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Series: Section 1: Productions
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Reel
1
Frame
1
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Volume 1, 1878-1881 (Chicago Theatres)
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Chamber Concerts - Brand's Hall
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Huguenots - McVicker's
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Martha - McVicker's
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Chimes of Normandy - Grand Opera House
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Fanchon the Cricket - Hooley's Theatre
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Jane Eyre - Hooley's
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Little Barefoot - Hooley's
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H.M.S. Pinafore - Hooley's
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The Banker's Daughter - Haverly's Theatre
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Our Next President, or The Dark Horse - McVicker's
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Mother and Son - Haverly's
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Widow Bedott - Haverly's
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Joshua Whitcomb - McVicker's
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Lotta - McVicker's
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The Hunchback - McVicker's
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Lady of Lyons - McVicker's
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Il Trovatore, Mignon, Aida - McVicker's
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Lucia di Lammermoor - McVicker's
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Concert - McCornick Hall
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Narcissa - McVicker's
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Drink - McVicker's
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Lucia di Lammermoor - Haverly's
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David Garrick - Hooley's
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An Alarming Sacrifice - Hooley's
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Herrmann (performance) - McVicker's
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Chamber Concert - Central Music Hall
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Concert - Beethoven Society
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Faust - McVicker's
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Hearts of Oak - Hooley's
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Concert - Fairbank Hall
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Jane Shore - McVicker's
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Sharps and Flats - Hooley's
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Our American Cousin - McVicker's
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The Two Orphans - Hooley's
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Lemons - Hooley's
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Humpty Dumpty (pantomime) - McVicker's
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Concerts - Exposition Building
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Pirates of Penzance (D'Oyly Carte)
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Fatinitza - McVicker's
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The False Friend - Union Square Theatre
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All the Rage - McVicker's
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The Danicheffs - Union Square
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Led Astray - Union Square
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Banker's Daughter - Union Square
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Concert - Hooley's
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Our Bachelors - Hooley's
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Marble Heart - Hooley's
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Genuine Colored Minstrels - Haverly's
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Arrah na Pogue, or the Wicklow Wedding - Grand Opera House
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Around the World in 80 Days - Kiralfy Brothers
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Hazel Kirke - McVicker's
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School for Scandal - Hooley's
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Aida - Haverly's
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Fatinitza - Grand Opera House
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Concert - Brand's Hall
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Lorle - Hooley's
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Linda di Chamouni - Haverly's
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Rigoletto - Haverly's
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Aida - McVicker's
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The World - McVicker's
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Felicia, or, Woman's Love - Union Square
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Patience, or, Bunthorne's Bride - Emelie Melville Opera Co.
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Boccaccio - McVicker's
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Aida - Haverly's
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I Puritani - McVicker's
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The Rivals - McVicker's
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Mary Stuart - Hooley's
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The Shaughraun - Grand Opera House
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A Cup of Tea - Grand Opera House
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Comedy of Errors - Grand Opera House
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Reel
1
Frame
104
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Volume 2, 1890-1893 (New York Theatres)
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The Charity Ball, by David Belasco and Henry C. DeMille - Lyceum Theatre
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The Idler, by C. Haddon Chambers
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Squire Kate, by Robert Buchanan
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Nerves, by J. Comyns Carr
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The Open Gate, by C. Haddon Chambers
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The Senator
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The Dancing Girl, by Henry Arthur Jones
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The Master of Woodbarrow, by Jerome K. Jerome
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Hamlet, with Edwin Booth
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The Strange Adventures of Miss Brown, by Robert Buchanan and C. Marlowe
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The Grand Duchess, by Charles L. Kenney and Edgar Smith
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Rip van Winkle
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Robin Hood, opera by DeKoven and Smith
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A Trip to Chinatown
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Fatinitza
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The Foresters, by Alfred Lord Tennyson
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Railroad of Love
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The Lion Tamer, by J. Cheever Goodwin
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Charley's Aunt, by Brandon Thomas
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Die Fledermaus, adapted by Sidney Rosenfield
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Dorothy, by B. C. Stephenson
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A Trip to Africa
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The Country Fair, by Charles Barnard
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Bootles' Baby
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The Queen's Mate
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The Marquis
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Alabama, by Augustus Thomas
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Girl Wanted
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Finnigan's Courtship
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Evangeline
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Dr. Jekyll and Mr. Hyde, dramatization by T.R. Sullivan
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America, by Imre Kiralfy
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Bluebeard, Jr., or, Fatima and the Fairy, by Clay M. Greene
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Nancy and Company
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The Editor, by Aldrich and Charles Vincent
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Siberia
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Beau Brummell, by Clyde Fitch and Ricahrd Mansfield
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Twelfth Night
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The Ironmaster, by A.W. Pinero
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Castles in the Air, by Charles Alfred Byrne
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Monbars, adapted by Louis Nathal
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Erminie, by Jakobowski and Paulton
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Falka, by Chassaigne and Farnie
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Frederic Lemaitre, by Clyde Fitch
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Barbara, by Jerome K. Jerome
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The Tinted Venus, or, Tweedle's Nightmare, by W.C.K. Wilde
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In Honor Bound, by Sydney Grundy
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My Milliner's Bill
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Mr. Wilkinson's Widows, by William Gillette
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Aristocracy, by Bronson Howard
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Miss Helyett, by David Belasco - Columbia Theatre
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The Mikado, by W.S. Gilbert and Arthur Sullivan
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My-Card-Oh, a burlesque on The Mikado, by E.D. Gooding
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Americans Abroad, by Victorien Sardou
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Sweet Lavender, by A.W. Pinero
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The Old Homestead, by Denman Thompson and George W. Ryer
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The Highest Bidder
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The Henrietta, by Bronson Howard
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A Rag Baby, by Charles H. Hoyt
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The Lion's Mouth, by Henry Guy Carleton
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Country Circus, by Charles Bernard and C.B. Jefferson
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Jane, by Harry Nichols and W. Lestocq
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The Witch, by Philip Hamilton and Marie Madison
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A Night in Venice
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The Prodigal Daughter, by Henry Pettitt and St. Augustus Harris
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The Lady or the Tiger? by Sydney Rosenfeld
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The Isle of Champagne, by Charles Alfred Byrne and Louis Harrison
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The May Queen
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Lady Bountiful
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The Danites
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Tuxedo, by Ed. Marble
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The City Directory
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A Parlor Match, by Charles H. Hoyt
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Boccaccio, translated by Henry B. Smith
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Asyoulikeit, an original travesty of Shakespeare's As You Like It, by William Duncan Preston
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The Tar and the Tartar, by Adam Itzel, Jr. and Harry B. Smith
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Beggar Student
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Panjandrum, by J. Cheever Goodwin
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Wang, by J. Cheever Goodwin
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Rosedale
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Old Friends, by Lady Violet Greville
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The Grey Mare, by George B. Sims and Cecil Raleigh
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Cleopatra, by Sardou
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The Girl I Left Behind Me, by David Belasco and Franklin Fyles
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Little Puck, by Archibald Clavering Gunter
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The Mountebanks, by W.S. Gilbert and Alfred Cellier
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A Society Fad
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His Wedding Day, by H. Graham
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Delmonico's at Six, by Glen MacDonough
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Brother John, by Martha Morton
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Lady Windermere's Fan
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Thrilby, by J.W. Herbert
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Frederic LeMaitre, by Clyde Fitch
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The Poet and the Puppets, by Charles Brookfield
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A Woman of No Importance
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The Private Secretary, adapted by William Gillette
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The Guardsman, or, The American Girl in London, by George R. Sims and Cecil Raleigh
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Sweet Will, by Henry Arthur Jones
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The Arabian Nights, by Sydney Grundy
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The Three Guardsmen
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Don Caesar de Bazan
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The Professor's Love Story, by J.M. Barrie
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1492
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Carmen
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A Temperance Town, by Charles H. Hoyt
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The Princess Nicotine, by Charles Alfred Byrne and Louis Harrison
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A Doll's House, by Henrik Ibsen
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Reel
1
Frame
249
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Volume 3, 1898-1899 (Predominantly New York Theatres)
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A Bachelor's Romance
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A Southern Romance
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Prisoner of Zenda
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Shore Acres - Fifth Avenue Theatre
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Rip van Winkle - Boston Theatre
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Cricket on the Hearth, by Albert Smith
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Lend Me Five Shillings
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An American Citizen, by Madeline Lucette Ryley - Knickerbocker Theatre
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A Ward of France, by Franklin Fyles and Eugene W. Presbrey - Wallack's
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A Marriage of Convenience, by Dumas, translated by Sydney Grundy - Empire Theatre
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The Nancy Hanks, by Frank Tannehill, Jr. - Garden Theatre
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The Salt of the Earth, by Joseph Arthur - Wallack's
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As You Like It - Knickerbocker
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The Princess and the Butterfly, by Arthur W. Pinero - Lyceum Theatre
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The Whirl of the Town, by Hugh Morton - Harlem Opera House
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Pousse Café, by Edgar Smith and Louis deLange - Weber and Fields Broadway Music Hall
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The Little Minister, by J.M. Barrie - Garrick Theatre
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Twelfth Night
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The Tree of Knowledge, by R.C. Carton - Lyceum
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Cumberland `61, by Franklin Fyles - Grand Opera House
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The Highwayman - Broadway Theatre
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A Normandy Wedding, by J. Cheever Goodwin and Charles Alfred Byrne - Herald Square Theatre
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Sweet Inniscarra, by Augustus Pitou - 14th Street Theatre
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In Gay New York, by Hugh Morton - 14th Street Theatre
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The Master, by G. Stuart Ogilvie - Garden Theatre
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The Conquerors, by Paul M. Potter - Empire
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Way Down East, by Lottie Blair Parker - Manhattan Theatre
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The Man From Mexico, adapted by H.A. Du Souchet - Bijou Theatre
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A Virginia Courtship, by Eugene W. Presbrey - Knickerbocker
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The New East Lynne, by McKee Rankin - Grand Opera House
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The Moth and the Flame, by Clyde Fitch - Montauk Theatre
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The Geisha, by George Edwardes - Daly's Theatre
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A Bit of Old Chelsea, by Mrs. Oscar Beringer - Fifth Avenue Theatre
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Love Finds the Way, by Marguerite Merington - Fifth Avenue Theatre
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The Bride-Elect, by John Philip Sousa - Knickerbocker
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Carmen, by Bizet - American Theatre
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La Poupee, by Maurice Ordonneau and Arthur Sturgess
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Lord Chumley, by Henry deMille and David Belasco - Montauk
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His Honor, the Mayor, Charles Henry Meltzer and A.E. Lancaster - Empire
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The Charlatan, by Charles Klein - Knickerbocker
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A Brace of Partridges, by Robert Ganthony - Madison Square Theatre
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The Adventure of Lady Ursula, by Anthony Hope - Lyceum
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The Christian, by Hall Caine - Knickerbocker
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The Fortune-Teller, by Harry B. Smith - Wallack's
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The Marquis of Michigan, by Glem MacDonough and Edward W. Townsend - Bijou
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Cyrano de Bergerac, play by Edmond Rostand - Garden Theatre
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A Stranger in New York, by Charles H. Hoyt - Grand Opera House
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The Evil Eye, by Charles H. Yale - Walnut Street Theatre
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The Wrong Mr. Wright, by George H. Broadhurst - Grand Opera House
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Moths, adapted by Helen Adell - Pike Opera House
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The Little Host, by Edgar Smith and Louis de Lange - Grand Opera
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A Female Drummer, by Charles E. Blaney - Walnut Street
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Why Smith Left Home, by George H. Broadhurst
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The Bride-Elect, by John Philip Sousa
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Hon. John Grigsby, by Charles Klein - Grand Opera House
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A Gilded Fool, by Henry Guy Carleton - Pike Opera House
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My Friend from India, by H.A. Du Souchet
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In Old Kentucky, by T.C. Dazey - Walnut Street Theatre
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The Butterflies, by Henry Guy Carleton - Pike Opera House
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The Sign of the Cross, by Wilson Barrett - Grand Opera House
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A High Born Lady - Walnut Street Theatre
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The Golden Horseshoe, by Robert Breitenbach - Grand Opera House
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Rupert of Hentzau, by Anthony Hope - Grand Opera House?
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Nathan Hale, by Clyde Fitch - Knickerbocker
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A Runaway Girl, by Seymour Hicks and Harry Nichols - Fifth Avenue Theatre
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Trelawny of the “Wells,” by Arthur W. Pinero - Lyceum
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The Great Ruby, by Cecil Raleigh and Henry Hamilton
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At the White Horse Tavern, by Sydney Rosenfeld - Wallack's
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The King's Musketeer, by Henry Hamilton - Knickerbocker
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Frou-Frou, by Henri Meilhac and Ludovic Halevy - Fifth Avenue Theatre
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John Ingerfield, by Jerome K. Jerome - Lyceum
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The Musketeers, by Sydney Grundy - Broadway
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The French Maid, by Basil Hood and Walters Laughter
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Lord and Lady Algy, by R.C. Carton - Empire
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Colinette, by Henry Guy Carleton - Knickerbocker
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Because She Loved Him So, by William Gillette - Madison Square Theatre
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An American Beauty
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Girl From Paris
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At Piney Ridge
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Under the Red Robe
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Reel
1
Frame
470
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Volume 4, 1899-1900 (New York Theatres)
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Shenandoah, by Bronson Howard - Broadway Theatre
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The Rivals, by Richard Brinsley Sheridan - Montauk Theatre
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The Cuckoo, adapted by Charles Brookfield - Wallack's
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We-'Uns of Tennessee, by Lee Arthur - American Theatre
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A Reign of Error, by John J. McNally - Victoria Theatre
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Zaza, by David Belasco - Garrick Theatre
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Romeo and Juliet - Empire Theatre
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Carmen, adapted by Henry Hamilton - Harlem Opera House
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A Romance of Athlone, by Augustus Pitou - Grand Opera House
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Whirl-a-gig, by Edgar Smith and Harry B. Smith - Weber and Fields' Broadway Music Hall
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The Girl From Martin's - Weber and Fields'
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Phroso, dramatized by Edward Rose and H.V. Esmond - Harlem Opera House
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Miss Hobbs, by Jerome K. Jerome - Lyceum
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The Winter's Tale - Grand Opera House
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Held by the Enemy, by William Gillette - Murray Hill Theatre
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The Children of the Ghetto, by Israel Zangwill
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Gismonda, by Sardou
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The Only Way, adapted from A Tale of Two Cities by Freeman Wills - Garden Theatre
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A Stranger in a Strange Land, by Sidney Wilmer and Walter Vincent - Manhattan Theatre
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Barbara Frietchie, by Clyde Fitch - Criterion Theatre
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More Than Queen, by Emile Bergerat - Broadway Theatre
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Robespierre, by Victorien Sardou - Knickerbocker
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A Greek Slave - Herald Square Theatre
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Carmen, by Bizet - Metropolitan Opera House
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Ben-Hur, arranged by William Young - Broadway Theatre
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The Maneuvers of Jane, by Henry Arthur Jones - Daly's Theatre
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The Singing Girl, score by Victor Herbert, lyrics by Harry B. Smith - The Casino Theatre
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The Cowboy and the Lady, by Clyde Fitch - Knickerbocker
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Faust - Metropolitan Opera House
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Papa's Wife, by Harry B. Smith - Manhattan Theatre
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Captain Lettarblair, by Marguerite Merington - Murray Hill Theatre
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When We Were Twenty-One, by H.V. Esmond - Knickerbocker
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The Mascot, by Audran - American Theatre
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Naughty Anthony, by David Belasco - Herald Square Theatre
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Brother Officers, by Leo Trevor - Empire
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Sister Mary, by Glen McDonough - Grand Opera House
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An Evening With Mozart - Women's Philharmonic Society of New York
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Hearts Are Trumps, by Cecil Raleigh - Garden Theatre
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Oliver Goldsmith, by Augustus Thomas - Fifth Avenue Theatre
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My Daughter-in-Law, by Fabrice Carre and Paul Bilhaud - Lyceum
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The Interrupted Honeymoon, by F. Kinsey Peile - Daly's Theatre
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Sherlock Holmes, by William Gillette and A. Conan Doyle - Garrick
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The Pride of Jennico, by Abby Sage Richardson and Grace Livingston Furniss - Criterion
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Annual Concert of Madame Eugenie Pappenheim - Mendelssohn Hall
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Third Private Rehearsal - Mendelssohn Glee Club
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Quo Vadis, dramatization by Jeannette L. Gilder - Herald Square
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A Night in Venice, by Johann Strauss - American Theatre
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Lohengrin - American Theatre
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A Midsummer Night's Dream - Grand Opera House
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A Royal Family, by R. Marshall - Lyceum
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Arizona, by Augustus Thomas - Herald Square
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Sag Harbor - Theatre Republic
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King Henry V - Garden Theatre
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L'Aiglon, by Edmond Rostand - Knickerbocker
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The Gay Lord Quez, by Arthur W. Pinero - Criterion
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David Harum, dramatized by R. and M.W. Hitchcock - Garrick
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Bendix String Quarterre - Mendelssohn Hall
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An American Citizen, by Madeline Lucette Ryley
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Aristocracy, by Bronson Howard
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The Little Minister, by J. M. Barrie - Metropolitan Opera House
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A Trip to Chinatown, by Charles H. Hoyt - Bijou
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The Girl From Maxim's, by George Feydeau
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Hamlet - Powers' Theatre
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Lost River - McVicker's Theatre
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Mrs. Dane's Defence, by Henry Arthur Jones - Empire
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Aristocracy, by Bronson Howard - Murray Hill Theatre
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Janice Meredith, by Paul Leicester Ford and Edward E. Rose - Wallack's
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Nell Gwyn, by Mrs. C.A. Doremus - Murray Hill Theatre
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The Burgomaster, by Frank Pixley - Manhattan Theatre
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Lady Huntworth's Experiment, by R.C. Carton - Daly's Theatre
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Hodge, Podge & Co. - Grand Opera House
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My Lady, by R.A. Barnet and H.L. Heartz - Victoria
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Captain Jinks of the Horse Marines, by Clyde Fitch - Garrick
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Reel
1
Frame
654
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Volume 5, 1900-1901 (with inscription “Dramatic Scrap Book Volume IIII, Property of C.E. Hungerford, Nov. 18, 1900”
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L'Aiglon, by Edmond Rostand; with Sarah Bernhardt - Garden Theatre
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Julius Caesar - Her Majesty's Theatre, London
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Mrs. Dane's Defence, by Henry Arthur Jones - Empire Theatre
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Mrs. Dane's Defence - Wyndham's Theatre, London
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A Message from Mars, by Richard Ganthony - Avenue Theatre
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His Wife's Picture, by Ernest Cosham - Avenue Theatre
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English Nell, by Anthony Hope and Edward Rose - Prince of Wales Theatre, London
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The Lackey's Carnival, by Henry Arthur Jones - Duke of York's Theatre, London
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Self and Lady, by Pierre Decourcelle - Columbia Theatre
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The Yellow Peril, by Edward Ferris and Paul Heriot - Vaudeville Theatre
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The Gay Lord Quex - Criterion Theatre
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San Toy, by Edward Morton - Daly's Theatre
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The Mikado - Metropolitan Opera House
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Sweet Anne Page, by Louis de Lange and Edgar Smith
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A Royal Family, by R. Marshall - Lyceum
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Zaza, by David Belasco - Garrick
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The Rogers Brothers in Central Park - Montauk Theatre
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The Cadet Girl, adapted by Harry B. Smith - Columbia Theatre
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L'Aiglon, adapted by Louis N. Parker - Knickerbocker
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The Sprightly Romance of Marsac, by Molly Elliot Seawell and William Young - Theatre Republic
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Richard Carvel, dramatized by Edward E. Rose - Empire
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The Great White Diamond - Star Theatre
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Star and Garter, by John J. McNally - Victoria
|
|
|
In the Palace of the King, dramatized by Lorimer Stoddard - Theatre Republic
|
|
|
My Lady Dainty, by Madeline Lucette Ryley - Columbia Theatre
|
|
|
Hodge, Podge & Co. - Madison Square Theatre
|
|
|
Foxy Quiller, by De Koven and Smith - Broadway Theatre
|
|
|
A Royal Rogue, by Charles Klein - Broadway Theatre
|
|
|
Janice Meredith - Wallack's
|
|
|
David Garrick - Garden Theatre
|
|
|
Tom Pinch - Garden Theatre
|
|
|
All On Account of Eliza, by Leo. Ditrichstein - Amphion Theatre
|
|
|
Florodora, by Owen Hall - The Casino Theatre
|
|
|
Fiddle-dee-dee, by Edgar Smith - Weber and Fields'
|
|
|
Vienna Life - Broadway Theatre
|
|
|
The Burgomaster, by Frank Pixley - Manhattan Theatre
|
|
|
The Rebel, by Jas. B. Fagan - Grand Opera House
|
|
|
Program of the Alhambra, London
|
|
|
Program of the Orpheum, Brooklyn
|
|
|
Program of Koster and Bial's Music Hall
|
|
|
Program of Proctor's 23rd Street Theatre
|
|
|
Miss Prinnt, by George V. Hobart - Gayety Theatre
|
|
|
Captain Jinks of the Horse Marines, by Clyde Fitch - Garrick
|
|
|
Barbara Frietchie, by Clyde Fitch - Academy of Music
|
|
|
Lovers' Lane, by Clyde Fitch - Manhattan Theatre
|
|
|
Lady Huntworth's Experiment, by R.C. Carton - Daly's Theatre
|
|
|
The Climbers, by Clyde Fitch - Bijou
|
|
Reel
1
Frame
801
|
Volume 6, 1901-1902 (New York and Chicago Theatres)
|
|
|
The Husking Bee - Betts Academy , (1896)
|
|
|
Program, Benefit Performance - Auditorium Theatre, Chicago
|
|
|
Miss Hobbs - Dearborn Theatre, Chicago
|
|
|
The Masked Ball, adapted by Clyde Fitch - Dearborn Theatre
|
|
|
The Governor's Son, by George M. Cohan - Great Northern Theatre, Chicago
|
|
|
Miss Simplicity, by R.A. Barnet - Grand Opera House
|
|
|
Janice Meredith - Wallack's
|
|
|
Don Caesar's Return, by Victor Mapes - Wallacks
|
|
|
All On Account of Eliza, by Leo. Ditrichstein - Wallack's
|
|
|
A Gentleman of France, dramatized of Harriet Ford - Wallack's
|
|
|
The Messenger Boy, by James T. Tanner and Alfred Murray - Daly's
|
|
|
The King's Musketeer, adapted by Henry Hamilton - Daly's
|
|
|
To Have and To Hold, dramatized by E.F. Boddington - Knickerbocke
|
|
|
Rogers Brothers in Washington, by Harry B. Smith and Maurice Levi - Knickerbocker
|
|
|
Are You a Mason? adapted by Leo Ditrichstein - Garrick
|
|
|
Catherine, by Henri Lavedan - Garrick
|
|
|
Richard Lovelace, by Lawrence Irving - Garden Theatre
|
|
|
Alice of Old Vincennes, dramatized by Edward E. Rose - Garden
|
|
|
The Auctioneer, by Lee Arthur and Charles Klein - Bijou
|
|
|
The Widow Jones, by John J. McNally - Bijou
|
|
|
Dolly Varden, by Stanislaus Stange - Herald Square Theatre
|
|
|
Beaucaire, by Booth Tarkington and Evelyn Greenleaf Sutherland - Herald Square
|
|
|
As You Like It - Theatre Republic
|
|
|
Joan o' the Shoals, by Evelyn Greenleaf Sutherland - Theatre Republic
|
|
|
The Second Mrs. Tanqueray, by Arthur Wing Pinero - Theatre Republic
|
|
|
The Notorious Mrs. Ebbsmith, by Arthur Wing Pinero - Theatre Republic
|
|
|
King Charles I, by W.G. Wills - Harlem Opera House
|
|
|
D'Arcy of the Guards, by Louis Evan Shipman - Savoy Theatre
|
|
|
Lovers Lane, by Clyde Fitch - Manhattan Theatre
|
|
|
Under Two Flags, by Paul M. Potter - Academy of Music
|
|
|
The Little Duchess, by Reginald De Koven and Harry B. Smith - The Casino Theatre
|
|
|
Miss Simplicity, by R.A. Barnet - The Casino
|
|
|
Frocks and Frills, adapted by Sydney Grundy - Daly's
|
|
|
Notre Dame, by Paul M. Potter - Daly's
|
|
|
A Message From Mars, by Richard Ganthony - Garrick
|
|
|
Sky Farm, by Edward E. Kidder - Garrick
|
|
|
Garrett O'Magh, by Augustus Pitou - 14th Street Theatre
|
|
|
Up York State, by David Higgins and Georgia Waldron - 14th Street
|
|
|
Sweet and Twenty, by Basil Hood - Madison Square
|
|
|
The Liberty Belles, by Harry B. Smith - Madison Square
|
|
|
The Girl and the Judge, by Clyde Fitch - Lyceum
|
|
|
Under Southern Skies, by Lottie Blair Parker - Theatre Republic
|
|
|
The Widerness, by H.V. Esmond - Empire
|
|
|
The Twin Sister, by Ludwig Fulda - Empire
|
|
|
The Unwelcome Mrs. Hatch, by Mrs. Burton Harrison - Manhattan
|
|
|
A Bit of Old Chelsea, by Mrs. Oscar Beringer - Manhattan
|
|
|
Tess of the d'Urbervilles, adapted by Lorimer Stoddard - Manhattan
|
|
|
The Helmet of Navarre, adapted by Bertha Runkle and Lawrence Marston - Criterion
|
|
|
A Royal Rival, adapted by Gerald du Maurier - Criterion
|
|
|
The Second in Command, by Robert Marshall - Empire
|
|
|
Richard Carvel, by Edward E. Rose - Empire
|
|
|
Francesca da Rimini, by George H. Boker's - Victoria
|
|
|
Lady Margaret, adapted by Edward Rose - Bijou
|
|
|
Diplomacy, by Victorien Sardou - Empire
|
|
|
The Importance of Being Earnest - Empire
|
|
|
Maid Marian, by Harry B. Smith - Garden Theatre
|
|
|
A Runaway Girl, by Seymour Hicks and Harry Nichols - Fifth Avenue Theatre
|
|
|
The Toreador, by James T. Tanner and Harry Nicholls - Knickerbocker
|
|
|
San Toy, by Edward Morton - Daly's
|
|
|
Du Barry, by David Belasco - Criterion
|
|
|
The Hunchback, by James Sheridan Knowles - Garrick
|
|
|
A Modern Magdalen, adapted by Haddon Chambers - Bijou
|
|
|
Her Lord and Master, by Martha Morton - Manhattan
|
|
|
Life, by Anson Pond - Garden
|
|
|
The Great Lafayette Show - The Casino
|
|
|
The Lion's Bride - The Casino
|
|
|
Soldier's of Fortune, by Augustus Thomas - Savoy
|
|
|
The Diplomat, by Martha Morton - Madison Square
|
|
|
When Knighthood Was in Flower, by Paul Kester - Harlem Opera House
|
|
|
If I Were King, by Justin Huntly McCarthy - Harlem Opera House
|
|
|
A Gentleman of France, dramatized by Harriet Ford - Wallack's
|
|
|
The Last Appeal, by Leo Ditrichstein - Wallack's
|
|
|
The Sleeping Beauty and the Beast, by J. Hickory Wood and Arthur Collins - Broadway Theatre
|
|
|
Foxy Grandpa, by R. Melville Baker - 14th Street Theatre
|
|
|
Quo Vadis, dramatized by Stanislaus Stange - The New York
|
|
|
Hurly Burly, by Harry B. Smith and Edgar Smith - Weber and Field
|
|
|
Catherine, by Edgar and Harry B. Smith
|
|
|
The Hall of Fame, by Sydney Rosenfeld - The New York
|
|
|
Hoity Toity, by Edgar Smith - Weber and Fields'
|
|
|
Depleurisy, a travesty on Sardou's Diplomacy - Weber and Fields'
|
|
|
The Curl and the Judge, adapted from The Girl and the Judge, by Clyde Fitch - Weber and Fields'
|
|
|
The Rivals, by Richard Brinsley Sheridan - Harlem Opera House
|
|
|
Frou-Frou, adapted by Augustin Daly - Garrick
|
|
|
The Show Girl, by R.A. Barnet - Wallack's
|
|
|
King Dodo, by Frank Pixley - Daly's
|
|
|
Hearts Aflame, by Genevieve G. Haines - Garrick
|
|
|
Lady of Lyons, by Sir Edward Bulwer-Lytton - Garrick
|
|
|
A Doll's House, by Henrik Ibsen - Manhattan
|
|
|
Little Italy, by Horace B. Fry - Manhattan
|
|
|
Divorçons, by Victorien Sardou - Manhattan
|
|
|
Program of Hammerstein's Paradise Gardens
|
|
|
The Chaperons, by Frederic Ranken - The New York
|
|
|
A Chinese Honeymoon, by George Dance - Casino
|
|
|
The Defender, by Allen Lowe - Herald Square
|
|
|
Japan by Night - Madison Square Roof Garden
|
|
|
Because She Loved Him So - American Academy of Dramatic Arts, Carnegie Lyceum
|
|
|
The Mikado - Madison Square Roof Garden
|
|
|
The Wizard of Oz, by L. Frank Baum - Grand Opera House
|
|
|
The Storks, by Richard Carle and Guy F. Steely - Dearborn Theatre
|
|
|
Masonic Temple Theatre Program (Chicago)
|
|
|
Pickings from Puck, by Clarence Sinn - Great Northern Theatre
|
|
|
King Dodo, by Frank Pixley - The Studebaker?
|
|
|
Robert Emmet, by Brandon Tynan - 14th Street Theatre
|
|
|
Quincy Adams Sawyer and Mason's Corner Folks, by Justin Adams - Academy of Music
|
|
|
Show Girl, or The Cap of Fortune, by R.A. Barnet - Grand Opera
|
|
|
The New Clown, by H.M. Paull - Garrick
|
|
|
The Emerald Isle, by Arthur Sullivan, Edward German and Basil Hood - Herald Square
|
|
|
Mistress Nell, by George C. Hazelton, Jr. - Murray Hill Theatre
|
|
|
Soldiers of Fortune, by Augustus Thomas - Savoy
|
|
|
The Mummy and the Humming Bird, by Isaac Henderson - Empire
|
|
|
King High Ball, by Charles Horwitz - The New York
|
|
|
Captain Molly, by George C. Hazelton - Manhattan
|
|
|
Robin Hood, by Reginald DeKoven and Harry B. Smith - Academy of Music
|
|
|
Hearts Aflame, by Genevieve G. Haines - Bijou
|
|
|
Mrs. Jack, by Grace Livingston Furniss - Wallack's
|
|
|
David Harum, dramatized by R. and M.W. Hitchcock - Criterion
|
|
|
The Governor's Son, by George M. Cohan - Grand Opera
|
|
|
The Two Schools, by Alfred Capus - Madison Square
|
|
|
A Rose o' Plymouth-Town, by Beulah Marie Dix and Evelyn Greenleaf Sutherland - Manhattan
|
|
|
Iris, by A.W. Pinero - Criterion
|
|
|
Everyman - Mendelssohn Hall
|
|
|
First American Tour of Pietro Mascagni - Metropolitan Opera
|
|
|
Twirly Whirly, by Edgar Smith - Weber and Fields'
|
|
|
His Excellency the Governor, by R. Marshall - Garrick
|
|
|
The Joy of Living, by Hermann Sudermann - Garden
|
|
|
The Night of the Party, by Weedon Grossmith - Princess Theatre
|
|
|
The Ninety and Nine, by Ramsay Morris - Academy of Music
|
|
|
The Silver Slipper, by Owen Hall - Broadway
|
|
|
The Chaperons, by Frederick Ranken - Grand Opera
|
|
|
An American Invasion, by Madeline Lucette Ryley - Bijou
|
|
|
Sherlock Holmes, by William Gillette - Knickerbocker
|
|
|
A Country Mouse, by Arthur Law - Savoy
|
|
|
A Country Girl, by James T. Tanner - Daly's
|
|
|
The Sword of the King, by Ronald MacDonald - Wallack's
|
|
|
Imprudence, by H.V. Esmond - Empire
|
|
|
A Cigarette Maker's Romance, by Charles Hannan - Herald Square
|
|
|
Audrey, by Mary Johnson - Madison Square
|
|
|
The Chaperons - Folly Theatre
|
|
|
The Crisis, by Winston Churchill - Wallack's
|
|
|
The Cardinal, by Louis N. Parker - Garden
|
|
|
The Mocking Bird, by Sydney Rosenfeld - Bijou
|
|
|
Mary of Magdala, by Paul Heyse - Manhattan
|
|
|
The Stubbornness of Geraldine, by Clyde Fitch - Garrick
|
|
|
Fad and Folly, by Safford Waters and Rupert Hughes - Mrs. Osborn's Playhouse
|
|
|
The Darling of the Gods, by David Belasco and John Luther Long - Belasco Theatre
|
|
|
The Cavalier, dramatized by Paul Kester and George Middleton - Criterion
|
|
|
When Johnny Comes Marching Home, by Stanislaus Stange - The New York
|
|
|
The Paraders, by Raymand W. Peck - La Salle
|
|
|
The Storks, by Richard Carle and Guy F. Steely - Dearborn
|
|
|
The Billionaire, by Harry B. Smith and Gustave Kerker - Daly's
|
|
|
Heidelberg, or, When All the World is Young, adapted by Aubrey Boucicault - Princess
|
|
|
The Sultan of Sulu, by Alfred G. Wathall - Wallack's
|
|
|
Farewell Performances of Eleonora Duse in Francesca da Rimini - Metropolitan Opera
|
|
|
Twirly Whirly - Weber and Fields'
|
|
|
The Stickiness of Gelatine, a parody of The Stubbornness of Geraldine, by Clyde Fitch - Weber and Fields'
|
|
|
The Mocking Bird, by Sydney Rosenfeld - Amphion Theatre
|
|
|
The Unforeseen, by Robert Marshall - Empire
|
|
|
The Girl with the Green Eyes, by Clara Bloodgood - Savoy
|
|
|
Julius Caesar - Herald Square
|
|
|
Gretna Green, by Grace Livingston Furniss - Madison Square
|
|
|
The Cross-Ways, by Mrs. Langtry and J. Hartley Manners - Garrick
|
|
|
The Eternal City, by Hall Caine - Victoria
|
|
|
The Wizard of Oz, by L. Frank Baum - Majestic Theatre
|
|
|
Mr. Blue Beard, by J. Hickory Wood and Arthur Collins - Knickerbocker
|
|
|
Mr. Pickwick, book by Charles Klein - Herald Square
|
|
|
The Billionaire, by Harry B. Smith and Gustave Kerker - Daly's
|
|
|
The Little Princess, by Frances Hodgson Burnett
|
|
|
Ghosts, by Henrik Ibsen - Manhattan
|
|
|
The Consul, by Charles F. Nirdlinger - Princess
|
|
|
Mice and Men, by Madeleine Lucette Ryley - Garrick
|
|
|
If I Were King, by Justin Huntly McCarthy - Garden
|
|
|
Jim Bludso of the Prairie Belle, by I.N. Morris - 14th Street
|
|
|
The Bold Soger Boy, by Theo. Burt Sayre - 14th Street
|
|
|
The Bird in the Cage, by Clyde Fitch - Bijou
|
|
|
The Earl of Pawtucket, by Augustus Thomas - Madison Square
|
|
|
Lohengrin - Metropolitan Opera
|
|
|
Mme. Roger-Miclos Recital - Mendelssohn Hall
|
|
|
The Darling of the Gods, by David Belasco and John Luther Long - Belasco Theatre
|
|
|
Mr. Pickwick - Herald Square
|
|
|
The Frisky Mrs. Johnson, by Clyde Fitch - Princess
|
|
|
The Girl with the Green Eyes, by Clara Bloodgood - Savoy
|
|
|
The Sporting Duchess, by Augustus Harris, Cecil Raleigh, and Henry Hamilton - American
|
|
|
A Bunch of Keys, by Charles H. Hoyt - Murray Hill
|
|
|
Mr. Bluebeard, by J. Hickory Wood and Arthur Collins - Knickerbocker
|
|
|
Hearts are Trumps, by Cecil Raleigh and Arthur Collins - 5th Avenue Theatre
|
|
|
The Stranglers of Paris, by David Belasco - American
|
|
|
The Great Ruby, by Cecil Raleigh and Henry Hamilton - 5th Ave.
|
|
|
Mr. Walker's Ward, by Mark E. Swan - 5th Avenue
|
|
|
Dora, by Charles Reade - 5th Avenue
|
|
|
An Arabian Night, by Augustin Daly - 5th Avenue
|
|
|
The New Boy, by Arthur Law - 5th Avenue
|
|
|
Rome - Pain's
|
|
|
Captain Swift, by Haddon Chambers - 5th Avenue
|
|
|
The Nominee, by Leander Richardson and William Yardley - 5th Ave
|
|
|
Peaceful Valley, by Edward E. Kidder - 5th Avenue
|
|
|
Jeanne du Barry, by Lorraine Hollis - American
|
|
|
Lend Me Five Shillings, by John Madison Morton - Murray Hill
|
|
|
David Garrick, by T.W. Robertson - Murray Hill
|
|
|
Madame Sans Gene, by Victorien Sardou - American
|
|
|
Shenandoah, by Bronson Howard - American
|
|
|
A Man From Mexico, by H.A. Du Souchet - American
|
|
|
Reaping the Whirlwind, by Owen Davis - American
|
|
|
The City of New York, by Walter Fessler - American
|
|
|
At the White Horse Tavern, by Sydney Rosenfeld - 5th Avenue
|
|
|
The Royal Box, by Charles Coghlan - 5th Avenue
|
|
|
A Pair of Lunatics, by W.R. Walker - 5th Avenue
|
|
|
A Midnight Bell, by Charles H. Hoyt - 5th Avenue
|
|
|
The Gentle Mr. Bellew of France, by Clay M. Greene - 5th Ave.
|
|
|
A Trip to Chinatown, by Charles H. Hoyt - 5th Avenue
|
|
|
Locked Out at 3 A.M., by E.B. Harvier - 5th Avenue
|
|
|
The Still Alarm, by Joseph Arthur - 5th Avenue
|
|
|
Humbug, by Fred. Marsden - 5th Avenue
|
|
|
A Stag at Bay, by Margaret Townsend and Arturo Cuyas - 5th Ave.
|
|
Reel
2
Frame
1
|
Volume 7, 1901-1902
|
|
|
Fiddle-dee-dee, by Edgar Smith - Weber and Fields'
|
|
|
Under Two Flags, by Paul M. Potter - Garden
|
|
|
The Master-at-Arms, adapted by Miron L. Leffingwell - American
|
|
|
The Climbers, by Clyde Fitch - Bijou
|
|
|
Miss Prinnt, by George V. Hobart - Grand Opera
|
|
|
Richard Carvel, by Edward E. Rose - Star Theatre, Buffalo
|
|
|
The Mormon Wife, by Madeline Merli and Charles E. Blaney - Lyceum
|
|
|
The Viceroy, by Victor Herbert and Harry B. Smith - Star
|
|
|
Program from Shea's Garden Theatre
|
|
|
The Price of Peace, by Cecil Raleigh - Broadway
|
|
|
On the Quiet, by Augustus Thomas - Madison Square
|
|
|
San Toy, by Edward Morton - Daly's
|
|
|
The Casino Girl, by Harry B. Smith - Knickerbocker
|
|
|
In the Palace of the King, dramatized by Lorimer Stoddard - Theatre Republic
|
|
|
Program of The New York
|
|
|
The Giddy Throng, by Sydney Rosenfeld - The New York
|
|
|
Recital of Miss Frieda Stender - Mendelssohn Hall
|
|
|
Mistress Nell, by George C. Hazelton, Jr. - Wallack's
|
|
|
Lovers' Lane, by Clyde Fitch - Theatre Republic
|
|
|
When Knighthood Was in Flower, adapted by Paul Kester - Criterion
|
|
|
The Brixton Burglary, by Frederick W. Sidney - Herald Square
|
|
|
Diplomacy, by Victorien Sardou - Empire
|
|
|
Florodora, by Owen Hall - The Casino
|
|
|
The Strollers, by George W. Lederer - Knickerbocker
|
|
|
The Forest Lovers, dramatized by Clo Graves - Lyceum
|
|
|
Don Caesar's Return, by Victor Mapes - Wallack's
|
|
|
Tom Moore, by Theodore Burt Sayre - Herald Square
|
|
|
The Messenger Boy, by James T. Tanner and Alfred Murray - Daly's
|
|
|
Program of The New York
|
|
|
The Auctioneer, by Lee Arthur and Charles Klein - Bijou
|
|
|
Rogers Brothers in Washington, by John J. McNally - Knickerbocke
|
|
|
Under Southern Skies, by Lottie Blair Parker - Theatre Republic
|
|
|
The Sleeping Beauty and the Beast, by J. Hickory Wood and Arthur Collins - Broadway
|
|
|
The Girl and the Judge, by Clyde Fitch - Lyceum
|
|
|
Notre Dame, by Paul M. Potter - Daly's
|
|
|
The Colleen Bawn, or, The Bride of Garryowen, by Dion Boucicault - Murray Hill
|
|
|
Soldiers of Fortune, by Augustus Thomas - Savoy
|
|
|
King Dodo, by Frank Pixley - Daly's
|
|
|
The Chaperons, by Frederic Ranken - The New York
|
|
|
Show Girl, or, The Cap of Fortune, by R.A. Barnet - Wallack's
|
|
|
The Mummy and the Humming Bird, by Isaac Henderson - Empire
|
|
|
Aunt Jeannie, by E.F. Benson - Garden
|
|
|
The Rogers Brothers in Harvard, by John J. McNally - Knickerbocker
|
|
|
The Altar of Friendship, by Madeline Lucette Ryler - Broad Street Theatre
|
|
|
The Eternal City, by Hall Caine - Garrick
|
|
|
The Toreador, by Geo. Edwardes - Chestnut Street Theatre
|
|
|
The Two Orphans - Grand Opera House
|
|
Reel
2
Frame
125
|
Volume 8, 1901-1902 (with inscription “Dramatic Scrap-book. Volume V. Property of C.E. Hungerford, Watertown-New York”)
|
|
|
Reproduced photographs of Marie Derickson(?), Gladys, Thompson, Belle Harper, Frances Duff, Ethel Barrymore
|
|
|
Du Barry, by David Belasco - Criterion
|
|
|
The Little Duchess, by Reginald De Koven and Harry B. Smith - The Casino
|
|
|
Sweet and Twenty, by Basil Hood - Madison Square
|
|
|
Beaucaire, by Booth Tarkington and Evelyn Greenleaf Sutherland - Herald Square
|
|
|
In the Palace of the King, dramatized by Lorimer Stoddard - Newark Theatre
|
|
|
The Second in Command, by Robert Marshall - Empire
|
|
|
The Girl and the Judge, by Clyde Fitch - Lyceum
|
|
|
The Messenger Boy, by James T. Tanner and Alfred Murray - Daly's
|
|
|
The Way of the World, by Clyde Fitch
|
|
|
Captain Jinks of the Horse Marines, by Clyde Fitch - Montauk
|
|
|
A Message From Mars, by Richard Ganthony - Garrick
|
|
|
Hoity Toity, by Edgar Smith - Weber and Fields'
|
|
|
Rogers Brothers in Washington, by Harry B. Smith - Knickerbocker
|
|
|
The Auctioneer, by Lee Arthur and Charles Klein - Bijou
|
|
|
Il Trovatore, Castle Square Opera Co. - Broadway Theatre
|
|
|
The Strollers, by Geroge W. Lederer - Montauk
|
|
|
Up York State, by David Higgins and Georgia Waldron - 14th St.
|
|
|
The New Yorkers, by Glen McDonough - Grand Opera House
|
|
|
The Liberty Belles, by Harry B. Smith - Madison Square
|
|
|
On the Quiet, by Augustus Thomas - Montauk
|
|
|
The Toreador, by James T. Tanner and Harry Nicholls - Knickerbocker
|
|
|
The Christian, by Hall Caine - Academy of Music
|
|
|
Miss Simplicity, by R.A. Barnet - The Casino
|
|
|
Dolly Varden, by Stanislaus Stange - Herald Square
|
|
|
The Sleeping Beauty and the Beast - Broadway
|
|
|
Under Two Flags, by Paul M. Potter - Academy of Music
|
|
|
Foxy Grandpa, by R. Mellville Baker - 14th Street
|
|
|
The Diplomat, by Martha Morton - Madison Square
|
|
|
The Little Duchess, by Reginald De Koven and Harry B. Smith - Grand Opera House
|
|
|
The Importance of Being Earnest - Empire
|
|
|
A Modern Magdalen, adapted by Haddon Chambers - Bijou
|
|
|
Soldiers of Fortune, by Augustus Thomas - Savoy
|
|
|
The Wild Rose, by Harry B. Smith and Geo. V. Hobart - Knickerbocker
|
|
|
The Show Girl, by R.A. Barnet - Wallack's
|
|
Reel
2
Frame
261
|
Volume 9, 1902-1904
|
|
|
Iris, by A.W. Pinero - Criterion
|
|
|
The Cavalier, dramatized by Paul Kester and George Middleton - Criterion
|
|
|
The Cardinal, by Louis N. Parker - Garden
|
|
|
A Country Girl, by James T. Tanner - Daly's
|
|
|
When Johnny Comes Marching Home, by Stanislaus Stange - The New York
|
|
|
A Modern Magdalen, adapted by Haddon Chambers - Grand Opera
|
|
|
The Darling of the Gods - Belasco Theatre
|
|
|
Fad and Folly, by Safford Waters and Rupert Hughes - Mrs. Osborn's Playhouse
|
|
|
The Stubbornness of Geraldine, by Clyde Fitch - Garrick
|
|
|
Imprudence, by H.V. Esmond - Empire
|
|
|
The Girl with the Green Eyes, by Clara Bloodgood - Savoy
|
|
|
The Mocking Bird, by Sydney Rosenfeld - Bijou
|
|
|
Audrey, by Mary Johnson - Madison Square
|
|
|
Mary of Magdala, by Paul Heyse - Manhattan
|
|
|
The Ninety and Nine, by Ramsay Morris - Academy of Music
|
|
|
Twirly Whirly - Weber and Fields'
|
|
|
The Sultan of Sulu, by Alfred G. Wathall - Wallack's
|
|
|
When All the World Was Young, adapted by Aubrey Boucicault - Princess
|
|
|
Magda, Farewell Performance of Eleonora Duse - Metropolitan Oper
|
|
|
Gretna Green, by Grace Livingston Furniss - Madison Square
|
|
|
The Bird in the Cage, by Clyde Fitch - Bijou
|
|
|
Jim Bludso of the Prairie Belle, by I.N. Morris - 14th Street
|
|
|
The Little Princess, by Frances Hodgson Burnett - Criterion
|
|
|
The Prince of Pilsen, by Frank Pixley - Broadway
|
|
|
Twirly Whirly - Weber and Fields'
|
|
|
The Big Little Princess, by Edgar Smith - Weber and Fields'
|
|
|
The Earl of Pawtucket, by Augustus Thomas - Manhattan
|
|
|
A Message from Mars, by Richard Ganthony - Criterion
|
|
|
The Henrietta, by Bronson Howard - Grand Opera House
|
|
|
Mice and Men, by Madeleine Lucette Ryley - Garrick
|
|
|
The Taming of Helen, by Ricahrd Harding Davis - Savoy
|
|
|
Resurrection, by Henri Bataille and Michael Morton - Victoria
|
|
|
Princess Proud, by George Sanford Parsons
|
|
|
There & Back, by George Arliss - Princess
|
|
|
Skipper & Co., Wall Street, by H.J.W. Dam - Garrick
|
|
|
The Wizard of Oz - Majestic
|
|
|
The Runaways, by Addison Burkhardt - Casino
|
|
|
Running for Office, by George M. Cohan - Grand Opera
|
|
|
Checkers, by Henry M. Blossom, Jr. - American
|
|
|
Ulysses, by Stephen Phillips - Garden
|
|
|
The Jersey Lily, by George V. Hobart - Victoria
|
|
|
A Midsummer Night's Dream - New Amsterdam Theatre
|
|
|
A Clean Slate, by R. C. Carton - Madison Square
|
|
|
The Light that Failed, adapted by George Fleming - Knickerbocker
|
|
|
John Ermine of the Yellowstone, by Louis Evan Shipman - Manhattan
|
|
|
Under Cover, by Edward Harrigan - Murray Hill
|
|
|
Three Little Maids, by Paul Rubens - Garden
|
|
|
Raffles, the Amateur Cracksman, by E.W. Hornung and Eugene Presbrey - Princess
|
|
|
Her Own Way, by Clyde Fitch - New Amsterdam
|
|
|
Red Feather, by Charles Klein - Lyric Theatre
|
|
|
Cousin Kate, by Hubert Henry Davies - Hudson Theatre
|
|
|
Carrots, by Jules Renard - Hudson
|
|
|
The Frisky Mrs. Johnson, by Clyde Fitch - Grand Opera
|
|
|
Mam'sell Napoleon, adapted by Joseph W. Herbert - Knickerbocker
|
|
|
La Traviata - Metropolitan Opera
|
|
|
The Marriage of Kitty, adapted by Cosmo Gordon Lennox - Hudson
|
|
|
Winsome Winnie, by Frederick Ranken, Jakobowski and Paulton - Casino
|
|
|
The Pretty Sister of Jose, by Frances Hodgson Burnett - Empire
|
|
|
My Lady Molly, by G.H. Jessop - Daly's
|
|
|
The Office Boy, by Harry B. Smith - Grand Opera
|
|
|
The Taming of the Shrew, rearranged by Augustin Daly - Lyric
|
|
|
That Man and I, by Frances Hodgson Burnett - Savoy
|
|
Reel
2
Frame
427
|
Volume 10, 1903-1904
|
|
|
A Doll's House, by Henrik Ibsen - Garrick
|
|
|
Minnie Maddern Fiske - Reproductions
|
|
|
Blanche Bates - Reproductions
|
|
|
The Darling of the Gods - Belasco Theatre (Cast photos)
|
|
|
Dorothy Revell - Reproductions
|
|
|
George Arliss - Reproductions
|
|
|
The Fighting Hope, by William J. Hurlbut - Belasco
|
|
|
Maxine Elliott - Reproductions
|
|
|
The Altar of Friendship, by Madeleine Lucette Ryley - Powers' Theatre
|
|
|
Her Own Way, by Clyde Fitch - Illinois Theatre, Chicago
|
|
|
Nathaniel C. Goodwin - Reproductions
|
|
|
Charles Cherry - Reproductions
|
|
|
Margaret Anglin - Reproductions
|
|
|
The Winderness, by H.V. Esmond - Powers' Theatre
|
|
|
Charles Richman - Reproductions
|
|
|
The Unforeseen, by Robert Marshall - Empire
|
|
|
Henry Miller - Reproductions
|
|
|
The Taming of Helen, by Richard Harding Davis - Garrick
|
|
|
Zira, by J. Hartley Manners and Henry Miller - Garrick
|
|
|
Grace Elliston - Reproductions
|
|
|
Laura Hope Crews - Reproductions
|
|
|
Her Husband's Wife, by A.E. Thomas - Illinois Theatre, Chicago
|
|
|
Nance O'Neill- Reproductions
|
|
|
Magda - Benefit Matinee
|
|
|
The Little Princess, by Frances Hodgson Burnett - Powers'
|
|
|
Millie Tempest - Reproductions
|
|
|
Marie Tempest - Reproductions
|
|
|
The Marriage of Kitty, by Cosmo Gordon Lennox - Powers' New Theatre
|
|
Reel
2
Frame
564
|
Volume 11, 1903-1904
|
|
|
The Storks, by Richard Carle and Guy F. Steely - Majestic
|
|
|
Program from Keith's Theatre, Boston
|
|
|
Imprudence, by H.V. Esmond - Hollis St. Theatre
|
|
|
Hearts Adrift, by Langdon McCornick - Boston Music Hall
|
|
|
Oliver Twist, dramatized by C.E. Callahan - American
|
|
|
The Sleeping Beauty and the Beast - Colonial Theatre
|
|
|
Resurrection, by Henri Bataille and Michael Morton - Victoria
|
|
|
The Jewel of Asia, by Frederic Ranken and Harry B. Smith - Criterion
|
|
|
In Dahomey, book by J.A. Shipp - New York Theatre
|
|
|
Dangers of Paris - American
|
|
|
The Big Little Princess, by Edgar Smith - Weber and Fields'
|
|
|
The Bishop's Move, by John Oliver Hobbes and Murray Carson - Manhattan
|
|
|
Mr. Pickwick, by Charles Klein - Herald Square
|
|
|
Annual Benefit of the Actors' Home of America - Metropolitan Opera House
|
|
|
In the Palace of the King, dramatized by Lorimer Stoddard - American
|
|
|
The Billinoaire, by Harry B. Smith and Gustave Kerker - Daly's
|
|
|
The Wizard of Oz - Majestic
|
|
|
Blue Jeans, by Joseph Arthur - 5th Avenue Theatre
|
|
|
Cynthia, by Hubert Henry Davies - Madison Square
|
|
|
Nancy Brown, by George H. Broadhurst and Frederic Ranken - Bijou
|
|
|
The Prince of Pilsen, by Frank Pixley - Broadway
|
|
|
The Darling of the Gods - Belasco Theatre
|
|
|
Lost in the Desert, by Owen Davis - American
|
|
|
The Mocking Bird, by Sydney Rosenfeld - Hyperion Theatre
|
|
|
In Posterland - 14th Street
|
|
|
Pretty Peggy, by Frances Aymar Mathews - Herald Square
|
|
|
My Partner, by Bartley Campbell - American
|
|
|
The Taming of Helen, by Richard Harding Davis - Savoy
|
|
|
The Suburban, by C.T. Dazey - Academy of Music
|
|
|
Devil's Island, by Vera de Noye - American
|
|
|
Resurrection, by Henri Bataille and Michael Morton - Victoria
|
|
|
The Prince of Pilsen - Broadway
|
|
|
The Jewel of Asia, by Frederick Ranken and Harry B. Smith - Daly's
|
|
|
The Sultan of Sulu, by Alfred G. Wathall - Wallack's
|
|
|
The Christian, by Hall Caine - American
|
|
|
The Henrietta, by Bronson Howard - Grand Opera House
|
|
|
More Than Queen, by Charles Frederic Nirdlinger and Charles Henry Meltzer - American
|
|
|
Pretty Peggy - Herald Square
|
|
|
Farewell Matinee by Mme. Roger-Miclos, with Ben Davies - Mendelssohn Hall
|
|
|
On the Stroke of Twelve, by Joseph LeBrandt - Third Avenue Family Theatre
|
|
|
Little Lord Fauntleroy, by Frances Hodgson Burnett - Casino
|
|
|
A Social Highwayman, dramatized by Marie Stone - 5th Ave.
|
|
|
A Fool and His Money, by George H. Broadhurst - Madison Square
|
|
|
The Starbucks, by Opie Read - Daly's
|
|
|
Barbara Freitchie, by Clyde Fitch - American
|
|
|
The Cherry Pickers, by Joseph Arthur - 5th Avenue
|
|
|
My Lady Peggy Goes to Town, by Frances Aymar Mathews - Daly's
|
|
|
Running for Office, by George M. Cohan - 14th Street
|
|
|
The Auctioneer - Victoria
|
|
|
The Runaways, by Addison Burkhardt
|
|
|
Who is Brown? by Frank Wyatt - 5th Avenue
|
|
|
A Desperate Chance, by Theodore Kremer - New Star Theatre
|
|
|
Skipper & Co., Wall Street, by H.J.W. Dam - Garrick
|
|
|
A Fool and His Money - Madison Square
|
|
|
The Vinegar Buyer, by Herbert Hall Winslow - Savoy
|
|
|
Facing the Music, by James Henry Darnley - Garrick
|
|
|
John Henry, by George V. Hobart and Edward E. Rose - Herald Square
|
|
|
Romeo and Juliet - Knickerbocker
|
|
|
The Blonde in Black, by H.B. Smith - Knickerbocker
|
|
|
The Darling of the Gallery Gods, by George V. Hobart - Crystal Gardens
|
|
|
The Dress Parade, by George V. Hobart - Crystal Gardens
|
|
|
Program of Paradise Roof Garden
|
|
|
The Sultan of Sulu - Manhattan Beach Theatre
|
|
|
The Runaways, by Addison Burkhardt - Casino
|
|
|
A Son of Rest, by George Weston - 14th Street
|
|
|
A Princess of Kensington, by Basil Hood - Broadway
|
|
|
Personal, by Eugene Presbrey - Bijou
|
|
|
The Evil Men Do, by Theodore Kremer - American
|
|
|
Three Little Maids, by Paul Rubens - Daly's
|
|
|
Mrs. Deering's Divorce, by Percy Fendall - Savoy
|
|
|
Peggy From Paris, by George Ade - Wallack's
|
|
|
Drink, by Charles Reade - Academy of Music
|
|
|
Hedda Gabler, by Henrik Ibsen - Manhattan
|
|
|
Hearts Courageous, by Ramsay Morris and Franklyn Fyles - Broadway
|
|
|
Old Heidelberg, by Wilhelm Meyer-Forster - Lyric
|
|
|
Marta of the Lowlands, by Wallace Gillpatrick and Guido Marburg Manhattan
|
|
|
Whoop-dee-doo, by Edgar Smith - Weber and Fields'
|
|
|
Babes in Toyland, by Glen MacDonough and Victor Herbert - Majestic
|
|
|
Under Cover, by Edward Harrigan - Murray Hill
|
|
|
Checkers, by Henry M. Blossom, Jr. - American
|
|
|
Arrah-na-Pogue, by Dion Boucicault - 14th Street
|
|
|
The Best of Friends, by Cecil Raleigh - Academy of Music
|
|
|
The Proud Prince, by Justin Huntly McCarthy - Herald Square
|
|
|
Her Own Way, by Clyde Fitch - Garrick
|
|
|
Winsome Winnie, by Jakobowski and Paulton - Casino
|
|
|
A Girl from Dixie, by H.B. Smith - Madison Square
|
|
|
The Sacrament of Judas, by Louis Tiercelin - Princess
|
|
|
Raffles, the Amateur Cracksman - Princess
|
|
|
Mother Goose, by J. Hickroy Wood and Arthur Collins - New Amsterdam
|
|
|
Sweet Kitty Bellairs, by David Belasco - Belasco Theatre
|
|
|
The Pretty Sister of Jose, by Frances Hodgson Burnett - Empire
|
|
|
Our New Minister, by Denman Thompson and George W. Ryer - American
|
|
|
Je ne Sais Quoi, by Francis de Croisset - Vaudeville Theatre
|
|
|
The Stammerer, by dr Ferandy - Vaudeville
|
|
|
Captain Barrington, by Victor Mapes - Manhattan
|
|
|
The Marriage of Kitty, by Cosmo Gordon Lennox - Hudson
|
|
|
The Girl from Kay's, by Owne Hall - Herald Square
|
|
|
Red Feather, by Charles Klein - Lyric
|
|
|
Tosca - Metropolitan Opera
|
|
|
Aida - Metropolitan Opera
|
|
|
Terence, dramatized by Mrs. Edmund Nash Morgan - New York Theatre
|
|
|
Mam'selle Napoleon, by Jean Richepin, adapted by Joseph W. Herbert - Knickerbocker
|
|
|
My Lady Molly, by G.H. Jessop - Daly's
|
|
|
The Virginian, dramatized by Owen Wister and Kirke la Shelle - Manhattan
|
|
|
Glad of It, by Clyde Fitch - Savoy
|
|
|
The Other Girl, by Augustus Thomas - Criterion
|
|
|
Program from the Victoria Theatre
|
|
|
By Right of Sword, dramatized by Mrs. Doremus, Leonidas Westervelt, and Arthur W. Marchmont - American
|
|
|
The Taming of the Shrew, rearranged by Augustin Daly - Lyric
|
|
|
Sergeant Kitty, by R.H. Burnside - Daly's
|
|
|
Sherlock Holmes, by A. Conan Doyle and William Gillette - Grand Opera
|
|
|
Merely Mary Ann, adapted by Israel Zangwill - Garden
|
|
|
Olympe, by Pierre Decourcelle - Knickerbocker
|
|
|
The Younger Mrs. Parling, by C. Haddon Chambers - Garrick
|
|
|
The Light that Lies in Woman's Eyes, by E.H. Sothern - Criterion
|
|
|
An English Daisy, by Seymour Hicks and Walter Slaughter - Casino
|
|
|
If Women Were Men, by Will C. Murphey - New Star Theatre
|
|
|
An Irish Gentleman, by Ramsey Morris - 14th Street
|
|
|
The Medal and the Maid, by Owen Hall - Broadway
|
|
|
The Office Boy, by Harry B. Smith - Amphion
|
|
|
The Triumph of Love, by Martha Morton Conheim - Criterion
|
|
|
The Admirable Crichton, by J.M. Barrie - New Lyceum Theatre
|
|
|
The Tenderfoot, by Richard Carle - New York Theatre
|
|
|
Mice and Men, by Madeleine Lucette Ryley - Garrick
|
|
|
The Virginian, by Owen Wister - Manhattan
|
|
|
Ranson's Folly, by Richard Harding Davis - Hudson
|
|
|
Ivan the Terrible, by Alexis Tolstoi - New Amsterdam
|
|
|
Merely Mary Ann, by Israel Zangwill - Criterion
|
|
|
Out of the Fold, by Langdon McCormick - American
|
|
|
As You Like It - Daly's
|
|
|
The Girl From Kay's, by Owen Hall - Herald Square
|
|
|
The County Chairman, by George Ade - Wallack's
|
|
|
Beau Brummel, by Clyde Fitch - New Amsterdam
|
|
|
The Secret of Polichinelle, by Pierre Wolff - Garden
|
|
|
Dr. Jekyll and Mr. Hyde - New Amsterdam
|
|
|
A Midnight Marriage, by Hal Reid - American
|
|
|
Love's Pilgrimage, by Horace B. Fry - Wallack's
|
|
|
The Two Orphans, by Adolf d'Ennery and Eugene Cormon - New Amsterdam
|
|
|
The Shepherd King, by Arnold Reeves and Wright Lorimer - Knickerbocker
|
|
|
The Girl with the Green Eyes, by Clyde Fitch - Grand Opera
|
|
|
The Dictator, by Richard Harding Davis - Criterion
|
|
|
The Pit, by Channing Pollock - Lyric
|
|
|
Wang, by J. Cheever Goodwin - Lyric
|
|
|
The Yankee Consul, by Henry M. Blossom, Jr. - Broadway
|
|
|
Camille, by Alexandre Duman - Hudson
|
|
|
The Man From China, by Paul West - Majestic
|
|
|
Piff! Paff!! Pouf!!!, by Stanislaus Stange - Casino
|
|
|
Two Little Sailor Boys, by Walter Howard - Academy of Music
|
|
|
A Venetian Romance, by Cornelia Osgood Tyler - Knickerbocker
|
|
|
Tit for Tat, adapted by Leo Ditrichstein - Savoy
|
|
|
Adrea, by David Belasco and John Luther Long - Belasco Theatre
|
|
|
Mr. Wix of Wickham, by Herbert Darnley - Bijou
|
|
|
Isle of Spice, by Allen Lowe and Geo. E. Stoddard - Majestic
|
|
|
The Fatal Wedding, by Theodore Kremer - 58th Street Theatre
|
|
|
A Madcap Princess - Knickerbocker
|
|
|
The Southerners, by Will Mercer and Richard Grant - New York
|
|
|
The Maid and the Mummy, by Richard Carle - New York
|
|
|
More to be Pitied than Scorned, by Charles E. Blaney - 58th St.
|
|
|
Her Heart's Idol, by Julian Loraine - 58th Street
|
|
|
Girls will be Girls, by R. Melville Baker and Joseph Hart - 14th Street
|
|
|
The White Tigress of Japan, by Charles A. Taylor - American
|
|
|
Higgledy-Piggledy, by Edgar Smith - Weber Music Hall
|
|
|
The Harvester, by Charles M. Skinner - Lyric
|
|
|
The Duke of Killicrankie, by Robert Marshall - Empire
|
|
|
Granny, by Clyde Fitch - New Lyceum
|
|
|
The Sorceress, by Victorien Sardou - New Amsterdam
|
|
|
Love's Lottery, by Stanislaus Stange - Broadway
|
|
|
Mrs. Wiggs of the Cabbage Patch, dramatized by Anne Crawford Flexner - Savoy
|
|
|
The College Widow, by George Ade - Garden
|
|
|
The School Girl, by Paul M. Potter and Henry Hamilton - Daly's
|
|
|
The Coronet of the Duchess, by Clyde Fitch - Garrick
|
|
|
The Street Singer, by Hal Reid - American
|
|
|
Taps, by Franz Adam Beyerlein - Lyric
|
|
|
Letty, by Arthur W. Pinero - Hudson
|
|
|
Fires of St. John, by Sudermann - Daly's
|
|
|
Magda, by Sudermann - Daly's
|
|
|
Woodland, by Frank Pixley - New York
|
|
|
Parsifal, by Richar Wagner - New York
|
|
|
Humpty Dumpty, by J. Hickory Wood and Arthur Collins - New Amsterdam
|
|
|
Monna Vanna, by Maurice Maeterlinck
|
|
|
Glittering Gloria, by Hugh Morton - Daly's
|
|
|
La Gioconda - Metropolitan Opera
|
|
|
Judith of Bethulia, by Thomas Bailey Aldrich - Daly's
|
|
|
Siberia, by Bartley Campbell - Academy of Music
|
|
|
His Last Dollar, by David Higgins and Baldwin G. Cooke - America
|
|
|
The Sho-Gun, George Ade - Wallack's
|
|
|
Mrs. Black is Back, by George V. Hobart - Bijou
|
|
|
Leah Kleschna, by C.M.S. McLellan - Manhattan
|
|
|
The Winter's Tale - Knickerbocker
|
|
|
Little Johnny Jones - New York Theatre
|
|
|
Fantana, by Sam S. Shubert and Robert B. Smith - Lyric
|
|
|
Friquet, by Pierre Berton and Gyp - Savoy
|
|
|
You Never Can Tell, by Bernard Shaw - Garrick
|
|
|
The Woman in the Case, by Clyde Fitch - Herald Square
|
|
|
The Music Master, by Charles Klein - Bijou
|
|
|
The Millionaire Detective, by Charles E. Blaney and Howard Hall American
|
|
|
The Pearl and the Pumpkin, by Paul West and W.W. Denslow - Broadway
|
|
|
The Prince Chap, by Edward People - Joe Weber's Theatre
|
|
|
King Lear, Edwin Booth's edition - Garden
|
|
|
Queen of the White Slaves, by Arthur J. Lamb - American
|
|
|
York State Folks, by Arthur Sidman - Majestic
|
|
|
The Ham Tree, by George V. Hobart - New York
|
|
|
The White Cat, by J. Hickory Wood and Arthur Collins - New Amsterdam
|
|
|
The Girl I Left Behind Me, by Belasco and Fyles - Castle Square Theatre
|
|
|
The Belle of Avenue A, by Harry Williams and Aaron Hoffman - Alvin Theatre
|
|
|
Happyland, by Reginald DeKoven and Frederic Ranken - Lyric
|
|
Reel
2
Frame
806
|
Volume 12, 1903-1904
|
|
|
Masonic Temple Theatre Program, Chicago
|
|
|
Grace Cameron - Reproductions
|
|
|
When Johnny Comes Marching Home, by Stanislaus Stange - McVicker Theatre, Chicago
|
|
|
May Robson - Reproductions
|
|
|
Jerome Sykes - Obituary
|
|
|
The Billionaire - Daly's
|
|
|
Nellie Follis - Reproductions
|
|
|
Marie Doro - Reproductions
|
|
|
Benefit for the Chicago Tribune Free Ice Fund, Powers' Theatre, Program
|
|
|
Katherine Gray - Reproductions
|
|
|
Babes in Toyland - Grand Opera House
|
|
|
A Chinese Honeymoon - Casino
|
|
|
A Chinese Honeymoon - Illinois Theatre
|
|
|
When Johnny Comes Marching Home
|
|
|
Katherine Grey - Reproductions
|
|
|
Cecilia Loftus - Reproductions
|
|
|
Nancy Brown, by George H. Broadhurst and Frederic Ranken - Garri
|
|
|
Marie Cahill - Reproductions
|
|
|
Mother Goose - New Amsterdan
|
|
|
Edith St. Clair - Reproductions
|
|
|
Babette, by Harry B. Smith - Illinois Theatre
|
|
|
Fritzi Scheff - Reproductions
|
|
|
Mlle. Modiste, by Henry Blossom - Illinois Theatre
|
|
|
The Office Boy, by Harry B. Smith - Illinois Theatre
|
|
|
Frank Daniels - Reproductions
|
|
|
The Sho-Gun, by George Ade - The Studebaker, Chicago
|
|
|
The Silver Slipper, by Owen Hall - McVicker's Theatre, Chicago
|
|
Reel
2
Frame
920
|
Volume 13, 1903-1904
|
|
|
The Prince of Pilsen, by Frank Pixley
|
|
|
Florodora, by Owen Hall
|
|
|
Ben-Hur, arranged by William Young
|
|
|
The Tenderfoot, by Richard Carle
|
|
|
Gideons Minstrel Carnival
|
|
|
Along the Mohawk, by Nelson Lewis
|
|
|
Buried at Sea
|
|
|
Iris
|
|
|
A Country Girl
|
|
|
The Vinegar Buyer, by Herbert Hall Winslow
|
|
|
A Bunch of Keys
|
|
|
Alexander the Great, by Rupert Hughes and Collin Kemper
|
|
|
Ghosts, by Henrik Ibsen
|
|
|
The New Dominion
|
|
|
Program of the Suzanne Adams Company
|
|
|
Soldiers of Fortune, by Augustus Thomas
|
|
|
The Bonnie Brier Bush, dramatized by James MacArthur
|
|
|
James Henry Stoddart - obituary
|
|
|
D'Arcy of the Guards, by Louis Evan Shipman
|
|
|
Herrmann - Program
|
|
|
Mrs. Wiggs of the Cabbage Patch
|
|
|
Taming of the Shrew
|
|
|
The Merchant of Venice
|
|
|
Mr. Jolly of Joliet
|
|
|
Quincy Adams Sawyer, dramatized by Justin Adams
|
|
|
Richard III
|
|
|
Haverly's Mastodon Minstrels - Playbill
|
|
|
Under Two Flags, by Paul M. Potter
|
|
|
Tim Murphy - Playbill
|
|
|
At Valley Force, by William L. Roberts
|
|
|
Southern Enchantment, by Billy McClain
|
|
|
The Sultan of Sulu, by George Ade
|
|
|
A Trip to Chinatown
|
|
|
Resurrection, by Leo Tolstoi
|
|
|
Pickings From Puck
|
|
|
We Are King
|
|
|
Hamlet
|
|
|
The Convict's Daughter
|
|
|
Ottokar Malek - Concert Program
|
|
|
The Punkin Husker
|
|
|
The Silver Slipper
|
|
|
Mrs. Deering's Divorce, by Percy Fendall
|
|
|
The Degenerates, by Sydney Grundy
|
|
|
The Cavalier, dramatized by Paul Kester and George Middleton
|
|
|
The Isle of Spice, by Allen Lowe and Geo. E. Stoddard
|
|
|
Alphonse and Gaston, by Allen Lowe
|
|
|
Harriet's Honeymoon, by Leo Ditrichstein
|
|
|
Peck's Bad Boy
|
|
|
A Gilden Fool, by Henry Guy Carleton
|
|
|
Concert by Madam Lillian Blauvelt
|
|
|
Are You a Mason? adapted by Leo Ditrichstein
|
|
|
Twelfth Night
|
|
|
The Eternal City, by Hall Caine
|
|
|
Ole Olson
|
|
|
The Whitewashing of Julia
|
|
|
Weary Willie Walker
|
|
|
Parsifal, in concert form - New York Symphony Orchestra
|
|
|
Mice and Men
|
|
|
A Girl From Dixie, by Harry B. Smith
|
|
|
The Office Boy, by Harry B. Smith
|
|
|
By Right of Sword, by Mrs. Charles Doremus Leonidas Westervelt and A. W. Marchmont
|
|
|
The Tenderfoot, by Richard Carle
|
|
|
The County Chairman, by George Ade
|
|
|
Bird Center, by Glen MacDonough
|
|
|
David Garrick's Love
|
|
|
Stetsons Uncle Tom's Cabin
|
|
|
Woodland, by Frank Pixley
|
|
|
We Are King
|
|
|
A Chinese Honeymoon, by George Dance
|
|
|
Human Hearts`
|
|
|
Resurrection, by Henry Bataille and Michael Morton
|
|
|
McFadden's Row of Flats
|
|
|
The Rivals, by Richard Brimsley Sheridan
|
|
|
Babes in Toyland
|
|
|
Two Men and a Girl, by Frederick Paulding
|
|
|
When a Man [sic] Marries
|
|
|
In Dahomey, by J. A. Shipp
|
|
|
The Forbidden Land
|
|
|
Weather Beaten Benson
|
|
|
Lew Dockstader and His Minstrel Company
|
|
|
Glittering Gloria, by Hugh Morton
|
|
|
Twelfth Night
|
|
|
San Toy, by Edward Morton
|
|
|
A Box of Monkeys
|
|
|
Jerry Burke
|
|
|
The Missing Mrs. Pettijohn, by Alice Yates Grant
|
|
|
The Runaways, by Addison Burkhardt
|
|
|
Don Caesar de Bazan, by G. A. A'Beckett and Mark Lemon
|
|
|
Othello
|
|
|
The March of Time, by Cosmo Gordon Lenox
|
|
|
A Country Mouse, by Arthur Law
|
|
|
A Message From Mars, by Richard Ganthony
|
|
|
Candida, by George Bernard Shaw
|
|
|
Cousin Kate, by Herbert Henry Davies
|
|
|
Peggy From Paris, by George Ade
|
|
|
Davy Crockett, by Frank Mayo
|
|
|
An American Woman
|
|
|
Sergeant Kitty, by R. H. Burnside
|
|
|
The Earl of Pawtucket, by Augustus Thomas
|
|
|
Sherlock Holmes, by William Gillette
|
|
|
The Girl From Kay's, by Owen Hall
|
|
|
The Maid and the Mummy, by Richard Carle
|
|
|
Red Feather, by Reginald DeKoven and Charles Emerson Cook
|
|
|
Mother Goose
|
|
|
The Silver Slipper
|
|
|
MacBeth
|
|
|
The Evolution of Minstrelsy - Al. G. Field's Greater Minstrels
|
|
|
Yankee Counsul
|
|
|
Opera Festival Program - English Grand Opera Company
|
|
|
Mistress Nell, by George C. Hazelton
|
|
|
The Virginian, by Owen Wister and Kirke la Shelle
|
|
|
Mrs. Wiggs of the Cabbage Patch
|
|
|
His Highness the Bey
|
|
|
The Woman in the Case, by Clyde Fitch
|
|
|
Mrs. Temple's Telegram, by Frank Wyatt
|
|
|
The County Chairman
|
|
|
The Tenderfoot
|
|
|
The Illusion of Beatrice, by Martha Morton
|
|
|
The Forbidden Land, by Guy F. Steely
|
|
|
A Corner in Coffee, dramatized by Owen Davis
|
|
|
David Garrick, by T.W. Robertson
|
|
|
Uncle Ben, or, My Lady Help
|
|
|
Richard III, adapted by Colly Cibber
|
|
|
Richelieu, by Sir Edward Bulwer-Lytton
|
|
|
Othello
|
|
|
Hamlet
|
|
|
David Garrick
|
|
|
The Sho-Gun, by George Ade
|
|
|
The Pit, adapted by Channing Pollock
|
|
|
Trilby, dramatized by Paul M. Potter
|
|
|
The Heir to the Hoorah
|
|
|
Cousin Billy, by Clyde Fitch
|
|
|
The Little Father of the Wilderness, by Austin Strong and Lloyd Osbourne
|
|
|
Ann La Mont, by Paul Armstrong
|
|
|
The Eternal City
|
|
|
Land of Nod
|
|
|
The Rollicking Girl
|
|
|
The American Lord, by Charles T. Dazey and George H. Broadhurst
|
|
|
Devil's Auction, by Charles H. Yale
|
|
|
When Knighthood was in Flower, dramatized by Paul Kester
|
|
|
The Marriage of Kitty, adapted by Cosmo Gordon Lennox
|
|
|
Strongheart, by William C. DeMille
|
|
|
Parsifal
|
|
|
Captain Debonnaire
|
|
|
The Wizard of Oz
|
|
|
The Old Homestead, by Denman Thompson
|
|
|
Dorcas, by Harry and Edward Paulton
|
|
|
The Virginian, by Owen Wister and Kirke la Shelle
|
|
|
The Lily and the Prince, by Carina Jordan
|
|
|
The Sleeping Beauty and the Beast
|
|
|
Rip van Winkle
|
|
|
A Message From Mars
|
|
|
The Gingerbread Man, by Frederic Ranken
|
|
|
La Boheme
|
|
|
Faust, adapted by Charles Gounod
|
|
|
The Valkyrie, by Richard Wagner
|
|
|
The Rivals, by Richard Brinsley Sheridan
|
|
|
The Lion and the Mouse, by Charles Klein
|
|
|
David Garrick, by T.W. Robertson
|
|
|
The Man Who Was, dramatized by Kinsey Piele
|
|
|
The Professor's Love Story, by J.M.B.
|
|
|
The Middleman, by Henry Arthur Jones
|
|
|
Big Jubilee Minstrels
|
|
|
Candida
|
|
|
Little Johnny Jones, by George M. Cohan
|
|
|
Mary, Mary, Quite Contrary, adapted by Eugene W. Presbrey
|
|
|
Lew Dockstader and his Great Minstrel Company
|
|
|
Concert by Kubelik
|
|
|
The Genius, by William C. and Cecil deMille
|
|
|
The Free Lance, by Harry B. Smith
|
|
|
On the Quiet, by Augustus Thomas
|
|
|
The Magic Melody
|
|
|
The Wizard of Oz
|
|
|
Coming Thro' the Rye, by George V. Hobart
|
|
|
The Umpire, by Will M. Hough and Frank R. Adams
|
|
|
The Man on the Box, dramatized by Grace Livingston Furniss
|
|
|
The Man From Now, by John Kendrick Bangs and Vincent Bryan
|
|
|
Old Innocence, by Richard Kingsley
|
|
|
Checkers
|
|
|
The District Leader, by Joseph E. Howard
|
|
|
Wonderland, by Victor Herbert and Glen MacDonough
|
|
|
The Toast of the Town, by Clyde Fitch
|
|
|
The Maid and the Mummy, by Richard Carle
|
|
|
Peer Gynt, by Henrik Ibsen
|
|
|
Beau Brummel
|
|
|
The Straight Road, by Clyde Fitch
|
|
|
Lew Dockstader and his Minstrel Company
|
|
|
Julius Caesar
|
|
|
The College Widow, by George Ade
|
|
|
The Mountain Climber, by C. Kraatz and M. Neal
|
|
|
The Squaw Man, by Edwin Milton Royle
|
|
|
The County Chairman, by George Ade
|
|
|
The Ham Tree, by George V. Hobart
|
|
|
In the Bishop's Carriage, dramatized by Channing Pollock
|
|
|
Red Feather
|
|
|
Primrose All-Star Minstrels
|
|
|
Painting the Town, by Herman Perlet
|
|
|
She Stoops to Conquer, or, The Mistakes of a Night, by Oliver Goldsmith
|
|
|
The Gingerbread Man, by Frederic Ranken
|
|
|
MacBeth
|
|
|
The Little Joker, by Herbert Hall Winslow
|
|
|
The Virginian
|
|
|
Dorothy Vernon of Haddon Hall, by Charles Major
|
|
|
The Lilac Room, by Evelyn Greenleaf Sutherland and Beulah Marie Dix
|
|
|
The Prince of India, dramatized by J.I.C. Clarke
|
|
|
The Royal Chef
|
|
|
The Clansman, by Thomas Dixon, Jr.
|
|
|
Sergeant Kitty, by R.H. Burnside
|
|
|
Sapho, by Clyde Fitch
|
|
|
Isle of Spice, by Allen Lowe and George E. Stoddard
|
|
|
Madam Butterfly
|
|
|
Program of Boyd Theatre School of Acting
|
|
|
Mrs. Warren's Profession, by George Bernard Show
|
|
|
The Lion and the Mouse
|
|
|
Alice-Sit-by-the-Fire, by J.M. Barrie
|
|
|
The Duel, by Henri Lavedan
|
|
|
The Mikado
|
|
|
Bohemian Girl, by Balfe
|
|
|
Said Pasha, by Richard Stahl
|
|
|
Fra Diavolo, by Auber
|
|
|
Mascot, by Audran
|
|
|
Captain Jinks, by Clyde Fitch
|
|
|
The Strength of the Weak, by Alice M. Smith and Charlotte Thompson
|
|
|
Kerry Gow
|
|
|
Mlle. Fi Fi
|
|
|
The Crisis, by Winston Churchill
|
|
|
The Eternal City
|
|
|
The Sambo Girl, by Harry B. Smith
|
|
|
The Mayor of Tokio, by Richard Carle
|
|
|
Edmund Burke, by Theodore Bury Sayre
|
|
|
The Little Gray Lady, by Channing Pollock
|
|
Reel
3
Frame
1
|
Volume 14, 1902-1912
|
|
|
Because She Loved Him So, adapted by William Gillette - American Academy of Dramatic Arts, Carnegie Lyceum
|
|
|
Sweet Lavender, by Arthur W. Pinero - American Academy of Dramatic Arts
|
|
|
The Wife, by David Belasco and Henry C. De Mille - American Academy of Dramatic Arts
|
|
|
Thorn Against Thorn, by Samuel Emery - American Academy of Dramatic Arts
|
|
|
Byegones, by Edythe R. Schmitt and Alison M. Lederer - American Academy of Dramatic Arts
|
|
|
A Desperate Chance, by Margaret Cameron - American Academy of Dramatic Arts
|
|
|
Margaret Harstein, by Estella Johnstone - American Academy of Dramatic Arts
|
|
|
A Young Scapegrace, from the French by Elizabeth C. Bunner - American Academy of Dramatic Arts
|
|
|
The Golden Book, by Anna Hempstead Branch - American Academy
|
|
|
Cherry Blossoms, by Van Tassel Sutphen - American Academy
|
|
|
The Serious Family, by Morris Barnett - American Academy
|
|
|
The Girl I Left Behind Me - Academy Stock Company
|
|
|
A Game of Hearts, by Channing Pollock - Asbury Park Opera House
|
|
|
Captain Charlie, by Theodore Burt Sayre
|
|
|
The Earl and the Girl Company
|
|
|
The Banker's Daughter, by Bronson Howard - Hopkins Grand Opera House
|
|
|
Miss Innocence, by Harry B. Smith - Chestnut Street Opera House
|
|
|
The Pink Lady, adapted by Georges Berr and Marcel Guillemaud - Forrest Theatre
|
|
|
A Yankee Circus on Mars, arranged by Frederic Thompson - New York Hippodrome
|
|
|
Zira, by J. Hartley Manners and Henry Miller - Princess
|
|
|
The Marriage of William Ashe, dramatized by Margaret Mayo - Garrick
|
|
|
Farewell to Monte Cristo, by James O'Neill - West End Theatre
|
|
|
Wonderland, by Victor Herbert and Glen MacDonough - Majestic
|
|
|
The Squaw Man, by Edwin Milton Royle - Wallack's
|
|
|
Twiddle-Twaddle, by Edgar Smith - Joe Weber's Music Hall
|
|
|
Forty-Five Minutes from Broadway, by George M. Cohan - New Amsterdam
|
|
|
The Gingerbread Man, by Frederic Ranken - Liberty Theatre
|
|
|
As Ye Sow, by Rev. John Snyder - Garden
|
|
|
The Toast of the Town, by Clyde Fitch - Colonial Theatre
|
|
|
Man and Superman, by Bernard Shaw - Hudson Theatre
|
|
|
The Education of Mr. Pipp, by Augustus Thomas - Liberty
|
|
|
The Rogers Brothers in Ireland, by John J. McNally - New York
|
|
|
Bedford's Hope, by Lincoln J. Carter - 14th Street
|
|
|
The Clansman, by Thomas Dixon, Jr. - Liberty
|
|
|
Before and After, by Leo Ditrichstein - Manhattan
|
|
|
Mexicana, by Clara Driscoll and Robert B. Smith - Lyric
|
|
|
Julie Bonbon, by Clara Lipman- Fields Theatre
|
|
|
The Prisoner of Zenda, dramatized by Edward E. Rose - Proctor's 5th Avenue Theatre
|
|
|
The Redskin, by Donald MacLaren - Liberty
|
|
|
If I Were King, by Justin Huntley McCarthy - Proctor's
|
|
|
Farewell Appearance by Henry De Vries - Proctor's
|
|
|
The Vanderbilt Cup, by Sydney Rosenfeld - Broadway
|
|
|
The Galloper, by Richard Harding Davis - Teller's Broadway Theatre
|
|
|
George Washington, Jr., by George M. Cohan - Herald Square
|
|
|
The District Leader, by Joseph E. Howard - Wallack's
|
|
|
Mr. Hopkinson, by R.C. Carton - Fields
|
|
|
His Honor the Mayor, by C.J. Campbell and R.M. Skinner - Wallack
|
|
|
The Embarrassment of Riches, by Louis Kaufman Anspacher - Wallack's
|
|
|
The Man From Now, by John Kendrick Bangs and Vincent Bryan - New Amsterdam
|
|
|
The Kreutzer Sonata, adapted by Langdon Mitchell - Lyric
|
|
|
The Little Stranger, by Michael Morton - Hackett Theatre
|
|
|
The Duchess of Dantzic, by Henry Hamilton - Daly's
|
|
|
The Lion and the Mouse, by Charles Klein - Lyceum
|
|
|
Peter Pan, by J.M. Barrie - Empire
|
|
|
Mrs. Leffingwell's Boots, by Augustus Thomas - New Lyceum
|
|
|
The Girl of the Golden West, by David Belasco - Belasco Theatre
|
|
|
Mlle. Modiste, by Victor Herbert and Henry Blossom - Knickerbocker
|
|
|
The Dancing Girl, by Henry Arthur Jones - Chicago Opera House
|
|
|
The Hypocrites, by Henry Arthur Jones - Hudson
|
|
|
The Rollicking Girl, by Sydney Rosenfeld - Herald Square
|
|
|
Brewster's Millions, dramatized by Winchell Smith and Byron Ongley - Hudson
|
|
|
Fritz in Tammany Hall, by John J. McNally - Herald Square
|
|
|
Sergeant Brue, by Owen Hall - Knickerbocker
|
|
|
Cousin Billy, by Clyde Fitch - Criterion
|
|
|
The Chorus Lady, by James Forbes - Hackett
|
|
|
The Mollusc, by Hubert Henry Davies - Garrick
|
|
|
Mrs. Peckham's Carouse, by George Ade - Garrick
|
|
|
Les Trois Mouquetaires, by Paul Cazeneuve - Theatre National Français
|
|
|
Strongheart, by William C. De Mille - Powers
|
|
|
A Blot in the `Scutcheon, by Robert Browning - Park Theatre
|
|
|
Molly Moonshine, by Edward Milton Royle and George V. Hobart - Tremont Theatre
|
|
|
Cymbeline, by Shakespeare - Broad Street Theatre
|
|
|
The New York Idea, by Langdon Mitchell - Majestic
|
|
|
The Grand Mogul, by Frank Pixley - Colonial
|
|
|
The Parisian Model, by Harry B. Smith - Illinois
|
|
|
The Road to Yesterday, by B.M. Dix and E.G. Sutherland - Garrick
|
|
|
Mama's Papa, adapted by Jos. Hart - Hyde and Behman's Theatre
|
|
|
Pioneer Days, by Carroll Fleming - New York Hippodrome
|
|
|
Neptune's Daughter, by Manuel Klein and Edward P. Temple
|
|
|
The Comet, by Owen Johnson - Bijou
|
|
|
Miss Hook of Holland, by Paul A. Rubens and Austen Hurgon - Criterion
|
|
|
The Yankee Prince, by George M. Cohan - Knickerbocker
|
|
|
The Jesters, translated by John Raphael - Empire
|
|
|
Her Sister, by Clyde Fitch and Cosmo Gordon Lennox - Hudson
|
|
|
The Hoyden, translated by Cosmo Hamilton - Knickerbocker
|
|
|
The Great Divide, by William Vaughn Moody - Daly's
|
|
|
The Prima Donna, by Henry Blossom and Victor Herbert - Knickerbocker
|
|
|
Hip! Hip! Hooray! by Edgar Smith - Webers
|
|
|
The Warrens of Virginia, by William C. De Mille - Belasco
|
|
|
The Dancer and the King, by Charles E. Blaney and J. Searle Dawley - West End
|
|
|
The Top o' th' World, by Mark E. Swan - Majestic
|
|
|
Virginius, by Sheridan Knowles - West End
|
|
|
Mefistofele, by Arrigo Boito - Metropolitan Opera
|
|
|
The Thief, by Henri Bernstein - Lyceum
|
|
|
The Christian Pilgrim, adapted by James MacArthur - Liberty
|
|
|
The Gay White Way, by Sydney Rosenfeld - Casino
|
|
|
The Daughters of Men, by Charles Klein - Chestnut Street
|
|
|
A Knight for a Day, by Robert B. Smith - Wallack's
|
|
|
The Talk of New York, by George M. Cohan - Knickerbocker
|
|
|
Polly of the Circus, by Margaret Mayo - Liberty
|
|
|
Rigoletto - Metropolitan Opera
|
|
|
Haensel und Gretel - Metropolitan Opera
|
|
|
Pagliacci - Metropolitan Opera
|
|
|
The Rejuvenation of Aunt Mary, by Anne Warner - Madison Square
|
|
|
The Girl Behind the Counter, by Leedham Bantock and Arthur Anderson - Herald Square
|
|
|
Rosmersholm, by Henrick Ibsen - Lyric
|
|
|
The Witching Hour, by Augustus Thomas - Hackett
|
|
|
A House of a Thousand Candles, by George Middleton - Daly's
|
|
|
Funabashi, by Irvin S. Cobb - Casino
|
|
|
A Waltz Dream, by Felix Doermann and Leopold Jacobson - Broadway
|
|
|
The Servant in the House, by Charles Rann Kennedy - Savoy
|
|
|
The Honor of the Family, by Emile Fabre - Hudson
|
|
|
Our American Cousin, by Tom Taylor - Lyric
|
|
|
Hamlet, Prince of Denmark - Lyric
|
|
|
Bandanna Land, by J.A. Shipp and Alex. Rogers - Majestic
|
|
|
Nearly a Hero, by H.B. Smith - Casino
|
|
|
The Soul Kiss, by Harry B. Smith - New York
|
|
|
The-Merry-Go-Round, by Edgar Smith - New Circle
|
|
|
Don Quixote, dramatized by Paul Kester - Lyric
|
|
|
Three Twins, by Charles Dickson - Herald Square
|
|
|
Mary's Lamb, by Richard Carle - New York
|
|
|
Ziegfeld Follies of 1908 - Jardin of Paris
|
|
|
The Mimic World, by Edgar Smith - Casino
|
|
|
Classmates, by William C. DeMille and Margaret Turnbull - Hudson
|
|
|
The Girl Question, by Hough and Adams - Wallack's
|
|
|
The Merry Widow - New Amsterdam
|
|
|
The Easiest Way, by Eugene Walter - Stuyvesant Theatre
|
|
|
The Wolf, by Eugene Walter - Lyric
|
|
|
Lady Frederick, by W. Somerset Maugham - Hudson
|
|
|
Paid in Full, by Eugene Walter - Astor
|
|
|
The Golden Butterfly, by Harry B. Smith - Broadway
|
|
|
Going Some, by Paul Armstrong and Rex Beach - Belasco
|
|
|
The Third Degree, by Charles Klein - Hudson
|
|
|
The Morals of Marcus, by W.J. Locke - Criterion
|
|
|
Mr. Hamlet of Broadway, by Edgar Smith - Casino
|
|
|
The Pied Piper, by Austin Strong and R.H. Burnside - Majestic
|
|
|
Havana, by George Grossmith and Graham Hill - Casino
|
|
|
The Return of Eve, by Lee Wilson Dodd - Herald Square
|
|
|
The Girl from Rector's, by Paul M. Potter - Weber's
|
|
|
A Stubborn Cinderella, by Hough and Adams - Broadway
|
|
|
The Queen of the Moulin Rouge, by Paul M. Potter - Circle
|
|
|
The House Next Door, by J. Hartley Manners - Gaiety
|
|
|
A Woman's Way, by Thompson Buchanan - Hackett
|
|
|
King Richard III - Academy of Music
|
|
|
The Spring Maid, by Harry B. and Robert B. Smith - Liberty
|
|
|
The Jolly Bachelors, by Glen MacDonough - Broadway
|
|
|
The Chocolate Soldier, by Stanislaus Stange - Casino
|
|
|
Program of the New Theatre, New York
|
|
|
The Hen Pecks, by Glen MacDonough - Broadway
|
|
|
La Saison des Ballets Russes (The Russian Ballets) Cleopatra, Les Sylphides, Sheherazade - Winter Garden
|
|
|
Around the World, by Carroll Fleming - New York Hippodrome
|
|
|
The Arab, by Edgar Selwyn - Lyceum
|
|
|
Passers-by, by C. Haddon Chambers - Criterion
|
|
|
Everywoman, by Walter Browne - Herald Square
|
|
|
The Boss, by Edward Sheldon - Astor
|
|
|
I'll Be Hanged if I Do, by Edgar Selwyn and William Collier - William Collier's Comedy Theatre
|
|
|
Over Night, by Philip H. Bartholomae - Hackett
|
|
|
The Red Rose, by Lee Harrison - Globe
|
|
|
Snobs, by George Bronson-Howard - Hudson
|
|
|
The Concert, by Herman Bahr - Belasco
|
|
|
Baby Mine, by Margaret Mayo - Daly's
|
|
|
Madame Sherry, by Otto Hauerbach - New Amsterdam
|
|
|
The Bachelor Belles, by Harry B. Smith - Globe
|
|
|
The Foolish Virgin, by Henri Bataille - Knickerbocker
|
|
|
The Country Boy, by Edgar Selwyn - Liberty
|
|
|
Ziegfeld Follies of 1910 - Colonial
|
|
|
The Gamblers, by Charles Klein - Maxine Elliott's Theatre
|
|
|
The Woman, by William C. De Mille - Republic
|
|
|
The Summer Widowers, by Glen MacDonough - Broadway
|
|
|
Dante's Inferno - Gane's Manhattan Theatre
|
|
|
Kismet, by Edward Knoblauch - Garrick
|
|
|
The Hope, by Cecil Raleign and Henry Hamilton - Theatre Royal Drury Lane
|
|
|
The Scala - Program
|
|
|
Les Transatlantiques, by Abel Hermant and Franc-Nohain
|
|
|
Kismet - Knickerbocker
|
|
|
The Bird of Paradise, by Richard Walton Tully - Maxine Elliott's
|
|
|
Little Boy Blue, by Rudolph Schanzer and Carl Lindau - Lyric
|
|
|
Monsieur Beaucaire, by Booth Tarkington and E.G. Sutherland - Daly's
|
|
|
Over the River, by George V. Hobart and H.A. DuSouchet - Globe
|
|
|
The Durbar in Kinemacolor
|
|
|
The Man From Cook's, by Henry Blossom - New Amsterdam
|
|
|
45 Minutes from Broadway, by George M. Cohan - George M. Cohan's Theatre
|
|
|
Whirl of Society, by Harrison Rhodes and Harold Attridge - The Winter Garden
|
|
|
The Greyhound, by Paul Armstrong and Wilson Mizner - Astor
|
|
|
Oliver Twist, adapted by J. Comyns Carr - Empire
|
|
|
The Typhoon, by Emil Nyitray and Bryon Ongley - Hudson
|
|
|
Bunty Pulls the Strings, by Graham Moffat - William Collier's
|
|
|
Disraeli, by Louis N. Parker - Wallack's
|
|
|
The Garden of Allah, dramatized by Hichens - The Century
|
|
|
The Quaker Girl, by James T. Tanner - Park
|
|
|
A Butterfly on the Wheel, by Edward G. Hemmerde and Francis Neilson - 39th Street Theatre
|
|
|
The Rainbow, by A.E. Thomas - Liberty
|
|
|
Officer 666, by Augustin MacHugh - Gaiety
|
|
|
The City, by Clyde Fitch - Lyric
|
|
|
Seven Days, by Mary Roberts Rinehart and Avery Hopwood - Chestnut Street Opera House
|
|
|
The Fortune Hunter, by Winchell Smith - Garrick
|
|
|
The Man From Home, by Booth Tarkington and Harry Leon Wilson - Adelphi
|
|
|
A Fool There Was, by Porter Emerson Browne - Forrest
|
|
|
Madame X, by Alexandre Bisson - Lyric
|
|
|
Mlle. Mischief, by Kraatz and Von Sterk, adapted by Sydney Rosenfeld - Lyric
|
|
|
Alias Jimmy Valentine, by Paul Armstrong - Adelphi
|
|
|
What Every Woman Knows, by J.M. Barrie - Broad Street
|
|
Reel
3
Frame
257
|
Volume 15, 1904-1905
|
|
|
Trelawny of the Wells, by Arthur Wing Pinero - Murray Hill
|
|
|
The Virginian, by Owen Wister - Manhattan
|
|
|
A Chinese Honeymoon, by George Dance - Grand Opera House
|
|
|
When We Were Twenty-One, by H.V. Esmond - Murray Hill
|
|
|
Terence, dramatized by Mrs. Edmund Nash Morgan - New York
|
|
|
Sweet Kitty Bellairs, by David Belasco - Belasco Theatre
|
|
|
The Girl From Kay's, by Owen Hall - Herald Square
|
|
|
Incog, by Mrs. Romualdo Pacheco - Murray Hill
|
|
|
All on Account of Eliza, by Leo Ditrichstein - Murray Hill
|
|
|
The Charity Ball, by David Belasco and Henry C. De Mille - Murray Hill
|
|
|
The Man of Destiny, by George Bernard Shaw - Vaudeville Theatre
|
|
|
Concert by Sousa and His Band - Metropolitan Opera
|
|
|
Christopher, Junior, by Madeleine Lucette Ryley - Murray Hill
|
|
|
The Cowboy and the Lady, by Clyde Fitch - Murray Hill
|
|
|
The Maister of Woodbarrow, by Jerome K. Jerome - Murray Hill
|
|
|
The Secret of Polichinelle, by Pierre Wolff - Garden
|
|
|
Merely Mary Ann, by Israel Zangwill - Garrick
|
|
|
Camille, by Alexandre Dumas - Hudson
|
|
|
The Two Orphans, by Adolf d'ennery and Eugene Cormon - New Amsterdam
|
|
|
The County Chairman, by George Ade - Wallack's
|
|
|
The Serio-Comic Governess, by Israel Zangwill - New Lyceum
|
|
|
Mrs. Wiggs of the Cabbage Patch - Savoy
|
|
|
Mr. Wix of Wickham, by Herbert Darnley - Bijou
|
|
|
Candida, by Bernard Shaw - Berkeley Lyceum
|
|
|
The Coronet of the Duchess, by Clyde Fitch - Garrick
|
|
|
Taps, by Franz Adam Beyerlein - Lyric
|
|
|
The Duke of Killicrankie, by Robert Marshall - Empire
|
|
|
Lew Dockstader and His Great Minstrel Company - Herald Square
|
|
|
The Altar of Friendship, by Madeline Lucette Ryley - Proctor's
|
|
|
The Sho-Gun, by George Ade - Wallack's
|
|
|
Joseph Entangled, by Henry Arthur Jones - Garrick
|
|
|
The College Widow, by George Ade - Garden
|
|
|
Romeo and Juliet - Knickerbocker
|
|
|
Becky Sharp, by Langdon Mitchell - Manhattan
|
|
|
Little Johnny Jones, by George M. Cohan - Liberty
|
|
|
Mrs. Black is Back, by George V. Hobart - Bijou
|
|
|
The Sorceress, by Victorien Sardou - New Amsterdam
|
|
|
Granny, by Clyde Fitch - New Lyceum
|
|
|
Love's Lottery, by Stanislaus Stange - Broadway
|
|
|
Zaza, by Pierre Berton and Ch. Simon - Lyric
|
|
|
The Yankee Consul, by Henry M. Blossom, Jr. - Grand Opera
|
|
|
It Happened in Nordland, by Glen MacDonough - Lew Fields' Theatre
|
|
|
The Usurper, by I.N. Morris - Knickerbocker
|
|
|
The Fortunes of the King, by Mrs. Charles A. Doreums and Leonidas Westervelt - Lyric
|
|
|
Humpty Dumpty - New Amsterdam
|
|
|
Leah Kleschna, by C.M.S. McLellan - Manhattan
|
|
|
The Serio-Comic Governess, by Israel Zangwill - Harlem Opera
|
|
|
Home Folks, by C.T. Dazey - New York
|
|
|
Merely Mary Ann - New Amsterdam
|
|
|
Sunday, by Thomas Raceward - Hudson
|
|
|
A Madcap Princess - Grand Opera
|
|
|
Common Sense Bracket, by Charles W. Doty - 14th Street
|
|
|
Vaudeville Program of the Circle Theatre
|
|
|
The Winter's Tale - Knickerbocker
|
|
|
Friquet, by Pierre Berton and “Gyp,” - Savoy
|
|
|
The Middleman, by Henry Arthur Jones - Knickerbocker
|
|
|
Strongheart, by William C. DeMille - Hudson
|
|
|
At the Threshold, by Jackson D. Haag - Berkeley Lyceum
|
|
|
Strolling Players, by Arthur Hornblow - Berkeley Lyceum
|
|
|
Richter's Wife, by Julie Herne - Manhattan
|
|
|
Cousin Billy, by Clyde Fitch - Criterion
|
|
|
Love and the Man, by H.V. Esmond - Knickerbocker
|
|
|
The Lady Shore, by Mrs. Vance Thompson and Lena R. Smith - Hudson
|
|
|
London Assurance, by Dion L. Boucicault - Knickerbocker
|
|
|
The Woman in the Case, by Clyde Fitch - Herald Square
|
|
|
Sherlock Holmes, by William Gillette - Empire
|
|
|
She Stoops to Conquet, by Oliver Goldsmith - New Amsterdam
|
|
|
Adrea, by David Belasco and John Luther Long - Belasco
|
|
|
Mrs. Leffingwell's Boots, by Augustus Thomas - New Lyceum
|
|
|
The School for Husbands, by Stanislaus Stange - Wallack's
|
|
|
The Education of Mr. Pipp, by Augustus Thomas - Liberty
|
|
|
The Harvester, by Charles M. Skinner - Harlem Opera
|
|
|
Program of the New York Hippodrome
|
|
|
Sergeant Brue, by Owen Hall - Knickerbocker
|
|
|
The Heir to the Hoorah, by Paul Armstrong - Hudson
|
|
Reel
3
Frame
428
|
Volume 16, 1905-1906
|
|
|
The College Widow - Garden
|
|
|
Trilby, by William A. Brady - New Amsterdam
|
|
|
The Merchant of Venice - American
|
|
|
The Prodigal Son, by Hall Caine - New Amsterdam
|
|
|
Fantana, by Sam S. Shubert and Robert S. Smith - Lyric
|
|
|
Her Great Match, by Clyde Fitch - Criterion
|
|
|
The Music Master, by Charles Klein - Bijou
|
|
|
Du Barry - Belasco Theatre
|
|
|
The Taming of the Shrew - Knickerbocker
|
|
|
The Squaw Man, by Edwin Milton Boyle - Wallack's
|
|
|
Man and Superman, by Bernard Shaw - Hudson
|
|
|
David Garrick, by Charles J. Bell - Madison Square
|
|
|
The Man on the Box, dramatized by Grace Livingston Furniss - Madison Square
|
|
|
Oliver Twist, arranged by J. Comyns Carr - Proctor's
|
|
|
The Lion and the Mouse, by Charles Klein - Lyceum
|
|
|
The Prince Chap, by Edward Peple - Joe Weber's Theatre
|
|
|
Mary, Mary, Quite Contrary, adapted from Sardou's play, Les Pattes de Mouche - Garrick
|
|
|
Mrs. Temple's Telegram, by Frank Wyatt - The Shubert-Park
|
|
|
The Mayor of Tokio, by Richard Carle - New York
|
|
|
Before and After, by Leo Ditrichstein - Manhattan
|
|
|
The Marriage of William Ashe, dramatized by Margaret Mayo - Garrick
|
|
|
The Girl of the Golden West, by David Belasco - Belasco
|
|
|
Phedre, by Racine, with Sarah Bernhardt - Lyric
|
|
|
The Gingerbread Man, by Frederic Ranken - Liberty
|
|
|
The Redemption of David Corson, by Lottie Blair Parker - Majesti
|
|
|
A Case of Arson, by H. Heyermans - Madison Square
|
|
|
The Braisley Diamond, by Tremayne and Hall - Madison Square
|
|
|
Peter Pan - Empire
|
|
|
Veronique, by A. Vanloo and G. Duval - Broadway
|
|
|
The Walls of Jericho, by Alfred Sutro - Savoy
|
|
|
Before and After, by Leo Ditrichstein - Manhattan
|
|
|
Shenandoah - Yorkville Theatre
|
|
|
Lucky Miss Dean, by Sidney Bowkett - Madison Square
|
|
|
The Galloper, by Richard Harding Davis - Garden
|
|
|
The Vanderbilt Cup, by Sydney Rosenfeld - Broadway
|
|
|
For Love's Sweet Sake, by Clay M. Greene - Princess
|
|
|
The Bishop, by John Oliver Hobbes and Murray Carson - Princess
|
|
|
Buster Brown - American
|
|
|
The Triangle, by Rupert Hughes - Manhattan
|
|
|
The Title Mart, by Winston Churchill - Madison Square
|
|
|
Mme. Yvette Guilbert - French songs, Lyceum Theatre
|
|
Reel
3
Frame
511
|
Volume 17, 1905-1906
|
|
|
When Knighthood Was in Flower, by Charles Major, dramatized by Paul Kester - Majestic
|
|
|
Alice and the Eight Princesses, by Glen MacDonough - Grand Opera
|
|
|
Land of Nod, by Frank R. Adams and Will M. Hough - Chicago Opera-House
|
|
|
Her Great Match, by Clyde Fitch - Criterion
|
|
|
Strongheart, by William C. DeMille - Teller's Broadway Theatre
|
|
|
The Walls of Jericho, by Alfred Sutro - Savoy
|
|
|
The Rollicking Girl, by Sydney Rosenfeld - New Montauk Theatre
|
|
|
The Merchant of Venice - Knickerbocker
|
|
|
Little Johnny Jones - Teller's Broadway Theatre
|
|
|
Miss Dolly Dollars, by Victor Herbert and Harry B. Smith - New Montauk
|
|
|
Raffles, the Amateur Cracksman, by E.W. Hornung and Eugene Presbrey - Teller's Broadway Theatre
|
|
|
The Belle of Avenue A, by Harry Williams and Aaron Hoffman - Majestic
|
|
|
Mary, Mary, Quite Contrary - Garrick
|
|
|
Zira, by J. Hartley Manners and Henry Miller - Princess
|
|
|
Mrs. Leffingwell's Boots, by Augustus Thomas - Teller's Broadway
|
|
|
The Vanderbilt Cup, by Sydney Rosenfeld - Broadway
|
|
|
Man and Superman, by Bernard Shaw - Hudson
|
|
|
Peter Pan - Empire
|
|
|
Alice Sit-by-the-Fire, by J.M. Barrie - Criterion
|
|
|
The Duel, by Henri Lavedan - Hudson
|
|
|
The Girl of the Golden West - Belasco
|
|
|
Mlle. Modiste - Knickerbocker
|
|
|
Don Pasquale - Metropolitan Opera
|
|
|
I Pagliacci - Metropolitan Opera
|
|
|
The Sho-Gun, by George Ade - Teller's Broadway
|
|
|
A Society Circus, by Frederic Thompson - New York Hippodrome
|
|
|
The Squaw Man - Wallack's
|
|
|
It Happened in Nordland, by Glen MacDonough - Teller's Broadway
|
|
|
Leah Kleschna - Academy of Music
|
|
|
Candida - Proctor's
|
|
|
Benefit for the New York Home for Destitute Crippled Children - Broadway Theatre
|
|
|
Brown of Harvard, by Rida Johnson Young - Princess
|
|
|
Pierre of the Plains, adapted by Edgar Selwyn - Hudson
|
|
|
The Lion and the Mouse, by Charles Klein - Lyceum
|
|
|
Program from Proctor's 23rd Street Theatre
|
|
|
Brown of Harvard - Princess
|
|
|
Benefit Performance in Aid of the Relief Fund of the San Francisco Sufferers - Metropolitan Opera
|
|
|
Portraits of various actors and actresses
|
|
|
Clarice, by William Gillette - Garrick
|
|
|
Twiddle-Twaddle, by Edgar Smith - Teller's
|
|
|
The Squaw Man's Girl of the Golden West - Teller's
|
|
Reel
3
Frame
686
|
Volume 18, 1906-1907
|
|
|
Alice Sit-by-the-Fire - Criterion
|
|
|
Pantaloon, by J.M. Barrie - Criterion
|
|
|
Mexicana, by Clara Driscoll and Robert B. Smith - Lyric
|
|
|
Abyssinia, by J.A. Shipp and Alex. Rogers - Majestic
|
|
|
Behind the Mask, by Edmund Day - Academy of Music
|
|
|
Bedford's Hope, by Lincoln J. Carter - American
|
|
|
The Clansman, by Thomas Dixon, Jr.
|
|
|
Program for an East Indian Matinee, with Ruth St. Denis - Hudson
|
|
|
George Washington, Jr., by George M. Cohan - Herald Square
|
|
|
Gallops, by David Gray - Garrick
|
|
|
It's All Your Fault, by Edgar Selwyn - Savoy
|
|
|
What the Butler Saw, by Edward A. Parry and Fredk. Mouillot - Garrick
|
|
|
Mr. Hopkinson, by R.C. Carton - Fields
|
|
|
The Lightning Conductor, by Harry B. Smith - New National Theatre
|
|
|
Mlle. Modiste - Knickerbocker
|
|
|
Arms and the Man, by Bernard Shaw - Lyric
|
|
|
Brown of Harvard, by Rida Johnson Young - Princess
|
|
|
Program of the Victoria
|
|
|
The Strength of the Weak, by Alice M. Smith and Charlotte Thompson - Liberty
|
|
|
Zira, by J. Hartley Manners and Henry Miller - Majestic
|
|
|
Vaudeville Program of the Colonial Theatre
|
|
|
Cousin Louisa, by Frederick Paulding - Daly's
|
|
|
Program from a John Philip Sousa Concert - New York Hippodrome
|
|
|
His Honor the Mayor, by C.E. Campbell and R.M. Skinner - New York
|
|
|
His House in Order, by Arthur W. Pinero - Empire
|
|
|
Program of the United States Marine Band - New York Hippodrome
|
|
|
Paolo and Francesca, by Stephen Phillips - New Amsterdam
|
|
|
Travelogues at the Lyceum Theatre
|
|
|
The Love Letter, by Victorien Sardou - Lyric
|
|
|
The Shulamite, by Claude Askew and Edward Knoblauch - Lyric
|
|
|
The Girl Raffled, by Charles E. Blaney - 14th Street
|
|
|
Nurse Marjorie, by Israel Zangwill - Liberty
|
|
|
The Love Route, by J.C. Huffman - Lincoln Square Theatre
|
|
|
The Rich Mr. Hoggenheimer, by Harry B. Smith - Wallack's
|
|
|
La Traviata - Metropolitan Opera
|
|
|
Mamselle Sallie, by Robert B. Smith - Grand Opera
|
|
|
Othello - Academy of Music
|
|
|
Caesar and Cleopatra, by G. Bernard Shaw - New Amsterdam
|
|
|
The Light Eternal, by Martin V. Merle - Majestic
|
|
|
The Rose of the Rancho, by David Belasco and Richard Walton Tully - Belasco
|
|
|
Mrs. Dane's Defense, by Henry Arthur Jones
|
|
|
Clothes, by Avery Hopwood and Channing Pollock - Manhattan
|
|
|
The Law and the Man, adapted from Victor Hugo's Les Miserables - Manhattan
|
|
|
Hedda Gabler, by Henrik Ibsen - Princess
|
|
|
The Three of Us, by Rachel Crothers - Madison Square
|
|
|
The Great Divide, by William Vaughn Moody - Princess
|
|
|
Elisir d'Amore, by Donizetti - Manhattan Opera House
|
|
|
The Hypocrites, by Henry Arthur Jones - Hudson
|
|
|
The New York Idea, by Langdon Mitchell - Lyric
|
|
|
The Parisian Model, by Harry B. Smith - Broadway
|
|
|
The Girl Who Has Everything, by Clyde Fitch - Liberty
|
|
|
John the Baptist, by Herman Sudermann - Lyric
|
|
|
Il Trovatore - Manhattan Opera House
|
|
|
The Aero Club, by Sydney Rosenfeld - Criterion
|
|
|
Jeanne d'Arc, by Percy Mackaye - Lyric
|
|
|
The Truth, by Clyde Fitch - Lyceum
|
|
|
Fantana, by Sam S. Shubert and Robert B. Smith - Yorkville
|
|
|
The Straight Road, by Clyde Fitch - Astor
|
|
|
Program of the Victoria
|
|
|
The Sunken Bell, by Gerhart Hauptmann - Lyric
|
|
|
The Chorus Lady, by James Forbes - Hackett
|
|
|
Aida - Manhattan Opera House
|
|
|
Lucia di Lammermoor - Manhattan Opera House
|
|
|
Brewster's Millions, dramatized by Winchell Smith and Byron Ongley - New Amsterdam
|
|
Reel
3
Frame
823
|
Volume 19, 1907
|
|
|
The Chorus Lady, by James Forbes - Savoy
|
|
|
The Little Cherub, by Owen Hall - Criterion
|
|
|
The Great Divide, by William Vaughn Moody - Princess
|
|
|
About Town, by Joseph Herbert - Lew Fields' Herald Square Theatre
|
|
|
When We Were Twenty-One, by H.V. Esmond - Goodwin Matinees
|
|
|
Popularity, by George M. Cohan - Wallack's
|
|
|
The Measure of a Man, by Cora Maynard
|
|
|
The Hypocrites, by Henry Arthur Jones - Hudson
|
|
|
Caesar and Cleopatra, by G. Bernard Shaw - New Amsterdam
|
|
|
Alice Sit-by-the-Fire, by J.M. Barrie - New Montauk
|
|
|
The Hypocrites - Hudson
|
|
|
Forty-Five Minutes From Broadway, by George M. Cohan - New York
|
|
|
Cymbeline, by Shakespeare - Astor
|
|
|
Mrs. Dane's Defense, by Henry Arthur Jones - Lyric
|
|
|
The Chorus Lady - Hackett
|
|
|
Brown of Harvard - Shubert
|
|
|
The Red Mill, by Henry Blossom and Victor Herbert - Knickerbocker
|
|
|
The Daughters of Men, by Charles Klein - Astor
|
|
|
The Prince Chap, by Edward Peple - Shubert
|
|
|
The Lion and the Mouse, by Charles Klein - Lyceum
|
|
|
Dream City, by Edgar Smith - Weber's
|
|
|
The Road to Yesterday, by B.M. Dix and E.G. Sutherland - Lew Fields' Herald Square
|
|
|
Brown of Harvard - Majestic
|
|
|
The Squaw Man - New Montauk
|
|
|
The Truth - Criterion
|
|
|
The Rich Mr. Hoggenheimer - Wallack's
|
|
|
The Straight Road, by Clyde Fitch - Astor
|
|
|
Vaudeville Program from the Orpheum
|
|
|
The Law and the Man, written by Wilton Lackaye - Manhattan
|
|
|
Genesee of the Hills, by Marah Ellis Ryan and McPherson Turnbull - Astor
|
|
|
The Sunken Bell, by Gerhart Hauptmann - Lyric
|
|
|
Captain Jinks, by Clyde Fitch - Empire
|
|
|
The Mills of the Gods, by George Broadhurst - Astor
|
|
|
The Belle of Mayfair, by Charles H.E. Brookfield and Cosmo Hamilton - Astor
|
|
|
Brewster's Millions - Hudson
|
|
|
The Hypocrites - New Montauk
|
|
|
The Red Mill - Knickerbocker
|
|
|
The Spring Chicken, by Richard Carle - Daly's
|
|
|
The Boys of Company “B”, by Rida Johnson Young - Lyceum
|
|
|
Program of the Actors' Society of America
|
|
|
His Excellency the Governor, by Robert Marshall - Empire
|
|
|
Captain Jinks - Empire
|
|
|
The Boys of Company “B” - Lyceum
|
|
|
Cousin Kate, by Hubert Henry Davies - Empire
|
|
|
The Boys of Company “B” - Lyceum
|
|
|
The Chorus Lady - Hackett
|
|
|
The Road to Yesterday, by B.M. Dix and E.G. Sutherland - Lyric
|
|
|
Comtesse Coquette, by Roberto Bracco - Bijou
|
|
|
Ethel Barrymore - Reproductions
|
|
|
Maude Adams - Reproductions
|
|
Reel
4
Frame
1
|
Volume 20, 1907
|
|
|
Genesee of the Hills, by Marah Ellis Ryan and McPherson Turnbull - Astor
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In the Bishop's Carriage, by Channing Pollock - Grand Opera
|
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Carmen - Manhattan Opera House
|
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All-of-a-Sudden Peggy, by Ernest Denny - Bijou
|
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Charley's Aunt, by Brandon Thomas - Lincoln Square
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On Parole, by Louis Evan Shipman - Majestic
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Lucia di Lammermoor - Metropolitan Opera
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Madama Butterfly - Metropolitan Opera
|
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The Spoilers, by Rex Beach and James MacArthur - New York
|
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Pioneer Days, by Carroll Fleming - New York Hippodrome
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Neptune's Daughter, by Manuel Klein and Edward P. Temple - New York Hippodrome
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Circus Events - New York Hippodrome
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The Tattooed Man, by Harry B. Smith and A.N.C. Fowler - Criterior
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Caught in the Rain
|
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The Silver Box, by John Galsworthy - Empire
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The Grand Mogul, by Frank Pixley - New Amsterdam
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Salomy Jane, by Paul Armstrong - Liberty
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A Doll's House, by Henrik Ibsen - Bijou
|
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Man and Superman, by Bernard Shaw - Grand Opera
|
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His Excellency the Governor, by Robert Marshall - Empire
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The Primrose Path, by Bayard Veiller - Majestic
|
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The Road to Yesterday, by B.M. Dix and E.G. Sutherland - Lyric
|
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The Red Mill - Knickerbocker
|
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The Boys of Company “B” - Lyceum
|
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Blue Jeans, by Joseph Arthur - Keith and Proctor's 5th Avenue Theatre
|
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Divorçons, by Victorien Sardou - Wallack's
|
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|
Comtesse Coquette - Bijou
|
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|
The Dancer and the King, by Charles E. Blaney and J. Searl Dawley - Blaney's Lincoln Square Theatre
|
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|
Uncle Tom's Cabin, dramatized by James W. Harkins and Edwin Barbour - Majestic
|
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|
Program from Pastor's Theatre
|
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|
Program from Jardin de Paris
|
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The Round Up, by Edmund Day - New Amsterdam
|
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Sappho and Phaon, by Percy Mackaye - Lyric
|
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The Round Up - Broadway Theatre
|
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H.M.S. Pinafore, by Gilbert and Sullivan - Blaney's Lincoln Squar
|
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La Gioconda - Manhattan Opera
|
|
Reel
4
Frame
70
|
Volume 21, 1905-1908
|
|
|
Benefit Matinee for St. Lukes Hospital - Lyric Theatre
|
|
|
Playbills - New York Theatres
|
|
Reel
4
Frame
230
|
Volume 22, 1907-1908
|
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Tom Jones, adapted by Robert Courtneidge and A.M. Thompson - Astor
|
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Concerts by Victor Herbert's Orchester - Broadway Theatre
|
|
|
O'Neill of Derry, by Theodore Burt Sayne - Liberty
|
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The Right of Way, by Eugene W. Presbrey - Wallack's
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|
The Gay White Way, by Sydney Rosenfeld - The Casino
|
|
Reel
4
Frame
245
|
The Rejuvenation of Aunt Mary, by Anne Warner - Garden
|
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|
The Toy Maker of Nuremberg, by Austin Strong
|
|
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My Wife, by Michael Morton - Empire
|
|
|
Souvenir Brochur (cover only) from a testimonial to Mrs. McKee Rankin (Kitty Blanchard) - Broadway Theatre
|
|
|
The Merry Widow - New Amsterdam
|
|
|
The Servant in the House, by Charles Rann Kennedy - Savoy
|
|
|
Love's Comedy, by Henrik Ibsen - Hudson
|
|
|
Marta of the Lowlands, by Angel Guimera - Garden
|
|
|
Miss Hook of Holland, by Paul A. Rubens and Austen Hurgon - Criterion
|
|
|
The Wife, by David Belasco and Henry C. DeMille - Blaney's Lincoln Square
|
|
|
The Royal Mounted, by Cecil B. and William C. DeMille
|
|
|
The Soul Kiss, by Harry B. Smith - New York
|
|
|
Poem - “Ah! There Were Actors Then,” by Harry B. Smith
|
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|
Poem - “To Mlle. Adeline Genée, Dancing,” by Louis Untermeyer
|
|
|
The Thief, by Henri Bernstein - Lyceum
|
|
|
Pudd'n Head Wilson, dramatized by Frank Mayo - Keith and Proctor's Harlem Opera House
|
|
|
Polly of the Circus, by Margaret Mayo - Liberty
|
|
|
The Yankee Prince, by George M. Cohan - Knickerbocker
|
|
|
The Witching Hour, by Augustus Thomas - Hackett
|
|
|
A Grand Army Man, by David Belasco, Pauline Phelps, and Marion Short - David Belasco's Stuyvesant Theatre
|
|
|
The Life of Mary Anne Clarke, by Beatrice Morgan, Mrs. C.A. Doremus and Henry C. Colwell - Keith and Proctor's
|
|
|
The Governor and the Boss, by Guy Fletcher Bragdon and William Postance - Blaney's Lincoln Square
|
|
|
Paid in Full, by Eugene Walter - Astor
|
|
|
Girls, by Clyde Fitch - Daly's
|
|
|
The Warrens of Virginia, by William C. DeMille - Stuyvesant
|
|
|
The Wolf, by Eugene Walker - Lyric
|
|
|
The Battle of Port Arthur, by Owen Davis - New York Hippodrome
|
|
|
Lady Gay's Garden Party, by Manuel Klein and Edward P. Temple - New York Hippodrome
|
|
|
Father and the Boys, by George Ade - Empire
|
|
|
The Girl Behind the Counter, by Leedham Bantock and Arthur Anderson - Lew Fields' Herald Square
|
|
|
The-Merry-Go-Round, by Edgar Smith - New Circle Theatre
|
|
|
The Honor of the Family, by Emile Fabre - Hudson
|
|
|
Vaudeville Program from Colonial Theatre
|
|
|
Program from Hammerstein's Roof Garden and Victoria
|
|
|
If I Were King, by Justin Huntly McCarthy - Academy of Music
|
|
|
Ziegfeld Follies of 1908
|
|
|
The Regeneration, by Owen Kildare and Walter Hackett - Wallack's
|
|
|
Benefit Program - Siasconset Casino
|
|
|
The Round Up, by Edmund Day - Academy of Music
|
|
|
The Merry Widow - New Amsterdam
|
|
|
The Mollusc, by Hubert Henry Davies - Garrick
|
|
|
Program of Isadora Duncan in her Celebrated Classical Dances - Criterion
|
|
|
All for a Girl, by Rupert Hughes - Bijou
|
|
|
Wildfire, by George Broadhurst and George V. Hobart - Liberty
|
|
|
Diana of Dobson's, by Cicely Hamilton - Savoy
|
|
|
Vaudeville Program from Colonial Theatre
|
|
Reel
4
Frame
363
|
Volume 23, 1907-1908 (including Autographs)
|
|
|
William H. West Big Jubilee Minstrels
|
|
|
The 3 of Us, by Rachel Crothers
|
|
|
Miss Pocahontas, by R.A. Barnet and R.M. Baker
|
|
|
We Are King
|
|
|
Jewels of Fire
|
|
|
David Garrick's Love
|
|
|
The Prince of Pilsen
|
|
|
Sergeant Brue, by Owen Hall
|
|
|
Piff! Paff!! Pouf!!! by Stanislaus Stange
|
|
|
The Heir to the Hoorah, by Paul Armstrong
|
|
|
The Royal Chef
|
|
|
The Yankee Regent, by Irving B. Lee and Charles S. Adelman
|
|
|
The Stronger Sex
|
|
|
Rip van Winkle
|
|
|
Brewster's Millions
|
|
|
Before and After
|
|
|
45 Minutes From Broadway
|
|
|
The Prince Chap
|
|
|
Lew Dockstader and his Minstrel Company
|
|
|
Klaw and Erlanger's Advanced Vaudeville
|
|
|
The Blue Moon
|
|
|
Mlle. Emma Calve - Tour
|
|
|
The Belle of Mayfair, by Charles H.E. Brookfield and Cosmo Hamilton
|
|
|
The House of a Thousand Candles, dramatized by George Middleton
|
|
|
Zira
|
|
|
The Honor of the Family, by Emile Fabre
|
|
|
Isle of Spice, by Allen Lowe and George E. Stoddard
|
|
|
Little Johnny Jones
|
|
|
The Squaw Man
|
|
|
The Man of the Hour, by George Broadhurst
|
|
|
Checkers, by Henry M. Blossom, Jr.
|
|
|
The Tattooed Man, by Victor Herbert
|
|
|
The Grand Mogul, by Frank Pixley
|
|
|
Happyland, by Reginald De Koven and Frederick Ranken
|
|
|
Jan Kubelik - Concert
|
|
|
Two Men and a Girl, by Frederick Paulding
|
|
|
The Clansman, by Thomas Dixon, Jr.
|
|
|
The Girl Over There, by Harry Sheldon White
|
|
|
A Doll's House
|
|
|
Hedda Gabler
|
|
|
The Girl Who Has Everything, by Clyde Fitch
|
|
|
Lucia di Lammermoor, by the Italian Grand Opera Company
|
|
|
A Doll's House
|
|
|
The Red Mill
|
|
|
The Land of Nod, by Frank B. Adams and Will M. Hough
|
|
|
Coming Thro' the Rye, by George V. Hobart
|
|
|
The Spring Chicken, by George Edwards
|
|
|
We Are King, by Lt. Gordon Kean
|
|
|
Mrs. Warren's Profession, by George Bernard Shaw
|
|
|
The Girl Question, by Hough and Adams
|
|
|
The Land of Dollars, by George Ade
|
|
|
Program for Italian Grand Opera Company
|
|
|
Classmates, by William C. DeMille and Margaret Turnbull
|
|
|
The Man of the Hour, by George Broadhurst
|
|
|
The Second Mrs. Tanqueray, by A.W. Pinero
|
|
Reel
4
Frame
421
|
The Notorious Mrs. Ebbsmith, by A.W. Pinero
|
|
|
Brown of Harvard
|
|
|
A Knight for a Day, by Robert B. Smith
|
|
|
The Lion and the Mouse
|
|
|
The Man on the Box
|
|
|
The Gingerbread Man
|
|
|
When Knights Were Bold, by Charles Marlowe
|
|
|
The Kreutzer Sonata, by Jacob Gordin
|
|
|
The Beauty Spot, by Joseph W. Herbert - Burwood Theatre
|
|
|
The Great John Ganton, by J. Hartly Manners
|
|
|
The Witching Hour, by Augustus Thomas
|
|
|
Mr. Lode of Koal, by J.A. Shipp and Alex. Rogers
|
|
|
Going Some, by Paul Armstrong and Rex Beach
|
|
|
Concert Program from Innes' Orchestral Band
|
|
|
The Great Divide
|
|
|
Paid in Full, by Eugene Walter
|
|
|
Ben Hur
|
|
|
Ziegfeld's Follies of 1907
|
|
|
The Witching Hour
|
|
|
Three Twins, by Charles Dickson
|
|
|
The Top o' th' World, by Mark E. Swan
|
|
|
The Right of Way, by Eugene W. Presbrey
|
|
|
Forty-Five Minutes From Broadway
|
|
|
Travelogue Programs - Boy's Theater, Omaha, Nebraska
|
|
|
Girls, by Clyde Fitch
|
|
|
A Knight for a Day
|
|
|
The Devil, adapted by Oliver Herford
|
|
|
Polly of the Circus, by Margaret Mayo
|
|
|
Mirele Effros, the Jewish Queen Lear
|
|
|
The Richest Girl, by Gavault and Morton
|
|
|
Little Johnny Jones
|
|
|
Under the Greenwood Tree, by Henry V. Esmond
|
|
|
The Rogers Brothers in Panama, by Sylvester Maguire and Aaron Hoffman
|
|
|
A Girl at the Helm, by Robert B. Smith
|
|
|
Faust - Italian Grand Opera Company
|
|
|
Aida
|
|
|
Paid in Full
|
|
|
The Virginian
|
|
|
The Servant in the House
|
|
|
Old Innocence
|
|
|
Father and the Boys
|
|
|
The Call of the North, by George Broadhurst
|
|
|
Mrs. Wiggs of the Cabbage Patch
|
|
|
The Substitute, by Beulah M. Dix and Evelyn Greenleaf Sutherland
|
|
|
The House of Bondage, by Seymour Obermer
|
|
|
The Lion and the Mouse
|
|
|
A Midsummer Night's Dream
|
|
|
Al. G. Field's Greater Minstrels
|
|
|
A Stubborn Cinderella, by Hough and Adams
|
|
|
The Family, by Robert H. Davis
|
|
|
The Old Guard
|
|
|
The Taming of the Shrew
|
|
|
The Red Mill
|
|
|
The Golden Girl
|
|
|
Sham
|
|
Reel
4
Frame
482
|
The Yankee Prince
|
|
|
Via Wireless, dramatized by Paul Armstrong and Winchel Smith
|
|
|
The Goddess of Liberty, by Hough and Adams
|
|
|
The Golden Butterfly, by Harry B. Smith
|
|
|
A Lucky Star, by Anne Crawford Flexner
|
|
|
Your Humble Servant, by Booth Tarkington and Henry Leon Wilson
|
|
|
Sweet Clover, by Pauline Phelps and Marion Short - Krug Theatre
|
|
|
Under Southern Skies, by Lottie Blair Parker - Krug
|
|
|
The Peddler, by Hal Reid
|
|
|
Zaza, adapted by David Belasco
|
|
|
Whoop-dee-doo
|
|
|
Buster Brown
|
|
|
A Son of Rest, by George Weston
|
|
|
A Pair of Pinks
|
|
|
Happy Hooligan
|
|
|
The Burglas and the Lady, by Langdon McCormick
|
|
|
Girl Raffles, by Charles E. Blaney
|
|
|
Girls Will be Girls, by Joseph Hart and R. Melville Baker
|
|
|
The Mysterious Burglas, by Jos. Lebrandt
|
|
|
The Girl With Green Eyes, by Clyde Fitch
|
|
|
The Spenders, adapted by Edward F. Rose
|
|
Reel
4
Frame
525
|
Volume 24, 1908
|
|
|
Agnes, by George Cameron - Majestic
|
|
|
Three Twins, by Charles Dickson - Lew Fields Herald Square
|
|
|
The Girls of Gottenberg, by George Grossmith, Jr. and L.E. Berman - Knickerbocker
|
|
|
The Traveling Salesman, by James Forbes - Gaiety
|
|
|
Mater, by Percy Mackaye - Savoy
|
|
|
Pierre of the Plains, by Edgar Selwyn - Hudson
|
|
|
Love Watches, by R. De Flers and G. Caillavet, adapted by Gladys Unger - Lyceum
|
|
|
The Great Question, by Frederick Paulding - Majestic
|
|
|
A Gentleman from Mississippi, by Harrison Rhodes and Thomas A. Wise - Bijou
|
|
|
Program from Blaney's Lincoln Square Theatre
|
|
|
Little Nemo, by Harry B. Smith - New Amsterdam
|
|
|
Myself--Bettina, by Rachel Crothers - Daly's
|
|
|
Sporting Days, by R.H. Burnside - New York Hippodrome
|
|
|
Program from the Victoria
|
|
|
Paid in Full, by Eugene Walter - Weber's
|
|
|
Hamley
|
|
|
Malia, by Luigi Capuana - Broadway
|
|
|
Samson, by Henri Bernstein - Criterion
|
|
|
Iphigenie en Aulide, scenes by Christopher Gluck, with Isadora Duncan - Carnegie Hall
|
|
|
The Stronger Sex, by John Valentine - Weber's
|
|
|
The Blue Mouse, by Clyde Fitch - Lyric
|
|
|
Lady Frederick, by W. Somerset Maugham - Hudson
|
|
|
The Devil, by Ferenc Molnar - Belasco
|
|
|
What Every Woman Knows, by J.M. Barrie - Empire
|
|
|
The Pied Piper, by Austin Strong and R.H. Burnside - Majestic
|
|
|
Salvation Nell, by Edward Sheldon - Hackett
|
|
|
Program from the Victoria
|
|
|
Program from the Colonial Theatre
|
|
|
Mary Jane's Pa, by Edith Ellis - Garden
|