Contents List

Container	Title
U.S. Mss 99AN/1B Box   1 Folder   1	Academy of Motion Picture Arts and Sciences: routine correspondence, form letters, 1946-1949
Box   1 Folder   2	Alcorn Productions: Johnny Holiday, 1949 June-August
Box   1 Folder   3	Argosy Corporation: negative cost report, statements of accounting for The Long Voyage Home, 1940-1948
Box   1 Folder   4	Artists Alliance: title registration, 1948
Box   1 Folder   5	Associated American Artists: correspondence on paintings for exploitation of The Long Voyage Home, 1941 April-August
Box   1 Folder   6	Bank balances for home office (weekly), 1946
Box   1 Folder   7	Bank of America: reconciliation of bank statements; general, special and payroll accounts for Walter Wanger Productions and United Artists Productions, 1941-1943
Box   1 Folder   8	Constance Bennett Productions: agreements, 1944-1945
Box   1 Folder   9	Benedict Bogeaus Productions: audit of preproduction costs for Dark Waters, circa 1944-1945
Box   1 Folder   10	Cagney Productions and United Artists: correspondence, etc., 1942-1948
Box   1 Folder   11	Cagney Productions: balance sheets, audit report, production costs for Time of Your Life, etc., 1946-1949
Box   1 Folder   12	Calamy Pictures: proposed distribution of A Man Scans His Past, 1949
Box   1 Folder   13	Camden Productions: audit of preliminary costs for Diary of a Chambermaid, 1945
Box   1 Folder   14	Charles Chaplin: correspondence, 1942-1949 Note: Includes letters of July 17, 1943 and April 7, 1944 regarding stockholders disputes.
Box   1 Folder   15	Chemical Bank and Trust: correspondence regarding proposed financing of pictures, 1948-1949
Box   1 Folder   16	Commonwealth Pictures Corporation - monthly report of cash collections for Walter Wanger Productions, 1943-1947
Box   1 Folder   17	Lester Cowan - correspondence and budget for Love Happy, 1948-1949 Note: Refers to a “real find” - Marilyn Monroe.
Box   1 Folder   18	Bing Crosby Productions - expenses, personal contract abstracts, etc. for The Great John L., 1944
Box   2 Folder   1	C.E. Ericksen (treasurer, Walter Wanger Productions): settlement statements, etc., 1939 January-June
Box   2 Folder   2	W.R. Frank Productions: correspondence on distribution of The Great Dan Patch; A Boy, a Girl, and a Dog; and a film on Goebbels
Box   2 Folder   3	Guaranty Trust Company: correspondence, 1942-1947
Box   2 Folder   4	Hopalong Cassidy series: preproduction cost, etc. on pictures #6, #7 and #8, 1947
Box   2 Folder   5	International Alliance of Theatrical Stage Employees (IATSE): basic crafts agreements (pay scales, working conditions, and contract definitions for various union craftsmen), 1942
Box   2 Folder   6	George W. Johnson (treasurer(?), Walter Wanger Productions Inc.): settlement statements, 1937 March-1938 March
Box   2 Folder   7-8	Miracle Productions Inc. - audit of preproduction costs, with supporting schedules for A Miracle Can Happen (to September 7, 1946) and Christmas Eve (to November 16, 1946), 1946
Box   2 Folder   9	Miscellaneous Note: Includes Wanger, Romaine, Fox material, 1935-1944.
Box   2 Folder   10	Miscellaneous Note: Includes extensive material relating to Wanger Productions Inc., 1938-1942.
Box   2 Folder   11	H.J. Muller (comptroller, United Artists Corporation): correspondence and occasional notices of interest, 1949 April-1950 February
Box   2 Folder   12	James Nasser: correspondence, tentative agreements, etc. for various films, 1948-1950
Box   3 Folder   1	Nasser Brothers agreements, 1948-1949
Box   3 Folder   2	James Nasser Productions Inc.: weekly loan statements and requests, balance sheets and production budgets for An Innocent Affair, 1948
Box   3 Folder   3	Edward Nassour: correspondence, 1948-1949
Box   3 Folder   4-5	Paul D. O'Brien (counsel for United Artists Corporation): correspondence relating to contracts, 1947-1949
Box   3 Folder   6	Jack O'Bryan - correspondence on Shrine shows, 1947-1949
Box   3 Folder   7	Daniel T. O'Shea (Selznick and Vanguard): correspondence, 1942-1948
	Participating statements
Box   3 Folder   8	Percentage payments to actors, directors, etc. by Wanger Productions and Argosy Corporation, 1939-1944
Box   3 Folder   9	Correspondence, 1940-1945
Box   3 Folder   10	Harry Popkin - correspondence, 1948-1950
Box   3 Folder   11	Price, Waterhouse reports: Consolidated A/c's and Report on “Silverstone Plan,” 1945 December 29, 1948 January 3
Box   3 Folder   12	Producer-Screen Actors Guild - agreements, correspondence, claims (mostly Wanger), 1938-1941
Box   3 Folder   13	Proposed distribution deals submitted to Board of Directors. Note: See item dated January 17, 1949 for Bagnall's proposal for settling UA's financial crisis.
Box   3 Folder   14	Ripley - Monter Productions: agreements for Voice in the Wind, 1943-1944
Box   3 Folder   15	Charles Rogers Productions: correspondence on financing, production, titles, etc., 1942-1949
	Romaine Film Corporation, 1941-1942 Note: Production company of which Bagnall was president.
Box   4 Folder   1	Agreements
Box   4 Folder   2	Summary of detail budgets and cost reports for To Be or Not To Be
Box   4 Folder   3	Direct call payroll sheets - To Be or Not To Be
Box   4 Folder   4	Bank reconciliations
Box   4 Folder   5	Accounts receivable
Box   4 Folder   6	Social Security tax
Box   4 Folder   7	Salkay Corporation - agreement, 1943
Box   4 Folder   8	Screen Play Inc., Screen Plays II: correspondence, 1947-1949 Note: Includes detail budget, cost report, and shooting schedule for Champion.
Box   4 Folder   9	Screen Publicists Guild - correspondence, etc., 1946-1948
Box   4 Folder   10	Security First National Bank and Bankers Trust Company - loan repayment correspondence, 1944
Box   4 Folder   11	Security First National Bank - correspondence, 1946-1949
Box   4 Folder   12	Social Security - Wanger Productions, 1938-1942
Box   4 Folder   13-14	Society of Independent Motion Picture Producers: wage scale and other agreements with employee unions, 1944-1947
Box   4 Folder   15	Hunt Stromberg Productions: balance sheets, etc., 1943
Box   4 Folder   16	Trivoli Productions - audit of preproduction costs for Congresswoman, 1946
Box   4 Folder   17	Treasury Department. World War II bond drives, 1943
	United Artists Productions
	Balance sheets and supporting statements
Box   5 Folder   1	1943
Box   5 Folder   2	1944-1945
Box   5 Folder   3	1946, 1948-1950
Box   5 Folder   4	Estimate of cash requirements, 1943-1949
Box   5 Folder   5	Interest statements: movies loaned by UA Corporation, 1938-1941 Note: Under previous name Walter Wanger Productions Inc.
Box   5 Folder   6	Tax returns, employee earning reports, correspondence, 1938-1943
Box   5 Folder   7	Tax: estimated liability for U.S. and California, 1943-1945
Box   5 Folder   8	Tax correspondence, 1943
Box   5 Folder   9-10	Wage earning reports for Social Security, 1936-1937
Box   5 Folder   11	Walter Wanger: liquidation of Italian company, 1938-1941
	Loretta Young
Box   5 Folder   12	Contract and correspondence for Eternally Yours, 1939-1940
Box   5 Folder   13	Statements of accounting for Eternally Yours, 1940-1946