Container
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Title
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Series: Russel Crouse's Works
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Books
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Alexander Hamilton and Aaron Burr: Their Lives, Their Times, Their Duel : NY: Random House, 1958
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Box
1
Folder
1
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Manuscript draft, ca. 1958.
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Box
1
Folder
2
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Book, by Anna Erskine Crouse and Russel Crouse, 1958.
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The American Keepsake : Garden City, NY: Doubleday, Doran & Co., 1932
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Box
1
Folder
3
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Book, by Russel Crouse, 1932.
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G.I. Prize-Winning Blackouts : Special Services Division, A.S.F., 1944
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Box
1
Folder
4
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Paperback book, foreward by Russel Crouse, 1944.
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It Seems Like Yesterday : Garden City, NY: Doubleday, Doran & Co., 1931
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Box
1
Folder
5
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Book, by Russel Crouse, 1931.
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Mr. Currier and Mr. Ives: A Note on Their Lives and Times : Garden City, NY: Garden City Publishing, 1930
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Box
2
Folder
1
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Book, by Russel Crouse, 1930.
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Box
2
Folder
2
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Reviews, 1930.
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Murder Won't Out : Garden City, NY: Doubleday, Doran & Co., 1932
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Box
2
Folder
3
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Book, by Russel Crouse, 1932.
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Peter Stuyvesant of Old New York : NY: Random House, 1954
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Box
2
Folder
4
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Book, by Anna and Russel Crouse, 1954.
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Box
2
Folder
5
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Magazine articles and accompanying notes, ca. 1920-1961.
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Newspaper Columns
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Box
3
Folder
1
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Scrapbook of miscellaneous clippings, including a Ruth Law letter, ca. 1918-1920.
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Box
3
Folder
2
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Scrapbook of “Left at the Post” columns (New York Evening Post), 1926-1927.
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Theatrical Works
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The Gang's All Here : NY: Imperial, 23 February 1931
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Box
4
Folder
1
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Synopsis, Act I, ca. 1931.
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Box
4
Folder
1
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Script, Act I, ca. 1931.
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Box
4
Folder
2
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Music and Playbill, 1931.
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Gentlemen of the Press : NY: Henry Miller, 27 August 1928
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Box
4
Folder
3
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Clippings and Miscellany, 1928.
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Hold Your Horses : NY: Winter Garden, 25 September 1933
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Box
4
Folder
4
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Program and playbill, ca. 1933.
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Box
4
Folder
5
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Script, “It Seems Like Yesterday,” n.d.
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Box
4
Folder
5
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Script, “Hunky Dory,” by Russel Crouse and Cory Ford, annotated, n.d.
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“Much Ado About Nothing” (unproduced)
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Box
4
Folder
6
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Synopsis, n.d.
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Motion Pictures
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Mountain Music : Paramount, 1937
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Box
4
Folder
7
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Script, by Russel Crouse, 15 Febraury 1937.
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Box
4
Folder
8
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Awards and Honors, 1955, 1960.
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Series: Howard Lindsay's Works
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Theatrical Works
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“Friends of My Youth” (unproduced)
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Box
4
Folder
9
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Unfinished scenario, by Howard Lindsay, ca. 1934.
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Oh, Promise Me : NY: Morosco, 24 November 1930
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Box
4
Folder
10
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Script, Act I, and revisions, by Howard Lindsay and Bertram Robinson, 1930.
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A Slight Case of Murder : NY: 48th St. Theatre, 11 September 1935
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Box
4
Folder
11
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Rehearsal script, by Damon Runyon and Howard Lindsay, annotated, 1935.
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Box
4
Folder
12
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Clippings, 1935.
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Tommy : NY: Gaity, 10 January 1927
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Box
4
Folder
13
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Script, Act I, “A Boy and a Girl,” by Howard Lindsay and Bert Robinson, ca. 1926.
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What We Want Most : Orpheum Circuit, 1920-21 season
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Box
4
Folder
14
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Script, by Howard Lindsay, 1919.
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“Who Sups with the Devil” (Unproduced)
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Box
4
Folder
15
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Script, by Howard Lindsay and Hulburt Footner, 1938.
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“A Woman Like That” (Unproduced)
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Box
5
Folder
1
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Script, Acts II and III, by Howard Lindsay, 1925.
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Box
5
Folder
2
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Unfinished script, Act I, by S. K. Lauren and Howard Lindsay, n.d.
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Other writings
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Box
5
Folder
3
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Autobiographical sketch, “An Examination of My Childhood,” by Howard Lindsay, n.d.
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Box
5
Folder
4
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Essays, by Howard Lindsay, n.d.
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Box
5
Folder
5
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Miscellaneous writings, 1949, 1955, 1957, 1967.
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Box
5
Folder
6
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Opinions of various plays, including correspondence, by Howard Lindsay, 1917, 1947-1961.
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Box
5
Folder
7
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Short Story, “A Stage Director Is Engaged,” by Howard Lindsay, ca. 1925.
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Box
5
Folder
8
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Verses, by Howard Lindsay, 1909-1910.
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Box
5
Folder
9
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Correspondence and Miscellany, 1919-1954, n.d.
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Notes
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Box
5
Folder
10
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Made during association with Margaret Anglin, 1913-1918.
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For textbook on theatre
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Box
5
Folder
11
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General, ca. 1930's.
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Box
5
Folder
12
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On acting, ca. 1930's.
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Box
6
Folder
1
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On directing, ca. 1930's.
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Box
6
Folder
2
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On playwrighting, ca. 1930's.
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Box
6
Folder
3
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Speeches, including notes and addresses, 1911, 1942-1955, n.d.
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Box
6
Folder
4
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Tributes and Memorials, 1960-1968.
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Series: Lindsay-Crouse Collaborative Works
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Theatre
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Anything Goes : NY: Alvin, 21 November 1934
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Box
6
Folder
5
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Miscellany, 1934-1935, 1954.
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Box
6
Folder
6
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Scenario, by Guy Bolton, 1934.
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Box
6
Folder
7
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Script, by Guy Bolton and P. G. Wodehouse, revised by Lindsay and Crouse, 1934.
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“Anything Goes” (Unproduced revival)
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Box
6
Folder
8
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Script, by Lindsay and Crouse, based on a play by Guy Bolton and P. G. Wodehouse, 26 March 1953.
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Arsenic and Old Lace : NY: Fulton, 10 January 1941
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Box
7
Folder
1
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Contracts, 1939-1943.
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Box
7
Folder
2
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Correspondence with investors, 1941-1945, 1954.
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Box
7
Folder
3
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Miscellany, ca. 1941-1946.
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Box
7
Folder
4
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Script history note, 1961.
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Box
7
Folder
4
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Script, “Bodies in Our Cellar,” by Joseph Kesselring, 1940.
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Box
7
Folder
5
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Second Draft, by Joseph Kesselring, n.d.
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Box
7
Folder
6
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Script, by Joseph Kesselring, annotated, and accompanied by costume, light, and property plots, 1941.
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Call Me Madam : NY: Imperial, 12 October 1950
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Box
8
Folder
1
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Clippings and reviews, 1950.
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Box
8
Folder
2
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Correspondence, [1949?]-1956.
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Box
8
Folder
3
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Playbills and miscellany, ca. 1950-1956.
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Box
8
Folder
4
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Very early script, by Irving Berlin, Howard Lindsay, and Russel Crouse, n.d.
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Box
8
Folder
5
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Revisions, ca. 1950-1952.
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Box
8
Folder
6
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Rehearsal script, by Irving Berlin, Howard Lindsay, and Russel Crouse, annotated, 14 August 1950.
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Box
8
Folder
7
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Final script, book by Lindsay and Crouse, music and lyrics by Irving Berlin, 1950.
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Detective Story : NY: Hudson, 23 March 1949
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Box
8
Folder
8
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Script, by Sidney Kingsley, 1949.
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The Great Sebastians : NY: ANTA, 4 January 1956
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Box
8
Folder
9
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Casting: interview schedules and correspondence, 1955-1956.
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Box
8
Folder
10
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Clippings and Miscellany, 1955-1956.
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Box
8
Folder
11
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Correspondence, 1953-1957.
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Box
8
Folder
12
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Suggestions by the Lunts, ca. 1956.
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Box
8
Folder
13
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First draft, Act I, “The Great Zandeks,” annotated, n.d.
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Box
8
Folder
14
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Second draft, Acts I and II, annotated, n.d.
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Box
9
Folder
1-2
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Script notes and discarded pages, ca. 1955.
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Box
9
Folder
3
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Third draft, by Lindsay and Crouse, annotated, n.d.
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Box
9
Folder
4
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Script, by Lindsay and Crouse, annotated, n.d.
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Box
9
Folder
5
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Script, by Lindsay and Crouse, annotated, n.d.
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Box
9
Folder
6
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Script, by Lindsay and Crouse, n.d.
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“Greek to You“ (Unproduced)
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Box
9
Folder
7
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4 script outlines commissioned by Vinton Freedley, book by Lindsay and Crouse, 1932.
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Happy Hunting : NY: Majestic, 6 December 1956
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Box
9
Folder
8
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Miscellany, 1956.
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Box
9
Folder
9
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Script, revised version, n.d.
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Box
9
Folder
10
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Script, 7 August 1956.
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Box
10
Folder
1
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Script, annotated, n.d.
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Box
10
Folder
2
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Script, book by Lindsay and Crouse, annotated, n.d.
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Box
10
Folder
3
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Script, book by Lindsay and Crouse, annotated, n.d.
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Box
10
Folder
4
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Director's script, book by Lindsay and Crouse, annotated by Abe Burrows [?], n.d.
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The Hasty Heart : NY: Hudson, 3 January 1945
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Box
10
Folder
5
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Contracts, 1944.
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Box
10
Folder
6
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Script, by John Patrick, 1945.
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Hooray for What? : NY: Winter Garden, 1 December 1937
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Box
10
Folder
7
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Clippings and telegrams, 1937.
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Box
10
Folder
8
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Script, annotated, n.d.
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Box
10
Folder
8
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Script, book by Lindsay and Crouse, April 1938.
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Life with Father : NY: Empire, 8 November 1939
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Box
11
Folder
1
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Clippings, 1927-1956.
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Box
11
Folder
2
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Contracts, 1939, 1947.
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Box
11
Folder
3
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Correspondence, 1939-1954.
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Box
11
Folder
4
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Miscellany, 1943-1947, n.d.
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Box
11
Folder
5
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Playbills, 1939-1941, 1980
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Box
11
Folder
6
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Souvenir book for New York and Chicago productions, ca. 1940.
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Box
11
Folder
7
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4 Synopses, n.d.
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Box
11
Folder
7
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Script fragment, n.d.
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Box
11
Folder
7
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Notes, n.d.
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Box
11
Folder
8
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Script, by Lindsay and Crouse, 1939.
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Life with Mother : NY: Empire, 20 October 1948
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Box
11
Folder
9
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Contracts, correspondence, and miscellany, 1948-1952.
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Box
11
Folder
10
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Notes as suggestion for play, made by Howard Lindsay during Life with Father, ca. 1945.
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Box
11
Folder
11
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Scenario, ca. 1948.
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Box
11
Folder
12
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Working notes, ca. 1948.
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Box
12
Folder
1
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Original script, annotated, n.d.
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Box
12
Folder
2
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Early script, by Lindsay and Crouse, n.d.
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Box
12
Folder
3
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Later draft pages, annotated, n.d.
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Box
12
Folder
4
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Script, by Lindsay and Crouse, n.d.
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Box
12
Folder
5
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Script, by Lindsay and Crouse, prepared for publication, annotated, n.d.
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Box
12
Folder
6
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Dorothy Stickney's rehearsal script with her own corrections, annotated, by Lindsay and Crouse, n.d.
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Box
12
Folder
7
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Script, by Lindsay and Crouse, July 1948.
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Box
12
Folder
8
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Script, prompt copy, annotated, July 1948.
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Box
13
Folder
1
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Script, by Lindsay and Crouse, n.d.
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Box
13
Folder
2
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Script, by Lindsay and Crouse, annotated, n.d.
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“London Bridge” (Unproduced)
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Box
13
Folder
3
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Script, Act I, annotated, n.d.
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One Bright Day : NY: Royale, 19 March 1952
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Box
13
Folder
4
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Early script, by Sigmund Miller, annotated, ca. 1952.
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Box
13
Folder
5
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Rehearsal script, by Sigmund Miller, ca. 1952.
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The Prescott Proposals : NY: Broadhurst 16 December 1953
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Box
13
Folder
6
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Correspondence, 1953-1955.
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Box
13
Folder
7
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Miscellany, ca. 1953-1954.
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Box
13
Folder
8
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Original script, by Lindsay and Crouse, 30 September 1953.
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Box
13
Folder
9
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Script, by Lindsay and Crouse, n.d.
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Box
13
Folder
10
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Script, by Lindsay and Crouse, annotated, n.d.
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Box
14
Folder
1
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Script, by Lindsay and Crouse, annotated, n.d.
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Box
14
Folder
2
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Script, acting edition prepared for publication, by Lindsay and Crouse, annotated, n.d.
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Red, Hot, and Blue : NY: Alvin, 29 October 1936
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Box
14
Folder
3
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Congratulatory telegrams, 1936.
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Box
14
Folder
4
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Original scenario, --but Millions!, n.d.
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Box
14
Folder
5
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Script, fragment, n.d.
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Box
14
Folder
5
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Script, by Lindsay and Crouse, annotated, n.d.
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Box
14
Folder
4
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Script, by Lindsay and Crouse, ca. 1936.
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Remains to be Seen : NY: Morosco, 31 October 1951
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Box
14
Folder
6
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Clippings and Playbill, 1951.
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Box
14
Folder
7
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Correspondence, 1951-1960.
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Box
14
Folder
8
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First draft, “Opus Number Nine,” by Lindsay and Crouse, 7 March 1951.
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Box
14
Folder
9
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Script, Act I, Scene I, “The Helpcat and the Canary,” by Lindsay and Crouse, n.d.
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Box
14
Folder
10
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Second draft, by Lindsay and Crouse, 10 May 1951.
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The Sound of Music : NY: Lunt-Fontanne, 16 November 1956
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Box
14
Folder
11
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Correspondence, 1959-1961.
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Box
15
Folder
1
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Miscellany, 1959-1961.
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Box
15
Folder
2
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Script and rehearsal notes, ca. 1956.
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Box
15
Folder
3
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2 Scenarios, “The Singing Heart,” 3 March 1958.
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Box
15
Folder
3
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Scenario, “Love Song,” n.d.
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Box
15
Folder
4
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Original script, annotated, n.d.
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Box
15
Folder
5
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Second draft script, book by Lindsay and Crouse, annotated, n.d.
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Box
15
Folder
6
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Script, book by Lindsay and Crouse, n.d.
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Box
15
Folder
7
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Script, for publication by Random House, annotated by Crouse, Lindsay, and Oscar Hammerstein, n.d.
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Box
15
Folder
8
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Corrected proof pages, n.d.
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State of the Union : NY: Hudson, 14 November 1945
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Box
15
Folder
9
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Clippings, 1945-1946.
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Box
15
Folder
10
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Contracts, 1945-1946.
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Box
15
Folder
11
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Correspondence, 1945-1949.
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Box
15
Folder
12
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Miscellany, ca. 1945-1949.
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Box
16
Folder
1
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Plagiarism suit, 1943, 1948-1950.
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Box
16
Folder
2
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Synopsis and notes, n.d.
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Box
16
Folder
3
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Original script, “I'd Rather be Left,” by Lindsay and Crouse, n.d.
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Box
16
Folder
4
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Script, by Lindsay and Crouse, annotated, n.d.
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Box
16
Folder
5
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Second draft, by Lindsay and Crouse, annotated, n.d.
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Box
16
Folder
6
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Third draft, by Lindsay and Crouse, annotated, n.d.
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Box
16
Folder
7
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Rehearsal script, by Lindsay and Crouse, n.d.
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State of the Union : Buck County Playhouse, Summer 1960
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Box
16
Folder
8
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Stage manager's script, revised version, by Lindsay and Crouse, annotated, Summer, 1960.
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Strip for Action : NY: National, 30 September 1942
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Box
17
Folder
1
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Contracts, clippings, playbill, 1942.
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Tall Story : NY: Belasco, 29 January 1959
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Box
17
Folder
2
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Notes and letter, ca. 1958.
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Box
17
Folder
3
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Early scenario, by Lindsay and Crouse, n.d.
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Box
17
Folder
4
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First unrevised script, by Lindsay and Crouse, suggested by “The Homecoming Game,” 5 July 1958.
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Box
17
Folder
5
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Script, by Lindsay and Crouse, annotated, n.d.
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Box
17
Folder
6
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Script, by Lindsay and Crouse, annotated, n.d.
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Box
17
Folder
7
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Script, by Lindsay and Crouse, February 1959.
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Box
17
Folder
8
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Script, by Lindsay and Crouse, annotated, n.d.
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Motion Pictures
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Life with Father : Warner Brothers, 1947
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Box
18
Folder
1
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Contract, 1942.
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Box
18
Folder
1
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Financial statements, 1948-1953.
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Box
18
Folder
2
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Souvenir booklet, n.d.
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Box
18
Folder
3
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Final script, from play by Lindsay and Crouse, by Donald Ogden Stewart and Robert Buckner, 6 February 1946.
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State of the Union : MGM-Liberty Films, 1948
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Box
18
Folder
4
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Estimating script, 30 April 1947.
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A Woman's World : Twentieth Century Fox, 1954
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Box
18
Folder
5
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Conference notes with Darryl Zanuck re dialogue and continuity changes, 20 March 1954.
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Box
18
Folder
6
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Revised writer's working script, by Claude Binyon, 18 November 1953.
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Box
18
Folder
7
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Final script, by Lindsay and Crouse, based on a script by Claude Binyon, 20 April 1954.
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Television
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The Best of Broadway : Production information unknown. Air date: 5 January 1955
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“Arsenic and Old Lace”
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Box
19
Folder
1
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Script, by Joseph O. Kesselring, adapted for TV by Lindsay and Crouse, annotated, 2 December 1954.
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Box
19
Folder
2
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Script, by Joseph O. Kesselring, adapted for TV by Lindsay and Crouse, annotated, 2 December 1954.
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Box
19
Folder
3
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Final air script, by Joseph O. Kesselring, adapted for TV by Lindsay and Crouse, 30 December 1954.
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Producer's Showcase : NBC, 1954-1957. Air date: 1 April 1957
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“The Great Sebastians”
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Box
19
Folder
4
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Revised script, by Lindsay and Crouse, annotated. 25 February 1957.
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Box
19
Folder
5
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Correspondence, Clippings, and Miscellany, ca. 1934-61.
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