Archival Resources in Wisconsin: Descriptive Finding Aids: Contents List

Container	Title
U.S. Mss 162AN	Series: Scripts
	Subseries: Television Series
	Annie McGuire
	Scripts, 1987-1988 Season
Box 38 Folder 1	“The Legend of the Bad Fish,” #8607, Script by Stuart Silverman, November 9, 1988
Box 38 Folder 2	“Emma's Eviction,” #8608, Script by Lisa Albert, October 13, 1988
Box 38 Folder 3	“Lewis in Love,” #8609, Script by Courtney Flavin, October 12, 1988
Box 38 Folder 4	“The Fried Shoe,” #8611, Script by Lisa Albert, November 1, 1988
Box 38 Folder 5	“The Hold-Up,” #8613, Script by Elliot Shoenman and Paul Wolff, October 17, 1988
Box 38 Folder 6	“The Journey,” #8615, Script by Jule Selbo, December 6, 1988
Box 38 Folder 7	“Annie and The Brooklyn Bridge,” #8617, Script by Paul Wolff and Elliot Shoenman, October 20, 1988
Box 38 Folder 8	“The Ferry,” #8618, Script by Anne Convey, Stuart Silverman, and Lisa Albert, November 17, 1988
	Bay City Blues
	Scripts, 1983-1984 Season
Box 28 Folder 1	“Bay City Blues,” (Pilot), #3801, Revised Final Draft, by Steven Bochco and Jeffrey Lewis, March 10, 1983, with later revisions
Box 28 Folder 2	“Beautiful Peoples,” #3802, Revised Final Draft, by Thad Mumford and Dan Wilcox, March 10, 1983 8 August 8, 1983, with later revisions
Box 28 Folder 3	“Zircons Are Forever,” #3803, Revised Final Draft, by Steven Bochco and Jeffrey Lewis, August 29, 1983, with later revisions
Box 28 Folder 4	“I Never Swung for My Father,” #3804, Revised Final Draft, by Joel Surnow, September 14, 1983, with later revisions
Box 28 Folder 5	“Rocky IV - Eyes,” #3805, Revised Final Draft, by David Israel, September 30, 1983, with later revisions
Box 28 Folder 6	“Play It Again, Milt,” #3806, Revised Final Draft, by Ellis Weinter, October 13, 1983, with later revisions
Box 28 Folder 7	“Look Homeward Hayward,” #3807, Revised Final Draft, by Steven Bochco, David Milch, Joel Surnow, and Roger Director, November 1, 1983, with later revisions
Box 28 Folder 8	“Going, Going, Gone,” #3809, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, David Milch, and Roger Director, November 11, 1983, with later revisions
	The Betty White Show
	Scripts, 1977-1978 Season
Box 1 Folder 1	“Undercover Woman,” Pilot Script by David Lloyd, August 25, 1977
Box 1 Folder 2	“Mitzi's Jealousy,” #7601, Script by David Lloyd, October 27, 1977
Box 1 Folder 3	“We're Not Divorced: Part I,” #7603, Script by David Lloyd, October 26, 1977
Box 1 Folder 4	“Joyce's Wedding,” #7604, Script by Bill Idelson, November 21, 1977
Box 1 Folder 5	“Make Yourself at Home...Steal Something,” #7605, Script by Earl Pomerantz, September 26, 1977
Box 1 Folder 6	“We're Not Divorced: Part II,” #7606, Script by David Lloyd, November 4, 1977
Box 1 Folder 7	“Goodnight Sweet Fletch,” #7607, Script by Glen Charles and Les Charles, November 4, 1977
Box 1 Folder 8	“Doug Gets Fired,” #7608, Script by David Lloyd, October 5, 1977
Box 1 Folder 9	“Mitzi's Cousin,” #7609, Script by Bob Ellison, September 26, 1977
Box 1 Folder 10	“Joyce the Matchmaker,” #7610, Script by David Lloyd, December 1, 1977
Box 1 Folder 11	“John's Mother,” #7611, Script by Dale McRaven, November 21, 1977
Box 1 Folder 12	“Fletch's Decision,” #7612, Script by Sheldon Bull, November 21, 1977
Box 1 Folder 13	“The Stunt Woman,” #7613, Script by David Lloyd, December 1, 1977
Box 1 Folder 14	“Play Misty for John,” #7616, Script by Earl Pomerantz, December 1, 1977
	Beverly Hills Buntz
	Scripts, 1987-1988 Season
Box 38 Folder 9	“Fit to be Tied,” #7403, Script by Peter Silverman, November 13, 1987
Box 38 Folder 10	“Sid and Randy,” #7404, Script by Jeffrey Lewis, November 23, 1987
Box 38 Folder 11	“Duck! L'Orange:,” #7407, Script by Jim Kaplan, November 6, 1987
Box 38 Folder 12	“El Norte By Norte West,” #7408, Script by Christian Williams, January 18, 1988
Box 38 Folder 13	“Untitled,” #7409, Script by Jeffrey Lewis and David Milch, October 14, 1987
Box 38 Folder 14	“Umbrella In The Water,” #7410, Script by Peter Silverman, January 11, 1988
Box 38 Folder 15	“Brief Encounter,” #7411, Script by Christian Williams, January 19, 1988
Box 38 Folder 16	“Carl,” #7414, Script by Jeffrey Lewis, January 4, 1988
Box 39 Folder 1	“Buntz of the Desert,” #7416, Script by Mark St. Germain, December 17,1987
	The Bob Crane Show
	Scripts, 1974-1975 Season
Box 1 Folder 15	“Secondstart,” (pilot), Script by Martin Cohan and Jim Allen, November 7, 1972
Box 1 Folder 16	“Not With My Mother You Don't,” #4106, Script by Leonard and Arlene Stadd, January 3, 1975
Box 1 Folder 17	“An American Fiasco,” #4111, Script by Martin Donovan, November 13, 1974
Box 1 Folder 18	“A Case of Misdiagnosis,” #4112, Script by Jim Allen, December 13, 1974
Box 1 Folder 19	“Med-Term Blues,” #4113, Script by Martin Donovan, October 30, 1974
Box 1 Folder 20	“Ellie's Sister,” #4116, Script by Jim Allen, January 25, 1975
	The Bob Newhart Show
	Scripts, 1972-1973 Season
Box 1 Folder 21	Pilot, #5536, Script by David Davis and Lorenzo Music, January 12, 1972
Box 1 Folder 22	“Fly the Unfriendly Skies,” #7251, Script by David Davis and Lorenzo Music, July 17, 1972
Box 1 Folder 23	“Mom, I L-L-Love You,” #7252, Script by Dick Clair and Jenna McMahon, August 21, 1972
Box 1 Folder 24	“Tennis, Emily?” #7253, Script by David Davis and Lorenzo Music, ugust 14, 1972
Box 1 Folder 25	“Goodnight, Nancy,” #7254, Script by Susan Silver, July 31, 1972
Box 1 Folder 26	“Father Knows Worst,” #7255, Script by Tom Patchett and Jay Tarses, September 25, 1972
Box 1 Folder 27	“Come Cohabit With Me,” #7256, Script by Jerry Mayer, September 11, 1972
Box 1 Folder 28	“I Owe It All To You...But Not That Much,” #7257, Script by Martin Cohan, August 7, 1972
Box 1 Folder 29	“Tracy Grammar School--I'll Lick You Yet!” #7258, Script by Carl Gottlieb and George Yanok, July 24, 1972
Box 1 Folder 30	“Anything Happen While I Was Gone?” #7260, Script by Martin Cohan, October 2, 1972
Box 1 Folder 31	“I Want to Be Alone,” #7261, Script by Jerry Mayer, September 18, 1972
Box 1 Folder 32	“Don't Go to Bed Mad,” #7262, Script by Gene Thompson, October 10, 1972
Box 1 Folder 33	“Bob and Emily and Howard and Carol and Jerry,” #7263, Script by Charlotte Brown, October 16, 1972
Box 1 Folder 34	“The Two Loves of Dr. Hartley,” #7264, Script by Gene Thompson, December 27, 1972
Box 1 Folder 35	“Let's Get Away From It Almost,” #7265, Script by Tom Patchett and Jay Tarses, November 27, 1972
Box 1 Folder 36	“Not With My Sister You Don't,” #7266, Script by Frank Buxton, December 18, 1972
Box 1 Folder 37	“His Busiest Season,” #7268, Script by David Davis and Lorenzo Music, November 21, 1972
Box 1 Folder 38	“The Crash of 29 Years Old,” #7269, Script by Charlotte Brown, December 4, 1972
Box 1 Folder 39	“The Man With the Golden Wrist,” #7270, Script by Bill Idelson, December 11, 1972
Box 1 Folder 40	“A Home Is Not Necessarily a House,” #7271, Script by David Davis and Lorenzo Music, January 9, 1972
Box 1 Folder 41	“You Can't Win 'Em All,” #7272, Script by Bill Idelson, January 23, 1973
Box 1 Folder 42	“Emily, I'm Home -- Emily?” #7273, Script by Martin Cohan, January 17, 1973
Box 1 Folder 43	“Bum Voyage,” #7274, Script by Austin and Irma Kalish, January 31, 1973
Box 1 Folder 44	“Who's Been Sleeping in MY Couch?” #7275, Script by Jerry Mayer,. February 7, 1973
	Scripts, 1973-1974 Season
Box 2 Folder 1	“Mind Your Own Business,” #7351, Script by Tom Patchett and Jay Tarses, June 11, 1973
Box 2 Folder 2	“Backlash,” #7352, Script by Susan Silver, July 23, 1973
Box 2 Folder 3	“Have You Met Miss Dietz?” #7353, Script by Bill Idelson, July 30, 1973
Box 2 Folder 4	“The Last TV Show,” #7355, Script by Charlotte Brown, June 25, 1973
Box 2 Folder 5	“Emily In For Carol,” #7356, Script by Jerry Mayer, June 18, 1973
Box 2 Folder 6	“Somebody Down Here Likes Me,” #7357, Script by Peter Meyerson, August 6, 1973
Box 2 Folder 7	“Fit, Fat and Forty-One,” #7358, Script by Bill Idelson and Harvey Miller, October 15, 1973
Box 2 Folder 8	“Old Man Rivers,” #7359, Script by Martin Cohan, July 16, 1973
Box 2 Folder 9	“Motel,” #7360, Script by Tom Patchett and Jay Tarses, June 4, 1973
Box 2 Folder 10	“My Wife Belongs To Daddy,” #7362, Script by Jerry Mayer, September 17, 1973
Box 2 Folder 11	“Mister Emily Hartley,” #7363, Script by Charlotte Brown, September 10, 1973
Box 2 Folder 12	“I'm O.K. - You're O.K. - So What's Wrong?” #7364, Script by Earl Barret, October 1, 1973
Box 2 Folder 13	“Mutiny on the Hartley,” #7365, Script by Tom Patchett and Jay Tarses, August 10, 1973
Box 2 Folder 14	“Blues for Mr. Borden,” #7366, Script by Tom Patchett and Jay Tarses, September 24, 1973
Box 2 Folder 15	“Oh Brother,” #7367, Script by Martin Cohan, October 29, 1973
Box 2 Folder 16	“T.S., Elliot,” #7368, Script by Gerry Renert and Jeff Wilhelm, October 22, 1973
Box 2 Folder 17	“Clink Shrink,” #7369, Script by Paul B. Lichtman and Howard Storm, November 12, 1973
Box 2 Folder 18	“I'm Dreaming of a Slight Christmas, #7370, Script by Tom Patchett and Jay Tarses, November 5, 1973
Box 2 Folder 19	“The Modernization of Emily,” #7371, Script by Charlotte Brown, December 11, 1973
Box 2 Folder 20	“By the Way...You're Fired!” #7372, Script by Barbara Gallagher and Sybil Adelman, January 14, 1974
Box 2 Folder 21	“A Matter of Principal” #7373, Script by Arnie Kogen and Ray Jessel, January 28, 1974
Box 2 Folder 22	“The Jobless Corps,” #7374, Script by Tom Patchett and Jay Tarses, December 3, 1973
Box 2 Folder 23	“A Love Story,” #7375, Script by Martin Cohan, January 7, 1974
Box 2 Folder 24	“Confessions of an Orthodontist,” #7376, Script by Tom Patchett and Jay Tarses, January 21, 1974
	Scripts, 1974-1975 Season
Box 2 Folder 25	“The Battle of the Groups,” #7451, Script by Tom Patchett and Jay Tarses, May 29, 1974
Box 2 Folder 26	“Big Brother is Watching,” #7452, Script by Charlotte Brown, June 19, 1974
Box 2 Folder 27	“My Business Is Shrinking,” #7453, Script by Arnie Kogen and Ray Jessel, December 17, 1974
Box 2 Folder 28	“Separation Story,” #7454, Teleplay by Tom Patchett and Jay Tarses, Story by Bob Garland, July 15, 1974
Box 2 Folder 29	“Jerry Robinson Crusoe,” #4055, Script by Erik Tarloff, undated
Box 2 Folder 30	“The Great Rimpau Medical Arts Co-op Experiment,” #7456, Script by Coleman Mitchell and Geoffrey Neigher, June 26, 1974
Box 2 Folder 31	“Tobin's Back in Town,” #4057, Script by Michael Zinberg, November 14, 1974
Box 2 Folder 32	“Dr. Ryan's Express,” #7459, Script by Tom Patchett and Jay Tarses, June 5, 1974
Box 2 Folder 33	“We Love You...Goodbye,” #7461, Script by Charlotte Brown, June 12, 1974
Box 2 Folder 34	“Brutally Yours, Bob Hartley,” #4062, Script by John Rappaport, October 1, 1974
Box 2 Folder 35	“The Way We Weren't, #4063, Script by Roger Beatty, November 21, 1974
Box 2 Folder 36	“The Gray Flannel Shrink,” #4064, Script by Jerry Mayer, June 7, 1974
Box 2 Folder 37	“Home Is Where the Hurt Is,” #4065, Script by Tom Patchett and Jay Tarses, November 6, 1974
Box 2 Folder 38	“Ship of Shrinks, #4066, Script by Coleman Mitchell and Geoffrey Neigher, October 9, 1974
Box 2 Folder 39	“Sorry, Wrong Mother,” #4067, Script by Charlotte Brown, September 11, 1974
Box 2 Folder 40	“Life Is a Hamburger,” #7468, Script by Jerry Mayer, August 8, 1974
Box 2 Folder 41	“An American Family,” #4069, Script by Charlotte Brown, September 25, 1974
Box 2 Folder 42	“Think Smartly - Vote Hartley,” #4070, Script by Coleman Mitchell and Geoffrey Neigher, December 4, 1974
Box 2 Folder 43	“Serve for Daylight,” #4071, Script by Jerry Mayer, October 30, 1974
Box 2 Folder 44	“Bob Hits the Ceiling,” #4072, Script by Phil Davis, January 15, 1975
Box 2 Folder 45	“The New Look,” #4073, Script by Gordon and Lynne Farr, January 8, 1975
Box 2 Folder 46	“A Pound of Flesh,” #4074, Script by Jerry Mayer, December 10, 1974
Box 2 Folder 47	“Emily Hits the Ceiling,” #4075, Script by Jerry Mayer, January 23, 1975
Box 2 Folder 48	“The Ceiling Hits Bob,” #4076, Script by Tom Patchett and Jay Tarses, January 28, 1975
	Scripts, 1975-1976 Season
Box 3 Folder 1	“Seemed Like a Good Idea at the Time,” #5051, Script by Tom Patchett and Jay Tarses, July 31, 1975
Box 3 Folder 2	“Here's Looking at You, Kid,” #5052, Script by Gordon and Lynne Farr, June 10, 1975
Box 3 Folder 3	“The Heavyweights,” #5053, Script by Tom Patchett and Jay Tarses, June 18, 1975
Box 3 Folder 4	“The Longest Goodbye,” #5054, Script by Tom Patchett and Jay Tarses, July 9, 1975
Box 3 Folder 5	“No Sale,” #5055, Script by Michael Zinberg, November 11, 1975
Box 3 Folder 6	“Who Is Mr. X?” #5056, Script by Bruce Kane, September 23, 1975
Box 3 Folder 7	“Fathers and Sons and Mothers,” #5057, Script by Arnold Kane, October 22, 1975
Box 3 Folder 8	“Change Is Gonna Do Me Good,” #5058, Script by Gordon and Lynne Farr, July 24, 1975
Box 3 Folder 9	“What's It All About, Albert?” #5059, Script by Phil Davis, September 9, 1975
Box 3 Folder 10	“Carol's Wedding,” #5060, Script by Gordon and Lynne Farr, June 25, 1975
Box 3 Folder 11	“Shrinks Across the Sea,” #5061, Script by Douglas Arango and Phil Doran, September 16, 1975
Box 3 Folder 12	“The Article,” #5062, Script by Erik Tarloff, October 29, 1975
Box 3 Folder 13	“Death of a Fruitman,” #5063, Script by Tom Patchett and Jay Tarses, undated
Box 3 Folder 14	“Over the River and Through the Woods,” #5065, Script by Bruce Kane, undated
Box 3 Folder 15	“Carol at 6:01,” #5066, Script by Gordon and Lynne Farr, November 19, 1975
Box 3 Folder 16	“Guaranteed Not to Shrink,” #5067, Script by Sy Rosen, January 6, 1976
Box 3 Folder 17	“Bob Has to Have His Tonsils Out, So He Spends Christmas Eve in the Hospital,” #5068, Script by Tom Patchett and Jay Tarses, October 8, 1975
Box 3 Folder 18	“A Matter of Vice Principal,” #5069, Script by Gordon and Lynne Farr, November 5, 1975
Box 3 Folder 19	“Warden Gordon Borden Goes a 'Courtin',” #5070, Script by Gordon and Lynne Farr, December 3, 1975
Box 3 Folder 20	“My Boy Guillermo,” #5071, Script by Sy Rosen, December 10, 1975
Box 3 Folder 21	“The Duke of Dunk,” #5072, Script by Douglas Arango and Phil Doran, December 16, 1975
Box 3 Folder 22	“The Boy Next Door,” #5073, Script by Hugh H. Wilson, January 20, 1976
Box 3 Folder 23	“Birth of a Salesman,” #5074, Script by Sy Rosen, January 13, 1976
Box 3 Folder 24	“Peeper Part II,” #5075, Script by Tom Patchett and Jay Tarses, January 27, 1976
	Scripts, 1976-1977 Season
Box 3 Folder 25	“Jerry's Retirement,” #6051, Script, by Hugh Wilson, September 13, 1976
Box 3 Folder 26	“The Heartbreak Kidd,” #6052, Script by Sy Rosen, December 8, 1976
Box 3 Folder 27	“Of Mice or Men,” #6053, Script by Bruce Kane, September 27, 1976
Box 3 Folder 28	“Some of My Best Friends Are...,” #6054, Script by Pat Jones and Donald Reiker, June 28, 1976
Box 3 Folder 29	“Halls of Hartley,” #6055, Script by Michael Zinberg, November 16, 1976
Box 3 Folder 30	“Here's to You, Mrs. Robinson,” #6056, Script, by Lynne and Gordon Farr, September 20, 1976
Box 3 Folder 31	“Et Tu, Carol?,” #6058, Script by Gary David Goldberg, July 12, 1976
Box 3 Folder 32	“The Great Rent Strike,” #6059, Script by David Lloyd, June 15, 1976
Box 3 Folder 33	“Taxation Without Celebration,” #6060, Script by Sy Rosen, June 8, 1976
Box 3 Folder 34	“Still Crazy After All These Years,” #6061, Script by Hugh Wilson, July 19, 1976
Box 3 Folder 35	“Caged Fury,” #6062, Script by Gordon and Lynne Farr, June 22, 1976
Box 3 Folder 36	“Love is the Blindest,” #6063, Script by Gary Goldberg, November 3, 1976
Box 3 Folder 37	“A Crime Most Foul,” #6064, Script by Sy Rosen, September 7, 1976
Box 3 Folder 38	“The Ironwood Experience,” #6065, Script by Phil Davis, October 27, 1976
Box 3 Folder 39	“Enter Mrs. Peeper,” #6066, Script by Gordon and Lynn Farr, July 26, 1976
Box 3 Folder 40	“Send This Boy to Camp,” #6067, Script by David Lloyd, October 4, 1976
Box 3 Folder 41	“Breaking Up Is Hard to Do,” #6068, Script by Sy Rosen, November 10, 1976
Box 3 Folder 42	“The Mentor,” #6069, Script by Gary David Goldberg, January 19, 1977
Box 3 Folder 43	“The Slammer,” #6070, Script by Gordon and Lynne Farr, October 20, 1976
Box 3 Folder 44	“Desperate Sessions,” #6071, Script by Michael Zinberg and Martin Davidson, January 13, 1976
Box 3 Folder 45	“Making Up Is the Thing to Do,” #6072, Script by Gordon and Lynne Farr, November 17, 1976
Box 3 Folder 46	“Death Be My Destiny,” #6073, Script by Sy Rosen, December 14, 1976
Box 3 Folder 47	“Shrinking Violence,” #6074, Script by Sy Rosen, January 26, 1977
Box 3 Folder 48	“You're Having My Hartley,” #6075, Script by Gordon and Lynne Farr, February 2, 1977
	Scripts, 1977-1978 Season
Box 4 Folder 1	“Bob's Change of Life,” #7051, Script by Glen Charles and Les Charles, July 12, 1977
Box 4 Folder 2	“A Jackie Story,” #7053, Script by Lloyd Garver, July 25, 1977
Box 4 Folder 3	“A Day in the Life,” #7504, Script by Kathy Donnell and Madeline DiMaggio Wagner, August 30, 1977
Box 4 Folder 4	“A Girl in Her Twenties,” #7055, Script by Laura Levine, October 4, 1977
Box 4 Folder 5	“Ex-Con Job,” #7056, Script by Ziggy Steinberg, August 15, 1977
Box 4 Folder 6	“Twas the Pie Before Christmas,” #7057, Script by Phil Davis, November 1, 1977
Box 4 Folder 7	“Who Was That Masked Man?,” #7058, Script by Glen Charles and Les Charles, August 21, 1977
Box 4 Folder 8	“My Son the Comedian,” #7059, Script by David Lloyd, September 12, 1977
Box 4 Folder 9	“Carlin's New Suit,” #7061, Script by Andrew Smith, July 18, 1977
Box 4 Folder 10	“Grizzly Emily,” #7062, Script by Laura Levine, November 15, 1977
Box 4 Folder 11	“You're Fired, Mr. Chips,” #7063, Script by Lloyd Garver, September 27, 1977
Box 4 Folder 12	“Shallow Throat,” #7064, Script by Earl Pomerantz, September 21, 1977
Box 4 Folder 13	“Emily Carlin, Emily Carlin,” #7065, Script by Laura Levine, November 29, 1977
Box 4 Folder 14	“Grand Delusion,” #7067, Script by Lloyd Garver, October 18, 1977
Box 4 Folder 15	“Group on a Hot Tin Roof,” #7068, Script by Andrew Smith, November 8, 1977
Box 4 Folder 16	“Freudian Slip,” #7069, Script by Earl Pomerantz, October 25, 1977
Box 4 Folder 17	“Son of Ex-Con Job,” #7070, Script by Emily Purdum Marshall, December 5, 1977
Box 4 Folder 18	“...Easy for You to Say,” #7071, Script by Andrew Smith, January 3, 1978
Box 4 Folder 19	“Carol Ankles for Indie-Prod,” #7072, Script by Lloyd Garver, January 10, 1978
Box 4 Folder 20	“It Didn't Happen One Night,” #7073, Script by Laura Levine, December 13, 1977
Box 4 Folder 21	“Crisis in Education,” #7074, Script by Earl Pomerantz, January 17, 1978
Box 4 Folder 22	“Happy Trails to You,” #7075, Script by Glen Charles, Les Charles,and Lloyd Garver, January 24, 1978
	Doc
	Scripts, 1975-1976 Season
Box 4 Folder 23	Pilot, #6523, Script by David Lloyd, March 20, 1975
Box 4 Folder 24	“The Other Woman,” #5101, Script by David Lloyd, July 24, 1975
Box 4 Folder 25	“All Work and No Pay,” #5102, Script by Norman Barasch and Carroll Moore, July 17, 1975
Box 4 Folder 26	“Not My Bag,” #5103, Script by Adele and Burt Styler, undated
Box 4 Folder 27	“A Thief for All Seasons,” #5104, Script by Bruce Kane, September 15, 1975
Box 4 Folder 28	“Doc, Heal Thyself,” #5105, Script by Glen Charles and Les Charles, October 16, 1975
Box 4 Folder 29	“Get Me to the Church,” #5107, Script by David Lloyd, August 7, 1975
Box 4 Folder 30	“Upstairs, Downstairs,” #5108, Script by David Lloyd, August 28, 1975
Box 4 Folder 31	“Nurse Annie,” #5109, Script by Roy Kammerman, August 4, 1975
Box 4 Folder 32	“Benson Hedges,” #5110, Script by Sol Wendell and Beverly Gordon, Revised by Glen Charles and Les Charles, October 24, 1975
Box 4 Folder 33	“Quartet,” #5111, Script by Earl Pomerantz, September 6, 1975
Box 4 Folder 34	“Doc Versus Dog,” #5112, Script by Phil Davis, September 25, 1975
Box 4 Folder 35	“Fred's Wild Oats,” #5114, Script by David Lloyd, October 6, 1975
Box 4 Folder 36	“Operation Goldman,” #5115, Script by Dennis Klein, October 31, 1975
Box 4 Folder 37	“My Son, the Doctor,” #5116, Script by Tony Webster, November 6, 1975
Box 4 Folder 38	“The Rivalry,” #5117, Script by Robert Illes and James R. Stein, November 13, 1975
Box 4 Folder 39	“Facts of Life,” #5118, Script by Seth Freeman, November 20, 1975
Box 4 Folder 40	“And Baby Makes Eight,” #5119, Script by Tony Webster, December 4, 1975
Box 4 Folder 41	“A Little Bit of Soap,” #5120, Script by Dennis Klein, December 11, 1975
Box 4 Folder 42	“Great Expectations,” #5121, Script by Jack Mendelsohn and George Burditt, December 19, 1975
Box 5 Folder 1	“A Quiet Anniversary,” #5122, Script by David Lloyd, January 8, 1976
Box 5 Folder 2	“Oldies But Goodies,” #5123, Script by Seth Freeman, January 15, 1976
Box 5 Folder 3	“My Son, the Father,” #5124, Script by George Burditt and Jack Mendelsohn, January 30, 1976
Box 5 Folder 4	“The Death of the Turtle,” #5125, Script by Tony Webster, January 22, 1976
	Scripts, 1976-1977 Season
Box 5 Folder 5	“Carry On Nurse...Please!” #6101, Script by Laurence Marks and Martin Cohan, August 5, 1976
Box 5 Folder 6	“A Little Night Visitor,” #6102, Script by Howard Albrecht and Sol Weinstein, August 12, 1976
Box 5 Folder 7	“Come Scrub With Me,” #6103, Script Story by Thad Mumford, Teleplay by Thad Mumford, Ed Jurist, and Wayne Kline, September 9, 1976
Box 5 Folder 8	“The Westside Clinic and Deli,” #6105, Script by Tom Reeder, September 23, 1976
Box 5 Folder 9	“Mama Doc,” #6107, Script Story by Ron Pearlman and Ed Jurist, Teleplay by Ed Jurist, September 30, 1976
Box 5 Folder 10	“EKG and Vote For Me,” #6108, Script by Howard Albrecht and Sol Weinstein, August 26, 1976
	The Duck Factory
	Scripts, 1983-1984 Season
Box 28 Folder 9	“Goodbye, Buddy, Hello, Skip,” #3601, Revised Final Draft, by Allan Burns, August 29, 1983, with later revisions
Box 28 Folder 10	“Call Me Responsible,” #3602, Revised Final Draft, by Stuart Silverman, August 29, 1983
Box 28 Folder 11	“The Duck Stops Here,” #3603, Revised Final Draft, by John Steven Owen, September 1, 1983, with later revisions
Box 28 Folder 12	“The Annies,” #3604, Revised Final Draft, by Barbara Hall, September 7, 1983, with later revisions
Box 28 Folder 13	“No Good Deed...” #3605, Revised Final Draft, by Steve Kline, October 4, 1983, with later revisions
Box 28 Folder 14	“You'll Always Love the One You Hurt,” #3606, Revised Final Draft, by Thad Mumford and Dan Wilcox, October 28, 1983, revised , January 18, 1984
Box 28 Folder 15	“Ordinary People, Too,” #3607, Revised Final Draft, by Bob Stevens, October 20, 1983, with later revisions
Box 28 Folder 16	“Filling Buddy's Shoes,” #3608, Revised Final Draft, by John Steven Owen, September 30, 1983, with later revisions
Box 28 Folder 17	“The Education of Sherree Winkler,” #3609, Revised Final Draft, by Jordan Moffet, November 4, 1983, revised , December 5, 1983
Box 28 Folder 18	“The Way We Weren't,” #3610, Revised Final Draft, by Katherine Green, November 18, 1983, revised , December 12, 1983
Box 28 Folder 19	“Can We Talk,” #3611, Revised Final Draft, by John Steven Owen, November 29, 1983, with later revisions
Box 28 Folder 20	“The Children's Half-Hour,” #3612, Revised Final Draft, by Thad Mumford and Dan Wilcox, December 14, 1983, revised , January 9, 1984
Box 28 Folder 21	“It Didn't Happen One Night,” #3613, Revised Final Draft, by Jordan Moffet, January 5, 1984, revised , January 16, 1984
	Eisenhower & Lutz
	Scripts, 1987-1988 Season
Box 39 Folder 2	“The Whiplash Kid Returns: Part I,” #7701, Script by Allan Burns, October 9, 1987
Box 39 Folder 3	“The Whiplash Kid Returns: Part II,” #7702, Script by Allan Burns, October 19, 1987
Box 39 Folder 4	“A Blast from the Past,” #7703, Script by Allan Burns, November 6, 1987
Box 39 Folder 5	“The Hernia Chronicles,” #7704, Script by Dan Wilcox, December 7, 1987
Box 39 Folder 6	“Bud Junior Junior: Part I,” #7705, Script by Mark Egan and Mark Solomon, November 16, 1987
Box 39 Folder 7	“Bud Junior Junior: Part II,” #7706, Script by Mark Egan and Mark Solomon, January 18, 1988
Box 39 Folder 8	“Don't Change a Hair for Me,” #7707, Script by Shelley Zellman, November 23, 1987
Box 39 Folder 9	“Take My Ex-Wife Please,” #7708, Script by Dava Savel, December 14, 1987
Box 39 Folder 10	“Bud's Buddy,” #7710, Script by David Nichols, December 21, 1987
Box 39 Folder 11	“The Devil Wears a Toupee,” #7711, Script by Shelley Zellman, January 11, 1988
Box 39 Folder 12	“Pride and Prejudice,” #7712, Script by Gina Goldman, January 25, 1988
Box 39 Folder 13	“The Petrified Forrest,” #7713, Script by Burt Prelutsky, February 12, 1988
Box 39 Folder 14	“Play It Again, Bud,” #7714, Script by Shelley Zellman, Mark Egan and Mark Solomon, February 8, 1988
	Friends and Lovers (The Paul Sand Show)
	Scripts, 1974-1975 Season
Box 5 Folder 11	Pilot, #0311-5726-4494, Script by Allan Burns and James L. Brooks, February 22, 1974
Box 5 Folder 12	“Getting to First Bass,” #4201, Script by Steve Pritzker, July 22, 1974
Box 5 Folder 13	“Moran's the Man,” #4202, Script by Steve Gordon, June 29, 1974
Box 5 Folder 14	“The Groupie,” #4203, Script by Mary Kay Place and Linda Bloodworth, June 16, 1974
Box 5 Folder 15	“Dreyfuss and Dreyfuss, Associates,” (formerly “Design for Living”), #4204, Script by Monica and Andrew Johnson, September 16, 1974
Box 5 Folder 16	“The Big Fight,” #4205, Script by Phil Mishkin, July 29, 1974
Box 5 Folder 17	“The Cinderella Story, #4206, Script by Gordon Farr and Arnold Kane, August 12, 1974
Box 5 Folder 18	“All's Well That Ends,” #4207, Script by Coleman Mitchell and Geoffrey Neigher, September 9, 1974
Box 5 Folder 19	“Fiddler in the House,” #4208, Script by Allan Leicht, August 19, 1974
Box 5 Folder 20	“Love Thy Neighbor,” #4209, Script by Steve Gordon, August 26, 1974
Box 5 Folder 21	“Just the Ticket,” #4210, Script by Steve Pritzker, November 4, 1974
Box 5 Folder 22	“A Date with Robert,” #4211, Script by Mark Rothman and Lowell Ganz, October 7, 1974
Box 5 Folder 23	“Ben and Marge Are Back,” #4212, Script by Bud Wiser, September 23, 1974
Box 5 Folder 24	“Maid In the Snow,” #4213, Script by Monica McGowan Johnson, October 11, 1974
Box 5 Folder 25	“Smart Move,” #4214, Script by Bud Wiser, October 21, 1974
Box 5 Folder 26	“From Russia With Lust,” #4215, Script by Elias Davis and David Pollock, November 11, 1974
	Hill Street Blues
	Scripts, 1980-1981 Season
Box 5 Folder 27	“Hill Street Station,” (pilot), #0925, Script by Michael Kozoll and Steven Bochco, July 21, 1980
Box 5 Folder 28	“Presidential Fever,” #0401, Script by Michael Kozoll and Steven Bochco, October 10, 1980
Box 5 Folder 29	“Politics as Usual,” #0402, Script by Michael Kozoll and Steven Bochco, October 20, 1980
Box 5 Folder 30	“Can World War III Be an Attitude” (aka “Meanwhile Back at the Alamo”), #0403, Script by Michael Kozoll and Steven Bochco, November 13, 1980
Box 5 Folder 31	“Dressed to Kill,” #0404, Script by Michael Kozoll and Steven Bochco, November 10, 1980
Box 5 Folder 32	“Film at Eleven,” #0406, Script by Anthony Yerkovitch, November 21, 1980
Box 5 Folder 33	“Choice Cut,” #0407, Script by Lee David Zlotoff, December 3, 1980
Box 5 Folder 34	“Up In Arms,” #0405, Script by Geoffrey Fisher, Anthony Yerkovitch, Michael Kozoll, and Steven Bochco, December 12, 1980
Box 5 Folder 35	“Your Kind, My Kind, Human Kind,” #0408, Script by Bill Taub, Tony Yerkovitch, Michael Kozoll, Steven Bochco, December 22, 1980
Box 5 Folder 36	“Gatorbait,” #0409, Script by E. Jack Kaplan, January 5, 1981
Box 5 Folder 37	“Life, Death, Eternity, Etcetera,” #0410, Script by Gregory Hoblit and Lee David Zlotoff, January 8, 1981
Box 5 Folder 38	“I Never Promised You a Rose Marvin,” #0411, Script by Anthony Yerkovitch, February 3, 1981
Box 5 Folder 39	“Fecund Hand Rose,” #0412, Script by Alan Rachins, February 5, 1981
Box 5 Folder 40	“Rites of Spring,” #0413, Script by Michael Kozoll, Steven Bochco, and Anthony Yerkovitch, April 7, 1981
Box 6 Folder 1	“Jungle Madness,” #0414, Script by Michael Kozoll, Steven Bochco, and Anthony Yerkovitch, April 10, 1981
	Scripts, 1981-1982 Season
Box 23 Folder 1	“Hearts and Minds,” #1401, Story by Michael Kozoll, teleplay by Bochco and Yerkovich, Steven Bochco, and Anthony Yerkovich; September 15, 1981
Box 23 Folder 2	“Blood Money,” #1402, Story by Kozoll, Bochco, and Yerkovich; teleplay by Bochco and Yerkovich, September 21, 1981
Box 23 Folder 3	“The Last White Man on East Ferry Avenue,” #1403, Story by Kozoll, Bochco, and Yerkovich; teleplay by Bochco, Yerkovich, and Robert Crais, September 28, 1981
Box 23 Folder 4	“The Second Oldest Profession,” #1404, Story by Kozoll, Bochco, and Yerkovich; teleplay by Bochco, Yerkovich, and Crais, October 8, 1981
Box 23 Folder 5	“Cranky Streets,” #1405, Story by Kozoll and Bochco; teleplay by Crais, November 3, 1981
Box 23 Folder 6	“Chipped Beef,” #1406, Story by Kozoll and Bochco; teleplay by Jeffrey Lewis, November 10, 1981
Box 23 Folder 7	“The World According to Freedom,” (formerly “Elwood's Day”), #1407, Script by Michael Wagner, November 25, 1981
Box 23 Folder 8	“Zen and the Art of Law Enforcement” (formerly “The Call of the Wild”), #1408, Script by Thom Thomas, Michael Kozoll, Steven Bochco, Anthony Yerkovich, Jeffrey Lewis, and Michael Wagner, January 25, 1982
Box 23 Folder 9	“Fruits of the Poisonous Tree,” #1409, Script by Jeffrey Lewis, October 16, 1981
Box 23 Folder 10	“Pestolozzi's Revenge,” #1410, Story by Kozoll and Bochco; teleplay by Yerkovich, Lewis and Wagner, December 18, 1981
Box 23 Folder 11	“The Spy Who Came in from Delgado,” #1411, Story by Kozoll and Bochco; teleplay by Bochco, Yerkovich, Lewis, and Wagner, December 15, 1981
Box 23 Folder 12	“Freedom's Last Stand,” #1412, Story by Kozoll and Bochco; teleplay by Bochco, Yerkovich, Lewis, and Wagner, January 4, 1982
Box 23 Folder 13	“Of Mouse and Man, #1413, Story by Kozoll and Bochco; teleplay by Bochco, Yerkovich, Lewis, and Wagner, January 13, 1982
Box 23 Folder 14	“The Young, the Beautiful and the Degraded,” #1414, Story by Kozoll and Bochco; teleplay by Yerkovich, Lewis, and Wagner, February 3, 1982
Box 24 Folder 1	“Some Like It Hot-Wired,” #1415, Story by Kozoll and Bochco; teleplay by Bochco, Yerkovich, Lewis, and Wagner, February 23, 1982
Box 24 Folder 2	“Personal Foul,” #1416, Script by Bochco, Yerkovich, Lewis, and Wagner, March 3, 1982
Box 24 Folder 3	“Shooter,” #1417, Script by Bochco, Yerkovich, Lewis, and Wagner, March 5, 1982
Box 24 Folder 4	“Invasion of the Third World Mutant Body Snatchers,” #1418, Script by Bochco, Yerkovich, Lewis, and Wagner, March 23, 1982
	Scripts, 1982-1983 Season
Box 28 Folder 22	“Moon Over Uranus: the Final Legacy, #2401, Revised Final Draft, by Anthony Yerkovich, Michael Wagner, David Milch, and Jeffrey Lewis, December 23, 1982, with later revisions
Box 28 Folder 23	“Officer of the Year,” #2402, Revised Final Draft, by Karen Hall, August 3, 1982, with later revisions
Box 28 Folder 24	“Trial by Fury,” #2403, Revised Final Draft, by David Milch, August 16, 1982, with later revisions
Box 28 Folder 25	“Moon Over Uranus,” #2404, Revised Final Draft, by Josh Gun, Steven Bochco, and Jeffrey Lewis, December 2, 1982, with later revisions
Box 28 Folder 26	“Stan the Man,” #2405, Revised Final Draft, by David Milch, August 23 1982, with later revisions
Box 28 Folder 27	“Domestic Beef,” #2407, Revised Final Draft, by Anthony Yerkovich, Jeffrey Lewis, and Michael Wagner, June 28, 1982, with later revisions
Box 28 Folder 28	“Heat Rash,” #2409, Revised Final Draft, by Anthony Yerkovich, Jeffrey Lewis, and Michael Wagner, June 13, 1982, with later revisions
Box 28 Folder 29	“Rain of Terror,” #2410, Revised Final Draft, by Anthony Yerkovich, Jeffrey Lewis, and Michael Wagner, July 26, 1982, with later revisions
Box 28 Folder 30	“Little Boil Blue,” #2411, Revised Final Draft, by Robert Earll, September 9, 1982, with later revisions
Box 28 Folder 31	“Requiem for a Hairbag,” #2412, Revised Final Draft, by Mark Frost, September 22, 1982, with later revisions
Box 28 Folder 32	“A Hair of the Dog,” #2413, Revised Final Draft, by Steven Bochco, Anthony Yerkovich, and Jeffrey Lewis, October 5, 1982, with later revisions
Box 28 Folder 33	“Phantom of the Hill,” #2414, Revised Final Draft, by Michael Wagner and David Milch, October 13, 1982, with later revisions
Box 28 Folder 34	“No Body's Perfect,” #2415, Revised Final Draft, by Michael Wagner and David Milch, October 25, 1982, with later revisions
Box 28 Folder 35	“Santa Claustrophobia,” #2416, Revised Final Draft, by Steven Bochco, Anthony Yerkovich, and Jeffrey Lewis, November 3, 1982, with later revisions
Box 28 Folder 36	“Gung-Ho,” #2417, Revised Final Draft, by David Milch, Jeffrey Lewis, and Michael Wagner, November 12, 1982, with later revisions
Box 28 Folder 37	“Moon Over Uranus: the Sequel,” #2418, Revised Final Draft, by Mark Frost, December 13, 1982, with later revisions
Box 28 Folder 38	“Belles of St. Mary's,” #2419, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and Anthony Yerkovich, January 7, 1983, with later revisions
Box 28 Folder 39	“Life in the Minors,” #2420, Revised Final Draft, by Michael Wagner, David Milch, and Karen Hall, January 17, 1983, with later revisions
Box 28 Folder 40	“Eugene's Comedy Empire Strikes Back,” #2421, Revised Final Draft, by Steven Bochco, Anthony Yerkovich, and Jeffrey Lewis, January 28, 1983, with later revisions
Box 28 Folder 41	“Spotlight on Rico,” #2422, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and Michael Wagner, February 14, 1983, with later revisions
Box 28 Folder 42	“Buddy, Can You Spare a Heart?” #2423, Revised Final Draft, by Steven Bochco, Anthony Yerkovich, and Jeffrey Lewis, February 25, 1983, with later revisions
Box 29 Folder 1	“A Hill of Beans,” #2424, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and Michael Wagner, March 10, 1983, with later revisions
	Scripts, 1983-1984 Season
Box 29 Folder 2	“Ba-Bing, Ba-Bing,” #3401, Revised Final Draft, by Karen Hall, June 30, 1983, with later revisions
Box 29 Folder 3	“The Long Law of the Arm,” #3402, Revised Final Draft, by Michael Wagner, July 13, 1983, with later revisions
Box 29 Folder 4	“Death by Kiki,” #3403, Revised Final Draft, by David Milch and Mark Frost, July 20, 1983, with later revisions
Box 29 Folder 5	“Doris in Wonderland,” #3404, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, August 1, 1983, with later revisions
Box 29 Folder 6	“Praise Dilaudid,” #3405, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, August 11, 1983, with later revisions
Box 29 Folder 7	“Goodbye Mr. Scripps” (formerly “Let Scripps Do It”), #3406, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, September 7, 1983, with later revisions
Box 29 Folder 8	“Here's Adventure, Here's Romance,” #3407, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, August 25, 1983, with later revisions
Box 29 Folder 9	“The Russians Are Coming,” #3408, Revised Final Draft, by Jeffrey Lewis and Dennis Cooper, revised September 23, 1983, with later revisions
Box 29 Folder 10	“Midway to What?” #3409, Revised Final Draft, by Jeffrey Lewis and David Milch, September 29, 1983, with later revisions
Box 29 Folder 11	“Honk if You're a Goose,” #3410, Revised Final Draft, by Jeffrey Lewis and David Milch, October 14, 1983, with later revisions
Box 29 Folder 12	“Ratman and Bobbin,” #3412, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, November 3, 1983, with later revisions
Box 29 Folder 13	“Nichols from Heaven,” #3413, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, November 15, 1983, with later revisions
Box 29 Folder 14	“Fuchs Me? Fuchs You!” #3414, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, December 1, 1983, with later revisions
Box 29 Folder 15	“Grace Under Pressure,” #3415, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, December 15, 1983, with later revisions
Box 29 Folder 16	“The Other Side of Oneness,” #3416, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, December 23, 1983, with later revisions
Box 29 Folder 17	“Parting Is Such Sweep Sorrow,” #3417, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, January 8, 1984, with later revisions
Box 29 Folder 18	“The End of Logan's Run,” #3418, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, January 17, 1984, with later revisions
Box 29 Folder 19	“The Count of Monty Tasco,” #3419, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, January 30, 1984, with later revisions
Box 29 Folder 20	“Nutcracker Suite,” #3420, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, February 10, 1984, with later revisions
Box 29 Folder 21	“Hair Apparent,” #3421, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, David Milch, and Mark Frost, February 28, 1984, with later revisions
Box 29 Folder 22	“Lucky Ducks,” #3422, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, David Milch, and Karen Hall, March 9, 1984, with later revisions
Box 29 Folder 23	“Eva's Brawn,” #3423, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, March 22, 1984, with later revisions
	Scripts, 1984-1985 Season
Box 29 Folder 24	“Mayo, Hold the Picture,” #4401, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, June 14, 1984, with later revisions
Box 29 Folder 25	“Watt a Way to Go,” #4402, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, June 21, 1984, with later revisions
Box 29 Folder 26	“The Rise and Fall of Paul 'the Wall,'” #4403, Revised Final Draft, by Jacob Epstein and Michael Wagner, September 4, 1984, with later revisions
Box 29 Folder 27	“Rookie Nookie,” #4404, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, David Milch, and Mark Frost, July 11, 1984, with later revisions
Box 29 Folder 28	“Fowl Play,” #4405, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, July 16, 1984, with later revisions
Box 29 Folder 29	“Bangladesh Slowly,” #4406, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, August 6, 1984, with later revisions
Box 29 Folder 30	“Blues for Mr. Green,” #4407, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, September 14, 1984, with later revisions
Box 29 Folder 31	“Ewe and Me, Babe,” #4408, Revised Final Draft, by Floyd Byars, August 22, 1984, with later revisions
Box 29 Folder 32	“Fuched Again,” #4409, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, September 27, 1984, with later revisions
Box 29 Folder 33	“Low Blow,” #4410, Revised Final Draft, by Steven Bochco, Jeffrey Lewis, and David Milch, October 12, 1984, with later revisions
Box 29 Folder 34	“Last Chance Salon,” #4411, Revised Final Draft, by Roger Director, October 23, 1984, with later revisions
Box 29 Folder 35	“Intestinale Fortitude,” #4412, Revised Final Draft, by Ella Katz and David Stenn, November 1, 1984, with later revisions
Box 29 Folder 36	“Of Human Garbage,” #4413, Revised Final Draft, by Jeffrey Lewis, David Milch, Mark Frost, and Jacob Epstein, November 9, 1984, with later revisions
Box 29 Folder 37	“Dr. Hoof and Mouth,” #4414, Revised Final Draft, by David Stenn and Elia Katz, November 21, 1984, with later revisions
Box 29 Folder 38	“Davenport in a Storm,” #4415, Revised Final Draft, by Jeffrey Lewis, David Mitch, Mark Frost, and Roger Director, December 11, 1984, with later revisions
Box 29 Folder 39	“Washington Deceased,” #4416, Revised Final Draft, by Frank South, December 20, 1984, with later revisions
Box 30 Folder 1	“Passage to Libya,” #4417, Revised Final Draft, by David Milch, Jacob Epstein, and Ella Katz, January 7, 1985, with later revisions
Box 30 Folder 2	“El Capitan,” #4418, Revised Final Draft, by Jeffrey Lewis, David Milch, Roger Director, and Ella Katz, January 16, 1985, with later revisions
Box 30 Folder 3	“The Life and Time of Domenic Florio, Jr.,” #4419, Revised Final Draft, by Jeffrey Lewis, David Milch, Mark Frost, and Jacob Epstein, February 5, 1985, with later revisions
Box 30 Folder 4	“G.Q.,” #4420, Revised Final Draft, by Jeffrey Lewis, Roger Director, Jacob Epstein, and Elia Katz, February 12, 1985, with later revisions
Box 29 Folder 40	“Queen for a Day,” #4421, Revised Final Draft, by David Milch, Mark Frost, Jacob Epstein, and Elia Katz, February 21, 1985, with later revisions
Box 29 Folder 41	“You're in Alice's,” #4422, Revised Final Draft, by Jeffrey Lewis, David Milch, Roger Director, and Jacob Epstein, March 28, 1985, with later revisions
Box 30 Folder 5	“Grin and Bear It,” #4423, Revised Final Draft, by Jeffrey Lewis, David Milch, Mark Frost, and Ella Katz, April 3, 1985, with later revisions
	Scripts, 1985-1986 Season
Box 35 Folder 1	“Hacked to Pieces,” #5401, Script by Jeffrey Lewis and David Milch, last revised September 4, 1985
Box 35 Folder 2	“Seoul on Ice,” #5402, Script by Jeffrey Lewis and David Milch, last revised August 25, 1985
Box 35 Folder 3	“In the Belly of the Bus,” #5403, Script by Jeffrey Lewis, David Milch, Walon Green and Jacob Epstein, last revised August 7, 1985
Box 35 Folder 4	“I Want My Hill Street Blues,” #5404, Script by John Mankiewicz and Russ Woody, last revised December 17, 1985
Box 35 Folder 5	“An Oy For an Oy,” #5405, Script by Ella Katz and Jacob Epstein, last revised October 25, 1985
Box 35 Folder 6	“Fathers and Huns,” #5406, Script by Walon Green, last revised August 16, 1985
Box 35 Folder 7	“Blues in the Night,” #5407, Script by Steven Bochco, Jacob Epstein, Walon Green, Barry Kaplan, Jeffrey Lewis, and David Milch, last revised September 3, 1985
Box 35 Folder 8	“Oh You Kid,” #5408, Script by Robert Ward, last revised September 26, 1985
Box 35 Folder 9	“Somewhere Over the Rambo,” #5410, Script by, Jacob Epstein, Walon Green, and Dick Wolf, last revised September 20, 1985
Box 35 Folder 10	“Jagga the Hunk,” #5411, Script by Jeffrey Lewis, David Milch, Dick Wolf, Walon Green, and Jacob Epstein, last revised February 18, 1986
Box 35 Folder 11	“Larry of Arabia,” #5412, Script by Jerry Brown, Jacob Epstein, Jeffrey Lewis, David Milch, and John See, last revised February 6, 1986
Box 35 Folder 12	“The Virgin and the Turkey,” #5413, Script by Jeffrey Lewis, Walon Green, Robert Ward, and David Milch, last revised November 19, 1985
Box 35 Folder 13	“Come and Get It,” #5414, Script by Robert Schlitt, last revised March 20, 1986
Box 35 Folder 14	“Two Easy Pieces,” #5417, Script by Jeffrey Lewis, David Milch, Walon Green, Jacob Epstein, Dick Wolf, and Robert Ward, last revised December 9, 1985
Box 35 Folder 15	“Say It As It Plays,” #5418, Script by Jeffrey Lewis, David Milch, Dick Wolf, Walon Green, Jacob Epstein, and Robert Ward, last revised November 20, 1985
Box 35 Folder 16	“Remembrance of Hits Past,” #5420, Script by Jeffrey Lewis, David Milch, and Walon Green, last revised January 22, 1986
Box 35 Folder 17	“What Are Friends For?” #5422, Script by Dick Wolf, last revised October 25, 1985
Box 35 Folder 18	“Das Blues,” #5423, Script by Jeffrey Lewis, David Milch, Robert Ward, Jacob Epstein, and Dick Wolf, last revised January 2, 1986
Box 35 Folder 19	“Scales of Justice,” #5425, Script by Jeffrey Lewis, David Milch, Jacob Epstein, Dick Wolf, and Robert Ward, last revised December 31, 1985
Box 35 Folder 20	“Iced Coffey,” #5426, Script by Jeffrey Lewis, David Milch, Robert Schlitt, Duncan Smith, Robert Ward, and Dick Wolf, last revised February 13, 1986
Box 35 Folder 21	“Look Homeward Ninja,” #5427, Script by Jeffrey Lewis, David Milch, and Walon Green, last revised February 24, 1986
Box 35 Folder 22	“Slum Enchanted Evening,” #5428, Script by Walon Green, Jonathan Lemkin, Mike Wagner, and Robert Ward, last revised March 11, 1986
	Scripts, 1986-1987 Season
Box 39 Folder 15	“A Wasted Weekend,” #6401, Script by David Mamet, October 22, 1987
Box 40 Folder 1	“Sorry Wrong Number,” #6402, Script by Ron Koertge, February 2,1987
Box 40 Folder 2	“The Runner Falls on His Kisser,” #6403, Script by Jody Taylor Worth, March 9, 1987
Box 40 Folder 3	“More Skinned Against Than Skinning,” #6405, Script by David Black, October 7, 1986
Box 40 Folder 4	“She's So Fein,” #6406, Script by Marjorie David, October 20, 1986
Box 40 Folder 5	“Say Uncle,” #6408, Script by John Romano, October 20, 1986
Box 40 Folder 6	“A Case of Klapp,” #6411, Script by Terry Curtis Fox, August 22, 1986
Box 40 Folder 7	“The Best Defense,” #6412, Script by Steve Bello, Robert Ward and Jonathan Lemkin, October 1, 1986
Box 40 Folder 8	“Bald Ambition,” #6413, Script by Jeffrey Lewis, July 25, 1986
Box 40 Folder 9	“I Come on My Knees,” #6414, Script by David Milch, September 2, 1986
Box 40 Folder 10	“Amazing Grace,” #6416, Script by Robert Ward, November 6, 1986
Box 40 Folder 11	“ Fathers and Guns,” #6417, Script by Jeffrey Lewis, September 26, 1986
Box 40 Folder 12	“Falling from Grace,” #6418, Script by Terry Curtis Fox, November 18, 1986
Box 40 Folder 13	“Suitcase,” #6420, Script by David Milch and John Romano, September 19, 1986
Box 41 Folder 1	“City of Refuse,” #6422, Script by Peter Silverman, November 7, 1986
Box 41 Folder 2	“Der Roachenkavalier,” #6423, Script by Christian Williams and Bob Woodward, November 19, 1986
Box 41 Folder 3	“Norman Conquest,” #6425, Script by Steve Bello, December 5, 1986
Box 41 Folder 4	“The Cookie Crumbles,” #6426, Script by Robert Ward, January 5, 1986
Box 41 Folder 5	“Dogbreath Afternoon,” #6428, Script by George Goldsmith and Jeff Melvoin, January 19, 1987
Box 41 Folder 6	“A Pound of Flesh,” #6429, Script by Christian Williams, February 17, 1987
Box 41 Folder 7	“Days of Swine and Roses,” #6430, Script by David Black and John Litvack, January 27, 1987
Box 41 Folder 8	“It Ain't Over Till It's Over,” #6431, Script by Jeffrey Lewis, David Milch and John Romano, March 11, 1987
	The Last Resort
	Scripts, 1979-1980? Season
Box 6 Folder 2	Pilot, Script by Gary David Goldberg, March 11, 1979
Box 6 Folder 3	“Zach in Love,” #9201, Script by Patricia Jones and Donald Reiker, July 24, 1979
Box 6 Folder 4	“High School Confidential,” #9202, Script by Lloyd Garver, June 18, 1979
Box 6 Folder 5	“Let Them Eat Cake,” #9203, Script by Marty Nadler, July 17, 1979
Box 6 Folder 6	“Whodunit,” #9204, Script by Gary David Goldberg, July 31, 1979
Box 6 Folder 7	“Zegelmania,” #9207, Script by Joanne Pagliaro, October 10, 1979
Box 6 Folder 8	“And Murray Makes Three,” #9208, Script by Marty Nadler, August 21, 1979
Box 6 Folder 9	“Girlfriends,” #9210, Script by Patricia Jones and Donald Reiker, September 25, 1979
Box 6 Folder 10	“Here Comes the Bride,” #9211, Script by Donald Reiker and Lloyd Garver, September 11, 1979
Box 6 Folder 11	“Dorm Window,” #9212, Script by Lloyd Garver, Gary David Goldberg, and Marty Nadler, September 18, 1979
Box 6 Folder 12	“Not a Prayer,” #9213, Script by Rich Reinhart, October 23, 1979
Box 6 Folder 13	“Father's Day,” #9215, Script by Patricia Jones and Donald Reiker, October 16, 1979
Box 6 Folder 14	“The Price of Love,” #9216, Script by Marty Nadler and Lloyd Garver, November 6, 1979
Box 6 Folder 15	“A Very Little Romance,” #9217, Script by Patricia Jones and Donald Reiker, November 13, 1979
Box 6 Folder 16	“Is There a Doctor in the House,” #9219, Script by Rich Reinhart, November 27, 1979
	Lou Grant
	Scripts, 1977-1978 Season
Box 6 Folder 17	“Cophouse,” #7501, Script by Leon Tokatyan, June 22, 1977
Box 6 Folder 18	“Scoop,” #7502, Script by Gene Kearney, September 12, 1977
Box 6 Folder 19	“Hoax,” #7503, Script by Gordon Dawson, June 21, 1977
Box 6 Folder 20	“Barrio,” #7504, Script by Seth Freeman, August 2, 1977
Box 6 Folder 21	“Nazi” #7505, Script by Robert Schlitt, August 2, 1977
Box 6 Folder 22	“Aftershock,” #7506, Script by Del Reisman, July 27, 1977
Box 6 Folder 23	“Christmas,” #7507, Script by David Lloyd, October 11, 1977
Box 6 Folder 24	“Judge,” #7508, Script by Leon Tokatyan, September 2, 1977
Box 6 Folder 25	“Henhouse,” #7509, Script by Leonore Thuna, July 20, 1977
Box 6 Folder 26	“Hostages,” #7510, Script by Seth Freeman, July 12, 1977
Box 6 Folder 27	“Renewal,” #7511, Script by Ken Trevey, November 16, 1977
Box 6 Folder 28	“Housewarming,” #7512, Script by Leonora Thuna, October 3, 1977
Box 6 Folder 29	“Takeover,” #7513, Script by Leon Tokatyan, October 24, 1977
Box 6 Folder 30	“Airliner,” #7514, Script by Charles Einstein, October 14, 1977
Box 6 Folder 31	“Psych-Out,” #7515, Script by Seth Freeman, September 20, 1977
Box 6 Folder 32	“Sports,” #7516, Script by Bud Freeman, November 14, 1977
Box 6 Folder 33	“Sect,” #7517, Script by Michele Gallery, December 19, 1977
Box 6 Folder 34	“Hero,” #7518, Script by Seth Freeman, November 30, 1977
Box 6 Folder 35	“Spies,” #7519, Script by Leon Tokatyan, January 16, 1978
Box 6 Folder 36	“Scandal,” #7520, Script by Seth Freeman, December 29, 1977
Box 7 Folder 1	“Poison,” #7521, Script by Michele Gallery, January 23, 1978
Box 7 Folder 2	“Physical,” #7522, Script by David Lloyd, January 30, 1978
	Scripts, 1978-1979 Season
Box 7 Folder 3	“Prisoner,” #8501, Script by Seth Freeman, June 6, 1978
Box 7 Folder 4	“Pills,” #8502, Script by Michele Gallery, June 15, 1978
Box 7 Folder 5	“Slaughter,” #8503, Script by Bud Freeman, July 25, 1978
Box 7 Folder 6	“Murder,” #8504, Script by Gary David Goldberg, June 20, 1978
Box 7 Folder 7	“Mob,” #8505, Script by Leon Tokatyan, June 29, 1978
Box 7 Folder 8	“Singles,” #8506, Script by Gina Fredrica Goldman and Sally Robinson, August 14, 1978
Box 7 Folder 9	“Denial,” #8507, Script by Leonora Thuna, September 1, 1978
Box 7 Folder 10	“Hooker,” #8508, Script by Seth Freeman, July 12, 1978
Box 7 Folder 11	“Dying,” #8509, Script by Michele Gallery, August 3, 1978
Box 7 Folder 12	“Schools,” #8510, Script by Gary David Goldberg, August 24, 1978
Box 7 Folder 13	“Vet,” #8511, Script by Leon Tokatyan, November 6, 1978
Box 7 Folder 14	“Babies,” #8512, Script by David Lloyd, September 19, 1978
Box 7 Folder 15	“Conflict,” #8513, Script by Michele Gallery, September 26, 1978
Box 7 Folder 16	“Fire,” #8514, Script by Seth Freeman, October 5, 1978
Box 7 Folder 17	“Scam,” #8515, Script by Gary David Goldberg, October 18, 1978
Box 7 Folder 18	“Samaritan,” #8516, Script by Elliot West, October 25, 1978
Box 7 Folder 19	“Sweep,” #8517, Script by Steve Kline, November 14, 1978
Box 7 Folder 20	“Marathon,” #8518, Script by Gene Reynolds, November 29, 1978
Box 7 Folder 21	“Hit,” #8519, Script by Michele Gallery, December 7, 1978
Box 7 Folder 23	“Home,” #8520, Script by Gary David Goldberg, January 8, 1979
Box 7 Folder 24	“Bomb,” #8521, Script by Seth Freeman, January 17, 1979
Box 7 Folder 25	“Convention,” #8522, Script by David Lloyd, December 21, 1978
Box 7 Folder 26	“Skids,” #8523, Script by Steve Kline, January 23, 1979
Box 7 Folder 27	“Romance,” #8524, Script by Michele Gallery, February 5, 1979
	Scripts, 1979-1980 Season
Box 7 Folder 28	“Slammer,” #9501, Script by Johnny Dawkins, June 11, 1979
Box 7 Folder 29	“Witness,” #9502, Script by Gary David Goldberg, August 13, 1979
Box 7 Folder 30	“Hype,” #9503Script by Michele Gallery, July 23, 1979
Box 7 Folder 31	“Cop,” #9504, Script by Seth Freeman, June 20, 1979
Box 7 Folder 32	“Charlatan,” #9505, Script by Michael Vittes, July 10, 1979
Box 7 Folder 33	“Expose,” #9507, Script by David Lloyd, June 4, 1979
Box 7 Folder 34	“Frame-Up,” #9508, Script by Steve Kline, June 27, 1979
Box 7 Folder 35	“Andrew, Part I: Premonition,” #9509, Script by Seth Freeman, August 30, 1979
Box 7 Folder 36	“Gambling,” #9510, Script by Bud Freeman, July 31, 1979
Box 7 Folder 37	“Kids,” #9511, Script by Michael Vittes and Shep Green, October 3, 1979
Box 8 Folder 1	“Indians,” #9512, Script by April Smith, October 29, 1979
Box 8 Folder 2	“Hollywood,” #9513, Script by Michele Gallery, September 24, 1979
Box 8 Folder 3	“Kidnap,” #9514, Script by Bud Freeman, August 22, 1979
Box 8 Folder 4	“Andrew, Part II: Trial,” #9515, Script by Seth Freeman, September 17, 1979
Box 8 Folder 5	“Censored,” #9516, Script by Joanne Pagliano, November 29, 1979
Box 8 Folder 6	“Brushfire,” #9517, Script by Allan Burns and Gene Reynolds, October 11, 1979
Box 8 Folder 7	“Coverup,” #9518, Script by Paul Ehrmann, November 6, 1979
Box 8 Folder 8	“Inheritance,” #9519, Script by April Smith, November 16, 1979
Box 8 Folder 9	“Lou,” #9520, Script by Michele Gallery, December 7, 1979
Box 8 Folder 10	“Blackout,” #9521, Script by Steve Kline, December 17, 1979
Box 8 Folder 11	“Dogs,” #9522, Script by Seth Freeman, January 8, 1980
Box 8 Folder 12	“Influence,” #9523, Script by April Smith, January 18, 1980
Box 8 Folder 13	“Hazard,” #9524, Script by Michele Gallery, January 24, 1980
Box 8 Folder 14	“Guns,” #9525, Script by Seth Freeman, Febuary 5, 1980
	Scripts, 1980-1981 Season
Box 8 Folder 15	“Harassment,” #0501, Script by April Smith, June 10, 1980
Box 8 Folder 16	“Pack,” #0502, Script by Steve Kline, June 18, 1980
Box 8 Folder 17	“Sting,” #0503, Script by Patt Shea and Harriett Weiss, July 1, 1980
Box 8 Folder 18	“Nightside,” #0504, Script by Michele Gallery, June 3, 1980
Box 8 Folder 19	“Streets,” #0505, Script by Bud Freeman, October 22, 1980
Box 8 Folder 20	“Libel,” #0506, Script by William Hopkins, October 16, 1980
Box 8 Folder 21	“Goop,” #0507, Script by Seth Freeman, July 9, 1980
Box 8 Folder 22	“Depression,” #0508, Script by Gene Reynolds, March 2, 1981
Box 8 Folder 23	“Venice,” #0509, Script by Harriett Weiss and Patt Shea, January 14, 1981
Box 8 Folder 24	“Strike,” #0510, Script by April Smith, December 23, 1980
Box 8 Folder 25	“Catch,” #0511, Script by Michele Gallery, November 4, 1980
Box 8 Folder 26	“Boomerang,” #0512, Script by Steve Kline, November 24, 1980
Box 8 Folder 27	“Campesinos,” #0513, Script by Michael Vittes, January 28, 1981
Box 8 Folder 28	“Generations,” #0514, Script by Johnny Dawkins, December 2, 1980
Box 8 Folder 29	“Search,” #0515
Box 8 Folder 30	“Rape,” #0516, Script by Seth Freeman, November 5, 1980
Box 8 Folder 31	“Survival,” #0517, Script by April Smith, January 7, 1981
Box 8 Folder 32	“Business,” #0518, Script by Steve Kline, February 4, 1981
Box 8 Folder 33	“Violence,” #0519, Script by Johnny Dawkins, February 20, 1981
Box 8 Folder 34	“Stroke,” Script #0520 by April Smith, March 10, 1981
Box 8 Folder 35	“Risk,” #0521, Script by Seth Freeman, March 20, 1981
Box 8 Folder 36	“Double-Cross,” #0522, Script by Michele Gallery, March 31, 1981
	Scripts, 1981-1982 Season
Box 24 Folder 5	“Wedding,” #1501, Script by Seth Freeman, September 11, 1981
Box 24 Folder 6	“Execution,” #1502, Script by April Smith, September 22, 1981
Box 24 Folder 7	“Reckless,” #1503, Script by Steve Kline, October 9, 1981
Box 24 Folder 8	“Hometown,” #1504, Script by Michele Gallery, October 7, 1981
Box 24 Folder 9	“Drifters,” #1505, Script by Bud Freeman, October 28, 1981
Box 24 Folder 10	“Jazz,” #1506, Script by Rogers Turrentine, November 18, 1981
Box 24 Folder 11	“Ghosts,” #1507, Script by April Smith, November 13, 1981
Box 24 Folder 12	“Hunger,” #1508, Script by Gene Reynolds, January 7, 1982
Box 24 Folder 13	“Cameras,” #1509, Script by David Lloyd, December 9, 1981
Box 24 Folder 14	“Friends,” #1510, Script by Seth Freeman, November 2, 1981
Box 25 Folder 1	“Immigrants,” #1511, Script by Steve Kline, January 5, 1982
Box 25 Folder 2	“Review,” #1512, Script by Jeffrey Lane, December 21, 1981
Box 25 Folder 3	“Recovery,” #1513, Script by Michele Gallery, January 27, 1982
Box 25 Folder 4	“Obituary,” #1514, Script by April Smith, January 26-27, 1982
Box 25 Folder 5	“Blacklist,” #1515, Script by Seth Freeman, February 9, 1982
Box 25 Folder 6	“Law,” #1516, Script by Steve Kline, February 17, 1982
Box 25 Folder 7	“Fireworks,” #1517, Script by Michele Gallery, February 26, 1982
Box 25 Folder 8	“Unthinkable,” #1519, Script by April Smith, March 9, 1982
Box 25 Folder 9	“Beachhead,” #1520, Script by Gene Reynolds, March 29, 1982
Box 25 Folder 10	“Victims,” #1521, Script by Steve Kline, April 20, 1982
Box 25 Folder 11	“Suspect,” #1522, Script by Seth Freeman, March 22, 1982
Box 25 Folder 12	“Charlie,” #1523, Script by Michele Gallery, April 21, 1982
	Mary
	Scripts, 1985-1986 Season
Box 35 Folder 23	“From Pillar to POST” (Pilot), #5601, Script by Ken Levine and David Isaacs, last revised October 11, 1985
Box 35 Folder 24	“Make My Day,” #5602, Script by Ken Levine and David Isaacs, last revised October 25, 1985
Box 35 Folder 25	“Chicago Hi-Lo,” #5603, Script by Dennis Koenig, last revised October 31, 1985
Box 35 Folder 26	“Everyone's a Critic,” #5604, Script by Tom Straw, last revised November 14, 1985
Box 35 Folder 27	“We Get Letters,” #5606, Script by Merrill Markoe, last revised November 21, 1985
Box 35 Folder 28	“Same Old Song,” #5607, Script by Ken Levine and David Isaacs, last revised December 6, 1985
Box 35 Folder 29	“Beans,” #5608, Script by Douglas Wyman, last revised January 9, 1986
Box 35 Folder 30	“The Forest for the Trees,” #5609, Script by Emily Marshall, last revised December 20, 1985
Box 35 Folder 31	“Table for Two,” #5611, Script by Emily Marshall, last revised January 21, 1986
Box 35 Folder 32	“Mr. Lucky,” #5612, Script by Dennis Koenig, last revised January 28, 1986
Box 35 Folder 33	“And the Winner Is...,” #5613, Script by Emily Marshall, last revised February 14, 1986
Box 35 Folder 34	“Little Jo,” #5614, Script by Tom Straw, last revised February 28, 1986
Box 35 Folder 35	“Steppin' Out With Mary Brenner,” #5616, Script by Jennifer Tilly, last revised March 14, 1986
	The “Mary” Show
Box 9 Folder 1	Script, #0104, October 1, 1978
Box 9 Folder 2	Script, #0105, September 24, 1978
Box 9 Folder 3	Script, #0105, October 8, 1978
	The Mary Tyler Moore Comedy Hour
Box 9 Folder 4	Script, #0131, November 30, 1978
Box 9 Folder 5	Script, #0132, December 6, 1978
Box 9 Folder 6	Script, #0133, December 13, 1978
Box 9 Folder 7	Script, #0134, January 9, 1979
Box 9 Folder 8	Script, #0135, January 16, 1979
Box 9 Folder 9	Script, #0136, January 31, 1979
Box 9 Folder 10	Script, #0137, February 6, 1979
Box 9 Folder 11	Script, #0138, February 21, 1979
Box 9 Folder 12	Script, #0139, February 28, 1979
Box 9 Folder 13	Script, #0140, March 14, 1979
Box 9 Folder 14	Script, #0141, March 20, 1979
	The Mary Tyler Moore Show
Audio 1112A	Theme Music from Show
U.S. Mss 162AN	Scripts, 1970-1971 Season
Box 9 Folder 15	“The Snow Must Go On,” #7003, Script by David Davis and Lorenzo Music, May 8, 1970
Box 9 Folder 16	“1040 or Fight,” #7012, Script by David Davis and Lorenzo Music, July 30, 1970
Box 9 Folder 17	“Anchorman Overboard,” #7018, Script by Lorenzo Music, October 12, 1970
	Scripts, 1971-1972 Season
	“More Than Neighbors,” #7101
Box 9 Folder 18	Script by Steve Pritzker, April 9, 1971
Box 9 Folder 19	Script by Steve Pritzker (revised July 21, 1971), July 23, 1971
	“Cover Boy,” #7102
Box 9 Folder 20	Script by Treva Silverman, April 6, 1971
Box 9 Folder 21	Script by Treva Silverman (revised June 16, 1971), June 18, 1971
Box 9 Folder 22	“Thoroughly Unmilitant Mary,” #7103, Script by Martin Cohan, April 21, 1971
Box 9 Folder 23	“I Am Curious -- Cooper,” #7105, Script by David Davis and Lorenzo Music, June 18, 1971
	“...Is a Friend in Need,” #7106
Box 9 Folder 24	Script by Susan Silver, April 23, 1971
Box 9 Folder 25	Script by Susan Silver (revised August 4, 1971), August 6, 1971
	“He's No Heavy -- He's My Brother,” #7107
Box 9 Folder 26	Script by Allan Burns, April 12, 1971
Box 9 Folder 27	Script by Allan Burns (revised July 14, 1971), July 16, 1971
Box 9 Folder 28	“The Birds and...Um...Bees,” #7108, Script by Treva Silverman, May 5, 1971
Box 9 Folder 29	“And Now, Sitting in for Ted Baxter,” #7109, Script by Steve Pritzker, August 27, 1971
	“A Girl's Best Mother Is Not Her Friend,” #7110
Box 9 Folder 30	Script by David Davis and Lorenzo Music, May 25, 1971
Box 9 Folder 31	Script by David Davis and Lorenzo Music (revised June 30, 1971), July 2, 1971
	“Didn't You Used to Be...Wait...Don't Tell Me,” #7111
Box 9 Folder 32	Script by Allan Burns, May 13, 1971
Box 9 Folder 33	Script by Allan Burns (revised July 28, 1971), July 30, 1971
	“You Certainly Are a Big Boy!” #7113
Box 9 Folder 34	Script by Martin Cohan, July 27, 1971
Box 9 Folder 35	Script by Martin Cohan (revised September 15, 1971), September 17, 1971
	“The Care and Feeding of Parents,” #7114
Box 9 Folder 36	Script by Dick Clair and Jenna McMahon, July 20, 1971
Box 9 Folder 37	Script by Dick Clair and Jenna McMahon (revised October 13, 1971), October 15, 1971
	“Room 223,” #7115
Box 9 Folder 38	Script by Susan Silver, June 28, 1971
Box 10 Folder 1	Script by Susan Silver (revised August 11, 1971), August 13, 1971
	“Don't Break the Chain,” #7116
Box 10 Folder 2	Script by David Davis and Lorenzo Music, August 9, 1971
Box 10 Folder 3	Script by David Davis and Lorenzo Music (revised September 1, 1971), September 3, 1971
	“The Square Shaped Room,” #7117
Box 10 Folder 4	Script by Susan Silver, September 14, 1971
Box 10 Folder 5	Script by Susan Silver (revised September 29, 1971), October 1, 1971
	“The Slaughter Affair,” #7118
Box 10 Folder 6	Script by Rick Mittleman, October 6, 1971
Box 10 Folder 7	Script by Rick Mittleman (revised October 27, 1971), October 29, 1971
	“The Five Minute Dress,” #7119
Box 10 Folder 8	Script by Pat Nardo and Gloria Banta, September 27, 1971
Box 10 Folder 9	Script by Pat Nardo and Gloria Banta (revised October 6, 1971), October 8, 1971
Box 10 Folder 10	“Feeb,” (formerly “Fire One, Fire Two”), #7120, Script by Dick Clair and Jenna McMahon, November 12, 1971
	“Some of My Best Friends Are Rhoda,” #7121
Box 10 Folder 11	Script by Steve Pritzker, November 10, 1971
Box 10 Folder 13	Script by Steve Pritzker (revised November 23, 1971), November 26, 1971
	“Ted Over Heels,” #7122
Box 10 Folder 14	Script by David Davis and Lorenzo Music, October 26, 1971
Box 10 Folder 15	Script by David Davis and Lorenzo Music (revised November 3, 1971), November 5, 1971
	“Baby-Sit-Com,” #7123
Box 10 Folder 16	Script by Treva Silverman, November 22, 1971
Box 10 Folder 17	Script by Treva Silverman (revised December 1, 1971), December 3, 1971
	“Where There's Smoke, There's Rhoda, ” #7124
Box 10 Folder 18	Script by Martin Cohan, December 1, 1971
Box 10 Folder 19	Script by Martin Cohan (revised December 8, 1971), December 10, 1971
	“His Two Right Arms,” #7125
Box 10 Folder 20	Script by Jim Parker and Arnold Margolin, November 17, 1971
Box 10 Folder 21	Script by Jim Parker and Arnold Margolin (revised December 15, 1971), December 17, 1971
	Scripts, 1972-1973 Season
	“It's Whether You Win Or Lose...,” #7201
Box 10 Folder 22	Script by Martin Donovan, March 13, 1972
Box 10 Folder 23	Script by Martin Donovan, August 11, 1972
	“Farmer Ted and the News,” #7203
Box 10 Folder 24	Script by Martin Donovan, July 17, 1972
Box 10 Folder 25	Script by Martin Donovan (revised August 16, 1972), August 18, 1972
Box 10 Folder 26	“Just Around the Corner,” #7204, Script by Steve Pritzker, June 16, 1972
	“Who's In Charge Here?” #7205
Box 10 Folder 27	Script by Martin Cohan, April 5, 1972
Box 10 Folder 28	Script by Martin Cohan (revised June 7, 1972), June 9, 1972
	“What Is Mary Richards Really Like?” #7206
Box 10 Folder 29	Script by Susan Silver, April 7, 1972
Box 10 Folder 30	Script by Susan Silver (revised July 19, 1972), July 21, 1972
	“Rhoda the Beautiful,” #7207
Box 10 Folder 31	Script by Treva Silverman, June 7, 1972
Box 10 Folder 32	Script by Treva Silverman (revised June 28, 1972), June 30, 1972
	“Have I Found a Guy for You!” #7208
Box 10 Folder 33	Script by Charlotte Brown, April 19, 1972
Box 10 Folder 34	Script by Charlotte Brown (revised July 19 and 26, 1972), July 28, 1972
	“Daughter of the Bride,” #7209
Box 10 Folder 35	Script by Martin Cohan, April 26, 1972
Box 10 Folder 36	Script by Martin Cohan (revised June 21, 1972), June 23, 1972
	“You've Got a Friend,” #7210
Box 10 Folder 37	Script by Steve Pritzker, June 14, 1972
Box 10 Folder 38	Script by Steve Pritzker (revised July 12, 1972), July 14, 1972
	“It Was Fascination, I Know,” #7211
Box 10 Folder 39	Script by Ed. Weinberger, May 24, 1972
Box 10 Folder 40	Script by Ed. Weinberger, (revised September 6, 1972), September 8, 1972
	“But Seriously, Folks,” #7212
Box 10 Folder 41	Script by Ed. Weinberger, July 4, 1972
Box 10 Folder 42	Script by Ed. Weinberger (revised August 30, 1972), September 1, 1972
	“Rhoda Morgenstern: Minn. to N.Y.,” #7213
Box 10 Folder 43	Script by Treva Silverman, August 9, 1972
Box 10 Folder 44	Script by Treva Silverman (revised September 13, 1972), September 15, 1972
Box 10 Folder 45	“The Good-Time News,” #7214, Script by Allen Burns and James L. Brooks, June 30, 1972
	“My Brother's Keeper,” #7215
Box 10 Folder 46	Script by Dick Clair and Jenna McMahon, September 13, 1972
Box 10 Folder 47	Script by Dick Clair and Jenna McMahon (revised October 25, 1972), October 27, 1972
	“Operation: Lou,” #7216
Box 10 Folder 48	Script by Elias Davis and David Pollock, September 7, 1972
Box 10 Folder 49	Script by Elias Davis and David Pollock (revised September 20, 1972), September 22, 1972
	“Murray Faces Life,” #7217
Box 10 Folder 50	Script by Marty Cohan, November 11, 1972
Box 10 Folder 51	Script by Martin Cohan (revised November 15, 1972), November 17, 1972
	“The Courtship of Mary's Father's Daughter,” #7218
Box 10 Folder 52	Script by David Pollock and Elias Davis, October 2, 1972
Box 10 Folder 53	Script by David Pollock and Elias Davis (revised October 11, 1972), October 13, 1972
	“Lou's Place,” #7219
Box 10 Folder 54	Script by Ed. Weinberger, September 28, 1972
Box 10 Folder 55	Script by Ed. Weinberger, (revised October 18, 1972), October 20, 1972
	“Romeo and Mary,” #7220
Box 10 Folder 56	Script by Jim Mulholland and Mike Barrie, November 22, 1972
Box 10 Folder 57	Script by Jim Mulholland and Mike Barrie (revised November 29, 1972), December 1, 1972
Box 10 Folder 58	“Put on a Happy Face,” #7221, Script by Marilyn Suzanne Miller and Monica McGowan, November 30, 1972
	“What Do You Say When Your Boss Says I Love You,” #7222
Box 11 Folder 1	Script by Elias Davis and David Pollock, November 1, 1972
Box 11 Folder 2	Script by Elias Davis and David Pollock (revised November 8, 1972), November 10, 1972
	“The Georgette Story,” #7223
Box 11 Folder 3	Script by Ed. Weinberger, October 27, 1972
Box 11 Folder 4	Script by Ed. Weinberger (revised November 1, 1972), November 3, 1972
	“Remembrance of Things Past,” #7224
Box 11 Folder 5	Script by Dick Claire and Jenna McMahon, December 7, 1972
Box 11 Folder 6	Script by Dick Claire and Jenna McMahon (revised December 13, 1972), December 15, 1972
	“Mary Richards and the Incredible Plant Lady,” #7225
Box 11 Folder 7	Script by Martin Cohan, December 14, 1972
Box 11 Folder 8	Script by Martin Cohan (revised December 20, 1972), December 22, 1972
	Scripts, 1973-1974 Season
	“The Lou and Edie Story,” #7301
Box 11 Folder 9	Script by Treva Silverman, August 3, 1973
Box 11 Folder 10	Script by Treva Silverman (revised August 10, 1973), August 15, 1973
Box 11 Folder 11	“Hi There, Sports Fans,” #7302, Script by Jerry Mayer, July 5, 1973
Box 11 Folder 12	“Father's Day,” #7303, Script by Ed. Weinberger, August 22, 1973
	“Just Friends,” #7304
Box 11 Folder 13	Script by William Wood, September 10, 1973
Box 11 Folder 14	Script by William Wood (revised October 17, 1973), October 19, 1973
	“Son of 'But Seriously, Folks,'” #7305
Box 11 Folder 15	Script by Phil Mishkin, June 11, 1973
Box 11 Folder 16	Script by Phil Mishkin (revised September 7 and 12, 1973), September 14, 1973
Box 11 Folder 17	“Angels in the Snow,” #7306, Script by Monica McGowan Johnson and Marilyn Suzanne Miller, July 13, 1973
	“I Gave at the Office,” #7307
Box 11 Folder 18	Script by Treva Silverman, October 25, 1973
Box 11 Folder 19	Script by Don Reo and Allan Katz, November 2, 1973
	“Love Blooms at Hemples,” #7308
Box 11 Folder 20	Script by Sybil Adelman and Barbara Gallagher, June 11, 1973
Box 11 Folder 21	Script by Sybil Adelman and Barbara Gallagher (revised September 26, 1973), September 28, 1973
	“Rhoda's Sister Gets Married,” #7309
Box 11 Folder 22	Script by Karyl Geld, June 12, 1973
Box 11 Folder 23	Script by Karyl Geld (revised August 8, 1973), August 10, 1973
	“Cottage for Sale,” #7311
Box 11 Folder 24	Script by George Atkins, November 25, 1973
Box 11 Folder 25	Script by George Atkins (revised November 28, 1973), November 30, 1973
Box 11 Folder 26	“Lou's First Date,” #7312, Script by Ed. Weinberger and Stan Daniels, September 21, 1973
	“We Want Baxter,” #7314
Box 11 Folder 27	Script by David Lloyd, July 13, 1973
Box 11 Folder 28	Script by David Lloyd (revised July 25, 1973), July 27, 1973
Box 11 Folder 29	“The Lars Affair,” #7315, Script by Ed. Weinberger, June 22, 1973
	“WJM Tries Harder,” #7316
Box 11 Folder 30	Script by Karyl Geld, November 1, 1973
Box 11 Folder 31	Script by Karyl Geld (revised November 14, 1973), November 16, 1973
	“Best of Friends” (formerly “Best of Enemies”), #7317
Box 11 Folder 32	Script by Marilyn Miller and Monica McGowan Johnson, November 26, 1973
Box 11 Folder 33	Script by Marilyn Miller and Monica McGowan Johnson (revised December 5, 1973), December 7, 1973
	“Almost a Nun's Story,” #7318
Box 11 Folder 34	Script by Ed. Weinberger and Stan Daniels, October 26, 1973
Box 11 Folder 35	Script by Ed. Weinberger and Stan Daniels (revised November 7, 1973), November 9, 1973
	“Happy Birthday Lou,” #7319
Box 11 Folder 36	Script by David Lloyd, October 15, 1973
Box 11 Folder 37	Script by David Lloyd (revised October 24, 1973), October 26, 1973
Box 11 Folder 38	“The Dinner Party,” #7321, Script by Ed. Weinberger, September 25, 1973
	“The Co-Producers” (formerly “The Producers”), #7322
Box 11 Folder 39	Script by David Pollock and Elias Davis, December 9, 1973
Box 11 Folder 40	Script by David Pollock and Elias Davis (revised December 11, 1973), December 14, 1973
	“Better Late -- That's a Pun -- Than Never,” #7323
Box 11 Folder 41	Script by Treva Silverman, December 21, 1973
Box 11 Folder 42	Script by Treva Silverman (revised January 9, 1974), January 11, 1974
	“Ted Baxter Meets Walter Cronkite,” #7324
Box 11 Folder 43	Script by Ed. Weinberger, January 10, 1974
Box 11 Folder 44	Script by Ed. Weinberger (revised January 16, 1974), January 18, 1974
	“Two Wrongs Don't Make a Writer,” #7325
Box 11 Folder 45	Script by David Lloyd, January 25, 1974
Box 11 Folder 46	Script by David Lloyd, February 1, 1974
	“Lou's Second Date,” #7326
Box 11 Folder 47	Script by Ed. Weinberger, January 20, 1974
Box 11 Folder 48	Script (revised January 22, 1974), January 25, 1974
	“I Was a Single for WJM” #7327
Box 11 Folder 49	Script by Treva Silverman, February 3, 1974
Box 12 Folder 1	Script by Treva Silverman (revised February 6, 1974), February 8, 1974
	Scripts, 1974-1975 Season
	“I Love a Piano,” #7401
Box 12 Folder 2	Script by Treva Silverman, May 29, 1974
Box 12 Folder 3	Script by Treva Silverman (revised August 14, 1974), August 16, 1974
	“The Outsider,” #7402
Box 12 Folder 4	Script by Jack Winter, March 25, 1974
Box 12 Folder 5	Script by Jack Winter (revised July 24, 1974), July 26, 1974
	“You Sometimes Hurt the One You Hate,” #7403
Box 12 Folder 6	Script by David Lloyd, April 23, 1974
Box 12 Folder 7	Script by David Lloyd (revised June 5, 1974), June 7, 1974
	“Not a Christmas Story,” #7404
Box 12 Folder 8	Script by Ed. Weinberger and Stan Daniels, April 23, 1974
Box 12 Folder 9	Script by Ed. Weinberger and Stan Daniels (revised July 31, 1974), August 2, 1974
	“Not Just Another Pretty Face,” #7406
Box 12 Folder 10	Script by Ed. Weinberger and Stan Daniels, April 22, 1974
Box 12 Folder 11	Script by Ed. Weinberger and Stan Daniels (revised June 19, 1974), June 21, 1974
	“Lou and That Woman,” #7407
Box 12 Folder 12	Script by David Lloyd, May 29, 1974
Box 12 Folder 13	Script by David Lloyd (revised June 26, 1974), June 28, 1974
	“An Affair to Forget,” #7408
Box 12 Folder 14	Script by Ed. Weinberger and Stan Daniels, May 17, 1974
Box 12 Folder 15	Script by Ed. Weinberger and Stan Daniels (revised October 2, 1974), October 4, 1974
	“What Are Friends For?” #7409
Box 12 Folder 16	Script by David Lloyd, May 24, 1974
Box 12 Folder 17	Script by David Lloyd (revised June 12, 1974), June 14, 1974
Box 12 Folder 18	“Menage-A-Phyllis,” #7410, Script by Treva Silverman, August 23, 1974
Box 12 Folder 19	“A Boy's Best Friend,” #7412, Script by David Lloyd, September 13, 1974
	“The Shame of the Cities,” #7413 (formerly #7310)
Box 12 Folder 20	Written by Michael Elias; Story by Michael Elias and Arnie Kogen, July 15, 1973 (revised June 5, 1974)
Box 12 Folder 21	Written by Michael Elias; Story by Michael Elias and Arnie Kogen (revised November 20, 1974), November 22, 1974
Box 12 Folder 22	“A Girl Like Mary,” #7415, Script by Ann Gibbs and Joel Kimmel, November 15, 1974
	“Neighbors,” #7416
Box 12 Folder 23	Script by Ziggy Steinberg, September 22, 1974
Box 12 Folder 24	Script by Ziggy Steinberg (revised October 23, 1974), October 25, 1974
	“Marriage Minneapolis Style,” #7417
Box 12 Folder 25	Script by Pamela Russell, November 29, 1974
Box 12 Folder 26	Script by Pamela Russell (revised December 4, 1974), December 6, 1974
Box 12 Folder 27	“The New Sue Ann,” #7418, Script by David Lloyd, September 20, 1974
	“A Son for Murray,” #7419
Box 12 Folder 28	Script by Ed. Weinberger and Stan Daniels, August 28, 1974
Box 12 Folder 29	Script by Ed. Weinberger and Stan Daniels (revised September 25, 1974), September 27, 1974
Box 12 Folder 30	“Mary Richards: Producer,” #7422, Script by David Lloyd, November 1, 1974
Box 12 Folder 31	“Phyllis Whips Inflation,” #7423, Script by Ed. Weinberger and Stan Daniels, November 8, 1974
Box 12 Folder 32	“The System,” #7426, Script by Ed. Weinberger and Stan Daniels, December 13, 1974
Box 12 Folder 33	“You Try to be a Nice Guy,” #7428, Script by Michael Leeson, January 10, 1975
	Scripts, 1975-1976 Season
Box 12 Folder 34	“Mary's Aunt,” #5001, Script by David Lloyd, August 15, 1975
Box 12 Folder 35	“Mary's Delinquent,” #5002, Script by Mary Kay Place and Valerie Curtin, June 13, 1975
Box 12 Folder 36	“The Seminar,” #5003, Script by James McDonald and Robert Gerlach, October 22, 1975
Box 12 Folder 37	“Mary's Father,” #5004, Script by Earl Pomerantz, June 25, 1975
Box 12 Folder 38	“Mary Moves Out,” #5005, Script by David Lloyd, June 18, 1975
Box 12 Folder 39	“Murray in Love,” #5006, Script by David Lloyd, July 30, 1975
Box 12 Folder 40	“Ted's Moment of Glory,” #5007, Script by Charles Lee and Gig Henry, August 6, 1975
Box 12 Folder 41	“Edie Gets Married,” #5008, Script by Bob Ellison, July 23, 1975
Box 12 Folder 42	“Chuckles Bites the Dust,” #5009, Script by David Lloyd, August 20, 1975
Box 12 Folder 43	“Ted's Wedding,” #5010, Script by David Lloyd, September 10, 1975
Box 12 Folder 44	“Mary Richards Falls in Love,” #5011, Script by Ed. Weinberger and Stan Daniels, September 24, 1975
Box 12 Folder 45	“Ted's Tax Refund,” #5012, Script by Bob Ellison, October 2, 1975
Box 12 Folder 46	“What Do You Want To Do When You Produce?” #5013, Script by Shelley Nelbert and Craig Alan Hafner, November 12, 1975
Box 12 Folder 47	“Lou Douses an Old Flame,” #5014, Script by David Lloyd, September 17, 1975
Box 12 Folder 48	“The Happy Homemaker Takes Lou Home,” #5015, Script by David Lloyd, October 29, 1975
Box 12 Folder 49	“Not With My Wife I Don't,” #5016, Script by Bob Ellison, November 19, 1975
Box 12 Folder 50	“One Boyfriend Too Many,” #5017, Script by David Lloyd, November 5, 1975
Box 12 Folder 51	“Once I Had a Secret Love...,” #5018, Script by Pat Nardo and Gloria Banta, December 3, 1975
Box 12 Folder 52	“Murray Takes a Stand,” #5019, Script by David Lloyd, December 17, 1975
Box 13 Folder 1	“Menage a Lou,” #5020, Script by Bob Ellison, December 10, 1975
Box 13 Folder 2	“Mary's Aunt Returns,” #5021, Script by David Lloyd, January 7, 1976
Box 13 Folder 3	“Ted and the Kid,” #5022, Script by Bob Ellison, January 17, 1976
Box 13 Folder 4	“A Reliable Source,” #5023, Script by Richard M. Powell, January 28, 1976
Box 13 Folder 5	“Sue Ann Falls in Love,” #5024, Script by Bob Ellison, February 4, 1976
	Scripts, 1976-1977 Season
Box 13 Folder 6	“Mary Midwife,” #6001, Script by David Lloyd, June 30, 1976
Box 13 Folder 7	“What's Wrong with Swimming?” #6002, Script by David Lloyd, July 28, 1976
Box 13 Folder 8	“My Son, the Genius,” #6003, Script by Bob Ellison, August 18, 1976
Box 13 Folder 9	“Look at Us, We're Walking,” #6004, Script by Bob Ellison, July 14, 1976
Box 13 Folder 10	“Sue Ann's Sister,” #6005, Script by David Lloyd, June 21, 1976
Box 13 Folder 11	“Mary the Writer,” #6006, Script by Burt Prelutsky, June 23, 1976
Box 13 Folder 12	“One Producer Too Many,” #6008, Script by Bob Ellison, August 25, 1976
Box 13 Folder 13	“Mary's Insomnia,” #6009, Script by David Lloyd, September 15, 1976
Box 13 Folder 14	“Ted's Change of Heart,” #6010, Script by Earl Pomerantz, September 1, 1976
Box 13 Folder 15	“Murray Can't Lose!” #6012, Script by David Lloyd, October 6, 1976
Box 13 Folder 16	“Ted's Temptation,” #6013, Script by Bob Ellison, October 27, 1976
Box 13 Folder 17	“Mary Gets a Lawyer,” #6014, Script by Burt Prelutsky, September 22, 1976
Box 13 Folder 18	“Lou Proposes,” #6015, Script by David Lloyd, September 29, 1976
Box 13 Folder 19	“Lou's Army Reunion,” #6016, Script by Bob Ellison, November 10, 1976
Box 13 Folder 20	“The Critic,” #6017, Script by David Lloyd, November 3, 1976
Box 13 Folder 21	“The Ted and Georgette Show,” #6018, Script by David Lloyd, November 17, 1976
Box 13 Folder 22	“Sue Ann Gets the Ax,” #6019, Script by Bob Ellison, December 1, 1976
Box 13 Folder 23	“Hail the Conquering Gordy,” #6020, Script by Earl Pomerantz, December 8, 1976
Box 13 Folder 24	“Mary and the Sexagenarian,” #6021, Script by Les Charles and Glen Charles, December 15, 1976
Box 13 Folder 25	“Mary's Three Husbands,” #6023, Script by Bob Ellison, January 12, 1977
Box 13 Folder 26	“Lou Dates Mary,” #6024, Script by David Lloyd, January 5, 1977
Box 13 Folder 27	“Murray Ghosts for Ted,” #6025, Script by David Lloyd, January 19, 1977
Box 13 Folder 28	“Mary's Big Party,” #6026, Script by Bob Ellison, January 26, 1977
Box 13 Folder 29	“The Last Show,” #6027, Script by James L. Brooks, Allan Burns, Ed. Weinburger, Stan Daniels, David Lloyd, and Bob Ellison, February 2, 1977
	Newhart
	Scripts, 1982-1983 Season
Box 30 Folder 6	“In the Beginning...” (Pilot), #1210, Revised Final Draft, by Barry Kemp, April 2, 1982 (“Script as Shot, 5/27/82”)
Box 30 Folder 7	“Hail to the Councilman,” #2101, Final Draft, by Sheldon Bull, August 25, 1982, with later revisions
Box 30 Folder 8	“The Senator's Wife Was Indiscreet,” #2102, Final Draft, by John Steven Owen, October 13, 1982, later with revisions
Box 30 Folder 9	“This Probably Is Condemned,” #2103, Final Draft, by Barton Dean, September 22, 1982, with later revisions
Box 30 Folder 10	“The Perfect Match,” #2105, Final Draft, by Stuart Silverman, October 20, 1982, with later revisions
Box 30 Folder 11	“Mrs. Newton's Body Lies a Mould'rin' in the Grave,” #2106, Final Draft, by Katherine Green, September 1, 1982, with later revisions
Box 30 Folder 12	“Shall We Gather at the River?” #2107, Final Draft, by Paul Robinson Hunter, September 28, 1982, with later revisions
Box 30 Folder 13	“Some Are Born Writers...Others Have Writers Thrust Upon Them,” #2108, Final Draft, by Emily Marshall, October 27, 1982, with later revisions
Box 30 Folder 14	“No Tigers at the Circus,” #2109, Final Draft, by Earl Pomerantz, September 15, 1982, with later revisions
Box 30 Folder 15	“Sprained Dreams,” #2110, Final Draft, by Rich Reinhart, November 17, 1982, with later revisions
Box 30 Folder 16	“The Way We Thought We Were,” #2111, Final Draft, by John Steven Owen, November 10, 1982, with later revisions
Box 30 Folder 17	“No Room at the Inn,” #2112, Final Draft, by Barry Kemp, Sheldon Bull, and Emily Marshall, December 1, 1982, with later revisions
Box 30 Folder 18	“The Visitors,” #2113, Final Draft, by Earl Pomerantz, December 8, 1982, with later revisions
Box 30 Folder 19	“The Boy Who Cried 'Goat,'” #2114, Final Draft, by Barbara Hall, February 2, 1983, with later revisions
Box 30 Folder 20	“Rocky Nelson Up Your Nose,” #2115, Final Draft, by Barton Dean, January 19, 1983, with later revisions
Box 30 Folder 21	“Breakfast Theatre,” #2117, Final Draft, by Chip Keyes and Doug Keyes, January 12, 1983, with later revisions
Box 30 Folder 22	“Heaven Knows Mr. Utley,” #2119, Final Draft, by Bill Taub and Jeff Lewis, February 23, 1983, with later revisions
Box 30 Folder 23	“What Is This Thing Called Lust?” #2120, Final Draft, by Emily Marshall, January 5, 1983, with later revisions
Box 30 Folder 24	“View from the Bench,” #2121, Final Draft, by Sheldon Bull, February 9, 1983, with later revisions
Box 30 Folder 25	“I Enjoy Being a Guy,” #2123, Final Draft, by Bob Perlow and Gene Braunstein, March 9, 1983, with later revisions
Box 30 Folder 26	“You're Homebody 'Till Somebody Loves You,” #2124, Final Draft, by Emily Marshall, March 2, 1983, with later revisions
Box 30 Folder 27	“Grandma, What a Big Mouth You Have!” #2125, Final Draft, by Barton Dean, March 16, 1983, with later revisions
	Scripts, 1983-1984 Season
Box 30 Folder 28	“It Happened One Afternoon” (Part I), #3101, Final Draft, by Barry Kemp, July 13, 1983, with later revisions
Box 30 Folder 29	“It Happened One Afternoon” (Part II), #3102, Final Draft, by Barry Kemp, July 13, 1983, with later revisions
Box 30 Folder 30	“Animal Attractions,” #3103, Final Draft, by Emily Marshall, July 20, 1983, with later revisions
Box 30 Folder 31	“The Looks of Love,” #3104, Final Draft, by Shelley Zellman, August 10, 1983, with later revisions
Box 30 Folder 32	“The Man Who Came Forever,” #3105, Final Draft, by Sheldon Bull, August 3, 1983, with later revisions
Box 30 Folder 33	“The Stratford Wives,” #3106, Final Draft, by Barbara Hall, August 17, 1985, with later revisions
Box 30 Folder 34	“New Faces of 1951,” #3107, Final Draft, by Neal Marlens, September 28, 1983, with later revisions
Box 30 Folder 35	“The Girl from Manhattan,” #3108, Final Draft, by Nat Mauldin, September 14, 1983, with later revisions
Box 30 Folder 36	“Kirk Goes for the Juggler,” #3109, Final Draft, by Emily Marshall, October 26, 1983, with later revisions
Box 30 Folder 37	“Curious George at the Firehouse,” #3111, Final Draft, by Barbara Hall, November 9, 1983, with later revisions
Box 30 Folder 38	“Lady and the Tramps,” #3112, Final Draft, by Emily Marshall, October 5, 1983, with later revisions
Box 30 Folder 39	“Book Beat,” #3114, Final Draft, by Will Porter and Rich Procter, November 2, 1983, with later revisions
Box 30 Folder 40	“Don't Rain on My Parade,” #3115, Final Draft, by Barbara Hall, October 19, 1983, with later revisions
Box 30 Folder 41	“Kirk Pops the Question,” #3119, Final Draft, by Miriam Trogdon, December 7, 1983, with later revisions
Box 30 Folder 42	“A Jug of Wine, a Loaf of Bread - and Pow!” #3120, Final Draft, by Barry Kemp, Sheldon Bull, and Emily Marshall, November 30, 1983, with later revisions
Box 30 Folder 43	“Cats,” #3121, Final Draft, by Barry Kemp, Sheldon Bull, and Emily Marshall, December 14, 1983, with later revisions
Box 30 Folder 44	“Kirk Ties One On,” #3122, Final Draft, by Barry Kemp, Sheldon Bull, and Emily Marshall, January 12, 1984, with later revisions
Box 31 Folder 1	“Best Friends,” #3123, Final Draft, by Barry Kemp and Emily Marshall, January 4, 1984, with later revisions
Box 31 Folder 2	“Go, Grandma, Go!” #3126, Final Draft, by Barbara Hall, February 1, 1984, with later revisions
Box 31 Folder 3	“Leave It to the Beavers,” #3127, Final Draft, by Emily Marshall, Barbara Hall, and Miriam Trogdon, January 19, 1984, with later revisions
Box 31 Folder 4	“Send Her, Ella,” #3128, Final Draft, by Barbara Hall and Miriam Trogdon, February 15, 1984, with later revisions
Box 31 Folder 5	“Vermont Today,” #3129, Final Draft, by Barry Kemp, Sheldon Bull, and Emily Marshall, February 8, 1984, with later revisions
	Scripts, 1984-1985 Season
Box 31 Folder 6	“Happy Trails to You,” #4102, Final Draft, by Douglas Wyman, July 25, 1984, with later revisions
Box 31 Folder 7	“Georgie's Girl,” #4103, Revised Final Draft, by Miriam Trogdon, July 18, 1984
Box 31 Folder 8	“A' Hunting We Will Go,” #4104, Final Draft, by Barton Dean, July 11, 1984
Box 31 Folder 9	“Tell a Lie, Get a Check,” #4105, Revised Final Draft, by Dan Wilcox, August 15, 1984, with later revisions
Box 31 Folder 10	“Once I Had a Secret, Love,” #4106, Final Draft, by Ellen Guylas, November 7, 1984, with later revisions
Box 31 Folder 11	“The Fan,” #4108, Final Draft, by Shelley Zellman, October 3, 1984, with later revisions
Box 31 Folder 12	“Twenty-Five Year Itch,” #4109, Final Draft, by Miriam Trogdon, August 29, 1984, with later revisions
Box 31 Folder 13	“Poor Reception,” #4110, Final Draft, by Emily Marshall, August 22, 1984, with later revisions
Box 31 Folder 14	“Miss Stephanie,” #4111, Final Draft, by Douglas Wyman, September 26, 1984, with later revisions
Box 31 Folder 15	“But Seriously, Beavers,” #4112, Final Draft, by Arnie Kogen and Gary Jacobs, September 19, 1984, with later revisions
Box 31 Folder 16	“My Fair Larry,” #4113, Final Draft, by Michael Kagen, December 12, 1984, with later revisions
Box 31 Folder 17	“Tickets, Please,” #4114, Revised Final Draft, by Barton Dean, October 10, 1984, with later revisions
Box 31 Folder 18	“Lady in Waiting,” #4115, Final Draft, by David Mirkin, October 24, 1984, with later revisions
Box 31 Folder 19	“Local Hero,” #4116, Revised Final Draft, by Ellen Guylas, October 31, 1984
Box 31 Folder 20	“Pillow Fight,” #4117, Revised Final Draft, by Shelley Zellman, November 14, 1984, with later revisions
Box 31 Folder 21	“Out With the New, Inn With the Old,” #4118, Final Draft, by Tracy Gamble and Richard Vaczy, December 19, 1984, with later revisions
Box 31 Folder 22	“Dick Gets Larry's Goat,” #4119, Revised Final Draft, by Barton Dean, December 4, 1984
Box 31 Folder 23	“R.I.P. Off,” #4120, Final Draft, by Russ Woody, January 9, 1985, with later revisions
Box 31 Folder 24	“Look Homeward, Stephanie,” #4121, Final Draft, by Miriam Trogdon, January 23, 1985, with later revisions
Box 31 Folder 25	“You're Nobody 'til Somebody Hires You,” #4122, Final Draft, by David Mirkin, January 16, 1985, with later revisions
Box 31 Folder 26	“The Prodigal Darryl,” #4123, Final Draft, by Douglas Wyman, February 6, 1985, with later revisions
Box 31 Folder 27	“What Makes Dick Run?” #4124, Final Draft, by Arnie Kogen and Gary Jacobs, February 13, 1985, with later revisions
	Scripts, 1985-1986 Season
Box 35 Folder 36	“Candidate Larry,” #5101, Final Draft Script by Douglas Wyman, last revised August 29, 1985
Box 35 Folder 37	“Summa Cum Larry,” #5102, Final Draft Script by Arnie Kogen and Gary Jacobs, last revised July 31, 1985
Box 35 Folder 38	“The Geezers in the Band,” #5103, Final Draft Script by David Mirkin, last revised October 2, 1985
Box 35 Folder 39	“The Way We Ought to Be,” #5104, Final Draft Script by Miriam Trogdon, last revised July 24, 1985
Box 35 Folder 40	“Locks, Stocks, and Noodlehead,” #5105, Final Draft Script, by Barton Dean, last revised September 25, 1985
Box 35 Folder 41	“Look, Ma, No Talent,” #5106, Final Draft Script, by Dan Wilcox and Jesse Levine, last revised November 6, 1985
Box 35 Folder 42	“Much Ado About Mitch,” #5107, Final Draft Script, by Janet Leahy, last revised October 29, 1985
Box 35 Folder 43	“Write to Privacy,” #5108, Final Draft Script by Susan Beavers, last revised July 17, 1985
Box 35 Folder 44	“Larry's Dead, Long Live Larry,” #5109, Final Draft Script, by Lissa Levin, last revised December 5, 1985
Box 35 Folder 45	“The Shape of Things,” #5110, Final Draft Script, by John Steven Owen, last revised October 23, 1985
Box 35 Folder 46	“Still the Beavers,” #5111, Final Draft Script, by Katherine Green, last revised October 9, 1985
Box 35 Folder 47	“Pirate Pete,” #5112, Final Draft Script, by Gary Belkin, last revised August 14, 1985
Box 36 Folder 1	“Oh, That Morocco,” #5113, Final Draft Script, by Barton Dean, last revised August 21, 1985
Box 36 Folder 2	“I Do, Okay?” #5114, Final Draft Script, by Douglas Wyman, last revised November 20, 1985
Box 36 Folder 3	“The Stratford Horror Picture Show,” #5115, Final Draft Script, by David Mirkin, last revised December 10, 1985
Box 36 Folder 4	“The Snowmen Cometh,” #5116, Final Draft Script, by Arnie Kogen and Gary Jacobs, last revised January 8, 1986
Box 36 Folder 5	“Stephanie Nightingale,” #5117, Final Draft Script, by Shelley Zellman, last revised December 18, 1985
Box 36 Folder 6	“Will the Real Dick Loudon Please Shut Up?” #5118, Final Draft Script, by Phoef Sutton, last revised January 22, 1986
Box 36 Folder 7	“He Ain't Human, He's My Cousin,” #5119, Final Draft Script, by Barton Dean, last revised January 15, 1986
Box 36 Folder 8	“Dwight Schmidtlapp Is Not a Quitter,” #5120, Final Draft Script, by Janet Leahy, last revised February 12, 1986
Box 36 Folder 9	“Pre-Nups,” #5121, Final Draft Script, by Arnie Kogen and Gary Jacobs, last revised February 5, 1986
Box 36 Folder 10	“Torn Between Three Brothers,” #5122, Final Draft Script, by David Mirkin, last revised February 19, 1986
Box 36 Folder 11	“Baby, I'm Your Handyman,” #5123, Final Draft Script, by Phoef Sutton, last revised March 5, 1986
Box 36 Folder 12	“Replaceable You,” #5124, Final Draft Script, by Miriam Trogdon, last revised March 12, 1986
	Scripts, 1986-1987 Season
Box 41 Folder 9	“Camp Stephanie,” #6101, Script by Robin Pennington and Don Hart, July 30, 1986
Box 41 Folder 10	“Utley, Can You Spend a Dime?,” #6102, Script by David Tyrone King, August 14, 1986
Box 41 Folder 11	“Desperately Desiring Susan: Part I,” #6103, Script by Miriam Trogdon, September 17, 1986
Box 41 Folder 12	“Desperately Desiring Susan: Part II,” #6104, Script by Miriam Trogdon, September 24, 1986
Box 42 Folder 1	“High Fidelity,” #6105, Script by Tom Seeley and Norm Gunzenhauser, July 23, 1986
Box 42 Folder 2	“Dr. Jekyll and Mr. Loudon,” #6106, Script by Merrill Markoe, January 21, 1987
Box 42 Folder 3	“My Two and Only,” #6107, Script by Douglas Wyman, August 27, 1986
Box 42 Folder 4	“Co-Hostess Twinkle,” #6108, Script by David Markin, August 20, 1986
Box 42 Folder 5	“Dick the Kid,” #6109, Script by Arnie Kogen, September 10, 1986
Box 42 Folder 6	“Saturday in New York with George,” #6110, Script by Stuart Kreisman and Chris Cluess, October 8, 1986
Box 42 Folder 7	“Love Letters in the Mud,” #6111, Script by Shelley Zeliman, November 12, 1986
Box 42 Folder 8	“Sweet and Sour Charity,” #6112, Script by David Tyrone King, October 15, 1986
Box 42 Folder 9	“Everybody Ought to Have a Maid,” #6113, Script by Michael Loman, November 19, 1986
Box 42 Folder 10	“Thanksgiving for the Memories,” #6114, Script by Daid Mirkin, November 5, 1986
Box 42 Folder 11	“The First of the Belles,” #6115, Script by Douglas Wyman, December 3, 1986
Box 42 Folder 12	“It's My Party and I'll Die If I Want To”, #6116, Script by Kerry Ehrin, December 10, 1986
Box 42 Folder 13	“Chimes, They Are A Changin',” #6117, Script by Tom Seeley and Norm Gunzenhauser, December 17, 1986
Box 42 Folder 14	“Unfriendly Persuasion,” #6118, Script by Miriam Trogdan, January 7, 1987
Box 42 Folder 15	“Jail, Jail, The Gang's All There,” #6119, Script by Arnie Kogen, January 15, 1987
Box 42 Folder 16	“Fun with Dick and Joanna,” #6120, Script by Linda Campanelli and M.M. Shelly Moore, February 4, 1987
Box 42 Folder 17	“Harris Ankles PIV for Web Post,” #6121, Script by Douglas Wyman, February 18, 1987
Box 43 Folder 1	“Night Moves,” #6122, Script by David Mirkin, February 11, 1987
Box 43 Folder 2	“Goodbye and Good Riddance, Mr. Chips,” #6123, Script by Arnie Kogen, March 4, 1987
Box 43 Folder 3	“Much to Do Without Muffin,” #6124, Script by David Tyron King, Tom Seeley, and Norm Gunzenhauser, March 11, 1987
	Scripts, 1987-1988 Season
Box 43 Folder 4	“Inn This Corner,” #7101, Script by M.M. Shelley Moore and Linda Campanelli, July 22, 1987
Box 43 Folder 5	“Here's to You, Mrs. Louden,” #7102, Script by Miriam Trogdon, August 12, 1987
Box 43 Folder 6	“Me and My Gayle,” #7103, Script by Tom Seeley and Norm Gunzenhauser, September 6, 1987
Box 43 Folder 7	“Prima Darryl,” #7104, Script by Arnie Kogen, July 29, 1987
Box 43 Folder 8	“Reading, Writing, and Rating Points,” #7105, Script by David Tyrone King, August 26, 1987
Box 43 Folder 9	“Vintage Stephanie,” #7106, Script by Douglas Wyman, September 17, 1987
Box 43 Folder 10	“Telethon Man,” #7107, Script by David Mirkin, August 19, 1987
Box 43 Folder 11	“Laugh at My Wife, Please,” #7108, Script by Dan O'Shannon, November 11, 1987
Box 43 Folder 12	“Support Your Local Shifflett,” #7109, Script by Burt Prelutsky, November 18, 1987
Box 43 Folder 13	“Attention WPIV Shoppers,” #7110, Script by Merrill Markoe, November 4, 1987
Box 43 Folder 14	“Take Me to Your Louden,” #7111, Script by David Tyrone King, September 23, 1987
Box 43 Folder 15	“Til Depth Do Us Part I,” #7112, Script by Miriam Trogdon, October 8, 1987
Box 43 Folder 16	“Til Depth Do Us Part II,” #7113, Script by Arnie Kogen, October 15, 1987
Box 43 Folder 17	“Presence of Malice,” #7114, Script by Marjorie Gross, December 16, 1987; Script by Marjorie Gross, , December 16, 1987
Box 43 Folder 18	“My Three Dads,” #7115, Script by Douglas Wyman, December 2, 1987
Box 43 Folder 19	“A Friendship That Will Last a Lunchtime,” #7116, Script by David Mirkin, December 9, 1987
Box 44 Folder 1	“Would You Buy a Used Car from This Handyman?,”, #7117 Script by David Tyrone King, January 7, 1988
Box 44 Folder 2	“The Buck Stops Here,” #7118, Script by Tom Seeley and Norm Gunzenhauser, January 13, 1988
Box 44 Folder 3	“The Big Uneasy,” #7119, Script by Arnie Kogen, February 3, 1988
Box 44 Folder 4	“Draw Partner,” #7120, Script by Marjorie Gross, February 17, 1988
Box 44 Folder 5	“A Midseason Night's Dream,” #7121, Script by David Mirkin, February 10, 1988
Box 44 Folder 6	“Newsstruck,” #7122, Script by Douglas Wyman, March 2, 1988
Box 44 Folder 7	“Courting Disaster,” #7123, Script by Tom Seeley and Norm Gunzenhauser, March 9, 1988
Box 44 Folder 8	“The Gleeless Club,” #7124
	Scripts, 1988-1989 Season
Box 44 Folder 9	“Goonstruck,” #8101, Script by Billy Van Zandt and Jane Milmore, November 2, 1988
Box 44 Folder 10	“Town Without Pity,” #8102, Script by Dan O'Shannon and Tom Anderson, September 29, 1988
Box 44 Folder 11	“I Married Dick,” #8103, Script by Shelley Zellman, October 26, 1988
Box 44 Folder 12	“Apples! Apples! Apples!,” #8104, Script by Bob Bendetson and Howard Bendetson,, October 12, 1988
Box 44 Folder 13	“This Blood's for You,” #8105, Script by Mark Egan and Mark Solomon,, October 5, 1988
Box 44 Folder 14	“Home for the Holidays,” #8106, Script by Ellen Guylas, December 7, 1988
Box 44 Folder 15	“Shoe Business Is My Life,” #8107, Script by Dan O'Shannon and Tom Anderson,, December 13, 1988
Box 44 Folder 16	“I Came, I Saw, I Sat,” #8108, Script by Shelley Zellman, November 9, 1988
Box 44 Folder 17	“Cupcake on My Back,” #8109, Script by Mark Egan and Mark Solomon, January 18, 1989
Box 45 Folder 1	“Twelve Annoyed Men...and Women,” #8110, Script by Bob Bendetson, November 30, 1988
Box 45 Folder 2	“George and the Old Maid,” #8110, Script by Dan O'Shannon and Tom Anderson, January 4, 1989
Box 45 Folder 3	“Hi, Society:,” #8112, Script by David Silverman and Stephen Sustarsic, January 11, 1989
Box 45 Folder 4	“Another Saturday Night,” #8113, Script by Bob Bendetson and Howard Bendetson, February 1, 1989
Box 45 Folder 5	“The Nice Man Cometh,” #8114, Script by Billy Van Zandt and Jane Milmore, February 8, 1989
Box 45 Folder 6	“One and a Half Million Dollar Man,” #8115, Script by Bob Bendetson and Howard Bendetson, February 15, 1989
Box 45 Folder 7	“The Little Match Girl,” #8116, Script by Dan O'Shannon and Tom Anderson, March 1, 1989
Box 45 Folder 8	“Buy, Buy Blues,” #8117, Script by Heather Stewart, March 8, 1989
Box 45 Folder 9	“Message from Michael,” #8118, Script by Shelley Zellman, March 15, 1989
Box 45 Folder 10	“Homes and Jo-Jo,” #8119, Script by Bob Bendetson and Howard Bendetson, March 29, 1989
Box 45 Folder 11	“Georgie and Bess,” #8120, Script by Dan O'Shannon and Tom Anderson, April 5, 1989
Box 45 Folder 12	“Murder at the Stratley,” #8121, Script by Billy Van Zandt and Jane Milmore, April 12, 1989
Box 45 Folder 13	“Mailing in Love Again,” #8122, Script by Bob Bendetson and Shelley Zellman, April 19, 1989
	Paris
	Scripts, 1979-1980 Season
Box 13 Folder 30	Pilot, #0311-5364-0329, Script by Steven Bochco, December 13, 1978
Box 13 Folder 31	“The Ghost Maker” (formerly “Dirty Laundry”), #9301, Teleplay by Burton Armus, Story by Steve Kline and Burton Armus, August 30, 1979
Box 13 Folder 32	“Dead Men Don't Kill,” #9302, Script by Steven Bochco, October 22, 1979
Box 13 Folder 33	“Friends and Enemies,” #9303, Teleplay by Edward DeBlasio, Story by Michael Kozoll, July 11, 1979
Box 13 Folder 34	“Dear John,” #9304, Story by Michael Kozoll, Teleplay by Steven Bochco, August 28, 1979
Box 13 Folder 35	“Burnout,” #9305, Script by Del Reisman, September 6, 1979
Box 13 Folder 36	“America the Beautiful,” #9306, Teleplay by Burton Armus, Story by Leo Garen, September 27, 1979
Box 13 Folder 37	“Decisions,” #9307, Script by Irv Pearlberg, October 11, 1979
Box 13 Folder 38	“The Price Is Right,” #9309, Script by Jackson Gillis, August 20, 1979
Box 13 Folder 9	“Once More for Free,” #9310, Script by Burton Armus, September 20, 1979
Box 13 Folder 40	“Pawn,” #9312, Script by Edward DeBlasio, September 13, 1979
Box 13 Folder 41	“Fitz's Boys,” #9313, Script by Larry Alexander and Burton Armus, October 1, 1979
Box 13 Folder 42	“Pay the Two Bucks,” #9515, Script by David Solomon, November 2, 1979
	Phyllis
	Scripts, 1975-1976 Season
Box 14 Folder 1	Pilot, #6524, Script by Ed. Weinberger and Stan Daniels, March 5, 1975
Box 14 Folder 2	“Up For Grabs,” #5201, Script by Michael Leeson, July 18, 1975
Box 14 Folder 3	“Phyllis' Garage Sale,” #5202, Script by Pamela Herbert Chais, September 12, 1975
Box 14 Folder 4	“All Together Now,” #5203, Script by Regier and Markowitz, September 26, 1975
Box 14 Folder 5	“The First Day,” #5204, Script by Earl Pomerantz, September 5, 1975
Box 14 Folder 6	“Phyllis Takes Piano Lessons,” #5205, Script by Ed. Weinberger and Stan Daniels, August 22, 1975
Box 14 Folder 7	“Leaving Home,” #5206, Script by Earl Pomerantz, August 29, 1975
Box 14 Folder 8	“Audrey Leaves Jonathan,” #5207, Script by Michael Leeson, August 8, 1975
Box 14 Folder 9	“Bess, Is You a Woman Now?” #5208, Script by Ed. Weinberger and Stan Daniels, July 11, 1975
Box 14 Folder 10	“The First Date,” #5209, Script by Seth Freeman, August 19, 1975
Box 14 Folder 11	“So Lonely I Could Cry,” #5210, Script by Mary Kay Place and Valerie Curtin, October 31, 1975
Box 14 Folder 12	“Phyllis Opens Julie's Heart,” #5211, Script by David Lloyd, October 10, 1975
Box 14 Folder 13	“There's No Business Like No Business,” #5212, Script by Earl Pomerantz, October 3, 1975
Box 14 Folder 14	“Phyllis and the Little People,” (aka “The Even Couple”), #5213, Script by Bob Ellison, November 7, 1975
Box 14 Folder 15	“Honor Thy Mother Dexter,” #5214, Script by Michael Leeson, December 5, 1975
Box 14 Folder 16	“Paging Doctor Lindstrom,” #5215, Script by Glen Charles and Les Charles, November 14, 1975
Box 14 Folder 17	“Phyllis in Love,” #5216, Script by Glen Charles and Les Charles, December 12, 1975
Box 14 Folder 18	“The $17,623,419.53 Man,” #5218, Script by Earl Pomerantz, November 21, 1975
Box 14 Folder 19	“Crazy Mama,” #5219, Script by Glen Charles and Les Charles, December 19, 1975
Box 14 Folder 20	“A Man and a Woman...And Another Woman,” #5220, Script by Earl Pomerantz, January 9, 1976
Box 14 Folder 21	“Leo's Suicide,” #5221, Script by Michael Leeson, January 17, 1976
Box 14 Folder 22	“Widows - Merry and Otherwise,” #5222, Script by Tony Webster, January 30, 1976
Box 14 Folder 23	“Sonny Boy,” #5223, Script by Glen Charles and Les Charles, January 23, 1976
Box 14 Folder 24	“The Triangle,” #5224, Script by Glen Charles and Les Charles, February 6, 1976
	Scripts, 1976-1977 Season
Box 14 Folder 25	“Out of the Closet,” #6201, Script by Glen Charles and Les Charles, August 19, 1976
Box 14 Folder 26	“The Wrong Box,” #6202, Script by Earl Pomerantz, July 22, 1976
Box 14 Folder 27	“Off the Bench,” #6203, Script by Earl Pomerantz, July 15, 1976
Box 14 Folder 28	“Phyllis Cries Wolf,” #6204, Script by Glen Charles and Les Charles, August 11, 1976
Box 14 Folder 29	“The New Job,” #6206, Script by Ed. Weinberger and Stan Daniels, July 8, 1976
Box 14 Folder 30	“You're Not Getting Better, Just Older,” #6207, Script by David Lloyd, August 5, 1976
Box 14 Folder 31	“Speech IA,” #6208, Script by Gary David Goldberg, August 27, 1976
Box 14 Folder 32	“Mother Dexter Cohabitates,” #6209, Script by Glen Charles and Les Charles, September 23, 1976
Box 14 Folder 33	“Mother Dexter's Wedding,” #6210, Script by Glen Charles and Les Charles, September 30, 1976
Box 14 Folder 34	“Phyllis and the Jumper,” #6211, Script by Bob Ellison, September 17, 1976
Box 14 Folder 35	“The Threat,” #6212, Script by Sandy Glass and George Arthur Bloom, November 4, 1976
Box 14 Folder 36	“Boss or Buddy or Both or Neither,” #6213, Script by Earl Pomerantz, September 9, 1976
Box 14 Folder 37	“The Christmas Party,” #6214, Script by Tom Tenowich, October 28, 1976
Box 14 Folder 38	“Bess Airs Her Views,” #6215, Script by Glen Charles and Les Charles, October 21, 1976
Box 14 Folder 39	“I Am Beautiful,” #6216, Script by Arthur Rabin, November 18, 1976
Box 14 Folder 40	“Taking a Chance on Chance,” #6217, Script by Earl Pomerantz, November 11, 1976
Box 14 Folder 41	“Broken-Hearted Bess,” #6218, Story by Ron Bloomberg, Teleplay by Glen Charles and Les Charles, December 16, 1976
Box 14 Folder 42	“Phyllis Runs the Office,” #6220, Script by David Lloyd, December 3, 1976
Box 14 Folder 43	“Leonard and the Bribe,” #6221, Script by Bob Ellison, December 10, 1976
Box 14 Folder 44	“The Elopement,” #6223, Script by Laurence Marks, January 7, 1977
Box 14 Folder 45	“Dan's Ex,” #6224, Script by Glen Charles and Les Charles, January 14, 1977
Box 14 Folder 46	“Audrey's New Life,” #6225, Script by Tom Tenowich, January 20, 1977
Box 14 Folder 47	“The Apartment,” #6226, Script by Laurence Marks, January 27, 1977
Box 14 Folder 48	“And Baby Makes Six...” #6227, Script by Glen Charles and Les Charles, February 4, 1977
	Popcorn Kid
	Scripts, 1986-1987 Season
Box 45 Folder 14	Pilot, #1334, Script by Barry Kemp and Mark Ganzel, April 1, 1986
Box 45 Folder 15	“Career Day,” #6501, Script by Barry Kemp and Mark Ganzel, October 2, 1986
Box 45 Folder 16	“There She Is, Vic Damone,” #6503, Script by Irene Mecchi, November 7, 1986
Box 45 Folder 17	“A Day in the Life of Ed Asner,” #6504, Script by Mark Egan and Mark Solomon, October 31, 1986
Box 46 Folder 1	“The Break Up,” #6505, Script by Barry Kemp and Mark Ganzel, October 10, 1986
Box 46 Folder 2	“A Car, a House, a Mouse, and a Louse,” #6506, Script by Barry Kemp and Mark Ganzel, October 24, 1986
	Remington Steele
	Scripts, 1982-1983 Season
Box 31 Folder 28	“Tempered Steele” (Pilot?), #0903, Revised Final Draft, by Michael Gleason, December 21, 1981, with later revisions
Box 31 Folder 29	“Steele Belted,” #2701, Revised Final Draft, by Michael Gleason, April 30, 1982, with later revisions
Box 31 Folder 30	“Signed, Steeled, and Delivered,” #2702, Revised Final Draft, by Glenn Caron, July 2, 1982, with later revisions
Box 31 Folder 31	“Steele Waters Run Deep,” #2703, Revised Final Draft, by Lee Zlotoff, July 26, 1982, with later revisions
Box 31 Folder 32	“License to Steele,” #2704, Revised Final Draft, by Michael Gleason, August 2, 1982, with later revisions
Box 31 Folder 33	“Hearts of Steele,” #2705, Revised Final Draft, by Charles Rosin, Teleplay by Glenn Caron, August 11, 1982, with later revisions
Box 31 Folder 34	“Thou Shalt Not Steele,” #2706, Revised Final Draft, by Lee Zlotoff, August 26, 1982, with later revisions
Box 31 Folder 35	“Etched in Steele,” #2707, Revised Final Draft, by Glenn Caron, September 9, 1982, with later revisions
Box 31 Folder 36	“In the Steele of the Night,” #2708, Revised Final Draft, by Joel Steiger, October 1, 1982, with later revisions
Box 31 Folder 37	“Your Steele the One For Me,” #2709, Revised Final Draft, by Lee Zlotoff, October 8, 1982, with later revisions
Box 31 Folder 38	“Steele Trap,” #2710, Revised Final Draft, by Michael Gleason, October 22, 1982, with later revisions
Box 31 Folder 39	“Steele Flying High” (formerly “Steele His Thunder”), #2711, Revised Final Draft, by Richard Collins and Michael Gleason, November 27, 1982, with later revisions
Box 31 Folder 40	“Good Night's Steele,” #2712, Revised Final Draft, by Lee Zlotoff and R.J. Stewart, December 1, 1982, with later revisions
Box 31 Folder 41	“Steeling the Show,” #2713, Revised Final Draft, by Peter Lefcourt, Glenn Caron, Lee Zlotoff, R.J. Steward, and Michael Gleason, November 8, 1982, with later revisions
Box 31 Folder 42	“Steele Crazy After All These Years,” #2715, Revised Final Draft, by Peggy Foldman, R.J. Stewart, Andrew Laskos, and Lee Zlotoff, January 5, 1983, with later revisions
Box 32 Folder 1	“Vintage Steele,” #2716, Revised Final Draft, by Susan Baskin, February 10, 1983, with later revisions
Box 32 Folder 2	“Steele in the News,” #2717, Revised Final Draft, by Duncan Smith, Fred Lyle, and Michael Gleason, February 3, 1983, with later revisions
Box 32 Folder 3	“Steele Among the Living,” #2718, Revised Final Draft, by Andrew Laskos, January 17, 1983, with later revisions
Box 32 Folder 4	“To Stop a Steele,” #2721, Revised Final Draft, by Glenn Caron and Michael Gleason, December 28, 1982, with later revisions
Box 32 Folder 5	“Sting of Steele,” #2722, Revised Final Draft, by Gary Kott and Michael Gleason, March 12, 1983, with later revisions
Box 32 Folder 6	“Steele's Gold,” #2723, Revised Final Draft, by R.J. Steward, Andrew Laskos, and Michael Gleason, February 22, 1983, with later revisions
Box 32 Folder 7	“Steele in Circulation,” #2724, Revised Final Draft, by Lee Zlotoff, March 18, 1983, with later revisions
	Scripts, 1983-1984 Season
Box 32 Folder 8	“Altared Steele,” #3702, Revised Final Draft, by Jeff Melvoin, August 12, 1983, with later revisions
Box 32 Folder 9	“Scene Steelers,” #3703, Revised Final Draft, by Michael Gleason, Richard De Roy, Joyce Armor, and Judie Neer, September 10, 1983, with later revisions
Box 32 Folder 10	“Elementary Steele,” #3705, Revised Final Draft, by Michael Gleason, March 5, 1984, with later revisions
Box 32 Folder 11	“A Steele at Any Price,” #3706, Revised Final Draft, by Mitch Paradise, Richard De Roy, and Michael Gleason, September 21, 1983, with later revisions
Box 32 Folder 12	“Steele Sweet on You,” #3707, Revised Final Draft, by Susan Baskin, November 2, 1983, with later revisions
Box 32 Folder 13	“Steele Framed” (formerly “Hell Bent for Steele”), #3708, Revised Final Draft, by Brian Alan Lane, August 8, 1983, with later revisions
Box 32 Folder 14	“Steele Away With Me,” #3709, Revised Final Draft, by Michael Gleason, June 24, 1983, with later revisions
Box 32 Folder 15	“Red Holt Steele,” #3710, Revised Final Draft, by Lee Zlotoff, July 28, 1983, with later revisions
Box 32 Folder 16	“Steele Threads,” #3711, Revised Final Draft, by George Lee Marshall, October 5, 1983, with later revisions
Box 32 Folder 17	“Blood Is Thicker Than Steele,” #3712, Revised Final Draft, by Richard De Roy, November 15, 1983, with later revisions
Box 32 Folder 18	“My Fair Steele,” (formerly “I've Grown Accustomed to Her Steele”), #3714, Revised Final Draft, by Brian Alan Lane, October 24, 1983, with later revisions
Box 32 Folder 19	“Molten Steele,” #3715, Revised Final Draft, by Richard Collins, January 24, 1984, with later revisions
Box 32 Folder 20	“Love Among the Steele,” #3716, Revised Final Draft, by Lee Zlotoff, September 26, 1983, with later revisions
Box 32 Folder 21	“Steele Knuckles and Glass Jaws,” #3717, Revised Final Draft, by Jeff Melvoin, October 13, 1983, with later revisions
Box 32 Folder 22	“High Flying Steele,” #3718, Revised Final Draft, by George Lee Marshall, December 8, 1983, with later revisions
Box 32 Folder 23	“Steele Eligible,” #3719, Revised Final Draft, by Michael Gleason and Larry Konner, December 2, 1983, revised , December 9, 1983
Box 32 Folder 24	“Elegy in Steele,” #3720, Revised Final Draft, by Brian Alan Lane, December 27, 1983, with later revisions
Box 32 Folder 25	“Small Town Steele,” #3721, Revised Final Draft, by Jeff Melvoin, January 4, 1984, with later revisions
Box 32 Folder 26	“Woman of Steele,” #3724, Revised Final Draft, by Susan Baskin, Richard De Roy, and Michael Gleason, February 10, 1984, with later revisions
Box 32 Folder 27	“Dreams of Steele,” #3726, Revised Final Draft, by Brian Alan Lane, January 30, 1984, with later revisions
Box 32 Folder 28	“Hounded Steele,” #3727, Revised Final Draft, by Jeff Melvoin, February 22, 1984, with later revisions
	Scripts, 1984-1985 Season
Box 32 Folder 29	“Blue-Blooded Steele,” #4701, Revised Final Draft, by John Pashdag, Brady Westwater, and John Wirth, August 28, 1984, with later revisions
Box 32 Folder 30	“Breath of Steele,” #4702, Revised Final Draft, by John Wirth, May 30, 1984, with later revisions
Box 32 Folder 31	“Lofty Steele,” #4703, Revised Final Draft, by Brad Kern, May 22, 1984, with later revisions
Box 32 Folder 32	“Let's Steele a Plot,” #4704, Revised Final Draft, by Richard De Roy, and Joe Gores, September 21, 1984, with later revisions
Box 32 Folder 33	“Second Base Steele,” #4705, Revised Final Draft, by Rick Mittleman, August 7, 1984, with later revisions
Box 32 Folder 34	“Steele at It,” #4707, Revised Final Draft, by Jeff Melvoin, June 14, 1984, with later revisions
Box 32 Folder 35	“Steele in the Chips,” #4710, Revised Final Draft, by Robin Bernheim, Stephanie Zimbalist, and Howard Baldwin, June 12, 1984, with later revisions
Box 33 Folder 1	“Steele Your Heart Away,” #4711, Revised Final Draft, by Brian Clemens, June 18, 1984, with later revisions
Box 33 Folder 2	“Puzzled Steele,” #4712, by Brian Clemens, Dennis Revised Final Draft, Spooner, and Jeff Melvoin, July 23, 1984, with later revisions
Box 33 Folder 3	“Maltese Steele,” #4713, Revised Final Draft, by John Wirth, July 9, 1984, with later revisions
Box 33 Folder 4	“Gourmet Steele” (New Scenes), #4716, Revised Final Draft, by Bob Shayne, August 23, 1984, with later revisions
Box 33 Folder 5	“Steele Trying,” #4717, Revised Final Draft, by Michael Gleason, February 22, 1985, revised , February 25, 1985
Box 33 Folder 6	“Stronger Than Steele,” #4718, Revised Final Draft, by Kerry Lenhart and John J. Sakmar, November 14, 1984, with later revisions
Box 33 Folder 7	“Cast in Steele,” #4720, Revised Final Draft, by Jeff Melvoin, October 16, 1984, with later revisions
Box 33 Folder 8	“A Pocketfull of Steele,” #4721, Revised Final Draft, by Brad Kern, October 5, 1984, with later revisions
Box 33 Folder 9	“Springtime for Steele,” #4722, Revised Final Draft, by John Wirth, October 31, 1984, with later revisions
Box 33 Folder 10	“Steele in the Family,” #4723, Revised Final Draft, by Brad Kern, December 5, 1984, with later revisions
Box 33 Folder 11	“Now You Steele It, Now You Don't,” #4724, Revised Final Draft, by John Wirth, January 11, 1985, revised , January 13, 1985
Box 33 Folder 12	“Have I Got a Steele for You,” #4725, Revised Final Draft, by Jeff Melvoin, November 21, 1984, with later revisions
Box 33 Folder 13	“Illustrated Steele,” #4726, Revised Final Draft, by John J. Sakmar and Kerry Lenhart, January 28, 1985, with later revisions
Box 33 Folder 14	“Diced Steele,” #4727 by Jeff Melvoin, Revised Final Draft, December 30, 1984, with later revisions
Box 33 Folder 15	“Steele of Approval,” #4728, Revised Final Draft, by Brad Kern, February 8, 1985, with later revisions
	Scripts, 1985-1986 Season
Box 36 Folder 13	“Steele Searching” Part One, #5701, Script by Michael Gleason, last revised July 9, 1985
Box 36 Folder 14	“Steele Searching” Part Two, #5702, Script by Michael Gleason, last revised June 21, 1985
Box 36 Folder 15	“Steele, Inc.,” #5703, Script by Brad Kern, last revised October 28, 1985
Box 36 Folder 16	“Steele Blushing,” #5704, Script by John Wirth, last revised July 16, 1985
Box 36 Folder 17	“Steele in the Spotlight,” #5705, Script by Kerry Lenhart and John J. Sakmar, last revised December 19, 1985
Box 36 Folder 18	“Bonds of Steele,” #5706, Script by Jeff Melvoin, last revised February 12, 1986
Box 36 Folder 19	“Dancer, Prancer, Donner and Steele,” #5708, Script by Elliott Lewis and Michael Gleason, last revised November 12, 1985
Box 36 Folder 20	“Grappling Steele,” #5709, Script by Rick Mittleman, last revised August 5, 1985
Box 36 Folder 21	“Forged Steele,” #5710, Script by Rick Mittleman, last revised August 22, 1985
Box 36 Folder 22	“Premium Steele,” #5711, Script by Gerald Sanoff, last revised August 14, 1985
Box 36 Folder 23	“Corn-Fed Steele,” #5712, Script by Pamela Norris, last revised September 23, 1985
Box 36 Folder 24	“Steele in the Running,” #5713, Script by Susan Woollen, last revised September 13, 1985
Box 36 Folder 25	“Coffee, Tea or Steele,” #5714, Script by Robin Bernheim, last revised July 29, 1985
Box 36 Folder 26	“Steele Spawning,” #5715, Script by John Wirth, last revised October 30, 1985
Box 36 Folder 27	“Suburban Steele,” #5716, Script by Robin Bernheim, last revised October 25, 1985
Box 36 Folder 28	“Steele on the Air,” #5717, J. Sakmar, last Script by Kerry Lenhart and John revised October 29, 1985
Box 36 Folder 29	“Steele Blue Yonder,” #5718, Script by Brad Kern, last revised January 15, 1986
Box 36 Folder 30	“Sensitive Steele,” #57l9, Script by Rick Mittleman, last revised November 22, 1985
Box 36 Folder 31	“Steele Alive and Kicking,” #5720, Script by John Wirth, last revised February 3, 1986
Box 36 Folder 32	“Santa Claus Is Coming to Steele,” #5721, Script by Michael Gleason, last revised December 9, 1985
Box 36 Folder 33	“Beg, Borrow or Steele,” #5722, Script by Brad Kern, last revised February 26, 1986
Box 36 Folder 34	“Steele at Your Service,” #5723, Script by Lee H. Grant, last revised January 2, 1986
	Scripts, 1986-1987 Season
Box 46 Folder 3	“The Steele That Wouldn't Die: Part I,” #6702, Script by Brad Kern, October 30, 1986
Box 46 Folder 4	“Steele Hanging in There: Part I,” #6706, Script by Robin Bernheim, November 4, 1986
Box 46 Folder 5	“Steele Hanging in There: Part II,” #6707, Script by Robin Bernheim, November 4, 1986
Box 46 Folder 6	“The Steele That Wouldn't Die: Part II,” #6708, Script by Brad Kern, October 6, 1986
Box 46 Folder 7	“Steeled with a Kiss: Part I,” #6709, Script by Robin Bernheim, December 4, 1986
Box 46 Folder 8	“Steeled with a Kiss: Part II,” #6710, Script by Brad Kern, November 28, 1986
	Rhoda
	Scripts, 1974-1975 Season
Box 14 Folder 49	“Joe” (pilot), #4151, Script by David Davis and Lorenzo Music, July 16, 1974
Box 14 Folder 50	“You Can Go Home Again,” #4152, Script by Pat Nardo and Gloria Banta, July 23, 1974
Box 14 Folder 51	“The Lady in Red,” #4153, Script by Gail Parent, August 6, 1974
Box 14 Folder 52	“I'll Be Loving You, Sometimes,” #4154, Script by Norman Barasch and Carroll Moore, August 13, 1974
Box 14 Folder 53	“Parents' Day,” #4155, Script by Charlotte Brown, July 30, 1974
Box 14 Folder 54	“'S Wonderful,” #4156, Script by Marilyn Miller, November 7, 1974
Box 14 Folder 55	“The Shower,” #4157, Script by Gail Parent, September 10, 1974
Box 14 Folder 56	“Pop Goes the Question,” #4158, Script by Norman Barasch and Carroll Moore, August 20, 1974
Box 14 Folder 57	“Honeymoon,” #4159, Script by Pat Nardo and Gloria Banta, September 19, 1974
Box 14 Folder 58	“Rhoda's Wedding,” #4160, Script by Norman Barasch, Carroll Moore, David Lloyd, Lorenzo Music, Allan Burns, and James L. Brooks, August 30, 1974
Box 15 Folder 1	“Anything Wrong?” #4163, Script by Coleman Mitchell and Geoffrey Neigher, September 23, 1974
Box 15 Folder 2	“9-E Is Available,” #4163, Script by Charlotte Brown, October 3, 1974
Box 15 Folder 3	“I'm a Little Late, Folks...,” #4164, Script by Norman Barasch and Carroll Moore, October 11, 1974
Box 15 Folder 4	“Goodbye, Charlie,” #4165, Script by Charlotte Brown, November 11, 1974
Box 15 Folder 5	“Guess What I Got You for the Holidays,” #4166, Script by Coleman Mitchell and Geoffrey Neigher, November 1, 1974
Box 15 Folder 6	“Whattya Think It's There For?” #4167, Script by Coleman Mitchell and Geoffrey Neigher, November 21, 1974
Box 15 Folder 7	“Not Made for Each Other,” #4168, Script by Charlotte Brown, December 2, 1974
Box 15 Folder 8	“Strained Interlude,” #4169, Script by Coleman Mitchell and Geoffrey Neigher, December 12, 1974
Box 15 Folder 9	“Everything I Have Is Yours, Almost,” #4170, Script by Michael Leeson, December 20, 1974
Box 15 Folder 10	“Chest Pains,” #4171, Script by Coleman Mitchell and Geoffrey Neigher, January 10, 1975
Box 15 Folder 11	“Windows by Rhoda,” #4172, Script by Charlotte Brown, January 17, 1975
Box 15 Folder 12	“A Nice Warm Rut,” #4173, Script by Marilyn Suzanne Miller, January 24, 1975
Box 15 Folder 13	“Ida, the Elf,” #4174, Script by Charlotte Brown, January 31, 1975
Box 15 Folder 14	“Along Comes Mary,” #4175, Script by Charlotte Brown, Coleman Mitchell, and Geoffrey Neigher, February 7, 1975
	Scripts, 1975-1976 Season
Box 15 Folder 15	“Mucho Macho,” #5151, Script by Coleman Mitchell and Geoffrey Neigher, July 23, 1975
Box 15 Folder 16	“Kiss Your Epaulets Goodbye,” #5152, Script by Michael Leeson, July 29, 1975
Box 15 Folder 17	“Myrna's Story,” #5153, Script by Linda Bloodworth, September 16, 1975
Box 15 Folder 18	“Somebody Down There Likes Him,” #5154, Script by Pat Nardo and Gloria Banta, August 19, 1975
Box 15 Folder 19	“Rhoda Meets the Ex-Wife,” #5155, Script by Charlotte Brown, June 25, 1975
Box 15 Folder 20	“Ida's Doctor,” #5156, Script by Coleman Mitchell and Geoffrey Neigher, June 18, 1975
Box 15 Folder 21	“With Friends Like These...” #5157, Script by Sue Grafton, July 1, 1975
Box 15 Folder 22	“Brenda's Unemployment,” #5158, Script by Pamela Herbert Chais, August 27, 1975
Box 15 Folder 23	“The Party,” #5159, Script by Charlotte Brown, July 15, 1975
Box 15 Folder 24	“Friends and Mothers,” #5160, Script by Pat Nardo and Gloria Banta, September 23, 1975
Box 15 Folder 25	“Don't Give Up the Office,” #5161, Script by Bud Wiser, January 21, 1976
Box 15 Folder 26	“Call Me Grandma,” #5162, Script by Charlotte Brown, August 13, 1975
Box 15 Folder 27	“Rhoda's Sellout,” #5163, Script by Coleman Mitchell and Geoffrey Neigher, September 30, 1975
Box 15 Folder 28	“If You Don't Tell Her...I Will,” #5164, Script by Bruce Kane, October 22, 1975
Box 15 Folder 29	“A Night With the Girls,” #5165, Script by Charlotte Brown, October 28, 1975
Box 15 Folder 30	“Attack on Mr. Right,” #5166, Script by Pat Nardo and Gloria Banta, November 12, 1975
Box 15 Folder 31	“Bump in the Night,” #5167, Script by Seth Freeman, November 5, 1975
Box 15 Folder 32	“The Love Song of J. Nicholas Lobo,” #5168, Script by Coleman Mitchell and Geoffrey Neigher, October 8, 1975
Box 15 Folder 33	“The Marty Morgan Story,” #5169, Script by Charlotte Brown, December 17, 1975
Box 15 Folder 34	“It's Not My Fault...Is It?” #5170, Script by Earl Pomerantz, January 14, 1976
Box 15 Folder 35	“The Return of Billy Glass,” #5171, Script by Coleman Mitchell and Geoffrey Neigher, December 3, 1975
Box 15 Folder 36	“If You Want to Shoot the Rapids, You Have to Get Wet,” #5172, Script by Charlotte Brown, November 18, 1975
Box 15 Folder 37	“An FBI Story,” #5173, Script by Pat Nardo and Gloria Banta, December 9, 1975
Box 15 Folder 38	“Let's Call In Love,” #5174, Script by Coleman Mitchell and Geoffrey Neigher, January 6, 1976
	Scripts, 1976-1977 Season
Box 15 Folder 39	“The Separation,” #6151, Script by Charlotte Brown, June 23, 1976
Box 15 Folder 40	“Together Again for the First Time,” #6152, Script by Coleman Mitchell and Geoffrey Neigher, July 14, 1976
Box 15 Folder 41	“No Big Deal,” #6153, Script by Pat Nardo and Gloria Banta, June 30, 1976
Box 15 Folder 42	“Rhoda Questions Her Life and Flies to Paris,” #6154, Script by Michael Leeson, August 18, 1976
Box 15 Folder 43	“I Won't Dance,” #6155, Script by Charlotte Brown, August 4, 1976
Box 15 Folder 44	“Man of the Year,” #6156, Script by Pat Nardo and Gloria Banta, August 25, 1976
Box 15 Folder 45	“H-e-e-e-r-e's Johnny,” #6157, Script by Coleman Mitchell and Geoffrey Neigher, July 21, 1976
Box 15 Folder 46	“Two Little Words: Marriage Counselor,” #6158, Script by Charlotte Brown, July 28, 1976
Box 15 Folder 47	“Guess Who I Saw Today?” #6159, Script by Burt Prelutsky, September 29, 1976
Box 15 Folder 48	“An Elephant Never Forgets,” #6160, Script by Michael Leeson, September 1, 1976
Box 15 Folder 49	“A Touch of Classy,” #6161, Script by Coleman Mitchell and Geoffrey Neigher, October 13, 1976
Box 15 Folder 50	“Meet the Levy's,” #6162, Script by Charlotte Brown, September 22, 1976
Box 15 Folder 51	“You Deserve a Break Today,” #6163, Script by Pat Nardo and Gloria Banta, October 6, 1976
Box 15 Folder 52	“The Ultimatum,” #6164, Script by Charlotte Brown, November 3, 1976
Box 15 Folder 53	“What Are You Doing New Year's?” #6165, Script by Pat Nardo and Gloria Banta, November 10, 1976
Box 15 Folder 54	“A Night in the Emergency Room,” #6166, Script by Coleman Mitchell and Geoffrey Neigher, December 1, 1976
Box 16 Folder 1	“Love for Sale” (formerly “Gary's Dream Girl”), #6167, Script by Coleman Mitchell and Geoffrey Neigher, November 17, 1976
Box 16 Folder 2	“Somebody Has to Say They're Sorry,” #6168, Script by Martin Rips and Joseph Staretski, December 8, 1976
Box 16 Folder 3	“The Second Time Around,” #6169, Script by Pat Nardo and Gloria Banta, January 5, 1977
Box 16 Folder 4	“Nick Lobo Superstar,” #6170, Script by Charlotte Brown, December 15, 1976
Box 16 Folder 5	“Nose Job,” #6171, Script by Charlotte Brown, January 19, 1977
Box 16 Folder 6	“Rhoda's Mystery Man,” #6172, Script by Coleman Mitchell and Geoffrey Neigher, January 12, 1976
Box 16 Folder 7	“Pajama Party Bingo” (formerly “The Lost Weekend”), #6173, Script by Ian Praiser and Varley Smith, January 26, 1977
Box 16 Folder 8	“To Vegas With Love,” #6174, Script by Coleman Mitchell and Geoffrey Neigher, February 1-2, 1977
	Scripts, 1977-1978 Season
Box 16 Folder 9	“Lady's Choice,” #7153, Script by Sy Rosen, July 27, 1977
Box 16 Folder 10	“Johnny's Solo Flight,” #7155, Script by Dennis Koenig and Larry Balmagia, July 13, 1977
Box 16 Folder 11	“The Weekend,” #7157, Script by Earl Pomerantz, August 3, 1977
Box 16 Folder 12	“Rhoda Likes Mike,” #7158, Script by Deborah Leschin, August 17, 1977
Box 16 Folder 13	“The Job,” #7159, Script by Allan Katz and Don Reo, August 24, 1977
Box 16 Folder 14	“The Return of Ida,” #7160, Script by Charlotte Brown, July 20, 1977
Box 16 Folder 15	“Home Movies,” #7161, Script by Allan Katz and Don Reo, September 21, 1977
Box 16 Folder 16	“One Is a Number,” #7162, Script by Charlotte Brown, August 31, 1977
Box 16 Folder 17	“Ida Works Out,” #7163, Script by Larry Balmagia and Dennis Koenig, September 14, 1977
Box 16 Folder 18	“All Work and No Play,” #7164, Script by Deborah Leschin, September 28, 1977
Box 16 Folder 19	“Ida Alone,” #7165, Script by David Lloyd, October 5, 1977
Box 16 Folder 20	“Who's Shy?” #7166, Script by Dennis Koenig and Larry Balmagia, October 19, 1977
Box 16 Folder 21	“Blind Date,” #7167, Script by Don Reo, October 26, 1977
Box 16 Folder 22	“The Jack Story,” #7168, Script by Allan Katz, November 7, 1977
Box 16 Folder 23	“Happy Anniversary,” #7169, Script by Charlotte Brown, November 2, 1977
Box 16 Folder 24	“Gary and Ida,” #7170, Script by David Lloyd, November 16, 1977
Box 16 Folder 25	“As Time Goes By,” #7171, Script by Deborah Leschin, November 30, 1977
Box 16 Folder 26	“Rhoda Cheats,” #7172, Script by Charlotte Brown, December 7, 1977
Box 16 Folder 27	“Two's Company,” #7173, Script by Don Reo, December 14, 1977
Box 16 Folder 28	“So Long, Lucky,” #7174, Script by Allan Katz, January 4, 1978
Box 16 Folder 29	“Brenda, the Bank Girl,” #7175, Script by Earl Pomerantz, January 18, 1978
Box 16 Folder 30	“Jack's Back,” #7176, Script by Deborah Leschin, January 11, 1978
Box 16 Folder 31	“Five for the Road, Part I,” #7177, Script by Charlotte Brown, Allen Katz and Don Reo, January 25, 1978
Box 16 Folder 32	“Five for the Road, Part II,” #7178, Script by Charlotte Brown, Allan Katz and Don Reo, January 31, 1978
	Scripts, 1978-1979 Season
Box 16 Folder 33	“Rhoda vs. Ida,” #8151, Script by Bob Ellison, July 19, 1978
Box 16 Folder 34	“Martin Doesn't Live Here Anymore,” #8152, Script by Charlotte Brown, July 12, 1978
Box 16 Folder 35	“Meet the Goodwins,” #8153, Script by Charlotte Brown, August 16, 1978
Box 16 Folder 36	“The Date in the Iron Mask,” #8154, Script by Bob Ellison, September 13, 1978
Box 16 Folder 37	“In Search of Martin,” #8155, Script by Garry Ferrier and Aubrey Tadman, August 2, 1978
Box 16 Folder 38	“Brenda Gets Engaged,” #8156, Script by David Lloyd, August 9, 1978
Box 16 Folder 39	“Ida's Roommate,” #8157, Script by David Lloyd, August 23, 1978
Box 16 Folder 40	“Jack's New Image,” #8158, Script by Aubrey Tadman and Garry Ferrier, September 20, 1978
Box 16 Folder 41	“Martin Comes Home,” #8159, Script by Charlotte Brown, October 4, 1978
Box 16 Folder 42	“The Total Brenda,” #8160, Script by Emily Purdum Marshall, October 18, 1978
Box 16 Folder 43	“Martin Swallows His Heart,” #8161, Script by Bob Ellison, September 27, 1978
Box 16 Folder 44	“Earl's Helping Hand,” #8163, Script by Emily Purdum Marshall, October 25, 1978
Box 16 Folder 45	“Brenda Runs Away,” #8164, Script by David Lloyd, November 1, 1978
	St. Elsewhere
	Scripts, 1982-1983 Season
Box 33 Folder 16	“Bypass,” #2301, Revised Final Draft, by Joshua Brand and John Falsey, April 23, 1982, with later revisions
Box 33 Folder 17	“Graveyard,” #2302, Revised Final Draft, by Joshua Brand, John Falsey, John Masius, and Tom Fontana, September 3, 1982, with later revisions
Box 33 Folder 18	“Samuels and the Kid,” #2303, Revised Final Draft, by Joshua Brand, John Falsey, and John Masius, June 21, 1982, with later revisions
Box 33 Folder 19	“Downs Syndrome,” #2304, Revised Final Draft, by Joshua Brand, John Falsey, and Tom Fontana, May 17, 1982, with later revisions
Box 33 Folder 20	“Cora and Arnie,” #2305, Revised Final Draft, by John Falsey, Joshua Brand, and Neil Cuthbert, May 17, 1982, with later revisions
Box 33 Folder 21	“Legionnaires,” #2306, Revised Final Draft, by Joshua Brand, John Falsey, and Joel Surnow, June 21, 1982, with later revisions
Box 33 Folder 22	“Tweety and Ralph,” #2307, Revised Final Draft, by Joshua Brand, John Falsey, and Elizabeth Diggs, July 9, 1982, with later revisions
Box 33 Folder 23	“Rain,” #2308, Revised Final Draft, by John Falsey, Joshua Brand, and Tom Fontana, July 26, 1982, with later revisions
Box 33 Folder 24	“Legionnaires II,” #2309, Revised Final Draft, by Joshua Brand, John Falsey, and Charles Rosin, June 1, 1982, with later revisions
Box 33 Folder 25	“Hearts,” #2310, Revised Final Draft, by Joshua Brand, John Falsey, and John Masius, August 27, 1982, with later revisions
Box 33 Folder 26	“Release,” #2311, Revised Final Draft, by Joshua Brand, John Falsey, Tom Fontana, and David Assael, September 12, 1982, with later revisions
Box 33 Folder 27	“Family History,” #2312, Revised Final Draft, by Joshua Brand, John Falsey, and Andrew Laskos, October 7, 1982, revised , October 11, 1982
Box 33 Folder 28	“St. Elsewhere” (Pilot), #2313, Revised Final Draft, by Joshua Brand and John Falsey, March 31, 1982, with later revisions
Box 33 Folder 29	“Remission,” #2314, Revised Final Draft, by Joshua Brand, John Falsey, and Leigh Curran, December 13, 1982, with later revisions
Box 33 Folder 30	“Monday, Tuesday, Sven's Day,” #2315, Revised Final Draft, by Joshua Brand, John Falsey, John Masius, and Tom Fontana, December 18, 1982, with later revisions
Box 33 Folder 31	“The Count,” #2316, Revised Final Draft, by Joshua Brand and John Falsey, January 10, 1983, with later revisions
Box 33 Folder 32	“Brothers,” #2317, Revised Final Draft, by Joshua Brand, John Falsey, Mark Tinker, and John Tinker, January 19, 1983, with later revisions
Box 33 Folder 33	“Dog Day Hospital,” #2318, Revised Final Draft, by Joshua Brand, John Falsey, and John Ford Noonan, February 2, 1983, with later revisions
Box 33 Folder 34	“Baron von Munchausen,” #2319, Revised Final Draft, by Joshua Brand, John Falsey, David Assael, and Paul Schiffer, March 2, 1983, with later revisions
Box 33 Folder 35	“Working,” #2320, Revised Final Draft, by Joshua Brand, John Falsey, and Dennis Cooper, February 14, 1983, with later revisions
Box 33 Folder 36	“Craig in Love,” #2321, Revised Final Draft, by Joshua Brand, John Falsey, and Steven Lawson, February 23, 1983, revised , March 1, 1983
Box 33 Folder 37	“Addiction,” #2322, Revised Final Draft, by John Masius and Tom Fontana, March 11, 1983, with later revisions
	Scripts, 1983-1984 Season
Box 33 Folder 38	“Ties That Bind,” #3301, Revised Final Draft, by John Masius and Tom Fontana, June 21, 1983, with later revisions
Box 33 Folder 39	“Lust et Veritas,” #3302, Revised Final Draft , by John Masius, Tom Fontana, and Dennis Cooper, July 15, 1983, with later revisions
Box 33 Folder 40	“Newheart,” #3303, Revised Final Draft, by John Masius, Tom Fontana, Garn Stephens, and Emilie Small, July 22, 1983, with later revisions
Box 33 Folder 41	“Qui Transtulit Sustinet,” #3304, Tinker and Mark Revised Final Draft, by John Tinker, August 5, 1983, with later revisions
Box 34 Folder 1	“A Wing and a Prayer,” #3305, Revised Final Draft, by Raymond de Laurentis and Robert de Laurentis, August 19, 1983, with later revisions
Box 34 Folder 2	“AIDS and Comfort,” #3306, Revised Final Draft, by John Masius, Tom Fontana, and Steve Lawson, August 26, 1983, with later revisions
Box 34 Folder 3	“Under Pressure,” #3307, Revised Final Draft, by John Masius and Tom Fontana, September 9, 1983, with later revisions
Box 34 Folder 4	“Entrapment,” #3308, Revised Final Draft, by John Masius, Tom Fontana, and Steve Bello, September 20, 1983, with later revisions
Box 34 Folder 5	“All About Eve,” #3309, Revised Final Draft, by John Masius and Tom Fontana, September 30, 1983, with later revisions
Box 34 Folder 6	“A Pig Too Far,” #3310, Revised Final Draft, by John Tinker and James Kahn, October 10, 1983, with later revisions
Box 34 Folder 7	“Blizzard,” #3311, Revised Final Draft, by Steve Lawson and Jamie Horton, October 19, 1983, with later revisions
Box 34 Folder 8	“Hearing,” #3312, Revised Final Draft, by Steve Bello and Robert Daniels, October 28, 1983, with later revisions
Box 34 Folder 9	“In Sickness and in Health,” #3313, Revised Final Draft, by John Masius and Tom Fontana, November 8, 1983, with later revisions
Box 34 Folder 10	“Drama Center,” #3314, Revised Final Draft, by John Masius and Tom Fontana, December 20, 1983, with later revisions
Box 34 Folder 11	“Attack,” #3315, Revised Final Draft, by John Masius and Tom Fontana, December 16, 1983, with later revisions
Box 34 Folder 12	“After Dark,” #3316, Revised Final Draft, by John Masius, Tom Fontana, and Steve Lawson, January 17, 1984, with later revisions
Box 34 Folder 13	“Vanity,” #3317, Revised Final Draft, by John Masius and Tom Fontana, January 30, 1984, with later revisions
Box 34 Folder 14	“Equinox,” #3318, Revised Final Draft, by John Masius and Tom Fontana, February 7, 1984, with later revisions
Box 34 Folder 15	“The Women,” #3319, Revised Final Draft, by John Masius and Tom, Fontana, February 17, 1984, with later revisions
Box 34 Folder 16	“Cramming,” #3320, Revised Final Draft, by Steve Lawson and Steve Bello, February 28, 1984, with later revisions
Box 34 Folder 17	“Rough Cut,” #3321, Revised Final Draft, by Steve Lawson and Steve Bello, March 12, 1984, revised , March 14, 1984
Box 34 Folder 18	“Hello and Goodbye,” #3322, Revised Final Draft, by John Masius and Tom Fontana, March 19, 1984, with later revisions
	Scripts, 1984-1985 Season
Box 34 Folder 19	“Playing God - Part I,” #4301, Revised Final Draft, by John Masius and Tom Fontana, May 30, 1984, with later revisions
Box 34 Folder 20	“Playing God - Part II,” #4302, Revised Final Draft, by John Masius and Tom Fontana, June 7, 1984, with later revisions
Box 34 Folder 21	“Two Balls and a Strike,” #4303, Revised Final Draft, by John Masius, Tom Fontana, and John Tinker, June 25, 1984, with later revisions
Box 34 Folder 22	“Strike Out,” #4304, Revised Final Draft, by John Masius, Tom Fontana, and Steve Bello, July 3, 1984, with later revisions
Box 34 Folder 23	“Breathless,” #4305, Revised Final Draft, by John Masius and Tom Fontana, July 16, 1984, with later revisions
Box 34 Folder 24	“My Aim Is True,” #4306, Revised Final Draft, by John Masius and Tom Fontana, July 25, 1984, with later revisions
Box 34 Folder 25	“Fade to White,” #4307, Revised Final Draft, by John Masius and Tom Fontana, August 3, 1984, with later revisions
Box 34 Folder 26	“Sweet Dreams,” #4308, Revised Final Draft, by John Masius and Tom Fontana, August 14, 1984, with later revisions
Box 34 Folder 27	“Up on the Roof,” #4309, Revised Final Draft, by John Tinker and Charles H. Eglee, August 24, 1984, later with revisions
Box 34 Folder 28	“Girls Just Want to Have Fun,” #4310, Revised Final Draft, by Charles H. Eglee and Steve Bello, September 6, 1984, revised , September 13, 1984
Box 34 Folder 29	“Homecoming,” #4311, Revised Final Draft, by Steve Bello and Channing Gibson, September 13, 1984, with later revisions
Box 34 Folder 30	“The Children's Hour,” #4312, Revised Final Draft, by Channing Gibson and John Tinker, September 25, 1984, with later revisions
Box 34 Folder 31	“Dr. Wyler, I Presume?” #4313, Revised Final Draft, by John Masius and Tom Fontana, October 3, 1984, with later revisions
Box 34 Folder 32	“Whistle, Wylie Works,” #4314, Revised Final Draft, by John Masius and Tom Fontana, October 9, 1984, with later revisions
Box 34 Folder 33	“Bye George,” #4315, Revised Final Draft, by John Masius and Tom Fontana, October 15, 1984, with later revisions
Box 34 Folder 34	“Saving Face,” #4316, Revised Final Draft, by John Masius and Tom Fontana, November 5, 1984, with later revisions
Box 34 Folder 35	“Give the Boy a Hand,” #4317, Revised Final Draft, by John Masius and Tom Fontana, November 12, 1984, with later revisions
Box 34 Folder 36	“Any Portrait in a Storm,” #4318, Revised Final Draft, by John Masius and Tom Fontana, November 27, 1984, with later revisions
Box 34 Folder 37	“Red, White, Black, and Blue,” #4319, Revised Final Draft, by John Masius and Tom Fontana, December 21, 1984, with later revisions
Box 34 Folder 38	“Amazing Face,” #4320, Revised Final Draft, by John Masius and Tom Fontana, January 4, 1985, with later revisions
Box 34 Folder 39	“Murder, She Rote,” #4321, Revised Final Draft, by John Masius, Tom Fontana, and Steve Bello, January 16, 1985, with later revisions
Box 34 Folder 40	“Cheers,” #4322, Revised Final Draft, by John Masius, Tom Fontana, and John Tinker, January 25, 1985, with later revisions
Box 34 Folder 41	“Tears of a Clown,” #4323, Revised Final Draft, by Steve Bello, John Tinker, Charles Eglee, and Channing Gibson, February 4, 1985, with later revisions
Box 34 Folder 42	“Bang the Eardrum Slowly,” #4324, Revised Final Draft, by John Masius and Tom Fontana, February 14, 1985, with later revisions
	Scripts, 1985-1986 Season
Box 36 Folder 35	“Fathers and Sons,” #5302, Final Draft Script, by Duncan Smith, John Masius, and Tom Fontana, last revised June 17, 1985
Box 36 Folder 36	“The Naked and the Dead,” #5303, Final Draft Script, by Russ Woody, John Masius, and Tom Fontana, last revised July 17, 1985
Box 36 Folder 37	“Slice O' Life,” #5304, Final Draft Script, by John Tinker, John Masius, and Tom Fontana, last revised July 24, 1985
Box 36 Folder 38	“Lost and Found in Space,” #5305, Final Draft Script, by Bob Rosenfarb, John Masius, and Tom Fontana, last revised August 9, 1985
Box 36 Folder 39	“Close Encounters,” #5306, Final Draft Script, by Norma Safford Vela, John Masius, and Tom Fontana, last revised August 9, 1985
Box 36 Folder 40	“Watch the Skies,” #5307, Final Draft Script, by Charles H. Eglee, John Masius, and Tom Fontana, last revised August 28, 1985
Box 36 Folder 41	“Sanctuary,” #5308, Final Draft Script, by Channing Gibson, John Masius, and Tom Fontana, last revised September 3, 1985
Box 36 Folder 42	“Remembrance of Things Past,” #5309, Final Draft Script, by John Masius, Bruce Paltrow, and Tom Fontana, last revised September 5, 1985
Box 36 Folder 43	“Haunted,” #5310, Final Draft Script, by John Tinker, Charles H. Eglee, Channing Gibson, John Masius, and Tom Fontana, last revised June 17, 1985
Box 36 Folder 44	“The Boom-Boom Womb,” #5312, Final Draft Script, by Michael Moody, John Masius, and Tom Fontana, last revised September 26, 1985
Box 36 Folder 45	“To Tell the Truth,” #5313, Final Draft Script, by Steve Lawson, John Masius, and Tom Fontana, last revised October 7, 1985
Box 36 Folder 46	“Santa Claus Is Dead,” #5314, Final Draft Script, by John Masius, Tom Fontana, and Charles H. Eglee, last revised October 16, 1985
Box 37 Folder 1	“Family Ties,” #5315, Final Draft Script, by Judith Kahan, John Masius, and Tom Fontana, last revised October 22, 1985
Box 37 Folder 2	“Family Feud,” #5316, Final Draft Script, by Frank Dandridge, John Masius, and Tom Fontana, last revised November 5, 1985
Box 37 Folder 3	“Family Affair,” #5317, Final Draft Script, by Eric Overmyer, John Masius, and Tom Fontana, last revised November 8, 1985
Box 37 Folder 4	“Time Heals,” #5318, Part I, and #5301, Part II, Final Draft Script, by John Tinker, Tom Fontana, and John Masius, last revised December 5, 1985
Box 37 Folder 5	“Out on a Limb,” #5319, Final Draft Script, by Judith Kahan, John Masius, and Tom Fontana, last revised January 13, 1986
Box 37 Folder 6	“Come Home, Oh Sapien,” #5320, Final Draft Script, by Michael Duggan, John Masius, and Tom Fontana, last revised January 14, 1986
Box 37 Folder 7	“Cheek to Cheek,” #5321, Final Draft Script, by Eric Overmyer, john Masius, and Tom Fontana, last revised January 23, 1986
Box 37 Folder 8	“E.R.,” #5322, Final Draft Script, by Channing Gibson, Tom Fontana, and John Masius, last revised February 21, 1986
Box 37 Folder 9	“Loss of Power,” #5323, Final Draft Script, by John Masius, Tom Fontana, Bruce Paltrow, and Mark Tinker, last revised September 13, 1985
Box 37 Folder 10	“Black's Magic,” #5324, Final Draft Script, by John Masius, Tom Fontana, John Tinker, Charles H. Eglee, and Channing Gibson, last revised February 13, 1986
Box 37 Folder 11	“The Equalizer,” #5325, Final Draft Script, by John Masius, Tom Fontana, John Tinker, Channing Gibson, and Charles H. Eglee, last revised February 21, 1986
	Scripts, 1982-1983 Season
Box 46 Folder 9	“Where There's Hope, There's Crosby,” #6301, Script by John Masius and Tom Fontana, August 4, 1986
Box 46 Folder 10	“When You Wish Upon a Scar,” #6302, Script by John Tinker, July 18, 1986
Box 46 Folder 11	“A Room with a View,” #6303, Script by Charming Gibson, July 29, 1986
Box 46 Folder 12	“Brand New Bag,” #6304, Script by Eric Overmyer, August 11, 1986
Box 46 Folder 13	“You Beta Your Life,” #6305, Script by Mark Tinker, John Masius, and, Tom Fontana, August 12, 1986
Box 47 Folder 1	“Not My Type,” #6306, Script by Ann Reckling, August 21, 1986
Box 47 Folder 2	“Up and Down,” #6307, Script by Johnny Dawkins, September 2, 1986
Box 47 Folder 3	“Nothing Up My Sleeve,” #6308, Script by Norma Stafford Vela, September 15, 1986
Box 47 Folder 4	“Once Upon a Mattress,” #6309, Script by Channing Gibson, September 24, 1986
Box 47 Folder 5	“Afterlife,” #6310, Script by John Tinker, Tom Fontana, and, John Masius, October 23, 1986
Box 47 Folder 6	“Lost Weekend,” #6311, Script by Eric Overmyer, October 14, 1986
Box 47 Folder 7	“Cold War,” #6312, Script by Chris Gibson, October 22, 1986
Box 47 Folder 8	“Russian, Roulette,” #6313, Script by Ann Reckling, November 3, 1986
Box 47 Folder 9	“Visiting Daze,” #6314, Script by D. Keith Mano, November 10, 1986
Box 47 Folder 10	“Getting Ahead,” #6315, Script by John Masius, Tom Fontana, and, Eric Overmyer, November 24, 1986
Box 47 Folder 11	“Jose, Can You See?,” #6316, Script by John Tinker, December 15, 1986
Box 47 Folder 12	“Schwarzald,” #6317, Script by James Kramer and Richard Kramer, January 28, 1987
Box 47 Folder 13	“You Again?” #6318, Script by Susan Kander, February 4, 1987
Box 48 Folder 1	“Rites of Passage,” #6319, Script by than Gibson, John Masius, and Tom Fontana, January 23, 1987
Box 48 Folder 2	“Women Unchained,” #6320, Script by Russ Woody, February 4, 1987
Box 48 Folder 3	“Slip Sliding Away,” #6321, Script by John Masius and Tom Fontana, February 14, 1987
Box 48 Folder 4	“Last Dance at the Wrecker's Ball,” #6322, Script by John Masius and Tom Fontana, February 26, 1987
Box 48 Folder 5	“Good Vibrations,” #6323, Script by John Masius, Tom Fontana, John Tinker,, and Chan Gibson, March 5, 1987
	Scripts, 1987-1988 Season
Box 48 Folder 6	“Resurrection,” #7301, Script by John Tinker and Channing Gibson, August 21, 1987
Box 48 Folder 7	“The Idiot and the Odyssey,” #7302, Script by John Masius, July 28, 1987
Box 48 Folder 8	“A Moon for the Misbegotten,” #7303, Script by Tom Fontana, July 31, 1987
Box 48 Folder 9	“Ewe Can't Go Home Again,” #7304, Script by Eric Overmyer, August 17, 1987
Box 48 Folder 10	“Night of the Living Dead,” #7305, Script by John PiRoman, August 28, 1987
Box 48 Folder 11	“The He-Man Woman Hater's Club,” #7306, Script by Janis Hirsch, September 7, 1987
Box 48 Folder 12	“Handoff,” #7307, Script by Glen Merzer, September 18, 1987
Box 48 Folder 13	“Heart On,” #7308, Script by John Tinker and Channing Gibson,, September 30, 1987
Box 49 Folder 1	“No Chemo, Sabe?,” #7310, Script by Douglas Steinberg, October 19, 1987
Box 49 Folder 2	“A Coupla White Dummies Sitting Around Talking,” #7311, Script by D. Keith Nano, October 29, 1987
Box 49 Folder 3	“Final Cut,” #7312, Script by James Kramer, November 5, 1987
Box 49 Folder 4	“Heaven's Skate,” #7313, Script by Ann Reckling, November 18, 1987
Box 49 Folder 5	“Curtains,” #7314, Script by Lydia Woodward, November 30, 1987
Box 49 Folder 6	“Fairytale Theater,” #7315, Script by Lydia Woodward and Grace McKeaney, December 9, 1987
Box 49 Folder 7	“Down and Out on Beacon Hill,” #7316, Script by John Tinker and Channing Gibson, January 28, 1988
Box 49 Folder 8	“Their Town,” #7317, Script by S. J. Lewis, January 12, 1988
Box 49 Folder 9	“The Naked Civil Surgeon,” #7318, Script by Grace McKeaney, February 8, 1988
Box 49 Folder 10	“Requiem for a Heavyweight,” #7319, Script by Lydia Woodward, February 17, 1988
Box 49 Folder 11	“Split Decision,” #7320, Script by Aram Saroyan, February 23, 1988
Box 49 Folder 12	“The Abby Singer Show,” #7321, Script by Tom Fontana, February 29, 1988
Box 49 Folder 13	“The Last One,” #7322, Script by Bruce Paltrow and Mark Tinker, March 11, 1988
Box 50 Folder 1	“Weigh In, Way Out,” #7323, Script by John Tinker, Channing Gibson, and Tom Fontana, October 7, 1987
	Tattinger's
	Scripts, 1988-1989 Season
Box 50 Folder 2	Pilot, #7901/#7950, Script by Bruce Paltrow, John Masius, and, Tom Fontana, September 28, 1988
Box 50 Folder 3	“Virgin Spring,” #7903, Script by Robert DeLaurentis, October 14, 1988
Box 50 Folder 4	“The Sonny Also Rises,” #7916, Script by Tom Fontana, October 12, 1988
Box 50 Folder 5	“Nouvelle York,” #8902, Script by Bruce Paltrow and Tom Fontana, October 11, 1988
Box 50 Folder 6	“Wall Street Blues,” #8905, Script by Peter McCabe, December 16, 1988
Box 50 Folder 7	“Two Men And A Baby,” #8907, Script by Robert DeLaurentis, November 16, 1988
Box 50 Folder 8	“Broken Windows,” #8913, Script by Noel Behn and Tom Fontana, November 1, 1988
Box 50 Folder 9	“Rest In Peas,” #8914, Script by John Tinker and Channing Gibson, November 11, 1988
Box 50 Folder 10	“Death and Taxis,” #8915, Script by John Tinker and Charming Gibson, October 25, 1988
Box 50 Folder 11	“Half A Loaf...” #8918, Script by Tom Fontana, Channing Gibson, and, John Tinker, February 27, 1989
Box 50 Folder 12	“El Sid,” #8920, Script by Tom Fontana and John Tinker, March 16, 1989
	The Texas Wheelers
	Scripts, 1974-1975 Season
Box 17 Folder 1	“Wallin' Wheeler Is Dead” (pilot), Script by Dale Mc Raven, February 8, 1974
Box 17 Folder 2	“The Widow,” #4251, Script by Jim Parker, July 16, 1974
Box 17 Folder 3	“Big Night in Blue Gum,” #4256, Script by Dale Mc Raven, July 9, 1974
Box 17 Folder 4	“The Accident,” #4257, July 22, 1974
Box 17 Folder 5	“The Liar's Contest,” #4259, Script by Tom Rickman, July 12, 1974
Box 17 Folder 6	“The Bookmobile,” #4260, Script by Dale McRaven, June 26, 1974
Box 17 Folder 7	“Flowers for Her Grave,” #4261, Script by Dale McRaven, August 21, 1974
Box 17 Folder 8	“The X-Rated Movie,” #4262, Script by Dale Mc Raven, July 17, 1974
Box 17 Folder 9	“The Call,” #4263, Script by Dale Mc Raven, August 9, 1974
Box 17 Folder 10	“The Rebel,” #4264, Script by John Reiger and Gary Markowitz, August 16, 1974
Box 17 Folder 11	“The Well,” #4265, Script by Edmund Vail, Sr., September 6, 1974
Box 17 Folder 12	“The Twister,” #4266, Script by Dale McRaven, August 30, 1974
Box 17 Folder 13	“The Music Box,” #4267, Script by Jerry Belson, September 12, 1974
	Three for the Road
	Scripts, 1975-1976 Season
Box 17 Folder 14	Pilot, #0311-5813-6521, Script by Jerry McNeely, January 23, 1975
Box 17 Folder 15	“Odyssey in Sneakers,” #5251, Script by Michael Kozoll, July 1, 1975
Box 17 Folder 16	“Match Point,” #5253, Script by Jerry McNeely, June 17, 1975
Box 17 Folder 17	“Facade,” #5254, Script by Jack Miller, September 10, 1975
Box 17 Folder 18	“The Fugitives,” #5255, Script by Del Reisman, Perry Grant, Dick Bensfield, July 15, 1975
Box 17 Folder 19	“Guest in Zebec,” #5256, Script by Arnold and Lois Peyser, August 1, 1975
Box 17 Folder 20	“Fear,” #5258, Script by Dick Bensfield and Perry Grant, July 7, 1975
Box 17 Folder 21	“The Albatross,” #5259, Script by Arnold Somkin, October 3, 1975
Box 17 Folder 22	“Sisters in Shadow,” #5262, Teleplay by William Kelley, Story by William Kelly and Nina Laemmle, August 13, 1975
Box 17 Folder 23	“Ride on a Red Balloon,” #5263, Script by Jerry McNeely, August 20, 1975
Box 17 Folder 24	“Bigfoot,” #5265, Script by Michael Kozoll, September 23, 1975
Box 17 Folder 25	“The Cave,” #5266, Script by Jack Turley, September 2, 1975
Box 17 Folder 26	“Assignment in Los Angeles,” #5267, Script by Dick Nelson, October 10, 1975
	The Tony Randall Show
	Scripts, 1976-1977 Season
Box 17 Folder 27	Pilot, #0311-0202-0798, Script by Tom Patchett and Jay Tarses, February 25, 1976
Box 17 Folder 28	“Case: A Question of Qualifications,” #6351, Script by Tom Patchett and Jay Tarses, July 31, 1976
Box 17 Folder 29	“Case: Money vs. Stature,” #6352, Script by Hugh Wilson, October 22, 1976
Box 17 Folder 30	“Case: The Snow White Affair,” #6353, Script by Lloyd Garver, August 20, 1976
Box 17 Folder 31	“Case: The Ego Affair,” #6354, Script by Tom Patchett and Jay Tarses, August 6, 1976
Box 17 Folder 32	“Case: Violence vs. Finesse,” #6355, Script by Earl Pomerantz, January 14, 1977
Box 17 Folder 33	“Case: His Honor vs. Her Honor,” #6356, Script by David Lloyd, August 13, 1975
Box 17 Folder 34	“Case: Franklin vs. Reubner and Reubner,” #6357, Script by Hugh Wilson, August 27, 1976
Box 17 Folder 35	“Case: 0' Come All Ye Wastrels,” #6358, Script by Sy Rosen, November 12, 1976
Box 17 Folder 36	“Case: Terwilliger vs. Himself,” #6359, Script by Tom Patchett and Jay Tarses, September 10, 1976
Box 17 Folder 37	“Case: The Lawndale Report,” #6360, Script by Gary David Goldberg, September 17, 1976
Box 17 Folder 38	“Case: The DeNecki Debacle,” #6361, Script by Hugh Wilson, September 24, 1976
Box 17 Folder 39	“Case: Democracy vs. Tyranny,” #6362, Script by Gary David Goldberg, October 1, 1976
Box 17 Folder 40	“Case: Franklin in Love,” #6363, Script by Tom Patchett and Jay Tarses, November 5, 1976
Box 17 Folder 41	“Case: Franklin vs. McClellan,” #6364, Script by Ken Levine and David Isaacs, November 18, 1976
Box 17 Folder 42	“Case: Mario Lanza Strikes Again,” #6365, Script by Gary David Goldberg, October 29, 1976
Box 17 Folder 43	“Case: May vs. December,” #6366, Script by Gary David Goldberg, January 7, 1977
Box 17 Folder 44	“Case: The Hooper Affair,” #6368, Script by Patricia Jones and Donald Reiker, December 3, 1976
Box 17 Folder 45	“Case: McClellan vs. Immigration,” #6369, Script by David Lloyd, December 10, 1976
Box 17 Folder 46	“Case: Whatever Happened to Mary Jane?” #6371, Script by Tom Patchett and Jay Tarses, December 17, 1976
Box 17 Folder 47	“Case: Facing Up vs. Hiding Behind the Drapes,” #6372, Script by Earl Pomerantz, January 12, 1977
Box 17 Folder 48	“Case: Franklin vs. Barnett,” #6374, Script by Ken Levine and David Isaacs, January 28, 1977
	Scripts, 1977-1978 Season
Box 18 Folder 1	“Case: Civil Disobedience,” #7353, Script by Thomas Archer Chehak, September 16, 1977
Box 18 Folder 2	“Case: Franklin vs. Casanova,” #7354, Script by Kathy Donnell and Madeline DiMaggio Wagner, July 9, 1977
Box 18 Folder 3	“Case: Walter Screws Up,” #7355, Script by Sy Rosen, July 29, 1977
Box 18 Folder 4	“Case: Love vs. Excitement,” #7356, Script by Gary David Goldberg, August 5, 1977
Box 18 Folder 5	“Case: The Prodigal Father Returns,” #7357, Script by Hugh Wilson, July 22, 1977
Box 18 Folder 6	“Case: Franklin vs. the Generation Gap,” #7358, Script by Patricia Jones and Donald Reiker, July 16, 1977
Box 18 Folder 7	“Case: New Found Franklin,” #7359, Script by Carol Gary, August 19, 1977
Box 18 Folder 8	“Case: The Philadelphia Triangle,” #7360, Script by Gary David Goldberg, August 27, 1977
Box 18 Folder 9	“Case: The Taking of Reubner 1-2-3,” #7363, Script by Hugh Wilson, September 9, 1977
Box 18 Folder 10	“Case: Bobby vs. Michael,” #7364, Script by Patricia Jones and Donald Reiker, October 28, 1977
Box 18 Folder 11	“Case: Kids' Rights,” #7365, Script by William Allen Dial, October 21, 1977
Box 18 Folder 12	“Case: Wyatt Loves Bonnie,” #7366, Script by Gary David Goldberg, November 11, 1977
Box 18 Folder 13	“Case: The Skin Game,” #7367, Script by Earl Pomerantz, September 23, 1977
Box 18 Folder 14	“Case: Bobby and Brian,” #7368, Script by Patricia Jones and Donald Reiker, October 4, 1977
Box 18 Folder 15	“The Dream Maker,” #7369, Script by Mary-David Sheiner and Sheila Judis Weisberg, December 3, 1977
Box 18 Folder 16	“Case: The Phantom of the Poconos,” #7370, Script by Joyce Armor and Judie Neer, January 13, 1978
Box 18 Folder 17	“Case: I Live to Dance,” #7371, Script by Hugh Wilson, November 18, 1977
Box 18 Folder 18	“Case: The Sylvia Needleman Experience,” #7372, Script by Jay Tarses, November 4, 1977
Box 18 Folder 19	“Case: Twice Is Not Enough,” #7373, Script by Patricia Jones and Donald Reiker, December 9, 1977
Box 18 Folder 20	“Case: The Eyes of the Law,” #7375, Script by Tom Patchett and Jay Tarses, January 7, 1978
Box 18 Folder 21	“Case: The Way It Was,” #7376, Script by Blake Hunter, January 28, 1978
Box 18 Folder 22	“Case: Adios, Mr. Chips,” #7377, Script by Tom Patchett and Jay Tarses, January 21, 1978
	We've Got Each Other
	Scripts, 1977-1978 Season
Box 18 Folder 23	Pilot, Script by Tom Patchett and Jay Tarses, February 19, 1977
Box 18 Folder 24	“The Magic Show,” #7551, Script by Sy Rosen, October 27, 1977
Box 18 Folder 25	“The Long Vacation,” #7553, Script by Lloyd Garver, July 22, 1977
Box 18 Folder 26	“Miss Wonderful,” #7554, Script by Sy Rosen, August 18, 1977
Box 18 Folder 27	“A Space Odyssey,” #7555, Script by Kathy Donnell and Madeline DiMaggio Wagner, September 29, 1977
Box 18 Folder 28	“The 'Old-Beau' Incident,” #7556, Script by Mary-David Sheiner and Sheila Judis Weisberg, August 4, 1977
Box 18 Folder 29	“Pumping Iron,” #7557, Script by Jack Burns, July 28, 1977
Box 18 Folder 30	“The 101st Hibbard,” #7558, Script by Sy Rosen, August 25, 1977
Box 18 Folder 31	“Mother McCree,” #7559, Script by Jack Burns, September 8, 1977
Box 18 Folder 32	“The Collector,” #7560, Script by Sy Rosen, September 15, 1977
Box 18 Folder 33	“Oil Spill,” #7561, Script by Kathy Donnell and Madeline DiMaggio Wagner, October 13, 1977
Box 18 Folder 34	“Incomplete Pass,” #7563, Script by Mary-David Sheiner and Sheila Judis Weisberg, September 22, 1977
Box 18 Folder 35	“My Brother's Keeper,” #7564, Script by Jack Burns, October 21, 1977
	The White Shadow
	Scripts, 1978-1979 Season
Box 18 Folder 36	Pilot, #J3T1-5216-4501, Script by Bruce Paltrow, March 10, 1978
Box 18 Folder 37	“Here's Mud in Your Eye,” #8101, Script by Bruce Paltrow, September 15, 1978
Box 18 Folder 38	“Pregnant Pause,” #8102, Script by Steven Bochco, September 12, 1978
Box 18 Folder 39	“The Offer,” #8103, Script by Marc Rubin, October 5, 1978
Box 18 Folder 40	“Wanna Bet?” #8105, Script by Michael Kane, October 11, 1978
Box 18 Folder 41	“That Old Gang of Mine,” #8109, Script by Marc Rubin and Gary Kott, November 17, 1978
Box 19 Folder 1	“Bonus Baby,” #8110, Story by Bill Schwartz, Script by Robert DeLaurentis, October 19, 1978
Box 19 Folder 2	“We're in the Money,” #8111, Script by Mark Tinker, December 21, 1978
Box 19 Folder 3	“Just One of the Boys,” #8115, Script by John Falsey, December 11, 1978
Box 19 Folder 4	“Airball,” #8116, Script by Marc Rubin, December 6, 1978
Box 19 Folder 5	“Spare the Rod,” #8118, Script by Marc Rubin, January 17, 1979
Box 19 Folder 6	“The Great White Dope,” #8119, Script by John Falsey, January 18, 1979
Box 19 Folder 7	“Le Grand Finale,” #8122, Script by Marc Rubin, February 20, 1979
Box 19 Folder 8	“Mainstream,” #8123, Script by George Geiger, January 30, 1979
Box 19 Folder 9	“Little Orphan Abner,” #8125, Script by John Falsey, February 8, 1979
	Scripts, 1979-1980 Season
Box 19 Folder 10	“On the Line,” #9101, Story by Gary Kott and Dusty Kay, Teleplay by Joshua Brand, June 26, 1979
Box 19 Folder 11	“A Silent Cheer,” #9103, Script by Steve Kline, July 13, 1979
Box 19 Folder 12	“The Stripper,” #9104, Story by Steve Kline and Marc Rubin, Teleplay by John Falsey, December 12, 1979
Box 19 Folder 13	“Needle,” #9105, Script by John Falsey, August 27, 1979
Box 19 Folder 14	“Albert Hodges,” #9106, Script by Marc Rubin, June 4, 1979
Box 19 Folder 15	“The Cross-Town Hustle,” #9107, Script by Steve Kline, July 27, 1979
Box 19 Folder 16	“Feeling No Pain,” #9110, Story by Michael Halperin, Teleplay by Marc Rubin and John Falsey, September 24, 1979
Box 19 Folder 17	“Sudden Death,” #9113, Story by Tom Chehak, Teleplay by Joshua Brand, June 28, 1979
Box 19 Folder 18	“Artist,” #9114, Story by Leroy Robinson and Marc Rubin, Teleplay by Marc Rubin, September 14, 1979
Box 19 Folder 19	“No Place Like Home” #9115, Script by Marshall Herskovitz, July 20, 1979
Box 19 Folder 20	“Me?” #9119, Script by Sam Hefter, August 15, 1979
Box 19 Folder 21	“A Christmas Present,” #9120, Script by John Falsey and Joshua Brand, October 29, 1979
Box 19 Folder 22	“The Death of Me Yet,” #9121, Script by Marc Rubin, January 24, 1980
Box 19 Folder 23	“Delores -- Of Course,” #9127, Script by Sam Hefter, October 3, 1979
Box 19 Folder 24	“Out at Home,” #9128, Story by Marc Rubin, Teleplay by Barry Gold, November 6, 1979
Box 19 Folder 25	“Sliding By,” #9129, Script by Charles "Chuck” Johnson, October 9, 1979
Box 19 Folder 26	“The Hitter,” #9130, Script by Tom DiMartini, January 16, 1980
Box 19 Folder 27	“The Russians Are Coming,” #9131, Story by Robert DiPietro, Teleplay by Joshua Brand and David Assael, January 14, 1980
Box 19 Folder 28	“Globetrotters,” #9133, Script by John Masius, August 29, 1979
Box 19 Folder 29	“Links,” #9134, Script by John Masius and Mark Tinker, November 9, 1979
Box 19 Folder 30	“Salami's Affair,” #9135, Story by Tom Chehak, Teleplay by David Assael and Joshua Brand, November 26, 1979
Box 19 Folder 31	“Gonna Fly Now,” #9136, Script by Steve Kline, December 18, 1979
Box 19 Folder 32	“A Few Good Men,” #9135, Script by John Falsey and Joshua Brand, February 5, 1980
Box 19 Folder 33	“Coolidge Goes Hollywood,” #9139, Script by Marc Rubin and John Falsey, February 20, 1980
	Scripts, 1980-1981 Season
Box 19 Folder 34	“Cops,” #0101, Story by Erwin Washington, Teleplay by Erwin Washington and David Assael, January 14, 1981
Box 19 Folder 35	“No Blood, No Foul,” #0102, Script by Joshua Brand, July 10, 1980
Box 19 Folder 36	“B.M.O.C.,” #0104, Script by Steve Kline, December 4, 1980
Box 19 Folder 37	“Reunion,” Parts I and II, #0105/0106, Script by John Falsey, June 11, 1980
Box 20 Folder 1	“If Your Number's Up...Get It Down,” #0107, Script by Joshua Brand, October 13, 1980
Box 20 Folder 2	“Burnout,” #0108, Story by Dennis Danziger, Teleplay by Dennis Danziger and Eric Stunzi, January 27, 1981
Box 20 Folder 3	“Mr. Hero,” #0109, Script by Marshall Herskovitz, November 19, 1980
Box 20 Folder 4	“Georgia on My Mind” (Globetrotters II), #0110, Script by Marc Rubin, July 2, 1980
Box 20 Folder 5	“Psyched Out,” #0111, Story by Marc Rubin and Tom Blomquist, Teleplay by Joanne Pagliaro, January 5, 1981
Box 20 Folder 6	“Christmas Story,” #0112, Script by Joshua Brand and John Falsey, November 6, 1980
Box 20 Folder 7	“Vanity Fare,” #0114, Script by Mark Tinker and John Masius, November 4, 1980
Box 20 Folder 8	“Car Repo,” #0115, Story by Joshua Brand and Denis Belair, Teleplay by Joshua Brand, December 10, 1980
Box 20 Folder 9	“Trial and Error,” #0117, Script by Marc Rubin, November 25, 1980
Box 20 Folder 10	“A Day in the Life,” #0119, Script by Joshua Brand, January 26, 1981
	WKRP in Cincinnati
Box 21 Folder 34	Clippings, 1972-1974
	Scripts, 1978-1979 Season
Box 20 Folder 11	Pilot, #0768, Script by Hugh Wilson, March 25, 1978
Box 20 Folder 12	“Hold-Up,” #8002, Script by Tom Chehak, September 12, 1978
Box 20 Folder 13	“The Preacher,” #8003, Script by Bill Dial, August 1, 1978
Box 20 Folder 14	“Bailey's Show,” #8004, Script by Joyce Armor and Judie Neer, August 30, 1978
Box 20 Folder 15	“Good-bye Johnny,” #8005, Script by Blake Hunter, September 27, 1978
Box 20 Folder 16	“Love Returns,” #8006, Script by Bill Dial, October 17, 1978
Box 20 Folder 17	“Hoodlum Rock,” #8007, Script by Hugh Wilson, August 9, 1978
Box 20 Folder 18	Pilot Script, Part II, #8008, Script by Hugh Wilson, July 25, 1978
Box 20 Folder 19	“Johnny Comes Back,” #8009, Script by Blake Hunter, October 3, 1978
Box 20 Folder 20	“Les on a Ledge,” #8010, Script by Hugh Wilson, August 23, 1978
Box 20 Folder 21	“Turkeys Away,” #8011, Script by Bill Dial, September 19, 1978
Box 20 Folder 22	“Who Is Gordon Sims?” #8012, Script by Tom Chehak, March 7, 1979
Box 20 Folder 23	“I Do, I Do...For Now,” #8014, Script by Tom Chehak, February 27, 1979
Box 20 Folder 24	“I Want to Keep My Baby,” #8015, Script by Hugh Wilson, October 24, 1978
Box 20 Folder 25	“Tornado,” #8016, Script by Blake Hunter, January 17, 1978
Box 20 Folder 26	“Fish Story,” #8018, Script by Hugh Wilson, November 14, 1978
Box 20 Folder 27	“The Contest that Nobody Could Win,” #8019, Script by Casey Piotrowski, December 12, 1978
Box 20 Folder 28	“Momma's Review,” #8020, Script by Hugh Wilson, December 19, 1978
Box 20 Folder 29	“A Date With Jennifer,” #8021, Script by Richard Sanders and Michael Fairman, January 9, 1979
Box 20 Folder 30	“Young Master Carlson,” #8022, Script by Blake Hunter and Hugh Wilson, January 23, 1979
Box 20 Folder 31	“Never Leave Me, Lucille,” #8023, Script by Bill Dial, February 6, 1979
Box 20 Folder 32	“A Commercial Break,” #8024, Script by Richard Sanders and Michael Fairman, February 14, 1979
	Scripts, 1979-1980 Season
Box 20 Folder 33	“Mike Fright,” #9001, Script by Dan Guntzelman, October 23, 1979
Box 20 Folder 34	“Bad Risk,” #9002, Script by Gene Fournier and Tom Joachim, August 22, 1979
Box 20 Folder 35	“Jennifer Falls in Love,” #9003, Script by Paul Hunter, July 25, 1979
Box 20 Folder 36	“The Doctor's Daughter,” #9004, Script by Lissa Levin, December 18, 1979
Box 20 Folder 37	“Bailey's Big Break,” #9005, Script by Steve Marshall, October 2, 1979
Box 20 Folder 38	“Carlson for President,” #9006, Script by Jim Paddock, August 1, 1979
Box 20 Folder 39	“Baby, If You Ever Wondered...,” #9007, Script by Bill Dial, September 12, 1979
Box 20 Folder 40	“For Love or Money,” #9008, Script by Mary Maguire, August 15, 1979
Box 20 Folder 41	“The Patter of Little Feet,” #9010, Script by Blake Hunter, September 18, 1979
Box 20 Folder 42	“Baseball,” #9011, Script by Hugh Wilson, July 6, 1979
Box 21 Folder 1	“Sparky,” #9012, Script by Peter Torokvei and Steven Kampmann, November 27, 1979
Box 21 Folder 2	“Les' Groupie,” #9019, Script by Steve Marshall, October 30, 1979
Box 21 Folder 3	“Put Up or Shut Up,” #9020, Script by Blake Hunter, Steve Marshall, and Steven Kampmann, August 28, 1979
Box 21 Folder 4	“God Talks to Johnny,” #9021, Script by Hugh Wilson, September 25, 1979
Box 21 Folder 5	“Jennifer's Home for Christmas,” #9022, Script by Dan Guntzelman and Steve Marshall, November 14, 1979
Box 21 Folder 6	“Herb's Dad,” #9023, Script by Peter Torokvei and Steven Kampmann, December 11, 1979
Box 21 Folder 7	“A Family Affair,” #9025, Script by Tim Reid, November 6, 1979
Box 21 Folder 8	“The Americanization of Ivan,” #9026, Story by Hugh Wilson, Teleplay by Steve Marshall and Dan Guntzelman, December 4, 1979
Box 21 Folder 9	“Filthy Pictures,” Parts I and II, #9027 A and B, Story by Hugh Wilson, Teleplay by Steve Marshall and Dan Guntzelman, January 23, 1980
Box 21 Folder 10	“Venus Rising,” #9028, Script by Dan Guntzelman and Steve Marshall, January 8, 1980
Box 21 Folder 11	“In Concert,” #9029, Script by Steven Kampmann, January 15, 1980
Box 21 Folder 12	“Most Improved Station,” #9031, Script by Michael Fairman and Richard Sanders, February 5, 1980
	Scripts, 1980-1981 Season
Box 21 Folder 13	“Frogg Story,” #0001, Script by Bob Dolman, January 9, 1981
Box 21 Folder 14	“Hotel Oceanview,” #0002, Script by Steven Kampmann, October 28, 1980
Box 21 Folder 15	“Real Families,” #0003, Script by Peter Torokvei, October 23, 1980
Box 21 Folder 16	“The Baby,” #0004, Script by Blake Hunter, November 5, 1980
Box 21 Folder 17	“Bah, Humbug,” #0007, Script by Lissa Levin, November 11, 1980
Box 21 Folder 18	“Jennifer Moves,” #0008, Script by Hugh Wilson, October 15, 1980
Box 21 Folder 19	“The Secrets of Dayton Heights,” #0009, Script by Jon Smet, February 12, 1981
Box 21 Folder 20	“The Airplane Show,” #0010/0016, Script by Richard Sanders and Michael Fairman, October 17, 1980
Box 21 Folder 21	“The Painting,” #0011, Script by Steven Kampmann, December 10, 1980
Box 21 Folder 22	“A Mile in My Shoes,” #0012, Script by Dan Guntzelman, November 19, 1980
Box 21 Folder 23	“I Am Woman,” #0014, Script by Lissa Levin, February 6, 1981
Box 21 Folder 24	“Ask Jennifer,” #0015, Script by Joyce Armor and Judy Neer, January 29, 1981
Box 21 Folder 25	“Baby, It's Cold Inside,” #0018, Script by Blake Hunter, December 4, 1980
Box 21 Folder 26	“Daydreams,” #0021, Script by Peter Torokvei, December 17, 1980
Box 21 Folder 27	“Dr. Fever and Mr. Tide,” #0022A and B, Script by Steve Marshall, January 15, 1981
Box 21 Folder 28	“Clean Up Radio Broadcasting,” #0023, Script by Max Tash and Hugh Wilson, April 2, 1981
Box 21 Folder 29	“Out to Lunch,” #0024, Story by Ben Elisco, Teleplay by Peter Torokvei, March 4, 1981
Box 21 Folder 30	“Venus Flytrap Explains the Atom,” #0025, Script by Hugh Wilson, January 22, 1981
Box 21 Folder 31	“Till Debt Do Us Part,” #0026, Script by Howard Hesseman and Steven Kampmann, March 26, 1981
Box 21 Folder 32	“A Simple Little Wedding,” #0027, Script by Blake Hunter, March 12, 1981
Box 21 Folder 33	“Nothing to Fear But...,” #0028, Story by Tim Reid, Teleplay by Dan Guntzelman, March 19, 1981
	Scripts, 1981-1982 Season
Box 25 Folder 13	“Straight From the Heart,” #1001, Script by Dan Guntzelman, October 2, 1981
Box 25 Folder 14	“The Union,” #1002, Script by Blake Hunter, September 11, 1981
Box 26 Folder 1	“Three Days of the Condo,” #1003, Script by Lissa Levin, October 15, 1981
Box 26 Folder 2	“An Explosive Affair,” #1004, A and B, Script by Steve Marshall, September 16, 1981
Box 26 Folder 3	“The Impossible Dream,” #1005, Script by Richard Sanders and Michael Fairman, February 17, 1982
Box 26 Folder 4	“Who's on First,” #1012, Script by Dan Guntzelman, October 7, 1981
Box 26 Folder 5	“Rumors,” #1013, Script by Peter Torokvei, September 24, 1981
Box 26 Folder 6	“Love, Exciting and New,” #1014, Script by Lissa Levin, November 12, 1981
Box 26 Folder 7	“Jennifer and the Will,” #1015, Script by Blake Hunter, October 29, 1981