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Container
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Title
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Series: Stage plays
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The Last Mile (N.Y., 1930, Feb. 13)
Prod: Herman Shumlin
Dir: Chester Erskin
Cast: Spencer Tracy, James H. Bell, Howard Phillips
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Box
1
Folder
1
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Holograph mss., titled All the World Wondered, 1929
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Revisions for first draft
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Box
1
Folder
2
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Act I
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Box
1
Folder
3
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Act II
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Box
1
Folder
4
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Act III
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Box
1
Folder
5
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Copyrighted typescript, titled All the World Wondered, 1929
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Box
1
Folder
6
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Third draft, titled All the World Wondered
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Box
1
Folder
7
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Revisions, Act III
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Box
1
Folder
8
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Revised draft with stage manager's annotations
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Box
1
Folder
9
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Galleys for Samuel French edition
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Box
1
Folder
10
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Samuel French edition, 1930
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Box
1
Folder
11
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Samuel French paperback edition
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Box
1
Folder
12
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Samuel French edition, one-act version, 1931
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Box
1
Folder
13
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Contract
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Box
1
Folder
14
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Playbills for stage play and for film
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Box
1
Folder
15
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Photographs
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Box
1
Folder
16
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Political cartoons
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Steel
New York, 1931, Nov. 18
Prod: Richard Geist, Inc.
Dir: John Wexley
Cast: Egon Brecher, Lili Zehner, Eleanor Phelps, Barton MacLane, Paul Guilfoyle
New York, 1937, Spring
Prod: Labor Stage, Inc.
Dir: Mark Schweid
Cast: I.L.G.W.U. Players (Local 10 Group)
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Box
2
Folder
1
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Original holograph draft, 1931, May 18
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Box
2
Folder
2
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Original typed draft, 1931, May 21
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Box
2
Folder
3
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Carbon typescript, annotated
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Box
2
Folder
4
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Typescript: , 1931 Broadway production
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Box
2
Folder
5
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Carbon typescript, annotated for 1937 Labor Stage production
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Box
2
Folder
6
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Revised carbon typescript, used for 1937 production
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Box
2
Folder
7
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Prompt script, 1937 production
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Box
2
Folder
8
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Correspondence, 1937, Jan. 25 - Feb. 18
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Photographs, playbill
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Box
2
Folder
9
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1931 production
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Box
2
Folder
10
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1937 production
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Box
2
Folder
11
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Prospectus, Labor Theatre Committee for touring Steel
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They Shall Not Die (New York, 1934, Feb. 21)
Prod: The Theatre Guild
Dir: Philip Moeller
Set designer: Lee Simonson
Cast: Claude Rains, Tom Ewell, Ruth Gordon, Dean Jagger
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Box
3
Folder
1
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Holograph outline, acts and scenes, with some dialogue, 1933, April 29 - May 17
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Box
3
Folder
2
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Original typescript, annotated by author
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Box
3
Folder
3
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Deleted or revised scenes
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Box
3
Folder
4
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Revised first draft
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Box
3
Folder
5
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Original second draft, annotated by author
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Box
3
Folder
6
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Script from which last draft was made, annotated
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Box
3
Folder
7
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Production script with cuts and revisions
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Box
3
Folder
8
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Cut prologue and epilogue, explanation of Act I, unused final scene
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Box
3
Folder
9
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Discarded pages
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Box
3
Folder
10
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Script for book publication
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Box
4
Folder
1
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Galley proofs for Alfred Knopf edition
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Box
4
Folder
2
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Alfred Knopf edition, 1934
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Box
4
Folder
3
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Alfred Knopf paperback edition, revised and rewritten (1950)
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Box
4
Folder
4
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Scene designs
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Box
4
Folder
5
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Photograph, playbill
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Box
4
Folder
6
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John Wexley, “White Supremacy,” Fight, April, 1934, p. 7.
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Screenplay
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Box
4
Folder
7
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First draft with annotations, 1949, Sept. 30 (unproduced?)
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Box
4
Folder
8
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Final draft, 1949, Dec. 28
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Box
5
Folder
1
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Revised final draft, 1950, Jan. 25
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Carrot and Club (Walnut Theater, Philadelphia, 1947, Feb. 4)
Prod: William Herz, Jr.
Dir: John Wexley
Cast: Polly Rowles, Diane Chadwick, Bert Lytell
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Box
5
Folder
2
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Holograph sections, 1945
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Holograph
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Box
5
Folder
3
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Act 1, Scene 1, incomplete
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Box
5
Folder
4
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Act 1, Scene 2, incomplete
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Box
5
Folder
5
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Act II, Scene, 1, incomplete
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Box
5
Folder
6
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Typed revisions for Act I, Scene 2
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Box
5
Folder
7
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Mimeograph script, 1946, Oct. 26
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Box
5
Folder
8
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Revised mimeograph script, 1947, Jan. 19
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Box
5
Folder
9
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Final prompt script, 1947, Feb. 8
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Box
5
Folder
10
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Misc. production notes, blueprint of set
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Box
5
Folder
11
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Photographs, clippings
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Running Dogs! (unproduced?)
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Box
6
Folder
1
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Typescript, with annotations
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Box
6
Folder
2
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Typescript
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Box
6
Folder
3
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One-act version, mimeographed
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Prometheus Tempted (unproduced?)
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Box
6
Folder
4
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Typescript, annotated
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Box
6
Folder
5
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Mimeograph script
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Box
6
Folder
6
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Mimeograph script
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Comes the Dreamer
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Box
6
Folder
7
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Carbon typescript
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Box
6
Folder
8
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Galleys for First Stage publication
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Box
6
Folder
9
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Published version: First Stage, Winter, 1962-1963, pp. 7 - 36.
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