Archival Resources in Wisconsin: Descriptive Finding Aids

Container	Title
	Series: Part 2, 1916-1980 Scope and Content Note The Additions which constitute Part 2 have been organized in nine subseries similar to those in Part 1: Biographical File; General Correspondence and Subject File; General Production File; Productions with Which Alan Schneider Was Involved; Materials Submitted to Alan Schneider; Theater Organizations, Groups, and Meetings; Colleges and Universities; Writings and Speeches; and Previously Restricted Files. A brief partial index to correspondents in several of the subseries of this part comprises Appendix II. In Part 2, the boxes are numbered in one sequence from Box 96 through Box 147. Thus it is unnecessary to specify the subseries number when requesting files.
	Subseries: Subseries 1: Biographical File Scope and Content Note: The “Biographical File” includes agreements, calendars, diaries, correspondence, financial records, notes, notebooks, passports, certificates, clippings, miscellany, and assorted subject files. Of particular interest is a diary Schneider kept from December 1941 to February 1943. The diary focuses on the out-break and major events of World War II and contains Schneider's impressions and attitudes on topics such as the role of creative arts and education in wartime; the academic attitude toward the war; the American public's attitude toward Germany, Japan, and Russia; and his view of isolationism. Also included in this file are notes from an Advanced Directing class taught by Walter Kerr at Catholic University.
Box 96 Folder 1	Agreements, 1972, undated
Box 96 Folder 2-3	Appointment calendars, 1973-1976
Box 96 Folder 4	Badger Yearbook, autographed pages, 1939
	Biographical information
Box 96 Folder 5	General, 1955, undated
Box 96 Folder 6	Clippings, circa 1954-1973, undated
Box 96 Folder 7	Magazine article by Sonny Hoffer, “Alan Schneider--Theatre USA,” 1967 October 2
Box 96 Folder 8	Book orders and requests, circa 1962-1980
Box 96 Folder 9	California, circa 1975
	Diaries
Box 96 Folder 10-11	Typescript, original and photocopy, 1941 December 7-circa 1943 February 25
Box 96 Folder 12	Manuscript, 1942-1943
	Education
Box 96 Folder 13	Certificates and diploma, 1935-1939
	Notes
Box 96 Folder 14	From Walter Kerr's Advanced Directing class, 1940
Box 96 Folder 15	From a course on Tragedy, circa 1940
Box 96 Folder 16-17	Term papers, circa 1940-1941
Box 96 Folder 18	Exhibition--Theatrical Evolution, 1776-1976, 1976
Box 96 Folder 19	Financial, 1962-1975, undated
Box 96 Folder 20	Ireland regarding tax relief, circa 1971
Box 96 Folder 21	Jury duty, 1975-1977
Box 96 Folder 22	London--Housing, 1970-1971, undated
Box 96 Folder 23	Medical, 1974-1975, undated
Box 96 Folder 24	Membership cards, 1947-1976, undated
	Miscellany
Box 96 Folder 25	General, 1941-1979, undated
Box 147 Folder 4	Scrapbook, circa 1933-1934
Box 96 Folder 26-28	Notes and messages, miscellaneous and unidentified, circa 1966-1972, undated
	Notebooks
Box 96 Folder 29	“How's Your Old Prosenium Arch,” undated
Box 96 Folder 30	Names of acquaintances, circa 1944
Box 96 Folder 31	Passports, 1967-1971
Box 96 Folder 32	Schneider, Leo V., 1916-1953, undated
	Trip
Box 97 Folder 1	London, 1970-1971
Box 97 Folder 2	Prague, Czechoslovakia, 1969, undated
	Subseries: Subseries 2: General Correspondence and Subject File Scope and Content Note: The “General Correspondence and Subject File” is comprised primarily of correspondence, although agreements, notes, ballots, a script, and miscellany are also included. The General Correspondence consists of incoming letters from family, friends, and colleagues. Among the specific files are those of Robert Anderson and Ellis Rabb. Also of interest are the files of Bertha Case which discuss Schneider's involvement with the works of Bertolt Brecht, while the Maggie Collins file includes discussions and critiques of several different productions. The Committee for Valery and Galina Panov file focuses on the plight and persecution of Jews in the Soviet Union. The Desmond Heeley, Bradley Morison, and Joseph Zeigler files concern particular aspects of the Ithaca Festival Theatre. The Liliane Kerjan file mentions Schneider's professional relationship with Edward Albee. Files of Schneider's lawyer, Robert Montgomery Jr., and accountant, Charles Renthal, are also included.	⇧
	General
Box 97 Folder 3-17	1935-1978 December
Box 98 Folder 1-3	1979 January-1980 June, undated
Box 98 Folder 4	Telegrams, circa 1962-1969, undated
	Specific
Box 98 Folder 5	Anderson, Robert, 1953-1971
Box 98 Folder 6	Ballet, Arthur, 1967-1975, undated
Box 98 Folder 7	Banov, Robert, 1967-1979
Box 98 Folder 8	Ben Cutler vs. Alan Schneider, regarding garnishee notice, 1966, undated
Box 98 Folder 9	Benter, Richard, 1964-1966
Box 98 Folder 10	Boughton, Bill, 1964-1965
Box 98 Folder 11	Callan, Bill, 1970-1975
Box 98 Folder 12	Case, Bertha, 1961-1979
Box 98 Folder 13	Collins, Maggie, 1970-1975, undated
Box 98 Folder 14	Committee for Valery and Galina Panov, circa 1974
Box 98 Folder 15	Dresser, Linda, 1967-1974, undated
Box 98 Folder 16	Felsenfeld, Herb, 1971-1973
Box 98 Folder 17	Goedhart, Gerda, 1961-1965
Box 98 Folder 18	Grauer, Rhoda, 1968-1974, undated
Box 98 Folder 19	Heaps, Leo, 1970-1972, undated
Box 98 Folder 20	Heeley, Desmond, 1965-1968, undated
Box 98 Folder 21	International Famous Agency Inc., 1970-1971
Box 98 Folder 22	Invitations, 1964-1972, undated
Box 98 Folder 23	Jeffry, Alix, 1964-1969, undated
Box 98 Folder 24	Job offers, including sample script of Theatre Classic Recitals Ltd., The Famous History of the Life of King Henry the Eighth (produced by WHA radio), 1967-1977
Box 98 Folder 25	Kellman, Barnett, 1967-1974, undated
Box 98 Folder 26	Kerjan, Liliane, 1970-1975
Box 98 Folder 27	Kramer, Susan, 1970-1974, undated
Box 98 Folder 28	Mcllrath, Patricia, 1972-1973, undated
Box 98 Folder 29	MacLeish, Archibald, including a poem, 1965-1968
Box 98 Folder 30	Montgomery, Robert, Jr., 1957-1969, undated
Box 98 Folder 31	Morison, Bradley, 1967-1968
Box 98 Folder 32	Moss, Leon, 1968-1977, undated
Box 98 Folder 33	Popkin, Henry, 1967-1973
Box 98 Folder 34	Rabb, Ellis, circa 1965-1971
Box 98 Folder 35	Renthal, Charles, 1960-1966
Box 98 Folder 36	Schenker, Joel, including material regarding John Hopkins This Story of Yours, 1966-1967, undated
Box 98 Folder 37	Shelton, Lewis, 1970-1979
Box 98 Folder 38	Small, Joy, 1950-1973, undated
Box 98 Folder 39	Solidarity Day for Soviet Jewry, circa 1975, undated
Box 98 Folder 40	Tony Awards, including Alan Schneider's 1976/77 annotated ballot, 1968-1980, undated
Box 98 Folder 41	Vlasova, Vera, circa 1964-1972, undated
Box 98 Folder 42	Weinberg, Sheyke and Channa, 1969-1974, undated
Box 98 Folder 43	Who's Who, 1964-1978, undated
Box 99 Folder 1	Wiesel, Elie, 1973-1974
Box 99 Folder 2	William Morris Agency Inc., representation contracts, 1963-1964
Box 99 Folder 3-4	Ziegler, Joseph Wesley, 1965-1976, undated
	Subseries: Subseries 3: General Production Files Scope and Content Note: The “General Production Files” consist of production materials that are of either a general or unidentified nature. Primary among these are casting and script submission files to be used for possible future theatrical projects.	⇧
Box 99 Folder 5	Budgets, unidentified, circa 1962-1967
	Casting
Box 99 Folder 6	Auditions, 1978, undated
Box 143-144	Casting files, undated
Box 99 Folder 7-9	Correspondence, general, 1963-1979, undated
Box 99 Folder 10	Credit and experience cards of Boston University students, undated
Box 99 Folder 11	Miscellany, 1967-1973, undated
Box 99 Folder 12	Miscellany, 1973, 1978, undated
Box 99 Folder 13	Notebook--People and Talent, 1947-1952
	Play and personnel ideas
Box 99 Folder 14	Future file, circa 1973-1974, undated
Box 99 Folder 15	Impossible scripts, 1973, undated
Box 99 Folder 16	Play ideas for Arena and Kreeger, 1970-1973, undated
Box 99 Folder 17	Play ideas for 1973/74 Season at Arena and Kreeger, 1972, undated
Box 99 Folder 18	Play ideas for 1974/75 Season, undated
Box 99 Folder 19	Playwrights, 1967-1968, undated
	Script submissions
	General
Box 99 Folder 20-23	Correspondence, 1958-1980, undated
Box 99 Folder 24	From agents, 1956, 1967-1968, 1970-1971
Box 99 Folder 25	From playwrights, 1967-1968
Box 99 Folder 26	From producers, 1967-1968
	Specific
Box 99 Folder 27	Barlow, Anna Marie, 1967
Box 99 Folder 28	Brady, Leo (The Clown), 1967, undated
Box 99 Folder 29	Ferguson, David, 1966-1967, undated
Box 99 Folder 30	Harmon, K. Martin, undated
Box 99 Folder 31	Howard, Edwin, 1967
Box 99 Folder 32	Kahn, Gilbert, 1967
Box 99 Folder 33	Lanzl, Frank, 1967
Box 99 Folder 34	Lehman, Lewis (The Brothers), 1965
Box 99 Folder 35	Staff résumés and letters of inquiry, 1965-1979, undated
Box 142	Theater notes, card file, undated
Box 99 Folder 36	The University Players and The Harlequins, 1941
	Unidentified production
Box 99 Folder 37	Casting cards, undated
Box 99 Folder 38	Location shot cards, undated
Box 99 Folder 39	Musical scores, circa 1967
Box 100 Folder 1	Running time cards, undated
	Subseries: Subseries 4: Productions With Which Alan Schneider Involved Scope and Content Note “Productions with Which Alan Schneider Was Involved” consists of production files which may include correspondence; scripts; clippings; reviews; playbills; interpretive and general notes; messages; lyrics; plots and plans; reports; box office statements; contracts; tape recordings; miscellany; and research, casting, location and set, financial, and legal files. The amount of documentation varies with each production. Arrangement is alphabetical by title with the specific format (e.g., theater or motion pictures) listed with the known production information. Arrangement within productions is alphabetical by folder title with script-related materials, such as revisions and variant scripts, completing the file. Researchers should note that typically the “director's script” is heavily annotated and that, occasionally, pre-Broadway tour production materials will be intermixed with the final New York production files. Schneider directed most of these works, although a few plays in which he worked as an actor early in his career are also represented. In addition this series includes both unproduced works and produced works for which Schneider received neither directing nor acting credit. Several of these latter productions were done during Schneider's tenure as Associate Director at Arena Stage. In this capacity he often became involved in all of the season's plays. A subjective judgment was made as to whether his participation in a particular production was sufficient to warrant inclusion of the file in this series or the next. Usually, if a file included casting or some general notes which indicated Schneider's involvement, it was placed in this series whether or not he received final directing credit. The theatrical productions include Broadway, off-Broadway, regional, and university works, Appropriate production information is cited in the contents list below. The files for I Never Sang for My Father, Inquest, You Know I Can't Hear You When the Water's Running, and Zalmen or The Madness of God are particularly extensive as are those for the unproduced motion picture Piano Sport and the television production of Zalmen or The Madness of God. Also of interest is material in the Les Blancs file pertaining to a Memorial Tribute Program to Lorraine Hansberry.	⇧
	Act Without Words and The American Dream (Theater. New York, Juilliard, circa 1977 October, theater unknown)
Box 100 Folder 2	Production miscellany, 1977, undated
	Ah, Wilderness! (Theater. Washington, D.C., Catholic University, University Theatre, 1944 July 5. Schneider acted in this)
Box 100 Folder 3	Playbill, 1944
	All Summer Long, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1953 January 13; Washington, D.C., National, 1954 September 6; New York, Coronet, 1954 September 23)
Box 100 Folder 4	Clippings and reviews, 1953-1954, undated
Box 100 Folder 5	Director's script, by Robert Anderson, adapted from the novel “A Wreath and a Curse” by Donald Wetzel, annotated, including production miscellany, 1954
	Alpha Beta (Theater. Production information unknown)
Box 100 Folder 6	Script, by E.A. Whitehead, including casting and miscellaneous production notes plus review of previous production, undated
	Anastasia, directed by Alan Schneider (Theater. New York, Lyceum, 1954 December 29, plus pre-Broadway tryouts and national tour)
Box 100 Folder 7	Clippings and reviews, 1954-1956, undated
Box 100 Folder 8	Director's script, by Marcelle Maurette, English adaptation by Guy Bolton, annotated, including stage plot, undated
	Antigone, directed by Alan Schneider (Theater. New York, Juilliard, 1978 August 22)
Box 100 Folder 9	Script, by Jean Anouilh, translated by Lewis Galantiere, annotated, plus miscellaneous correspondence, notes and reviews of earlier productions, 1946-1978
	Art and Prudence (Theater. Washington, D.C., Catholic University, University Theatre, 1942 April 8, Schneider was on technical staff)
Box 100 Folder 9	Playbill, 1942
	Arturo Ui (Theater. New York, Lunt-Fontanne, 1963 November 11 and a production of The Resistable Rise of Arturo Ui, Washington, D.C., Arena Stage, 1974 February 6. At Arena while Associate Director.) Note: See also Box 107, Folder 15.
Box 100 Folder 11	Correspondence, 1961-1973, undated
Box 100 Folder 12	Production file, 1963, 1973-1974
	The Ascent of Mount Fuji (Theater. Washington, D.C., Arena Stage, Kreeger, 1975 May 23) At Arena while Associate Director.
Box 100 Folder 13	Production file, 1974-1975, undated
Box 100 Folder 14	2 scripts, by Chingiz Aitmatov, in Russian, circa 1972-1973
Box 100 Folder 15	Script, “The Ascent of Fujiyama,” by Chingiz Aitmatov and Kaltai Mukhamedzhanov, translated by Nicholas Bethell, annotated, including manuscript article by Alan Schneider regarding Russian production, circa 1975
Box 100 Folder 16	2 scripts, “The Ascent of Fujiyama,” by Chingiz Aitmatov and Kaltay Mukhamedzhanov, annotated, undated
Box 100 Folder 17	Director's script, by Chingiz Aitmatov and Kaltai Mokhamedzhanov, annotated, 1975 May 28
	Benjamin (on Oppenheimer) (Theater. Production information unknown)
Box 100 Folder 18	Production file, 1968-1969, undated
Box 119 Folder 21	Second draft script, “Episode,” by Loring Mandel, 1968 August 6
	Les Blancs (Theater. Production information unknown)
Box 100 Folder 19	Correspondence, miscellany, including material regarding Memorial Tribute program to Lorraine Hansberry, 1963-1967, undated
Box 100 Folder 20	Script, by Lorraine Hansberry, including essay “The New Paternalists,” by Lorraine Hansberry, 1966
Box 100 Folder 21	Script, by Lorraine Hansberry, adapted by Robert Nemiroff, 1970
	Blood Red Roses, directed by Alan Schneider (Theater. New York, John Golden, 1970 March 22)
Box 100 Folder 22	Casting file, 1969-1970, undated
Box 100 Folder 23	Production file, circa 1970, undated
Box 100 Folder 24	Script, “The Blood of an Englishman,” book and lyrics by John Lewin, music by Michael Valenti, 1969 December 12
Box 100 Folder 25	Script, annotated, undated
Box 101 Folder 1	Script, book and lyrics by John Lewin, music by Michael Valenti, circa 1967
	Boccaccio (Theater. Washington, D.C., Arena Stage, Kreeger, 1974 November 20. At Arena while Associate Director.)
Box 101 Folder 2	Reviews, 1974
Box 101 Folder 3	Script, “The Decameron,” stories dramatized by Kenneth Cavander, songs by Richard Peaslee, 1974 May
	Box and Quotations from Chairman Mao Tse Tung (Theater. Production information unknown)
Box 101 Folder 4	Script, 1969
	The Burning of the Lepers, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1962 March 20)
Box 101 Folder 5	Reviews, miscellany, 1962, undated
	The Caucasian Chalk Circle, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1961 October 30)
Box 101 Folder 6	Clippings, revisions, miscellany, 1956-1961, undated
Box 101 Folder 7	Director's script, by Bertolt Brecht, translated by John Holmstrom, annotated, 30 October 1961
	Charley and Joan (Theater. Production information unknown)
Box 101 Folder 8	Notes, 1975
	The Cherry Orchard, directed by Alan Schneider (Theater. Washington, D.C., Catholic University, 1951 December 2 and Washington, D.C., Arena Stage, 1960 January 12)
Box 101 Folder 9	Reviews, Playbill, 1951, 1960
	The Cherry Orchard (Theater. Tel Aviv, Israel, Cameri Theatre, 1966 July)
Box 101 Folder 10	Production file, 1966, undated
	The Cherry Orchard, directed by Alan Schneider (Theater. New York, Juilliard, 1977 February 24)
Box 147 Folder 1	Ground plans, 1976
Box 101 Folder 11	Production file, 1977, undated
Box 101 Folder 12	Script, annotated, circa 1977
	The Circus of Dr. Lao, directed by Alan Schneider (Theater. Chicago, Edgewater Beach Playhouse, 1957 July 8)
Box 101 Folder 13	Clippings and reviews, 1957
	Clandestine on the Morning Line, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1959 November 24)
Box 101 Folder 14	Reviews, 1959
	Coco (Theater. New York, Mark Hellinger, 1969 December 18)
Box 101 Folder 15	Correspondence, notes, clippings, 1967, undated
Box 101 Folder 15	Script, book and lyrics by Alan J. Lerner, music by Andre Previn, 1967 September
	The Connection (Theater. London?, Duke of York Theatre, 1961 February 22)
Box 101 Folder 16	Miscellany, 1960-1961
	The Country Girl, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1953 May 18)
Box 101 Folder 17	Clippings and reviews, 1953
	The Crime Against Marcella (Novel/Motion Picture Idea)
Box 101 Folder 18	Notes and reports, 1969, undated
	Dear World (Theater. Production information unknown)
Box 141 Folder 1	Notes, by Alan Schneider, 1968 March
Box 141 Folder 1	Script, music and lyrics by Jerry Herman, book by Jerome Lawrence and Robert E. Lee, based on “The Madwoman of Chaillot” by Jean Giraudoux, adapted by Maurice Valency, 1967 November 1
	Death of a Salesman (Theater. Washington, D.C., Arena Stage, 1974 October 18). At Arena while Associate Director.
Box 101 Folder 19	Clippings, reviews, playbill, 1974
	The Deserters (Theater. London, Theatre Royal, 1958 September 1)
Box 101 Folder 20	Clippings, reviews, miscellany, 1958
	Desire Under the Elms, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, Hippodrome)
Box 101 Folder 21	Clippings and reviews, 1952, undated
	Detective Story (Theater. Boston, Boston University Theatre, 1960 February 24)
Box 101 Folder 22	Reviews, 1960
	Do Not Pass Go, directed by Alan Schneider (Theater. New York, Cherry Lane, 1965 April 19)
Box 101 Folder 23	Clippings and reviews, 1965
	The Enchanted, directed by Alan Schneider (Theater. Boston, Boston University Theatre, 1957 May 3)
Box 101 Folder 24	Clippings and reviews, 1950, 1957
	Enemies, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1973 March 21)
Box 147 Folder 1	Ground plans, breakdowns, 1973
Box 101 Folder 27	Production file, 1972-1973, undated
Box 101 Folder 28	2 scripts, by Maxim Gorky, English version by Jeremy Brooks and Kitty Hunter-Blair, undated
Box 101 Folder 29	Director's script, by Maxim Gorky, English version by Jeremy Brooks and Kitty Hunter-Blair, annotated, 1973 March 14
	Entertaining Mr. Sloane, directed by Alan Schneider (Theater. New York, Lyceum, 1965 October 12)
Box 101 Folder 30	Correspondence, agreements, reviews, playbill, 1964-1966
Box 101 Folder 31	Script, annotated, 1964
	Epitaph for George Dillon, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1959 May 4 and Boston Arts Festival performance)
Box 101 Folder 32	Clippings and reviews, 1959
	Especially Westchester (Arts Program. New York, State University of New York at Purchase, 1978 October 22)
Box 101 Folder 33	Program, 1978
	The Execution of Private Slovik (Theater and Motion Picture Property)
Box 101 Folder 34	Correspondence, notes, 1958-1963, undated
Box 101 Folder 35	First draft script, by Larry Spiegel, based on the book by William Bradford Huie, 1968
	The Exquisite Thing (Motion Picture. Unproduced)
Box 101 Folder 36	Correspondence, sketches, miscellany regarding law suit, 1969-1972, undated
Box 101 Folder 37	Screenplay, by Gillian Freeman, based on the novel by Joyce Maclver, undated
Box 101 Folder 38	Screenplay, annotated, undated
Box 102 Folder 1	Final draft screenplay, by Gillian Freeman, adapted from the novel by Joyce Maclver, annotated, 1968 December 20
Box 102 Folder 2	Revised final draft script (working script) by Gillian Freeman, adapted from the novel by Joyce Maclver, annotated, 1959 April 2
Box 102 Folder 3	Revised final draft script, by Gillian Freeman, adapted from the novel by Joyce Maclver, annotated, 1969 May 12
	The Foursome, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1972 November 3)
Box 147 Folder 1	Ground plans, section, 1972
Box 102 Folder 4	Production file, 1972, undated
Box 102 Folder 5	Script, by E.A. Whitehead, 1972
Box 102 Folder 6	Script, by E.A. Whitehead, annotated, circa 1972
	Frank's Return (Motion picture. Production information unknown)
Box 102 Folder 7	Initial synopsis, by Alain Robbe-Grillet, undated
Box 102 Folder 7	Treatment, no author indicated, undated
	From Russia--With Love (Book?)
Box 102 Folder 8	Contract, 1970
	The Gingham Dog, directed by Alan Schneider (Theater. New York, John Golden Theatre, 1969 April 23)
Box 102 Folder 9	Correspondence, reviews, playbill, 1968-1969, undated
Box 147 Folder 1	Ground plan, undated
Box 102 Folder 10	Production file, including annotated script revisions, 1968-1969, undated
Box 102 Folder 11	Script, by Lanford Wilson, undated
Box 102 Folder 12	Script, by Lanford Wilson, annotated, circa March 1969
Box 102 Folder 13	Production script, by Lanford Wilson, annotated, 1969 April 17
	The Glass Menagerie, directed by Alan Schneider (Theater. New York, City Center, 1956 November 21)
Box 102 Folder 14	Reviews, miscellany, 1956
Box 102 Folder 15	Script, annotated, undated
	The Glass Menagerie, directed by Alan Schneider (Theater. Minneapolis, Guthrie, 1964 June 1)
Box 102 Folder 16	Reviews and program, including an article by Alan Schneider, 1964
	Good Time Dolly Dee (Theater. Production information unknown)
Box 102 Folder 18	Correspondence, 1970
	The Great American Quiz Show Scandal (Theater. City and theater unknown, 1979 November 8)
Box 102 Folder 19	Calendar and correspondence, 1979
	Hail Hero (Motion Picture. Halcyon Productions, production information unknown)
Box 102 Folder 20	Screenplay, by David Manber, based on the novel “Hail, Hero!,” by John Weston, annotated, including notes and shooting schedule, 1968, undated
	Hamlet and MacBeth (Theater. Unproduced)
Box 102 Folder 21	Correspondence, 1968-1969, undated
	The Hasty Heart, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1952 June 18)
Box 102 Folder 22	Reviews, 1952
	He Slew the Dreamer (Motion Picture, Production information unknown)
Box 102 Folder 23	Outline, by William Bradford Huie, undated
Box 102 Folder 23	Production miscellany, 1970, undated
	Herakles, directed by Alan Schneider (Theater. Ann Arbor, Michigan, Lydia Mendelssohn Theatre, 1965 October 27)
Box 102 Folder 24	Correspondence, reviews, miscellany, 1965-1966
Box 147 Folder 1	Ground plan, 1965
Box 102 Folder 25	Production file, including script fragment, 1965, undated
Box 102 Folder 26	Director's script, by Archibald MacLeish, annotated, 1965
	Horatio (Theater. Washington, D.C., Arena Stage, 1974 June 19. At Arena while Associate Director)
Box 102 Folder 27	Production file, 1973-1974, undated
Box 102 Folder 28	Revised Draft, by Ron Whyte, 1974 February 12
	The Hostage, directed by Alan Schneider (Theater, Riverside, California, University of California Riverside, University Theatre, 1972 May 12
Box 147 Folder 1	Ground plan, 1972
Box 103 Folder 1	Production file, 1972, undated
Box 103 Folder 2	Director's script, by Brendan Behan, annotated, undated
	The Hostage (Theater. Washington, D.C., Arena Stage, Kreeger, 1972 October 27. At Arena while Associate Director)
Box 103 Folder 3	Playbill, 1972
Box 103 Folder 4	Script, by Brendan Behan, undated
	I Never Sang for My Father, directed by Alan Schneider (Theater. Philadelphia, Forrest, 1968 January 1; Boston, Colonial, 1968 January 10; New York, Longacre, 1968 January 26)
Box 103 Folder 5	Anderson, Robert, correspondence and rewrites, 1966-1968, undated
Box 103 Folder 6	Box office statements, 1967-1968
Box 103 Folder 7	Casting, 1967-1968, undated
Box 103 Folder 8	Correspondence, general, 1967-1968, undated
Box 103 Folder 9	Financial and legal records, 1967-1968
Box 103 Folder 10	Notes, reviews and playbill, miscellany, 1967-1968, undated
Box 147 Folder 1	Plan, ground plan, section, 1967
Box 103 Folder 11	Script revisions, annotated, circa December 1967
Box 103 Folder 12	Stage manager's notes, undated
Box 103 Folder 13	Technical production file, 1967-1968
Box 103 Folder 14	Script, by Robert Anderson, 1967 August 10
Box 103 Folder 15	Script, by Robert Anderson, annotated, including replaced pages, 1967 November 8, undated
Box 103 Folder 16	Script, annotated, including production schedule, 1967-1968
Box 103 Folder 17	Script, by Robert Anderson, undated
Box 103 Folder 18	Original script, by Robert Anderson, 1969 January 23
	In Celebration and Relatively Speaking (Theater. Washington, D.C., Arena Stage, Kreeger, 1974 May 29. At Arena Stage while Associate Director)
Box 103 Folder 19	Production file, 1973-1974, undated
	In the Hours of Night (Novel)
Box 103 Folder 20-23	Typescript, by Bradford Huie, undated
	In the Matter of J. Robert Oppenheimer (Theater. Production information unknown)
Box 103 Folder 24	Correspondence and clippings, 1964-1967
Box 103 Folder 25	Script, by Heimar Kipphardt, annotated, undated
	Inquest, directed by Alan Schneider (Theater. New York, Music Box, 1970 April 23)
Box 104 Folder 1	Casting file, 1970
Box 104 Folder 2	Correspondence, playbills, and reviews, 1969-1970
Box 147 Folder 1	Ground plan, light cues, 1970, undated
Box 104 Folder 3-4	Production file, including script revisions and inserts, 1970
Box 104 Folder 5	Research and notes, including legal records of the case The U.S. vs Julius and Ethel Rosenberg, circa 1952-1970
Box 104 Folder 6	Research file, including Donald Freed articles, circa 1970
Box 104 Folder 7	Stage set file, circa 1970
Box 104 Folder 8	First draft script, “ The United States vs Julius and Ethel Rosenberg,” by Donald Freed, annotated, 1968
	Scripts, by Donald Freed
Box 104 Folder 10	Annotated, 1969
Box 104 Folder 9	1969
Box 104 Folder 11	Annotated, 1969
Box 104 Folder 12	Annotated, including revised pages, 1969
Box 104 Folder 13-14	Annotated, undated
Box 104 Folder 15	Annotated, including production notes, schedule and 1970 April
Box 104 Folder 16	Revised pages, annotated, and cast list, circa 1969-1970, undated
	Jabberwock, directed by Alan Schneider (Theater. Kansas City, Missouri, University Playhouse, 1973 August 9)
Box 104 Folder 17	Production file, 1973, undated
Box 147 Folder 2	Ground plan, section, 1969, 1973
Box 104 Folder 18	APT pilot script, by Jerome Lawrence and Robert E. Lee, annotated, December 1972
Box 104 Folder 19	Revised script, by Jerome Lawrence and Robert E. Lee, 1973 January
Box 105 Folder 1	Revised script, by Jerome Lawrence and Robert E. Lee, annotated, including contact sheet, 1973 March
	Jim Dandy, directed by Alan Schneider (Theater. Washington, D.C., Catholic University Theatre, 1941 October 29)
Box 105 Folder 2	Clipping, 1941
	Kataki, directed by Alan Schneider (Theater. Philadelphia, Walnut, 1959 March 30; New York, Ambassador, 1959 April 9)
Box 105 Folder 3	Clippings and reviews, 1959, undated
Box 105 Folder 4	Production file, 1959, undated
Box 105 Folder 5	Script, “The Enemy,” by Shimon Wincelberg, annotated 1958 November 17?
Box 105 Folder 6	Script, fragment, annotated, undated
	Ken I (Theater. Production information unknown)
Box 105 Folder 7	Notes, undated
	Lady Precious Stream, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, Hippodrome, 1952 December 9)
Box 105 Folder 8	Reviews, 1952
	Leonce and Lena (Theater. Washington, D.C., Arena Stage, Kreeger, 1974 March 20. At Arena while Associate Director.)
Box 105 Folder 9	Casebook report on production, circa 1974
Box 105 Folder 10	Correspondence and production file, 1973-1974
Box 105 Folder 11	Stage manager's report, March-April 1974
Box 105 Folder 12	Script, by Georg Buchner, English version by Eric Bentley, undated
	Little Glass Clock, directed by Alan Schneider (Theater. Princeton, McCarter, 1956 March 7; Baltimore, Ford, 1956 March 12; New York, Golden, 1956 March 26)
Box 105 Folder 13	Clippings, reviews, playbill, 1956
	A Long Way From Home, directed by Alan Schneider (Theater. New York, Maxine Elliott, 1948 February 8)
Box 105 Folder 14	Reviews, 1948
	Loose Ends (Theater. Produduction information unknown)
Box 105 Folder 15	Correspondence, 1978-1979
	Loot (Theater. Production information unknown)
Box 105 Folder 16	Script, fragment, undated
Box 105 Folder 17	Script, by Joe Orton, undated
	Love Suicide at Schofield Barracks, directed by Alan Schneider (Theater. Boston?, 19? April 25, other information unknown)
Box 105 Folder 18	Production file, 1972-1973, undated
Box 105 Folder 19	Script, by Romulus Linney, 1971
	Lute Song (Theater. Cleveland, Cain Park, 1948 July 6)
Box 105 Folder 20	Reviews, 1948
	MacBeth (Theater. Madison, Wisconsin, University of Wisconsin, circa 1938, other production information unknown)
Box 105 Folder 21	Script, annotated, circa 1938
	MacBeth, directed by Alan Schneider (Theater. Washington, D.C., Catholic University Theatre, 1952 March 21)
Box 105 Folder 22	Essay, by production stage manager, 1952
	A Man's a Man, directed by Alan Schneider (Theater. Stanford, California, Memorial Auditorium, 1962 August 10)
Box 105 Folder 23	Production file, 1961-1962
Box 105 Folder 24	Script, “Man is Man,” by Bertolt Brecht, English version by Gerhard Nellhaus, annotated, including production notes, 1962
	Marat/Sade, directed by Alan Schneider (“The Persecution and Assassination of Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade” (Theater. Purchase, New York, S.U.N.Y-Purchase, 1974 December 5)
Box 105 Folder 25	Production file, 1974, undated
Box 105 Folder 26	Director's script, annotated, undated
	Marquettes (Theater. Canada, Hart House Theatre, 1970 November 16)
Box 105 Folder 27	Script, by Francis Warner, undated
	Measure for Measure, directed by Alan Schneider (Theater. New York, NY Shakespeare Festival, Belvedere Lake Theatre, Summer 1960)
Box 105 Folder 28	Clippings, reviews, playbill, 1960
Box 105 Folder 29	Production miscellany
Box 105 Folder 30	Director's script, annotated, 1960
	Meegan's Game (Theater. Production information unknown)
Box 105 Folder 31	Production file, 1972-1974
	Scripts, by Elliott A. Caplin
Box 105 Folder 32	Undated
Box 106 Folder 1	Annotated, undated
Box 106 Folder 2	Revised, undated
	The Miser (Theater. Dubuque, Iowa, Clarke, 1953 November 16, performed by Players, Incorporated)
Box 106 Folder 3	Review, 1953
	Miss Lonelyhearts, directed by Alan Schneider (Theater. Boston, Colonial, 1957 September 17; New York, Music Box, 1957 October 3)
Box 106 Folder 4	Clippings, reviews, playbill, 1957
	Moonchildren (Theater. Washington, D.C., Arena Stage, 1971 November 3; New York, Royale, 1972 February 21)
Box 106 Folder 5	Clippings, reviews, playbills, 1971-1972
Box 106 Folder 6	Correspondence, 1972
Box 106 Folder 7	2 scripts, Cancer (London play), by Michael Weller, annotated, undated
Box 106 Folder 8	Original working script, by Michael Weller, annotated, undated
	Mother Courage (Theater. Production Alan Schneider couldn't accept)
Box 106 Folder 9	Correspondence, miscellany, 1955-1964, undated
	Mother Courage and Her Children, directed by Alan Schneider (Theater. Saratoga, New York, John Houseman Theatre, 1977 August 8)
Box 106 Folder 10-11	Music and Lyrics, 1977, undated
Box 106 Folder 12	Notes by Bertolt Brecht, translation, undated
Box 106 Folder 13	Production file, 1977
Box 147 Folder 2	Section, Plan, 1977
Box 106 Folder 14	Revised script, by Bertolt Brecht, annotated, 1977 June 13
	Mother Courage and Her Children (Theater. New York, American Place Theatre, 1978 April 4)
Box 106 Folder 15	Miscellany, flyer, 1978
	Oedipus the King, directed by Alan Schneider (Television. Broadcast on Omnibus, December 1956, original network NBC)
Box 106 Folder 16	Review, fragment, 1956
	Othello, directed by Alan Schneider (Theater. Catholic University production, other information unknown)
Box 106 Folder 17	Reviews, 1951
	Othello (Theater. Players, Incorporated production, 1953-1954 tour)
Box 106 Folder 18	Reviews, 1953-1954
	Othello, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1963 April 10)
Box 106 Folder 19	Playbill, 1963
	The Other Half (Theater. Production by The Acting Company, other information unknown)
Box 106 Folder 20	Script, by Elinor Jones, and accompanying memorandum, 1978 June 21
	Our Town, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, Hippodrome, circa 1953 March 17)
Box 106 Folder 21	Reviews, 1953
	Our Town, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1972 December 15)
Box 106 Folder 22	Production file, 1972, undated
Box 106 Folder 23	Script, by Thornton Wilder, annotated, circa 1965
	Our Town, directed by Alan Schneider (Theater. Washington, D.C., Catholic University, Hartke Theatre, 1973 September 26)
Box 106 Folder 24	Production miscellany, 1973
	Our Town , directed by Alan Schneider (Theater. Russian tour, circa 1973 September-October with final performances in Washington, D.C., Arena Stage, 1973 October 24)
Box 147 Folder 2	Plan, 1973
Box 106 Folder 25-26	Production file and miscellany, 1973-1974, undated
	Our Town, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1976 May 16)
Box 106 Folder 27	Production miscellany, 1976
	Out on a Limb (Theater. Not produced with Alan Schneider)
Box 106 Folder 28	Correspondence, miscellany, 1950, 1975-1978
916A/1	Musical score, undated
U.S. Mss 57AN Box 106 Folder 29	2 scripts, based on works by James Thurber, adapted by Haila Stoddard, music by Fred Hellerman and Lyrics by Fran Minkoff, 1977
	Over 21, directed by Alan Schneider (Theater. New Bedford?, Massachusetts, Falmouth Playhouse, 1950 July 31[?])
Box 106 Folder 30	Reviews, 1950
	Paul Robeson (Theater. Philadelphia, New Locust, date unknown. Not directed by Alan Schneider)
Box 106 Folder 31	Production miscellany and notes, undated
	Peeping Tom (Theater. Production information unknown)
Box 106 Folder 32	Notes, 1969
	The Piano Sport (Motion Picture. Unproduced)
Box 106 Folder 33	Casting file, 1968, undated
Box 106 Folder 34	Clippings, 1968
Box 106 Folder 35	Correspondence, general, 1968-1975, undated
Box 106 Folder 36	DePoris, Gene, Jr., 1968
Box 106 Folder 37	Expenses, 1968
	Locations and Sets
Box 106 Folder 38	General, 1967-1968
Box 106 Folder 39	Photographs of Airport and City, circa 1968
Box 106 Folder 40	Miscellany, 1968, 1970, undated
Box 106 Folder 41	Music, 1968
Box 106 Folder 42	Notes, circa 1968
Box 107 Folder 1	Production staff and crew, circa 1968
Box 107 Folder 2	Screen testing file, 1968, undated
Box 107 Folder 3	Script, by Don Asher, 1967 June 20
Box 107 Folder 4	Script, by Irving Ravetch and Harriet Frank Jr., annotated, including notes and miscellany, 1967 December 25, 1968, undated
	The Primrose Path, directed by Alan Schneider (Theater. Houston, Playhouse, 1951 August 8)
Box 107 Folder 5	Clippings and reviews, 1951
	Promises, Promises (Theater. New York, Shubert, 1968 December 1)
Box 107 Folder 6	Production notes and song lyrics, circa 1968
Box 107 Folder 7	Second draft script, “The Apartment,” book by Neil Simon, lyrics by Hal David, music by Burt Bacharach, August 1967
	Pullman Car Hiawatha, directed by Alan Schneider (Schneider directed several theatrical productions; one production was also telecast. There is no indication as to which production this script pertains)
Box 107 Folder 8	Script, by Thornton Wilder, undated
	Pullman Car Hiawatha and The Bald Soprano (Theater. Hempstead, New York, Hofstra College, Contemporary Arts Festival, theater unknown, 1961 May 12)
Box 107 Folder 9	Clipping, 1961
	The Rape of the Belt, directed by Alan Schneider (Theater. Boston, Wilbur, 1960 October 17; New York, Martin Beck, 1960 October 31)
Box 107 Folder 10	Reviews, playbills, 1960
Box 107 Folder 11	Script, by Senn W. Levy, annotated, 1957
	Reluctant Lady, directed by Alan Schneider (Theater. Cleveland, Cain Park, 1948 July 26)
Box 107 Folder 12	Reviews, 1948
	The Remarkable Mr. Pennypacker, directed by Alan Schneider (Theater. Hartford, Conn., theater unknown, 1953 December 10; Philadelphia, Walnut, 1953 December 14; New York, Coronet, 1953 December 30)
Box 107 Folder 13	Clippings, reviews, playbills, 1953-1954, undated
Box 107 Folder 14	Director's script, “The Family Man,” by Liam O'Brien, annotated, including production notes, undated
	The Resistible Rise of Arturo Ui (Theater. Washington, D.C., Arena, 1974. At Arena while Associate Director.)
Box 107 Folder 15	Notes, adapted by George Tabori, undated
Box 107 Folder 15	Script, translated by Ralph Manheim in collaboration with M. Steffin, undated
	The Revenant (Motion Picture. Production information unknown)
Box 107 Folder 16	Correspondence, 1974
	Romeo and Juliet (Theater. The Acting Company, specific production information unknown)
Box 107 Folder 17	Script, by William Shakespeare, annotated, 1978 July
	Saved, directed by Alan Schneider (Theater. New York, Brooklyn Academy of Music, 1970 October 28; New York, Cherry Lane, 1970 November 13)
Box 147 Folder 2	Plans, ground plans, 1970
Box 107 Folder 18	Playbills, reviews, miscellany, 1970
Box 107 Folder 19-20	Production file, 1970
	Say Goodnight to Grandma (Theater. Not produced with Alan Schneider)
Box 107 Folder 21	Casting and production notes, undated
Box 107 Folder 22	Reviews and correspondence, 1973-1975
	The Secret of Freedom, directed by Alan Schneider (Television. Broadcast on Sunday Showcase, 1960 February 28, original network NBC. Produced by Robert D. Graff)
Box 107 Folder 23	Clippings and reviews, 1959-1960, undated
Box 107 Folder 24	Informational Booklet, undated
	The Sign in Sidney Brustein's Window, directed by Alan Schneider (Theater. New York, Longacre, 1972 January 26)
Box 107 Folder 25	Agreements, production schedule, writing by Schneider, 1971-1972
Box 107 Folder 26	Correspondence, miscellany, 1970-1972
Box 147 Folder 2	Plans, set designs, undated
Box 107 Folder 27	Production notes, circa 1972
Box 107 Folder 28	Research clippings, playbills, 1964-1972
Box 107 Folder 29	Technical production file, 1972
Box 107 Folder 30	Script revisions, annotated, undated
Box 107 Folder 31	Script, by Lorraine Hansberry, 1971
Box 107 Folder 32	Director's script, by Lorraine Hansberry, annotated, including some production notes, 1971
	Sing Out, Sweet Land, directed by Alan Schneider (Theater. Cleveland, Cain Park, 1947 August 6)
Box 107 Folder 33	Reviews, 1947
	The Skin of Our Teeth, directed by Alan Schneider (Theater. Washington, D.C., National, 1955 July 18; Chicago, Blackstone, 1955 August 1; New York, ANTA, 1955 August 17. Washington, D.C., Catholic University Theatre, date unknown. Also a television production on Showcase TV, 1955 September 11, original network NBC, Fred Coe, producer)
Box 108 Folder 1	Clippings and reviews, 1955, undated
Box 147 Folder 2	Plan, undated
	The Skin of Our Teeth, directed by Alan Schneider (Theater. Paris, Sarah Bernhardt, 1955 June 28. Salute to France program)
Box 108 Folder 2	Clippings, reviews, miscellany, 1955, undated
916A/9-12	Tape recording of television broadcast, 1955
U.S. Mss 57AN	The Skin of Our Teeth, directed by Alan Schneider (Theater. Boston, Boston University Theatre, 1975 February 19)
Box 108 Folder 3	Production file, 1974-1975
Box 108 Folder 4	Director's script, by Thornton Wilder, annotated, including production notes, circa 1974
	Slapstick Tragedy, directed by Alan Schneider (Theater. New York, Longacre, 1966 February 22)
Box 108 Folder 5	Box office statements, 1966
Box 108 Folder 6	Casting and technical production file, 1965-1966
Box 109 Folder 1	Correspondence, 1964-1966
Box 109 Folder 2	Interpretive and production notes, 1966
916A/3	Music, 1966
916A/4	Music for “The Mutilated,” undated
U.S. Mss 57AN Box 147 Folder 3	Plan for “The Gnadiges Fraulein,” undated
916A/2	Rehearsal direction given by Alan Schneider, undated
U.S. Mss 57AN Box 109 Folder 3	Reviews, playbill, 1966
916A/5	Sound Effects, 1966 January 24
916A/6-8	Sound Effects for “The Gnadiges Fraulein,” 1966, undated
U.S. Mss 57AN Box 102 Folder 17	Script for “The Gnadiges Fraulein,” annotated, no author indicated, undated
Box 110 Folder 1	Script for “The Mutilated” and “The Gnadiges Fraulein,” by Tennessee Williams, annotated, April 1964
Box 110 Folder 1	Rehearsal script for “The Mutilated,” by Tennessee Williams, 1965 January 17
Box 110 Folder 2	Script for “The Mutilated”and “The Gnadiges Fraulein,” by Tennessee Williams, 1965 February 1
Box 110 Folder 3	Working script for “The Gnadiges Fraulein” and “The Mutilated,” by Tennessee Williams, annotated, 1965 July 1
	Storm Operation (Theater. Baltimore, Maryland Theatre, 1943 December 13; Pittsburgh, Nixon, 1943 December 20; Cleveland, Hanna, 1943 December 27; New York, Belasco, 1944 January 11.)
Box 110 Folder 4	Reviews and playbills, 1943-1944
	La Strada, directed by Alan Schneider (Theater. Detroit, Fisher, 1969 October 25; New York, Lunt-Fontanne, 1969 December 14)
Box 110 Folder 5	Casting file, 1969
Box 110 Folder 6	Correspondence, 1969, undated
Box 110 Folder 7	Daily messages, August-September 1969
Box 110 Folder 8	Miscellany, 1969
Box 110 Folder 9	Music, circa 1969
	Notes
Box 110 Folder 10	Film notes, September 1969
Box 110 Folder 11	Ming Cho Lee, notes to, circa 1969
Box 110 Folder 12	Miscellaneous notes, 1969
Box 110 Folder 13	Alan Schneider, notes and comments by regarding script, production, 1969, undated
Box 147 Folder 3	Plans, designs, 1969
Box 110 Folder 14	Playbills and clippings, 1969
	Run through notes and comments
Box 110 Folder 15-16	To actors, 1969 October 3-December 13
Box 110 Folder 17-18	To leading lady, 1969 October 16-December 13
Box 110 Folder 19-20	To stage manager and crew, 1969 October 4-December 12
Box 110 Folder 21	From Assistant Director Mel Bernhardt, October-November 1969
Box 110 Folder 22	General regarding performance, circa 1969
Box 110 Folder 23	Staff and cast lists, 1969
Box 110 Folder 24	Technical production file, including props, lights, and sound, 1969
Box 110 Folder 25-29	Script revisions, annotated, circa 1969
Box 111 Folder 1	Outline, by Charles K. Peck, Jr., from the film by Federico, Fellini, 1966 December 10
Box 111 Folder 2	First working draft script, “The Road,” music and lyrics by Lionel Bart, book adaptation by Charles Peck, undated
Box 111 Folder 3	Script, slightly annotated, undated
Box 111 Folder 4	Second draft script, working draft, music and lyrics by Lionel Bart, book by Charles K. Peck, Jr., based on the original screenplay by Federico Fellini and Tullio Pinelli, 1968 January 1
Box 111 Folder 5	Working script, music and lyrics by Lionel Bart, book by Charles K. Peck, Jr., based on the original screenplay by Federico Fellini and Tullio Pinelli, annotated, undated
Box 111 Folder 6	Working script, music and lyrics by Lionel Bart, book by Charles K. Peck, Jr., based on the original screenplay by Federico Fellini and Tullio Pinelli, 1969 September 15
Box 111 Folder 7	First rehearsal script, annotated, undated
Box 111 Folder 8	Final working script, music and lyrics by Lionel Bart, book by Charles K. Peck, Jr., based on the original screenplay by Federico Fellini and Tullio Pinelli, annotated, including production notes, post 1969 September 15
	Summer and Smoke, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1954 February 9)
Box 111 Folder 9	Reviews, 1954
	Summer of the 17th Doll, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1958 April 29; New York, Players Theatre, 1959 October 13; New York, Downtown, 1959 December 1; West Hartford, Conn., King Philip School, 1959 December 14)
Box 111 Folder 10	Clippings, reviews, playbill, 1958-1959
	Taming of the Shrew, directed by Alan Schneider (Theater. Cleveland, Cain Park, 1948 August 17)
Box 111 Folder 11	Review, 1948
	Texas Trilogy, directed by Alan Schneider (Theater. Consists of The Oldest Living Graduate, The Last Meeting of the Knights of the White Magnolia, and Lu Ann Hampton Laverty Oberlander. Washington, D.C., Arena Stage, Kreeger, 1975 March 21; Washington, D.C., Kennedy Center, Eisenhower, 1976 April 22 and 1976 August 5; New York, Broadhurst, 1976 September 22)
Box 111 Folder 12	Casting file, circa 1976
Box 111 Folder 13	Correspondence, general, 1975-1976
Box 147 Folder 3	Ground plans, miscellany, 1976, undated
Box 111 Folder 14	Playbills, 1975-1976
Box 111 Folder 15	Production file, circa 1976
Box 111 Folder 16	Reviews and research material, 1973-1976
Box 111 Folder 17	Script revisions, annotated, 1976
Box 111 Folder 18	Script for “The Last Meeting of the 'Knights of the White Magnolia,'” by Preston S. Jones, 1973
Box 111 Folder 19	Director's script for “The Last Meeting of the 'Knights of the White Magnolia,'” by Preston S. Jones, annotated, 1975 March 26
Box 111 Folder 20	Script for “The Last Meeting of the 'Knights of the White Magnolia,'” by Preston S. Jones, annotated, undated
Box 112 Folder 1	Revised script for “The Last Meeting of the 'Knights of the White Magnolia,'” by Preston S. Jones, 1976 May 20
	Scripts for “Lu Ann Hampton Laverty Oberlander,” by Preston S. Jones
Box 112 Folder 2	1976 June 21
Box 112 Folder 3	1974
Box 113 Folder 1	Annotated, undated
	Scripts for “The Oldest Living Graduate,” by Preston S. Jones
Box 113 Folder 2	July 1975
Box 114 Folder 1	Annotated, including revisions, 1976 July 7-August 15
Box 113 Folder 3	Director's script, annotated, July 1975
	Theatre in 3D, directed by Alan Schneider (Theater. Program consists of The Chairs, The Lottery, and The Dock Brief. Milwaukee, University of Wisconsin-Milwaukee Auditorium, 1961 July 27)
Box 114 Folder 2	Clippings, and reviews, 1961
	Three Men on a Horse (Theater. Washington, D.C., Arena Stage, 1974 December 26, an Arena production while Schneider was Artistic Director)
Box 114 Folder 3	Production miscellany and reviews, 1973-1974
	The Three Sisters (Theater. New York, Juilliard School, 1979 March)
Box 114 Folder 4	Script, by Anton Chekhov, translated by Randall Jarrell, undated
	The Threepenny Opera, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1963 May 14)
Box 147 Folder 3	Ground plans, elevations, 1963
Box 114 Folder 5	Reviews, letter, 1963, 1969
Box 114 Folder 6	Script, music by Kurt Weill, text and lyrics by Bertolt Brecht, English adaptation by Marc Blitzstein, annotated, including production miscellany, 1963 May 14
	The Toy Prison (Theater. Production information unknown)
Box 114 Folder 7	Correspondence, 1972
Box 114 Folder 8	Script, by Stanley Crouch, annotated, undated
Box 114 Folder 8	Script, by Stanley Crouch, undated
	The Time of Your Life, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1962 May 15)
Box 114 Folder 9	Reviews, 1962
	Tom, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, Kreeger, 1973 December 14)
Box 147 Folder 3	Ground plan, 1973
Box 114 Folder 10	Interview with Alexander Buzo, playwright, undated
Box 114 Folder 11	Playbill and reviews, script revisions, correspondence, 1973-1974
Box 114 Folder 12	Production file, 1973-1974
Box 114 Folder 13	Production notes, circa 1974-1975
Box 114 Folder 14	Stage manager's report, December 1974-January 1975
Box 114 Folder 15	Script, by Alexander Buzo, undated
Box 114 Folder 16	Director's script, by Alexander Buzo, annotated, including miscellany, circa May-December 1973
	Tonight in Samarkand, directed by Alan Schneider (Theater. Boston, Colonial, 1955 January 11; Philadelphia, Forest, 1955 January 25; Washington, D.C., National, 1955 February 7; New York, Morosco, 1955 February 17)
Box 114 Folder 17	Clippings and reviews, 1955
Box 141 Folder 2	Script, by Jacques Deval, adapted by Lorenzo Semple, Jr., undated
	The Trees of Promise (Theater. Production information unknown)
Box 114 Folder 18	Contracts, correspondence, 1958-1959
	The Trial of Lee Harvey Oswald (Theater. Production information unknown)
Box 114 Folder 19	Script, by Amram Ducovny and Leon Friedman, based on an idea by Harold Steinberg and Amram Ducovny, 1966 December
	The Trip to Bountiful, directed by Alan Schneider (Theater. London, Arts Theatre Club, 1956 July 4)
Box 114 Folder 20	Clippings and reviews, 1956
Box 147 Folder 3	Ground plans, undated
	The Trouble with Europe (Format and production information unknown)
Box 114 Folder 21	Notes, 1976, undated
	Tug of War (Theater. Production information unknown. Alan Schneider was to have directed on Broadway)
Box 114 Folder 22	Script, by Colin Welland, undated
Box 114 Folder 23	Script, by Colin Welland, with revisions, undated
	Twelve Angry Men, directed by Alan Schneider (Theater. Philadelphia, Bucks County Playhouse, 1960 May 23)
Box 114 Folder 24	Review, 1960
	Twinkling of an Eye, directed by Alan Schneider (Theater. San Francisco, Marines Memorial, 1961 January 11)
Box 114 Folder 25	Clippings, 1961
	Two for the Seesaw , directed by Alan Schneider (Theater. Palm Beach, Florida, Royal Poinciana Playhouse, 1960 March 28)
Box 114 Folder 26	Clippings, 1960
	Uncle Jimbo's Marbles (Motion Picture. Unproduced)
Box 114 Folder 27	Correspondence, production miscellany, 1967-1968
Box 114 Folder 28	Revised screenplay, by Evan Hunter, circa November 1967
Box 114 Folder 29	Director's screenplay, by Evan Hunter, annotated, undated
	Uncle Vanya, directed by Alan Schneider (Theater. Chicago, Goodman, 1961 April; Washington, D.C., Arena Stage, 1962 May?)
Box 114 Folder 30	Clippings, 1961-1962
	Uptight, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, Kreeger, 1972 March 17)
Box 114 Folder 31	Clippings, reviews, correspondence, playbill, circa 1971-1972
Box 147 Folder 3	Ground plan, undated
Box 114 Folder 32	Production file, circa 1971-1972
Box 114 Folder 33	Script, by Gunter Grass, translated by A. Leslie Willson, undated
Box 115 Folder 1	Script, by Gunter Grass, undated
	A View from the Bridge, directed by Alan Schneider (Theater. Washington, D.C., Arena Stage, 1956 November 7)
Box 115 Folder 2	Clippings and reviews, 1956
	Waiting for Godot, directed by Alan Schneider (Theater. New York, Sheridan Square Playhouse, 1971 August)
Box 115 Folder 3	Playbill, schedule, 1971
	The Watering Place, directed by Alan Schneider (Theater. New York, Music Box, 1969 March 12)
Box 115 Folder 4	Correspondence, clippings, playbill, 1968-1969
Box 115 Folder 5	Production file, circa 1969
Box 115 Folder 6	Script revisions, undated
Box 115 Folder 7	Script, by Lyle Kessler, annotated, undated
Box 115 Folder 8	Revised script, by Lyle Kessler, annotated, undated
Box 115 Folder 9	Script, by Lyle Kessler, annotated, including production notes, 1969
	A Way of Life, directed by Alan Schneider (Theater. New York, ANTA Theatre, 1969 January 27)
Box 115 Folder 10	Correspondence, general and legal, 1968-1969, undated
Box 147 Folder 3	Plans, 1968
Box 115 Folder 11	Production file, including set designs, circa 1968
	Scripts, by Murray Schisgal
Box 115 Folder 12	1967 November 22
Box 141 Folder 4	Slightly annotated, 1967 November 22
Box 115 Folder 13	Annotated, including revisions and notes, 1967-1968
Box 141 Folder 5	Third Draft, 1968 July 25
Box 115 Folder 14	Script Fragments, 1968
Box 115 Folder 15-16	Revised production script, by Murray Schisgal, including blocking instructions and costume and prop plots, 1969
Box 115 Folder 17	Director's script, by Murray Schisgal, annotated, 1968 July 25
	What the Butler Saw, directed by Alan Schneider (Theater. Milwaukee, University of Wisconsin-Milwaukee Fine Arts Theater, 1971 July 29)
Box 115 Folder 18	Clippings and reviews, 1971
Box 115 Folder 19	Correspondence, 1970-1971
Box 115 Folder 20	Production file, 1971
Box 147 Folder 3	Set designs, plans, 1971
Box 115 Folder 21	Script, by Joe Orton, undated
Box 115 Folder 21	Script, by Joe Orton, annotated, circa 1971
	What the Butler Saw, directed by Alan Schneider (Theater. Long Beach, California, California State College at Long Beach Studio Theatre, 1975 June 27)
Box 115 Folder 22	Correspondence, general and financial, 1974-1975
Box 115 Folder 23	Evaluative report of California State University-Long Beach summer projects, including materials regarding What the Butler Saw, 1975
Box 147 Folder 3	Ground plans, sections, 1975, undated
Box 115 Folder 24	Production file, including costume designs, circa 1975
Box 115 Folder 25	Reviews, clippings, playbills, 1975
Box 115 Folder 26	Script, by Joe Orton, annotated, 1969
	Who's Afraid of Virginia Woolf? (Theater. Washington, D.C., Arena Stage, 1974 October 25. At Arena while Associate Director)
Box 115 Folder 27	Playbill, reviews, 1974
	Wild Hills (Theater. Ithaca, New York, Cornell University Theatre, 1941 May 24. Alan Schneider acted in this production)
Box 115 Folder 28	Playbill, 1941
	[Wounded Knee] (Motion Picture. Production information unknown)
Box 115 Folder 29	Correspondence, notes, 1971
	You Can't Take It with You, directed by Alan Schneider (Theater. Cleveland, Cain Park, undated)
Box 115 Folder 30	Reviews, undated
	You Know I Can't Hear You When the Water's Running, directed by Alan Schneider (Theater. New York, Ambassador, March 1967; Philadelphia, Forrest, 1968 February; Washington, D.C., National, 1968 May; plus national tour Note: Consists of “Shock of Recognition,” “Footsteps of a Dove,” “I'll Be Home for Christmas, ” and “I'm Herbert.”
Box 115 Folder 31	Anderson, Robert, 1966-1968
	Box office statements
	New York (Ambassador Theatre)
Box 115 Folder 32-33	1967 March-December
Box 116 Folder 1-2	1968 January-June
Box 116 Folder 3	Chicago (Blackstone Theatre), 1968 June-September
Box 116 Folder 3	Washington, D.C., (National Theatre), 1968 May
Box 116 Folder 4	New York (Broadhurst Theatre), 1968 June-November
Box 116 Folder 5-6	Miscellaneous theaters, 1967-1969
Box 116 Folder 7	Casting file, circa 1966-1968, undated
Box 116 Folder 8	Correspondence, circa 1965-1969, undated
Box 116 Folder 9	Interpretive notes, circa 1966-1968
Box 116 Folder 10	Legal and financial file, 1966-1971, undated
Box 147 Folder 3	Plan, 1967
Box 116 Folder 11	Production file and notes, circa 1968-1969
Box 116 Folder 12	Reviews, playbills, miscellany, circa 1967-1968
916A/13	Songs from a 1940s vocal group, undated
U.S. Mss 57AN Box 116 Folder 13	Script revisions, miscellaneous, 1967
Box 116 Folder 14	First draft script of “Shock of Recognition,” “I'll Be Home for Christmas,” and “The Footsteps of Doves,” annotated, undated
Box 116 Folder 15	Script, by Robert Anderson, annotated, 1966 October
Box 116 Folder 16	Script, by Robert Anderson, undated
Box 116 Folder 17	Director's script, for Ambassador Theater production, by Robert Anderson, annotated, 1967 January 11
Box 116 Folder 18	Script for national tour, by Robert Anderson, annotated, undated
Box 116 Folder 19	Script for bus and truck tour, by Robert Anderson, annotated, 1969
	Zalmen or the Madness of God, directed by Alan Schneider Note: Theater. Washington, D.C., Arena Stage, 1974 May 8; New York, Carnegie Hall, 1974 December 13. Philadelphia, New Locust, 1976 January 22; Boston, Shubert, 1976 February 19; Toronto, Royal Alexandra, 1976 March 2; New York, Lyceum, 1976 March 11
Box 116 Folder 20	Casting file, circa 1975, undated
Box 116 Folder 21	Correspondence, 1973-1980, undated
Box 147 Folder 3	Plan, undated
Box 116 Folder 22	Playbills, publicity, reviews, including article by Schneider, “An Open Letter to Our Soviet Friends (And Others),” circa 1974-1976
Box 116 Folder 23	Production miscellany, circa 1976
Box 116 Folder 24	Production notes, undated
Box 116 Folder 25	Stage manager's reports, timing sheets, circa 1974, undated
Box 117 Folder 1	Script revisions for theater production, undated
Box 117 Folder 2	Script fragments for television production, undated
Box 117 Folder 3	Original typescript, “Zalmen,” by Elie Wiesel, adapted for stage by Marion Wiesel, based on a translation from the French by Nathan Edelman, slightly annotated, undated
Box 117 Folder 4	Script (for theater), translated from the French by Lily and Nathan Edelman, undated
Box 117 Folder 5	Script (for theater), Act I, by Elie Wiesel, adapted for the stage by Marion Wiesel, based on a translation from the French by Nathan Edelman, undated
Box 117 Folder 6	Script, annotated, including floor plots and plans, undated
Box 117 Folder 7	Script for Arena Stage production, annotated, including production notes, 1974 May
Box 117 Folder 8	Script for New York production, annotated, including production notes, undated
Box 117 Folder 9	Director's working script, by Elie Wiesel, adapted for the stage by Marion Wiesel, based on a translation from the French by Nathan Edelman, annotated, 1974 July 6
Box 117 Folder 10	Shooting script for Television Production, annotated, including production miscellany, circa 1974, undated
	Zalmen or The Madness of God, directed by Alan Schneider (Television, WNET/13, 1975 January 8, original network PBS. Shown on Theater in America) Note: See Theater production for scripts.
Box 117 Folder 11	Clippings and reviews, circa 1974-1975
Box 117 Folder 12	Correspondence, general, 1974-1975
Box 147 Folder 3	Plans, undated
Box 117 Folder 13	Production file, including notes and casting material, 1974
	Subseries: Subseries 5: Materials Submitted to Alan Schneider Scope and Content Note: The “Materials Submitted To Alan Schneider” includes motion pictures, theater, television, radio, literature, and poetry submissions and is organized by genre with productions or titles listed alphabetically thereunder. The file consists primarily of scripts, treatments, and outlines although correspondence, clippings, prospectus, and miscellany are also included. Often the scripts will contain brief, cryptic notes by Schneider in which he evaluates the item. Those scripts including more substantive comments by Schneider are noted below. A few of the plays in this series Schneider had intended to direct, but, for whatever reason, the project ended at a very early phase. Among the scripts are those for motion pictures such as Fahrenheit 451, John and Mary, Little Big Man, and The Sterile Cuckoo. Theater works include Benjamin by Loring Mandel, Echoes by N. Richard Nash, Everything in the Garden by Edward Albee, Sticks and Bones by David Rabe, We'll All be There by Dale Wasserman, and What Use Are Flowers? by Lorraine Hansberry.	⇧
	Motion Pictures
	Almost Grown (Production information unknown)
Box 117 Folder 14	Screenplay, by Thomas Baum, undated
	A Big Thing (Production information unknown)
Box 117 Folder 15	Screenplay, by Norman Thaddeus Vane, 1969
	The Brothers (Production information unknown)
Box 117 Folder 16	Script, by Lewis W. Lehman, 1963
	Desert Kill (Production information unknown)
Box 117 Folder 17	First draft screenplay, by Niels Larsen, including accompanying letter, circa 1968
	Desperate Characters (Production information unknown)
Box 117 Folder 18	Screenplay, by Frank D. Gilroy, from the novel by Paula Fox, undated
	Fahrenheit 451 (Universal, 1966)
Box 117 Folder 19	Screenplay by Francois Truffaut, Jean Louis Richard, and Jay Presson Allen, adapted from the novel by Ray Bradbury, undated
	Farragan's Retreat (Production information unknown)
Box 117 Folder 20	First draft screenplay, by Ring Lardner Jr., from the novel by Tom McHale, undated
	Gettin' Together (Production information unknown)
Box 118 Folder 1	Screenplay, by Joyce Geller, undated
	The Glass Eye of the Hurricane (Production information unknown)
Box 118 Folder 2	Original screenplay, by Liz Farley and MJ Shields, undated
	Go Left, Young Man (Motion Picture. Unproduced?)
Box 141 Folder 3	First revised draft script, by Jonathan Axelrod, including accompanying letter and note, 1971, undated
	Googs (Production information unknown)
Box 141 Folder 3	Screenplay, by Stanley R. Greenberg from a story by Irwin Faust, undated
	Here We Go Round the Mulberry Bush (Production information unknown, a Breams Production United Artists)
Box 118 Folder 4	Final draft script, by Hunter Davies and Larry Kramer, from the novel by Hunter Davies, June 1966
Box 118 Folder 5	If You Pass Go (Production information unknown, offered by Paramount)
	John and Mary (Twentieth Century Fox, 1969)
Box 118 Folder 6	Third draft screenplay, by John Mortimer, based upon the novel by Mervin Jones, annotated, including schedules and clipping, 1969 January 13
	Layer by Layer (Production information unknown)
Box 118 Folder 7	Outline, by George Mandel, undated
	Little Big Man (Stockbridge-Heller Production, 1971. National General)
Box 118 Folder 8	Final draft script, by Calder Willingham, based on the novel of the same name by Thomas Berger, 1969 April 4
	The Little Sister (Production information unknown)
Box 118 Folder 9	Script, by Stirling Silliphant, based on a novel by Raymond Chandler, 1967 October 3
	Lol Blair (Production information unknown)
Box 118 Folder 10	Original script, by Marguerite Duras, undated
	A Lovely Proposition (Production information unknown)
Box 118 Folder 11	Screenplay, by Irving Gaynor Neiman, from “A Thief in the Night,” by Thomas Walsh, undated
	Mrs. Eckdorf in O'Neill's Hotel (Production information unknown)
Box 118 Folder 12	Screenplay, by Edward Harper, from the novel by William Trevor, 1970
	The Novice (Production information unknown)
Box 118 Folder 13	Script, by Howard Glewes, from an idea by Leo V. Gordon and Paul Leslie Piel, 1969 May 14
	Out Around Moose (Production information unknown)
Box 118 Folder 14	Original screenplay, by Deric Washburn, from a story by Victor Solow and Deric Washburn, slightly annotated, 1971 January 1
	The Pedestal (Production information unknown)
Box 118 Folder 15	Preliminary draft screenplay, by Stanley R. Greenberg, from the novel by George Lanning, 1967 August 21
	Peter and the Werewolf (Production information unknown)
Box 118 Folder 16	Screenplay, by Soupy Sales, based on an original story by Soupy Sales and Sid Wayne, undated
	The Psi Diary (Production information unknown)
Box 118 Folder 17	Second draft script, by Will Lorin, from the novel Saxon's Ghost, by Steve Fisher, 1970 May 26
	The Revenant (Production information unknown)
Box 118 Folder 18	Script, by Terrence Shank, 1974 February 19
	Sam and Paula (Production information unknown)
Box 119 Folder 1	Scenario, by Tim Shields, adapted from the novel Obsession, by Tom Gurr and H. H. Cox, undated
	Secrets (Production information unknown)
Box 119 Folder 2	Treatment, by Joan Vail Thorne, undated
	Siblings (Production information unknown)
Box 119 Folder 3	First draft script, by Wolf Mankowitz, from Graham Greene's novel Shipwrecked, 1970 February 14
	The Sterile Cuckoo (Paramount, 1969)
Box 119 Folder 4	First draft script, by Alvin Sargent, 1967 June 28
	Sunblack (Production information unknown)
Box 119 Folder 5	Screenplay, by Terence Greer, undated
	Ten by God or Carson's Eye (Production information unknown)
Box 119 Folder 6	Film Treatment, by Fritz Roland, 1969 June
	Turnabout (Production information unknown)
Box 119 Folder 7	Script, by Vivian Nathan, undated
	The Young Disraeli (Production information unknown)
Box 119 Folder 8	Outline, adapted for screen by Peter Luke, from the prize-winning biography by Robert Blake, undated
	The Zoo Story (Done in partial fulfillment of requirements for M.S. in film from Boston University School of Public Communication by Harlan Green)
Box 119 Folder 9	Film thesis report, undated
	Theater
	Afternoon Tea (Production information unknown)
Box 119 Folder 10	2 scripts, by Gabor Gorgey, undated
	Alchemy DaVinci (Production information unknown)
Box 119 Folder 11	Playscript, by Louis Phillips, 1975
	All Fall Down! A Clash of Symbols! (Production information unknown)
Box 119 Folder 12	Script, by Edward Greenberg, undated
	All People All Around (Production information unknown)
Box 119 Folder 13	Revised script, by George Sklar, 1966 August
	As the River Flows (Production information unknown)
Box 119 Folder 14	Script, by Frank Barth, 1977 April 28
	Assassin! (Production information unknown)
Box 119 Folder 15	Script, by David Ball, drawn from a film by Roderick Bradley, 1968
	Ballad of a Renegade Priest: USA (Production information unknown)
Box 119 Folder 16	Script, by California Kelly, 1970
	Balloon (Production information unknown)
Box 119 Folder 17	Script, by Padraic Colum, 1948
	Bapu (Production information unknown)
Box 119 Folder 18	Script, by Donald Freed and Harold Lieberman, 1969
	Beau Johnny (Production information unknown)
Box 119 Folder 19	Script, by Tim Kelly, 1975
	Bech (Production information unknown)
Box 119 Folder 20	Script, by Jerome Chodorov, based on the stories of John Updike, including notes and accompanying letter, 1973, undated
	Black Banana (Production information unknown)
Box 119 Folder 23	Script, no author indicated, undated
	The Black Veil (Production information unknown)
Box 119 Folder 24	Outline, by Charles K. Peck, 1963
	The Boat (Production information unknown)
Box 119 Folder 25	Script, by George Lefferts, 1966
	Born Yesterday (Production information unknown)
Box 119 Folder 26	Ground plan, undated
	The Boss (Detroit, Garrick, 1911 January 9; New York, Astor, 1911 January 30)
Box 119 Folder 27	Script, by Edward Sheldon, including cast list and notes regarding author, circa 1946
	Break in Transmission (Production information unknown)
Box 119 Folder 28	Script, by Karoly Szakonyi, translated by L. T. Andras, including a report regarding Hungarian dramatic works, undated
	The Brisburial of Mamele Edleman (Production information unknown)
Box 119 Folder 29	Script, by Edward Pomerantz, 1968
	Brother John Faustus (Production information unknown)
Box 119 Folder 30	Script, by Harold Lieberman, 1970
	The Butterscotch Sonata (Production information unknown)
Box 120 Folder 1	Script, by Robert Shure, undated
	Bystanders and Cry, the War (Production information unknown)
Box 120 Folder 2	Script for two one act plays, no author indicated, undated
	Cabrona (Production information unknown)
Box 120 Folder 3	Script, by Cynthia Buchanan, June 1975
	Caesar at the Baths (Production information unknown)
Box 120 Folder 4	Script, by Paul Rawlings, including a clipping and accompanying letter, 1975, undated
	Calm Down Mother (New York, Sheridan Square Playhouse, March 1965)
Box 120 Folder 5	Script, by Megan Terry, undated
	The Cannibals (Production information unknown)
Box 120 Folder 6	Script, by George Tabori, 1967
	Canto XI (Production information unknown)
Box 120 Folder 7	Script, by Vincent J. Lonhhi, undated
	Charley and Joan (Production information unknown)
Box 120 Folder 8	Script, book by Sidney Michaels, music by Lawrence Grossman, lyrics by Hal Hackady, 1970 Note: See also Box 101, Folder 8.
	Cheese and Eggs (Production information unknown)
Box 120 Folder 9	Script, by Ferenc Karinthy, undated
	The Chic Life (Production information unknown)
Box 120 Folder 10	Script, by Arthur Marx and Robert Fisher, undated
	The Chinese and Dr. Fish (Production information unknown)
Box 120 Folder 11	Script, by Murray Schisgal, 1969 December 22
	Clap Hands, Here Comes Charlie (Production information unknown)
Box 120 Folder 12	Script, by Peter Barnes, undated
	Clipper (Production information unknown)
Box 120 Folder 13	Script, by Tim Kelly, undated
	Come Dressed in Red (Production information unknown)
Box 120 Folder 14	Script, by Melba Thomas, undated
	Condemned of Altoona (Production information unknown)
Box 120 Folder 15	Clippings, correspondence, 1960-1965, undated
	Congratulations on Being the 100th Graduation Party (Production information unknown)
Box 120 Folder 16	Script, no author indicated, undated
	The Conjuror (Production information unknown)
Box 120 Folder 17	Script, by Evan Hunter, including accompanying correspondence, 1967, undated
	Coralie Lansdowne Says No (Production information unknown)
Box 120 Folder 18	Script, by Alexander Buzo, 1974
	Cosmig Spring (Production information unknown)
Box 120 Folder 19	Treatment, by Ladislav Smocek, undated
	Cybele (Production information unknown)
Box 120 Folder 20	Outline, no author indicated, undated
	Dance with a Dolly (Production information unknown)
Box 120 Folder 21	Script, by Jack Pulman, including accompanying letter, 1969, undated
	A Day in the Park (Production information unknown)
Box 120 Folder 22	Script for one act mime, by Jerome C. Small, undated
	The Day of the Plywood Parthenon (Production information unknown)
Box 120 Folder 23	Script, by Jerome C. Small, 1966 November
	Dear Antoine or The Love That Failed (Production information unknown)
Box 120 Folder 24	Script, by Jean Anouilh, undated
	The Death of King Phillip (Production information unknown)
Box 120 Folder 25	Script, by Paul Earls, from a play by Romulus Linney, undated
	Declaration (Production information unknown)
Box 120 Folder 26	Script, by Janet and Philip Stevenson, undated
	The Defense of Taipei (Production information unknown)
Box 121 Folder 1	Script, by Conrad Bromberg, annotated, 1962
	Democracy and Esther (Production information unknown)
Box 121 Folder 2	Script, by Romulus Linney, based on novels by Henry Adams, undated
	Dr. Zvonek Burke's Strange Afternoon (Production information unknown)
Box 121 Folder 3	Treatment, by Ladislav Smocek, undated
	Ducks and Lovers (Production information unknown)
Box 121 Folder 4	Script, by Murray Schisgal, undated
	Echoes (Seattle, Contemporary Theatre, 1972 August 8)
Box 121 Folder 5	Script, by N. Richard Nash, including reviews, 1972
	Edith Stein (Production information unknown)
Box 121 Folder 6	Script, by Arthur Giron, undated
	The Education of HYMAN* KAPLA*N (Production information unknown)
Box 121 Folder 7	Script, book by Benjamin Bernard Zavin, words and music by Paul Nassau and Oscar Brand, based on stories created by Leo Rosten, undated
	The Empire Builders (London, Arts Theatre Club, 1962 July 31)
Box 121 Folder 8	Script, by Boris Vian, translated from the French by Simon Watson Taylor, including a review, 1959, undated
	The Enemy is Dead (Production information unknown)
Box 121 Folder 9	Script, by Don Petersen, 1968
	The Entrance Requirements (Production information unknown)
Box 121 Folder 10	Script, by Saul Levitt, undated
	Erastus (Production information unknown)
Box 121 Folder 11	Script, by Mark Dunster, 1975
	Euripides at Bay or The Matrons' Revenge (Production information unknown)
Box 121 Folder 12	Script, by Aristophanes, translated by William Arrowsmith, undated
	Everything in the Garden (Production information unknown)
Box 121 Folder 13	Script, by Edward Albee, from the play by Giles Cooper, 1967 September
	The Fifth Murder (Production information unknown)
Box 121 Folder 14	Script, by Benjamin Bernard Zavin, undated
	Fishing (Production information unknown)
Box 121 Folder 15	Script, by Michael Weller, 1974 September 11
	The Flower is in the Root (Production information unknown)
Box 121 Folder 16	Script, by Harry Granick, undated
	Foma the Faker (Production information unknown)
Box 121 Folder 17	Script, by Ruth K. Hill, undated
	Forty-Four West (Production information unknown)
Box 121 Folder 18	Script, by Sylvia Regan, undated
	Fun, Fun! Music Lessons Have Begun (Production information unknown)
Box 121 Folder 19	Revised script, by Jay Hoffman, 1975 September 8
	The Generation Gap (Production information unknown)
Box 121 Folder 20	Script, by Mann Rubin, including accompanying letter, 1969
	The Gentle People (Houston, Alley Theatre, 1949 October)
Box 121 Folder 21	Technical script No. 1 for the first arena-staged production of this play, compiled and reproduced by John Ed Berry, including a clipping, 1949, undated
	Glory! Hallelujah!...God's on Our Side (Production information unknown)
Box 122 Folder 1	Script, by Anna Marie Barlow, including casting ideas, 1967 March 1
	Goodbye People (Production information unknown)
Box 122 Folder 2	Script, by Herb Gardner, undated
	Harry Kelly (Production information unknown)
Box 122 Folder 3	Script, by Harold Heifetz, including accompanying letter, 1978, undated
	A Head's A Head (Production information unknown)
Box 122 Folder 4	Script, by Lucas Myers, circa 1968
	Hester (Production information unknown)
Box 122 Folder 5	Scene Outline, an adaptation of Nathaniel Hawthorne's Scarlet Letter by Boone Smith, 1975
	Hide and Seek (production information unknown)
Box 122 Folder 6	Script for three one act plays, “The Artists,” “Spit in the Ocean,” and “A Limb of Snow,” by Anna Marie Barlow, undated
	Hogs Run Wild (Production information unknown)
Box 122 Folder 7	Script, by Donald Freed and Harold Lieberman, including revisions, 1969
Box 122 Folder 8	Revised script, by Donald Freed and Harold Lieberman, 1969
	Hot Air (Production information unknown)
Box 122 Folder 9	2 scripts, by Ferenc Karinthy, undated
	The House of Blue Leaves (Production information unknown)
Box 122 Folder 10	Script, by John Guare, 1967
	Ilium Ilium (Production information unknown)
Box 122 Folder 11	Script, by David Ball, 1969
	In Case of Accident (Production information unknown)
Box 122 Folder 12	Script, by Peter Simon, undated
	In Our Green Youth (Santa Monica, Calif., Playhouse, other information unknown)
Box 122 Folder 13	Script, by George Savage and George Savage, Jr., 1969 March
	In 3 Zones (Production information unknown)
Box 122 Folder 14	Script, by Wilford Leach, undated
	The Inspector General (Production information unknown)
Box 122 Folder 15	Script, by Nikolai Gogol, translated by Besty Hulick, undated
	The Invincible (Production information unknown)
Box 122 Folder 16	Script, by Ion Nicola, 1968
	Invitation to the Voyage (Production information unknown)
Box 122 Folder 17	Script, by Margaret Lamb, 1970
	Irrgarten and Dr. Zvonek Burkes Seltsamer Nachmittag (Production information unknown)
Box 122 Folder 18	Script, by Ladislav Smocek, German translation by B. K. Becher, 1966
	Is Anyone Out There? (Production information unknown. A multi-media play)
Box 122 Folder 19	Script, by Sigmund Stephen Miller, undated
	Jonah (Production information unknown)
Box 122 Folder 20	Script, by Marin Soresou, translated by Stavros Deligiorgis and Pierre Zekelli, undated
	The King of the Mountains (Production information unknown)
Box 122 Folder 21	Script, by Edward Eustace, undated
	Krish (Production information unknown)
Box 122 Folder 22	Script, by Arthur Pittman, undated
	Le Labyrinthe and L'Etrange Apres Midi du Docteur Zvonek Burkes (Production information unknown)
Box 122 Folder 23	Script, by Ladislav Smocek, undated
	The Last Chalice (Production information unknown)
Box 122 Folder 24	Script, by Joanna M. Glass, undated
	The Last of the Order (Santa Barbara, Calif., University of California-Santa Barbara, 1968, theater unknown)
Box 123 Folder 1	Script, by Richard V. Benner, undated
	Leda Had a Little Swan (Production information unknown)
Box 123 Folder 2	Prospectus, 1967
	Lemon Sky (Production information unknown)
Box 123 Folder 3	Revised script, by Lanford Wilson, 1968 August 30
	The Leper (Production information unknown)
Box 123 Folder 4	Script, by Lonnie Carter, including correspondence, 1966 December
	Letters from a True Believer (Production information unknown)
Box 123 Folder 5	Script, by Sidney Brooks, undated
	The Liberated Cinderella (Ferrum Little Theatre, other production information unknown)
Box 123 Folder 6	Script, by Rex and Ginny Stephenson, including playbill, 1974
	The Life and Death of Rogue Robbie Kilkenny (Production information unknown)
Box 123 Folder 7	Script, by Leo Rutman, 1969
	The Lion of Jachin-Boaz (Production information unknown)
Box 123 Folder 8	Script, book and lyrics by Frank Streich, adapted from the novel The Lion of Boaz-Jachin and Jachin-Boaz, by Russell Hoban, undated
	Listen to the Lions (Production information unknown)
Box 123 Folder 9	First revised draft script, by John Ford Noonan, 1975 September
	Little Boy (Production information unknown)
Box 123 Folder 10	Script, by Leo Heaps, 1970
	The Little Old Lady Says Yes (Production information unknown)
Box 123 Folder 11	Script, by Jan Hartman, annotated, 1973 October
	Love Feast (Production information unknown)
Box 123 Folder 12	Script, by Richard Benner, undated
	Love is Nothing to Laugh About (Production information unknown)
Box 123 Folder 13	Script, by Andrew Glaze, 1975
	Love Lies Bleeding (Amaranthus Caudatus) (Production information unknown)
Box 123 Folder 14	Script, by Frank Schwartz, 1967
	Lying Figures (Production information unknown)
Box 123 Folder 15	Script, by Francis Warner, 1970 December 31
	Make Laff (Production information unknown)
Box 123 Folder 16	Script by Serge Pone, (Sergei Ponomarov), undated
	The Man in the Glass Booth (London, St. Martin's, 1967 July 27)
Box 123 Folder 17	Script, by Robert Shaw, including reviews, 1967, undated
	Man in the White Suit (Production information unknown)
Box 123 Folder 18	Second revised script, by John Hess and Charles E. Andrews, including correspondence, 1966 August 7, 1967
	Marching to Georgia (Production information unknown)
Box 123 Folder 19	Script, by Barbara Kay Daniel, undated
	Me Jack You Jill (Production information unknown)
Box 123 Folder 20	Script, by Robes Kossez, 1973
	The Memorandum (Production information unknown)
Box 123 Folder 21	Script, by Vaclav Havel, translated by Vera Blackwell, undated
	Mention My Name in Peoria (Production information unknown)
Box 123 Folder 22	First draft script, by Richard Chandler, 1968 Summer
Box 123 Folder 23	Script, by Richard Chandler, including letter, 1969 Summer
	A Moon for Lulu (Production information unknown)
Box 123 Folder 24	Script, by David Manber, undated
	Morning In America (Production information unknown)
Box 124 Folder 1	Script, by Willard Wiener, undated
	The Mouth of the Wolf (Production information unknown)
Box 124 Folder 2	Script by David Risk, 1978
	Nature's Godr (Production information unknown)
Box 124 Folder 3	Revised script, by Patrick Flynn, including accompanying letter, 1976 July 11, August
	The Niggerlovers (Production information unknown)
Box 124 Folder 4	Script, by George Tabori, 1966
	A Night Wind (Production information unknown)
Box 124 Folder 5	Script, by Leo Rutman, 1974
	Nine Lovers in Hell (Production information unknown)
Box 124 Folder 6	Script by Ion Nicola, 1969
	Nothing for Thanks for Nothing (Production information unknown)
Box 124 Folder 7	Revised script, by Jerome C. Small, 1966 August 1
	The Old Ones (Production information unknown)
Box 124 Folder 8	First draft script, by Arnold Wesker, including accompanying letter written in script, 1971 May 28
	One Day in the Life of Ivan Denisovich (Production information unknown)
Box 124 Folder 9	Script, adapted for the stage by Richard France, undated
	The One Way Omnibus (Production information unknown)
Box 124 Folder 10	Script, by David Haviland, undated
	Ornstein's Retreat (Production information unknown)
Box 124 Folder 11	Script, by David Freeman, 1969 January 13
	The Other Half (Production information unknown)
Box 124 Folder 12	First draft revised script, by Elinor Jones, including notes by Alan Schneider, 1978 June 5
	Pak is Still Alive (Production information unknown)
Box 124 Folder 13	Script, by Henry A. Zeiger, including a note by Alan Schneider, 1957
	The Panel (Production information unknown)
Box 124 Folder 14	Script, by Kenneth Bernard, undated
	The Paper (Production information unknown)
Box 124 Folder 15	Script, by Al Christina, 1970
	The Park (Production information unknown)
Box 124 Folder 16	Script, by Marguerite Duras, adapted by Anne Bolton, undated
	People Are Living There (Production information unknown)
Box 124 Folder 17	Script, by Athol Fugard, including character descriptions and correspondence, 1969 April, undated
	Physiognomy Recapitulates Phylogeny (Production information unknown)
Box 124 Folder 18	Script, by Lucas Myers, circa 1968
	The Plaster Bambino (Production information unknown)
Box 124 Folder 19	Script, by Sidney Michaels, undated
	The Pleasure Palace (Production information unknown)
Box 124 Folder 20	Script, by Mark Daniels, undated
	A Public Prosecutor is Sick of It All (For Arena Stage, other production information unknown)
Box 124 Folder 21	Script, by Max Frisch, undated
	Roundelay (Production information unknown)
Box 124 Folder 22	Script, suggested by Schnitzler's “La Ronde,” libretto by Jerry Douglas, music by Hal Jordan, including miscellaneous notes, 1967, undated
	The Ruling Class (Production information unknown)
Box 124 Folder 23	Script, by Peter Barnes, undated
	The Saliva Milkshake (Production information unknown)
Box 125 Folder 1	Script, by Howard Brenton, undated
	The Scapegoat (Production information unknown)
Box 125 Folder 2	Script, by John F. Matthews, suggested by Franz Kafka's novel The Trial, undated
Box 125 Folder 3	Script, by John Matthews, suggested by Franz Kafka's novel The Trial, annotated, 1948
	Seascape (Production information unknown)
Box 125 Folder 4	Script, by Edward Albee, 1974
	Shellgame (Production information unknown)
Box 125 Folder 5	Script, by Douglas Bankson, 1966
	Shapiro and the Bible (Production information unknown)
Box 125 Folder 6	Article, “Shapiro and the Bible: Why the Making of a Motion Picture?,” and letter, 1972, undated
Box 125 Folder 7, 8	Revised script, by Charles K. Peck Jr., undated
Box 125 Folder 9	Second revised working draft script, by Charles K. Peck Jr., undated
	Silence (Production information unknown)
Box 125 Folder 10	Script, by Roman Brandstaetter, undated
	The Soft Core Pornographer (Production information unknown)
Box 125 Folder 11	Script, by Martin Stone and John Heller, 1971
	Soldiers (Production information unknown)
Box 125 Folder 12	Script, author not indicated, including an epilogue as used at Burgtheater Vienna, undated
	Someone's Comin' Hungry (Production information unknown)
Box 125 Folder 13	Script, by McGrea Imbrie and Neil R. Sheldon, undated
	Son of Man and the Family (Production information unknown)
Box 125 Folder 14	Script, author not indicated, undated
	Song of the Butcher Block (Production information unknown)
Box 125 Folder 15	Script, by Mark Daniels, annotated, undated
	The Sound of a Woman (Production information unknown)
Box 125 Folder 16	Script, by Frank Spiering, undated
	Sounding Brass (Production information unknown)
Box 125 Folder 17	Script, by Robert E. Lee, 1975 November
	Steinway Grand (Production information unknown)
Box 125 Folder 18	Script, by Ferenc Karinthy, English translation by Matyas Eszterhazy, revision by Bertha Gaster, undated
	Sticks and Bones (New York, Anspacher, 1971 November 7 and John Golden, 1972 March 1)
Box 125 Folder 19	Script, “Bones,” by David W. Rabe, including clipping and brochure, undated
	Suzanna Andler (Production information unknown)
Box 125 Folder 20	Script, by Marguerite Duras, undated
	Take a Globe in Plano (Production information unknown)
Box 125 Folder 21	Script, by Donald Symington, including accompanying letter, undated
	They Got Jack (Production information unknown)
Box 125 Folder 22	Script, by Leo Rutman, 1965
	This is the Chicken That Goes to Its Slaughter (Production information unknown)
Box 125 Folder 23	Script, by Yosef Bar Yosef, translated from Hebrew by Aviva Marks, undated
	This Story of Yours (Production information unknown)
Box 125 Folder 24	Script, by John Hopkins, slightly annotated, 1965 July
	Three Sons (Production information unknown)
Box 126 Folder 1	Script, by Richard Lortz, including note from Alan Schneider, undated
	A Time to Laugh (Production information unknown)
Box 126 Folder 2	Script, by Stephen Hotchner, 1970
	Tour (Production information unknown)
Box 126 Folder 3	Script, by Terrence McNally, undated
	Transparencies (Production information unknown)
Box 126 Folder 4	Script, by Mark Daniels, undated
	The Trial (Production information unknown)
Box 126 Folder 5	Script, by Andre Gide and Jean Louis Barrault, English translation and adaptation hy Jacqueline and Frank Sundstrom, from the novel by Franz Kafka, undated
Box 126 Folder 6	Script, annotated, undated
	The Trial of A. Lincoln (Hartford, Conn., theater unknown, 1970 April 6; Phoenix, Palace West, 1971 March 30; Hollywood, Huntington Hartford, 1971 April 7; Detroit, Fisher, date unknown)
Box 126 Folder 7	Notes, playbill, clippings, 1970-1971
Box 126 Folder 8	Script, by James Damico, undated
Box 126 Folder 9	Patch copy script, by James Damico, 1971 April 28
	The Trouble with Europe (Production information unknown)
Box 126 Folder 10	Script, by Paul D'Andrea, 1978
	Two Plays (Production information unknown. Consists of Confessional I Can't Imagine Tomorrow)
Box 126 Folder 11	Script, by Tennessee Williams, undated
	The Universal Nigger (Production information unknown)
Box 126 Folder 12	Script, by Gordon Porterfield, undated
	Ups and Downs (Production information unknown)
Box 126 Folder 13	Script, by Amitsur Ilan, including an accompanying letter, June 1968, undated
	Virgil's Dream (Production information unknown)
Box 145 Folder 1	Musical script, for one act chamber theater, 1967
	A Walk in the Moonlight (Production information unknown)
Box 126 Folder 14	Script, by anonymous author, translated by Algirdas Landsbergis, 1976
	Wandering (Production information unknown)
Box 126 Folder 15	Script fragment, by Lanford Wilson, undated
	The Wedding Feast (Production information unknown)
Box 126 Folder 16	Script revisions, no author indicated, 1976
	We'll All Be There (Production information unknown)
Box 126 Folder 17	Draft script, by Dale Wasserman, based on Oldrich Danek's “I Shall Return to Prague,” 1977 November
	What Use Are Flowers? (Production information unknown)
Box 126 Folder 18	Script, by Lorraine Hansberry, 1961 December 20
	Where is Che Guevara? (Production information unknown)
Box 126 Folder 19	Script, by Leo Rutman, 1968
	The Wife of Bath's Second Tale (Production information unknown)
Box 126 Folder 20	Script, by Norman Wahl, annotated, undated
	The Windows of Heaven (Production information unknown)
Box 126 Folder 21	Script, by Shimon Wincelberg, based on “A Cat in the Ghetto,” by Rachmil Bryks, including review of a Stockholm production, 1969, undated
	Women in Sorrow (Production information unknown. Consists of Evolution: Child's Play and Our Secret Dreams)
Box 126 Folder 22	Script, by Stanley Crouch, undated
	The Young Men (Production information unknown)
Box 126 Folder 23	Script, by Vincent Wilde (winner of the Wisconsin Playwright Guild, freely adapted from a short story “The Blood of the Martyrs,” 1938-1939)
	You're A Good Man Charlie Brown (New York, John Golden, 1971 June 1)
Box 126 Folder 24	Script, based on the comic strip “Peanuts” by Charles M.Schulz, book, music and lyrics by Clark Gesner, 1967
Box 126 Folder 25	Untitled script, no author indicated, undated (Production information unknown)
	Literature (e.g., books, novels, stories)
	Beautiful Black Baby (Publication information unknown)
Box 126 Folder 26	Story, by Rick Ferrell, undated
	A Certain Slant of Light (New York, Putnam's, 1968)
Box 126 Folder 27	Proofs, by Frances Rickett, including accompanying letter, 1968
	Clash by Day (Publication information unknown)
Box 126 Folder 28	Typescript of novel, by Richard Lebherz, including accompanying letter, 1976, undated
	Invalid Memoirs (Publication information unknown)
Box 126 Folder 29	Story, by Simon Loekle, including accompanying letter, undated
	Petey (Publication information unknown)
Box 127 Folder 1	Story, by John Hastings, undated
Box 127 Folder 2	Untitled articles and critiques, by Samuel “Sonny” Hoffer, 1967
	Poems
Box 127 Folder 3	In Love and Tears 1969, Collection of poems, by Norbert H. Schickel, Jr., 1969 December 25 (Publication information unknown)
Box 127 Folder 4	In Memory of Clinch Calkins, 1969 (Unpublished)
Box 127 Folder 5	Poeme Metaphysique and The Old Man, undated (Publication information unknown)
	Radio
	Vin de L'Empereur (Production information unknown)
Box 127 Folder 6	Script, by Wim va Leer and Arnold Yarrow, 1966
	Television
	The American Revolution (Production information unknown)
Box 127 Folder 7	Script, Park I, no author indicated, undated
	The Bridge (Production information unknown)
Box 127 Folder 8	“This Bridge Goes Both Ways”: script, by George Bellak, undated
	Ideogram One (Production information unknown)
Box 127 Folder 9	Format, by Robert Louis Banov, 1968
	Scissors Jack Series (Production information unknown)
Box 127 Folder 10	Miscellany, undated
	Sketches
Box 127 Folder 11	For The Wonderful World of Mr. Carroll or Laugh I Thought I'd Die and for Directing Class at Long Beach State College, 1975, undated
	Subseries: Subseries 6: Theater Organizations, Groups, and Meetings Scope and Content Note “Theater Organizations, Groups, and Meetings” consist of subject files for various professional organizations; theater groups, conventions, and festivals; and foundations with which Schneider was involved or had contact. Among these are foundations such as the Rockefeller, Ford, and Woodrow Wilson foundations; theater groups such as The Acting Company, the Juilliard School, and Theatre Communications Group; theaters such as the Alley Theatre, Catholic University Theatre, Goodman Theatre, and Guthrie Theatre; and professional organizations such as the Society of Stage Directors and Choreographers. Those groups or meetings which had only small files (usually a single letter or two) have been combined and placed in the files labeled “Miscellaneous Theaters and Organizations.” The most extensive files are those relating to the Ithaca Festival Theatre, a project initially conceived as a cultural, educational, and recreational facility for all the performing arts (theater, music, dance, films, and the visual arts). The original concept of the Festival Theatre, which was located in Ithaca, New York -- home of Cornell University and Ithaca College -- was to provide a source of cultural opportunity when the university and college were not in session. Schneider served as the Artistic Director of the Festival Theatre for several of its planning years, although he ultimately resigned when constant delays postponed its opening and the concept of the theater's scope changed. Nevertheless, the files provide insights into many phases of the Theatre's planning and design and documents various fund-raising projects organized to solicit financial support from the local community, private foundations, and local and state governments, efforts to design a theater and grounds conducive to artistic expressions, and plans for the types of plays and repertory company needed to execute the Theatre's goals. Also included are files relating to the Ford and Rockefeller foundations for which Schneider worked as a consultant. Included with the Rockefeller Foundation files are confidential memoranda from Schneider in which he forthrightly critiques the overall programs and performances of various theater groups and companies and makes recommendations regarding their grants. In addition to documenting Schneider's activities in the National Endowment for the Arts, these files also reveal the role of the federal government in assisting theater in America. Finally, a large file exists for the Arena Stage where Schneider directed many productions throughout his career and served as Associate Director.	⇧
Box 127 Folder 12	The Acting Company, 1976-1980
Box 127 Folder 13	Actors' Equity Association, 1966-1979, undated
Box 127 Folder 14-15	The Actors Studio Inc., 1948-1978, undated
Box 127 Folder 16	Advocates for the Arts, 1974-1977
Box 127 Folder 17	Affiliate Artists Inc., 1974
Box 127 Folder 18	Alley Theatre (Houston, Texas), 1968-1973
Box 127 Folder 19	American Actors Committee, 1967
Box 127 Folder 20	The American Assembly, Columbia University, circa 1977, undated
Box 127 Folder 21	American Assembly on the Performing Arts, undated
Box 127 Folder 22-23	American College Theatre Festival, 1969-1979
Box 127 Folder 24	American Educational Theatre Association, 1969-1970, undated
Box 127 Folder 25	American National Theater and Academy, 1967-1968, undated
Box 127 Folder 26	American Place Theater, 1963-1976, undated
Box 127 Folder 27	American Theatre Association, 1973-1979
	Arena Stage Note: See also Part 2, Subseries 9.
Box 127 Folder 28	Clippings, 1951-1976, undated
Box 127 Folder 29-30	Correspondence, October 1970-December 1977, undated
Box 127 Folder 31	Minutes of staff meetings, 1972 August 15-1974 June 13
Box 127 Folder 32	Miscellany, 1959-1973, undated
Box 127 Folder 33	Press releases and newsletters, 1972 April-1977 October
Box 127 Folder 34	Production notes, undated
Box 127 Folder 35	Publicity file, circa 1968-1977
Box 127 Folder 36	Schedules, 1972-1973
Box 127 Folder 37	Yearbook, 1973-1974
Box 127 Folder 38	Asolo Theatre Festival, 1967, 1970
Box 127 Folder 39	Association of Producing Artists, circa 1960-1969, undated
Box 128 Folder 1	California Shakespearean Festival and Performing Arts Center, 1978 July 21-23
Box 128 Folder 2	Cameri Theatre, 1963-1974, undated
Box 128 Folder 3	Catholic University Theatre, 1941-1945
Box 128 Folder 4	Center Theater Group, 1967-1969
Box 128 Folder 5	Chelsea Theater Center, 1965-1970
Box 128 Folder 6	Children's Theatre Company, 1967-1974
Box 128 Folder 7	The Cleveland Playhouse, 1971
Box 128 Folder 8	Concerned Citizens for the Arts, 1971
Box 128 Folder 9	Council for the Arts in Westchester, 1966-1978
Box 128 Folder 10	Creative Management Associates, 1968-1972
Box 128 Folder 11	Dallas Theater Center, 1973-1974
Box 128 Folder 12	The Design of Theatres, colloquium, 1967
Box 128 Folder 13-14	Directors Guild of America Inc., 1967-1980
Box 128 Folder 15	Dream Theatre Workshop, 1973
Box 128 Folder 16	Equity Theatre, 1967-1975
Box 128 Folder 17	Eugene O'Neill Memorial Theatre Foundation Inc., 1965-1974
Box 128 Folder 18	Festivals Inc., 1974-1975
	Ford Foundation
Box 128 Folder 19	Correspondence, 1967-1978
Box 128 Folder 20	Notes and miscellany, undated
Box 128 Folder 21	Reports, 1967
	Subject File
Box 128 Folder 22	The Charles Playhouse, 1971
Box 128 Folder 23	City Planning Commission, 1967-1968
Box 128 Folder 24	New American Plays Program, circa 1976-1977
Box 128 Folder 25	The Foundation for American Dance, including Joffrey Ballet brochure, 1965
Box 128 Folder 26	Foundation for the Humanities and the Arts, 1973
Box 128 Folder 27	Foundations, miscellaneous, 1964-1979
Box 128 Folder 28	Georgia Theatre Conference, 1971-1973
Box 128 Folder 29	Goodman Theatre, 1966-1972
Box 128 Folder 30	Grand Rapids Civic Theatre, 1972
Box 128 Folder 31	Grossinger's, 1971-1972
	Guthrie Theatre
Box 128 Folder 32	Correspondence, publications, clippings, miscellany, circa 1963-1974
Box 128 Folder 33	Press releases, 1963-1966
Box 128 Folder 34	Hastings Creative Arts Council Inc., 1967-1968, 1971, undated
Box 128 Folder 35	Institute for Advanced Studies in the Theatre Arts, 1967-1976
Box 128 Folder 36	Institute of Society, Ethics, and the Life Sciences, 1971-1974
Box 128 Folder 37	Institute on the Gifted and Talented (1978 May 20-21), 1978
	International Theatre Institute
Box 128 Folder 38	11th Congress, Tel Aviv (1965 June 29), 1965
Box 128 Folder 39	12th Congress, Prague (1968 June 10-16), 1968
Box 128 Folder 40	13th Congress, Budapest (1969 June 8-14), 1969
Box 128 Folder 41	15th Congress, Moscow (1973 May 27-June 1), 1973
Box 129 Folder 1-3	Annual reports, 1973-1978
Box 129 Folder 4-5	Correspondence and reports
Box 129 Folder 6	Newsletters and brochures, 1970-1979
	Ithaca Festival Theatre Note: See also Part 2, Subseries 9.
	Administration
Box 129 Folder 7	Board of Trustees, 1965-1967
Box 129 Folder 8-9	Executive Committee, minutes and agenda, 1965-1968
Box 129 Folder 10	Article by Schneider, “The Idea of a Festival Theatre in Ithaca, New York, circa A.D. 1967,” 1967
	Bolt, Beranek, and Newman Inc.
Box 129 Folder 11	Correspondence and publication, 1966-1967
Box 129 Folder 12	Report, 1967 November 30
	Brochures, promotional
Box 129 Folder 13	Brochures, circa 1965-1966
Box 129 Folder 14	Correspondence, miscellany, 1964-1966
Box 129 Folder 15	Bruska, Walter, 1965-1967
Box 129 Folder 16	Budget reports, projected, 1965-1967
Box 129 Folder 17	Building and Site Committee, including Master Site Plan, 1965
Box 129 Folder 18	CBS, 1966-1967
Box 129 Folder 19	Campbell, Ralph, executive director, 1964-1965
Box 129 Folder 20	Carlson, Marvin, 1966-1967
	Casting
Box 129 Folder 21	Actors/Talent for Company, 1964-1966, undated
Box 129 Folder 22	Casting and letters of inquiry, 1962-1968
Box 129 Folder 23	Clancy, James, 1965-1967
Box 129 Folder 24	Clarke, Cecil, 1966, undated
Box 129 Folder 25	Clippings, 1965-1968, undated
Box 129 Folder 26	Contracts, 1965
Box 129 Folder 27	Correspondence, 1963-1975, undated
Box 129 Folder 28	Designers, statement to by Alan Schneider, 1966, undated
Box 145 Folder 3-5	Designs, plans, plots, circa 1965-1966, undated
Box 146 Folder 1-3	Designs, Plans, Plots, circa 1965-1966, undated
Box 129 Folder 29	Directors, 1965-1968
Box 130 Folder 1	Edelstein, Leonard, 1965-1967, undated
Box 130 Folder 2	Expenses, 1964-1968
	Fairfield and Dubois, architects
Box 130 Folder 3	Construction and labor specifications, circa 1966
Box 130 Folder 4	Correspondence, notes, miscellany, 1965-1967, undated
Box 130 Folder 5	Cost estimates, 1965-1966
	Project reports
Box 130 Folder 6	Correspondence, memoranda, miscellany, 1965-1968, undated
Box 130 Folder 7-8	Reports, 1965 April-1968 August
Box 130 Folder 9	Space and Accommodation program, 1965-1967
Box 130 Folder 10	Financial statements, 1965-1967
Box 130 Folder 11	Foundation funding, 1966-1967, undated
Box 130 Folder 12	Fundraising reports and articles, 1965-1967, undated
Box 130 Folder 13	Graphics, undated
Box 130 Folder 14	Herman, Fran, 1964-1967, undated
Box 130 Folder 15	Historical sketch and outline, 1964-1966, undated
Box 130 Folder 16	Ithaca College, 1966-1967
Box 130 Folder 17	John, Mary, 1967, undated
Box 130 Folder 18	Kenny, Sean, stage designer and theater architect, 1961-1973
Box 130 Folder 19	Ketchum Inc., report regarding fund-raising campaign, 1968
Box 130 Folder 20	Lighting and electrical, 1965
Box 130 Folder 21	Linowitz, Sol, 1966, undated
Box 130 Folder 22	MacLeod, Beatrice, 1963-1969, undated
Box 130 Folder 23	McCleery report, 1966
Box 130 Folder 23a	McQuiggan, Jack, 1967
Box 130 Folder 24	Mandeville, David, chairman, Board of Trustees, 1965-1967
Box 130 Folder 25	Miscellany, 1966, 1968, undated
Box 130 Folder 26	National Board, 1965
Box 130 Folder 27	New York State, correspondence and reports, 1965-1967, undated
Box 130 Folder 28	Newsletters and volunteers (“From the Wings”), 1965-1967
Box 130 Folder 29	Notes, miscellaneous, 1965, undated
Box 130 Folder 30	Objectives and plans, 1964-1966, undated
Box 130 Folder 31	Perkins, James, president of Cornell University, 1965-1966, undated
Box 130 Folder 32	Play ideas, 1965, undated
Box 130 Folder 33	Press releases, circa 1963-1967
Box 145 Folder 2	Publicity, circa 1966-1967
Box 130 Folder 34	R.H. Rush Associates Inc., 1965, undated
Box 130 Folder 35	Regional Organization, 1965-1966, undated
Box 130 Folder 36	Reports, 1965-1969, undated
Box 130 Folder 37	Resignation of Alan Schneider, circa April-June 1968
Box 130 Folder 38	Rosenthal, Jean, 1965-1969
Box 130 Folder 39	Schedule, 1965
Box 130 Folder 40	Schickel, Norbert, Jr., Board member and director of design and construction, 1965-1967
	Staff
Box 130 Folder 41	Charts and lists, 1965, 1968, undated
Box 130 Folder 42	Résumés and letters of inquiry, 1965-1967, undated
Box 130 Folder 43	Summer, 1963-1967
Box 130 Folder 44	Summerskill, John, chairman of the Board, 1966
Box 131 Folder 1	Theater Design and Building, comments, on, 1964-1966, undated
Box 131 Folder 2	Warner Springs Conference on Drama in the University report on, 1966 December 28-29
Box 131 Folder 3	Weekend retreat, 1966
Box 131 Folder 4	Wiggins, Walter, attorney, 1965-1967
Box 131 Folder 5	John Simon Guggenheim Foundation, 1948, 1967-1980
Box 131 Folder 6	The Juilliard School, including miscellaneous playbills, 1970-1979, undated
Box 131 Folder 7	League of Professional Theatre Training Programs, 1977-1980
Box 131 Folder 8	Library and Museum of the Performing Arts, 1974-1977
Box 131 Folder 9	Lincoln Center for the Performing Arts Inc., 1973-1979
Box 131 Folder 10	La Mama Experimental Theatre Club, 1970-1976
Box 131 Folder 11	Masterworks Theatre Inc., 1968
Box 131 Folder 12	Metro-Goldwyn-Mayer, 1968
Box 131 Folder 13	Milwaukee Repertory Theater Company, 1971-1973, undated
Box 131 Folder 14-15	Miscellaneous theaters and organizations, alphabetical arrangement, circa 1967-1979
Box 131 Folder 16	Mummers Theatre, circa 1967
Box 131 Folder 17	National Council on Theatre and the Humanities, 1973, 1975
	National Endowment for the Arts
Box 131 Folder 18	Blue Book, 1977
Box 131 Folder 19-21	Correspondence, general, 1967 September-1967 September-1979 December, undated
Box 131 Folder 22	Five-year plan, 1978
	Grant applications and related correspondence
Box 131 Folder 23-31	1968-1978
Box 132 Folder 1	1978
Box 132 Folder 2	Summary sheets, 1978
	Maltech Research Study
Box 132 Folder 3-4	Report, “The Conditions and Needs of the Live Professional Theatre in America,” 1978
Box 132 Folder 5	Correspondence and minutes, 1977-1978
Box 132 Folder 6	Minutes and agenda, 1968-1978
Box 132 Folder 7	Miscellany, 1966-1979, undated
Box 132 Folder 8	National Educational Television Proposal, 1968-1969
Box 132 Folder 9-10	Panel book, 1976-1977
Box 132 Folder 11	Playwright Experimental Theatre, 1966
Box 132 Folder 12	Poets Press Inc., 1967
Box 132 Folder 13	Professional companies, reviews of productions and general reports, 1977-1978
Box 132 Folder 14	Professional Training Program, 1979
Box 132 Folder 15-16	Reports, 1967-1978, undated
Box 132 Folder 17	Task Force on Education, Training, and Development of Professional Artists and Arts Educators, 1977-1978
	Theatre Advisor Panel meetings, see Part 2, Subseries 9
Box 132 Folder 18	University and Residential Theatre Association, 1971
Box 132 Folder 19	Young Director Intern Program, 1978
Box 132 Folder 20-21	National Theatre Conference, 1965-1975, undated
Box 132 Folder 22	National Theatre of the Deaf, 1966-1968
Box 132 Folder 23	New Dramatists Committee, 1965-1974
Box 132 Folder 24	New York State--Education Department, 1966-1968
Box 132 Folder 25	New York State Community Theatre Association, 1968
Box 132 Folder 26	New York State Council on the Arts, 1967-1970
Box 132 Folder 27	Open Theater, 1967-1968
Box 132 Folder 28	The Performing Arts and American Society, Assembly Meeting (1977 November 3-6), 1978
Box 133 Folder 1	Pirandello Society Inc., 1969
Box 133 Folder 2	The Poetry Center, 1969
Box 133 Folder 3	Public Theater, 1970-1971
Box 133 Folder 4	The Repertory Theater of Lincoln Center, 1964-1973, undated
Box 133 Folder 5	Regional Theater Groups, circa 1968-1974
	Rockefeller Foundation Note: See also Part 2, Suberies 9.
Box 133 Folder 6	American Conservatory Theatre, 1967
Box 133 Folder 7	Correspondence, reports, 1948-1969
Box 133 Folder 8-9	Confidential memoranda from consultant Alan Schneider, 1962-1967
Box 133 Folder 10	Royal Shakespeare Theatre, 1964-1965
	Society of Stage Directors and Choreographers Note: See also Part 2, Subseries 9.
Box 133 Folder 11-14	General, 1967 August-1980 May
Box 133 Folder 15	League of Resident Theatres, 1971-1978
Box 133 Folder 16-17	Society-League Pension and Welfare Funds, 1976-1980
Box 133 Folder 18	Workshop Foundation Inc., 1967-1976
Box 133 Folder 19	South Carolina Theater Association Inc., 1971
Box 133 Folder 20	Southeast Theatre Conference, “Getting Down to Basics” (November 1-3, 1973), 1973
Box 133 Folder 21	State University College-Oneonta, New York, 1969
	Stratford Shakespeare Festival
Box 133 Folder 22	Correspondence, miscellany, 1964-1967
Box 133 Folder 23	Press releases, 1964-1965
Box 133 Folder 24	Spoleto Festival, 1969-1971, undated
Box 133 Folder 25	Studio Arena Theater, 1968-1969
Box 133 Folder 26	Symposium regarding “Detente and the Arts: Our Town Goes to Russia,” 1975
	Theatre Communications Group Note: See also Part 2, Subseries 9.
Box 133 Folder 27-30	General, 1967-1980, undated
Box 133 Folder 31	Annual reports, 1972-1978
Box 133 Folder 32	Board of Directors, 1978-1980, undated
Box 134 Folder 1	Financial statements, notes, miscellany, circa 1977-1978, undated
	National Working Conference
Box 134 Folder 2	General, 1978
Box 134 Folder 3	Report, Working Conference on Non-Profit Professional Theatres, 1976
Box 134 Folder 4	Newsletters, 1973-1979
Box 134 Folder 5	Production schedules, 1966-1974
Box 134 Folder 6	Theater for the New City, 1971, undated
Box 134 Folder 7	Theater meeting (Bucharest, 1969 June 15-22), 1969, 1971
Box 134 Folder 8	Theater Projects Committee, 1968
	Theatre Development Fund Inc., 1971-1979
Box 134 Folder 10	Theatre for Ideas, 1968, undated
Box 134 Folder 11	Theatre Quarterly, 1973-1976
Box 134 Folder 12	University of Minnesota Press, 1967-1968
Box 134 Folder 13	Virginia Museum Theatre, 1967
Box 134 Folder 14	Virginia Theatre Conference, 1973-1974
Box 134 Folder 15	Westbeth, circa 1968-1973
Box 134 Folder 16	Williamstown Theatre, 1967-1979
Box 134 Folder 17	Woodrow Wilson Foundation--the National Humanities Series, 1971-1973
	Subseries: Subseries 7: Colleges and Universities Scope and Content Note: The “Colleges and Universities” subseries begins with a small General File which includes correspondence that describes various offers which Schneider received plus miscellaneous student recommendations for academic or professional placement. The majority of the file consists of an alphabetical subject file documenting Schneider's actual involvement as a teacher, visiting professor, or lecturer. Occasionally these files will mention specific productions that Schneider directed while at that campus.	⇧
	General
Box 134 Folder 18	Job/Teaching possibilities, 1970-1975, undated
Box 134 Folder 19	Miscellany, circa 1975-1977, undated
Box 134 Folder 20	Recommendations, 1968-1980, undated
Box 134 Folder 21	Student papers, 1950, undated
	Subject File, by name of institution
Box 134 Folder 22	Unidentified colleges and universities, 1975, undated
Box 134 Folder 23	Auburn Community College, 1968
Box 134 Folder 24	Ball State University, 1974-1975
Box 134 Folder 25	Beloit College, 1976
Box 134 Folder 26	Bennington College--Performing Arts Committee, 1967-1969
Box 134 Folder 27	Birmingham-Southern College, 1968
	Boston University
Box 134 Folder 28	Correspondence, 1965-1979, undated
Box 134 Folder 29	Memoranda, agenda and minutes; production miscellany, 1972-1977
Box 134 Folder 30	Brooklyn College, 1973-1978
Box 134 Folder 31	California State University-Long Beach and Northridge, 1973-1977
Box 134 Folder 32	Catholic University of America, 1967-1971
Box 134 Folder 33	Cayuga County Community College--International Studies Program (Theater in London, 1978 January 5-19), 1977-1978
Box 134 Folder 34-35	City College of New York, 1967-1979, undated
Box 134 Folder 36	Clarke College, 1967-1968
Box 134 Folder 37	Colgate University, 1967-1975
Box 134 Folder 38	Columbia University, 1967
Box 134 Folder 39	Cornell University, including materials regarding Ithaca Festival, 1965-1967, undated
Box 134 Folder 40	Duke University, 1976, undated
Box 134 Folder 41	Ferrum College, undated
Box 134 Folder 42	Hofstra University, including a commencement speech by Schneider and material regarding American College Theatre Festival, 1965-1978, undated
Box 134 Folder 43	Hunter College, 1972, undated
Box 134 Folder 44	Indiana University, 1970-1973
Box 134 Folder 45	Jamestown Community College, 1978
Box 134 Folder 46	Kansas State University, 1975-1976
Box 134 Folder 47	Kansas University, 1969-1976
Box 134 Folder 48	Lander College, 1977
Box 135 Folder 1	Louisiana State University, 1973
Box 135 Folder 2	Memphis State University, 1966
Box 135 Folder 3	Miscellaneous colleges and universities, circa 1967-1977
Box 135 Folder 4	New York University--School of the Arts, 1965-1968, undated
Box 135 Folder 5	North Carolina State University-Raleigh, 1976
Box 135 Folder 6	Oberlin College, 1968-1969
Box 135 Folder 7	Pace College, 1968
Box 135 Folder 8	Pennsylvania State University, 1972-1974
Box 135 Folder 9	Queens College, 1974, undated
Box 135 Folder 10	Rhode Island College, 1971-1977
Box 135 Folder 11	Rider College, circa 1971-1974
Box 135 Folder 12	Rutgers University, 1973-1978
Box 135 Folder 13	St. Cloud State College, 1968-1969
	Salzberg Seminar in American Studies
Box 135 Folder 14	Correspondence, 1967-1972, undated
Box 135 Folder 15	Course descriptions, report, brochure, circa 1970
Box 135 Folder 16	Sarah Lawrence College, 1952, undated
Box 135 Folder 17	Schiller College, 1977-1980
Box 135 Folder 18	Smith College, 1974-1979
Box 135 Folder 19	Southeastern Massachusetts University, 1974-1975
Box 135 Folder 20	Southern Illinois University, 1966-1976
Box 135 Folder 21	Southern Methodist University, 1972-1975
Box 135 Folder 22	Stanford University, 1975-1979
Box 135 Folder 23	State University College-Fredonia, New York, 1972
	State University of New York-Albany
Box 135 Folder 24	General, 1969-1975, undated
Box 135 Folder 25	Playwrighting Competition, 1974-1975
Box 135 Folder 26	State University of New York-Binghamton, 1968
Box 135 Folder 27	State University of New York-Buffalo, 1974
	State University of New York-Purchase
Box 135 Folder 28	Clippings, publications, notes, circa 1972-1974
Box 135 Folder 29	Correspondence, class material, circa 1966-1975
Box 135 Folder 30	Daily Appointment Book, 1974/1975
Box 135 Folder 31	Staten Island Community College, 1971
Box 135 Folder 32	Stephens College, 1969
Box 135 Folder 33	Syracuse University, 1969-1970
Box 135 Folder 34	Tufts University, 1968-1973
Box 135 Folder 35	University of California-Berkeley, University Extension (“British Theatre in Transition,” August 11-September 3, 1977), 1976-1977, undated
Box 135 Folder 36	University of California-Los Angeles, 1970-1980
Box 135 Folder 37	University of California-Riverside, 1971-1972
Box 135 Folder 38	University of California-San Diego, 1972-1980
Box 135 Folder 39	University of Chicago, 1971-1972
Box 135 Folder 40	University of Colorado-Boulder--Colorado Shakespeare Festival, workshop, 1978
Box 135 Folder 41	University of Connecticut, 1967-1970
Box 135 Folder 42	University of Denver, 1977-1978
Box 135 Folder 43	University of East Anglia, 1971-1972
Box 135 Folder 44	University of Illinois, 1968
Box 135 Folder 45	University of Iowa, 1968
Box 135 Folder 46	University of Michigan, circa 1967-1975, undated
Box 135 Folder 47	University of Minnesota, 1967-1977
Box 135 Folder 48	University of Missouri-Kansas City, 1971-1976
Box 135 Folder 49	University of Nebraska, 1970
Box 135 Folder 50	University of North Carolina-Chapel Hill, 1968-1969
Box 135 Folder 51	University of North Carolina-Charlotte, 1977
Box 135 Folder 52	University of Pennsylvania, 1972
Box 135 Folder 53	University of Reading, 1970
Box 135 Folder 54	University of Toronto, Saint Michael's College, 1970-1971
Box 135 Folder 55	University of Virginia, 1974
Box 135 Folder 56	University of Washington, 1979
Box 135 Folder 57	University of Western Ontario, 1975-1976
Box 135 Folder 58	University of Wisconsin-Madison, 1969-1979
Box 135 Folder 59	University of Wisconsin-Milwaukee, 1961-1979
Box 135 Folder 60	Wayne State University, 1977-1980
Box 135 Folder 61	Yale University, 1965-1972
Box 135 Folder 62	York University, 1969-1974
	Subseries: Subseries 8: Writings and Speeches Scope and Content Note: The “Writings and Speeches” subseries begins with a General File consisting of clippings, correspondence, and subject files relating to several speakers bureaus. The writings themselves are subdivided by type and include articles, essays, poems, radio scripts, and short stories. The articles are identified by title; bracketed titles were provided by the processing archivist. A few speeches, some of which were published, were also included in this series.	⇧
Box 135 Folder 63	Clippings, 1961, undated
	Correspondence
Box 135 Folder 64	regarding articles and writings, 1965-1979, undated
Box 135 Folder 65	regarding lectures and speaking engagements, 1967-1979, undated
Box 135 Folder 66	Harry Byrd Kline Celebrity Service, 1972-1973
Box 135 Folder 67	Lordly and Dame Inc., 1966-1973
Box 135 Folder 68	National Talent Service Inc., 1971, undated
Box 136 Folder 1	Wide World Lecture Bureau, Inc, 1967-1971, undated
	Articles, circa 1942-1977, undated
Box 136 Folder 2	[ Alley Theatre ]
Box 136 Folder 2	“Another Part of the Elephant”
Box 136 Folder 2	[ Bertolt Brecht ]
Box 136 Folder 2	[ Eastern Europe ]
Box 136 Folder 3	“Don't Trust the Critics, Mrs. Worthington”
Box 136 Folder 3	“The Essence of Existence Seen in the Arts”
Box 136 Folder 3	“From Russia with Love”
Box 136 Folder 3	“The Future of Repertory at the Lincoln Center”
Box 136 Folder 4	“The Happy Journey to Moscow and Leningrad,” including a “Report to the State Department”
Box 136 Folder 4	“Has Broadway Had It?”
Box 136 Folder 4	“The High School Theatre in the Victory Corps Program”
Box 136 Folder 5	“How It Is!”
Box 136 Folder 5	“Hume's First Tape”
Box 136 Folder 5	“The Idea of a Theatre in Ithaca, New York, circa A.D. 1967”
Box 136 Folder 6	[ Juilliard ]
Box 136 Folder 6	“Let's Be Beastly to the British”
Box 136 Folder 6	[ Madness ]
Box 136 Folder 6	“Magnifying Glass to Life”
Box 136 Folder 6	[ Magnolias ]
Box 136 Folder 6	“Maybe You Can Go Home Again”
Box 136 Folder 6	[New York Times statement regarding Lincoln Center]
Box 136 Folder 6	“An Open Letter to Our Soviet Friends (And Others)”
Box 136 Folder 6	[ Regional Theater ]
Box 136 Folder 6	[ Russian Theater ]
Box 136 Folder 6	“Second City”
Box 136 Folder 6	“Shakespeare on Capitol Hill”
Box 136 Folder 6	“So What Do You Really Do, Mr. Director?”
Box 136 Folder 6	“The Stratford Success Story”
Box 136 Folder 6	[ Theaters ]
Box 136 Folder 7	“The Theatre: Does It Exist”
Box 136 Folder 7	“They Loved Us in Leningrad (And Moscow)--And Vice Versa”
Box 136 Folder 8	“Twosome for the Foursome”
Box 136 Folder 8	“Whatever Happened to...?”
Box 136 Folder 8	“What's So Special About Ithaca?”
Box 136 Folder 8	[ Wilder, Thornton ]
Box 136 Folder 9	Books, including forwards and essays, 1969-1973
Box 136 Folder 10	Critiques and reviews, circa 1971-1972, undated
Box 136 Folder 11	Edited Work, War Savings Programs for Schools at War, undated
Box 136 Folder 12	Essays, undated
Box 136 Folder 13	Ideas for writings, 1940-1967
Box 136 Folder 14	Letters to the editor, circa 1969-1971
Box 136 Folder 15	Miscellaneous writings, 1943-1972, undated
Box 136 Folder 16	Poems, undated
	Radio
	The Magic Keynote (unproduced; written as job application)
Box 136 Folder 17	Script, by Alan Schneider, 1943
	New Frontiers #7 (written for Department of Interior and CBS, other information unknown): “Greenbelt: Designed for Living”
Box 136 Folder 17	Script, by Alan Schneider, annotated, undated
	Our Town is Your Town (Presented by the U.S. Office of Education in cooperation with the U.S. Public Health Service, other information unknown)
Box 136 Folder 17	Script, regarding syphilis, undated
	This Small World (WRC in cooperation with the Community War Fund, original broadcast on NBC, 1942 November 16): “Freedom is a Dream Word”
Box 136 Folder 17	Script, “The Unconquered People,” by Alan Schneider, annotated, 1942 June 9
Box 136 Folder 17	Script, by Alan Schneider, annotated, 1942
	This Was Our Town (WRC, broadcast 1944 July 8, other production information unknown)
Box 136 Folder 17	Script, by Alan Schneider, annotated, 1944
	Wisconsin Players Radio Production (Madison, Wisconsin, original broadcast over WHA? other production information unknown): “End of Dreams” (broadcast 1938 November 25)
Box 136 Folder 17	Script, by A. Schneider, annotated, 1938
	Program title unknown (a theater review; Washington, D.C.?, broadcast over WQQW, 1947 May-June?)
Box 136 Folder 18	20 scripts, by Alan Schneider, annotated, 1947 January 12-June 1
Box 136 Folder 19	Short stories, 1937-1939
	Speeches
Box 136 Folder 20	American Psychiatric Association (1978 November 4-5), “Artistic Representations of Mania,” 1978
Box 136 Folder 21	N.A.T.S. Social Construction Conference (1944 December 28), 1944
Box 136 Folder 22	“The Dilemma of Democracy,” by Abraham L. Schneider, published in Winning Orations of the Northern Oratorical League Contest, 1939
Box 137 Folder 1-2	“Regional Theatre vs Broadway,” included in “Regional Theatre '67,” 1967-1968
Box 137 Folder 3	regarding Postmaster General James Farley, 1941
Box 137 Folder 4	Statement to a panel on technology in the theater, 1972
Box 137 Folder 5	Opening Night Speech, unidentified theatrical performance, undated
916A/14-15	Schneider speaking at University Forum on "Changing Scene in the Theater," 1980 June 30
	Subseries: Subseries 9: Previously Restricted Files Scope and Content Note: The “Previously Restricted Files” relate to Arena Stage, Ithaca Festival Theatre, the National Endowment for the Arts, the Rockefeller Foundation, Society of Stage Directors and Choreographers Inc., and Theatre Communications Group.	⇧
Box 138 Folder 1	Arena Stage, 1959-1975, undated
Box 138 Folder 2	Ithaca Festival Theatre--Rockefeller and Ford Foundations, 1966-1967
Box 138 Folder 3-17	National Endowment for the Arts, notebooks regarding Theatre Advisory Panel meetings, 1974 May-1975 October
Box 138 Folder 18	The Rockefeller Foundation, President's Five Year Review and Annual Report, 1968
	Society of Stage Directors and Choreographers Inc.
Box 138 Folder 19	1970 August-1972 March
Box 139 Folder 1-3	1972 April-1974 October
Box 140 Folder 1-3	1974 November-1977 December
Box 140 Folder 4	Theatre Communications Group, 1972-1974