Archival Resources in Wisconsin: Descriptive Finding Aids: Contents List

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Contents List

Container	Title
U.S. Mss 99AN/2A Box 1 Folder 1-5	File #1: United Artists Corporation (UAC) incorporation papers, charter, by-laws, certificates and amendments, 1919-1950
Box 1 Folder 6-8	File #2: UAC financial set-up: incorporation papers and amendments, capital stock certificates, (1929) 1936-1938
Box 1 Folder 9	File #3: United Artists Finance Corporation, UAC subsidiary incorporation papers, 1933-1935
	Carbons of minutes of UAC Board of Directors with related correspondence, 1919-1950 Note: These minutes are incomplete; a microfilm copy of a complete set of minutes is in United Artists Series 1A.
Box 2 Folder 1-10	File #4: Minutes, 1919-1926
Box 2 Folder 11-17	File #674: Minutes, 1927-1928
Box 3 Folder 1-4	File #5: Minutes, 1929-1931 Note: Includes O'Brien, Malevinsky and Driscoll correspondence.
Box 3 Folder 5-7	File #6: Minutes, 1932
Box 3 Folder 8-9	File #7: Minutes, 1933
Box 3 Folder 10-11	File #8: Minutes, 1934
Box 4 Folder 1-2	File #9: Minutes, 1935
Box 4 Folder 3-4	File #10: Minutes, 1936
Box 4 Folder 5-6	File #11: Minutes, 1937
Box 4 Folder 7-8	File #12: Minutes, 1938
Box 5 Folder 1-3	File #13: Minutes, 1939
Box 5 Folder 4	File #14: Minutes of twentieth anniversary convention of United Artists (UA) selling organization, 1939 Note: Contains transcripts of speeches of 23 luminaries: Harry Buckley, George Bruce, E.T. Carr, Sam Cohen, Lynn Farnol, Harry Gold, Monroe Greenthal, Morris Helperin, Alfred Hitchcock, Leslie Howard, Paul Lazarus, Sol Lesser, David Loew, Ernst Lubitsch, Albert Margolies, Mary Pickford, Alfred Reeves, Hal Roach, Dick Rowland, Jack Schlaifer, David O. Selznick, Murray Silverstone, and Walter Wanger.
Box 5 Folder 5-6	File #15: Minutes, 1940
Box 6 Folder 1-3	File #16: Minutes, 1941
Box 6 Folder 4-10	File #17: Minutes, 1942-1947
Box 6 Folder 11-12	File #18: Minutes, 1948-1950
	UAC General Correspondence, 1920-1930 Note: Policy correspondence which passed through the O'Brien office.
Box 7 Folder 1-4	File #19: General correspondence, 1920-1923
Box 7 Folder 5-7	File #20: General correspondence, 1924-1925
Box 7 Folder 8-10	File #21: General correspondence, 1926-1927
Box 8 Folder 1-4	File #22: General correspondence, 1928
Box 8 Folder 5-7	File #23: General correspondence, 1929-1930
	General matters and correspondence, 1931-1951
Box 9 Folder 1-2	File #24: General matters and correspondence, 1931-1932
Box 9 Folder 3-5	File #25: General matters and correspondence, 1935 Note: Includes weekly cash position statements.
Box 9 Folder 6-9	File #26: General matters and correspondence, 1936 Note: Includes A.H. Giannini agreement, miscellaneous correspondence, business reports, financial reports, balance sheet, and daily home office bank balances.
Box 9 Folder 10-12	File #27: General matters and correspondence; Estanica copyright; Arthur Kelly and Jack Merserau; daily home office bank balances, 1937
Box 9 Folder 13	File #28: General matters and correspondence; home office daily bank balances, 1938
Box 10 Folder 1	File #28: General matters and correspondence; home office daily bank balances, 1938 (continued)
Box 10 Folder 2	File #29: General matters and correspondence, 1939
Box 10 Folder 3-4	File #30: General matters and correspondence, 1940
Box 10 Folder 5-7	File #31: General matters and correspondence, miscellaneous papers, 1941 Note: Includes Kelly Improvement Plan, corporate chart, future selling plan, financial data; inquiries from David Selznick; contract negotiations with Frank Capra and Robert Riskin; examination of operations and procedures of UAC.
Box 11 Folder 1-2	File #31: General matters and correspondence, miscellaneous papers, 1941 (continued) Note: Includes Kelly Improvement Plan, corporate chart, future selling plan, financial data; inquiries from David Selznick; contract negotiations with Frank Capra and Robert Riskin; examination of operations and procedures of UAC.
Box 11 Folder 3-5	File #32: General matters and correspondence, features productions released from 1929-1943, 1942-1943
Box 11 Folder 6-7	File #33: General matters and correspondence, 1944-1945
Box 11 Folder 8-10	File #34: General matters and correspondence, agreement of UAC with American European Film Industries Inc. for Hangmen Also Die; Stockholders' report for 1941-1946, 1946-1947
Box 12 Folder 1-2	File #35: General matters and correspondence, 1948-1949
Box 12 Folder 3-5	File #36: General matters and correspondence, pictures released seasons of 1919-1941; pending litigation (March 1950); memorandum on sale of corporation (1951), 1950-1951
	UAC Executive Committee minutes, resolutions, and correspondence Note: The Committee, in existence only between 1935 and 1938 was made up of vice-presidents and other top executives of the corporation. It dealt with matters of policy between meetings of the Board of Directors.
Box 12 Folder 6-8	File #37: Executive Committee, 1935
Box 13 Folder 1-3	File #38: Executive Committee, 1936
Box 13 Folder 4-5	File #39: Executive Committee, 1937
Box 13 Folder 6-7	File #40: Executive Committee, 1938 January to June
Box 13 Folder 8-9	File #41: National Labor Relations Board and Screen Publicists Guild correspondence and documents, 1940-1949 Note: Also Screen Office and Professional Employees Guild (SOPEG)
Box 14 Folder 1-6	File #41: National Labor Relations Board and Screen Publicists Guild correspondence and documents, 1940-1949 (continued) Note: Also Screen Office and Professional Employees Guild (SOPEG)
Box 14 Folder 7-8	File #42: Fortune magazine article on history of UAC, 1940 Note: Corporation's reactions to proposed article were mixed.
Box 15 Folder 1	File #43: Screen Office and Professional Employees Guild (SOPEG), Local 1391, Los Angeles, 1941-1944 Note: Regarding UA's dealings with this union.
Box 15 Folder 2-5	File #44: National Labor Relations Board and strike of home office employees' union; correspondence and documents, 1941-1948
Box 15 Folder 6-7	File #45: Office managers' and bookers' wage and hour law, and job analysis; correspondence and miscellaneous, 1948-1950
Box 15 Folder 8	File #47: Colosseum of Motion Picture Salesmen NLRB case, correspondence, 1950 Note: These charges were brought before the NLRB by a Milwaukee union and were later withdrawn.
Box 15 Folder 9-10	File #48: UA Employees' Welfare Fund Inc., correspondence, minutes, and documents, 1937-1950 Note: Records of a company-operated welfare fund.
Box 15 Folder 11	File #49: Continental Casualty Company and bonding of UA foreign agents, 1932-1934
Box 16 Folder 1-4	File #46: John Bartelt vs. UAC; correspondence and records, 1948-1951 Note: Milwaukee employee sues for wages.
Box 17 Folder 1	File #50: Samuel Goldwyn agreements and related correspondence, 1948 Note: Tentative film titles Criminals and Diplomatic Passport; this deal was never made.
Box 17 Folder 2	File #51: U.S. Film Export Company Agreements, 1946 Note: Regarding U.S. Film as UA's foreign licensee.
Box 17 Folder 3	File #52: Power of attorney for Art Cinema Corporation given to UA Australasia by Joseph Moskowitz; related correspondence, 1930-1935
Box 17 Folder 4	File #53: Cinesound Productions Ltd. and UA Australasia and UAC agreement for two films, 1936
Box 17 Folder 5	File #54: American Industrial Corporation agreement for Johnny One-Eye, 1949-1951 Note: Correspondence, Benedict Bogeaus.
Box 17 Folder 6	File #55: Gateway Film and Television Company agreement for William's Luck and correspondence, 1948
Box 17 Folder 7-9	File #56: UAC South America; correspondence and minutes, 1944-1951 Note: Includes Home office correspondence, 1944-1950; minutes, 1944-1951; and contracts and correspondence of Manual Pena Rodriquez, 1947-1949
Box 17 Folder 10	File #57: Clifford Odets and UAC agreement for Awake and Sing, 1949
Box 17 Folder 11	File #58: UAC vs. Cumberland Amusement Company, 1949-1950 Note: UA sues Tennessee exhibitor over unplayed contracts.
Box 17 Folder 12	File #59: Gramercy Pictures Inc. agreement for film of Schmeling-Stribling fight, 1939 Note: Argentine and Chilean distributors.
Box 17 Folder 13-18	File #60: Rooney-Stiefel Inc. agreement, correspondence, miscellaneous for The Big Wheel and Quicksand, 1949-1951 Note: Mickey Rooney.
	-Quicksand agreement, 1949
	-Correspondence, 1949-1950
	-Miscellaneous correspondence, 1949-1950
	-Rooney-Stiefel, Harry Popkin Productions, James Nasser regarding Quicksand, Big Wheel injunction, 1949-1950
	-Ressan Inc., doing business as General Service Studios, George Nasser, et al. vs. Rooney-Stiefel, Inc. (over Rooney's services in Quicksand), 1949-1951
	-Bankers Trust Company and Edward Peskay vs. Rooney-Stiefel Productions, warrant of attachment, 1951
Box 18 Folder 1	File #61: Rooney-Stiefel Inc. and 20th Century Fox Film Corporation: title conflict between Sand and Quicksand, 1949
Box 18 Folder 2-5	File #62: Willard A. Holland vs. UAC and Harry Popkin, Samuel Stiefel, Jack Dempsey, Mickey Rooney and Popkin, Stiefel, Dempsey Productions, 1949-1950 Note: Holland sues for damages for unauthorized use of his name in The Big Wheel. Includes correspondence, legal papers, 1949-1950, and dialogue continuity for The Big Wheel.
Box 18 Folder 6	File #63: Leonard Picker agreement for Porgy and Bess, 1948
Box 18 Folder 7	File #64: Arrow Pictures Corporation agreement for Teheran (or Plot to Kill Roosevelt), 1948
Box 18 Folder 8-9	File #65: Pioneer Pictures Corporation agreement for Gun Crazy, Red Light, correspondence, 1949-1950
Box 18 Folder 10-11	File #66: Arnold Productions Inc. and Arnold Pressburger agreements, correspondence, 1941-1950 Note: Regarding Driftlight, Hangmen Also Die, It Happened Tomorrow, Last Year's Show, Scandal in Paris, Shanghai Gesture, Vidocq, and Wild Echoes Flying.
Box 18 Folder 12-13	File #67: Arnold Productions and Arnold Pressburger agreements with DeLuxe Laboratories Inc., 1941-1950 Note: Production financing, Shanghai Gesture.
Box 19 Folder 1-4	File #68: Arnold Productions copyright correspondence for Shanghai Gesture, Hangmen Also Die, It Happened Tomorrow, A Scandal in Paris, 1942-1946
Box 19 Folder 5	File #69: Film Rights International Ltd. agreement for foreign distribution of The Shanghai Gesture, 1948-1949 Note: South Africa.
Box 19 Folder 6-7	File #70: Betty Box (Bonaventure Films Ltd.) agreements for The Hearts of Paris, Tonight at 8:30, and The Vic Welles Ballet, 1949-1950
Box 19 Folder 8-10	File #71: Oliver Unger deal: Distinguished Films Inc. agreement for Passionelle and Under the Sun of Rome, and Oxford Films Inc. agreement for Torment, 1948-1950
Box 19 Folder 11-12	File #72: Distinguished Films Inc. and Guaranteed Pictures Company agreements for As You Like It, 1949-1951 Note: Distinguished Films acquires re-issue rights from Guaranteed Pictures; UA is to do the actual distribution.
Box 19 Folder 13-14	File #73: Inter-American Productions Inc. agreements for Cisco Kid series, 1948-1951 Note: Daring Caballero, Girl from San Lorenzo, Gay Amigo, Satan's Cradle, and Valient Hombre.
Box 19 Folder 15	File #74: Lode Star Productions Inc. agreement for Cisco Kid series, 1950
Box 19 Folder 16	File #75: Tower Pictures agreement for Jigsaw and correspondence, 1948-1950
	File #76-78: Minutes, correspondence, reports, contracts, agreements, etc. of UA Corporation Ltd. (formerly Allied Artists Corporation, Ltd.), 1928-1951
Box 19 Folder 17-19	Minutes, 1930-1950
Box/Folder 20/1-22/1-9	Correspondence, etc., 1926-1951
	-Correspondence, 1928-1951
	-Agreements, general reports, and miscellaneous, 1926-1933
	-Articles of Association, 1930-1940
	-History of UA to 1930; general report of UAC Ltd.; miscellaneous, undated
	-Maurice Silverstone employment agreements, 1934-1937
	-Continental agreements, 1934-1941
	-Miscellaneous continental agreements and drafts, 1934-1941
	-UAC and Adolph Marshall, Roumania, 1942-1950
Box/Folder 23/1-24/31	File #79-81: UAC Export Ltd. agreements with distributing companies in foreign countries, 1935-1940 Note: Alphabetically by corporation name.
Box 25 Folder 1	File #82: Dr. Hauser and Company of Vienna liquidation, 1939-1940 Note: Correspondence dealing with the liquidation of UA's distributor's corporation
Box 25 Folder 2-3	File #83: UAC Producers Fund: plans, memoranda and correspondence, 1938-1940 Note: Also known as Silverstone Plan, a profit-sharing plan for UA producers.
Box 25 Folder 4	File #84: UAC Ltd. and UAC Export Ltd. regarding UA share holdings, 1938 Note: Stock transfers relating to these foreign corporations.
Box 25 Folder 5	File #85: World Window Ltd. and Count von Keller agreement for series, 1937
Box 25 Folder 6	File #86: British and Dominion Film Corporation Ltd. and UAC Ltd. agreement for Canada and Newfoundland, 1932 Note: Distribution agreement.
Box 25 Folder 7-8	File #87: UAC Ltd. and British and Dominion Film Corporation Ltd. distribution license, 1932-1937 Note: Agreement and correspondence on license for Great Britain, Australasia, Canada and the U.S.
Box 25 Folder 9	File #88: Examples of Employment Contracts for film artists, 1932-1933 Note: And correspondence related to providing these examples to F.M. Guedalla of London.
Box 25 Folder 10	File #89: British and Dominion Film Corporation Ltd. distribution agreement for India, 1933 Note: Contract marked “cancelled”; prospectus.
Box 25 Folder 11	File #90: London Film Productions and UAC: Wings Over Africa agreement, 1937-1938
Box/Folder 25/12-26/7	File #91: London Film Productions, copyright and correspondence for 37 films Note: Starred titles include synopsis: Action for Slander, Brewster's Millions, The Challenge, Come Out of the Pantry, Divorce of Lady X, The Drum, Elephant Boy, Escape Me Never, Farewell Again, Fire Over England, Forgot Me Not, Four Feathers, The Ghost Goes West, Girls Please, It's a Cop, The King of Paris, Knight Without Armour, Lilies of the Fields, The Lion Has Wings, Men Are Not Gods, Moscow Nights, Murder on Diamond Row, Nell Gwyn, Over the Moon (Many Moons), Paradise for Two, Peg of Old Drury, Prison Without Bars, The Private Life of Henry VIII, The Rebel Sun, Rembrandt, The Return of the Scarlet Pimpernal, Sanders of the River, South Riding, Stroller's Fate, Things to Come, Two's Company, Where's George.
Box 26 Folder 8-9	File #92: British and Dominions Film Corporation and UAC, distribution agreements, miscellaneous and copyright material, 1933-1946
Box/Folder 26/10-27/3	File #93: Agreements with English production and distribution corporations: UAC, UAC Ltd. and Londofilm, 1930s
	-Correspondence, 1933-1951
	-Anglo-American Film: agreements, by-laws, résumés, 1933-1936
	-Atlantic Film Productions, Thunder in the City, 1936
	-British Cine Alliance (Arnold Pressburger), 1936
	-Capitol Film Corporation, 1936-1937
	-Cecil Film and Trafalgar Productions, 1937
	-Criterion Film Productions, 1936-1938
	-Dramatic and Cinematograph Association (Paul and Elizabeth Bergner Czinner), 1936-1938
	-Alexander Korda, 1933-1935
	-Mercury Film Laboratories and Nat Saland for The Dreaming Lips, 1936-1949
	-Pall Mall Productions, 1936
	-Trafalgar Film Productions and Max Salach, 1936-1941
Box 27 Folder 4-8	File #94: Copyright, correspondence and synopses for Atlantic Film Productions, Criterion Film Productions and Trafalgar Film Productions features, 1936-1937 Note: Crime Over London, Dreaming Lips, Jump for Glory, Love From a Stranger, Thunder in the City (no synopsis), When Thief Meets Thief.
Box 27 Folder 9	File #95: Copyright and correspondence and synopsis for Pall Mall Productions Moonlight Sonata, 1937
Box 27 Folder 10	File #96: Edward B. Marks Music Corporation and Trafalgar Film Productions, copyright claim for Lilac Domino, 1937-1941
Box 27 Folder 11	File #97: Trafalgar Film Productions and UAC: indemnity agreements on withholding taxes, 1937-1941
Box 27 Folder 12-13	File #98: Anglo-American Film Corporation and British National Films Ltd. agreements for Mr. Pimpernal Smith and Love on the Dole, 1941-1945 Note: Leslie Howard.
Box 27 Folder 14	File #99: British International Pictures: Sydney Chaplin agreement, 1933
Box 27 Folder 15	File #100: British and Dominions Film Corporation advs Principal Film Exchanges Inc., 1933-1934 Note: Attachment.
Box 27 Folder 16	File #101: The Ministry of Information and UAC: agreement for A Message from Home, 1941-1942
Box 27 Folder 17	File #102: Nero Film, UAC Ltd. and UAC: agreement for La Vie Parisienne, 1935
Box 27 Folder 18	File #103: A.E. Abrahams Ltd. and UAC Ltd.: lease agreement for London Pavilion Theatre, 1933-1941
Box/Folder 27/19-28/2	File #104: Agreements of UAC with British Producing Companies, 1935-1946
	-London Film Productions and Alexander Korda, basic producer/distributor agreement; includes correspondence on various films, 1935-1938
	-Pendennis Pictures Corporation, Denham Securities Ltd., and Victor Saville Productions: distribution agreements; correspondence, 1936-1946
	-Agreements with Denham Films Ltd., Denham Securities, Ltd., and London Film Productions Ltd. for Action for Slander, The Challenge, Divorce of Lady X, The Drum, The First and the Last, Kiss Me Goodnight, Mutiny in the Mountains, South Riding, 1937-1943
Box 28 Folder 3-10	File #105: London Film Productions, Alexander Korda and UAC; correspondence and miscellaneous agreements, 1938-1950 Note: Includes correspondence on wartime propaganda films and Four Feathers.
Box 28 Folder 11-12	File #106: Gloria Pictures Corporation and UAC: agreements for New Wine, 1940-1947 Note: Includes correspondence relating to the dissolution of the corporation; Alexander Korda.
Box 29 Folder 1	File #107: Gloria Pictures Corporation: copyright for New Wine, 1941
Box 29 Folder 2-6	File #108: London Film Productions, Alexander Korda, and UAC: complete file of agreements and related materials, 1934-1951
Box 29 Folder 7-10	File #109: Alexander Korda Films: copyright correspondence and synopses for The Jungle Book, Lydia, That Hamilton Woman, Thief of Baghdad, and To Be or Not To Be, 1940-1945 Note: No synopsis for The Jungle Book.
Box 29 Folder 11-12	File #110: London Film Productions, Alexander Korda, and UAC plan for re-forming London Films Corporation, 1938-1943 Note: Also miscellaneous agreements.
Box 29 Folder 13	File #111: The Dublin Company and UAC; agreement and correspondence, 1947-1948
Box 30 Folder 1	File #112: London Films Productions and UAC; Short Subject agreement, 1935 Note: For Far East Territories.
Box 30 Folder 2-7	File #113: UAC Ltd. and Odeon Theatres Ltd. prospectus, reports, correspondence and agreements, 1937-1951
Box 30 Folder 8-12	File #114: General Film Distributors Ltd. copyright and correspondence for Blithe Spirit, Caesar and Cleopatra, Fanny by Gaslight, Johnny in the Clouds, Mr. Emmanuel, 1945-1946
Box/Folder 30/13-31/4	File #115: General Film Distributors Ltd. drafts, agreements and correspondence, 1944-1951 Note: With Eagle-Lion Films.
Box 31 Folder 5	File #116: Empire-Universal Films Ltd. and United World Pictures of Canada, Ltd. vs. J. Arthur Rank Organization et al., legal papers, 1949
Box 31 Folder 6-8	File #117: Henry V road show agreements and correspondence, 1946-1950
Box 31 Folder 9	File #118: UAC of Texas renewal of permit to do business, 1949
Box 31 Folder 10	File #119: Our India distribution contract, 1949
Box 31 Folder 11-12	File #120: Bing Crosby Productions and UAC agreements and correspondence for The Great John L. and Abie's Irish Rose, 1944-1948 Note: Dialogue continuity for The Great John L. Copy of The Boston Strong Boy by Nat Fleisher.
Box 32 Folder 1	File #121: Bing Crosby Productions copyright and correspondence for The Great John L., 1945-1946
Box 32 Folder 2	File #122: Buster Collier Productions and UAC agreement and correspondence for The Cautious Amorist, 1948-1949
	Claims by and against UAC, 1939-1951 Note: These are claims by exhibitors against UA and claims by UA against exhibitors; they are arranged in alphabetical order by name of exhibitor.
Box 32 Folder 3-5	File #123: Claims A-C
Box/Folder 32/6-33/2	File #124: Claims C-G: UAC as third party in supplementary proceedings--Dale Belmont, creditor and Lester Cowan Productions, debtor; and UAC vs. Cinema Export Corporation, Jack Barnstyn, 1947-1948
Box 33 Folder 3-8	File #125: Claims H-K
Box/Folder 33/9-34/2	File #126: Claims L-O: UAC regarding Merle McKenna note, bad debt (UA Welfare Fund), 1949
Box 34 Folder 3-5	File #127: Claims P-R
Box 34/6-35/6	File #128: Claims S-Z: UAC vs. Frida Weinberg regarding BCD Films of Bucharest, Roumania, 1946-1948
Box 35 Folder 7	File #129: Miscellaneous UAC Claims; Sumner W. Taylor, 1930-1935 Note: Saenger Theatres Inc.
Box 35 Folder 8	File #130: Saenger Amusement Company vs. Paramount Richards Theatres; correspondence, 1940
Box 35 Folder 9	File #131: Agreement and correspondence for Little Shepherd of Kingdom Come; UAC and producers Jesse Smith and George Templeton
Box/Folder 35/10-36/2	File #132: Agreements and correspondence of UAC with James Nasser, 1947-1951 Note: Subjects included are My Dear Secretary, Innocent Affair, Don't Trust Your Husband, Champagne for Caesar, A Kiss for Corliss, and the Nasser bankruptcy. Assigning to Hughes Tool Company all rights to The Outlaw.
Box 36 Folder 3	File #133: Reliance Pictures Inc. and UAC agreements and correspondence for Davy Crockett, Indian Scout and The Iroquois Trail, 1948-1950
Box 36 Folder 4	File #134: DuWorld Pictures Inc. and UAC; agreement for Popular Science series shorts, 1936-1937
Box 36 Folder 5	File #135: Philippine Islands; exhibition contract form and correspondence, 1933
Box 36 Folder 6	File #136: UAC vs. John A. “Joe” Cooper, Paramount Publix; exhibitor contract and correspondence, 1930-1935 Note: Canada.
Box 36 Folder 7	File #137: Atlas-Sirk-Lipton-Mayer Productions and UAC; agreement for Two Hearts in 3/4ths Time, 1949-1950
Box/Folder 36/8-37/2	File #138: Edward Small Distribution contracts with UAC and with other corporations; agreements and correspondence on various motion pictures, 1938-1950 Note: Mr. Pimpernal Smith.
Box 37 Folder 3	File #139: Edward Small Productions, Ethel Borden and UAC; agreements and correspondence for The Life of Rudolph Valentino, 1942-1951 Note: Ethel Borden was the writer.
Box 37 Folder 4-5	File #140: Trans-Pacific Film Corporation (Jacques Grinieff) and UAC; agreement and correspondence for Sword of the Avenger, 1948-1950 Note: Also Magnus Films Inc.
Box 37 Folder 6-7	File #141: West Indies Film Board of Trade; correspondence, corporate papers, powers-of-attorney, etc. for Trinidad, 1937-1951
Box 37 Folder 8-10	File #142: UAC and Charles Rogers; agreements for Angel on My Shoulder, Delightfully Dangerous, The Fabulous Dorseys, The Powers Girls, Song of the Open Road, 1941-1951 Note: Charles R. Rogers Productions, Charles R. Rogers Talking Pictures, Charles R. Rogers Enterprises, Embassy Productions, Premier Productions.
Box 38 Folder 1-4	File #143: Copyright and correspondence for Charles Rogers films: Angel on My Shoulder, Delightfully Dangerous, The Powers Girls and Song of the Open Road, 1942-1949
Box 38 Folder 5	File #144: United California Productions agreement for Joe McBeth, 1947-1951
Box 38 Folder 6-7	File #145: Copyright infringement suit; Helen Cohen (also known as Helen Bernard) vs. Dorsey Brothers Music, Inc., UAC, Don George and Allie Wrubel, 1947-1952 Note: Copyright of the song, To Me, from The Fabulous Dorseys.
Box 38 Folder 8-9	File #146: Twentieth Century Film Corporation as agent for South Africa and producer/distributor agreements of 1938 with various UA producers, 1937-1949
Box 38 Folder 10-12	File #147: South Africa; correspondence, etc. of UAC, 1938-1951
Box 38 Folder 13-15	File #148: RKO Radio Pictures and UAC's South Africa subsidiary; distribution agreements for Ball of Fire, Little Foxes, North Star, Pinocchio, Pride of the Yankees, Spitfire, and They Got Me Covered, 1942-1943
Box 38 Folder 16	File #149: Resolute Pictures Corporation and UAC; agreement for Latin American distribution of four Rex Bell westerns, 1938 Note: Fighting Pioneers, Gun Fire, Saddle Aces, and Tonto Kid.
Box 39 Folder 1	File #150: Resolute Pictures Corporation and Harvey Pergament; agreement for distribution of westerns in Latin America, 1938-1939
Box 39 Folder 2	File #151: Distribution agreement with Arthur Sanchez (doing business as) Trans-Oceanic Film Export Company, 1937-1941
Box 39 Folder 3-6	File #152: UA Puerto Rico; corporate papers, minutes, and correspondence Note: Originally UA Export Corporation.
	-incorporation papers
	-by-laws, 1931-1938
Box 39 Folder 7	File #153: Rafael Ramos Cobian and UAC; lease for Cobian Film Center Building, Puerto Rico, 1935-1936
Box 39 Folder 8	File #154: General Foreign Sales Corporation; distribution agreement for short subjects, 1934
Box 39 Folder 9-10	File #155: N.V. United Artists; Holland licensee of UAC: agreements and correspondence, 1947-1951
Box 39 Folder 11	File #156: International Variety and Theatrical Agency, African Consolidated Films; license agreement with UAC for Africa, 1938
Box 39 Folder 12	File #157: Uncollected checks, 1931 Note: Cleveland Trust Company.
Box 39 Folder 13	File #158: George Pal Productions and UAC agreements and correspondence, 1947-1949 Note: Tom Thumb.
Box 39 Folder 14	File #159: Meteor Pictures Corporation agreements for W. Lee Wilder films, 1948 Note: Sheppy and Once a Thief.
Box 40 Folder 1	File #160: Walter Lantz shorts agreements, 1947-1949
Box 40 Folder 2	File #161: Walter Lantz Productions copyright and correspondence for four cartoons, The Bandmaster, Banquet Busters, Kiddie Koncert, The Mad Hatter; synopses, 1948
Box 40 Folder 3	File #162: Earl R. Collins exhibition agreements for Whoopie, These Three, Strike Me Pink, Splendor, 1933-1935
Box 40 Folder 4	File #163: The Michaelangelo Company agreement for The Titan, 1950
Box 40 Folder 5	File #164: National Film Corporation of Warsaw, Polish license agreement and correspondence, 1933-1938
Box 40 Folder 6-7	File #165: Modern Films Sales Corporation (also known as Movies en Route) agreement with UAC, 1934-1949 Note: Showing films on airliners.
Box 40 Folder 8	File #166: Hal Roach Studios correspondence, 1949-1950
Box 40 Folder 9-12	File #167: Motion Picture Export Association, Colombia Pictures International Corporation and Loew's International Corporation agreements for Holland and other European countries, 1945-1950 Note: A Night in Casablanca.
Box/Folder 40/13-41/3	File #168: Hal Roach Studios and UAC vs. Lloyd T. Binford and the Memphis Tennessee Board of Censors in regards to the film Curley; clippings, correspondence, records, miscellaneous papers, 1947-1952
Box 41 Folder 4	File #169: Hal Roach Studios foreign distribution agreement for Curley, Fabulous Joe, Here Comes Trouble, Who Killed Doc Robin, 1949-1950
Box 41 Folder 5-8	File #170: Gregor Rabinovitch Companies: Vigor Motion Pictures Corporation, R-F Motion Picture Corporation, agreements and correspondence, 1942-1951 Note: Eugene Frenke, Battement de Coeur, Gibralter, Heartbreak, I Was an Adventuress, Three Russian Girls.
Box/Folder 41/9-42/1	File #171: Benedict Bogeaus Productions agreements and correspondence for The Bridge of San Luis, Captain Kidd, Christmas Eve, The Crooked Way, Diary of a Chambermaid, Girl from Manhattan, A Miracle Can Happen, Mr. Ace, and Three of a Kind, 1943-1950
Box 42 Folder 2	File #172: Benedict Bogeaus Productions copyright correspondence for The Bridge of San Luis Rey, 1944
Box 42 Folder 3-6	File #173: Copyrights and related correspondence, 1945-1948 Note: Benedict Bogeaus Productions and Captain Kidd Productions for Captain Kidd; Camden Productions for Diary of a Chambermaid; Hopalong Cassidy Productions for Dead Don't Talk, Hoppy's Holiday, The Marauders, Silent Conflict, Sinister Journey (* indicate synopses); Tivoli Productions for Mr. Ace.
Box 42 Folder 7	File #174: Benedict Bogeaus Productions, Ernest Hemingway and Award Productions agreement on “The Short Happy Life of Frances Macomber,” for The Macomber Affair, 1946-1950
Box 42 Folder 8-9	File #175: Benedict Bogeaus Productions and UAC correspondence and agreement for The Bridge of San Luis Rey, 1943-1950
Box 42 Folder 10-11	File #176: Hopalong Cassidy agreement, correspondence and pressbooks, 1946-1950 Note: Benedict Bogeaus, William Boyd, and Carl Lesserman.
Box 42 Folder 12-14	File #177: Walter E. Heller Company miscellaneous documents and records of lawsuits Note: Christmas Eve, Bachelor's Daughters, Bedside Manner, Delightfully Dangerous, Paris Underground.
	-vs. Andrew Stone Enterprises, Hal Roach Studios et al.
	-vs. Miracle Productions, Benedict Bogeaus Productions et al., 1949
Box 42 Folder 15	File #178: T-V Pic. Television rights for Bridge of San Luis, Dark Waters, and Mr. Ace, 1950-1951
Box 42 Folder 16	File #179: Employment agreements for Gradwell Sears, 1941-1951 Note: Arthur Kelly.
Box 42 Folder 17	File #180: Pictorial Film Library agreement for Spanish short Master of the Camera, 1938
Box 43 Folder 1-2	File #181: Salary dispute: Gradwell Sears vs. UAC records and correspondence, 1950-1951
Box 43 Folder 3-5	File #182: UAC de Colombia corporate papers, minutes and correspondence, 1934-1951
Box 43 Folder 6-8	File #183: UAC of N.E.I. (Netherlands East Indies) corporate papers, minutes, and correspondence, 1934-1951 Note: Was UAC de Venezuela until January 1936.
Box 43 Folder 9	File #184: Tooker Lithograph Company agreements for Lithograph posters, 1934-1946
Box 43 Folder 10	File #185: Edward Grohs agreement for Mrs. Mike, 1947
Box 43 Folder 11	File #186: U.S. House of Representatives Committee on Patents subpoena received by Al Lichtman and UAC, 1935
Box 44 Folder 1	File #187: Sherover Enterprises agreement for European distribution of The Great Dictator and Monsieur Verdoux, 1947-1949
Box 44 Folder 2-3	File #188: Selznick International Pictures, Vanguard Films et al. agreements and correspondence with the estate of Samuel Clemens for rights to Tom Sawyer, 1942-1949 Note: Clara Gabrilowitsch, Clemens' heir, for Adventures of Tom Sawyer.
Box 44 Folder 4	File #189: Selznick International Pictures and Vanguard Films agreement and correspondence with the Mark Twain Companies for Personal Recollections of Joan of Arc, 1943-1946 Note: Clara Gabrilowitsch, Clemens' heir, for Joan of Arc.
Box 44 Folder 5-6	File #190: Vanguard Films vs. UAC attachment of funds, 1947-1951
Box 44 Folder 7	File #191: Vanguard Films Streamliner contract, 1944
Box 44 Folder 8	File #192: Vanguard Films, re-issue rights for Rebecca, 1944-1946
Box 44 Folder 9	File #193: Thomfilms; foreign distribution agreement for Cloistered, 1937
Box 44 Folder 10	File #194: Guild Productions copyright correspondence for Abilene Town, 1945-1946
Box 44 Folder 11-13	File #195: Jules Levey Productions agreements, copyright and correspondence for The Hairy Ape and Guild Productions correspondence with Jules Levey for Abilene Town, 1944-1950
Box 44 Folder 14	File #196: Societe Hatienne de Spectacles of Haiti, Rene Didier of Martinique, and Societe Anonyme du Theatre of Guadeloupe agreement, 1935-1936 Note: Licensees.
Box 44 Folder 15	File #197: Ritchey International Corporation agreement for Port-O-Call series travelogues, 1935 Note: New Zealand.
Box 44 Folder 16	File #198: Ritchey International Corporation agreement for He Couldn't Take It, Mystery Man, and Redhead, 1937 Note: Mexico.
Box 44 Folder 17	File #199: Kara Productions Ltd. agreement, 1950
Box 44 Folder 18-19	File #200: Robert Stillman Productions agreement for Condemned, Island in the Sky and Queen for a Day, 1950-1951
Box 44 Folder 20	File #201: Jet Films Canadian distribution agreement for The Bicycle Thief and The Quiet One, 1950 Note: Jet films was formerly Jamar Film Distributors.
Box 44 Folder 21	File #202: Pax Film, Philippine Island agreement for Meyerling, 1937
Box 45 Folder 1-2	File #203: Panafran International Films Inc. agreements with UAC and UAC Ltd. (Canada) for Casse Pieds, Ecole Buissioniere, and Pieds Nickeles, 1949-1950
Box 45 Folder 3	File #204: Armand Denis Productions Ltd. and UAC agreements and correspondence for Dark Rapture, 1939-1940
Box 45 Folder 4	File #205: Ciprafilm and UAC, 1938-1940 Note: China and Philippines agreement for Prison Without Bars.
Box 45 Folder 5	File #206: Ernst Lubitsch and UAC agreement, copyright and correspondence for That Uncertain Feeling, and To Be or Not To Be, 1939-1943
Box 45 Folder 6-8	File #207: Sol Lesser Productions and UAC distribution agreements, 1939-1950 Note: Pot of Gold, The Red House, Stage Door Canteen, Strange Victory, That Uncertain Feeling.
Box 45 Folder 9	File #208: Sol Lesser Productions copyright, correspondence and synopsis for Our Town
Box 45 Folder 10-12	File #209: Principal Artists Productions, Sol Lesser and UAC correspondence and agreements for Our Town, Stage Door Canteen, and That Uncertain Feelng, 1942-1946
Box 45 Folder 13	File #209: Producing Artists and UAC correspondence for The Southerner, 1944-1945 Note: Formerly Hold Autumn in Your Hand.
Box 45 Folder 14	File #210: Principal Artists Productions, copyright and correspondence for Stage Door Canteen, 1943-1944
Box 45 Folder 15	File #211: Musicolor and UAC agreement and correspondence for short subjects, 1945-1947 Note: David L. Loew.
Box 45 Folder 16-19	File #212: Enterprise Productions and UAC agreement and correspondence for Arch of Triumph, (with synopsis and copyright), Body and Soul, The Other Love, Ramrod, They Pass This Way, 1946-1949 Note: David Loew and advance payment cash collection drive on Enterprise Pictures.
Box 45 Folder 20	File #213: UAC vs. Enterprise Productions, Charles Einfele (Einfeld?), David Lowe and George Schaefer, 1947 Note: UA sues to force producers to deliver pictures.
Box 45 Folder 21	File #214: Delward Productions Inc. and UAC distribution agreement for the Michael Todd picture Busman's Holiday, 1948
Box 46 Folder 1	File #215: Harry Ginsberg and UAC distribution agreement, 194?
Box 46 Folder 2	File #216: Gabriel Pascal and UAC agreement for two pictures, 1940-1942
Box 46 Folder 3-4	File #217: Gabriel Pascal and UAC agreement and correspondence for Major Barbara, 1940-1949 Note: Also the Snow Goose and Pascal Film Productions Ltd.
Box 46 Folder 5	File #218: Gabriel Pascal Productions; copyright, correspondence and synopsis for Major Barbara, 1941-1942 Note: George Bernard Shaw.
Box 46 Folder 6	File #219: Jerrold T. Brandt Productions and UAC; agreements for Cavalcade of Radio and Command Performance, 1948-1949
Box 46 Folder 7	File #220: National Film Service and UAC; agreement and correspondence, 1950 Note: For physical handling of film.
Box 46 Folder 8	File #221: Compagnie Artistique de Productions et d'adaptations Cinematographiques (CAPAC) and UAC; agreements for A Man Scans His Past (Un Homme se Penche sur son Passe) and Une Grande Fille Toute Simple, 1948-1949 Note: Famous Pictures Film Exchanges; Calamy Productions.
Box 46 Folder 9	File #222: Warwick Pictures and UAC; agreement for The World in Action short subjects, 1942-1947 Note: National Film Board of Canada.
Box 46 Folder 10	File #223: A. Edward Sutherland and UAC; agreement for Confessions of a Communist, 1948 Note: Agreement never made.
Box/Folder 46/11-47/5	File #224: Axelbank vs. Hays, et al.; correspondence, records, depositions, exhibits, 1946-1952 Note: Norman Axelbank sues Alan Hays over rights to smuggled Russian Revolutionary film footage. Persons and firms involved include: Max Eastman, Jean Lenauer, George Rony, Warwick Pictures (World in Action series), Lenauer International Films, National Film Board of Canada, Museum of Modern Art Film Library; also films March of Time, and Tsar to Lenin.
Box 47 Folder 6	File #225: Screen Plays Inc.; copyright, correspondence, and synopsis for So This Is New York, 1948
Box 47 Folder 7-8	File #226: North Callahan vs. UAC and Screen Plays, Inc., 1948-1952 Note: Concerning rights to title of So This Is New York.
Box 47 Folder 9-10	File #227: Society of Independent Motion Pictures Producers (SIMPP); by-laws, agreements, and correspondence, 1942-1948 Note: Walt Disney, Samuel Goldwyn, Mary Pickford, David Selznick, Hunt Stromberg, Walter Wanger, and Orson Welles.
Box 47 Folder 11-14	File #228: Screen Plays II Corporation and UAC; agreements and correspondence for Champion and Home of the Brave, 1947-1950 Note: Stanley Kramer.
Box 48 Folder 1-4	File #229: Boston Investigation: UAC vs. Ralph E. Snider et al., 1943-1947 Note: Regarding false returns.
Box 48 Box 5	File #230: Golden Bough Inc. and Cardinal Pictures arbitration over the title Impact, 1949-1950
Box 48 Folder 6-8	File #231: Amusement Enterprises, Cardinal Pictures, Harry Popkin and UAC agreements and correspondence for various pictures including Champagne for Caesar, Dead on Arrival, Here Lies Love, and The Lucky Stiff, 1948-1951
Box 48 Folder 9	File #232: Concert Films and UAC agreement and correspondence for Concert Magic, 1949 Note: UA did not distribute this film.
Box 48 Folder 10	File #233: Department of Justice complaint--D.B. Cockrill, 1949
Box 48 Folder 11-12	File #234: Golden Productions (formerly Golden Pictures) and UAC agreements and correspondence for Breakfast in Hollywood, Guilty of Treason, Texas, Brooklyn and Heaven, 1945-1950 Note: Edward Golden.
Box 49 Folder 1	File #235: Golden Pictures copyright and correspondence for Breakfast in Hollywood, 1946
Box 49 Folder 2	File #236: Merit Productions Inc. and UAC agreements and correspondence, 1948-1950 Note: W. Lee Wilder.
Box 49 Folder 3	File #237: Albert Giacalone (Italia Films) and UAC correspondence and agreements for My Dream of Paradise, 1950
Box 49 Folder 4-6	File #238: UAC of Egypt minutes, corporate papers, powers of attorney, and correspondence, 1942-1949
Box 49 Folder 7	File #239: Favorite Films and UAC agreement for distribution of Hal Roach Streamliners in Sweden, 1948-1950
Box 49 Folder 8	File #240: Atlantic Productions and UAC; Atlantis bankruptcy, 1951
Box 49 Folder 9-10	File #241: Hughes Tool Company vs. UAC et al. regarding The Outlaw and Red River; correspondence, legal papers, records, settlement document signed by Howard Hughes, 1948 Note: Howard Hawks.
Box 49 Folder 11-12	File #242: Howard Hawk's Red River copyright (1951); Hughes Productions The Outlaw copyright (1947), 1947, 1951 Note: Synopses.
Box 49 Folder 13-14	File #243: Sam Coslow and UAC agreement and correspondence for Copacabana, 1946-1949 Note: Beacon Pictures and Copacabana Inc.
Box 49 Folder 15	File #244: Beacon Pictures Corporation Copacabana bankruptcy correspondence, 1949-1950
Box 49 Folder 16-17	File #245: Gloria Film Productions and UAC agreements and correspondence for The Dungeon, and Three Husbands, 1950-1951
Box 50 Folder 1	File #246: Eagle Productions Inc. and UAC agreement and correspondence for The Prowler, 1950 Note: Also Horizon Pictures Inc.; Justman plan
Box 50 Folder 2	File #247: Arthur W. Kelly and UAC agreement and correspondence for The Ryan Girl and Half Caste, 1945-1948
Box 50 Folder 3	File #248: Harmon-Izing Pictures, Hugh Harmon and UAC agreements and correspondence for The Little Prince and King Arthur and the Knights of the Round Table, 1941-1948
Box 50 Folder 4-5	File #249: UAC vs. Film-Tel and International Theatrical and Television Corporation, debtors; correspondence, records and miscellaneous papers, 1946-1948
Box 50 Folder 6	File #250: Moroccan Pictures (Samuel Bishoff) and UAC correspondence on Outpost in Morocco, 1948-1951
Box 50 Folder 7-9	File #251: Samuel Bishoff and UAC agreement and correspondence for Intrigue, Mrs. Mike and Pitfall, 1946-1951
Box 50 Folder 10	File #252: Westport International Film and UAC agreements and correspondence for Kings of the Olympics and Furia, 1947-1949
Box 51 Folder 1	File #253: Story Productions and UAC agreement and correspondence for This Side of Innocence, 1946-1948
Box 51 Folder 2	File #254: Tola Productions and UAC agreement and correspondence for The Roosevelt Story, 1947-1950
Box 51 Folder 3	File #255: W.R. Frank Productions and UAC agreement and correspondence for The Great Dan Patch, 1947-1950
Box 51 Folder 4	File #256: M. Gumpel and UAC agreement for South African distribution of They Made Me a Fugitive, 1948
Box 51 Folder 5	File #257: Albert J. Cohen, Jack Goldberg and UAC agreement for three pictures, 1947-1948 Note: Includes The Blue Flame.
Box 51 Folder 6	File #258: World-Adventure Pictures and UAC agreement for Urubu, 1950
Box 51 Folder 7 Folder	File #259: Robert Weil Velaise (doing business as Scoop Productions, Inc.) and UAC for foreign licensing of No Greater Sin, 1948-1950
Box 51 Folder 8	File #260: Nassour Studios, Nasbro Pictures, Nassour brothers and UAC, six picture agreement plus agreement and correspondence for Africa Screams, 1948-1951 Note: Abbott and Costello.
Box 51 Folder 9	File #261: Classic Pictures vs. UAC regarding alleged title infringement of the title of Africa Speaks by Africa Screams, 1949-1952
Box 51 Folder 10	File #262: Kenmore Productions and UAC agreement for three features, 1948
Box 51 Folder 11	File #263: Attwood Productions and UAC agreement and correspondence for Songs of America short subject series, 1949-1950
Box 51 Folder 12	File #264: Individual Pictures and UAC agreement and correspondence for So Young So Bad, 1949-1950
Box 51 Folder 13	File #265: Ezra Mir and UAC agreement for Kalu, 1949
Box 51 Folder 14	File #266: Renown Pictures and UAC agreement and correspondence for The Glass Mountain and No Orchids for Miss Blandish, 1949-1951
Box/Folder 51/15-52/2	File #267: UAC Television contracts and miscellaneous papers for these producers: Cinesound Productions; Morgan Productions; Richard Productions; J.H. Rutherford; Strick Film Company; Video Varieties Corporation; von Keller, Count and Countess, 1949
Box 52 Folder 3-17	File #268: UAC Television contracts and correspondence
	-General correspondence about television
	-Cambridge Theatre Properties for Don Pasquale
	-Christy Associates for Table Manners
	-Edmund L. Dorfman Productions for Magician series
	-Frederick Feher for concert series
	-Jules Fields
	-Walter Futter for Curiosity Films
	-Horne and Mathews Inc.
	-Eleanor and Fredrich Wilhelm von Keller for World Window travelogues
	-Jack Kenaston Productions for Uncle Jack's ABC Art Adventures
	- Morgan Productions for Greatest Gamble and Greatest American
	-Nova Productions To Rule the Night, etc.
	-Oulman Television Productions for circus series
	-Publicidad Guastella and Publicidad Mestre
	-Reithof Productions, 1948-1950
Box 52 Folder 18	File #269: UAC Television Claims, 1950
Box 52 Folder 19	File #270: Alcorn Productions and UAC agreements and correspondence for Johnny Holiday, 1949-1951
Box 52 Folder 20	File #271: Roxbury Productions and UAC agreement and correspondence for The Admiral Was a Lady and The Gun, 1949-1951
Box 53 Folder 1	File #272: Orbit Productions and UAC agreement and correspondence for The Hard Pillow, 1949-1950
Box 53 Folder 2	File #273: Filmcraft Trading Corporation and UAC agreement and correspondence for The Whip, 1949-1950
Box 53 Folder 3-5	File #274: Joseph Lucachevitch vs. UAC et al. on ownership of Summer Storm, 1945-1950 Note: Correspondence, record, miscellaneous
Box 53 Folder 6	File #275: World Screen Plays Ltd. and UAC agreement and correspondence for several pictures, 1949 Note: Includes O Mistress Mine.
Box 53 Folder 7	File #276: Gregory Ratoff and UAC agreement and correspondence for If This Be Sin, 1949-1951
Box 53 Folder 8	File #277: Gibralter Pictures Inc. and UAC agreement for Once Over Lightly, 1949
Box 53 Folder 9	File #278: Brandt Circuit advs. UAC regarding film rentals due, 1948-1950
Box 53 Folder 10	File #279: Harry Sherman and UAC agreement and correspondence for “Hashknife Hartley” series, 1949
Box 53 Folder 11	File #280: Promesa Films and UAC agreement and correspondence for Latin American distribution of Brindis d'Amor, 1950
Box 53 Folder 12	File #281: Michael Powell and UAC agreement and correspondence for Arctic Fury, 1950 Note: Produced by a Finn named Witikka.
Box 54 Folder 1	File #282: Irving Allen and UAC agreement for New Mexico, 1950
Box 54 Folder 2	File #283: Selkirk Productions and UAC agreement and correspondence for Forbidden Journey, 1950
Box 54 Folder 3	File #284: Stepney Corporation, incorporation papers, by-laws, minutes, and correspondence, 1950-1951 Note: Subsidiary of UAC.
Box 54 Folder 4	File #285: Encyclopedia Britannica Films and UAC agreement and correspondence for Ballad of the West, 1950
Box 54 Folder 5	File #286: Martin Gang, Sam Jaffee, Lloyd Bacon, Anderson Lawler, and Noel Singer (producers) and UAC agreement for The Sullivans, 1950
	File #287-288: UAC Argentina Branch correspondence and miscellaneous papers
Box 54 Folder 6-12	1929-1942
Box 55 Folder 1	1943-1949
Box 55 Folder 2	Miscellaneous papers, 1937-1949
Box 55 Folder 3	File #289: UAC Argentina Branch powers of attorney and related correspondence, 1929-1949
Box 55 Folder 4-8	File #290: Argentine Film Board, H.J. Bini anti-trust action; correspondence, record, etc., 1937-1943 Note: Bini, an exhibitor, accuses the film board of monopoly abuses.
	File #291-294: United Artists, Australasia Ltd. correspondence, minutes, agreements, articles of association, miscellaneous papers, 1921-1951
Box 55 Folder 9-11	Correspondence, 1921-1927
Box 56 Folder 1-7	Correspondence, 1928-1951
Box 56 Folder 8	Minutes, 1931-1950
Box 57 Folder 1-3	Agreements, articles of association, miscellaneous papers, 1922-1943
	File #295-297: United Artists of Brazil, 1926-1951
Box 57 Folder 4-8	Correspondence and minutes (minutes 1931-1951), 1926-1951
Box 58 Folder 1	Powers of attorney and related correspondence, 1926-1942
Box 58 Folder 2-8	File #298-300: United Artists of China correspondence, minutes, agreements, and miscellaneous papers, 1922-1951 Note: Includes material on Constantin Goldin and Alexander Krisel as agents for UAC.
	-Correspondence, 1930-1951
	-Agreements, powers of attorney, correspondence, etc., 1922, 1931-1950
	-Minutes, 1947-1951
	File #301-303: UAC France correspondence, minutes, miscellaneous for France and for other European branches serviced through France, 1928-1939
Box 58 Folder 9	Correspondence, 1928-1929
Box 59	Correspondence, 1930-1939
Box 59	Minutes, 1933-1939
Box 60 Folder 1	Miscellaneous, 1929-1939
Box 60/2 Folder 2	File #304: UAC South Africa correspondence, 1922-1930
Box 60 Folder 3	File #305: UAC Theatre Circuit-Philadelphia correspondence, 1926-1930 Note: Theatre leases.
Box 60 Folder 4	File #306: UAC Geneva Switzerland (Unartisco, S.A.), 1928 Note: Incorporation papers and minutes.
Box 60 Folder 5-6	File #307: UAC “Important Papers” and unplayed contracts, 1927-1928
Box 60 Folder 7	File #308: Artists Theatres of Florida corporate papers, 1926-1928 Note: This was a UAC subsidiary formed for the purpose of entering into a lease. The corporation was dissolved when the transaction fell through.
Box 60 Folder 8-9	File #309: UAC Minneapolis, Minnesota; taxes, arbitration and miscellaneous correspondence, 1927-1941
Box 60 Folder 10	File #310: UAC Wisconsin correspondence, 1928-1932
Box 60 Folder 11	File #311: UAC New Hampshire legislation and correspondence, 1943 Note: On clearances.
Box 60 Folder 12	File #312: E.M. Loew, Inc. vs. Paramount Publix Corporation; New England anti-trust action, 1931-1936
Box 60 Folder 13	File #313: Pouros and Simos vs. National Theatres Corporation, depositions, 1950 Note: Apostolos Simos and Sam Pouros bring an anti-trust suit against National Theatres corporation.
Box 61 Folder 1	File #314: The State of Missouri at the information of attorney general Roy McKittrick vs. General Theatrical Enterprises et al., 1935-1936 Note: Anti-trust action.
Box 61 Folder 2	File #315: State of Missouri ex rel. attorney general Roy McKittrick vs. Warner Brothers Pictures et al. anti-trust action, 1936
Box 61 Folder 3-8	File #316: Commonwealth Amusement Enterprises vs. Colonial Theatres Company; record and correspondence, 1936-1945 Note: Anti-trust action.
	File #317: Boston anti-trust cases; correspondence
Box 61 Folder 9-10	1936-1938
Box 62 Folder 1-3	1939-1945
Box/Folder 62/4-64/18	File #318-319, 324, 327: Wage Stabilization and National War Labor Board (NWLB), UAC, and the Hays Organization, 1943-1945 Note: Contains detailed information on salaries paid and job descriptions for each exchange throughout the entire motion picture industry.
	-Correspondence, 1943-1945 February
	-Correspondence, 1945 March-December; undated
	-Correspondence and applications, 1944-1945
	-“Artistic or Creative Talent” correspondence, 1944
	-Form 10 applications: general correspondence, 1944-1945
	-Form 10 applications: by city, A-D
	-Form 10 applications: by city, D-Z
Box 65 Folder 1	File #320: UA Continental Corporation, minutes, certificates of incorporation, dissolution papers, correspondence, 1934-1939 Note: Formed to do business in Germany.
Box 65 Folder 2	File #321: Metro-Goldwyn-Mayer and UAC agreement to consolidate Peru branches, 1928
Box 65 Folder 3	File #322: Power of attorney for South America for Walter Gould, 1931-1936
Box 65 Folder 4	File #323: Metro-Goldwyn-Mayer Films and UAC (South America), outright sale agreements, 1933
Box 65 Folder 5	File #325: Scientific Films Inc. and UAC agreement for Popular Science Featurettes short subjects, 1937
Box 65 Folder 6	File #326: Central Motion Picture Exchange incorporation papers, 1946 Note: Created through the Motion Picture Association (MPA), in Japan during the American military occupation.
Box 65 Folder 7-9	File #328: Cagney Productions and UAC drafts of agreements, negotiations, and miscellaneous, 1934-1949 Note: The Time of Your Life and copyright for Blood on the Sun.
Box 65 Folder 10-13	File #329: Cagney Productions; copyright correspondence for Blood on the Sun, Johnny Come Lately, Stars and Stripes, and Time of Your Life -(with synopsis), 1943-1948
Box 65 Folder 14-16	File #330: Cagney Productions, William and James Cagney; correspondence, drafts, and final agreements with UAC, 1942-1950 Note: Agreement with Bankers Trust Company and Security First National Bank of Los Angeles, 1 volume.
Box 66 Folder 1-3	File #331: Clasa Films Mundiales vs. UAC and Flomenhaft Syndicate regarding Alma de Bronce, 1944-1951
Box 66 Folder 4	File #332: Henry Matson and UAC distribution agreement for the short subject Coronation Preview, 1937
Box 66 Folder 5-7	File #333: India, correspondence and powers of attorney, 1931-1951 Note: Kinematograph Renters Society of India.
Box 66 Folder 8	File #334: Columbia Pictures Distributing Company and UAC; correspondence and agreements for India, Burma and Ceylon, 1932-1937
Box 66 Folder 9	File #335: Western Indian Theatres and UAC correspondence and agreement, 1949
Box 66 Folder 10	File #336: University Film, Graham-Wilcox Productions and UAC agreements for Decameron Nights, Southern Love and Chu Chin Chow, 1924-1925, 1922 Note: Also X.L. Productions and Allied Producers and Distributors Corporation agreement for A Woman's Woman.
Box 67 Folder 1	File #337: Comet Productions: copyright, correspondence, and synopses for The Adventures of Don Coyote and Stork Bites Man, 1948-1949
Box 67 Folder 2	File #338: Famous Players-Lasky distribution agreement; Publix Theatres distribution agreement, 1917-1926
Box 67 Folder 3-5	File #339: Chaplin Studios and UAC agreements and correspondence for Monsieur Verdoux and Celebrated Films and UAC agreements and correspondence for City Lights, 1947-1950 Note: Unplayed contracts, Monsieur Verdoux, 1947-1951.
Box 67 Folder 6-8	File #340: The Pickford Corporation and Artists Alliance agreement and correspondence for Love Happy, 1947-1952 Note: Marx Brothers; and G.L. Miller vs. Artists Alliance, warrant of attachment, etc.
Box 67 Folder 9	File #341: Celebrity Productions and UAC agreement for Comicolor Cartoons, 1937
Box 67 Folder 10-11	File #342: Cuba; correspondence and miscellaneous, 1938-1951
Box 67 Folder 12	File #343: Cuba; powers of attorney to Henry Weiner and George Casuso, 1931-1933
Box 67 Folder 13	File #344: Manila, Philippine Islands; correspondence, powers of attorney, etc., 1932-1949
Box 67 Folder 14	File #345: Philippine Islands; distribution agreement between Republic Pictures and UAC for twenty-one William Burns Detective Mysteries short subjects, 1933
Box 67 Folder 15	File #346: Philippine Islands distribution agreement between Robert C. Bruce Outdoor Talking Pictures and UAC; for eight short subjects, 1933
Box 67 Folder 16	File #347: UA South Africa Ltd. correspondence, articles of association, and contracts, 1926-1927
Box 68 Folder 1-3	File #348: The Corporation Trust Company and UAC correspondence and miscellaneous papers on statutory representation service, 1928-1951 Note: UA's subsidiary corporations were required to register and to file certain documents with various governmental bodies; Corporation Trust performed these functions for UA.
Box 68 Folder 4	File #349: Copyright correspondence for The House of Marney, 1926-1927
Box 68 Folder 5	File #350: Corinne Griffith and UAC agreements and correspondence, 1926-1928 Note: Corinne Griffith Morosco.
Box 68 Folder 6	File #351: Miguel Contreras Torres and UAC; distribution agreement for Maria Magdalena and Rancho de Mis Recuerdos, 1948 Note: For South American countries.
Box 68 Folder 7	File #352: Feature Production Inc. and UAC; correspondence and power of attorney for piracy of Son of the Sheik in India, 1927-1928
Box 68 Folder 8	File #353: George and Elnora Vosper vs. UAC, 1927 Note: Damage suit mistakenly brought against UA and later withdrawn.
Box 68 Folder 9	File #354: Antillas Electric Corporation License agreement with UAC for Cuba, 1927
Box 68 Folder 10-13	File #355: UA Spain (Los Artistas Associados) articles of association, correspondence and documents, 1935-1951 Note: Includes materials relating to F.M. Guedalla, D.E. Gurt Pujol; and Hispana Orbis Film distribution agreement for Incertidumbre; and outright sales in Balearict, Canary Islands, Morocco, etc., 1943-1944
Box 69 Folder 1	File #356: Wyanoak Publishing vs. UAC regarding lobby displays, 1927-28
Box 69 Folder 2	File #357: UA Sweden correspondence, 1927-1951
Box 69 Folder 3	File #358: UAC vs. George Clegge, 1927 Note: For the return of money advanced.
Box 69 Folder 4	File #359: Allied Artists Loan, 1927 Note: Includes summaries of contracts with producers, financial status of the companies, lists of officers and stockholders, balance sheets, etc.
Box 69 Folder 5	File #360: Sorrell and Son correspondence, 1927
Box 69 Folder 6-7	File #361: Inspiration Pictures and UAC agreement and correspondence for Hell Harbor, 1927-1938 Note: Also Eyes of the World and She Goes to War.
Box 69 Folder 8	File #362: UAC regarding A.C. Berman; German income tax correspondence, 1925-1928
Box 69 Folder 9	File #363: Films Incorporated and UAC; 16 mm franchise agreement for UA films, 1948-1949
Box 69 Folder 10	File #364: George J. Schaefer employment contracts and correspondence, 1936-1941 Note: Was General Manager for domestic distribution.
Box 69 Folder 11	File #445: Robert G. Anderson vs. Joseph Schenck, Art Cinema, John Barrymore and UAC, 1928-1929 Note: Anderson claims that the film The Beloved Rogue infringes upon his novel.
Box 69 Folder 12	File #485: Boone Tillett vs. UAC, 1931-1935 Note: Tillett, a North Carolina attorney, who represented UA in various cases sues UA for payment of fees.
Box 69 Folder 13	File #486: UAC and H.C. Henry; creditor-debtor claim, 1930
Box 69 Folder 14	File #487: Copyright for This Is Heaven, 1929 Note: Samuel Goldwyn.
Box 69 Folder 15	File #488: George Bonesteel defalcation, 1930
Box 69 Folder 16	File #489: UAC vs. Louis H. Scola; correspondence and record, 1930 Note: For monies owed to UAC.
Box 69 Folder 17	File #490: UAC vs. Weinarus Amusement Company; correspondence and record, 1930 Note: For monies owed to UAC.
Box 69 Folder 18	File #491: UAC vs. Lilee Amusement Corporation and Morris Hertel; correspondence and record, 1930-1931 Note: For monies due to UAC.
Box 70 Folder 1	File #493: UAC vs. Elias Jacobs; correspondence and record, 1931-1932
Box 70 Folder 2	File #494: UAC vs. DeKalb Amusement Company; correspondence and record, 1930 Note: For monies owed to UAC.
Box 70 Folder 3	File #495: UAC vs. John Goldman; correspondence and record, 1930 Note: For monies owed to UAC.
Box 70 Folder 4	File #497: UAC vs. Arthur Lucas (Odeon Theatres); correspondence and record, 1930-1931 Note: For monies due UAC.
Box 70 Folder 5	File #498: H.M. Goldin vs. UAC; correspondence and record, 1927 Note: Goldin asks for monies lost through the cancellation of his vaudeville act in Japan.
Box 70 Folder 6	File #499: UAC regarding Lincoln Theatre Chain; correspondence, 1927 Note: Attempts to cancel a contract unplayed for over one year.
Box 70 Folder 7	File #501: Walthal Radio Inc. vs. UAC, 1932 Note: For assignment of wages of Herbert Richek.
Box 70 Folder 8	File #502: Stanley Kozanowski and Rivoli Operating Corporation vs. UAC; correspondence and record, 1931 Note: Exhibitor claims damages.
Box 70 Folder 9-21	File #492: UAC General Claims, 1929-1933 Note: Alphabetical.
Box/Folder 70/22-71/6	File #509: UAC General Claims, (1930-), 1932, 1935
	File #500: UAC General Claims, 1936-1940, (1944) Note: Alphabetical.
Box 71 Folder 7-?	A-G
Box 72 Folder 1-9	H-Z
	File #503-508: UAC General Claims
Box 72 Folder 10-12	A-B, 1942
Box 73 Folder 1-6	B-F, 1942
Box 74 Folder 1-8	G-L, 1942
Box 75 Folder 1-8	L-P, 1943
Box 76 Folder 1-4	R-S
Box 77 Folder 1-5	T-Y
Box 77 Folder 6	File #510: UAC vs. Louis Snitzer; correspondence and record, 1931-1932 Note: For monies owed to UAC.
Box 77 Folder 7	File #514: Oneida National Bank of Utica vs. Olympic Theatre Corporation, 1931 Note: Mortgage foreclosures.
Box 77 Folder 8	File #515: Vincent Gaultiere vs. Mark Larkin and UAC, 1932-1934 Note: For boy bitten by monkey.
Box 77 Folder 9	File #516: Ross Federal Service vs. UAC, 1933-1938 Note: UA claims Ross' checker was responsible for a loss of money.
Box 77 Folder 10	File #519: UAC vs. Jack Yeo (and Odeon Building Inc., Beaver Dam, Wisconsin), 1933-1934 Note: In Wisconsin Supreme Court to collect monies owed to UAC. Yeo claims UA's block booking is illegal.
Box 78 Folder 1	File #520: Eph Charninsky and UAC, 1933 Note: Dispute over payment of attorney fees.
Box 78 Folder 2	File #521: Miriam Blumenthal vs. Picture Classics, Inc., 1932 Note: Blumenthal sues to prevent her likeness from being used in a film. UA attests to the importance of the case as a precedent.
Box 78 Folder 3	File #522: Louis Rovner and UAC, 1932 Note: Rovner disputes an exhibitor contract.
Box 78 Folder 4	File #523: Davidson-Paxton Company vs. V.W. Castleberry; correspondence and record, 1930 Note: Garnishment of Castleberry's salary.
Box 78 Folder 5	File #529: UAC vs. Spokane Theatre, Inc., 1933 Note: For monies owed to UAC.
Box 78 Folder 6	File #533-34: Sonoro Filme; distribution agreements, 1941-1942 Note: Includes the Portugese feature Joao Ratao.
Box 78 Folder 7	File #535: Herbert Wilcox Productions and UAC; agreement and correspondence for The Only Way, 1927-1930
Box 78 Folder 8	File #536: Graham-Wilcox Productions and UAC agreements for Chu Chin Chow, The Only Way, Southern Love, 1925
Box 78 Folder 9	File #537: Sidney Wilcox, Charles Wilcox, Universum Film Aktien-Gesellschaft and UAC agreement for Decameron Nights, 1925
Box 78 Folder 10	File #538: Wilcox-Saenger Film Company and UAC; distribution agreement for Canal Zone, 1927-1928
Box 78 Folder 11	File #541: Seth Hirsch vs. Camille Horn and UAC; correspondence and record, 1929 Note: Bill for medical services, rendered by Dr. Hirsch.
Box 78 Folder 12	File #542: UAC regarding Department of Justice; special correspondence, 1927-1928 Note: For a Justice Department investigation of the motion picture industry.
	File #544-547: UAC South America; correspondence, balance statements, minutes, and miscellaneous, 1926-1943
Box 78 Folder 13-14	Correspondence and miscellaneous, 1926-1928
Box 78 Folder 15-17	Correspondence, 1929-1943
Box 78 Folder 18-19	Balance statements, powers of attorney, 1926-1941
Box 79 Folder 1	Minutes, 1931-1943
Box 79 Folder 2	Miscellaneous, 1933-1938
Box 79 Folder 3	File #546: UA South America; powers of attorney for Chile, 1933, 1938
Box 79 Folder 4	File #548: Santiago Salviche and UAC and UAC South America; distribution agreement, 1942
Box 79 Folder 5	File #550: Thomas Broadhurst; claim that the film The Night of Love infringes upon his play The Right of the Seigneur, 1927
Box 79 Folder 6	File #551: Night of Love foreign distribution agreement for Austria-Hungary, 1927
Box 79 Folder 7	File #552: UAC, Allied Artists and L. Blattner; correspondence, 1928-1929 Note: Concerns an abortive agreement whereby Blattner was to make films to meet British quotas.
Box 79 Folder 8-10	File #539: Bombay, India; powers of attorney relating to piracy of prints, with correspondence and miscellaneous papers, 1925-1930
Box 80 Folder 1	File #365: Employment agreements with UAC executives, 1935-1947 Note: George Bagnall, Harry Gold, Walter Gould, Arthur Kelly.
Box 80 Folder 2	File #366: Pendennis Pictures Corporation and UAC agreements for Teheran, Call of the Blood, 1948-1949
	-Pendennis Pictures agreement for Teheran; two agreements
	-Selected Films Inc. agreement for Teheran
	-George Schaefer agreement for Teheran
	-Pendennis Pictures for Call of the Blood
Box 80 Folder 3	File #367: Pacific Northwest Theatres and Washington State Theatre bankruptcies; correspondence and records, 1933
Box 80 Folder 4	File #368: UAC vs. J.J. Parker, 1936-1937 Note: UA sues Parker for failure to adhere to exhibition agreements.
Box 80 Folder 5-6	File #369: UA Theatre Corporation-Chicago; minutes, correspondence and certificate of incorporation, 1927-1928
Box 80 Folder 7	File #370: National Film Board; agreements and correspondence with UAC for World in Action shorts, 1941-1945 Note: “Battle for Oil,” “The Empire Carries On,” and “War Clouds Over the Pacific”
Box 80 Folder 8-9	File #371: Canadian Exhibition Contracts, 1930-1947 Note: License agreements and correspondence with various Canadian film distributors including Motion Picture Exhibitors of Canada and Motion Picture Distributors of America; copies of standard distribution agreements for Canada.
Box 80 Folder 10	File #372: Artkino Pictures and UAC distribution agreements for Canada and Newfoundland, 1943
Box 80 Folder 11	File #373: Fox West Coast bankruptcy, 1933-1934 Note: Legal correspondence on this firm's bankruptcy.
Box 80 Folder 12	File #374: Joseph Blumenfeld and UAC agreements and correspondence on assignment of rights to Spring in Park Lane, 1949-1951 Note: Blumenfeld had 50% interest; includes British Lion Film Corporation, Pathé Industries, and James Nasser correspondence.
Box 80 Folder 13	File #375: Museum of Modern Art Film Library Corporation, 1935-1937 Note: Correspondence relating to inception of film library; copy of intended agreement with distributors; outline of project; correspondence with Chaplin, Fairbanks, Griffith, Korda, and Pickford.
Box 80 Folder 14	File #376: Culver Export Corporation and UAC; agreement and correspondence for “Metro-Goldwyn-Mayer Unit” of 40 films, 1928-1930
Box 80 Folder 15	File #377: Capitol Theatre Company Ltd. and UAC; agreement with Joseph Fisher for 12 “United Artists Featurettes,” 1930-1931
Box 81 Folder 1	File #378: Culver Export Corporation and UAC; agreement and correspondence on UA's sale of Far East Exchange, 1929-1934 Note: Territories include Dutch East Indies, Japan, Korea, and Straits settlements.
Box 81 Folder 2-3	File #379: Luxor Film Export Company, Marcus Baker, and UAC; correspondence and distribution agreement for Far Eastern area, 1930-1950
Box 81 Folder 4	File #380: Fitzpatrick Pictures and UAC; agreement for distribution of shorts in the Far East, 1933-1938
Box 81 Folder 5	File #381,382: Fitzpatrick Pictures Ltd. and UAC; agreements for distribution of shorts in the Far East and in South America, 1933, 1936
Box 81 Folder 6-7	File #383-384: Metro-Goldwyn-Mayer Films and UAC; South America distribution agreements
	-Agreements; seven productions, 1934-1937
	-Agreement with International Variety and Theatrical Agency for Gay Desperado, 1938
Box 81 Folder 8	File #385: Oriental Distributing Company and UAC; East Indies distribution agreement for Nell Gwynn, 1935 Note: Oriental distribution.
Box 81 Folder 9	File #386: Ideal Pictures Corporation and UAC; agreement for Far Eastern distribution of short subjects, 1933 Note: UA distributes.
Box 81 Folder 10-13	File #384,387: UAC agreements for South African distribution; agreements with MGM Films, Culver Export Corporation, Loews Inc., and London Films, 1935-1937 Note: Titles involved are listed on folders.
Box 81 Folder 14	File #388: Employment agreement with Lynn Farnol, Director of Advertising and Publicity, 1938-1939
Box 82 Folder 1-4	File #389: UAC France; correspondence, minutes, and miscellaneous documents, 1940-1951 Note: Also known as Les Artistes Associes.
Box 82 Folder 5	File #390: RKO and UAC; distribution agreements and correspondence, 1929-1940
Box 82 Folder 6	File #391: RKO and UAC; franchise agreement and correspondence, 1930-1933
Box 82 Folder 7	File #392: Ferruccia Caramelli and UAC; agreement for two pictures, 1949 Note: Strombole.
Box 82 Folder 8	File #393: Lianofilm Productions and UAC; agreements and correspondence for Thunder in the East, 1934-1945 Note: Original title-La Bataille (The Battle); later assigned to Antonino Film Corporation.
Box 83 Folder 1	File #394: Franco-American Treaty on double taxation, 1935-1936 Note: Correspondence and treaty.
Box 83 Folder 2	File #395: A.F.E. Corporation and UAC; agreement for Central American distribution of Un Carnet de Bal, 1941
Box 83 Folder 3	File #396: C.A.P.A.C. and UAC agreements, 1946-1948 Note: CAPAC=Compagnie Artistique de Productions et d'Adaptations Cinematographiques; includes Une Grande Fille Toute Simple, occasionally referred to as Rothchild Agreement.
Box 83 Folder 4	File #397: Harry Goetz and Max Gordon agreement with UAC, 1937-1941
Box 83 Folder 5	File #398: Edwin Hopkins; correspondence dealing with infringement of sound rights, 1934-1941
Box 83 Folder 6	File #399: Recoupment of French dubbing costs, 1951-1952
Box/Folder 83/7-84/3	File #400: French remittances, correspondence, agreements, and miscellaneous, 1948-1952 Note: See last folder for arbitration with Warner and Columbia, 1939-1950.
Box/Folder 84/7-85/5	File #401-403: Electrical Research Products Inc. (ERPI); correspondence, 1928-1950 Note: Sound equipment, sound rights, etc.
Box/Folder 85/6-86/5	File #404: Electrical Research Products Inc. (ERPI); agreements and correspondence, 1929-1941
	-Agreements with UAC, 1928-1941
	-Agreements with MGM, 1935
	-Agreements with Paramount, 1933-1938
	-Agreements with Louis Swartz (?), 1928-1933
	-Tobis royalties, 1930-1939
	-Agreements with Warner Brothers, 1931-1936
	-Draft of agreement and schematic diagrams, undated
	-Miscellaneous papers and agreements, 1928-1940
Box 86 Folder 6	File #405: ERPI agreements, correspondence, opinions and reports on music copyrights and sound recordings, 1928-1932
Box 86 Folder 7-8	File #406: ERPI drafts of agreements and other correspondence, 1928-1941
Box/Folder 86/9-87/3	File #407: John G. Paine vs. E.R.P.I.; correspondence, record, miscellaneous, 1938-1941 Note: Paine, as agent for music publishers, brings suit claiming royalties for foreign distribution of music.
Box 87 Folder 4-6	File #408: American Tri-Ergon, ERPI; patent infringement cases, correspondence and record, 1931-1947 Note: Tri-Ergon vs. Paramount Publix, Tri-Ergon vs. Twentieth Century Pictures, etc.
Box 87 Folder 7	File #402: Nordisk Tonefilms vs. Paramount et al.; patent dispute on sound rights, 1933-1937
Box/Folder 87/8-88/31	File #409, 410: U.S.A. vs. Paramount Pictures, Inc. et al., 1937-1940
	-Information and miscellaneous information furnished by UA for interrogatories Physical Description: 2 folders
	-Rental and play date schedules, by picture Physical Description: 28 folders
	-Digest of depositions and miscellaneous materials Physical Description: 1 folder
	-Depositions by H. Muller, C. Stern, H. Gold, L. Schlaifer, E. Mullen, P. Lazarus, explaining procedures Physical Description: 1 volume
Box 88 Folder 32	File #410.5: Robertson Enterprises vs. Paramount Famous Players-Lasky, et al., 1928 Note: James N. Robertson, a theatre owner, charges conspiracy by the distributors to force him to purchase a particular brand of sound reproduction equipment.
Box 89 Folder 1	File #411: USA vs. Paramount Famous Players-Lasky et al.; record and miscellaneous, 1928 Note: Conspiracy suit.
Box 89 Folder 2	File #412: Harold Lloyd and UAC distribution agreements, 1924, 1933
Box 89 Folder 3	File #413: Far East Film Corporation and UAC; distribution agreement for Far East, 1933-1937 Note: Also Mexico.
Box 89 Folder 4	File #414-424: Alfred Gottman (Plymouth Theatre) vs. UAC; arbitration suit: record and legal papers, correspondence, 1928-1938
Box/Folder 89/5-92/7	File #415, 418-422: False returns; correspondence and miscellaneous dealing with false box office reports (Confidential Reports) (Copyright Protection Bureau), 1942-1944
	-Legal remedies, 1942
	-Miscellaneous correspondence, 1942-1944
	-Index to miscellaneous correspondence, 1942-1943
	-Sargoy and Stein correspondence, 1942-1944
	-Pittsburgh investigation, with index, 1943-1944
	-New York investigation, with index, 1943-1944
	-Copyright Protection Bureau, 1945
	-Samples of Confidential Reports, 1945
	-Samples of unreported receipt schedules, 1943-1945
	-Schedule of unreported returns, 1945
	-Sargoy and Stein correspondence, 1946
	-Sargoy and Stein correspondence, alphabetically by theatre owner, 1945-1950
Box 92 Folder 8	File #416: UAC Puerto Rico; powers of attorney, correspondence, miscellaneous, 1923-1927
Box 93 Folder 1-2	File #425: General Claims; correspondence and miscellaneous, 1925-1928 Note: Small claims.
Box 93 Folder 3-5	File #432: Kaiichi Hirata; uncollected Japanese rentals
	-Hirata and United Film Company
	-Hirata vs. J. Hoffberg Company
	-Hirata: UAC claims against, 1931-1933
Box/Folder 93/6-96/4	File #428-429, 434-439: UAC Japan (Far East); correspondence, legal papers, miscellaneous, 1922-1951
	-Balance statement as of December 31, 1922
	-Documents, powers of attorney, agreements, miscellaneous, 1922-1925
	-Correspondence (George Mooser), 1922-1951
	-Powers of attorney, agreements, miscellaneous, 1922-1951
	-Minutes, circa 1932-1951
	-Manchuko, 1935-1938 Note: All in chronological order.
Box 96 Folder 5	File #427: Plaza Theatre, New York vs. UAC; correspondence, record, 1928 Note: Plaza claims to have contracted for a block of 15 pictures, some of which were subsequently denied it by UA.
Box 96 Folder 6	File #440: Lyric Film Exchange and UAC; agreements and correspondence, 1930-1932 Note: Philippine distribution.
Box 96 Folder 7	File #426: UAC vs. Montford Steele, 1927-1928 Note: UA attachment of Steele's funds as security for monies advanced to him.
	File #442: Motion Picture Producers and Distributors of America (MPPDA), also known as The Hays Organization; correspondence, reports, bulletins, censorship, minutes, miscellaneous, 1927-1949 Note: Both materials of a general nature and correspondence with MPPDA's general attorneys: Gabriel Hess (1927-1941) and Sidney Schreiber (1942-1949).
Box 96 Folder 8-9	1927
Box 96 Folder 10-11	1928
Box 97 Folder 1-3	1929
Box 97 Folder 4-6	1930
Box 98 Folder 1-4	1931
Box 98 Folder 5-7	1932
Box 99 Folder 1-4	1933
Box 99 Folder 5-7	1934
Box 100 Folder 1-4	1935
Box 100 Folder 4	1936
Box 100 Folder 5	Thornberg vs. Paramount et al., 1935-1938
Box/Folder 100/6-101/4	1937
Box/Folder 101/5-102/6	1938
Box/Folder 102/7-103/7	1939
Box 104 Folder 1-6	1940
Box 105 Folder 1-5	1941
Box/Folder 105/6-106/2	1942
Box 106 Folder 3-6	1943
Box 107 Folder 1-2	1944
Box 107 Folder 3-4	1945
Box 107 Folder 5-8	1946
Box 108 Folder 1-2	1947
Box 108 Folder 3-4	1948
Box 108 Folder 5	Miscellaneous, 1942-1948
Box 109 Folder 1-2	1949
Box 109 Folder 3	File #455: Otto Harbach and Joseph Schenck; correspondence, 1929 Note: Schenck is interested in a manuscript of Harbach's.
Box 109 Folder 4	File #454: Hill, Moxley vs. Golden, Edward, 1926-1930 Note: Regarding an unpaid note.
Box 109 Folder 5	File #457: The Dove; correspondence, 1928 Note: Regarding Joseph Schenck, Norma Talmadge.
Box 109 Folder 6	File #459: UAC vs. Reliable Company, Inc.; correspondence, record, 1930 Note: Claim against exhibitor.
Box 109 Folder 7	File #460: UAC vs. Louis Heitner; correspondence and record, 1930 Note: Claim against exhibitor.
Box 109 Folder 8	File #461: UAC vs. Bandbox Amusement Corporation; correspondence and record, 1930 Note: Claim against exhibitor.
Box 109 Folder 9	File #463: UAC vs. Bronx Park Amusement Company; correspondence and record, 1930 Note: Claim against exhibitor.
Box 109 Folder 10	File #464: UAC vs. Battery Amusement Company; correspondence and record, 1930 Note: Claim against exhibitor.
Box 109 Folder 11	File #465: UAC vs. Pebelled, Incorporated; correspondence and record, 1930 Note: Claim against exhibitor.
Box 109 Folder 12	File #467: UAC advs Ninth Avenue Amusement Company; correspondence and record, 1930 Note: Sues UA for violation of protection agreement.
Box 109 Folder 13	File #468: UAC vs. H & F Amusement Corporation; correspondence and record, 1930 Note: Claim against exhibitor.
Box 109 Folder 14	File #469: UAC vs. Greenport Operating Corporation and Michael Glynne; correspondence and record, 1930 Note: Claim against exhibitor.
Box 109 Folder 15	File #473: UAC vs. Patrick Belmont; correspondence and record, 1930-1931 Note: Claim against exhibitor.
Box 109 Folder 16	File #474: UAC vs. Big 2 Amusement Corporation; correspondence and record, 1930-1931 Note: Claim against exhibitor.
Box 109 Folder 17	File #475: UAC vs. Frances and Samuel Gladstone; correspondence and record, 1930-1931 Note: Claim against exhibitor.
Box 109 Folder 18	File #477: Edgar Mortimore vs. UAC; correspondence, 1927-1934 Note: Dismissed employee sues UA.
Box 109 Folder 19-25	File #483: MPPDA; related material
	-Kansas City, Kansas, Chamber of Commerce vs. Columbia Pictures, 1938
	-Mme. Suzanne Blum; French copyright bill, 1938-1941
	-Lancaster Theatre, Detroit anti-trust case, 1943
	-Chicago Moving Picture Machine Operators Union vs. John Smith et al., 1943-1944
	-American Arbitration Association, 1947
	-Drexel Amusement Company vs. Universal Film Exchange, 1947
	-Sargoy and Stein; Copyright Protection Bureau Reports, 1947-1948
Box 109 Folder 26	File #484: Progressive Education Association; correspondence and license, 1937 Note: Arrangements through MPPDA.
Box 110 Folder 1-3	File #540: Bombay, India; piracy of prints, correspondence and miscellaneous, 1929-1935
Box 110 Folder 4	File #553: UAC Short Wave Radio License; correspondence, 1928
Box 110 Folder 5	File #554: Fanny Brice vs. Art Cinema Corporation; correspondence, legal papers, etc., 1931-1932 Note: UA endorsed notes for money owed by Art Cinema to Brice.
Box 110 Folder 6	File #555: Maurice Silverstone; power of attorney for negotiations with Vincent Astor and Axel de Wichfeld, 1928
Box 110 Folder 7	File #556: UAC vs. A.S. Friend Companies, 1927-1929 Note: Bankruptcy.
Box 110 Folder 8	File #557: Proposed propositions concerning contract modifications, 1925-1926
Box 110 Folder 9	File #558: UAC vs. Mount Pleasant Theatre; correspondence and record, 1928 Note: Bankruptcy.
Box 110 Folder 10	File #560: Mollie H. Cohan vs. Paramount Publix et al.; correspondence and record, 1932-1933 Note: Anti-trust.
Box 110 Folder 11	File #561: UAC vs. George Cohen; legal papers, exhibits, miscellaneous, 1925-1929 Note: For monies owed to UAC by exhibitor Cohen.
Box/Folder 110/12-111/2	File #562: Moonbeam Amusement Company vs. John W. Springer et al.; correspondence, record, legal papers, miscellaneous, 1932-1934 Note: A projectionists' union attempts to open theatres and claims that the Springer circuit of theatres conspired to forbid motion picture distributors from renting pictures to the union.
Box 111 Folder 3-4	File #563: Patent Pooling Agreement for Composite Photography; correspondence, agreements, miscellaneous, 1936-1938 Note: The major film corporations agree to pool various patents relating to composite photography for their mutual benefit.
Box 111 Folder 5	File #564: Brandt Film et al. vs. Loew's, Inc. et al.; legal papers, 1937-1938 Note: Brandt exhibitors charge that distributors conspired to change number of exhibitor days.
Box 111 Folder 6-7	File #565: Quittner and Middletown Combined Building Company vs. MPPDA et al.; correspondence, legal papers, transcripts, 1932-1934 Note: Exhibitor charges that a conspiracy caused him to go out of business.
Box 111 Folder 8	File #567: S. Theodore Hodgman vs. American Telephone and Telegraph, Western Electric et al.; correspondence, legal papers, 1935-1937 Note: Hodgman claims that the cross-licensing of sound reproduction methods constituted a conspiracy which prevented him from marketing his own sound equipment.
Box 112 Folder 1	File #568: USA vs. Schine Chain Theatres; correspondence, legal papers, 1939-1950 Note: US charges that the holdings of the Schine company constitute a monopoly and asks for divestiture.
Box 112 Folder 2-3	File #569: Syracuse Community Theatre Corporation et al. vs. Schine Chain Theatres; correspondence, legal papers, releases, miscellaneous, 1949-1950 Note: Suit for damages to exhibitor suffered as the result of an alleged trust conspiracy among distributors.
Box 112 Folder 4	File #570: Liberty-Freehold Theatre Corporation vs. Walter Reade et al.; correspondence, legal papers, 1949-1950 Note: Suit for damages to exhibitors' business as a result of alleged conspiracy between distributors and the Reade Circuit.
Box 112 Folder 5	File #571: Virgil Crites vs. Albert Redtke et al.; opinion, 1939 Note: Infringement on a patent for a photoelectric cell for sound reproduction.
Box/Folder 112/6-113/7	File #572: Hillside Amusement Company vs. Warner Brothers Pictures et al.; correspondence and legal papers, depositions, 1941-1946 Note: Anti-trust action.
Box 114 Folder 1	File #573: Capans Amusement Company vs. Paramount et al.; correspondence, legal papers, 1945-1946 Note: Anti-trust action.
Box 114 Folder 2	File #574: Syracuse Brighton Theatre vs. Loew's, Inc. et al.; correspondence, legal papers, 1949-1950 Note: Anti-trust action.
Box 114 Folder 3	File #575: Fifth and Walnut, Inc. vs. Paramount Pictures et al.; correspondence, legal papers, 1949 Note: Anti-trust action.
Box 114 Folder 4	File #576: Public Theatre Corporation vs. Metro-Goldwyn Distributing Corporation et al.; correspondence, legal papers, 1935-1936 Note: Anti-trust action.
Box 114 Folder 5-7	File #577: Walter and Bertha Burkey vs. Famous Players-Lasky Corporation, et al.; correspondence, record, miscellaneous, 1925-1936 Note: Anti-trust action.
Box/Folder 114/8-115/1	File #578: Emanuel Rolsky et al. vs. Fox Midwest Theatres et al.; correspondence, legal papers, 1936-1938 Note: Anti-trust action.
Box 115 Folder 2-3	File #579: Eugenia and Frank Cassil vs. Fox Film Corporation; correspondence, legal papers, 1940-1942
Box 115 Folder 4-5	File #580: St. Louis Amusement Company vs. Paramount Pictures Distributing Corporation et al.; correspondence, legal papers, transcript, 1945-1950 Note: Anti-trust action.
Box 116 Folder 1-2	File #582: The Cleveland Motion Picture Exhibitor Association vs. MPPD of A et al.; correspondence, record, legal papers, 1931-1933 Note: Anti-trust action.
Box 116 Folder 3	File #583: Rosewood Theatre Corporation vs. Edwin Silverman et al.; correspondence and legal papers, 1935-1937 Note: Anti-trust action.
Box 116 Folder 4	File #584: K.M.K. Theatres Circuit vs. E.D. Miller et al.; correspondence, legal papers, 1935 Note: Anti-trust action.
Box 116 Folder 5	File #585: New Haymarket Theatre Company vs. Balaban and Katz et al.; correspondence and legal papers, 1935 Note: Anti-trust action.
Box 116 Folder 6	File #586: Ken Theatre Corporation vs. Twentieth Century-Fox Film Corporation, et al.; correspondence and legal papers, 1942-1943 Note: Anti-trust action.
Box 116 Folder 7	File #587: Riverside Operating Company vs. Twentieth Century-Fox Film Corporation et al.; correspondence and legal papers, 1947-1950 Note: Anti-trust action.
Box/Folder 116/8-117/4	File #588-589: Benal Theatre Corporation vs. Paramount Pictures et al.; correspondence, legal papers, final report and exhibits, 1948-1950 Note: Anti-trust action.
Box 117 Folder 5	File #590: Frank Ford vs. Paramount Pictures et al.; correspondence, and legal papers, 1939-1944 Note: Anti-trust action.
Box 118 Folder 1	File #591: Alexander Theatre Corporation vs. Balaban and Katz et al.; correspondence and legal papers, 1948-1950 Note: Anti-trust action.
Box 118 Folder 2	File #592: The Middle States Corporation vs. Minnesota Amusement Company et al.; correspondence, legal papers, 1947-1950 Note: Anti-trust action.
Box 118 Folder 3-5	File #593: Thomas Murray vs. Balaban and Katz et al.; correspondence, legal papers, and miscellaneous, 1941-1947 Note: Anti-trust action.
Box 118 Folder 6-7	File #594: Florence Bigelow et al. vs. RKO Radio Pictures et al; correspondence, legal papers, and miscellaneous, 1942-1950 Note: Anti-trust action.
Box 119 Folder 1	File #595: Calumet Amusement Corporation vs. Paramount Pictures et al.; correspondence and legal papers, 1947-1951 Note: Anti-trust action.
Box 119 Folder 2	File #596: Monroe Amusement Company vs. Balaban and Katz et al; correspondence and legal papers, 1948-1950 Note: Anti-trust action.
Box 119 Folder 3	File #597: Dante Iacampo vs. Loew's, Inc. et al.; correspondence, legal papers, 1949-1951 Note: Anti-trust action.
Box 119 Folder 4-5	File #598: John Gittone et al. vs. Warner Brothers Pictures et al.; correspondence and legal papers, 1939-1941 Note: Anti-trust action.
Box 119 Folder 6	File #599: Harry Fried vs. Warner Brothers Circuit Management Corporation et al.; correspondence and legal papers, 1937-1947 Note: Anti-trust action.
Box 120 Folder 1-4	File #600: Momand Cases; A.B. Momand vs. various film corporations; correspondence and legal papers, 1937-1946 Note: Anti-trust actions
Box 120 Folder 5	File #601: George Graves vs. Warner Bros. et al.; correspondence and legal papers, 1939-1945 Note: Anti-trust action.
Box 120 Folder 6	File #602: David Green vs. 20th Century-Fox et al.; correspondence and legal papers, 1947-1948 Note: Anti-trust action.
Box 121 Folder 1-2	File #603: Riverside Theatre vs. Florida State Theatre, et al.; correspondence, legal papers, exhibits, and final report, 1948-1950 Note: Anti-trust action.
Box 121 Folder 3	File #604: Simon Lazarus vs. 20th Century-Fox Film Corporation et al.; correspondence and legal papers, 1947-1950 Note: Anti-trust action.
Box 121 Folder 4	File #605: Eleanor Ninon et al. vs. UAC et al.; correspondence, 1938-1939 Note: A suit alleging copyright infringement in the film Moulin Rouge
Box 121 Folder 5	File #606: Eagle Theatre et al. vs. Fox West Coast et al.; correspondence and legal papers, 1943-1946 Note: Anti-trust action.
Box 121 Folder 6-7	File #607: Jack Berman et al. vs. 20th Century-Fox Film Corporation et al.; correspondence, legal papers and miscellaneous, 1947-1950 Note: Anti-trust action.
Box 122 Folder 1-6	File #608-609: Morris Roth et al. vs. Paramount et al.; correspondence, legal papers, and miscellaneous, 1944-1950 Note: Anti-trust action.
Box 123 Folder 1	File #610: Lee Threet vs. East Texas Theatres et al.; correspondence and legal papers, 1929-1934 Note: Anti-trust action.
Box 123 Folder 2	File #611: B. Legg vs. Universal Film Exchange et al.; correspondence and legal papers, 1933-1934 Note: Anti-trust action.
Box 123 Folder 3	File #612: R.M. Fuller et al. vs. R and R Theatre Company et al; correspondence and legal papers, 1935-1939 Note: Anti-trust action.
Box 123 Folder 4	File #613: B.R. McLendon vs. 20th Century-Fox et al.; correspondence and legal papers, 1939-1949 Note: Anti-trust action.
Box/Folder 123/5-124/1	File #614: Theatco vs. 20th Century-Fox et al.; correspondence and legal papers, miscellaneous, 1947-1948 Note: Anti-trust action.
Box 124 Folder 2-4	File #615: Steve Chorak vs. RKO Radio Pictures et al.; correspondence, legal papers, and briefs, 1948-1950 Note: Anti-trust action.
Box 124 Folder 5-6	File #616: R.Z. Glass vs. Karl Hoblitzelle et al.; correspondence, legal papers and home office data, 1933-1937 Note: Anti-trust action.
Box 125 Folder 1	File #617: Joy Amusement Company vs. Interstate Circuit et al.; correspondence and legal papers, 1939-1940 Note: Anti-trust action.
Box 125 Folder 2-4	File #618: USA vs. Interstate Circuit, Inc., Karl Hoblitzelle et al.; correspondence, legal papers, miscellaneous, 1936-1939 Note: Anti-trust action.
Box 125 Folder 5	File #619: Attorney General of Texas; investigation of the motion picture industry; correspondence and miscellaneous, 1939-1940
Box 125 Folder 6	File #620: Preston Smith vs. UAC et al.; correspondence and legal papers, 1946-1947 Note: Anti-trust action.
Box 126 Folder 1	File #621: B.R. McLendon et al. vs. Loew's, Inc. et al.; correspondence and legal papers, 1947-1949 Note: Anti-trust action.
Box 126 Folder 2	File #622: Indianapolis Amusement Company vs. MPPDA et al.; correspondence and legal papers, 1932-1937 Note: Anti-trust action.
Box 126 Folder 3-5	File #623: Gary Theatre Company vs. MPPDA et al.; correspondence, legal papers, and miscellaneous, 1932-1939 Note: Anti-trust action.
Box 126 Folder 6	File #624: Central Avenue Theatre Corporation vs. Loew's, Inc. et al.; correspondence and legal papers, 1948-1949 Note: Anti-trust action.
Box 126 Folder 7	File #625: Indianapolis Amusement Company vs. MGM et al.; correspondence and legal papers, 1937-1939 Note: Anti-trust action.
Box 127 Folder 1	File #626: Herman Golden vs. Vitagraph et al.; correspondence and legal papers, 1939 Note: Anti-trust action.
Box 127 Folder 2-4	File #627: Ronald Bair vs. MPPDA et al.; correspondence, record, and legal papers, 1932-1940 Note: Anti-trust action.
Box 127 Folder 5	File #628: MGM Distributing Corporation vs. J.D. Lamb et al.; correspondence and legal papers, 1933 Note: An attempt to have the New Mexico “open market buying statute” declared unconstitutional
Box 127 Folder 6	File #629: USA vs. United Theatres, Inc. et al.; correspondence and legal papers, 1932-1938 Note: Anti-trust action.
Box 127 Folder 7	File #630: George Fuller vs. 20th Century-Fox et al.; correspondence and legal papers, 1936-1938
Box 127 Folder 8	File #631: John Gillooly vs. Paramount et al.; correspondence and legal papers, 1933-1938 Note: Anti-trust action.
Box 127 Folder 9	File #632: James McLellan et al. vs. Warner Bros. et al.; correspondence and legal papers, 1947-1948 Note: Anti-trust action.
Box 128 Folder 1	File #633: UAC vs. Elias M. Loew et al.; correspondence and legal papers, 1942-1944 Note: UA charges Loew conspired to falsify the grosses reported by his theatres
Box 128 Folder 2	File #634: Arco Amusement Company vs. Acme Films et al.; correspondence and legal papers, 1936-1937 Note: Anti-trust action--Philippines.
Box 128 Folder 3-4	File #635: Linden Theatre Company vs. Vitagraph et al.; correspondence and legal papers, 1939-1940 Note: Anti-trust action.
Box 128 Folder 5	File #636: UAC vs. Elsa Soltz et al.; correspondence and legal papers, 1946-1949 Note: UA accuses Soltz of falsifying receipt reports.
Box 128 Folder 6	File #637: William Littlejohn vs. C.E. Huish et al.; correspondence and legal papers, 1938-1940 Note: Anti-trust action.
Box 128 Folder 7-8	File #638: Earl Whittaker vs. Vitagraph et al.; correspondence, legal papers, and depositions, 1940-1941 Note: Anti-trust action.
Box/Folder 128/9-132/2	File #639-644: USA vs. Crescent Amusement Company et al.; correspondence, legal papers, and miscellaneous, 1939-1950
	-Correspondence, 1939-1940
	-Correspondence, 1941-1950; complaint, legal and miscellaneous papers, 1939-1943 and undated
	-MPPDA records, 1939-1945; answers to interogatories; briefs and memoranda of law, 1941-1946
	-Plaintiff's brief, 1941; hearing transcript, 1940; findings of fact and conclusions of law, undated and 1941-1943
	-Finding of fact and conclusions of law, 1943 April-1946 Note: Anti-trust action.
Box 132 Folder 3	File #645: W.F. Crockett et al. vs. Loew's, Inc. et al.; correspondence and legal papers, 1948-1949 Note: Anti-trust action.
Box 132 Folder 4-5	File #646: Paramount-Salt Lake Theatre Company vs. Intermountain Theatres et al.; correspondence, legal papers, depositions, 1942 Note: Anti-trust action.
Box 132 Folder 6-7	File #647: Chalmers Cullins et al. vs. Paramount Pictures et al; correspondence and legal papers, 1946-1948 Note: Anti-trust action.
Box 133 Folder 1	File #648: Harry Schwartz et al. vs. 20th Century-Fox et al.; correspondence and legal papers, 1939-1940 Note: Anti-trust action.
Box 133 Folder 2	File #649: M.M. Buchanan et al. vs. Muscle Shoals Theatres et al; correspondence and legal papers, 1939-1940 Note: Anti-trust action.
Box 133 Folder 3-5	File #650: Byers Theatres vs. M.K. Murphy et al.; correspondence and legal papers, 1939-1940 Note: Anti-trust action.
Box 133 Folder 6	File #651: Shirlington Amusement Corporation vs. 20th Century-Fox et al.; correspondence and legal papers, 1945-1946 Note: Anti-trust action.
Box/Folder 133/7-134/1	File #652: Tegu's Palace Theatre vs. Interstate Theatre Corporation et al.; correspondence and legal papers, 1939-1950 Note: Anti-trust action.
Box 134 Folder 2-3	File #653: Park-Butte Theatre Company vs. 20th Century-Fox et al.; correspondence and legal papers, 1944-1947 Note: Anti-trust action.
Box 134 Folder 4	File #654: The Hartford Theatre Company vs. 20th Century-Fox et al.; correspondence and legal papers, 1946-1948 Note: Anti-trust action.
Box/Folder 134/5-135/3	File #655: Millinocket Theatre, Inc. vs. Samuel Kurson et al.; correspondence and legal papers, 1939-1946 Note: Anti-trust action.
Box 135 Folder 4	File #656: Art Cinema Corporation; copyright, novelization for The Battle of the Sexes, 1928-1929
Box 135 Folder 5	File #657: Francis Hackett vs. Alexander Korda, London Film and UAC, 1935-1937 Note: Hackett claims The Private Life of Henry VIII was plagiarized from his novel.
Box 135 Folder 6	File #658: Rose Chatkin vs. Alexander Korda et al.; correspondence and legal papers, 1934-1936 Note: For damages incurred through an unauthorized booking.
Box 135 Folder 7	File #659: Guy Crosswell Smith and UAC; agreement and correspondence for distribution in continental Europe, 1929
Box 135 Folder 8	File #660: Hugh Sinclair vs. Postal Telegraph Cable Company; correspondence, legal papers, photos, 1935-1936 Note: Sinclair says Postal Telegraph used his likeness for advertising without his permission.
Box/Folder 135/9-136/2	File #661: Option agreement; Pickford, Chaplin, Fairbanks, Goldwyn, and Korda; extensive correspondence, plus drafts of agreement, 1937-1938 Note: Goldwyn and Korda attempt to purchase control of United Artists Corporation.
Box 136 Folder 3	File #662: James Boyd vs. Alexander Korda, London Film and UAC; correspondence and legal papers, 1938 Note: Boyd sues for damages for the use of the title of his novel for the title of the photoplay Drums.
Box 136 Folder 4	File #663: Sinclair Lewis vs. Alexander Korda and Anglo- American Film, Inc.; agreement, 1940-1943 Note: Contains agreements with Lewis and legal papers pertaining to an undescribed lawsuit.
Box 136 Folder 5-7	File #664: Pickford, Fairbanks, Goldwyn; new production and London trip
	-reorganization of 1938 correspondence
	-Dr. A.H. Giannini agreements; settlement
	-minutes of meetings relating to reorganization and Giannini, 1938-1940
Box 136 Folder 8	File #665: Maurice Silverstone; contract, proposals, Silverstone Plan, 1938-1943
Box 136 Folder 9-11	File #666: Manhattan Films Inc.; incorporation papers, minutes, and correspondence, 1942-1944
Box 137 Folder 1-2	File #667: Two Cities Films Ltd. and Columbia Pictures Corporation Ltd.; correspondence and legal papers relating to In Which We Serve, 1942-1945
Box 137 Folder 3	File #668: Simon and Schuster and Alexander Korda Films; agreement for the novel War and Peace, 1942
Box 137 Folder 4-5	File #669: Wallace Irwin vs. London Film Productions, UAC and Robert Sherwood; legal papers, continuity and synopses for The Ghost Goes West and short story “The Transplanted Ghost,” 1936-1940 Note: Irwin claims that Sherwood's screenplay for The Ghost Goes West plagarizes his short story.
Box 137 Folder 6	File #670: London Film Productions and Anglo-Canadian Distributors Ltd.; distribution agreement and correspondence, 1934-1939
Box 137/7 Folder 7	File #671: London Film Productions, Spanish deal; agreement and correspondence, 1938-1939
Box 137 Folder 8	File #672: British and Dominion Film Corporation; agreement for Good Night Vienna, 1932
Box 137 Folder 9	File #673: Topsy and Eva; agreement between Feature Productions Inc. and Vivian and Rosetta Duncan for a personal appearance in conjunction with the film, 1927
Box 137 Folder 10-11	File #675: UAC vs. William Hale Thompson, Mayor of Chicago, 1929-1930 Note: To prevent interference with exhibiting the picture Alibi.
Box/Folder 137/12-138/2	File #676: Myra Page Wiren vs. Shubert Theatre Corporation et al.; correspondence and legal papers, 1931-1945 Note: Wiren claims that the film Death Takes a Holiday is a plagarization of her play, Most; includes script of Most.
Box 138 Folder 3	File #677: UAC regarding Marchant and Company Ltd. of Australia; correspondence and samples of “Movie Stories,” a series of booklets, with photographs, containing stories taken from United Artists pictures, 1927 Note: Contains: Beloved Rogue, Love of Sunya, Night of Love, Son of the Sheik, Winning of Barbara Worth
Box 138 Folder 4	File #678: New Lyceum Amusement Company vs. UAC; correspondence and legal papers, 1927-1928 Note: Lyceum sues for damages arising from UA's cancellation of a contract.
Box 138 Folder 5	File #679: Vera Demby vs. Lewis Demby; correspondence and legal papers, 1935 Note: Attorney seeks injunction to prevent distributors from providing Demby with films until he makes divorce payments.
Box 138 Folder 6	File #680: Libco, Inc. vs. UAC; correspondence and legal papers, 1934-1935 Note: Libco sues for damages arising from UA's cancellation of a contract.
Box/Folder 138/7-140/3	File #681-683: United Artists Theatre Company of Michigan; correspondence, 1927-1934
	-Incorporation papers, minutes, etc., 1927-1934
	-Agreements, miscellaneous correspondence, etc., 1929-1937
	-Leases, deposit and trust agreements, including Bagley-Clifford Company and Detroit Properties Corporation, 1926-1939
Box 140 Folder 4	File #684: Duo-Fone Corporation vs. Fred Zimmerman; correspondence, 1930 Note: Garnishment.
Box 140 Folder 5-9	File #685: Distribution-Exhibition Contract forms; correspondence and examples of the design of the standard UA contract, 1930-1938 Note: Also related court actions.
Box 140 Folder 10	File #686: Exhibitor and distributor claims; correspondence, 1936-1937
Box 140 Folder 11	File #687: Columbia Pictures vs. Bi-Metallic Investment Company; correspondence and memorandum, 1930 Note: On the dissemination of a court decision holding that even though a seller is a trust as defined in the Sherman Act, the buyer is obligated to pay him.
Box 140 Folder 12	File #688: UAC vs. E.I. Davidson et al.; correspondence, etc., 1933 Note: Court finds a flaw in exhibitor contract, UA decides to appeal.
Box 141 Folder 1	File #689: UAC vs. Vandeventer National Bank; correspondence, 1932-1933 Note: UA attempts to obtain its funds from the receiver for the closed bank.
Box 141 Folder 2	File #690: President's right to control salaries; correspondence, drafts, corporate papers, and copies of agreements, 1929-1936
Box 141 Folder 3-4	File #691: Majestic Theatre Corporation vs. UAC et al.; correspondence and legal papers, 1927-1934 Note: Anti-trust action.
Box 141 Folder 5	File #692: Charles K. Ferry vs. MGM et al.; correspondence and legal papers, 1928-1929 Note: Anti-trust action.
Box 141 Folder 6	File #693: Lima, Peru; correspondence, 1929-1933
Box 141 Folder 7	File #694: Lima, Peru; correspondence with attorney Gerardo Balbuena, 1929-1935
Box 141 Folder 8	File #695: Peru; powers of attorney, 1937-1945
Box 141 Folder 9	File #696: UAC and State Theatre; correspondence, 1929 Note: Theatre asks that contracts be reduced so it can avoid bankruptcy.
Box 141 Folder 10	File #697: Windsor Picture Plays and UAC agreement for distribution of Her Unborn Child, 1930
Box 141 Folder 11	File #698: First National Pictures and UAC; distribution agreement, 1926-1929 Note: For foreign distribution of First National pictures.
Box 141 Folder 12	File #699: UAC vs. American Mail Line Ltd.; correspondence, 1932-1933 Note: For a print damaged at sea.
Box 141 Folder 13	File #700: UAC vs. Ruth Rosen; correspondence and legal papers, 1930 Note: For money owed to UA.
Box/Folder 141/14-142/2	File #701: Code of Fair Competition for the Motion Picture Industry, Exhibition 10% Elimination Clause; NRA code; correspondence and miscellaneous, 1934-1935 Note: F.W. Anderson vs. UAC; correspondence and legal papers.
Box 142 Folder 3	File #702: UAC vs. Universal Chain Theatres; correspondence and legal papers, 1928 Note: For monies owed to UA.
Box 142 Folder 4-5	File #703: USA vs. Balaban and Katz Corporation et al.; correspondence and legal papers, 1928-1932 Note: Anti-trust action.
Box 142 Folder 6	File #704: New Jersey United Artists Theatre Corporation; incorporation papers, by-laws, minutes, etc., 1927-1928
Box 142 Folder 7	File #705: George Schaefer testimonial dinner; correspondence, 1936
Box 142 Folder 8	File #706: Immoral pictures cancellations; Born to be Bad, 1934
Box 142 Folder 9	File #707: Congress Theatre vs. Sol Rosenblatt et al.; bill of complaint, 1934 Note: Theatre claims that the “Code of Fair Competition for the Motion Picture Industry” would injure it and asks for relief.
Box 142 Folder 10	File #708: UAC vs. Merlin Aylesworth et al.; individually and as constituting the Code Authority, 1934 Note: On the 10% Exclusion rule.
Box/Folder 142/11-143/4	File #710-11: National Recovery Administration Code for Producers of Motion Pictures; correspondence, memoranda, miscellaneous, including texts, manuals, etc., 1933-1936
	-NRA Motion Picture Laboratory Industry Code, 1934
Box/Folder 143/5-144/3	File #709: NRA Code; miscellaneous claims, 1934-1937 Note: These cases are not included in the index.
	-Gem and Cozy Theatres vs. Universal Film Exchange
	-Roosevelt Theatre, Inc. vs. UAC
	-Rubin Frels vs. Jefferson Amusement Company
	-Harry Simons vs. Spark Enterprises et al.
	-World Theatre vs. Fox Film et al.
	-Miscellaneous claims
Box 144 Folder 4	File #712: Reliance Theatre, Inc. vs. Schine Theatrical Company; correspondence, etc., 1934 Note: NRA Code grievance.
Box/Folder 144/5-145/3	File #713: UAC Mexico (Artistas Unidos, S.A.); correspondence, minutes, agreements, powers of attorney, miscellaneous, 1926-1945
	-Correspondence, 1926-1945
	-Minutes, 1930-1933
	-Agreements, powers, miscellaneous, 1926-1934
Box 145 Folder 4	File #714: RKO Pathé Export Corporation and UAC; distribution agreement for Mexico, 1931
Box 145 Folder 5	File #715: Mexican Labor Laws; Federal Labor Law; and related correspondence, 1931-1932
Box 145 Folder 6	File #716: Columbia Pictures and UAC; proposed Mexican distribution agreement, 1932
Box 145 Folder 7	File #717: Banco Credito Popular and UAC; correspondence; and Jose Caraboza and UAC; agreement for El Superloco, Que Hago con la Criatura, 1936-1941
Box 145 Folder 8	File #718: Antonio Manero and UAC; foreign distribution agreement, 1934
Box 145 Folder 9	File #719: Bustamante y de Funtes and UAC; agreement for Alla en al Rancho Grande and correspondence, 1936-1938
Box 145 Folder 10	File #720: Filipe Mier, Cinematografica Internacional and UAC; agreement and correspondence for Aguila O Sol, Asi Es Me Tierra, Perjura, 1937-1943
Box 145 Folder 11	File #721: Guz Aguila Films and UAC; agreement for La Justicia de Pancho Villa, 1939-1941
Box 145 Folder 12	File #722: Films de Artistas Mexicanos Associados and UAC; agreement and correspondence for Refugiados en Madrid, 1938
Box 145 Folder 13	File #723: Producciones Salvidor Osio; agreement for La Venus de Fuego, 1948
Box 145 Folder 14-15	File #724: Mundus Distributing Corporation vs. Sound Theatre; miscellaneous claims, 1936
Box 146 Folder 1-3	File #725: Mundus Distributing Corporation; incorporation papers, minutes, agreements, and correspondence, 1934-1938 Note: Subsidiary of UAC.
Box 146 Folder 4-5	File #726: Pedro Llanuza vs. Columbia Pictures et al.; correspondence and legal papers, 1935-1938 Note: Llanuza claims the producers used his idea of producing cartoons containing caricatures of film stars.
Box 146 Folder 6	File #727: Illinois vs. Leander McCormick; correspondence and legal papers, 1932 Note: State attempts to get a tax lien on the theatre used by Chicago UA Theatre Company.
Box 146 Folder 7	File #728: Dade Enterprises and UAC; exhibition agreement, 1936
Box/Folder 146/8-147/3	File #729: Chicago United Artists Theatre Corporation; minutes, correspondence, and miscellaneous, 1928-1934
	-Minutes, miscellaneous, correspondence, 1929-1932
	-Correspondence, 1933-1934
Box 147 Folder 4-6	File #730: 45 West Randolph Street Theatre Corporation, Chicago; minutes, by-laws, agreements, correspondence, and miscellaneous, 1929-1942
Box 147 Folder 7-8	File #731: DeWolf and Company and UA; correspondence, 1928-1930 Note: Concerning DeWolf, a Chicago banking company, and UA Theatres, Chicago.
Box 147 Folder 9	File #732: Dipson-Zimmerman Circuit and UAC; correspondence, 1927 Note: United Artists attempts not to do business with the circuit.
Box 147 Folder 10	File #733: N.J. Moore, American Trust and Safe Deposit Company, and Leander McCormick; correspondence, agreements relating to the Chicago UA Theatre building, 1927-1928 Note: This building was originally the Apollo Theatre.
Box 148 Folder 1-6	File #735: United Artists Theatre Circuit; minutes, agreements, correspondence about the Apollo Theatre, Chicago, 1926-1928
Box 148 Folder 7-8	File #734: Publix Theatres Corporation and UAC agreements and correspondence, 1927
Box 149 Folder 1-3	File #736: Wometco Theatres vs. UAC; correspondence and legal papers, 1934-1941 Note: Includes material on various lawsuits involving Wometco.
Box 149 Folder 4	File #737: Victor Talking Machine Company and UAC; agreement for sound facilities, 1928
Box/Folder 149/5-150/4	File #738-740: German Distribution; correspondence, agreements, financial papers, and miscellaneous, 1925-1950
	-General correspondence, 1936-1950
	-Correspondence, 1925-1935 (-1960)
	-UFA Films Inc. and UAC; agreements and correspondence, 1929-1944
	-UA Film-Verleih, IFA Film Verleih, Emelka Bayerische Company, etc.; agreements, financial statements
Box 150 Folder 5-7	File #741: Gloria Swanson and UAC; agreements and miscellaneous, 1923-1932
	File #742: Gloria Swanson and UAC; correspondence
Box 150 Folder 8	1927-1930
Box 151 Folder 1	1931-1937
Box 151 Folder 2	File #743: Gloria Swanson; Queen Kelly correspondence, 1932 Note: Concerning UA's non-acceptance of Queen Kelly as qualifying Swanson to receive stock.
Box 151 Folder 3-4	File #748: Columbia Pictures Distributing Company and UAC; Walt Disney contracts; correspondence, drafts and agreements, 1930-1936
Box 151 Folder 5	File #749: Walt Disney Productions Ltd. and UAC; agreements and miscellaneous, 1932-1936
Box 151 Folder 6-7	File #751: Walt Disney Productions Ltd.; correspondence and miscellaneous correspondence, 1932-1936
Box 151 Folder 8	File #750: Ameranglo Corporation vs. Walt E. Disney et al.; warrant of attachment, correspondence, 1932-1933
Box 151 Folder 9	File #752: Columbia Pictures and UAC; agreement for Denmark, 1932-1933
Box 151 Folder 10-12	File #753: Columbia Pictures and UAC; agreements for Spain, correspondence and agreements, 1931-1936
Box 152 Folder 1-2	File #754: Columbia Pictures and UAC; agreements for Brazil; correspondence, 1931-1937
Box 152 Folder 3	File #755: Columbia Pictures; agreement for distribution of Mickey Mouse shorts in Philippines, 1934
Box 152 Folder 4	File #756: Columbia Pictures and UAC; agreement for distribution of Mickey Mouse shorts in New Zealand, 1934-1935
Box 152 Folder 5	File #757: MGM Films and Culver Export Corporation and UAC; agreement for South African distribution of Disney shorts, 1934
Box 152 Folder 6	File #758: RKO Productions and UAC; agreement for French version of The Queen's Husband, 1930
Box 152 Folder 7	File #759: Emile Henrotay defalcation, Belgium; correspondence, 1933-1934
Box 152 Folder 8	File #760: RKO Theatres Operating Corporation; receivership, and correspondence, 1933
Box 152 Folder 9	File #762: UAC vs. Worcester Olympia Company; correspondence and legal papers, 1928-1932 Note: UA claims that the failed Worcester Capitol Company was a creation of Worcester Olympia Company and that thus money is still owing to UA.
Box 152 Folder 10	File #763: Cecil B. DeMille Productions and UAC; unexecuted agreement, 1928
Box 152 Folder 11	File #764: St. George's Productions Ltd., Rex Ingram, and UAC; correspondence, 1930 Note: Ingram wants UA to pay him money owed him by the liquidated St. George's Productions for The Three Passions.
Box 152 Folder 12	File #765: UAC vs. Spray Amusement Company; record and correspondence, 1928-1929 Note: For monies owed to UAC.
Box 152 Folder 13	File #767: UAC vs. Consolidated Film Company; correspondence, 1931-1932 Note: For losses incurred by a badly printed film.
Box 152 Folder 14	File #768: UAC vs. Schine Theatres Company, Inc.; correspondence, etc., 1928-1929 Note: For monies owed to UAC.
Box 152 Folder 15	File #769: Captain John Connell and UAC; agreement for autogyro advertising, 1932
Box 152 Folder 16	File #770: UAC vs. Aress Amusement, Betty Theatre Corporation, Harkins and Murphy, Webster Theatre, Inc.; legal papers, 1928 Note: For monies owed to UAC.
Box 152 Folder 17	File #771: Whitman Bennett and UAC; correspondence, 1926-1935 Note: Letters from Bennett commenting on the film business, the rare book business, technical advising for films, and Jesse Lasky.
Box 152 Folder 18	File #772: John Gilbert and UAC; correspondence and agreement, 1928
Box 152 Folder 19	File #773: Max Linder estate and UAC; correspondence, 1928 Note: On disposition of film royalties owed to the estate.
Box 152 Folder 20	File #774: Mary Pickford and Hollywood Dollies Inc.; correspondence and agreements, 1926-1927 Note: For paper dolls of Pickford.
Box/Folder 152/21-153/7	File #775-776: Douglas Fairbanks, Mary Pickford, Joseph Schenck, and UAC; agreements, contracts, leases, correspondence, and miscellaneous relating to various studios, to Feature Productions Inc., and to 20th Century-Fox, 1925-1947
	-Correspondence, 1926-1933 June
	-Correspondence, 1933 July-1947
	-Agreements, etc., 1925-1947
	-20th Century and Feature Productions stock transactions, 1933-1934 Note: Consists of matters concerning all of the UAC stockholders during the period.
Box 153 Folder 8	File #777: UAC; California license to do business, 1926
Box 153 Folder 9-10	File #780: Antonio Albiani vs. UAC; correspondence and legal papers, 1928-1933 Note: On a lease for a building in Boston.
Box 154 Folder 1	File #781: UAC; Boston, Massachusetts correspondence, 1930-1934
Box 154 Folder 2	File #779: Pickford and Fairbanks companies agreement with Sidney Grauman, 1926
Box 154 Folder 3-4	File #782: Harlou, Inc. and Quintral, Inc. vs. Frank J. Taylor as Comptroller of the City of New York et al.; record, legal papers, miscellaneous, 1936 Note: Harlou and Quintral refuse to pay city sales tax assessed against UA.
Box 154 Folder 5	File #783: Henry Frieder and Henry Grossman vs. Soteros D. Cocalis, et al.; correspondence and legal papers, 1937 Note: To enjoin Cocalis from operating a theatre in New York.
Box/Folder 154/6-155/3	File #784-786: UAC vs. Frank J. Taylor as Comptroller for the City of New York; correspondence, legal papers, brief, etc. on City tax matters, 1935-1949
	-Correspondence, briefs, record
	-Miscellaneous papers and correspondence on gross receipts tax, 1937-1938
Box 155 Folder 4	File #744: Gloria Swanson and UAC; Perfect Understanding correspondence, 1932-1933 Note: Includes copy of short story “Perfect Understanding” by Miles Malleson.
Box 155 Folder 5-7	File #745: Gloria Swanson; sale of UAC stock; correspondence, agreements, miscellaneous, 1933-1934 Note: Includes agreements with various Swanson companies.
Box 155 Folder 8-9	File #746: Walt Disney Productions Ltd., Sweden; correspondence, agreements, miscellaneous, 1936-1948 Note: Includes much material on Disney matters in general; Victory Through Air Power agreements.
Box 155 Folder 10	File #747: Walt Disney Productions; mortgages, 1931-1937
Box 156 Folder 1-3	File #787: Liberty Theatre, Kansas City, Missouri; correspondence relating to a theatre owed by UAC, 1926-1929 Note: UA Theatre Company of Kansas City.
Box 156 Folder 4	File #788: Sam Taylor, Feature Productions and UAC; correspondence and contracts, 1929-1930 Note: Contracts for Taylor to direct films.
Box 156 Folder 5	File #789: Warner Brothers Pictures and UAC; agreement and correspondence, 1929-1930 Note: UA agrees to distribute a number of Warner films.
Box 156 Folder 6	File #790: Warner Bros. Theatres and UAC; distribution of One Heavenly Evening; correspondence, 1931
Box 156 Folder 7	File #791: Warner Bros. Circuit Management Corporation and UAC; distribution agreement and correspondence, 1933
Box 156 Folder 8	File #792: Stanley Company of America and UAC; distribution agreement and correspondence for Philadelphia, 1931-1934
Box/Folder 156/9-157/2	File #793: Warner Bros. Theatres and UAC; franchise agreement and correspondence, 1930-1934
	-Correspondence, 1930-1934
	-Agreements, miscellaneous, 1930, undated
	-Agreements, miscellaneous, 1931-1933
	-Court proceedings: Warner vs. Majestic Pictures Corporation
Box 157 Folder 3	File #794: UAC; miscellaneous copyright claims and correspondence, 1932-1937
Box 157 Folder 4	File #795: MGM Distributing Corporation vs. Bijou Theatre Company, et al.; correspondence and legal papers, 1931-1933 Note: Exhibitor showing pictures more often than contracted for is sued for copyright violation.
Box 157 Folder 5	File #796: Copyright Law; correspondence, copies of law, miscellaneous, 1931-1935
Box 157 Folder 6	File #797: Medal Film Exchange, Frederick Knocke and UAC; distribution agreement for Puerto Rico, 1930-1931
Box 157 Folder 7	File #798: Rafael Ramos Cobian and UAC; exhibition agreement for Puerto Rico, 1930-1931
Box 157 Folder 8	File #799: Sam Fox Music Publishing Company and UAC; license agreement and correspondence, 1930-1935
Box 157 Folder 9	File #800: Paramount Publix Corporation and UAC; dispute over exhibition of The Royal Family, 1931 Note: Paramount exhibited the film in a theatre other than that jointly owned with UAC.
Box 157 Folder 10	File #801: MGM and UAC; agreement and correspondence for MGM to distribute UA films in the Far East, 1925-1929
Box 157 Folder 11	File #802: Inspiration Pictures, Edwin Carewe and UAC; agreements and correspondence for Resurrection and Ramona, 1926-1934
Box 157 Folder 12	File #803: J.F. Madan and Company, Madan Theatres and UAC; exhibition agreements for India, 1929-1932
Box 158 Folder 1	File #804: New York City vs. John Helber, 1933 Note: Helber threatens to bring suit after he is judged not guilty of disorderly conduct in a theatre.
Box 158 Folder 2	File #805: Al Lichtman; employment agreements with UAC, 1930-1935
Box 158 Folder 3-5	File #806: Marks Bros. Theatres, et al. vs. Paramount Famous- Lasky, et al.; correspondence, legal papers, 1928 Note: Anti-trust action.
Box 158 Folder 6	File #807: Marx Brothers and Paramount Publix Corporation; agreement and correspondence, 1933 Note: UAC was negotiating a contract with the Marx Brothers, but they eventually signed with Paramount.
Box 158 Folder 7	File #808: Marx Brothers and UAC; tentative agreement and correspondence, 1933-1934
Box 158 Folder 8	File #809: Rock Beach, Inc. vs. UAC et al.; legal papers, 1937 Note: Exhibitor sues UA to obtain clearance on showing film.
Box 158 Folder 9-10	File #810: Rock Beach, Inc. vs. Columbia Pictures, et al.; legal papers, 1937 Note: Exhibitor sues distributors to obtain clearance on showing films.
Box 159 Folder 1-3	File #811: D.W. Griffith and UAC; general matters, correspondence, agreements; and disposal of stock and rights to The White Slave, 1931-1942
Box 159 Folder 4	File #812: D.W. Griffith Inc. and UAC; correspondence on On the Spot, 1931
Box 159 Folder 5	File #813: D.W. Griffith Inc. and UAC; agreements and correspondence, 1931-1942
Box 159 Folder 6	File #814: D.W. Griffith; dispute with Paramount over title rights to Limehouse Nights; correspondence, agreements with author Thomas Burke, treatment for Paramount, 1919-1934 Note: Griffith claims that Paramount's use of the title Limehouse Nights will infringe on his Broken Blossoms, taken from a story, “The Chink and the Child,” from Thomas Burke's Limehouse Lights.
Box 159 Folder 7	File #815: John A. Manning vs. D.W. Griffith, Inc.; stockholders' suit, 1935-1937 Note: Receivership of D.W. Griffith Inc.
Box 159 Folder 8	File #816-817: Kinemas Ltd. and UAC; South Africa distribution agreement, 1929-1931
Box 159 Folder 9	File #818: Greenberg, Publisher Inc. vs. UAC; correspondence and legal papers, 1934-1936 Note: Greenberg sues UA for allegedly using copyrighted material to advertise The Mighty Barnum.
Box 159 Folder 10-12	File #819: International Variety and Theatrical Agency; agreements and correspondence for South African distribution, 1925-1940
Box 160 Folder 1-2	File #820: Imperial Art Films and UAC; agreement and correspondence for Sonadores de la Gloria, 1932-1936 Note: Also Tec-Art Studios correspondence on the film--1932-1934.
Box 160 Folder 3-4	File #821: Publix Theatre Corporation and UAC; correspondence, 1927-1931
Box 160 Folder 5-6	File #822: Publix Theatre Corporation and UAC; agreements, miscellaneous; incorporation papers, etc. for U.A.P. Theatre Corporation, 1928-1933, 1927-1932 Note: U.A.P. was jointly owned by UA and Publix.
Box 160 Folder 7	File #823: Publix Theatres Corporation and UAC; arbitration over rental of Goldwyn pictures, 1931-1932
Box 160 Folder 8	File #824: Publix Theatre Corporation; Lummox dispute, 1930 Note: Publix refuses to exhibit Lummox because of its poor quality.
Box/Folder 160/9-161/2	File #826: Paramount Publix and UAC; miscellaneous claims, 1930-1936 Note: Includes anti-trust action.
Box 161 Folder 3	File #827: Paramount Publix Corporation; bankruptcy, 1933-1935
Box 161 Folder 4	File #828: Paramount Publix Corporation; receivership, 1933-1935
Box 161 Folder 5	File #829: Paramount Publix Corporation and UA Theatre Corporation of Los Angeles; agreement for Publix to operate theatre, 1931-1932
Box 161 Folder 6-7	File #830: Associated Authors; correspondence, ageements, loan information, 1919-1928 Note: Included Pickford, Goldwyn, Chaplin, Griffith, and Fairbanks.
Box 161 Folder 8-12	File #831: UAC stock agreements; Chaplin, Fairbanks, Griffith, Pickford, Schenck; correspondence and agreements, 1919-1926
Box 162 Folder 1	File #832: Douglas Fairbanks, The Elton Corporation and UAC; agreement and correspondence, 1926-1930
Box 162 Folder 2	File #833: The Elton Corporation and UAC; agreements and correspondence, 1936-1940
Box 162 Folder 3	File #834: William Smalley vs. UAC; correspondence and legal papers, 1928 Note: Smalley sues to enjoin UA from renting a number of films to other exhibitors.
Box 162 Folder 4	File #835: Rowland-Brice Productions and UAC; agreement for Sweet Adeline, 1933
Box 162 Folder 5	File #836: Northwest Film Exhibitors Board of Trade and UAC; correspondence, 1928
Box 162 Folder 6	File #837: Folies Bergère Producing Company vs. 20th Century Productions et al.; legal papers, 1934-1940 Note: On use of the name “Folies Bergère.”
Box 162 Folder 7	File #838: W. Lester Levy vs. UAC et al.; legal papers and correspondence, 1934 Note: Levy claims the film The Bowery was based on his manuscript.
Box 162 Folder 8	File #839: 20th Century Pictures and UAC; correspondence and synopsis for Advice to the Lovelorn, 1933-1934
Box 162 Folder 9	File #840: 20th Century Pictures and UAC; two hundred thousand dollar loan; correspondence, 1933-1935
Box 162 Folder 10	File #841: Photoplay Publishing Company; agreement for radio advertising show, 1934-1935
Box 162 Folder 11	File #843: Associated Screen News Ltd. and UAC; laboratory agreement, 1928
Box 162 Folder 12-13	File #845: 20th Century Pictures and UAC; distribution agreements and correspondence, 1934-1936 Note: Also stockholder-producer agreements and correspondence.
Box 162 Folder 14-15	File #846: 20th Century Pictures and UAC; miscellaneous agreements and correspondence, 1933-1941
Box 163 Folder 1-2	File #847: British and Continental Trading Company, Barnstyn Film Distributie and UAC; agreements and correspondence, 1924-1947
Box 163 Folder 3	File #848: UAC; British controversy; correspondence, 1929 Note: A corporation is set up by outsiders using the name British United Artists.
Box 163 Folder 4-8	File #849-853: British and Continental Company and UAC; agreements
	-Philippine Islands
	-Far East
	-Australia
	-Mexico
	-With S. Samuels of Interworld Film, 1933-1937
Box 163 Folder 9	File #854: Franz Bard and UAC; license agreement, 1931 Note: For music.
Box 163 Folder 10	File #855: Eric Karle vs. UAC; legal papers, 1928 Note: Suit for damages from breach of contract.
Box 163 Folder 11	File #856: Duplex Motion Picture Industries; correspondence on proposed patent suit, 1928
Box 163 Folder 12	File #857: Two Arabian Knights; correspondence, 1928 Note: An Italian claims this film was copied from his earlier film.
Box 163 Folder 13	File #858: UAC vs. Variety Amusement Company et al.; correspondence, 1928 Note: On the settlement of a lawsuit.
Box 163 Folder 14	File #859: Capitol-Lyric Company vs. Pathé Exchange, Inc., et al.; bill in equity, 1928 Note: Exhibitor seeks injunction to prevent distributors from enforcing arbitration clause.
Box 163 Folder 15	File #860: Jefferson and Lafayette Theatres Inc. and UAC; franchise proposal, 1930
Box 163 Folder 16	File #861: Principal Pictures Corporation and UAC; agreement for The Winning of Barbara Worth, 1925-1926
Box 163 Folder 17	File #862: UA Studio Corporation and UAC; agreement for KMTR Radio Corporation, 1931
Box 163 Folder 18	File #863: Gustav Mohme and UAC; power of attorney for Chile, 1928-1930
Box 163 Folder 19	File #864: Laura D. Sprague vs. UAC; correspondence and legal papers, 1934-1935 Note: For breach of contract for second run rights.
Box 163 Folder 20	File #865: Col. Marcel de Passy and UAC; agreement for use of a speed-boat to advertise the film Corsair, 1931
Box 163 Folder 20	File #866: Moulin Rouge exploitation tour; correspondence and contracts, 1934-1935
Box 163 Folder 21	File #867: Nathan Burkan as executor vs. N.V. Kukenmeisters Internationale Maatschappij voor Sprekende Films, 1931-1934
Box 164 Folder 1	File #868: Consolidated Film Industries and UAC; Film Laboratory agreement and correspondence, 1931-1941
Box 164 Folder 2	File #869: Amusement Securities Company and UAC; distribution agreement for White Zombie, 1932-1938
Box 164 Folder 3	File #870: Music of American Artists, Inc. vs. Halperin Productions, 1932-1933 Note: Warrant of attachment.
Box 164 Folder 4	File #871: Robert Halperin vs. Amusement Securities et al.; correspondence, 1933 Note: Garnishment.
Box 164 Folder 5	File #872: Infringement of White Zombie on the play Zombie; correspondence, 1932-1933
Box 164 Folder 6	File #873: People (Chuck Connors) vs. Wright; correspondence, 1933-1934 Note: Alleged libel in The Bowery.
Box 164 Folder 7	File #874: Stanley-Fabian Corporation and UAC; exhibition agreement, 1927-1930
Box 164 Folder 8	File #875: Epoch Producing Company and UAC; distribution agreement for Birth of a Nation, 1926
Box 164 Folder 9	File #876: Park Theatres and UAC; correspondence on six- month clearance, 1931-1932
Box 164 Folder 10	File #877: Max Winkler and UAC; indemnity insurance negotiation correspondence, 1931
Box 164 Folder 11	File #878: Murray Silverstone and UAC; power of attorney, 1928
Box 164 Folder 12-13	File #879: Paramount Pictures Distributing Company vs. Harold Henneford et al., tax commissioners for the State of Washington; legal papers and correspondence, 1933-1939 Note: Suit to prevent levying of Washington State Occupational Tax.
Box/Folder 164/14-165/1	File #880: Joseph Schenck and UAC; agreements, 1923-1932 Note: Includes agreements related to Reliance Pictures Inc.
Box 165 Folder 2-4	File #881: Joseph Schenck and UAC; correspondence, 1929-1948
Box 165 Folder 5-7	File #882: Joseph Schenck, Reliance Pictures, Edward Small, Harry Goetz, and UAC; correspondence and agreements, 1932-1946 Note: Includes articles of incorporation, etc. of Reliance Pictures.
Box 165 Folder 8-9	File #883: Reliance Pictures, Edward Small, Harry Goetz, and Box-beech Corporation; agreements and correspondence, 1934-1936 Note: Also Reliance Pictures security agreements with the Bank of America.
Box 166 Folder 1-5	File #884: Reliance Pictures; copyright and synopses for The Count of Monte Cristo, The Last of the Mohicans, Let 'em Have It, The Melody Lingers On, and Red Salute, 1934-1936
Box 166 Folder 6	File #885: Reliance Pictures and Edward Small; copyright and synopsis for Transatlantic Merry-Go-Round, 1934-1935
Box 166 Folder 7	File #886: Sociedade Commerciale e Constructora Ltda. and UAC; licensee agreement, 1925
Box 166 Folder 8	File #887: Edward Delaney and UAC; correspondence, 1932-1933 Note: UA withholds Delaney's salary because of a discrepancy in his accounts.
Box 166 Folder 9	File #888: Tom Chakalis vs. UAC; correspondence and legal papers, 1928 Note: Exhibitor attempts to break contract.
Box 166 Folder 10	File #889: UAC; powers of attorney for India, 1928-1949
Box 166 Folder 11	File #890: UAC; standard exhibition contract; miscellaneous data on Railway Express Film Company Inc., 1924-1929
Box 166 Folder 12	File #891: Buster Keaton Productions Inc. and UAC; agreements and correspondence, 1926-1927
Box 166 Folder 13	File #892: Federal Trade Commission and UAC; correspondence, 1927-1928 Note: UAC is accused of “block booking.”
Box 166 Folder 14	File #893: Alliance Film Corporation Ltd., British and Dominions Film Corporation Ltd. and UAC, 1926-1932 Note: Ownership agreements and correspondence for Carnival.
Box 166 Folder 15	File #894: Caroline Periello vs. UAC; correspondence and legal papers, 1938-1942 Note: Exhibitor contests clearances.
Box 166 Folder 16	File #895: Bradley vs. UAC and Walter Wanger Productions; legal papers and correspondence, 1938 Note: Bradley sues for libel in connection with I Met My Love.
Box 166 Folder 17	File #896: Theatre Displays Company, et al. and UAC; correspondence, 1937-1938 Note: Piracy of advertising materials by various companies.
Box/Folder 166/18-167/1	File #897: MPPDA; anti-trust actions, 1936-1938 Note: Correspondence on Government actions, individual cases, and miscellaneous.
Box 167 Folder 2-7	File #901: MPPDA; Government anti-trust cases, 1941 Note: Correspondence including discussion of Board of Review Plan.
Box 168 Folder 1	File #899: UA Theatre Circuit; Major Peter Thomas and London theatre; correspondence and miscellaneous, 1926-1927
Box 168 Folder 2	File #900: UA Theatre Circuit; correspondence on proposed new London theatre, 1930
Box 168 Folder 3-4	File #902: David George vs. Caddo Company; correspondence on suit over copyright for the song “Wreck of the Old 97” used in Scarface, 1933-1941 Note: Also dialogue continuity for Scarface.
Box 168 Folder 5-7	File #903: Caddo Company and UAC; correspondence and agreement for Hell's Angels, 1927-1942 Note: Includes material on Sky Devils.
Box/Folder 168/8-169/3	File #904-905: The Caddo Company, Hughes Tool Company and UAC; correspondence and agreements for various films, 1927-1939 Note: Includes Cock of the Air, Hell's Angels, Front Page, Scarface, Sky Devils, and Age for Love.
Box 169 Folder 4-5	File #906: The Caddo Company and UAC; reductions, rebates, and adjustments, 1928-1939
Box 169 Folder 6	File #907: The Caddo Company and UAC; agreement and correspondence for Front Page, 1931-1933
Box 169 Folder 7	File #908: The Caddo Company and UAC; agreements and correspondence for Cock of the Air and Sky Devils, 1931-1936
Box/Folder 169/8-170/1	File #909: UAC vs. Amity Amusement Corporation and Midtown Theatres; correspondence, briefs, memoranda, clippings, 1944-1947 Note: UA sues to force exhibitors to play The Outlaw despite censor boards' threats to prosecute them. Clippings from Milwaukee newspapers.
Box 170 Folder 2-5	File #910: Charlotte Mays vs. Chemical Bank and Trust Company and vs. Servicio Aereo Colombiano; correspondence, legal papers, briefs, 1938-1943 Note: Howard Hughes attempts to sell an airplane to a South American country and sues airline and bank for damages when the deal falls through.
Box 170 Folder 6	File #911: Mary DePoe vs. Howard Hughes; correspondence mainly related to the liquidation of the Southern Surety Company, the insuring company for Hughes, 1933-1937 Note: Correspondence.
Box 170 Folder 7-9	File #912: Richard Barry vs. Howard Hughes et al.; plagiarism case on Hell's Angels; correspondence and legal papers, 1929-1941 Note: Contains copy of original story “Somewhere in Mexico” by Robert Mears Mackay and release dialogue script for Hell's Angels.
Box 171 Folder 1-2	File #913: People of the State of New York vs. John Markle; correspondence and legal papers, 1947-1948 Note: Tenants in adjoining buildings complain that the lights of the Broadway Theatre managed by Markle disturb their sleep.
Box 171 Folder 3	File #914: Bennie F. Zeidman Productions Ltd. and UAC; agreement and correspondence for Samarang, 1932-1936
Box 171 Folder 4	File #915: Zeidman Film Corporation and UAC; foreign distribution agreement for sixteen films, 1936
Box 171 Folder 5-6	File #916: John Krimsky and Gifford Cochran Inc. and UAC; agreement and correspondence for The Emperor Jones, 1933-1942
Box 171 Folder 7	File #917: John Krimsky and Gifford Cochran Inc. vs. UAC, 1940 Note: Producers sue for various breaches of contract for The Emperor Jones.
Box 171 Folder 8	File #918: UAC and State of Ohio; correspondence and documents relating to taxation and laws, 1928-1935
Box 171 Folder 9-11	File #919-921: UAC and Amkino Corporation; agreements for Russian distribution, 1928-1942 Note: Includes American distribution agreement for the film The Rout of the Nazis.
Box 171 Folder 12	File #923: L.A. Hummel vs. UAC; correspondence, 1928-1929 Note: Former employee sues for back wages.
Box 171 Folder 13	File #924: Miscellaneous collected checks; correspondence, 1932-1938 Note: Attorney's fees.
Box 171 Folder 14	File #925: Max Erenreich and Arturos Cairo claim; correspondence, 1928-1933 Note: Argentine defalcation.
Box 171 Folder 15	File #926: Addie Company, Inc. vs. UAC; correspondence, etc., 1936-1937 Note: Breach of clearance suit.
Box 171 Folder 16	File #927: Grossman Theatres, Inc. vs. UAC; correspondence and legal papers, 1934-1935 Note: Exhibitor sues for non-delivery of allegedly contracted-for pictures.
Box 172 Folder 1	File #928: Ira Simmons and UAC; agreement for the short subject, “Bazaar,” 1937
Box 172 Folder 2	File #929: State of Alabama vs. Roy Emenhiser; manslaughter case in which O'Brien office was somehow involved; correspondence, 1936
Box 172 Folder 3	File #930: George Garfield vs. Charter Film Productions, Ltd., et al.; correspondence, legal papers and settlement, 1940-1945 Note: Garfield, administrator for the estate of Ernst Toller, sues for copyright violation of Toller's play “Pastor Hall” by the film of the same name.
Box 172 Folder 4	File #931: UAC; loans for production; correspondence and opinions, 1932-1933 Note: Opinions on the corporation's legal right to lend money to producers.
Box 172 Folder 5	File #932: Joseph Auerbach, et al., vs. UAC, et al.; legal papers, 1941-1943 Note: Attachment of property of Grand National Pictures.
Box 172 Folder 6	File #933: Grand National Films (James Roosevelt) and UAC; correspondence, 1940-1949 Note: Pastor Hall (w/copyright and synopsis) and Pot O' Gold
Box 172 Folder 7	File #934: James Roosevelt and UAC; agreements and correspondence for Pastor Hall, and Pot O'Gold, 1940-1946 Note: Includes synopsis, copyright for Pot O'Gold.
Box 172 Folder 8	File #935: Auerbach Film Enterprises, Ltd. vs. UAC; legal papers, 1948-1949 Note: Auerbach sues UA for money earned by films bought by Auerbach from Grand National Pictures.
Box 172 Folder 9	File #936: Dallas Exchange: Doak Roberts matter; correspondence, 1932-1935 Note: Concerning irregularities in exchange manager Roberts' bookkeeping.
Box/Folder 173/1-175/11	File #937-939: USA vs. Balaban and Katz, et al.; correspondence, briefs, legal papers, transcripts of testimony, and miscellaneous, 1938-1941 Note: Anti-trust action.
	-Record, legal papers
	-Correspondence, miscellaneous
	-Transcripts before Special Master, 1939 May 17- 1939 June 28
	-Transcripts before Special Master, 1939 June 29-1941
Box 176 Folder 1	File #940: Caroline Nabuco vs. UA of Brazil, etc.; correspondence Note: Brazilian author claims Daphne du Maurier's novel, Rebecca and the film by the same name were copied from her original novel. See also Box 178, 179.
Box 176 Folder 2	File #941: David O. Selznick; copyright for newspaper story, “Bill's Ship Got Sailing Orders...” by Helen Worden, 1941
Box 176 Folder 3	File #942: David O. Selznick Productions and British and Dominions Film Corporation; agreements for title to Brewster's Millions, 1920-1942
Box 176 Folder 4	File #943: David O. Selznick and John P. Marquand; agreement for So Little Time, 1943
Box 176 Folder 5-8	File #944: David O. Selznick Productions, Selznick International Pictures, and UAC; correspondence, 1935-1941
Box/Folder 176/9-177/2	File #945: David O. Selznick Productions, Selznick International Pictures, and UAC; correspondence. Vanguard Films Inc. and UAC; correspondence, 1942-1943
Box 177 Folder 3	File #946: Beckham, et al., vs. UAC; regarding The Adventures of Tom Sawyer; correspondence, 1938 Note: Composer complains that his music was used in the film.
Box 177 Folder 4	File #947: Daniel O'Shea and UAC; agreement and correspondence for Contraband (Blackout), 1940-1942
Box 177 Folder 5	File #948: Astra Pictures, Inc. vs. David O. Selznick, Daniel O'Shea, et al.; correspondence and record, 1943-1945 Note: Astra sues over non-fulfillment of a verbally agreed upon distribution contract. See also Box 178, Folder 1 for correspondence.
Box 177 Folder 6	File #949: Rose Franken (Meloney) and David O. Selznick Productions; agreements for literary rights to Claudia, 1940-1943
Box 177 Folder 7	File #950: Selznick, et al. and Transatlantic Pictures Inc.; agreement for re-issue distribution of Selznick films, 1943-1944
Box 177 Folder 8	File #951: David O. Selznick Productions, Adventure Films, Inc. and UAC; agreements for Kukan-Battle Cry of China, 1942-1946 Note: Includes synopsis.
Box 177 Folder 9	File #952: Vanguard Films Inc., David O. Selznick; literary and musical rights agreements and correspondence for Since You Went Away, 1944-1945
Box 178 Folder 1	File #953: David O. Selznick, et al. and Astra Pictures, Inc.; re-issue deal correspondence, 1943-1944 Note: See also Box 177, Folder 5 for lawsuit.
Box/Folder 178/2-179/3	File #954-955: Edwina MacDonald vs. Daphne du Maurier, et al.; correspondence, record, opinions, cutting continuity for Rebecca, 1941-1950 Note: MacDonald sues for damages from alleged plagiarism. See also Box 176, Folder 1.
Box 179 Folder 4-5	File #956: Copyright for Selznick pictures, 1936-1947 Note: Includes The Adventures of Tom Sawyer, Blackout, Dead Is the Doornail, Duel in the Sun, The Garden Allah, I'll Be Seeing You, Intermezzo, Made for Each Other, Nothing Sacred, The Perils of Pauline, The Prisoner of Zenda, Rebecca, Since You Went Away, Spellbound, A Star Is Born, The Young in Heart ( indicates synopsis).
Box 179 Folder 6	File #957: Selznick International Pictures and Vivian Leigh; agreements, 1939-1942 Note: Includes contract for Gone With the Wind.
Box 179 Folder 7	File #958: Vanguard Films vs. UAC, 1946-1947 Note: For breach of contract.
Box 179 Folder 8	File #959: Vanguard Films vs. Charles Chaplin, Mary Pickford, et al., 1946-1947 Note: For inducing breach of contract.
Box 179 Folder 9	File #960: David-O. Selznick Productions and Louise Hovic (also known as Gypsy Rose Lee); agreements for G-String Murders, 1941-1942 Note: Release title: Lady of Burlesque.
Box 180 Folder 1-5	File #961: David O. Selznick Productions/Vanguard Films; contracts with players: drafts, examples and correspondence, 1942-1946
	Joan Roberts contract, 1944
	Al Shean contract for Portrait of Jennie, 1947
Box 180 Folder 6	File #962: Victor Saville Productions and UAC; agreements and correspondence, 1936-1946 Note: Includes Dark Journey, Storm in a Teacup copyrights and synopses.
Box 180 Folder 7	File #963: London Film Productions, Victor Saville Productions, and UAC; correspondence on Action for Slander, South Riding, 1937-1939 Note: Including synopsis of Action for Slander.
Box 180 Folder 8	File #964: Federal Trade Commission vs. UAC and Edward Small Productions; correspondence on alleged false advertising of The Man in the Iron Mask, 1940-1942 Note: Including pressbook, dialogue continuity and cutting continuity.
Box 180 Folder 9-10	File #965: Kit Carson libel suit; heirs of John C. Fremont sue over alleged libelous aspects of Fremont's portrayal in the film, 1939-1941 Note: Includes estimating script, dialogue continuity and picture continuity.
Box 181 Folder 1-3	File #966: Jacob J. Milstein vs. Edward Small Productions; correspondence, record, depositions, etc., 1939-1943 Note: Milstein, Small's New York representative, sues for his share of profits from picture sales.
Box 181 Folder 4	File #967: Tonia Cabot vs. Edward Small Productions; correspondence, 1941-1942 Note: Cabot claims International Lady infringes on her play “Cuban Heels.”
Box 181 Folder 5	File #968: Shubert Theatrical Company vs. Edward Small Productions; correspondence on rights to Up in Mabel's Room, 1944 Note: Shuberts claim they own a 25% interest in the literary property.
Box 181 Folder 6	File #969: Betty Crosney (for estate of Sam Bernard) vs. Edward Small Productions, 1943 Note: Suit over rights to Friendly Enemies.
Box 181 Folder 7-8	File #970: Edward Small Productions; copyrights and correspondence, 1939-1946 Note: Includes Abroad with Two Yanks, Brewster's Millions, The Corsican Brothers, The Duke of West Point, Friendly Enemies, A Gentleman After Dark, Getting Gertie's Garter, International Lady, King of the Turf, Kit Carson, The Man in the Iron Mask, Miss Annie Rooney, Mr. V, My Son, My Son, The Son of Monte Cristo, South of Pago-Pago, Twin Beds, Up in Mabel's Room.
Box 181 Folder 9	File #971: Jewel Productions vs. UAC; legal papers, 1941 Note: For illegal conversion and breach of contract.
Box 181 Folder 10	File #972: Jewel Productions and UAC; foreign distribution agreement for Forgotten Men, 1935
Box 181 Folder 11	File #973: Tower Films, Viking Productions, King Vidor, and UAC; agreements and correspondence for Our Daily Bread, 1934-1936 Note: Includes synopsis.
Box 182 Folder 1	File #974: Pioneer Productions (John Hay Witney-Merriam Cooper) and UAC; agreements and correspondence, 1935-1940
Box 182 Folder 2	File #975: R.B. Evens vs. UAC; correspondence, 1941-1942 Note: Exhibitor sues for rebate promised him by UA's salesman.
Box 182 Folder 3-10	File #976-977: MPPDA Committee on Title Registration, 1935-1943
	-General correspondence, 1935-1943
	-Eternal Love and Eternal Lover correspondence, 1936-1937
	- Shanghai Gesture, Kate and Lil, 1941
	-Miscellaneous legal papers, 1936-1943
	-Minutes, 1936-1943
Box 183 Folder 1	File #978: Serge Adelheim vs. UAC; correspondence and legal papers, 1940 Note: Adelheim sues for damages occasioned by the use of his song, “Molchi, Grust, Molchi” in the film We Live Again.
Box 183 Folder 2-5	File #979: Aetna Amusement Enterprises vs. Maine and New Hampshire Theatres Company, et al.; record, briefs, transcripts, 1938-1944 Note: Anti-trust action.
Box 183 Folder 6	File #980: Commonwealth Amusement Enterprises vs. Colonial Theatres Company, et al.; correspondence and legal papers, 1935-1945 Note: Anti-trust action.
Box 183 Folder 7-8	File #981: John Colton vs. Arnold Productions Inc., et al.; correspondence and legal papers, 1942-1943 Note: Colton claims plagiarism of the treatments he wrote for Shanghai Gesture; includes treatments by John Colton and a dialogue continuity.
Box 184 Folder 1-7	File #982-983: William S. Hart, Mary Hart, The William S. Hart Company vs. UAC; memo of agreement, court papers, and correspondence, 1925-1950 Note: Hart claims UA failed to live up to the distribution agreement for Tumbleweeds; also Hart, et al. vs. UAC and Schenck; a parallel lawsuit.
Box 184 Folder 8	File #984: Skouras Theatres Corporation vs. UAC; legal papers, 1943 Note: Suit over clearances.
Box 184 Folder 9	File #985: European Film Distributors Ltd. and UAC; agreement for foreign distribution of The Wife of General Ling, 1937
Box/Folder 184/10-185/2	File #986: Ardmore Amusement Inc. vs. UAC; correspondence, record, legal papers, transcript Note: Suit for breach of contract.
	-Correspondence
	-Record, etc., 1939-1943
Box 185 Folder 3-4	File #987: Lewis Pepperman vs. UAC; correspondence and legal papers, 1941-1944 Note: Pepperman, a UA employee, was interned in Japan, and sues UA for damages.
Box 185 Folder 5	File #988: Harold Hurley and UAC; agreement for four pictures, 1941-1942 Note: Includes The Ox Bow Incident.
Box 185 Folder 6	File #989: Vandorfilm, S.A.R.L. and UAC Ltd.; agreement for foreign distribution of Don Quixote, 1938
Box/Folder 185/7-186/2	File #990: Hays Organization and UAC; wage stabilization, anti-inflation; correspondence and miscellaneous, 1942-1943 Note: Wartime payroll freeze matters, NLRB.
Box 186 Folder 3	File #991: Technisound, Inc. vs. Franchise Division, Inc., Bud Fox Enterprises and UAC; legal papers, 1940-1941 Note: Technisound sues for damages when the film, The Thief of Baghdad is not released in conjunction with its radio show.
Box 186 Folder 4	File #992: Bud Fox Enterprises and UAC; agreements and correspondence for the exploitation of films, 1939-1945 Note: Jungle Book, The Thief of Baghdad, The Westerner.
Box 186 Folder 5	File #993: Mayfair Productions and UAC; agreement and correspondence for Skippy cartoons, 1936-1945
Box 186 Folder 6-187	File #994-995: Senate Investigating Committee on alleged propaganda; correspondence, questionnaires on films, pressbooks, transcript of hearings, 1941
	-Correspondence, miscellaneous correspondence, questionnaires on films, pressbooks for Blackout, Foreign Correspondent, Great Dictator, Pastor Hall, So Ends the Night, That Hamilton Woman
	-Transcript of hearings, 1941 September 9-24
Box 188 Folder 1	File #996: Richard Rowland and UAC; agreement and correspondence, 1939-1944
Box 188 Folder 2	File #997: Richard Rowland Productions; plagiarism complaint by Quirico Michelena Llaguno over Cheers for Miss Bishop; correspondence, etc., 1941-1942
Box 188 Folder 3-6	File #998: May Davies Martenet vs. UAC; suit over rights to the title Voice in the Wind; correspondence, legal papers, exhibits, copyright, 1944-1949 Note: Includes synopsis and other correspondence on Voice in the Crowd.
Box 188 Folder 7	File #999: Richard Rowland Productions; copyright for Cheers for Miss Bishop, 1941
Box 188 Folder 8	File #1000-1002: J.H. Hoffberg and UAC; distribution agreements for Mexico, Philippine Islands, 1930-1934
Box 188 Folder 9	File #1003: J.H. Hoffberg and Company and UAC; foreign distribution agreements for The Man From Hell, and Without Honor, 1935
Box 188 Folder 10	File #1004: J.H. Hoffberg and UAC; Far Eastern distribution agreement, 1937
Box 188 Folder 11	File #1005: Paramount Pictures, et al., vs. William Langer, et al.; correspondence, 1938 Note: Paramount asks UA for information for the preparation of its case.
Box/Folder 188/12-189/2	File #1006: Lester Cowan and UAC; agreements and correspondence for Tomorrow the World, 1943-1951
Box 189 Folder 3	File #1007: Lester Cowan Productions; copyright for G.I. Joe and Tomorrow the World, 1945-1946
Box 189 Folder 4	File #1008: Super-Serial Productions and UAC; agreement for The Lost City, 1935
Box 189 Folder 5	File #1009: Guaranteed Pictures Company and UAC; foreign distribution agreements for westerns, 1935-1936
Box 189 Folder 6	File #1010: Carib Development Corporation and UAC; foreign distribution agreement, 1934
Box 189 Folder 7	File #1011: Unemployment compensation cases, 1934
Box 189 Folder 8	File #1012: Denis-Roosevelt Productions and UAC; agreement for Outpost Unknown, 1944
Box 189 Folder 9	File #1013: Robert Freund (doing business as The Twin Editions) vs. UAC; correspondence and legal papers, 1947-1948 Note: Copyright infringement suit over a portrait used in Mr. Ace.
Box 189 Folder 10-11	File #1014: Burgess Meredith vs. Miracle Productions; correspondence and legal papers, 1946-1950 Note: Suit over alleged non-payment of actor's salary for A Miracle Can Happen.
Box 189 Folder 12-14	File #1016: Hal Roach Studios; copyrights and synopses, 1939-1948 Note: Includes: Bout Face, All-American Co-Ed, Broadway Limited, Brooklyn Orchid, Calaboose, Captain Caution, A Chump at Oxford, Comedy Carnival, The Devil With Hitler, Dudes Are Pretty People, Fall In, Fiesta, Flying With Music, Hay Foot, Here Comes Trouble (Laff Time), The Housekeeper's Daughter, The McGuerins of Brooklyn, Miss Polly, Nazi Nuisance, Niagara Falls, Of Mice and Men, One Million B.C., Prairie Chickens, Road Show, Saps at Sea, Tanks a Million, Taxi, Mister, Topper Takes a Trip, Topper Returns, Turnabout, There Goes My Heart, Water Gypsies, Who Killed Doc Robin, Yanks Ahoy, Zenobia* (* means no synopsis).
Box 190 Folder 1	File #1017: Jacob Milstein, Hal Roach Studios and UAC; foreign distribution agreement, 1942
Box 190 Folder 2	File #1018: Mutual Productions and UAC; agreement for Pardon My Past, 1945
Box 190 Folder 3	File #1019: Salkay Corporation and UAC; agreement for six pictures, 1943
Box 190 Folder 4-6	File #1020: Hal Roach Studios and UAC; correspondence and agreements, 1938-1949
Box 190 Folder 7	File #1021: Indianapolis Labor dispute; correspondence and miscellaneous, 1942
Box 190 Folder 8	File #1022: American Federation of Labor and UAC; St. Louis dispute; correspondence and proceedings, 1942
Box 190 Folder 9	File #1023: Simplex Company, et al. vs. UAC, et al.; legal papers, 1946-1947 Note: Suit over alleged breach of contract.
Box 190 Folder 10	File #1024: Angelus Pictures Inc.; copyright correspondence for Summer Storm, 1944
Box 190 Folder 11	File #1025-26: Angelus Pictures and UAC; correspondence and agreement for Summer Storm, 1944-1951
Box 191 Folder 1	File #1027: Jesse Lasky and UAC; agreements for Sergeant York, 1942
Box 191 Folder 2	File #1028: Henry Hobart and UAC; agreements and correspondence for Dearest Enemy, 1942 Note: Includes typescript of “Grandmother Hortense and the Spotted Cow” by I.A.R. Wylie.
Box 191 Folder 3	File #1029: Sam Wood and UAC; agreement, 1941
Box 191 Folder 4	File #1030-31: Master Productions Inc. and UAC; agreement, correspondence and copyright for Three's a Family, 1943-1946
Box 191 Folder 5	File #1032: Lowell Calvert and Hunt Stromberg Productions; employment agreements and correspondence, 1942-1947 Note: Calvert was Stromberg's New York representative.
Box 191 Folder 6	File #1033: Hunt Stromberg Productions; correspondence and agreements for G-String Murders, 1942-1948 Note: Picture released as Lady of Burlesque.
Box 191 Folder 7	File #1034: Hunt Stromberg Productions, Margaret Barnes, Edward Sheldon; correspondence on rights to Dishonored Lady, 1942
Box 191 Folder 8	File #1035: Hunt Stromberg Productions; screen test contracts, 1942-1944
Box 191 Folder 9	File #1036: Hunt Stromberg Productions; copyright for Lady of Burlesque, 1943
Box 191 Folder 10	File #1037: Jerome Kurtz estate vs. Hunt Stromberg Jr., et al.; correspondence, 1945-47 Note: Suit over rights to The Red Mill.
Box 191 Folder 11	File #1038: The Red Mill Company and Michael O'Shea; agreements, 1945 Note: For loan of O'Shea's services as actor.
Box/Folder 191/12-192/5	File #1039-40: Hunt Stromberg Productions and UAC; correspondence and agreements Note: Most agreements relate to bank loans.
	-Correspondence
	-Agreements, 1942-1949
Box 192 Folder 6	File #1041: United Artists Players Company; agreement with UAC, 1942 Note: Mary Pickford.
Box 192 Folder 7	File #1042: Norma Nelson vs. UAC; correspondence, 1949 Note: Over unauthorized use of Nelson's photograph.
Box/Folder 192/8-193/1	File #1043: Hunt Stromberg Productions vs. RKO Radio Pictures Note: Title conflict over Guest in the House; correspondence, agreements, clippings, copyright, synopsis.
	-Correspondence and agreements
	-Agreements, clippings, etc., 1943-1945
Box 193 Folder 2-3	File #1044: Mary Pickford and UAC; agreements, 1916-1930 Note: Includes drafts of original (February 1919) agreement.
Box 193 Folder 4-6	File #1045: Mary Pickford and UAC; agreements and correspondence, 1936-1947
Box 193 Folder 7	File #1046: UAC vs. Robb and Rowley United, Inc.; correspondence, 1946-1948 Note: Exhibitor fraud cases.
Box 193 Folder 8	File #1047: UAC vs. Michael Manos, et al.; correspondence and legal papers, 1945-1947 Note: Exhibitor fraud case.
Box 193 Folder 9	File #1048: UAC vs. David Victor; correspondence and legal papers, 1946-1950 Note: Exhibitor fraud case.
Box 193 Folder 10	File #1049: UAC vs. Mrs. George Moody, et al.; correspondence and legal papers, 1947-1951 Note: Exhibitor fraud case.
Box 193 Folder 11	File #1050: UAC vs. William Finkel et al.; correspondence and legal papers, 1944-1946 Note: Exhibitor fraud case.
Box 193 Folder 12	File #1051: UAC vs. Castle Amusement Corporation, et al.; correspondence and legal papers, 1945-1948 Note: Exhibitor fraud case.
Box 193 Folder 13	File #1052: UAC vs. Peter Wellman; correspondence, 1946-1947 Note: Exhibitor fraud case.
Box 193 Folder 14	File #1053: UAC vs. Interstate Theatres (A.G. Constant); correspondence, 1946-1948 Note: Exhibitor fraud case.
Box 194 Folder 1	File #1054: UAC vs. James Scoville, et al.; correspondence and legal papers, 1946-1947 Note: Exhibitor fraud case.
Box 194 Folder 2	File #1055: UAC vs. Ellsworth Staup, et al.; correspondence and legal papers, 1946-1948 Note: Exhibitor fraud case.
Box 194 Folder 3	File #1056: UAC vs. Louis Tunick; correspondence and legal papers, 1945-1947 Note: Exhibitor fraud case.
Box 194 Folder 4	File #1057: UAC vs. John Long; correspondence and legal papers, 1945-1948 Note: Exhibitor fraud case.
Box 194 Folder 5	File #1058: UAC vs. Gonzalo Bezanilla; correspondence and legal papers, 1944-1948 Note: Exhibitor fraud case.
Box 194 Folder 6	File #1059: UAC vs. Michael Daly; correspondence and legal papers, 1945-1949 Note: Exhibitor fraud case.
Box 194 Folder 7	File #1060: UAC vs. Ralph Snider, et al.; correspondence and legal papers, 1944-1950 Note: Exhibitor fraud claim.
Box 194 Folder 8	File #1061: Donald Holbrook vs. Ralph Snider, et al.; legal papers, 1948-1949 Note: Anti-trust action.
Box 194 Folder 9-10	File #1062: UAC, et al. vs. E.E. Alger, et al.; correspondence and legal papers, 1947-1949 Note: Exhibitor fraud case.
Box 194 Folder 11	File #1063: UAC vs. Fred Anderson, et al.; correspondence and legal papers, 1946-1950 Note: Exhibitor fraud case.
Box 195 Folder 1	File #1064: Fortunio Bona Nova and UAC; agreement and correspondence for La Immaculada, 1938-1946
Box 195 Folder 2-3	File #1066: UAC vs. Cagney Productions, et al.; correspondence and legal papers, 1947-1948 Note: UA sues over failure to deliver The Time of Your Life.
Box 195 Folder 4	File #1067: John M. Stahl Productions and UAC; agreement for three pictures, 1941
Box 195 Folder 5	File #1068: Ross Federal Service and UAC; agreements, correspondence, samples of checkers' reports, 1931-1945 Note: Ross specialized in making attendance counts at theatres.
Box 195 Folder 6-7	File #1069: Ealing Studios Ltd. and UAC; correspondence and agreements, 1941-1948
Box 195 Folder 8	File #1070: Ealing Studios Ltd.; copyright, synopses and correspondence for various pictures, 1941-1943 Note: Includes: The Bells Go Down, The Big Blockade, Black Sheep, Foreman Went to France, The Goose Steps Out, Nine Men, Ships with Wings, Three Cock-Eyed Sailors, Turned Out Nice Again, Went the Day Well (* indicates no synopsis).
Box 195 Folder 9	File #1071: Max Fogel vs. UAC; settlement papers, 1948 Note: Dealing with the Webster Theatre anti-trust case.
Box 195 Folder 10	File #1072: Irvin Shapiro and UAC; foreign distribution agreement, 1944
Box 195 Folder 11	File #1073: Gracie Fields and UAC; agreement, 1942
Box 195 Folder 12	File #1074: Henry Mann and UAC; foreign distribution agreement for Ume Femme Disparait, 1943-1944
Box 195 Folder 13	File #1075: D'Arrast Soriano Films Ltd. and UAC; distribution agreement, 1934
Box 195 Folder 14	File #1076: Atlas Film Exchange Inc. and UAC; agreement for distribution of travelogues, 1940
Box 195 Folder 15	File #1077: Iowa. Correspondence of UAC, 1932
Box 195 Folder 16	File #1078: Patrician Pictures Ltd. and UAC; correspondence and agreement for Silver Lining, 1932-1938
Box 196 Folder 1	File #1079: Latin American Productions and UAC; correspondence and agreement, 1940-1942
Box 196/2	File #1080: Film Checking Bureau; by-laws, articles of association, etc., 1944 Note: Corporation formed by motion picture companies to check exhibitors' sales.
Box 196 Folder 3-6	File #1081: Romaine Film Corporation and UAC; agreements, correspondence and legal papers for Romaine vs. Commissioner of Internal Revenue, 1941-1949
Box 196 Folder 7	File #1082: Emanuel Lackow vs. ASCAP et al.; correspondence, legal papers, sheet music, 1947-1949 Note: Lackow claims his composition “Silver Caravans” was used in Spellbound.
Box 196 Folder 8	File #1083: Georgia anti-block-booking bill; correspondence, 1941
Box 196 Folder 9	File #1084: Loew's, Inc., et al. vs. Harold Stassen (Governor of Minnesota) et al.; legal papers and correspondence, 1941 Note: On anti-block-booking bill.
Box/Folder 196/10-197/9	File #1085-1087 1092: Minnesota anti-block-booking cases; correspondence, legal papers, briefs, etc., 1941-1943
	-Correspondence
	-General legal papers
	-UAC vs. James Lynch (County Attorney, County of Ramsey)
	-Vitagraph vs. Lynch (County Attorney, County of Ramsey)
	-20th Century vs. County Attorney, County of Ramsey
	-Loew's, Inc. vs. County Attorney, County of Ramsey
Box 198 Folder 1	File #1089: Michigan anti-block-booking bill; correspondence, 1941
Box 198 Folder 2	File #1090: Benjamin Glazer and UAC; agreement for Paris Calling, 1941
Box 198 Folder 3	File #1091: California Pictures Corporation and UAC; correspondence and agreements for Mad Wednesday and Vendetta, 1944-1951
Box 198 Folder 4	File #1093: The World Today Inc., John Grierson and UAC; short subject agreements, 1946
Box 198 Folder 5	File #1094: Harold Auten and UAC; short subject purchase agreement, 1936
Box 198 Folder 6	File #1095: UAC vs. David Lowe; correspondence and legal papers, 1948-1949 Note: Dispute over payment for theatre lease.
Box 198 Folder 7-8	File #1096-1097: UAC vs. Screen Office and Professional Employees Guild; correspondence and legal papers, 1948 Note: UA seeks to enjoin SOPEG from picketing theatres. SOPEG officials refuse to sign loyalty oath; includes Picto Corporation vs. SOPEG; also includes complaint from Screen Writers' Guild vs. MPA.
Box 198 Folder 9	File #1098: Federal Films Inc. and UAC; agreement and correspondence, 1946-1949 Note: Includes Babes in Toyland and Carnegie Hall.
Box 198 Folder 10	File #1099: Wolfson Meyer Theatre Enterprises and UAC; correspondence, 1937-1939 Note: Also exhibition agreements of Herman Cohn, 1937-1940.
Box 198 Folder 11	File #1100: Master Art Productions and UAC; foreign distribution agreement, 1933-1934
Box 198 Folder 12	File #1101: Andre de la Varre, Paul Devlin and UAC; short subject agreement, 1938
Box 198 Folder 13	File #1102: Russell Spaulding and UAC; short subject agreement, 1937
Box 198 Folder 14-16	File #1103-1104: International Alliance of Theatrical Stage Employees (IATSE) and UAC; correspondence, negotiations and agreements, 1937-1942 Note: Also Columbia Pictures Corporation, et al. vs. George Brown, et al.; distributors sue IATSE officers.
Box 199 Folder 1-2	File #1105: Illinois-United Artists Theatre Company; correspondence and minutes, 1928-1946 Note: Subsidiary of UAC.
Box 199 Folder 3-5	File #1106-1107: Plastic Cartoons, Morey and Sutherland Productions and UAC; agreements for short subjects, 1941-1948 Note: Includes correspondence and copyright on the cartoon The Crosseyed Bull.
Box 199 Folder 6-8	File #1108-1109: Samuel Bronston and UAC; agreements and correspondence, 1942-1947 Note: Includes Life of Jack London and Ten Little Indians.
Box 199 Folder 9-10	File #1110: UA Chicago and Detroit Theatres; five year management contract with MGM; correspondence and agreements, 1933-1941
Box 199 Folder 11	File #1111: British Colonial Film Exchange and UAC; agreement and correspondence, 1935
Box 200 Folder 1	File #1112: Manhattan Productions Inc.; copyright for It's in the Bag, 1945
Box 200 Folder 2-3	File #1113: Constance Bennett and UAC; correspondence and agreements for Paris Underground, 1944-1949
Box 200 Folder 4	File #1114: Motion Picture Association; correspondence on blocked funds, 1947
Box 200 Folder 5	File #1115: Beno Slesin estate; correspondence, 1947-1949 Note: Relating to the death of employee Slesin in an airplane crash.
Box 200 Folder 6	File #1116: Springer and Cocalis Circuit and UAC; correspondence, 1933-1936
Box 200 Folder 7	File #1117: University Film Productions and UAC; foreign distribution agreements for No Greater Sin, 1941-1948
Box 200 Folder 8	File #1118: Regal Distributing Company and UAC; foreign distribution agreements and correspondence, 1935-1938
Box 200 Folder 9	File #1119: International Opera Films Inc. and UAC; agreement and correspondence for Il Trovatore, 1948
Box 200 Folder 10	File #1120: Eddie Cantor and UAC; agreement, 1941
Box 200 Folder 11	File #1121,1130: UAC; Standard Form Contracts; correspondence and contracts, 1922-1925 Note: On standard forms for contracts with exhibitors.
Box 200 Folder 12-14	File #1122: Mary Pickford and UAC; financial statements, 1924-1926 March
Box 201 Folder 1	File #1123: Ifa-Film-Verleih-G.M.B.H. and UAC; history of UA's purchase, 1925
Box 201 Folder 2	File #1125: Canadian copyright correspondence, 1922
Box 201 Folder 3-4	File #1127: Rudolph Valentino, Ritz-Carlton Pictures, Joseph Schenck; agreements and correspondence, 1923-1937
Box 201 Folder 5	File #1128: UAC; Plan for Employees' Benefits; correspondence, 1923
Box 201 Folder 6	File #1129: Frances Birkhead; synopsis for proposed film based on Governor Lee Russell of Mississippi, 1920-1922
Box 201 Folder 7	File #1131: William G. McAdoo; resignation as UAC President; correspondence, 1920
Box 201 Folder 8	File #1132: UAC; foreign negotiations; correspondence, 1919-1921
Box 201 Folder 9	File #1133: George A. Woods and UAC; negotiations for Boston Theatre, 1921-1922
Box 201 Folder 10	File #1134: Mary Pickford and Allied Artists Corporation; license and telegrams, 1921-1923
Box 201 Folder 11	File #1135: Norma C. Talmadge; correspondence, 1920 Note: Joseph Schenck decides to continue giving Talmadge pictures to First National rather than to UA.
Box 201 Folder 12	File #1136: Theatre Owners' Association and UAC; correspondence, 1920 Note: Owners dispute UA's 100% deposit policy.
Box 201 Folder 13	File #1137: Hiram Abrams and UAC; employment agreements and correspondence, 1919-1929
Box/Folder 201/14-202/6	File #1138-1141: Samuel Goldwyn and UAC; agreements and correspondence
	-Goldwyn Distributing Corporation; correspondence and agreements, 1922-1923
	-Goldwyn agreements, 1925-1947
	-Goldwyn agreements, 1936-1938
	-Goldwyn agreements, 1941-1947
	-Correspondence, 1926-1947
	-Bank of America correspondence, 1936
	-Correspondence, 1935-1947
	-William Heineman employment agreement, 1943
Box 202 Folder 7	File #1128: Prager and Fenton (Auditors) and UAC; balance statements as of December 31, 1919
Box/Folder 202/8-204/1	File #1142-43, 1146: Clara Dellar suits. Dellar, et al., vs. Samuel Goldwyn, Inc., et al., 1935-1946 Note: Various suits in which Dellar, Mort Eisman and Robert Louis Shayon seek damages for the alleged copyright infringement of their play, “Oh Shah!” by Goldwyn's Roman Scandals.
	-Correspondence, 1935-1946
	-Miscellaneous legal papers, 1938-1946
	-Legal papers, 1935-1940
	-Legal papers, 1941-1942
	-Scripts: Roman Scandals and “Oh Shah!”
	-Printed briefs, transcripts
	-Briefs, petitions, transcripts Physical Description: (8 volumes)
	-Transcript
Box 204 Folder 2	File #1144: Samuel Goldwyn and 20th Century-Fox; title dispute: Navy Born/Navy Wife; correspondence, 1935
Box 204 Folder 3	File #1145: Samuel Goldwyn Inc., Radio City Music Hall and UAC; correspondence, 1939 Note: UA claims that Music Hall breaks their contract by refusing to play Wuthering Heights.
Box 204 Folder 4-5	File #1147: Blanche Lloyd vs. Samuel Goldwyn, Inc., et al.; correspondence, legal papers, clippings, pressbook for Goldwyn Follies, 1938 Note: Lloyd sues over the use of her stage name “Zorine.”
Box/Folder 204/4-205/4	File #1148-1149: Samuel Goldwyn vs. UAC, 1933-1940 Note: Goldwyn sues over alleged breaches of contract and asks that his exclusive contract be cancelled; in effect, Goldwyn sues for control of the corporation. See Box 205-206 for parallel case.
	-Basic agreement, 1933
	-Correspondence, 1939-1941
	-Legal papers, 1937-1940 March
	-Legal papers, 1940 April-September, undated
Box 205 Folder 5-6	File #1150: Samuel Goldwyn Productions; copyright, correspondence and synopses for various pictures, 1935-1940 Note: Contains: The Adventures of Marco Polo, Barbary Coast, Beloved Enemy, Come and Get It, The Cowboy and the Lady, The Dark Angel, Dead End, Dodsworth, The Goldwyn Follies, Hurricane, Raffles, The Real Glory, Splendor, Stella Dallas, Strike Me Pink, These Three, They Shall Have Music, The Wedding Night, The Westerner, Woman Chases Man, and Wuthering Heights* (* indicates no synopsis).
Box/Folder 205/7-206/4	File #1151-54: Samuel Goldwyn, Inc. vs. UAC, London Film Productions, Ltd. and Alexander Korda (parallel case to Goldwyn vs. UAC), 1938-1941
	-Correspondence, 1940-1942
	-Legal papers, 1938-1941
	-Memoranda, briefs
	-Record of settlement, 1941
	-Complaints, exhibits Physical Description: (3 volumes)
Box 206 Folder 5	File #1156: Alliance Film Corporation Ltd. and UAC; correspondence and agreement for The Carnival, 1921-1922
Box 207 Folder 1	File #1157-58: Alla Nazimova and UAC; correspondence and agreement for The Carnival, 1919-1936
Box 207 Folder 2-3	File #1159-60: Mary Pickford; financial statements, 1922-1923 Note: Transmittal letters of monies owed Pickford.
Box 207 Folder 4-6	File #1161,1164: Charles Chaplin and UAC; correspondence, 1921-1948
Box/Folder 207/7-208/2	File #1163: Charles Chaplin and UAC; agreements, 1919-1945 Note: Corporate agreements (including the original February 1919 agreement) and distribution agreements.
Box 208 Folder 3	File #1162: Charles Chaplin and Allied Artists Corporation, Ltd.; agreements for British distribution of Chaplin films, 1921-1929
Box 208 Folder 4	File #1165: Charles Chaplin and UAC; correspondence and synopsis for The Circus, 1927-1929
Box 208 Folder 5	File #1172: Charles Chaplin and City Lights; correspondence and reports on the efficiency of UA's European distribution, 1931 Note: Includes Price Waterhouse investigation reports.
Box 208 Folder 6	File #1171: Charles Chaplin and City Lights; roadshow controversy, 1931-1932 Note: Roadshow engagements net UA a different profit than do regular showings.
Box 208 Folder 7	File #1176: City Lights; license agreement for South America, 1931
Box 208 Folder 8-9	File #1166,1167-77: City Lights; miscellaneous correspondence and disputes, 1931-1933
Box 208 Folder 10	File #1174: Charles Chaplin and Jean Sarment; correspondence, 1931 Note: Over similarities between City Lights and Les Plus Beaux Yeux du Monde.
Box 208 Folder 11	File #1178: May Shepherd vs. Charles Chaplin, 1931 Note: A secretary sues Chaplin for her wages.
Box 208 Folder 12-14	File #1179: Films Sonores Tobis vs. Charles Chaplin, et al.; correspondence, bill of particulars, legal papers, 1937-1949 Note: Suit charging that Modern Times plagiarized Rene Clair's A Nous la Liberte.
Box 209 Folder 1-2	File #1180: Charles Chaplin; additional tax assessment for 1935; correspondence, briefs, documents, 1940-1948 Note: Includes detailed history of Chaplin's UAC stock holdings.
Box 209 Folder 3	File #1181: Charles De Haven vs. Charles Chaplin, et al.; correspondence, etc., 1940-1944 Note: Alleged plagiarism by The Great Dictator.
Box 209 Folder 4-6	File #1182: Charles Chaplin vs. David O. Selznick, David O. Selznick Productions, Vanguard Films, 20th Century-Fox Film Corporation and UAC; correspondence, legal papers, miscellaneous, 1943-1947 Note: Stockholder Chaplin charges that Selznick and the various Selznick corporations diverted money from UAC for their own profits with the connivance of the UAC directors.
Box 209 Folder 7	File #1184: Charles Chaplin and UAC; copyright and correspondence for Modern Times, 1936-1938 Note: Also includes a foreign distribution agreement.
Box 209 Folder 8	File #1185: D.W. Griffith and UAC; correspondence on Way Down East, 1920-1924
Box 209 Folder 9	File #1186: D.W. Griffith and UAC; agreement and correspondence for Dream Street, 1921
Box 209 Folder 10	File #1187: Norris Wilcox and UAC; agreement for South American distribution of D.W. Griffith films, 1922
Box 209 Folder 11-12	File #1188: Douglas Fairbanks and UAC; weekly financial statements and correspondence, 1922-1923
Box 209 Folder 13-14	File #1189: Mary Pickford and UAC; weekly financial statements and correspondence, 1922 December-1923 Note: Contains extensive Pickford correspondence on the corporation and on the motion picture industry.
Box 210 Folder 1	File #1190: Allied Artists and UAC; agreement for British distribution of D.W. Griffith films, 1921
Box 210 Folder 2	File #1191: Norris Wilcox and UAC; agreement for South American distribution of Douglas Fairbanks films, 1922-1924
Box 210 Folder 3	File #1192: Les Artistes Associes and UAC; agreement for European distribution of Douglas Fairbanks films, 1922-1925
Box 210 Folder 4	File #1193: Douglas Fairbanks and UAC; agreements and correspondence, 1919-1926
Box 210 Folder 5-6	File #1194: Douglas Fairbanks and UAC; correspondence and agreements for Romance, 1919-1929
Box 210 Folder 7-9	File #1195: D.W. Griffith and UAC; correspondence on stockholdings, and agreements and correspondence on Orphans of the Storm, 1916-1929
	-Orphans correspondence, 1920-1929
	-Orphans stolen print correspondence; includes Intolerance copyright, and Sally of the Sawdust contract
	-Correspondence on Griffith's stock and financial affairs, 1921-1929
Box 210 Folder 10-11	File #1196: D.W. Griffith and UAC; agreements, 1919-1928 Note: Distribution contracts.
Box 210 Folder 12	File #1197: Allied Artists Corporation Ltd. and UAC; correspondence, 1920-1923 Note: Extensive material on the early years of this UAC subsidiary.
Box 211 Folder 1-2	File #1198: UA South America Ltd. and UAC; correspondence, 1921-1923 Note: Correspondence on the early years of this subsidiary.
Box 211 Folder 3-6	File #1199: Morris Greenhill and UAC; correspondence and agreements, 1919-1922, 1935-1936 Note: Agreements for distribution in England; somehow involved in the founding of UA Corporation Ltd.
Box 211 Folder 7	File #1201: Leon Rosenblatt vs. UAC; correspondence, 1920-1921 Note: Exhibitor sues for damages over a defective print.
Box 211 Folder 8	File #1202: International Theatre Construction Company; correspondence and prospectus, 1921 Note: A corporation to rent theatres in France.
Box 211 Folder 9-14	File #1203, 1212, 1213: Allied Producers and Distributers Corporation; correspondence, by-laws, certificate of incorporation, and miscellaneous, 1922-1924 Note: This was a subsidiary of UAC organized to distribute the films of producers other than UA's owners.
Box 212 Folder 1	File #1204: Lester Meigne Peter Kyne and Allied Producers and Distributors; agreement for Peter Kyne pictures, 1922
Box 212 Folder 2	File #1205: Graham-Wilcox Productions and Allied Producers and Distributors; agreements for Paddy the Next Best Thing and A Woman's Secret, 1923
Box 212 Folder 3	File #1206: Frank Hurley's Pearls and Savages Ltd. and Allied Producers and Distributors; agreement for The Lost Tribe, 1923 Note: Never signed.
Box 212 Folder 4	File #1207: Little Theatre Films and Allied Producers and Distributors; agreement for Mortal Clay, 1923
Box 212 Folder 5	File #1208: Gene Stratton Porter Productions and Allied Producers and Distributors; agreement for Michael O'Halloran, 1923
Box 212 Folder 6	File #1209: Max Linder Productions and Allied Producers and Distributors; agreement and correspondence for Three-Must-Get-Theirs, 1922-1928
Box 212 Folder 7	File #1210: J.L. Frothingham Productions and Allied Producers and Distributors; agreement, 1922 Note: Probably for Shattered Idols.
Box 212 Folder 8	File #1214: X.L. Productions and Allied Producers and Distributors; correspondence for A Woman's Woman, 1922-1923
Box 212 Folder 9-11	File #1215: Associated Authors Inc. and Allied Producers and Distributors; agreements and correspondence for Richard the Lion Hearted, Loving Lies, No More Women, 1922-1927 Note: Pickford, Fairbanks and Griffith guaranteed the loan financing these pictures.
Box 212 Folder 12	File #1211: Motion Picture Artists Inc.; articles of association and by-laws, 1923 Note: An organization to “protect the independent producer and the independent distributor against commercial combinations.”
Box 212 Folder 13	File #1216: Victory Cinema Corporation; private detective reports, 1924 Note: Investigation of a film pirating organization.
Box 212 Folder 14-18	File #1217, 1218: UAC of Cuba; correspondence, reports and miscellaneous, 1921-1937 Note: Includes history of UAC's owners' stockholdings.
Box 213 Folder 1-3	File #1219: UAC Ltd. (Canada); correspondence, 1920-1926
Box 213 Folder 4-6	File #1220: UAC Ltd. (Canada); correspondence, 1925-1940
Box/Folder 213/7-214/2	File #1221: UAC Ltd. (Canada); minutes, by-laws, etc., 1919-1940
	-1919-1926
	-1927-1940
Box 214 Folder 3	File #1223, 1222: Canadian Theatre Company and UAC, Ltd; correspondence and agreements relating to Princess Theatre franchise, 1931-1938
Box/Folder 214/4-215/1	File #1224: Canadian Combines Investigation Act; correspondence, legal papers, reports, and contract forms, 1929-1935 Note: Anti-trust investigation; samples of contract forms of various distributors (in Box 215).
Box 215 Folder 2	File #1225: Tarliski Circuit; test case against Canadian bicycling, 1932
Box 215 Folder 3	File #1226: Frank Petalka vs. UAC; correspondence, etc., 1920-1921 Note: Exhibitor sues for loss due to incomplete film.
Box 215 Folder 4	File #1227: East River National Bank and UAC; resolutions naming the bank as UAC's official repository, 1924
Box 215 Folder 5	File #1228: Advance Deposit Bill case; correspondence and legal papers, 1921-1922 Note: Action against bills providing that exhibitor's deposits be separately deposited in banks within each state.
Box 215 Folder 6	File #1229: Corporation Trust Company and UAC; certificates, etc., 1922 Note: Licenses to do business in various states.
Box 215 Folder 7-11	File #1230, 1232: UAC of Illinois; correspondence and legal papers, 1920-1931
	-Correspondence, 1920-1931
	-Miscellaneous, 1926-1930
Box 215 Folder 12-13	File #1231: UAC of Illinois; certificate of incorporation, by-laws, and minutes, 1919-1928
Box 216 Folder 1-2	File #1233-34: Dennis F. O'Brien-General Counsel and UAC; correspondence, 1920 Note: O'Brien became UA's general counsel in April of 1920 and his firm served in this capacity through 1951. Contains prospectus for D.W. Griffith Inc. under date June 28, 1920.
Box 216 Folder 3-4	File #1234, 1235: Dennis F. O'Brien-General Counsel and UAC; stock deposit agreements and miscellaneous, 1918-1930
Box 216 Folder 5	File #1236: Harvey Sheahan and UAC; correspondence of and about UA's Mexican manager, 1923-1925
Box 216 Folder 6	File #1237-38: Artistas Unidos, S.A. and UAC; reports, correspondence, and documents of the Mexican company, 1921-1924 Note: Reports, 1924, shed light on Mexican revolution.
Box 216 Folder 7	File #1239: UA Australasia Ltd.; Australian reports, 1924
Box 216 Folder 8	File #1240: UAC South America Ltd. and UAC; correspondence, powers, and miscellaneous, 1922-1926
Box 216 Folder 9	File #1241,44: Allied Artists Corporation Ltd.; correspondence, reports, balance statements, and minutes, 1922-1924 Note: UAC's English subsidiary.
Box 216 Folder 10	File #1243: Allied Artists Corporation Ltd.; cablegrams on the founding of the corporation, 1921-1922
Box 216 Folder 11	File #1242: Allied Artists Corporation Ltd.; correspondence and statements for Pollyanna, 1921-1924
Box 216 Folder 12-13	File #1245-46: Les Artistes Associes, S.A.; correspondence, reports from UAC's French subsidiary, 1921-1924 Note: Includes correspondence on the founding of this corporation.
Box 217 Folder 1-2	File #1247: UAC South America; correspondence, powers, etc., 1922-1926
Box 217	File #1248: UA Australasia Ltd.; exhibition agreements for Australia, 1936-1937 Note: Contains individual contracts for each of UA's producers; marked items # 1A through 13B.
Box 217 Folder 3	File #1249: Gloria Film Productions and UAC; agreement for Three Husbands, 1950
Box 217 Folder 4	File #1250: Edward Golden and UAC; agreement for Barnstorming and Eddie and the Archangel Mike, 1946
Box 217 Folder 5	File #1251: Samuel Goldwyn Inc. and UAC; distribution agreement, 1936
Box 217 Folder 6	File #1252: Jacques Grinieff, Magnus Films Inc. and UAC; agreement for forty features, 1947-1949 Note: Grinieff is distributor.
Box 218 Folder 1	File #1253: Hughes Tool Company and UAC; agreement for The Outlaw (?), 1944 Note: Includes termination agreement for Andrew Stone Production's Bedside Manner (1949).
Box 218 Folder 2	File #1254: Individual Pictures and UAC; agreement for The Runaway, 1949
Box 218 Folder 3	File #1255: International Opera Films and UAC; agreement Il Trovatore, 1948
Box 218 Folder 4	File #1256: Jet Films and UAC; agreements for The Bicycle Thief and The Quiet One, 1950
Box 218 Folder 5	File #1257: Pendennis Pictures Corporation and UAC; agreement for Teheran, 1948
Box 218 Folder 6	File #1258: Attwood Productions and UAC; agreement for Songs of America short subjects, 1949
Box 218 Folder 7	File #1259: Atlas-Sirk-Lipton-Mayer Productions and UAC; agreement for Two Hearts in 3/4 Time, 1949
Box 218 Folder 8	File #1260: Belsam Productions and UAC; agreement for The Great Plane Robbery, 1950
Box 218 Folder 9	File #1261: American Industrial Corporation and UAC; distribution agreement, 1943-1948 Note: Includes All's Well and Congresswoman.
Box 218 Folder 10	File #1262: The Chaplin Studios and UAC; agreement for Monsieur Verdoux, 1947
Box 218 Folder 11	File #1263: Distinguished Films Inc. and UAC; agreement for As You Like It, 1949
Box 218 Folder 12	File #1264: Sam Coslow and UAC; agreement for Copacabana, 1947
Box 218 Folder 13	File #1265: Comet Productions and UAC; agreement for six short features, 1946-1948 Note: Mary Pickford.
Box 218 Folder 14	File #1266: Campagne Artistique de Productions et d'Adaptations Cinematographiques and UAC; distribution agreement, 1946
Box 218 Folder 15	File #1267: Alcorn Productions and UAC; agreement for Johnny Holiday, 1950
Box 218 Folder 16	File #1268: Jules Levy and UAC; agreements for Abilene Town and The Hairy Ape, 1943-1949
Box 218 Folder 17	File #1269: Amusement Enterprises and UAC; agreement for The Lucky Stiff, 1948-1949
Box 218 Folder 18	File #1270: Merit Productions and UAC; agreement for The Burning Bush, 1948
Box 218 Folder 19	File #1271: Monterey Productions and UAC; agreement for Red River, 1946-1948
Box 218 Folder 20	File #1272: Morey and Sutherland Productions and UAC; agreement for short subjects, 1945
Box 218 Folder 21	File #1273: Moroccan Pictures Inc. and UAC; agreement, 1948
Box 218 Folder 22	File #1274: Photoplay Productions Inc. and UAC; agreement, 1950
Box 218 Folder 23	File #1275: Nasbro Pictures Inc. and UAC; agreement for Africa Screams, 1948-1950
Box 218 Folder 24	File #1276: Ferruccia Caramelli and UAC; agreement, 1949
Box 219 Folder 1	File #1277: Irving Allen Enterprises and UAC; agreement for New Mexico, 1950
Box 219 Folder 2	File #1278: David O. Selznick Productions and UAC; agreement, 1941
Box 219 Folder 3	File #1279: Selected Films Inc. and UAC; agreement for Teheran, 1948
Box 219 Folder 4	File #1280: Charles Rogers, Rogers Productions and UAC; agreements, 1941-1945
Box 219 Folder 5	File #1281: Hal Roach Studios Inc. and UAC; agreements for Streamliner features, 1938-1950
Box 219 Folder 6	File #1282: Reliance Pictures Inc. and UAC; agreement for Leather Stocking Tales and War Path, 1948
Box 219 Folder 7	File #1283: Gregory Ratoff and UAC; agreement for If This Be Sin, 1949
Box 219 Folder 8	File #1284: Harry Popkin and UAC; agreement, 1948
Box 219 Folder 9	File #1285: Nero Productions Inc.; agreements for Meyerling and Montana Mike, 1944-1948
Box 219 Folder 10	File #1286: Walter Lantz and UAC; technicolor shorts agreement, 1947
Box 219 Folder 11	File #1287: Screen Plays II and UAC; agreement for five pictures, 1948-1950
Box 219 Folder 12	File #1288: Rooney-Stiefel Inc. and UAC; agreement for Quicksand, 1949
Box 219 Folder 13	File #1289: Eagle Productions and UAC; agreement for Cost of Living, 1950
Box 219 Folder 14	File #1290: Robert Stillman Productions and UAC; agreement for six pictures, 1950
Box 219 Folder 15	File #1291: Edward Small Productions and UAC; agreements for Getting Gertie's Garter, Sailors Three, Black Magic and The Life of Rudolph Valentino, 1938-1950
Box 219 Folder 16	File #1292: Selznick International Pictures Inc. and UAC; agreement, 1939
Box 219 Folder 17	File #1293: Tower Pictures Inc. and UAC; agreement for Jigsaw, 1948-1949
Box 219 Folder 18	File #1294: Trans-Pacific Film Corporation and UAC; agreement for Sword of the Avenger, 1948
Box 220 Folder 1	File #1295: W.R. Frank Productions and UAC; agreement for The Great Dan Patch, 1947
Box 220 Folder 2	File #1296: John Ford and UAC; agreement for The Last Outlaw, 1945-1946
Box 220 Folder 3	File #1297: World-Adventure Pictures and UAC; agreement for Urubu, 1948
Box 220 Folder 4	File #1298: Westport International Film Inc. and UAC; agreements for Furia and Kings of the Olympics, 1948
Box 220 Folder 5	File #1299: Gateway Film and Telvision Company and UAC; agreement, 1948
Box 220 Folder 6	File #1300: Ealing Studios Ltd. and UAC; agreement, 1941
Box 220 Folder 7	File #1301: University Film Productions and UAC; agreement for No Greater Sin, 1941
Box 220 Folder 8	File #1302: Atlas Film Corporation (Sofia, Bulgaria) and UAC; distribution agreement, 1941
Box 220 Folder 9	File #1303: Sonoro Film, Ltda. and UAC; distribution agreement for Portugal, 1941
Box 220 Folder 10	File #1304: Banca de Depueneri si Credit et al. and UAC; distribution agreement for Roumania, 1941
Box 220 Folder 11	File #1305: British General Supply Stores and UAC; distribution agreement for The Great Dictator in Iran and Iraq, 1941
Box 220 Folder 12	File #1306: Filimcilik Turk Anonim Sirketi and UAC; distribution agreement for Turkey, 1941
Box 220 Folder 13	File #1307: Ideal Motion Pictures and UAC; distribution agreement for Egypt, 1941
Box 220 Folder 14	File #1308: General Film Distributors Ltd. and UAC; agreements, 1944, 1947
Box 220 Folder 15	File #1309: Gloria Productions and UAC; agreement for The Dungeon, 1950
Box 220 Folder 16	File #1310: Artists Alliance Inc. and UAC; agreement for Love Happy, 1950
Box 220 Folder 17	File #1311: Constance Bennett and UAC; agreement for Paris Underground, 1944
Box 220 Folder 18	File #1312: Sam Bischoff and UAC; agreement for Pitfall and others, 1946-1947
Box 220 Folder 19	File #1313: Jerrold T. Brandt Productions and UAC; agreement for Cavalcade of Radio, 1948
Box 220 Folder 20	File #1314: British National Films Ltd. and UAC; agreement for Love on the Dole and Mr. Pimpernal Smith, 1941
Box 220 Folder 21	File #1315: Samuel Bronston and UAC; agreement for Life of Jack London and others, 1942-1946
Box 220 Folder 22	File #1316: Alexander Korda, Alexander Korda Film Productions Ltd., London Film Productions Ltd. and UAC; agreements, 1935-1943
Box 220 Folder 23	File #1317: Sol Lesser Productions Inc. and UAC; agreements, 1939-1947 Note: Includes Stage Door Canteen and Three's a Family.
Box 220 Folder 24	File #1318: David L. Loew and UAC; agreements, 1939-1943
Box 221 Folder 1	File #1319: Gotham Productions Inc., Manhattan Productions, Inc. and UAC; agreements for two pictures, 1943-1944
Box 221 Folder 2	File #1320: Meteor Pictures Corporation and UAC; agreements, 1948-1949
Box 221 Folder 3	File #1321: The Michelangelo Company and UAC; agreement for The Titan, 1950
Box 221 Folder 4	File #1322: Musicolor Corporation and UAC; agreement for short subjects, 1945
Box 221 Folder 5	File #1323: James Nasser and UAC; agreements, 1948
Box 221 Folder 6	File #1324: George Pal Productions and UAC; agreement for Tom Thumb, 1949
Box 221 Folder 7	File #1325: Panafran International Films and UAC Ltd.; distribution agreement for Canada, 1949
Box 221 Folder 8	File #1326: Arrow Pictures Corporation and UAC; agreement for Teheran, 1948-1949
Box 221 Folder 9	File #1327: The Pickford Corporation and UAC; agreement, 1947
Box 221 Folder 10	File #1328: Producers Corporation of America and UAC; agreement for Knickerbocker Holiday, 1943
Box 221 Folder 11	File #1329: Gregory Rabinovitch and UAC; agreement for Gibralter and The Girl from Leningrad, 1942
Box 221 Folder 12	File #1330: Arthur Ripley-Rudolph Montez Productions and UAC; agreement for Voice in the Wind, 1943
Box 221 Folder 13	File #1331: C.A.P.A.C., UAC and Societe des Artistes Associes; agreement, 1946
Box 221 Folder 14	File #1332: Roxbury Productions and UAC; agreements for Mr. Sands and Once Over Lightly, 1949
Box 221 Folder 15	File #1333: Selkirk Productions Ltd. and UAC Ltd.; agreement for Forbidden Journey, 1950
Box 221 Folder 16	File #1334: Andrew Stone Productions and UAC; agreement, 1943-1945
Box 221 Folder 17	File #1335: Story Productions Inc. and UAC; agreement for This Side of Innocence, 1947
Box 221 Folder 18	File #1336: Streamline Pictures Inc. and UAC; agreement for Too Late for Tears, 1948
Box 221 Folder 19	File #1337: Special Pictures Inc. and UAC; agreement for Young Widow, 1945-1947
Box 221 Folder 20	File #1338: Crystal Pictures and UAC; agreement for Personal Column, 1946
Box 221 Folder 21-22	File #1339-1340: Hunt Stromberg and UAC; agreements for Guest in the House and Dishonored Lady, 1942-1945
Box 221 Folder 23	File #1341: Tola Productions Inc. and UAC; agreement for The Roosevelt Story, 1947
Box 221 Folder 24	File #1342: Two Cities Films Ltd. and UAC; agreement for In Which We Serve, 1942
Box 222 Folder 1	File #1343: Twoey Productions Inc. and UAC; agreement, 1947
Box 222 Folder 2	File #1344: United California Productions and UAC; agreement for Joe MacBeth, 1947
Box 222 Folder 3-4	File #1345-46: David O. Selznick Productions, Vanguard Films, et al. and UAC; agreements, 1935-1946
Box 222 Folder 5	File #1347: Warwick Pictures Inc. and UAC; agreement for World in Action shorts, 1942
Box 222 Folder 6	File #1348: The World Today Inc. and UAC; agreement for short subjects, 1946