Container
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Title
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U.S. Mss 27AN
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Part 1 (U.S. Mss 27AN, Audio 505A, Disc 505A): Original Collection, 1929-196946.4 cubic feet (72 archives boxes, 59 volumes, and 2 packages), 16 tape recordings, and 16 disc recordings The Original Collection comprises everything received in the Archives through 1969. Its contents date 1929-1969 and primarily document the Kerrs' early lives and the wide range of personal and professional interests of these two writers. This part of the collection is divided into several series: General Correspondence; Personal and Miscellaneous Papers; Financial and Legal Correspondence; Theater; Criticism; Lectures; Television; Jean Kerr's Book and Articles; Miscellaneous; and Recordings. Generally, the material within each series is organized chronologically; the one exception is the television series, which has been arranged alphabetically by program title. GENERAL CORRESPONDENCE (Boxes 1-22) spans the years 1929 to 1969 and is arranged chronologically. (Correspondence that relates to a particular play or book has been placed with that specific title.) Often, especially in the later correspondence, carbon copies of letters sent by the Kerrs are present, as well as letters received by them. Researchers will find both quantity and diversity in this series: there are lecture requests, fan mail, family correspondence, and letters from professional associates from the Kerrs. There are letters from many notable correspondents. PERSONAL AND MISCELLANEOUS PAPERS (Boxes 22-26) consists of passports, college notes, awards, photographs, and appointment books. FINANCIAL AND LEGAL CORRESPONDENCE (Boxes 26 and 27) contains contracts, bank statements, financial statements. Included are reports from Brandt and Brandt, Collins Productions, the Kerrs' publishers, and World Theater. The series THEATER (Boxes 28-40 and Volumes 1-25) is divided into three categories, according to the location of the Kerrs' productions: the early plays, 1932-1939, of the Kerrs' high school and college years; the plays produced at Catholic University, 1939-1948; and New York and other later productions, 1942-1964. In the last category are included the plays first produced at Catholic University and then taken to New York. Materials for individual plays vary and may consist of correspondence, scripts, musical scores, contracts, photographs, playbills, production notes, clippings, and financial papers. Undated plays are listed alphabetically by title at the end of the early plays. Included among the play manuscripts are Sing Out Sweet Land, King of Hearts, Goldilocks, Mary, Mary, and Poor Richard. Within the series CRITICISM (Boxes 40-64, and Volumes 26-30) is the documentation--correspondence, notes, contracts, drafts and revisions, financial statements, galley proofs--of this most incisive part of Walter Kerr's career. The series begins with Kerr's books: Staging the Great Plays, How Not to Write a Play, Criticism and Censorship, Pieces at Eight, The Decline of Pleasure, Tragedy and Comedy, and Thirty Plays Hath November. Also included here are books for which Kerr wrote an essay or an introduction. Following the books are articles written for journals. Of interest to most researchers will be the play reviews written for Commonweal, the New York Herald Tribune, and the New York Times; these begin in Box 56, Folder 7 and continue through Box 64, Folder 2, and are bound in Volumes 29 and 30. LECTURES (Boxes 65 and 66) contain the notes Kerr used while a professor at Catholic University, as well as his research files and notes used for lectures given throughout the country. The final series that deals with Walter Kerr's career is TELEVISION (Boxes 67 and 68 and Volumes 31-33). These materials, primarily scripts, are organized alphabetically by series title. Scripts for individual episodes within the series are arranged chronologically; undated and unidentified scripts are placed at the end of this series. Included here are scripts and comments for Profiles in Courage and Omnibus, for which Kerr served as drama consultant. Boxes 68 and 69 contain JEAN KERR'S BOOK AND ARTICLES; these drafts are arranged chronologically. For Please Don't Eat the Daisies, only correspondence and financial and legal information are available. The Snake Has All the Lines and Penny Candy are collections of articles. Miscellaneous articles by Mrs. Kerr are at the end of this series. MISCELLANEOUS (Boxes 70-72 and Volumes 34-59) consists of books sent to the Kerrs, high school and college publications, scrapbooks, and photographs. Also here is a manuscript of special interest--a stenographic recording of private sessions with the Group Theater, 1939; this transcript was given to Walter Kerr. A small group of interviews with the Kerrs is also included here. Finally, RECORDINGS consists of 16 tape recordings and 16 disc recordings that supplement the musical scores, interviews, and discussions provided earlier in the collection.
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Series: General Correspondence
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Box
1
Folder
1
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1929 June-1938 December
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Box
1
Folder
2
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1939 January-1940 December
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Box
1
Folder
3
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1941 January-December
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Box
1
Folder
4
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1942 January-December
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Box
2
Folder
1
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1943 January-December
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Box
2
Folder
2
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1944 January-December
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Box
2
Folder
3
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1945 January-1946 December
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Box
2
Folder
4
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1947 January-1948 December
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Box
2
Folder
5
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1949 January-December
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Box
2
Folder
6
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1950 January-December
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Box
2
Folder
7
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1951 January-September
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Box
3
Folder
1
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1951 October-December
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Box
3
Folder
2
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1952 January-May
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Box
3
Folder
3
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1952 June-December
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Box
3
Folder
4
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1953 January-May
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Box
3
Folder
5
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1953 June-December
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Box
3
Folder
6
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1954 January-July
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Box
3
Folder
7
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1954 August-December
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Box
3
Folder
8
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1955 January-April
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Box
4
Folder
1
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1955 May-July
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Box
4
Folder
2
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1955 August-December
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Box
4
Folder
3
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1956 January-June
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Box
4
Folder
4
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1956 July-December
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Box
4
Folder
5
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1957 January-May
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Box
5
Folder
1
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1957 June-December
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Box
5
Folder
2
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1958 January-December
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Box
5
Folder
3
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1959 January-December
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Box
5
Folder
4
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1960 January-December
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Box
5
Folder
5
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1961 January-September
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Box
5
Folder
6
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1961 October-December
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Box
6
Folder
1
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1962 January-March
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Box
6
Folder
2
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1962 April-June
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Box
6
Folder
3
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1962 July-October
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Box
6
Folder
4
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1962 November-December
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Box
6
Folder
5
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1963 January-February
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Box
6
Folder
6
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1963 March-May
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Box
7
Folder
1
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1963 June-July
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Box
7
Folder
2
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1963 August-September
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Box
7
Folder
3
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1963 October
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Box
7
Folder
4
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1963 November
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Box
7
Folder
5
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1963 December
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Box
7
Folder
6
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1963
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Box
8
Folder
1
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1963-1964
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Box
8
Folder
2
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1964 January
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Box
8
Folder
3
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1964 February
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Box
8
Folder
4
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1964 March
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Box
8
Folder
5
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1964 April
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Box
8
Folder
6
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1964 May
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Box
9
Folder
1
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1964 June
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Box
9
Folder
2
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1964 July
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Box
9
Folder
3
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1964 August
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Box
9
Folder
4
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1964 September
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Box
9
Folder
5
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1964 October
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Box
9
Folder
6
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1964 November
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Box
10
Folder
1
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1964 December
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Box
10
Folder
2-3
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1964
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Box
10
Folder
4
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1965 January
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Box
10
Folder
5
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1965 February
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Box
10
Folder
6
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1965 March
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Box
11
Folder
1
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1965 April
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Box
11
Folder
2
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1965 May
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Box
11
Folder
3
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1965 June
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Box
11
Folder
4
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1965 July-August
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Box
11
Folder
5
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1965 September
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Box
11
Folder
6
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1965 October
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Box
12
Folder
1
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1965 November
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Box
12
Folder
2
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1965 December
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Box
12
Folder
3
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1965
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Box
12
Folder
4
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1966 January
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Box
12
Folder
5
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1966 February
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Box
12
Folder
6
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1966 March
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Box
13
Folder
1
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1966 April-May
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Box
13
Folder
2
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1966 June-July
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Box
13
Folder
3
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1966 August
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Box
13
Folder
4-5
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1966 September
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Box
13
Folder
6
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1966 October
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Box
14
Folder
1
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1966 October
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Box
14
Folder
2-3
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1966 November
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Box
14
Folder
4
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1966 December
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Box
14
Folder
5-6
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1966
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Box
15
Folder
1-2
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1967 January
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Box
15
Folder
3-4
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1967 February
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Box
15
Folder
5-6
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1967 March
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Box
16
Folder
1-2
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1967 April
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Box
16
Folder
3-4
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1967 May
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Box
16
Folder
5-6
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1967 June
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Box
16
Folder
7-8
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1967 July
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Box
17
Folder
1
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1967 August
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Box
17
Folder
2
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1967 September
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Box
17
Folder
3-4
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1967 October
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Box
17
Folder
5
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1967 November
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Box
17
Folder
6
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1967 December
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Box
17
Folder
7
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1967
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Box
18
Folder
1
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1968 January
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Box
18
Folder
2
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1968 February
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Box
18
Folder
3
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1968 March
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Box
18
Folder
4
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1968 April
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Box
18
Folder
5
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1968 May
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Box
18
Folder
6
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1968 June
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Box
19
Folder
1
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1968 July
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Box
19
Folder
2
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1968 August
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Box
19
Folder
3
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1968 September
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Box
19
Folder
4
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1968 October
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Box
19
Folder
5
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1968 November
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Box
19
Folder
6
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1968 December
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Box
19
Folder
7
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1968
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Box
20
Folder
1
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1969 January
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Box
20
Folder
2
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1969 February
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Box
20
Folder
3
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1969 February
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Box
20
Folder
4
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1969 March
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Box
20
Folder
5
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1969 April
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Box
20
Folder
6
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1969 May
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Box
21
Folder
1
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1969 June 21
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Box
21
Folder
2
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1969 July
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Box
21
Folder
3
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1969 August-December
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Box
21
Folder
4
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1969
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Box
21
Folder
5-6
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Undated
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Box
22
Folder
1-2
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Undated (continued)
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Series: Personal and Miscellaneous Papers
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Package
2
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Diplomas : Marywood Seminary, St. Mary's College of the Woods, St. Mary's School, Northwestern University
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Package
2
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Honorary Degrees : St. Mary's College, La Salle College
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Box
22
Folder
3
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Passport, induction notice, insurance forms, teaching appointments
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Box
22
Folder
4
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Poems, written by Walter Kerr while in the third grade
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Box
22
Folder
5
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College notes, essays, poems, fragments of early plays and sketches and short stories (Jean Kerr)
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Box
22
Folder
6
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Personal clippings-birth and wedding announcements
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Box
22
Folder
7
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Moss Hart Pamphlet, poems by Phyllis McGinley
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Box
23
Folder
1
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Program of reopening of Ford's Theatre, 1968, College playbills of Jean Kerr
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Awards
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Box
23
Folder
2
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Walter Kerr-St. George High School diploma, 1931; Scholarship honors, , 1935 and Master of Arts Degree, , 1938 from Northwestern University; Graduation programs, , 1937
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Box
23
Folder
3
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Jean Kerr-Marywood College graduation program, 1939, and Department of Public Instruction Certificate, , 1943
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Box
23
Folder
4
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Walter Kerr-Northwestern University Alumni Association Award of Merit, 1948 June 12-award and correspondence
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Box
23
Folder
5
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Walter Kerr-Doctor of Laws Degree, 1956, St. Mary's College, Notre Dame, Indiana
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Box
23
Folder
6
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Walter Kerr-Sylvania Television Award for Omnibus, 1957
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Package
1
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Jean Kerr-Spirit of Achievement Award presented on , 1958 March 24 by the Woman's Division of Albert Einstein College of Medicine of Yeshiva University
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Box
23
Folder
7
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Jean and Walter Kerr-American Society of Composers, Authors and Publishers, 1959 membership certificates
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Box
23
Folder
8
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Jean Kerr-Writer's Guild of America, Nomination of Writing Achievement for Please Don't Eat the Daisies, 1960
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Box
23
Folder
9
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Walter Kerr-David Merrick Award for Criticism, 1962 May, correspondence
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Box
23
Folder
10
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Jean and Walter Kerr-Doctor of Humane Letters degree from Northwestern University, 1962 June 16, program and correspondence
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Box
23
Folder
11
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Walter Kerr-Herald Tribune certificate of appreciation upon receiving the George Jean Nathan Drama Criticism Award for The Theatre in Spite of Itself, 1964 January 22, correspondence
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Box
23
Folder
12
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Walter and Jean Kerr-Honorary Doctor of Letters Degrees, Fordham University, 1965 June 19, correspondence and program
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Box
23
Folder
13
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Walter Kerr-Dineen Award of the National Theatre Conference, 1965 August 26, correspondence and Herald Tribune Certificate
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Box
23
Folder
14
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Walter Kerr-Applause Award, 1966 April 22, from the Northwestern University Club of New York, miscellaneous awards
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Box
23
Folder
15
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Walter Kerr-award for outstanding service in journalism, 1966 May 20, from Kappa Tau Alpha of New York University
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Package
1
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Oversize item
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Box
23
Folder
16
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Walter and Jean Kerr-Catholic Action Medals presented by St. Bonaventure University, 1966 December
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Box
23
Folder
17
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Walter Kerr-Citation For Distinguished Service to the Theatre, The American Educational Theatre Association, 1967 August
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Box
24
Folder
1
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Phyllis McGinley-award presented by the Catholic Book Club, 1967 November 10
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Box
24
Folder
2
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Walter Kerr-Doctor of Fine Arts Degree, University of Notre Dame, 1968 June 21, correspondence and award
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Box
24
Folder
3
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Walter Kerr-Five Towns Music and Art Foundation, award of distinction, 1969 May 6, program
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Package
1
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Oversize item
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Photographs
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Box
24
Folder
4-5
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Walter Kerr
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Box
24
Folder
6
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Jean Kerr
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Box
24
Folder
7-8
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Kerr family
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Box
25
Folder
1
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Miscellaneous
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Appointment Books
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Box
25
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1952-1953, 1955, 1957-1962
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Box
26
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1964-1966
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Series: Financial and Legal Correspondence
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Box
26
Folder
1
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Brandt and Brandt, 1945-1969
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Financial statements-personal and Collins Productions Inc.
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Box
26
Folder
2
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1961 August-December
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Box
26
Folder
3
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1962 January-April
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Box
27
Folder
1
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1962 May-September
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Box
27
Folder
2
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Sheed & Ward Inc., Publishers, financial reports, 1962-1967
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Box
27
Folder
3
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Weissberger & Frosch, Counselors at Law, 1963-1966
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Box
27
Folder
4
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World Theatre, financial statements, 1961
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Box
27
Folder
5
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Financial statements-miscellaneous
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Box
27
Folder
6
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Legal-miscellaneous contracts
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Series: Theater
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Early Plays, 1932-1939
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Box
28
Folder
1
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Ideas for shows: early sketches, notes, and lyrics by Jean and Walter Kerr
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Volume
3
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Sketches
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Photographs
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Box
28
Folder
2
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Plays produced at St. George High School
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Box
28
Folder
3
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Plays produced at Marywood College
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Box
28
Folder
4
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Plays produced at Northwestern University
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No Reason at All (1932) : By Walter Kerr and Gilbert Nevius, produced at St. George High School, 1933
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Volume
1
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Script
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St. George Minstrel Show (1933) : By Walter Kerr and Gilbert Nevius, produced at St. George High School
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Volume
3
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Script
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A Most Extraordinary Boy (1934) : By Walter Kerr, suggested by Hans Christian Anderson's “Story of My Life”
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Box
28
Folder
5
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Correspondence, 1939, copyright and commentary on play
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Volume
2
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Original script, treatments, staging directions
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Denison's Variety Revue , (1935) by Walter Kerr
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Box
28
Folder
6
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Correspondence and contracts, 1934-1935
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Volume
1
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Sketches
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Murder in Reverse , (1935) by Walter Kerr
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Box
28
Folder
7
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Correspondence, 1934
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Volume
1
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Script
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Murder to Music , (1935) by Walter Kerr
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Box
28
Folder
7
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Correspondence, 1936
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Volume
1
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Script
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Movie Minstrel , (1936) by Walter Kerr
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Box
28
Folder
8
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Contracts, financial information, 1936-1938
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Murder in Grey , (1936) by Walter Kerr
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Volume
3
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Script
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Murder with Impunity , (1936) by Walter Kerr
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Box
28
Folder
9
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Correspondence, 1936
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Volume
3
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Script
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I'll Take Vanilla , (1936) by Walter Kerr
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Box
28
Folder
10
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Contract, 1936
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Volume
3
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Script
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Mystery Minstrel , (1937) by Walter Kerr
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Box
28
Folder
10
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Correspondence, 1937
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Don't Look Now (1937 March) : Show at Northwestern University, script and lyrics by Walter Kerr and Charles Nelson
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Volume
1
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Script, lyrics
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Volume
56
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Musical score
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Box
28
Folder
11
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Lyrics, financial information
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Angels on Eggshells (1937) : By Walter Kerr, Northwestern University
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Box
28
Folder
12
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Correspondence, 1938
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Volume
3
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Script
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Death and Deluge , (1937) by Walter Kerr
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Volume
3
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Script
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A Murderous Marriage , (1937) by Walter Kerr
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Volume
3
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Script
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Imps in Industry (1937) : By Walter Kerr; renamed Inside-Out Family and produced by Jack and Jill Players, 1939 June 10, Chicago, Illinois
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Box
28
Folder
13
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Correspondence, 1937-1939, commentary
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Volume
5
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Script
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Rip Van Winkle (1937) : Adaptation from Washington Irving by Walter Kerr; produced at Northwestern University, scenes used in 1943 December at Catholic University
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Box
28
Folder
14
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Correspondence, contract, 1936-1937
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Volume
56
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Article by Walter Kerr
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The Thief Is a Knight , (1938) by Walter Kerr
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Box
28
Folder
15
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Correspondence, contract, 1938-1939
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Volume
56
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Script
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Christopher over Chaos (1938 July) : By Walter Kerr; submitted as his M.A. thesis, Northwestern University
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Box
28
Folder
16
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Correspondence, 1938-1941
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Volume
4
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Script, 1938 July
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The Vicar of Wakefield (1938) : Adaptation from Oliver Goldsmith by Walter Kerr; produced, 1938, at Northwestern University
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Box
28
Folder
17
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Correspondence, contract, 1938
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Christmas Incorporated , (1939) by Walter Kerr
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Box
28
Folder
18
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Correspondence, contracts, 1937-1939
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Volume
3
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Script
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Without Jury , (1939) by Walter Kerr
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Box
28
Folder
19
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Correspondence, 1940, script
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Box
28
Folder
20
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Script
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Early Plays, undated
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American Ghoulash by Walter Kerr
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Volume
3
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Script
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“The American Musical Review”
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Volume
1
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Script
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Art and Prudence
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Volume
6
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Script
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The Baldwin Gang by Walter Kerr
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Volume
13
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Notes
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Change of the Moon by Walter Kerr
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Volume
19
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Script
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The Constitution-Two Epochs by Walter Kerr
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Volume
3
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Script
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The Country on Her Hands by Walter Kerr
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Volume
3
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Script
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If Wishes Were Babies by Walter Kerr
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Volume
5
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Script
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The Last Aqueduct by Walter Kerr
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Box
28
Folder
21
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Correspondence, 1944
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Volume
5
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Script
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Volume
19
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Script
|
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Minute Waltz by Jean Kerr
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Volume
25
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Two scripts
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School for Wives : Adaptation from Moliere by Walter Kerr
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Volume
13
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Script
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Box
32
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Script for television
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Teapot Tempest by Walter Kerr
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Volume
1
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Script
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Twelfth Night : Adaptation from Shakespeare by Walter Kerr
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Volume
1
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Script
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Two Women and a Boy by Walter Kerr
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Volume
3
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Script
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Volume
3
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Two untitled plays by Walter Kerr
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Volume
5
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Articles
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Plays Produced at Catholic University, Washington, D.C., 1939-1948
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Hyacinth On Wheels (1939 February 19) : By Walter Kerr; directed by Walter Kerr
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Box
28
Folder
22
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Correspondence, 1938-1947, production photographs, contract, financial information
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Coriolanus (1939 May 5) : Adaptation from Shakespeare by Walter Kerr; directed by Walter Kerr
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Box
28
Folder
23
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Correspondence, 1939-1940; production photographs
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Volume
5
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Script
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The Comedian (1939 July) : By Henri Gheon; directed by Walter Kerr
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Box
28
Folder
24
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Photographs
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Yankee Doodle Boy (1939 December 16, 1940 April 26) : By Walter Kerr and Leo Brady
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Box
29
Folder
1
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Correspondence, 1939-1944; production photographs
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Volume
5
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Script
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Murder in the Cathedral (1940 March 24) : By T.S. Eliot; directed by Walter Kerr
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Box
29
Folder
2
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Photographs
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The Miser (1940 May 26, July 10) : Adaptation from Moliere by Walter Kerr
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Box
29
Folder
3
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Correspondence, 1941-1961; photographs; contracts; financial information : See also Box 32.
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Calidore (1940 July 17; 1941 May 21) : By Leo Brady; directed by Walter Kerr
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Box
29
Folder
4
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Photographs
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My Heart's in the Highlands (1949 August 7) : By William Saroyan; directed by Walter Kerr
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Box
29
Folder
5
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Photographs
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She Stoops to Conquer (1940 November 6; 1941 July 16) : By Oliver Goldsmith; directed by Walter Kerr
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Box
29
Folder
6
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Photographs
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Storm (1940 December 11) : By Edith Mirick
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Box
29
Folder
7
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Photographs
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The Comedy of Errors (1941 January 15 and July 9) : By William Shakespeare; directed by Walter Kerr
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Box
29
Folder
8
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Correspondence, photographs
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God's Stage (1941 February 27) : By Walter Kerr; directed by Walter Kerr
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Box
29
Folder
9
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Correspondence, 1941-1946; photographs
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Volume
5
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Script
|
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Cook Book (1941 April 23) : By Leo Brady and Walter Kerr
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Box
29
Folder
10
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Correspondence, 1941; photographs
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Volume
5
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Script
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Hotel Universe (1941 August 4) : By Philip Barry; directed by Walter Kerr
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Box
29
Folder
11
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Photographs
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Jim Dandy (1941 October 29; 1942 July 15) : By William Saroyan; directed by Alan Schneider
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Box
29
Folder
12
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Photographs
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The Knight of the Burning Pestle (1941 December 10) : By Beaumont and Fletcher; directed by Walter Kerr
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Volume
12
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Script
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Box
29
Folder
13
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Photographs
|
|
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Brighton Rock (1942 February 4) : Adaptation from Graham Greene by Leo Brady and Walter Kerr
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Box
29
Folder
14
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Correspondence, 1942-1957; clippings, photographs
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Volume
7
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Script
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Athaliah (1942 March 17) : By Racine; directed by Alan Schneider
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Box
29
Volume
15
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Photographs
|
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Magic (1942 July 29) : By Gilbert K. Chesterton; directed by Walter Kerr
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Box
29
Folder
16
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Photographs
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Life Is a Dream (1942 December 9) : By Calderon; directed by Walter Kerr
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Box
29
Folder
17
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Photographs
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A New Way to Pay Old Debts (1943 February 24) : By Phillip Massinger; directed by Walter Kerr
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Box
29
Folder
18
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Photographs
|
|
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The King Is Dead (1943 March 31 and July 5) : By Victoria Kuhn, directed by Walter Kerr
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Box
30
Folder
1
|
Photographs
|
|
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Eddie the First (1943 May 5) : By Art Mullen and Denny Madden
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|
Box
30
Folder
2
|
Correspondence, 1941; photographs
|
|
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Stranger at the Gate (1943 July 22) : By Patricia Treadwell; directed by Walter Kerr
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Box
30
Folder
3
|
Correspondence, 1943-1946; photographs
|
|
|
Secret Service (1944 February 9) : By William Gillette; directed by Walter Kerr
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Box
30
Folder
4
|
Photographs
|
|
|
Tom Thumb the Great (1945 January 14) : By Henry Fielding; directed by Walter Kerr
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Box
30
Folder
5
|
Photographs
|
|
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Peer Gynt (1945 April 1) : By Ibsen; directed by Walter Kerr
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Box
30
Folder
6
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Photographs
|
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The Importance of Being Earnest (1945 August 5) : By Oscar Wilde; directed by Alan Schneider
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Box
30
Folder
7
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Photographs
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The Liar (1945 November 2) : Adaptation from Goldoni by Edward Eager and Alfred Drake; directed by Walter Kerr
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Box
30
Folder
8
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Photographs
|
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That's Where the Money Goes (1946 May 10) : By James Finley, Jean Kerr and Joan O'Bryne; directed by Alan Schneider
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Volume
19
|
Sketches by Jean Kerr
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Box
30
Folder
9
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Clippings, program, sketch
|
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Our Hearts Were Young and Gay (1946 July 22) : Adaptation from Cornelia Otis Skinner and Emily Kimbrough by Jean Kerr; directed by Walter Kerr
|
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Box
30
Folder
10
|
Correspondence, 1946-1966; clippings; playbill
|
|
Box
30
Folder
11
|
Photographs
|
|
Box
30
Folder
12
|
Contracts, financial information, 1946-1969
|
|
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The Ascent of F6 (1946 October 25) : By W.H. Auden and Christopher Isherwood; directed by Walter Kerr
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Box
30
Folder
13
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Correspondence, 1946; photographs
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|
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Much Ado About Nothing (1947 January 17; 1947 October) : By William Shakespeare; directed by Walter Kerr
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Volume
12
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Script
|
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Box
30
Folder
14
|
Photographs
|
|
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Alley Moon (1948 May 2) : By Walter Kerr; directed by Walter Kerr
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Volume
14
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Script
|
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Box
30
Folder
15
|
Photographs, copyright
|
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The Birds (1948 December 3) : Adaptation from Aristophanes by Walter Kerr; directed by Walter Kerr
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Box
31
Folder
1
|
Correspondence, 1948-1969
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|
Box
31
Folder
2
|
Photographs
|
|
Box
31
Folder
3
|
Contracts, financial information, 1952-1968
|
|
|
Musical score, See Recordings series
|
|
Box
31
Folder
4
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Miscellaneous Catholic University production photographs
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New York and Regional Productions, 1942-1964
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Count Me In (New York, 1942 October 8)
Producer: Shubert, Olsen and Johnson in association with Krakeur and Schmidlapp
Director: Robert Ross
Writer: Walter Kerr and Leo Brady
Music: Ann Ronell
Cast: Charles Butterworth, Luella Gear, June Preisser, Mary Healy, Hal Leroy
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|
Box
31
Folder
5
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Correspondence, 1942-1953
|
|
Volume
8
|
Script, 1942 August 7
|
|
Box
31
Folder
6
|
Photographs, Catholic University, 1942 May 10
|
|
Box
31
Folder
7
|
Playbill, notes
|
|
Box
31
Folder
8
|
Clippings
|
|
Box
31
Folder
9
|
Contracts; financial information, 1942-1944; box office statements
|
|
|
Stardust (Philadelphia, 1943 September 9)
Producer: Michael Myerberg
Director: Herb Polesie
Writer: Walter Kerr
Cast: Rose King, Gloria Hallward, George Ives, Susan Douglas, Chick Chandler
|
|
Box
31
Folder
10
|
Correspondence, 1940-1966; clippings; Catholic University poster
|
|
Volume
6
|
Original script as played at Catholic University; contains revisions for Philadelphia
|
|
Volume
6
|
Script
|
|
Box
31
Folder
11
|
Contracts, 1942-1946
|
|
Box
31
Folder
12
|
Photographs of Catholic University productions
|
|
Box
31
Folder
13
|
Financial statements, 1942-1962
|
|
|
Sing Out Sweet Land (New York, 1944 December 27)
Producer: Lawrence Langner and Theresa Helburn
Director: Walter Kerr
Writer: Walter Kerr
Music: Walter Kerr, with special music by Elie Siegmeister
Cast: Burl Ives, George Cassidy, Peggy Campbell, Ethel Mann, Charles Hart
|
|
Box
31
Folder
14
|
Correspondence, 1953-1968
|
|
Volume
9
|
Original script-as played at Catholic University
|
|
Volume
9
|
Script, 1944 October
|
|
Volume
9
|
Script material
|
|
Volume
9
|
Script, 1944 December
|
|
Volume
10
|
Musical score : See also Recordings series.
|
|
Box
32
Folder
1
|
Contracts, 1944-1953
|
|
Box
32
Folder
2
|
Photographs of Catholic University production
|
|
Box
32
Folder
3
|
Playbills, photographs
|
|
Box
32
Folder
4
|
Production notes and manuscript suggestions
|
|
Volume
19
|
Plan for television program
|
|
Box
32
Folder
5
|
Financial and legal information, 1944-1968
|
|
|
Lien under the Sky (1945) : By Jean Kerr (unproduced)
|
|
Volume
11
|
Script
|
|
|
The Song of Bernadette (New York, 1946 March 26)
Producer: Victor Payne-Jennings and Frank McCoy
Director: Walter Kerr
Script: Jean and Walter Kerr, adapted from the novel by Franz Werfel
Cast: Jean Mann, Elizabeth Ross, Pamela Rivers, Christina Soulias
|
|
Box
32
Folder
6
|
Correspondence, 1943-1966
|
|
Box
32
Folder
7
|
Photographs of Catholic University production
|
|
Box
32
Folder
8
|
Clippings, Boston poster, Commentary by Franz Werfel, tryout schedule
|
|
Box
32
Folder
9
|
Contract, financial statements, 1943-1969
|
|
|
All Gaul Is Divided (New York, 1947 October 19)
Producer: John F. Golden and John Michael Lambur
Director: Walter Kerr
Writer: John I. McGiver
Cast: Doris Dowling, William Terry, Hilda Vaughn, Edward Andrews
|
|
Volume
13
|
Script
|
|
Box
32
Folder
10
|
Photographs of Catholic University production, financial information, correspondence
|
|
|
Jenny Kissed Me (New York, 1948 December 23)
Producer: James Russo, Michael Ellis, Alexander Cohen, in association with Clarence Shapiro
Director: James Russo
Writer: Jean Kerr
Cast: Leo G. Carroll, Alan Baxter, Jean Jordan, Bonnie Alden, Francis Bavier
See also Recordings series.
|
|
Box
32
Folder
11
|
Correspondence, 1947-1956
|
|
Volume
15
|
Script as played at Catholic University
|
|
Volume
15
|
Script
|
|
Box
32
Folder
12
|
Contracts, 1948-1949
|
|
Box
32
Folder
13
|
Photographs of Catholic University production
|
|
Box
33
Folder
1
|
Clippings, programs
|
|
Box
33
Folder
2
|
Financial and legal information, 1948-1965
|
|
|
Touch and Go (New York, 1949 October 13)
Producer: George Abbott
Director: Walter Kerr
Writer: Jean and Walter Kerr
Music: Jay Gorney
Lyrics: Jean and Walter Kerr
Cast: Kyle MacDonnell, Peggy Cass, Louis Nye, Dorothy Scott, Jonathan Lucas
|
|
Box
33
Folder
3
|
Correspondence, 1949-1955
|
|
Volume
16
|
Script (titled Thank You, Just Looking) as played at Catholic University
|
|
Volume
16
|
Sketches and lyrics
|
|
Volume
16
|
Script and lyrics, 1949 September
|
|
Volume
16
|
Script, 1949 October; program; plots
|
|
Volume
16
|
Script fragments
|
|
Box
33
Folder
4
|
Sketch
|
|
Volume
17
|
Musical scores
|
|
Box
33
Folder
5
|
Musical scores and arrangements
|
|
Box
33
Folder
6
|
Contracts, 1949
|
|
Box
33
Folder
7
|
Photographs of Catholic University production
|
|
Box
33
Folder
8
|
Photographs of New York and London productions
|
|
Box
33
Folder
9
|
Clippings, programs
|
|
Box
33
Folder
10
|
Financial statements, 1949-1965
|
|
|
Happy Ending (1950) : By Jean and Walter Kerr (unproduced)
|
|
Volume
18
|
Script and lyrics
|
|
Box
33
Folder
11
|
Copyright form
|
|
|
John Murray Anderson's Almanac (New York, 1953 December 10)
Producer: Michael Grace, Stanley Gilkey, Harry Rigby
Director: John Murray Anderson
Writer: Jean Kerr, Summer Locke Elliot, Arthur Macrae, Herbert Farjeon, Lauri Wylie
Music: Michael Grace, Richard Adler, Jerry Ross, Cy Coleman, Joseph McCarthy, Henry Sullivan, John Rox and Bart Howard
Cast: Polly Bergen, Harry Belafonte, Orson Bean, James Jewell
|
|
Box
33
Folder
12
|
Correspondence, 1951-1954; clippings
|
|
Volume
19
|
Sketches by Jean Kerr
|
|
Box
33
Folder
13
|
Contracts, financial information, 1953-1954
|
|
|
King of Hearts (New York, 1954 April 1)
Producer: Elaine Perry
Director: Walter Kerr
Script: Jean Kerr and Eleanor Brooke
Cast: Donald Cook, Jackie Cooper, Rex Thompson, Hilda Haynes, Cloris Leachman
|
|
Box
33
Folder
14
|
Correspondence, 1954-1966; cast list
|
|
Volume
20
|
Script (titled Comic Strip)
|
|
Volume
21
|
Script, notes
|
|
Volume
21
|
Script, 1957
|
|
Volume
21
|
Three Scripts
|
|
Box
34
Folder
1
|
Contracts, 1951-1955
|
|
Box
34
Folder
2
|
Photographs
|
|
Box
34
Folder
3
|
Financial statements, 1951-1966
|
|
|
The Last Resorts (1956) : By Jean Kerr (unproduced)
|
|
Box
34
Folder
4
|
Correspondence, 1956-1957
|
|
Volume
22
|
Three Scripts
|
|
Box
34
Folder
5
|
Script
|
|
|
Goldilocks (New York, 1958 October 11)
Producer: Robert Whitehead
Director: Walter Kerr
Writer: Jean and Walter Kerr
Music: Leroy Anderson
Lyrics: Jean and Walter Kerr, Joan Ford
Cast: Don Ameche, Elaine Stritch, Russell Nype, Pat Stanley
|
|
Box
34
Folder
6
|
Correspondence, 1954-1968
|
|
Volume
23
|
Three Scripts
|
|
Volume
23
|
Script fragments
|
|
Volume
13
|
Notes, lyrics
|
|
Volume
23
|
Script, 1957 February 15
|
|
Box
34
Folder
7
|
Musical scores and arrangements : See also Recordings series.
|
|
Box
34
Folder
8
|
Contracts, 1954-1958
|
|
Box
34
Folder
9
|
Photographs
|
|
Box
34
Folder
10
|
Financial statements, 1954-1968
|
|
|
Mary, Mary (New York, 1961 March 8)
Producer: Roger L. Stevens in association with Lyn Austin and Victor Samrock
Director: Joseph Anthony
Writer: Jean Kerr
Cast: Barbara Bel Geddes, Barry Nelson, Michael Rennie
|
|
Box
35
Folder
1
|
Correspondence, 1960-1969
|
|
Volume
24
|
Script
|
|
Volume
24
|
Three Scripts, 1960
|
|
Volume
24
|
Notes, script fragments
|
|
Box
35
Folder
2
|
Script
|
|
Box
35
Folder
3
|
Script, 1963
|
|
Box
35
Folder
4
|
Proofs of Samuel French Acting Edition, 1963
|
|
Box
35
Folder
5
|
Script from Mexican production
|
|
|
Script, motion picture version, 1963 February 6
|
|
Box
35
Folder
7
|
Prop list
|
|
Box
35
Folder
8
|
Contracts, 1960-1962
|
|
Box
36
Folder
1
|
Photographs, New York production and motion pictures
|
|
Box
36
Folder
2
|
Programs and production posters
|
|
|
Financial and legal information
|
|
Box
36
Folder
3
|
1960-1961
|
|
Box
36
Folder
4
|
1962
|
|
Box
36
Folder
5
|
1963
|
|
Box
36
Folder
6
|
1964-1965
|
|
Box
36
Folder
7
|
1965-1967
|
|
Box
37
Folder
1
|
Financial statements, 1968-1969
|
|
|
Poor Richard (New York, 1964 December 2)
Producer: Stevens Productions Inc., in association with Lyn Austin and Victor Samrock
Director: Peter Wood
Writer: Jean Kerr
Cast: Alan Bates, Gene Hackman, Joan Alexander, Joanna Pettet, Colgate Salsbury
|
|
Box
37
Folder
2
|
Correspondence, 1963-1968
|
|
Box
37
Folder
3
|
Script
|
|
Box
37
Folder
4
|
Script fragments
|
|
Box
37
Folder
5
|
Script
|
|
Box
37
Folder
6
|
Script
|
|
Box
37
Folder
7
|
Script
|
|
Box
37
Folder
8
|
Script
|
|
Box
37
Folder
9
|
Script, 1964 October 3
|
|
Box
38
Folder
1
|
Script
|
|
Box
38
Folder
2
|
Script revisions
|
|
Box
38
Folder
3
|
Script
|
|
Box
38
Folder
4
|
Script (New York)
|
|
Box
38
Folder
5
|
Script (Boston)
|
|
Box
38
Folder
6
|
Script
|
|
Box
38
Folder
7
|
Script revisions
|
|
Box
38
Folder
8
|
Script, 1965
|
|
Box
38
Folder
9
|
Script
|
|
Box
39
Folder
1
|
Galley proofs, 1965
|
|
Box
39
Folder
2
|
Script, published copy, (1965)
|
|
Box
39
Folder
3
|
Two Scripts, published copies, (1965)
|
|
Box
39
Folder
4
|
Galley proofs
|
|
Box
39
Folder
5
|
Contracts, 1964-1965
|
|
Box
39
Folder
6
|
Photographs
|
|
Box
39
Folder
7
|
Notes
|
|
Box
39
Folder
8
|
Posters
|
|
Box
40
Folder
1
|
Financial statements, 1963-1969
|
|
|
Series: Criticism
|
|
|
Books
|
|
|
Staging the Great Plays , (1952) by Walter Kerr
|
|
Box
40
Folder
2
|
Correspondence, 1952; reader's report
|
|
Box
40
Folder
3
|
Chapters on Greek tragedy and Elizabethan drama
|
|
Volume
26
|
Outline, chapters on Greek tragedy and Elizabethan drama
|
|
|
How Not To Write a Play , (1955) by Walter Kerr
|
|
Box
40
Folder
4
|
Correspondence, 1953-1968
|
|
Volume
27
|
First draft
|
|
Volume
27
|
Revisions
|
|
Box
40
Folder
5
|
Review, publisher's report
|
|
Box
40
Folder
6
|
Arabic version
|
|
Box
40
Folder
7
|
Contracts, 1952-1955; financial statements, , 1953-1969
|
|
|
Criticism and Censorship , (1957) by Walter Kerr
|
|
Box
40
Folder
8
|
Correspondence, 1955-1963
|
|
|
Pieces at Eight , (1957) by Walter Kerr
|
|
Box
40
Folder
9
|
Correspondence, 1957-1968; publisher's report
|
|
Box
40
Folder
10
|
Contracts, financial information, 1955-1968
|
|
|
The Decline of Pleasure , (1962) by Walter Kerr
|
|
Box
41
Folder
1
|
Correspondence, 1959-1969
|
|
Volume
28
|
First draft
|
|
Volume
28
|
Revisions, notes, outline
|
|
Box
41
Folder
2
|
Revisions
|
|
Box
41
Folder
3-4
|
Second draft
|
|
Box
41
Folder
5
|
Third draft
|
|
Box
42
Folder
1-5
|
Third draft
|
|
Box
43
Folder
1-2
|
Final draft
|
|
Box
43
Folder
3
|
Reviews
|
|
Box
43
Folder
4
|
Contracts, 1959; financial statements, , 1961-1969
|
|
|
The Theater in Spite of Itself , (1963) by Walter Kerr
|
|
Box
43
Folder
5
|
Correspondence, 1963-1965
|
|
|
First draft
|
|
Box
43
Folder
6
|
Chapters 1-6
|
|
Box
43
Folder
7
|
Chapters 7-9
|
|
Box
43
Folder
8
|
Chapters 10-12
|
|
|
Second draft
|
|
Box
44
Folder
1
|
pp. 1-164
|
|
Box
44
Folder
2
|
pp. 165-377
|
|
Box
44
Folder
3
|
pp. 378-578
|
|
|
Third draft
|
|
Box
44
Folder
4
|
pp. 1-224
|
|
Box
44
Folder
5
|
pp. 225-413
|
|
Box
44
Folder
6
|
pp. 414-568
|
|
Box
45
Folder
1-3
|
Notes, revisions
|
|
Box
45
Folder
4
|
Rejected material
|
|
|
Final draft
|
|
Box
45
Folder
5
|
pp. 8-191
|
|
Box
46
Folder
1
|
pp. 192-423
|
|
Box
46
Folder
2
|
Final draft, revisions
|
|
Box
46
Folder
3-4
|
Galley proofs
|
|
Box
46
Folder
5
|
Review
|
|
|
Contract, 1961; financial information, , 1963-1969
|
|
|
New York, New York (1964) (includes essay by Walter Kerr)
|
|
Box
46
Folder
7
|
Correspondence and contract, 1964; draft; financial information, , 1964-1967
|
|
|
Five World Plays , (1964) (foreward and afterword by Walter Kerr)
|
|
Box
46
Folder
8
|
Correspondence, 1962-1964
|
|
Box
46
Folder
9
|
First drafts, revisions, notes
|
|
Box
47
Folder
1
|
Revisions
|
|
Box
47
Folder
2
|
Final drafts, outline
|
|
Box
47
Folder
3
|
Galley proofs
|
|
Box
47
Folder
4
|
Study guides
|
|
Box
47
Folder
5
|
Contracts, financial information, 1962-1968
|
|
|
Tragedy and Comedy , (1967) by Walter Kerr
|
|
Box
47
Folder
6
|
Correspondence, 1966-1969
|
|
Box
47
Folder
7-8
|
Notes
|
|
Box
48
Folder
1-2
|
Notes
|
|
|
First draft, revisions
|
|
Box
48
Folder
3
|
pp. 1-166
|
|
Box
48
Folder
4
|
pp. 167-340
|
|
Box
48
Folder
5
|
pp. 341-372
|
|
Box
48
Folder
6
|
Notes
|
|
Box
49
Folder
1-4
|
Notes
|
|
|
Second draft
|
|
Box
49
Folder
5
|
Chapters 3 and 4
|
|
Box
50
Folder
1
|
Chapter 13
|
|
|
Final draft
|
|
Box
50
Folder
2
|
pp. 1-194
|
|
Box
50
Folder
3
|
pp. 195-419
|
|
Box
50
Folder
4
|
pp. 1w-174w
|
|
Box
50
Folder
5
|
pp. 174aw-393w
|
|
Box
51
Folder
1
|
Sidney Kingsley's notes
|
|
Box
51
Folder
2
|
Financial statements and contracts, 1963-1969
|
|
|
Harold Pinter , (1967) (a pamphlet by Walter Kerr for Columbia University Press)
|
|
Box
51
Folder
3
|
Correspondence, financial statements and contracts, 1965-1969
|
|
Box
51
Folder
4
|
First draft
|
|
Box
51
Folder
5
|
Revisions, notes, clippings, research material
|
|
Box
51
Folder
6-7
|
Final draft
|
|
Box
51
Folder
8
|
Galley proofs
|
|
Box
51
Folder
9
|
Copy for Horizon magazine
|
|
Box
51
Folder
10
|
Final draft for Horizon magazine
|
|
|
Atlantic Brief Lives -A Biographical Companion to the Arts , (1968 edition) (essay on Euripides by Walter Kerr)
|
|
Box
51
Folder
11
|
Contract, 1967; first draft; final draft; essay on Aristophanes by Dudley Fitts
|
|
|
Thirty Plays Hath November , (1969) by Walter Kerr
|
|
Box
51
Folder
12
|
Correspondence, 1968-1969; financial statements, , 1969
|
|
Box
51
Folder
13-14
|
Reviews considered for book
|
|
Box
52
Folder
1-3
|
Reviews considered for book (continued)
|
|
Box
52
Folder
4-7
|
Notes
|
|
Box
53
Folder
1
|
Revisions
|
|
|
First draft
|
|
Box
53
Folder
2
|
Sections 1 and 2, “Film and Stage” and “The Vanishing Text”
|
|
Box
53
Folder
3
|
Section 3, “Boredom, Freedom and Fear”
|
|
Box
53
Folder
4
|
Section 4, “Albee, Miller, Williams”
|
|
Box
53
Folder
5
|
Section 5, “Courage and Vexation”
|
|
Box
53
Folder
6
|
Section 6, “Some Identity Crises”
|
|
Box
53
Folder
7
|
Section 7, “Emotion in Our Time”
|
|
Box
53
Folder
8
|
Section 8, “In the Name of Laughter”
|
|
Box
53
Folder
9
|
Section 9, “Chekhov and Others”
|
|
Box
53
Folder
10
|
Section 10, “Shylock”
|
|
Box
53
Folder
11
|
Section 11, “Are the Stars out Tonight”
|
|
Box
53
Folder
12
|
Section 12, “The Negro Actor”
|
|
Box
53
Folder
13
|
Section 13, “Indelibles”
|
|
Box
53
Folder
14
|
Section 14, “The Plot Against Musicals”
|
|
Box
53
Folder
15
|
Section 15, “Reviewing”
|
|
Box
53
Folder
16
|
Section 16, “A Few Favorites, Successful or Not”
|
|
Box
53
Folder
17
|
Section 17, “Free Advice”
|
|
Box
53
Folder
18
|
Section 18, “Repertory in Labor”
|
|
Box
53
Folder
19
|
Section 19, “Practical Matters”
|
|
Box
53
Folder
20
|
Section 20, “How to be an Audience”
|
|
Box
53
Folder
21
|
Section 21, “Nostalgia”
|
|
|
First draft
|
|
Box
53
Folder
22
|
pp. 1-224
|
|
Box
54
Folder
1
|
pp. 225-424 (not complete)
|
|
Box
54
Folder
2
|
pp. 425-672
|
|
|
Draft
|
|
Box
54
Folder
3
|
pp. 1-247
|
|
Box
54
Folder
4
|
pp. 248-511
|
|
Box
54
Folder
5
|
pp. 512-672
|
|
Box
54
Folder
6
|
Notes, revisions
|
|
Box
55
Folder
1
|
Add copy
|
|
Box
55
Folder
2
|
Revisions
|
|
|
Final draft
|
|
Box
55
Folder
3
|
pp. 1-184
|
|
Box
55
Folder
4
|
pp. 202-400
|
|
Box
55
Folder
5
|
pp. 401-546
|
|
|
Ten Best Plays of 1968-1969 , (1969) (Introduction by Walter Kerr)
|
|
Box
55
Folder
6
|
Notes, first and second drafts
|
|
|
The Theatre World of Reginald Marsh-Drawings (1969 April, New York art exhibition) : Introduction to the catalog by Walter Kerr.
|
|
Box
55
Folder
7
|
Notes, first and final drafts, catalog
|
|
|
Articles
|
|
Box
55
Folder
8
|
Articles by Walter Kerr, 1949, 1962-1966 : The National Theatre Conference, Horizon, House and Garden, The American Review, Newman Quarterly, Life, Harper's, “Alec Guiness as Dylan Thomas,” and articles for Harold Clurman
|
|
Box
56
Folder
1
|
Articles by Walter Kerr, undated : Essays on Hamlet, Comedy, Shylock, theater construction, scenery, church art, and the stage
|
|
Box
56
Folder
2
|
Articles specified for certain periodicals, undated : McCall's, Theatre II, Saturday Review, British Theatre Encyclopedia
|
|
Box
56
Folder
3
|
Articles for Walter Kerr, untitled and undated
|
|
Box
56
Folder
4
|
Notes for “World Theatre”
|
|
Volume
1
|
Articles
|
|
Volume
5
|
Articles
|
|
|
Book Reviews
|
|
Box
56
Folder
5
|
Drafts for reviews of Keaton by Rudi Blesh (1966) and Kiss Kiss Bang Bang by Pauline Kael , (1968); shorter reviews for Commonweal, Christmas books , (1965)
|
|
Box
56
Folder
6
|
Walter Kerr's movie sound track notes
|
|
|
Newspaper and Journal Reviews
|
|
Box
56
Folder
7
|
Opening night notes on plays reviewed by Walter Kerr for the New York Herald Tribune and the New York Times
|
|
Box
56
Folder
8-10
|
Opening night notes
|
|
Box
57
Folder
1
|
Opening night notes (continued)
|
|
Volume
29
|
Play and book reviews by Walter Kerr that appeared in Commonweal, 1950-1952
|
|
|
New York Herald Tribune, 1951-1966 : Play reviews and theater criticism written by Walter Kerr.
|
|
Box
57
Folder
2
|
1951-1952
|
|
Volume
30
|
1951-1954
|
|
Box
57
Folder
3-6
|
1953-1956
|
|
Box
58
Folder
1-5
|
1957-1961
|
|
Box
59
Folder
1-5
|
1962-1963 October
|
|
Box
60
Folder
1-5
|
1963 October-1964 October
|
|
Box
61
Folder
1-4
|
1964 November-1965
|
|
Box
62
Folder
1
|
1966 January-April
|
|
Box
62
Folder
2
|
Not used, but intended for the New York Herald Tribune
|
|
|
New York Times, 1966-1969 : Play reviews and theater criticism written by Walter Kerr.
|
|
Box
62
Folder
3-6
|
1966 September-1967
|
|
Box
63
Folder
1-5
|
1968-1969 June
|
|
Box
64
Folder
1
|
1969 July-October
|
|
Box
64
Folder
2
|
Not used, but intended for the New York Times
|
|
|
Television Reviews
|
|
Box
64
Folder
3-4
|
CBS News, 1962 December-1963 March : See also the Recordings series for a CBS review of Too Good to Be True
|
|
|
Columnists on the Air
|
|
Box
64
Folder
5
|
Correspondence, contracts, play reviews and theater criticism, 1963 June-1965 April
|
|
|
Radio Reviews
|
|
Box
64
Folder
6
|
WQXR Radio Broadcasts, 1966 November-1969 October
|
|
|
Series: Lectures
|
|
|
Lectures given by Walter Kerr as a professor at Catholic University
|
|
Box
64
Folder
7
|
Lecture notes on comedy
|
|
Box
65
Folder
1
|
Lecture notes on directing
|
|
Box
65
Folder
2
|
Lecture notes, clippings on theory of drama
|
|
Box
65
Folder
4
|
Lecture notes, clippings on playwriting
|
|
Box
65
Folder
4
|
Lecture notes on tragedy
|
|
Box
65
Folder
5
|
Miscellaneous lecture notes
|
|
Box
65
Folder
6
|
Lectures at Northwestern University, Harvard, Hill School, Columbia University, ACPS, New York University, Harvard-Radcliffe Catholic Club, 1961-1966
|
|
|
Salzburg Seminar in American Studies
|
|
Box
65
Folder
7
|
Correspondence, notes, financial and miscellaneous information, 1966
|
|
Box
65
Folder
8
|
Lectures given at Harvard, Book and Author Luncheon on Tragedy and Comedy, Providence College, Pittsburgh, St. Louis, Milwaukee, and Detroit, 1967-1969
|
|
Box
66
Folder
1-2
|
Miscellaneous lecture notes on theater, undated
|
|
Box
66
Folder
3-5, 7
|
Research file
|
|
Box
66
Folder
6
|
List of plays produced in New York, 1900-1924
|
|
|
Series: Television
|
|
|
The Dow Hour of Great Mysteries, 1960 March-May : Producer: Robert Saudek Associates Inc.
|
|
Box
67
Folder
4
|
Correspondence, contracts, 1960 January-April
|
|
|
“The Bat,” 1960 March 31 : By Mary Roberts Rinehart and Avery Hopwood; adapted by Walter Kerr
|
|
Volume
33
|
Script, 1960 March 17
|
|
|
“The Datchet Diamonds,” 1960 June : By Richard Marsh; adapted by Walter Kerr
|
|
Volume
33
|
Script
|
|
Volume
33
|
Script, 1960 May 31
|
|
Volume
33
|
Script, 1960 June 21
|
|
|
Esso Repertory Theatre : With Walter Kerr as host of program
|
|
Box
67
Folder
5
|
Correspondence, 1964-1965, program plans, notes and drafts of Walter Kerr's scripts
|
|
Box
67
Folder
6
|
Background information on playwrights, and repertory theaters considered for the program
|
|
|
Omnibus
|
|
Box
67
Folder
7
|
Walter Kerr's discussion on Hamlet (1955 January 30), Correspondence, , 1955 January-May
|
|
|
“Oedipus the King (Rex),” 1957 January 6
Director: Alan Schneider
Writer: Sophocles, translated by Dudley Fitts and Robert Fitzgerald; adapted by Walter Kerr
Cast: Christopher Plummer, Carl Goodner, Robert Goodier, Ronald Davis
|
|
Box
67
Folder
8
|
Correspondence, contract, 1956-1959
|
|
Volume
31
|
Script, 1956 February 20
|
|
|
“The Boyhood of Will Shakespeare,” 1957 February 24 : By Alfred Harbage; adapted by Walter Kerr
|
|
Box
67
Folder
9
|
Correspondence, 1957
|
|
Volume
31
|
Script, 1957 February 19
|
|
|
“The Theatre Breaks Loose,” 1957 March 3 : Written and narrated by Walter Kerr
|
|
Box
67
Folder
10
|
Correspondence, contract, 1956-1965
|
|
Volume
31
|
Script, 1957 February 25
|
|
|
“School for Wives,” 1957 : By Moliere; adapted by Walter Kerr
|
|
Box
67
Folder
11
|
Correspondence, contracts, 1958-1959
|
|
Volume
31
|
Script
|
|
Volume
13
|
Script
|
|
|
“Mrs. McThing,” 1958 March 9 : By Mary Chase; adapted by Walter Kerr
|
|
Volume
32
|
Script
|
|
|
“Lady's Not for Burning,” 1958 April 6 : By Christopher Fry; adapted by Walter Kerr
|
|
Volume
32
|
Script
|
|
|
“The Oresteia,” 1959 January 4 : By Aeschylus; adapted by Leo Brady
|
|
Volume
32
|
Script
|
|
|
“Forty-Five Minutes from Broadway,” 1959 March
By George M. Cohan; adapted by Walter Kerr
See also the Photographs in Box 72.
|
|
Volume
33
|
Script, notes
|
|
Volume
33
|
Script
|
|
Volume
32
|
Script
|
|
|
“The Strange Ordeal of the Normandier,” 1959 April 12 : By H.L. Tredree; adapted by Walter Kerr
|
|
Volume
32
|
Script
|
|
|
“Roughing It,” 1960 April 19 : By Mark Twain; adapted by Walter Kerr
|
|
Volume
33
|
Script
|
|
|
The Open Mind
|
|
|
“The State of Culture in the United States Today,” 1962 April 29
Narrator: Eric F. Goldman
Guests: August Heckschen, Walter Kerr, Alfred A. Knopf, and David Susskind
|
|
Box
67
Folder
12
|
Correspondence, 1962-1964; script
|
|
|
“Critics and the Theater,” 1963 May 19
Narrator: Eric F. Goldman
Guests: Lillian Hellman, Walter Kerr, David Merrick, and Richard Watts, Jr.
|
|
Box
67
Folder
13
|
Correspondence, 1963; script
|
|
|
Profiles in Courage
|
|
Box
68
Folder
1
|
Correspondence, 1963-1969
|
|
|
“George W. Norris-I Have Come Home to Tell You the Truth,” 1963 September : Adapted by Leo Lieberman
|
|
Box
68
Folder
2
|
Script, 1963
|
|
Box
68
Folder
2
|
Script, 1963 August 1
|
|
Box
68
Folder
2
|
Script, 1963 September 3
|
|
|
“The Ben Lindsey Story,” 1963 September 20 : Adapted by John Kneubuhl
|
|
Box
68
Folder
2
|
Script, 1963 September 20
|
|
|
“Thomas Hart Benton,” 1963 August 19 : Adapted by A.J. Russell
|
|
Box
68
Folder
2
|
Script, 1963 August 19
|
|
|
“Oscar W. Underwood-Dark Horse, White Cross,” 1963 August 27 : Adapted by David Karp
|
|
Box
68
Folder
2
|
Script synopsis, 1963 August 27
|
|
Box
68
Folder
2
|
Script, 1963 December 6
|
|
|
“Ann Hutchinson,” 1964 : By Jonathan Miller
|
|
Box
68
Folder
3
|
Script, 1964 June 1
|
|
Box
68
Folder
3
|
Two Scripts
|
|
Box
68
Folder
4
|
Robert Saudek Associates Inc. miscellaneous scripts; program plans; notes; outlines for program on Lincoln Center Theater and for film on Lincoln Repertory Company, 1962, December 28
|
|
Box
68
Folder
5
|
Financial reports, 1957-1965
|
|
|
Trio No. 9, 1962
Producer: Martin Levin
Guests: Walter Kerr, Richard Lemon and Harold C. Schonberg
|
|
Box
68
Folder
6
|
Correspondence, contracts, scripts (“A Matter of Taste”)
|
|
|
Miscellaneous Television Scripts
|
|
Volume
19
|
“Miss Platt Selects Mate” based on Touch and Go by Walter and Jean Kerr
|
|
Volume
19
|
“Sing Out Sweet Land,,” plan for a television program based on Walter Kerr's play
|
|
Volume
19
|
“The Long Way Home”
|
|
Volume
19
|
“The Artful Dodger”
|
|
Volume
19
|
Untitled television script
|
|
|
“The Good Fairy,” 1956 : By Ferenc Molnar; adapted by Jean Kerr
|
|
Box
68
Folder
7
|
Script
|
|
Volume
31
|
Script
|
|
Volume
32
|
“Family Relationships”
|
|
Volume
33
|
Ideas for television series by Jean and Walter Kerr
|
|
Box
68
Folder
8
|
Miscellaneous television and radio contracts
|
|
|
Series: Jean Kerr: Books and Articles
|
|
|
Please Don't Eat the Daisies (1957) : See also Recordings series
|
|
Box
68
Folder
9
|
Correspondence, 1957-1969
|
|
Box
68
Folder
10
|
Financial and legal information, 1957-1968
|
|
|
The Snake Has All the Lines (1960)
|
|
Box
69
Folder
1
|
Correspondence, financial and legal information
|
|
Box
69
Folder
2
|
Drafts of articles used in the book
|
|
Box
69
Folder
3
|
Printer's draft
|
|
Box
69
Folder
4
|
Galley proofs
|
|
Box
69
Folder
5
|
Contracts, financial information, 1960-1962
|
|
|
Penny Candy (1970)
|
|
Box
69
Folder
6
|
Drafts of articles used in book
|
|
Volume
19
|
Miscellaneous Articles
|
|
Box
69
Folder
7
|
“Our Neo-Gingerbread House” (1955), “What Makes Me Laugh” , (1960), “Actors Anonymous,” “Milder, Much Milder,” and fragments
|
|
|
Series: Miscellany
|
|
|
The Merchant of Venice : By William Shakespeare, as produced by David Belasco (New York, 1922 December 21)
|
|
Box
70
Folder
1
|
Souvenir Booklet
|
|
|
Notes and Counter Notes (1964) : By Eugene Ionesco; translated by Donald Watson
|
|
Box
70
Folder
2
|
Galley proofs
|
|
|
Nobovich Directs
|
|
Box
70
Folder
3
|
Script, correspondence, 1966
|
|
|
Prometheus Bound (1967) : By Robert Lowell; derived from Aeschylus
|
|
Box
70
Folder
4
|
Two scripts
|
|
|
Saint-Watching (1969) : By Phyllis McGinley
|
|
Box
70
Folder
5
|
Proofs, correspondence
|
|
|
Notes on a Cowardly Lion (1969) : By John Lahr
|
|
Box
70
Folder
6
|
Proofs, notes
|
|
Box
70
Folder
7
|
Motion Picture magazine, 1927 July; 1928 September
|
|
|
St. George High School, Evanston, Illinois
|
|
Volume
54
|
“St. George News,” 1927-1929
|
|
Volume
55
|
“The Georgian,” 1929-1931
|
|
Box
70
Folder
8
|
“The Dragon,” 1931
|
|
Volume
57
|
“The Dragon,” 1931
|
|
Box
70
Folder
9
|
“The Souvenir Dragon,” 1933
|
|
|
Marywood College
|
|
Box
70
Folder
10
|
“The Tourmaline,” 1943
|
|
|
Northwestern University
|
|
Volume
56
|
“Alumni News”
|
|
Volume
56
|
“University Information”
|
|
Volume
56
|
“Purple Parrot”
|
|
Volume
58-59
|
“Syllabus”; Yearbooks, 1937-1938
|
|
|
Scrapbooks, 1927-1963
|
|
Volume
34
|
1927-1929
|
|
Volume
35
|
1929-1930
|
|
Volume
36
|
1930-1932
|
|
Volume
37
|
1932-1934
|
|
Volume
38
|
1934
|
|
Volume
39
|
1935-1936
|
|
Volume
40
|
1936-1937
|
|
Volume
41
|
1937-1938
|
|
Volume
42
|
1938-1941
|
|
Volume
43
|
1941-1943
|
|
Volume
44
|
1943-1945
|
|
Volume
45
|
1945-1946
|
|
Volume
46
|
1946-1948
|
|
Volume
47
|
1948-1950
|
|
Volume
48
|
1950-1953
|
|
Volume
49
|
1953-1955
|
|
Volume
50
|
1955-1958
|
|
Volume
51
|
1957-1958
|
|
Volume
52
|
1957-1962
|
|
Volume
53
|
1962-1963
|
|
Box
71
|
Scrapbook, film and theater playbills
|
|
Box
72
|
Photographs : Kerr family; No More Peace (Northwestern University); Forty-Five Minutes from Broadway
|
|
|
Group Theater: stenographic recording of private sessions with the Group, 1939
|
|
Box
67
Folder
1
|
1939 July 15-26
|
|
Box
67
Folder
2
|
1939 August 1-September 1
|
|
Box
67
Folder
3
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Interviews, 1961-1968Walter Kerr: Stage and Screen interview by Donald McDonald, 1962; Center for the Study of Democratic Institutions interview, 1962; Playboy, 1965; Time Jean Kerr: Time, 1961 April 14; interview by Dramatist's Guild, 1968 April : See also Recordings series
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Series: Recordings
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505A/1
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The Birds: score
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505A/2-6
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Goldilocks
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505A/7
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Jenny Kissed Me, performance at the Pasadena Playhouse, 1956 January 17
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505A/8
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Jenny Kissed Me, performance at the Pleasant Run Playhouse, St. Charles, Illinois, 1965 July 17
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505A/9
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Too Good to Be True, interview regarding play, 1963 March 12
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505A/10
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Please Don't Eat the Daisies, Pieces at Eight, Goldilocks, discussion and Kerr interview
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505A/11
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Poor Richard, discussion with P.L. Hayes and Mary H.
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505A/12
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Thirty Plays Hath November, interview with Kerr
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505A/13
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Night Call, discussion with Judith Crist
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505A/14
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Tragedy and Comedy, interview with Leonard Probst
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505A/15
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The Subject Is Theater, Academy Workshop of the ANTA Theatre by Kerr
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505A/16
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Sing Out, “Sweet Land,” 1972 April 3
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Disc 505A/17-20
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Sing Out Sweet Land : Formerly Disc 108A/1-4.
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Disc 505A/21-22
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Goldilocks : Formerly Disc 108A/5-6.
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Disc 505A/23
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Please Don't Eat the Daisies : Formerly Disc 108A/7.
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Disc 505A/24-26
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Weekday, interview with Jean Kerr, 1956 January 28 : Formerly Disc 108A/8-10.
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Disc 505A/27
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“Old Man River,” “Danny Boy,” by Tom Collins : Formerly Disc 108A/11.
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Disc 505A/28
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“Old Man River,” “Danny Boy,” “I Dreamed of Jeanie”: Irish folk songs, by Tom Collins : Formerly Disc 108A/12.
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Disc 505A/29-32
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Piano solos : Formerly Disc 108A/13-16.
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