Archival Resources in Wisconsin: Descriptive Finding Aids: Contents List

Container	Title
U.S. Mss 40AN	Part 1 (U.S. Mss 40AN, Audio 1897A): Original Collection, 1941-1966 Physical Description: 16.8 cubic feet (42 archives boxes and 2 oversize folders) and 3 discs Scope and Content Note The collection was organized by the Archives in two parts, designated here as the Original Collection, 1949-1961, and the Additions, 1941-1966. The Original Collection is composed of Ms. Rosenthal's lighting notes for a number of productions mounted between 1949 and 1961. At her request, these papers (Boxes 1-24) were left in the physical order in which she arranged them: the order of all papers is unchanged and sub-headings appear on individual folders as she had them on her own folders. The Additions contain Ms. Rosenthal's lighting notes for a number of productions mounted between 1941 and 1966. Most of the material is from her work with the New York City Opera Company in the early 1950s, and from Broadway shows dating from the late 1950s up until 1966. The productions are arranged alphabetically by title. The Additions include set designs and light plots for some of the productions represented in the Original Collection.
	Series: Part 1: Original Collection, 1949-1961
	House of Flowers, 1954 Note: Written by Truman Capote and Harold Arlen Produced by Saint Subber Designed by Oliver Messel Lighting by Jean Rosenthal
Box 1 Folder 1	Design elevations of set units and pieces; cue sheets; hanging plot; rigging plot
Box 1 Folder 2	Property plot; preliminary electrics plots; hanging section plans; electrics hookup plots; light plot for Alvin Theatre, New York; set photograph; order of scenes; cue sheets; color cutting list; effects plot
Box 1 Folder 3	Property list; sound equipment list; color cutting list; order of scenes; list of material; strike, set, and stack plan; order of scenes; rough sketches of set pieces; playbill, Erlanger Theatre, Philadelphia; effects plot; scene designs and details schedule; sound equipment list; rigging and hookup notes; electrics hookup plot; color cutting list
	Saint of Bleecker Street, 1951 Note: Written by Gian-Carlo Menotti Produced by Chandler Cowles Designed by Robert Randolph Lighting by Jean Rosenthal
Box 1 Folder 4	Hookups; dimmer plot; rigging plot; cue sheets; electrical equipment lists; color list; color cutting lists
Box 1 Folder 5	Focus chart; hookup by pipes; cue sheets; board hookup
Box 1 Folder 6	Color cutting list; electrical equipment lists; light plots
	Quadrille, 1954 Note: Written by Noel Coward Produced by John C. Wilson Designed by Cecil Beaton Lighting by Jean Rosenthal
Box 2 Folder 1	Board hookups; cue sheets; color list; miscellaneous production notes; equipment list; unit hookup and focus chart
Box 2 Folder 2	Gel samples; light plots; photographs of set and set designs; unit hookups and focus charts; equipment lists; color lists; floor plan of Forrest Theatre stage; floor plans of sets' miscellaneous production notes; rigging plan; preset list
	Ondine, 1953 Note: Lighting by Jean Rosenthal
Box 2 Folder 3	Rigging plot; hookup plots; miscellaneous notes; cue sheet
	Beggar's Opera (City Center), 1957 Note: Written by John Gay Designed by Watson Barratt Lighting by Jean Rosenthal
Box 2 Folder 4	Auxiliary board hookup chart; cue sheets; floor plan of set; stage and light layout
	Time of Your Life (City Center), 1955 Note: Lighting by Jean Rosenthal
Box 2 Folder 5	Cue sheets; hookups; floor plan of set
	Hole in the Head, 1957 Note: Produced by Robert Whitehead Designed by Boris Aronson Lighting by Jean Rosenthal
Box 3 Folder 1	Cue sheets; hookup chart; equipment list; original focus chart; electrical property design
Box 3 Folder 2	Electrical property design; fabric swatch; hookups; cue sheets; photograph of set design
Box 3 Folder 3	Miscellaneous production notes; hookups; cue sheets; equipment lists; color lists
Box 3 Folder 4	Light plots; ground plans of sets; elevations of sets; working plans; rigging plot plans; photograph of set design
	New York City Opera
	1954 Spring
	Salome
Box 3 Folder 5	Cue sheets; hookups
	Falstaff
Box 3 Folder 6	Photographs of set designs; ground plans of sets; device instructions
	Showboat
Box 3 Folder 7	Projection notes; set piece plans
	The Tender Land
Box 3 Folder 8	Ground plan; rigging plan
Box 4 Folder 1	Switchboard and focus charts, 1950 season; rental equipment lists for tour; focus chart; board layout chart; call sheet, , 1952 Fall
Box 4 Folder 1	Miscellaneous production notes; general light plots, 1950 Spring
Box 4 Folder 2	General light plot, Spring 1950; board layout chart; rigging plot; board hookup, , 1950; focus sheets; miscellaneous production notes
Box 4 Folder 3	Hookup plots and charts
	The Great Sebastians (New York), 1955 Note: Produced by Leland Haywood Designed by Ray Sovey Lighting by Jean Rosenthal
Box 4 Folder 4	General plans of set; set elevations; set designs; fabric swatches
Box 4 Folder 5	Light plot; color lists; set designs; hookup plot; focus chart
	The Great Sebastians, tour, 1956-1957
Box 4 Folder 6	Communication system plot; lighting revisions list; board hookup plot; cue sheets; equipment lists; light plots; focus charts; set elevations; ground plans
Box 4 Folder 7	Preset lists; miscellaneous notes; focus chart; color lists; board hookup plots; preset list; equipment list
Box 4 Folder 8	Rigging plot; preset plot; board hookup plots; light plots; focus charts; color lists; communication system plots; equipment lists
	José Limón, 1949-1950
Box 5 Folder 1	The Moor's Pavane: Cue sheet
Box 5 Folder 2	Playbill, Ziegfield Theatre; cue sheets; take out sheets; rigging plots; equipment list, Palace of Fine Arts Theatre; ground plan of stage, Bellas Artes (Mexico)
Box 5 Folder 3	La Malinche: Cue sheet
Box 5 Folder 4	Tour cue sheets
Box 5 Folder 5	The Moor's Pavan: Cue sheets; color sheets
Box 5 Folder 6	Tormentor and color changes
Box 5 Folder 7	Invention: Cue sheets
Box 5 Folder 8	Bach Preludes and Fugues Concert: Cue sheets
Box 5 Folder 9	Invention: Cue sheets
Box 5 Folder 10	Connecticut College Dance Festival, 1950: Hookup sheets; miscellaneous notes
Box 5 Folder 11	Vivaldi Concerto: Cue sheets
Box 5 Folder 12	Corybantic: Cue sheets; hookup charts
Box 5 Folder 13	Day on Earth: Cue sheets
Box 5 Folder 14	Chaconne: Color sheets; cue sheets; setup charts
Box 5 Folder 15	Lament for Ignacio: Cue sheets; hookup sheets
Box 5 Folder 16	Day on Earth: Cue sheets
Box 5 Folder 17	Lament for Ignacio: Hookups; setup charts, floor; cue sheets; sketch of ground plan
Box 5 Folder 18	Story of Mankind: Hookup sheet; cue sheets; rough sketches
Box 5 Folder 19	The Moor's Pavane: Cue sheets; hookup sheets; color plot
Box 5 Folder 20	La Malinche: Color sheets; cue sheets; setup charts, floor
Box 5 Folder 21	Exiles: Hookup sheets; cue sheets; setup charts, floor
	Dudley-Maslov-Bales, New London, 1950
Box 6 Folder 1	Connecticut College Dance Festival, 1950: Cue sheets; rigging plots
Box 6 Folder 2	PEON Portraits: Setup charts; color sheets; cue sheets
Box 6 Folder 3	Dust Bowl Ballads: Cue sheet; setup chart; color sheet
Box 6 Folder 4	Harmonica: Setup charts; cue sheets
Box 6 Folder 5	Village I Knew: Miscellaneous notes; cue sheets; setup charts; auxiliary hookup charts
Box 6 Folder 6	Passional: Auxiliary hookup charts; miscellaneous notes; cue sheets
Box 6 Folder 7	Bach Suite: Cue sheet
Box 6 Folder 8	Lonely Ones: Cue sheets; auxiliary hookup sheets; miscellaneous notes; setup charts; color charts
Box 6 Folder 9	World's a Comin': Cue sheets
Box 6 Folder 10	Short Story: Cue sheet
Box 6 Folder 11	Song for a Child: Cue sheet
Box 6 Folder 12	Folksay: Auxiliary hookup sheets; cue sheets; typescript cue sheets; color sheets
Box 6 Folder 13	Vogary: Color sheets; cue sheets; setup charts
Box 6 Folder 14	Champion: Typescript cue sheet; cue sheets; hookup sheets; setup charts
Box 6 Folder 15	Impromptu: Cue sheet
	Old pieces
Box 6 Folder 16	Beethoven Cue sheet
Box 6 Folder 16	Judith: Cue sheets; auxiliary setup sheet
	American Dance Festival, New London, 1950
Box 7 Folder 1	Color changes; color charts
Box 7 Folder 2	Electrical hookup
Box 7 Folder 3-4	Hanging plots
Box 7 Folder 5	Soloists; cue sheets
	Ballet Russet de Monte Carlo, 1950 Spring
Box 7 Folder 6	Playbills
Box 7 Folder 7	Met setup
Box 7 Folder 8	Prince Igor: Cue sheets
Box 7 Folder 9	Mort du Cygne: Cue sheets
Box 7 Folder 10	Romeo and Juliet: Cue sheets
Box 7 Folder 11	Madrones: Cue sheets
Box 7 Folder 12	Giselle: Cue sheets
Box 7 Folder 13	Tour equipment notes
	New York City Dance Theatre, 1949
Box 7 Folder 14	Hookup sheets; cue sheets; miscellaneous notes; program; publicity material
Box 7 Folder 15	Valerie Vettis: Cue sheets; miscellaneous notes
Box 7 Folder 16	Concerto - Vivaldi: Cue sheets
Box 7 Folder 17	Invention: Cue sheets
Box 7 Folder 18	Story of Mankind: Cue sheet
Box 7 Folder 19	Cue sheets for Mr. Puppett, Two Step, Quiet Day in the Wild West, Tenant of the Street, The Monkey Dance, Witch, Daughter of Virtue, Dreams, Mabry, Interlude
Box 7 Folder 20	Time sheets
Box 7 Folder 21	Flickers: Cue sheets; miscellaneous notes
Box 7 Folder 22	Jesse James: Cue sheets
Box 7 Folder 23	Shakers: Cue sheet
Box 7 Folder 24	Rose of Sharon: Cue sheets
Box 7 Folder 25	Fables: Cue sheets
Box 7 Folder 26	Daddy Was a Fireman: Miscellaneous notes; cue sheets
Box 7 Folder 27	Atavism: Cue sheets; miscellaneous notes
Box 7 Folder 28	Ozark Suite: Cue sheets
Box 7 Folder 29	Folksay - Dudley-Maslov-Bales: Cue sheets
Box 7 Folder 30	Festival - Dudley-Maslov-Bales: Cue sheet
Box 7 Folder 31	Lonely Ones - Dudley-Maslov-Bales: Cue sheets
Box 7 Folder 32	Champion - Dudley-Maslov-Bales: Cue sheets
Box 8 Folder 1A	Ruth Page, José Limón in Paris
	American Dance Festival, 1955 ANTA
	Vettis: As I Lay Dying and Golden Round
Box 8 Folder 1	Miscellaneous notes; cue sheets; hookup sheets
	Butler: Davy Crockett, Three Promenades with God
Box 8 Folder 2	Miscellaneous notes; hookup sheets; cue sheets
	Collins: Spirituals, Rondo, Bird of Paradise
Box 8 Folder 3	Cue sheets; miscellaneous notes
	Draper: Gizelle, Alcina Suite
Box 8 Folder 4	Cue sheets
	Halpern: Steig, Prophetess
Box 8 Folder 5	Cue sheets; miscellaneous notes
	Koner: Anzilica, Sandra
Box 8 Folder 6	Miscellaneous notes; cue sheets
	Lang: Rites, Joy is My Witness
Box 8 Folder 7	Cue sheets; miscellaneous notes
	Limón: Day on Earth, Deed Rhythm, Felipe, Lament, The Moor's Pavane; Mozart: Fantasy, Nightspell, Dreams and Vision, Traitor, Variations
Box 8 Folder 8	Miscellaneous notes; cue sheets
	Mabrey: Dreams, Lamb of God, A'Passionetta, Cabaret Suite
Box 8 Folder 9	Miscellaneous notes; cue sheets
	Nagrin: Man Dancing, Man of Action, Spanish Dance, Strange Hero
Box 8 Folder 10	Miscellaneous notes; cue sheets
	Sokolov: Rooms
Box 8 Folder 11	Cue sheets; miscellaneous notes
	Judy Garland at the Met and Baltimore, 1959
Box 8 Folder 12	Layout; electrical equipment list; playbill
	Met
Box 8 Folder 13	Master cue sheets
Box 8 Folder 14	Hookup sheets
Box 8 Folder 15	Focus charts; running order; color lists; diagrams; hanging plot
	Baltimore
Box 9 Folder 1	Cue sheets
Box 9 Folder 2	Hookup sheets; equipment lists; focus charts
Box 9 Folder 3	Cue sheets
Box 9 Folder 4	Hookup and hanging notes
	Judy Garland at the Palace, 1951 Note: Designed by David Bines? Lighting by Jean Rosenthal
Box 9 Folder 5	Playbill; equipment list; cue sheets; song setups; carpenter instructions; electrician's cues
	The Disenchanted, 1958-1959 Note: Produced by Darrid and Saidenberg Designed by Ben Edwards Lighting by Jean Rosenthal
Box 9 Folder 6	Electrical equipment lists
Box 9 Folder 7	Light plot
Box 9 Folder 8	Hookup sheets; light plot; cue sheets; focus chart
Box 9 Folder 9	Focus charts
	Jamaica, 1958 Note: Book by E.Y. Harburg and Fred Saidy Music by Harold Arlen Lyrics by E.Y. Harburg Produced by David Merrick Designed by Oliver Smith Lighting by Jean Rosenthal
Box 9 Folder 10	Playbill; board hookup sheets; plots for box lights and ladders; light plots
Box 9 Folder 11	Track sheet; master cue sheets; board hookup sheets
Box 10 Folder 1	Board hookup sheets and focus charts
Box 10 Folder 2	Worker sheets; circuit check sheets
Box 10 Folder 3	Light plot; set plans; scene elevations - photostats
Box 10 Folder 4	Master cue sheets
Box 10 Folder 5	Scene breakdown
Box 10 Folder 6	Cue sheet notes; cue book (uncorrected)
Box 10 Folder 7	Board hookup sheets
Box 10 Folder 8	Electrics list
Box 10 Folder 9	Special effects
Box 10 Folder 10	Miscellaneous notes
Box 10 Folder 11	Miscellaneous tracings
Box 10 Folder 12	Color lists
Box 11 Folder 1	Track sheets
	Dear Liar: Winter stock tour, 1959; New York engagements, , 1960 Note: Produced by Cornell-McClintic Designed by Donald Oenslager Lighting by Jean Rosenthal
Box 11 Folder 2	Light plot; set plan; swatches
Box 11 Folder 3	Set drawings
Box 11 Folder 4	Cue sheets - New York; hookup and focus charts
Box 11 Folder 5	Notes on tour; Neighborhood Playhouse stage plan; drapes drawing
Box 11 Folder 6	Cue sheets; focus charts; hookup sheets
Box 11 Folder 7	Light plots - New York; electrics list
	Dark at the Top of the Stairs, Music Box Theatre, New York, 1957 Note: Written by William Inge Produced by Saint Subber and Elia Kazan Designed by Ben Edwards Lighting by Jean Rosenthal Note: Materials returned to Jean Rosenthal on loan, January 30, 1969.
Box 11 Folder 8	Playbill; cue sheets; hookup sheets
Box 11 Folder 9	Focus charts; set drawings
Box 11 Folder 10	Board hookup sheets; electrics list; color list
Box 12 Folder 1	Master cue sheets; track sheets
Box 12 Folder 2	Final color changes list; tracings; light plots; color lists
Box 12 Folder 3	Electrics lists
Box 12 Folder 4	Miscellaneous notes
Box 12 Folder 5	Action plots
Box 12 Folder 6	Original cue sheets
Box 12 Folder 7	Focus charts
Box 12 Folder 8	Board hookup sheets; track sheets
	Dark at the Top of the Stairs, road, 1959
Box 12 Folder 9	Program, Playhouse Theatre, Wilmington, Delaware; tour schedule; light plots
Box 12 Folder 10	Track sheet; master cue sheets
Box 13 Folder 1	Set elevations; electrics lists; miscellaneous notes
Box 13 Folder 2	Hookup sheet
Box 13 Folder 3	Cue sheets - working and transition; track sheet
Box 13 Folder 4	Focus charts; Olivettes - diagram
Box 13 Folder 5	Set plans and elevations
	Caligula, 54th St. Theatre, New York, 1961 Note: Written by Albert Camus Produced by Chandler Cowles, Charles Bowden, and Ridgely Bullock Designed by Will Steven Armstrong Lighting by Jean Rosenthal
Box 13 Folder 6	Playbill; program, Schubert Theatre, New Haven; cue sheets; focus chart
Box 13 Folder 7	Board hookup sheets; notes; preliminary electrics list
Box 13 Folder 8	Light plots; hanging and tormentor plots
Box 13 Folder 9	Set elevation; miscellaneous designs (3)
	Juniper and the Pagans, 1959 Note: Produced by David Merrick Designed by Oliver Smith Lighting by Jean Rosenthal
Box 14 Folder 1	Revised hookup sheets; work sheets
Box 14 Folder 2	Working sheets; Prospectus of Computer Services Inc.; electrics list
Box 14 Folder 3	Revised master cue sheets; track sheet
Box 14 Folder 4	Focus charts
Box 14 Folder 5	Notes; electrics lists; color list; equipment plans
Box 14 Folder 6	Notes on Philadelphia and Boston openings
Box 14 Folder 7	Track sheet; old hookup sheets; transportation notes
Box 14 Folder 8	Old master cue sheets
Box 14 Folder 9	Cue sheets
Box 14 Folder 10	Light plots
Box 14 Folder 11	Set plans and elevations
	Lambs Club Benefit, 1961 Note: Benefit of the Children's Clinic - The Postgraduate Center for Psychotherapy
Box 14 Folder 12	Program; invitations; lighting notes for each act
	Chicago Lyric Opera, 1955
Box 15 Folder 1	Libretto for Aida (Metropolitan Opera); Lyric Opera advertisement for 1955 Season; list of operas with scenic records available; color chart for I Puritani; proposed revision of opera hookups - list; color list; opera schedule; plan of Opera House stage; photograph negative of plan; lighting notes
Box 15 Folder 2	I Puritani - cue sheets, notes on floor specials; list of scenes for various operas; follow Spot notes; “Porcher notes”; action plots; focus list (in letter to Miles Morgan, 1955, November 10); color lists; report on lighting equipment, Chicago Opera House (2); list of recommended additional equipment; electrical equipment list; brochure for “Transpara” color medium; light plot; blank cue sheet; plan of Opera House stage; lighting plans; I Puritani cue sheets; miscellaneous notes
	Connecticut College Dance Festival, l949-1950 Note: Technical Supervision and Lighting by Jean Rosenthal
Box 15 Folder 3	Cue sheets: Daughter of Virtue, Before Dawn, Village I Knew
Box 15 Folder 4	Program, Dance Theatre Subscription Series, 1950, May 11; hookup sheets; light plots; As I Lay Dying, cue sheets; tormentor and color changes for various dances; performance schedules; list of drapery sizes; background chart; special light cues; time sheet; hanging chart; miscellaneous notes
Box 15 Folder 5	Primos
Box 15 Folder 6	Cue sheets: Root of an Unfocus, Two Step, Bach Concerto (Koner)
Box 15 Folder 7	Cue sheets: Daughter of Virtue, Suite for a Woman
Box 15 Folder 8	Inventories
Box 15 Folder 9	Twilight of a Flower, cue sheets
Box 15 Folder 10	The Monkey Dances (Cunningham), cue sheets
Box 15 Folder 11	Concerto, cue sheets
Box 15 Folder 12	Nina Fonaroff: transposed hookup sheet; cue sheets; layout and hookup photostats; Mr. Puppett, cue sheet
Box 15 Folder 13	Fonaroff, Mr. Puppett: cue sheets
Box 15 Folder 14	Construction sheets; setup chart; schedule for use of Palmer stage
Box 15 Folder 15	Koner, The Visit: cue sheets
Box 15 Folder 16	Suite for a Woman: notes; auxiliary hookup sheet; opening setup; cue sheets
Box 15 Folder 17	Koner, The Visit: cue sheets; auxiliary hookup sheet
Box 15 Folder 18	List of dances; properties list; notes on Dialogues and The Visit; construction sheet
Box 15 Folder 19	Merce Cunningham, cues and notes
Box 15 Folder 20	New York City Ballet, board hookup sheet
	Take Me Along and Connecticut Summer, 1959 Note: Take Me Along: Book by Joseph Stein and Robert Russell Music and Lyrics by Bob Merrill Based on the play, Ah, Wilderness, by Eugene O'Neill Produced by David Merrick Designed by Oliver Smith Lighting by Jean Rosenthal
Box 16 Folder 1	Set plans, drawings, and elevations for Ah, Wilderness
Box 16 Folder 2	Light plots for Connecticut Summer
Box 16 Folder 3	Playbill for Take Me Along, Schubert Theatre, New York; Schedule, Boston; Connecticut Summer: fireworks plan; hanging plot; fixtures and special effects list; scene strike and set plan (also Take Me Along)
Box 16 Folder 4	Velvet swatches for portals and hangings; Connecticut Summer: colors; costume notes
Box 16 Folder 5	Connecticut Summer: electrics and set notes attached to swatch card; notes for Oliver Smith; lighting notes for Ah, Wilderness with equipment list for Connecticut Summer; cue sheets; notes on meeting with Director, [1959] August 27
Box 16 Folder 6	Connecticut Summer: electrical equipment lists with corrections
Box 16 Folder 7	Master cue sheets
Box 17 Folder 1	Working cue sheets
Box 17 Folder 2	Old cue sheets
Box 17 Folder 3	Master cue sheets
Box 17 Folder 4	Connecticut Summer: hookup sheets; track sheets
Box 17 Folder 5	Focus charts
Oversize Folder 1	Connecticut Summer: Light plot; fireworks plot
	Redhead, New York, 1958-1959 Note: Book by Herbert and Dorothy Fields, Sidney Sheldon, and David Shaw Music by Albert Hague Lyrics by Dorothy Fields Produced by Robert Fryer and Lawrence Carr Designed by Rouben Ter-Arutunian Lighting by Jean Rosenthal
Box 17 Folder 6	Road hanging plot; playbill, 46th St. Theatre, New York; program, Schubert Theatre, New Haven; color chart; electrical equipment layout sheets; control sheets
Box 17 Folder 7	Cue sheets
Box 17 Folder 8	Focus chart
Box 17 Folder 9	Work and track sheets; color chart
Box 18 Folder 1	Hanging section plot; light plots; slide design
Box 18 Folder 2	Set plans and elevations for various scenes; hanging section; floor plan; prop plans
Box 18 Folder 3	Set plans and elevations for various scenes; floor plans
Box 18 Folder 4-5	Set plans and elevations
	Redhead, road, 1960
Box 19 Folder 1	Light plots
	Winesburg, Ohio, 1957 Note: Written by Sherwood Anderson Produced by the SABA Company Designed by Oliver Smith Lighting by Jean Rosenthal
Box 19 Folder 2	Set plans and sketches; revised and original equipment lists
Box 19 Folder 3	Board hookup sheets; board hookups for Baltimore
Box 19 Folder 4	Cue sheets; focus charts; light plots; magic sheets and original notes
	Saratoga, 1959 Note: Based on the novel, Saratoga Trunk, by Edna Ferber Music by Howard Arlen Lyrics by Johnny Mercer Produced by Robert Fryer and Morton DaCosta Designed by Cecil Beaton Lighting by Jean Rosenthal
Box 19 Folder 5	Light plots
Box 19 Folder 6	Hanging plot, Winter Garden Theatre, New York; hanging plots, Schubert Theatre, Philadelphia; re-hanging plot, Philadelphia; miscellaneous notes
Box 19 Folder 7	Hookup sheets; costume color samples; electrical equipment list
Box 19 Folder 8	Cue sheets
Box 20 Folder 1	Program, Schubert Theatre, Philadelphia; focus chart; running order sheets
Box 20 Folder 2	Old notes; board hookup sheet
Box 20 Folder 3	Specifications and notes; set plans and elevations; prop drawings
Box 20 Folder 4	Set plans and elevations; prop drawings
Box 20 Folder 5	Set plans and elevations; ground plans
Box 20 Folder 6	Ground plan
	Destry Rides Again, 1959 Note: Book by Leonard Gershe Music and Lyrics by Harold Rome Produced by David Merrick Designed by Oliver Smith Lighting by Jean Rosenthal
Box 20 Folder 7	Program, Schubert Theatre, Boston; playbill, Imperial Theatre, New York; hanging plot
Box 20 Folder 8	Focus charts
Box 21 Folder 1	Cue sheets; electric cuts - Los Angeles
Box 21 Folder 2	Electrical equipment lists; miscellaneous notes
Box 21 Folder 3	Light plot; electrical equipment list, road, 1960; magic sheets; board hookup sheets; track sheet
Box 21 Folder 4	Scene order sheet; set plans and elevations; ground plans; list of musical numbers by scenes
	The King and I, 1958 Note: Produced by Richard Rogers and Oscar Hammerstein II Lighting by Jean Rosenthal
Box 21 Folder 5	Electrical equipment lists for Los Angeles Civic Light Opera Company production
Box 21 Folder 6	Hanging section plot; general plan; work sheets; cue sheets
Box 21 Folder 7	Hanging plots; [color list?]; board hookup sheets
Box 21 Folder 8	Board hookup sheets; focus chart; rigging - “Philharmonic, Los Angeles, California”; preliminary hookup sheet
Box 21 Folder 9	Cue sheets
	Hail the Conquering Hero, 1961 Note: Book by Larry Gelbart Music by Moose Charlap Lyrics by Norman Gimbel Produced by Robert Whitehead and Roger L. Stevens Designed by Jean Rosenthal and William Pitkin Lighting by Jean Rosenthal
Box 22 Folder 1	Color samples
Box 22 Folder 2	Electrical equipment lists
Box 22 Folder 3-4	Set plans
Box 22 Folder 5	Set elevations
Box 22 Folder 6	Program, ANTA Theatre, New York (2); program, National Theatre, Washington, D.C.; focus chart; light plots; electrical equipment lists
Box 23 Folder 1	Cue sheets
Box 23 Folder 2	Cue sheets, New Haven
Box 23 Folder 3	Board hookup sheet; track sheet; fly floor cues
Box 23 Folder 4	Electrical equipment, list
Box 23 Folder 5	Cue notes
	Daughter of Silence, Music Box Theatre, New York, 1961 Note: Produced by Halmar Productions Designed by Oliver Smith Lighting by Jean Rosenthal
Box 23 Folder 6	Light plots; electrical equipment lists; hookup sheets; track sheet
Box 23 Folder 7	Cue sheets; track sheets; electrical equipment list
Box 23 Folder 8	Cue sheets
Box 23 Folder 9	Cue notes; master plan; set plans and elevations
Box 23 Folder 10	Electrical equipment list; set plans; photostats of set designs
	Henry IV, Parts I and II, Phoenix Production, 1960 Note: Written by William Shakespeare Produced by T. Edward Hambleton and Stuart Vaughan Designed by Will Steven Armstrong Lighting by Jean Rosenthal
Box 24 Folder 1	Basic stage plan of Metropolitan Boston Arts Center Theatre; playbill, Phoenix Theatre, New York
Box 24 Folder 2	Elevations, Metro. Boston Arts Center Theatre
Box 24 Folder 3	Cue sheets, Part II
Box 24 Folder 4	Cue sheets, Part I; track sheet
Box 24 Folder 5	Board hookup sheet; focus chart; track sheet; electrical equipment list; light plot adjustments “from Peer Gynt to Henry IV”
Box 24 Folder 6	Boston transposition sheet; hookup sheet, Cambridge Drama Festival
Box 24 Folder 7	Cue sheets, Part II, Cambridge; track sheet
Box 24 Folder 8	Electrical equipment list, Boston engagement; light plot, Cambridge
Box 24 Folder 9	Transposition and color list, Boston; light plot, New York; stage elevation, Cambridge
Box 24 Folder 10	Set drawing; focus chart, Cambridge; hookup sheet, Cambridge
	Series: Part 2: Additions, 1941-1966	⇧
	Aida, New York City Opera, 1952 Note: Designed by H.A. Condell Lighting by Jean Rosenthal
Box 25 Folder 1	Cue sheet; program; cue sheets; set-up notes; order of scenes; ground plan
	Baker Street, Broadway Theatre, 1964 Note: Book by Jerome Coopersmith Music and Lyrics by Marian Grudell and Raymond Jessel Produced by Alexander H. Cohen Directed by Harold Prince Designed by Oliver Smith Lighting by Jean Rosenthal
Box 25 Folder 2	Light plots; photostat copies of stage plans and drawings; effects list; plan for fronts and ladders
Box 25 Folder 3	Correspondence, 1964 November 23-December 16; electrical equipment and special effects list; hook-ups; rental list; playbills; cue sheets; lighting and action notes; color chart; staging notes; production schedule; staff list
Box 25 Folder 4	Set designs, fabric swatches
Box 25 Folder 5	Cue sheets, focus chart, revisions for move to Martin Beck Theatre (hook-ups; fronts and ladders plan; light plot)
Box 25 Folder 6	Cue and track sheets; hanging plot; color list
Oversize Folder 1	Master plan; set designs; light plot; torms and ladders plan
	The Ballad of the Sad Cafe, Martin Beck Theatre, 1963 Note: Adaptation by Edward Albee Produced by Lewis Allen and Ben Edwards Directed by Alan Schneider Designed by Ben Edwards Lighting by Jean Rosenthal
Box 25 Folder 7	Focus chart; electrical equipment list; hook-up; cue sheets
Box 25 Folder 8	Script, annotated; clippings; program
Box 26 Folder 1	Cue sheets (old and revised); light plots
Box 26 Folder 2	Notes; track sheets; color list
Oversize Folder 1	General plan; set designs (original and revised); light plot; torms and ladders, star pattern
	Ballet International, International Theatre, 1944 Note: Lighting by Jean Rosenthal
Box 26 Folder 3	Correspondence, 1944 September 29-December 22; invoice statement; color plot; Slavenska; petty cash vouchers; rental estimates; rehearsal schedules; lighting equipment list; article by Jean Rosenthal entitled “Stage Lighting”; rehearsal schedule; program; hook-ups; production schedule; rehearsal schedule; lighting equipment list; notes for hanging plot
Box 26 Folder 4	Hanging plot; hook-ups; lighting equipment list; color list; rehearsal schedule; general notes on ballets; general lighting notes; cue sheets and movement notes; hook-ups; ground plan
	The Beast in Me, Plymouth Theatre, 1963 Note: Adaptation and lyrics by James Costigan Music by Don Elliot Produced by Bonard Productions Directed by John Lehne Settings and lighting by Jean Rosenthal
Box 26 Folder 5	Script, annotated; clippings; playbill
Box 26 Folder 6	Focus chart; hook-ups; cue and track sheets; notes
Box 26 Folder 7	Light plot; elevations and set designs; electrical equipment list
Oversize Folder 1	Light plot; ground plan; set designs
	Becket
Oversize Folder 1	Light plots (original, tour, revised)
	Bluebeard's Castle, New York City Opera, 1952 Note: Designed by Rouben Ter-Arutunian Lighting by Jean Rosenthal
Box 27 Folder 1	Master ground plan
Box 27 Folder 2	Set designs
Box 27 Folder 3	Revised ground plan, miscellaneous designs, drawings of set; set designs
Box 27 Folder 4	Electrical specials; hook-up; cue sheets; sketch of tour platform plan; production photographs; set design; hook-up; cue sheet
	Brandeis Theatre
Oversize Folder 1	State plans, hanging section
	Caesar and Cleopatra, 1949 Note: Produced by Richard Aldrich and Richard Myers Designed by R. Gerard Jr. Lighting by Jean Rosenthal
Box 27 Folder 5	Cue sheets; sound effects list; hook-up and focusing charts; miscellaneous memoranda; rehearsal schedule; sketches of set with general lighting notes; color plot; rehearsal schedule; miscellaneous notes; notes for carpenters and electricians; cue sheets; hook-ups; rehearsal notes; program
Audio 1897A/1-3	Sound effects records
U.S. Mss 40AN Box 27 Folder 6	Light plots; costume plot
Box 27 Folder 7	Original light plot; hook-ups; color plot; electrical equipment list
Box 27 Folder 8	Miscellaneous production material; budgets; contracts; production schedule; costume plot; cast list; property list
	Caligula
Oversize Folder 1	Light plot; hanging plot; torm plot
	Carmen, New York City Opera, 1950 Note: Lighting by Jean Rosenthal
Box 28 Folder 1	Cue sheets; rehearsal notes; ground plan
	Cavalleria Rusticana, New York City Opera, 1950 Note: Lighting by Jean Rosenthal
Box 28 Folder 2	Ground plans; cue sheets; sketches of set; cue sheets
	[André] Chenier, New York City Opera, undated Note: Lighting by Jean Rosenthal
Box 28 Folder 3	Photographs of set models; cue sheets
	The Chinese Prime Minister, Royale Theatre, 1964 Note: Written by Enid Bagnold Produced by Roger L. Stevens Directed by Joseph Anthony Designed by Oliver Smith Lighting by Jean Rosenthal
Box 28 Folder 4	Playbill, light plot; ground plan; electrical equipment list; hook-up; focus chart
Box 28 Folder 5	Cue sheets; notes; fabric swatches
Box 28 Folder 6	Script, annotated
Oversize Folder 1	Torms; light plot; ground plan
	Chrysler-Dodge Show
Oversize Folder 1	Light plots; cable and jumper layout
	Cinderella (La Cenerentola), New York City Opera, 1952 Note: Designed by Rouben Ter-Arutunian Lighting by Jean Rosenthal
Box 28 Folder 7	Set designs
Box 28 Folder 8	Set designs; light plot
Box 28 Folder 9	Set designs; libretto
Box 28 Folder 10	Cue sheet; focus list; production photographs; cue sheets; color sheets; hook-up and focus charts; cue sheets
	Climate in Eden, 1952 Note: Written by Moss Hart Produced by Hyman and Hart Lighting by Jean Rosenthal
Box 29 Folder 1	Program; light plot; lighting plan; cue sheets; hookup; focus chart; hook-up
Box 29 Folder 2	Light plots; cue sheets; hook-up sheet; lighting equipment design elevations; hook-up; cue list; asbestos swatch; sheets; light plots
	Connecticut Summer
Oversize Folder 1	Light plot, fireworks plot
	Dance Players, 1942 Note: Directed by Eugene Loring Lighting by Jean Rosenthal
Box 29 Folder 3	Correspondence, 1941 December 16-1944 April 28
Box 29 Folder 4	Layout and color plot; switchboard hook-up; cue sheets; layout and cue sheets; focus plot
Box 29 Folder 5	Equipment notes; programs; clippings; expense sheet; set sketches; fabric swatch; production schedule; budget; estimates and bills
	Dark at the Top of the Stairs
Oversize Folder 1	Light plot; torms and eye Note: Missing, 03/16/2011.
	Daughter of Silence
Oversize Folder 1	Master plan; fronts and torms
	Dear Liar
Oversize Folder 1	Light plot, drapes design, preliminary light plots
	Der Rosenkavalier, New York City Opera, undated Note: Lighting by Jean Rosenthal
Box 30 Folder 1	Cue sheets; hook-up; ground plans
	Destry Rides Again
Oversize Folder 1	Light plot; prologue electrics; hanging sections
	Die Fledermaus, New York City Opera, 1953 Note: Lighting by Jean Rosenthal
Box 29 Folder 6	Cue sheets; hook-up and focus charts; cue sheets
	Die Meistersinger, undated Note: Lighting by Jean Rosenthal
Box 29 Folder 7	Focus chart and cue sheets; focus sheets; sketches of set; cue sheets
Box 29 Folder 8	Notes on action and blocking; cue sheets; rehearsal and production schedule; cue sheets; general notes
	The Disenchanted
Oversize Folder 1	Hanging sections; lanterns
	Don Giovanni, New York City Opera, 1952 Note: Lighting by Jean Rosenthal
Box 30 Folder 2	Ground plans; cue sheets; hook-up; ground plans
	The Duke of Sacramento, undated Note: Written by Warren Baer
Box 30 Folder 3	Script A
Box 30 Folder 4	Script B, annotated
	Far Harbour, Ballet Society, 1947 Note: Music and lyrics by Bergersen and Archibald Designed by H. Armistad Lighting by Jean Rosenthal
Box 30 Folder 5	Cue sheets; ground plans; set designs
Box 30 Folder 6	Set designs; light plot; hanging plot
Box 30 Folder 7	Score, Act I
Box 30 Folder 8	Score, Act II
	Faust, New York City Opera, 1952 Note: Designed by H.A. Condell Lighting by Jean Rosenthal
Box 30 Folder 9	Hook-up; cue sheets; focus chart; cue sheets; hook-up; cue sheet; notes; photos of set; lighting plot; cue sheets; special effects sheet; ground plan; drawings of set
Box 30 Folder 10	Cue sheets; program
	A Funny Thing Happened on the Way to the Forum, Alvin Theatre, 1962 Note: Book by Burt Shevelove and Larry Gelbart Music and lyrics by Stephen Sondheim Produced by Harold Prince Directed by George Abbott Designed by Tony Walton Lighting by Jean Rosenthal
Box 31 Folder 1	New York Production: correspondence, 1962 February 20-May 7; slide duplicates list; light plots; electrical equipment list; cue sheet; focus chart; hook-up; magic sheet
Box 31 Folder 2	Script, annotated; playbill
Box 31 Folder 3	Road Company, 1963; Correspondence, , 1963 December 2-1964 June 3; cable list; electrical equipment list; production drawings
Box 31 Folder 4	Focus charts; cue and track sheets; cuts; light plot
Box 31 Folder 5	Notes; cue sheets; hook-up
Box 31 Folder 6	Move to Mark Hellinger Theatre, 1964; focus charts; cue sheets; electrical equipment list; hook-up
Box 31 Folder 7	Light plots; cue and track sheets; changes
Oversize Folder 1	Front light; light plots; ground rows
	The Gay Life
Oversize Folder 1	Light plot; front lights, park drop, master plan, master section
	A Gift of Time
Oversize Folder 1	Light plot, fronts, preliminary set design sketches
	The Great Sebastians
Oversize Folder 1	Light plot
	Hamlet, 1964 Note: Produced by Alexander H. Cohen.
Box 31 Folder 8	Hook-up; electrical equipment list
Oversize Folder 1	Light plot; torms Note: Missing, 03/16/2011.
	Hansel and Gretel, New York City Opera, 1953 Note: Designed by Rouben Ter-Arutunian Lighting by Jean Rosenthal
Box 32 Folder 1-2	Set designs
Box 32 Folder 3	Correspondence, 1953 August 18-September 14; hook-up and focus sheets; cue sheets; scenery and costume budgets; estimates for The Trial, , undated
	Happily Never After, Eugene O'Neill Theatre, 1966 Note: Written by J.A. Ross Produced by George W. George and Frank Granat Directed by Joseph Anthony Designed by Peter Larkin Lighting by Jean Rosenthal
Box 32 Folder 4	Script; playbill
Box 32 Folder 5	Correspondence, 1966 January 17-February 4; electrical equipment list; light plot; fabric swatches
Box 32 Folder 6	Hook-ups; focus chart; cue and track sheets; production staff list; rehearsal schedule; notes; hook-up notes; stage plans; light plot
Oversize Folder 1	Light plot; preliminary no. 1 pipe
	Hello Dolly
Oversize Folder 2	Light plot, torms
	Hole in the Head
Oversize Folder 2	Light plot; torms and ladders; hanging sections; set fixture plot
	Hot September (Boston), 1963 Note: Book by Paul Osborn Music by Kenneth Jacobson Lyrics by Rhoda Roberts Produced by Leland Hayward and David Merrick Designed by Oliver Smith Lighting by Jean Rosenthal
Box 32 Folder 7	Correspondence, 1965 August 27-September 28; hook-up; equipment and color lists; light plot; track and cue sheets
Box 32 Folder 8	Script
Oversize Folder 2	Light plot, fronts and torms
	Hunter College - Ballet Society, 1947 Note: Lighting by Jean Rosenthal
Box 33 Folder 1	Ground plans; hanging plots; property and scenery list
	The Innocents, Pocono Playhouse, undated Note: Written by William Archibald Lighting by Jean Rosenthal
Box 33 Folder 2	Electrical equipment list; ground plan; hanging plot; hook-up and cue sheets; equipment rental list
Box 33 Folder 3	Program; script, annotated; transparency drawings; cue sheets; hook-up; ground plan; color list; electrical equipment list; hook-up; color cutting list
	Jamaica
Oversize Folder 2	Electrics plan, box lights and ladders
	Jennie, Colonial Theatre, Boston, 1963 Note: Book by Marguerite Courtney Music by Arthur Sculman Lyrics by Howard Dietz Produced by Halmar Productions Directed by Vincent J. Donehoe Designed by George Jenkins Lighting by Jean Rosenthal
Box 33 Folder 4	Correspondence, 1963 June 5-September 26; clippings; preliminary set designs; electrical equipment lists; color chart; magic sheet; focus chart; follow spot list; cue sheets
Box 33 Folder 5	“Floor Stuff”; light plot; hanging sections; script, annotated
Box 33 Folder 6	Costume swatches; set designs; notes; hook-up
Oversize Folder 2	Light plot, hanging sections, fronts
	Joy to the World, 1948 Note: Produced by John Houseman and William Katzel Designed by Harry Horner Lighting by Jean Rosenthal
Box 33 Folder 7	Light plot; rigging plot; hook-up; light plot; set designs; general production notes; equipment rental notes and estimates: schedule for taking in and setting up; equipment list
Box 34 Folder 1	Light plot; set designs; advertising material notes on props
Box 34 Folder 2	Correspondence, 1948 January 29-February 18; equipment rental list; property plot and notes; costume change list
	Judy Garland Show
Oversize Folder 2	Hanging sections
	Juniper and the Pagans
Oversize Folder 2	Light plot, hanging sections, torms
	The King and I, Los Angeles Music Center, 1965 Note: Book and lyrics by Oscar Hammerstein II Music by Richard Rodgers Produced by Edwin D. Lester Designed by Paul McGuire Lighting by Jean Rosenthal
Box 34 Folder 3	Correspondence, 1965 March 9-May 13; focus chart; hook-up; cue and track sheets; electrical equipment list; color list; lighting notes
Box 34 Folder 4	Light plots
Oversize Folder 2	Ballet set and curtains; torms; fireworks
	La Belle Helene, 1941 Note: Produced by Demetrious Vilan and Stewart Chaney.
Box 34 Folder 5	Correspondence, 1941 June 2-1944 March 28
	La Bohème, New York City Opera, 1952 Note: Lighting by Jean Rosenthal.
Box 34 Folder 6	Cue sheets; hook-ups; lighting notes; ground plans
	La Traviata, New York City Opera, 1951 Note: Lighting by Jean Rosenthal.
Box 34 Folder 7	Hook-up and cue sheets; ground plans; sketches of set
	L'Heure Espagnole, New York City Opera, 1952 Note: Designed by Rouben Ter-Arutunian Lighting by Jean Rosenthal
Box 34 Folder 8	Ground plan; set designs; specials list; cue sheets rough sketch of stage
	Light Opera Company (New York City Opera), 1954-1956
Box 34 Folder 9	Hook-ups (King and I, 1956); lighting notes (King and I); City Center hanging plots; revised light plots, , 1956; light plots, , 1950, 1953-1954; plan of stage; focus chart; switchboard layout; general production information; board hook-ups; equipment list
Box 34 Folder 10	Hook-up changes (Carousel); hook-up (Showboat); floor plan for King and I (designed by Jo Mielziner)
	Lord Pengo
Oversize Folder 2	Hook-up, light plot; hanging plot, floor plans
	Love for Three Oranges, New York City Opera, 1952 Note: Designed by Mtitslav Dobujinsky Lighting by Jean Rosenthal
Box 35 Folder 1	Hook-up and cue sheets; original light plot; cue sheet; sketches of set; ground plan; cue sheets; rehearsal notes; cue sheets; production photographs; ground plans
	Madama Butterfly, New York City Opera, 1950 Note: Designed by H.A. Condell Lighting by Jean Rosenthal
Box 35 Folder 2	Cue sheets; rehearsal notes; cue sheets; ground plans; rehearsal notes; rough sketch of set; cue sheets; ground plan
	Manon, New York City Opera, undated Note: Lighting by Jean Rosenthal.
Box 35 Folder 3	Hook-up and focus charts; libretto; cue sheets; ground plans; cue sheets; floor electric plan; lighting notes
	The Marriage of Figaro, New York City Opera, 1950 Note: Lighting by Jean Rosenthal.
Box 35 Folder 4	Hook-up; cue sheets; notes; ground plan; rehearsal notes; rough sketches of set; ground plans
	Misalliance, New York City Center Drama Company, undated Note: Designed by John Boyt Lighting by Jean Rosenthal
Box 35 Folder 5	Hanging plot; light plots
	N.A.M. Convention (Annual Congress of American Industry), 1950 Note: Jean Rosenthal in charge of scenery, lights, and production.
Box 35 Folder 6	Notes on scenery and props; scripts; set design; prop notes; rehearsal notes; cue sheet; notes on convention
Box 35 Folder 7	Rough sketches of set; cue sheets; scripts; convention program
Box 35 Folder 8	Casting and rehearsal notes
	National Orchestral Association Christmas Show, 1945-1950 Note: Lighting by Jean Rosenthal.
Box 35 Folder 9	Lighting notes and hook-up , (1950); stage plan; program , (1950); routine sheet and master cue sheet , (1950); preliminary hanging plot; script; hook-up sheet , (1949); cue sheet , (1948-1949); costume notes
	New Opera Repertory Company, 1942 Note: Lighting by Jean Rosenthal.
Box 35 Folder 10	Hanging plot; set designs; light plot; rigging plot
Box 35 Folder 11	Stage plan; set designs; light plots
Box 35 Folder 12	Correspondence, 1942 June 29-December 29; hook-ups; preliminary sketch of hanging plot; light plot; notes; electrical equipment list; special effects list; equipment rental lists
Box 36 Folder 1	Electrical equipment list; rehearsal schedule; equipment rental list; sketches of scenery; notes; board hook-up
Box 36 Folder 2	Switchboard set up; equipment layout; notes and set sketches; board hook-up; electrical equipment list; rough sketches of set
	The Night of the Iguana
Oversize Folder 2	Light plot, fronts and torms, preliminary section - electric
	The Old Maid and the Thief, New York City Opera, 1952 Note: Lighting by Jean Rosenthal.
Box 36 Folder 3	Cue sheets
	On an Open Roof and Kadish
Oversize Folder 2	Set designs, ground plan, light plan, hook-up, torms and ladders
	110 in the Shade, undated Note: Lighting by Jean Rosenthal.
Box 36 Folder 4	Correspondence, 1963 January 9; script; follow spot notes; cue sheets
	Pagliacci, New York City Opera, undated Note: Lighting by Jean Rosenthal.
Box 36 Folder 5	Cue sheets; ground plans; lighting notes; cue sheet
	Redhead
Oversize Folder 2	Light plot, slide projection
	Regina (Little Foxes), undated Note: Written by Lillian Hellmann Produced by Cheryl Crawford Designed by H. Armistead Lighting by Jean Rosenthal
Box 36 Folder 6	Correspondence, 1952 March 30; libretto; hook-up and focus chart; set photographs; color cutting list; cue sheets; hook-up; cue sheets; ground plan
Box 36 Folder 7	Ground plans; plan of cyclorama and portals; photographs of set
Box 36 Folder 8	Ground plan; set designs; sound cue sheet; libretto; prop and costume list; color list
	Richard III, Forrest Theatre, 1943 Note: Produced by Theatre Production Service Production and lighting by Jean Rosenthal Designed by Motley
Box 36 Folder 9	Pre-production: correspondence, 1942 December 1-1943 March 6; casting notes; schedules; lists
Box 36 Folder 10	Casting notes and schedules
Box 36 Folder 11	Pre-production budget and financing; miscellaneous
Box 37 Folder 1	Operating: correspondence, 1943 March 4-April 26; payroll expenditures; box office statements
Box 37 Folder 2	Overall expenses; promotion; theatre expenses; playbill negatives of photographs of production
Box 37 Folder 3	Closing: correspondence and expense sheets regarding office and administration; taxes; insurance
Box 37 Folder 4	Total expenditure list; bankbook
Box 37 Folder 5	Contracts and expenditures regarding actors
Box 37 Folder 6	Contracts regarding extras; production personnel
Box 37 Folder 7	Expenditures regarding promotion; props; scenery; lighting; insurance; office and administration; rehearsal
Box 37 Folder 8	Expenditures regarding theatre rental; workmen's compensation; music score; cue sheet; miscellaneous production notes
Box 42	Clipping scrapbook
	Rigoletto, New York City Opera, 1953 Note: Lighting by Jean Rosenthal.
Box 38 Folder 1	Focus and hook-up; cue sheets; notes on action
	Sarah Lawrence College
Oversize Folder 2	Floor plans for auditorium
	Saratoga
Oversize Folder 2	Light plot
	She Loves Me, Eugene O'Neill Theatre, 1963 Note: Book by Joe Masteroff Music by Jerry Bock Lyrics by Sheldon Harnick Produced and directed by Harold Prince Designed and lighting by William and Jean Eckart
Box 38 Folder 2	Playbill; hook-up; cue and track sheets; notes
	Sound of Music, Lunt-Fontanne Theatre, 1959 Note: Book by Howard Lindsay and Russel Crouse Music by Richard Rodgers Lyrics by Oscar Hammerstein II Produced by Leland Hayward, Richard Halliday, Richard Rodgers and Oscar Hammerstein II Directed by Vincent J. Donahoe Designed by Oliver Smith Lighting by Jean Rosenthal
Box 38 Folder 3	Correspondence, 1959 May 27-December 29; playbill; clippings
Box 38 Folder 4	Script, annotated; production staff list; production schedule; electrical equipment list
Box 38 Folder 5	Costume swatches
Box 38 Folder 6	Hanging plot; cue sheets; hook-up; focus chart; cue sheets (tour)
Box 38 Folder 7	Preliminary sketches of hanging plot; light plots; ground plan; set designs; stage plans
Box 39 Folder 1	Stage plans; master plan (tour)
Oversize Folder 2	Hook-up, light plots, torms and ladders
	Tales of Hoffman, New York City Opera, undated
Box 39 Folder 2	Cue sheets; ground plans
	Taste of Honey
Oversize Folder 2	Light plot
	A Time for Singing
Oversize Folder 2	Ground plan, torms and fronts, light plot Note: Ground plan missing.
	To Broadway with Love, 1964 Note: Conceived and directed by Morton DaCosta Produced by Compass Productions Designed by Peter Wolf Lighting by Jean Rosenthal
Box 39 Folder 3	Correspondence, 1963 June 10-1964 March 23; lighting equipment information and design (Century Show Case); staff and cast list; electrical equipment list; effects and fixtures list; programs; script, annotated
Box 39 Folder 4	Hook-up; glass colors and circuits; notes; light plot
Box 39 Folder 5	Cue sheets; focus chart; photos of hanging plans; equipment list (Music Hall Texas Pavilion); ceiling layout; lighting instrument plot
Oversize Folder 2	Light plot, ceiling layout
	Tosca, New York City Opera, 1950
Box 39 Folder 6	Ground plans; cue sheets; lighting notes
	The Trial, New York City Opera, 1953 Note: Designed by Rouben Ter-Arutunian Lighting by Jean Rosenthal
Box 39 Folder 7	Ground plans; set designs; portions of libretto; cue sheets; hanging plan; hook-up; rough sketch of set
Box 40 Folder 1	Set designs; photographs of set
Box 40 Folder 2	Hook-up and focus chart; cue sheet; drawings of set
	Tribute to Sean O'Casey, Imperial Theatre, 1964 October 11
Box 40 Folder 3	Cue sheets
	Turandot, New York City Opera, 1950 Note: Designed by H.A. Condell Lighting by Jean Rosenthal
Box 40 Folder 4	Cue sheets; rehearsal notes; cue sheets
Box 40 Folder 5	Cue sheets; ground plans; rough sketches of set and movement
	University of Puerto Rico - Theater equipment supplied by Theatre Production Service (Jean Rosenthal and Elinor Weis)
Box 40 Folder 6	Correspondence, 1942 September 2-1945 June 30
Box 40 Folder 7	Estimates and shipping notes; bills and receipts
	West Side Story, Winter Garden Theatre, 1957 Note: Book by Arthur Laurents Music by Leonard Bernstein Lyrics by Leonard Bernstein and Stephen Sondheim Directed and choreographed by Jerome Robbins Produced by Griffith, Prince, and Stevens Designed by Oliver Smith Lighting by Jean Rosenthal
Box 40 Folder 8	Correspondence, 1959 March 2; original lighting notes; cue and track sheets Note: Empty folder.
Box 40 Folder 9	Cue sheets (Washington); color list; fixture list; script, annotated; gel samples Note: Empty folder.
Box 41 Folder 1	Hanging plot; stage plans and set designs Note: Empty folder.
Box 41 Folder 2	City Center production, 1964: cue sheets (and for transposition); electrical equipment list; hook-ups; focus charts (road); color list Note: Empty folder.
Box 41 Folder 3	Hanging plot; notes; cue sheets (road); light plots Note: Empty folder.
Oversize Folder 2	Light plot, front lights, revised light plot and front lights plan; light plot for National Company, hanging sections for Dallas production Note: Missing, 03/16/2011.
	Winesburg, Ohio
Oversize Folder 2	Light plot Note: Missing, 03/16/2011.
	Wozzeck, New York City Opera, 1952 Note: Designed by Mtitslav Dobujinsky Lighting by Jean Rosenthal
Box 41 Folder 4	Correspondence, 1952 February 27-March 14; light plot; set designs
Box 41 Folder 5	Libretto; cue sheets; hook-up; cue sheets; ground plan drawing of set; prop list
MCHC67-060	Part 2 (MCHC67-060): Additions, 1956-1966 Physical Description: 5.0 cubic feet (5 records center cartons)	⇧
	American Shakespeare Festival
Box 1	Production bills, 1956
Box 1	Light plots and floor plans, lighting schedule, notes, correspondence, notes and schedules, sketches and equipment list, building correspondence, lamp schedules and equipment list, partial framing plan, light plots, equipment list, correspondence, floor plans, 1957
	Merchant of Venice, 1957
Box 1	Cue sheets, blocking plots, miscellaneous notes, routine of scenes, script, production miscellaneous, drawings, extra prints, miscellaneous notes, playbills and programs
	Much Ado About Nothing, 1957
Box 1	Floor plans, hanging plots, production miscellaneous, cue sheets, extra prints
	Baker Street
Box 2	Light plots, hook-up
	Ivanov
Box 2	Ground plan and hanging plot, hook-up, light plot, focus chart
	Country Wife, 1965
Box 2	Hook-up, focus charts, notes, cue sheets and follow spot, light plot and floor plans
	King Lear, 1964
Box 2	Electrical equipment list, hook-up, focus charts, cue sheets
	House of Flowers
Box 2	Hanging, color cutting list, hook-up, hook-up and budget
	Incident at Vichy, 1964
Box 2	(Annotated) mimeo script with staging, board hook-ups, set drawings and light plots, notes and cue sheets
	A Time for Singing, 1966
Box 2	Mimeo script, light plot, equipment list, notes, hook-up
	Maurice Chevalier at 77, 1965
Box 2	Hook-up, section, equipment list, focus chart, cue sheet
	The Cherry Orchard, 1960
Box 2	Playbill, floorplan, sketches
	Poor Bitos, 1964
Box 2	Scenery, cue sheets, clippings, (annotated) mimeo script (2), cue sheets, aux charts, board hook-up and lite plot, focus charts, equipment list, notes (JR)
Box 3	Gift of Time mimeoscript
	The Gay Life, 1961
Box 3	Set designs, cue sheet, material samples, notes, playbills, material samples, original cue sheets, cue sheets, hook-up, equipment list, focus charts
	Othello, 1957
Box 5	Set drawings, production miscellaneous, extra prints, cue sheets, blocking parts, miscellaneous notes, routine of scenes, (annotated) mimeo script
	Caesar, Tempest, 1955
Box 5	Hook-ups, light plot, cue sheets, equipment lists, light plots
	Mozart Festival, 1956
Box 5	Light plot, cue sheets
	Phoenix, 1957
Box 5	Paid bills, floor plan, hook-ups, focus chart and notes, board hook-up and focus chart, correspondence, technical, lighting
Box 5	Measure For Measure, Taming of the Shrew general, 1957
Box 5	Malfi cue sheets
	1956
Box 5	Basic set plans, correspondence (Eaves), costume plot (Measure For Measure, Taming of the Shrew) electrics and hanging, scenery, tracings, general, inventory rentals (costumes and props), financial report
Box 5	King John, Measure For Measure, Taming of the Shrew light cues
	National Tour
	Taste of Honey, 1960-1961
Box 3	Miscellaneous, equipment lists, hook-up, magic sheet, hook-ups, cue sheets, equipment list, light cues, focus charts, light plot
	Beckett, 1960
Box 3	Focus chart, set drawings and playbills, light plot, equipment list, cue sheets, hook-up, light plots, plans, equipment list, light plot road-cue sheets and clippings, notes, electrical equipment list, light plot, hook-up, focus chart, light plot
	Night of the Iguana, 1961
Box 4	Cue sheets and playbill, magic sheets, hook-up, focus chart, equipment list, light plot, light notes and equipment list, notes, production drawings, equipment list
	On an Open Roof, Kadish, 1962-1963
Box 4	(Annotated) mimeo script, notes and playbills, equipment list, focus chart, light plot, equipment list, light plot, hook-up, drapery rental
	Kadish
Box 4	Cue sheets, hook-up, set and ground plan, ground plan, set designs
	On an Open Roof
Box 4	Cue sheets, ground plan, set designs
	Lord Pengo, 1962
Box 4	Mimeo scripts (2), correspondence, cue sheets, light plots, hook-ups, notes (JR), equipment list, notes, set drawings and material samples
	A Gift of Time, 1962
Box 4	Notes (MK), magic sheets, hook-up, original cue sheets, master track sheets, focus chart, cue sheets, light plot equipment list, ground plans
MCHC70-093	Part 3 (MCHC70-093): Additions, 1938-1968 Physical Description: 23.0 cubic feet (23 records center cartons)	⇧
	Dallas Civic Opera, 1966
Box 1	General focus charts, general hook-up, light plot, schedule, equipment list, color cutting list
	Dallas Civic Opera, 1967
Box 1	Sour Angelica: Cue sheets, focus charts, general focus, hook-up and light plot
	Metropolitan Opera, 1967-1968
Box 1	Hansel and Gretel: Light plot, cue sheets, focus chart for specials, focus notes and hook-up
Box 1	Martha: General
Box 1	Carmen: General, track lists
Box 1	Romeo and Juliet: Focus chart for specials, sketches, cue sheets, light plot, color lists, magic sheets
	Dallas Civic Opera, 1962
Box 1	Otello: Notes (J.R.), light plot, floor and specials, hook-up (3), equipment list, correspondence, cue sheets, focus charts
	Dallas Civic Opera, 1967
Box 1	Figaro: Lighting script, cue sheets and programs, focus charts, focus, hook-up and light plot, English/Italian lighting terminology
	Dallas Civic Opera, 1968
Box 1	Otello
Box 1	Orpheus
Box 1	Anna Bolena: Floor layout, general cheat sheet, equipment list, shopping list, general focus notes, hook-up, phone numbers, Dallas street map, color list, schedule (for the three productions), light plot (original), light plot, hook-up, general focus charts, focus chart, cheat sheets, running order, ground plans, cue sheets
	Dallas Civic Opera, 1965
Box 1	Madame Butterfly: Master hanging plan
Box 2	Figaro
Box 2	Medea
Box 2	Gala 3: General folder, transmittals, electrical equipment lists, English/Italian lighting terminology, programs, focus charts, general hook-up, color cutting list, lighting plot and hanging plan
Box 2	Otello: Cue sheets and elevations
	Dallas Civic Opera, 1968
Box 2	Otello
Box 2	Anna Bolena: General focus notes, hook-up, light plot, follow spot notes, cheat sheets, bridge colors, track sheets, men's cue sheets, cue sheets
Box 2	Orpheus: Focus chart, hook-up, general information folder, cue sheets
	Palace Theatre, London, 1967-1968
Box 2	Cabaret: Equipment list, correspondence, plans, light plot
	National Company (tour?)
Box 2	Cabaret: Hook-up, light plot, original track, notes, footlights, equipment list, cue sheets, focus charts
	Road tour, 1966
Box 2	Showboat: Cue sheets, focus chart, hook-up, equipment list, transposition, light plot, corrected cue sheets
	New York, 1968
Box 2	Plaza Suite: Equipment list, hook-up and track, focus chart and equipment list, transmittal sheets
	California?, 1967
Box 3	The Happy Time: Equipment list, focus chart (2), correspondence, light plot, hook-up, cue sheets
	Las Vegas, 1966
Box 3	Fiddler on the Roof: Light plot, mimeo script, cue sheets, track, notes, focus charts
	Israel, 1965
Box 3	Fiddler on the Roof: Equipment and color list, pipe layout, cue sheets, ground plan, light plot, correspondence
	National tour, 1966-1968
Box 3	Fiddler on the Roof: Cue sheets, electric equipment list, focus charts, equipment list, hook-up, cue sheets and transportation Detroit - light plots, cue sheets, equipment list
	Germany, 1966
Box 3	Fiddler on the Roof: Light plots, hook-up
	National tour, 1963-1964
Box 3	Barefoot in the Park: Equipment list, transportation, hook-up, cue sheets, light plot, focus charts
	American Shakespeare Festival, Stratford, Connecticut, 1957
Box 4	Otello
Box 4	The Merchant of Venice
Box 4	Much Ado About Nothing: Budgets, general correspondence, general production, basic set plans, set plans and elevation, clippings
	American Shakespeare Festival, 1958
Box 4	Midsummer Night's Dream: Miscellaneous, inventory, miscellaneous bills, papers and minutes, budgets and expenses, budgets, production costs, personnel, contracts, expenses, preliminary production budget and general production notes, bills (2), production notes, misc. prop notes bills and schedules, inventories, hook-ups, focus charts, light plot and hanging sections, lighting equipment, clippings, set plans and elevations, cue sheets, master cue sheets
Box 4	Hamlet: Master cue sheets (2), cue sheets, notes-previews, old sheets, trap and machine notes
	American Shakespeare Festival, 1959
Box 5	All's Well That Ends Well
Box 5	Romeo and Juliet
Box 5	Merchant of Venice: Clippings, correspondence, miscellaneous (2), bills, petty cash, TPS services, rehearsal and playing schedules, contracts, light plots, hanging sections, electrical equipment list, hook-up, miscellaneous
Box 5	All's Well That Ends Well: Cue sheets, mimeo script, light plots
Box 5	Romeo and Juliet: Mimeo script (lightly annotated), plans and elevations
	New York City Ballet
Box 5	Edinburgh
Box 5	International Festival of Music and Drama, 1952
Box 5	Programme 1: Miscellaneous, programs Note: Includes excerpts from: Swan Lake, The Cage, Picnic At Tintagel, Bourrée Fantasque
Box 5	Programme 2: Miscellaneous, programs Note: Includes excerpts from: Caracole, Tyl Ulenspiegel, Firebird, The Pied Piper
	Copenhagen, Royal Theatre, 1956
Box 5	Fanfare: General information, electrics, cue sheets, hanging and general, hanging and information
Box 5	Salzburg, Festspielhaus: Hanging and information, electric, clippings, cue sheets
Box 5	Berlin, Titania-Palast Theatre, 1952: Cue sheets, light plots, hanging and plans
Box 5	Berlin, 1956: Electrics, cues and hanging
Box 5	Antwerp, 1956: Cue sheets, hanging and general, electrics
Box 6	Zurich, 1952-1956: Electrics, cue sheets, hanging and programs etc., hanging and general
Box 6	Stockholm, 1956: Hanging, electrical
Box 6	Brussels, 1956: Electrics, hanging, cue sheets, technical
Box 6	Berlin, 1956: Plan, hanging and general, electrics, cue sheets
	American Shakespeare Theatre, 1958
Box 6	Winter's Tale: Plans and elevations, cue sheets, master cue sheets (2), working cue sheets, original cue sheets, mimeo script (annotated), notes
Box 6	American Shakespeare Festival Theatre, 1957-1958
	Road Tour
Box 6	Much Ado About Nothing: Miscellaneous, light plots, equipment list, board hook—up, miscellaneous technical drawings, electric drawings, board hook-up (1957), electrical equipment rentals, hook-ups and color lists, layout - plans for blocking, lighting focus charts (1957), lighting equipment
	New York City Ballet
Box 6	Frankfurt, 1956: Electrics, cue sheets, hanging and general
Box 6	Paris, 1956: Hanging and general, current, electrics, cue sheets
Box 6	Venice, 1956: Electrical (2), plot and hanging, hanging and general, cue sheets
Box 6	Munich, 1956: Technical, hanging, cue sheet
Box 6	Florence, 1953-1955: Notes, miscellaneous, program, clippings, cue sheets, poster, hanging plot, electrics Note: Includes excerpts from: Swan Lake, La Valse, Cage, Duello, Caracale, Age of Anxiety, Tintagle, Firebird, Serenade, Bourrée Fantasque, Pied Piper, Lilac Garden, Tyl Ulenspiegal, Four Temprements
	Dallas Civic Opera, 1962
Box 7	State Fair ground plans and sight lines
Box 7	Sour Angelica
Box 7	Pagliacci: Correspondence, light plot, electrical equipment list, electrics, general focus, general hook-up, and color cutting list
	Brussels, 1962
Box 7	Rigoletto (not produced): Miscellaneous
	New York City Ballet
Box 7	Koln Electrics, cue sheets, hanging and general, 1956
	Dallas Civic Opera, 1958
Box 7	Medea: Stage manager's cue sheets, master cue sheets, working cue sheets, cue sheets (2), track sheets, hook-up
	Kansas City Opera, 1967
Box 7	Orpheus: Cue sheets, hook-up, focus chart, floor stands, fly floor, hanging plot
	Kansas City Opera, 1968
Box 7	Medea: Cue sheets, hook-up corrections, floor charts, color order and cutting lists, focus charts
Box 7	Dance showcase: Floor charts, cue sheets, focus charts
Box 7	Miscellaneous, schedules and personnel, light plot, ground plans, and drawings, general hook-up and equipment list
	Dallas Civic Opera, 1961
Box 7	La Bohème
Box 7	Thaïs
Box 7	Lucia di Lammermoor: Hook-up sheets, color cutting lists, general electrics, general light plot, correspondence, contract information, electrical equipment list, work schedules, light plot, general
Box 7	La Bohème: General
Box 7	Thaïs: General
Box 7	Lucia Di Lamermoor: General
	New York City Ballet
Box 7	Vienna, 1956: Hanging and general, electrics, cue sheets
Box 7	Dallas statue: Photograph and plans
	Dallas Civic Opera
Box 7	1959
	1965
Box 7	Tosca: Props, scenery detail drawings, revised ground plans, Italian plans with Bill Toon's notes
Box 7	1957: Correspondence, miscellaneous
Box 7	1958: Set designs and technical information, press clippings, electric equipment and lists
	1959
Box 7	Lucia
Box 7	Barber of Seville
Box 7	Medea: Correspondence and miscellaneous, electrics, correspondence, miscellaneous Peter Wolf, correspondence and agreement, photostats and equipment list with notes
Box 8	Freaking Out of Stephanie Blake: Equipment lists, lighting equipment, hook-up, focus chart, plan, miscellaneous
Box 8	The Exercise: Focus chart, light plot and equipment list, cue sheets, hook-up
Box 8	Adam and Eve: Cues, annotated mimeo script
Box 8	Lady and the Tiger: Cues
Box 8	Passionella: Cues
Box 8	Apple Tree: Program, hook-up, focus charts, light plot, miscellaneous, notes (JR), set, equipment list, transmittal sheets
Box 8	Graduation exercises of Professional School, miscellaneous
Box 8	Leda Had a Little Swan: Mimeo script, equipment list, focus chart, cue sheet, hook-up, light plot
Box 8	Illya Darling: Light plots, equipment list, hook-up, focus chart, mimeo script
	National Company
Box 8	Star Spangled Girl: Miscellaneous, light plot, cue sheets, equipment list, hook-up, focus chart, notes, light plot, equipment list, transmittal sheets, notes-costume plots, light plot, focus charts, cue sheets, hook-up, cue sheets, focus chart
	Tour
Box 9	Sound of Music: Cue sheets, hook-up, focus charts and light plot, correspondence, notes, equipment list, light plot, hook-up
Box 9	The Importance of Being Ernest: Contract and correspondence
Box 9	Too Much Johnson: Contracts, correspondence and sketches, summer floor plans, contract forms
	Mercury Theatre
Box 9	Julius Caesar
Box 9	Heartbreak House
Box 9	Shoemakers Holiday: Plots
	Chicago Civic Opera, 1951
	Hanging plots, Symphony in C, plan and electric equipment, hook-up sheets, dressing rooms and time sheets, preliminary plans
Box 9	Camille
Box 9	Card Game
Box 9	Divertimento
Box 9	The Duel
Box 9	Illuminations
Box 9	Jinx
Box 9	Mother Goose
Box 9	Orpheus
Box 9	Prodigal Son: Miscellaneous
Box 9	Symphonie Concertante: Miscellaneous
Box 9	New York City Ballet Tour: Light plot
	Tour
Box 9	West Side Story, 1958: Focus charts, equipment list, master cue sheets, clippings (1960), correspondence, light plots, hook-ups, notes, notes on transportation
Box 9	Five Kings, 1939: Props, sound, costumes, electrics, carpentry, scene layout, estimates, correspondence, scene plot, construction crew
Box 9	Caesar, 1937: Scenery, ground plans, props, costumes, road, technical, maintenance, plot, electrics, costumes prompt book, light plots
Box 9	Dr. Faustas: Set-up, typed script
Box 10	Weekend, 1967: Light plot, focus charts, cue sheets, mimeo script, hook-up, plans, notes (JR), light plot, miscellaneous
Box 10	Dear World, 1968: Light plot, focus charts, notes (JR), sketches, cue sheets, programs, script fragments, equipment list, light plot, notes, hook-up, track sheet
Box 10	The Conquering Hero: Plastic colours, program
Box 10	Heartbreak House, 1938: Recordings, costumes, props, light plots
Box 10	Shoemaker's Holiday, 1938: Costumes, road, light plot
Box 10	Danton, 1938: Miscellaneous, prompt book
Box 10	A Funny Thing Happened on the Way to the Forum, 1962: Playbills, clippings, mimeo script, track sheets, equipment list, hook-up, ground plan, focus chart, cue sheets
Box 10	Into the Beach: Plans
Box 10	Danton's Death: Plans
Box 10	London Street: Plans
Box 10	Native Son: Plans
	New York City Ballet
Box 11	Grand Theatre de Bordeaux: Light plots, equipment list, notes and correspondence, programs, hanging plots, cue sheets, electrical
Box 11	Edinburgh Empire: Technical, hook-up, and hanging
Box 11	The Hague, 1955: Electrics, hanging plot, clippings, notes (JR), cue sheets
Box 11	Repertory, 1952: Miscellaneous
	New York City Ballet, London, 1952: Light plots and notes for all, playbills
Box 11	Symphony in C
Box 11	Lilac Garden
Box 11	Concerto Barocco
Box 11	Pied Piper
Box 11	A la Francaix
Box 11	Age of Anxiety
Box 11	Bourrée Fantasque
Box 11	Cage
Box 11	Cakewalk
Box 11	Caracole
Box 11	Card Game
Box 11	Divertimento
Box 11	The Duel
Box 11	Firebird
Box 11	Four Temperaments
Box 11	La Gloire
Box 11	La Valse
Box 11	Mother Goose
Box 11	Orpheus
Box 11	Prodigal Son
Box 11	Serenade
Box 11	Symphonie Concertante
Box 11	Swan Lake
Box 11	Pell Mell
	New York City Ballet, England, 1950: Technical, tour, electrics, notes (JR), routine, time sheet, rough hanging plot, hanging plot
Box 11	Croydan, Liverpool, Manchester
Box 11	Pas de Deux
Box 11	Jones Beach
Box 11	Jinx
Box 11	Illuminations
Box 11	Four Temperaments
Box 11	Bourrée Fantasque
Box 11	Concerto Barocco
	New York City Ballet, 1949-1950: Lists, hanging plots, hanging charts, production notes, miscellaneous
Box 11	Witch
Box 11	Prodigal Son
	New York City Ballet, Barcelona: Miscellaneous, plots, programs, clippings
Box 11	Symphonie in C
Box 11	Sylvia Pas de Trois
Box 11	Pied Piper
Box 11	Caracole
Box 11	Serenade
Box 11	Age of Anxiety
Box 11	Bourrée Fantasque
Box 11	Cake Walk
Box 11	Concerto Barocco
Box 11	Fire Bird
Box 11	Four Temperaments
Box 11	Duel
Box 11	La Valse
Box 11	Lilac Garden
Box 11	Orpheus
Box 11	Prodigal Son
Box 11	Swan Lake
Box 11	New York City Ballet, Lyon, 1954-1955: Light plots, equipment lists, color cutting, notes
Box 12	New York City Ballet, Amsterdam, 1955: Hanging, programs, clippings, electrics, cue sheets, prop lists
	New York City Ballet, Paris, Champs Élysées, 1952-1955: 1st and 2nd seasons, plots, miscellaneous, program, prop lists, cue sheets, floor plans, notes, equipment lists, electrics
Box 12	Pied Piper
Box 12	Pas de Trois
Box 12	Sylvia
Box 12	Cage
Box 12	Four Temperaments
Box 12	Serenade
	Ballet Society
	Ballet Society 1, 1946-1948
Box 12	Needle Trade, Spellbound Child, Four Temperaments, Far Harbour: General
	Ballet Society 2, 1947-1948
Box 12	Pastorella, Renart, Divertimento: General
	Ballet Society 3, 1947-1948
Box 12	Medium and Telephone: General
	Ballet Society 4, 1947-1948
Box 12	Zodiac, Highland Fling, Minotaur: General
	Ballet Society 5, 1947-1948
Box 12	Medium: General
Box 12	Ballet Society 6, 1947-1948: General
Box 12	Correspondence
Box 12	Guilio Cesar: Prompt book
Box 12	Fasion: Prompt book
	New York, New York
Box 12	Carmen Amaya: Plots, equipment lists, cue sheets
	New York City Ballet
Box 12	Chicago, 1957: General
Box 12	European tour, 1956: General
Box 12	Repertory, Nutcracker, etc., 1956-1957: General
Box 13	State Teacher's College, Albany, New York, 1955-1956: Plans, general
	New York City Ballet
Box 13	New York, New York; City Center of M&D Inc.
Box 13	Tour, 1955 Summer and Fall: General
	General repertory, 1954 Fall
Box 13	Nutcracker: general
Box 13	Repertory, Western Symphony, 1954 Winter: General
Box 13	Tour, 1953: General
	Chicago, 1956 Spring
Box 13	Nutcracker: general
Box 13	Repertory and concert, 1956 Winter: General
	Tour, 1955 Summer
Box 13	Nutcracker: general
	New York, 1954 Spring
Box 13	Nutcracker: general
Box 13	Tour, 1954: General
Box 13	European tour, 1955 Spring: General
Box 13	Repertory, 1953 June: General
Box 13	Repertory, 1954 Spring: General
Box 13	European tour, 1953
	Kansas City Opera
Box 13	Orpheus, Performing Arts Foundation, 1967: Prompt book - music and French lyrics, Prompt book - mimeo script (annotated) in English, program, cue sheets, costumes, props, publicity, casting, scenery inventory, mimeo script, electrics, fly floor cues, general miscellaneous
	New York City Ballet: general
Box 14	1951 November
Box 14	1951 September
Box 14	1951 June
Box 14	1951 January-February
Box 14	Chicago, 1951 April
Box 14	English tour, 1950 Summer
Box 14	1950 February
Box 14	1952 November
Box 14	1949 November
Box 14	1952 February
Box 14	All sessions up to , 1952 December
Box 14	1952 December-1953 January
Box 14	Leda Had a Little Swan: Equipment lists
	National Company
Box 14	Luv, 1965: Plots, cue sheets, focus charts, equipment list, hook-up, light plot
Box 14	New York: show and transportation
Box 14	Toronto: hook-up, focus charts, cue sheets
Box 14	Road tour: plots, equipment lists
	Dallas Civic Opera, 1965
Box 14	Tosca
Box 14	La Traviata
Box 14	Caesar: Focus chart, schedules, light plot, sound equipment, ground plan of State Music Fair Music Hall, general hanging plan, program, record list, index of DCO production plans, color-cutting list and gel inventory, hook-up, resumes
Box 15	La Traviata: Prompt book (annotated), ground plans, sketches, light plot, final cues, hanging plans, ground plans (stage-managers), focus charts, notes (Zeffirelli), hook-up, focus chart, program
Box 15	Julius Caesar: Cue sheets, light plot, hanging plans, cue sheets, hook-up, ground plan, general focus, light plot, hook-up, equipment list, hook-up, focus chart, hanging plan, 1/4 plans, ground plans, working drawings (HWP), prop list
Box 15	Dallas Civic Opera, 1966-1967: Transmittal sheets, drawings and photos
	Tour (after Las Vegas), 1965
Box 15	Hello Dolly, Grable Company: Hook-up, cue sheets, focus chart, light plot, notes, equipment list, hook-up, transposition, cue sheets-track, light plot, equipment list, focus chart, cue sheets
	1957
Box 15	Hamlet: Script alternative, light plot, equipment list, notes
	Kansas City
Box 15	Callas concert: Equipment sheet, hanging plot, cue sheet, miscellaneous information, light plot
Box 15	Scopes of Theatres: Old cue sheet form, Life Magazine (1952) article on New York City Ballet, miscellaneous ground plan (not labeled), trouble file (JR), Quadrille light plot, articles JR, Metropolitan Opera ground plan, Hunter College ground plan
	Kansas City, 1965
Box 15	Julius Caesar: Equipment list, information, correspondence, light plot, hook-up, focus notes, cue sheets, ground plans (floor special), board cue sheets, full track sheet
	Los Angeles Music Center
Box 16	Album: general
	Kansas City Opera, 1967
Box 16	Orpheus: Light plot, equipment list, focus charts, program
	Dallas Civic Opera
Box 16	La Traviata, 1966: Props, scenery
Box 16	Macbeth, 1966: Light plots, scenery, hanging plots, ground plans, scenery, miscellaneous information, master cue sheets, general hook-up, ground plans and floor specials, focus charts
Box 16	Dido and Aeneas, 1966: Part III scenery, focus chart, hook-up, general, set sketches and props, light plot, ground plan, equipment list, Part I orchestra, program, circuit check, notes, Part II cue sheet, color-cutting, score and blocking (stage manager)
Box 16	Maestro di Capella, 1967: Cue sheets, focus charts, general focus, hook-up and plot
Box 16	La Traviata, 1958: Cue sheets (stage manager), focus charts, final cue sheets, hook-up, board sheets, lighting chart
Box 16	Lucia, 1961: Light plots
Box 16	Thaïs, 1961: Sketches
Box 16	Othello, 1968: Hook-up, light plot, cheat sheets, pictures, ground plan, general focus, men's cue sheets, bridge colors, cue sheets, focus notes, general information
	National Company, 1968
Box 16	Plaza Suite: Cue sheets, miscellaneous, focus charts, cue sheets and track, equipment list, hook-up, light plot
	Bus and Truck Company
Box 17	The Odd Couple, 1966: Light plots, hook-up, focus charts, equipment list, cue sheets, transportation
Box 17	Luv, 1966: Light plots, playbill, hook-up, focus charts, equipment list, cue sheets
	American National Opera, 1967
Box 17	Hook-up, fronts, schedule, equipment list, pipes, program
Box 17	Falstaff: General
Box 17	Lulu: General
Box 17	Tosca: General
	National Company
Box 17	I Do, I Do, 1968: Focus charts, equipment list, notes and script, hook-up, correspondence, track sheets, area chart (JR), light plot, hanging plot, prints of flying unit with fixture, cue sheets and track sheet, hook-up, cue sheets, focus chart, equipment list, light plot, cue sheets, focus chart, hook-up, general, hook-up, equipment list, correspondence
	London
Box 17	I Do, I Do: Track sheet, hook-up, cue sheets, focus chart, equipment list, correspondence, light plot
	2nd National Company
Box 17	Hello Dolly: Miscellaneous, equipment list, hook-up, cue sheets, light plot, correspondence
	American National Opera, 1967
Box 18	Program, general, equipment list, focus chart
Box 18	Falstaff: Gground plan, hanging section
Box 18	Lulu: Elevation, ground plan
Box 18	Tosca: Ground plans
Box 18	Sundown Beach: Lighting script with cues, blue print of electrics, hook-up, equipment list, cue sheets, originals, roughs, notes, preliminary work, (annotated) typed script
Box 18	Tenderland: Ground plans
	New York City Ballet
Box 18	, 1948 Fall Season: Set ups and strikes
	1948 Spring Season
Box 18	Orpheus, Elegy, Reynard, Punch, Bizet, Mozart: Notes, etc.
Box 18	City Center: General notes
	1948 February
Box 18	Baccus, Divertimento, Four Temperaments: Hook-up sheets, general
	1948 March
Box 18	Bizet, Seasons, Capricorn: Hook-up, plans, etc.
Box 18	Production notes
Box 18	Press clippings, 1957 November-1958 November
Box 18	Notes, 1956
Box 18	Lilac Garden: Board, questionnaire, vocabulary, 1952
	New York City Ballet
	American tour
Box 18	Electrical Records (San Francisco Opera, Seattle Opera, Chicago Opera), 1954
Box 18	Hanging plots and setting, color cutting and gel lists, 1952 February
Box 18	Technical information, 1953
Box 18	Electrics, hook-ups, colors, 1951 November
Box 18	Technical, 1952 November 4-1953 January 25
Box 18	Chicago Civic Opera, Nutcracker, 1955: General, boards
Box 18	Devil and Daniel Webster: Plans, sketches, typed scripts
Box 18	Booth: Plans
Box 18	Gorton High School: Plans
Box 18	Needle Trades High School: Plans
	Milan, Teatro Alla Scala, 1953
Box 19	Clippings, program, memorabilia, poster, floorplan, light plot, notes, sketches, cue sheets
	Chicago, 1954, 1955
Box 19	Interplay, Afternoon of a Faun, Age of Anxiety, Cage, Concerto Barocco, Duel, Fanfare, La Valse, Pas de Deux, Pas de Trois, Four Temperaments, Pied Piper, Cakewalk, Con Amore, Scotch Symphony, Roma, Valse Fantasie, Serenade, Sylvia: Cue sheets, stage calls for crew, hanging plots, electrics
	Baltimore, Lyric Opera House
Box 19	Hanging plot, schedules, program
	Washington
Box 19	Program, notes, equipment list, sketches, hook-up
	Milano, Como
Box 19	Notes, program, equipment, sketches
	California, Theatres (San Diego, Sacramento, Berkeley)
Box 19	Theatre notes
	Zurich, Kongresshaus
Box 19	Theatre notes
	Chicago, 1951
Box 19	Bourrée Fantasque, Firebird: General
	Chicago, 1954
Box 19	Firebird, Filling Station, Swan Lake: General
	Chicago, 1955
Box 19	Western Symphony: general
	Chicago, 1957
Box 19	Still Point, Pas de Dix, Unicorn, Gorgon, Manticore, Souvenirs: General
	Bologna
Box 19	General, sketches, schedules
	Denver
Box 19	Programs, cue sheets, sketches, notes, pix, set-up, cue sheets
	France, 1952
Box 19	Electrics, correspondence, sketches, schedules
Box 19	A la Francaix, Age of Anxiety, Bourrée Fantasque, Cake Walk, Caracole, Divertimento, Duel, Firebird, La Valse, Lilac Garden, Orpheus, Prodigal Son, Symphony in C, Swan Lake, Tyl: Cue sheets, floor plans, clippings
	Bus and truck tour, 1965
Box 19	Barefoot in the Park: Hook-up, equipment list, light plot, correspondence, equipment list, focus charts, light plot, hook-up sheets, cue sheets, set-section and ground plan, National Company transposition, miscellaneous not used
	London Company
Box 20	Plaza Suite, 1968: Equipment list, hook-up, light plot, color transposition, focus chart
Box 20	Luisa Miller, 1967: Focus notes, cue sheets, programs, schedule, focus chart
Box 20	The Happy Time: Equipment list, light plots, cue sheets
Box 20	Barefoot in the Park, 1963: Mimeo script, hook-up, focus chart, cue sheets, pipe and color, notes, costumes, equipment list, color list, light plot, rev. (annotated) mimeo script
Box 20	Happy Time: Magic Sheet, cue sheet
	Kansas City Opera
Box 20	Julius Caesar, 1965: Correspondence, cue sheets, clippings, program
	New York
Box 20	The Odd Couple, 1965-1966: Cue sheets, focus chart, hook-up, road - equipment list, transposition, focus chart, cue sheet, hook-up, light plot, correspondence, focus chart, cue sheets, light plot
	London
Box 20	Hello Dolly, 1965: Light plot, hook-up, equipment list, focus chart, cue sheets, transposition, correspondence
	Las Vegas
Box 20	Hello Dolly, 1965: Cue sheets, light plot, focus charts, hook-up, equipment list, cue sheets
Box 21	Luv, 1964: Cue sheets, equipment list, focus charts, hook-up and magic sheets, light plot, notes, light plots, equipment list, (annotated) mimeo script
	New York City Ballet
	Seattle, 1954-1955
	Moore Theatre
Box 21	Electrics, light plot, programs, timing, stage calls
Box 21	Western Symphony, Cage, Swan Lake, Interplay, Symphony in C, Pas de Trois, Duel Serenade: General
	Orpheum
Box 21	Hook-up and plans, hanging plot
Box 21	Scotch Symphony, Pied Piper, La Valse, Firebird, Filling Station, Con Amore, Fanfare, Afternoon of a Faun, Serenade, Bourrée Fantasque and Symphony in C, Cage, Swan Lake: General
	Lisbon, Teatro Nacional de San Carlos, 1955
Box 21	Programs, clippings, sketches, correspondence, hanging plots, cue sheets, electrics
	New York, 1966
Box 21	Showboat: Cue sheets, focus chart, electrical equipment, hook-up, set, light plot, (annotated) mimeo script, notes (JR), cues
	Dallas Civic Opera
Box 21	Medea, 1958-1959, 1967: Track sheets, light plot, phone numbers and schedule, focus charts, board hook-up, focus notes and equipment list
Box 21	Italiani in Algeri, 1958: Light plots
Box 21	Barber of Seville, 1962: Electrics, hook-up, focus, cue, board sheets, focus charts, correspondence, plans (1961), plans (revised for 1962), master cue sheets
Box 21	Otello, 1962: Schedule, correspondence
Box 21	Marriage of Figaro, 1967: Light plots
	Road, international
Box 22	Hello Dolly: Notes and transportation, miscellaneous, hook-up, focus chart, transposition for Japan, cue sheets, focus chart, light plot, hook-up, equipment list, notes, transposition
	New York
Box 22	Odd Couple, 1965: Focus charts, cue sheets, light plot, equipment list, hook-up, cue sheets, board, hook-up, focus charts, equipment list, old notes, notes (JR), mimeo script fragment and equipment list, light plots, (annotated) mimeo script
	Dallas Civic Opera, 1960
Box 22	Schedules, contracts, correspondence, Freedman and Slater, electrics
Box 22	State Fair Auditorium: Ground plan and general hanging plot
Box 22	Daughter of the Regiment: Cue sheets, light plot
Box 22	Butterfly: Cue sheets, correspondence
Box 22	Alcina: Cue sheets
	Dallas Civic Opera, 1967
Box 22	“Old DCO to be returned to NY office at end of rep.,” 1966
Box 22	Figaro: General
Box 22	Gala 3: Program, general
Box 22	Faerie Queen: Cue sheets, focus charts, light plot, hook-up
	Dallas Civic Opera, 1965
Box 22	General hook-up, transposition of 1964 to 1965 hook-up, general focus and Lucia focus (for ref.), equipment list, odd notes, light plot, hook-up and cue sheets, 1960
Box 22	La Traviata: Miscellaneous, focus charts, light plot, hook-up
Box 22	La Bohème: General
Box 22	Tosca: Light plot, hanging plans, ground plans, rev. ground plans, final cues, cues, hook-up, focus charts, general rep. focus, stage managers vocal score
	Berlin, 1952
Box 23	Schiller: General notes, hanging plots, electrics, cue sheets
	Monte Carlo, 1962
Box 23	Swan, Bourrée, Scotch Symphony, Cage, Faun, Borocco, Fanfare, Sylvia, Serenade, Western, Pas de Trois, Interplay, La Valse, Pied Piper
	Naples, Teatro di San Carlo
Box 23	Technical, cue sheets, general, programs
	Marseilles, 1955
Box 23	Light plots, cue sheets, focus charts, electrics, schedule and notes
	Stuttgart, 1955
Box 23	Electrics, programs, hanging and colors, clippings, ad., cue sheets
	Rome, 1953, 1955
Box 23	Electrics, cue sheets, hanging, cue sheets, miscellaneous, technical
	Lausanne, 1955
Box 23	Electrics, hanging, cue sheets, general
Box 23	New York City Ballet: Serenade, Firebird, Pas de Trois, La Valse, Lilac, Sylvia, Pied Piper, Symphony in C, Swan Lake, Four Temperaments, Bourrée: general
	Trieste, 1953
Box 23	Cue sheets, program, memorabilia, technical
	Geneva, 1953
Box 23	Technical, programs and cues, clippings
	Dallas Civic Opera, 1963-1964
Box 23	Correspondence, light plot and sepia, technical, equipment list, general hook-up
Box 23	Poppea: general
Box 23	Samson et Delilah: hook-up, focus sheets, cue sheets, correspondence
Box 23	Butterfly: correspondence, hook-up, focus sheets, cue sheets
Box 23	Tribute in Dance: hook-up, cue sheets and focus charts
M98-185	Part 4 (M98-185): Additions, 1955-1972 Physical Description: 0.8 cubic feet (1 archives box and 17 oversize folders including 154 drawings) Scope and Content Note Additions, 1955-1972, has two sources: a group found in the stacks, and a group donated in 1998 by William Batchelder. The material found in the stacks consists only of large drawings and reproductions (with the exception of one folder of stage designs for “Hamlet”), and dates from 1955 to 1964. The material in the Batchelder donation includes both large drawings and reproductions and manuscript material, and dates from 1964 to 1972, except for the 1961 material relating to the Ballets USA. The drawings and photostats consist of general stage plans, set and prop designs for productions for which Jean Rosenthal was the lighting designer, her own light plots for those productions, and proposals for stage designs for which she was a consultant. The other papers are notes, correspondence (between Rosenthal and Batchelder), lighting cue sheets, hookup charts, and equipment lists for productions for which Rosenthal was the lighting designer. The touring productions of Cabaret and Fiddler on the Roof, 1966-1972, are particularly well represented. Arrangement of the Materials: Arranged by size, then chronologically by production (with the exception of the touring productions which are grouped together irrespective of date).	⇧
	Series: Manuscript Materials
Box 1 Folder 1	American Shakespeare Festival, Stratford, Connecticut, 1959
Box 1 Folder 1	Hamlet, 3 water-color set designs: black-and-white photostats
	Ballets USA (Jerome Robbins), Anta Theatre, 1961 September Note: See also Oversize Folder 11.
Box 1 Folder 2	Hook-ups and equipment list
Box 1 Folder 3	Miscellaneous notes
Box 1 Folder 4	Events: cue sheets
Box 1 Folder 5	Faun: cue sheets
Box 1 Folder 6	Cage: cue sheets
Box 1 Folder 7	Interplay: cue sheets
Box 1 Folder 8	Jazz: cue sheets
Box 1 Folder 9	Moves: cue sheets
Box 1 Folder 10	Concert: cue sheets
	Ballets USA (Jerome Robbins), Spoleto Festival, 1961
Box 1 Folder 11	Events: cue sheets
	I Do, I Do Note: See also Oversize Folder 5.
Box 1 Folder 12	Equipment list, 1966
Box 1 Folder 13	West Point Academy, Cadets Activity Center: preliminary specifications, 1967 Note: See also Oversize Folder 14.
Box 1 Folder 14	Northwestern University: equipment list, 1969
	Cabaret Note: See also Oversize Folder 15.
Box 1 Folder 15	National Company after Chicago, 1969: cue sheets, hookups, equipment lists, focus charts
Box 1 Folder 16	Second National Company, 1969: cue sheets, hookups, equipment lists, focus charts
	Fiddler on the Roof Note: See also Oversize Folder 16.
Box 1 Folder 17	1966 production: cue sheets, hookups, equipment lists, focus charts
Box 1 Folder 18	Second Touring Company, 1968: cue sheets, hook-ups, equipment lists, focus charts
Box 1 Folder 19	House border lights and front cue sheets, 1968
Box 1 Folder 20	B & T, 1968
Box 1 Folder 21	Fronts cue sheet, 1968
Box 1 Folder 22	Second National Company tour, 1969 (especially Los Angeles): cue sheets, hook-ups, equipment lists, focus charts
Box 1 Folder 23	, 1970 productions: various equipment specifications and cue sheets
	Series: Oversize Materials	⇧
	Size: 30 x 42-inches
Box 1	American Shakespeare Festival Theatre, Stratford, Connecticut: building plans, 1955 December Note: “A-1: Basement Plan” (blueline reproduction) “A-8: Longitudinal & Cross Sections” (blueline) “A10: Balcony Plan” (blueline) “A-11: Section 1-1 (Auditorium)” (blueline) “A19: Details” (blueline)
Box 2	Mozart Festival, Stratford, Connecticut, 1956 May Note: “Ceiling Set” (pencil drawing) “Preliminary Hanging Plot” (pencil drawing)
	American Shakespeare Festival tour, 1957
Box 2	Much Ado About Nothing Note: Untitled design for a curtained doorway signed Rouben Ter-Arutunian (pencil drawing) “Wedding Scene-Road” (pencil drawing) “Hanging Section-Road” (pencil drawing) “Road Plan” (pencil drawing)
	American Shakespeare Festival, Stratford, Connecticut, 1958
Box 3	A Midsummer Night's Dream Note: “Step Units, Plan & Elevation” (blueline) “Tapestry-Front Elevation” (blueline) “Forest Wagons-Details” (blueline)
	Miscellaneous
Box 4	Poor Bitos, 1964 October Note: “Fronts & Torms” (pencil drawing) “Light Plot” (pencil drawing) “Ground Plan” (pencil drawing) “Specifications for Soft Masking Pieces” (pencil drawing)
Box 4	Romeo and Juliet, undated Note: “Boxes” (pencil drawing) “Props, Bed & Tomb” (pencil drawing)
Box 5	I Do, I Do (H.M. Tennent and David Merrick production, designed by Oliver Smith), 1966 September Note See also Box 1, Folder 12. “2, Section” (blueline) “3, Show Portal & Bureaus” (blueline) “4, SR Side Masking” (blueline) “5, SL Side Masking” (blueline) “6, Borders, Drops & Tabs” (blueline) “7, Band Shell” (blueline) “8, Units # 1 & 2” (blueline) “9, Units # 3 & 4” (blueline) “10, Unit # 5—Bed” (blueline) “11, Forestage & Lifts” (blueline) “12, Toys # 1” (blueline). “13, Chandeliers # 1, 2, 3; Laundry; Toys # 2” (blueline) “14, Wedding Hangers # 1 & 2” (blueline) “Light Plot A” (blueline) “Light Plot B, Torms & Fronts” (blueline) “Light Plot C” (blueline) “Hanging Plan A” (blueline)
	Size: 36 x 48-inches
Box 6	American Shakespeare Festival, Stratford, Connecticut, 1956 Note: “Moveable Bridge” (pencil drawing, signed by Rouben Ter-Arutunian) “Preliminary Layout” (pencil drawing) “Light Plot-Fronts” (pencil drawing) “Basic Set for Drama Season, Floor Plans” (blueline) “Revised Basic Set Plan” (pencil drawing by Rouben Ter-Arutunian)
Box 6	American Shakespeare Festival, Stratford, Connecticut, 1957 Note: “Cyclorama Layout” (2 versions of pencil sketch, signed by Rouben Ter-Arutunian) Unlabelled pencil sketch of light plot “Side Cyc Masking—Elevations” (pencil drawing) “Light Plot-Torm Ladder & Posts” (pencil drawing) “Light Plot-Pipe Layout” (pencil drawing) “Light Plot-Fronts” (pencil drawing) “Machine & Track-Plan & Elevation” (pencil drawing) “Hanging Section” (pencil drawing) “Cyclorama-Elevations & Plan” (pencil drawing)
Box 7	American Shakespeare Festival, Stratford, Connecticut, 1958 Note: “Light Plot-Ladders & Torms” (pencil drawing) “Light Plot-Fronts & Pipes” (pencil drawing) “Revised Hanging Section” (pencil drawing)
Box 7	American Shakespeare Festival, Stratford, Connecticut, 1959 Note: “Light Plot-Ladders & Torms” (pencil drawing) “Light Plot-Fronts & Pipes” (pencil drawing)
Box 8	Lunt-Fontanne Theater, New York City: plans, 1957 October Note: “Plan of Loge” (blueline) “Plan of Orchestra” (blueline) “Mezzanine Fascia & Proscenium Opening Detail” (blueline) “Plan of Mezzanine (Balcony)” (blueline)
	Los Angeles Light Civic Opera Company
Box 9	The King and I, 1958 March Note: “Light Plot” (pencil drawing)
	Pilgrimage Bowl Theatre
Box 9	King Lear, undated Note: General plan of Pilgrimage Bowl (ink drawing) “Pilgrimage Bowl Light Plot, Lear” (pencil drawing)
Box 9	New York City Light Opera Company, unidentified production Note: Light plot (transposed from NYC Opera Company, 1954 April), with variations for productions of Werther and Showboat (blueline)
	Cambridge Drama Festival, 1960
Box 10	Henry IV, Parts One & Two (Phoenix Theatre) Note: “Henry IV Part One, ground Plan” (blueline) “Henry IV Part One, section” (blueline) “Henry IV Part One, permanent stage structure: drapes, banners, traps” (blueline) “Stage Layout” (blueline) “Henry IV Parts 1 & 2, Light Plot” (pencil drawing)
Box 11	Ballets USA (Jerome Robbins), Anta Theatre, 1961 September Note See also Box 1, Folders 2-11. “Light Plot” (blueline annotated in ballpoint)
Box 11	New York City Ballet, Saratoga Springs, 1966 July Note: “Electric and Line Layout” (blueline)
	Various plays, 1966
Box 12	Hello Dolly, 1966 August Note: “Light Plot A” (blueline) “Light Plot B” (blueline)
Box 12	Luv, 1966 September Note: “Bus & Truck Light Plot A” (blueline) “Bus & Truck Light Plot B” (blueline)
Box 12	Illya, Darling, 1966 December Note: “Star Drop” (blueline) “Light Plot A” (blueline) “Light Plot B, Fronts & Torms” (blueline) “Light Plot C, Miscellaneous Details” (blueline)
Box 13	Various plays, 1967-1969
Box 13	Ithaca Festival Theatre: proposal, 1967 January Note: “Proposed Catwalk Positions” (2 different bluelines)
	Metropolitan Opera at the Lincoln Center
Box 13	Romeo and Juliet, 1967 August Note: “Light Plot” (redline reproduction with pencil emendations)
	David Merrick and Gower Champion
Box 13	The Happy Times, 1967 October Note: “1, Lighting Section” (blueline) “2, Light Plot” (blueline) “3, Light Plot-Torms, Shadow Towers” (blueline) “5, Light Plot-Fronts” (blueline)
	Saint Subber
Box 13	Weekend, 1968 January Note: “Light Plot A” (blueline) “Light Plot B, torms and fronts” (blueline)
	Alexander H. Cohan
Box 13	Dear World, 1968 October Note: “Light Plot A” (blueline with ballpoint emendations) “Light Plot B, fronts, torms, ladders” (blueline)
Box 13	School of Speech, Northwestern University: Thrust theatre plans, 1969 November Note: “5 foot level” (blueline) “15 foot level” (blueline)
Box 14	Juilliard School of Music, Drama Workshop: Theatre production service plans, 1966-1969 Note: Plan of grid lights (blueline) “Rigging Plan” (blueline) “Ground Plan” (blueline) “Stage Grid Plan” (blueline) “Stage Left and Right Elevation, Stage Rear Elevation, Chamber Music Hall Grid Plan” (blueline) “Layout of Stage Equipment” (3 bluelines with different pencil emendations) “Portable Platforms” (blueline) “Forestage Shapes” (blueline)
Box 14	Cadets Activity Center, West Point Academy: plans, 1969 Note See also Box 1, Folder 13. “Floor Details” (blueline)
Box 14	Unidentified Note: Stage floor plan (pencil drawing) Line plot and sections (blueline)
	Cabaret Note: See also Box, 1, Folder 15-16.
Box 15	New York and Boston productions, 1966 Note: “Footlights Detail” (blueline) “Dis. Foots” (blueline) “Apron Lamps Detail” (blueline) “Section, Broadhurst Theatre” (blueline) “Light Plot A” (blueline) “Light Plot B, N.Y. Fronts” (blueline) “Light Plot C, Torms & Scenic” (blueline) “Light Plot D, Fronts, Boston” (blueline)
Box 15	National Company after Chicago, 1969 Note: “Light Plot” (pencil drawing and emended blueline)
Box 15	Second National Company, 1969 Note: “Light Plot” (pencil drawing and emended blueline)
Box 15	Theatre Now Inc., 1969 Note: “1, Plan” (blueline) “2, Section” (blueline) “3, Curtains & Maskings” (blueline) “4, Stair-R.R. Carriage, Side Walls & Tabs—Stool” (blueline) “5, Cliff's Room, Sign-Mirror” (blueline) “6, Schneider's Room, Moneyprops—Bandwagon” (blueline) “7, Schultz” (blueline) “8, Kit Kat Klub Drop & Stage” (blueline) “9, S.L. & S.R. KKK Units” (blueline) “1, Basic Plan” (blueline) “2, Cliff's Plan” (blueline) “3, Kit Kat Klub-Plan” (blueline) “4, Schneider's Plan” (blueline) “5, Schultz-Plan” (blueline)
	Fiddler on the Roof Note: See also Box 1, Folders 17-23.
Box 16	Unidentified production Note: Light plot (pencil sketch).
Box 16	National Company, 1966 Note: “3, Light Plot” (blueline)
Box 16	Theatre Now Inc., 1968 (Boris Aronson set designs) Note: “1, Tradition” (blueline) “2, Matchmaker” (blueline) “3, If I Were a Rich Man” (blueline) “4, Sabbath” (blueline) “5, Inn” (blueline) “6, Barn Scene” (blueline) “7, Bed Room” (blueline) “8, Tailor Shop” (blueline) “9, Act II, Scene 1” (blueline) “10, Station—Chava” (blueline) “11, Finale” (blueline) “1, Ground Plan” (blueline) “2, Section” (blueline) “3, Show Portal—Moon” (blueline) “4, Town Appliqué—Drops—Masking—Tracks” (blueline) “5, Tevye's House” (blueline) “6, Inn—Tailor's Shop” (blueline) “7, Barn—Pump—Cheese Trough—Bed—R.R. Station—Motel's & Tevy's Wagons—Fences” (blueline)
Box 16	Second Touring Company, 1968 Note: “Light Plot 1” (blueline with ink emendations)
Box 16	Second National Company, 1968 Note: “Light Plot” (pencil drawing and 2 bluelines with different ink emendations)
Box 16	Second National Company, Los Angeles and Berkeley, 1969 Note: “Ground Plan” (blueline) “Light Plot” (blueline)
Box 16	Merriweather Post Pavilion of Music, Columbia, Maryland, 1970 Note: Printed stage plan and section Untitled plan (blueline)
Box 16	Broadway Theatre, New York City, 1970 November Note: “Light Plot” (pencil drawing).
Box 16	Las Vegas production, 1972 Note: Untitled light plot (blueline).
	Size: 40 x 60-inches
Box 17	T.A.M.S.
	Virgin Gorda, undated Note: “Full Scale Wand Pattern” (2 pencil drawings).