The scripts for The Guiding Light and As the World Turns were microfilmed in 1992 and 1993 with funding provided by Procter & Gamble, after which the originals were destroyed. The other material relating to these programs and the scripts for Make Room for Daddy and The Rifleman were not filmed; they are available only on paper.

The soap opera scripts generally consist of mimeographed air scripts, together with scripts for commercials prepared by the advertising agencies, all of which are arranged alphabetically by program title and then chronologically by broadcast date. Many of the scripts are annotated to indicate timing and dialogue changes during rehearsal. For some periods (especially the early As the World Turns materials) the documentation present includes typed drafts with extensive annotations. Some later scripts are preceded by summaries. A few photographs found with the soap opera files have been separated to the WCFTR Television Title File.

Among the most useful of the supplementary materials are the files, 1955-1957, of Charles Fisher, the account executive at Benton and Bowles who served as producer for As the World Turns. His files include considerable routine information concerning detailed management of the program and its commercials, but there is also some policy-level correspondence with Irna Phillips, other advertising and production personnel, and CBS. Also present is some correspondence of Ralph S. Butler Jr., apparently Fisher's predecessor, and some files concerning other advertising accounts.

The Guiding Light is similarly represented by the files, 1956-1975, of Lucy Ferri Rittenberg, who was executive producer at Compton Advertising. Although few files provide documentation covering the full period of her oversight of the program, they do contain some useful insights into soap opera management. Among her records are narrative production reports from the 1970s, detailed contract information, lists indicating the appearance of minorities on the program during the 1970s, and the impact of several strikes on the production.

The scripts for The Rifleman and Make Room for Daddy consist of variant mimeographed scripts, and they document only a few of the seasons that those programs were aired. Notable among The Rifleman scripts are several written by Sam Peckinpah and Bruce Geller.