|
Container
|
Title
|
|
U.S. Mss 53AN
|
Series: Part 1: Original Collection, 1929-1963
|
|
|
Correspondence
|
|
|
Box
1
Folder
2
|
1942-1952
|
|
|
Box
1
Folder
3
|
1953-1956
|
|
|
Box
1
Folder
4
|
1957-1958
|
|
|
Box
1
Folder
5
|
1959-1960
|
|
|
Box
1
Folder
6
|
1961-1963; undated
|
|
|
Box
1
Folder
7
|
Business papers, 1946-1952; undated
|
|
|
Musicals
|
|
|
Wedding in Paris, music by Hans May, lyrics by Sonny Miller
|
|
|
Box
2
Folder
1
|
First draft, undated
|
|
|
Box
2
Folder
2
|
Second draft, undated
|
|
|
Box
2
Folder
3
|
Third draft, undated
|
|
|
Box
2
Folder
4
|
Director's working copy, undated
|
|
|
Box
2
Folder
5
|
Amateur revision, 1956
|
|
|
Box
2
Folder
6
|
Sheet music, 1954
: “Always Young,” “How Do I Know It's Love?” “I Must Have Been Crazy,” “Piano Selection,” “The Simple Things of Life,” “Strike Another Match,” “A Wedding in Paris.”
|
|
|
Musical Screenplays
|
|
|
Les Girls, by John Patrick, story by Vera Caspary, 1957, Mar. 29
|
|
|
Novels
|
|
|
A Chosen Sparrow, 1962
|
|
|
Box
3
Folder
1
|
First draft with revisions, pp. 72-189, 348
|
|
|
Box
3
Folder
2-3
|
First finished version
|
|
|
Box
3
Folder
4-5
|
Second finished version
|
|
|
Box
4
Folder
1-2
|
Third finished version
|
|
|
Box
4
Folder
3
|
Notes
|
|
|
Box
4
Folder
4
|
Notes and unused scenes
|
|
|
Box
4
Folder
5-6
|
Pages discarded by Vera Caspary
|
|
|
Box
4
Folder
7
|
Untitled suspense story, 1960 (expanded into A Chosen Sparrow)
|
|
|
Box
5
Folder
1-2
|
Evvie, 1960, draft
|
|
|
Box
5
Folder
3
|
Laura, 1942, synopsis
|
|
|
Box
5
Folder
4
|
Thicker Than Water, undated, notes and family tree
|
|
|
Plays
|
|
|
Box
5
Folder
5
|
Beautiful Evening, 1929, first draft
|
|
|
Blind Mice, co-author, Winifred Lenihan, undated
|
|
|
Box
5
Folder
6
|
First draft
|
|
|
Box
5
Folder
7
|
Director's copy
|
|
|
Box
5
Folder
8
|
Geraniums in My Window, co-author, Samuel Ornitz, undated
|
|
|
The Husband, undated
|
|
|
Box
6
Folder
1
|
First draft
|
|
|
Box
6
Folder
2
|
First draft, with revisions
|
|
|
Box
6
Folder
3
|
Second draft, with revisions
|
|
|
Box
6
Folder
4
|
The Quick Easy Way, undated, draft with revisions
|
|
|
Box
6
Folder
5
|
Play to Win, 1955, July 4, first draft
|
|
|
Screenplays
|
|
|
Box
6
Folder
6
|
Bedelia, undated
|
|
|
Box
6
Folder
7
|
The Chinese Room, 1958, December 15, first draft with revisions
|
|
|
Illicit, 1961
|
|
|
Box
6
Folder
8
|
First draft with revisions
|
|
|
Second draft with revisions, October 16
|
|
|
Box
7
Folder
1
|
Copy 1, pp 1-65
|
|
|
Box
7
Folder
2
|
Copy 2, pp 1-65
|
|
|
Box
7
Folder
3
|
Third draft with revisions, November 3
|
|
|
Box
7
Folder
4
|
Fourth draft with revisions
|
|
|
Box
7
Folder
5
|
Revisions
|
|
|
Box
7
Folder
6
|
Revisions for 20th Century Fox
|
|
|
Box
7
Folder
7
|
Sheets done over by Vera Caspary
|
|
|
Box
7
Folder
8
|
Step chart
|
|
|
Box
7
Folder
9
|
Happily Ever After (Illicit), 1961, November 13, 20th Century Fox Edition, first draft
|
|
|
Box
8
Folder
1
|
A Letter to Three Wives, by Joseph L. Mankiewicz, screen story adaptation by Vera Caspary, 1948, May 19, final script
|
|
|
Box
8
Folder
2
|
Out of the Blue, 1947, February 13, revised final draft
|
|
|
Box
8
Folder
3
|
Pay Day, co-author, George Sklar, undated
|
|
|
Box
8
Folder
4
|
The Stars Look Down, by J.B. Williams, produced by Isidore Goldsmith, undated
|
|
|
Box
8
Folder
5
|
Stranger Than Truth, 1948, March
|
|
|
Box
8
Folder
6
|
Three Husbands, undated
|
|
|
Screen Stories
|
|
|
Away From Home, 1960
|
|
|
Box
9
Folder
1
|
First draft with revisions, December 1
|
|
|
Box
9
Folder
2
|
Second draft, December
|
|
|
Box
9
Folder
3
|
Easy Living, 1936
|
|
|
Box
9
Folder
4
|
The Exiles, co-author, George Sklar, 1938
|
|
|
Box
9
Folder
5
|
Les Girls, 1956, Feb. 15, first draft
|
|
|
Box
9
Folder
6
|
Give the Girl a Break, circa 1950-1951
|
|
|
Box
9
Folder
7
|
Happy Days Are Here Again, 1952
|
|
|
Illicit
|
|
|
Box
9
Folder
8
|
First draft with revisions, 1961
|
|
|
Box
10
Folder
1
|
Second draft with revisions, 1961
|
|
|
Box
10
Folder
2
|
Third draft with revision, 1961
|
|
|
Box
10
Folder
3
|
Memo, undated
|
|
|
Box
10
Folder
4
|
Sheets discarded by Vera Caspary, undated
|
|
|
Box
10
Folder
5
|
In Conference, co-author, Bruce Manning, 1933
|
|
|
Box
10
Folder
6
|
It Can't Last, 1935
|
|
|
Box
10
Folder
7
|
Matinee Idol, co-author, Bruce Manning, 1933
|
|
|
Box
10
Folder
8
|
The Nickel Show, 1939
|
|
|
Box
10
Folder
9
|
The Night of June 13th, 1932
|
|
|
Box
10
Folder
10
|
O, Promise Me, 1951
|
|
|
Box
10
Folder
11
|
Odd Thursday, 1933
|
|
|
Box
10
Folder
12
|
They Knew What Happened, undated
|
|
|
Box
10
Folder
13
|
Three Husbands, undated
|
|
|
Screen Story Adaptation
|
|
|
Box
10
Folder
14
|
A Letter to Five Wives, from the novel by John Klempner, May 28, 1947, first draft
|
|
|
Stories
|
|
|
Box
11
Folder
1
|
The Gardenia, 1952
|
|
|
Box
11
Folder
2
|
The Jews of Kiev, undated
|
|
|
Box
11
Folder
3
|
Out of the Blue, 1947
|
|
|
Box
11
Folder
4
|
Untitled murder story, 1941
|
|
|
Treatments
|
|
|
The Capri Story, 1960
|
|
|
Box
11
Folder
5
|
First draft
|
|
|
Box
11
Folder
6
|
Second draft, May 2
|
|
|
Box
11
Folder
7
|
Gone Are the Days, 1943, November 26, second draft
|
|
|
Box
11
Folder
8
|
The Last Angry Man, 1957, June 3, third draft
|
|
|
Box
11
Folder
9
|
No Wedding Ring, co-author, Isidore Goldsmith, 1949, February 9
|
|
|
Box
12
Folder
1
|
Awards
|
|
|
Box
12
Folder
2
|
Ephemera
|
|
|
Box
12
Folder
3
|
Photographs
|
|
|
Package
1
|
Blind Mice, undated
|
|
|
Box
12
Folder
4
|
Printed Magazine Stories and Articles, 1942-1952
|
|
|
Box
12
Folder
5
|
Radio and Television Interviews, 1942, 1945, 1950
|
|
|
Series: Part 2: 1968 Additions, 1944-1968
|
|
|
Correspondence
|
|
|
Box
13
Folder
1
|
January 1944-August 1958
|
|
|
Box
13
Folder
2
|
August 1958-July 1962
|
|
|
Box
13
Folder
3
|
August 1962-February 1968
|
|
|
Box
13
Folder
4
|
Contracts, Miscellaneous
|
|
|
Novels
|
|
|
A Chosen Sparrow (1964)
|
|
|
Box
13
Folder
5
|
Correspondence, May 1962-January 1965
|
|
|
Box
13
Folder
6
|
Contracts
|
|
|
Box
13
Folder
7
|
Background Information
|
|
|
Notes
|
|
|
Box
13
Folder
8
|
Holograph
|
|
|
Box
13
Folder
9-10
|
Holograph and Typewritten (version 4)
|
|
|
Box
14
Folder
1-4
|
Typewritten, random (discards from 4th version)
|
|
|
Box
14
Folder
5-7
|
Third Version - Copy: Edited Manuscript
|
|
|
Box
15
Folder
1-4
|
Fourth Version - Rough Draft
|
|
|
Box
15
Folder
5
|
Clippings - Promotion and Reviews
|
|
|
The Man Who Loved His Wife (1966)
|
|
|
Box
15
Folder
6
|
Correspondence, May 1965-August 1966
|
|
|
Box
15
Folder
7
|
Contracts
|
|
|
Box
15
Folder
8
|
Background Information
|
|
|
Box
15
Folder
9
|
Outline and Step Chart
|
|
|
Notes
|
|
|
Box
15
Folder
10-11
|
Holograph
|
|
|
Box
16
Folder
1
|
Holograph and Typewritten
|
|
|
Box
16
Folder
2-3
|
Typewritten
|
|
|
Box
16
Folder
4-7
|
Typewritten, random
|
|
|
Box
17
Folder
1
|
First Version
|
|
|
Box
17
Folder
2-3
|
Second Version - First Draft
|
|
|
Box
17
Folder
4-6
|
Last Revision - First Rewrite
|
|
|
Copy - Edited Manuscript
|
|
|
Box
17
Folder
7
|
pp. 1-150
|
|
|
Box
18
Folder
1
|
pp. 151-332
|
|
|
Box
18
Folder
2-4
|
Galley, annotated
|
|
|
Box
18
Folder
5
|
Galley
|
|
|
Box
18
Folder
6
|
Serialization: Woman's Mirror, March 5-April 16, 1966
|
|
|
Box
18
Folder
7
|
Clippings - Reviews and Promotions
|
|
|
The Rosecrest Cell (1968)
|
|
|
Box
19
Folder
1
|
Correspondence, December 1966-February 1968
|
|
|
Box
19
Folder
2
|
Contracts
|
|
|
Box
19
Folder
3
|
Background Information
|
|
|
Box
19
Folder
4
|
Outlines and First Notebook
|
|
|
Notes
|
|
|
Box
19
Folder
5
|
Holograph
|
|
|
Box
19
Folder
6
|
Holograph, Chapter Outline
|
|
|
Box
19
Folder
7
|
Holograph and Typewritten
|
|
|
Box
19
Folder
8
|
Character Development and Random Notes
|
|
|
Box
19
Folder
9
|
Random Notes and Discarded Pages
|
|
|
Box
19
Folder
10
|
Revisions on Part I (not in sequence)
|
|
|
Box
20
Folder
1
|
Discards and Revisions (after editor's criticism)
|
|
|
Box
20
Folder
2-3
|
Incomplete Draft
|
|
|
Box
20
Folder
4-5
|
Draft Fragment
|
|
|
Box
21
Folder
1-5
|
Complete Draft, December 1966
|
|
|
Draft, annotated
|
|
|
Box
21
Folder
6
|
pp. 1-150
|
|
|
Box
22
Folder
1-3
|
pp. 151-600
|
|
|
Box
22
Folder
4-7
|
Copy - Edited Manuscript, pp. 1-600
|
|
|
Box
23
Folder
1
|
Annotated Galley
|
|
|
Box
23
Folder
2
|
Clippings - Promotion and Review
|
|
|
Ruth (Novelette - , February 1968)
|
|
|
Notes
|
|
|
Box
23
Folder
3
|
Holograph
|
|
|
Box
23
Folder
4
|
Typewritten
|
|
|
Box
23
Folder
5
|
Draft Fragments
|
|
|
Box
23
Folder
6-7
|
Incomplete Draft
|
|
|
Box
23
Folder
8-9
|
Complete Draft
|
|
|
Box
23
Folder
10
|
Published Novelette - Good Housekeeping, February 1968
|
|
|
Untitled Novel (intended as sequel to Evvie)
|
|
|
Box
24
Folder
1
|
Outline and Character Development, holograph and typewritten
|
|
|
Box
24
Folder
2-3
|
Notes, holograph and typewritten
|
|
|
Plays
|
|
|
A Four Letter Word
|
|
|
Box
24
Folder
4
|
Notes, holograph (all three plays)
|
|
|
First Play
|
|
|
Box
24
Folder
5
|
Incomplete Draft and Theme
|
|
|
Box
24
Folder
6
|
Rough Draft and Loose Pages
|
|
|
Box
24
Folder
7-9
|
Complete Draft
|
|
|
Second Play
|
|
|
Box
24
Folder
10
|
Synopsis, loose pages
|
|
|
Box
24
Folder
11
|
Rough Draft Fragments
|
|
|
Box
24
Folder
12-14
|
Complete Draft
|
|
|
Third Play
|
|
|
Box
24
Folder
15
|
Synopsis, loose pages
|
|
|
Box
25
Folder
1
|
Rough Draft Fragments
|
|
|
Box
25
Folder
2
|
Complete Draft
|
|
|
Box
25
Folder
3
|
Complete Draft of Entire Play
|
|
|
Screenplays
|
|
|
Bachelors in Paradise
|
|
|
Box
25
Folder
4
|
Correspondence, August 1961-February 1966
|
|
|
Box
25
Folder
5-7
|
Copy - Edited Manuscript
|
|
|
Box
25
Folder
8
|
Studio File Copy of Screen Story, October 9, 1957
|
|
|
Illicit
|
|
|
Box
25
Folder
9
|
Correspondence, November 1962-August 1963
|
|
|
Novel Typescript, November 13, 1964
|
|
|
Box
25
Folder
10
|
pp. 1-100
|
|
|
Box
26
Folder
1-2
|
pp. 101-308
|
|
|
Love Now, Pay Later (original title: “The Bachelors”)
|
|
|
Box
26
Folder
3
|
Notes, holograph and typewritten
|
|
|
Box
26
Folder
4
|
First Version, 1965
|
|
|
Box
26
Folder
5
|
First Draft, incomplete, pp. 1-85
|
|
|
Box
26
Folder
6
|
Second Draft, incomplete, pp. 1-168
|
|
|
Box
26
Folder
7
|
Third Draft, incomplete, pp. 29-122
|
|
|
Mr. Rigoletto
|
|
|
Box
26
Folder
8
|
Correspondence, August 1965-December 1966
|
|
|
Box
26
Folder
9
|
Background Information
|
|
|
Box
26
Folder
10
|
Story Outline and Character Development
|
|
|
Box
26
Folder
11
|
Notes, 1965
|
|
|
Box
26
Folder
12
|
Notes, holograph and typewritten
|
|
|
Box
26
Folder
13
|
First Rough Draft, 1966
|
|
|
Box
27
Folder
1
|
First Version
|
|
|
Box
27
Folder
2
|
Second Version
|
|
|
Box
27
Folder
3
|
Final Version
|
|
|
The Stars Look Down (I.G. Goldsmith)
|
|
|
Box
27
Folder
4
|
Dialogue Sheets and Photograph
|
|
|
Television Pilots
|
|
|
Apartment 3-C
|
|
|
Box
27
Folder
5
|
“Lonely Saturday,” First Draft
|
|
|
Box
27
Folder
6
|
“New York Is Different,” First Draft
|
|
|
General
|
|
|
Box
27
Folder
7
|
Clippings - Laura
|
|
|
Magazine Articles
|
|
|
Box
27
Folder
8
|
“Laura”
|
|
|
Box
27
Folder
9
|
“Protest by a Constant Reader”
|
|
|
Box
27
Folder
10
|
Speeches - UCLA Speech
|
|
|
Series: Part 3: 1984 Additions, 1929-1981
|
|
|
Correspondence and Other Papers
|
|
|
Box
28
Folder
1
|
General Correspondence, January 1946, June 1962-March 1980
|
|
|
Box
28
Folder
2
|
With Agents and Publishers, January 1978-April 1981
|
|
|
Box
28
Folder
3
|
With W.H. Allen and Co., April 1969-December 1971
|
|
|
Box
28
Folder
4
|
Correspondence and Notes re: Charges of Un-American Activities, January 1952-October 1955
|
|
|
Box
28
Folder
5
|
From Readers, March 1979-October 1981
|
|
|
Box
31
Folder
1
|
Contracts and Correspondence, January 1967-October 1980
|
|
|
Box
28
Folder
6
|
Reviews of Books, August 1960-January 1979
|
|
|
Box
28
Folder
6
|
Royalty Statements, January 1968-June 1980
|
|
|
Micro 1015
|
Early Writings and Reviews
|
|
|
Reel
1
|
Reviews of The White Girl, 1929
|
|
|
Advertisements and Copy Written by Vera Caspary
|
|
|
Reel
1
|
Letters to Druggists for Sem-pray Jo-ve-nay Products
|
|
|
Reel
1
|
“Sky-Writing, Limited,” New Yorker, May 18, 1929
|
|
|
Reel
1
|
Form Letters Drafted for Sergei Marinoff School of Classical Dance, Chicago
|
|
|
Reel
1
|
“Enter Your World by Voice Culture,” Brochure of the Perfect Voice Institute, Chicago (copyright 1922)
|
|
|
Reel
1
|
Advertisements for Perfect Voice Institute
|
|
|
Reel
1
|
Advertisements for the University of Applied Science, Chicago - Fingerprint Identification Courses
|
|
|
Reel
1
|
Advertisements for Historical Books, Mysteries
|
|
|
Reel
1
|
“Trianon Topics,” Chicago, Vol. 1, No. 1, May 22, 1924
|
|
|
Reel
1
|
“The Satin Slipper,” Chicago, Vol. 1, No. 1, circa 1925 (published for the Satin Slipper [Dancing] Club)
|
|
|
Scrapbooks and Clippings of Reviews
|
|
|
Reel
1
|
Bedelia
|
|
|
Reel
1
|
Death Wish
|
|
|
Reel
1
|
Evvie
|
|
|
Reel
1
|
False Face
|
|
|
Reel
1
|
Les Girls
|
|
|
Reel
1
|
The Husband
|
|
|
Reel
1
|
Laura
|
|
|
Reel
1
|
A Letter to Three Wives
|
|
|
Reel
1
|
The Night of June 13
|
|
|
Reel
1
|
Out of the Blue
|
|
|
Reel
1
|
Stranger Than Truth
|
|
|
Reel
1
|
Thelma
|
|
|
Reel
1
|
Thicker Than Water
|
|
|
Reel
1
|
Three Husbands
|
|
|
Reel
1
|
Wedding in Paris
|
|
|
Reel
1
|
The Weeping and the Laughter
|
|
|
Reel
1
|
Personal Clippings
|
|
|
U.S. Mss 53AN
|
Novels
|
|
|
A Chosen Sparrow
|
|
|
Box
28
Folder
7
|
Portions of a Manuscript re: a Polish Count, cut from A Chosen Sparrow, undated
|
|
|
The Dreamers
|
|
|
First Draft
|
|
|
Box
28
Folder
8
|
Vol. 1, annotated with notes, published circa 1976
|
|
|
Box
28
Folder
9
|
Vol. 2, annotated
|
|
|
Box
28
Folder
11-12
|
Book 2, annotated
|
|
|
Box
28
Folder
12
|
Step Chart, January-May 1971
|
|
|
Box
31
Folder
2
|
Revisions, 1973
|
|
|
The Final Portrait
|
|
|
Box
28
Folder
13
|
Annotated Draft, 1971
|
|
|
The Girls
|
|
|
Box
28
Folder
14
|
Manon Tingue's Response and Outline of Vera Caspary's Ideas, July 1, 1968
|
|
|
Laura
|
|
|
Box
28
Folder
15
|
Clippings in German, 1968
|
|
|
Box
28
Folder
16
|
Publicity
|
|
|
Box
28
Folder
17
|
Draft Article About the Production of Laura, entitled “Laura, Otto and I,” annotated, undated
|
|
|
The Mystery of Elizabeth X
|
|
|
Box
28
Folder
18-20
|
Partial Rough Drafts, undated
|
|
|
Box
28
Folder
21-24
|
Incomplete Drafts and Discarded Pages, annotated, undated
|
|
|
Box
28
Folder
25
|
Early Draft of Chauncey Greenleaf Section, annotated, undated
|
|
|
Box
31
Folder
3
|
Manuscript of Chauncey Greenleaf Section, undated
|
|
|
Box
31
Folder
4
|
Notes and Partial Rough Drafts, undated
|
|
|
Box
31
Folder
5
|
Notes
|
|
|
Box
28
Folder
26
|
Criticisms and Notes, June-July 1978
|
|
|
“New York House of Detention for Women” (“House of Detention”)
|
|
|
Box
28
Folder
27
|
Notes and Outline, undated
|
|
|
Box
28
Folder
28
|
Early Draft of an Outline for a Book, annotated, and Notes, undated
|
|
|
The Rosecrest Cell
|
|
|
Box
28
Folder
29
|
Clippings, 1968
|
|
|
Ruth
|
|
|
Box
28
Folder
30
|
Serialized in Annabel, April 1969
|
|
|
The Secrets of Grown-ups
|
|
|
Box
28
Folder
31-33
|
Manuscript as Published, circa 1979
|
|
|
Box
29
Folder
1-2
|
Outlines and First Full Rough Draft to 1924, annotated, undated
|
|
|
Box
29
Folder
3-5
|
Working Draft, 1924-1954, annotated
|
|
|
Box
29
Folder
6-7
|
Working Draft, Parts I and II, annotated
|
|
|
Box
29
Folder
8-10
|
Incomplete Drafts and Discards, circa 1976
|
|
|
Box
29
Folder
11-12
|
Discards and Rewritten Pages
|
|
|
Box
31
Folder
6
|
Outlines and Notes, undated
|
|
|
Box
29
Folder
13
|
Notes
|
|
|
Box
29
Folder
14
|
Reviews, June 1979-July 1980
|
|
|
Box
29
Folder
15
|
Edgar Award, March 1980
|
|
|
Thelma
|
|
|
Box
29
Folder
16
|
Clippings, 1952
|
|
|
“Woman in White”
|
|
|
Box
31
Folder
7
|
Rough Outline, undated
|
|
|
“Women in Crime”
|
|
|
Box
29
Folder
17-18
|
Outlines, undated
|
|
|
Plays
|
|
|
Gift of the Gods
|
|
|
Box
29
Folder
19
|
Script, January 16, 1977
|
|
|
Box
29
Folder
20
|
Working Script, annotated, undated
|
|
|
Box
29
Folder
21
|
Incomplete Working Draft, annotated
|
|
|
Box
29
Folder
22-23
|
Miscellaneous Pages of a Working Draft, annotated, undated
|
|
|
Box
29
Folder
24
|
Notes
|
|
|
”Texas Guinan Story” (unproduced)
|
|
|
Box
29
Folder
25
|
Synopsis, circa 1950s
|
|
|
Wedding in Paris
|
|
|
Box
30
Folder
1
|
Script, undated
|
|
|
Box
30
Folder
2
|
Sheet Music, “A Wedding in Paris,” 1954
|
|
|
Box
30
Folder
3
|
Souvenir Brochure, circa 1954
|
|
|
Screenplays
|
|
|
“Haunted Summer,” Original Screenplay by Anne Edwards and Vera Caspary
|
|
|
Box
30
Folder
4
|
Correspondence and Plot Summary, 1972-1974
|
|
|
Box
30
Folder
5
|
First Corrected Draft Screenplay, incomplete, August 15, 1977
|
|
|
The Husband
|
|
|
Box
30
Folder
6
|
Screenplay by Lange Lewis, from the Novel by Vera Caspary, undated
|
|
|
Television
|
|
|
Box
30
Folder
7
|
“The Private World of the Morleys”: Idea for a Television Series
|
|
|
Short Stories and Articles
|
|
|
Box
30
Folder
8
|
“The Movie Original,” New Theatre, August 1936
|
|
|
Box
30
Folder
9
|
“I've Met a Man, Mother,” The Canadian Magazine Star Weekly, October 25, 1969
|
|
|
Box
30
Folder
10
|
Drafts for a Short Piece on Paperback Books, October 1974
|
|
|
Box
30
Folder
11
|
“Pavlova's Words” and “Pavlova's Music,” Draft and Printed Article, Dance Magazine, January 1976
|
|
|
Box
30
Folder
12
|
“New York: Dancing in the '20s,” Draft and Printed Article, Dance Magazine, July 1976
|
|
|
Box
30
Folder
13
|
Grand Rapids Literary Arts Festival, Clippings and Correspondence, 1968
|
|
