S.N. Behrman Papers, 1911-1973

Container Title
U.S. Mss 6AN
Series: Theatre
All In A Night's Work
Note: Production information unknown.
Box   1
Folder   1
Notes, treatment, and 2 incomplete scripts, written with J. Kenyon Nicholson, undated
The American Idea
Note: Production information unknown, before 1927.
Box   1
Folder   2
Typescript, written with Kenyon Nicholson, undated
Box   1
Folder   2
Miscellaneous notes, undated
Box   1
Folder   3
2 Scripts of Act I, annotated, undated
Box   1
Folder   3
Typescript of Act II, annotated, undated
Box   1
Folder   3
Typescript of Act IV, annotated, undated
Amphitryon 38
Note: New York: Shubert, 1937 November 1.
Box   1
Folder   4
Correspondence, 1936-1953
Box   1
Folder   4
Clippings and playbills, 1937, 1971
Box   1
Folder   5
Manuscript and typescript rewrites, 1937 January
Box   1
Folder   5
Manuscript and typescript rewrites for Chicago premiere, 1937 May
Box   1
Folder   5
Rewrites for West coast production, 1937 June
Box   1
Folder   5
Translation of Amphitryon 38, by Jean Giraudoux, undated
Box   1
Folder   6
Miscellaneous notes, undated
Box   1
Folder   6
Incomplete sound cue sheet, undated
Box   1
Folder   6
First draft typescript, annotated, circa 1937
Box   1
Folder   6
Second draft typescript, annotated, circa 1937
Box   1
Folder   7
Third draft typescript, annotated, circa 1937
Box   1
Folder   7
Final typescript, including property plot, circa 1937
Anything Can Happen
Note: No production.
Box   2
Folder   1
Manuscript draft, 1945 April 18
Box   2
Folder   1
Rewrites, 1945 April 18-1946 January 17
Biography
Note: New York: Guild, 1932 December 12 and London: Globe, 1934 April 25.
Box   2
Folder   2
Correspondence, 1932-1967
Box   2
Folder   2
Clippings regarding Hollywood, New York, and road production, 1934 March-April
Box   2
Folder   3
Clippings from periodicals, 1932-1934
Box   2
Folder   3
German reviews, circa 1947?
Box   2
Folder   3
Playbills, 1932-1934
Box   2
Folder   4
Manuscript inserts, random notes and revisions, undated
Box   2
Folder   4
Scenario and notes, 1932 January-May
Box   2
Folder   4
Typescript fragments and production note, 1932 October 23
Box   2
Folder   5
Complete manuscript draft, 1932 April-May
Box   2
Folder   5
Complete typescript, including property list, 1932
Brief Moment
Note: New York: Belasco, 1931 November 9.
Box   2
Folder   6
Correspondence, 1931 November
Box   2
Folder   6
Clippings, Pasadena Playhouse playbill, 1933 May 18-1935 February 23
Box   2
Folder   7
Manuscript notes, 1930 January-1931 October
Box   2
Folder   7
Manuscript of Act I, “Bride of Quietness,” 1930 October 25
Box   2
Folder   7
2 Manuscripts of Act III, 1931 January 17-October 1
Box   2
Folder   7
Fifth draft manuscript of Act III, 1931 October 3
Box   2
Folder   7
Manuscript inserts and revisions, 1931
Box   2
Folder   8
Scenario, “Bulbs--A Satire on Fame,” 1930? October 23
Box   2
Folder   8
Typescript of Act III, undated
Box   2
Folder   8
Notes and revisions, annotated, October 2?
Box   2
Folder   8
Insert to Act I, annotated, undated
Box   2
Folder   8
Typescript, undated
The Cold Wind and the Warm
Note: New York: Morosco, 1958 December 8.
Correspondence
Box   2
Folder   9
1958 January-December
Box   3
Folder   1
1959-1964, undated
Box   3
Folder   2
Research clippings, 1955-1958
Box   3
Folder   2
Clippings, 1958-1959
Box   3
Folder   2
Playbills, undated
Box   3
Folder   3
Financial statements, 1958 December-1959 June
Box   3
Folder   3
Billings, 1958-1959
Box   3
Folder   3
Box office statements, 1958-1959
Box   3
Folder   4
Typed notes, in diary-like format, 1953 January 13-1955 August 15
Box   3
Folder   5
Manuscript notes, 1953 September 12-circa 1959 February 1
Box   3
Folder   6
Miscellaneous notes and suggestions, 1953-1958
Box   3
Folder   7
Typescript, annotated, 1954 January 20-February 3
Box   3
Folder   7
First draft script, annotated, 1955 April 17
Box   3
Folder   8
First draft script, annotated, circa 1955
Box   3
Folder   8
Script, annotated, undated
Box   4
Folder   1
Second draft script, 1955 April 17-August 3
Box   4
Folder   1
Notes on second draft, 1955 August 16-December 5
Box   4
Folder   1
Third draft script, 1955 December 5
Box   4
Folder   2
Manuscript draft fragments, 1955 June 26-November
Box   4
Folder   2
First draft revisions, 1955 April 17
Box   4
Folder   2
Revisions, lightly annotated, 1955-1957
Box   4
Folder   3
Manuscript and typescript revisions, Woodstock, Vermont, 1957 Spring
Box   4
Folder   4
Typed notes, in diary-like format, 1957 March 21-1958 November 8
Box   4
Folder   5
Script, 1957 August-September
Box   4
Folder   6
Third draft of Act I, annotated, 1957 October 18
Box   4
Folder   6
Prologues and epilogues, annotated, 1957 September 15-1959 January 11
Box   5
Folder   1
Script, annotated, circa 1957 October
Box   5
Folder   1
Script, annotated, circa late 1957-early 1958
Box   5
Folder   2
Revisions, annotated, 1957
Box   5
Folder   3-4
Manuscript and typescript rewrites, 1958 March 24-November 7
Box   5
Folder   5
Script, annotated, 1958 April
Box   5
Folder   5
Script, annotated, 1958 June 11
Box   5
Folder   6
4 typescript drafts of Act III, annotated, 1958 May 22-August 15
Box   6
Folder   1
3 typescript drafts of Act III, annotated, 1958 August 15, undated
Box   6
Folder   1
Revisions of Acts I and II, 1958 July 21
Box   6
Folder   2
Script, annotated, 1958
Dunnigan's Daughter
Note: New York: John Golden, 1945 December 26.
Box   6
Folder   3
Correspondence, 1941 November 12-1946 January 16
Box   6
Folder   3
Review and research clippings, 1940-1945
Box   6
Folder   4
Manuscript notes, in diary-like format, “No Repose in Bali,” 1939 August 4-1942 February 6
Box   6
Folder   5
Typescripts of Acts I and II, annotated, 1940 January-March
Box   6
Folder   6
3 drafts of Act I, “No Repose in Bali,” 1940-1941
Box   6
Folder   6
3 drafts of Act III, “No Repose in Bali,” 1941-1942
Box   6
Folder   6
Partial first draft manuscript and rewrites, 1943-1944
Box   7
Folder   1
3 typescripts of Act II, annotated, 1941 October 22, 1942 January 12
Box   7
Folder   2
Manuscript notes, in diary-like format, 1943 February 23-1945 March 14
Box   7
Folder   3
Manuscript notes, in diary-like format, and miscellaneous notes, 1943 September 10-1946 January 27, undated
Box   7
Folder   4
5 typescripts of Acts, I, II, and III, annotated, 1943 October-November
Box   7
Folder   5
Typescript, 1943 December 4
Box   7
Folder   5
Typescript, 1944 December 11
Box   7
Folder   6
Incomplete typescript, “Simple Peasant,” 1944 August 21
Box   7
Folder   6
Typescript, “Simple Peasant,” annotated, 1944 September 8
Box   7
Folder   7
Typescript, annotated, 1945 December 7
Box   8
Folder   1
2 typescripts, 1945 December 26, undated
End of Summer
Note: New York: Guild, 1936 February 17.
Box   8
Folder   2
Correspondence, 1935 December 24-1936 April 18, undated
Box   8
Folder   2
Harold Friedman's notes, 1935-1936
Box   8
Folder   3
Clippings, 1936
Box   8
Folder   4
Manuscript notes, circa 1934 August 27-1935 February 15
Box   8
Folder   4
Original manuscript, draft, undated
Note: Also on Micro 585
Box   8
Folder   5
First draft script, 1935 July-September
Box   8
Folder   6
Uncut draft script, 1935-1936
Box   8
Folder   6
Cut draft script, 1935-1936
Box   8
Folder   7
Third draft script, undated
Fanny
Note: New York: Majestic, 1954 November 4.
Box   9
Folder   1
Correspondence, 1954 September-1956 November
Box   9
Folder   1
Clippings, 1954 September-November
Box   9
Folder   1
3 drafts and final clippings of a New York Times article, 1955 October
Box   9
Folder   1
Playbill, undated
Box   9
Folder   1
Transcript of telephone conversation between Joshua Logan and Oscar Hammerstein, 1953 August 5
Box   9
Folder   2
Translation of Marcel Pagnol's plays Fanny and Cesar, undated
Box   9
Folder   3
Early drafts of Acts I and II, annotated, undated
Box   9
Folder   4
First draft script, annotated, 1953 May 5
Box   9
Folder   5
First draft of Act I, co-authored with Joshua Logan, 1953 August 1
Box   9
Folder   5
Script and discarded pages, co-authored with Joshua Logan, annotated, 1954 January 25
Box   9
Folder   5
Notes, 1954 April 1
Box   9
Folder   6
Manuscript and typescript notes, 1953-1954
Box   9
Folder   6
Manuscript draft script, incomplete, 1954 April-June
Box   9
Folder   7
Draft script of musical version, co-authored with Joshua Logan, annotated, 1954 June 20
Box   10
Folder   1
Final? draft script of musical version, 1954 June 20
Box   10
Folder   2
Script of Act II, annotated, 1954 June 29
Box   10
Folder   2
Script of Acts II and III, undated
Box   10
Folder   2
Random sheets of typescript, annotated, undated
Box   10
Folder   3
Draft script of musical version, undated
I Know My Love
Note: New York: Shubert, 1949 November 2.
Box   10
Folder   4
Correspondence, 1946-1951
Box   10
Folder   4
Clippings, 1949
Box   10
Folder   4
Playbills, undated
Box   10
Folder   4
New York Times articles, 1949 December, 1950 October
Box   10
Folder   5
Box office statements for road tour, 1949
Box   10
Folder   5
Typed notes, in diary-like format, 1947 August-1949 September
Box   10
Folder   5
Notes and correspondence, including letters between Behrman, Alfred Lunt, and Lynn Fontanne, 1948-1950
Box   10
Folder   5
Manuscript and typescript rewrites, 1949
Box   10
Folder   6
Playscript, in French, of Marcel Achard's Aupres de Ma Blonde, 1947
Box   10
Folder   6
Translated script of Marcel Achard's Aupres de Ma Blonde, undated
Box   10
Folder   7
First draft script, undated
Box   11
Folder   1
First script before road tour, undated
Box   11
Folder   2
Typescript used by Lunt on tour, undated
The Incompatibles
Note: No production.
Box   11
Folder   3
Manuscript script, 1924 June 28-August 4
Jacobowsky
Note: No production.
Box   11
Folder   4
Musical script, by Stan Daniels, based on Werfel's German play Jacobowsky and the Colonel and Behrman's play of the same name, undated
Box   11
Folder   5
2 draft outlines and notes for musicalization of Jacobowsky and the Colonel, by Albert Lewis, 1965 February 4
Jacobowsky and the Colonel
Note: New York: Martin Beck, 1944 March 14. London: Wimbledon, 1945 May 21.
Box   11
Folder   6
Correspondence, 1944-1946
Box   11
Folder   7
Clippings, 1944
Box   11
Folder   7
3 drafts and final clipping of article, undated
Box   11
Folder   7
Research clippings and story in German by Franz Werfel, undated
Box   11
Folder   7
Notes, 1941-1944
Box   11
Folder   8
Script, in German, by Franz Werfel, circa 1943
Box   12
Folder   1
Translation of Werfel's German script, by M. Bay, circa 1943
Box   12
Folder   2
2 scripts, by Franz Werfel and Clifford Odets, annotated, 1943
Box   12
Folder   2
Memoranda regarding Werfel and Odets scripts, by John Gassner, undated
Box   12
Folder   3
Manuscript script of Scene IV, 1943 December
Box   12
Folder   3
Script, annotated, 1944 January 22
Box   12
Folder   3
Script, 1944 February 26
Box   12
Folder   4
Script of Theatre Guild version and technical plots, 1945
Box   12
Folder   5
Script of Acts I, II, and III, undated
Box   12
Folder   5
Script, undated
Jane
Note: Blackpool: Lyceum, 1947 January 13; London: Aldwych, 1947 January 29; Westport (as The Foreign Language): 1951 August 20; New York: Coronet, 1952 February 1; Ft. Lee: 1958 April.
Box   12
Folder   6
Correspondence, 1946-1967
Box   12
Folder   6
Clippings, 1947
Box   13
Folder   1
Notes, in diary-like format, 1945-1949
Box   13
Folder   1
Miscellaneous notes, 1946, 1967
Box   13
Folder   1
Maugham's notes, undated
Box   13
Folder   1
Dialogue, dictated by S.N. Behrman, undated
Box   13
Folder   2
Script of London version, 1947
Box   13
Folder   2
Final script of American version, 1947
Box   13
Folder   3-4
4 scripts of London versions, 1947
Box   13
Folder   5
2 scripts, “Period Piece,” 1949
Box   13
Folder   6
Script, “The Foreign Language,” circa 1950-1951
Box   14
Folder   1
2 scripts, 1951 September, 1951 October
Box   14
Folder   2
Script, annotated, 1951 October 10
Box   14
Folder   2
Script, annotated, 1952 February 10
Box   14
Folder   3
Script and inserts, annotated, circa 1957-1958
Box   14
Folder   4
2 final acting scripts, “Jane or You're as Young as You Feel,” 1958 April 17
Box   14
Folder   5
Script, in French, undated
Let Me Hear the Melody
Note: Philadelphia: Walnut Street, 1951 March 12.
Box   14
Folder   6
Correspondence, 1951, 1956, 1962
Box   14
Folder   6
Clippings, reviews, and research, 1951
Box   14
Folder   7
Notes, in diary-like format, 1946 March-1947 December
Box   14
Folder   8
Script, including costume plot, annotated, circa 1946
Box   15
Folder   1
2 scripts, circa 1946
Box   15
Folder   2
2 scripts, annotated, circa 1946
Box   15
Folder   3
Manuscript script, incomplete, 1947 September-1951 July
Box   15
Folder   3
Script of Acts I and II, undated
Box   15
Folder   4
Script, incomplete, annotated, 1947 October
Box   15
Folder   5
Script, 1947
Box   15
Folder   5
Script, annotated, 1947
Box   15
Folder   6
Notes, in diary-like format, 1949 September-1951 November
Box   15
Folder   6
Miscellaneous notes, 1951
Box   16
Folder   1
Script, 1951 November 16
Box   16
Folder   1
Script, circa 1950-1951
Love Story
Note: Philadelphia: Walnut Street, 1933 December 13.
Box   16
Folder   2
Correspondence, 1932-1933
Box   16
Folder   3
Manuscript script fragments, inserts, and supplements, 1929-1933
Box   16
Folder   3
Miscellaneous notes, 1929-1933
Box   16
Folder   4
Original manuscript script and rewrites, 1929 April-1930 September
Box   16
Folder   4
Script #1?, undated
Box   16
Folder   5
Script #2, undated
Box   16
Folder   5
Script #3, annotated, undated
Box   16
Folder   6
Script #4, undated
Box   16
Folder   6
Script #5, undated
The Man Who Forgot
Note: Atlantic City: Apollo, 1926 October 25.
Box   16
Folder   7
Correspondence, 1925-1932
Box   16
Folder   7
Box office statements, 1926
Box   16
Folder   8
Manuscript script, “The Scant Pint,” 1925 August
Box   16
Folder   8
Manuscript notes, circa 1925
Box   16
Folder   8
Partial script, “The Scant Pint,” circa 1925
Box   17
Folder   1
Script, “The Scant Pint,” undated
Box   17
Folder   2
Partial manuscript script, 1926 July 20
Box   17
Folder   2
3 scripts of Act I, undated
Box   17
Folder   3
Script of Act II, 1926 September 17
Box   17
Folder   3
2 scripts of Act III, undated
Box   17
Folder   3
Script, co-authored with Owen Davis, undated
Box   17
Folder   4
2 scripts, undated
Meteor
Note: New York: Guild, 1929 December 23.
Box   17
Folder   5
Clippings and playbills, 1929
Box   17
Folder   5
Random manuscript notes and rewrites, 1925-1929, undated
Box   17
Folder   6
Notes, annotated, 1925-1929
Box   17
Folder   6
Manuscript draft, “The Terrible Gift,” 1926-1927
Box   17
Folder   6
Rewrites of Acts I and II, “The Terrible Gift,” 1927 August 31
Box   17
Folder   6
Treatment, “The Terrible Gift,” circa 1927
Box   18
Folder   1
Script, “The Terrible Gift,” 1927
Box   18
Folder   2
Manuscript draft of Acts I-III, 1928 April-May
Box   18
Folder   2
Manuscript draft of Acts I-II, 1928 December-1929 April
Box   18
Folder   2
Introduction to published edition, “Meteor or Napoleonism: 1929,” 1930?
Box   18
Folder   2
Random revisions, annotated, undated
Box   18
Folder   3-4
2 scripts, annotated, circa 1929
No Time for Comedy
Note: New York: Ethel Barrymore, 1939 April 17.
Box   18
Folder   5
Correspondence, 1938 September-1954 November, undated
Box   18
Folder   5
General clippings, 1939 March-1940 May
Box   18
Folder   5
Research clippings, 1939
Box   18
Folder   6
Notes, in diary-like format
Box   18
Folder   6
Miscellany, 1938-1940
Box   18
Folder   6
Manuscript revision of parts of Act III, 1939 March
Box   18
Folder   6
Revisions, annotated, 1939 March
Box   19
Folder   1
Script, 1939 April 23
Box   19
Folder   1
Notes, undated
The Pirate
Note: New York: Martin Beck, 1942 November 25.
Box   19
Folder   2
Correspondence, 1941-1962
Box   19
Folder   2
Clippings, 1942-1943
Box   19
Folder   2
5 outlines, 1939 July-August
Box   19
Folder   2
First draft script of Act I, 1939 September 9
Box   19
Folder   3
Original manuscript script of Act I, 1939 September 19
Box   19
Folder   3
Notes, in diary-like format, and miscellaneous notes, 1939-1943, undated
Box   19
Folder   3
Manuscript script, 1942
Box   19
Folder   3
Rewrite of Act I, 1942
Box   19
Folder   4
Script, by Ludwig Fulda, translated from German by Julian Leigh, circa 1941-1942
Box   19
Folder   4
Script of Acts I, II, and III, annotated, 1942 February-March
Box   19
Folder   5
Third draft script, 1942 March 18
Box   19
Folder   5
Revised third draft script, annotated, 1942 March 18
Box   19
Folder   6
Fourth draft script, annotated, 1942 April 25
Box   19
Folder   6
Revised fourth draft script, 1942 April 25
Box   20
Folder   1
Fifth draft script, 1942 June 19
Box   20
Folder   1
Script, 1942 August 12
Box   20
Folder   2
Sound script, annotated with music cues, circa 1942 September
Rain From Heaven
Note: New York: John Golden, 1934 December 24.
Box   20
Folder   3
Correspondence, 1934 July-1935 April, undated
Box   20
Folder   3
Clippings, 1934-1935
Box   20
Folder   4
Notes, in diary-like format, 1934 January 2-December 1
Box   20
Folder   4
Original manuscript script, 1934 January 22-August 18
Box   20
Folder   4
Miscellany, 1934
The Second Man
Note: New York: Guild, 1927 April 11.
Box   20
Folder   5
Correspondence, 1927-1973
Box   20
Folder   5
Clippings and playbills, 1927
Box   20
Folder   6
Original manuscript script, “The Talker,” 1925 January-March
Box   20
Folder   6
Manuscript inserts, rewrites, and notes, 1927, 1950, undated
Box   20
Folder   6
Notes, undated
Box   20
Folder   6
Rewrites, annotated, undated
Serena Blandish
Note: New York: Morosco, 1929 January 23.
Box   20
Folder   7
Correspondence, 1927-1955
Box   20
Folder   7
Clippings, 1934, undated
Box   20
Folder   7
Notes, 1928 July 18
Box   20
Folder   7
Revisions, 1928 July 18
Box   20
Folder   7
Scene outline, undated
Box   20
Folder   7
Notes, in series and scene order, undated
Box   21
Folder   1
Synopsis of Act I, musical, 1938 April 22
Box   21
Folder   1
Synopsis of Act I, musical, 1938 May 2
Box   21
Folder   2
Notes from meetings between Sillman and Behrman, 1953
Box   21
Folder   2
Sequence of scenes, annotated, 1953
Box   21
Folder   2
Manuscript drafts of various scenes-musical, 1953
Box   21
Folder   2
Typescript drafts of various scenes-musical, 1953
Box   21
Folder   3
Notes and suggestions for musical numbers, circa 1954
Box   21
Folder   3
Sequence of scenes, musical, annotated, 1954
Box   21
Folder   3
Miscellaneous manuscript drafts, 1954
Box   21
Folder   3
Musical lyrics, undated
Box   21
Folder   3
Script, “The Difficulty of Getting Married,” undated
Box   21
Folder   4
Script of musical, incomplete, annotated, circa 1953
Box   21
Folder   4
Drafts of Acts I and II of musical, 1954-1956
Box   21
Folder   4
Miscellaneous notes-musical, 1956
Box   21
Folder   5
Script of Act I, musical, 1953
Box   21
Folder   5
Presentation of Sillman's musical based on Behrman's play, annotated, 1956
Box   21
Folder   6
Script of Acts I and II, annotated, undated
Box   21
Folder   6
Script of Act II, undated
The Talley Method
Note: New York: Henry Miller, 1941 February 24.
Box   21
Folder   7
Correspondence, 1940-1941, undated
Box   21
Folder   7
Clippings, 1941, undated
Box   22
Folder   1
Manuscript drafts, rewrites, and inserts, 1940 May-December
Box   22
Folder   1
Rewrites and inserts, 1940 December-1941 January
Box   22
Folder   1
Notes and financial statement, 1940-1941
Box   22
Folder   2
Notes, in diary-like format, 1940-1941
Box   22
Folder   3
Script, annotated, 1941 February 14
Wine of Choice
Note: New York: Guild, 1938 February 21; London: Haymarket, 1941 March 27.
Box   22
Folder   4
Correspondence, 1937-1938
Box   22
Folder   4
Clippings and playbill, 1938
Box   22
Folder   5-6
Notes, in diary-like format, 1936 July 19-1938 February
Box   22
Folder   7
Original manuscript script, 1936 August-1937 September
Box   22
Folder   7
Rewrites, 1937 April-September
Box   22
Folder   7
3 scripts of Act III, annotated, 1937 September-November, undated
Box   22
Folder   8
Script of Act I, 1937 November
Box   22
Folder   8
Script of Act II, 1937 November
Box   22
Folder   8
Rewrites and inserts, annotated, 1937 November-December
Box   23
Folder   1
Notes, including notes from Langner, Harold Freedman, and Herman Shumlin, 1937-1938
Box   23
Folder   1
Treatment for possible film?, circa 1938 March
Box   23
Folder   1
Second draft script, undated
Box   23
Folder   2
2 scripts of Chicago version, undated
Box   23
Folder   3
2 final scripts, undated
Miscellaneous theatre-related file
Box   23
Folder   4
Clippings, correspondence, notes, circa 1927-1973
Box   23
Folder   5
Unidentified fragments of scripts, undated
Box   23
Folder   5
Untitled one-act plays, undated
Box   23
Folder   5
One-act plays by Behrman, undated
Box   23
Folder   6
Adagio
Box   23
Folder   6
Bedside Manners
Box   23
Folder   6
The Clip
Box   23
Folder   6
The Cure
Box   23
Folder   6
The Dark Secret
Box   23
Folder   6
Destiny
Box   23
Folder   6
The Lie
Box   23
Folder   6
The Man Pays
Box   23
Folder   6
The Message
Box   24
Folder   1
Patricia Prepares or “Helen,” undated
Box   24
Folder   1
The Philanthropists (adaptation), undated
Box   24
Folder   1
Playing a Part or “The Rehearsal,” 1911
Box   24
Folder   1
Professor Makes Love, undated
Box   24
Folder   1
Red-Cross, undated
Box   24
Folder   1
Wanderlust, undated
Box   24
Folder   2
Unidentified manuscript, by S.N. Behrman and Kenyon Nicholson, undated
Box   24
Folder   2
One-act play, Say It With Flowers, by S.N. Behrman and Kenyon Nicholson, undated
Box   24
Folder   2
Unidentified scenario, undated
Box   24
Folder   3
Untitled, three-act play, undated