Archival Resources in Wisconsin: Descriptive Finding Aids: Contents List

Container	Title
M2008-074	Series: Stuart Gordon, General
Box 1 Folder 1	Correspondence, including letters to and from Roy Disney
Box 1 Folder 2	Clippings
	Series: Charles Band and Full Moon	⇧
Box 1 Folder 3	Clippings, 1990 July-August Scope and Content Note: Including Saturn magazine, 1966 November-December (special issue on Charles Band) and Nosferatu.
Box 87 Folder 1	Empire Entertainment brochure Scope and Content Note Our Time Has Come (includes pages on Re-Animator, From Beyond and Dolls) 1991 calendar (includes stills from The Pit and the Pendulum and Dagon)
	Series: Writings by Stuart Gordon	⇧
Box 1 Folder 4	“Special Effects on a Low Budget” Scope and Content Note: Presentation by Stuart Gordon at Independent Feature Project/West seminar, 1988 May 25, Venice, California, written up by Jeda Taylor in Montage (1988 July), and by Gordon himself as “Cheap Thrills: Getting that Special Effect,” The Hollywood Reporter (1988 August 9): S-50-54; “Trickster's Treats ... Five terrormeisters talk about their favorite trick-or-treat videos,” Entertainment Weekly, number 141 (1992 October 23): 40-41, including Stuart Gordon on They Came from Within, Suspiria, and Society.
	Series: Theater	⇧
	University of Wisconsin, Madison
	Plays
Box 1 Folder 5	Guignol, untitled, The Game Show, and Catalyst Physical Description: 4 playscripts Note: Originally in folder labeled “4 Original Plays written at University of Madison, Wisconsin, by Stuart Gordon.”
	Organic Theatre, Chicago
	General
Box 1 Folder 6	Correspondence; financial report, 1983 November
	Clippings
Box 1 Folder 7	News stories about the group and Stuart Gordon's role in it, including the merger of Organic Theatre and Touchstone Theatre, 1996
Box 1 Folder 8	Reviews of Organic Theatre productions
	Plays
	The Forever War
Box 2 Folder 1	“The Forever War,” play by Joe Haldeman, produced at the Organic Theatre, Chicago, 1983 October: “Joe and Gay Haldeman [...] The Forever War,” undated Physical Description: Playscript
Box 84 Folder 1	Notebook with storyboards for the play, also Dagon concept sketches
	Fornicopia
Box 2 Folder 2	“Fornicopia,” 1975 Physical Description: Playscript Note: Originally in envelope marked “Fornicopia, David Gordon, Early Draft.”
	Gulliver's Last Travels
Box 2 Folder 3	“Gulliver's Last Travels” / [...] by Lawrence Bommer, 1993 Physical Description: Playscript
	Huckleberry Finn
Box 2 Folder 4	Clippings on Organic Theater's production of Huckleberry Finn on WTTW television, 1985 July 8
	Warp
Box 2 Folder 5	“Warp” / play by Stuart Gordon and Bury St. Edmund ; “Warp” / screenplay by Michael Grais and Mark Victor, from the play by Stuart Gordon and Bury St. Edmund : rough draft, 1984 March 8 Physical Description: Typescript
Box 2 Folder 6	Agreement regarding rights to Warp
	Series: Motion Pictures Arrangement of the Materials: Arranged chronologically by release date (except unproduced projects, which follow produced ones in alphabetical order by title).	⇧
	Unidentified
Box 2 Folder 7	Untitled story outline for a zombie film
	Re-Animator Note: Film directed by Stuart Gordon, script by Dennis Paoli, William Norris and Stuart Gordon, from a story by H.P. Lovecraft, produced by Re-Animator Productions, distributed in the United States by Empire Pictures, released October 18, 1985.
	Script
Box 2 Folder 8	Photocopy of H.P. Lovecraft, “Herbert West-Reanimator”
	“Herbert West-Reanimator” / by H.P. Lovecraft, adapted by Stuart Gordon, Dennis Paoli, William J. Norris
Box 2 Folder 9	Script, copyright 1981
Box 2 Folder 10	Script, copyright 1982 Note: Originally in manila envelope postmarked 1982 April 12, marked “Herbert West, Do Not Open.”
Box 2 Folder 11	Production script, 1982 July
	Revised
Box 2 Folder 12	1982 November
Box 2 Folder 13	1984 August
Box 2 Folder 14	Various drafts of parts of the script
Box 3 Folder 1	Correspondence on the script and elicited comments
Box 3 Folder 2	Script revisions, 1984 November-December
	Production
	Legal
Box 3 Folder 3	Copyright, agreements, legal fees
	Design
Box 3 Folder 4	Artwork, especially makeup designs, and a few pages of storyboards
Box 3 Folder 5	Director's production binder Note: Originally in binder labeled “H.P. Lovecraft's Re-Animator, Stuart Gordon, Director.”
Box 3 Folder 6	Casting, including casting photographs
Box 3 Folder 7	Schedules and budgets
	Distribution
Box 3 Folder 8	Preview questionnaire
	Publicity
Box 3 Folder 9	Press Kit
Box 3 Folder 10	Artwork for posters and advertisements
Box 3 Folder 11	Flyers, lobby cards, postcards
Box 87 Folder 2	Posters Physical Description: 2 full-sheet posters, 1 half-sheet poster
Box 3 Folder 12	Festival screenings Scope and Content Note: Correspondence, brochures, newsletters regarding screenings at: Brussels, Festival International du Film Fantastique, 1986 Cannes 85 Göteborg Film Festival, 1986 London Film Festival, 1985 Wellington Film Festival, New Zealand, 1986
Box 4 Folder 1	Box-office reports on the film, 1985 November
Box 4 Folder 2	Special issues of fanzines and fan mail
	Clippings
Box 4 Folder 3-5	United States
Box 4 Folder 6-7	International
Box 5 Folder 1	Correspondence, draft agreements, budgets for a television series based on the character Herbert West
Box 5 Folder 2	Re-Animator, comic book published by Adventure Comics, 1991-1992
	From Beyond Note: Film directed by Stuart Gordon, script by Brian Yuzna from a story by H.P. Lovecraft, produced and distributed in the United States by Empire Pictures, released 1986 October 24.
	Script
Box 5 Folder 3	Research: clippings on the pineal gland and “shadow matter”
Box 5 Folder 4	Handwritten script notes
Box 5 Folder 5	Treatment Physical Description: Photocopied manuscript Note: Originally in sealed envelope postmarked 1985 June 26, marked “From Beyond Treatment, Do Not Open.”
Box 5 Folder 6	“H.P. Lovecraft's From Beyond” / adaptation by Brian Yuzna, Dennis Paoli, Stuart Gordon, screenplay by Dennis Paoli : revised-shooting script 1986 January 22 Physical Description: Annotated typescript
Box 5 Folder 7	Pages from various drafts of the script, handwritten and computer printed
Box 84 Folder 2	Pages from a handwritten draft of the script
	Production
	Legal
Box 5 Folder 8	Actor's and director's agreement
	Design
Box 5 Folder 9	Storyboards
Box 87 Folder 3	Sketches
Box 5 Folder 10	Production binder: Cast, Crew, Script, Storyboards Note: Originally in ring binder.
Box 6 Folder 1	Shooting Schedule, production memoranda, extra storyboards, call sheets, revised script pages, special effects breakdowns, production design sketches, optical effects budget, costume designs, makeup, prop lists
Box 6 Folder 2	Break Down, 1986 February
Box 6 Folder 3	Cast and crew: casting photographs, crew list
Box 6 Folder 4	Dailies
	Distribution
Box 6 Folder 5	Correspondence
	Publicity
Box 6 Folder 6	Synopsis
Box 6 Folder 7	Publicity materials and press kit
Box 6 Folder 8	Brochure
Box 87 Folder 4	Publicity materials
Box 87 Folder 5	French poster
Box 6 Folder 9	Festival screenings and premiere
Box 6 Folder 10	Box office reports, and memos regarding additional previews
	Clippings
Box 6 Folder 11-12	United States
Box 7 Folder 1	United States (continued)
Box 7 Folder 2	Europe
Box 7 Folder 3	Other international
Box 7 Folder 4	Signed copy of Neal Adams, Monsters (Somerset, New Jersey: Vanguard Productions, 2003), with section on From Beyond
Box 7 Folder 5	Proposal for a Special edition DVD, 2004
Box 7 Folder 6	Clipping on Restored Version (“Director's Cut”), 2006 May
	Dolls Note: Film directed by Stuart Gordon, script by Ed Naha, produced and distributed in the United States by Empire Entertainment Inc., released 1987 March.
	Script
Box 7 Folder 7	Photocopy of part of “The Doll,” from Tales from Beyond the Grave (London, 1982)
Box 7 Folder 8	The Doll: outline by William Pratt, copyright 1985
Box 7 Folder 9	“The Dolls, by William Henry Pratt,” 1985 July Physical Description: Script
Box 7 Folder 10	“The Doll” / by Ed Naha : revised, 1985 September 18 Physical Description: Script
	Production
Box 7 Folder 11	Legal Agreements
	Design
Box 7 Folder 12	Stuart Gordon's production concept Scope and Content Note: Memo dated 1985 June 24.
Box 7 Folder 13	Storyboards Note: Originally in ring binder labeled “Stuart's Notes.”
Box 7 Folder 14	Storyboard pages Note: Originally in envelope labeled “Dolls, Insert storyboards.”
	Production
Box 7 Folder 15	Script labeled “Stuart's Script” Physical Description: Script with handwritten emendations and storyboard sketches Note: Originally in ring binder labeled “Stuart's Notes.”
Box 8 Folder 1	Binder: Cast, Contacts, Crew, Script Note: Originally in ring binder labeled “The Doll, Stuart Gordon.”
Box 8 Folder 2	Memos, schedules, et cetera
	Distribution
	Publicity
Box 8 Folder 3	Press kit
Box 8 Folder 4	Brochures
Box 87 Folder 6	Poster
Box 8 Folder 5	Seattle Film Festival brochure, 1987
	Clippings
Box 8 Folder 6	Reviews, United States theatrical release
Box 8 Folder 7	Reviews, France
Box 8 Folder 8	United States video release, 1988
Box 8 Folder 9	Proposal for Special Edition DVD, 2004
Box 8 Folder 10	Letter with Stuart Gordon's request for 35 mm print, 1992 November 12
	Pet Sematary Note: Film directed by Mary Lambert, script by Stephen King from his own novel, produced by Laurel Productions for Paramount, released 1989 April 21. Stuart Gordon prepared a budget for the film and was proposed as director in 1988, but eventually dropped out of the project.
	Script
Box 8 Folder 11	“Pet Sematary” / author Stephen King, script Richard Rubinstein 1987 March 12 Physical Description: Cyclostyled outline and script
Box 8 Folder 12	Extras: Twentieth-Century Fox story evaluation sheet, 1985 February 13
	Production files
Box 8 Folder 13	Correspondence
Box 84 Folder 3	Budget, 1988 March 4, undated
Box 84 Folder 3	Schedule for script, 1985 April 15
	Honey, I Shrunk the Kids Note: Film directed by Joe Johnston, story by Stuart Gordon, Ed Naha and Brian Yuzna, script by Stuart Gordon and Brian Yuzna (Gordon was originally to have directed, but had to withdraw because of illness), produced and distributed by Buena Vista, released 1989 June 23 (working title Teeny Weenies).
	Script
	“The Teeny Weenies” / by Ed Naha, based on a story by Stuart Gordon, Brian Yuzna and Ed Naha
Box 9 Folder 1	1986 October 6 Physical Description: Cyclostyled script
Box 9 Folder 2	Revised, 1986 December Physical Description: Typescript
Box 9 Folder 3	Revised, 1987 May Physical Description: Cyclostyled script
Box 9 Folder 4	Second draft, 1987 June 18 Physical Description: Cyclostyled script
Box 9 Folder 5	237th Draft, 1987 June 24 Physical Description: Cyclostyled script
Box 9 Folder 6	Draft, 1987 June 26 Physical Description: Cyclostyled script
Box 9 Folder 7	“The Other Teeny-Weenies” / by Ed Naha, based on a story by Stuart Gordon, Brian Yuzna and Ed Naha, June 29, Stuart's re-edited version Physical Description: Cyclostyled script
Box 9 Folder 8	“The Teeny-Weenies” / by Ed Naha, based on a story by Stuart Gordon, Brian Yuzna and Ed Naha, Final “(pleasegod)” draft 1987 July 29 Physical Description: Cyclostyled script
Box 10 Folder 1	“The Teeny Weenies,” undated Physical Description: Cyclostyled script
Box 10 Folder 2	“The Teeny Weenies” / by Ed Naha, based on a story by Stuart Gordon, Brian Yuzna and Ed Naha, undated Physical Description: Cyclostyled script
Box 10 Folder 3	“Grounded” / screenplay by Ed Naha, based on a story by Stuart Gordon, Brian Yuzna and Ed Naha : revised 1987 December 13 Physical Description: Cyclostyled script
Box 10 Folder 4	Correspondence about the script, and lists of comments and proposed revisions, treatment
Box 10 Folder 5	Documentation assembled in relation to a Writers Guild of America arbitration over the script credit for the film, including drafts of a treatment
	Production
	Legal
Box 10 Folder 6	Agreements between Walt Disney Pictures and Stuart Gordon and associated correspondence
Box 10 Folder 7	Schedules, budgets, production-related memos, including post-production schedules
Box 10 Folder 8	Schedules, itineraries and correspondence about the location shoot in Mexico City, 1987 September
	Design
Box 11 Folder 1-2	Storyboards
Box 11 Folder 3	Additional storyboards
Box 11 Folder 4	Cast and Crew
Box 11 Folder 5	Production script: “The Teeny Weenies” / by Ed Naha, based on a story by Stuart Gordon, Brian Yuzna and Ed Naha, Final “(pleasegod)” draft, 1987 July 29
	Distribution
Box 11 Folder 6	Publicity materials, including Japanese souvenir program
Box 11 Folder 7	Financial report, 1990 January
	Clippings
Box 11 Folder 8	United States opening, 1989 June
Box 11 Folder 9	1989 July
Box 12 Folder 1	Clippings, trade press and box-office reports
Box 12 Folder 2	Clippings, reviews
Box 12 Folder 3	Korean book-of-the-film
	Daughter of Darkness Note: Film directed by Stuart Gordon, script by Andrew Laskos, broadcast in the United States by CBS, 1990 January 26.
	Script
	“Daughter of Darkness, by Andrew Laskos”
Box 12 Folder 4	Script, revised second draft, 1989 June 21
Box 12 Folder 5	Script marked “Third draft,” 1989 July 31 Note: Originally in manila envelope marked “revised second draft.”
Box 12 Folder 6	Script, third draft, 1989 August 2
	Production
Box 13 Folder 1	Production memos, other correspondence, schedules, casting notes, script revisions, et cetera Note: Originally in manila envelope labeled “Forever War Stage Play.”
	Design
Box 13 Folder 2	Storyboards
Box 13 Folder 3	Groundplans Note: Originally in envelope marked “Vampire Cellars Ground Plans.”
	Distribution
Box 13 Folder 4	Publicity materials
Box 13 Folder 5	Clippings
	Bride of Re-Animator Note: Film directed by Brian Yuzna for Wild Street Films, script by Rick Fry, Woody Keith and Brian Yuzna (Stuart Gordon received no credit), released in United Kingdom 1990 July 8 (straight to video in United States).
	Script
Box 13 Folder 6	“Bride of Reanimator” / a film treatment by Dennis Paoli, story by Stuart Gordon, Dennis Paoli, Brian Yuzna 1986 October 23 Scope and Content Note: Typescripts of a treatment (second cover sheet marked “copyright 1989 Re-Animator II Productions”); unsigned assignment form transferring rights in the project to Brian Yuzna from Dennis Paoli and Stuart Gordon, and assigning a share in the profits to Stuart Gordon for script work.
	Distribution
Box 13 Folder 7	Clippings
	Robot Jox Note: Film directed by Stuart Gordon, script by Stuart Gordon and Joe Haldeman, produced by Altar Productions, distributed in the United States by Empire Pictures, and released 1990 November 21.
	Script
Box 13 Folder 8	Handwritten script notes and typed early outline by Stuart Gordon
Box 13 Folder 9	“Project A, First Draft”/”The Robot Story, by Joe Haldeman from an outline by Stuart Gordon (and Homer),” undated
Box 13 Folder 10	“Robo-Jox, by Joe Haldeman, 'Polish rewrite',” third draft, 1986 May 1
Box 13 Folder 11	“The Robot Warriors” / by Joe Haldeman, 1986 May rewrite
	“Robojox, screenplay by Joe Haldeman and Dennis Paoli, story by Stuart Gordon”
Box 14 Folder 1	Fifth draft, 1986 August 6
Box 14 Folder 2	Sixth draft, 1986 September 18 Physical Description: Typescript
Box 14 Folder 3	Sixth draft, 1986 September 18 Physical Description: Typescript with many corrections and extra pages
Box 14 Folder 4	Sixth draft, 1986 September 24 Physical Description: Typescript with a few handwritten emendations
Box 14 Folder 5	Sixth draft, 1986 September 24
Box 14 Folder 6	Seventh draft, 1986 November 19
Box 14 Folder 7	Seventh draft, 1986 November 19 Physical Description: Script with handwritten emendations Note: Marked “1986 December 3 with changes by Greenberg.”
Box 14 Folder 8	“Robo-Jox” / written by Joe Haldeman, copyright 1986 Physical Description: Typescript Note: First page of typescript marked “The Robot Warriors by Joe Haldeman (Final Version)” and headers marked “Final Draft.”
Box 15 Folder 1	Comments on various drafts of the script by Greenberg, Albert Band and Debra Dion, Joe Haldeman, Richard Mazza and others
Box 15 Folder 2	Revised pages from various drafts of the script
	Production
	Legal
Box 15 Folder 3	Director's Agreement, 1985 October 30, addenda 1987 February
Box 15 Folder 3	Writer's Guild screenwriter credit arbitration
Box 15 Folder 3	Italian “Statement of Stay” documentation for Stuart Gordon
Box 15 Folder 3	Correspondence regarding potential copyright infringement of the game Battletech
Box 15 Folder 3	Settlement offer, 1991 January 11
Box 15 Folder 3	Requests for film and video copies by the Director
Box 15 Folder 3	Requests for use of footage from the film, 1993
Box 15 Folder 4	Correspondence and miscellaneous: director's biography; invitation to Stuart Gordon's house for opening night party; video playback detail
	Design
	Storyboards
Box 15 Folder 5-6	Bound storyboards Note: Originally in black binder labeled “Robot Jox Storyboards.”
Box 15 Folder 7	Special EFX Boards, headed “B2” 1986 December 1 Physical Description: Photocopied storyboard pages
Box 15 Folder 8	Special FX Storyboards, B3, updated 1986 December 1 Physical Description: Photocopied storyboard pages
Box 16 Folder 1	Special FX Storyboards B4, updated 1986 December 1 Physical Description: Photocopied storyboard pages
Box 16 Folder 2	B2 EFXs Effects Boards, 1986 December 10 Physical Description: Photocopied storyboard pages
Box 16 Folder 3	B3 EFXs Boards, 1986 December 10 Physical Description: Photocopied storyboard pages
Box 16 Folder 4	B4 EFXs Boards, 1986 December 10 Physical Description: Photocopied storyboard pages
Box 16 Folder 5	Additional storyboards
Box 16 Folder 6	Storyboards for “The Journey to the Dark Side” by Dennis Murphy Note: Storyboards possibly sent to Stuart as evidence of Murphy's talent.
Box 84 Folder 6	Original pencil and ink sketches, and character concept drawings
Box 16 Folder 7	Costumes
Box 84 Folder 4	General
Box 84 Folder 5	Natalucci drawings
Box 87 Folder 7	Costume sketches, originals, signed K.C. 1986
Box 87 Folder 8	Machines and Robots, original sketches, signed “Knapp”
Box 16 Folder 8	Production binder: Cast, Crew, Contacts, and Script
Box 84 Folder 7	Budgets
Box 16 Folder 9	Crew Deal Memos and Crew list
Box 16 Folder 10	Casting
Box 16 Folder 11	Brochures on George Air Force Base, California
Box 16 Folder 12	Schedules
Box 17 Folder 1	“Selected Takes”
Box 17 Folder 2	Memoranda and correspondence
Box 17 Folder 3	Call Sheets
Box 17 Folder 4	Dailies
	Post-production
Box 17 Folder 5	“Robot Jox ADR Script, 1988 November”: Automatic Dialog Replacement (i.e. dubbing) script Physical Description: Handwritten notes on 1987 January 27 draft
Box 84 Folder 8	ADR cue sheets
Box 84 Folder 9	Title lettering Scope and Content Note: Various fonts and layouts (possibly for credits, or publicity).
	Distribution
Box 17 Folder 6	Reports on preview screening, Hollywood, 1989 July 21, and correspondence about a possible title change as a result
Box 17 Folder 7	Memo on markets for the film
Box 17 Folder 8	Publicity materials: brochures, press kits Note: For originals of photographs, see Stills.
Box 17 Folder 9	Festival screenings Scope and Content Note: Festival screenings include: Barcelona, Spain, Sitges International Fantasy Film Festival, 1989 Cannes, France, 1987 Houston, Texas, 12th Annual International Film Festival, 1990
	Clippings
Box 17 Folder 10	United States
Box 17 Folder 11	International
Box 17 Folder 12	Fan mail
Box 17 Folder 13	Packaging for VHS cassette version
Box 18 Folder 1	“RoboJox, by Robert Thurston” Physical Description: Typescript of novelization of the film Scope and Content Note: Typescript published as Robot Jox, the novel by Robert Thurston based on a screenplay by Joe Haldeman and Dennis Paoli (New York: Avon Books, 1989); accompanying letter of 1986 October 7.
	The Pit and the Pendulum Note: Film directed by Stuart Gordon, script by Dennis Paoli from the story by Edgar Allan Poe, produced by Empire Pictures, released in the United States by Full Moon Entertainment, 1991 June 27.
	Script
Box 18 Folder 2	Outline by Dennis Paoli, 1988 August 25
Box 84 Folder 10	Outline, 1988-1989 Scope and Content Note Handwritten and typed drafts of outlines by Stuart Gordon and Dennis Paoli, dated copies 1988 August, 1988 September Notes on the script, 1989 March-May
	“The Pit and the Pendulum, screenplay by Dennis Paoli, based on the story by Edgar Allan Poe”
Box 18 Folder 3	Sixth draft, 1989 April 18 Physical Description: Typescript
Box 18 Folder 4	Eighth draft, 1990 July 13 Physical Description: Typescript
Box 18 Folder 5	Notes on the script and comments by Albert Band, Louis Garfinkle, Freida Kaiserman, and others
	Production
	Legal
Box 18 Folder 6	Agreement between Pit and Pendulum Productions and Stuart Gordon, 1988 September 30
Box 18 Folder 6	Subsequent correspondence, through 1992 February 18
	Design
Box 18 Folder 7	Photocopies of Renaissance prints
Box 18 Folder 8	Sketches and set plan for Italian shoot; postcards of Italian locations
Box 18 Folder 9-11	Storyboards
Box 84 Folder 11	Photocopies of prints by Hans Baldung and others; notes on Torquemada; photocopy of article on medieval torture
Box 87 Folder 9	Production design art (original)
Box 87 Folder 10	Mounted in panoramic strips on card Scope and Content Note 13 4x6-inch color location shots in Pereto 16 5x7-inch color location shots of Castelvecchio 11 4x6-inch color location shots (of Celano?) 24 5x7-inch color location shots of Celano castle
Box 19 Folder 1-2	Production binder Scope and Content Note: Cast, Day out of days, Script, Story Boards, Stunt Breakdown, Pyro Breakdown, FX Breakdown, Practical FX, Budget.
Box 19 Folder 3	Cast and crew, general
Box 19 Folder 4	Cast callbacks, London, 1989 April
Box 19 Folder 5	Budget and schedule
Box 19 Folder 6	Correspondence
Box 19 Folder 7	Miscellaneous notes, lists, draft schedule, call sheets
Box 19 Folder 8	Cast day-out-of-days
	Post-production
Box 20 Folder 1	Credits
	Distribution
Box 20 Folder 2	Correspondence
Box 20 Folder 3	Correspondence with Charles Balun
Box 20 Folder 4	Publicity materials
Box 20 Folder 5	Festivals and other pre-release screenings
Box 20 Folder 6	Clippings
Box 20 Folder 7	Academy of Science Fiction Fantasy and Horror Films Golden Scroll Award of Merit to The Pit and the Pendulum for Outstanding Achievement, 1991
	Honey, I Blew Up the Kid Note: Film directed by Randall Kleiser, script by Thom Eberhardt and Peter Elbling and Garry Goodrow, story by Garry Goodrow, based on characters created by Stuart Gordon, Brian Yuzna, and Ed Naha, released in the United States by Buena Vista Pictures, 1992 July 17 (working title “Honey, I Blew Up the Baby”).
	Script Note: “Big Baby” materials unrelated to “Honey, I Blew Up the Kid,” according to Stuart Gordon.
Box 20 Folder 8	“Big Baby” synopsis, undated
Box 20 Folder 9	“Big Baby, story by Garry Goodrow, screenplay by Peter Elbling and Garry Goodrow,” undated Physical Description: Typescript
Box 20 Folder 10	“Big Baby, Screenplay by D.G. Brock, based on a story by Peter Elbling, Garry Goodrow”: “First Draft,” registered 1988 Physical Description: Typescript
Box 20 Folder 11	“Big Baby, by Peter Elbling, Garry Goodrow and D.G. Brock,” 1989 June Physical Description: Typescript
Box 20 Folder 12	Correspondence on the script between Stuart Gordon and Albert Band and representatives of Walt Disney Pictures, 1989 December 14-1990 January 8
Box 20 Folder 13	“Honey, Our Baby Is a Giant” / written by Dan Gordon : revised first draft 1990 February 12 Physical Description: Typescript
Box 20 Folder 14	Correspondence on the script between Stuart Gordon and Albert Band and representatives of Walt Disney Pictures, 1990 February 21-26
Box 20 Folder 15	“Honey, You Know the Baby? Well ..., written by Dan Gordon, revised first draft, 1990 March 14” (Honey, you know the baby?” on spine) Physical Description: Typescript Scope and Content Note: Typescript plus 1990 March 15 cover letter.
Box 20 Folder 16	Correspondence on script called “Honey You Know the Baby? Well ... (also known as Honey, I Blew Up the Baby),” 1990 April-May
	“Honey, I Blew Up the Baby! Screenplay by Thomas Eberhardt” Physical Description: Typescript
Box 21 Folder 1	First draft, 1990 June 15 Physical Description: Typescript Note: “Honey I Blew Up the Baby, June 15” on spine
Box 21 Folder 2	Second draft, 1990 July 27 Physical Description: Typescript Note: “Honey, I Blew Up the Baby! 2nd” on spine.
Box 21 Folder 3	Memos from Walt Disney Pictures to Thom Eberhardt on script revisions, 1990 July-August
Box 21 Folder 4	“Honey, I Blew Up the Baby!, screenplay by Thomas Eberhardt ( 1990 September 13)” Physical Description: Typescript
	Production
Box 21 Folder 5	Schedule for Day 8, 1991 June 26
Box 21 Folder 6	Wrap party invitation
	Production newsletter
Box 85 Folder 1	Baby Talk, 1991 Physical Description: Cyclostyled production newsletter Scope and Content Note Volume 1, Number 1 Volume 1, Number 3, 1991 August 1 Volume 1, Number 4, 1991 August 9 Volume 1, Number 5, 1991 August 16
	Post-production
Box 21 Folder 7	Title cards for the film
	Distribution
Box 21 Folder 8	Preview invitation, 1991 January 10
	Publicity
Box 21 Folder 9	Memos from Walt Disney Pictures; press kit; press releases
Oversize Folder 1 Item 1	English-language poster Physical Description: 1 poster (40x26-inches)
	Clippings
Box 21 Folder 10	Pre-opening press
Box 21 Folder 11	Box office results Scope and Content Note: The box office results are principally from Daily Variety, Hollywood Reporter, and Entertainment Weekly.
Box 21 Folder 12	Reviews
Box 22 Folder 1-3	Reviews (continued)
Box 22 Folder 4	Book of the film: B.B. Hiller, Honey, I Blew Up the Kid, based on the screenplay by Thom Eberhardt and Peter Elbling and Garry Goodrow and Story by Garry Goodrow based on characters created by Stuart Gordon, Brian Yuzna and Ed Naha (Disney Press, 1992)
	Fortress Note: Film directed by Stuart Gordon, script by Troy Neighbors and Stephen Feinberg, released in the United States by Davis Entertainment, 1993 September 3.
	Research
Box 22 Folder 5	Correspondence with researchers
Box 22 Folder 6	Miscellaneous Scope and Content Note: Obstetrics; United States port-of-entry procedures; use of the United States Great Seal; sleep deprivation; prosthetic devices; systolic arrays.
Box 22 Folder 7	Prisons Scope and Content Note: Especially Pelican Bay prison; filming in prisons; tattoos of inmates; Maori tattoos.
Box 23 Folder 1	Prisons (continued)
	Script
Box 23 Folder 2	“Fortress, screenplay by Troy Neighbors & Steven Feinberg and David Venable, story by Troy Neighbors & Steven Feinberg”: copyright 1988 Physical Description: Cyclostyled script Note: Inscribed “Original Draft, this is the one to work from.”
Box 23 Folder 3	“Fortress, by Troy Neighbors & Steven Feinberg,” undated Physical Description: Cyclostyled script with handwritten emendations Note: As the handwritten emendations describe 2013, the date of the story, as “22 years from now,” they were presumably written in 1991.
Box 23 Folder 4	“Fortress, Rewrite Outline, by Troy Neighbors & Steven Feinberg,” 1991 June 29, 1991 July 11, 1991 July 12, undated Physical Description: Typescripts
Box 23 Folder 5	“Fortress, Notes on Production Re-write of 1991 August 18,” 1991 August 12: memoranda
Box 23 Folder 6	“Fortress, written by Troy Neighbors & Steven Feinberg” Physical Description: Cyclostyled script Note: Marked “Production re-write, 1991 August 14.”
Box 23 Folder 7	“Fortress, revised pages by Terry Curtis Fox, from the script by Neighbors and Feinberg,” 1991 August 25 Physical Description: Typescript
Box 23 Folder 8	“Fortress” / written by Troy Neighbors and Steven Fainberg : second re-write, 1991 August 29 Physical Description: Typescript
	“Fortress” / screenplay by Troy Neighbors & Steven Feinberg and Terry Curtis Fox
Box 24 Folder 1	1991 September 13 Physical Description: Typescript
Box 24 Folder 2	Third draft, 1991 October 8 Physical Description: Typescript
Box 24 Folder 3	Memos from Terry Curtis Fox, John Flock regarding rewrites, Rick Cluchey memo, 1991 October-1992 April
Box 24 Folder 4	Handwritten script notes, including biography for character Abrahim
	Production
	Legal
Box 24 Folder 5	Stuart Gordon's director's agreement and related correspondence
Box 24 Folder 6	DeForest Research reports on branding and similar issues
Box 24 Folder 7	Budget
Box 24 Folder 8	Schedule
Box 24 Folder 9	Design Scope and Content Note: Lists and vitae of potential designers; information on holography; sketches for tattoos (including portraits of Maoris); machine designs; credits designs.
	Storyboards
Box 24 Folder 10	Pencil and ink sketches of storyboard frames Note: Originally in envelope labeled “Fortress Story Boards Originals.”
Box 25 Folder 1-2	Storyboard binder Scope and Content Note Opticals Trailer Enters Fortress Reveal Pro-Bot Dreams Fight on the Bridge Brennick's Alive!! Hologram Map Sequences Escape into Water Pipe Strikeclones Awaken Poe's Death, Fortress in Chaos Trailer Exits F. Truck Battle 9/13 Video Obsolete Bds Note: Originally in ring binder.
Box 25 Folder 3	Additional Storyboards
Box 88 Folder 1	Design sketches, mostly photocopies, a few hand-inked; one encapsulated and with designer's message to Stuart Gordon
	Special Effects
Box 25 Folder 4	Breakdowns
Box 25 Folder 5-6	Storyboard binder
Box 25 Folder 7	Stuart Gordon's Production Binder Scope and Content Note: Cast; Crew and contact lists; Script. Note: Originally in separate ring binder together with materials in next folder.
Box 26 Folder 1	Stuart Gordon's Production Binder (continued) Scope and Content Note: One-line schedule; Day-out-of-days; Video breakdown; Notes on script; Schedule. Note: Originally in separate ring binder together with materials in previous folder.
Box 26 Folder 2	Casting
Box 26 Folder 3	Crew lists
Box 26 Folder 4	Stunts Scope and Content Note: Prospectus from The Stunt Agency.
Box 26 Folder 5	Production memos
Box 26 Folder 6	Call sheets
Box 26 Folder 7	Miscellaneous production files Scope and Content Note: Timings; script day/night breakdown; boardroom reshoot; schedules for video for surveillance monitors; status report; bullet hit special effects inserts; barn location shoot memo.
Box 26 Folder 8	Australian studio facilities brochure; publicity materials from “Baitmaster” (Australian fishing tackle dealer)
Box 26 Folder 9	Trucks Scope and Content Note: Catalogues and correspondence with truck, forklift and crane manufacturers/renters.
Box 26 Folder 10	Clippings: Australian press on location shoot
Box 26 Folder 11	Souvenirs Scope and Content Note Private correspondence received during the Australian shoot (including letters from Stuart Gordon's children) Humorous letters and cards from cast and crew Christmas cards, 1991 Congratulatory letters on wrap (originally in envelope labeled “Fortress Souvenirs” which also contained many production photographs, separately filed)
	Post-production
Box 27 Folder 1	Contact lists, schedules, correspondence, screening schedules
Box 27 Folder 2	Automatic Dialog Replacement
Box 27 Folder 3	Zed-10 Physical Description: script with dialogue by computerized voices
Box 27 Folder 4	Music Scope and Content Note: Names and vitae for potential composers for the film; correspondence.
Box 27 Folder 5	Credit titles
	Distribution
Box 27 Folder 6	Correspondence, 1992-1993
	Publicity
Box 27 Folder 7	Public relations: drafts of press releases on the film, 1992 Spring
Box 27 Folder 8	United States publicity materials and pressbook
Box 27 Folder 9	Japanese publicity brochures plus 1 color photo (4x5-inch) of production team?
Box 88 Folder 2	Posters for French release Physical Description: 2 full-sheet posters
Box 88 Folder 3	Posters for Italian release Physical Description: 1 half-sheet and 2 full-sheet posters
Box 88 Folder 4	Japanese posters Physical Description: full-sheet and half-sheet posters
Oversize Folder 1 Item 2	French and Flemish poster Physical Description: 1 poster (16x24-inches)
Oversize Folder 1 Item 3-4	Japanese posters Physical Description: 1 poster (20x28-inches) ; 1 poster (41x28-inches)
Oversize Folder 1 Item 5-7	English-language poster Physical Description: 3 posters (40x26-inches)
Oversize Folder 2 Item 1	Theater lobby cutout
	Previews
Box 27 Folder 10	Test screenings, 1992 March, April, 1993 March, May, July
Box 27 Folder 10	Analysis of preview surveys
Box 27 Folder 11	Festival screenings
Box 28 Folder 1	Pre-opening clippings and reports
Box 28 Folder 2	Box office reports, first and second week in United States distribution
	Clippings
Box 28 Folder 3	United States box office
Box 28 Folder 4-6	United States reviews
Box 29 Folder 1	International box office
Box 29 Folder 2	United Kingdom reviews
Box 29 Folder 3	Australian reviews
Box 29 Folder 4	Other international reviews
Box 29 Folder 5	United Kingdom Home Video version: Stuart Gordon's invoice for work on this version
Box 29 Folder 6	Book of the film: Rob Gerrand, Fortress (Melbourne, Australia: Bookman Publications, 1992)
	Body Snatchers Note: Film directed by Abel Ferrara, script by Stuart Gordon, Dennis Paoli and Nicholas St. John from a story by Raymond Cistheri and Larry Cohen based on a novel by Jack Finney, produced and distributed by Warner Bros., United States release, 1994 January 28.
	Script
Box 29 Folder 7	Jack Finney, Invasion of the Body Snatchers (New York: Simon & Schuster, 1989 [1st edition: 1954])
Box 29 Folder 8	“Invasion of the Body Snatchers II” : first draft, 1990 April 12 Physical Description: Typescript Note: Originally in envelope labeled “The Body Snatchers II, rough draft copy.”
Box 29 Folder 9	“Invasion of the Body Snatchers II: The Harvest” / screenplay by Stuart Gordon and Dennis Paoli : rough draft, 1990 May 30 Physical Description: Typescript with hand-written emendations Note: Underlined words crossed out and replaced with “First Draft-1990 June 4.”
Box 29 Folder 10	“Invasion of the Body Snatchers II” / screenplay by Stuart Gordon and Dennis Paoli : first draft, 1990 June 4 Physical Description: Typescript
Box 30 Folder 1	“Invasion of the Body Snatchers II” / screenplay by Stuart Gordon and Dennis Paoli : first draft, 1990 June 4 Physical Description: Typescript Note: Not identical to the item in Box 29, Folder 10.
Box 30 Folder 2	“Invasion of the Body Snatchers II” : second draft, 1990 October Physical Description: Typescript with handwritten emendations Note: Originally in envelope labeled “Body Snatchers II Rough 2nd Draft.”
Box 30 Folder 3	“Invasion of the Body Snatchers, Part II: The Harvest” : revised, 1991 May 3 Physical Description: Typescript
Box 30 Folder 4	“Invasion of the Body Snatchers, Part II: The Harvest” / by Stuart Gordon and Dennis Paoli, revised by Nevin Schreiner, Solofilms, 1991 May 9 Physical Description: Typescript
Box 30 Folder 5	“Invasion of the Body Snatchers, Part II: The Harvest” / by Stuart Gordon and Dennis Paoli, revised by Nevin Schreiner, Solofilms, 1991 May 16 Physical Description: Typescript
Box 30 Folder 6	“Invasion of the Body Snatchers, Part II: The Harvest” screenplay by Stuart Gordon and Dennis Paoli, revised by Nevin Schreiner, Solofilm Company, 1991 May 23 Physical Description: Typescript
Box 30 Folder 7	“Body Snatchers” / screenplay by Stuart Gordon and Dennis Paoli, revised by Nevin Schreiner : revised draft, 1991 July 2 Physical Description: Typescript
Box 30 Folder 8	“Body Snatchers” / screenplay by Stuart Gordon and Dennis Paoli, revised by Nevin Schreiner : revised draft, 1991 July 2 Note: With blue pages of revisions dated July 11, 1991. Physical Description: Typescript
Box 31 Folder 1	“Body Snatchers” / screenplay by Stuart Gordon and Dennis Paoli, revised by Nevin Schreiner : revised draft, 1991 July 17 Physical Description: Typescript
Box 31 Folder 2	“Body Snatchers” / screenplay by Stuart Gordon and Dennis Paoli, polished by nicholas st. john, ... polish draft, 1991 October 22 Physical Description: Typescript
Box 31 Folder 3	“Body Snatchers” / screenplay by Stuart Gordon and Dennis Paoli, polished by nicholas st. john, ... polish draft, 1991 October 22, 1992 January 13-March 18 Physical Description: Typescript Note Identical to the item in Box 31, Folder 2, but with revised pages. With “Master” on the spine.
Box 31 Folder 4	Script pages, 1991 April 25-June 4, undated
Box 31 Folder 5	Comments on the script, from Stephen King, Warners script department, and others
Box 31 Folder 6	Note of tentative writing credit sent to the Writers Guild, 1992 June 22
Box 31 Folder 6	Letters to Stuart Gordon regarding writing credit
Box 31 Folder 6	Documents for WGA arbitration of script credit Note: Originally in folders “Invasion-Correspondence” and “Bodysnatchers-WGA Arbitration.”
Box 85 Folder 2	Handwritten script notes
	Production
	Design
Box 31 Folder 7	Color photocopies of design sketches
Box 31 Folder 8	Receipts for color photocopying of artwork Note: Originally in folder “Invasion-Artwork Photocopying.”
Box 31 Folder 9	Special Effects Scope and Content Note: Crew and publicity materials from effects firms, breakdown of mechanical effects, correspondence on visual effects, breakdown of stunts. Note: Originally in folders “Invasion-Effects,” “Invasion-Effects Companies,” “Invasion-Visual Effects” and “Invasion-Stunts.”
Box 31 Folder 10	Make-up Scope and Content Note: Budgets and breakdowns for special-effects makeup.
Box 32 Folder 1	Storyboarding Scope and Content Note: Correspondence with and flyers from storyboard firms and technicians. Note: Originally in folder “Invasion-Storyboard.”
Box 85 Folder 3	Screaming George Inc., storyboard and budget for one special effect
Box 88 Folder 5	Color designs for special effect makeup
Box 32 Folder 2	Casting Note: Originally in folder “Invasion-Casting.”
Box 32 Folder 3	Shooting script and breakdown Note: Originally in separate hanging file.
Box 32 Folder 4	Scene breakdown (record cards and photocopies of record cards)
Box 32 Folder 5	Letters from Stuart Gordon to representatives of Solofilms and Warner Brothers on the script and the rough cuts of the film, 1991 December 9-1992 October 27 Scope and Content Note: Includes draft of one of the letters. Note: Originally in folder labeled “Bodysnatchers-Stuart's notes.”
	Distribution
	Clippings
Box 32 Folder 6	Box Office (United States and international)
Box 85 Folder 4	Reviews
	Castle Freak Note: Film directed by Stuart Gordon. Adapted by Stuart Gordon and Dennis Paoli from a story by H.P. Lovecraft, script by Dennis Paoli, produced and distributed in the United States by Full Moon Pictures, 1995.
	Script
Box 32 Folder 7	Drafts of outline, some dated 1994 February 23
Box 32 Folder 8	“Castle Freak, Dennis Paoli, First Draft,” undated Physical Description: Typescript with handwritten emendations
	“Castle Freak, screenplay by Dennis Paoli, story by Stuart Gordon and Dennis Paoli”
Box 32 Folder 9	1994 March 28 Physical Description: Typescript Note: Marked “Master, 1994 March 25” on the spine.
Box 32 Folder 10	1994 March 28 Physical Description: Typescript Note: Marked “SG Notes, 1994 March 28” on the spine.
Box 33 Folder 1	1994 March 31 Physical Description: Typescript Note: Marked “Master, 1994 March 31” on the spine.
Box 33 Folder 2	1994 May 10 Physical Description: Typescript Note: Marked “Master, 1994 May 10” on the spine.
Box 33 Folder 3	Second draft, 1994 May 11 Physical Description: Typescript Note: Marked “Master, 1994 May 11” on the spine.
Box 33 Folder 4	Second draft, 1994 May 18 Physical Description: Typescript Note: Marked “Master : revised, 1994 May 11” on the spine
Box 33 Folder 5	“Castlefreak, written by Dennis Paoli, story by Stuart Gordon & Dennis Paoli, Full Moon Entertainment ... 1994 May 26, Final Draft” Physical Description: Typescript Note: Marked “Master, 1994 May 26” on the spine.
Box 33 Folder 6	Correspondence on the script, emended pages to insert
Box 33 Folder 7	Emended pages faxed 1994 June 6 (originally in envelope labeled “Castle Freak, Script notes from D. Paoli”); notes from Albert Band
	Production
	Legal
Box 33 Folder 8	Director's agreement drafts and related correspondence
	Design
Box 33 Folder 9	Artwork and creature sketches
Box 33 Folder 10	Director's Production Binder
Box 33 Folder 11	Casting Scope and Content Note: Correspondence, vitae, casting photos.
Box 34 Folder 1	Schedules and call sheets
Box 34 Folder 2	Italian shoot Scope and Content Note: Travel schedules and contacts.
Box 34 Folder 3	Castello Farnese di Giove (Italian location)
Box 34 Folder 4	Stuart Gordon's personal and family correspondence during the Italian shoot, and souvenirs
	Post-production
Box 34 Folder 5	Post-production crew list and schedules
Box 34 Folder 6	Inserts Scope and Content Note Contact lists Insert shots list Inserts shooting schedule Actors Camera equipment Costumes Make-up fx Props
Box 34 Folder 7	ADR
Box 34 Folder 8	Titles
	Distribution
Box 34 Folder 9	Correspondence
	Publicity
Box 34 Folder 10	Brochures
Box 34 Folder 11	Festival screenings Scope and Content Note Amsterdam, Holland, Festival van de Fantastische Film, 1996 April Berlin, Germany, Fantasy Filmfest, 1995 August Brussels, Belgium, Festival international du Film Fantastique, 1996 August
Box 34 Folder 12	Clippings
	Aliens: Ride at the Speed of Fright Note: Film produced by Iwerks Entertainment and Praxis Film Works, 1996 (writer and director credits unknown).
	Production
	Design
	Storyboard sets
Box 34 Folder 13	“Aliens at the Speed of Fright : pre-show” / written by Randy Stradley, directed by Stuart Gordon 1995 February 17
Box 34 Folder 13	“Main Show Master, Aliens: The Ride” / directed by Stuart Gordon, storyboards by Tim Burgard 1995 January 27
	Distribution
	Publicity
Oversize Folder 1 Item 8	English-language poster Physical Description: 1 poster (40x26-inches)
	The Dentist Note: Film directed by Brian Yuzna, script by Dennis Paoli, Stuart Gordon and Charles Finch, released in the United States by Trimark Pictures, 1996 October 18.
	Script
Box 34 Folder 14	Treatment, undated; letter to Stuart Gordon from Dennis Paoli about a draft of the treatment; script without title page, but with headers reading “The Dentist, Gordon and Paoli, First Draft” and dated “, 1994 January 18”; handwritten insert to be added to page 37
Box 34 Folder 15	Script without title page, but with headers reading “The Dentist, Gordon and Paoli, First Draft,” dated 1994 February 1 on the spine
	“The Dentist, by Dennis Paoli & Stuart Gordon”
Box 34 Folder 16	First draft, 1994 February 4 Physical Description: Typescript with many hand emendations
Box 35 Folder 1	First draft, 1994 February 4 Physical Description: Typescript Note: With “Master, February 4, 1994” on the spine.
Box 35 Folder 2	First draft, 1994 February 4 Physical Description: Typescript with many handwritten emendations
Box 35 Folder 3	1994 April 18 Physical Description: Typescript Note: With headers “The Dentist, Gordon and Paoli, Second Draft.”
Box 35 Folder 4	Script without title page, headers reading “The Dentist, Gordon and Paoli, second draft” Note: Marked “Dentist, Master, 1994 April 28” on the spine.
	“The Dentist, by Dennis Paoli & Stuart Gordon”
Box 35 Folder 5	Second draft, 1994 May 4 Physical Description: Typescript Note: Marked “Master, 1994 May 4” on the spine
Box 35 Folder 6	Second draft, 1994 July 29 Physical Description: Typescript with hand-written emendations Note: Marked “SG Notes, 1994 July 29” on the spine.
Box 35 Folder 7	Second draft, 1994 August 5 Physical Description: Typescript with handwritten emendations Note: Marked “Notes, 1994 August 5” on the spine.
Box 35 Folder 8	Second draft, 1994 August 15 Physical Description: Typescript with handwritten emendations Note: Marked “SG Notes, 1994 August 15” on the spine.
Box 36 Folder 1	Second draft, 1994 August 19 Physical Description: Typescript Note: Marked “Master Final, 1994 August 19” on the spine.
Box 36 Folder 2	“The Dentist” / by C. Finch : production draft, 1995 August 18, revised 1995 October 5 Physical Description: Cyclostyled typescript Note: With “Dentist Shooting Draft” on the spine.
Box 36 Folder 3	Script pages and various story outline drafts, 1993 November-1994 August
	Production
	Legal
Box 36 Folder 4	Stuart Gordon's writer's agreement and related correspondence
Box 36 Folder 5	Research into Tony Protopappas's copyrights and potential defamation suits
	Distribution
Box 36 Folder 6	Festivals
Box 36 Folder 7	Clippings
	Honey, We Shrunk Ourselves Note: Film (released as videocassette) directed by Dean Cundy, script by Karey Kirkpatrick, Nell Scovell and Joel Hodgson, produced by Walt Disney Pictures (sequel to Honey, I Shrunk the Kids, see Boxes 9-12), first broadcast by ABC, 1997 March 18, released in the United States by Buena Vista Home Video.
	Script
Box 36 Folder 8	Correspondence and outlines by writing teams J. Savin and R. Miller, Michael Roberts and Gaye Hirsch, Craig Heller and Guy Schulman, and Bruce Worrilow, 1990 December-1991 January 20; , 1991 April 16 cover letter to Stuart Gordon enclosing these outlines
	Distribution
Box 36 Folder 9	Publicity: press kit Note: Originals of stills in Photographs.
	Space Truckers Note: Film directed by Stuart Gordon, story and script by Stuart Gordon and Ted Mann, produced by Pachyderm Productions, distributed in the United States by Goldcrest International, released 1997 April.
	Script
Box 36 Folder 10	Cyclostyled script without title page, 1993 January 25 Note: Marked on the spine “Space Truckers, 1993 January 25, Master.”
Box 36 Folder 11	“Off World Haul” / screenplay by Ted Mann, story by Stuart Gordon and Ted Mann : first draft 1993 March 25 Physical Description: Typescript Note: Marked on the spine “Off World Haul, Master, 1993 March 25.”
	“Space Truckers, screenplay by Ted Mann, story by Stuart Gordon and Ted Mann”
Box 36 Folder 12	First draft, (third revision) 1993 April 7 Physical Description: Typescript Note: Marked “Space Truckers, Master, 1993 April 7” on the spine.
Box 36 Folder 13	First draft, 1993 May 6 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1993 May 6” on the spine.
Box 37 Folder 1	First draft, 1993 May 14 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1993 May 14.”
	“Space Truckers, screenplay by Ted Mann, story by Stuart Gordon and Ted Mann, © Pachyderm Productions”
Box 37 Folder 2	First draft, 1993 August 26 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1993 August 26.”
Box 37 Folder 3	First draft, 1993 September 7 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1993 September 7.”
Box 37 Folder 4	First draft, 1993 September 14 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1993 September 14.”
Box 37 Folder 5	First draft, 1993 September 20 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1993 September 20.”
Box 37 Folder 6	First draft, 1993 September 24 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1993 September 24.”
Box 37 Folder 7	First draft, 1993 September 24 Physical Description: Typescript with handwritten emendations Note: Marked on the spine “Space Truckers, Notes, 1994 March 21, 1993 September 24.”
Box 37 Folder 8	First draft : revised, 1994 March 29 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1994 March 29.”
Box 38 Folder 1	First draft : revised, 1994 March 31 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1994 March 31.”
Box 38 Folder 2	First draft : revised, 1994 March 31 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1994 March 31” (not identical to the preceding from Page 73).
Box 38 Folder 3	First draft : revised, 1994 March 31 Physical Description: Typescript with handwritten emendations Note: Marked on the spine “Space Truckers, SG Notes, 1994 October 17.”
Box 38 Folder 4	Third Draft : revised, 1994 October 31 Physical Description: Typescript with handwritten emendations Note: Marked on the spine “Space Truckers, 3 Notes, 1994 October 31.”
Box 38 Folder 5	“Space Truckers, 1994 November 15, a screenplay by Ted Mann & Stuart Gordon, Pachyderm Productions © 1994” Physical Description: Typescript
Box 38 Folder 6	“Space Truckers, 1994 November 15, a screenplay by Ted Mann & Stuart Gordon, Pachyderm Productions © 1994” Physical Description: Typescript with handwritten emendations Note: Marked on the spine “SG Notes, 1994 November 15, Space Truckers.”
	“Space Truckers, screenplay by Ted Mann, story by Stuart Gordon and Ted Mann, © Pachyderm Productions”
Box 38 Folder 7	Third draft : revised, 1994 November 15 Physical Description: Typescript with handwritten emendations Note: Marked on the spine “Space Truckers, SG Notes, 1994 November 15.”
Box 38 Folder 8	Third draft : revised, 1994 December 29 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Notes, 1994 December 29” and on the cover “Notes, December 29, Stuart Gordon.”
Box 39 Folder 1	Third draft : revised, 1994 December 29 Physical Description: Typescript with handwritten emendations Note: Marked on the spine “SG Notes, 1995 January 3, Space Truckers.”
Box 39 Folder 2	Third draft : revised, 1995 January 3 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1995 January 3.”
Box 39 Folder 3	Third draft : revised, 1995 April 6 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1995 April 6.”
Box 39 Folder 4	Third draft : revised, 1995 April 6 Physical Description: Typescript with handwritten emendations Note: Marked on the spine “Space Truckers, SG Notes, 1995 April 6.”
Box 39 Folder 5	Script without title page Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1995 April 19” and on the cover “April 19 Master, S7.”
	“Space Truckers, screenplay by Ted Mann, story by Stuart Gordon and Ted Mann, © Pachyderm Productions”
Box 39 Folder 6	Fourth draft : revised, 1995 April 25 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1995 April 25.”
Box 39 Folder 7	Fourth draft : revised, 1995 May 2 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1995 May 2.”
Box 39 Folder 8	1995 May 11 Physical Description: Typescript with handwritten emendations Note: Marked on the spine “1995 May 11.”
Box 40 Folder 1	Fifth draft : revised, 1995 May 15 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1995 May 15.”
Box 40 Folder 2	Script #7, Sixth draft 1995 May 30 Physical Description: Typescript Note: Marked on the spine “Space Truckers, Master, 1995 May 30.”
Box 40 Folder 3	Sixth draft, 1995 May 30 Physical Description: Typescript Note Identical to the item in Box 40, Folder 2, but with blue pages revised 1995 June 22 and pink pages revised 1995 June 29. Marked on the spine “S.T., Master, Blue/Pink.”
Box 40 Folder 4	Sixth draft, 1995 May 30, revised June 22, 29, July 18 Note Revisions on June 22 blue pages, June 29 pink pages, July 18 green pages. Marked on the spine “Space Truckers, May 30 B/P/Green.” Physical Description: Typescript
Box 40 Folder 5	Eighth draft, 1995 September 3 Physical Description: Cyclostyled script Scope and Content Note: Including blue pages revised 1995 September 8.
Box 40 Folder 6	Script notes, 1994 December 14-1995 July 20
Box 40 Folder 7	Script revisions, 1993 February-1994 September
	Production
	Legal
Box 40 Folder 8	Options and contracts, 1993-1997
Box 40 Folder 9	Producers' and director's résumés
	Pre-Production
Box 41 Folder 1	Correspondence, 1995 May-September
Box 41 Folder 2	Minutes of meetings at Tulfarris House Hotel and Ardmore Studio, 1995 May-June
	Pachyderm Productions Office Files
Box 41 Folder 3	General accounts Scope and Content Note Credit information sheet Photocopying Office supplies Furniture rental Lease Insurance Telephone and fax Courier service Automobile milage Janitor Local taxes
Box 41 Folder 4	Petty cash book
	Design
	Research
Box 41 Folder 5	Clippings on trucks and truckers, the hog business, robots, zero gravity, astronauts, futuristic weaponry, NASA, architecture, the look of outer space, et cetera
Box 41 Folder 6	Color photocopies of artwork Scope and Content Note “BMW's” “Characters” “Diner & Bar” “Earth” “Escape Pod” “Graphics” “Interplanetary” “Keller's Office” “Macanudo” “Macanudo & Cindy” “Masters-Various” “Pachyderm Rig” “Pigs” “Regalia Exterior” “Regalia Interior” “Space Truckers Logo” “Set Signage/Hub Signage/Space Billboards” “Terminus” “Transgen” “Transgen Cobra Rig” “Vehicles” “Zesty's Lair” “Various” Note: For originals, see Boxes 89-93.
Box 42 Folder 1	Color photocopies of artwork Note: Originally in envelope labeled “Space Truckers Art Work.”
Box 42 Folder 2	Additional color photocopies of artwork
	Special Effects
Box 42 Folder 3	“Effects Companies” Scope and Content Note: Letter and flyers from Cruse and Company.
Box 42 Folder 4	Proposal
Box 42 Folder 5	Makeup and Effects Bids
Box 42 Folder 6	“SFX-Ireland,” 1996 January-April Scope and Content Note: Schedules, call sheets, progress reports, revised designs.
Box 42 Folder 7	Cannom Creations Scope and Content Note: Correspondence, agreements, design sketches for prosthetics.
Box 42 Folder 8	Entertainment Management Inc. Scope and Content Note: Correspondence regarding payments and liability.
Box 42 Folder 9	Optic Nerve Studios Scope and Content Note: Correspondence regarding agreements and payment; designs for pigs.
Box 42 Folder 10	Screaming Mad George Inc. Scope and Content Note: Agreements, and correspondence regarding work on the BMW suits.
	Storyboards
Box 42 Folder 11-12	Storyboard set with labeled dividers Note: Originally in ring binder labeled “Pachyderm Productions, Space Truckers.”
Box 43 Folder 1-2	Stuart Gordon's Storyboard Binder, 1995 December 11 Note: Originally in ring binder labeled “Stuart's Space Truckers Storyboards.”
Box 43 Folder 3	“Visual Effects Storyboards,” 1995 February 3 Note: Originally in envelope labeled “Space Truckers VFX Story Boards, Master Set.”
Box 43 Folder 4	Computer-printed set of Space Truckers Visual Effects Storyboards, with scheduling information, 1995 December 11
Box 86 Folder 3	Miscellaneous Scope and Content Note Replacement storyboard sheets Lists of outstanding opticals Designs (for Captain Macanudo) Breakdown
Box 86 Folder 4	Set Breakdown and Budget
	Separated from Pachyderm Productions office files
Box 85 Folder 5	Characters
Box 85 Folder 6	Logos and other typographic designs
Box 85 Folder 7	Design drawings
Box 85 Folder 8	Correspondence regarding illustrators Joe Spencer, Bruce Eagle, Mark Stutzman, and Robert Krogle, with production sketches by them
Box 85 Folder 9	Original sketches by Robert Kogle
Box 85 Folder 10	Original sketches by Mark Stutzman
Box 85 Folder 11	Original sketches by Joe Spencer
Box 85 Folder 12	Correspondence with Hajime Sorayama, and a number of designs
	Originals of artwork Note: Originally mostly in labeled envelopes.
Box 85 Folder 13	Bio-Mechanical Warriors
Box 85 Folder 14	“Characters”
Box 85 Folder 15	“Interstellar”
Box 85 Folder 16	“Diner & Bar”
Box 85 Folder 17	“Interpork Trailers”
Box 85 Folder 18	“Jon's Jeans”
Box 85 Folder 19	“Logos”
Box 85 Folder 20	“Macanudo”
Box 85 Folder 21	“Pachyderm Rig-Exterior”
Box 85 Folder 22	“Pachyderm Rig-Interior”
Box 85 Folder 23	“Pirates”
Box 85 Folder 24	“Regalia Exterior”
Box 85 Folder 25	“Regalia Interior”
Box 85 Folder 26	Rigs
Box 85 Folder 27	“Terminus-Docking Bay”
Box 85 Folder 28	“Terminus-Driving School/Dispatch Office”
Box 85 Folder 29	“Terminus Space Station”
Box 85 Folder 30	“Terminus Space Station-Sleep Lockers”
Box 85 Folder 31	“Space Suits”
Box 85 Folder 32	“Transgen”
Box 85 Folder 33	“Transgen Cobra Rig”
Box 85 Folder 34	“Zesty's Lair”
Box 85 Folder 35	Miscellaneous
	Original artwork, tracing paper mounted on card
Box 89 Folder 1	Untitled (Earth landscape?), Bruce McCall, 1994
Box 89 Folder 2	Terminus, Bruce McCall, 1994 September 26
Box 89 Folder 3	Terminus, Bruce McCall, 1994 September 30
Box 89 Folder 4-5	Terminus Space Station, Bruce McCall, 1994 August 31
Box 89 Folder 6	Terminus Space Station, Ext., Docking Bay, Bruce McCall, 1994 August 31
Box 89 Folder 7	Terminus Space Station, Fueling, Bruce McCall, 1994 August 31
Box 89 Folder 8	Terminus Space Station, Sleeping Lockers, Bruce McCall, 1994 August 31
Box 90 Folder 1	Terminus Space Station, Int. Sleep Locker, Bruce McCall, 1994 August 31
Box 90 Folder 2	Interstellar, Bruce McCall, 1994 September 27
Box 90 Folder 3	Student Rig-Views, Bruce McCall, 1994 September 30
Box 90 Folder 3	T. Tank, Soyama, 1995 October 7
Box 90 Folder 4	Student Rig, Bruce McCall, 1994 August 31
Box 90 Folder 5	Int. Student Rig, Bruce McCall, 1994 October 1
Box 90 Folder 6	Jackie & Mel's Rig, Bruce McCall, 1994 November 28
Box 90 Folder 7	Pachyderm Rig, Bruce McCall, 1994 September 26
Box 90 Folder 8	Pachyderm Rig, Bruce McCall, 1994 September 9
Box 90 Folder 9	Bus, Bruce McCall, 1994 October 12
Box 90 Folder 9	Police Vehicle, Bruce McCall, 1994 September 14
Box 91 Folder 1	Police, Bruce McCall, 1994 October 1
	Macanudo, Bruce McCall
Box 91 Folder 2	1994 September 9
Box 91 Folder 3	1994 September 26
Box 91 Folder 4	1994 September 9
Box 91 Folder 4	Macanudo, Yasushi Nirasawa, 1994 October 17
Box 91 Folder 5	Jackie & Mel, Bruce McCall, 1994 September 30
Box 91 Folder 6	Untitled (Jim Canyon at Terminus), Bruce McCall, undated
Box 91 Folder 7	Untitled, John, 1994 September 21
Box 91 Folder 8-9	Pachyderm Rig, John, 1994 January
	Logo, John
Box 91 Folder 10	1994 January
Box 91 Folder 11	Space Truckers, 1994 January
Box 91 Folder 11-15	1994 January
Box 92 Folder 1-3	1994 January
Box 92 Folder 4	Transgen Cobra Rig, Mark, 1994 October 25 (two views)
Box 92 Folder 5-9	Pachyderm Rig, Ron Cobb, 1994 September 16
Box 92 Folder 10	Pachyderm, Simon, 1994 December 22 (two views)
Box 92 Folder 11	Transgen Cobra Rig, Simon, 1994 August 31
	Original artwork, loose drawings on tracing paper
Box 93 Folder 1-3	Miscellaneous
Box 93 Folder 4	Bruce McCall
Box 93 Folder 5	Sorayama Hajime
Box 93 Folder 6	Nirasawa Yasushi
Box 93 Folder 7	Transgen/Earth
Box 93 Folder 8-9	Terminus
Box 93 Folder 10	Regalia
Box 93 Folder 11	Transgen: Cobra Rig
Box 93 Folder 12	Pachyderm Rig
Box 93 Folder 13	Macanudo
	Painting on card
Box 93 Folder 14	Untitled painting of the space station restaurant
Box 86 Folder 1	Model Shots/Layouts Scope and Content Note Scrapbook fold-out sheets with lists, artwork, blueprints, and photographs Set lists and stage layouts Pachyderm and Container Pachyderm-Interpork Container Crawl Space (Central Core of Pachyderm Container) Toilet Bathroom Zesty's Lair Regalia Int.-Macanudo's Bedroom Diner/Bar Keller's Office; Transgen Research Biomechanical Warriors Salvage Deck Space Lanes
Box 86 Folder 2	Set design drawings and blueprints Note: Separated from Pachyderm Productions office files.
Box 94 Folder 1	Terminus Space Station, Bruce McCall, 1994 August 31 Physical Description: extra large chalk-on-black-paper drawing
Box 94 Folder 2	Color photocopies of concept designs signed “P. Tatopoulos-94” Note: Possibly not related to Space Truckers.
Box 43 Folder 5-6	Stuart Gordon's Production Binder Scope and Content Note Crew List/Cast List Production Budget Cost Production Budget/Schedule FX Budget One-Liner Day-out-of-Days Strip Board Script Note: Originally in ring binder with Stuart Gordon's name on the spine.
	Budget
Box 44 Folder 1	General
Box 44 Folder 2	“CGI Budget”
Box 44 Folder 3	“Ireland Budget”
Box 44 Folder 4	“Mexico Budget”
Box 44 Folder 5	“Montreal Budget”
Box 44 Folder 6	“North Carolina Budget”
Box 44 Folder 7	“Post-production Budget”
Box 86 Folder 5	Cash flow, 1994 Scope and Content Note: 1994 charts with projections of 1995 production's cash flow.
Box 44 Folder 8	Schedules Scope and Content Note Draft shooting schedule, 1995 August 16 Final shooting schedule, 1995 September 2 Stripboard number 6 from Final shooting schedule, 1995 October 9 Post Production schedule, 1995 December Visual Effects shooting schedule, 1996 February
Box 44 Folder 9	Final Delivery Schedule, 1996 May
Box 44 Folder 10	Financial Reports, 1995 July-September
	Correspondence
Box 44 Folder 11	Letters and faxes to and from the Los Angeles offices, 1993-1997
Box 44 Folder 12	Letters and faxes to and from IAC Film Sales, 1992-1995; clippings on IAC's involvement; IAC flyer
Box 44 Folder 13	Letters and faxes to and from the Irish production offices, 1995 April 21-1996 August 29 Scope and Content Note: Mostly about production matters, but some discussion of the sales campaign for the finished film.
Box 45 Folder 1	Letters from family and friends to Stuart Gordon while in Ireland
Box 45 Folder 2	Costumes
Box 45 Folder 3	Props
Box 45 Folder 4	Weapons Photos
Box 45 Folder 5	Stock Shots Scope and Content Note: Inquiries and order forms for stock footage.
Box 45 Folder 6	Casting Scope and Content Note: Correspondence, including Creative Artists Agency letters; lists of possible castings, 1993-1995.
Box 45 Folder 7	Call Sheets and Progress Reports
Box 45 Folder 8	Stuart Gordon's handwritten production notes
Box 45 Folder 9	Production meeting minutes and other memoranda
Box 45 Folder 10	Continuity
Box 45 Folder 11	Travel Scope and Content Note: Correspondence and airplane reservation sheets, mostly for Stuart Gordon, some on general arrangements for cast and crew travel to and from the Irish shoot.
Box 45 Folder 12	Shipping Scope and Content Note: ATA Carnet instructions; correspondence regarding insuring shipments, sample pro forma invoices for customs clearance.
	North Carolina Location Shoot
Box 45 Folder 13	Résumés of potential crew members
Box 45 Folder 14	Schedule
Box 45 Folder 15	Color photocopies of photographs of airports Note: Separated from Pachyderm Productions office files.
Box 45 Folder 16	Canadian Facilities Scope and Content Note: Correspondence, flyers, vitae of technicians, regarding studio facilities in Montreal and Toronto.
	Post-production
Box 45 Folder 17	Correspondence
Box 46 Folder 1	Schedule
Box 46 Folder 2	Main Title credits Scope and Content Note: Drafts 15 to 19; Writers Guild form for Ted Mann and Stuart Gordon's writing credit; credits list for film Jumanji.
	Music
Box 46 Folder 3	Résumés of potential composers, and correspondence with them
Box 46 Folder 4	Correspondence on choice of composers and musical materials, 1996 March-June
Box 46 Folder 5	Opening Theme: lyrics
Box 46 Folder 6	“Temp Music”
	ADR
Box 46 Folder 7	Looping
Box 46 Folder 8-9	Post-Production Script, 1996 September 10
Box 46 Folder 10	Stuart Gordon's Notes on the Script, 1996 September 23
Box 46 Folder 11	Lab forms and notes on test rolls Note: For rolls, see Film.
	Distribution
	Pre-Release Screenings
Box 46 Folder 12	“Correspondence,” 1996 August 12 Scope and Content Note: Faxed letter from Amanda Kenyon of Goldcrest regarding preview screenings of the film.
Box 46 Folder 13	“Research Screenings” Scope and Content Note: Notes; screening survey blank form and sample completed form; correspondence, contracts, invitee lists, results of audience surveys, etc., for screenings in London, England, 1996 March 28; in Torrance, California, 1996 October 17; in Santa Ana, 1996 November 20; and at the University of Wisconsin-Madison, 1996 October 29
Box 46 Folder 14	“Organic Screening” Scope and Content Note: Benefit screening at the Organic Theatre, Chicago, 1997 January 9.
Box 46 Folder 15	“Disney Screenings” Scope and Content Note: Correspondence, invitee lists and invitations for 1997 January 21 and March 10, screenings at the Disney Studio, Burbank, California.
Box 46 Folder 16	Correspondence, 1995 May-1996 April
Box 46 Folder 17	MPAA Rating: clipping
	Publicity
Box 46 Folder 18	Press releases
Box 86 Folder 6	Press kits
Box 46 Folder 19	Production Notes (originally in Goldcrest folder); credits lists
Box 46 Folder 20	Draft and final version of synopsis
Box 46 Folder 21	Brochure
Box 93 Folder 15	Sterling Home Entertainment , 1999 brochure featuring Space Truckers
Box 94 Folder 3	Brochure and flyer masters
Box 94 Folder 4-5	Card-mounted publicity artwork
Box 47 Folder 1	Log lines
Box 47 Folder 2	Posters for German release
Oversize Folder 1 Item 9-10	English-language posters Physical Description: 1 poster (40x26-inches) ; 1 poster (41x28-inches)
Oversize Folder 2 Item 2	Concept drawings (two originals)
	Festivals
Box 47 Folder 3	Various (domestic) Scope and Content Note List of Film and TV Events, 1997 Austin, Texas, 1997 12th Annual 24-hour Science Fiction Marathon, Columbus, Ohio, 1998 April Dedham, Massachusetts, Film Festival, 1998 San Francisco Classically Independent Film Festival, 1998
Box 47 Folder 4	Various (international) Scope and Content Note Amsterdam, Holland, Fantasy Film Festival, 1996 Barcelona, Spain, Sitges Festival, 1997 October Berlin, Germany, 1997 January Espoo, Finland, Ciné Film Festival, 1997 August Mexico City, 1997 April Puchon, South Korea, 1997 August Starfix magazine, Paris
Box 86 Folder 7	American Film Market, 1995-1996 Scope and Content Note Correspondence regarding pre-production presentation, 1995 Goldcrest flyer (including Space Truckers) for 1996 event
Box 47 Folder 5	Fantasy Filmfest, Munich, Frankfurt, Stuttgart, Cologne, Hamburg and Berlin, Germany, 1997
Box 47 Folder 6	Cannes, France, 1994-1995 Scope and Content Note: Correspondence regarding pre-production presentations; JAC Publicity and Marketing Consultants brochure.
Box 47 Folder 7	Park City, Utah, Sundance Festival, 1997 January Scope and Content Note: Correspondence, clippings from Festival catalogue; schedule; travel documents; Film Guide.
Box 47 Folder 8	Vancouver, British Columbia, Canada, International Film Festival, 1997 October Scope and Content Note: Correspondence, contest ballots; clippings.
Box 47 Folder 9	International Box Office Reports, 1996 November-1997 May Note: Originally filed with Pre-Release Screenings folders.
	Clippings
Box 47 Folder 10	Press comment on the Irish shoot and Irish co-finance
Box 47 Folder 11	United States trade press comments and reviews
Box 47 Folder 12	United States reviews
Box 47 Folder 13	United Kingdom reviews
Box 48 Folder 1	German reviews
Box 48 Folder 2	Other international reviews
Box 48 Folder 3	Internet reviews
Box 48 Folder 4	Goldcrest Suit: correspondence
Box 48 Folder 5	Television screenings: HBO, 1999 January 9-30
	Video Version
Box 48 Folder 6	Notes on video pan-and-scan
Box 48 Folder 7	“United States Video Release, 1999 April 27”: clippings
Box 48 Folder 8	German-language flyer and correspondence regarding the German video version
	The Wonderful Ice Cream Suit Note: Film directed by Stuart Gordon, script by Ray Bradbury, adapted from his play and novel, produced by Touchstone Pictures for distribution by Buena Vista, 1998.
	Miscellaneous
Box 48 Folder 9	Correspondence with Roy Disney
	Script
Box 48 Folder 10	Correspondence with Ray Bradbury Scope and Content Note: Includes many script pages.
Box 48 Folder 11	“Story” Scope and Content Note: Photocopy of Ray Bradbury's story.
Box 48 Folder 12	“Play” Scope and Content Note: Playscript, photocopies of pictures of a stage production, clippings on the play. Note: For further reviews of the play, see “Organic Theatre” files above.
Box 48 Folder 13	Character sketches, 1996 April 1
Box 48 Folder 14	“The Wonderful Ice Cream Suit” / a screenplay by Ray Bradbury, based on his story and stage play 1995 September 5 Physical Description: Cyclostyled script Note: “Wonderful Ice Cream Suit, Master” on the spine.
Box 48 Folder 15	“The Wonderful Ice Cream Suit” / a screenplay by Ray Bradbury, based on his story and stage play Scope and Content Note: Computer printout of script with cover letter to Stuart Gordon, 1996 January 8.
	“The Wonderful Ice Cream Suit, a screenplay by Ray Bradbury”
Box 49 Folder 1	Second revision, 1996 March 1 Physical Description: Cyclostyled script Note: “Ice Cream Suit, Master, 1996 March 1” on the spine.
Box 49 Folder 2	Second revision, 1996 March 1-April 1 Physical Description: Cyclostyled script Note: “Ice Cream Suit, Formatted Master, 1996 April 1” on the spine.
Box 49 Folder 3	Second revision, 1996 April 1 Physical Description: Cyclostyled script Note: “Ice Cream Suit, Master, 1996 April 1” on the spine.
Box 49 Folder 4	Second revision, 1996 April 1 Physical Description: Cyclostyled script Note: “Casting Sides” on front cover and spine, postit notes with character names and page numbers, presumably for auditions.
Box 49 Folder 5	Second revision, 1996 April 1 Physical Description: Cyclostyled script Note: “Ice Cream Suit, Master, 1997 April 10” on the spine.
Box 49 Folder 6	1997 April 15 Physical Description: Cyclostyled script Note: “Ice Cream Suit, 1997 April 15” on the spine.
Box 49 Folder 7	1997 April 15 Physical Description: Cyclostyled script Note: Not identical to the above, nothing on the spine.
Box 49 Folder 8	1997 April 15 Physical Description: Cyclostyled script with interspersed handwritten pages Note: Nothing on the spine.
Box 49 Folder 9	1997 May 29 Physical Description: Cyclostyled script Note: “Master, 1997 May 29” on the spine.
Box 50 Folder 1	1997 June 2 Physical Description: Cyclostyled script Note: “Ice Cream Suit, 1997 June 2” on the spine.
Box 50 Folder 2	1997 June 3 Physical Description: Cyclostyled script Note: “Master, 1997 June 3” on the spine.
Box 50 Folder 3	Revised draft, 1997 June 3 Physical Description: Cyclostyled script Note: “Master, 1997 June 3 revised” on the spine.
Box 50 Folder 4	Revised draft, 1997 June 3 Physical Description: Cyclostyled script with handwritten emendations Note Identical to the item in Box 50, Folder 3, but with handwritten emendations. Nothing on the spine.
Box 50 Folder 5	Revised draft, 1997 July 10 Physical Description: Cyclostyled script Note: Nothing on the spine.
Box 50 Folder 6	Revised drafts, 1997 June 3, July 11, 22 Physical Description: Cyclostyled script Scope and Content Note: Revised pages marked “1997 July 11,” with separate blue pages dated “1997 July 22.” Note: “Ice Cream Suit, Master-Final, 1997 July 22” on the spine.
Box 50 Folder 7	Script pages and memos, various dates
Box 50 Folder 8	“Timing”: script timing, 1997 June 3
	Production
	Legal
Box 50 Folder 9	Contracts and other legal matters
Box 50 Folder 10	Los Angeles murals Scope and Content Note: Pictures and correspondence regarding clearances.
	Budget
Box 51 Folder 1-2	Budgets, 1996 June-1997 November
Box 51 Folder 3	Memos
	Design
Box 51 Folder 4	“Art Department” Scope and Content Note: Photocopies and correspondence.
Box 95 Folder 1	Concept artwork Physical Description: Color photocopies
	Storyboards
Box 51 Folder 5	Various dates
Box 51 Folder 6	Master set
Box 51 Folder 7	1997 August
Box 51 Folder 8	“Contacts list (Crew/Corporate)”
Box 52 Folder 1	Production Binder Scope and Content Note: Schedules, Crew List, Cast List, Schedule, Day/Days, Budget.
Box 52 Folder 2	Production Binder Scope and Content Note: Script, Storyboards.
	Casting
Box 86 Folder 8	Mercedes Ortega résumé and photocopied photographs
	Post-production
Box 52 Folder 3	Various, especially 1997 November reshoot and pickups
Box 52 Folder 4	Titles
	Distribution
Box 52 Folder 5	Preview audience surveys, 1997 November 6 and 25, 1998 March 19-20
	Publicity
Box 52 Folder 6	Artwork
Box 52 Folder 7	Press kit
Box 95 Folder 2	Herald Physical Description: Mounted on 12x15.5-inch card
Oversize Folder 1 Item 11	English-language poster Physical Description: 2 posters (40x26-inches)
	Awards, Festivals, Benefit Screenings (domestic)
Box 52 Folder 8	General Scope and Content Note: Correspondence; special screening schedules; festival rejections.
Box 53 Folder 1	Albuquerque, New Mexico, Benefit for New Mexico Hispanic Cultural Center (world premiere)
Box 53 Folder 2	Austin, Texas, Film Festival
Box 53 Folder 3	Boonville, California, 2nd Annual Solstice Film Fest, 1998
Box 53 Folder 4	Chicago, Illinois, Latino Festival, 1998
Box 53 Folder 4	International Film festival, 1998
Box 53 Folder 5	Cleveland, Ohio, 22nd International Film Festival, 1998
Box 53 Folder 6	Dallas, Texas, USA Film Festival, 1998
Box 53 Folder 6	Southern Methodist University, 1998 March
Box 53 Folder 7	Encino, California, Imagen Awards, 1998
Box 53 Folder 8	Flagstaff, Arizona, Worldfest, 1998
Box 53 Folder 9	Honolulu, Hawaii, International Film Festival, 1998
Box 53 Folder 10	Houston, Texas, Worldfest, 1998
Box 53 Folder 11	Larkspur, California, Latino Festival of Maris, 1998
Box 53 Folder 12	Los Angeles, California, AFI International Film Festival
Box 53 Folder 12	Hollywood Film Festival, 1998
Box 53 Folder 12	Sony-Latino Festival, 1998
Box 53 Folder 13	Mill Valley, California, Film Festival, 1998
Box 53 Folder 14	Nashville, Tennessee, Independent Film Festival, 1998
Box 54 Folder 1	New York City, New York, Urbanworld Film Festival, 1998
Box 54 Folder 2	Newport Beach, California, International Film Festival, 1998
Box 54 Folder 3	Orlando, Florida, Film festival, 1998
Box 54 Folder 4	Park City, Utah, Sundance Festival screening, 1998 January 23
Box 54 Folder 5	Rehoboth Beach, Delaware, Independent Film Festival, 1998
Box 54 Folder 6	San Antonio, Texas, Guadalupe Cultural Arts Center CineFestival, 1998
Box 54 Folder 7	San Diego, California, Latino Film Festival, 1998
Box 54 Folder 7	Film Festival, 1998
Box 54 Folder 8	San Francisco, California, Classically Independent Film Festival, 1998
Box 54 Folder 9	San Jose, California, Film Festival, 1998
Box 54 Folder 10	San Juan, Puerto Rico, Cinemafest, 1998
Box 54 Folder 11	Santa Barbara, California, International Film Festival, 1998
Box 54 Folder 12	Santa Monica, California, Film Festival
Box 54 Folder 13	Seattle, Washington, Mira Festival de Cine y Video Latino, 1998
Box 54 Folder 13	International Film Festival, 1998
Box 54 Folder 14	Taos, New Mexico, Film Festival, 1998
Box 54 Folder 15	Washington, D.C.: Cruzando Fronteras Filmfest, 1998
	Festivals (international)
Box 54 Folder 16	Correspondence and rejections
Box 54 Folder 17	Malaga, Spain, Film festival, 1998
Box 54 Folder 18	Munich, Frankfurt, Stuttgart, Cologne, Hamburg, Berlin, Germany, Fantasy Filmfest 1998
Box 54 Folder 19	Porto, Portugal, Fantasporto, Festival Internacional de Cinema, 1998
Box 54 Folder 20	Rome, Italy, 18th Fantafestival, 1998
Box 55 Folder 1	Special screening schedule and press commentary, 1999 February-March
Box 55 Folder 2	Chicago premiere press kit
Box 55 Folder 3	Clippings
Box 55 Folder 4	Letters from the public
Box 55 Folder 5	Video release: publicity materials
	Progeny Note: Film directed by Brian Yuzna, script by Aubrey Solomon, story by Stuart Gordon and Aubrey Solomon, produced by Progeny Film Inc., world premiere, Cannes Film Festival, 1998 May 14; United States video release by Lions Gate, 1999 March 30.
	Script
Box 55 Folder 6	Letter-size ruled pad with story notes by Stuart Gordon Note: Also notes on “The Wonderful Ice Cream Suit” and other matters.
	“'Progeny', screenplay by Aubrey Solomon, story by Aubrey Solomon and Stuart Gordon [...]”
Box 55 Folder 7	1997 January 27 Physical Description: Typescript Note: “Progeny, Master, 1997 January 27” on spine.
Box 55 Folder 8	1997 February 25 Physical Description: Typescript Note: “Progeny, Master, 1997 February 25” on spine.
Box 55 Folder 9	Notes, 1997 February 25 Physical Description: Typescript Note: “Progeny, SG Notes, 1997 February 25” on spine.
Box 55 Folder 10	1997 February 27 Physical Description: Typescript Note: “Progeny, Master, 1997 February 27” on spine.
Box 55 Folder 11	1997 March 27 Physical Description: Typescript, plus additional hand-corrected pages Note: “Progeny, Master, 1997 March 27” on spine.
Box 55 Folder 12	1997 April 4 Physical Description: Typescript
Box 56 Folder 1	“1997 April 7” Physical Description: Typescript
Box 56 Folder 2	1997 April 8 Physical Description: Typescript Note: “Progeny, Master, 1997 April 8” on spine.
Box 56 Folder 3-5	“Progeny”: script, undated
Box 56 Folder 6	“Progeny” / screenplay by Aubrey Solomon, story by Aubrey Solomon and Stuart Gordon [...] 1997 May 15 Physical Description: Typescript Note: “Progeny, Master, 1997 May 15” on spine.
Box 56 Folder 7	Handwritten inserts and emended typescript pages
	Distribution
Box 56 Folder 8	Publicity Scope and Content Note: Flyer and French poster (folded).
Box 56 Folder 9	Clippings
	Fortress II Note: Film directed by David Murphy, script by Steven Feinberg and Troy Neighbors, produced by Carousel Pictures Company, distributed in the United States by Tri-Star Pictures, 2000 (Stuart Gordon has no official credit for this film, except that it is a sequel to Fortress, which he directed).
	Script
Box 56 Folder 10	Treatments, 1993 March 22-November 3
	Production
Box 56 Folder 11	Schedule
Box 56 Folder 12	Clippings on the production
	Faust: Love of the Damned Note: Film directed by Brian Yuzna, script by David Quinn, from the comic strip by David Quinn and Tim Vigil, first released in Spain, 2001 February 2; distributed in the United States by Lion's Gate (Stuart Gordon has no official credit on this film).
	Script
Box 56 Folder 13	Comic strip: Faust, Rebel Edition, 1992, acts 3 and 4
Box 57 Folder 1	Photocopy of “Faust” comic strip, 1988 Note: “Faust, Comic Bk. (Master), Quinn & Vigil” on spine.
Box 57 Folder 2	“Faust” : 'Garbage Draft' [...] Quinn, 1992 November 3 Physical Description: Typescript Note: “Faust, 1992 November 3” on spine.
Box 57 Folder 3	“Faust” : 'Garbage Draft' [...] Quinn, 1992 November 3 Physical Description: Typescript with many handwritten emendations Note Identical to the item in Box 57, Folder 2, but with handwritten emendations. “Faust, 1992 November 3, with notes” on spine.
	“Faust” / screenplay by David Quinn, based on the graphic novel by David Quinn and Tim Vigil
Box 57 Folder 4	First draft, 1993 January 26 Physical Description: Typescript Note: “Faust, 1993 January 26, Master” on spine.
Box 57 Folder 5	First draft, 1993 January 26 Physical Description: Typescript with handwritten annotations and emendations Note Identical to the item in Box 57, Folder 4, but with handwritten annotations and emendations. “Faust/S.G. Notes, 1993 January 26” on spine.
	“Faust, based on the graphic novel by David Quinn and Tim Vigil, screenplay by David Quinn”
Box 57 Folder 6	Second draft, 1993 March 29 Physical Description: Typescript Note: “Faust, Master, 1993 March 29” on spine.
Box 57 Folder 7	Second draft, 1993 March 29 Physical Description: Typescript with handwritten annotations and emendations Note Identical to the item in Box 57, Folder 6, but with handwritten annotations and emendations. “Faust, SG Notes/2nd Draft, 1993 March 29” on spine.
Box 57 Folder 8	Third draft, 1993 April 11, 1993 Physical Description: Typescript Note: “Faust/Quinn, Master, 1993 April 11” on spine.
Box 58 Folder 1	Third draft, 1993 April 11 Physical Description: Typescript with handwritten annotations and emendations Note Identical to the item in Box 57, Folder 8, but with handwritten annotations and emendations. “Faust, S.G. Notes/Quinn, 1993 April 11” on spine.
Box 58 Folder 2	“'Faust', written by David Quinn and Ted Chalmers, based on the comic book by David Quinn & Tim Vigil” Physical Description: Typescript Note: “Faust, Master, 1993 April 23” on spine.
Box 58 Folder 3	“'Faust', written by David Quinn and Ted Chalmers, based on the comic book by David Quinn & Tim Vigil” Physical Description: Typescript Note: “Faust, Master, 1993 April 27” on spine.
	“'Faust', screenplay by David Quinn and Ted Chalmers, based on the comic book series by David Quinn & Tim Vigil”
Box 58 Folder 4	1993 April 27 Physical Description: Typescript with handwritten emendations Note Identical to the item in Box 58, Folder 3, but with handwritten emendations. “Faust, S.G. Notes April 27, 1993” on spine.
Box 58 Folder 5	First draft, 1993 April 28 Physical Description: Typescript Note: “Faust, Master, 1993 April 28” on spine.
Box 58 Folder 6	First draft, 1993 August 4 Physical Description: Typescript Note: “Faust, Master, 1993 August 4” on spine.
Box 58 Folder 7	First draft, 1993 August 26 Physical Description: Typescript Note: “Faust, Master, 1993 August 26” on spine.
	“'Faust', screenplay by David Quinn and Ted Chalmers, based on the comic book series by David Quinn & Tim Vigil”
Box 58 Folder 8	“'Faust'” / screenplay by David Quinn and Ted Chalmers, based on the comic book series by David Quinn & Tim Vigil, second draft 1993 September 3 Physical Description: Typescript Note: “Faust, Master/Chalmers, 1993 September 3” on spine.
	“Faust” / screenplay by David Quinn, based on the comic book series by David Quinn & Tim Vigil”
Box 59 Folder 1	DQ second draft, 1993 September 10 Physical Description: Typescript Note: “Faust, Master/Quinn, 1993 September 10” on spine.
Box 59 Folder 2	Producers Michael Burnett Ted Chalmers, Director Stuart Gordon, second draft 1993 September 30 Physical Description: Typescript Note: “Faust, Master, 1993 September 30” on spine.
Box 59 Folder 3	1993 October Physical Description: Typescript Note: “Faust, Master, 1993 October” on spine.
	Production Files
Box 59 Folder 4	Casting ideas
	Dagon Note: Film directed by Stuart Gordon, script by Dennis Paoli from stories by H.P. Lovecraft, produced by Castelau Producciones, released in Spain, 2001 October 31; United States video release, 2002 July 23. The film was first proposed (as “Shadow over Innsmouth”) in 1985, and preparatory work on script, design, budget, location research, and schedule was done in 1988, but the film was not then completed. The project was revived again in 1998 and produced in Spain in 2000-2001.
	Script
Box 59 Folder 5	H.P. Lovecraft, “The Shadow over Innsmouth” Scope and Content Note: Web printout; photocopy of published version.
Box 59 Folder 6	Title page of a script, dated 1985 May 10 Note: Originally in envelope labeled “Cover Sheet.”
Box 59 Folder 6	Letter from Brian Yuzna to Dennis Paoli, 1985 May 30, with photocopy of check for $1,000 for the script Note: Originally in envelope labeled “Cover Sheet.”
Box 59 Folder 7	“H.P. Lovecraft's Dagon” / screenplay by Dennis Paoli [...], 1985 May 10 Physical Description: Typescript Note: “Dagon, 1985 May 10” on spine.
Box 59 Folder 8	Two treatments entitled “The Shadow over Innsmouth,” one dated 1988 March 22 Note: Including annotated copy.
Box 59 Folder 9	Script revisions, 1988 April 25
Box 59 Folder 9	Notes in response to the revised script, 1988 May
Box 59 Folder 10	Correspondence, 1991-1992 Scope and Content Note: Rejection letters from MGM and Largo Entertainment.
Box 59 Folder 11	Treatments Scope and Content Note “Dagon, adapted from the stories of H.P. Lovecraft, by Dennis Paoli,” undated, but faxed 1999 April 14 “H.P. Lovecraft's Dagon, a treatment for a feature film by Dennis Paoli,” undated (both the 1999 version)
Box 59 Folder 12	“H.P. Lovecraft's Dagon, A Screenplay by Dennis Paoli,” undated Physical Description: Typescript (1999 version) with a few handwritten emendations
Box 59 Folder 13	“Spanish Rewrite,” 1999 September 3 Physical Description: 2 typescripts
Box 60 Folder 1	“Children of Dagon” / by Dennis Paoli, 2000 June 12 Physical Description: Typescript with handwritten emendations Scope and Content Note: Includes folded cover sheet from identical copy, marked: “H.P. Lovecraft's Dagon, screenplay by Dennis Paoli [...] Registered WGAE, 2000 June 14.” Note: “2000 June 14, Dagon, first draft-original” on spine.
Box 60 Folder 2	“Children of Dagon, by Dennis Paoli, 2000 June 21” Scope and Content Note: Typescript of screenplay with correspondence between Stuart Gordon and Dennis Paoli.
Box 60 Folder 3	“H.P. Lovecraft's Dagon, screenplay by Dennis Paoli” Physical Description: Typescript with handwritten emendations Note: Originally in envelope labeled “Dagon, 2000 August 10,” with “10” crossed out and “3rd” substituted.
Box 60 Folder 4	“H.P. Lovecraft's Dagon” / by Dennis Paoli, Castelao Productions, S.A., [...] 2000 August 10 Physical Description: Typescript
Box 60 Folder 5	Comments on the script, 2000
	Production, 1988
	Research
Box 60 Folder 6	Photocopies and web printouts of articles on Dagon worship, H.P. Lovecraft, fish
Box 60 Folder 7	Louise Armstrong, Kiss Daddy Goodnight: A Speak-out on Incest (New York, Hawthorn, 1978) Physical Description: Photocopy
Box 60 Folder 8	Carolyn Ellis, Fisher Folk, Two Communities on Chesapeake Bay (Lexington: University of Kentucky Press, 1986) Physical Description: Photocopy
	Location research, 1988 Note: See also Box 96 and Photographs.
Box 60 Folder 9	Articles, maps and correspondence regarding Altoona and Anacortes, Washington Note: Originally in folder labeled “Skamokawa, Washington-Information”
Box 60 Folder 10	“California, Film Location Information” Scope and Content Note: Maps and guide books and filming guides to potential locations in California.
Box 61 Folder 1	“Oregon/Washington Location Information” Scope and Content Note: Maps and guides to potential locations in Washington and Oregon.
Box 96 Folder 1	Location photographs mounted on heavy paper and card
	Legal
Box 61 Folder 2	Deal Memo, 1988
	Design Note: See also Box 96.
Box 61 Folder 3	Concept correspondence, 1988 Scope and Content Note: Drawings and photographs by Bernie Wrightson, John Zane, Dick Smith, and others.
Box 61 Folder 4	Character concepts, 1988
Box 61 Folder 5	Character concepts by Rick Brophy and Kames Cummings, 1988 February 2
Box 61 Folder 6	Photocopies of concept artwork by Peter von Sholly, undated
Box 96 Folder 2	Numbered originals
Box 96 Folder 3	Unnumbered originals
	Storyboards
Box 61 Folder 7-8	Storyboards for , 1988 production Note: Originally in hanging file labeled “Storyboards.”
Box 61 Folder 9	Extra Storyboards
Box 86 Folder 9	Originals, 2000 production
	Make-up and Special Effects
Box 61 Folder 10	Breakdowns, bids, and résumés of technical personnel, 1988
	Breakdown, 1988
Box 61 Folder 11	First Breakdown, 1988 April 25
Box 62 Folder 1	Breakdown Pages
Box 62 Folder 2	“Lastest Breakdown,” 1988 April 27
	Budget
Box 62 Folder 3	Walker Stuart Budget, 1988 March 28
Box 62 Folder 4	General
Box 62 Folder 5	Six week budget
Box 62 Folder 6	Seven week budget
Box 62 Folder 7	Eight week budget
Box 62 Folder 8	Nine week budget
Box 62 Folder 9	Schedules, 1988 Scope and Content Note: Nine week schedule.
Box 62 Folder 10	Correspondence, 1985-1989
Box 62 Folder 11	Pictures from Stuart Gordon's office walls, 1988
	Cast and Crew
Box 62 Folder 12	Lists of prospects, résumés and casting photos, 1988
Box 62 Folder 13	Crew résumés and lists, 1988 Scope and Content Note Director (Stuart Gordon) Art director Costume designers Dance troupes Directors of photography Writers Miscellaneous
Box 62 Folder 14	Clean Casting Lists, 1988
Box 62 Folder 15	Stuart Gordon's production binder, 1988 Scope and Content Note Break Down Budget Cash Flow Bank Balance Day/Day 8 Week Board Script Note: Originally in ring binder with separators so labeled.
Box 86 Folder 10	Stuart Gordon's spiral-bound notebook, with schedule dated 2000 August 21, notes and sketches
Box 63 Folder 1	Clippings regarding collapse of the , 1988 production
Box 63 Folder 2	Marty Kline cartoon on the failure of the , 1988 production Note: Originally in envelope labeled “Marty Kline Innsmouth Cartoon Original.”
	Production, 2000
	Research
	Locations
Box 63 Folder 3	“Dagon/Scouted Locations” Scope and Content Note: Brochure on Vigo, Spain.
	Legal
Box 63 Folder 4	“Copyright,” 1998 Scope and Content Note: Correspondence regarding copyright to the H.P. Lovecraft story.
Box 63 Folder 5	Peter Newman, 2001-2002 Scope and Content Note: Correspondence, 2001-2002, regarding Newman's claim to own rights to the script dating to the 1988 production.
Box 63 Folder 6	“Deal Memo”
Box 63 Folder 7	Stuart Gordon's contract, 1999-2000 Scope and Content Note: Correspondence, drafts, 1999-2000.
Box 63 Folder 8	Correspondence regarding Stuart Gordon's payment as director
	Design
	Concept drawings by Richard Raaphorst, 1999 Note: Photocopies except for the first folder.
Box 63 Folder 9	“Richard Raaphorst Originals”
Box 63 Folder 10	“Dagon Squid People Conceptual Art”
Box 63 Folder 11	“Dagon Townfolk Concept Art”
Box 63 Folder 12	“Dagon Barbara Conceptual Art”
Box 63 Folder 13	“Dagon Grandpa Conceptual Art”
Box 63 Folder 14	“Dagon Monolith Conceptual Art”
Box 63 Folder 15	“Dagon Final Scene, Richard Raaphorst, 2000 August 21”
Box 63 Folder 16	“Dagon Uxia Conceptual Art”
Box 63 Folder 17	“Dagon Conceptual Art”
Box 63 Folder 18	Richard Raaphorst album Note: Inscribed “To my friend Stuart Gordon, Greets and take care, Richard Raaphorst.”
Box 63 Folder 19	Drawings of fish-people, et cetera, many signed “Sandoval” Physical Description: Color photocopies
	Storyboards
Box 63 Folder 20	Set of black-and-white photocopied storyboards with Stuart Gordon's name on the cover; color photocopy storyboards of opening Note: Originally in envelope labeled “Dagon Story Boards.”
Box 63 Folder 21	CG Storyboards: photocopies and originals Note: Originally in folder labeled “CG Storyboards, originals.”
Box 63 Folder 22	Storyboards, 2000 August 10
Box 64 Folder 1	Storyboards, 2000 September 27-28
Box 64 Folder 2	Correspondence, 1998 December 17-1999 August 4
Box 64 Folder 3	Casting, 1999 Scope and Content Note Correspondence Résumés Lists
Box 64 Folder 4	Stuart Gordon's production binder, 2000-2001 Scope and Content Note Post-production schedule Contact list Marked up script Schedule (in Spanish) Day Out of Days Costa Brava meteorological data Budgets
Box 64 Folder 5	Spanish visa requirements; proof of Spanish residency
Box 64 Folder 6	Personnel, maps, schedules for Calella and Galicia shoots, 2001 November-December
Box 64 Folder 7	Miscellaneous correspondence about the production
Box 64 Folder 8	Correspondence received during the production about other matters (where relevant separated to other projects)
	Post-Production
	Music
Box 64 Folder 9	Pages of score by Carlos Cases, correspondence, résumés of Carles Cases and Carlos Núñez
Box 64 Folder 10	Inserts
Box 64 Folder 11	CG work Scope and Content Note Schedule List of scenes Cast list Storyboards (originals) Notes Credit lists for titles Note: Originally in folder labeled “C.G.”.
Box 64 Folder 12	Dubbing script Note: Originally in folder labeled “Dagon Mix.”
	Distribution
Box 64 Folder 13	Correspondence
	Publicity
Box 64 Folder 14	Design for flyers
Box 64 Folder 15	Two Spanish-language souvenir programs
Box 96 Folder 4	Spanish poster
	Festivals and other Special Screenings
Box 64 Folder 16	United States Scope and Content Note Chicago, Illinois, Fantastic Film festival, 2002 June New York City, New York, Anthology Film Archives, 2002 May Los Angeles, California, American Cinematheque, 2002 May-June Olympia, Washington, 2002 October Seattle, Washington, Northwest Film Forum, 2002 June
Box 64 Folder 17	International Scope and Content Note Leeds, England, 2002 October Barcelona, Spain, Sitges, 2001 October
	Clippings
Box 65 Folder 1	United States trade press
Box 65 Folder 2	United States lay press
Box 65 Folder 3	Spanish release Scope and Content Note: Distributor's clippings book.
Box 65 Folder 4	Spanish release Scope and Content Note: Loose clippings.
Box 86 Folder 11	Spanish release Scope and Content Note: Loose clippings.
Box 65 Folder 5	Web
	Deathbed Note: Film directed by Danny Draven, produced by Stuart Gordon, script by John Strysik, produced by Darkwave Films for distribution by Full Moon Pictures, released in the United States, 2002 September 24.
	Script
	“Deathbed, a Screenplay by John Strysik”
Box 65 Folder 6	2000 March 8 Physical Description: Typescript
Box 65 Folder 7	2000 June 9 Physical Description: Typescript Note: Originally in envelope marked “Deathbed, 2000 June 10.”
Box 66 Folder 1	2001 Physical Description: Typescript Note: Originally in envelope marked “Deathbed, 2001 September 14.”
Box 66 Folder 2	2001 October 7 Physical Description: Typescript Note: Originally in envelope marked “Deathbed, Master, 2001 October 9.”
Box 66 Folder 3	“Hallowe'en”, 2001 Physical Description: Typescript Note: Originally in envelope marked “Deathbed, Master, 2001 November 7.”
Box 66 Folder 4	Production draft, shooting script 2002 March 29 Physical Description: Typescript
	Production
	Legal
Box 66 Folder 5	Agreement between Stuart Gordon and John Strysik regarding the screenplay
Box 66 Folder 6	Stuart Gordon's contract as producer
Box 66 Folder 7	Crew Scope and Content Note: Résumés of Johhny R. Long and Danny Draven.
Box 66 Folder 8	Production Binder Scope and Content Note Contact List Locations Shooting Schedule Day of Days Wardrobe List
Box 66 Folder 9	Miscellaneous Production memoranda and Lists Scope and Content Note Crew contact list Cast list Cast contact list Cast résumés and photocopied photographs Location and contact list Set listing Set dressing list Prop list Studio layout Graphics list Design and Special Effects Schedules Scene reports Invoices Budget correspondence
	Distribution
	Publicity
Box 66 Folder 10	Synopsis
Box 66 Folder 11	Trailer
Box 66 Folder 12	Clippings
	King of the Ants Note: Film directed by Stuart Gordon, script by Charles Higson from his novel, produced by Anthill Productions, distributed in the United States by The Asylum, 2003.
	Script
Box 66 Folder 13	Charles Higson, King of the Ants (Harmondsworth: Penguin Books, 1993) Physical Description: Photocopy
Box 66 Folder 14	“King of the Ants” / by Charles Higson : draft 4, 1996 March Physical Description: Cyclostyled script Note: “King of the Ants, Master, 4th Draft” on spine.
Box 66 Folder 15	Revised pages of the end of a script, with cover letter by Charles Higson Note: Originally in envelope postmarked 1996 April.
	“King of the Ants, by Charles Higson”
Box 67 Folder 1	Draft 4, 1996 May Physical Description: Cyclostyled script Scope and Content Note: Includes accompanying letter, 2001 May 23, by Alexandra Cann.
Box 67 Folder 2	Draft 5, 1998 May Physical Description: Typescript
Box 67 Folder 3	Untitled script Note: Originally in envelope labeled “King of the Ants, 6th draft, 2001 June 11, Original.”
	“King of the Ants, by Charles Higson”
Box 67 Folder 4	Sixth draft, second revision 2001 June 20 Physical Description: Typescript Note: Originally in envelope labeled “King of the Ants, 2nd revision, 2001 June 20.”
Box 67 Folder 5	undated Physical Description: Typescript Note: “King of the Ants, Master” on spine.
Box 67 Folder 6	Script pages
Box 67 Folder 7	Correspondence about the script, 1985-2001 Scope and Content Note: Includes reader's reports.
	Production
Box 67 Folder 8	Miscellaneous Scope and Content Note: Correspondence, crew résumés, et cetera. Note: Originally in folder labeled “King of the Ants-Production.”
	Legal
Box 67 Folder 9	Agreement with Charles Higson for rights in novel and script, 1994
Box 67 Folder 10	Co-production deal, 2001 Scope and Content Note: Correspondence regarding co-production deal between The Global Asylum Inc., Red Hen Productions, and the Hecht Company. Note: Originally in folder labeled “Asylum-Ants.”
Box 67 Folder 11	Correspondence regarding Stuart Gordon's director's agreement, 2002
Box 67 Folder 12	Screen Actors Guild Film Contract Digest
	Design
Box 67 Folder 13	Makeup
Box 67 Folder 14	Storyboards
Box 67 Folder 15	Calendar Note: Originally in envelope labeled “King of the Ants, Calendar, original.”
Box 68 Folder 1	Casting
Box 68 Folder 2	Cast and crew contact list
Box 68 Folder 3	“Schedules”
Box 68 Folder 4	“DV Budget Notes”
Box 68 Folder 5	“DV Schedule”
Box 68 Folder 6	Script Supervisor's notes
	Post-Production
Box 68 Folder 7	ADR
Box 68 Folder 8	Opticals and End Titles
	Distribution
	Research screenings
Box 68 Folder 9	Blank reaction form and filled out forms for unspecified research screening
	Reaction forms
	North Carolina School of the Arts
Box 68 Folder 10	2002 December 6, 9:30 a.m.
Box 68 Folder 11	2002 December 6, 12:00 noon
	No specified location
Box 68 Folder 12	2003 January 3
Box 68 Folder 13	2003 January 27
	Publicity
Box 68 Folder 14	Public Relations Campaign Outline, 2003 April
Box 68 Folder 14	Synopses, undated
Box 68 Folder 15	Artwork Scope and Content Note: Postcard heralds, flyers.
	Film Festivals and other Special Screenings: International
Box 68 Folder 16	Amsterdam, Netherlands, 20th Fantastic Film festival, 2004 April
Box 68 Folder 17	Brussels, Belgium, International Festival of Fantastic Film, 2004 March
Box 69 Folder 1	Copenhagen, Denmark, Dansk Filminstitutet, 2003 October
Box 69 Folder 2	Leeds, England, International Film Festival, 2003 October
Box 69 Folder 3	Luxembourg, Cinenygma, 2004 March-April
Box 69 Folder 4	Montreal, Quebec, Canada, Fantasia Festival, 2003 July-August
Box 69 Folder 5	Munich, Fantasy Filmfest, 2003 July
Box 69 Folder 6	Neuchâtel, Switzerland, International Fantasy Film Festival, 2004 June-July
Box 69 Folder 7	Puchon, S. Korea, Puchon International Fantastic Film Festival, 2004 July
Box 69 Folder 8	Sitges, Spain, Festival Internacional de Cinema de Catalunya, 2003 November-December
	Film Festivals and other special screenings: Domestic
Box 69 Folder 9	Austin, Texas, Alamo Drafthouse Cinema, 2003 December
Box 69 Folder 10	Baytowne Wharf, Florida, Film Festival, 2004 October
Box 69 Folder 11	Los Angeles, California, Egyptian Theatre, 2003 August
Box 69 Folder 12	Olympia, Washington, Film Festival, 2003 November
Box 69 Folder 13	Pensacola Bay, Florida, International Film and Television Festival, 2004 March
Box 70 Folder 1	Seattle, Washington, International Film Festival, 2003 May-June
	Clippings
Box 70 Folder 2	United States Press
Box 70 Folder 3	International
Box 70 Folder 4	Web
Box 70 Folder 5	DVD: The Asylum brochure including King of the Ants
Box 70 Folder 6	Motion Picture Sound Track CD: artwork for disc and jewel case
	Edmond Note: Film directed by Stuart Gordon, script by David Mamet from his play, produced by 120dB Films, distributed in the United States by First Independent Pictures, 2006; first screening at the Venice Film Festival, 2005 August 31.
	Script
Box 70 Folder 7	Edmond, a Drama, by David Mamet (New York: Samuel French, playtext, 1983)
Box 70 Folder 8	Clippings on the play Note: Originally in folder labeled “Research.”
	“Edmond, Screenplay by David Mamet, based on his play”
Box 70 Folder 9	undated Physical Description: Typescript
Box 70 Folder 10	2004 December 9 Physical Description: Typescript Note Originally in envelope marked “Edmond, 1st Revision, 2004 December 9.” Typescript marked “Do not copy, incorrect dialogue.”
	Production
	Legal
Box 70 Folder 11	Option agreement between David Mamet and Stuart Gordon on the play, 2003
Box 70 Folder 11	Option agreement between David Mamet and Muse Productions, October 2004
Box 70 Folder 12	Stuart Gordon's director's agreement, 2004
Box 70 Folder 13	Agreements with financial backers of the production Scope and Content Note The Global Asylum Inc. Magic Lamp Distribution Services, LLC Harris Mann (The Post Group) Moda Entertainment, Muse Productions New Film International Laura Jane Salvato
Box 70 Folder 14	Letters of intent from Bill Macy and Julia Stiles
Box 71 Folder 1	Draft budgets Note: Originally in folder marked “Obsolete Budgets by Various Producers.”
Box 71 Folder 2	Schedule
	Cast and Crew
Box 71 Folder 3	Crew résumés
Box 71 Folder 4	Casting
Box 71 Folder 5	Casting Callbacks, 2005 January 14
Box 71 Folder 6	Prop list
Box 71 Folder 7	Production Notes
Box 71 Folder 8	Daily Production Reports
Box 71 Folder 9	Wrap Party Scope and Content Note: Invitation and congratulatory correspondence.
	Post-production
Box 71 Folder 10	Supervision by Daniel Voltz
Box 71 Folder 11	Insert Shoot Note: Originally in envelope labeled “Edmond, Insert Shoot, 2005 April 29 & May 1.”
Box 71 Folder 12	“Naughty Words” Scope and Content Note: Script pages with words needing to be covered with wild lines.
Box 71 Folder 13	ADR
Box 71 Folder 14	Titles
	Distribution
	Publicity
Box 71 Folder 15	Press Kit
	International Festivals
Box 71 Folder 16	Deauville, France, Festival of American Film, 2005 September
Box 71 Folder 17	London, England, International Festival of Science Fiction and Fantastic Film, 2007 May
Box 71 Folder 18	Mar del Plata, Argentina, Festival Internacional de Cine, 2006 March
Box 71 Folder 19	Venice, Italy, Mostra internazionale d'arte cinematografico, 2005 August-September
	Domestic Festivals and other Special Screenings
Box 71 Folder 20	Dallas, Texas, USA Film Festival, 2006 April-May
Box 72 Folder 1	Los Angeles, California, Silver Lake Film Festival, 2006 March
Box 72 Folder 2	Telluride, Colorado, Film Festival, 2005 September
Box 72 Folder 3	Tucson, Arizona, The Loft, 2006 August
Box 72 Folder 4	Proposed sale of domestic rights: correspondence
	Clippings
Box 72 Folder 5	Box office
Box 72 Folder 6	United States reviews and related pieces
Box 72 Folder 7	International reviews
	Stuck Note: Film directed by Stuart Gordon, script by Stuart Gordon and John Strysik, produced by Prodigy Pictures and Amicus Entertainment, premiered at the Cannes Film Festival, 2007 May 21; United States release, 2008 May 30.
	Distribution
Box 72 Folder 8	Publicity: Flyers
	Series: Video	⇧
	Kid Safe: The Video Note: Educational video written and directed by Stuart Gordon, produced by Master Digital Inc., and distributed by the American Academy of Pediatrics in 1988.
	Production
Box 72 Folder 9	Concept; Handwritten script notes; Correspondence; Contract; Budgets; Call Sheets; Sound Notes; Credits; Publiscity materials; research on children's reactions to the video, 1988 Note: Originally in envelope labeled “Kid Safe, the Video, 1988 July-August.”
Box 72 Folder 10	Production binder, with labeled sub-sections Scope and Content Note Schedule Cast Crew Script
	Distribution
Box 86 Folder 12	Brochure on the Kid Safe program Scope and Content Note Includes various California mayoral endorsements. Originally in envelope labeled “Kid Safe, the Video, 1988 July-September.”
	Series: Broadcast Television	⇧
	Masters of Horror Note: Television series by Showtime broadcast from 2005 October 28-2007 February 2.
	General
Box 72 Folder 11	Copyright search results on “The Lurking Fear” for an unproduced episode
Box 72 Folder 12	Clippings on the series
	Season 1, Episode 2: Dreams in the Witch House Note: Directed by Stuart Gordon, script by Stuart Gordon and Dennis Paoli, based on a story by H.P. Lovecraft, first broadcast 2005 November 4.
	Script
Box 72 Folder 13	Hand-annotated typescript of script, undated
Box 72 Folder 14	Hand-annotated typescript of script, undated Note: Originally in envelope marked “Dreams in the Witch House, 2nd Draft.”
Box 72 Folder 15	“H.P. Lovecraft's Dreams in the Witch House” / by Stuart Gordon and Dennis Paoli, 2005 May 3 Physical Description: Typescript Note: An identical copy originally in envelope labeled “Master, Dreams in the Witch House, Final Draft, 2005 May 3.”
Box 72 Folder 16	Outline, 2004 December 28, and correspondence on the script
	Production
	Legal
Box 72 Folder 1	Copyright search results
Box 72 Folder 2	Director's and writer's agreements
Box 72 Folder 3	Clearances
	Design
Box 72 Folder 4	Locations, sets, “Additional storyboards,” special effects
Box 72 Folder 5	Casting
Box 72 Folder 6	Director's production binder Scope and Content Note Insert list with storyboards Prep memos Director's shot list One liner Day out of Days Script Cast deals Casting lists Shooting schedule Extras Locations VFX Prosthetics Storyboards/Art Department Clearances Music Costumes Props Special FX/Equipment Vehicles Post/Timing Stunts Travel memos Crew list
Box 72 Folder 7	Additional director's files Scope and Content Note Prep schedule Crew list Script, 2005 March 10-June 8
Box 72 Folder 8	Correspondence
	Post-production
Box 72 Folder 9	ADR
	Broadcasting
	Publicity
Box 72 Folder 10	Synopses and Variety Comic-Con presentation
Box 72 Folder 11	Clippings
	Season 2, Episode 11: The Black Cat Note: Directed by Stuart Gordon, script by Stuart Gordon and Dennis Paoli, based on a story by Edgar Allen Poe, first broadcast 2007 January 19.
	Script
Box 72 Folder 12	Synopsis
Box 72 Folder 13	Typescript, undated
	“Black Cat”
Box 72 Folder 14	Second draft, 2006 May 1 Physical Description: Typescript
Box 72 Folder 15	Third draft, 2006 May 5 Physical Description: Typescript
Box 72 Folder 16	Fourth draft, first draft submitted 2006 May 9 Physical Description: Typescript
Box 74 Folder 1	“The Black Cat” / revised, by Dennis Paoli & Stuart Gordon, based on 'The Black Cat' by Edgar A. Poe 2006 July 18 Physical Description: Typescript
Box 74 Folder 2	Masters of Horror 2, The Black Cat /by Dennis Paoli & Stuart Gordon, based on 'The Black Cat' by Edgar A. Poe, Full White 2006 August 21 Physical Description: Typescript with handwritten emendations
	Production
	Legal
Box 74 Folder 3	Signed copies of director's and writer's agreements
Box 74 Folder 4	Clearances
	Design
Box 74 Folder 5	Research Scope and Content Note Portraits of Poe and his contemporaries Pictures of Poe's houses
Box 74 Folder 6	Storyboards
Box 74 Folder 7	Makeup Scope and Content Note: Schedules.
	Casting
Box 74 Folder 8	Callbacks
Box 74 Folder 9	Portraits and résumés of final cast
Box 74 Folder 10	Director's production binder Scope and Content Note Original story Script pages Crew list Oneline schedule Cast and stunt day out of days Shooting schedule Continuity oneliner White script Stunt breakdown Special effects breakdown Property breakdown Script (2006 August 21-September 6) Storyboards Photocopy of pages from a biography of Poe Information sheet for film units working in Vancouver
Box 74 Folder 11	Vancouver shoot Scope and Content Note: Schedule and call sheet.
	Broadcasting
Box 74 Folder 12	Clippings
	Comic books
Box 74 Folder 13	Dreams in the Witch House, comics derived from the television shows Scope and Content Note Version including episodes “Incident on and off a Mountain Road” and “Dreams in the Witch House” Version with “Dreams in the Witch House” alone
Box 74 Folder 14	The Black Cat, independent comic-book version by Berni Wrightson, 1983 June Scope and Content Note: Original color comic and black-and-white photocopy.
	Series: Unproduced	⇧
	The Berserker Note: Proposed film, script to be by Stuart Gordon and Dennis Paoli, one of three suggested to follow From Beyond.
Box 74 Folder 15	“The Berserker” / a treatment for a Feature Film, by Stuart Gordon and Dennis Paoli 1985 October 21 Physical Description: Typescript
	Bug Lady
Box 95 Folder 3	Design (originals) Physical Description: 4 color sketches
	Downloader
Box 95 Folder 4	Artwork by ? Lawrence, 1997 July 8
	Gris-Gris Note: Proposed film, script to be by Dennis Paoli, from a story by Stuart Gordon, Dennis Paoli and Brian Yuzna.
	Script Files
Box 74 Folder 16	“Gris-Gris” (working title) / a screenplay by Dennis Paoli, from a story by Stuart Gordon, Dennis Paoli and Brian Yuzna 1987 January 21 Physical Description: Typescript Scope and Content Note: Includes clipping on voodoo.
	Production Files
Box 74 Folder 17	Cover letter and unsigned agreement for Stuart Gordon to direct a film to be titled “Gris Gris”
	Herbert West, Re-Animator Note: Proposed television series as spinoff from the film Re-Animator.
Box 74 Folder 18	Series concept and proposed episodes Note: Originally in envelope addressed to Stuart Gordon, postmarked 1982 June 23, and marked “Herbert West Series, Do Not Open.”
	Honey, I Shrunk the Kids sequels Note: Proposed television sequels to the 1989 movie.
Box 74 Folder 19	Correspondence on Honey, I've Become the Dog and Honey, I've Cloned the Kid
	The Iron Man Note: Proposed film, to be based on Stan Lee's comic book character (unrelated to the 1994 television series or the 2008 film of the same title).
	Script files
Box 75 Folder 1	The Official Handbook of the Marvel Universe, Volume 3: Galactus to Kang (New York: Marvel Comics Group, 1986)
Box 75 Folder 2	Iron Man: The Armor Wars, compilation volume of numbers 225-232 of the comic book Iron Man
Box 75 Folder 3	Iron Man (comic book) Scope and Content Note Volume 1, Number 232, 1988 July Volume 1, Number 235, 1988 October Volume 1, Number 242, 1989 May Volume 1, Number 250, 1989 December Volume 1, Number 255, 1990 April Volume 1, Number 261, 1990 October Volume 1, Number 262, 1990 November Volume 1, Number 263, 1990 December Volume 1, Number 265, 1991 February Volume 1, Number 268, 1991 May Volume 1, Number 279, 1992 April Volume 1, Number 280, 1992 May Volume 1, Number 281, 1992 June Volume 1, Number 283, 1992 August Volume 1, Number 284, 1992 September Volume 1, Number 288, 1993 April
Box 75 Folder 4	Research clippings
Box 75 Folder 5	Outlines Scope and Content Note “Iron Man, Outline”: typescript, undated “Iron Man, Outline, Top Secret,” handwritten and typed copies, undated “Iron Man,” two different typescripts with same heading, undated “Iron Man, Outline, 1989 October 24,” typescript “Iron Man, Outline, revised 1989 October 27,” typescript “The Ironman-Line Outline, 1990 May 22-Lafia/Miner” “The Ironman-Line Outline, 1990 May 24-Lafia/Miner”: typescript “Notes on Ironman, 1990 August 23,” typescript “Iron Man, Comments, 1990 November 8,” typescript (originally in envelope labeled “Iron Man Notes, Stan Lee's notes and ideas, 1990 November 28”) “'Iron Man', screen treatment by Roy Thomas,” clean and annotated typescripts, clean one marked “1991 February 28” “'Iron Man', screen treatment by Roy Thomas,” clean and annotated typescripts, clean one marked “1991 March 26” “'Iron Man', screen treatment by Roy Thomas, 1991 April 3” “'Iron Man', screen treatment by Roy Thomas, 1991 April 8” “Iron Man, screen treatment by Roy Thomas, 1991 April 10” “Iron Man, Notes on a Screen treatment by Roy Thomas, Stuart Gordon, director,” three typescript versions dated 1992 September 28, 1992 October 13, and 1992 October 14 by Stuart”
Box 75 Folder 6	“The Ironman” / Marc Lafia, Michael Miner : first draft undated Physical Description: Typescript Note: “The Ironman, 1st” on spine.
Box 75 Folder 7	“The Ironman” / Marc Lafia, Michael Miner : second draft 1990 November 6 Physical Description: Typescript Note: “Iron Man, 2” on spine.
Box 75 Folder 8	Correspondence and miscellaneous, 1990 August 20-1992 March 24
	Production Files
	Design
Box 76 Folder 1	Costume sketches; promotional materials from Eric Allard of All Effects Special Effects and Prop Shop
	The Juror Note: Proposed film, script by Harvey Jacobs, to be produced by Red Hen Productions.
	Script files
	“The Juror, screenplay by Harvey Jacobs”
Box 76 Folder 2	Revised, 1986 October 24 Physical Description: Typescript Note: “The Juror, Master, 1986 October 24” on spine.
Box 76 Folder 3	1992 December 1 Physical Description: hand-annotated typescript Note: “The Juror, SG Notes, 1992 December 1” on spine.
Box 76 Folder 4	1993 January 15 Physical Description: hand-annotated typescript Note: “The Juror, SG Notes, 1993 January 15” on spine.
Box 76 Folder 5	1993 January 20 Physical Description: hand-annotated typescript Note: “The Juror, 1993 January 20, SG Notes” on spine.
Box 76 Folder 6	“The Juror, by Harvey Jacobs” Physical Description: Typescript Note: “The Juror, 1993 January 27, Master” on spine.
Box 76 Folder 7	“The Juror, by Harvey Jacobs” Note: “The Juror, Master, 1993 April 19” on spine.
	Me and My Shadow Note: Proposed film based on Hans Christian Anderson's story “The Shadow.”
	Script
Box 76 Folder 8	“Me and My Shadow, screen treatment by Stuart Gordon & Lenny Kleinfeld, based on 'The Shadow' by Hans Christian Anderson, WGAW Registered,” undated Note: Undated, but with cover letter dated 1989 March 23.
Box 76 Folder 8	“Me and My Shadow, Draft #2, 'The Harper Variations', Screen Treatment by Stuart Gordon & Lenny Kleinfeld, WGAW Registered,” undated
Box 76 Folder 8	Untitled typescript of treatment, undated
Box 76 Folder 8	“Shadow” / fragment-in-progress, L. Kleinfeld 1989 November 27 Physical Description: Typescript of partial screenplay
	“Me and My Shadow” / screenplay by Larry Kleinfeld, Story by Lenny Kleinfeld & Stuart Gordon, based on 'The Shadow' by Hans Christian Anderson
Box 76 Folder 9	Rough draft, 1990 February 26 Physical Description: Typescript
Box 77 Folder 1	First draft, 1990 April 16 Physical Description: Typescript Note: “Me and My Shadow, 1” on the spine.
Box 77 Folder 2	Notes on first draft of script by Tom Craig, 1990 May 9
Box 77 Folder 3	“Me and My Shadow” : storyboard presentation, 1990 July 12 Scope and Content Note: Storyboard pages originally bound in a mylar presentation folder.
Box 77 Folder 4	“Me and My Shadow” / screenplay by Lenny Kleinfeld & Stuart Gordon, based on 'The Shadow', by Hans Christian Anderson : second draft 1990 September 19 Physical Description: Cyclostyled typescript
Box 77 Folder 5	“Me and My Shadow” / screenplay by Lenny Kleinfeld, Story by Lenny Kleinfeld & Stuart Gordon, based on 'The Shadow', by Hans Christian Andersen [...] : third draft 1990 November 26 Physical Description: Typescript Note: “Me and My Shadow, 1990 November 26” on the spine.
Box 77 Folder 6	Casting suggestions, 1991 January 6, and notes on “The Martin Shortening of Me & My Shadow,” , 1991 June 16 Note: Both by Larry Kleinfeld.
Box 77 Folder 7	“Me & My Shadow” / fourth draft rough, screenplay by L. Kleinfeld, story: L. Kleinfeld and S. Gordon, inspiration: H.C. Anderson 1991 August 9 Physical Description: Typescript
Box 77 Folder 8	“Me and My Shadow” / screenplay by Lenny Kleinfeld, story by Lenny Kleinfeld & Stuart Gordon, Inspired by 'The Shadow', by Hans Christian Anderson : fourth draft 1991 August 20 Physical Description: Cyclostyled typescript
	Midnight Note: Proposed film, script by Dennis Paoli from the book by Dean R. Koontz, slated for production by Mace Neufeld and Robert Rehme of Neufeld/Rehme Productions in 1993, but not eventually produced.
	Script
Box 77 Folder 9	Outlines, character sketches, rewrite outlines, undated
Box 77 Folder 9	Development notes, 1991 August 6
Box 77 Folder 9	Clipping on police patrol car computers
Box 77 Folder 10	“Midnight” / screenplay by Dean R. Koontz, based on his novel : first draft, revised 1990 April 12, additional revisions, 1990 May 7 Physical Description: Cyclostyled typescript Note: “Midnight, K: 4-12-90” on spine.
Box 77 Folder 11	“Midnight” rough first draft of Acts 1 & 2, screenplay by Dennis Paoli, based on the novel by Dean Koontz 1991 May 1 Physical Description: Typescript Note: “S.G. Notes, 1993 January 11” on cover, “Midnight, SG Notes, 1991 May 1, Acts 1 & 2” on spine.
Box 78 Folder 1	“Midnight” / screenplay by Dennis Paoli, based on the novel by Dean Koontz : first draft 1991 June 18 Physical Description: Typescript Note: “Midnight, 1991 June 18” on spine.
Box 78 Folder 2	Pages by Dean Koontz with Father Castelli scene, to replace current pages, faxed 1991 June 21
	“Midnight, screenplay by Dennis Paoli, based on the novel by Dean Koontz”
Box 78 Folder 3	1991 June 24 Physical Description: Typescript Note: “Midnight, 1991 June 24” on spine.
Box 78 Folder 4	1991 October 7 Physical Description: Typescript, different from above Note: Midnight 2nd” on spine.
Box 78 Folder 5	1991 October 7 Physical Description: Typescript Note: “Midnight/Notes 1991 October 7” on spine.
Box 78 Folder 6	“'Midnight'” / screenplay by Mark H. Baker and Hal Sparks, based upon the novel by Dean R. Koontz : draft 1.0, revised 1993 February 1 Physical Description: Typescript Note: “Midnight, 1993 February 2” on spine.
Box 78 Folder 6	Notes by Benny Korzen, 1993 February 3
	“Midnight, screenplay by Dean R. Koontz and Dennis Paoli and Mark H. Baker & Hal Sparks, based on the novel by Dean R. Koontz”
Box 78 Folder 7	1993 February 5 Physical Description: Typescript of 1990 May 7 with extensive inked in emendations Note: “Midnight, Cut & Paste Version, 1993 February 5” on spine.
Box 78 Folder 8	Revised, 1993 February 5 Physical Description: cleanly typed copy of the item in Box 78, Folder 7 Note: “Midnight, 1993 February 5” on spine.
Box 79 Folder 1	“Midnight” / screenplay by Dean R. Koontz and Dennis Paoli, based on the novel by Dean R. Koontz 1993 February 11 Physical Description: Typescript Note: “Midnight, 1993 February 11, Master” on spine.
Box 79 Folder 2	Script submission list
	Production
Box 79 Folder 3	Breakdown, 1990 June 11
Box 79 Folder 4	Schedule Note: Based on script “revised 1990 May 7.”
Box 79 Folder 4	Mary Ellen Woods résumé, 1990 April
Box 79 Folder 5	Budget, 1990 June 27
Box 79 Folder 6	Revised budget, 1992 December 9
Box 79 Folder 7	Breakdowns, 1993 February 4-5
Box 79 Folder 7	Schedule, 1993 February 15 Note: “to revised script dated 1993 February 10”
Box 79 Folder 8	“Midnight” second breakdown, Runthru as of 1993 February 15
Box 79 Folder 9	Casting Scope and Content Note: Talent list.
Box 79 Folder 10	Clipping
	The Misdeal Note: Proposed film.
	Script
Box 79 Folder 11	Treatment by Andrea Barzini, Suso Cecchi d'Amore and Umberto Marino, undated Note: With “Att. Victoria Pearman, for Silvia D'Amico, Excelsior Film-TV, RAI 2” written on it, copy faxed 1988 April 14.
	The Monkey Wife Note: Proposed film.
Box 79 Folder 12	Outline in memo from Julia Cameron to Stuart Gordon, 1991 August 5
	Vampfire Note: Comic book series by Jim Balent and Holly Golightly, materials presumably sent to Stuart Gordon with a view to a film version.
Box 95 Folder 5	Design Scope and Content Note Original character sketches signed Holly Golightly, 1997-1998 Clippings on goth style and teenage fashions
	Series: Film Festival Files	⇧
Box 79 Folder 13	General
	United States
Box 79 Folder 14	Minor festivals Scope and Content Note Baltimore, Maryland, Festival of Darkness, 1999 Columbus, Ohio, Drexel North's horror film marathon, 1992 Encino, California, Annual Imagen Awards, 1999 April Honolulu and others, Hawaii International Film Festival, 1997 November Portland, Oregon, H.P. Lovecraft Film festival, 1996 October San Diego, California, Latino Film Festival, 1999 March San Jose, California, MultiMedia Expo, 1993 October Santa Clarita, California, International Film Festival, 1999 February
Box 80 Folder 1	Atlanta, Georgia, Comics Expo (Dragon Con), 1993, 1994 July
Box 80 Folder 2	Austin, Texas, Heart of Film festival and Screenwriter's Conference, 1996 October, 1997 October, 1998 October
Box 80 Folder 3	Boonville, California, Solstice Film festival, 1997
Box 80 Folder 4	Chicago, Illinois, Joseph Jefferson Awards, 1993 November
Box 80 Folder 4	Latino Film Festival, 1998 April
Box 80 Folder 5	Cleveland, Ohio, International Film Festival, 1998 March, 1999 March
Box 80 Folder 6	Dallas, Texas, USA Film Festival, 1998
Box 80 Folder 7	Houston, Texas, Annual Worldfest, 1998 April
Box 80 Folder 8	Los Angeles, California, American Film Market, 1999
Box 80 Folder 9	Miami, Florida, Science Fiction Film Festival, 1992 April
Box 80 Folder 10	New York City, New York, Fangoria convention, 1993 April
Box 80 Folder 10	Urban World Film Festival, 1997 August, 1998 August
Box 80 Folder 11	Rutherford, New Jersey, Chiller Theatre Toy, Model and Film Expo, 1992 Spring
Box 80 Folder 12	Taos, New Mexico, Taos Talking Picture Festival, 1998 April
	International
Box 80 Folder 13	Amsterdam, The Netherlands, Festival van de Fantastische Film, 1996
Box 86 Folder 13	Barcelona, Spain: Festival Internacional de Cinema Fantastic de Sitges newsletter, 1992 October
Box 80 Folder 14	Barcelona, Spain, Sitges Festival internacional de cinema fantàstic, 1996 October
Box 95 Folder 6	Barcelona, Spain: Sitges Festival internacional de cinema fantàstic, 1996 October
Box 80 Folder 15	Brisbane, Queensland, Australia, International Film festival, 1997 July-August
	Brussels, Belgium, International Festival of Fantasy, Thriller and Science Fiction Films
Box 81 Folder 1	1993 March
Box 81 Folder 2	1996 March, 1997 March
Box 81 Folder 3	1999 March
	Cannes, France, Film Festival
Box 81 Folder 4	1994 May
Box 81 Folder 5	1999 May
Box 81 Folder 6	Espoo, Finland, Cine Film Festival, 1997 August
Box 81 Folder 7	Lund, Sweden, Fantastisk Film Festival, 1996 September
Box 81 Folder 8	Mexico City, Mexico, M.E.C. y F. Internacional, 1997 April-May
Box 82 Folder 1	Montreal, Quebec, Canada, Festival International du Cinéma Fantastique, 1993 October
Box 82 Folder 2	Munich, Frankfurt, Stuttgart and Cologne, Germany, Fantasy Film Fest, 1997 July-August
Box 82 Folder 3	Paris, France, Festival de Gerardmer, 1998 January-February
Box 82 Folder 4	Porto, Portugal, Festival Internacional de Cinema do Porto, 1997 December, 1998 February
Box 82 Folder 5	San Sebastian, Spain, Semana de cine fantástica y de terror, 1997 October-November
Box 82 Folder 6	Vancouver, British Columbia, Canada, International Film Festival, 1997 September-October
Box 86 Folder 14	Yubari International Fantastic Adventure Film Festival, 1993 February Scope and Content Note Correspondence on the Festival (at which Stuart Gordon served on the jury) and letters on other matters to Stuart Gordon while in Japan for the Festival Brochures
Box 95 Folder 7	Yubari International Fantastic Adventure Film Festival, 1993 February Physical Description: Brochures
	Series: Subject Files	⇧
Box 82 Folder 7	“Italian Press , 1990 Horror” Scope and Content Note Press kit for From Beyond with Italian article on the film and translations from the English Umori Maligni (pamphlet by Francesco Costa on Dario Argento) Splatter poster and comic books Note: Originally in envelope labeled “Italian Press 1990 Horror.”
Box 82 Folder 8	“Make-up EFX-Bids” Scope and Content Note: Promotional materials from Alterian Studios Inc.
Box 82 Folder 9	“Memos”: correspondence, 1990 April 15-1991 June 10 Scope and Content Note: Mostly letters and faxes from Robert Scott Fort at Walt Disney Pictures.
Box 82 Folder 10	“Miramax-Press”: clippings on Miramax Pictures
Box 82 Folder 11	“National Research Group” Scope and Content Note: Promotional materials from firm organizing preview screenings.
Box 82 Folder 12	“New Zealand-Sample Budget” Scope and Content Note: Copy of the budget for Heavenly Creatures (budget by Movie Magic Budgeting).
Box 83 Folder 1	“Nottebohn (Andreas)” Scope and Content Note: Flyer, exhibition catalogue and correspondence regarding painter Andreas Nottebohm.
Box 83 Folder 2	“PARTS Magazine” Scope and Content Note: Correspondence and issues of the fanzine PARTS, numbers 2-3, 5-13 (1992-1995).
Box 83 Folder 3	“Publications” Scope and Content Note: Copies of horror fanzines.
Box 83 Folder 4	Red Hen Productions: company office lease, 12509 Oxnard Street, North Hollywood, California 91616, 1999 June
Box 95 Folder 8	Red Hen Productions letterhead artwork and samples
Box 83 Folder 5	“Rejection Letters” Scope and Content Note: Letters to Stuart Gordon from film producers and production companies rejecting film-making proposals.
Box 83 Folder 6	“Tom Riccio” Scope and Content Note: Clipping from Fairbanks (Alaska) Daily News-Miner regarding theater director Tom Riccio.
Box 83 Folder 7	Saul Zaentz Film Center, Berkeley, California Scope and Content Note: Post-production facilities and video catalog.
Box 83 Folder 8	Screen Actors Guild Scope and Content Note: Flyers, constitution, agreements, 1997-1999.
Box 83 Folder 9	“Screening Theaters” Scope and Content Note: List of rentals for preview theaters.
Box 83 Folder 10	“Talent List-Male,” 1993 April 7 Scope and Content Note: List of younger male actors.
Box 83 Folder 11	“Television Networks,” 1998 September 11 Scope and Content Note: Letter to Gordon from Danny Bilson, 1998 September 11, regarding upcoming programming needs of the various television networks.
Box 83 Folder 12	“Theater-Stage,” 1998 July 3 Scope and Content Note: Cover letter, 1998 July 3, and publicity brochure of the Red Moon puppet theater.
Box 83 Folder 13	“Three-Dimensional TV” Scope and Content Note: Promotional materials from Abe Perlstein, 3-D imaging specialist.
Box 83 Folder 14	“United States Film Fund,” 1993 July 15 Scope and Content Note: Fax, 1993 July 15, to Gordon from Benni Korzen with schedule of Orlando, Florida, presentation of the United States Film Fund, at which Stuart Gordon is to speak.
Box 83 Folder 15	“United Talent Agency,” 1991 March 26 Scope and Content Note: Letter, 1991 March 26, announcing the formation of a new talent agency.
Box 83 Folder 16	“Waco: The Rules of Engagement” Scope and Content Note: Clippings and correspondence on the film Waco: The Rules of Engagement. Note: Gordon is copied into the correspondence.
	Other
	The Blair Witch Project
Box 96 Folder 5	Poster Note: The poster is dedicated to Stuart Gordon and signed “Ed,” “Sandy,” and a third illegible signature.
	Nikita Knatz
Box 96 Folder 6	Drawing, ink and wash on tracing paper (original), “Nikita Knatz-1985-Study for 'S.O.L.'-Original sketch, 1985 February 17-Painting in progress”
	Love of the Damned Note: Comic strip by Timothy Vigil and David Quinn.
Box 96 Folder 7	Printed artwork Note: Prints signed by the artists.
	L. Salk
Box 96 Folder 8	Poster: “Amazon Captive Woman” Note: Posters signed by the artist.
	Sorayama Hajime
Box 96 Folder 9	Five prints Note: Prints signed by the artists.
	Series: Audio/Visual Materials	⇧
	Subseries: Theater
	Organic Theater
	The Bleacher Bums: Rabid Fans of Wrigley Field
VHC 019 1979	Television movie Physical Description: VHS videotape
VHC 020	Wild Chronicles #101 WTTW-TV/Chicago Physical Description: VHS videotape
VHA 783	WTTW and Organic Theater Company present a recording of the play Physical Description: VHS videotape
VHA 774	Channel 11 WTTW Chicago - Chicago Screen, Joe Mantegna 1987 November 30 Note: Profile on Joe Mantegna which includes footage from his time at the Organic Theater Company and scenes from The Wonderful Ice Cream Suit. Physical Description: VHS videotape
VHA 784	Dennis Franz clips Physical Description: VHS videotape
VHA 782	Documentary on Organic Theater Company of Chicago /by Richard C. Christian Jr. and Ira H. Moshman Physical Description: VHS videotape
	Subseries: Motion Pictures	⇧
	Re-Animator (1985)
HC 240-HC 244	Print Physical Description: 35mm film
VDA 415	Viewing copy Physical Description: DVD
VHA 766	Trailer and television spots Physical Description: VHS videotape
VHA 765	Audio commentary Physical Description: VHS videotape
1619A/3	Radio spots Note: Three versions Physical Description: Audiocassette
VHA 764	Missing scenes, autopsy and dream Physical Description: VHS videotape
VHA 762-VHA 763, VHA 791, VHA 795	Rough cut Note: Two versions Physical Description: VHS videotape
VHA 772	San Francisco opening Physical Description: VHS videotape
VHA 769	Ebert & Siskel: At The Movies, 1988 January 31
	From Beyond (1986)
HC 223-HC 228	Print Physical Description: 35mm film
VDA 410	Viewing copy Physical Description: DVD
VHA 770	Promo Physical Description: VHS videotape
1619A/4	Radio spots Note: Three versions Physical Description: Audiocassette
VHA 785	Rough cut Physical Description: VHS videotape
VHA 771	Rough mix with no titles Physical Description: VHS videotape
VHA 786	TV version Physical Description: VHS videotape
VHA 769 (continued)	Ebert & Siskel: At the Movies, 1986 October 26 Physical Description: VHS videotape
VHA 769 (continued)	Drive-in Awards segment with Joe Bob Briggs Physical Description: VHS videotape
VHA 792	Monstervision with host Joe Bob Briggs Note: From Beyond, Shaft, Host opens, bumps, and close. Physical Description: VHS videotape
	Dolls (1987)
HC 209-HC 212	Print Physical Description: 35mm film
VDA 411	Viewing copy Physical Description: DVD-R
1619A/5	Doll cues, Dolby B Physical Description: Audiocassette
VHA 760-VHA 761	Temp mix Note: Two versions Physical Description: VHS videotape
	Kid Safe: The Video (Short : 1988)
VHB 997	Viewing copy Physical Description: VHS videotape
VHB 996	Trailer Physical Description: VHS videotape
VHB 995	Rough cut and third rough cut Physical Description: VHS videotape
	Robot Jox (1989)
HC 245-HC 249	Print Physical Description: 35mm film
VDA 414	Viewing copy Physical Description: DVD
VHA 794	Lock reels, 1, 3, 5, 6, 8 Physical Description: VHS videotape
1619A/6	Sound effects demo tape / Paul W. Gentry Note: Approximately 3 minutes Physical Description: Audiocassette
VBC 670-VBC 671, VHA 759, VHA 797	Rough cut Note: Four versions Physical Description: U-Matic videotape
VHA 796	Interview: Stan Bernard reporting; Toshiro Mifune, Stuart Gordon, Albert Band Note: 25 minutes Physical Description: VHS videotape
	The Pit and the Pendulum (1991)
HC 235-HC 239	Print Physical Description: 35mm film
VHA 827	Promo, rough Physical Description: VHS videotape
VHA 831	Viewing cassette, reels 1-2 1990 October 12 Physical Description: VHS videotape
VHA 828	Reels 1-6 with composer Physical Description: VHS videotape
VHA 830	Rough first hour Physical Description: VHS videotape
	Fortress (1992)
HC 218-HC 222	Print Physical Description: 35mm film
VHA 800	Viewing copy Note: Film transfer with changeovers Physical Description: VHS videotape
VHA 798-VHA 799, VHA 801, VHA 805	Trailer Note: Four versions Physical Description: VHS videotape
HC 950	Picture and sound dailies for scene 50 Physical Description: 35mm film
VHA 821	Chris Lambert, make-up test 1991 September 12 Physical Description: VHS videotape
VHA 820	NY actress tests, 1991 September 27 Physical Description: VHS videotape
	Honey, I Blew Up the Kid (1992)
VHA 823-VHA 825	Trailer and television spots Note: Two versions Physical Description: VHS videotape
VHA 826	Cast and crew, 1992 January Physical Description: VHS videotape
VHA 822	Gag reel, 1991 December 1 Physical Description: VHS videotape
	Aliens: Ride at the Speed of Fright (Short : 1995)
VHA 815	Pre-show and Main show Physical Description: VHS videotape
VHA 811, VHA 832	Rough cut Physical Description: VHS videotape
	Castle Freak (1995)
VDA 413	Viewing copy Note: With Deathbed Physical Description: DVD
VHA 809	Viewing copy with VITC Physical Description: VHS videotape
VHA 810, VHA 812	Trailer Note: Two versions Physical Description: VHS videotape
	Space Truckers (1996)
HC 250-HC 255	Print Physical Description: 35mm film
VHA 869-VHA 872, VHA 894	Viewing copies Physical Description: VHS videotape
VHA 817, VHA 856	Trailer Note: 2 versions Physical Description: VHS videotape
1619A/9-10, 13	Audio takes Note: 3 versions Physical Description: Audiocassette
VHA 847, VHA 852-VHA 853	Casting tapes Physical Description: VHS videotape
VHA 829, VHA 896-VHA 897	MPAA cuts and trims Physical Description: VHS videotape
VHA 845, VHA 868	Press screening footage Physical Description: VHS videotape
VHA 834, VHA 839-VHA 840	Re-edits Note: Three versions Physical Description: VHS videotape
VHA 854, VHA 859, VHA 895	Re-edits (continued) Note: Three versions Physical Description: VHS videotape
VHA 813-VHA 814, VHA 818, VHA 835, VHA 846	Effects tests, graphics, and art Physical Description: VHS videotape
VHA 851, VHA 862-VHA 864, VHA 867	Effects tests, graphics, and art (continued) Physical Description: VHS videotape
VFA 173-VFA 174	Effects tests, graphics, and art (continued) Physical Description: BetacamSP videotape
GA 846	Visual effects test footage Physical Description: 35mm film
	The Wonderful Ice Cream Suit (1998)
HC 261-HC 265	Print Physical Description: 35mm film
VHC 044	Viewing copy Physical Description: VHS videotape
VHC 041-VHC 043	Trailer Note: Three versions Physical Description: VHS videotape
VHC 021-VHC 025	Rough cuts Note: Five versions Physical Description: VHS videotape
VHA 874-VHA 886, VHC 030-VHC 040	Dailies Physical Description: VHS videotape
VHA 890, VHC 027-VHC 028	Cut scenes Physical Description: VHS videotape
VHA 887-VHA 889	88 Take 3 B Neg + Alternate versions Note: Three versions Physical Description: VHS videotape
VHA 873	Camera test/fabric test, 1997 August 6 Physical Description: VHS videotape
VHA 802	Ice Cream Suit, Boyle Heights Area, East L.A. / Joe Aubel 1998? April 18 Physical Description: VHS videotape
VHA 891-VHA 893	Scene 27-28, suit reveal Note: Three versions Physical Description: VHS videotape
VHC 029	Stunt test Physical Description: VHS videotape
VHC 026	Audience reaction at screening, 1998? November 25 Physical Description: VHS videotape
1619A/12, 14-29, 26, 32	Music demos and masters Physical Description: Audiocassette
	Progeny (1999)
VHC 018	Viewing copy Physical Description: VHS videotape
	Dagon (2001)
HC 204-HC 208	Print Physical Description: 35mm film
VHB 988	Viewing copy Physical Description: VHS videotape
VFA 172	Viewing copy Physical Description: BetacamSP videotape
VHB 987	Trailer Language: English and Spanish Physical Description: VHS videotape
VHB 982-VHB 983	Dailies, day 20-21 Physical Description: VHS videotape
VHB 984-VHB 986	Rough assembly Note: Three versions Physical Description: VHS videotape
	Deathbed (2002)
VDA 413 (continued)	Viewing copy Note: With Castle Freak Physical Description: DVD
	King of the Ants (2003)
HC 229-HC 234	Print Physical Description: 35mm film
VDA 412	Viewing copy Physical Description: DVD
VHC 011	Director's cut Physical Description: VHS videotape
VHC 012-VHC 015	Rough cuts Note: Five versions Physical Description: VHS videotape
VHB 998-VHB 999, VHC 001-VHC 010	Dailies Physical Description: VHS videotape
VHC 017	Trailer Physical Description: VHS videotape
	Edmond (2005)
HC 213-HC 217	Print Physical Description: 35mm film
VDA 409	Viewing copy Physical Description: DVD
VHB 989	Rough cut Physical Description: VHS videotape
	Stuck (2007)
HC 256-HC 260	Print Physical Description: 35mm film
VDA 369	Viewing copy Physical Description: DVD
VDA 370	Trailer Physical Description: DVD-R
VDA 371-VDA 375	Rough cuts Note: Five versions Physical Description: DVD-R
	Mental Illness for Fun and Profit (Short : undated) Note: Early short film by Stuart
VHA 778	Viewing copy Physical Description: VHS videotape
	Subseries: Broadcast Television	⇧
	Daughter of Darkness (Television film : 1990)
VHA 789	Editor's cut Physical Description: VHS videotape
VHA 788	Viewing copy Note: Film transfer with changeovers Physical Description: VHS videotape
VHA 787	Viewing copy Physical Description: VHS videotape
	Honey, I Shrunk the Kids: The TV Show (Television series : 1997-2000)
	"Honey, Let's Trick of Treat" (1998 October 24)
VHB 993	Director's cut Physical Description: VHS videotape
VHB 994	Editor's cut Physical Description: VHS videotape
VHA 793	Teeny Weenies tests, 1987 June Physical Description: VHS videotape
VHB 990-992	Dailies Physical Description: VHS videotape
	Masters of Horror (Television series : 2005-2007)
	"Dreams in the Witch House" (2005 November 4)
VDA 408	Viewing copy Physical Description: DVD
	"The Black Cat" (2007 January 19)
VDA 376	Viewing copy Physical Description: DVD
VDA 377	Rough cut, 2006 October 11 Physical Description: DVD-R
VDA 378-VDA 394	Dailies Physical Description: DVD-R
	Fear Itself (Television series : 2008-2009)
	"Eater" (2008 July 3)
VDA 395	Viewing copy Physical Description: DVD-R
VDA 399-VDA 407	Dailies, day 1-8 Physical Description: DVD-R
VDA 396-VDA 398	Various cuts Physical Description: DVD-R
	Subseries: Other	⇧
1619A/2	Interview: Stuart Gordon/Mike Cahill, 1987 April 17 Physical Description: Audiocassette
VHA 779	Phantom Productions, seven trailers tied: Crawlspace, Dolls, Eliminators, Troll, Trancers, Re-Animator, From Beyond circa 1986? Physical Description: VHS videotape
VHA 781	Yubari Film Festival, Japan 1993 Note: Camcorder footage of Stuart Gordon arriving at the Yubari Film Festival. Physical Description: VHS videotape
VHA 777	Cannes promo reel Note: Clips from Robo Jox, Crawlspace, Pleasure Planet, Dolls, Necropolis, Valet Girls, Underworld (1986) Physical Description: VHS videotape
1619A/8	Muzak/Michael Murphy Physical Description: Audiocassette
1619A/7	Sexy Enigma"/"Alien Chicks Sex March (Run Bloom) Physical Description: Audiocassette
1619A/1	Greg Turner, composer/arranger producer, music demo Physical Description: Audiocassette
	Subseries: Photographs	⇧
	Prints
	Theater
	Huckleberry Finn (Organic Theater company, broadcast WTTW, Chicago, 1985 July 8)
Box 97 Folder 1	Miscellaneous photographs Physical Description: 13 photographs (3.5x5-inch color)
	Motion Pictures
	Re-Animator (Empire Pictures, 1985)
WCFTR Title file	Miscellaneous photographs Physical Description: 69 photographs (8 8x10-inch color, 13 8x10-inch b&w, 2 4x6-inch color, 43 3.5x5-inch color, 3 3x3-inch color Polaroids)
	From Beyond (Empire Pictures, 1986)
WCFTR Title file	Miscellaneous photographs Physical Description: 108 photographs (12 8x10-inch color, 1 8x10-inch b&w, 42 3x3-inch color Polaroids, 6 3.5x5-inch color snapshots, 15 4x6-inch b&w snapshots, 9 4x6-inch color snapshots, 2 5x7-inch color, 19 8x10-inch color, 2 8x10-inch b&w)
	Dolls (Empire Pictures, 1987)
WCFTR Title file	Miscellaneous photographs Physical Description: 26 photographs (13 8x10-inch color, 11 8x10-inch b&w, 2 3x3-inch color Polaroids)
	Daughter of Darkness (broadcast by CBS, 1990)
Box 97 Folder 2	Photo album Physical Description: 29 photographs (bulk 5x7-inch)
	Robot Jox (Empire Pictures, 1990)
WCFTR Title file	Miscellaneous photographs and panoramic strips Physical Description: 93 photographs (1 10x12-inch color, 12 8x10-inch b&w, 4 8x10-inch color, 38 3.5x5-inch color snapshots, 22 4x6-inch color, 1 5x5-inch color, 1 3x3-inch color Polaroid, 14 4x6-inch color in 4 panoramic strips)
	The Pit and the Pendulum (Full Moon Pictures, 1991)
WCFTR Title file	Miscellaneous photographs Physical Description: 13 photographs (4 8x12-inch color, 9 10.5x7-inch color)
WCFTR Title file	Miscellaneous photographs (continued) Physical Description: 57 photographs (4 3x3-inch color Polaroids, 48 4x6-inch color, 5 4.25x6.5-inch color)
WCFTR Title file	Miscellaneous photographs, various locations Physical Description: 99 photographs (3.5x5-inch color) Scope and Content Note 2 3.5x5-inch color, loose 16 3.5x5-inch color in envelope labeled “Locked Locations” 21 3.5x5-inch color in envelope labeled “Old Cove, Grigor's Bar, Glassworks, Market” 28 3.5x5-inch color in envelope labeled “Bucarest” 11 3.5x5-inch color in envelope labeled “Graveyard” 21 3.5x5-inch color in envelope labeled “Discarded Locations”
WCFTR Title file	Envelope labeled: Bucarest, 1990 May 10-13 Physical Description: 66 photographs (3.5x5-inch color)
	Fortress (Davis Entertainment, 1993)
WCFTR Title file	Press Kit Physical Description: 3 photographs (8x10-inch b&w)
WCFTR Title file	Shots of Pelican Bay Prison Physical Description: 95 photographs (4x6-inch color)
WCFTR Title file	SERT Team Physical Description: 8 photographs (3.5x5-inch color)
WCFTR Title file	Miscellaneous photographs Physical Description: 100 photographs (1 8x12 color, 90 4x6-inch color, 2 4x6-inch b&w, 1 3.5x5-inch color, 6 3x3-inch color Polaroid) Note: All originally in folder “Production Souvenirs.”
WCFTR Title file	Two panoramic strips Physical Description: 13 photographs (4x6-inch color)
	Castle Freak (Full Moon Pictures, 1995)
WCFTR Title file	Miscellaneous photographs Physical Description: 39 photographs (17 4x6-inch color, 11 4x6-inch b&w, 11 3x3-inch color Polaroids)
WCFTR Title file	Location shots, many glued together into panoramic views Physical Description: 77 photographs (bulk 5x7-inch color)
Box 101 Folder 16	Location shots and camposites
	The Dentist (Trimark Pictures, 1996)
WCFTR Title file	Miscellaneous photographs Physical Description: 4 photographs (4x6-inch color) Note: Originally in envelope labeled “The Dentist: Location Research.”
	Honey We Shrunk Ourselves (Buena Vista Home Video, 1997)
WCFTR Title file	Miscellaneous photographs Physical Description: 4 photographs (8x10-inch b&w) Note: Originally in Press Kit.
	Space Truckers (Goldcrest International, 1997)
Box 97 Folder 3	Publicity stills Physical Description: 37 photographs (2 8x12-inch color, 9 8x12-inch b&w, 26 8x10-inch b&w)
WCFTR Title file	Designs “Diner & Bar,” “Gunrack-Wrightson,” “Hot Dog at Terminus,” “Macanudo & Cindy,” “Pachyderm Rig,” “The Swarm,” Terminus” Physical Description: 7 photographs (8x10-inch color)
WCFTR Title file	Greg Cannom Designs, mockups of Biomechanical Warriors Physical Description: 22 photographs (4x6-inch color)
Box 97 Folder 4	Design, BMW costume Physical Description: 61 photographs (59 4x6-inch color, 2 4x5-inch color) Note: Includes 7 photographs originally in envelope labeled “Master Set, #30, 35, 33, 34, 23, 22, 36A, 16.”
Box 97 Folder 5	Pachyderm offices, makeup and model shops, models Physical Description: 70 photographs (4x6-inch color)
Box 97 Folder 6	Snapshots of studio, cast and crew, family and friends Physical Description: 27 photographs (4 4x5-inch color, 23 4x6-inch color)
Box 97 Folder 7	Cast photos Physical Description: 3 photographs (1 8x10-inch, 2 7x10-inch color)
Box 97 Folder 8	Cast, models, make-up Physical Description: 46 photographs (3x3-inch color Polaroids)
Box 97 Folder 9	Dennis Hopper Physical Description: 1 photograph (8x10-inch b&w)
	The Wonderful Ice Cream Suit (Buena Vista, 1998)
WCFTR Title file	Publicity stills Physical Description: 8 photographs
Box 97 Folder 10	Festival screenings Physical Description: 30 photographs (9 8x10-inch color, 21 4x6-inch color) Scope and Content Note Albuquerque, New Mexico: 5 8x10-inch color, 9 4x6-inch color Chicago premiere: 2 8x10-inch color, 12 4x6-inch color Orpheum, Los Angeles, 1999 March 15: 2 8x10-inch color
	Dagon (Castellau Productions, Spain, 2001)
	Location scouting photographs, 1987-1988
	Montages of 3.5x5-inch or 4x6-inch color photographs glued into legal-size folders
Box 99 Folder 1	New Westminster, British Columbia Physical Description: 9 photographs
Box 99 Folder 2	New Westminster, British Columbia (continued) Physical Description: 11 photographs
Box 99 Folder 3	New Westminster, British Columbia (continued) Physical Description: 12 photographs
Box 99 Folder 4	Britannia Beach, British Columbia Physical Description: 5 photographs
Box 99 Folder 5	Port Moody, British Columbia Physical Description: 10 photographs
Box 99 Folder 6	Port Moody, British Columbia (continued) Physical Description: 12 photographs
Box 99 Folder 7	Steveston, British Columbia Physical Description: 6 photographs
Box 99 Folder 8	Steveston, British Columbia (continued) Physical Description: 8 photographs
Box 99 Folder 9	Vancouver, British Columbia Physical Description: 2 photographs
Box 99 Folder 10	Lunenburg, Nova Scotia Physical Description: 8 photographs
Box 99 Folder 11	Lunenburg, Nova Scotia (continued) Physical Description: 9 photographs
Box 99 Folder 12	Los Angeles, California Physical Description: 12 photographs
Box 99 Folder 13	Los Angeles, California (continued) Physical Description: 11 photographs
Box 99 Folder 14	Los Angeles, California (continued) Physical Description: 7 photographs
Box 99 Folder 15	Moss Landing, California Physical Description: 7 photographs
Box 99 Folder 16	Moss Landing, California (continued) Physical Description: 7 photographs
Box 99 Folder 17	Moss Landing, California (continued) Physical Description: 11 photographs
Box 99 Folder 18	San Pedro, California Physical Description: 12 photographs
Box 99 Folder 19	San Pedro, California (continued) Physical Description: 9 photographs
Box 99 Folder 20	Lubec, Maine Physical Description: 7 photographs
Box 99 Folder 21	Lubec, Maine (continued) Physical Description: 4 photographs
Box 99 Folder 22	Newburyport, Massachusetts Physical Description: 7 photographs
Box 99 Folder 23	Newburyport, Massachusetts (continued) Physical Description: 7 photographs
Box 99 Folder 24	Newburyport, Massachusetts (continued) Physical Description: 8 photographs
Box 99 Folder 25	Plum Island, Massachusetts (outside Newburyport) Physical Description: 4 photographs
Box 99 Folder 26	Salem, Massachusetts Physical Description: 6 photographs
Box 99 Folder 27	Kingston, New York Physical Description: 5 photographs
Box 99 Folder 28	Kingston, New York (continued) Physical Description: 9 photographs
Box 99 Folder 29	Kingston, New York (continued) Physical Description: 6 photographs
Box 99 Folder 30	Kingston, New York (continued) Physical Description: 12 photographs
Box 99 Folder 31	Astoria, Oregon Physical Description: 54 photographs
Box 99 Folder 32	Astoria, Oregon, Interior Location Photos, Flavel House Physical Description: 5 photographs
Box 99 Folder 33	Astoria, Oregon Physical Description: 8 photographs
Box 99 Folder 34	Astoria, Oregon (continued) Physical Description: 7 photographs
Box 99 Folder 35	Astoria, Oregon (continued) Physical Description: 8 photographs
Box 99 Folder 36	Astoria, Oregon (continued) Physical Description: 10 photographs
Box 99 Folder 37	Astoria, Oregon (continued) Physical Description: 5 photographs
Box 99 Folder 38	Bay City, Oregon Physical Description: 31 photographs
Box 99 Folder 39	Coss Bay, Oregon Physical Description: 23 photographs
Box 99 Folder 40	Coss Bay, Oregon (continued) Physical Description: 10 photographs
Box 99 Folder 41	Coss Bay, Oregon (continued) Physical Description: 8 photographs
Box 99 Folder 42	Coss Bay, Oregon (continued) Physical Description: 6 photographs
Box 99 Folder 43	Coss Bay, Oregon (continued) Physical Description: 9 photographs
Box 99 Folder 44	Coss Bay, Oregon (continued) Physical Description: 8 photographs