Container
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Title
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Series: Production Files
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Micro 1068
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Aces Wild(1934)
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Reel
1
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Press book
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Micro 678/U.S. Mss 25AN
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After All(1931)
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Reel-frame
1/189
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Stills
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Reel-frame
1/208
Box-folder
1/8
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Typed “New York prompt” script by John Van Druten, n.d.
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Micro 1068
Reel
1
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Press book
|
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Micro 678/U.S. Mss 25AN
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All's Fair(n.d.)
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Reel-frame
1/328
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Stills
|
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Apron Strings(1930)
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Reel-frame
1/372
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Stills
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As You Like It(1937)
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Reel-frame
1/378
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Stills
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Micro 1068
Reel
1
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Press book
|
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Micro 678/U.S. Mss 25AN
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Babes in Arms(1937)
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Reel-frame
1/409
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Stills
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Reel-frame
1/476
Box-folder
1/9-10
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Mimeo script by Richard Rodgers and Lorenz Hart, n.d.
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Reel-frame
1/566
Box-folder
1/9-10
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Published sheet music
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Reel-frame
1/589
Box-folder
1/9-10
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Playbill
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Reel-frame
1/605
Box-folder
1/9-10
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Press releases
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Micro 1068
Reel
1
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Press books (2)
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Micro 678/U.S. Mss 25AN
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The Big Knife(1949)
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Reel-frame
1/613
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Stills
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Reel-frame
1/652
Box-folder
1/11
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Typed script by Clifford Odets, n.d.
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Reel-frame
1/807
Box-folder
1/12
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Mimeo “actual playing” script, n.d.
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Reel-frame
1/896
Box-folder
1/13
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Mimeo script (slightly annotated), ca. 1948
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Reel-frame
1/1006
Box-folder
1/13
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Playbill
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Micro 1068
Reel
2
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Press book
|
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Micro 678/U.S. Mss 25AN
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By Jupiter(1942)
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Reel-frame
1/1031
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Stills
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Reel-frame
1/1058
Box-folder
1/14
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Mimeo script by Rodgers & Hart, n.d.
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Reel-frame
1/1189
Box-folder
1/14
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Playbill
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Reel-frame
1/1204
Box-folder
1/14
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Sheet music for “Ev'rything I've Got”
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Micro 1068
Reel
2-3
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Press books
|
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Micro 678/U.S. Mss 25AN
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Champagne Sec(1933)
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Reel-frame
1/1
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Stills
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Reel-frame
2/23
Box-folder
1/15
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Typed script by Lawrence Langer, n.d.
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Reel-frame
2/135
Box-folder
1/15
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Playbill
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Micro 1068
Reel
3
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Press book
|
|
Micro 678/U.S. Mss 25AN
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Command to Love(1927)
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Reel-frame
2/148
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Stills
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Reel-frame
2/193
Box-folder
2/1
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“Amor y Diplomacia” typed script by Adolfo Lothar & Fritz Gottwald, n.d.
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Reel-frame
2/314
Box-folder
2/2
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Typed script by Hermann Bernstein, n.d.
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Reel-frame
2/450
Box-folder
2/3
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Typed script adapted by Herman Bernstein and Brian Marlow, n.d.
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Reel-frame
2/614
Box-folder
2/3
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Playbill
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|
Reel-frame
2/634
Box-folder
15/1
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Score for incidental music by Hugo Felix
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Micro 1068
Reel
3
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Press book
|
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Micro 678/U.S. Mss 25AN
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The Country Girl(1950)
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Reel-frame
2/682
Box-folder
2/4
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Playbill
|
|
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The Damask Cheek(1942)
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Reel-frame
2/707
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Stills
|
|
Reel-frame
2/739
Box-folder
2/5
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Mimeo script (anno.) by John Van Druten and Lloyd Morris, April 10, 1943
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|
Reel-frame
2/894
Box-folder
2/5
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Playbill
|
|
Reel-frame
3/1
Box-folder
15/2
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Score for incidental music
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|
Micro 1068
Reel
3
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Press book
|
|
Micro 678/U.S. Mss 25AN
|
Dance Me a Song(1950)
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Reel-frame
3/57
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Stills
|
|
Reel-frame
3/86
Box-folder
2/6
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Typed script
|
|
Reel-frame
3/156
Box-folder
2/7
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Sheet music
|
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Reel-frame
3/172
Box-folder
2/7
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Playbills
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Micro 1068
Reel
3
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Press book
|
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Micro 678/U.S. Mss 25AN
|
The Dark(1927)
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Reel-frame
3/194
Box-folder
4/8
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Typed script (anno.) by Martin Brown
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Micro 1068
Reel
4
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Press book
|
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Micro 678/U.S. Mss 25AN
|
Devils(1926)
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Reel-frame
3/325
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Stills
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Reel-frame
3/341
Box-folder
2/9
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Typed script by Daniel N. Rubin, n.d.
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Reel-frame
3/471
Box-folder
2/10
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Typed script
|
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The Distaff Side(1934)
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Reel-frame
3/614
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Stills
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Reel-frame
3/764
Box-folder
2/11
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Mimeo script by John Van Druten, n.d.
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Reel-frame
3/866
Box-folder
2/11
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Playbill
|
|
Micro 1068
Reel
4
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Press book
|
|
Micro 678/U.S. Mss 25AN
|
The Distant Shore(1935)
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Reel-frame
3/749
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Stills
|
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Reel-frame
3/621
Box-folder
3/1
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Typed script by Donald Blackwell and Theodore St. John, n.d.
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Reel-frame
3/739
Box-folder
3/1
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Playbill
|
|
Micro 1068
Reel
4
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Press book
|
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Fourth Little Show(1933) (photos missing, 1994)
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Micro 678/U.S. Mss 25AN
|
The Furies(1928)
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Reel-frame
4/2
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Stills
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Micro 1068
Reel
4
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Press book
|
|
Micro 678/U.S. Mss 25AN
|
Gay Divorce(1932)
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Stills (1 contact sheet) missing in 1994
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Reel-frame
4/23
Box-folder
3/2
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Typed script
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Reel-frame
4/133
Box-folder
3/3
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Mimeo script by Dwight Taylor
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Reel-frame
4/239
Box-folder
3/4
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Sheet music
|
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Reel-frame
4/285
Box-folder
3/4
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Playbill
|
|
Micro 1068
Reel
4
|
Press books (2)
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|
Micro 678/U.S. Mss 25AN
|
Great Lady(1938)
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Reel-frame
4/300
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Stills
|
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Reel-frame
4/385
Box-folder
3/5
|
Typed script (anno.)
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|
Reel-frame
4/514
Box-folder
3/6
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Typed script by Earle Crooker and Lowell Brentano, ca. 1938
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Reel-frame
4/608
Box-folder
3/7
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Typed script (“Personal copy”)
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Reel-frame
4/719
Box-folder
3/8
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Sheet music
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|
Reel-frame
4/736
Box-folder
3/8
|
Playbill
|
|
Reel-frame
4/753
Box-folder
3/9
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Balance sheets
|
|
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Orchestrations by Frederick Loewe, Arranger's drafts
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Reel-frame
4/765
Box-folder
15/3
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“And So Will You”
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Reel-frame
4/806
Box-folder
15/4-5
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“Ballet I”
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Reel-frame
5/38
Box-folder
15/6
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“Carriage”
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Reel-frame
5/50
Box-folder
15/7
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“Finale I”
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Reel-frame
5/61
Box-folder
15/8
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“Gallop transition”
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Reel-frame
5/84
Box-folder
15/9
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“Gavotte”
|
|
Reel-frame
5/87
Box-folder
16/1
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“I Have Room in My Heart”
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|
Reel-frame
5/90
Box-folder
16/2
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“Little Corporal”
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|
Reel-frame
5/102
Box-folder
16/3
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“May I Suggest Romance”
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Reel-frame
5/122
Box-folder
16/4
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“No. 16”
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Reel-frame
5/131
Box-folder
16/5
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“Overture”
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Reel-frame
5/144
Box-folder
16/6
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“Promenade”
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Reel-frame
5/152
Box-folder
16/7
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“Sisters Under the Skin”
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Reel-frame
5/165
Box-folder
16/8
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“Stitch in Time”
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Reel-frame
5/200
Box-folder
16/9
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“Sweet William”
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Reel-frame
5/226
Box-folder
16/10
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“Tavern Music”
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Reel-frame
5/244
Box-folder
16/11
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“Think”
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Reel-frame
5/252
Box-folder
16/12
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“To Whom it May Concern”
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Reel-frame
5/279
Box-folder
16/13
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“Transition (Maids)”
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Reel-frame
5/531
Box-folder
17/1
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“Transition scene 6”
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Reel-frame
5/518
Box-folder
17/2
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“Vive le Corporal”
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|
Reel-frame
5/509
Box-folder
17/3
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“Waltz”
|
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Reel-frame
5/449
Box-folder
17/4
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“Waltz Ballet”
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|
Reel-frame
5/438
Box-folder
17/5
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“Why Can't the Night”
|
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Orchestrations, Individual Parts
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Reel-frame
5/317
Box-folder
17/6
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Conductor's score
|
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Reel-frame
5/290
Box-folder
17/7
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Bass
|
|
Reel-frame
5/576
Box-folder
18/1
|
Cello
|
|
Reel-frame
6/1
Box-folder
18/2
|
Drums
|
|
Reel-frame
6/59
Box-folder
18/3
|
Flute
|
|
Reel-frame
6/118
Box-folder
18/4
|
Harp
|
|
Reel-frame
6/209
Box-folder
18/5
|
Horn
|
|
Reel-frame
6/262
Box-folder
19/1
|
Oboe
|
|
Reel-frame
6/313
Box-folder
19/2
|
Clarinet
|
|
Reel-frame
6/370
Box-folder
19/3
|
2nd Clarinet
|
|
Reel-frame
6/432
Box-folder
19/4
|
Tenor Sax
|
|
Reel-frame
6/488
Box-folder
19/5
|
Trombone
|
|
Reel-frame
7/1
Box-folder
20/1
|
Trumpet
|
|
Reel-frame
7/85
Box-folder
20/2
|
Violin
|
|
Reel-frame
7/158
Box-folder
20/3
|
Violin B
|
|
Reel-frame
7/247
Box-folder
20/4
|
Violin C
|
|
Reel-frame
7/322
Box-folder
12/1
|
Violin D
|
|
Micro 1068
Reel
4
|
Press book
|
|
|
Green Pastures(1951)
|
|
Reel
5
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
The Grey Fox(1928)
|
|
Reel-frame
7/407
|
Stills
|
|
Reel-frame
7/421
Box-folder
3/10
|
“Machiavelli” typed script by Lemist Esler, ca. 1926
|
|
Reel-frame
7/482
Box-folder
3/11
|
Typed script, ca. 1926
|
|
Reel-frame
7/557
Box-folder
3/12
|
Playbill
|
|
Micro 1068
Reel
5
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Hangman's House(1926)
|
|
Reel-frame
7/574
Box-folder
3/13
|
Typed script (anno.) by Willard Mack, n.d.
|
|
Reel-frame
8/2
Box-folder
4/1
|
Typed script (anno.), n.d.
|
|
Micro 1068
Reel
5
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Higher and Higher(1940)
|
|
Reel-frame
8/69
|
Stills
|
|
Reel-frame
8/106
Box-folder
4/2
|
Mimeo script by Gladys Hurlbut and Joshua Logan
|
|
Reel-frame
8/158
Box-folder
4/3
|
Program
|
|
Reel-frame
8/166
Box-folder
4/3
|
Playbills
|
|
Reel-frame
8/206
Box-folder
4/3
|
Sheet music
|
|
Micro 1068
Reel
5
|
Press books (2)
|
|
|
Hotel Splendide(1941)
|
|
Reel
5
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
The House of Shadows(1927)
|
|
Reel-frame
8/224
Box-folder
4/4
|
“Even This Can Happen” typed script (anno.) by Leigh Hutty
|
|
Reel-frame
8/290
Box-folder
4/5
|
Typed script (anno.)
|
|
Reel-frame
8/357
Box-folder
4/5
|
Typed script
|
|
|
I Married An Angel(1938)
|
|
Reel-frame
8/401
|
Stills
|
|
Reel-frame
8/476
Box-folder
4/7
|
Typed script in Hungarian by Janos Vaszary
|
|
Reel-frame
8/530
Box-folder
4/8
|
Mimeo script (anno.)
|
|
Reel-frame
8/592
Box-folder
4/9
|
Sheet music
|
|
Reel-frame
8/622
Box-folder
4/9
|
Program
|
|
Reel-frame
8/632
Box-folder
4/9
|
Press release
|
|
Reel-frame
8/635
Box-folder
4/9
|
Playbill
|
|
Micro 1068
Reel
6-7
|
Press books (6)
|
|
Micro 678/U.S. Mss 25AN
|
It All Depends(1925)
|
|
Reel-frame
8/661
|
Stills
|
|
|
It's You I Want(1935)
|
|
Reel-frame
8/662
|
Stills
|
|
|
Jealous Moon(1928)
|
|
Reel-frame
8/670
|
Stills
|
|
Reel-frame
8/673
Box-folder
4/10
|
Playbill
|
|
|
Orchestrations for incidental music by Hugo Felix
|
|
Reel-frame
8/693
Box-folder
12/2
|
Conductor's score
|
|
Reel-frame
8/722
Box-folder
12/3
|
Double bass
|
|
Reel-frame
8/730
Box-folder
12/4
|
Piano
|
|
Reel-frame
8/741
Box-folder
12/5
|
Cello
|
|
Reel-frame
8/754
Box-folder
12/6
|
Drums
|
|
Reel-frame
8/764
Box-folder
12/7
|
Flute
|
|
Reel-frame
8/771
Box-folder
12/8
|
Harp
|
|
Reel-frame
8/795
Box-folder
12/9
|
Horn
|
|
Reel-frame
8/802
Box-folder
12/10
|
Oboe
|
|
Reel-frame
8/808
Box-folder
12/11
|
Viola
|
|
Reel-frame
9/1
Box-folder
12/12
|
Violin
|
|
|
Jenny(1929)
|
|
Reel-frame
9/33
|
Stills
|
|
Reel-frame
9/75
Box-folder
4/11
|
Typed “prompt script” (anno.) by Margaret Ayer Barnes, n.d.
|
|
Reel-frame
9/147
Box-folder
4/11
|
Playbill
|
|
Micro 1068
Reel
7
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Judas(1929)
|
|
Reel-frame
9/168
|
Stills
|
|
Reel-frame
9/217
Box-folder
4/12
|
Typed script by Walter Ferris and Basil Rathbone, n.d.
|
|
Reel-frame
9/259
Box-folder
5/1
|
Typed script
|
|
Reel-frame
9/303
Box-folder
5/1
|
Playbill
|
|
Micro 1068
Reel
7
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Leave Her to Heaven(1940)
|
|
Reel-frame
9/320
Box-folder
5/2
|
Playbill
|
|
Micro 1068
Reel
7
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Letters to Lucerne(1941)
|
|
Reel-frame
9/333
|
Stills
|
|
Reel-frame
9/359
Box-folder
5/3
|
Agreement
|
|
Reel-frame
9/366
Box-folder
5/4
|
Royalties
|
|
Reel-frame
9/389
Box-folder
5/5
|
Mimeo script by Fritz Rotter and Allen Vincent, n.d.
|
|
Reel-frame
9/453
Box-folder
5/5
|
Playbill
|
|
Micro 1068
Reel
7
|
Press book
|
|
|
Little Eyolf(1926)
|
|
Reel
7
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
The Little Show(1929)
|
|
Reel-frame
9/464
|
Stills
|
|
Reel-frame
9/536
Box-folder
5/6
|
Sheet Music
|
|
Reel-frame
9/572
Box-folder
5/6
|
Playbill
|
|
|
Orchestrations for individual instruments
|
|
Reel-frame
9/612
Box-folder
12/13
|
Conductor
|
|
Reel-frame
9/654
Box-folder
12/14
|
Banjo
|
|
Reel-frame
9/703
Box-folder
13/1
|
Bass
|
|
Reel-frame
9/751
Box-folder
13/2
|
Tenor sax
|
|
Reel-frame
10/1
Box-folder
13/3
|
Cello
|
|
Reel-frame
10/65
Box-folder
13/4
|
Drums
|
|
Reel-frame
10/115
Box-folder
13/5
|
Flute
|
|
Reel-frame
10/183
Box-folder
13/6
|
Piano
|
|
Reel-frame
10/273
Box-folder
14/1
|
Saxophone/clarinet
|
|
Reel-frame
10/378
Box-folder
14/2
|
Tenor sax
|
|
Reel-frame
10/435
Box-folder
14/3
|
Trombone
|
|
Reel-frame
10/476
Box-folder
14/4
|
Trumpets
|
|
Reel-frame
10/553
Box-folder
14/5
|
Viola
|
|
Reel-frame
10/615
Box-folder
14/6
|
Violin
|
|
Reel-frame
11/1
Box-folder
21/1
|
Violin II
|
|
Reel-frame
11/38
Box-folder
21/2
|
Omitted songs (?)
|
|
Micro 1068
|
Lucky Sam McCarver(1925)
|
|
Reel
8
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Morning's at Seven , (1939)
|
|
Reel-frame
11/179
|
Stills
|
|
Reel-frame
11/200
Box-folder
5/7
|
Mimeo script by Paul Osborn
|
|
Reel-frame
11/273
Box-folder
5/7
|
Playbill
|
|
Micro 1068
Reel
8
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
A Most Immoral Lady(1928)
|
|
Reel-frame
11/286
|
Stills
|
|
Reel-frame
11/317
Box-folder
5/8
|
Typed script by Townsend Martin, n.d.
|
|
Reel-frame
11/404
Box-folder
5/9
|
Typed script
|
|
Reel-frame
11/456
Box-folder
5/9A
|
Handwritten and printed score for “Valse Langhoutrudr”
|
|
|
Most of the Game(1935)
|
|
Reel-frame
11/466
|
Stills
|
|
Reel-frame
11/489
Box-folder
5/10
|
Typed script (anno.) by John Van Druten, n.d.
|
|
Reel-frame
11/552
Box-folder
5/11
|
Typed script (anno.), ca. August 1935
|
|
Reel-frame
11/634
Box-folder
5/11
|
Playbill
|
|
Micro 1068
Reel
8
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Mrs. Cook's Tour(n.d.)
|
|
Reel-frame
11/643
|
Stills
|
|
Reel-frame
11/689
Box-folder
21/3
|
Orchestration for original scores
|
|
Reel-frame
12/1
Box-folder
21/4
|
Printed music, Piano parts only
|
|
|
Nerves(1924)
|
|
Reel-frame
12/57
|
Stills
|
|
|
Old Acquaintance(1940)
|
|
Reel-frame
12/77
|
Stills
|
|
Reel-frame
12/96
Box-folder
5/12
|
Typed script (anno.) by John Van Druten,
|
|
Reel-frame
12/162
Box-folder
6/1
|
Mimeo script
|
|
Reel-frame
12/230
Box-folder
6/1
|
Playbills
|
|
Reel-frame
12/260
Box-folder
6/2
|
Royalties, 1942-1946
|
|
Micro 1068
Reel
8
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Oliver, Oliver(1934)
|
|
Reel-frame
12/286
|
Stills
|
|
Reel-frame
12/300
Box-folder
6/3
|
Typed script (anno.), n.d.
|
|
Reel-frame
12/373
Box-folder
6/4
|
Typed script by Paul Osborn, n.d.
|
|
Reel-frame
12/437
Box-folder
6/4
|
Playbill
|
|
Micro 1068
Reel
8
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
On Borrowed Time(1938)
|
|
Reel-frame
12/448
|
Stills
|
|
Reel-frame
12/511
Box-folder
6/5
|
Typed script by Paul Osborn, n.d.
|
|
Reel-frame
12/577
Box-folder
6/5
|
Blueprint of stage design by Jo Mielziner
|
|
|
Orchestration for incidental music
|
|
Reel-frame
12/580
Box-folder
21/5
|
Cello
|
|
Reel-frame
12/612
Box-folder
21/6
|
Viola
|
|
Reel-frame
12/643
Box-folder
21/7
|
Violin
|
|
Reel-frame
12/693
Box-folder
21/8
|
Violin II
|
|
Micro 1068
Reel
9
|
Press books (2)
|
|
Micro 678/U.S. Mss 25AN
|
On Your Toes(1936)
|
|
Reel-frame
13/1
|
Stills
|
|
Reel-frame
13/157
Box-folder
6/6
|
Partnership information
|
|
Reel-frame
13/164
Box-folder
6/7
|
Sheet music
|
|
Micro 1068
Reel
9
|
Press books (2)
|
|
Micro 678/U.S. Mss 25AN
|
One of the Family(1925)
|
|
Reel-frame
13/196
|
Stills
|
|
|
Paolo and Francesca(1929)
|
|
Reel-frame
13/199
Box-folder
6/10A
|
Orchestrations for incidental music
|
|
Micro 1068
Reel
9
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Pelleas and Melisande(1923)
|
|
Reel-frame
13/205
|
Stills
|
|
|
The Queen's Husband(1928)
|
|
Reel-frame
13/209
|
Stills
|
|
Reel-frame
13/260
Box-folder
6/8
|
Typed script by Robert E. Sherwood, n.d.
|
|
Reel-frame
13/332
Box-folder
6/8
|
Playbill
|
|
|
The Racket(1927)
|
|
Reel-frame
13/349
|
Stills
|
|
Reel-frame
13/378
Box-folder
6/9
|
Typed script by Bartlett Cormack, ca. 1927
|
|
Reel-frame
13/450
Box-folder
6/10
|
Typed script
|
|
Micro 1068
|
The Ragged Edge(1935)
|
|
Reel
10
|
Press book
|
|
|
The Road to Rome(1927)
|
|
Reel
10
|
Press books (3)
|
|
Micro 678/U.S. Mss 25AN
Reel-frame
13/524
|
Stills
|
|
Reel-frame
13/571
Box-folder
6/11
|
Typed prompt script, by Robert E. Sherwood, n.d
|
|
Reel-frame
13/631
Box-folder
7/1
|
Typed script
|
|
Reel-frame
13/684
Box-folder
7/1
|
Playbills
|
|
Reel-frame
13/691
Box-folder
7/1A
|
Orchestrations for incidental music
|
|
|
Romeo and Juliet
|
|
Reel-frame
13/694
Box-folder
7/2
|
(1951), Playbill
|
|
|
A Room in Red and White(1936)
|
|
Reel-frame
13/715
|
Stills
|
|
Reel-frame
14/1
Box-folder
7/3
|
Typed script by Roy Hargrave, n.d.
|
|
Reel-frame
14/73
Box-folder
7/4
|
Typed script by Roy Hargrave and Leslie Adams, n.d.
|
|
Reel-frame
14/150
Box-folder
7/4
|
Playbill
|
|
Micro 1068
Reel
10
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
The Scarecrow
|
|
Reel-frame
14/161
|
Stills
|
|
Reel-frame
14/164
Box-folder
7/8
|
Film contract, 1922
|
|
|
The Second Little Show(1930)
|
|
Reel-frame
14/172
|
Stills
|
|
Reel-frame
14/229
Box-folder
7/5
|
Sheet music
|
|
Reel-frame
14/252
Box-folder
7/5
|
Playbill
|
|
|
Orchestrations, Arranger's scores
|
|
Reel-frame
14/273
Box-folder
22/1
|
“Extra”
|
|
Reel-frame
14/279
Box-folder
22/2
|
“Finale ultimo”
|
|
Reel-frame
14/283
Box-folder
22/3
|
“I love to be blue”
|
|
Reel-frame
14/289
Box-folder
22/4
|
“I started on a shoestring”
|
|
Reel-frame
14/315
Box-folder
22/5
|
“Lonely hearts”
|
|
Reel-frame
14/328
Box-folder
22/6, 8
|
“Love of a good clean sport”
|
|
Reel-frame
14/346
Box-folder
22/7
|
“Lucky seven”
|
|
Reel-frame
14/488
Box-folder
22/9
|
“My intuition”
|
|
Reel-frame
14/497
Box-folder
22/10
|
“New York anthem”
|
|
Reel-frame
14/514
Box-folder
22/11
|
“Nightwatchman”
|
|
Reel-frame
14/518
Box-folder
22/12
|
“Overture”
|
|
Reel-frame
14/530
Box-folder
22/13
|
“Passport photographer”
|
|
Reel-frame
14/545
Box-folder
23/1
|
“Russian ballet”
|
|
Reel-frame
14/565
Box-folder
23/2
|
“Practicing up on you”
|
|
Reel-frame
14/592
Box-folder
23/3
|
“Sing something simple”
|
|
Reel-frame
14/614
Box-folder
23/4
|
“Swing your tails”
|
|
Reel-frame
14/630
Box-folder
23/5
|
“This thing called man”
|
|
Reel-frame
14/638
Box-folder
23/6
|
“Under the clock at the Astor”
|
|
Reel-frame
14/657
Box-folder
23/7
|
“What a case I've got on you”
|
|
Reel-frame
14/700
Box-folder
23/8
|
“You're the sunrise”
|
|
Reel-frame
15/1
Box-folder
23/9
|
“You've got a foolish face”
|
|
|
Orchestrations for individual instruments
|
|
Reel-frame
15/33
Box-folder
23/10
|
Conductor
|
|
Reel-frame
15/117
Box-folder
24/1
|
Banjo
|
|
Reel-frame
15/185
Box-folder
24/2
|
Bass
|
|
Reel-frame
15/264
Box-folder
24/3
|
Cello
|
|
Reel-frame
15/341
Box-folder
24/4
|
Drums
|
|
Reel-frame
15/407
Box-folder
24/5
|
Flute
|
|
Reel-frame
15/515
Box-folder
25/1
|
Piano
|
|
Reel-frame
16/1
Box-folder
25/2
|
Saxophone
|
|
Reel-frame
16/59
Box-folder
25/3
|
Alto sax/B flat clarinet
|
|
Reel-frame
16/153
Box-folder
25/4
|
Tenor sax
|
|
Reel-frame
16/209
Box-folder
25/5
|
Trombone
|
|
Reel-frame
16/280
Box-folder
26/1
|
Trumpet
|
|
Reel-frame
16/401
Box-folder
26/2
|
Violin
|
|
Reel-frame
16/488
Box-folder
26/3
|
Fragments and unidentified material
|
|
Micro 1068
Reel
11
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Seed of the Brute(1926)
|
|
Reel-frame
17/1
Box-folder
7/6
|
Typed script (anno.) by Knowles Entrikin, ca. July 1926 (also containing February 1926 draft)
|
|
Reel-frame
17/166
Box-folder
7/7
|
Typed script, n.d.
|
|
Micro 1068
Reel
11
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
She Loves Me Not(1933)
|
|
Reel-frame
17/237
|
Stills
|
|
Reel-frame
17/255
Box-folder
7/9
|
Typed script by Howard Lindsay, n.d.
|
|
Reel-frame
17/311
Box-folder
7/10
|
Typed script by Howard Lindsay, n.d.
|
|
Reel-frame
17/380
Box-folder
7/11
|
Mimeo script
|
|
Reel-frame
17/449
Box-folder
7/12
|
Sheet music
|
|
Reel-frame
17/458
Box-folder
7/12
|
Playbill
|
|
Micro 1068
Reel
11
|
Press books (2)
|
|
Micro 678/U.S. Mss 25AN
|
Solitaire(1942)
|
|
Reel-frame
17/471
|
Stills
|
|
Reel-frame
17/516
Box-folder
8/1
|
Mimeo script by John Van Druten, n.d.
|
|
Reel-frame
17/591
Box-folder
8/1
|
Playbill
|
|
Micro 1068
Reel
12
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Stars in Your Eyes(1939)
|
|
Reel-frame
17/604
|
Stills
|
|
Reel-frame
17/656
Box-folder
8/2
|
Mimeo script by J. P. McEvoy, n.d.
|
|
Reel-frame
17/723
Box-folder
8/3
|
Sheet music
|
|
Reel-frame
17/748
|
Playbill
|
|
|
Orchestrations by Arthur Schwartz, Arranger's scores
|
|
Reel-frame
18/1
Box-folder
26/4
|
“All the time”
|
|
Reel-frame
18/29
Box-folder
26/5
|
“Ballet for Tata”
|
|
Reel-frame
18/54
Box-folder
27/1
|
“Just a little bit more”
|
|
Reel-frame
18/68
Box-folder
27/2
|
“He's going home”
|
|
Reel-frame
18/81
Box-folder
27/3
|
“I'll pay the check”
|
|
Reel-frame
18/89
Box-folder
27/4
|
Incidental music
|
|
Reel-frame
18/102
Box-folder
27/5
|
“It's all yours”
|
|
Reel-frame
18/125
Box-folder
27/6
|
“Lady needs a change”
|
|
Reel-frame
18/129
Box-folder
27/7
|
“My new Kentucky home”
|
|
Reel-frame
18/202
Box-folder
27/8
|
“Never a dull moment”
|
|
Reel-frame
18/224
Box-folder
27/9
|
“Nightclub,” “Jitterbug,” and “Final ballet”
|
|
Reel-frame
18/276
Box-folder
28/1
|
“OK for sound”
|
|
Reel-frame
18/337
Box-folder
28/2
|
Opening
|
|
Reel-frame
18/369
Box-folder
28/3
|
Opening for Act II
|
|
Reel-frame
18/393
Box-folder
28/4
|
Opening, Miscellaneous pages
|
|
Reel-frame
18/411
Box-folder
28/5
|
Overture
|
|
Reel-frame
18/426
Box-folder
28/6
|
“Self made man”
|
|
Reel-frame
18/451
Box-folder
28/7
|
“Swing to the left”
|
|
Reel-frame
18/545
Box-folder
28/8
|
“Terribly attractive”
|
|
Reel-frame
19/1
Box-folder
29/1
|
“This is it”
|
|
|
Orchestrations, Individual instruments
|
|
Reel-frame
19/35
Box-folder
29/2
|
Conductor
|
|
Reel-frame
19/79
Box-folder
29/3
|
Bass
|
|
Reel-frame
19/128
Box-folder
29/4
|
Cello
|
|
Reel-frame
19/179
Box-folder
29/5
|
Drums
|
|
Reel-frame
19/220
Box-folder
29/6
|
Guitar
|
|
Reel-frame
19/267
Box-folder
30/1
|
Harp
|
|
Reel-frame
19/325
Box-folder
30/2
|
Piano
|
|
Reel-frame
19/418
Box-folder
30/3
|
Sax/alto clarinet
|
|
Reel-frame
19/476
Box-folder
30/4
|
Saxophone II
|
|
Reel-frame
19/527
Box-folder
31/1
|
Saxophone III
|
|
Reel-frame
20/1
Box-folder
31/2
|
Saxophone IV
|
|
Reel-frame
20/53
Box-folder
31/3
|
Saxophone V
|
|
Reel-frame
20/99
Box-folder
31/4
|
Trombone
|
|
Reel-frame
20/144
Box-folder
31/5
|
Trumpets
|
|
Reel-frame
20/207
Box-folder
32/1
|
Trumpet III
|
|
Reel-frame
20/250
Box-folder
32/2
|
Viola
|
|
Reel-frame
20/300
Box-folder
32/3
|
Violin A
|
|
Reel-frame
20/349
Box-folder
32/4
|
Violin B
|
|
Reel-frame
20/412
Box-folder
32/5
|
Violin C
|
|
Reel-frame
20/470
Box-folder
33/1
|
Violin D
|
|
Reel-frame
20/530
Box-folder
33/2
|
Miscellaneous parts and fragments
|
|
Reel-frame
20/570
Box-folder
33/2
|
Playbill
|
|
Micro 1068
Reel
12
|
Press books (2)
|
|
Micro 678/U.S. Mss 25AN
|
A Story For Strangers(1948)
|
|
Reel-frame
21/1
Box-folder
8/4
|
Typed script by Marc Connelly, n.d.
|
|
Reel-frame
21/80
Box-folder
8/5
|
Mimeo script, ca. 1948
|
|
Reel-frame
21/130
Box-folder
8/5
|
Playbill
|
|
Micro 1068
Reel
12
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Street Scene(1947)
|
|
Reel-frame
21/155
|
Stills
|
|
Reel-frame
21/182
Box-folder
8/6
|
“Final pre-rehearsal” mimeo script by Elmer Rice, n.d.
|
|
Reel-frame
21/229
Box-folder
8/6
|
Playbill
|
|
Reel-frame
21/257
Box-folder
8/7
|
Blueprints of set design by Jo Mielziner
|
|
Reel-frame
21/260
Box-folder
8/7
|
Prop lists
|
|
Reel-frame
21/266
Box-folder
8/7
|
Lighting notes
|
|
|
A Strong Man's House(1929)
|
|
Reel-frame
21/281
|
Stills
|
|
|
Tarnish(1923)
|
|
Reel-frame
21/304
|
Stills
|
|
Micro 1068
|
They Can't Get You Down(1942)
|
|
Reel
12
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
The Third Little Show(1931)
|
|
Reel-frame
21/314
|
Stills
|
|
Micro 1068
Reel
12
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Orchestrations, Arranger's scores
|
|
Reel-frame
21/327
Box-folder
11/6
|
“Any little fish”
|
|
Reel-frame
21/341
Box-folder
10/1
|
“Boys buck dance”
|
|
Reel-frame
21/389
Box-folder
10/1
|
“Chorus for changes”
|
|
Reel-frame
21/396
Box-folder
11/4
|
Entre act
|
|
Reel-frame
21/426
Box-folder
10/3
|
“Falling in love”
|
|
Reel-frame
21/475
Box-folder
10/4
|
Finale II
|
|
Reel-frame
21/511
Box-folder
10/5
|
“Framed”
|
|
Reel-frame
21/540
Box-folder
11/2
|
“Goin' to town”
|
|
Reel-frame
21/576
Box-folder
10/6
|
“I'll putcha pitcha in the papers”
|
|
Reel-frame
21/591
Box-folder
10/7
|
“Knick knacks”
|
|
Reel-frame
21/618
Box-folder
11/1
|
“Let's stop the clock”
|
|
Reel-frame
21/655
Box-folder
10/8
|
“Manicure maiden”
|
|
Reel-frame
21/683
Box-folder
11/3
|
“Mechanistic monotony”
|
|
Reel-frame
21/693
Box-folder
10/9
|
Overture
|
|
Reel-frame
21/710
Box-folder
10/10
|
“Randall magic”
|
|
Reel-frame
21/741
Box-folder
10/11
|
“Rango”
|
|
Reel-frame
21/790
Box-folder
10/12
|
“Say the word”
|
|
Reel-frame
21/799
Box-folder
10/13
|
Unidentified
|
|
Reel-frame
22/1
Box-folder
10/14
|
“Weren't we the fools?”
|
|
Reel-frame
22/32
Box-folder
11/5
|
“You forgot your gloves”
|
|
Reel-frame
22/129
Box-folder
10/15
|
“You might as well pretend”
|
|
|
Orchestrations, Individual parts
|
|
Reel-frame
22/138
Box-folder
33/3
|
Banjo
|
|
Reel-frame
22/220
Box-folder
33/4
|
Bass
|
|
Reel-frame
22/275
Box-folder
33/5
|
Cello
|
|
Reel-frame
22/334
Box-folder
34/1
|
Drums
|
|
Reel-frame
22/379
Box-folder
34/2
|
Flute
|
|
Reel-frame
22/435
Box-folder
34/3
|
Piano
|
|
Reel-frame
22/530
Box-folder
34/4
|
Saxophone
|
|
Reel-frame
22/588
Box-folder
34/5
|
Saxophone II
|
|
Reel-frame
23/1
Box-folder
34/6
|
Tenor sax
|
|
Reel-frame
23/72
Box-folder
35/1
|
Trombone
|
|
Reel-frame
23/123
Box-folder
35/2
|
Trumpets
|
|
Reel-frame
23/206
Box-folder
35/3
|
Trumpet III
|
|
Reel-frame
23/255
Box-folder
35/4
|
Violin
|
|
Reel-frame
23/392
Box-folder
35/5
|
Violin II
|
|
Reel-frame
23/328
Box-folder
35/6
|
Violin III
|
|
Reel-frame
23/453
Box-folder
36/1
|
Songs considered?
|
|
Reel-frame
23/548
Box-folder
8/8
|
Sheet music
|
|
|
The Three Sisters(1939)
|
|
Reel-frame
23/574
|
Stills
|
|
Micro 1068
Reel
13
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
To See Ourselves(1935)
|
|
Reel-frame
23/596
|
Stills
|
|
Micro 1068
Reel
13
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
The Two Orphans(1926)
|
|
Reel-frame
24/2
|
Stills
|
|
Reel-frame
24/29
Box-folder
8/9
|
Typed script (anno.) by N. Hart Jackson, n.d.
|
|
Reel-frame
24/86
Box-folder
8/10
|
Typed script (anno.), n.d.
|
|
Reel-frame
24/149
Box-folder
8/11
|
Typed script, n.d.
|
|
Reel-frame
24/204
Box-folder
9/1
|
Untitled script, n.d.
|
|
|
The Vinegar Tree(1930)
|
|
Reel-frame
24/261
|
Stills
|
|
Reel-frame
24/288
Box-folder
9/2
|
Mimeo script by Paul Osborn (annotations by stage manager)
|
|
Reel-frame
24/351
Box-folder
9/2
|
Playbill
|
|
Micro 1068
Reel
13
|
Press books (2)
|
|
Micro 678/U.S. Mss 25AN
|
Undertow(n.d.)
|
|
Reel-frame
24/364
|
Stills
|
|
|
The Way of the World(1931)
|
|
Reel-frame
24/368
|
Stills
|
|
|
Women Go On Forever(1927)
|
|
Reel-frame
24/380
|
Stills
|
|
Micro 1068
Reel
13
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Wooden Slipper(1934)
|
|
Reel-frame
24/391
Box-folder
9/3
|
Typed script by Samson Raphaelson, n.d.
|
|
Box-folder
9/3
Reel-frame
24/442
|
Playbill
|
|
Micro 1068
Reel
13
|
Press book
|
|
Micro 678/U.S. Mss 25AN
|
Young Mrs. Holloway(n.d.)
|
|
Reel-frame
24/454
Box-folder
9/4
|
Correspondence, 1945
|
|
Reel-frame
24/459
Box-folder
36/2
|
Unidentified songs and musical fragments
|
|