Archival Resources in Wisconsin: Descriptive Finding Aids: Contents List

Container	Title
U.S. Mss 57AN	Series: Part 1, 1929-1968 Scope and Content Note Part 1 of the Alan Schneider Papers are divided into nine major subseries: General Correspondence, Plays Acted In and Directed By Schneider, Scripts Read or Worked On, But Not Directed By Schneider, Academic Materials, Writing Materials, Wartime Materials, Theater Organizations and Travel, Biographical Materials, and Previously Restricted Materials. Each subseries is described further in the contents list. Each subseries begins with a new Box 1, so it is necessary to specify both the subseries number and the box number when requesting files.
	Subseries: Subseries 1: General Correspondence, 1936-1967 Scope and Content Note: General correspondence is arranged chronologically by year, and within each year arranged by month. Letters without month dates appear at the end of each year; undated letters appear at the end of the subseries. Initial letters and subsequent correspondence relating to a particular subject are stapled together and filed under the date of the first letter. This subseries contains carbon copies of letters written by Schneider as well as letters from other correspondents. Appendix I contains an index of the major correspondents for each year. Whenever possible, correspondence which directly concerns plays and other projects is included under the appropriate categories elsewhere in the collection.
Box 1 Folder 1	1936-1939
Box 1 Folder 2	1940
Box 1 Folder 3	1941 January-June
Box 1 Folder 4	1941 July-December
Box 1 Folder 5	1942
Box 1 Folder 6	1943 January-April
Box 1 Folder 7	1943 May-July
Box 1 Folder 8	1943 August-December
Box 2 Folder 1	1944
Box 2 Folder 2	1945
Box 2 Folder 3	1946
Box 2 Folder 4	1947
Box 2 Folder 5	1948
Box 2 Folder 6	1949
Box 2 Folder 7	1950
Box 2 Folder 8	1951
Box 2 Folder 9	1952
Box 2 Folder 10	1953
Box 3 Folder 1	1954
Box 3 Folder 2	1955
Box 3 Folder 3	1956
Box 3 Folder 4	1957
Box 3 Folder 5	1958
Box 3 Folder 6	1959
Box 3 Folder 7	1960
Box 3 Folder 8	1961
Box 4 Folder 1	1962 January-September
Box 4 Folder 2	1962 October-December
Box 4 Folder 3	1963 January-March
Box 4 Folder 4	1963 April-June
Box 4 Folder 5	1963 July-September
Box 4 Folder 6	1963 October-December
Box 5 Folder 1	1964 January-February
Box 5 Folder 2	1964 March-April
Box 5 Folder 3	1964 May-June
Box 5 Folder 4	1964 July-August
Box 5 Folder 5	1964 September
Box 5 Folder 6	1964 October
Box 6 Folder 1	1964 November-December
Box 6 Folder 2	1965 January
Box 6 Folder 3	1965 January
Box 6 Folder 4	1965 February
Box 6 Folder 5	1965 March
Box 6 Folder 6	1965 April
Box 6 Folder 7	1965 May
Box 7 Folder 1	1965 June-August
Box 7 Folder 2	1965 September-October
Box 7 Folder 3	1965 November-December
Box 7 Folder 4	1966 January-February
Box 7 Folder 5	1966 March
Box 7 Folder 6	1966 April-June
Box 8 Folder 1	1966 July-August
Box 8 Folder 2	1966 September-October
Box 8 Folder 3	1966 November-December
Box 8 Folder 4	1967 January
Box 8 Folder 5	1967 February-March
Box 8 Folder 6	1967 April
Box 9 Folder 1	1967 May-June
Box 9 Folder 2	1967 July-August
Box 9 Folder 3	1967 September-December
Box 9 Folder 4	undated
Box 9 Folder 5	undated
	Subseries: Subseries 2: Plays Acted In and Directed By Schneider Scope and Content Note: In this subseries, the plays Schneider directed are subdivided into seven theater categories: Broadway, Off-Broadway, Regional, University and College, Radio Television and Film, Foreign, and Miscellany. Within these categories plays are arranged chronologically according to the date of production. The entries for each play give the author, theater, opening date, and any information regarding other productions of the same play directed by Schneider. In the folders for any given production the materials are classified in the following order. First is the general correspondence: dated, undated. If there is financial correspondence, records, or contracts, they will follow general correspondence. Second are the production notes which are arranged in the following sequence: (a) general notes--casting, set, costume and lighting designs, sound and music, rehearsal schedule, cast and crew list, and miscellaneous; (b) programs or playbills from out-of-town tryouts and opening night, as well as clippings, reviews and miscellany pertaining to the particular production; (c) various scripts--director's, original, or revised, and rewrites. Whereas all the elements mentioned may not be available for every play, those materials which are available will be found arranged in this general sequence. Researchers should note that Schneider sometimes writes notes about the production at the end of his promptbook or script, in addition to the production notes in the folder. It should also be noted that the “Miscellany” subdivision contains scripts from productions in which Schneider worked in some capacity other than or in addition to director, e.g. assistant director, stage manager, actor.	⇧
	Broadway
	A Long Way from Home by Randolph Goodman and Walter Carroll, Maxine Elliott Theatre, 1948 February 8
Box 2 Folder 1	Correspondence, production notes, 1947 December-1948 February
Box 2 Folder 2	Director's script
	The Remarkable Mr. Pennypacker by Liam O'Brien, Coronet Theatre, 1953 December 30
Box 2 Folder 3	Correspondence, 1953 October-1955 May Note: Also production notes and script rewrites for Act III.
Package 1	Poster
	All Summer Long by Robert Anderson, Coronet Theatre, 1954 September 23
Box 2 Folder 4	Correspondence, 1953 February-1954 October Note: Also contracts and financial records.
Box 2 Folder 5	Production notes, playbill
Box 2 Folder 6	Script changes
Box 2 Folder 7	Revised script
	Anastasia by Marcel Maurette, adapted by Guy Bolton, Lyceum Theatre, 1954 December 29
Box 2 Folder 8	Correspondence, 1954 September-1956 August Note: Also contracts, financial records.
Box 3 Folder 1	Production notes
Box 3 Folder 2	Revised script
Box 3 Folder 3	Clean script
	Tonight in Samarkand by Jacques Deval and Lorenzo Semple Jr., Morosco Theatre, 1955 February 16
Box 3 Folder 4	Correspondence, 1954 August-January Note: Also includes part of annotated script.
Box 3 Folder 5	Clean script
	The Little Glass Clock by Hugh Mills, John Golden Theatre, 1956 March 26
Box 3 Folder 6	Correspondence, 1955 December-1956 April Note: Also production notes.
Box 3 Folder 7	Director's script
	The Glass Menagerie by Tennessee Williams, New York City Center, 1956 November 21
Box 4 Folder 1	Production notes, photographs, playbill, clippings
	Miss Lonelyhearts by Howard Teichmann, Music Box Theatre, 1957 October 3
Box 4 Folder 2	Correspondence, 1955 May-1957 September
Package 1	Poster
Box 4 Folder 3	Production notes
Box 4 Folder 4	Director's script
Box 4 Folder 5	Scene revisions
	Kataki by Shimon Wincelberg, Ambassador Theatre, 1959 April 9
Box 4 Folder 6	Correspondence, 1957 September-1962 July Note: Also production notes.
Package 1	Poster
Box 5 Folder 1	Annotated script
	Revised script
Box 5 Folder 2	“A”
Box 5 Folder 3	“B”
Box 5 Folder 4	“C”
	Rape of the Belt by Benn W. Levy, Wilbur Theatre (Boston, Massachusetts), 1960 October 20
Box 5 Folder 5	Correspondence, 1960 August-1960 November Note: Also production notes.
	Director's script
Box 5 Folder 6	“A”
Box 5 Folder 7	“B”
	Who's Afraid of Virginia Woolf? by Edward Albee, Billy Rose Theatre, 1962 October 13
Box 6 Folder 1	Program
Package 1	Poster
	The Ballad of the Sad Cafe by Carson McCullers, adapted by Edward Albee, Martin Beck Theatre, 1963 October 30
Box 6 Folder 2	Correspondence, 1963 June-1964 May
Package 1	Poster
Box 6 Folder 3	Production notes
Box 6 Folder 4	Revised script
	Script
Box 6 Folder 5	“A”
Box 6 Folder 6	“B”
	Tiny Alice by Edward Albee, Billy Rose Theatre, 1964 December 29
Box 6 Folder 7	Playbills, clipping
	Entertaining Mr. Sloane by Joe Orton, Lyceum Theatre, 1965 October 13
Box 7 Folder 1	Correspondence, 1964 October-1966 December
Box 7 Folder 2	Actors' photographs and résumés
Box 7 Folder 3	Production notes
Box 7 Folder 4	British script, reviews
Box 7 Folder 5	Sloane's understudy script
Box 7 Folder 6	Kath's script
Box 8 Folder 1	Ed's script
	Malcolm by Edward Albee, Shubert Theatre, 1966 January 11
Box 8 Folder 2	Program
	Slapstick Tragedy by Tennessee Williams, Longacre Theatre, 1966 February 22
Box 8 Folder 3	Program
	A Delicate Balance by Edward Albee, Martin Beck Theatre, 1966 September 22
Box 8 Folder 4	Programs
	Off-Broadway
	Pullman Car Hiawatha by Thornton Wilder, Neighborhood Playhouse, 1952 January 30
Box 8 Folder 5	Production notes, director's script
	Hide and Seek by Arnold Sundgaard, Neighborhood Playhouse, 1953 April 21
Box 8 Folder 6	Correspondence, 1953 March-April Note: Also miscellaneous notes.
	Endgame by Samuel Beckett, Cherry Lane Theatre, 1958 January 28
Box 8 Folder 7	Program, financial record
Package 1	Poster
	The Summer of the Seventeenth Doll by Ray Lawler, Players Theatre, 1959 October 13
Box 8 Folder 8	Correspondence, 1958 August-1959 December Note: Also production notes, programs.
Box 8 Folder 9	Director's script
Package 1	Poster
	Krapp's Last Tape by Samuel Beckett, Provincetown Playhouse, 1960 January 14; and Players Theatre, , 1960 April
Box 8 Folder 10	Program
	The American Dream and The Death of Bessie Smith by Edward Albee, York Playhouse, 1961 January 24
Package 1	Poster
	Theatre of the Absurd: Endgame by Samuel Beckett, 1962 February 11; The American Dream and The Zoo Story by Edward Albee, Cherry Lane Theatre, , 1962 March 1
Box 8 Folder 11	Program, notes on Endgame
	Happy Days by Samuel Beckett, Kaufman Concert Hall and Cherry Lane Theatre, 1962
Box 8 Folder 12	Program
	The Pinter Plays: The Collection and The Dumbwaiter by Harold Pinter, Cherry Lane Theatre, 1962 November 26
Box 9 Folder 1	Programs, script, The Collection
	The Pinter Plays: The Dumbwaiter and The Collection by Harold Pinter, Provincetown Playhouse, 1962
Package 1	Poster
	Play and The Lover by Samuel Beckett, Cherry Lane Theatre, 1964 January 4
Box 9 Folder 2	Program, clean script
	Do Not Pass Go by Charles Nolte, Cherry Lane Theatre, 1965 April 9
Box 9 Folder 3	Correspondence, 1964 July-1965 April
Box 9 Folder 4	Director's script
	The Zoo Story by Edward Albee and Krapp's Last Tape by Samuel Beckett, Village South Theatre, 1965 September 14
Box 9 Folder 5	Programs
	Happy Days by Samuel Beckett, Cherry Lane Theatre, 1966 September 28
Box 9 Folder 6	Program
	Regional
	Sing Out Sweet Land by Walter Kerr, Cain Park Theatre (Cleveland, Ohio), 1947 August 5
Box 9 Folder 7	Director's script
Box 9 Folder 8	Music
	Lute Song by Kao-Tong-Kia, adapted by Will Irwin and Sidney Howard, Cain Park Theatre (Cleveland, Ohio), 1948 July 6
Box 9 Folder 9	Director's script
	Reluctant Lady by Maurice Valency, Cain Park Theatre (Cleveland, Ohio), 1948 July 27
Box 9 Folder 10	Correspondence, 1948 April-September Note: Also includes clean script.
	Pullman Car Hiawatha by Thornton Wilder, Actors Studio (New York City), 1949
Box 9 Folder 11	Casting notes, contains complete list of all other productions of play
	Born Yesterday by Garson Kanin, The Cape Playhouse (Cape Cod, Massachusetts), 1950 July 3
Box 9 Folder 12	Correspondence, 1950 August-September Note: Includes notes.
	Over 21 by Ruth Gordon, Falmouth Playhouse (Falmouth, Masssachusetts), 1950 July 31
Box 10 Folder 1	Correspondence, 1950 June-July Note: Also includes production notes, programs.
	Harvey by Mary Chase, Falmouth Playhouse (Falmouth, Massachusetts), 1950 August 7
Box 10 Folder 2	Correspondence, 1950 April-July Note: Also includes production notes.
	Post Road by W.D. Steele and N. Mitchell, Falmouth Playhouse (Falmouth, Massachusetts), 1950 August 14
Box 10 Folder 3	Production notes
	Macbeth by William Shakespeare, Players Inc. (Washington, D.C.), 1950 September 30
Box 10 Folder 4	Correspondence, 1950 September Note: Includes programs, publicity, director's script.
Box 10 Folder 5	Clean script
	The Glass Menagerie by Tennessee Williams, Arena Stage (Washington, D.C.), 1951 April 10 and , 1951 May 22
Box 10 Folder 6	Production notes
Box 10 Folder 7	Director's script
	The Primrose Path by Robert Buckner and Walter Hart, 1951 August 8 The Playhouse (Houston, Texas)
Box 10 Folder 8	Correspondence, 1951 June-October Note: Also includes contract, production notes.
Box 10 Folder 9	Director's script
	The Hasty Heart by John Patrick, Arena Stage (Washington, D.C.), 1952 June 17
Box 10 Folder 10	Director's script, programs
	Desire Under the Elms by Eugene O'Neill, Arena Stage (Washington, D.C.), 1952 October 7
Box 11 Folder 1	Production notes, director's script
	Lady Precious Stream by S.I. Hsiung, Arena Stage (Washington, D.C.), 1952 December 9
Box 11 Folder 2	Production notes, director's script
	The Miser by Moliere, adapted by Walter Kerr, Players Inc. (Washington, D.C.), 1953-1954
Box 11 Folder 3	Correspondence, 1953 March-May Note: Includes production notes.
Box 11 Folder 4	Director's script
	Othello by William Shakespeare, edited by Mark Eccles, Players Inc. (Washington, D.C.), 1953-1954
Box 11 Folder 5	Director's script
Box 11 Folder 6	Publicity book, mixed up script and analysis
Box 11 Folder 7	Annotated script
	All Summer Long by Robert Anderson, Arena Stage (Washington, D.C.), 1953 January 13
Box 11 Folder 8	Correspondence, 1951 January-1953 February
Box 12 Folder 1	Production notes
Box 12 Folder 2	Original script
Box 12 Folder 3	Director's script
Box 12 Folder 4	Annotated script
	Our Town by Thornton Wilder, Arena Stage (Washington, D.C.), 1953 March 16
Box 12 Folder 5	Correspondence, 1953 February Note: Includes production notes, clippings.
Box 12 Folder 6	Director's script
	The Country Girl by Clifford Odets, Arena Stage (Washington, D.C.), 1953 May 18
Box 12 Folder 7	Production notes, program, director's script
	My Heart's in the Highlands by William Saroyan, Arena Stage (Washington, D.C.), 1953 August 11
Box 12 Folder 8	Production notes, director's script
	The Happy Journey by Thornton Wilder, Arena Stage (Washington, D.C.), 1953 September 1
Box 13 Folder 1	Director's script
	The Bad Angel by Joel Hammil, Arena Stage (Washington, D.C.), 1953 October 20
Box 13 Folder 2	Director's script, production notes
	Summer and Smoke by Tennessee Williams, Arena Stage (Washington, D.C.), 1954 February 9
Box 13 Folder 3	Production notes, program, director's script
	A View from the Bridge by Arthur Miller, Arena Stage (Washington, D.C.), 1956 November 7
Box 13 Folder 4	Correspondence, 1956 September-October Note: Also production notes, director's script.
	The Circus of Dr. Lao by Gwyn Conger and Nathaniel Benchley, Edgewater Beach Playhouse (Chicago, Illinois), 1957 July 9
Box 13 Folder 5	Correspondence, 1951 December-1957 June Note: Includes casting notes.
Box 13 Folder 6	Production notes, script rewrites
	Director's script
Box 13 Folder 7	“A”
Box 13 Folder 8	“B”
Box 13 Folder 9	Clean script, annotated script
	Summer of the Seventeenth Doll by Ray Lawler, Arena Stage (Washington, D.C.), 1958 April 29
Box 14 Folder 1	Correspondence, 1958, undated Note: Includes production notes, programs.
	Epitaph for George Dillon by John Osborne and Anthony Creighton, Arena Stage (Washington, D.C.), 1959 May 5
Box 14 Folder 2	Correspondence, 1959 May Note: Also includes production notes, director's script.
	Waiting for Godot by Samuel Beckett, Alley Theatre (Houston, Texas), 1959 September 9
Box 14 Folder 3	Program
	Clandestine in the Morning Line by Josh Greenfeld, Arena Stage (Washington, D.C.), 1959 November 24
Box 14 Folder 4	Correspondence, 1959 May-1960 April Note: Includes production notes, original script.
Box 14 Folder 5	Director's script
	The Cherry Orchard by Anton Chekov, translated by Stark Young, Arena Stage (Washington, D.C.), 1960 January 12
Box 14 Folder 6	Director's script
	Two for the Seesaw by William Gibson, Royal Poinciana Theatre (Palm Beach, Florida), 1960 March 28
Box 14 Folder 7	Correspondence, 1960 February-April Note: Also production notes.
Box 14 Folder 8	Director's script
	Twelve Angry Men by Reginald Rose, Bucks County Playhouse (New Hope, Pennsylvania), 1960 May 23
Box 14 Folder 9	Correspondence, 1960 March-December Note: Also production notes.
Box 15 Folder 1	Director's script
	Measure for Measure by William Shakespeare, Belvedere Lake Theatre (New York City), 1960 July 25
Box 15 Folder 2	Correspondence, 1960 January-1962 January Note: Also production notes.
	Twinkling of an Eye by H. Wright and Guy Andros, San Francisco Actor's Workshop (San Francisco, California), 1961 January 11
Box 15 Folder 3	Correspondence, 1959 October-1961 January
Box 15 Folder 4	Director's script
Box 15 Folder 5	Clean script
	Krapp's Last Tape by Samuel Beckett, Arena Stage (Washington, D.C.), 1961 April 4
Box 15 Folder 6	Program
	Uncle Vanya by Anton Chekov, translated by Stark Young, Goodman Theatre (Chicago, Illinois), 1961 April 9
Box 15 Folder 7	Correspondence, 1959 February-1961 February Note: Also production notes, program.
Box 15 Folder 8	Director's script
	Caucasian Chalk Circle by Bertolt Brecht, adapted by John Holmstrom, Arena Stage (Washington, D.C.), 1961 October 30
Box 15 Folder 9	Correspondence, 1961 August-November Note: Also production notes.
	What Shall We Tell Caroline by John Mortimer, Arena Stage (Washington, D.C.), 1961 November 28
Box 15 Folder 10	Program, director's script
	Happy Days by Samuel Beckett, McCarter Theatre (Princeton, New Jersey), 1962 January 12
Package 1	Poster
	The Burning of the Lepers by Wallace Hamilton, Arena Stage (Washington, D.C.), 1962 March 20
Box 16 Folder 1	Correspondence, 1961 May-1963 July Note: Also production notes.
Box 16 Folder 2	Director's script
Box 16 Folder 3	Hamilton's script
Box 16 Folder 4	Script with new additions
Box 16 Folder 5	Clean script
Box 16 Folder 6	Rewrites
Box 16 Folder 7	Obsolete pages
	Uncle Vanya by Anton Chekov, translated by Stark Young, Arena Stage (Washington, D.C.), 1962 April 17
Box 16 Folder 8	Correspondence, 1961 Note: Also floor plan, cast and crew list, program.
	The Time of Your Life by William Saroyan, Arena Stage (Washington, D.C.), 1962 March 15
Box 16 Folder 9	Correspondence, undated Note: Also clippings, program, director's script (Acts I and II).
Box 16 Folder 10	Director's script (Acts III, IV, V)
	All the Way Home by Tad Mosel, Arena Stage (Washington, D.C.), 1963 March 12
Box 17 Folder 1	Correspondence, 1963 Note: Also floor plans, program, director's script.
	Othello by William Shakespeare, Arena Stage (Washington, D.C.), 1963 April 10
Box 17 Folder 2	Light cues, program, director's script
	The Threepenny Opera, text and lyrics by Bertolt Brecht; music by Kurt Weill, adapted by Marc Blitzstein, Arena Stage (Washington, D.C.), 1963 May 14
Box 17 Folder 3	Correspondence, 1962 July-1963 October Note: Also production notes, program.
	The Glass Menagerie by Tennessee Williams, Tyrone Guthrie Theatre (Minneapolis, Minnesota), 1964 June 1
Box 17 Folder 4	Correspondence, 1963 October-1964 October Note: Also technical production notes.
Box 17 Folder 5	Production notes, programs
Box 17 Folder 6	Director's script
	A Delicate Balance by Edward Albee, Coconut Grove Playhouse (Miami, Florida), 1967 January 17
Box 17 Folder 7	Program
	University and College
	Jim Dandy by William Saroyan, Catholic University (Washington, D.C.), 1941 October 29 and 1942 July 15
Box 18 Folder 1	Correspondence, 1941 August-November Note: Also production notes, student critiques.
	Athaliah by Jean Racine, Catholic University (Washington, D.C.), 1942 March 17
Box 18 Folder 2	Correspondence, 1942, undated Note: Also casting and production notes, especially regarding chorus.
	Child's Play (Le Joux des Enfants) by Paul Armont and Paul Vandenberghe, Catholic University (Washington, D.C.), 1942 August 20
Box 18 Folder 3	Director's script
	The Romancers by Edmund Rostand, Catholic University (Washington, D.C.), 1943 August 4
Box 18 Folder 4	Finance statement, program, director's script
	The Doctor in Spite of Himself by Moliere, Catholic University (Washington, D.C.), 1944 August 9
Box 18 Folder 5	Correspondence, 1944 Note: Also production notes, programs.
Box 18 Folder 6	Director's script
	Lute Song by Kao-Tong-Kia, adapted by Will Irwin and Sidney Howard, Catholic University (Washington, D.C.), 1944 November 19
Box 18 Folder 7	Correspondence, 1944 June-1946 March Note: Also production notes, program, director's script.
	The Tidings Brought to Mary by Paul Claudel, Catholic University (Washington, D.C.), 1945 February 18
Box 18 Folder 8	Production notes, program, director's script
	The Importance of Being Earnest by Oscar Wilde, Catholic University (Washington, D.C.), 1945 August 5
Box 18 Folder 9	Director's script
	Electra by Sophocles, Catholic University (Washington, D.C.), 1945 November 30
Box 19 Folder 1	Correspondence, 1945 Note: Also director's script, program.
	That's Where the Money Goes by James Finley, Jean Kerr, and Joan O'Bryne, Catholic University (Washington, D.C.), 1946 May 10
Box 19 Folder 2	Lyrics, program, director's script
	State Occasion by Clinch Calkins, Catholic University (Washington, D.C.), 1946 November 29
Box 19 Folder 3	Correspondence, 1946-1947 Note: Also expense statement, program, director's script.
	The Real McCoy by John Finch, Catholic University (Washington, D.C.), 1949 December 2
Box 19 Folder 4	Correspondence, 1948 November-1949 December Note: Also production notes, program.
Box 19 Folder 5	Original script, revision notes
Box 19 Folder 6	Director's script
	Oedipus the King by Sophocles, adapted by Dudley Fitts and Robert Fitzgerald, Catholic University (Washington, D.C.), 1950 March 17
Box 20 Folder 1	Correspondence, 1950 March-April Note: Also production notes, program.
	The Madwoman of Chaillot by Jean Giradoux, Catholic University (Washington, D.C.), 1950 October 27
Box 20 Folder 2	Production notes, director's script
	Pullman Car Hiawatha by Thornton Wilder, Catholic University (Washington, D.C.), 1950 Fall
Box 20 Folder 3	Clean script
	Othello by William Shakespeare, Catholic University (Washington, D.C.), 1951 March 2
Box 20 Folder 4	Correspondence, 1951 March Note: Also production notes, program.
Box 20 Folder 5	Director's script
	The Cherry Orchard by Anton Chekov, translated by Stark Young, Catholic University (Washington, D.C.), 1951 November 30
Box 20 Folder 6	Correspondence, 1951 October-December Note: Also production notes, set sketches, floor plan, program.
Box 20 Folder 7	Director's script
	Macbeth by William Shakespeare, Catholic University (Washington, D.C.), 1952 March 21
Box 20 Folder 8	Correspondence, 1952, undated Note: Also production notes, program, director's script.
	The Skin of Our Teeth by Thornton Wilder, Catholic University (Washington, D.C.), 1952 December 5
Box 20 Folder 9	Production notes, director's script
	The Enchanted by Jean Giradoux, adapted by Maurice Valency, Boston University (Boston, Massachusetts), 1957 May 3
Box 21 Folder 1	Correspondence, 1957 January-May Note: Also production notes.
Box 21 Folder 2	Director's script
Package 1	Poster
	Wilder and Wilder: The Happy Journey, The Long Christmas Dinner, Pullman Car Hiawatha by Thornton Wilder, Brooklyn College (Brooklyn, New York), 1958 May 15
Box 21 Folder 3	Production notes, program, director's script
	The Detective Story by Sidney Kingsley, Boston University (Boston, Massachusetts), 1960 February 24
Box 21 Folder 4	Director's script
	Two by Two: The Bald Soprano by Eugene Ionesco and Pullman Car Hiawatha by Thornton Wilder, Hofstra College (Long Island, New York), 1961 May 12
Box 21 Folder 5	Correspondence, 1960 June-1961 October Note: Also production notes, director's script.
	Theatre in 3D: The Chairs by Eugene Ionesco, The Dock Brief by John Mortimer, The Lottery by Shirley Jackson, University of Wisconsin-Milwaukee (Milwaukee, Wisconsin), 1961 July 25
Box 21 Folder 6	Correspondence, 1960-1961 Note: Also production notes, director's script.
	The Dumbwaiter by Harold Pinter, Pullman Car Hiawatha by Thornton Wilder, and Act Without Words II by Samuel Beckett, Fred Miller Theatre (Milwaukee, Wisconsin), 1962 July 10
Box 21 Folder 7	Correspondence, 1962 January-March Note: Also brochures, Pullman Car clean script.
Package 1	Poster
	Man is Man by Bertolt Brecht, English version by Gerhard Nellhaus, Stanford University (Palo Alto, California), 1962 August 9
Box 21 Folder 8	Correspondence, 1961 October-1962 July Note: Also production notes, program, script revisions.
	Foreign
	My Heart's in the Highlands by William Saroyan, Dartington Hall Barn Theatre (London, England), 1949 July 1
Box 22 Folder 1	Correspondence, 1947 May-1949 October
Box 22 Folder 2	Production notes, program
Box 22 Folder 3	Director's script
Box 22 Folder 4	Summer conference notes regarding Schneider lecture
	Pullman Car Hiawatha by Thornton Wilder, Dartington Hall Barn Theatre (London, England), 1952 Summer
Box 22 Folder 5	Casting notes, annotated actor's script
	The Skin of Our Teeth by Thornton Wilder, Sarah Bernhardt Theatre (Paris, France), 1955 June 28 Note: Paris company toured: 1955 July 18-30, National Theatre, Washington, D.C.; 1955 August 1-13, Blackstone Theatre, Chicago, Illinois; August 16-September 3, ANTA Theatre, New York City.
Box 22 Folder 6	Correspondence, 1955 February-1956 January
Box 22 Folder 7	Production notes
Box 22 Folder 8	Director's script
	The Trip to Bountiful by Horton Foote, Arts Theatre Club (London, England), 1956 July 4 Note: Also directed 1956 September 10, Theatre Royal, Brighton, England; and 1956 August 20, Olympia Theatre, England.
Box 23 Folder 1	Correspondence, 1956 April-May
Box 23 Folder 2	Production notes, program
Box 23 Folder 3	Director's script
	The Deserters by (Norman) Thaddeus Vane, Royal Court Theatre (Liverpool, England), 1958 August 11 Note: Liverpool company toured: Leeds, Manchester, Brighton.
Box 23 Folder 4	Correspondence, 1957 October-1958 August
Box 23 Folder 5	Production notes
Box 23 Folder 6	Director's script
Box 23 Folder 7	Original script: April is the Cruelest Month
	Clean script
Box 23 Folder 8	“A”
Box 23 Folder 9	“B”
	Who's Afraid of Virginia Woolf? by Edward Albee, Piccadilly Theatre (London, England), 1964 February 6
Box 23 Folder 10	Program
	The Cherry Orchard by Anton Chekov, Cameri Theatre (Tel Aviv, Israel), 1966 July 20
Box 23 Folder 11	Program, director's script
	Radio, Television, and Film
	Mister Roberts by Thomas Heggen and Joshua Logan, adapted by Don Agger, Voice of America (Radio), 1961
Box 24 Folder 1	Correspondence, 1961 Note: Also production notes, director's script.
	Oedipus the King by Sophocles, translated by Dudley Fitts and Robert Fitzgerald, adapted by Walter Kerr, Omnibus (NBC-TV), 1957 January 6
Box 24 Folder 2	Correspondence, 1956 August-1957 October Note: Also production notes, clippings.
Box 24 Folder 3	Director's script
	The Life of Samuel Johnson by James Lee, Omnibus (NBC-TV), 1957 December 15
Box 24 Folder 4	Correspondence, 1959-1963 Note: Also production notes.
Box 24 Folder 5	Director's script
Box 25 Folder 1	Clean script
	The Years Between by Will Schneider and Herman Goldberg, Studio One (CBS-TV), 1958 February
Box 25 Folder 2	Correspondence, 1957 Note: Also bills, production notes.
Box 25 Folder 3	Director's script, first review
Box 25 Folder 4	Director's script, second review
Box 25 Folder 5	Director's script
	Script
Box 25 Folder 6	First revision
Box 25 Folder 7	Second revision
Box 25 Folder 8	Act III script
	Waiting for Godot by Samuel Beckett, Play of the Week (WNTA-TV), 1960 April 13
Box 25 Folder 9	Correspondence, 1960 Note: Also production notes.
Box 26 Folder 1	Director's script
	The Secret of Freedom by Archibald MacLeish (NBC Film for TV), 1960 February 28
Box 26 Folder 2	Correspondence, 1959 May-1960 July Note: Also production notes.
Box 26 Folder 3	Director's script
	Project I: An Untitled Script by Samuel Beckett, The Hard Boiled Egg by Eugene Ionesco, The Compartment by Harold Pinter (Film), 1964 Summer
Box 26 Folder 4	Clean script
	Miscellany
Box 1 Folder 1	University of Wisconsin Play scripts (Schneider acted in)
	The Girl and the Umbrella by Alan Schneider, adapted from The Man in the Bowler Hat by A.A. Milne, Bowie High School (Bowie, Maryland), 1939 October
Box 27 Folder 1	Correspondence, 1939 Note: Also three well worn scripts.
Box 1 Folder 2	Wartime: 5 radio scripts; 1 video script (Schneider acted in)
	A Night in the Country by Betty Smith and Robert Finch, Goldwin Smith Hall, Cornell University (Ithaca, New York), 1949 November
Box 27 Folder 2	Director's script
	The Chief Thing by N. Evreinov, Cornell University Theatre (Ithaca, New York), 1941 March 7 Note: Schneider was assistant director to H. Darkes Albright and directed one act.
Box 27 Folder 3	Clean script
	Storm Operation by Maxwell Anderson, Belasco Theatre (New York City), 1943 December-1944 Note: Schneider acted in, asstant stage managed, and under studied this show; Schneider's first and only appearance on Broadway as an actor.
Box 27 Folder 4	Correspondence, 1943-1945 Note: Also contract, two Act II, Scene II scripts.
	The Long Goodbye by Tennessee Williams, Theatre Inc. (New York City), 1947 December 9 and , 1948 April 8
Box 27 Folder 5	Two scripts, notes, and program for December production; one clean script and program for April production
	Gruach by Gordon Bottomley, Studio 63 of Theatre Inc. (New York City), 1947-1949
Box 27 Folder 6	Two clean scripts
	Mid-Passage by Arnold Sundgaard Theatre Inc. (New York City): exercise: , 1947 Fall; production: , 1948 Spring
Box 27 Folder 7	Director's script, working script, assistant stage manager's script, clean script
	The Hungerers by William Saroyan, American Theatre Wing (New York City, directing class under Lee Strasberg), 1948 Fall
Box 27 Folder 8	Director's script
	The Victors by Jean-Paul Sartre, New Stages (New York City; Schneider was assistant director), 1948 December 26
Box 27 Folder 9	Correspondence, 1948 Note: Also contract, clipping, program, clean script.
	Make a Statue Laugh by Arnold Shulman, Actors Studio (New York City), 1948 Note: Schneider's first work.
Box 27 Folder 10	Director's script, program
	Greasy Luck by Rachel Field, ABC-TV, 1949 February 27 Note: Schneider was stage manager.
Box 27 Folder 11	Stage manager's script
	Untitled script, Actors Studio (New York City), 1950
Box 27 Folder 12	Clean script
	Herakles by Archibald MacLeish, Mendelsohn Theatre, University of Michigan (Ann Arbor, Michigan) with APA Repertory Company, 1965
Box 27 Folder 13	Program
	Barge Incident by Herb Meadows Note: A play Schneider acted in and directed several times.
Box 27 Folder 14	Clean script
Box 27 Folder 15	Pullman Car Hiawatha by Thornton Wilder Note: Schneider directed several productions of this, however, identifiable scripts are not available for each.
	Subseries: Subseries 3: Scripts Read or Worked On, but Not Directed By Schneider Scope and Content Note: Scripts in this subseries are arranged alphabetically by author in the list which follows. When a play has been adapted or translated by someone other than the original author, the information is also included with each entry. In most cases, blank or “clean” scripts are described in the play entry. Occasionally, there may be a “note” or “inscription by Schneider” which means that Schneider commented about the play or author on a separate sheet of paper or directly on the script itself. For those scripts which Schneider intended to direct, but for some reason did not, the related materials are arranged in the following order: correspondence, production notes, director's script, and various other scripts and revisions.	⇧
Box 1 Folder 1	Script idea regarding Alexander Hamilton
Box 1 Folder 2	Unidentified script 1, annotated
Box 1 Folder 3	Unidentified script 2
Box 1 Folder 4	Unidentified script 3
Box 1 Folder 5	Unidentified script 4
	Dawn's Early Light
Box 1 Folder 6	Clean script
	A Fire is a Small Red Flower
Box 1 Folder 7	Clean script (inscription by Schneider)
	Five in the Afternoon
Box 1 Folder 8	Clean script (inscription by Schneider)
	Fragment of a Last Judgment
Box 1 Folder 9	Clean script (inscription by Schneider)
	The Friendship
Box 2 Folder 1	Clean script
	A Great Career
Box 2 Folder 2	Clean script (inscription by Schneider)
	Love and Marriage
Box 2 Folder 3	Clean script (inscription by Schneider)
	Now It is Summer
Box 2 Folder 4	Clean script
	The Overture
Box 2 Folder 5	Clean script (inscription by Schneider)
	The Prince of Mandalore
Box 2 Folder 6	Clean script
	Seven Days of Mourning
Box 2 Folder 7	Clean script (inscription by Schneider)
Box 2 Folder 8	Adams, James, untitled script for film
	Alson, Lawrence, Party
Box 2 Folder 9	Clean script
	Anderson, Maxwell, Mountains of the Morning
Box 2 Folder 10	Clean script, clean script (inscription by Schneider)
	Anderson, Robert, Tea and Sympathy
Box 2 Folder 11	Clean script
	Andrew, James, Last Days of a Young Man
Box 3 Folder 1	Correspondence, 1960 Note: Also script notes, clean script “A”.
Box 3 Folder 2	Clean script “B”
Box 3 Folder 3	Clean script “C”
Box 3 Folder 4	Scene revisions
	Anouilh, Jean, Colombe, version by Denis Cannan
Box 3 Folder 5	Clean script
	Appell, Don, A Girl Could Get Lucky
Box 3 Folder 6	Correspondence, 1945 Note: Also clean script.
	Apstein, Theodore, Illusion
Box 3 Folder 7	Correspondence, 1951 Note: Also clean script, production notes.
	Arbuzov, Alexey, An Irkutsk Story, translated by Gala Ebin
Box 4 Folder 1	Clean script
	Artzi, Avraham, On an Open Roof
Box 4 Folder 2	Clean script, correspondence, undated Note: See also Inlender, Avraham, Kadish.
	Audiberti, Jacques, The Lodgers, adapted by Maurice Valency
Box 4 Folder 3	Clean script, note by Schneider
	Auerbach, George, A Meeting at the Summit
Box 4 Folder 4	Clean script
	Avidan, David, Cambarole
Box 4 Folder 5	Correspondence, 1966-1967 Note: Includes book of poems by author.
	Ayme, Marcel, Clerambard
Box 4 Folder 6	Clean script
	Baker, Russell, Seventeen Sketches
Box 4 Folder 7	Clean script (inscription by Schneider)
	Beckerman, Bernard, Orestes Poised
Box 4 Folder 8	Clean script
	Bellah, James, Ward Twenty
Box 4 Folder 9	Clean script
	Best, Charles, The Kids
Box 4 Folder 10	Clean script, notes
	Bigelow, Otis, The Giant's Dance
Box 5 Folder 1	Clean script
	Bigelow, Otis, The Peacock Season (The Mariner Method or The Grand Mariner)
Box 5 Folder 2	Correspondence, 1961-1962 Note: Also contracts, production notes.
Box 5 Folder 3	Director's script
Box 5 Folder 4	Clean script (inscription by Schneider)
	Boland, Gene, The Unforgiving Minute
Box 5 Folder 5	Clean script, note by Schneider
	Boland, Herbert, Battle Dream
Box 5 Folder 6	Director's script
	Bolton, Guy, Child of Fortune
Box 5 Folder 7	Clean script, correspondence, 1955
	Bolton, Guy, Fireworks in the Sun
Box 6 Folder 1	Clean script
	Bowles, Jane, In the Sumner House
Box 6 Folder 2	Clean script
	Bridges, James, Bachelor Furnished
Box 6 Folder 3	Correspondence, 1965 Note: Also clean script (inscription by Schneider).
	Bridges, James, K Like in Karma
Box 6 Folder 4	Two clean scripts (inscription by Schneider)
	Broderick, Patricia, With or Without People
Box 6 Folder 5	Clean script (inscription by Schneider)
	Broskiewicz, Jerzy, The Two Adventures of Lemuel Gulliver
Box 6 Folder 6	Clean script, reader's report
	Brown, Kenneth, The Happy Bar
Box 6 Folder 7	Correspondence regarding all of author's plays, 1965-1967
Box 6 Folder 8	Clean script
	Brown, Kenneth, Right of Passage
Box 6 Folder 9	Clean script
	Burton, Michael and Philip Burton, The Lime Twig
Box 6 Folder 10	Clean script, notes by Schneider
	Callahan, Edward, The Shadow Game
Box 7 Folder 1	Correspondence, 1965 Note: Also clean script.
	Cannon, Bill, Brewster McLeod's (Sexy) Flying Machines
Box 7 Folder 2	Correspondence, 1965 Note: Also clean film script.
	Carlino, Lewis, Cry of Victory
Box 7 Folder 3	Clean scripts “A” and “B”
	Carlino, Lewis, Never the Fallow Land
Box 7 Folder 4	Correspondence, 1960 Note: Also clean script.
	Castelli, Bertrand with Jack Raphael Guss, The Umbrella
Box 7 Folder 5	Clean script
	Catron, Louis, Centaur, Centaur
Box 7 Folder 6	Correspondence, 1966-1967 Note: Also clean script.
	Chase, Mary, Midgie Purvis
Box 7 Folder 7	Clean script
	Cluchey, Rick, Le Cage
Box 8 Folder 1	Correspondence, 1965-1966 Note: Also clean script.
	Cocteau, Jean, Antigone
Box 8 Folder 2	Clean script
	Cohen, Lester, The Web and the Rock
Box 8 Folder 3	Clean script
	Cole, Nancy, Gertrude by Gertrude by Stein
Box 8 Folder 4	Correspondence, 1967 Note: Also clean script.
	Conover, Grandin, The Party on Greenwich Avenue
Box 8 Folder 5	Correspondence, 1966-1967 Note: Also clean script, notes by Schneider.
	Cooper, Richard and Parker Baratta, Jack Enter Critic
Box 8 Folder 6	Clean script
	Copito, Benjamin, Wanda and the Rent Collector
Box 8 Folder 7	Correspondence, 1961 Note: Also clean script.
	Cornish, Roger, A Short Play for Closed Circuit Television
Box 8 Folder 8	Clean script (inscription by Schneider), reader's report
	Costigan, James, A Wind from the South
Box 8 Folder 9	Clean script, notes by Schneider
	Cross, Beverley, Belle or The Ballad of Doctor Crippen
Box 8 Folder 10	Correspondence, 1964 Note: Also clean script (inscription by Schneider).
	Davies, Robertson, A Comedy of Conscience
Box 8 Folder 11	Clean scenario
	Denker, William, About William
Box 8 Folder 12	Clean script, notes by Schneider
	Denker, Henry, Libel
Box 9 Folder 1	Clean script (inscription by Schneider)
	Denker, Henry, The Name of the Game
Box 9 Folder 2	Correspondence, 1966 Note: Also clean script, production notes.
	Denker, Henry, A Sound of Distant Thunder
Box 9 Folder 3	Correspondence, 1959 Note: Also annotated script, production notes.
Box 9 Folder 4	Revised script (inscription by Schneider)
	Dennison, George, The Service for Joseph Axminster
Box 9 Folder 5	Clean script, note by Schneider
	Devany, Edward, Refuge
Box 9 Folder 6	Clean script in Folio magazine (inscription by Schneider)
	Dewey, Kenneth, Close-Up Shot
Box 9 Folder 7	Clean script
	Dick, Paul, Cybele
Box 9 Folder 8	Correspondence, 1967 Note: Also scenario, note by Schneider.
	Drexler, Rosalyn, The Investigation
Box 9 Folder 9	Clean script, notes by Schneider
	Ducovny, Amram and Leon Friedman, The Trial of Lee Harvey Oswald
Box 9 Folder 10	Correspondence, 1966-1967 Note: Also notes by Schneider.
Box 9 Folder 11	Original clean script
Box 10 Folder 1	Script rewrite “A”
Box 10 Folder 2	Script rewrite “B”
	Dunster, Claude, The Mermaid
Box 10 Folder 3	Clean script (inscription by Schneider)
	Dunster, Claude, Tecumseh
Box 10 Folder 4	Clean script (inscription by Schneider)
	Duras, Marguerite, Lol Blair (Project II)
Box 10 Folder 5	Clean script
	Durrenmatt, Friedrich, The Visit, adapted by Maurice Valency
Box 10 Folder 6	Clean script
	Eaton, Joseph, Color Scheme
Box 10 Folder 7	Script for Act II, Scene I, character synopsis
	Eisenstein, Mark, I, Alone
Box 10 Folder 8	Clean script
	Ellis, David, The Golden Key
Box 10 Folder 9	Clean script
	Faulkner, William, Requiem
Box 10 Folder 10	Clean script
	Feist, Gene, A Toy for the Clowns and Casey and the Bat
Box 11 Folder 1	Clean script
	Feist, Gene, Wretched the Lionhearted
Box 11 Folder 2	Clean script
	Ferlinghetti, Lawrence, Routines
Box 11 Folder 3	Clean script (inscription by Schneider)
	Ferlinghetti, Lawrence, Three Thousand Red Ants
Box 11 Folder 4	Correspondence, 1963 Note: Also clean script.
	Fields, Joseph and Jerome Chodorov, The Ponder Heart
Box 11 Folder 5	Clean script
	Filippo, Edward de and Curcio Armand, Fortuna, adapted by Arnold Weinstein
Box 11 Folder 6	Clean script
	Floyd, Carlisle, Susannah (opera)
Box 11 Folder 7	Correspondence, 1964-1965 Note: Also clean script.
	Foote, Horton, Traveling Lady
Box 11 Folder 8	Clean script
	Forsyth, James, Defiant Island
Box 11 Folder 9	Correspondence, 1962 Note: Also clean script.
	Forsyth, James, Trog
Box 11 Folder 10	Correspondence, clean script, undated
	Frakes, Jack, Joey
Box 12 Folder 11	Clean script
	Franklin, George, Buds
Box 12 Folder 1	Correspondence, 1962 Note: Also clean script.
	Franklin, George, Switching
Box 12 Folder 2	Clean script
	Franklin, George, The Windmill
Box 12 Folder 3	Clean script
	Fratti, Mario, Collection of One-Acts, published in Italian Theatre Review
Box 12 Folder 4	Correspondence, 1964-1965Italian Theatre Review
	Fratti, Mario, The Refrigerators
Box 12 Folder 5	Clean script, reader's report
	Friedman, Roy, Jake Garner's Dead
Box 12 Folder 6	Correspondence, 1965 Note: Also clean script, note by Schneider.
	Friedman, Roy, Scherzo
Box 12 Folder 7	Clean script
	Furland, Maxine, Biscuit
Box 12 Folder 8	Clean script
	Gagliano, Frank, Night of the Dunce
Box 12 Folder 9	Clean script, note by Schneider
	Gargi, Balwant, The Dark Ritual
Box 12 Folder 10	Correspondence, 1966 Note: Also clean script, note by Schneider.
	Gazzo, Michael Vincente, The Night Circus
Box 12 Folder 11	Clean script
	Geiger, Milton, Carved in Snow
Box 13 Folder 1	Clean script, notes by Schneider
	Gelb, Philip, Footnotes
Box 13 Folder 2	Clean script
	Gelber, Jack, The Connection
Box 13 Folder 3	Correspondence, 1960 Also production notes.
Box 13 Folder 4	Director's script
	Gerolmo, Frank, House of Cards (or Dealer's Choice)
Box 13 Folder 5	Correspondence, 1959-1960 Also Dealer's Choice script.
Box 13 Folder 6	Clean script “A”
Box 13 Folder 7	Clean script “B”
	Gilroy, Frank, That Summer, That Fall
Box 14 Folder 1	Clean script (inscription by Schneider), note by Schneider
	Giradoux, Jean, Ondine, adapted by Maurice Valency
Box 14 Folder 2	Clean script
	Gluck, Marvin, Danny
Box 14 Folder 3	Clean script (inscription by Schneider)
	Gogol, Nikolai, The Inspector General, translated by Nikolajs Lapkass and Richard Moody
Box 14 Folder 4	Clean script
	Goldoni, The Liar, adapted by Edward Eager and Alfred Drake
Box 14 Folder 5	Clean script
	Grass, Gunter, The Plebians, translated by Ninon Tallon Karlweiss
Box 14 Folder 6	Clean script, note by Schneider
	Grazia, Edward de, The Coronet Players
Box 14 Folder 7	Correspondence, 1962-1963 Note: Also clean script.
	Gregg, Jess, A Secret Hiding Place
Box 14 Folder 8	Clean script (inscription by Schneider)
	Greene, Henry, Will the Real Mr. Bressman Please Stand Up
Box 15 Folder 1	Clean script, note by Schneider
	Greenfeld, Josh, Big
Box 15 Folder 2	Clean script
	Greenfeld, Josh, The Boy Who Sold Dreams at the YMCA
Box 15 Folder 3	Clean script
	Hall, Sam, Asleep in Mexico
Box 15 Folder 4	Clean script
	Hamilton, Wallace, Bunny Boy
Box 15 Folder 5	Clean script (inscription by Schneider), note by Schneider
	Harding, John Briard, Kinderspiel
Box 15 Folder 6	Correspondence, 1959-1963 Note: Also clean script.
	Harris, Mark, The Southpaw
Box 15 Folder 7	Clean script, note by Schneider
	Hart, Howard, A Piece of Noon
Box 15 Folder 8	Correspondence, undated Note: Also clean script.
	Hastings, John, A Game of Tag
Box 15 Folder 9	Correspondence, 1963-1967 Note: Also clean script, note by Schneider.
	Hastings, John, The Purple Cow
Box 15 Folder 10	Clean script
	Havel, Vaclav, The Memorandum
Box 15 Folder 11	Clean script, note by Schneider
	Havoc, June, Marathon '33
Box 16 Folder 1	Clean script
	Hayes, Joseph, The Third Day (film)
Box 16 Folder 2	Correspondence, 1964 Note: Also clean script with inscription by Schneider.
Box 16 Folder 3	Unrevised proofs with inscription by Schneider
	Henry, W.B., The Smallest Sound (Film)
Box 16 Folder 4	Correspondence, undated Note: Also clean script with note by Schneider.
	Herndon, Venable, Bag of Flies
Box 16 Folder 5	Clean script (inscription by Schneider)
	Heyward, Dorothy, Set My People Free
Box 16 Folder 6	Clean script
Box 16 Folder 7	Hochwaelder, Fritz, The Public Prosecutor
	Hoffman, Cert, Our Man in Madras
Box 17 Folder 1	Correspondence, 1967 Note: Also clean script, note by Schneider.
	Hoffman, Theodore, A Good Time at God's Expense (or Yecch a la Mode)
Box 17 Folder 2	Clean script
	Hosansky, Mel, Manoa
Box 17 Folder 3	Clean script
	Inge, William, Bus Stop
Box 17 Folder 7	Clean script
	Inlender, Avraham, Kadish
Box 17 Folder 8	Clean script
	Ionesco, Eugene, Bedlam Galore for Two or More, translated by Bernard Frechtman
Box 17 Folder 4	Clean script “A” (inscription by Schneider), clean script “B”, note by Schneider
	Ionesco, Eugene, Exit the King, translated by Donald Watson
Box 17 Folder 5	Clean script (inscription by Schneider)
	Ionesco, Eugene, The Killer, translated by Donald Watson
Box 17 Folder 6	Clean script
	Jacob, Dick, Eggshell
Box 17 Folder 9	Correspondence, 1962 Note: Also clean script, “A”, Act III rewrite.
Box 17 Folder 10	Clean script “B”
	Johannesson, Cary, The Execution of Eddie Slovik
Box 18 Folder 1	Correspondence, 1964 Note: Also clean script, clippings, program.
	Johannson, Arthur, The Tin Soldier
Box 18 Folder 2	Correspondence, 1962 Note: Also clean script.
	Jones, Le Roi, A Recent Killing
Box 18 Folder 3	Clean script (inscription by Schneider)
	Jonson, Ben, Volpone
Box 18 Folder 4	Clean script
	Kalcheim, Lee, Don't Call Us
Box 18 Folder 5	Clean script (inscription by Schneider)
	Kalcheim, Lee, A Party for Divorce
Box 18 Folder 6	Clean script
	Kennedy, Adrienne, A Rat's Mass
Box 18 Folder 7	Clean script (inscription by Schneider), note by Schneider
	Kerman, Sheppard, The Cut of the Ax
Box 18 Folder 8	Correspondence, 1957-1960 Note: Also clean script.
	Kerner, Ben, All Women Are One
Box 18 Folder 9	Clean script
	Kerr, Walter, The Theatre Breaks Loose (TV)
Box 18 Folder 10	Clean script
	Kiiras, Oskari, The Mad Emperor
Box 19 Folder 1	Correspondence, 1967 Note: Also clean script.
	Kinsolving, William, Nicholas Romanov
Box 19 Folder 2	Clean script, note by Schneider
	Koch, Kenneth, George Washington Crossing the Delaware
Box 19 Folder 3	Clean script
	Kranes, Dick, One Right After the Other
Box 19 Folder 4	Clean script, note by Schneider
	Lania, Leo, The Good Soldier Schweik
Box 20 Folder 1	Clean script
	Lewis, Andy and Dave Lewis, The Infantry
Box 20 Folder 2	Clean script, note by Schneider
	Lewis, George (penname for Nat Sherman), The Washington Years
Box 20 Folder 3	Clean script
	Mandel, Loring, Project Immortality
Box 20 Folder 4	Clean script, note by Schneider
	Mankowitz, Wolf, Expresso Bongo
Box 20 Folder 5	Clean script
	Martens, Gaston-Marie, Beggars in Paradise, translated by Marston Balch
Box 20 Folder 6	Clean script
	Max, Jerome, The Furthermost Finger of Fillmore
Box 20 Folder 7	Clean script (inscription by Schneider)
	Max, Jerome, What Color Goes With Brown?
Box 20 Folder 8	Correspondence, 1964-1965 Note: Also clean script.
	McGuire, Michael, Point Conception
Box 20 Folder 9	Clean script (inscription by Schneider)
	McNally, Terence, And Things That Go Bump in the Night
Box 21 Folder 1	Correspondence, 1964 Note: Also production notes, director's script.
	Mercier, Mary, Johnny No-Trump
Box 21 Folder 2	Clean script, notes by Schneider
	Miller, E.H., Children in the Markets
Box 21 Folder 3	Clean script
	Miller, Sigmund, Lovely Star, Good Night
Box 21 Folder 4	Correspondence, 1958 Note: Also production notes, clippings.
Box 21 Folder 5	Director's script
	Miranda, Edgard de Roche, Crime D'Amour
Box 21 Folder 6	Clean script
	Molinaro, Orsule, After the Wash
Box 21 Folder 7	Clean script (inscription by Schneider)
	Molloy, Michael, The King of Friday's Men
Box 21 Folder 8	Correspondence, undated Note: Also clean script.
	Morgenstern, Joseph, Lovey
Box 21 Folder 9	Clean script
	Morris, Aldythe, The Damien Letter
Box 22 Folder 1	Clean script
	Morris, Aldythe, The Secret Concubine
Box 22 Folder 2	Correspondence, 1959 Note: Also production notes, clean script.
Box 22 Folder 3	Princeton version (annotated by Schneider)
Box 22 Folder 4	Clean script revised for New York production
	Mortenghi, Frances Canavan, All Orbs Ajangle on a Pogo Stick
Box 22 Folder 5	Clean script
	Mrozek, Slaivomir, Striptease
Box 22 Folder 6	Correspondence, 1963-1966 Note: Also clean script, notes on Tango
	Muller, Romeo, The Great Git-Away
Box 22 Folder 7	Clean script
	Muller, Romeo, Like Wonderful
Box 22 Folder 8	Clean script
	Noah, Robert, The Advocate
Box 22 Folder 9	Clean script
	O'Brien, Liam, Haste to the Wedding
Box 22 Folder 10	Clean script
	O'Hara, John, You Are My Sister
Box 23 Folder 1	Clean script
	Oliansky, Joel, Putting on the Agony
Box 23 Folder 2	Clean script, notes by Schneider
	Oppenheimer, Joel, The Great American Desert
Box 23 Folder 3	Annotated script
	Oppenheimer, Joel, The Perfect Detonator
Box 23 Folder 4	Clean script (inscription by Schneider)
	Osborn, Paul, Point of No Return
Box 23 Folder 5	Clean script
	O'Sullivan, Michael, Grand Parade to Paradise
Box 23 Folder 6	Clean script, notes by Schneider
	Owens, Rochelle, Beclch
Box 23 Folder 7	Clean script, note by Schneider
	Packard, William, From Now On
Box 23 Folder 8	Clean script, note by Schneider
	Pagnol, Marcel, The Baker's Wife
Box 23 Folder 9	Clean script
	Pasch, Robert, Love is an Inkblot in Time
Box 23 Folder 10	Clean script
	Perkins, Aveline, Go, Wondrous Creature!
Box 24 Folder 1	Clean script
	Perkins, Lynn, The Ghost Children
Box 24 Folder 2	Correspondence, 1958 Note: Also clean script, production notes.
	Perr, Harvey, The Coconut Grove
Box 24 Folder 3	Clean script
	Peterson, Don, Does a Tiger Wear a Necktie?
Box 24 Folder 4	Clean script (inscription by Schneider)
	Petronio, Louis Anthony, Three Short Plays
Box 24 Folder 5	Clean script
	Phipps, Thomas, Four Winds
Box 24 Folder 6	Clean script
	Phipps, Thomas, Motel
Box 24 Folder 7	Clean script
	Pirandello, Luigi, Enrico IV, adapted by John Reich
Box 24 Folder 8	Annotated script
	Pitt, Dale, Eye of the Beholder
Box 24 Folder 9	Clean script
	Pressman, Kenneth, Hunting the Jingo Bird
Box 24 Folder 10	Clean script
	Presson, Jay, Stars in a Person's Backyard
Box 25 Folder 1	Correspondence, 1953 Note: Also, production notes, director's script.
	Pritchard, Barry, Visions of Sugar Plums
Box 25 Folder 2	Clean script, note by Schneider
	Rella, Ettore, Sign of Winter
Box 25 Folder 3	Clean script
	Rice, Elmer, As the Sparks Fly Upward
Box 25 Folder 4	Clean script
	Richards, Stanley, Journey to Bahia
Box 25 Folder 5	Clean script
	Rittenberg, Louis, The Violet
Box 25 Folder 6	Clean script
	Roberts, William David, The So-Called People
Box 25 Folder 7	Clean script
	Robins, Sam, Answered the Flute
Box 25 Folder 8	Correspondence, 1956 Note: Also clean script.
	Robinson, Charles, October Gal
Box 25 Folder 9	Clean script
	Rodel, There Was a Crooked Mouse (Film)
Box 26 Folder 1	Clean script, note by Schneider
	Rossett, Alan, An East River Dream
Box 26 Folder 2	Clean script
	Roussin, Andre, The Eggs of the Ostrich, adapted by James Broughton
Box 26 Folder 3	Clean script
	Rubin, Mann, The Confetti People
Box 26 Folder 4	Correspondence, 1964 Note: Also clean script.
	Rubin, Mann, The Trees of Promise
Box 26 Folder 5	Correspondence, 1956-1962
Box 26 Folder 6	Financial records and contracts, production notes
Box 26 Folder 7	Script, first draft
Box 26 Folder 8	Director's script
Box 26 Folder 9	Clean script
	Sackler, Howard, A Few Enquiries
Box 27 Folder 1	Correspondence, 1965 Note: Also clean script, note by Schneider.
	Sackler, Howard, The Great White Hope
Box 27 Folder 2	Clean script (inscription by Schneider)
	Sainer, Arthur, God Wants What Men Want
Box 27 Folder 3	Correspondence, 1963-1964 Note: Also clean script (inscription by Schneider).
	Scheuer, Steven, The Ordeal of John Henry Faulk
Box 27 Folder 4	Clean script
	Schisgal, Murray, Jimmy Shine
Box 27 Folder 5	Correspondence, 1965 Note: Also clean script.
	Schochen, Seyril, A Blue Island
Box 27 Folder 6	Clean script
	Schochen, Seyril, The Moon Besieged
Box 27 Folder 7	Clean script
	Schochen, Seyril, The Tiger Rag
Box 27 Folder 8	Correspondence, 1955-1960 Note: Also production notes.
Box 27 Folder 9	Director's script
	Schrock, J. Gladden, The Green Lute
Box 27 Folder 10	Clean script, note by Schneider
	Schulman, Arnold and Mel Goldberg, A Thousand Guys Named Max
Box 28 Folder 1	Clean script
	Scott, Alan, The Second Monkey
Box 28 Folder 2	Clean script, notes by Schneider
	Serment, Jean, The Children's Playhouse
Box 28 Folder 3	Clean script
	Shakespeare, William, Antony and Cleopatra
Box 28 Folder 4	Production notes
	Shakespeare, William, Julius Caesar
Box 28 Folder 5	Clean script
	Shepard, Sam, Icarus
Box 28 Folder 6	Clean script, note by Schneider
	Sherwood, Robert, Small War on Murray Hill
Box 28 Folder 7	Clean script
	Shure, Robert, The Ocarina
Box 28 Folder 8	Clean script (inscription by Schneider)
	Shure, Robert, The Tickle of Passion
Box 28 Folder 9	Clean script
	Shure, Robert, The Waiting Room
Box 28 Folder 10	Correspondence, 1962 Note: Also clean script.
	Smith, E., Release
Box 28 Folder 11	Clean script
	Smith, Michael, The Next Thing
Box 29 Folder 1	Correspondence, 1964-1965 Note: Also clean script.
	Snyder, William, Jr., Mrs. Bridge
Box 29 Folder 2	Correspondence, 1961 Note: Also annotated script.
	Spencer, Franz, The Happy Ant Hill
Box 29 Folder 3	Clean script (inscription by Schneider)
	Spewack, Samuel, Under the Sycamore Tree
Box 29 Folder 4	Clean script
	Stavis, Barrie, Banners of Steel
Box 29 Folder 5	Correspondence, 1961-1964 Note: Also clean script (inscription by Schneider).
	Stevenson, Robert Louis, Treasure Island, adapted by John C. Fleming
Box 29 Folder 6	Clean script
	Sundgaard, Arnold, Forests of the Night
Box 29 Folder 7	Correspondence, 1965 Note: Also clean script, “A”.
Box 29 Folder 8	Clean script “B”
	Tabori, George, The Cannibals
Box 29 Folder 9	Clean script, note by Schneider
	Tabori, George, The Niggerlovers
Box 30 Folder 1	Correspondence, 1967 Note: Also clean script, note by Schneider.
	Taylor, Douglas, The Sudden and Accidental Re-Education of Horse Johnson
Box 30 Folder 2	Correspondence, 1964-1965 Note: Also clean script (inscription by Schneider).
Box 30 Folder 3	Clean script
	Terkel, Studs, Amazing Grace
Box 30 Folder 4	Correspondence, 1965-1966 Note: Also clean script, “A”.
Box 30 Folder 5	Clean script, “B”
	Terry, Megan, Cowboys, Custers and Indians
Box 30 Folder 6	Correspondence regarding all of her plays, 1960-1967 Note: Also clean script (inscription by Schneider).
	Terry, Megan, The Hothouse
Box 30 Folder 7	Clean script “A”, clean script “B” (inscription by Schneider)
	Terry, Megan, Seascape
Box 31 Folder 1	Clean script
	Thayler, Carl, Grail
Box 31 Folder 2	Clean script
	Thomas, Dylan, Under Milk Wood
Box 31 Folder 3	Clean script
	Thomas, Lee, The Condition
Box 31 Folder 4	Clean script, note by Schneider
	Torn, Jesse, A Fig Leaf in Her Bonnet
Box 31 Folder 5	Correspondence, 1960 Note: Also clean script.
	Valency, Maurice, The Destroying Angel
Box 31 Folder 6	Clean script
	Valency, Maurice, A Legend of Good Women
Box 31 Folder 7	Clean script
	Vane, Norman Thaddeus, The Expatriate
Box 31 Folder 8	Clean script
	Vickers, John, Enquire Within
Box 31 Folder 9	Clean script (inscription by Schneider)
	Vlahos, John, The Miracle at Minskeys
Box 31 Folder 10	Clean script
	Ward, Larry and Gordon Russell, Masterpiece
Box 31 Folder 11	Clean script
	Warren, Robert Penn, Ballad of a Sweet Dream
Box 32 Folder 1	Correspondence, 1961-1962 Note: Also music, clean script.
	Weinstein, Arnold, The Dance
Box 32 Folder 2	Clean script
	Weinstein, Arnold, Packed with Action
Box 32 Folder 3	Clean script
	Weinstein, Arnold?
Box 32 Folder 4	Clean script “A”, clean script “B” (inscription by Schneider), note by Schneider
	Weinstein, Arnold, The Twenty Five Cent White Cap
Box 32 Folder 5	Clean script
	Weiss, Peter, The Investigation
Box 32 Folder 6	Clean script in German, note by Schneider
	Wesker, Arnold, Roots
Box 32 Folder 7	Clean script
	Wilder, Thornton, The Skin of Our Teeth
Box 32 Folder 8	TV script
	Williams, Tennessee, Orpheus Descending
Box 32 Folder 9	Clean script
	Wilmurt, Arthur, Lafcadio's Adventures
Box 32 Folder 10	Clean script
	Winterbottom, Goddard, Mystery Story #1
Box 32 Folder 11	Clean script
	Wishengrad, Morton, The Rope Dancer
Box 32 Folder 12	Clean script
	Wolfson, Victor, Love in the City
Box 32 Folder 13	Clean script
	Wolfson, Victor, None More Wonderful
Box 32 Folder 14	Clean script (inscription by Schneider)
	Wright, Hamilton, A Lost Lady
Box 33 Folder 1	Correspondence, 1961, undated Note: Also clean script.
Box 33 Folder 2	Clean script (inscription by Schneider)
	Young, Stanley, The Big People
Box 33 Folder 3	Correspondence, 1948, 1957, undated Note: Also clean script.
	Young, Stanley, The World Next Door
Box 33 Folder 4	Clean script
	Zavin, Ben, The Mask for Murder
Box 33 Folder 5	Correspondence, 1960-1963 Note: Also clean script, notes by Schneider.
	Zeiger, Henry, Mr. Hubert
Box 33 Folder 6	Clean script
	Zindel, Paul, Effect of the Gamma Rays
Box 33 Folder 7	Clean script (inscription by Schneider), note by Schneider
Box 33 Folder 8	Critiques and notes regarding scripts read by Schneider
	Subseries: Subseries 4: Academic Materials Scope and Content Note: The materials in this subseries are arranged chronologically in two subdivisions. The first, “Student Papers,” documents Schneider's entire formal education from elementary school to his master's degree from Cornell University. This section includes numerous speeches and research papers from the University of Wisconsin, course notes, Schneider's master's thesis from Cornell, and grade reports and transcripts from all the institutions he attended as a student. The second, “Teaching Papers” documenting Schneider's work at Catholic University and other institutions, primarily consists of teaching and lecture notes.	⇧
	Student Papers
	Forest Park High School
Box 1 Folder 1	Mementos, newspapers, clippings
Box 1 Folder 2	Oration: “The Aims and Merits of the N.R.A.”; speech: “No, to Federal Aid”
Box 1 Folder 3	Biology notebook
	Johns Hopkins University
Box 1 Folder 4	Two research papers
Box 1 Folder 5	Notes and syllabus for history course
	University of Wisconsin
Box 1 Folder 6	Oration: “The Dilemma of Democracy”
Box 1 Folder 7	Cardinal articles, miscellany
Box 1 Folder 8	Speeches and orations
Box 1 Folder 9	Play: The Young Men
Box 1 Folder 10	Plays: End of Dreams and Hands Across the Piano
Box 1 Folder 11	Revue for Wisconsin Players banquet
Volume 1	Scrapbook
Box 1 Folder 12-13	Seven research papers, 1936-1938
Box 1 Folder 14	Thirteen research papers, 1939; three , undated
Box 2 Folder 1	Papers regarding Wisconsin Players
Box 2 Folder 2	Exam books, grade cards
Box 2 Folder 3	Mementos, awards
Box 2 Folder 4	Commencement programs, notes, miscellany
	Cornell University
Box 2 Folder 5	Play: We Shall Not Sleep
Box 2 Folder 6	Directing class project: A Night At An Inn
Box 2 Folder 7	Eleven research papers, 1940 July-August
Box 2 Folder 8	Eight research papers, 1941 January-May
Box 2 Folder 9	Miscellaneous writing
Box 2 Folder 10	Phonetics notes
Box 2 Folder 11	Graduate study notes
Box 3 Folder 1	Notes on technical aspects of theater
Box 3 Folder 2	Graduate notes: comedy, directing, design
Box 3 Folder 3	Rough draft of thesis
Box 3 Folder 4	Schneider's translation of Evreinov's The Theatre of Eternal War
Box 3 Folder 5	Thesis: Nicolas Evreinov and “The Theatre in Life”
Box 3 Folder 6	General academic grade records, transcripts, etc.
Box 3 Folder 7	Miscellaneous student notes
Box 3 Folder 8	Three source or idea books
Box 3 Folder 9	Scene designs by Schneider
	Teaching Papers
	Catholic University
Box 4 Folder 1	Correspondence, 1941-1955 notes regarding curriculum and course planning, comprehensive exams, notes regarding Russian and Contemporary Drama, miscellany
Box 4 Folder 2	Lecture notes for History of the Theatre and Development of Dramatic Form
Box 4 Folder 3	Acting course notes
Box 4 Folder 4	Materials for Pro-seminar course
Box 4 Folder 5-6	Materials for radio script writing “A” and “B”
Box 4 Folder 7	Materials for Public Speaking “A”
Box 5 Folder 1	Materials for Public Speaking “B”
Box 5 Folder 2	Notes from Fundamentals of Theatre Practice and Interpretation and Teaching of Dramatics
Box 5 Folder 3	Miscellaneous bibliographies for courses
Box 5 Folder 4	First thesis supervised by Schneider, 1943
Box 5 Folder 5	Thesis submitted to Schneider, 1946
Box 5 Folder 6-7	Theses supervised by Schneider, 1947, 1954
Box 5 Folder 8	Papers submitted to Schneider by students “A”
Box 6 Folder 1	Papers submitted to Schneider by students “B” with some comments
Box 6 Folder 2	Schneider's class book, 1944-1952
Box 6 Folder 3	Arena Stage: Acting class notes, 1952
Box 6 Folder 4	Columbia University: notes for play directing and advanced radio, 1960
Box 6 Folder 5	Circle in the Square: notes, miscellaneous materials, two student scripts
Box 6 Folder 6	University of Wisconsin-Milwaukee, 1962
Box 6 Folder 7	Long Island University: correspondence, 1966 March-1967 April notes regarding teaching, , 1966-1967
	Subseries: Subseries 5: Writing Materials Scope and Content Note: The materials in this subseries are divided into two sections. The first is “Published Writings.” This section includes articles and essays by Schneider arranged chronologically and annotated with the title of the source. The second, “Unpublished Writings,” consists of plays, poetry, short stories, and essays written by Schneider at various times during his career. There is little information regarding the specific time of writing. This category also includes notes from lectures and speeches delivered by Schneider, as well as brochures from a variety of programs in which he participated.	⇧
	Published Writings
Box 1 Folder 1	“The End of Tea-Cup Theatre” Players Magazine, 1943 May
Box 1 Folder 1	“Theatre as a Weapon” Bulletin of Council of American-Soviet Friendships, 1944
Box 1 Folder 1	“Kerr Going Up” Washington Evening Star, 1944
Box 1 Folder 1	Poem: “Question for the Day” Washington Evening Star, 1944 September
Box 1 Folder 2	“A Theatre Grows in Brookland” Players Magazine, 1945 May
Box 1 Folder 3	“Return to Action” Theatre Arts, 1947
Box 1 Folder 4	“Another Part of the Elephant” National Theatre Conference Bulletin, 1949 December
Box 1 Folder 5	“Producing Plays on Broadway” Amerika Illustrated, 1953-1954
Box 1 Folder 6	“Off-Broadway is On” Theatre Annual, 1955-1956
Box 1 Folder 7	“Four in the Round” Theatre Arts, 1956
Box 1 Folder 8	“The New School Tie” or “Not Waiting for Godot” New York Times, 1956
Box 1 Folder 9	“How's Your Old Proscenium Arch?” New York Times, 1957
	“A Tale of Two Cities” published in Ten Talents in the American Theatre, ed. by David Stevens
Box 1 Folder 10	Correspondence, 1955 August-1960 July
Box 1 Folder 11	Manuscript drafts
Box 1 Folder 12	“What's Wrong With Alex?” New York Herald Tribune, 1960
	New Leader
Box 1 Folder 13	Correspondence, 1961 May-1963 February
Box 1 Folder 14	Four articles
Box 1 Folder 15	Seven typewritten articles, five rough drafts
Box 2 Folder 1	Comments on The Impossible Theatre by H. Blau, 1964
Box 2 Folder 2	“The Bread and Wine of Bertolt Brecht” published in Bertolt Brecht Portraits, ed. by G. Goedhart, 1964
Box 2 Folder 3	Letter to Drama Editor of New York Times, 1965
Box 2 Folder 4	“Laughter Among the Ruins” Show, 1965
	Introduction to Acting is Believing by C. McGaw
Box 2 Folder 5	Correspondence, 1965-1966 Note: Also original manuscript, galley proofs.
	“On” from The Artist and His Audience
Box 2 Folder 6	Preliminary drafts and notes
Box 2 Folder 7	Typewritten manuscript (delivered at the University of Chicago Conference, 1966)
Box 2 Folder 8	Galley proofs
Box 2 Folder 9	Other manuscripts in , 1966 Conference proceedings included in the book
Box 2 Folder 10	Transcripts of taped Symposia with references to Schneider's paper
Box 2 Folder 11	“The Off-Broadway Experience,” interview for book by Howard Greenberger, 1967
	“Let's Be Beastly to the British” New York Times, 1967
Box 2 Folder 12	Correspondence, 1967
Box 2 Folder 13	“Long Season's Journey Into Not Much” Theatre World Manual, London
Box 2 Folder 14	“What's He So Afraid Of?” Tulane Drama Review
	Unpublished Writings
	One-act plays
Box 3 Folder 1	Four in the Dark
Box 3 Folder 2	The Young Men
	Plays
Box 3 Folder 3	They Will Live Again
Box 3 Folder 4	We Shall Not Sleep
Box 3 Folder 5	The World is Kind
Box 3 Folder 6	Home Sweet Home
Box 3 Folder 7	Six revue sketches, one radio script
Box 3 Folder 8	Three produced radio scripts
Box 3 Folder 9	Eight short stories
Box 3 Folder 10	Poetry by Schneider
Box 3 Folder 11	Two plays, three reviews, one song
Box 3 Folder 12	Song: “A Little Piece of String”
Box 3 Folder 13	Eleven articles
Box 3 Folder 14	Three articles, one editorial
Box 3 Folder 15	Thirteen articles
Box 4 Folder 1	Five articles regarding theater
Box 4 Folder 2	“The Magic Keynote” (sent out for jobs)
Box 4 Folder 3	Miscellaneous theater articles
Box 4 Folder 4	Two notebooks: “Thoughts in Passing” and “Words in Passing,” 1940
Box 4 Folder 5	Miscellaneous notes and writings
Box 4 Folder 6	Lectures, speeches, paper delivered at the Social Construction Conference of the National Association of Teachers of Speech, 1944 December
Box 4 Folder 7	Notes from speech: “The Arena Theatre Needs a Theatre,” 1950
448A/1-2	Lincoln Center Discussion, “A Rock Through the Window,” 1966 Scope and Content Note: Schneider discusses the American theater, his production of Edward Albee's play A Delicate Balance, theater audiences, and critics.
U.S. Mss 57AN Box 4 Folder 8	Lecture tour, 1966-1967
Box 4 Folder 9	Lecture notes from International Theatre Institute Conference (ITI), Iceland, 1967 May
Box 4 Folder 10	Montreal Colloquium, 1967
Box 4 Folder 11	American Educational Theatre Association (AETA) , 1967 Convention
Box 4 Folder 12	“Tribute to Jacques Lipschitz,” notes and source materials, 1967
Box 4 Folder 13	Notes from lectures Schneider has delivered
Box 4 Folder 14-15	Programs, brochures, etc. from talks by Schneider
	Subseries: Subseries 6: Wartime Materials Scope and Content Note: The “Wartime Materials” subseries contains radio scripts and a variety of writing assignments done by Schneider for government agencies during World War II. All materials relating to an individual agency are arranged together. No attempt has been made to arrange materials in any alphabetical or chronological sequence.	⇧
Box 1 Folder 1	Department of the Interior script: “Greenbelt: Design for Living”
	Office of Education
Box 1 Folder 2	Fourteen radio scripts
Box 1 Folder 3	“Help Yourself to Health”
Box 1 Folder 4	Miscellaneous writings
	American Educational Theatre Association
Box 1 Folder 5	AETA News, 1941-1946
Box 1 Folder 6	Miscellaneous materials
	Office of War Information
Box 1 Folder 7	Correspondence regarding Theatre Victory Council, etc., 1943 March-July
Box 1 Folder 8	Materials regarding theater projects
Box 1 Folder 9	Theater work
Box 1 Folder 10	Source lists and radio spots
Box 1 Folder 11	Script: “It's Up To You,” clippings, etc.
Box 2 Folder 1	Miscellaneous notes
Box 2 Folder 2	Post Office Department, Ghost-written speeches for James Farley
Box 2 Folder 3	Treasury Department
Box 2 Folder 4	Radio scripts for various government agencies
Box 2 Folder 5	Radio script: “This Small World”
	Radio script: “This Was Our Town”
Box 2 Folder 6	Correspondence, 1941 August-1946 December Note: Also three scripts.
Box 2 Folder 7	Eleven articles, one poem
Box 2 Folder 8	Miscellaneous script ideas, parts of manuscripts
Box 2 Folder 9	Notebook, miscellaneous notes
Box 2 Folder 10	Russian study notes
Box 2 Folder 11	Poetry collected during World War II
Box 2 Folder 12	Script: “Figure It Out,” manuals
	Subseries: Subseries 7: Theater Organizations and Travel Scope and Content Note: The materials in this subseries are divided into two sections. “Theater Organizations,” arranged alphabetically, contains correspondence and other related papers representing Schneider's major professional affiliations. (Other material concerning organizations is found in the next subseries, Previously Restricted Materials.) “Travel” is arranged chronologically according to trips made by Schneider and includes correspondence, travel arrangements, and notes on observations. (Materials relating to foreign plays are to be found in subseries two.)	⇧
	Theater Organizations
Box 1 Folder 1	Actors Equity correspondence, 1943-1964
	The Actors Studio Theatre
Box 1 Folder 2	Correspondence, 1948-1967
Box 1 Folder 3	Miscellany
Box 1 Folder 4	American National Theatre and Academy (ANTA) correspondence, 1963-1967 miscellany
Box 1 Folder 5	American National Theatre and Academy-Board of Standards and Planning for the Living Theatre correspondence, 1960-1967
	Arena Stage Note: Also see Part 1, Subseries 9.
	Correspondence
Box 1 Folder 6	1951-1957
Box 1 Folder 7	1958-1967
Box 1 Folder 8	Miscellaneous materials
Box 1 Folder 9	Arts Council of America correspondence, 1966 Note: Also miscellany.
Box 1 Folder 10	Bennington College Committee on the Performing Arts
Box 2 Folder 1	Cain Park Theatre correspondence, 1947-1949 Note: Also contracts, miscellany.
	Directors Guild of America Inc.
Box 2 Folder 2	Correspondence, 1960-1962
Box 2 Folder 3	Correspondence, 1963-1967 Note: Also by-laws, miscellany.
Box 2 Folder 4	The Ford Foundation correspondence, 1966 Note: See also Part 1, Subseries 9.
Box 2 Folder 5	Institute for Advanced Studies in the Theatre Arts (IASTA) correspondence, 1961-1966
	International Educational Exchange Series (IEES) Ad Hoc Drama Panel and Advisory Committee on the Arts correspondence
Box 2 Folder 6	1959-1963
Box 2 Folder 7	1964
Box 2 Folder 8	1965-1966
Box 3 Folder 9	Institute of International Education (IIE) Fulbright Selection Committee correspondence, 1951 April-1963 June Note: Also includes rating sheets.
Box 3 Folder 1	International Theatre Institute (ITI) correspondence, 1964-1967 Note: Also programs, miscellany.
Box 3 Folder 2	New Dramatists Committee Inc. correspondence, 1952-1967 Note: Also miscellany.
Box 3 Folder 3	New York State Council on the Arts correspondence, 1964-1967
	Rockefeller Foundation, See Part 1, Subseries 9
Box 3 Folder 4	Screen Directors International Guild correspondence, 1959-1963
	Society of Stage Directors and Choreographers Inc. correspondence
Box 3 Folder 5	1955 February-1962 March
Box 3 Folder 6	1962 August-1964 April
Box 3 Folder 7	1964 May-December
Box 3 Folder 8	1965 January-1966 December
Box 3 Folder 9	1967 Note: Also miscellany.
Box 4 Folder 1	Studio Magazine (Schneider was co-editor): ideas regarding magazine
	Theatre Communications Group, See Part 1, Subseries 9
Box 4 Folder 2	Theatre Incorporated correspondence, 1947 May-1948 November Note: Also includes notes.
Box 4 Folder 3	Tulane Drama Review correspondence, 1959-1967
Box 4 Folder 4	Washington University Performing Arts Center correspondence, 1965-1966
	Travel
Box 5 Folder 1	Trip to London and Europe: notes regarding travel, plays seen, miscellany, 1949
Box 5 Folder 2	European Trip: notes regarding travel, 1952
Box 5 Folder 3	Indiana University Inter-University Conference on Graduate Study in the Soviet Union: conference materials, correspondence, 1959
Box 5 Folder 4	European Travel: notes, materials regarding ITI Conference in Warsaw and Edinburgh Conference in London, 1963 (Paris, Warsaw, Berlin, London): correspondence, 1963 January-August
Box 5 Folder 5	International Theatre Institute-11th Congress, Tel Aviv, 1965: materials regarding conference, correspondence, 1965 April-November
Box 5 Folder 6	Trip to West, U.S.A. for Rockefeller Foundation: notes regarding travel, 1967
	Subseries: Subseries 8: Biographical Materials Scope and Content Note: “Biographical Materials” contains telephone messages dating from 1964-1968, as well as diaries from 1936-1964, arranged chronologically. The remaining materials include Schneider's financial records, employment contracts, résumés, Guggenheim applications, and other memorabilia.	⇧
	Telephone messages
Box 1 Folder 1	1964 August-December
Box 1 Folder 2	1965 January-June
Box 1 Folder 3	1965 August-December
Box 1 Folder 4	1966
Box 1 Folder 5	1967
Box 1 Folder 6	1968
	Diaries
Box 2 Folder 1	1936 Note: Covers time at Johns Hopkins, Maryland, University of Wisconsin.
Box 2 Folder 2	1941
Box 2 Folder 3	1952
Box 2 Folder 4	1954
Box 2 Folder 5	1956
Box 3 Folder 1	1957
Box 3 Folder 2	1958
Box 3 Folder 3	1959
Box 3 Folder 4	1960
Box 3 Folder 5	1962
Box 3 Folder 6	1964
Box 4 Folder 1	Financial records: 1943, 1950, 1954, 1956, 1959
Box 4 Folder 2	Expense books: 1943-1953, 1957
Box 4 Folder 3	Contracts from various jobs held by Schneider
Box 4 Folder 4	Miscellaneous résumé materials
Box 4 Folder 5	Notes regarding job applications
Box 4 Folder 6	Reading diary, book lists, notes, quotes
Box 4 Folder 7	Books in Schneider's library, 1935-1965
	Guggenheim application for study of Russian and Czech Theater
Box 4 Folder 8	Correspondence, 1942 November-1947 September
Box 4 Folder 9	Application forms, Russian proprosals
Box 5 Folder 1	Materials regarding Czech Theater, miscellaneous application materials
Box 5 Folder 2	Research notes for Russian and Czech Theater
Box 5 Folder 3	Samuel French Inc.: Schneider as playwriting contest judge
Box 5 Folder 4	Three Schneider passports
Box 5 Folder 5	Photographs of Schneider
Box 5 Folder 6	Personal memorabilia
Box 5 Folder 7	Paris car accident, bills, correspondence, 1955-1956
Box 5 Folder 8	Douglas Giebel thesis: Alan Schneider: A Director for the Theatre of Our Time
	Subseries: Subseries 9: Previously Restricted Materials Scope and Content Note: This subseries consists of materials which until December 1977, were available to researchers only with Schneider's permission. Four organizations arranged alphabetically appear in this series. Arena Stage papers consist largely of correspondence relating to productions Schneider directed there. The Ford and Rockefeller Foundations, and the Theatre Communications Group includes correspondence as well as the original drafts of recommendations made by Schneider while serving as consultant to these organizations.	⇧
	Arena Stage correspondence
Box 1 Folder 1	1952-1958
Box 1 Folder 2	1959-1966, undated
	Ford Foundation
	Correspondence
Box 1 Folder 3	1958-1959
Box 1 Folder 4	1960-1967
Box 1 Folder 5-6	Schneider's work as consultant, 1958-1959
Box 1 Folder 7	Manuscript: Submission to Federal Communications Commission, 1967
Box 1 Folder 8	Miscellany
	Rockefeller Foundation
Box 2 Folder 1	Correspondence, 1951-1967
Box 2 Folder 2	Schneider's manuscript for book on performing arts
Box 2 Folder 3	Summary of hearings on Economic Conditions in the Performing Arts, 1963
Box 2 Folder 4	Organizational materials
Box 2 Folder 5	Miscellaneous materials
Box 2 Folder 6	Annual report, 1964
Box 2 Folder 7	Staff directories, 1964-1965
	Original consultant drafts by Schneider
Box 2 Folder 8	1964
Box 2 Folder 9	1964-1965
Box 3 Folder 1	1965
Box 3 Folder 2-3	1966
Box 3 Folder 4	1967
	Theatre Communications Group
	Correspondence
Box 3 Folder 5	1959-1961
Box 3 Folder 6	1962-1963
Box 3 Folder 7	1964-1965
Box 4 Folder 1	1966
Box 4 Folder 2	1967
Box 4 Folder 3	Miscellaneous materials
	Series: Part 2, 1916-1980 Scope and Content Note The Additions which constitute Part 2 have been organized in nine subseries similar to those in Part 1: Biographical File; General Correspondence and Subject File; General Production File; Productions with Which Alan Schneider Was Involved; Materials Submitted to Alan Schneider; Theater Organizations, Groups, and Meetings; Colleges and Universities; Writings and Speeches; and Previously Restricted Files. A brief partial index to correspondents in several of the subseries of this part comprises Appendix II. In Part 2, the boxes are numbered in one sequence from Box 96 through Box 147. Thus it is unnecessary to specify the subseries number when requesting files.	⇧
	Subseries: Subseries 1: Biographical File Scope and Content Note: The “Biographical File” includes agreements, calendars, diaries, correspondence, financial records, notes, notebooks, passports, certificates, clippings, miscellany, and assorted subject files. Of particular interest is a diary Schneider kept from December 1941 to February 1943. The diary focuses on the out-break and major events of World War II and contains Schneider's impressions and attitudes on topics such as the role of creative arts and education in wartime; the academic attitude toward the war; the American public's attitude toward Germany, Japan, and Russia; and his view of isolationism. Also included in this file are notes from an Advanced Directing class taught by Walter Kerr at Catholic University.
Box 96 Folder 1	Agreements, 1972, undated
Box 96 Folder 2-3	Appointment calendars, 1973-1976
Box 96 Folder 4	Badger Yearbook, autographed pages, 1939
	Biographical information
Box 96 Folder 5	General, 1955, undated
Box 96 Folder 6	Clippings, circa 1954-1973, undated
Box 96 Folder 7	Magazine article by Sonny Hoffer, “Alan Schneider--Theatre USA,” 1967 October 2
Box 96 Folder 8	Book orders and requests, circa 1962-1980
Box 96 Folder 9	California, circa 1975
	Diaries
Box 96 Folder 10-11	Typescript, original and photocopy, 1941 December 7-circa 1943 February 25
Box 96 Folder 12	Manuscript, 1942-1943
	Education
Box 96 Folder 13	Certificates and diploma, 1935-1939
	Notes
Box 96 Folder 14	From Walter Kerr's Advanced Directing class, 1940
Box 96 Folder 15	From a course on Tragedy, circa 1940
Box 96 Folder 16-17	Term papers, circa 1940-1941
Box 96 Folder 18	Exhibition--Theatrical Evolution, 1776-1976, 1976
Box 96 Folder 19	Financial, 1962-1975, undated
Box 96 Folder 20	Ireland regarding tax relief, circa 1971
Box 96 Folder 21	Jury duty, 1975-1977
Box 96 Folder 22	London--Housing, 1970-1971, undated
Box 96 Folder 23	Medical, 1974-1975, undated
Box 96 Folder 24	Membership cards, 1947-1976, undated
	Miscellany
Box 96 Folder 25	General, 1941-1979, undated
Box 147 Folder 4	Scrapbook, circa 1933-1934
Box 96 Folder 26-28	Notes and messages, miscellaneous and unidentified, circa 1966-1972, undated
	Notebooks
Box 96 Folder 29	“How's Your Old Prosenium Arch,” undated
Box 96 Folder 30	Names of acquaintances, circa 1944
Box 96 Folder 31	Passports, 1967-1971
Box 96 Folder 32	Schneider, Leo V., 1916-1953, undated
	Trip
Box 97 Folder 1	London, 1970-1971
Box 97 Folder 2	Prague, Czechoslovakia, 1969, undated
	Subseries: Subseries 2: General Correspondence and Subject File Scope and Content Note: The “General Correspondence and Subject File” is comprised primarily of correspondence, although agreements, notes, ballots, a script, and miscellany are also included. The General Correspondence consists of incoming letters from family, friends, and colleagues. Among the specific files are those of Robert Anderson and Ellis Rabb. Also of interest are the files of Bertha Case which discuss Schneider's involvement with the works of Bertolt Brecht, while the Maggie Collins file includes discussions and critiques of several different productions. The Committee for Valery and Galina Panov file focuses on the plight and persecution of Jews in the Soviet Union. The Desmond Heeley, Bradley Morison, and Joseph Zeigler files concern particular aspects of the Ithaca Festival Theatre. The Liliane Kerjan file mentions Schneider's professional relationship with Edward Albee. Files of Schneider's lawyer, Robert Montgomery Jr., and accountant, Charles Renthal, are also included.	⇧
	General
Box 97 Folder 3-17	1935-1978 December
Box 98 Folder 1-3	1979 January-1980 June, undated
Box 98 Folder 4	Telegrams, circa 1962-1969, undated
	Specific
Box 98 Folder 5	Anderson, Robert, 1953-1971
Box 98 Folder 6	Ballet, Arthur, 1967-1975, undated
Box 98 Folder 7	Banov, Robert, 1967-1979
Box 98 Folder 8	Ben Cutler vs. Alan Schneider, regarding garnishee notice, 1966, undated
Box 98 Folder 9	Benter, Richard, 1964-1966
Box 98 Folder 10	Boughton, Bill, 1964-1965
Box 98 Folder 11	Callan, Bill, 1970-1975
Box 98 Folder 12	Case, Bertha, 1961-1979
Box 98 Folder 13	Collins, Maggie, 1970-1975, undated
Box 98 Folder 14	Committee for Valery and Galina Panov, circa 1974
Box 98 Folder 15	Dresser, Linda, 1967-1974, undated
Box 98 Folder 16	Felsenfeld, Herb, 1971-1973
Box 98 Folder 17	Goedhart, Gerda, 1961-1965
Box 98 Folder 18	Grauer, Rhoda, 1968-1974, undated
Box 98 Folder 19	Heaps, Leo, 1970-1972, undated
Box 98 Folder 20	Heeley, Desmond, 1965-1968, undated
Box 98 Folder 21	International Famous Agency Inc., 1970-1971
Box 98 Folder 22	Invitations, 1964-1972, undated
Box 98 Folder 23	Jeffry, Alix, 1964-1969, undated
Box 98 Folder 24	Job offers, including sample script of Theatre Classic Recitals Ltd., The Famous History of the Life of King Henry the Eighth (produced by WHA radio), 1967-1977
Box 98 Folder 25	Kellman, Barnett, 1967-1974, undated
Box 98 Folder 26	Kerjan, Liliane, 1970-1975
Box 98 Folder 27	Kramer, Susan, 1970-1974, undated
Box 98 Folder 28	Mcllrath, Patricia, 1972-1973, undated
Box 98 Folder 29	MacLeish, Archibald, including a poem, 1965-1968
Box 98 Folder 30	Montgomery, Robert, Jr., 1957-1969, undated
Box 98 Folder 31	Morison, Bradley, 1967-1968
Box 98 Folder 32	Moss, Leon, 1968-1977, undated
Box 98 Folder 33	Popkin, Henry, 1967-1973
Box 98 Folder 34	Rabb, Ellis, circa 1965-1971
Box 98 Folder 35	Renthal, Charles, 1960-1966
Box 98 Folder 36	Schenker, Joel, including material regarding John Hopkins This Story of Yours, 1966-1967, undated
Box 98 Folder 37	Shelton, Lewis, 1970-1979
Box 98 Folder 38	Small, Joy, 1950-1973, undated
Box 98 Folder 39	Solidarity Day for Soviet Jewry, circa 1975, undated
Box 98 Folder 40	Tony Awards, including Alan Schneider's 1976/77 annotated ballot, 1968-1980, undated
Box 98 Folder 41	Vlasova, Vera, circa 1964-1972, undated
Box 98 Folder 42	Weinberg, Sheyke and Channa, 1969-1974, undated
Box 98 Folder 43	Who's Who, 1964-1978, undated
Box 99 Folder 1	Wiesel, Elie, 1973-1974
Box 99 Folder 2	William Morris Agency Inc., representation contracts, 1963-1964
Box 99 Folder 3-4	Ziegler, Joseph Wesley, 1965-1976, undated
	Subseries: Subseries 3: General Production Files Scope and Content Note: The “General Production Files” consist of production materials that are of either a general or unidentified nature. Primary among these are casting and script submission files to be used for possible future theatrical projects.	⇧
Box 99 Folder 5	Budgets, unidentified, circa 1962-1967
	Casting
Box 99 Folder 6	Auditions, 1978, undated
Box 143-144	Casting files, undated
Box 99 Folder 7-9	Correspondence, general, 1963-1979, undated
Box 99 Folder 10	Credit and experience cards of Boston University students, undated
Box 99 Folder 11	Miscellany, 1967-1973, undated
Box 99 Folder 12	Miscellany, 1973, 1978, undated
Box 99 Folder 13	Notebook--People and Talent, 1947-1952
	Play and personnel ideas
Box 99 Folder 14	Future file, circa 1973-1974, undated
Box 99 Folder 15	Impossible scripts, 1973, undated
Box 99 Folder 16	Play ideas for Arena and Kreeger, 1970-1973, undated
Box 99 Folder 17	Play ideas for 1973/74 Season at Arena and Kreeger, 1972, undated
Box 99 Folder 18	Play ideas for 1974/75 Season, undated
Box 99 Folder 19	Playwrights, 1967-1968, undated
	Script submissions
	General
Box 99 Folder 20-23	Correspondence, 1958-1980, undated
Box 99 Folder 24	From agents, 1956, 1967-1968, 1970-1971
Box 99 Folder 25	From playwrights, 1967-1968
Box 99 Folder 26	From producers, 1967-1968
	Specific
Box 99 Folder 27	Barlow, Anna Marie, 1967
Box 99 Folder 28	Brady, Leo (The Clown), 1967, undated
Box 99 Folder 29	Ferguson, David, 1966-1967, undated
Box 99 Folder 30	Harmon, K. Martin, undated
Box 99 Folder 31	Howard, Edwin, 1967
Box 99 Folder 32	Kahn, Gilbert, 1967
Box 99 Folder 33	Lanzl, Frank, 1967
Box 99 Folder 34	Lehman, Lewis (The Brothers), 1965
Box 99 Folder 35	Staff résumés and letters of inquiry, 1965-1979, undated
Box 142	Theater notes, card file, undated
Box 99 Folder 36	The University Players and The Harlequins, 1941
	Unidentified production
Box 99 Folder 37	Casting cards, undated
Box 99 Folder 38	Location shot cards, undated
Box 99 Folder 39	Musical scores, circa 1967
Box 100 Folder 1	Running time cards, undated
	Subseries: Subseries 4: Productions With Which Alan Schneider Involved Scope and Content Note “Productions with Which Alan Schneider Was Involved” consists of production files which may include correspondence; scripts; clippings; reviews; playbills; interpretive and general notes; messages; lyrics; plots and plans; reports; box office statements; contracts; tape recordings; miscellany; and research, casting, location and set, financial, and legal files. The amount of documentation varies with each production. Arrangement is alphabetical by title with the specific format (e.g., theater or motion pictures) listed with the known production information. Arrangement within productions is alphabetical by folder title with script-related materials, such as revisions and variant scripts, completing the file. Researchers should note that typically the “director's script” is heavily annotated and that, occasionally, pre-Broadway tour production materials will be intermixed with the final New York production files. Schneider directed most of these works, although a few plays in which he worked as an actor early in his career are also represented. In addition this series includes both unproduced works and produced works for which Schneider received neither directing nor acting credit. Several of these latter productions were done during Schneider's tenure as Associate Director at Arena Stage. In this capacity he often became involved in all of the season's plays. A subjective judgment was made as to whether his participation in a particular production was sufficient to warrant inclusion of the file in this series or the next. Usually, if a file included casting or some general notes which indicated Schneider's involvement, it was placed in this series whether or not he received final directing credit. The theatrical productions include Broadway, off-Broadway, regional, and university works, Appropriate production information is cited in the contents list below. The files for I Never Sang for My Father, Inquest, You Know I Can't Hear You When the Water's Running, and Zalmen or The Madness of God are particularly extensive as are those for the unproduced motion picture Piano Sport and the television production of Zalmen or The Madness of God. Also of interest is material in the Les Blancs file pertaining to a Memorial Tribute Program to Lorraine Hansberry.	⇧
	Act Without Words and The American Dream (Theater. New York, Juilliard, circa 1977 October, theater unknown)
Box 100 Folder 2	Production miscellany, 1977, undated
	Ah, Wilderness! (Theater. Washington, D.C., Catholic University, University Theatre, 1944 July 5. Schneider acted in this)
Box 100 Folder 3	Playbill, 1944
	All Summer Long, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1953 January 13; Washington, D.C., National, 1954 September 6; New York, Coronet, 1954 September 23)
Box 100 Folder 4	Clippings and reviews, 1953-1954, undated
Box 100 Folder 5	Director's script, by Robert Anderson, adapted from the novel “A Wreath and a Curse” by Donald Wetzel, annotated, including production miscellany, 1954
	Alpha Beta (Theater. Production information unknown)
Box 100 Folder 6	Script, by E.A. Whitehead, including casting and miscellaneous production notes plus review of previous production, undated
	Anastasia, directed by Alan Schneider (Theater. New York, Lyceum, 1954 December 29, plus pre-Broadway tryouts and national tour)
Box 100 Folder 7	Clippings and reviews, 1954-1956, undated
Box 100 Folder 8	Director's script, by Marcelle Maurette, English adaptation by Guy Bolton, annotated, including stage plot, undated
	Antigone, directed by Alan Schneider (Theater. New York, Juilliard, 1978 August 22)
Box 100 Folder 9	Script, by Jean Anouilh, translated by Lewis Galantiere, annotated, plus miscellaneous correspondence, notes and reviews of earlier productions, 1946-1978
	Art and Prudence (Theater. Washington, D.C., Catholic University, University Theatre, 1942 April 8, Schneider was on technical staff)
Box 100 Folder 9	Playbill, 1942
	Arturo Ui (Theater. New York, Lunt-Fontanne, 1963 November 11 and a production of The Resistable Rise of Arturo Ui, Washington, D.C., Arena Stage, 1974 February 6. At Arena while Associate Director.) Note: See also Box 107, Folder 15.
Box 100 Folder 11	Correspondence, 1961-1973, undated
Box 100 Folder 12	Production file, 1963, 1973-1974
	The Ascent of Mount Fuji (Theater. Washington, D.C., Arena Stage, Kreeger, 1975 May 23) At Arena while Associate Director.
Box 100 Folder 13	Production file, 1974-1975, undated
Box 100 Folder 14	2 scripts, by Chingiz Aitmatov, in Russian, circa 1972-1973
Box 100 Folder 15	Script, “The Ascent of Fujiyama,” by Chingiz Aitmatov and Kaltai Mukhamedzhanov, translated by Nicholas Bethell, annotated, including manuscript article by Alan Schneider regarding Russian production, circa 1975
Box 100 Folder 16	2 scripts, “The Ascent of Fujiyama,” by Chingiz Aitmatov and Kaltay Mukhamedzhanov, annotated, undated
Box 100 Folder 17	Director's script, by Chingiz Aitmatov and Kaltai Mokhamedzhanov, annotated, 1975 May 28
	Benjamin (on Oppenheimer) (Theater. Production information unknown)
Box 100 Folder 18	Production file, 1968-1969, undated
Box 119 Folder 21	Second draft script, “Episode,” by Loring Mandel, 1968 August 6
	Les Blancs (Theater. Production information unknown)
Box 100 Folder 19	Correspondence, miscellany, including material regarding Memorial Tribute program to Lorraine Hansberry, 1963-1967, undated
Box 100 Folder 20	Script, by Lorraine Hansberry, including essay “The New Paternalists,” by Lorraine Hansberry, 1966
Box 100 Folder 21	Script, by Lorraine Hansberry, adapted by Robert Nemiroff, 1970
	Blood Red Roses, directed by Alan Schneider (Theater. New York, John Golden, 1970 March 22)
Box 100 Folder 22	Casting file, 1969-1970, undated
Box 100 Folder 23	Production file, circa 1970, undated
Box 100 Folder 24	Script, “The Blood of an Englishman,” book and lyrics by John Lewin, music by Michael Valenti, 1969 December 12
Box 100 Folder 25	Script, annotated, undated
Box 101 Folder 1	Script, book and lyrics by John Lewin, music by Michael Valenti, circa 1967
	Boccaccio (Theater. Washington, D.C., Arena Stage, Kreeger, 1974 November 20. At Arena while Associate Director.)
Box 101 Folder 2	Reviews, 1974
Box 101 Folder 3	Script, “The Decameron,” stories dramatized by Kenneth Cavander, songs by Richard Peaslee, 1974 May
	Box and Quotations from Chairman Mao Tse Tung (Theater. Production information unknown)
Box 101 Folder 4	Script, 1969
	The Burning of the Lepers, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1962 March 20)
Box 101 Folder 5	Reviews, miscellany, 1962, undated
	The Caucasian Chalk Circle, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1961 October 30)
Box 101 Folder 6	Clippings, revisions, miscellany, 1956-1961, undated
Box 101 Folder 7	Director's script, by Bertolt Brecht, translated by John Holmstrom, annotated, 30 October 1961
	Charley and Joan (Theater. Production information unknown)
Box 101 Folder 8	Notes, 1975
	The Cherry Orchard, directed by Alan Schneider (Theater. Washington, D.C., Catholic University, 1951 December 2 and Washington, D.C., Arena Stage, 1960 January 12)
Box 101 Folder 9	Reviews, Playbill, 1951, 1960
	The Cherry Orchard (Theater. Tel Aviv, Israel, Cameri Theatre, 1966 July)
Box 101 Folder 10	Production file, 1966, undated
	The Cherry Orchard, directed by Alan Schneider (Theater. New York, Juilliard, 1977 February 24)
Box 147 Folder 1	Ground plans, 1976
Box 101 Folder 11	Production file, 1977, undated
Box 101 Folder 12	Script, annotated, circa 1977
	The Circus of Dr. Lao, directed by Alan Schneider (Theater. Chicago, Edgewater Beach Playhouse, 1957 July 8)
Box 101 Folder 13	Clippings and reviews, 1957
	Clandestine on the Morning Line, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1959 November 24)
Box 101 Folder 14	Reviews, 1959
	Coco (Theater. New York, Mark Hellinger, 1969 December 18)
Box 101 Folder 15	Correspondence, notes, clippings, 1967, undated
Box 101 Folder 15	Script, book and lyrics by Alan J. Lerner, music by Andre Previn, 1967 September
	The Connection (Theater. London?, Duke of York Theatre, 1961 February 22)
Box 101 Folder 16	Miscellany, 1960-1961
	The Country Girl, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1953 May 18)
Box 101 Folder 17	Clippings and reviews, 1953
	The Crime Against Marcella (Novel/Motion Picture Idea)
Box 101 Folder 18	Notes and reports, 1969, undated
	Dear World (Theater. Production information unknown)
Box 141 Folder 1	Notes, by Alan Schneider, 1968 March
Box 141 Folder 1	Script, music and lyrics by Jerry Herman, book by Jerome Lawrence and Robert E. Lee, based on “The Madwoman of Chaillot” by Jean Giraudoux, adapted by Maurice Valency, 1967 November 1
	Death of a Salesman (Theater. Washington, D.C., Arena Stage, 1974 October 18). At Arena while Associate Director.
Box 101 Folder 19	Clippings, reviews, playbill, 1974
	The Deserters (Theater. London, Theatre Royal, 1958 September 1)
Box 101 Folder 20	Clippings, reviews, miscellany, 1958
	Desire Under the Elms, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, Hippodrome)
Box 101 Folder 21	Clippings and reviews, 1952, undated
	Detective Story (Theater. Boston, Boston University Theatre, 1960 February 24)
Box 101 Folder 22	Reviews, 1960
	Do Not Pass Go, directed by Alan Schneider (Theater. New York, Cherry Lane, 1965 April 19)
Box 101 Folder 23	Clippings and reviews, 1965
	The Enchanted, directed by Alan Schneider (Theater. Boston, Boston University Theatre, 1957 May 3)
Box 101 Folder 24	Clippings and reviews, 1950, 1957
	Enemies, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1973 March 21)
Box 147 Folder 1	Ground plans, breakdowns, 1973
Box 101 Folder 27	Production file, 1972-1973, undated
Box 101 Folder 28	2 scripts, by Maxim Gorky, English version by Jeremy Brooks and Kitty Hunter-Blair, undated
Box 101 Folder 29	Director's script, by Maxim Gorky, English version by Jeremy Brooks and Kitty Hunter-Blair, annotated, 1973 March 14
	Entertaining Mr. Sloane, directed by Alan Schneider (Theater. New York, Lyceum, 1965 October 12)
Box 101 Folder 30	Correspondence, agreements, reviews, playbill, 1964-1966
Box 101 Folder 31	Script, annotated, 1964
	Epitaph for George Dillon, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1959 May 4 and Boston Arts Festival performance)
Box 101 Folder 32	Clippings and reviews, 1959
	Especially Westchester (Arts Program. New York, State University of New York at Purchase, 1978 October 22)
Box 101 Folder 33	Program, 1978
	The Execution of Private Slovik (Theater and Motion Picture Property)
Box 101 Folder 34	Correspondence, notes, 1958-1963, undated
Box 101 Folder 35	First draft script, by Larry Spiegel, based on the book by William Bradford Huie, 1968
	The Exquisite Thing (Motion Picture. Unproduced)
Box 101 Folder 36	Correspondence, sketches, miscellany regarding law suit, 1969-1972, undated
Box 101 Folder 37	Screenplay, by Gillian Freeman, based on the novel by Joyce Maclver, undated
Box 101 Folder 38	Screenplay, annotated, undated
Box 102 Folder 1	Final draft screenplay, by Gillian Freeman, adapted from the novel by Joyce Maclver, annotated, 1968 December 20
Box 102 Folder 2	Revised final draft script (working script) by Gillian Freeman, adapted from the novel by Joyce Maclver, annotated, 1959 April 2
Box 102 Folder 3	Revised final draft script, by Gillian Freeman, adapted from the novel by Joyce Maclver, annotated, 1969 May 12
	The Foursome, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1972 November 3)
Box 147 Folder 1	Ground plans, section, 1972
Box 102 Folder 4	Production file, 1972, undated
Box 102 Folder 5	Script, by E.A. Whitehead, 1972
Box 102 Folder 6	Script, by E.A. Whitehead, annotated, circa 1972
	Frank's Return (Motion picture. Production information unknown)
Box 102 Folder 7	Initial synopsis, by Alain Robbe-Grillet, undated
Box 102 Folder 7	Treatment, no author indicated, undated
	From Russia--With Love (Book?)
Box 102 Folder 8	Contract, 1970
	The Gingham Dog, directed by Alan Schneider (Theater. New York, John Golden Theatre, 1969 April 23)
Box 102 Folder 9	Correspondence, reviews, playbill, 1968-1969, undated
Box 147 Folder 1	Ground plan, undated
Box 102 Folder 10	Production file, including annotated script revisions, 1968-1969, undated
Box 102 Folder 11	Script, by Lanford Wilson, undated
Box 102 Folder 12	Script, by Lanford Wilson, annotated, circa March 1969
Box 102 Folder 13	Production script, by Lanford Wilson, annotated, 1969 April 17
	The Glass Menagerie, directed by Alan Schneider (Theater. New York, City Center, 1956 November 21)
Box 102 Folder 14	Reviews, miscellany, 1956
Box 102 Folder 15	Script, annotated, undated
	The Glass Menagerie, directed by Alan Schneider (Theater. Minneapolis, Guthrie, 1964 June 1)
Box 102 Folder 16	Reviews and program, including an article by Alan Schneider, 1964
	Good Time Dolly Dee (Theater. Production information unknown)
Box 102 Folder 18	Correspondence, 1970
	The Great American Quiz Show Scandal (Theater. City and theater unknown, 1979 November 8)
Box 102 Folder 19	Calendar and correspondence, 1979
	Hail Hero (Motion Picture. Halcyon Productions, production information unknown)
Box 102 Folder 20	Screenplay, by David Manber, based on the novel “Hail, Hero!,” by John Weston, annotated, including notes and shooting schedule, 1968, undated
	Hamlet and MacBeth (Theater. Unproduced)
Box 102 Folder 21	Correspondence, 1968-1969, undated
	The Hasty Heart, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1952 June 18)
Box 102 Folder 22	Reviews, 1952
	He Slew the Dreamer (Motion Picture, Production information unknown)
Box 102 Folder 23	Outline, by William Bradford Huie, undated
Box 102 Folder 23	Production miscellany, 1970, undated
	Herakles, directed by Alan Schneider (Theater. Ann Arbor, Michigan, Lydia Mendelssohn Theatre, 1965 October 27)
Box 102 Folder 24	Correspondence, reviews, miscellany, 1965-1966
Box 147 Folder 1	Ground plan, 1965
Box 102 Folder 25	Production file, including script fragment, 1965, undated
Box 102 Folder 26	Director's script, by Archibald MacLeish, annotated, 1965
	Horatio (Theater. Washington, D.C., Arena Stage, 1974 June 19. At Arena while Associate Director)
Box 102 Folder 27	Production file, 1973-1974, undated
Box 102 Folder 28	Revised Draft, by Ron Whyte, 1974 February 12
	The Hostage, directed by Alan Schneider (Theater, Riverside, California, University of California Riverside, University Theatre, 1972 May 12
Box 147 Folder 1	Ground plan, 1972
Box 103 Folder 1	Production file, 1972, undated
Box 103 Folder 2	Director's script, by Brendan Behan, annotated, undated
	The Hostage (Theater. Washington, D.C., Arena Stage, Kreeger, 1972 October 27. At Arena while Associate Director)
Box 103 Folder 3	Playbill, 1972
Box 103 Folder 4	Script, by Brendan Behan, undated
	I Never Sang for My Father, directed by Alan Schneider (Theater. Philadelphia, Forrest, 1968 January 1; Boston, Colonial, 1968 January 10; New York, Longacre, 1968 January 26)
Box 103 Folder 5	Anderson, Robert, correspondence and rewrites, 1966-1968, undated
Box 103 Folder 6	Box office statements, 1967-1968
Box 103 Folder 7	Casting, 1967-1968, undated
Box 103 Folder 8	Correspondence, general, 1967-1968, undated
Box 103 Folder 9	Financial and legal records, 1967-1968
Box 103 Folder 10	Notes, reviews and playbill, miscellany, 1967-1968, undated
Box 147 Folder 1	Plan, ground plan, section, 1967
Box 103 Folder 11	Script revisions, annotated, circa December 1967
Box 103 Folder 12	Stage manager's notes, undated
Box 103 Folder 13	Technical production file, 1967-1968
Box 103 Folder 14	Script, by Robert Anderson, 1967 August 10
Box 103 Folder 15	Script, by Robert Anderson, annotated, including replaced pages, 1967 November 8, undated
Box 103 Folder 16	Script, annotated, including production schedule, 1967-1968
Box 103 Folder 17	Script, by Robert Anderson, undated
Box 103 Folder 18	Original script, by Robert Anderson, 1969 January 23
	In Celebration and Relatively Speaking (Theater. Washington, D.C., Arena Stage, Kreeger, 1974 May 29. At Arena Stage while Associate Director)
Box 103 Folder 19	Production file, 1973-1974, undated
	In the Hours of Night (Novel)
Box 103 Folder 20-23	Typescript, by Bradford Huie, undated
	In the Matter of J. Robert Oppenheimer (Theater. Production information unknown)
Box 103 Folder 24	Correspondence and clippings, 1964-1967
Box 103 Folder 25	Script, by Heimar Kipphardt, annotated, undated
	Inquest, directed by Alan Schneider (Theater. New York, Music Box, 1970 April 23)
Box 104 Folder 1	Casting file, 1970
Box 104 Folder 2	Correspondence, playbills, and reviews, 1969-1970
Box 147 Folder 1	Ground plan, light cues, 1970, undated
Box 104 Folder 3-4	Production file, including script revisions and inserts, 1970
Box 104 Folder 5	Research and notes, including legal records of the case The U.S. vs Julius and Ethel Rosenberg, circa 1952-1970
Box 104 Folder 6	Research file, including Donald Freed articles, circa 1970
Box 104 Folder 7	Stage set file, circa 1970
Box 104 Folder 8	First draft script, “ The United States vs Julius and Ethel Rosenberg,” by Donald Freed, annotated, 1968
	Scripts, by Donald Freed
Box 104 Folder 10	Annotated, 1969
Box 104 Folder 9	1969
Box 104 Folder 11	Annotated, 1969
Box 104 Folder 12	Annotated, including revised pages, 1969
Box 104 Folder 13-14	Annotated, undated
Box 104 Folder 15	Annotated, including production notes, schedule and 1970 April
Box 104 Folder 16	Revised pages, annotated, and cast list, circa 1969-1970, undated
	Jabberwock, directed by Alan Schneider (Theater. Kansas City, Missouri, University Playhouse, 1973 August 9)
Box 104 Folder 17	Production file, 1973, undated
Box 147 Folder 2	Ground plan, section, 1969, 1973
Box 104 Folder 18	APT pilot script, by Jerome Lawrence and Robert E. Lee, annotated, December 1972
Box 104 Folder 19	Revised script, by Jerome Lawrence and Robert E. Lee, 1973 January
Box 105 Folder 1	Revised script, by Jerome Lawrence and Robert E. Lee, annotated, including contact sheet, 1973 March
	Jim Dandy, directed by Alan Schneider (Theater. Washington, D.C., Catholic University Theatre, 1941 October 29)
Box 105 Folder 2	Clipping, 1941
	Kataki, directed by Alan Schneider (Theater. Philadelphia, Walnut, 1959 March 30; New York, Ambassador, 1959 April 9)
Box 105 Folder 3	Clippings and reviews, 1959, undated
Box 105 Folder 4	Production file, 1959, undated
Box 105 Folder 5	Script, “The Enemy,” by Shimon Wincelberg, annotated 1958 November 17?
Box 105 Folder 6	Script, fragment, annotated, undated
	Ken I (Theater. Production information unknown)
Box 105 Folder 7	Notes, undated
	Lady Precious Stream, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, Hippodrome, 1952 December 9)
Box 105 Folder 8	Reviews, 1952
	Leonce and Lena (Theater. Washington, D.C., Arena Stage, Kreeger, 1974 March 20. At Arena while Associate Director.)
Box 105 Folder 9	Casebook report on production, circa 1974
Box 105 Folder 10	Correspondence and production file, 1973-1974
Box 105 Folder 11	Stage manager's report, March-April 1974
Box 105 Folder 12	Script, by Georg Buchner, English version by Eric Bentley, undated
	Little Glass Clock, directed by Alan Schneider (Theater. Princeton, McCarter, 1956 March 7; Baltimore, Ford, 1956 March 12; New York, Golden, 1956 March 26)
Box 105 Folder 13	Clippings, reviews, playbill, 1956
	A Long Way From Home, directed by Alan Schneider (Theater. New York, Maxine Elliott, 1948 February 8)
Box 105 Folder 14	Reviews, 1948
	Loose Ends (Theater. Produduction information unknown)
Box 105 Folder 15	Correspondence, 1978-1979
	Loot (Theater. Production information unknown)
Box 105 Folder 16	Script, fragment, undated
Box 105 Folder 17	Script, by Joe Orton, undated
	Love Suicide at Schofield Barracks, directed by Alan Schneider (Theater. Boston?, 19? April 25, other information unknown)
Box 105 Folder 18	Production file, 1972-1973, undated
Box 105 Folder 19	Script, by Romulus Linney, 1971
	Lute Song (Theater. Cleveland, Cain Park, 1948 July 6)
Box 105 Folder 20	Reviews, 1948
	MacBeth (Theater. Madison, Wisconsin, University of Wisconsin, circa 1938, other production information unknown)
Box 105 Folder 21	Script, annotated, circa 1938
	MacBeth, directed by Alan Schneider (Theater. Washington, D.C., Catholic University Theatre, 1952 March 21)
Box 105 Folder 22	Essay, by production stage manager, 1952
	A Man's a Man, directed by Alan Schneider (Theater. Stanford, California, Memorial Auditorium, 1962 August 10)
Box 105 Folder 23	Production file, 1961-1962
Box 105 Folder 24	Script, “Man is Man,” by Bertolt Brecht, English version by Gerhard Nellhaus, annotated, including production notes, 1962
	Marat/Sade, directed by Alan Schneider (“The Persecution and Assassination of Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade” (Theater. Purchase, New York, S.U.N.Y-Purchase, 1974 December 5)
Box 105 Folder 25	Production file, 1974, undated
Box 105 Folder 26	Director's script, annotated, undated
	Marquettes (Theater. Canada, Hart House Theatre, 1970 November 16)
Box 105 Folder 27	Script, by Francis Warner, undated
	Measure for Measure, directed by Alan Schneider (Theater. New York, NY Shakespeare Festival, Belvedere Lake Theatre, Summer 1960)
Box 105 Folder 28	Clippings, reviews, playbill, 1960
Box 105 Folder 29	Production miscellany
Box 105 Folder 30	Director's script, annotated, 1960
	Meegan's Game (Theater. Production information unknown)
Box 105 Folder 31	Production file, 1972-1974
	Scripts, by Elliott A. Caplin
Box 105 Folder 32	Undated
Box 106 Folder 1	Annotated, undated
Box 106 Folder 2	Revised, undated
	The Miser (Theater. Dubuque, Iowa, Clarke, 1953 November 16, performed by Players, Incorporated)
Box 106 Folder 3	Review, 1953
	Miss Lonelyhearts, directed by Alan Schneider (Theater. Boston, Colonial, 1957 September 17; New York, Music Box, 1957 October 3)
Box 106 Folder 4	Clippings, reviews, playbill, 1957
	Moonchildren (Theater. Washington, D.C., Arena Stage, 1971 November 3; New York, Royale, 1972 February 21)
Box 106 Folder 5	Clippings, reviews, playbills, 1971-1972
Box 106 Folder 6	Correspondence, 1972
Box 106 Folder 7	2 scripts, Cancer (London play), by Michael Weller, annotated, undated
Box 106 Folder 8	Original working script, by Michael Weller, annotated, undated
	Mother Courage (Theater. Production Alan Schneider couldn't accept)
Box 106 Folder 9	Correspondence, miscellany, 1955-1964, undated
	Mother Courage and Her Children, directed by Alan Schneider (Theater. Saratoga, New York, John Houseman Theatre, 1977 August 8)
Box 106 Folder 10-11	Music and Lyrics, 1977, undated
Box 106 Folder 12	Notes by Bertolt Brecht, translation, undated
Box 106 Folder 13	Production file, 1977
Box 147 Folder 2	Section, Plan, 1977
Box 106 Folder 14	Revised script, by Bertolt Brecht, annotated, 1977 June 13
	Mother Courage and Her Children (Theater. New York, American Place Theatre, 1978 April 4)
Box 106 Folder 15	Miscellany, flyer, 1978
	Oedipus the King, directed by Alan Schneider (Television. Broadcast on Omnibus, December 1956, original network NBC)
Box 106 Folder 16	Review, fragment, 1956
	Othello, directed by Alan Schneider (Theater. Catholic University production, other information unknown)
Box 106 Folder 17	Reviews, 1951
	Othello (Theater. Players, Incorporated production, 1953-1954 tour)
Box 106 Folder 18	Reviews, 1953-1954
	Othello, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1963 April 10)
Box 106 Folder 19	Playbill, 1963
	The Other Half (Theater. Production by The Acting Company, other information unknown)
Box 106 Folder 20	Script, by Elinor Jones, and accompanying memorandum, 1978 June 21
	Our Town, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, Hippodrome, circa 1953 March 17)
Box 106 Folder 21	Reviews, 1953
	Our Town, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1972 December 15)
Box 106 Folder 22	Production file, 1972, undated
Box 106 Folder 23	Script, by Thornton Wilder, annotated, circa 1965
	Our Town, directed by Alan Schneider (Theater. Washington, D.C., Catholic University, Hartke Theatre, 1973 September 26)
Box 106 Folder 24	Production miscellany, 1973
	Our Town , directed by Alan Schneider (Theater. Russian tour, circa 1973 September-October with final performances in Washington, D.C., Arena Stage, 1973 October 24)
Box 147 Folder 2	Plan, 1973
Box 106 Folder 25-26	Production file and miscellany, 1973-1974, undated
	Our Town, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1976 May 16)
Box 106 Folder 27	Production miscellany, 1976
	Out on a Limb (Theater. Not produced with Alan Schneider)
Box 106 Folder 28	Correspondence, miscellany, 1950, 1975-1978
916A/1	Musical score, undated
U.S. Mss 57AN Box 106 Folder 29	2 scripts, based on works by James Thurber, adapted by Haila Stoddard, music by Fred Hellerman and Lyrics by Fran Minkoff, 1977
	Over 21, directed by Alan Schneider (Theater. New Bedford?, Massachusetts, Falmouth Playhouse, 1950 July 31[?])
Box 106 Folder 30	Reviews, 1950
	Paul Robeson (Theater. Philadelphia, New Locust, date unknown. Not directed by Alan Schneider)
Box 106 Folder 31	Production miscellany and notes, undated
	Peeping Tom (Theater. Production information unknown)
Box 106 Folder 32	Notes, 1969
	The Piano Sport (Motion Picture. Unproduced)
Box 106 Folder 33	Casting file, 1968, undated
Box 106 Folder 34	Clippings, 1968
Box 106 Folder 35	Correspondence, general, 1968-1975, undated
Box 106 Folder 36	DePoris, Gene, Jr., 1968
Box 106 Folder 37	Expenses, 1968
	Locations and Sets
Box 106 Folder 38	General, 1967-1968
Box 106 Folder 39	Photographs of Airport and City, circa 1968
Box 106 Folder 40	Miscellany, 1968, 1970, undated
Box 106 Folder 41	Music, 1968
Box 106 Folder 42	Notes, circa 1968
Box 107 Folder 1	Production staff and crew, circa 1968
Box 107 Folder 2	Screen testing file, 1968, undated
Box 107 Folder 3	Script, by Don Asher, 1967 June 20
Box 107 Folder 4	Script, by Irving Ravetch and Harriet Frank Jr., annotated, including notes and miscellany, 1967 December 25, 1968, undated
	The Primrose Path, directed by Alan Schneider (Theater. Houston, Playhouse, 1951 August 8)
Box 107 Folder 5	Clippings and reviews, 1951
	Promises, Promises (Theater. New York, Shubert, 1968 December 1)
Box 107 Folder 6	Production notes and song lyrics, circa 1968
Box 107 Folder 7	Second draft script, “The Apartment,” book by Neil Simon, lyrics by Hal David, music by Burt Bacharach, August 1967
	Pullman Car Hiawatha, directed by Alan Schneider (Schneider directed several theatrical productions; one production was also telecast. There is no indication as to which production this script pertains)
Box 107 Folder 8	Script, by Thornton Wilder, undated
	Pullman Car Hiawatha and The Bald Soprano (Theater. Hempstead, New York, Hofstra College, Contemporary Arts Festival, theater unknown, 1961 May 12)
Box 107 Folder 9	Clipping, 1961
	The Rape of the Belt, directed by Alan Schneider (Theater. Boston, Wilbur, 1960 October 17; New York, Martin Beck, 1960 October 31)
Box 107 Folder 10	Reviews, playbills, 1960
Box 107 Folder 11	Script, by Senn W. Levy, annotated, 1957
	Reluctant Lady, directed by Alan Schneider (Theater. Cleveland, Cain Park, 1948 July 26)
Box 107 Folder 12	Reviews, 1948
	The Remarkable Mr. Pennypacker, directed by Alan Schneider (Theater. Hartford, Conn., theater unknown, 1953 December 10; Philadelphia, Walnut, 1953 December 14; New York, Coronet, 1953 December 30)
Box 107 Folder 13	Clippings, reviews, playbills, 1953-1954, undated
Box 107 Folder 14	Director's script, “The Family Man,” by Liam O'Brien, annotated, including production notes, undated
	The Resistible Rise of Arturo Ui (Theater. Washington, D.C., Arena, 1974. At Arena while Associate Director.)
Box 107 Folder 15	Notes, adapted by George Tabori, undated
Box 107 Folder 15	Script, translated by Ralph Manheim in collaboration with M. Steffin, undated
	The Revenant (Motion Picture. Production information unknown)
Box 107 Folder 16	Correspondence, 1974
	Romeo and Juliet (Theater. The Acting Company, specific production information unknown)
Box 107 Folder 17	Script, by William Shakespeare, annotated, 1978 July
	Saved, directed by Alan Schneider (Theater. New York, Brooklyn Academy of Music, 1970 October 28; New York, Cherry Lane, 1970 November 13)
Box 147 Folder 2	Plans, ground plans, 1970
Box 107 Folder 18	Playbills, reviews, miscellany, 1970
Box 107 Folder 19-20	Production file, 1970
	Say Goodnight to Grandma (Theater. Not produced with Alan Schneider)
Box 107 Folder 21	Casting and production notes, undated
Box 107 Folder 22	Reviews and correspondence, 1973-1975
	The Secret of Freedom, directed by Alan Schneider (Television. Broadcast on Sunday Showcase, 1960 February 28, original network NBC. Produced by Robert D. Graff)
Box 107 Folder 23	Clippings and reviews, 1959-1960, undated
Box 107 Folder 24	Informational Booklet, undated
	The Sign in Sidney Brustein's Window, directed by Alan Schneider (Theater. New York, Longacre, 1972 January 26)
Box 107 Folder 25	Agreements, production schedule, writing by Schneider, 1971-1972
Box 107 Folder 26	Correspondence, miscellany, 1970-1972
Box 147 Folder 2	Plans, set designs, undated
Box 107 Folder 27	Production notes, circa 1972
Box 107 Folder 28	Research clippings, playbills, 1964-1972
Box 107 Folder 29	Technical production file, 1972
Box 107 Folder 30	Script revisions, annotated, undated
Box 107 Folder 31	Script, by Lorraine Hansberry, 1971
Box 107 Folder 32	Director's script, by Lorraine Hansberry, annotated, including some production notes, 1971
	Sing Out, Sweet Land, directed by Alan Schneider (Theater. Cleveland, Cain Park, 1947 August 6)
Box 107 Folder 33	Reviews, 1947
	The Skin of Our Teeth, directed by Alan Schneider (Theater. Washington, D.C., National, 1955 July 18; Chicago, Blackstone, 1955 August 1; New York, ANTA, 1955 August 17. Washington, D.C., Catholic University Theatre, date unknown. Also a television production on Showcase TV, 1955 September 11, original network NBC, Fred Coe, producer)
Box 108 Folder 1	Clippings and reviews, 1955, undated
Box 147 Folder 2	Plan, undated
	The Skin of Our Teeth, directed by Alan Schneider (Theater. Paris, Sarah Bernhardt, 1955 June 28. Salute to France program)
Box 108 Folder 2	Clippings, reviews, miscellany, 1955, undated
916A/9-12	Tape recording of television broadcast, 1955
U.S. Mss 57AN	The Skin of Our Teeth, directed by Alan Schneider (Theater. Boston, Boston University Theatre, 1975 February 19)
Box 108 Folder 3	Production file, 1974-1975
Box 108 Folder 4	Director's script, by Thornton Wilder, annotated, including production notes, circa 1974
	Slapstick Tragedy, directed by Alan Schneider (Theater. New York, Longacre, 1966 February 22)
Box 108 Folder 5	Box office statements, 1966
Box 108 Folder 6	Casting and technical production file, 1965-1966
Box 109 Folder 1	Correspondence, 1964-1966
Box 109 Folder 2	Interpretive and production notes, 1966
916A/3	Music, 1966
916A/4	Music for “The Mutilated,” undated
U.S. Mss 57AN Box 147 Folder 3	Plan for “The Gnadiges Fraulein,” undated
916A/2	Rehearsal direction given by Alan Schneider, undated
U.S. Mss 57AN Box 109 Folder 3	Reviews, playbill, 1966
916A/5	Sound Effects, 1966 January 24
916A/6-8	Sound Effects for “The Gnadiges Fraulein,” 1966, undated
U.S. Mss 57AN Box 102 Folder 17	Script for “The Gnadiges Fraulein,” annotated, no author indicated, undated
Box 110 Folder 1	Script for “The Mutilated” and “The Gnadiges Fraulein,” by Tennessee Williams, annotated, April 1964
Box 110 Folder 1	Rehearsal script for “The Mutilated,” by Tennessee Williams, 1965 January 17
Box 110 Folder 2	Script for “The Mutilated”and “The Gnadiges Fraulein,” by Tennessee Williams, 1965 February 1
Box 110 Folder 3	Working script for “The Gnadiges Fraulein” and “The Mutilated,” by Tennessee Williams, annotated, 1965 July 1
	Storm Operation (Theater. Baltimore, Maryland Theatre, 1943 December 13; Pittsburgh, Nixon, 1943 December 20; Cleveland, Hanna, 1943 December 27; New York, Belasco, 1944 January 11.)
Box 110 Folder 4	Reviews and playbills, 1943-1944
	La Strada, directed by Alan Schneider (Theater. Detroit, Fisher, 1969 October 25; New York, Lunt-Fontanne, 1969 December 14)
Box 110 Folder 5	Casting file, 1969
Box 110 Folder 6	Correspondence, 1969, undated
Box 110 Folder 7	Daily messages, August-September 1969
Box 110 Folder 8	Miscellany, 1969
Box 110