Archival Resources in Wisconsin: Descriptive Finding Aids: Contents List

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Summary Information

Biography/History

Scope and Content Note

Contents List

Container	Title
U.S. Mss 68AN	Part 1 (U.S. Mss 68AN): Original Collection, 1939-1972 Physical Description: 15.2 c.f. (40 archives boxes) Scope and Content Note The Original Collection consists of scripts and production information arranged by genre as RADIO, TELEVISION, and THEATRE; additional series are NON-DRAMATIC WRITINGS, CORRESPONDENCE, and MISCELLANY. The papers presented by Howard Teichmann in 1966 consisted largely of correspondence and scripts for radio and theatre. Later additions arranged and described in 1991 related to the two programs for which Teichmann worked with ANTA as writer-producer-director. For these programs the collection includes important files containing diverse material on development, promotion, and day-to-day production activities. Except for the research material on John Shubert, the collection contains little information on Teichmann's biographical writing during the 1970s and 1980s. The photographs received with the collection have been separated to the WCFTR Name and Title Files. Teichmann's writings are arranged by genre, with the largest amount of documentation pertaining to his work as writer, editor, and producer for RADIO. Regardless of the specific function that Teichmann performed for a particular program, the documentation present consists largely of mimeographed final scripts. Most extensively documented are Ford Theatre, Road of Life, and Valiant Lady. There are also smaller quantities of scripts for Cavalcade of America (for which Teichmann's role is not specified) and for various other dramatic series. There is one incomplete and undated script for Mercury Theatre of the Air. For ANTA's Theatre U.S.A., for which Teichmann was the writer-producer, there is a virtually complete run of mimeo scripts, together with contracts, information on salaries and expenditures, and files of press releases and promotional material. The most important correspondence here concerns the development of the radio program, as well as ANTA's early plans for Showtime U.S.A., an expanded version of the same programming concept for television. The TELEVISION files are largely scripts and production files for Showtime U.S.A. This file contains not only material created and received by Teichmann as writer-director, but also material pertaining to the activities of ANTA executives Robert Breen and Vinton Freedley and staff members such as publicist Ned Armstrong. Present are mimeographed final scripts, correspondence, contracts, financial information, press releases, and photographs. Teichmann's writing process is best represented in the THEATRE series, with documentation here ranging from handwritten notes and outlines, to numerous variant drafts and the final mimeographed production script. Of his produced works there are files on The Girls in 509, Julia, Jake, and Uncle Joe, Miss Lonelyhearts, and Mrs. 'Arris Goes to Paris. Similar material also relates to several unproduced or uncompleted plays. The revision process is exceptionally well documented, Teichmann having apparently saved documentation of every line deleted from the dialogue. However, for his comedy hit The Solid Gold Cadillac the documentation consists only of box office statements (although these are complete for both the original New York company and the national touring company) and correspondence dating from the period after the play's New York run. While the Cadillac files contain little relating to his collaboration with co-author George S. Kaufman the papers do include a typescript of I Give It Three Months, an apparently unproduced Kaufman-Leueen MacGrath production for which Teichmann was to act as director. In addition, the small collection of George S. Kaufman Papers of the Wisconsin Center for Film and Theater Research includes two typed drafts of the unproduced 1954 Teichmann-Kaufman collaboration, “In the Money.” For some plays the collection includes a small quantity of correspondence pertaining to the writing or staging of the production, as well as some miscellaneous production information. Among the prominent correspondents are Orianna Atkinson and John Shubert (regarding Julia, Jake, and Uncle Joe), George S. Kaufman (regarding Postscript), and Earl Wilson (regarding Single Girls and Home Cooking). The Alan Schneider Papers, also held by WCFTR, contain further information on the revision and staging of Miss Lonelyhearts. Teichmann's acclaimed biographies of Kaufman, Alice Longworth Roosevelt, and Alexander Woollcott are only fragmentarily documented in the NON-DRAMATIC WRITINGS series. Included are a few articles on playwrighting and the theatre, a short story entitled “How I Became Stengel's Successor as Manager of the New York Yankees,” and publicity. CORRESPONDENCE is quite fragmentary except for the period 1969 to 1972. For those years, the correspondence consists primarily of copies of outgoing letters of a social or personal nature. This correspondence, apparently maintained at his office at Shubert Theatrical Enterprises, also includes some separately organized files pertaining to Teichmann's active involvement in professional organizations such as the Broadway Association. Notable in the general correspondence are four typed and edited short stories by James T. Farrell apparently forwarded to Teichmann by playwright Harvey Breit for possible dramatization and an English translation of reviews received by a production of Porgy and Bess in Russia and Eastern Europe in 1955 and 1956. The MISCELLANEOUS PAPERS consist of biographical material, photographs, and a few scripts by other playwrights for which the association with Teichmann is unknown.
	Series: Radio
	Campbell Playhouse
Box 1 Folder 1	“The Count of Monte Cristo,” Mimeo script adapted by Howard Teichmann, October 1, 1939
	Campbell Playhouse...Algiers
Box 1 Folder 2	Mimeo script, October 1, 1939
	Cavalcade of America
Box 1 Folder 3	“Drums Along the Mohawk,” Mimeo script, November 3, 1941
Box 1 Folder 3	“The Burning Bush,” Mimeo script by Frank Gabrielson, June 3, 1948
Box 1 Folder 3	“Betrayal,” Mimeo script by Halsted Welles, November 29, 1948
Box 1 Folder 3	“Lady on a Mission,” Mimeo script by Margaret Lewerth, April 25, 1949
Box 1 Folder 3	“The Return of the Lodger,” Mimeo script by Morton Wisengrad, June 6, 1949
Box 1 Folder 4	“D Day Salute,” Mimeo script (annotated), by Howard Teichmann, undated
Box 1 Folder 5	Double Feature, Two typed audition scripts, undated
	Ford Theatre, Mimeo scripts edited by Howard Teichmann
Box 1 Folder 6	“A Connecticut Yankee in King Arthur's Court,” Adapted by Lilian Schoen, October 5, 1947
Box 1 Folder 6	“The Great McGinty,” Mimeo script, October 12, 1947
Box 1 Folder 6	“On Borrowed Time,” Mimeo script, October 19, 1947
Box 1 Folder 7	“A Coffin For Dimitrios,” Adapted by Stanley R. Evans, October 26, 1947
Box 1 Folder 7	“Ah, Wilderness!” Adapted by Sylvia Cyril, October 22, 1947
Box 1 Folder 7	“The Power and the Glory,” November 9, 1947
Box 1 Folder 8	“Carmen Jones,” Adapted by George Zachary, November 16, 1947
Box 1 Folder 8	“George Washington Slept Here,” November 23, 1947
Box 1 Folder 8	“Dangerous Corner,” Adapted by Charles Gussman, November 30, 1947
Box 1 Folder 9	“We Hold These Truths,” December 7, 1947
Box 1 Folder 9	“Cimarron,” December 14, 1947
Box 1 Folder 9	“The Man Who Played God,” December 21, 1947
Box 2 Folder 1	“Father, Dear Father,” December 28, 1947
Box 2 Folder 1	“The Adventure of the Bad Boy,” January 4, 1948
Box 2 Folder 1	“Storm in a Teacup,” Adapted by George Faulkner, January 11, 1948
Box 2 Folder 2	“Girl Crazy,” Adapted by George Zachary, January 18, 1948
Box 2 Folder 2	“Green Pastures,” February 1, 1948
Box 2 Folder 2	“Abe Lincoln in Illinois,” February 8, 1948
Box 2 Folder 3	“Abe Lincoln in Washington,” February 15, 1948
Box 2 Folder 3	“The Bishop Misbehaves,” February 22, 1948
Box 2 Folder 3	“The Count of Monte Cristo,” February 29, 1948
Box 2 Folder 4	“Twentieth Century,” March 7, 1948
Box 2 Folder 4	“Autumn Crocus,” March 14, 1948
Box 2 Folder 4	“It's A Gift,” by Lee Bloomgarden, March 21, 1948
Box 2 Folder 5	“The Goose Hangs High,” April 4, 1948
Box 2 Folder 5	“The Murder of Roger Ackroyd,” April 11, 1948
Box 2 Folder 6	“Personal Appearance,” April 25, 1948
Box 2 Folder 6	“Alice Adams,” May 2, 1948
Box 2 Folder 6	“The Front Page,” May 9, 1948
Box 3 Folder 1	“Counsellor at Law,” Adapted by John Houseman, May 16, 1948
Box 3 Folder 1	“A Star is Born,” Adapted by True Boardman, May 23, 1948
Box 3 Folder 1	“Laura,” Adapted by Howard Teichmann, May 30, 1948
Box 3 Folder 2	“Michael and Mary,” Adapted by Nancy Moore, June 6, 1948
Box 3 Folder 2	“My Sister Eileen,” June 13, 1948
Box 3 Folder 2	“The Late Christopher Bean,” June 20, 1948
Box 3 Folder 2	“Arrowsmith,” June 27, 1948
	Ford Theatre of Canada
Box 3 Folder 3	“Golden Boy,” Adapted by Howard Teichmann, undated
Box 3 Folder 3	“What Every Woman Knows,” Adapted by Howard Teichmann, undated
Box 3 Folder 4	Four Corners Theatre, Holographic and typed scripts, undated
	Great Scenes from Great Plays
Box 3 Folder 5	“Cyrano de Bergerac,” Mimeo script, June 15, 1948
Box 3 Folder 5	“What Every Woman Knows,” Mimeo script, October 4 [1948?]
Box 3 Folder 5	“The Goose Hangs High,” Mimeo script adapted by Howard Teichmann, December 28, 1948
Box 3 Folder 6	Helen Hayes Theatre, Three typed scripts, undated
	Mercury Theatre
Box 3 Folder 7	“Beau Geste,” Mimeo script (Incomplete), undated
	Nature of the Enemy
Box 3 Folder 8	“Yamamoto,” Mimeo script, June 29, 1942
Box 3 Folder 8	“Alfred Rosenberg,” Mimeo script by Milton Geiger, undated
	New Theatre
Box 3 Folder 9	“The Informer,” August 26, 1951
Box 3 Folder 10	Newsreel for Giving, Mimeo script (annotated) by Howard Teichmann, November 24, 1946
	Road of Life
Box 3 Folder 11	Mimeo scripts by Irna Phillips, 1941-1944 Note: These scripts are not duplicated in the Irna Phillips Papers also held in this repository.
	Mimeo scripts by Howard Teichmann
Box 4	Episodes 1903-1995
Box 5	Episodes 1996-2099
Box 6	Episodes 2100-2195
Box 7	Episodes 2196-2320
Box 8	Episodes 2321-2412
Box 9	Episodes 2413-2511
Box 10	Episodes 2512-2616
Box 11	Episodes 2617-2709
	Showcase
Box 12 Folder 1	“Valiant Lady,” Mimeo script, February 15, 1943
	Stories America Loves
	“Dodsworth”
Box 12 Folder 2	Mimeo script 3, December 10, 1941
Box 12 Folder 2	Fourteen typed and mimeo scripts (Alternate numbering), 1941-1942
Box 12 Folder 3	“Virginian,” Mimeo script 17, October 28, 1941
	Theatre U.S.A., Written and produced by Howard Teichmann
	Script file
Box 12 Folder 4-20	Episodes 1-17
Box 13 Folder 1-17	Episodes 18-34, 38
	Correspondence files
Box 13 Folder 18	ANTA Album, 1949
Box 13 Folder 19	ANTA annual report, 1949
Box 13 Folder 20	Army, 1948-1949
Box 13 Folder 21	Congressional Record, 1949
Box 13 Folder 22	Contracts
Box 13 Folder 23	Financial statements and budgets, 1948-1949
Box 14 Folder 1	Gardner Advertising Agency, 1949-1950
Box 14 Folder 2	Houseman, John, 1948
Box 14 Folder 3	Literary rights
Box 14 Folder 4	Local theatre participation, 1947
Box 14 Folder 5	Miscellany
Box 14 Folder 6	Peabody Award application, 1949
Box 14 Folder 7	Planning and development, 1947-1948, undated
Box 14 Folder 8	Planning for television, 1947-1948, undated
	Photographs
WCFTR Name File	Olivia DeHaviland in Romeo and Juliet
U.S. Mss 68AN Box 14 Folder 9	Promotion, 1948-1949
Box 14 Folder 10	Salary sheets, 1948-1949
Box 14 Folder 11	Talent bookings
Box 14 Folder 12	Talent offerings by agents, solicitations by ANTA
Box 14 Folder 13	Theatre of American Valor, Mimeo script by Howard Teichmann, May 20, 1950
	U.S. Treasury Hour
Box 15	“Millions For Defense,” Mimeo scripts, 1941-1942
	Valiant Lady Mimeo scripts
Box 16	Episodes 1088-1144
Box 17	Episodes 1145-1221
Box 18	Episodes 1222-1301
Box 19	Episodes 1302-1381
Box 20	Episodes 1382-1452
Box 21	Episodes 1453-1516
Box 22	Episodes 1517-1584
Box 23 Folder 1-3	Episodes 1595-1628
Box 23 Folder 4	Virginian, Mimeo audition script by Howard Teichmann, circa 1946
	Series: Television	⇧
Box 23 Folder 5	Christmas with the Stars, Mimeo script written by Howard Teichmann, December 25, 1995
	Showtime, U.S.A., Written and directed by Howard Teichmann
	Script files
Box 23 Folder 6-12	Episodes 1-9
Box 24	Episodes 10-26
Box 25 Folder 1-13	Episodes 27-39
	Correspondence, 1950-1951
Box 25 Folder 14	ABC
Box 25 Folder 15	ANTA
Box 25 Folder 16	Agents
Box 26 Folder 1-2	Armstrong, Ned
Box 26 Folder 3-4	Alpha correspondence
Box 26 Folder 5	Breen, Robert
Box 26 Folder 6	Budgets
Box 26 Folder 7	Chorus auditions
Box 26 Folder 8	Clearance rights on plays
Box 26 Folder 9	Contract correspondence
Box 26 Folder 10	Cuff links distribution
Box 26 Folder 11	Dillon, Frank (Production supervisor)
Box 26 Folder 12	Dodge newsflashes
Box 26 Folder 13	Fan mail
Box 26 Folder 14	Financial reports
Box 26 Folder 15	Freedley, Vinton
Box 26 Folder 16	Gersten, Bernard
Box 26 Folder 17	Income and disbursement reports
Box 27 Folder 1	Invitation list for opening night party
Box 27 Folder 2	Miscellaneous lists
Box 27 Folder 3	MCA
Box 27 Folder 4	Memoranda
Box 27 Folder 5	Newspaper and columnists
Box 27 Folder 6	O'Keefe, Winston
Box 27 Folder 7	Peirce, Evelyn (Executive supervisor)
WCFTR Name File	Photographs
U.S. Mss 68AN	Press releases
Box 27 Folder 8-9	Armstrong
Box 27 Folder 10	Other
	Promotion
Box 27 Folder 11-12	General
Box 27 Folder 13	Television
Box 27 Folder 14	Radio
Box 27 Folder 15	Rehearsal reports
Box 28 Folder 1	Ritz Theatre improvements
Box 28 Folder 2-3	Ruthrauff and Ryan Advertising Agency
Box 28 Folder 4	Set designs
Box 28 Folder 5	Scripts
Box 28 Folder 6	Talent offered by agents
Box 28 Folder 7	Talent sheets
Box 28 Folder 8	Teichmann correspondence
Box 28 Folder 9	Telegrams
Box 28 Folder 10	Television miscellany
Box 28 Folder 11	Tobias, Rose
Box 28 Folder 12	Troop entertainment
Box 28 Folder 13	Weintraub, Milton (ATPAM)
	Slezak and Son (Howard Teichmann also credited as producer)
Box 28 Folder 14	Outlines
Box 28 Folder 15	Holographic script, “Original,” undated
Box 28 Folder 16	Mimeo script by Howard Teichmann, undated
	U.S.A. Canteen
Box 29 Folder 1-3	Mimeo scripts (annotated) 1-26, Continuity by Howard Teichmann, 1952-1953
	Wonderful World of Entertainment
Box 29 Folder 4	Mimeo script (annotated), September 20, 1959
	Series: Theatre	⇧
	The Girls in 509
Box 29 Folder 5	Correspondence, 1965-1970
Box 29 Folder 6	Typed outline (annotated), undated
Box 29 Folder 7	Notes
Box 29 Folder 8	Holographic script fragment, undated
Box 29 Folder 9	Typed script (annotated), by Howard Teichmann, undated
Box 29 Folder 10	Mimeo script (annotated), undated
Box 30 Folder 1	Mimeo script (annotated) for a scene on the Ed Sullivan Show, October 26, 1958
Box 30 Folder 2	Typed script for British television adaptation, by Glen Farmer, undated
Box 30 Folder 3	Loose annotated script pages
WCFTR Name File	Photograph
U.S. Mss 68AN	Howe and Hummel
Box 30 Folder 4	Outline, January 19, 1952
Box 30 Folder 5	Outline, undated
Box 30 Folder 6	Typed script (incomplete)
Box 30 Folder 7	Typed script (annotated) by Howard Teichmann, undated
Box 30 Folder 8	Notes and revisions
	I Give It Six Months
Box 30 Folder 9	Typed script by George S. Kaufman and Leueen MacGrath, directed by Howard Teichmann, undated
	Julia, Jake, and Uncle Joe
Box 31 Folder 1	Research material and notes
Box 31 Folder 2	Holographic script, “Draft 1,” undated
Box 31 Folder 3	Typed script (annotated), “Draft 2,” undated
Box 31 Folder 4	Holographic script, “Draft 4,” undated
Box 31 Folder 5	Typed script (annotated), “Draft 5,” undated
Box 32 Folder 1	Mimeo script, by Howard Teichmann, undated
Box 32 Folder 2-3	Notes and loose revision pages
Box 32 Folder 4	Correspondence, 1960-1961
Box 32 Folder 5	Legal and financial material
	Miss Lonelyhearts
Box 32 Folder 6	Correspondence, 1964-1965
Box 32 Folder 7	Holographic script, “Original,” undated
Box 32 Folder 8	Typed script (annotated), undated
Box 33 Folder 1	“A Casual Miracle” typed script (annotated) by Howard Teichmann, undated
Box 33 Folder 2	“Miss Lonelyhearts” mimeo script (annotated) by Howard Teichmann, undated
Box 33 Folder 3	Typed script (annotated, alternate draft), undated
Box 33 Folder 4-5	Notes and revision pages, clipping, 1957
	Mrs. 'Arris Goes to Paris
Box 33 Folder 6-7	Drafts of Act I
Box 33 Folder 8	Draft of Act II
Box 33 Folder 9	Typed script (annotated), undated
Box 34 Folder 1	Typed script
Box 34 Folder 2	Notes
Box 34 Folder 3	Music score
	Postscript
Box 34 Folder 4	Holographic script, undated
Box 35 Folder 1	Typed script (annotated, incomplete), undated
Box 35 Folder 2	Typed script (two sets of annotations), by Howard Teichmann, undated
Box 35 Folder 3	Typed script, undated
Box 35 Folder 4	Notes and revised pages
	Rainy Day in Newark
Box 35 Folder 5	Correspondence, 1963-1964
Box 35 Folder 6	Outlines
Box 35 Folder 7	Typed script (annotated, incomplete), undated
Box 35 Folder 8	Mimeo script (annotated) by Howard Teichmann, undated
Box 36 Folder 1	Mimeo script (annotated), undated
Box 36 Folder 2	Mimeo script (annotated), undated
Box 36 Folder 3	Notes and revised pages
	Single Girls and Home Cooking
Box 36 Folder 4	Correspondence, 1962
Box 36 Folder 5	Outlines and character descriptions, undated
Box 37 Folder 1	Typed script (annotated), undated
Box 37 Folder 2	Lyrics, undated
	Solid Gold Cadillac
Box 37 Folder 3	Mimeo script for British production (annotated) by Howard Teichmann and George S. Kaufman
	Box office statements
Box 37 Folder 4-5	New York company
Box 37 Folder 6-8	Touring company, 1955
Box 37 Folder 9-10	Correspondence, 1963-1971
	Woman in the Case
Box 38 Folder 1	Research and outlines
Box 38 Folder 2	Character descriptions
Box 38 Folder 3	Notes for revisions
Box 38 Folder 4	Holographic script, undated
Box 38 Folder 5	Typed script (annotated), undated
Box 38 Folder 6	Typed script by Howard Teichmann, undated
Box 38 Folder 7	Typed script (annotated), undated
	Series: Non-Dramatic Writings	⇧
Box 38 Folder 8	George S. Kaufman, Publicity, undated
Box 38 Folder 9	Miscellaneous writings, 1962, undated
	Series: Correspondence	⇧
	General
Box 38 Folder 10	1941-1956
	1957
Box 38 Folder 11	Part I
Box 39 Folder 1	Part II
Box 39 Folder 2-5	1965-1972, undated
Box 39 Folder 6	American Theatre Guild Play Selection Committee, 1968-1971
Box 39 Folder 7-10	Broadway Association, 1968-1971
Box 39 Folder 11	Dramatists Guild, 1968-1971
Box 39 Folder 12	IATSE, 1967
Box 39 Folder 13	National Research Council in Theatre, 1966-1967
Box 40 Folder 1	Police Athletic League theatre project, 1965-1972
Box 40 Folder 2	Swerdloff Associates, 1965-1966
	Series: Miscellany	⇧
Box 40 Folder 3	Biographical material and ephemera
WCFTR Name File	Photographs of Howard Teichmann
U.S. Mss 68AN	Miscellaneous scripts
Box 40 Folder 4	The Age of Innocence, Typed script by Margaret Ayer, undated
Box 40 Folder 5	The Guide, Mimeo script by Harvey Breit and Patricia Rinehart
Box 40 Folder 6	Garden Party, Typed script by January Burroway (Howard Teichmann student?)
Box 40 Folder 7	La Folle de Chaillot, Mimeo script by Jean Giraudoux (annotated), undated
M2010-015	Part 2 (M2010-015): Additions, 1942-1984 Physical Description: 7.7 c.f. (7 record center cartons, 1 archives box, 1 card file box, and 1 oversize folder) and 39 photographs (1 folder) Scope and Content Note: Additions, 1942-1984, consisting of drafts, interview transcripts, and research materials for biographies Teichmann wrote and published about his former collaborator George S. Kaufmann, New Yorker writer Alexander S. Woollcott, political and social figure Alice Roosevelt Longworth (written with his wife, Evelyn Teichmann) and actor Henry Fonda. Interviewees include Fonda, Lauren Bacall, Ira Gershwin, Helen Hayes, Alfred Lunt, William Paley, William Shawn, Thornton Wilder, and other prominent figures in arts, media and politics. Drafts of Teichmann's theatrical works Miss Lonelyhearts, The Girls in 509, and The Solid Gold Cadillac can be found, as well as several others in both final and draft form. Non-dramatic writings include an incomplete work about the Shubert brothers; commentaries on current events, presumably written for radio broadcasts; and other short pieces. Also included are photographs, principally of Teichmann and Woollcott; ephemera; and artifacts.	⇧
	Series: Dramatic Writings and Fiction
Box 1 Folder 1-2	Radio scripts
Box 1 Folder 3	“Abe Burrows” (partial)
Box 1 Folder 4	“Command Performance”
Box 1 Folder 5	“Father Brown”
Box 1 Folder 6	“For the Rich, They Sing”
Box 1 Folder 7-8	“The Girls in 509”
Box 1 Folder 9	“Great Authors”
Box 1 Folder 10	“How I Became Stengel's Successor As Manager of the New York Yankees”
Box 1 Folder 11	“Howe and Hummel”
Box 1 Folder 12	“The Incredible Christopher Lamb”
Box 1 Folder 13	“Jane Froman” (partial)
Box 1 Folder 14	“Julia, Jake and Uncle Joe”
Box 1 Folder 15	“The Man Who Was Comedy”
Box 1 Folder 16	“Mimsy”
Box 1 Folder 17	“Miss Lonelyhearts”
Box 1 Folder 18	“Postscript”
Box 1 Folder 19	“A Rainy Day in Newark”
Box 1 Folder 20	“Rich Man, Poor Man” (partial)
Box 1 Folder 21	“Single Girls and Home Cooking” (partial)
Box 1 Folder 22-23	“Smart Aleck”
Box 1 Folder 24	“The Solid Gold Cadillac”
Box 1 Folder 25	“Story of the Year”
Box 1 Folder 26	“Valiant Lady”
Box 1 Folder 27	Wally Cox material
Box 1 Folder 28	“Zoom”
Box 1 Folder 29-31	Untitled scripts
	Series: Other Writings	⇧
Box 1 Folder 32	Unknown writings
Box 9 Folder 1	Unknown writings (legal size)
Box 1 Folder 33	“History of Entertainment”
Box 1 Folder 34	Commentaries, 1975-1976
Box 1 Folder 35	“Live Wires”
Box 1 Folder 36	“In Ten Words or Less” (outline)
Box 1 Folder 37	Telegraph background Note: Author unknown.
Box 1 Folder 38	“Helen and Charlie” Note: Biographical sketch.
	Series: Books	⇧
	Fonda
Box 2 Folder 1-14	Biography
Box 2 Folder 15-19	Interviews with Fonda
Box 3 Folder 1-8	Interviews with Fonda (continued)
Box 3 Folder 9-16	Manuscript, disordered
Box 3 Folder 17	Manuscript, Chapter 1
Box 3 Folder 18	Manuscript, Chapter 2 or 3
Box 4 Folder 1	Manuscript, Chapter 6-7
Box 4 Folder 2	Manuscript, index
Box 4 Folder 3	Introduction and unnumbered pages
Box 4 Folder 4	Related materials
	Kaufman
Box 4 Folder 5	Related materials
Box 9 Folder 2	Related materials
Box 4 Folder 6-10	Manuscript
Box 4 Folder 11	Index to interviews
Box 4 Folder 12	Interviews, loose pages
Box 4 Folder 13-19	Interviews, A-M
Box 5 Folder 1-3	Interviews, N-Z
	Roosevelt Longworth
Box 5 Folder 4	Related materials
Box 5 Folder 5	Notes
Box 5 Folder 6	Interviews (pages disordered)
Box 5 Folder 7	Interviews (pages ordered)
Box 9 Folder 3	News clippings
Box 5 Folder 8-9	Manuscript, “Mrs. L”
Box 5 Folder 10-19	Manuscript
Box 6 Folder 1-2	Manuscript (continued)
	Shubert
Box 6 Folder 3	Interview
Box 6 Folder 4-7	Notes
Box 6 Folder 8-10	Manuscript
	Woollcott
Box 6 Folder 11-15	Interviews, A-Z
Box 6 Folder 16-18	Manuscript
Box 9 Folder 4	Related materials
Box 7 Folder 1-9	Manuscript
Box 7 Folder 10	“Smart Aleck,” proof copy
Box 7 Folder 11	News clippings
Box 7 Folder 12	Magazines
Box 7 Folder 13-16	Ephemera
Box 9 Folder 5	Ephemera
Box 9 Folder 6	Ephemera, Hirshfeld print
	Series: Personal/Professional	⇧
Box 7 Folder 17	Correspondence
Box 7 Folder 18	Correspondence, telegrams
Box 9 Folder 7	Correspondence, Miss Lonelyhearts
Box 7 Folder 19	Biographical
Box 9 Folder 8	ANTA / “Showtime USA” report
Box 7 Folder 20	CBS-”K” File
Box 7 Folder 21-22	Papers and scripts by others
	Artifacts
Box 8	Pipe
Box 8	ROTC cap
Box 8	Brass plate given to J.J. Shubert on May 14, 1951
Oversize Folder	Posters and obituary
PH Box 11	Photographs, including images of Teichmann and Woollcott