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Container
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Title
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Series: Operas
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Triple-Sec, 1930 June 14
: One-act opera-farce; part of The Garrick Gaieties.
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Box/Folder
18/12
Reel/Frame
19/326-352
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Correspondence and contracts, 1929 October 12-1954 November 14
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Box/Folder
18/13
Reel/Frame
19/353-363
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Script and music sketch, undated
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Box/Folder
18/14
Reel/Frame
19/364-372
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Publicity and clippings, 1929-1930
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Box/Folder
45/1
Reel/Frame
19/373-417
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Piano transcription, vocal; Bar ChartText in German.
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Box/Folder
45/2
Reel/Frame
19/418-543
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Chamber Orchestra score, 1930
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Box/Folder
45/3
Reel/Frame
19/544-672
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Chamber Orchestra score: conductor's score, 1930
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Box/Folder
45/4
Reel/Frame
19/673-694
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Vocal parts, 1928
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Box/Folder
45/5
Reel/Frame
19/695-805
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Four-hand piano score and instrumental parts
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The Cradle Will Rock (1937 June 16)
: See also scrapbook volumes 1, 2, 4, 10.
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Box/Folder
18/15
Reel/Frame
19/806-890
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Correspondence, 1937 January 18-1963 August 5
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Box/Folder
18/16
Reel/Frame
20/1-59
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Financial correspondence, statements, contracts, 1930 November 16-1960 January 19
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Box/Folder
18/17
Reel/Frame
20/60-102
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Royalty statements, 1938 August 26-1963 June 30
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Box/Folder
18/18
Reel/Frame
20/103-188
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Cast lists, notes, script sketches, undated
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Box/Folder
18/19
Reel/Frame
20/189-246
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Historical analysis by John O. Hunter, and correspondence, 1963 October 29-1964 January 2
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Box/Folder
18/20
Reel/Frame
20/247-339
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Publicity, posters, playbills, 1937-1969
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Box/Folder
19/1
Reel/Frame
20/340-390
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Clippings, 1937 June 18-1965 March 28, undated
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Box/Folder
19/2
Reel/Frame
20/391-417
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Published libretto, 1938 (dated 1960 February 21)
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Box/Folder
19/3
Reel/Frame
20/418-474
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British production script, 1951
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Box/Folder
19/4
Reel/Frame
20/475-479
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Partial French script, undated
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Box/Folder
19/5
Reel/Frame
20/480-544
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Complete published script
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Box/Folder
19/6
Reel/Frame
20/545-628
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Proof for Random House book, 1938
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Box/Folder
19/7
Reel/Frame
20/629-705
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Photocopy of published book, proof for foreword / by Archibald MacLeish (Random House, 1938)
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Box/Folder
19/8
Reel/Frame
20/706-762
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Original playscript, 1938
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Box/Folder
20/1-2
Reel/Frame
20/763-982
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Early partial scripts and sketches
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Box/Folder
20/3
Reel/Frame
21/1-70
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Early scripts with corrections
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Box/Folder
20/4-5
Reel/Frame
21/71-193
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Scripts
: Contains two.
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Box/Folder
20/6
Reel/Frame
21/194-230
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Published songs, 1936
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Box/Folder
46/1
Reel/Frame
21/231-358
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Piano-vocal score, 1938
: Used in New York City Opera Production, 1960.
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Box/Folder
46/2-3
Reel/Frame
21/359-561
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Piano-vocal scores, with published songs from opera, 1938
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Box/Folder
46/4
Reel/Frame
21/562-686
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Conductor's score, 1938
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Conductor's score, 1938
: Used in 1937 production, Mercury Theatre, New York.
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Box/Folder
47/1
Reel/Frame
21/687-795
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Act I, Scenes 1-2
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Box/Folder
47/2
Reel/Frame
21/796-1040
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Act I, Scenes 3-6
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Box/Folder
47/3
Reel/Frame
22/1-232
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Act II, Scenes 7-10
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Box/Folder
48/1
Reel/Frame
22/233-303
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Piano-vocal sketches, 1938
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Box/Folder
48/2
Reel/Frame
22/304-426
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Musical sketches, 1938
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513A/1-3
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The Cradle Will Rock recording
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554A/1-3
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The Cradle Will Rock recording, 1964 production
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No for an Answer (1941 January 5)
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U.S. Mss 35AN/Micro 1049
Box/Folder
20/7
Reel/Frame
22/427-520
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Correspondence, 1939 October-1969 February 7
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Box/Folder
20/8
Reel/Frame
22/521-534
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Contracts, royalty statements
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Box/Folder
20/9
Reel/Frame
22/535-547
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Production plan, narration, undated
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Box/Folder
20/10-12
Reel/Frame
22/548-844
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Notes, circa 1938-1940
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Box/Folder
21/1
Reel/Frame
22/845-941
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Working notes, working scripts, 1939
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Box/Folder
21/2-8
Reel/Frame
23/1-926
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Working notes, working scripts, 1939, undated
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Box/Folder
21/9
Reel/Frame
23/927-1038
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Early script, 1939
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Box/Folder
22/1
Reel/Frame
24/1-49
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Script, undated
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Box/Folder
22/2
Reel/Frame
24/50-175
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Complete script, annotated, undated
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Box/Folder
22/3
Reel/Frame
24/176-298
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Script with handwritten annotations, undated
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Box/Folder
22/4-6
Reel/Frame
24/299-582
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Dialogues, undated
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Box/Folder
22/7
Reel/Frame
24/583-670
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Petition, address lists, miscellaneous, 1940 February 20
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Box/Folder
22/8
Reel/Frame
24/671-717
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Publicity, 1939 February 11-1960 April 25
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Box/Folder
22/9
Reel/Frame
24/718-785
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Clippings
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Box/Folder
22/10
Reel/Frame
24/786-791
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“Blitzstein's Answer” / by Samuel L.M. Barlow, Modern Music, 1941 January-February, pp. 81-82
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Box/Folder
48/3
Reel/Frame
24/792-985
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Master sheets piano score
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Box/Folder
49/1
Reel/Frame
25/1-220
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Music sketches and unfinished songs
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Box/Folder
49/2
Reel/Frame
25/221-403
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Piano-vocal score, 1938-1940
: “In the Clear,” pp. 97-100, missing from this version.
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Box/Folder
49/3
Reel/Frame
25/404-423
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Incomplete piano-vocal score, undated
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Box/Folder
49/4-10
Reel/Frame
25/424-503
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Vocal parts for Bulge, Clair, Emanuel, Jimmie and Bobbie, Gina, Nick, and Mary, circa 1938-1941
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Box/Folder
50/1-4
Reel/Frame
25/504-745
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Bound choral scores, circa 1938-1941
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Edited Chorus Parts, circa 1938-1941
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Box/Folder
51/1-2
Reel/Frame
25/746-776
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Act I (Soprano, Alto, Tenor, Bass)
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Box/Folder
51/3-4
Reel/Frame
25/777-806
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Act II (Soprano, Alto, Tenor, Bass)
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Chorus parts, original Master
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Box/Folder
52/1
Reel/Frame
25/807-836
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Act I (Soprano, Alto, Tenor, Bass)
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Box/Folder
52/2
Reel/Frame
25/837-866
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Act II (Soprano, Alto, Tenor, Bass)
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Songs
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Box/Folder
52/3
Reel/Frame
25/867-872
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“Fraught Song” piano-vocal score: negative photostat
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Box/Folder
52/4
Reel/Frame
25/873-880
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Songs, circa 1938-1941
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513A/4
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Recorded excerpts, 1941
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1049A/14
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Recorded excerpt - “Weep for Me” / Leonard Bernstein, artist
: Original: Disc 161A/27
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U.S. Mss 35AN/Micro 1049
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Regina (1949 October 31)
: See also scrapbook volumes 4-6, 8-9, 11.
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Box/Folder
23/1
Reel/Frame
25/881-1012
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Correspondence, 1949 November 11-1959 November 2
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Box/Folder
23/2
Reel/Frame
26/1-82
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Contracts and royalty statements, 1946 October 18-1959 September 21
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Box/Folder
23/3
Reel/Frame
26/83-130
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Outlines and synopses
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Box/Folder
23/4
Reel/Frame
26/131-143
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Criticism by Lillian Hellman, 1949 September 8-1949 June 27
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Box/Folder
23/5
Reel/Frame
26/144-292
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Scene outlines, circa 1946-1948
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Box/Folder
23/6-7
Reel/Frame
23/293-538
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Notes, working scripts, 1946-1949
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Box/Folder
23/8
Reel/Frame
26/539-647
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Script, first draft, circa 1949
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Box/Folder
23/9
Reel/Frame
26/648-748
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Script, (“old version”), undated
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Box/Folder
23/10
Reel/Frame
26/749-846
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Script, “Blitzstein's Copy,” with cast list and annotations, undated
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Box/Folder
23/11
Reel/Frame
26/847-943
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Script, undated
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Box/Folder
23/12
Reel/Frame
27/1-45
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Script, published copy, with Blitzstein's notes, 1953
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Box/Folder
24/1
Reel/Frame
27/46-81
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Partial script for television, 1949 November 13
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Box/Folder
24/2
Reel/Frame
27/82-171
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Clippings, 1949 May 10-1958 April 28
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Box/Folder
24/3
Reel/Frame
27/172-320
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Publicity, 1949 October 9-1962 October
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Box/Folder
24/4
Reel/Frame
27/321-342
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“Regina Concert” miscellaneous
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Box/Folder
24/5
Reel/Frame
27/343-388
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Notes and miscellaneous
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Box/Folder
24/6
Reel/Frame
27/389-442
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Works influenced by Regina, 1958 October 9
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Box/Folder
24/7
Reel/Frame
27/443-572
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Published score, 1942
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Box/Folder
24/8
Reel/Frame
27/573-613
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Published song sheets, 1949
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Box/Folder
52/5
Reel/Frame
27/614-647
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Songs from the Opera, circa 1949
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Box/Folder
52/6
Reel/Frame
27/648-826
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Early music sketches
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Box/Folder
53/1
Reel/Frame
28/1-183
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Working piano-vocal score, Act I, undated
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Box/Folder
54/1
Reel/Frame
28/184-447
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Annotated piano-vocal score, 1946-1948
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Box/Folder
54/2
Reel/Frame
28/448-711
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Piano-vocal score, 1946-1948
: Used in Cheryl Crawford production, 1949.
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Box/Folder
55/1-2
Reel/Frame
28/712-828
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Piano-vocal scores, Vols. I-II, 1946-1948
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Box/Folder
55/5
Reel/Frame
29/1-26
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Piano-vocal score, Act III (Rain Quartet)
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Box/Folder
55/6
Reel/Frame
29/27-32
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Piano-vocal score for Songs “Look at Me” and “Greedy Girl”
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Conductor's Scores
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Box/Folder
56/1
Reel/Frame
29/33-88
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Act I, Scene 1
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Box/Folder
56/2
Reel/Frame
29/89-335
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Act I, Scene 2
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Box/Folder
56/3
Reel/Frame
29/336-581
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Act I, Scene 2, parts 1-5, 6a, 6b, 6c, 6d, 7b, 8
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Box/Folder
57/1
Reel/Frame
29/582-770
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Act I, Prelude to Scene 3; Scene 3, parts 1-6
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Box/Folder
57/2
Reel/Frame
29/771-908
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Act I, Scene 4, parts 1-4
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Box/Folder
57/3
Reel/Frame
30/1-210
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Act I, Scene 5, parts 3-9
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Box/Folder
58/1
Reel/Frame
30/211-507
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Act II, Scene 2
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Box/Folder
58/2
Reel/Frame
30/508-576
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Act III, Prelude and Scene 3
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Box/Folder
58/3
Reel/Frame
30/577-660
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Act III
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Recorded excerpts
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1049A/3
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“What Will It Be,” “Zan” / sung by Priscilla Gillette
: Original: Disc 161A/9
Damaged.
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1049A/3
|
“The Best Thing of All,” “Regina” / sung by Jane Pickens
: Original: Disc 161A/9
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1049A/3
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“Finale, Scene V” / sung by Gillette and Pickens
: Original: Disc 161A/10
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1049A/3
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“Rain Quartette, Scene V” / sung by Gillette, Brenda Lewis as Birdie, William Wilderman as Horace, and Lillyn Brown as Addie
: Original: Disc 161A/10
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1049A/3
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“Lionnet,” parts 1-2 / sung by Lewis
: Original: Disc 161A/11
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U.S. Mss 35AN/Micro 1049
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Let's Make an Opera (1950 December 13)
: See also scrapbook volume 4.
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Box/Folder
24/9
Reel/Frame
30/661-691
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Correspondence and contract, 1950 August 24-1952 August 22
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Box/Folder
24/10
Reel/Frame
30/692-742
|
Notes and revisions, circa 1950
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Box/Folder
24/11
Reel/Frame
30/743-749
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Song lyrics for the audience
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Box/Folder
24/12
Reel/Frame
30/750-867
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Annotated scripts, 1949-1950
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Box/Folder
24/13
Reel/Frame
30/868-943
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Published score, vocal with piano duet; music by Benjamin Britten, 1950
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Box/Folder
24/14
Reel/Frame
30/944-954
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Publicity, 1950
|
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1049A/3
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Recorded excerpts
: Original: Disc 161A/11
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The Harpies (1953 June)
: See also scrapbook volume 6.
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Box/Folder
24/15
Reel/Frame
31/1-5
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Correspondence, 1931 March 27-November 25
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Box/Folder
24/16
Reel/Frame
31/6-21
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Scripts, 1931
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Box/Folder
24/17
Reel/Frame
31/22-88
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Tablet with musical sketches, 1931
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Box/Folder
24/18
Reel/Frame
31/89-166
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Piano transcription, 1931
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Early instrumental parts, 1931
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Box/Folder
59/1
Reel/Frame
31/167-241
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Piano-vocal score (Negative Photostat), 1931
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Box/Folder
59/2
Reel/Frame
31/242-289
|
Instrumental parts, 1931
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554A/5
|
Recorded excerpts
|
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U.S. Mss 35AN/Micro 1049
|
Reuben, Reuben (Boston, 1955 October 10)
: See also scrapbook volume 8.
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Box/Folder
25/1
Reel/Frame
31/290-324
|
Correspondence and contract, 1953 August 6-1955 October 28
|
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Box/Folder
25/2
Reel/Frame
31/325-330
|
Royalty statements, 1956 March 31-September 30
|
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Box/Folder
25/3
Reel/Frame
31/331-481
|
Notes, Act I, i; II, iii, iv, 1951-1953
|
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Box/Folder
25/4-5
Reel/Frame
31/482-615
|
Notes, 1950-1953
|
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|
Box/Folder
25/6
Reel/Frame
31/616-973
|
Notes, circa 1952
|
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Box/Folder
25/7
Reel/Frame
32/1-31
|
Notebook, circa 1955
|
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Box/Folder
25/8
Reel/Frame
32/32-173
|
Notes and cuts, 1951-1955
|
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Notes and scripts
|
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Box/Folder
25/9
Reel/Frame
32/174-236
|
Act I, Scene 1, circa 1955
|
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Box/Folder
25/10
Reel/Frame
32/237-348
|
Act I, Scene 2, circa 1954-1955
|
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Box/Folder
25/11
Reel/Frame
32/349-362
|
Act I, Scene 3, 1954-1955
|
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|
Box/Folder
26/1
Reel/Frame
32/363-394
|
Act I, Scene 4, 1951-1955
|
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|
Box/Folder
26/2
Reel/Frame
32/395-447
|
Act I, Scene 5, 1954-1955
|
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|
Box/Folder
26/3
Reel/Frame
32/448-496
|
Act I, Scene 6, 1954-1955
|
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|
Box/Folder
26/4
Reel/Frame
32/497-532
|
Act I, Scene 7, 1955
|
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|
Box/Folder
26/5
Reel/Frame
32/533-551
|
Act II, Scene 1, 1953-1955
|
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|
Box/Folder
26/6
Reel/Frame
32/552-592
|
Act II, Scene 2, 1953-1955
|
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|
Box/Folder
26/7
Reel/Frame
32/593-715
|
Act II, Scene 3, 1953-1955
|
|
|
Box/Folder
26/8
Reel/Frame
32/716-731
|
Act II, Scene 4, 1955
|
|
|
Box/Folder
26/9
Reel/Frame
32/732-924
|
Notes, partial scripts, revisions, circa 1955
|
|
|
Box/Folder
26/10
Reel/Frame
32/925-976
|
Production notes, synopsis, set designs, 1953-1955
|
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|
Box/Folder
26/11
Reel/Frame
33/1-146
|
Script, 1955
|
|
|
Box/Folder
26/12
Reel/Frame
33/147-157
|
Publicity, 1955
|
|
|
Box/Folder
26/13
Reel/Frame
33/158-161
|
Orchestra score barring sheet
|
|
|
Box/Folder
26/14
Reel/Frame
33/162-171
|
Lyrics, undated
|
|
|
Box/Folder
26/15
Reel/Frame
33/172-191
|
Published songs
|
|
|
Box/Folder
60/1
Reel/Frame
33/192-615
|
Musical sketches
|
|
|
Box/Folder
60/2
Reel/Frame
33/616-654
|
Songs: finished manuscripts
|
|
|
Box/Folder
60/3
Reel/Frame
33/655-669
|
Songs: manuscripts for published songs
|
|
|
Box/Folder
61/1
Reel/Frame
33/670-947
|
Early piano-vocal score
|
|
|
Box/Folder
61/2
Reel/Frame
34/1-304
|
Second draft piano-vocal score
|
|
|
Piano-vocal scores
|
|
|
Box/Folder
62/1
Reel/Frame
34/05-419
|
Act I with revisions, 1953
|
|
|
Box/Folder
62/2
Reel/Frame
34/420-464
|
Act I, corrected, 1953
|
|
|
Box/Folder
62/3
Reel/Frame
34/465-581
|
Act I, Scenes 3-5, 8-9, with revisions
|
|
|
Box/Folder
62/4
Reel/Frame
34/582-621
|
Fragmentary score, undated
|
|
|
Box/Folder
63/1
Reel/Frame
34/622-874
|
Act I, Scenes 1-7, with later revisions, 1953
|
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|
Box/Folder
64/1
Reel/Frame
34/875-end 8 35/1-373
|
Act I, Scenes 1-7, revised, 1955
|
|
|
Box/Folder
65/1-2
Reel/Frame
35/374-611
|
Act II, with revisions
|
|
|
Box/Folder
65/3
Reel/Frame
35/612-776
|
Act II, with later revisions, 1955?
|
|
|
Box/Folder
66/1
Reel/Frame
35/777-end 8 36/1-141
|
Act I, late version, 1955
|
|
|
Box/Folder
66/2
Reel/Frame
36/142-292
|
Act II, late version, 1955
|
|
|
Box/Folder
67/1
Reel/Frame
36/293-483
|
Act II, undated
|
|
|
Box/Folder
67/2
Reel/Frame
36/484-974
|
Act I, complete score
|
|
|
Conductor's scores
|
|
|
Box/Folder
68/1
Reel/Frame
37/1-99
|
Act I, Scene 1: vocal only, incomplete
|
|
|
Box/Folder
68/2-3
Reel/Frame
37/100-259
|
Act I, Scene 2: vocal only, incomplete
|
|
|
Box/Folder
68/4-5
Reel/Frame
37/260-348
|
Act I, Scene 3: vocal only, incomplete
|
|
|
Box/Folder
68/6
Reel/Frame
37/349-375
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Act I, Scene 5: vocal only, incomplete
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Box/Folder
68/7
Reel/Frame
37/376-417
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Act I, Scene 5 (San Gennaro): vocal only, incomplete
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Box/Folder
68/8
Reel/Frame
37/418-439
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Act I, Scene 5: vocal only, incomplete
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Box/Folder
68/9-10
Reel/Frame
37/440-509
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Act I, Scene 6: vocal only, incomplete
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Box/Folder
68/11
Reel/Frame
37/510-528
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Act I, Scene 7 (Circus Finale): vocal only, incomplete
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Box/Folder
68/12-13
Reel/Frame
37/529-613
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Act I, Scene 7: vocal only, incomplete
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Box/Folder
68/14
Reel/Frame
37/614-683
|
Act I, Scene 2, Dialogues 8 and 9
|
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Complete original scores
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Box/Folder
69/1
Reel/Frame
37/687-807
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Act I, Overture-6A, 1953-1955
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Box/Folder
69/2
Reel/Frame
37/808-1024
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Act I, 6B-10, 1953-1955
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Box/Folder
69/2
Reel/Frame
38/1-95
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Act I, 11-12, 1953-1955
|
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Box/Folder
69/3
Reel/Frame
38/96-383
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Act I, 13-20
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Box/Folder
70/1
Reel/Frame
38/384-599
|
Act I, 21-30, 1953-1955
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Box/Folder
70/2
Reel/Frame
38/600-820
|
Act II, 31-36, undated
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Box/Folder
70/3
Reel/Frame
38/821-996
|
Act II, 37-40, undated
|
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Box/Folder
71/1-2
Reel/Frame
39/1-705
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Act I, annotated copy of complete score
|
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Box/Folder
72/1
Reel/Frame
39/706-981
|
Act I, annotated copy of complete score
|
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Box/Folder
72/2
Reel/Frame
40/1-399
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Act II, annotated copy of complete score
|
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Recordings
|
|
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513A/5
|
Act I, Scenes 1-6
|
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513A/6
|
Act II, Scenes 1-4
|
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513A/7
|
Reuben, Reuben
|
|
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Four cuts from the score
|
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1049A/12
|
10. a and b - Blitzstein
: Original: Disc 161A/25
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|
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1049A/12
|
11. Lear, Nambrust
: Original: Disc 161A/25
|
|
|
1049A/12
|
12. Ghostley
: Original: Disc 161A/25
|
|
|
1049A/12
|
13. Lear, Ghostley, Cass, Stewart
: Original: Disc 161A/25
|
|
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Juno (1959 March 9)
: See also scrapbook volumes 8-9.
|
|
|
U.S. Mss 35AN/Micro 1049
Box/Folder
27/1
Reel/Frame
40/400-446
|
Correspondence, 1957 May 29-1975 October 9
|
|
|
Box/Folder
27/2
Reel/Frame
40/447-510
|
Contracts, 1956 July 16-1959 February 27
|
|
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Box/Folder
27/3
Reel/Frame
40/511-550
|
Sally Lou Todd's analysis, 1975 June 3
|
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Box/Folder
27/4
Reel/Frame
40/551-580
|
Critical comments, undated
|
|
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Box/Folder
27/5
Reel/Frame
40/581-628
|
Audition notes, 1958
|
|
|
Box/Folder
27/6
Reel/Frame
40/629-673
|
Production notes and materials, circa 1957-1959
|
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Box/Folder
27/7
Reel/Frame
40/674-703
|
Lyrics, 1957 June-July
|
|
|
Box/Folder
27/8
Reel/Frame
40/704-950
|
Notes and revisions of lyrics, 1957-1958
|
|
|
Box/Folder
27/9
Reel/Frame
40/951-1015
|
Revisions and notes on lyrics and book, 1958 August-December
|
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|
Box/Folder
27/10
Reel/Frame
41/1-93
|
Notes and revisions of lyrics, partial scripts, 1959
|
|
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Box/Folder
27/1
Reel/Frame
41/94-123
|
Miscellaneous working notes
|
|
|
Box/Folder
27/12
Reel/Frame
41/124-199
|
Outlines, notes, working script, 1957
|
|
|
Scripts
|
|
|
Box/Folder
27/13
Reel/Frame
41/200-237
|
First draft, 1957 June
|
|
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Box/Folder
27/14
Reel/Frame
41/238-324
|
Second draft, 1957 July
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|
Box/Folder
27/15
Reel/Frame
41/325-410
|
Third draft, 1957 July
|
|
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Box/Folder
27/16
Reel/Frame
41/411-531
|
Full script, 1957 August
|
|
|
Box/Folder
28/1
Reel/Frame
41/532-658
|
Revision of Act I:1, 1957 August 12
|
|
|
Box/Folder
28/2
Reel/Frame
41/659-766
|
Script, 1958 August 25
|
|
|
Box/Folder
28/3
Reel/Frame
41/767-856
|
Complete script, circa 1959
|
|
|
Box/Folder
28/4
|
Complete script, circa 1959
: Not filmed.
|
|
|
Box/Folder
28/5
Reel/Frame
41/857-958
|
Revised script / by Richard Maltby, Jr. and Geraldine Fitzgerald, 1974
|
|
|
Box/Folder
28/6
Reel/Frame
42/1-56
|
Playbills, 1957-1959
|
|
|
Box/Folder
28/7
Reel/Frame
42/57-77
|
Published songs, 1959
|
|
|
Box/Folder
73/1
Reel/Frame
42/78-126
|
Conductor's score “Ireland's Eye,” “Ireland's Eye Dance,” circa 1959
|
|
|
Box/Folder
73/2
Reel/Frame
42/127-242
|
Musical sketches, undated
|
|
|
Box/Folder
73/3
Reel/Frame
42/243-264
|
Ballet music motifs
|
|
|
Box/Folder
74/1
Reel/Frame
42/265-489
|
Piano-vocal score, 1958
|
|
|
Box/Folder
74/2
Reel/Frame
42/490-667
|
Revisions of piano-vocal score, circa 1959
|
|
|
Box/Folder
75/1
Reel/Frame
42/668-841
|
Piano-vocal score, Act I, 1958-1959
|
|
|
Box/Folder
75/2
Reel/Frame
42/842-943
|
Piano-vocal score, Act II, 1958-1959
|
|
|
Box/Folder
75/3
Reel/Frame
43/1-109
|
Piano-vocal revisions
|
|
|
Box/Folder
75/4
Reel/Frame
43/110-132
|
Songs, piano-vocal scores and published piano-vocal score, 1959
|
|
|
Recordings
|
|
|
513A/8-9
|
Juno (1) and (2)
|
|
|
Demo songs on Dick Charles recording discs
|
|
|
1049A/4
|
“My True Heart,” Rosemary June, Gloria Shane, piano
: Original: Disc 161A/12
|
|
|
1049A/4
|
“I Wish It So,” Rosemary June, Gloria Shane, piano
: Original: Disc 161A/12
|
|
|
1049A/4
|
“One Kind Word,” Jack Carroll, Gloria Shane, piano
: Original: Disc 161A/13
|
|
|
U.S. Mss 35AN/Micro 1049
|
“Parabola and Circula” (unproduced, dedicated to Eva Goldbeck, 1929)
|
|
|
Box/Folder
28/8
Reel/Frame
43/133-189
|
Script, undated
|
|
|
Box/Folder
28/9
Reel/Frame
43/190-447
|
Music tablets, 1929
|
|
|
Scores, 1929
|
|
|
Box/Folder
76/1
|
Volume 1: orchestra score
|
|
|
Box/Folder
76/2
|
Volume 2: conductor's score
|
|
|
Box/Folder
77/1
Reel/Frame
43/450-end
|
Piano-vocal scores, 1963 March 1
|
|
|
“The Traveling Salesman” (unproduced)
|
|
|
Box/Folder
28/10
Reel/Frame
44/1-81
|
Scripts, 1929 September 17, 1930 April
|
|
|
“The Killers” (unproduced)
|
|
|
Box/Folder
28/11
Reel/Frame
44/82-128
|
Musical sketches, 1931
|
|
|
“The Condemned” (choral opera, unproduced)
|
|
|
Box/Folder
29/1
Reel/Frame
44/129-135
|
Correspondence, 1931 November 11-1935 January 11
|
|
|
Box/Folder
29/2
Reel/Frame
44/136-152
|
Analysis, notes, undated
|
|
|
Box/Folder
29/3
Reel/Frame
44/153-163
|
Libretto
|
|
|
Box/Folder
77/2
Reel/Frame
44/164-210
|
Early piano version, 1932
|
|
|
Box/Folder
77/3
Reel/Frame
44/211-270
|
Piano-vocal score transcription; instrumental; music sketch
|
|
|
Box/Folder
77/4
Reel/Frame
44/271-334
|
Conductor's score: first draft, undated
|
|
|
Box/Folder
77/5
Reel/Frame
44/335-547
|
Conductor's score, 1932-1933
|
|
|
Box/Folder
77/6
Reel/Frame
44/548-746
|
Conductor's score
|
|
|
“Sacco and Vanzetti” (unproduced)
: See also scrapbook volume 10.
|
|
|
Box/Folder
29/4
Reel/Frame
44/747-816
|
Correspondence, 1932 November 21-1963 July 3
|
|
|
Box/Folder
29/5
Reel/Frame
44/817-837
|
Contracts, 1960 February 19-June 14
|
|
|
Research materials
|
|
|
Box/Folder
29/6
Reel/Frame
44/838-979
|
General, 1927 April 9-1960 December 29
|
|
|
Box/Folder
29/7
Reel/Frame
45/1-143
|
General, 1961 March 7-1963 September 1
|
|
|
Box/Folder
29/8
Reel/Frame
45/144-238
|
Massachusetts Legislative Judiciary Committee Hearing, 1959
|
|
|
Box/Folder
29/9
Reel/Frame
45/239-245
|
Television correspondence, 1960 May 3-1963 June 18
|
|
|
Television script and notes,
|
|
|
Box/Folder
29/10
Reel/Frame
45/246-447
|
First draft, 1960 April 6-28
|
|
|
Box/Folder
29/11
Reel/Frame
45/448-591
|
Third revision, 1960 May 9
|
|
|
Books: annotated
|
|
|
Box/Folder
29/12
Reel/Frame
45/592-597
|
American Heritage / edited by Bruce Catton, volume XI, no. 1, 1959 December pp. 89-93
|
|
|
Box/Folder
30/1
Reel/Frame
45/598-1021
|
Commonweal vs. Sacco and Vanzetti / by Robert Weeks, 1958
|
|
|
Box/Folder
30/1
Reel/Frame
45/598-1021
|
Letters of Sacco and Vanzetti / edited by Frankfurther and Jackson, 1928
|
|
|
Box/Folder
30/2
Reel
46
|
The Sacco-Vanzetti Case / by Osmond K. Frankel, 1931
|
|
|
Box/Folder
30/2
Reel
46
|
Tragedy in Dedham / by Francis Russell, 1962
|
|
|
Box/Folder
30/3
Reel
46
|
The Untried Case / by Herbert E. Ehrman, 1960
|
|
|
Box/Folder
30/3
Reel
46
|
Winterset / by Maxwell Anderson, 1946
|
|
|
Box/Folder
31/1
Reel/Frame
47/1-46
|
Plans and outlines, Acts I-III, 1960 July 7-1961 November 28
|
|
|
Notes
|
|
|
Box/Folder
31/2
Reel/Frame
47/47-267
|
Character and general, 1959 September 15-1963 March 2
|
|
|
Box/Folder
31/3
Reel/Frame
47/268-439
|
Acts I-III, 1959 November 10-1963 March 18
|
|
|
Notes and scripts
|
|
|
Box/Folder
31/4
Reel/Frame
47/440-641
|
Act I, i, ii, iii, 1960 June 3-1963 March 20
|
|
|
Box/Folder
31/5
Reel/Frame
47/642-767
|
Act I, iv, v, vi, 1961 January 7-1962 July 5
|
|
|
Box/Folder
31/6
Reel/Frame
47/768-810
|
Act II, i, ia, iii, iv, vi, 1960 June 13-1961 October 11
|
|
|
Box/Folder
31/7
Reel/Frame
47/811-825
|
Acts III, iv, ?, 1960 April 22-1962 April 14
|
|
|
Music sketches
|
|
|
Box/Folder
31/8
Reel/Frame
47/826-830
|
The Beit-Yannai notebook, 1962 June 22-August 22
|
|
|
Box/Folder
78/
Reel/Frame
47/831-890
|
All Acts, 1959 December 8
|
|
|
Piano-vocal score
|
|
|
Box/Folder
78/2
Reel/Frame
47/891-900
|
Opening
|
|
|
Box/Folder
78/3
Reel/Frame
48/1-54
|
Act I, Scene 1, 1960 December 8
|
|
|
Box/Folder
78/4
Reel/Frame
48/55-108
|
Overture, Act I, Scene 1: preliminary drafts, 1961 April 18
|
|
|
Box/Folder
78/5
Reel/Frame
48/109-202
|
Sketches, Act I, Scenes 2, 4a, 5, 6, 1961
|
|
|
Box/Folder
78/6
Reel/Frame
48/203-223
|
Act I, Scene 2, undated
|
|
|
Box/Folder
78/7
Reel/Frame
48/224-386
|
Act I, Scene 3: preliminary drafts
|
|
|
Box/Folder
78/8
Reel/Frame
48/387-427
|
Act I, Scene 3
|
|
|
Box/Folder
78/9
Reel/Frame
48/428-433
|
Act I, Scene 5
|
|
|
Box/Folder
78/10
Reel/Frame
48/434-444
|
Act I miscellaneous, 1963
|
|
|
Box/Folder
78/11
Reel/Frame
48/445-476
|
Act II, Scenes 1a, 2a, 2b, 1961 (Preliminary Drafts)
|
|
|
Box/Folder
78/12
Reel/Frame
48/477-484
|
Act II: draft of “With a Woman to Be”
|
|
|
Box/Folder
78/13
Reel/Frame
48/487-499
|
Act II: last scene
|
|
|
Box/Folder
78/14
Reel/Frame
48/500-510
|
Act III: musical drafts
|
|
|
Box/Folder
78/15
Reel/Frame
48/511-560
|
Act III, Scene 6: musical drafts
|
|
|
Box/Folder
78/16
Reel/Frame
48/561-565
|
Act III: score for Vanzetti and reporter scene
|
|
|
Box/Folder
78/17
Reel/Frame
48/566-595
|
Act III: drafts for Vanzetti's Last Aria, 1961
|
|
|
Opera analysis
|
|
|
Publicity, 1960-1962
|
|
|
763A/1
|
Recorded excerpts, circa 1977 August 26
: “A Woman To Be,” by Sacco, sung by tenor Peter Harvey; “If It Had Not Been for These Thing,” by Vanzetti, sung by Charles Fidlar. Piano by John Mueter. This version realized by Fidlar. Produced a few days prior to a Sacco-Vanzetti commemorative picnic held in Middlefield, Connecticut, circa August 26, 1977, when the tape was played.
|
|
|
U.S. Mss 35AN/Micro 1049
|
“Tales of Malamud” (unproduced)
|
|
|
Box/Folder
31/9
Reel/Frame
48/596-605
|
Correspondence, 1962 November 2-1967 April 29
|
|
|
Box/Folder
31/10
Reel/Frame
48/606-676
|
Background materials, Bernard Malamud short stories, 1962
|
|
|
Box/Folder
31/11
Reel/Frame
48/676-726
|
“The Magic Barrel,” notes and scripts, 1962 November 2-1963 September 7
|
|
|
“Idiots First”
|
|
|
Box/Folder
31/12
Reel/Frame
48/727-850
|
Notes and scripts, 1963
|
|
|
Box/Folder
79/1
Reel/Frame
49/1-195
|
Piano-vocal score musical drafts, 1962 October-1963 August
|
|
|
Box/Folder
79/2
Reel/Frame
49/196-302
|
“The Magic Barrel,” piano-vocal musical drafts, 1962 November 3-1964 January 19
|
|
|
Box/Folder
79/3
Reel/Frame
49/303-385
|
“Idiots First,” conductor's score, 1963
|
|
