” / (Cary Grant)
Box   17
Folder   2A
5 color sketches for “Frances Stevens” / (Grace Kelly)
Box   17
Folder   2A
5 color sketches for “Jessie Stevens” / (Jessie Royce Landis)
Box   17
Folder   2B
1 color sketch for “Queen”
Box   17
Folder   2B
1 color sketch for “Venetian Couple”
Box   17
Folder   2B
1 color sketch for “Serving Girl”
Box   17
Folder   2B
1 color sketch for “Shepherdess”
Box   17
Folder   2B
16 additional color sketches
Too Late Blues (Paramount, 1961)
Box   17
Folder   3
7 color sketches for “Jess Polanski” / (Stella Stevens)
Box   17
Folder   3
1 additional color sketch
Vertigo (Paramount, 1958)
Box   17
Folder   4
7 color sketches for “Madeleine Elster/Judy Barton” / (Kim Novak)
Box   17
Folder   4
2 color sketches for Vera Miles (actress initially cast as “Madeleine”)
Box   17
Folder   4
6 additional color sketches
Who's Been Sleeping in My Bed? (Paramount, 1963)
Box   17
Folder   5
3 color sketches for “Melissa Morris” / (Elizabeth Montgomery)
Box   17
Folder   5
2 color sketches for “Toby Tobler” / (Jill St. John)
Box   17
Folder   5
1 color sketch for “Stella Irving” / (Carol Burnett)
Box   17
Folder   5
7 additional color sketches
Who's Got the Action? (Paramount, 1962)
Box   17
Folder   6A
7 color thumbnail sketches
Box   17
Folder   6B
5 color sketches for “Melanie Flood” / (Lana Turner)
Box   17
Folder   6B
1 color sketch for “Saturday Knight” / (Nita Talbot)
Box   17
Folder   6B
14 additional color sketches
Box   17
Folder   6B
2 unfinished pencil sketches
Who's Minding the Store? (Paramount, 1963)
Box   17
Folder   7A
2 pencil sketches for “Mrs. Phoebe Tuttle” / (Agnes Moorhead)
Box   17
Folder   7A
4 additional pencil sketches
Box   17
Folder   7B
7 color sketches for “Shirley Lott” / (Francesa Bellini)
Box   17
Folder   7B
11 additional color sketches
Box   17
Folder   7C
14 color sketches for “Barbara Tuttle” / (Jill St. John)
Box   17
Folder   7C
3 additional color sketches
Box   17
Folder   8A
2 color final sketches for “Maxie” / by Pat Barto
Box   17
Folder   8A
1 color final sketch for “Rupert” / by Pat Barto
Box   17
Folder   8B
2 color final sketches / by Pat Barto
Box   18
Folder   1
3 color final sketches for “Mr. Quimby” / (Ray Walston)
Box   18
Folder   2
3 color final sketches for “Mr. Quimby” / (Ray Walston)
Wives and Lovers (Paramount, 1963)
Box   18
Folder   3A
26 color sketches for “Fran Cabrell” / (Shelley Winters)
Box   18
Folder   3B
8 additional color sketches
Box   18
Folder   4A
16 color sketches for “Bertie Austin” / (Janet Leigh)
Box   18
Folder   4B
15 color sketches for “Bertie Austin” / (Janet Leigh)
Box   18
Folder   4C
8 additional color sketches
Box   18
Folder   5A
21 color sketches for “Lucinda Ford” / (Martha Hyer)
Box   18
Folder   5B
6 additional color sketches
Box   19
Folder   1
1 pen/ink 'collection' sketch of 5 bracelet options