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Container
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Title
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2
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Series: Paper Records, 1891-1980
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A
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Subseries: Books and Manuscripts, 1934-1978
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Box
19
folder 1
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Luckhardt, Hilmar. An analysis of the leit-motiv system in the opera
"Tristan and Isolda" 1934
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Box
19
folder 2
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Luckhardt, Hilmar. Harmonic counterpoint. First draft 1947
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Box
19
folder 3
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Luckhardt, Hilmar. Harmonic counterpoint. 1948 draft 1948
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Box
19
folder 4
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Luckhardt, Hilmar. Harmonic counterpoint. 1949 draft (Wm. C. Brown
Company) 1949
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Box
19
folder 5
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Luckhardt, Hilmar. Harmonic counterpoint. Draft 1947-1949
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Box
19
folder 6
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Luckhardt, Hilmar. Traditional counterpoint. Chapters 1-6.
Draft 1954
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Box
19
folder 7
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Luckhardt, Hilmar. Traditional counterpoint. Chapters 7 - Appendix I.
Draft 1954
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Box
19
folder 8
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Luckhardt, Hilmar. Traditional counterpoint. Appendix II - Index.
Draft 1954
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Box
19
folder 9
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Luckhardt, Hilmar. Traditional counterpoint. Appendix - Glossary.
Draft 1954
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Box
20
folder 1
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Hindemith, Paul. The craft of musical compostion, vol. III. Edited by
Hilmar F. Luckhardt. Abridged unpublished manuscript. Folder 1 1966-09
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Box
20
folder 2
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Hindemith, Paul. The craft of musical compostion, vol. III. Edited by
Hilmar F. Luckhardt. Abridged unpublished manuscript. Folder 2 1966-09
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Box
20
folder 3
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Luckhardt, Hilmar. Sixteenth-century polyphony: a guide to continental
sacred style. 1974 revision 1974
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Box
20
folder 4
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Luckhardt, Hilmar. Sixteenth-century polyphony: a guide to continental
sacred style. 1978 revision 1978
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Box
20
folder 5
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Luckhardt, Hilmar. Sixteenth-century polyphony: a guide to continental
sacred style. 1978 revision 1978
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Box
20
folder 6
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Luckhardt, Hilmar. Baroque counterpoint: a short syllabus. First
draft 1971
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Box
20
folder 7
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Luckhardt, Hilmar. Baroque counterpoint: a short syllabus. 1976 revision.
Copy 1 1976
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Box
20
folder 8
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Luckhardt, Hilmar. Baroque counterpoint: a short syllabus. 1976 revision.
Copy 2 1976
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Box
20
folder 9
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Luckhardt, Hilmar. Baroque counterpoint: a short syllabus. 1976 revision.
Copy 3 1976
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B
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Subseries: University of Wisconsin - Madison University Courses, 1939-1980
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Box
21
folder 1
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Sheet music examples, 1939-1980
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Box
21
folder 2
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Class notes, 1978-1979
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Box
21
folder 3
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Class exam notes, 1960-1961
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Box
21
folder 4
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Music H30: Fundamentals of Musicianship I. Textbook, 1963
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Box
21
folder 5
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Fundamentals of Musicianship 1 and 2. Supplemental exercises, 1966
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Box
21
folder 6
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Tables of possible voice leadings in multipart writing, 1939-1980
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Box
21
folder 7
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Condensation of Persichetti, 1939-1980
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Box
21
folder 8
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Correspondence courses in elementary music theory. Course
Directory, 1960-1969
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Box
21
folder 9
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The String Quartet. Class notes, 1969-1971
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Box
21
folder 10
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Handwritten sheet music for music courses, 1964-1980
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Box
21
folder 11
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Comedy skit scripts, 1963-1980
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Box
21
folder 12
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660-281 and 660-522 lecture notes and references, 1939-1980
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Box
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folder 13
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University of Illinois. Music History and Literature course. Exam questions , 1972
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Box
21
folder 14
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A proposed system for the accurate identification of any harmonic sonority
as a pitch pattern, 1971
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Box
21
folder 15
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Concrete music. Composition performed for 660-422 class, 1969-05
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Box
21
folder 16
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Klangfarbenmelodie suite. Composition performed for 660-421 class.
Handwritten parts, 1968-12-05
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Box
22
folder 1
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Renaissance counterpoint examples, 1977
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Box
22
folder 2
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20th century counterpoint examples, 1977-1978
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Box
22
folder 3
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Baroque counterpoint examples, 1977
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Box
22
folder 4
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Elementary theory for non-music majors. Class notes, 1972
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Box
22
folder 5
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Research notes, 1954-1964
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C
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Subseries: University of Chicago Papers, 1891-1935
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Box
23
folder 1
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Prout, Ebenezer. Double counterpoint and canon. London: Augener
Ltd. 1891
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Box
23
folder 2
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Handwritten sheet music for counterpoint courses, 1934-1935
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Box
23
folder 3
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University of Chicago. Music 302 notes, 1934-1935
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Box
23
folder 4
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Miscellaneous papers. University of Chicago, 1935
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