Archival Resources in Wisconsin: Descriptive Finding Aids

Container	Title
	Subseries: Subseries 2: Plays Acted In and Directed By Schneider Scope and Content Note: In this subseries, the plays Schneider directed are subdivided into seven theater categories: Broadway, Off-Broadway, Regional, University and College, Radio Television and Film, Foreign, and Miscellany. Within these categories plays are arranged chronologically according to the date of production. The entries for each play give the author, theater, opening date, and any information regarding other productions of the same play directed by Schneider. In the folders for any given production the materials are classified in the following order. First is the general correspondence: dated, undated. If there is financial correspondence, records, or contracts, they will follow general correspondence. Second are the production notes which are arranged in the following sequence: (a) general notes--casting, set, costume and lighting designs, sound and music, rehearsal schedule, cast and crew list, and miscellaneous; (b) programs or playbills from out-of-town tryouts and opening night, as well as clippings, reviews and miscellany pertaining to the particular production; (c) various scripts--director's, original, or revised, and rewrites. Whereas all the elements mentioned may not be available for every play, those materials which are available will be found arranged in this general sequence. Researchers should note that Schneider sometimes writes notes about the production at the end of his promptbook or script, in addition to the production notes in the folder. It should also be noted that the “Miscellany” subdivision contains scripts from productions in which Schneider worked in some capacity other than or in addition to director, e.g. assistant director, stage manager, actor.
	Broadway
	A Long Way from Home by Randolph Goodman and Walter Carroll, Maxine Elliott Theatre, 1948 February 8
Box 2 Folder 1	Correspondence, production notes, 1947 December-1948 February
Box 2 Folder 2	Director's script
	The Remarkable Mr. Pennypacker by Liam O'Brien, Coronet Theatre, 1953 December 30
Box 2 Folder 3	Correspondence, 1953 October-1955 May Note: Also production notes and script rewrites for Act III.
Package 1	Poster
	All Summer Long by Robert Anderson, Coronet Theatre, 1954 September 23
Box 2 Folder 4	Correspondence, 1953 February-1954 October Note: Also contracts and financial records.
Box 2 Folder 5	Production notes, playbill
Box 2 Folder 6	Script changes
Box 2 Folder 7	Revised script
	Anastasia by Marcel Maurette, adapted by Guy Bolton, Lyceum Theatre, 1954 December 29
Box 2 Folder 8	Correspondence, 1954 September-1956 August Note: Also contracts, financial records.
Box 3 Folder 1	Production notes
Box 3 Folder 2	Revised script
Box 3 Folder 3	Clean script
	Tonight in Samarkand by Jacques Deval and Lorenzo Semple Jr., Morosco Theatre, 1955 February 16
Box 3 Folder 4	Correspondence, 1954 August-January Note: Also includes part of annotated script.
Box 3 Folder 5	Clean script
	The Little Glass Clock by Hugh Mills, John Golden Theatre, 1956 March 26
Box 3 Folder 6	Correspondence, 1955 December-1956 April Note: Also production notes.
Box 3 Folder 7	Director's script
	The Glass Menagerie by Tennessee Williams, New York City Center, 1956 November 21
Box 4 Folder 1	Production notes, photographs, playbill, clippings
	Miss Lonelyhearts by Howard Teichmann, Music Box Theatre, 1957 October 3
Box 4 Folder 2	Correspondence, 1955 May-1957 September
Package 1	Poster
Box 4 Folder 3	Production notes
Box 4 Folder 4	Director's script
Box 4 Folder 5	Scene revisions
	Kataki by Shimon Wincelberg, Ambassador Theatre, 1959 April 9
Box 4 Folder 6	Correspondence, 1957 September-1962 July Note: Also production notes.
Package 1	Poster
Box 5 Folder 1	Annotated script
	Revised script
Box 5 Folder 2	“A”
Box 5 Folder 3	“B”
Box 5 Folder 4	“C”
	Rape of the Belt by Benn W. Levy, Wilbur Theatre (Boston, Massachusetts), 1960 October 20
Box 5 Folder 5	Correspondence, 1960 August-1960 November Note: Also production notes.
	Director's script
Box 5 Folder 6	“A”
Box 5 Folder 7	“B”
	Who's Afraid of Virginia Woolf? by Edward Albee, Billy Rose Theatre, 1962 October 13
Box 6 Folder 1	Program
Package 1	Poster
	The Ballad of the Sad Cafe by Carson McCullers, adapted by Edward Albee, Martin Beck Theatre, 1963 October 30
Box 6 Folder 2	Correspondence, 1963 June-1964 May
Package 1	Poster
Box 6 Folder 3	Production notes
Box 6 Folder 4	Revised script
	Script
Box 6 Folder 5	“A”
Box 6 Folder 6	“B”
	Tiny Alice by Edward Albee, Billy Rose Theatre, 1964 December 29
Box 6 Folder 7	Playbills, clipping
	Entertaining Mr. Sloane by Joe Orton, Lyceum Theatre, 1965 October 13
Box 7 Folder 1	Correspondence, 1964 October-1966 December
Box 7 Folder 2	Actors' photographs and résumés
Box 7 Folder 3	Production notes
Box 7 Folder 4	British script, reviews
Box 7 Folder 5	Sloane's understudy script
Box 7 Folder 6	Kath's script
Box 8 Folder 1	Ed's script
	Malcolm by Edward Albee, Shubert Theatre, 1966 January 11
Box 8 Folder 2	Program
	Slapstick Tragedy by Tennessee Williams, Longacre Theatre, 1966 February 22
Box 8 Folder 3	Program
	A Delicate Balance by Edward Albee, Martin Beck Theatre, 1966 September 22
Box 8 Folder 4	Programs
	Off-Broadway
	Pullman Car Hiawatha by Thornton Wilder, Neighborhood Playhouse, 1952 January 30
Box 8 Folder 5	Production notes, director's script
	Hide and Seek by Arnold Sundgaard, Neighborhood Playhouse, 1953 April 21
Box 8 Folder 6	Correspondence, 1953 March-April Note: Also miscellaneous notes.
	Endgame by Samuel Beckett, Cherry Lane Theatre, 1958 January 28
Box 8 Folder 7	Program, financial record
Package 1	Poster
	The Summer of the Seventeenth Doll by Ray Lawler, Players Theatre, 1959 October 13
Box 8 Folder 8	Correspondence, 1958 August-1959 December Note: Also production notes, programs.
Box 8 Folder 9	Director's script
Package 1	Poster
	Krapp's Last Tape by Samuel Beckett, Provincetown Playhouse, 1960 January 14; and Players Theatre, , 1960 April
Box 8 Folder 10	Program
	The American Dream and The Death of Bessie Smith by Edward Albee, York Playhouse, 1961 January 24
Package 1	Poster
	Theatre of the Absurd: Endgame by Samuel Beckett, 1962 February 11; The American Dream and The Zoo Story by Edward Albee, Cherry Lane Theatre, , 1962 March 1
Box 8 Folder 11	Program, notes on Endgame
	Happy Days by Samuel Beckett, Kaufman Concert Hall and Cherry Lane Theatre, 1962
Box 8 Folder 12	Program
	The Pinter Plays: The Collection and The Dumbwaiter by Harold Pinter, Cherry Lane Theatre, 1962 November 26
Box 9 Folder 1	Programs, script, The Collection
	The Pinter Plays: The Dumbwaiter and The Collection by Harold Pinter, Provincetown Playhouse, 1962
Package 1	Poster
	Play and The Lover by Samuel Beckett, Cherry Lane Theatre, 1964 January 4
Box 9 Folder 2	Program, clean script
	Do Not Pass Go by Charles Nolte, Cherry Lane Theatre, 1965 April 9
Box 9 Folder 3	Correspondence, 1964 July-1965 April
Box 9 Folder 4	Director's script
	The Zoo Story by Edward Albee and Krapp's Last Tape by Samuel Beckett, Village South Theatre, 1965 September 14
Box 9 Folder 5	Programs
	Happy Days by Samuel Beckett, Cherry Lane Theatre, 1966 September 28
Box 9 Folder 6	Program
	Regional
	Sing Out Sweet Land by Walter Kerr, Cain Park Theatre (Cleveland, Ohio), 1947 August 5
Box 9 Folder 7	Director's script
Box 9 Folder 8	Music
	Lute Song by Kao-Tong-Kia, adapted by Will Irwin and Sidney Howard, Cain Park Theatre (Cleveland, Ohio), 1948 July 6
Box 9 Folder 9	Director's script
	Reluctant Lady by Maurice Valency, Cain Park Theatre (Cleveland, Ohio), 1948 July 27
Box 9 Folder 10	Correspondence, 1948 April-September Note: Also includes clean script.
	Pullman Car Hiawatha by Thornton Wilder, Actors Studio (New York City), 1949
Box 9 Folder 11	Casting notes, contains complete list of all other productions of play
	Born Yesterday by Garson Kanin, The Cape Playhouse (Cape Cod, Massachusetts), 1950 July 3
Box 9 Folder 12	Correspondence, 1950 August-September Note: Includes notes.
	Over 21 by Ruth Gordon, Falmouth Playhouse (Falmouth, Masssachusetts), 1950 July 31
Box 10 Folder 1	Correspondence, 1950 June-July Note: Also includes production notes, programs.
	Harvey by Mary Chase, Falmouth Playhouse (Falmouth, Massachusetts), 1950 August 7
Box 10 Folder 2	Correspondence, 1950 April-July Note: Also includes production notes.
	Post Road by W.D. Steele and N. Mitchell, Falmouth Playhouse (Falmouth, Massachusetts), 1950 August 14
Box 10 Folder 3	Production notes
	Macbeth by William Shakespeare, Players Inc. (Washington, D.C.), 1950 September 30
Box 10 Folder 4	Correspondence, 1950 September Note: Includes programs, publicity, director's script.
Box 10 Folder 5	Clean script
	The Glass Menagerie by Tennessee Williams, Arena Stage (Washington, D.C.), 1951 April 10 and , 1951 May 22
Box 10 Folder 6	Production notes
Box 10 Folder 7	Director's script
	The Primrose Path by Robert Buckner and Walter Hart, 1951 August 8 The Playhouse (Houston, Texas)
Box 10 Folder 8	Correspondence, 1951 June-October Note: Also includes contract, production notes.
Box 10 Folder 9	Director's script
	The Hasty Heart by John Patrick, Arena Stage (Washington, D.C.), 1952 June 17
Box 10 Folder 10	Director's script, programs
	Desire Under the Elms by Eugene O'Neill, Arena Stage (Washington, D.C.), 1952 October 7
Box 11 Folder 1	Production notes, director's script
	Lady Precious Stream by S.I. Hsiung, Arena Stage (Washington, D.C.), 1952 December 9
Box 11 Folder 2	Production notes, director's script
	The Miser by Moliere, adapted by Walter Kerr, Players Inc. (Washington, D.C.), 1953-1954
Box 11 Folder 3	Correspondence, 1953 March-May Note: Includes production notes.
Box 11 Folder 4	Director's script
	Othello by William Shakespeare, edited by Mark Eccles, Players Inc. (Washington, D.C.), 1953-1954
Box 11 Folder 5	Director's script
Box 11 Folder 6	Publicity book, mixed up script and analysis
Box 11 Folder 7	Annotated script
	All Summer Long by Robert Anderson, Arena Stage (Washington, D.C.), 1953 January 13
Box 11 Folder 8	Correspondence, 1951 January-1953 February
Box 12 Folder 1	Production notes
Box 12 Folder 2	Original script
Box 12 Folder 3	Director's script
Box 12 Folder 4	Annotated script
	Our Town by Thornton Wilder, Arena Stage (Washington, D.C.), 1953 March 16
Box 12 Folder 5	Correspondence, 1953 February Note: Includes production notes, clippings.
Box 12 Folder 6	Director's script
	The Country Girl by Clifford Odets, Arena Stage (Washington, D.C.), 1953 May 18
Box 12 Folder 7	Production notes, program, director's script
	My Heart's in the Highlands by William Saroyan, Arena Stage (Washington, D.C.), 1953 August 11
Box 12 Folder 8	Production notes, director's script
	The Happy Journey by Thornton Wilder, Arena Stage (Washington, D.C.), 1953 September 1
Box 13 Folder 1	Director's script
	The Bad Angel by Joel Hammil, Arena Stage (Washington, D.C.), 1953 October 20
Box 13 Folder 2	Director's script, production notes
	Summer and Smoke by Tennessee Williams, Arena Stage (Washington, D.C.), 1954 February 9
Box 13 Folder 3	Production notes, program, director's script
	A View from the Bridge by Arthur Miller, Arena Stage (Washington, D.C.), 1956 November 7
Box 13 Folder 4	Correspondence, 1956 September-October Note: Also production notes, director's script.
	The Circus of Dr. Lao by Gwyn Conger and Nathaniel Benchley, Edgewater Beach Playhouse (Chicago, Illinois), 1957 July 9
Box 13 Folder 5	Correspondence, 1951 December-1957 June Note: Includes casting notes.
Box 13 Folder 6	Production notes, script rewrites
	Director's script
Box 13 Folder 7	“A”
Box 13 Folder 8	“B”
Box 13 Folder 9	Clean script, annotated script
	Summer of the Seventeenth Doll by Ray Lawler, Arena Stage (Washington, D.C.), 1958 April 29
Box 14 Folder 1	Correspondence, 1958, undated Note: Includes production notes, programs.
	Epitaph for George Dillon by John Osborne and Anthony Creighton, Arena Stage (Washington, D.C.), 1959 May 5
Box 14 Folder 2	Correspondence, 1959 May Note: Also includes production notes, director's script.
	Waiting for Godot by Samuel Beckett, Alley Theatre (Houston, Texas), 1959 September 9
Box 14 Folder 3	Program
	Clandestine in the Morning Line by Josh Greenfeld, Arena Stage (Washington, D.C.), 1959 November 24
Box 14 Folder 4	Correspondence, 1959 May-1960 April Note: Includes production notes, original script.
Box 14 Folder 5	Director's script
	The Cherry Orchard by Anton Chekov, translated by Stark Young, Arena Stage (Washington, D.C.), 1960 January 12
Box 14 Folder 6	Director's script
	Two for the Seesaw by William Gibson, Royal Poinciana Theatre (Palm Beach, Florida), 1960 March 28
Box 14 Folder 7	Correspondence, 1960 February-April Note: Also production notes.
Box 14 Folder 8	Director's script
	Twelve Angry Men by Reginald Rose, Bucks County Playhouse (New Hope, Pennsylvania), 1960 May 23
Box 14 Folder 9	Correspondence, 1960 March-December Note: Also production notes.
Box 15 Folder 1	Director's script
	Measure for Measure by William Shakespeare, Belvedere Lake Theatre (New York City), 1960 July 25
Box 15 Folder 2	Correspondence, 1960 January-1962 January Note: Also production notes.
	Twinkling of an Eye by H. Wright and Guy Andros, San Francisco Actor's Workshop (San Francisco, California), 1961 January 11
Box 15 Folder 3	Correspondence, 1959 October-1961 January
Box 15 Folder 4	Director's script
Box 15 Folder 5	Clean script
	Krapp's Last Tape by Samuel Beckett, Arena Stage (Washington, D.C.), 1961 April 4
Box 15 Folder 6	Program
	Uncle Vanya by Anton Chekov, translated by Stark Young, Goodman Theatre (Chicago, Illinois), 1961 April 9
Box 15 Folder 7	Correspondence, 1959 February-1961 February Note: Also production notes, program.
Box 15 Folder 8	Director's script
	Caucasian Chalk Circle by Bertolt Brecht, adapted by John Holmstrom, Arena Stage (Washington, D.C.), 1961 October 30
Box 15 Folder 9	Correspondence, 1961 August-November Note: Also production notes.
	What Shall We Tell Caroline by John Mortimer, Arena Stage (Washington, D.C.), 1961 November 28
Box 15 Folder 10	Program, director's script
	Happy Days by Samuel Beckett, McCarter Theatre (Princeton, New Jersey), 1962 January 12
Package 1	Poster
	The Burning of the Lepers by Wallace Hamilton, Arena Stage (Washington, D.C.), 1962 March 20
Box 16 Folder 1	Correspondence, 1961 May-1963 July Note: Also production notes.
Box 16 Folder 2	Director's script
Box 16 Folder 3	Hamilton's script
Box 16 Folder 4	Script with new additions
Box 16 Folder 5	Clean script
Box 16 Folder 6	Rewrites
Box 16 Folder 7	Obsolete pages
	Uncle Vanya by Anton Chekov, translated by Stark Young, Arena Stage (Washington, D.C.), 1962 April 17
Box 16 Folder 8	Correspondence, 1961 Note: Also floor plan, cast and crew list, program.
	The Time of Your Life by William Saroyan, Arena Stage (Washington, D.C.), 1962 March 15
Box 16 Folder 9	Correspondence, undated Note: Also clippings, program, director's script (Acts I and II).
Box 16 Folder 10	Director's script (Acts III, IV, V)
	All the Way Home by Tad Mosel, Arena Stage (Washington, D.C.), 1963 March 12
Box 17 Folder 1	Correspondence, 1963 Note: Also floor plans, program, director's script.
	Othello by William Shakespeare, Arena Stage (Washington, D.C.), 1963 April 10
Box 17 Folder 2	Light cues, program, director's script
	The Threepenny Opera, text and lyrics by Bertolt Brecht; music by Kurt Weill, adapted by Marc Blitzstein, Arena Stage (Washington, D.C.), 1963 May 14
Box 17 Folder 3	Correspondence, 1962 July-1963 October Note: Also production notes, program.
	The Glass Menagerie by Tennessee Williams, Tyrone Guthrie Theatre (Minneapolis, Minnesota), 1964 June 1
Box 17 Folder 4	Correspondence, 1963 October-1964 October Note: Also technical production notes.
Box 17 Folder 5	Production notes, programs
Box 17 Folder 6	Director's script
	A Delicate Balance by Edward Albee, Coconut Grove Playhouse (Miami, Florida), 1967 January 17
Box 17 Folder 7	Program
	University and College
	Jim Dandy by William Saroyan, Catholic University (Washington, D.C.), 1941 October 29 and 1942 July 15
Box 18 Folder 1	Correspondence, 1941 August-November Note: Also production notes, student critiques.
	Athaliah by Jean Racine, Catholic University (Washington, D.C.), 1942 March 17
Box 18 Folder 2	Correspondence, 1942, undated Note: Also casting and production notes, especially regarding chorus.
	Child's Play (Le Joux des Enfants) by Paul Armont and Paul Vandenberghe, Catholic University (Washington, D.C.), 1942 August 20
Box 18 Folder 3	Director's script
	The Romancers by Edmund Rostand, Catholic University (Washington, D.C.), 1943 August 4
Box 18 Folder 4	Finance statement, program, director's script
	The Doctor in Spite of Himself by Moliere, Catholic University (Washington, D.C.), 1944 August 9
Box 18 Folder 5	Correspondence, 1944 Note: Also production notes, programs.
Box 18 Folder 6	Director's script
	Lute Song by Kao-Tong-Kia, adapted by Will Irwin and Sidney Howard, Catholic University (Washington, D.C.), 1944 November 19
Box 18 Folder 7	Correspondence, 1944 June-1946 March Note: Also production notes, program, director's script.
	The Tidings Brought to Mary by Paul Claudel, Catholic University (Washington, D.C.), 1945 February 18
Box 18 Folder 8	Production notes, program, director's script
	The Importance of Being Earnest by Oscar Wilde, Catholic University (Washington, D.C.), 1945 August 5
Box 18 Folder 9	Director's script
	Electra by Sophocles, Catholic University (Washington, D.C.), 1945 November 30
Box 19 Folder 1	Correspondence, 1945 Note: Also director's script, program.
	That's Where the Money Goes by James Finley, Jean Kerr, and Joan O'Bryne, Catholic University (Washington, D.C.), 1946 May 10
Box 19 Folder 2	Lyrics, program, director's script
	State Occasion by Clinch Calkins, Catholic University (Washington, D.C.), 1946 November 29
Box 19 Folder 3	Correspondence, 1946-1947 Note: Also expense statement, program, director's script.
	The Real McCoy by John Finch, Catholic University (Washington, D.C.), 1949 December 2
Box 19 Folder 4	Correspondence, 1948 November-1949 December Note: Also production notes, program.
Box 19 Folder 5	Original script, revision notes
Box 19 Folder 6	Director's script
	Oedipus the King by Sophocles, adapted by Dudley Fitts and Robert Fitzgerald, Catholic University (Washington, D.C.), 1950 March 17
Box 20 Folder 1	Correspondence, 1950 March-April Note: Also production notes, program.
	The Madwoman of Chaillot by Jean Giradoux, Catholic University (Washington, D.C.), 1950 October 27
Box 20 Folder 2	Production notes, director's script
	Pullman Car Hiawatha by Thornton Wilder, Catholic University (Washington, D.C.), 1950 Fall
Box 20 Folder 3	Clean script
	Othello by William Shakespeare, Catholic University (Washington, D.C.), 1951 March 2
Box 20 Folder 4	Correspondence, 1951 March Note: Also production notes, program.
Box 20 Folder 5	Director's script
	The Cherry Orchard by Anton Chekov, translated by Stark Young, Catholic University (Washington, D.C.), 1951 November 30
Box 20 Folder 6	Correspondence, 1951 October-December Note: Also production notes, set sketches, floor plan, program.
Box 20 Folder 7	Director's script
	Macbeth by William Shakespeare, Catholic University (Washington, D.C.), 1952 March 21
Box 20 Folder 8	Correspondence, 1952, undated Note: Also production notes, program, director's script.
	The Skin of Our Teeth by Thornton Wilder, Catholic University (Washington, D.C.), 1952 December 5
Box 20 Folder 9	Production notes, director's script
	The Enchanted by Jean Giradoux, adapted by Maurice Valency, Boston University (Boston, Massachusetts), 1957 May 3
Box 21 Folder 1	Correspondence, 1957 January-May Note: Also production notes.
Box 21 Folder 2	Director's script
Package 1	Poster
	Wilder and Wilder: The Happy Journey, The Long Christmas Dinner, Pullman Car Hiawatha by Thornton Wilder, Brooklyn College (Brooklyn, New York), 1958 May 15
Box 21 Folder 3	Production notes, program, director's script
	The Detective Story by Sidney Kingsley, Boston University (Boston, Massachusetts), 1960 February 24
Box 21 Folder 4	Director's script
	Two by Two: The Bald Soprano by Eugene Ionesco and Pullman Car Hiawatha by Thornton Wilder, Hofstra College (Long Island, New York), 1961 May 12
Box 21 Folder 5	Correspondence, 1960 June-1961 October Note: Also production notes, director's script.
	Theatre in 3D: The Chairs by Eugene Ionesco, The Dock Brief by John Mortimer, The Lottery by Shirley Jackson, University of Wisconsin-Milwaukee (Milwaukee, Wisconsin), 1961 July 25
Box 21 Folder 6	Correspondence, 1960-1961 Note: Also production notes, director's script.
	The Dumbwaiter by Harold Pinter, Pullman Car Hiawatha by Thornton Wilder, and Act Without Words II by Samuel Beckett, Fred Miller Theatre (Milwaukee, Wisconsin), 1962 July 10
Box 21 Folder 7	Correspondence, 1962 January-March Note: Also brochures, Pullman Car clean script.
Package 1	Poster
	Man is Man by Bertolt Brecht, English version by Gerhard Nellhaus, Stanford University (Palo Alto, California), 1962 August 9
Box 21 Folder 8	Correspondence, 1961 October-1962 July Note: Also production notes, program, script revisions.
	Foreign
	My Heart's in the Highlands by William Saroyan, Dartington Hall Barn Theatre (London, England), 1949 July 1
Box 22 Folder 1	Correspondence, 1947 May-1949 October
Box 22 Folder 2	Production notes, program
Box 22 Folder 3	Director's script
Box 22 Folder 4	Summer conference notes regarding Schneider lecture
	Pullman Car Hiawatha by Thornton Wilder, Dartington Hall Barn Theatre (London, England), 1952 Summer
Box 22 Folder 5	Casting notes, annotated actor's script
	The Skin of Our Teeth by Thornton Wilder, Sarah Bernhardt Theatre (Paris, France), 1955 June 28 Note: Paris company toured: 1955 July 18-30, National Theatre, Washington, D.C.; 1955 August 1-13, Blackstone Theatre, Chicago, Illinois; August 16-September 3, ANTA Theatre, New York City.
Box 22 Folder 6	Correspondence, 1955 February-1956 January
Box 22 Folder 7	Production notes
Box 22 Folder 8	Director's script
	The Trip to Bountiful by Horton Foote, Arts Theatre Club (London, England), 1956 July 4 Note: Also directed 1956 September 10, Theatre Royal, Brighton, England; and 1956 August 20, Olympia Theatre, England.
Box 23 Folder 1	Correspondence, 1956 April-May
Box 23 Folder 2	Production notes, program
Box 23 Folder 3	Director's script
	The Deserters by (Norman) Thaddeus Vane, Royal Court Theatre (Liverpool, England), 1958 August 11 Note: Liverpool company toured: Leeds, Manchester, Brighton.
Box 23 Folder 4	Correspondence, 1957 October-1958 August
Box 23 Folder 5	Production notes
Box 23 Folder 6	Director's script
Box 23 Folder 7	Original script: April is the Cruelest Month
	Clean script
Box 23 Folder 8	“A”
Box 23 Folder 9	“B”
	Who's Afraid of Virginia Woolf? by Edward Albee, Piccadilly Theatre (London, England), 1964 February 6
Box 23 Folder 10	Program
	The Cherry Orchard by Anton Chekov, Cameri Theatre (Tel Aviv, Israel), 1966 July 20
Box 23 Folder 11	Program, director's script
	Radio, Television, and Film
	Mister Roberts by Thomas Heggen and Joshua Logan, adapted by Don Agger, Voice of America (Radio), 1961
Box 24 Folder 1	Correspondence, 1961 Note: Also production notes, director's script.
	Oedipus the King by Sophocles, translated by Dudley Fitts and Robert Fitzgerald, adapted by Walter Kerr, Omnibus (NBC-TV), 1957 January 6
Box 24 Folder 2	Correspondence, 1956 August-1957 October Note: Also production notes, clippings.
Box 24 Folder 3	Director's script
	The Life of Samuel Johnson by James Lee, Omnibus (NBC-TV), 1957 December 15
Box 24 Folder 4	Correspondence, 1959-1963 Note: Also production notes.
Box 24 Folder 5	Director's script
Box 25 Folder 1	Clean script
	The Years Between by Will Schneider and Herman Goldberg, Studio One (CBS-TV), 1958 February
Box 25 Folder 2	Correspondence, 1957 Note: Also bills, production notes.
Box 25 Folder 3	Director's script, first review
Box 25 Folder 4	Director's script, second review
Box 25 Folder 5	Director's script
	Script
Box 25 Folder 6	First revision
Box 25 Folder 7	Second revision
Box 25 Folder 8	Act III script
	Waiting for Godot by Samuel Beckett, Play of the Week (WNTA-TV), 1960 April 13
Box 25 Folder 9	Correspondence, 1960 Note: Also production notes.
Box 26 Folder 1	Director's script
	The Secret of Freedom by Archibald MacLeish (NBC Film for TV), 1960 February 28
Box 26 Folder 2	Correspondence, 1959 May-1960 July Note: Also production notes.
Box 26 Folder 3	Director's script
	Project I: An Untitled Script by Samuel Beckett, The Hard Boiled Egg by Eugene Ionesco, The Compartment by Harold Pinter (Film), 1964 Summer
Box 26 Folder 4	Clean script
	Miscellany
Box 1 Folder 1	University of Wisconsin Play scripts (Schneider acted in)
	The Girl and the Umbrella by Alan Schneider, adapted from The Man in the Bowler Hat by A.A. Milne, Bowie High School (Bowie, Maryland), 1939 October
Box 27 Folder 1	Correspondence, 1939 Note: Also three well worn scripts.
Box 1 Folder 2	Wartime: 5 radio scripts; 1 video script (Schneider acted in)
	A Night in the Country by Betty Smith and Robert Finch, Goldwin Smith Hall, Cornell University (Ithaca, New York), 1949 November
Box 27 Folder 2	Director's script
	The Chief Thing by N. Evreinov, Cornell University Theatre (Ithaca, New York), 1941 March 7 Note: Schneider was assistant director to H. Darkes Albright and directed one act.
Box 27 Folder 3	Clean script
	Storm Operation by Maxwell Anderson, Belasco Theatre (New York City), 1943 December-1944 Note: Schneider acted in, asstant stage managed, and under studied this show; Schneider's first and only appearance on Broadway as an actor.
Box 27 Folder 4	Correspondence, 1943-1945 Note: Also contract, two Act II, Scene II scripts.
	The Long Goodbye by Tennessee Williams, Theatre Inc. (New York City), 1947 December 9 and , 1948 April 8
Box 27 Folder 5	Two scripts, notes, and program for December production; one clean script and program for April production
	Gruach by Gordon Bottomley, Studio 63 of Theatre Inc. (New York City), 1947-1949
Box 27 Folder 6	Two clean scripts
	Mid-Passage by Arnold Sundgaard Theatre Inc. (New York City): exercise: , 1947 Fall; production: , 1948 Spring
Box 27 Folder 7	Director's script, working script, assistant stage manager's script, clean script
	The Hungerers by William Saroyan, American Theatre Wing (New York City, directing class under Lee Strasberg), 1948 Fall
Box 27 Folder 8	Director's script
	The Victors by Jean-Paul Sartre, New Stages (New York City; Schneider was assistant director), 1948 December 26
Box 27 Folder 9	Correspondence, 1948 Note: Also contract, clipping, program, clean script.
	Make a Statue Laugh by Arnold Shulman, Actors Studio (New York City), 1948 Note: Schneider's first work.
Box 27 Folder 10	Director's script, program
	Greasy Luck by Rachel Field, ABC-TV, 1949 February 27 Note: Schneider was stage manager.
Box 27 Folder 11	Stage manager's script
	Untitled script, Actors Studio (New York City), 1950
Box 27 Folder 12	Clean script
	Herakles by Archibald MacLeish, Mendelsohn Theatre, University of Michigan (Ann Arbor, Michigan) with APA Repertory Company, 1965
Box 27 Folder 13	Program
	Barge Incident by Herb Meadows Note: A play Schneider acted in and directed several times.
Box 27 Folder 14	Clean script
Box 27 Folder 15	Pullman Car Hiawatha by Thornton Wilder Note: Schneider directed several productions of this, however, identifiable scripts are not available for each.