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Container
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Title
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Subseries: Subseries 4: Productions With Which Alan Schneider Involved“Productions with Which Alan Schneider Was Involved” consists of production files which may include correspondence; scripts; clippings; reviews; playbills; interpretive and general notes; messages; lyrics; plots and plans; reports; box office statements; contracts; tape recordings; miscellany; and research, casting, location and set, financial, and legal files. The amount of documentation varies with each production. Arrangement is alphabetical by title with the specific format (e.g., theater or motion pictures) listed with the known production information. Arrangement within productions is alphabetical by folder title with script-related materials, such as revisions and variant scripts, completing the file. Researchers should note that typically the “director's script” is heavily annotated and that, occasionally, pre-Broadway tour production materials will be intermixed with the final New York production files. Schneider directed most of these works, although a few plays in which he worked as an actor early in his career are also represented. In addition this series includes both unproduced works and produced works for which Schneider received neither directing nor acting credit. Several of these latter productions were done during Schneider's tenure as Associate Director at Arena Stage. In this capacity he often became involved in all of the season's plays. A subjective judgment was made as to whether his participation in a particular production was sufficient to warrant inclusion of the file in this series or the next. Usually, if a file included casting or some general notes which indicated Schneider's involvement, it was placed in this series whether or not he received final directing credit. The theatrical productions include Broadway, off-Broadway, regional, and university works, Appropriate production information is cited in the contents list below. The files for I Never Sang for My Father, Inquest, You Know I Can't Hear You When the Water's Running, and Zalmen or The Madness of God are particularly extensive as are those for the unproduced motion picture Piano Sport and the television production of Zalmen or The Madness of God. Also of interest is material in the Les Blancs file pertaining to a Memorial Tribute Program to Lorraine Hansberry.
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Act Without Words and The American Dream (Theater. New York, Juilliard, circa 1977 October, theater unknown)
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Box
100
Folder
2
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Production miscellany, 1977, undated
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Ah, Wilderness! (Theater. Washington, D.C., Catholic University, University Theatre, 1944 July 5. Schneider acted in this)
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Box
100
Folder
3
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Playbill, 1944
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All Summer Long, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1953 January 13; Washington, D.C., National, 1954 September 6; New York, Coronet, 1954 September 23)
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Box
100
Folder
4
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Clippings and reviews, 1953-1954, undated
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Box
100
Folder
5
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Director's script, by Robert Anderson, adapted from the novel “A Wreath and a Curse” by Donald Wetzel, annotated, including production miscellany, 1954
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Alpha Beta (Theater. Production information unknown)
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Box
100
Folder
6
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Script, by E.A. Whitehead, including casting and miscellaneous production notes plus review of previous production, undated
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Anastasia, directed by Alan Schneider (Theater. New York, Lyceum, 1954 December 29, plus pre-Broadway tryouts and national tour)
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Box
100
Folder
7
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Clippings and reviews, 1954-1956, undated
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Box
100
Folder
8
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Director's script, by Marcelle Maurette, English adaptation by Guy Bolton, annotated, including stage plot, undated
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Antigone, directed by Alan Schneider (Theater. New York, Juilliard, 1978 August 22)
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Box
100
Folder
9
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Script, by Jean Anouilh, translated by Lewis Galantiere, annotated, plus miscellaneous correspondence, notes and reviews of earlier productions, 1946-1978
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Art and Prudence (Theater. Washington, D.C., Catholic University, University Theatre, 1942 April 8, Schneider was on technical staff)
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Box
100
Folder
9
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Playbill, 1942
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Arturo Ui (Theater. New York, Lunt-Fontanne, 1963 November 11 and a production of The Resistable Rise of Arturo Ui, Washington, D.C., Arena Stage, 1974 February 6. At Arena while Associate Director.)
: See also Box 107, Folder 15.
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Box
100
Folder
11
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Correspondence, 1961-1973, undated
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Box
100
Folder
12
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Production file, 1963, 1973-1974
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The Ascent of Mount Fuji (Theater. Washington, D.C., Arena Stage, Kreeger, 1975 May 23) At Arena while Associate Director.
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Box
100
Folder
13
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Production file, 1974-1975, undated
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Box
100
Folder
14
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2 scripts, by Chingiz Aitmatov, in Russian, circa 1972-1973
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Box
100
Folder
15
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Script, “The Ascent of Fujiyama,” by Chingiz Aitmatov and Kaltai Mukhamedzhanov, translated by Nicholas Bethell, annotated, including manuscript article by Alan Schneider regarding Russian production, circa 1975
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Box
100
Folder
16
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2 scripts, “The Ascent of Fujiyama,” by Chingiz Aitmatov and Kaltay Mukhamedzhanov, annotated, undated
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Box
100
Folder
17
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Director's script, by Chingiz Aitmatov and Kaltai Mokhamedzhanov, annotated, 1975 May 28
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Benjamin (on Oppenheimer) (Theater. Production information unknown)
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Box
100
Folder
18
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Production file, 1968-1969, undated
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Box
119
Folder
21
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Second draft script, “Episode,” by Loring Mandel, 1968 August 6
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Les Blancs (Theater. Production information unknown)
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Box
100
Folder
19
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Correspondence, miscellany, including material regarding Memorial Tribute program to Lorraine Hansberry, 1963-1967, undated
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Box
100
Folder
20
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Script, by Lorraine Hansberry, including essay “The New Paternalists,” by Lorraine Hansberry, 1966
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Box
100
Folder
21
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Script, by Lorraine Hansberry, adapted by Robert Nemiroff, 1970
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Blood Red Roses, directed by Alan Schneider (Theater. New York, John Golden, 1970 March 22)
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Box
100
Folder
22
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Casting file, 1969-1970, undated
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Box
100
Folder
23
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Production file, circa 1970, undated
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Box
100
Folder
24
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Script, “The Blood of an Englishman,” book and lyrics by John Lewin, music by Michael Valenti, 1969 December 12
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Box
100
Folder
25
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Script, annotated, undated
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Box
101
Folder
1
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Script, book and lyrics by John Lewin, music by Michael Valenti, circa 1967
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Boccaccio (Theater. Washington, D.C., Arena Stage, Kreeger, 1974 November 20. At Arena while Associate Director.)
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Box
101
Folder
2
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Reviews, 1974
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Box
101
Folder
3
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Script, “The Decameron,” stories dramatized by Kenneth Cavander, songs by Richard Peaslee, 1974 May
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Box and Quotations from Chairman Mao Tse Tung (Theater. Production information unknown)
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Box
101
Folder
4
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Script, 1969
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The Burning of the Lepers, directed by Alan Schneider
(Theater. Washington, D.C., Arena Stage, 1962 March 20)
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Box
101
Folder
5
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Reviews, miscellany, 1962, undated
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The Caucasian Chalk Circle, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1961 October 30)
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Box
101
Folder
6
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Clippings, revisions, miscellany, 1956-1961, undated
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Box
101
Folder
7
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Director's script, by Bertolt Brecht, translated by John Holmstrom, annotated, 30 October 1961
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Charley and Joan (Theater. Production information unknown)
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Box
101
Folder
8
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Notes, 1975
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The Cherry Orchard, directed by Alan Schneider (Theater. Washington, D.C., Catholic University, 1951 December 2 and Washington, D.C., Arena Stage, 1960 January 12)
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Box
101
Folder
9
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Reviews, Playbill, 1951, 1960
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The Cherry Orchard (Theater. Tel Aviv, Israel, Cameri Theatre, 1966 July)
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Box
101
Folder
10
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Production file, 1966, undated
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The Cherry Orchard, directed by Alan Schneider (Theater. New York, Juilliard, 1977 February 24)
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Box
147
Folder
1
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Ground plans, 1976
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Box
101
Folder
11
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Production file, 1977, undated
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Box
101
Folder
12
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Script, annotated, circa 1977
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The Circus of Dr. Lao, directed by Alan Schneider (Theater. Chicago, Edgewater Beach Playhouse, 1957 July 8)
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Box
101
Folder
13
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Clippings and reviews, 1957
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Clandestine on the Morning Line, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1959 November 24)
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Box
101
Folder
14
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Reviews, 1959
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Coco (Theater. New York, Mark Hellinger, 1969 December 18)
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Box
101
Folder
15
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Correspondence, notes, clippings, 1967, undated
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Box
101
Folder
15
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Script, book and lyrics by Alan J. Lerner, music by Andre Previn, 1967 September
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The Connection (Theater. London?, Duke of York Theatre, 1961 February 22)
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Box
101
Folder
16
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Miscellany, 1960-1961
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The Country Girl, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1953 May 18)
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Box
101
Folder
17
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Clippings and reviews, 1953
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The Crime Against Marcella (Novel/Motion Picture Idea)
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Box
101
Folder
18
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Notes and reports, 1969, undated
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Dear World (Theater. Production information unknown)
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Box
141
Folder
1
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Notes, by Alan Schneider, 1968 March
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Box
141
Folder
1
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Script, music and lyrics by Jerry Herman, book by Jerome Lawrence and Robert E. Lee, based on “The Madwoman of Chaillot” by Jean Giraudoux, adapted by Maurice Valency, 1967 November 1
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Death of a Salesman (Theater. Washington, D.C., Arena Stage, 1974 October 18). At Arena while Associate Director.
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Box
101
Folder
19
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Clippings, reviews, playbill, 1974
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The Deserters (Theater. London, Theatre Royal, 1958 September 1)
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Box
101
Folder
20
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Clippings, reviews, miscellany, 1958
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Desire Under the Elms, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, Hippodrome)
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Box
101
Folder
21
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Clippings and reviews, 1952, undated
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Detective Story (Theater. Boston, Boston University Theatre, 1960 February 24)
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Box
101
Folder
22
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Reviews, 1960
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Do Not Pass Go, directed by Alan Schneider (Theater. New York, Cherry Lane, 1965 April 19)
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Box
101
Folder
23
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Clippings and reviews, 1965
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The Enchanted, directed by Alan Schneider (Theater. Boston, Boston University Theatre, 1957 May 3)
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Box
101
Folder
24
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Clippings and reviews, 1950, 1957
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Enemies, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1973 March 21)
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Box
147
Folder
1
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Ground plans, breakdowns, 1973
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Box
101
Folder
27
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Production file, 1972-1973, undated
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Box
101
Folder
28
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2 scripts, by Maxim Gorky, English version by Jeremy Brooks and Kitty Hunter-Blair, undated
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Box
101
Folder
29
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Director's script, by Maxim Gorky, English version by Jeremy Brooks and Kitty Hunter-Blair, annotated, 1973 March 14
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Entertaining Mr. Sloane, directed by Alan Schneider (Theater. New York, Lyceum, 1965 October 12)
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Box
101
Folder
30
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Correspondence, agreements, reviews, playbill, 1964-1966
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Box
101
Folder
31
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Script, annotated, 1964
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Epitaph for George Dillon, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1959 May 4 and Boston Arts Festival performance)
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Box
101
Folder
32
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Clippings and reviews, 1959
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Especially Westchester (Arts Program. New York, State University of New York at Purchase, 1978 October 22)
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Box
101
Folder
33
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Program, 1978
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The Execution of Private Slovik (Theater and Motion Picture Property)
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Box
101
Folder
34
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Correspondence, notes, 1958-1963, undated
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Box
101
Folder
35
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First draft script, by Larry Spiegel, based on the book by William Bradford Huie, 1968
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The Exquisite Thing (Motion Picture. Unproduced)
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Box
101
Folder
36
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Correspondence, sketches, miscellany regarding law suit, 1969-1972, undated
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Box
101
Folder
37
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Screenplay, by Gillian Freeman, based on the novel by Joyce Maclver, undated
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Box
101
Folder
38
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Screenplay, annotated, undated
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Box
102
Folder
1
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Final draft screenplay, by Gillian Freeman, adapted from the novel by Joyce Maclver, annotated, 1968 December 20
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Box
102
Folder
2
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Revised final draft script (working script) by Gillian Freeman, adapted from the novel by Joyce Maclver, annotated, 1959 April 2
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Box
102
Folder
3
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Revised final draft script, by Gillian Freeman, adapted from the novel by Joyce Maclver, annotated, 1969 May 12
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The Foursome, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1972 November 3)
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Box
147
Folder
1
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Ground plans, section, 1972
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Box
102
Folder
4
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Production file, 1972, undated
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Box
102
Folder
5
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Script, by E.A. Whitehead, 1972
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Box
102
Folder
6
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Script, by E.A. Whitehead, annotated, circa 1972
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Frank's Return (Motion picture. Production information unknown)
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Box
102
Folder
7
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Initial synopsis, by Alain Robbe-Grillet, undated
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Box
102
Folder
7
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Treatment, no author indicated, undated
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From Russia--With Love (Book?)
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Box
102
Folder
8
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Contract, 1970
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The Gingham Dog, directed by Alan Schneider (Theater. New York, John Golden Theatre, 1969 April 23)
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Box
102
Folder
9
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Correspondence, reviews, playbill, 1968-1969, undated
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Box
147
Folder
1
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Ground plan, undated
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Box
102
Folder
10
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Production file, including annotated script revisions, 1968-1969, undated
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Box
102
Folder
11
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Script, by Lanford Wilson, undated
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Box
102
Folder
12
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Script, by Lanford Wilson, annotated, circa March 1969
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Box
102
Folder
13
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Production script, by Lanford Wilson, annotated, 1969 April 17
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The Glass Menagerie, directed by Alan Schneider (Theater. New York, City Center, 1956 November 21)
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Box
102
Folder
14
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Reviews, miscellany, 1956
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Box
102
Folder
15
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Script, annotated, undated
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The Glass Menagerie, directed by Alan Schneider (Theater. Minneapolis, Guthrie, 1964 June 1)
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Box
102
Folder
16
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Reviews and program, including an article by Alan Schneider, 1964
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Good Time Dolly Dee (Theater. Production information unknown)
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Box
102
Folder
18
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Correspondence, 1970
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The Great American Quiz Show Scandal (Theater. City and theater unknown, 1979 November 8)
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Box
102
Folder
19
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Calendar and correspondence, 1979
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Hail Hero (Motion Picture. Halcyon Productions, production information unknown)
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Box
102
Folder
20
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Screenplay, by David Manber, based on the novel “Hail, Hero!,” by John Weston, annotated, including notes and shooting schedule, 1968, undated
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Hamlet and MacBeth (Theater. Unproduced)
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Box
102
Folder
21
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Correspondence, 1968-1969, undated
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The Hasty Heart, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1952 June 18)
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Box
102
Folder
22
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Reviews, 1952
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He Slew the Dreamer (Motion Picture, Production information unknown)
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Box
102
Folder
23
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Outline, by William Bradford Huie, undated
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Box
102
Folder
23
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Production miscellany, 1970, undated
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Herakles, directed by Alan Schneider (Theater. Ann Arbor, Michigan, Lydia Mendelssohn Theatre, 1965 October 27)
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Box
102
Folder
24
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Correspondence, reviews, miscellany, 1965-1966
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Box
147
Folder
1
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Ground plan, 1965
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Box
102
Folder
25
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Production file, including script fragment, 1965, undated
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Box
102
Folder
26
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Director's script, by Archibald MacLeish, annotated, 1965
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Horatio (Theater. Washington, D.C., Arena Stage, 1974 June 19. At Arena while Associate Director)
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Box
102
Folder
27
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Production file, 1973-1974, undated
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Box
102
Folder
28
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Revised Draft, by Ron Whyte, 1974 February 12
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The Hostage, directed by Alan Schneider (Theater, Riverside, California, University of California Riverside, University Theatre, 1972 May 12
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Box
147
Folder
1
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Ground plan, 1972
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Box
103
Folder
1
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Production file, 1972, undated
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Box
103
Folder
2
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Director's script, by Brendan Behan, annotated, undated
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The Hostage (Theater. Washington, D.C., Arena Stage, Kreeger, 1972 October 27. At Arena while Associate Director)
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Box
103
Folder
3
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Playbill, 1972
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Box
103
Folder
4
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Script, by Brendan Behan, undated
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I Never Sang for My Father, directed by Alan Schneider (Theater. Philadelphia, Forrest, 1968 January 1; Boston, Colonial, 1968 January 10; New York, Longacre, 1968 January 26)
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Box
103
Folder
5
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Anderson, Robert, correspondence and rewrites, 1966-1968, undated
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Box
103
Folder
6
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Box office statements, 1967-1968
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Box
103
Folder
7
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Casting, 1967-1968, undated
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Box
103
Folder
8
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Correspondence, general, 1967-1968, undated
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Box
103
Folder
9
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Financial and legal records, 1967-1968
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Box
103
Folder
10
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Notes, reviews and playbill, miscellany, 1967-1968, undated
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Box
147
Folder
1
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Plan, ground plan, section, 1967
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Box
103
Folder
11
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Script revisions, annotated, circa December 1967
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Box
103
Folder
12
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Stage manager's notes, undated
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Box
103
Folder
13
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Technical production file, 1967-1968
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Box
103
Folder
14
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Script, by Robert Anderson, 1967 August 10
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Box
103
Folder
15
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Script, by Robert Anderson, annotated, including replaced pages, 1967 November 8, undated
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Box
103
Folder
16
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Script, annotated, including production schedule, 1967-1968
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Box
103
Folder
17
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Script, by Robert Anderson, undated
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Box
103
Folder
18
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Original script, by Robert Anderson, 1969 January 23
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In Celebration and Relatively Speaking (Theater. Washington, D.C., Arena Stage, Kreeger, 1974 May 29. At Arena Stage while Associate Director)
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Box
103
Folder
19
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Production file, 1973-1974, undated
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In the Hours of Night (Novel)
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Box
103
Folder
20-23
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Typescript, by Bradford Huie, undated
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In the Matter of J. Robert Oppenheimer (Theater. Production information unknown)
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Box
103
Folder
24
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Correspondence and clippings, 1964-1967
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Box
103
Folder
25
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Script, by Heimar Kipphardt, annotated, undated
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Inquest, directed by Alan Schneider (Theater. New York, Music Box, 1970 April 23)
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Box
104
Folder
1
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Casting file, 1970
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Box
104
Folder
2
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Correspondence, playbills, and reviews, 1969-1970
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Box
147
Folder
1
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Ground plan, light cues, 1970, undated
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Box
104
Folder
3-4
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Production file, including script revisions and inserts, 1970
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Box
104
Folder
5
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Research and notes, including legal records of the case The U.S. vs Julius and Ethel Rosenberg, circa 1952-1970
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Box
104
Folder
6
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Research file, including Donald Freed articles, circa 1970
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Box
104
Folder
7
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Stage set file, circa 1970
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Box
104
Folder
8
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First draft script, “ The United States vs Julius and Ethel Rosenberg,” by Donald Freed, annotated, 1968
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Scripts, by Donald Freed
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Box
104
Folder
10
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Annotated, 1969
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Box
104
Folder
9
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1969
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Box
104
Folder
11
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Annotated, 1969
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Box
104
Folder
12
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Annotated, including revised pages, 1969
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Box
104
Folder
13-14
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Annotated, undated
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Box
104
Folder
15
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Annotated, including production notes, schedule and 1970 April
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Box
104
Folder
16
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Revised pages, annotated, and cast list, circa 1969-1970, undated
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Jabberwock, directed by Alan Schneider (Theater. Kansas City, Missouri, University Playhouse, 1973 August 9)
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Box
104
Folder
17
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Production file, 1973, undated
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Box
147
Folder
2
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Ground plan, section, 1969, 1973
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Box
104
Folder
18
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APT pilot script, by Jerome Lawrence and Robert E. Lee, annotated, December 1972
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Box
104
Folder
19
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Revised script, by Jerome Lawrence and Robert E. Lee, 1973 January
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Box
105
Folder
1
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Revised script, by Jerome Lawrence and Robert E. Lee, annotated, including contact sheet, 1973 March
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Jim Dandy, directed by Alan Schneider (Theater. Washington, D.C., Catholic University Theatre, 1941 October 29)
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Box
105
Folder
2
|
Clipping, 1941
|
|
|
Kataki, directed by Alan Schneider (Theater. Philadelphia, Walnut, 1959 March 30; New York, Ambassador, 1959 April 9)
|
|
|
Box
105
Folder
3
|
Clippings and reviews, 1959, undated
|
|
|
Box
105
Folder
4
|
Production file, 1959, undated
|
|
|
Box
105
Folder
5
|
Script, “The Enemy,” by Shimon Wincelberg, annotated 1958 November 17?
|
|
|
Box
105
Folder
6
|
Script, fragment, annotated, undated
|
|
|
Ken I (Theater. Production information unknown)
|
|
|
Box
105
Folder
7
|
Notes, undated
|
|
|
Lady Precious Stream, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, Hippodrome, 1952 December 9)
|
|
|
Box
105
Folder
8
|
Reviews, 1952
|
|
|
Leonce and Lena (Theater. Washington, D.C., Arena Stage, Kreeger, 1974 March 20. At Arena while Associate Director.)
|
|
|
Box
105
Folder
9
|
Casebook report on production, circa 1974
|
|
|
Box
105
Folder
10
|
Correspondence and production file, 1973-1974
|
|
|
Box
105
Folder
11
|
Stage manager's report, March-April 1974
|
|
|
Box
105
Folder
12
|
Script, by Georg Buchner, English version by Eric Bentley, undated
|
|
|
Little Glass Clock, directed by Alan Schneider (Theater. Princeton, McCarter, 1956 March 7; Baltimore, Ford, 1956 March 12; New York, Golden, 1956 March 26)
|
|
|
Box
105
Folder
13
|
Clippings, reviews, playbill, 1956
|
|
|
A Long Way From Home, directed by Alan Schneider (Theater. New York, Maxine Elliott, 1948 February 8)
|
|
|
Box
105
Folder
14
|
Reviews, 1948
|
|
|
Loose Ends (Theater. Produduction information unknown)
|
|
|
Box
105
Folder
15
|
Correspondence, 1978-1979
|
|
|
Loot (Theater. Production information unknown)
|
|
|
Box
105
Folder
16
|
Script, fragment, undated
|
|
|
Box
105
Folder
17
|
Script, by Joe Orton, undated
|
|
|
Love Suicide at Schofield Barracks, directed by Alan Schneider (Theater. Boston?, 19? April 25, other information unknown)
|
|
|
Box
105
Folder
18
|
Production file, 1972-1973, undated
|
|
|
Box
105
Folder
19
|
Script, by Romulus Linney, 1971
|
|
|
Lute Song (Theater. Cleveland, Cain Park, 1948 July 6)
|
|
|
Box
105
Folder
20
|
Reviews, 1948
|
|
|
MacBeth (Theater. Madison, Wisconsin, University of Wisconsin, circa 1938, other production information unknown)
|
|
|
Box
105
Folder
21
|
Script, annotated, circa 1938
|
|
|
MacBeth, directed by Alan Schneider (Theater. Washington, D.C., Catholic University Theatre, 1952 March 21)
|
|
|
Box
105
Folder
22
|
Essay, by production stage manager, 1952
|
|
|
A Man's a Man, directed by Alan Schneider (Theater. Stanford, California, Memorial Auditorium, 1962 August 10)
|
|
|
Box
105
Folder
23
|
Production file, 1961-1962
|
|
|
Box
105
Folder
24
|
Script, “Man is Man,” by Bertolt Brecht, English version by Gerhard Nellhaus, annotated, including production notes, 1962
|
|
|
Marat/Sade, directed by Alan Schneider (“The Persecution and Assassination of Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade” (Theater. Purchase, New York, S.U.N.Y-Purchase, 1974 December 5)
|
|
|
Box
105
Folder
25
|
Production file, 1974, undated
|
|
|
Box
105
Folder
26
|
Director's script, annotated, undated
|
|
|
Marquettes (Theater. Canada, Hart House Theatre, 1970 November 16)
|
|
|
Box
105
Folder
27
|
Script, by Francis Warner, undated
|
|
|
Measure for Measure, directed by Alan Schneider (Theater. New York, NY Shakespeare Festival, Belvedere Lake Theatre, Summer 1960)
|
|
|
Box
105
Folder
28
|
Clippings, reviews, playbill, 1960
|
|
|
Box
105
Folder
29
|
Production miscellany
|
|
|
Box
105
Folder
30
|
Director's script, annotated, 1960
|
|
|
Meegan's Game (Theater. Production information unknown)
|
|
|
Box
105
Folder
31
|
Production file, 1972-1974
|
|
|
Scripts, by Elliott A. Caplin
|
|
|
Box
105
Folder
32
|
Undated
|
|
|
Box
106
Folder
1
|
Annotated, undated
|
|
|
Box
106
Folder
2
|
Revised, undated
|
|
|
The Miser (Theater. Dubuque, Iowa, Clarke, 1953 November 16, performed by Players, Incorporated)
|
|
|
Box
106
Folder
3
|
Review, 1953
|
|
|
Miss Lonelyhearts, directed by Alan Schneider (Theater. Boston, Colonial, 1957 September 17; New York, Music Box, 1957 October 3)
|
|
|
Box
106
Folder
4
|
Clippings, reviews, playbill, 1957
|
|
|
Moonchildren (Theater. Washington, D.C., Arena Stage, 1971 November 3; New York, Royale, 1972 February 21)
|
|
|
Box
106
Folder
5
|
Clippings, reviews, playbills, 1971-1972
|
|
|
Box
106
Folder
6
|
Correspondence, 1972
|
|
|
Box
106
Folder
7
|
2 scripts, Cancer (London play), by Michael Weller, annotated, undated
|
|
|
Box
106
Folder
8
|
Original working script, by Michael Weller, annotated, undated
|
|
|
Mother Courage (Theater. Production Alan Schneider couldn't accept)
|
|
|
Box
106
Folder
9
|
Correspondence, miscellany, 1955-1964, undated
|
|
|
Mother Courage and Her Children, directed by Alan Schneider (Theater. Saratoga, New York, John Houseman Theatre, 1977 August 8)
|
|
|
Box
106
Folder
10-11
|
Music and Lyrics, 1977, undated
|
|
|
Box
106
Folder
12
|
Notes by Bertolt Brecht, translation, undated
|
|
|
Box
106
Folder
13
|
Production file, 1977
|
|
|
Box
147
Folder
2
|
Section, Plan, 1977
|
|
|
Box
106
Folder
14
|
Revised script, by Bertolt Brecht, annotated, 1977 June 13
|
|
|
Mother Courage and Her Children (Theater. New York, American Place Theatre, 1978 April 4)
|
|
|
Box
106
Folder
15
|
Miscellany, flyer, 1978
|
|
|
Oedipus the King, directed by Alan Schneider (Television. Broadcast on Omnibus, December 1956, original network NBC)
|
|
|
Box
106
Folder
16
|
Review, fragment, 1956
|
|
|
Othello, directed by Alan Schneider (Theater. Catholic University production, other information unknown)
|
|
|
Box
106
Folder
17
|
Reviews, 1951
|
|
|
Othello (Theater. Players, Incorporated production, 1953-1954 tour)
|
|
|
Box
106
Folder
18
|
Reviews, 1953-1954
|
|
|
Othello, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1963 April 10)
|
|
|
Box
106
Folder
19
|
Playbill, 1963
|
|
|
The Other Half (Theater. Production by The Acting Company, other information unknown)
|
|
|
Box
106
Folder
20
|
Script, by Elinor Jones, and accompanying memorandum, 1978 June 21
|
|
|
Our Town, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, Hippodrome, circa 1953 March 17)
|
|
|
Box
106
Folder
21
|
Reviews, 1953
|
|
|
Our Town, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1972 December 15)
|
|
|
Box
106
Folder
22
|
Production file, 1972, undated
|
|
|
Box
106
Folder
23
|
Script, by Thornton Wilder, annotated, circa 1965
|
|
|
Our Town, directed by Alan Schneider (Theater. Washington, D.C., Catholic University, Hartke Theatre, 1973 September 26)
|
|
|
Box
106
Folder
24
|
Production miscellany, 1973
|
|
|
Our Town , directed by Alan Schneider (Theater. Russian tour, circa 1973 September-October with final performances in Washington, D.C., Arena Stage, 1973 October 24)
|
|
|
Box
147
Folder
2
|
Plan, 1973
|
|
|
Box
106
Folder
25-26
|
Production file and miscellany, 1973-1974, undated
|
|
|
Our Town, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1976 May 16)
|
|
|
Box
106
Folder
27
|
Production miscellany, 1976
|
|
|
Out on a Limb (Theater. Not produced with Alan Schneider)
|
|
|
Box
106
Folder
28
|
Correspondence, miscellany, 1950, 1975-1978
|
|
|
916A/1
|
Musical score, undated
|
|
|
U.S. Mss 57AN
Box
106
Folder
29
|
2 scripts, based on works by James Thurber, adapted by Haila Stoddard, music by Fred Hellerman and Lyrics by Fran Minkoff, 1977
|
|
|
Over 21, directed by Alan Schneider (Theater. New Bedford?, Massachusetts, Falmouth Playhouse, 1950 July 31[?])
|
|
|
Box
106
Folder
30
|
Reviews, 1950
|
|
|
Paul Robeson (Theater. Philadelphia, New Locust, date unknown. Not directed by Alan Schneider)
|
|
|
Box
106
Folder
31
|
Production miscellany and notes, undated
|
|
|
Peeping Tom (Theater. Production information unknown)
|
|
|
Box
106
Folder
32
|
Notes, 1969
|
|
|
The Piano Sport (Motion Picture. Unproduced)
|
|
|
Box
106
Folder
33
|
Casting file, 1968, undated
|
|
|
Box
106
Folder
34
|
Clippings, 1968
|
|
|
Box
106
Folder
35
|
Correspondence, general, 1968-1975, undated
|
|
|
Box
106
Folder
36
|
DePoris, Gene, Jr., 1968
|
|
|
Box
106
Folder
37
|
Expenses, 1968
|
|
|
Locations and Sets
|
|
|
Box
106
Folder
38
|
General, 1967-1968
|
|
|
Box
106
Folder
39
|
Photographs of Airport and City, circa 1968
|
|
|
Box
106
Folder
40
|
Miscellany, 1968, 1970, undated
|
|
|
Box
106
Folder
41
|
Music, 1968
|
|
|
Box
106
Folder
42
|
Notes, circa 1968
|
|
|
Box
107
Folder
1
|
Production staff and crew, circa 1968
|
|
|
Box
107
Folder
2
|
Screen testing file, 1968, undated
|
|
|
Box
107
Folder
3
|
Script, by Don Asher, 1967 June 20
|
|
|
Box
107
Folder
4
|
Script, by Irving Ravetch and Harriet Frank Jr., annotated, including notes and miscellany, 1967 December 25, 1968, undated
|
|
|
The Primrose Path, directed by Alan Schneider (Theater. Houston, Playhouse, 1951 August 8)
|
|
|
Box
107
Folder
5
|
Clippings and reviews, 1951
|
|
|
Promises, Promises (Theater. New York, Shubert, 1968 December 1)
|
|
|
Box
107
Folder
6
|
Production notes and song lyrics, circa 1968
|
|
|
Box
107
Folder
7
|
Second draft script, “The Apartment,” book by Neil Simon, lyrics by Hal David, music by Burt Bacharach, August 1967
|
|
|
Pullman Car Hiawatha, directed by Alan Schneider (Schneider directed several theatrical productions; one production was also telecast. There is no indication as to which production this script pertains)
|
|
|
Box
107
Folder
8
|
Script, by Thornton Wilder, undated
|
|
|
Pullman Car Hiawatha and The Bald Soprano (Theater. Hempstead, New York, Hofstra College, Contemporary Arts Festival, theater unknown, 1961 May 12)
|
|
|
Box
107
Folder
9
|
Clipping, 1961
|
|
|
The Rape of the Belt, directed by Alan Schneider (Theater. Boston, Wilbur, 1960 October 17; New York, Martin Beck, 1960 October 31)
|
|
|
Box
107
Folder
10
|
Reviews, playbills, 1960
|
|
|
Box
107
Folder
11
|
Script, by Senn W. Levy, annotated, 1957
|
|
|
Reluctant Lady, directed by Alan Schneider (Theater. Cleveland, Cain Park, 1948 July 26)
|
|
|
Box
107
Folder
12
|
Reviews, 1948
|
|
|
The Remarkable Mr. Pennypacker, directed by Alan Schneider (Theater. Hartford, Conn., theater unknown, 1953 December 10; Philadelphia, Walnut, 1953 December 14; New York, Coronet, 1953 December 30)
|
|
|
Box
107
Folder
13
|
Clippings, reviews, playbills, 1953-1954, undated
|
|
|
Box
107
Folder
14
|
Director's script, “The Family Man,” by Liam O'Brien, annotated, including production notes, undated
|
|
|
The Resistible Rise of Arturo Ui (Theater. Washington, D.C., Arena, 1974. At Arena while Associate Director.)
|
|
|
Box
107
Folder
15
|
Notes, adapted by George Tabori, undated
|
|
|
Box
107
Folder
15
|
Script, translated by Ralph Manheim in collaboration with M. Steffin, undated
|
|
|
The Revenant (Motion Picture. Production information unknown)
|
|
|
Box
107
Folder
16
|
Correspondence, 1974
|
|
|
Romeo and Juliet (Theater. The Acting Company, specific production information unknown)
|
|
|
Box
107
Folder
17
|
Script, by William Shakespeare, annotated, 1978 July
|
|
|
Saved, directed by Alan Schneider (Theater. New York, Brooklyn Academy of Music, 1970 October 28; New York, Cherry Lane, 1970 November 13)
|
|
|
Box
147
Folder
2
|
Plans, ground plans, 1970
|
|
|
Box
107
Folder
18
|
Playbills, reviews, miscellany, 1970
|
|
|
Box
107
Folder
19-20
|
Production file, 1970
|
|
|
Say Goodnight to Grandma (Theater. Not produced with Alan Schneider)
|
|
|
Box
107
Folder
21
|
Casting and production notes, undated
|
|
|
Box
107
Folder
22
|
Reviews and correspondence, 1973-1975
|
|
|
The Secret of Freedom, directed by Alan Schneider (Television. Broadcast on Sunday Showcase, 1960 February 28, original network NBC. Produced by Robert D. Graff)
|
|
|
Box
107
Folder
23
|
Clippings and reviews, 1959-1960, undated
|
|
|
Box
107
Folder
24
|
Informational Booklet, undated
|
|
|
The Sign in Sidney Brustein's Window, directed by Alan Schneider (Theater. New York, Longacre, 1972 January 26)
|
|
|
Box
107
Folder
25
|
Agreements, production schedule, writing by Schneider, 1971-1972
|
|
|
Box
107
Folder
26
|
Correspondence, miscellany, 1970-1972
|
|
|
Box
147
Folder
2
|
Plans, set designs, undated
|
|
|
Box
107
Folder
27
|
Production notes, circa 1972
|
|
|
Box
107
Folder
28
|
Research clippings, playbills, 1964-1972
|
|
|
Box
107
Folder
29
|
Technical production file, 1972
|
|
|
Box
107
Folder
30
|
Script revisions, annotated, undated
|
|
|
Box
107
Folder
31
|
Script, by Lorraine Hansberry, 1971
|
|
|
Box
107
Folder
32
|
Director's script, by Lorraine Hansberry, annotated, including some production notes, 1971
|
|
|
Sing Out, Sweet Land, directed by Alan Schneider (Theater. Cleveland, Cain Park, 1947 August 6)
|
|
|
Box
107
Folder
33
|
Reviews, 1947
|
|
|
The Skin of Our Teeth, directed by Alan Schneider (Theater. Washington, D.C., National, 1955 July 18; Chicago, Blackstone, 1955 August 1; New York, ANTA, 1955 August 17. Washington, D.C., Catholic University Theatre, date unknown. Also a television production on Showcase TV, 1955 September 11, original network NBC, Fred Coe, producer)
|
|
|
Box
108
Folder
1
|
Clippings and reviews, 1955, undated
|
|
|
Box
147
Folder
2
|
Plan, undated
|
|
|
The Skin of Our Teeth, directed by Alan Schneider (Theater. Paris, Sarah Bernhardt, 1955 June 28. Salute to France program)
|
|
|
Box
108
Folder
2
|
Clippings, reviews, miscellany, 1955, undated
|
|
|
916A/9-12
|
Tape recording of television broadcast, 1955
|
|
|
U.S. Mss 57AN
|
The Skin of Our Teeth, directed by Alan Schneider (Theater. Boston, Boston University Theatre, 1975 February 19)
|
|
|
Box
108
Folder
3
|
Production file, 1974-1975
|
|
|
Box
108
Folder
4
|
Director's script, by Thornton Wilder, annotated, including production notes, circa 1974
|
|
|
Slapstick Tragedy, directed by Alan Schneider (Theater. New York, Longacre, 1966 February 22)
|
|
|
Box
108
Folder
5
|
Box office statements, 1966
|
|
|
Box
108
Folder
6
|
Casting and technical production file, 1965-1966
|
|
|
Box
109
Folder
1
|
Correspondence, 1964-1966
|
|
|
Box
109
Folder
2
|
Interpretive and production notes, 1966
|
|
|
916A/3
|
Music, 1966
|
|
|
916A/4
|
Music for “The Mutilated,” undated
|
|
|
U.S. Mss 57AN
Box
147
Folder
3
|
Plan for “The Gnadiges Fraulein,” undated
|
|
|
916A/2
|
Rehearsal direction given by Alan Schneider, undated
|
|
|
U.S. Mss 57AN
Box
109
Folder
3
|
Reviews, playbill, 1966
|
|
|
916A/5
|
Sound Effects, 1966 January 24
|
|
|
916A/6-8
|
Sound Effects for “The Gnadiges Fraulein,” 1966, undated
|
|
|
U.S. Mss 57AN
Box
102
Folder
17
|
Script for “The Gnadiges Fraulein,” annotated, no author indicated, undated
|
|
|
Box
110
Folder
1
|
Script for “The Mutilated” and “The Gnadiges Fraulein,” by Tennessee Williams, annotated, April 1964
|
|
|
Box
110
Folder
1
|
Rehearsal script for “The Mutilated,” by Tennessee Williams, 1965 January 17
|
|
|
Box
110
Folder
2
|
Script for “The Mutilated”and “The Gnadiges Fraulein,” by Tennessee Williams, 1965 February 1
|
|
|
Box
110
Folder
3
|
Working script for “The Gnadiges Fraulein” and “The Mutilated,” by Tennessee Williams, annotated, 1965 July 1
|
|
|
Storm Operation (Theater. Baltimore, Maryland Theatre, 1943 December 13; Pittsburgh, Nixon, 1943 December 20; Cleveland, Hanna, 1943 December 27; New York, Belasco, 1944 January 11.)
|
|
|
Box
110
Folder
4
|
Reviews and playbills, 1943-1944
|
|
|
La Strada, directed by Alan Schneider (Theater. Detroit, Fisher, 1969 October 25; New York, Lunt-Fontanne, 1969 December 14)
|
|
|
Box
110
Folder
5
|
Casting file, 1969
|
|
|
Box
110
Folder
6
|
Correspondence, 1969, undated
|
|
|
Box
110
Folder
7
|
Daily messages, August-September 1969
|
|
|
Box
110
Folder
8
|
Miscellany, 1969
|
|
|
Box
110
Folder
9
|
Music, circa 1969
|
|
|
Notes
|
|
|
Box
110
Folder
10
|
Film notes, September 1969
|
|
|
Box
110
Folder
11
|
Ming Cho Lee, notes to, circa 1969
|
|
|
Box
110
Folder
12
|
Miscellaneous notes, 1969
|
|
|
Box
110
Folder
13
|
Alan Schneider, notes and comments by regarding script, production, 1969, undated
|
|
|
Box
147
Folder
3
|
Plans, designs, 1969
|
|
|
Box
110
Folder
14
|
Playbills and clippings, 1969
|
|
|
Run through notes and comments
|
|
|
Box
110
Folder
15-16
|
To actors, 1969 October 3-December 13
|
|
|
Box
110
Folder
17-18
|
To leading lady, 1969 October 16-December 13
|
|
|
Box
110
Folder
19-20
|
To stage manager and crew, 1969 October 4-December 12
|
|
|
Box
110
Folder
21
|
From Assistant Director Mel Bernhardt, October-November 1969
|
|
|
Box
110
Folder
22
|
General regarding performance, circa 1969
|
|
|
Box
110
Folder
23
|
Staff and cast lists, 1969
|
|
|
Box
110
Folder
24
|
Technical production file, including props, lights, and sound, 1969
|
|
|
Box
110
Folder
25-29
|
Script revisions, annotated, circa 1969
|
|
|
Box
111
Folder
1
|
Outline, by Charles K. Peck, Jr., from the film by Federico, Fellini, 1966 December 10
|
|
|
Box
111
Folder
2
|
First working draft script, “The Road,” music and lyrics by Lionel Bart, book adaptation by Charles Peck, undated
|
|
|
Box
111
Folder
3
|
Script, slightly annotated, undated
|
|
|
Box
111
Folder
4
|
Second draft script, working draft, music and lyrics by Lionel Bart, book by Charles K. Peck, Jr., based on the original screenplay by Federico Fellini and Tullio Pinelli, 1968 January 1
|
|
|
Box
111
Folder
5
|
Working script, music and lyrics by Lionel Bart, book by Charles K. Peck, Jr., based on the original screenplay by Federico Fellini and Tullio Pinelli, annotated, undated
|
|
|
Box
111
Folder
6
|
Working script, music and lyrics by Lionel Bart, book by Charles K. Peck, Jr., based on the original screenplay by Federico Fellini and Tullio Pinelli, 1969 September 15
|
|
|
Box
111
Folder
7
|
First rehearsal script, annotated, undated
|
|
|
Box
111
Folder
8
|
Final working script, music and lyrics by Lionel Bart, book by Charles K. Peck, Jr., based on the original screenplay by Federico Fellini and Tullio Pinelli, annotated, including production notes, post 1969 September 15
|
|
|
Summer and Smoke, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1954 February 9)
|
|
|
Box
111
Folder
9
|
Reviews, 1954
|
|
|
Summer of the 17th Doll, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1958 April 29; New York, Players Theatre, 1959 October 13; New York, Downtown, 1959 December 1; West Hartford, Conn., King Philip School, 1959 December 14)
|
|
|
Box
111
Folder
10
|
Clippings, reviews, playbill, 1958-1959
|
|
|
Taming of the Shrew, directed by Alan Schneider (Theater. Cleveland, Cain Park, 1948 August 17)
|
|
|
Box
111
Folder
11
|
Review, 1948
|
|
|
Texas Trilogy, directed by Alan Schneider (Theater. Consists of The Oldest Living Graduate, The Last Meeting of the Knights of the White Magnolia, and Lu Ann Hampton Laverty Oberlander. Washington, D.C., Arena Stage, Kreeger, 1975 March 21; Washington, D.C., Kennedy Center, Eisenhower, 1976 April 22 and 1976 August 5; New York, Broadhurst, 1976 September 22)
|
|
|
Box
111
Folder
12
|
Casting file, circa 1976
|
|
|
Box
111
Folder
13
|
Correspondence, general, 1975-1976
|
|
|
Box
147
Folder
3
|
Ground plans, miscellany, 1976, undated
|
|
|
Box
111
Folder
14
|
Playbills, 1975-1976
|
|
|
Box
111
Folder
15
|
Production file, circa 1976
|
|
|
Box
111
Folder
16
|
Reviews and research material, 1973-1976
|
|
|
Box
111
Folder
17
|
Script revisions, annotated, 1976
|
|
|
Box
111
Folder
18
|
Script for “The Last Meeting of the 'Knights of the White Magnolia,'” by Preston S. Jones, 1973
|
|
|
Box
111
Folder
19
|
Director's script for “The Last Meeting of the 'Knights of the White Magnolia,'” by Preston S. Jones, annotated, 1975 March 26
|
|
|
Box
111
Folder
20
|
Script for “The Last Meeting of the 'Knights of the White Magnolia,'” by Preston S. Jones, annotated, undated
|
|
|
Box
112
Folder
1
|
Revised script for “The Last Meeting of the 'Knights of the White Magnolia,'” by Preston S. Jones, 1976 May 20
|
|
|
Scripts for “Lu Ann Hampton Laverty Oberlander,” by Preston S. Jones
|
|
|
Box
112
Folder
2
|
1976 June 21
|
|
|
Box
112
Folder
3
|
1974
|
|
|
Box
113
Folder
1
|
Annotated, undated
|
|
|
Scripts for “The Oldest Living Graduate,” by Preston S. Jones
|
|
|
Box
113
Folder
2
|
July 1975
|
|
|
Box
114
Folder
1
|
Annotated, including revisions, 1976 July 7-August 15
|
|
|
Box
113
Folder
3
|
Director's script, annotated, July 1975
|
|
|
Theatre in 3D, directed by Alan Schneider (Theater. Program consists of The Chairs, The Lottery, and The Dock Brief. Milwaukee, University of Wisconsin-Milwaukee Auditorium, 1961 July 27)
|
|
|
Box
114
Folder
2
|
Clippings, and reviews, 1961
|
|
|
Three Men on a Horse (Theater. Washington, D.C., Arena Stage, 1974 December 26, an Arena production while Schneider was Artistic Director)
|
|
|
Box
114
Folder
3
|
Production miscellany and reviews, 1973-1974
|
|
|
The Three Sisters (Theater. New York, Juilliard School, 1979 March)
|
|
|
Box
114
Folder
4
|
Script, by Anton Chekhov, translated by Randall Jarrell, undated
|
|
|
The Threepenny Opera, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1963 May 14)
|
|
|
Box
147
Folder
3
|
Ground plans, elevations, 1963
|
|
|
Box
114
Folder
5
|
Reviews, letter, 1963, 1969
|
|
|
Box
114
Folder
6
|
Script, music by Kurt Weill, text and lyrics by Bertolt Brecht, English adaptation by Marc Blitzstein, annotated, including production miscellany, 1963 May 14
|
|
|
The Toy Prison (Theater. Production information unknown)
|
|
|
Box
114
Folder
7
|
Correspondence, 1972
|
|
|
Box
114
Folder
8
|
Script, by Stanley Crouch, annotated, undated
|
|
|
Box
114
Folder
8
|
Script, by Stanley Crouch, undated
|
|
|
The Time of Your Life, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1962 May 15)
|
|
|
Box
114
Folder
9
|
Reviews, 1962
|
|
|
Tom, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, Kreeger, 1973 December 14)
|
|
|
Box
147
Folder
3
|
Ground plan, 1973
|
|
|
Box
114
Folder
10
|
Interview with Alexander Buzo, playwright, undated
|
|
|
Box
114
Folder
11
|
Playbill and reviews, script revisions, correspondence, 1973-1974
|
|
|
Box
114
Folder
12
|
Production file, 1973-1974
|
|
|
Box
114
Folder
13
|
Production notes, circa 1974-1975
|
|
|
Box
114
Folder
14
|
Stage manager's report, December 1974-January 1975
|
|
|
Box
114
Folder
15
|
Script, by Alexander Buzo, undated
|
|
|
Box
114
Folder
16
|
Director's script, by Alexander Buzo, annotated, including miscellany, circa May-December 1973
|
|
|
Tonight in Samarkand, directed by Alan Schneider (Theater. Boston, Colonial, 1955 January 11; Philadelphia, Forest, 1955 January 25; Washington, D.C., National, 1955 February 7; New York, Morosco, 1955 February 17)
|
|
|
Box
114
Folder
17
|
Clippings and reviews, 1955
|
|
|
Box
141
Folder
2
|
Script, by Jacques Deval, adapted by Lorenzo Semple, Jr., undated
|
|
|
The Trees of Promise (Theater. Production information unknown)
|
|
|
Box
114
Folder
18
|
Contracts, correspondence, 1958-1959
|
|
|
The Trial of Lee Harvey Oswald (Theater. Production information unknown)
|
|
|
Box
114
Folder
19
|
Script, by Amram Ducovny and Leon Friedman, based on an idea by Harold Steinberg and Amram Ducovny, 1966 December
|
|
|
The Trip to Bountiful, directed by Alan Schneider (Theater. London, Arts Theatre Club, 1956 July 4)
|
|
|
Box
114
Folder
20
|
Clippings and reviews, 1956
|
|
|
Box
147
Folder
3
|
Ground plans, undated
|
|
|
The Trouble with Europe (Format and production information unknown)
|
|
|
Box
114
Folder
21
|
Notes, 1976, undated
|
|
|
Tug of War (Theater. Production information unknown. Alan Schneider was to have directed on Broadway)
|
|
|
Box
114
Folder
22
|
Script, by Colin Welland, undated
|
|
|
Box
114
Folder
23
|
Script, by Colin Welland, with revisions, undated
|
|
|
Twelve Angry Men, directed by Alan Schneider (Theater. Philadelphia, Bucks County Playhouse, 1960 May 23)
|
|
|
Box
114
Folder
24
|
Review, 1960
|
|
|
Twinkling of an Eye, directed by Alan Schneider (Theater. San Francisco, Marines Memorial, 1961 January 11)
|
|
|
Box
114
Folder
25
|
Clippings, 1961
|
|
|
Two for the Seesaw , directed by Alan Schneider (Theater. Palm Beach, Florida, Royal Poinciana Playhouse, 1960 March 28)
|
|
|
Box
114
Folder
26
|
Clippings, 1960
|
|
|
Uncle Jimbo's Marbles (Motion Picture. Unproduced)
|
|
|
Box
114
Folder
27
|
Correspondence, production miscellany, 1967-1968
|
|
|
Box
114
Folder
28
|
Revised screenplay, by Evan Hunter, circa November 1967
|
|
|
Box
114
Folder
29
|
Director's screenplay, by Evan Hunter, annotated, undated
|
|
|
Uncle Vanya, directed by Alan Schneider (Theater. Chicago, Goodman, 1961 April; Washington, D.C., Arena Stage, 1962 May?)
|
|
|
Box
114
Folder
30
|
Clippings, 1961-1962
|
|
|
Uptight, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, Kreeger, 1972 March 17)
|
|
|
Box
114
Folder
31
|
Clippings, reviews, correspondence, playbill, circa 1971-1972
|
|
|
Box
147
Folder
3
|
Ground plan, undated
|
|
|
Box
114
Folder
32
|
Production file, circa 1971-1972
|
|
|
Box
114
Folder
33
|
Script, by Gunter Grass, translated by A. Leslie Willson, undated
|
|
|
Box
115
Folder
1
|
Script, by Gunter Grass, undated
|
|
|
A View from the Bridge, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1956 November 7)
|
|
|
Box
115
Folder
2
|
Clippings and reviews, 1956
|
|
|
Waiting for Godot, directed by Alan Schneider (Theater. New York, Sheridan Square Playhouse, 1971 August)
|
|
|
Box
115
Folder
3
|
Playbill, schedule, 1971
|
|
|
The Watering Place, directed by Alan Schneider (Theater. New York, Music Box, 1969 March 12)
|
|
|
Box
115
Folder
4
|
Correspondence, clippings, playbill, 1968-1969
|
|
|
Box
115
Folder
5
|
Production file, circa 1969
|
|
|
Box
115
Folder
6
|
Script revisions, undated
|
|
|
Box
115
Folder
7
|
Script, by Lyle Kessler, annotated, undated
|
|
|
Box
115
Folder
8
|
Revised script, by Lyle Kessler, annotated, undated
|
|
|
Box
115
Folder
9
|
Script, by Lyle Kessler, annotated, including production notes, 1969
|
|
|
A Way of Life, directed by Alan Schneider (Theater. New York, ANTA Theatre, 1969 January 27)
|
|
|
Box
115
Folder
10
|
Correspondence, general and legal, 1968-1969, undated
|
|
|
Box
147
Folder
3
|
Plans, 1968
|
|
|
Box
115
Folder
11
|
Production file, including set designs, circa 1968
|
|
|
Scripts, by Murray Schisgal
|
|
|
Box
115
Folder
12
|
1967 November 22
|
|
|
Box
141
Folder
4
|
Slightly annotated, 1967 November 22
|
|
|
Box
115
Folder
13
|
Annotated, including revisions and notes, 1967-1968
|
|
|
Box
141
Folder
5
|
Third Draft, 1968 July 25
|
|
|
Box
115
Folder
14
|
Script Fragments, 1968
|
|
|
Box
115
Folder
15-16
|
Revised production script, by Murray Schisgal, including blocking instructions and costume and prop plots, 1969
|
|
|
Box
115
Folder
17
|
Director's script, by Murray Schisgal, annotated, 1968 July 25
|
|
|
What the Butler Saw, directed by Alan Schneider (Theater. Milwaukee, University of Wisconsin-Milwaukee Fine Arts Theater, 1971 July 29)
|
|
|
Box
115
Folder
18
|
Clippings and reviews, 1971
|
|
|
Box
115
Folder
19
|
Correspondence, 1970-1971
|
|
|
Box
115
Folder
20
|
Production file, 1971
|
|
|
Box
147
Folder
3
|
Set designs, plans, 1971
|
|
|
Box
115
Folder
21
|
Script, by Joe Orton, undated
|
|
|
Box
115
Folder
21
|
Script, by Joe Orton, annotated, circa 1971
|
|
|
What the Butler Saw, directed by Alan Schneider (Theater. Long Beach, California, California State College at Long Beach Studio Theatre, 1975 June 27)
|
|
|
Box
115
Folder
22
|
Correspondence, general and financial, 1974-1975
|
|
|
Box
115
Folder
23
|
Evaluative report of California State University-Long Beach summer projects, including materials regarding What the Butler Saw, 1975
|
|
|
Box
147
Folder
3
|
Ground plans, sections, 1975, undated
|
|
|
Box
115
Folder
24
|
Production file, including costume designs, circa 1975
|
|
|
Box
115
Folder
25
|
Reviews, clippings, playbills, 1975
|
|
|
Box
115
Folder
26
|
Script, by Joe Orton, annotated, 1969
|
|
|
Who's Afraid of Virginia Woolf? (Theater. Washington, D.C., Arena Stage, 1974 October 25. At Arena while Associate Director)
|
|
|
Box
115
Folder
27
|
Playbill, reviews, 1974
|
|
|
Wild Hills (Theater. Ithaca, New York, Cornell University Theatre, 1941 May 24. Alan Schneider acted in this production)
|
|
|
Box
115
Folder
28
|
Playbill, 1941
|
|
|
[Wounded Knee] (Motion Picture. Production information unknown)
|
|
|
Box
115
Folder
29
|
Correspondence, notes, 1971
|
|
|
You Can't Take It with You, directed by Alan Schneider (Theater. Cleveland, Cain Park, undated)
|
|
|
Box
115
Folder
30
|
Reviews, undated
|
|
|
You Know I Can't Hear You When the Water's Running, directed by Alan Schneider (Theater. New York, Ambassador, March 1967; Philadelphia, Forrest, 1968 February; Washington, D.C., National, 1968 May; plus national tour
: Consists of “Shock of Recognition,” “Footsteps of a Dove,” “I'll Be Home for Christmas, ” and “I'm Herbert.”
|
|
|
Box
115
Folder
31
|
Anderson, Robert, 1966-1968
|
|
|
Box office statements
|
|
|
New York (Ambassador Theatre)
|
|
|
Box
115
Folder
32-33
|
1967 March-December
|
|
|
Box
116
Folder
1-2
|
1968 January-June
|
|
|
Box
116
Folder
3
|
Chicago (Blackstone Theatre), 1968 June-September
|
|
|
Box
116
Folder
3
|
Washington, D.C., (National Theatre), 1968 May
|
|
|
Box
116
Folder
4
|
New York (Broadhurst Theatre), 1968 June-November
|
|
|
Box
116
Folder
5-6
|
Miscellaneous theaters, 1967-1969
|
|
|
Box
116
Folder
7
|
Casting file, circa 1966-1968, undated
|
|
|
Box
116
Folder
8
|
Correspondence, circa 1965-1969, undated
|
|
|
Box
116
Folder
9
|
Interpretive notes, circa 1966-1968
|
|
|
Box
116
Folder
10
|
Legal and financial file, 1966-1971, undated
|
|
|
Box
147
Folder
3
|
Plan, 1967
|
|
|
Box
116
Folder
11
|
Production file and notes, circa 1968-1969
|
|
|
Box
116
Folder
12
|
Reviews, playbills, miscellany, circa 1967-1968
|
|
|
916A/13
|
Songs from a 1940s vocal group, undated
|
|
|
U.S. Mss 57AN
Box
116
Folder
13
|
Script revisions, miscellaneous, 1967
|
|
|
Box
116
Folder
14
|
First draft script of “Shock of Recognition,” “I'll Be Home for Christmas,” and “The Footsteps of Doves,” annotated, undated
|
|
|
Box
116
Folder
15
|
Script, by Robert Anderson, annotated, 1966 October
|
|
|
Box
116
Folder
16
|
Script, by Robert Anderson, undated
|
|
|
Box
116
Folder
17
|
Director's script, for Ambassador Theater production, by Robert Anderson, annotated, 1967 January 11
|
|
|
Box
116
Folder
18
|
Script for national tour, by Robert Anderson, annotated, undated
|
|
|
Box
116
Folder
19
|
Script for bus and truck tour, by Robert Anderson, annotated, 1969
|
|
|
Zalmen or the Madness of God, directed by Alan Schneider
: Theater. Washington, D.C., Arena Stage, 1974 May 8; New York, Carnegie Hall, 1974 December 13. Philadelphia, New Locust, 1976 January 22; Boston, Shubert, 1976 February 19; Toronto, Royal Alexandra, 1976 March 2; New York, Lyceum, 1976 March 11
|
|
|
Box
116
Folder
20
|
Casting file, circa 1975, undated
|
|
|
Box
116
Folder
21
|
Correspondence, 1973-1980, undated
|
|
|
Box
147
Folder
3
|
Plan, undated
|
|
|
Box
116
Folder
22
|
Playbills, publicity, reviews, including article by Schneider, “An Open Letter to Our Soviet Friends (And Others),” circa 1974-1976
|
|
|
Box
116
Folder
23
|
Production miscellany, circa 1976
|
|
|
Box
116
Folder
24
|
Production notes, undated
|
|
|
Box
116
Folder
25
|
Stage manager's reports, timing sheets, circa 1974, undated
|
|
|
Box
117
Folder
1
|
Script revisions for theater production, undated
|
|
|
Box
117
Folder
2
|
Script fragments for television production, undated
|
|
|
Box
117
Folder
3
|
Original typescript, “Zalmen,” by Elie Wiesel, adapted for stage by Marion Wiesel, based on a translation from the French by Nathan Edelman, slightly annotated, undated
|
|
|
Box
117
Folder
4
|
Script (for theater), translated from the French by Lily and Nathan Edelman, undated
|
|
|
Box
117
Folder
5
|
Script (for theater), Act I, by Elie Wiesel, adapted for the stage by Marion Wiesel, based on a translation from the French by Nathan Edelman, undated
|
|
|
Box
117
Folder
6
|
Script, annotated, including floor plots and plans, undated
|
|
|
Box
117
Folder
7
|
Script for Arena Stage production, annotated, including production notes, 1974 May
|
|
|
Box
117
Folder
8
|
Script for New York production, annotated, including production notes, undated
|
|
|
Box
117
Folder
9
|
Director's working script, by Elie Wiesel, adapted for the stage by Marion Wiesel, based on a translation from the French by Nathan Edelman, annotated, 1974 July 6
|
|
|
Box
117
Folder
10
|
Shooting script for Television Production, annotated, including production miscellany, circa 1974, undated
|
|
|
Zalmen or The Madness of God, directed by Alan Schneider (Television, WNET/13, 1975 January 8, original network PBS. Shown on Theater in America)
: See Theater production for scripts.
|
|
|
Box
117
Folder
11
|
Clippings and reviews, circa 1974-1975
|
|
|
Box
117
Folder
12
|
Correspondence, general, 1974-1975
|
|
|
Box
147
Folder
3
|
Plans, undated
|
|
|
Box
117
Folder
13
|
Production file, including notes and casting material, 1974
|
|
|
